...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Europejska edycja wydanego w 1972 roku, doskonałego, trzeciego albumu klasyków ciężkiego progresywnego rocka z Japonii. Co prawda zainspirowani po części stylistyką ówczesnych Deep Purple FTB najbardziej znani są z pierwszych dwóch albumów ("Anywhere" z 1970 i "Satori" z 1971), to zrealizowany rok później "Made In Japan", choć w przeważającej części nosił bardziej progresywny charakter, to jakościowo niemal w niczym im nie ustępował! Uwaga! Do zawartości albumu wytwórnia dodała bardzo interesujące, choć nieco odmienne stylistycznie nagranie dodatkowe, czyli "The Flowers", 27-minutowy ciężki, psychodeliczny jam zarejestrowany jeszcze w 1970 roku przez (poprzedzającą Flower Travellin' Band) formację Yuya Uchida & The Flowers



..::TRACK-LIST::..

1. Introduction 0:24
2. Unaware 5:55
3. Aw Give Me Air 3:15
4. Kamikaze 4:20
5. Hiroshima 5:15
6. Spasms 5:20
7. Heaven And Hell 3:40
8. That's All 6:40

Bonus Track from 1969:
9. Yuya Uchida & The Flowers - The Flowers 27:19



..::OBSADA::..

Vocals - Joe Yamanaka
Guitar, Sitar - Hideki Ishima
Bass - Jun Kozuki
Drums - Joji Wada

Guest:
Drums - Paul Delon



https://www.youtube.com/watch?v=GoCkS5MPZAI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Europejska edycja wydanego w 1972 roku, doskonałego, trzeciego albumu klasyków ciężkiego progresywnego rocka z Japonii. Co prawda zainspirowani po części stylistyką ówczesnych Deep Purple FTB najbardziej znani są z pierwszych dwóch albumów ("Anywhere" z 1970 i "Satori" z 1971), to zrealizowany rok później "Made In Japan", choć w przeważającej części nosił bardziej progresywny charakter, to jakościowo niemal w niczym im nie ustępował! Uwaga! Do zawartości albumu wytwórnia dodała bardzo interesujące, choć nieco odmienne stylistycznie nagranie dodatkowe, czyli "The Flowers", 27-minutowy ciężki, psychodeliczny jam zarejestrowany jeszcze w 1970 roku przez (poprzedzającą Flower Travellin' Band) formację Yuya Uchida & The Flowers



..::TRACK-LIST::..

1. Introduction 0:24
2. Unaware 5:55
3. Aw Give Me Air 3:15
4. Kamikaze 4:20
5. Hiroshima 5:15
6. Spasms 5:20
7. Heaven And Hell 3:40
8. That's All 6:40

Bonus Track from 1969:
9. Yuya Uchida & The Flowers - The Flowers 27:19



..::OBSADA::..

Vocals - Joe Yamanaka
Guitar, Sitar - Hideki Ishima
Bass - Jun Kozuki
Drums - Joji Wada

Guest:
Drums - Paul Delon



https://www.youtube.com/watch?v=GoCkS5MPZAI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w atrakcyjnej okładce, dwupłytowy CD zawierający fantastycznie brzmiący i doskonale zagrany 115-minutowy koncert z lipca 1977 roku - profesjonalnie zarejestrowany podczas tournee promującego wydany pół roku wcześniej LP "Wind & Wuthering". To była druga trasa z Philem Collinsem w roli wokalisty i niestety ostatnia ze Steve'em Hackettem na gitarze! Na drugim zestawie bębnów (w miejsce Billa Bruforda) grał już były perkusista Zappy i Weather Report - Chester Thompson. Prawdopodobnie był to najlepiej brzmiący koncert z całej trasy z 1977 roku. Dźwięk jest nieco bardziej naturalny niż na YouTube! Wszyscy muzycy są perfekcyjnie słyszalni i moim zdaniem całość brzmi nie gorzej niż oficjalny "Seconds Out"! Dodatkowo na koniec drugiego CD dołączono trzy tytuły zagrane na tej samej trasie! Wielką zaletą tego 138-minutowego wydawnictwa są unikalne, zdecydowanie progresywne nagrania ze wspomnianego wyżej "Wind & Wuthering", a także znany z rzadkiej EP, "Inside And Out"!

JL


..::TRACK-LIST::..

CD 1:
1. Squonk 7:17
2. One For The Wine 11:26
3. Robbery, Assault And Battery 6:32
4. Inside And Out 8:02
5. Firth Of Fifth 9:01
6. The Carpet Crawlers 7:12
7. In That Quiet Earth 4:46
8. Afterglow 4:23
9. I Know What I Like 9:46

CD 2:
1. Eleventh Earl Of Mar 8:10
2. Supper's Ready 25:43
3. Dance On A Volcano 4:56
4. Los Endos 6:09
5. The Lamb Lies Down On Broadway 4:44
6. The Musical Box (Closing Section) 3:19

Bonus Tracks:
6. Myrtle The Mermaid 1:11
7. Your Own Special Way 6:36
8. All In A Mouse's Night 7:30
9. The Knife 3:48



..::OBSADA::..

Bass, Guitar, Pedalboard [Bass Pedal], Backing Vocals - Mike Rutherford
Drums, Percussion - Chester Thompson
Guitar, Pedalboard [Bass Pedal] - Steve Hackett
Keyboards, Guitar, Backing Vocals - Tony Banks
Lead Vocals, Drums, Percussion - Phil Collins




https://www.youtube.com/watch?v=nsgB4bqhkLM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w atrakcyjnej okładce, dwupłytowy CD zawierający fantastycznie brzmiący i doskonale zagrany 115-minutowy koncert z lipca 1977 roku - profesjonalnie zarejestrowany podczas tournee promującego wydany pół roku wcześniej LP "Wind & Wuthering". To była druga trasa z Philem Collinsem w roli wokalisty i niestety ostatnia ze Steve'em Hackettem na gitarze! Na drugim zestawie bębnów (w miejsce Billa Bruforda) grał już były perkusista Zappy i Weather Report - Chester Thompson. Prawdopodobnie był to najlepiej brzmiący koncert z całej trasy z 1977 roku. Dźwięk jest nieco bardziej naturalny niż na YouTube! Wszyscy muzycy są perfekcyjnie słyszalni i moim zdaniem całość brzmi nie gorzej niż oficjalny "Seconds Out"! Dodatkowo na koniec drugiego CD dołączono trzy tytuły zagrane na tej samej trasie! Wielką zaletą tego 138-minutowego wydawnictwa są unikalne, zdecydowanie progresywne nagrania ze wspomnianego wyżej "Wind & Wuthering", a także znany z rzadkiej EP, "Inside And Out"!

JL



..::TRACK-LIST::..

CD 1:
1. Squonk 7:17
2. One For The Wine 11:26
3. Robbery, Assault And Battery 6:32
4. Inside And Out 8:02
5. Firth Of Fifth 9:01
6. The Carpet Crawlers 7:12
7. In That Quiet Earth 4:46
8. Afterglow 4:23
9. I Know What I Like 9:46

CD 2:
1. Eleventh Earl Of Mar 8:10
2. Supper's Ready 25:43
3. Dance On A Volcano 4:56
4. Los Endos 6:09
5. The Lamb Lies Down On Broadway 4:44
6. The Musical Box (Closing Section) 3:19

Bonus Tracks:
6. Myrtle The Mermaid 1:11
7. Your Own Special Way 6:36
8. All In A Mouse's Night 7:30
9. The Knife 3:48



..::OBSADA::..

Bass, Guitar, Pedalboard [Bass Pedal], Backing Vocals - Mike Rutherford
Drums, Percussion - Chester Thompson
Guitar, Pedalboard [Bass Pedal] - Steve Hackett
Keyboards, Guitar, Backing Vocals - Tony Banks
Lead Vocals, Drums, Percussion - Phil Collins




https://www.youtube.com/watch?v=nsgB4bqhkLM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza w historii antologia grupy z Blackpool, która samodzielnie wydała jeden z najrzadszych i najdroższych albumów na świecie. W 1970 roku kwartet wytłoczył 99 egzemplarzy (w celu uniknięcia podatku) swojego debiutanckiego albumu, którego okładka, ze względu na wadę produkcyjną, była nieco mniejsza od płyty. W 1971 grupa nagrała drugi album, "The Way We Feel", wydany w sierpniu tego samego roku przez wytwórnię Deroy, ponownie w 99 egzemplarzach. Na trzecim CD znalazło się pięć utworów z zarejestrowanego w 1972 acetatu, a także singiel "Who Got The Love / She Turns Me On" z 1976 i niepublikowane wcześniej nagrania z lat 1973-1978. Płyty znajdują się w kopertach wsuniętych do tekturowego etui, razem z 24-stronicową książeczką zawierającą m.in. historię grupy.



The UK pop psych/progressive rock band Complex issued only two rare albums and one single during their 1971-1978 lifespan, including a self-released debut LP, so sought after that it has fetched as much as 10,000 pounds sterling among collectors.

Cherry Red Records has compiled those recordings, supplemented by contemporary out-takes and a third disc of recordings seeing their first ever release in a new three disc box set on its Grapefruit Records imprint.

Blackpool based Complex, drummer/lead vocalist Tony Shakespeare, lead guitarist/vocalist Brian Lee, bass guitarist/vocalist Lance Fogg and keyboardist Steve Coe, recorded their debut album in November 1970. The LP consisted of eleven tunes, eight written by Coe with his friend Bob Mitchell, two by Coe alone and one by Coe and Shakespeare. Only 99 copies were pressed, distributed and sold or given away. The group had a unique sound led by Coe’s Vox Continental organ, using a Selmer amplifier played through Vox speakers and employing a Binson echo unit. The album opens with organ led pop rocker ‘Funny Feeling’. ‘Message From The Year 2000’ has a delicate melody featuring acoustic guitar and gorgeous vocals. ‘Green-Eyed Lucy’ has a heavy riff supplied by Fogg and Shakespeare and hot lead guitar by Lee who delivers a tasty solo as does Coe. ‘Josie’ is a mellow acoustic tune while ‘Witch’s Spell’ is an acid rocker with two soaring solos and a roaring lead guitar line by Lee. ‘Norwegian Butterfly’ is a melodic commercial number with restrained guitar work by Lee. The six minute ‘Self Declaration’ has a driving beat with Coe’s organ and Lee’s wah wah guitar on display. ‘Images Blue’ is a mid-tempo rocker with the band locked into a gentle groove and Shakespeare’s beautiful vocals giving the song commercial appeal. ‘Storm On Way’ is a pop rocker showcasing Lee’s guitar picking skills. The delicate ‘Mademoiselle Jackie’ is melodic with Coe’s organ to the fore and Lee soloing the song to a close. The album’s highlight, and closing track, is the box set’s title track, with its roaring guitar intro and Lee’s lead line dominating throughout, floating and fluttering, augmented by Shakespeare’s delicate vocals, with Fogg and Shakespeare locking down the bottom end. The disc’s bonus tracks include both sides of an acetate only 45 recorded in July 1970. First is a cover of Joe South’s ‘Hush’ with Lee’s guitar snarling as his lead line soars, his wah wah and reverb aided solo roaring over Shakespeare’s racing drums and Fogg’s throbbing bass. Next is an extended, slower tempo take on ‘Images Blue’ with Lee’s guitar dominant and his solo leisurely flowing over the tune’s delicate melody. The disc also includes alternate versions of ‘Green-Eyed Lucy’ and ‘Norwegian Butterfly’ as well as the original demo version of the latter.

Disc two is built around Compex’s sophomore album ‘The Way We Feel’ recorded in June and July 1971. As with its predecessor, all nine of the LP’s tracks were penned by Coe, seven
co-written with Mitchell. The album opens with a great bit of bubble gum pop, the keyboard driven ‘Every Time I Hear That Song’. ‘Am I’ features a Small Faces-style organ intro and delicate melody, Shakespeare contributing beautiful vocals. Lee’s wah wah laden solo joins Coe’s organ interlude on ‘We Don’t Exist’. ‘Lemon Pie Fair’ is a light hearted piece of pop psych with Coe’s electric piano and Shakespeare’s metronomic drums dominant. ‘The Way I Feel’, the tune responsible for the LP’s title, is another nice bit of bubble gum, with its sunny Tremeloes-like pop sound. Commercially appealing, the track could easily have been a hit. A highlight of the album is the instrumental ‘Moving Moor’ which features Brian Lee cutting loose with a soaring solo and a melodic organ break by Coe, a gorgeous mix of pop and neo-classical rock. Coe’s electric piano and Shakespeare’s echoed vocals are featured on the balladish ‘Jeananette’. ‘Hey Girl You’ve Got Style’ is an organ driven melodic love song with more delicate vocals from Shakespeare. The album closer is its heaviest tune, the nearly seven minute ‘If You Are My Love’, which opens with snarling guitar by Lee, whose lead line is joined by Coe’s jazzy organ and a hard driving riff supplied by Fogg and Shakespeare. Complex shows its ability to rock as Lee’s fuzzed out wah wah laden solo soars with Coe supplying the melody as Lee’s roaring guitar drives the tune and album to a close. The disc is finished off by alternate versions of ‘Moving Moor’ and ‘The Way I Feel’. Like “Complex’ only 99 copies of the LP were pressed and when major labels passed on picking it up Coe decided to relocate to London while the rest of the group remained in Blackpool, the band losing its keyboard player, and more importantly leaving them without a songwriter.

With Coe’s replacement, keyboardist/vocalist Mike Proctor, the new quartet moved in a progressive direction and cut a five track acetate album at Radio Blackburn in March 1972. Side one had two original songs written by the entire band, with Proctor on lead vocals. The eight and a half minute keyboard driven ‘No Title’ is a space rock tinged prog rocker with Proctor’s electric piano to the fore. Fogg’s bass thunders while Shakespeare rides the cymbals, supplying the tune’s heavy groove and Lee playing the song out with a fuzz and feedback filled solo. The six minute ‘To Make Me See You’ is another venture into space rock with Lee’s guitar leading to Proctor’s organ interlude while Fogg and Shakespeare supply a heavy groove and Proctor’s gorgeous vocals make the track melodic. Side two consists of covers of three American hits given British progressive rock treatment. Shakespeare’s striking vocals join the gentle guitar and keyboard work of Proctor on the group’s relaxed, almost hypnotic cover of Redbone’s ‘The Witch Queen Of New Orleans’. Restrained guitar and organ performances by Lee and Proctor respectively join Fogg’s loping bass line and Shakespeare’s gentle drums on Jimmy Webb’s ‘By The Time I Get To Phoenix’ while Proctor’s organ and Lee’s restrained wah wah guitar are featured on a cover of Isaac Hayes’ “Theme From Shaft’ which is complete with female backing vocals. When the tracks failed to result in a recording contract Proctor departed, Keith Shackleton taking over on keyboards. Three tracks were cut in the spring of 1973 in hopes of attracting attention. These included shortened re-recordings of ‘Moving Moor’ and ‘We Don’t Exist’ and a new Shakespeare tune, the breezy pop rocker ‘Teenybopper Joe’ with its tasty lead line and wah wah work by Lee. Undaunted, the group recorded two further tracks in 1973, both competent pop efforts which sadly went unnoticed. The band’s move toward mainstream pop didn’t set well with bassist Fogg who exited the band replaced by Dave Yardley. A final single was recorded in December 1975 and released in April 1976, coupling band manager Johnny Burton penned ‘Who Got The Love’ with the Shackleton original ‘She Turns Me On’, competent though not memorable efforts, which failed to sell. The disc closes with six tracks written by Shackleton, recorded between 1976 and 1978, by which time Carl Hutchinson had taken over drum duties allowing Shakespeare to concentrate on lead vocals. The takes are evidence of Shackleton’s songwriting abilities, highlights being ‘Who Do You Think I Am’, ‘The Crack’ and ‘Susie My Friend’ all featuring strong guitar work by Lee, but failing to result in any further releases. The tracks are definitely pleasant listens and important for historical purposes in documenting the Complex story.

‘Live For The Minute-The Complex Anthology’ comes in a tortoise shell box with each of its three discs in cardboard mini-LP replica sleeves. The set also includes a 24 page full color booklet with an extensive essay by compiler/annotator David Wells as well as many photos of the band, press clippings and other memorabilia. The Complex sounds better than ever thanks to the mastering job of Simon Murphy. The box set, the last word on all things Complex, will appeal to fans of 1970’s pop psych and progressive rock music and comes highly recommended.

Kevin Rathert



..::TRACK-LIST::..

CD 3: 1972-1978
1. No Title (We Don't Know Yet) 8:35
2. To Make You See Me 6:20
3. The Witch Queen Of New Orleans 2:46
4. By The Time I Get To Phoenix 4:04
5. Theme From Shaft 3:22
6. We Don't Exist (Alt Version) 3:14
7. Moving Moor (Alt Version #2) 3:21
8. Teenybopper Joe 3:06
9. Rock 'n' Roll Star 3:49
10. Smiley Anne 2:40
11. Who Got The Love? 2:59
12. She Turns Me On 3:09
13. Down To The City 2:38
14. Jubilee 4:12
15. Who Do You Think I Am? 4:23
16. Cruel Woman 3:55
17. The Crack 4:04
18. Susie My Friend 3:24
19. Dial 999 4:12

Previously Unreleased:
1-5 10" acetate LP, recorded March 1972
6-8, recorded spring 1973
9-10 recorded 1973
13 recorded December 1975
14-19 1976-78 recordings
11-12 Pye single, 7N 45589, recorded December 1975, released April 1976




https://www.youtube.com/watch?v=-B2QRSBnqgk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza w historii antologia grupy z Blackpool, która samodzielnie wydała jeden z najrzadszych i najdroższych albumów na świecie. W 1970 roku kwartet wytłoczył 99 egzemplarzy (w celu uniknięcia podatku) swojego debiutanckiego albumu, którego okładka, ze względu na wadę produkcyjną, była nieco mniejsza od płyty. W 1971 grupa nagrała drugi album, "The Way We Feel", wydany w sierpniu tego samego roku przez wytwórnię Deroy, ponownie w 99 egzemplarzach. Na trzecim CD znalazło się pięć utworów z zarejestrowanego w 1972 acetatu, a także singiel "Who Got The Love / She Turns Me On" z 1976 i niepublikowane wcześniej nagrania z lat 1973-1978. Płyty znajdują się w kopertach wsuniętych do tekturowego etui, razem z 24-stronicową książeczką zawierającą m.in. historię grupy.



The UK pop psych/progressive rock band Complex issued only two rare albums and one single during their 1971-1978 lifespan, including a self-released debut LP, so sought after that it has fetched as much as 10,000 pounds sterling among collectors.

Cherry Red Records has compiled those recordings, supplemented by contemporary out-takes and a third disc of recordings seeing their first ever release in a new three disc box set on its Grapefruit Records imprint.

Blackpool based Complex, drummer/lead vocalist Tony Shakespeare, lead guitarist/vocalist Brian Lee, bass guitarist/vocalist Lance Fogg and keyboardist Steve Coe, recorded their debut album in November 1970. The LP consisted of eleven tunes, eight written by Coe with his friend Bob Mitchell, two by Coe alone and one by Coe and Shakespeare. Only 99 copies were pressed, distributed and sold or given away. The group had a unique sound led by Coe’s Vox Continental organ, using a Selmer amplifier played through Vox speakers and employing a Binson echo unit. The album opens with organ led pop rocker ‘Funny Feeling’. ‘Message From The Year 2000’ has a delicate melody featuring acoustic guitar and gorgeous vocals. ‘Green-Eyed Lucy’ has a heavy riff supplied by Fogg and Shakespeare and hot lead guitar by Lee who delivers a tasty solo as does Coe. ‘Josie’ is a mellow acoustic tune while ‘Witch’s Spell’ is an acid rocker with two soaring solos and a roaring lead guitar line by Lee. ‘Norwegian Butterfly’ is a melodic commercial number with restrained guitar work by Lee. The six minute ‘Self Declaration’ has a driving beat with Coe’s organ and Lee’s wah wah guitar on display. ‘Images Blue’ is a mid-tempo rocker with the band locked into a gentle groove and Shakespeare’s beautiful vocals giving the song commercial appeal. ‘Storm On Way’ is a pop rocker showcasing Lee’s guitar picking skills. The delicate ‘Mademoiselle Jackie’ is melodic with Coe’s organ to the fore and Lee soloing the song to a close. The album’s highlight, and closing track, is the box set’s title track, with its roaring guitar intro and Lee’s lead line dominating throughout, floating and fluttering, augmented by Shakespeare’s delicate vocals, with Fogg and Shakespeare locking down the bottom end. The disc’s bonus tracks include both sides of an acetate only 45 recorded in July 1970. First is a cover of Joe South’s ‘Hush’ with Lee’s guitar snarling as his lead line soars, his wah wah and reverb aided solo roaring over Shakespeare’s racing drums and Fogg’s throbbing bass. Next is an extended, slower tempo take on ‘Images Blue’ with Lee’s guitar dominant and his solo leisurely flowing over the tune’s delicate melody. The disc also includes alternate versions of ‘Green-Eyed Lucy’ and ‘Norwegian Butterfly’ as well as the original demo version of the latter.

Disc two is built around Compex’s sophomore album ‘The Way We Feel’ recorded in June and July 1971. As with its predecessor, all nine of the LP’s tracks were penned by Coe, seven
co-written with Mitchell. The album opens with a great bit of bubble gum pop, the keyboard driven ‘Every Time I Hear That Song’. ‘Am I’ features a Small Faces-style organ intro and delicate melody, Shakespeare contributing beautiful vocals. Lee’s wah wah laden solo joins Coe’s organ interlude on ‘We Don’t Exist’. ‘Lemon Pie Fair’ is a light hearted piece of pop psych with Coe’s electric piano and Shakespeare’s metronomic drums dominant. ‘The Way I Feel’, the tune responsible for the LP’s title, is another nice bit of bubble gum, with its sunny Tremeloes-like pop sound. Commercially appealing, the track could easily have been a hit. A highlight of the album is the instrumental ‘Moving Moor’ which features Brian Lee cutting loose with a soaring solo and a melodic organ break by Coe, a gorgeous mix of pop and neo-classical rock. Coe’s electric piano and Shakespeare’s echoed vocals are featured on the balladish ‘Jeananette’. ‘Hey Girl You’ve Got Style’ is an organ driven melodic love song with more delicate vocals from Shakespeare. The album closer is its heaviest tune, the nearly seven minute ‘If You Are My Love’, which opens with snarling guitar by Lee, whose lead line is joined by Coe’s jazzy organ and a hard driving riff supplied by Fogg and Shakespeare. Complex shows its ability to rock as Lee’s fuzzed out wah wah laden solo soars with Coe supplying the melody as Lee’s roaring guitar drives the tune and album to a close. The disc is finished off by alternate versions of ‘Moving Moor’ and ‘The Way I Feel’. Like “Complex’ only 99 copies of the LP were pressed and when major labels passed on picking it up Coe decided to relocate to London while the rest of the group remained in Blackpool, the band losing its keyboard player, and more importantly leaving them without a songwriter.

With Coe’s replacement, keyboardist/vocalist Mike Proctor, the new quartet moved in a progressive direction and cut a five track acetate album at Radio Blackburn in March 1972. Side one had two original songs written by the entire band, with Proctor on lead vocals. The eight and a half minute keyboard driven ‘No Title’ is a space rock tinged prog rocker with Proctor’s electric piano to the fore. Fogg’s bass thunders while Shakespeare rides the cymbals, supplying the tune’s heavy groove and Lee playing the song out with a fuzz and feedback filled solo. The six minute ‘To Make Me See You’ is another venture into space rock with Lee’s guitar leading to Proctor’s organ interlude while Fogg and Shakespeare supply a heavy groove and Proctor’s gorgeous vocals make the track melodic. Side two consists of covers of three American hits given British progressive rock treatment. Shakespeare’s striking vocals join the gentle guitar and keyboard work of Proctor on the group’s relaxed, almost hypnotic cover of Redbone’s ‘The Witch Queen Of New Orleans’. Restrained guitar and organ performances by Lee and Proctor respectively join Fogg’s loping bass line and Shakespeare’s gentle drums on Jimmy Webb’s ‘By The Time I Get To Phoenix’ while Proctor’s organ and Lee’s restrained wah wah guitar are featured on a cover of Isaac Hayes’ “Theme From Shaft’ which is complete with female backing vocals. When the tracks failed to result in a recording contract Proctor departed, Keith Shackleton taking over on keyboards. Three tracks were cut in the spring of 1973 in hopes of attracting attention. These included shortened re-recordings of ‘Moving Moor’ and ‘We Don’t Exist’ and a new Shakespeare tune, the breezy pop rocker ‘Teenybopper Joe’ with its tasty lead line and wah wah work by Lee. Undaunted, the group recorded two further tracks in 1973, both competent pop efforts which sadly went unnoticed. The band’s move toward mainstream pop didn’t set well with bassist Fogg who exited the band replaced by Dave Yardley. A final single was recorded in December 1975 and released in April 1976, coupling band manager Johnny Burton penned ‘Who Got The Love’ with the Shackleton original ‘She Turns Me On’, competent though not memorable efforts, which failed to sell. The disc closes with six tracks written by Shackleton, recorded between 1976 and 1978, by which time Carl Hutchinson had taken over drum duties allowing Shakespeare to concentrate on lead vocals. The takes are evidence of Shackleton’s songwriting abilities, highlights being ‘Who Do You Think I Am’, ‘The Crack’ and ‘Susie My Friend’ all featuring strong guitar work by Lee, but failing to result in any further releases. The tracks are definitely pleasant listens and important for historical purposes in documenting the Complex story.

‘Live For The Minute-The Complex Anthology’ comes in a tortoise shell box with each of its three discs in cardboard mini-LP replica sleeves. The set also includes a 24 page full color booklet with an extensive essay by compiler/annotator David Wells as well as many photos of the band, press clippings and other memorabilia. The Complex sounds better than ever thanks to the mastering job of Simon Murphy. The box set, the last word on all things Complex, will appeal to fans of 1970’s pop psych and progressive rock music and comes highly recommended.

Kevin Rathert



..::TRACK-LIST::..

CD 3: 1972-1978
1. No Title (We Don't Know Yet) 8:35
2. To Make You See Me 6:20
3. The Witch Queen Of New Orleans 2:46
4. By The Time I Get To Phoenix 4:04
5. Theme From Shaft 3:22
6. We Don't Exist (Alt Version) 3:14
7. Moving Moor (Alt Version #2) 3:21
8. Teenybopper Joe 3:06
9. Rock 'n' Roll Star 3:49
10. Smiley Anne 2:40
11. Who Got The Love? 2:59
12. She Turns Me On 3:09
13. Down To The City 2:38
14. Jubilee 4:12
15. Who Do You Think I Am? 4:23
16. Cruel Woman 3:55
17. The Crack 4:04
18. Susie My Friend 3:24
19. Dial 999 4:12

Previously Unreleased:
1-5 10" acetate LP, recorded March 1972
6-8, recorded spring 1973
9-10 recorded 1973
13 recorded December 1975
14-19 1976-78 recordings
11-12 Pye single, 7N 45589, recorded December 1975, released April 1976




https://www.youtube.com/watch?v=-B2QRSBnqgk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwa materiały norweskich zespołów grających tradycyjny black metal, pochodzące z połowy lat 90-tych i do tej pory dostępne wyłącznie w postaci niskonakładowych kaset demo.



..::TRACK-LIST::..

Naglfar - Demo 1994:
1. Fimbulvinteren 6:45
2. Etter Nornenes Dom... 5:31
3. Den Gåtefulle Guden 5:12
4. Skumringstid 4:15
5. ...og Mjøden Skal Atter Flyte 5:51
6. Vindtid, Vargtid 4:45

Morgul - 'In Gowns Flowing Wide' (1995):
7. Riket Som Var 5:50
8. ...and The Wolves Wept 6:45
9. Night's Eternal Majesty 7:08
10. River of Princess 9:44

Tracks 1-6: Recorded in December 1994
Tracks 7-10: Recorded at X-Ray Studios, Rolvsøy, Norway, 27-28 June 1995




https://www.youtube.com/watch?v=W7Vyqubx-U0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwa materiały norweskich zespołów grających tradycyjny black metal, pochodzące z połowy lat 90-tych i do tej pory dostępne wyłącznie w postaci niskonakładowych kaset demo.



..::TRACK-LIST::..

Naglfar - Demo 1994:
1. Fimbulvinteren 6:45
2. Etter Nornenes Dom... 5:31
3. Den Gåtefulle Guden 5:12
4. Skumringstid 4:15
5. ...og Mjøden Skal Atter Flyte 5:51
6. Vindtid, Vargtid 4:45

Morgul - 'In Gowns Flowing Wide' (1995):
7. Riket Som Var 5:50
8. ...and The Wolves Wept 6:45
9. Night's Eternal Majesty 7:08
10. River of Princess 9:44

Tracks 1-6: Recorded in December 1994
Tracks 7-10: Recorded at X-Ray Studios, Rolvsøy, Norway, 27-28 June 1995




https://www.youtube.com/watch?v=W7Vyqubx-U0



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Cliff Richard - Cliff Live at The Talk of the Town
---------------------------------------------------------------------

Artist...............: Cliff Richard
Album................: Cliff Live at The Talk of the Town
Genre................: Pop
Source...............: WEB
Year.................: 2007
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Parlophone

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Cliff Richard - Intro: Congratulations (Live - 2007 Remaster)[00:29]
2. Cliff Richard - Shout (Live - 2007 Remaster) [03:33]
3. Cliff Richard - All My Love (Solo Tu) (Live - 2007 Remaster)[01:58]
4. Cliff Richard - Ain't Nothing But A House Party (Live - 2007 Remaster)[04:18]
5. Cliff Richard - Something Good / If Ever I Would Leave You (Live - 2007 Remaster)[04:14]
6. Cliff Richard - Girl You'll Be A Woman Soon (Live - 2007 Remaster)[03:53]
7. Cliff Richard - Hank's Medley: London's Not Too Far / The Dreams I Dream / The Day I Met Marie (Live - 2007 Remaster)[06:31]
8. Cliff Richard - La La La La La (Live - 2007 Remaster) [03:09]
9. Cliff Richard - A Taste Of Honey (Guitar Solo) (Live - 2007 Remaster)[02:11]
10. Cliff Richard - The Lady Came From Baltimore (Live - 2007 Remaster)[04:27]
11. Cliff Richard - When I'm Sixty Four (Live - 2007 Remaster)[02:53]
12. Cliff Richard - What's More (I Don't Need Her) (Live - 2007 Remaster)[02:41]
13. The Norrie Paramor Orchestra - Bows And Fanfare (Live - 2007 Remaster)[02:22]
14. Cliff Richard - Congratulations (Live - 2007 Remaster) [02:38]
15. Cliff Richard - Visions (Live - 2007 Remaster) [01:10]
16. Cliff Richard - Congratulations (Finale) (Live - 2007 Remaster)[00:49]
17. Cliff Richard - Wonderful World (2007 Remaster) [02:39]
18. Cliff Richard - Do You Remember (2007 Remaster) [02:31]
19. Cliff Richard - The Sound Of The Candyman's Trumpet (2007 Remaster)[02:39]
20. Cliff Richard - Little Rag Doll (2007 Remaster) [02:16]

Playing Time.........: 57:31
Total Size...........: 404,90 MB

..::INFO::..

Joy Crookes, brytyjska wokalistka znana z wrażliwości i umiejętności łączenia osobistych historii z soulowym brzmieniem, powraca z rozszerzoną wersją swojego albumu „Juniper (Deluxe)”. Wydawnictwo ukazało się niedawno i od kilku dni dostępne jest dla słuchaczy, oferując nie tylko znane już utwory, lecz także dodatkowe kompozycje, które pogłębiają przekaz płyty. Po sukcesie debiutanckiego albumu „Skin”, Crookes zmierzyła się z trudnym zadaniem – jak stworzyć muzykę szczerą, dojrzalszą, a jednocześnie pozostającą wierną jej stylowi. „Juniper” jest zapisem tego procesu. Sam tytuł, nawiązujący do jałowca - rośliny odpornej i potrafiącej przetrwać w niesprzyjających warunkach - symbolizuje siłę, odnowę i przetrwanie.

Title: Juniper

Artist: Joy Crookes

Country: Wielka Brytania

Year: 2025

Genre: Soul, Pop

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1 Brave
2 Pass the Salt feat. Vince Staples
3 Carmen
4 Perfect Crime
5 Mathematics feat. Kano
6 House With A Pool
7 I Know You’d Kill
8 First Last Dance
9 Mother
10 Somebody To You
11 Forever
12 Paris

..::INFO::..

Florence and the Machine (zapisywane również jako Florence + The Machine) to brytyjski zespół indie rockowy. Grupa powstała w 2007 roku, by już rok później wystąpić na bocznych scenach festiwali w Glastonbury czy Reading. W 2011 roku zespół był nominowany do Nagrody Grammy w kategorii Najlepszy Nowy Artysta (ang. Best New Artist). W 2016 roku otrzymał pięć nominacji do tej nagrody. Na dyskografię zespołu składa się sześć albumów: Lungs (2009), Ceremonials (2011), How Big, How Blue, How Beautiful (2015), High as Hope (2018), Dance Fever (2022) oraz Everybody Scream (2025).

Artist: Florence And The Machine

Title: Everybody Scream

Country: Wielka Brytania

Year: 2025

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Everybody Scream
2.One of the Greats
3.Witch Dance
4.Sympathy Magic
5.Perfume and Milk
6.Buckle
7.Kraken
8.The Old Religion
9.Drink Deep
10.Music by Men
11.You Can Have It All
12.And Love

https://www.youtube.com/watch?v=03iBgkXb1EE

..::INFO::..

--------------------------------------------------------------------
Christie - (2 CD) (2005 - Remastered)
CD 1 - Christie - Christie + Bonus Tracks
CD 2 - Christie - For All Mankind + Bonus Tracks
--------------------------------------------------------------------

---------------------------------------------------------------------
CD 1 - Christie - Christie
---------------------------------------------------------------------

Artist...............: Christie
Album................: Christie (Featuring San Bernadino And Yellow River)
Genre................: Pop
Source...............: CD
Year.................: 1970-2005
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Repertoire Records - Germany

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Christie - Yellow River [02:48]
2. Christie - Gotta Be Free [03:13]
3. Christie - I've Got A Feeling [02:51]
4. Christie - New York City [03:08]
5. Christie - Inside Looking Out [02:44]
6. Christie - Put Your Money Down [02:45]
7. Christie - Down The Mississippi Line [02:53]
8. Christie - San Bernadino [03:14]
9. Christie - Country Boy [02:40]
10. Christie - Johnny One Time [03:27]
11. Christie - Coming Home Tonight [03:00]
12. Christie - Here I Am [02:39]
13. Christie - Until The Dawn [03:30]
Bonus Tracks
14. Christie - Everything's Gonna Be Alright [02:38]
15. Christie - Freewheelin' Man [02:57]
16. Christie - Inside Looking Out (Single B-Side Version) [02:44]
17. Christie - Iron Horse [02:54]
18. Christie - Every Now And Then [03:20]
19. Christie - Fools Gold [03:11]
20. Christie - California Sunshine [03:08]
21. Christie - Born To Lose [02:47]

Playing Time.........: 01:02:38
Total Size...........: 451,23 MB


---------------------------------------------------------------------
CD 2 - Christie - For All Mankind
---------------------------------------------------------------------

Artist...............: Christie
Album................: For All Mankind
Genre................: Pop
Source...............: CD
Year.................: 1971-2005
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 73 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Repertoire Records - Germany

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Christie - Magic Highway [05:41]
2. Christie - Man Of Many Faces [02:19]
3. Christie - Picture Painter [03:08]
4. Christie - Martian King [05:27]
5. Christie - For All Mankind [04:16]
6. Christie - Peace Lovin' Man [03:07]
7. Christie - My Baby's Gone [05:43]
8. Christie - Country B. Sam [03:13]
9. Christie - I Believe In You [04:53]
10. Christie - If Only [04:24]
Bonus Tracks
11. Christie - The Dealer (Down & Losin') [02:58]
12. Christie - Pleasure And Pain [02:44]
13. Christie - Alabama [03:43]
14. Christie - I'm Alive [03:15]
15. Christie - Guantanamera [04:54]
16. Christie - Navajo (Wake Up Navajo) [04:03]
17. Christie - The Most Wanted Man In The USA [03:05]
18. Christie - Rockin' Suzanna [03:02]

Playing Time.........: 01:10:05
Total Size...........: 515,11 MB

...( Info )...
Genre: Death/Thrash Metal
Country of Artist (Band): USA
Year of Release: 2021-2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps

...( TrackList )...
2021 - Insignificant Memories
2023 - Crimson
2025 - Terralith

...( Info )...
Genre: Brutal Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 33:53

...( TrackList )...
01. Drone Communion
02. Unending Emission of Mutagenic Particulate
03. Savagely Skewered by Several Severed Limbs
04. Cytoplasmic Anoxia
05. Incessant Nanitic Expulsions
06. CMS Terra Nova
07. Abdominal Separation Through Reanimation
08. Human Centrifuge
09. Fragments of Seared Tissue

...( Info )...
Genre: Doom/Heavy Metal/Hard Rock
Country of Artist (Band): USA
Year of Release: 2024-2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps

...( TrackList )...
2024 - Direwolf
2025 - Winter Rituals

...( Info )...
Genre: Gothic/Doom/Black Metal
Country of Artist (Band): Portugal
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:35

...( TrackList )...
1. Let the Walls Tremble
2. Subterranean
3. Mire
4. Voxmourne
5. Wraith
6. A Shadow Void

...( Info )...
Genre: Melodic Death Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:53

...( TrackList )...
1. The Swine of Mount Cashel
2. Unmarked Graves of the Autochthonous
3. Hudud Execution
4. The Extinguishing Fleets
5. Red Civil Ensign
6. Migrants of Al-Sham
7. Wolves of the Trench

...( Info )...
Genre: Death Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 29:41

...( TrackList )...
1. Merciless Suffering
2. Hung and Drawn
3. Upon the Torture Rack
4. Chamber of Cruelty
5. Sawblade Execution
6. Under the Scalpel
7. Crushed
8. Path of Brutality
9. Grotesque Remains
10. As the Blade Swings Down

...( Info )...
Genre: Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 42:55

...( TrackList )...
01. Enigmatic
02. Ignorant Bastard
03. Low Life
04. Consumed by Greed
05. Evil Eye
06. Controlling the Hordes
07. Fuck Your Mantra
08. Thriving to Die
09. Time

...( Info )...

Artist...............: Andrea Bocelli
Album................: Duets (30th Anniversary)
Genre................: Pop Classica
Year.................: 2024
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Andrea Bocelli, Hans Zimmer & Matteo Bocelli - Time To Say Goodbye
002. Andrea Bocelli Feat. Karol G - Vivo Por Ella
003. Andrea Bocelli & Jennifer Lopez - Quizás, Quizás, Quizás
004. Andrea Bocelli & Matteo Bocelli - Fall On Me
005. Andrea Bocelli & Ed Sheeran - Perfect Symphony
006. Andrea Bocelli & Shania Twain - Da Stanotte in Poi (From This Moment On)
007. Andrea Bocelli Feat. GWEN STEFANI - Holding On
008. Andrea Bocelli Feat. Chris Stapleton - Il Mare Calmo Della Sera
009. Andrea Bocelli & Celine Dion - The Prayer
010. Edith Piaf & Andrea Bocelli - La vie en rose
011. Andrea Bocelli & Ariana Grande - E più ti penso (From Once Upon A Time In America)
012. Andrea Bocelli Feat. Dua Lipa - If Only
013. Andrea Bocelli & Christina Aguilera - Somos Novios
014. Andrea Bocelli & Ellie Goulding - Return To Love
015. Andrea Bocelli Feat. Elisa - Rimani Qui
016. Andrea Bocelli & Giorgia - Vivo per lei
017. Laura Pausini & Andrea Bocelli - Dare To Live (Vivere)
018. Andrea Bocelli & Katharine McPhee - Can't Help Falling In Love
019. Andrea Bocelli & Virginia Bocelli - Hallelujah
020. Andrea Bocelli & Alison Krauss - Amazing Grace (arr. Mercurio)
021. Andrea Bocelli Feat. Sofia Carson - Moon River (From Breakfast At Tiffany's - 2024 Version)
022. Andrea Bocelli Feat. Lauren Daigle - Canto Della Terra
023. Andrea Bocelli Feat. Marc Anthony - La Voce Del Silenzio
024. Andrea Bocelli Feat. Stevie Wonder - Canzoni stonate
025. Andrea Bocelli, Steven Mercurio, Veronica Berti & Orchestra Sinfonica di Milano Giuseppe Verdi - Un Amore Così Grande
026. Luciano Pavarotti & Andrea Bocelli - Notte 'e piscatore (Live in Modena, 1994 - Remastered 2024)
027. Andrea Bocelli & Lang Lang - Io Ci Sarò
028. Andrea Bocelli & Cecilia Bartoli - Pianissimo
029. Alan Gilbert, Andrea Bocelli, New York Philharmonic & Bryn Terfel - Au fond du temple saint (Live At Central Park, New York - 2011)
030. Andrea Bocelli Feat. Virginia Bocelli - Bambina Mia Ricordati
031. Andrea Bocelli Feat. Mary J. Blige - What Child Is This
032. Andrea Bocelli, Robin Smith, Lucia Giacon & Cora Arcobaleno Feat. Bono - L'Incontro
033. Andrea Bocelli Feat. Kenny G - Mi manchi
034. Andrea Bocelli Feat. Katherine Jenkins - I Believe
035. Andrea Bocelli Feat. Nelly Furtado - Corcovado - Quiet Nights Of Quiet Stars
036. Andrea Bocelli Feat. A-Lin - Canto Della Terra

...( Info )...

Artist...............: Green Day
Album................: Warning (25th Anniversary Deluxe Edition)
Genre................: Alternativa e indie
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Green Day - Warning (2025 Remaster)
002. Green Day - Blood, Sex and Booze (2025 Remaster)
003. Green Day - Church On Sunday (2025 Remaster)
004. Green Day - Fashion Victim (2025 Remaster)
005. Green Day - Castaway (2025 Remaster)
006. Green Day - Misery (2025 Remaster)
007. Green Day - Deadbeat Holiday (2025 Remaster)
008. Green Day - Hold On (2025 Remaster)
009. Green Day - Jackass (2025 Remaster)
010. Green Day - Waiting (2025 Remaster)
011. Green Day - Minority (2025 Remaster)
012. Green Day - Macy's Day Parade (2025 Remaster)
013. Green Day - Blood, Sex and Booze (Demo)
014. Green Day - Church On Sunday (Demo)
015. Green Day - Fashion Victim (Demo)
016. Green Day - Castaway (Demo)
017. Green Day - Misery (Demo)
018. Green Day - Deadbeat Holiday (Demo)
019. Green Day - Jackass (Demo)
020. Green Day - Macy's Day Parade (Demo)
021. Green Day - Waiting (Otis Mix)
022. Green Day - Macy's Day Parade (Otis Mix)
023. Green Day - Outsider
024. Green Day - Scumbag
025. Green Day - Don't Want to Know If You Are Lonely
026. Green Day - Suffocate
027. Green Day - Maria (Early Version)
028. Green Day - Poprocks & Coke
029. Green Day - Nice Guys Finish Last (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
030. Green Day - Castaway (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
031. Green Day - Blood, Sex and Booze (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
032. Green Day - Geek Stink Breath (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
033. Green Day - Longview (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
034. Green Day - Welcome to Paradise (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
035. Green Day - Hitchin’ a Ride (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
036. Green Day - Brain Stew (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
037. Green Day - Jaded (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
038. Green Day - Basket Case (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
039. Green Day - She (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
040. Green Day - King for a Day (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
041. Green Day - F.O.D. (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
042. Green Day - 2000 Light Years Away (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
043. Green Day - Knowledge (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
044. Green Day - Minority (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
045. Green Day - Good Riddance (Time of Your Life) (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
046. Green Day - Warning (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
047. Green Day - Platypus (I Hate You) (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
048. Green Day - Waiting (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)
049. Green Day - Macy’s Day Parade (Live at Makuhari Messe, Tokyo, Japan, March 18, 2001)

...( Info )...

Składanka mireczka-Disco Polo vol.6
Gatunek: Disco Polo-Dance Polo
Rok:2025
mp3@320kbps
CZAS:01:36:28

...( TrackList )...

1.Joker & Sequence - Zaginiony skarb
2.Power Play - Dam Ci Raj
3.Kuzyn Zenka feat. Siostrysyn - Intercyza
4.DJ Malutki - Me serce bije dla Ciebie
5.Dystans - Zaczekaj z Tym Do Jutra (cover)
6.Lovelas - Saint Tropez
7.TOP ONE - O miła moja (Remix)
8.TulskY – Lubię często kłamać (Official)
9.Disco Fala - Flacha u Stacha
10.Akcent - Biorę Urlop Od Ciebie (Remix) 2025
11.Dr. SWAG - MOJE SERCE
12.Lovers - Płomien Miłości (Activ-Visex po polsku remix)
13.Spontan - Esemesik (Remix)
14.ŻAKU - Zakręcona (2025)
15.Dr. Vodka - TAŃCUJ
16.Raf Shafranek - Brzydkie Słowa
17.DJ Malutki - Bo tylko Ty w sercu mym
18.Bayera - Zabiorę Cię (EXTENDED Remix)
19.Bobi - Noce gorące (Remix) 2025
20.Disco Fala - Zimne Piwko
21.MRD - Stare Baby
22.Barwiś - Chodź Do Mnie Mała
23.Long & Junior - Zatańcz Ze Mną (Extended)
24.Long & Junior - Zatańcz Ze Mną (Radio Edit)
25.Nierealni - Przepis na życie
26.Marcin Miller, Łukash - Gentleman
27.Raider - Ona jest hot (cover)
28.Disco Fala - Szły pchły koło wódy
29.Tulsky - Boże jak ja lubię pulchne babeczki
30.Boys - Wspólne Inicjały (EXTENDED Remix)

...( Info )...

Artist...............: Led Zeppelin
Album................: Presence
Genre................: Hard Rock
Year.................: 1976
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

01. Achilles Last Stand
02. For Your Life
03. Royal Orleans
04. Nobody's Fault But Mine
05. Candy Store Rock
06. Hots On For Nowhere
07. Tea For One

...( Info )...

Artist...............: John Lennon
Album................: Power To The People (Home Jam)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5


...( TrackList )...

001. John Lennon - Shazam
002. John Lennon - Honey, Don't!
003. John Lennon - Glad All Over
004. John Lennon - Lend Me Your Comb
005. John Lennon - Wake Up Little Susie (Take 1)
006. John Lennon - New York City
007. John Lennon - Wake Up Little Susie (Take 2)
008. John Lennon - 'Hey, que pasa'
009. John Lennon - You're So Square (Baby I Don't Care)
010. John Lennon - Vacation Time
011. John Lennon - Heartbeat
012. John Lennon - Peggy Sue Got Married
013. John Lennon - Peggy Sue (Take 1)
014. John Lennon - ‘Phone Call from Henry Gotsello’
015. John Lennon - Peggy Sue (Take 2)
016. John Lennon - 'Now we'd like to change the mood a little...'
017. John Lennon - Maybe Baby
018. John Lennon - Mailman, Bring Me No More Blues
019. John Lennon - Rave On!
020. John Lennon - Twelve Bar Blues
021. John Lennon - I Got You
022. John Lennon - Hi-Heel Sneakers
023. John Lennon - Slippin’ And Slidin’
024. John Lennon - Gone From This Place
025. John Lennon - Send Me Some Lovin'
026. John Lennon - He Got The Blues
027. John Lennon - When The Teacher
028. John Lennon - Pill
029. John Lennon - It’s Real
030. John Lennon & Phil Ochs - I Ain't Marching Anymore
031. John Lennon & Phil Ochs - Joe Hill
032. John Lennon & Phil Ochs - Chords Of Fame
033. John Lennon & Phil Ochs - Ringing Of Revolution

..::INFO::..

Litewski zespół punk rockowy Zimbabwe, który ma w swoim dorobku także piosenki w języku polskim, powstał 24 grudnia 2002 r. w Wilnie. Trzon zespołu stanowiły dwie siostry, Polki z Wilna, Eliza i Julia Łozowskie. W roku 2009 zespół faktycznie zakończył swoją działalność. Na swym koncie ma dwie płyty: Social dump (2005) oraz Gilyn. Płyta Gilyn została nagrana w 2008 r., ale wydana dopiero w 2012 r. Zespół koncertował na Litwie, w Polsce, Białorusi, Czechach, Włoszech, Niemczech, Łotwie oraz Szwecji.

Artist: Zimbabwe

Title: Social Dump

Country: Litwa

Year: 2006

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

1.Freaks
2.Karvems
3.Tabu
4.Bede Musiała Być
5.Kurybines Kancios
6.Lanoga
7.Zgwałcone Jutro
8.Chryzantemy
9.Mazylis
10.Zimbabwe
11.Shop Till You Drop
12.Zginęło
13.Koniec

..::INFO::..

Wild Horses to debiutancki album studyjny brytyjskiego zespołu rockowego Wild Horses, współprodukowany z Trevorem Rabinem w Konk Studios w Londynie i wydany 14 kwietnia 1980 roku przez EMI Records. Zadebiutował na 38. miejscu i spędził cztery tygodnie na brytyjskiej liście albumów. Wild Horses został założony w 1978 przez ex gitarzystę Thin Lizzy Briana Robertsona i byłego bsasitę Rainbow Jimmy Baina.

Artist: Wild Horses

Title: The First Album

Country: Wielka Brytania

Year: 1980

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

Reservation
Face Down
Blackmail
Flyaway
Dealer
Street Girl
No Strings Attached
Criminal Tendencies
Nights on the Town
Woman

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Na 'Sentinels of New Dawn' znajduje się dziesięć kompozycji. Muzycy zarejestrowali je pod okiem Macieja Szope, oprócz 'Sentinel's Fate', przy którym rolę inżyniera dźwięku pełnił Maciej Golczyński. Za miksy i mastering odpowiada Olof Wikstrand z 'Hvergelmer Studio'. Okładkę przygotował Fares Maese.


Czyste metalowe serce – czego chcieć więcej?
FA



..::TRACK-LIST::..

1. The Chronicles 01:59
2. Creed of Fire 04:10
3. Plunder & Steel 04:44
4. Mountains of Black Sleep 05:52
5. Battalion 31 05:56
6. The Curse of Mercurion 04:55
7. Technocrats' Tyranny 04:31
8. Bound to Be King 04:46
9. The Prophet 09:59
10. Sentinel's Fate 02:23



..::OBSADA::..

Captain Paradox - Main & Gang Vocals, Synths, Bağlama
Hippie Banzai - Bass, Backing & Gang Vocals, Samples, SFX
Pete Slammer - Drums, Gang Vocals, Samples & SFX
Kris Invader - Lead Guitars & Gang Vocals
Jaspar De Phaser - Lead Guitars, Gang Vocals & 12-string Guitars

All lyrics by: Captain Paradox

Additional contribution:
Chris Scanner - Guitars




https://www.youtube.com/watch?v=QWjTjPp6XD8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Na 'Sentinels of New Dawn' znajduje się dziesięć kompozycji. Muzycy zarejestrowali je pod okiem Macieja Szope, oprócz 'Sentinel's Fate', przy którym rolę inżyniera dźwięku pełnił Maciej Golczyński. Za miksy i mastering odpowiada Olof Wikstrand z 'Hvergelmer Studio'. Okładkę przygotował Fares Maese.


Czyste metalowe serce – czego chcieć więcej?
FA



..::TRACK-LIST::..

1. The Chronicles 01:59
2. Creed of Fire 04:10
3. Plunder & Steel 04:44
4. Mountains of Black Sleep 05:52
5. Battalion 31 05:56
6. The Curse of Mercurion 04:55
7. Technocrats' Tyranny 04:31
8. Bound to Be King 04:46
9. The Prophet 09:59
10. Sentinel's Fate 02:23



..::OBSADA::..

Captain Paradox - Main & Gang Vocals, Synths, Bağlama
Hippie Banzai - Bass, Backing & Gang Vocals, Samples, SFX
Pete Slammer - Drums, Gang Vocals, Samples & SFX
Kris Invader - Lead Guitars & Gang Vocals
Jaspar De Phaser - Lead Guitars, Gang Vocals & 12-string Guitars

All lyrics by: Captain Paradox

Additional contribution:
Chris Scanner - Guitars




https://www.youtube.com/watch?v=QWjTjPp6XD8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

At last, Billy Nelson is accepted by the proggy. Not that he would care, I imagine. Regardless, Be Bop Deluxe did some great prog/glam fusion in the mid seventies. I would argue that Modern Music, which isn't listed here, is their best, but Futurama is one hell of an album. Nelson is definitely one of the giants of rock lead guitar, but despite what the All Music Guide may say, I never find on this record that his leads take away from the rest of the music. If you are a devotee of rock guitar and haven't heard him play, you are missing out on some awe-inspiring lead playing, fast but never shreddy. The songs are short, but they pack a melodic punch while still being fairly complex for rock music at the time. Nelson's vocals have also been criticized, but they sound very strong to me and he has a very pleasant tone. The mood of the record is unapologetically grandiose, not quite as pomp as Queen but in the same vein. This is "Big Music", to quote Mike Scott of the Waterboys, so snarky indie rockers need not apply. The lyrics are very intelligent as well, mostly dense but poetic, including a fond ode to Jean Cocteau, a major influence on Nelson. Instrumentally, though there was no keyboard player in the band at that time (Nelson played 'em), the sound is full, even featuring a silver band on "Dreamland", and the rhythm section of Tumahai and Fox is very impressive. This record is a joy, plain and simple, perhaps even the apex of glam rock. It's as good as Night at the Opera or any of Bowie's best works. What's really impressive is that the band would make two records as good or better before the decade was over. Yet today they are all but forgotten, except for the very knowledgable rock collector, and Nelson remains a cult figure. It's a real shame, but you can help redress the balance by obtaining this album!

Heptade


BE BOP DELUXE were quite active in the 70's releasing five studio albums but they never made it to the 80's. "Futurama" is album number two from 1975. They were a trio of guitar, bass and drums and Bill Nelson is the man in control here, the lead guitarist, composer, singer etc. I honestly thought with their band name that they would be all about the humour like OINGO BOINGO but no. This comes across like AOR material, they are tagged as Glam Rock by many. To over simplify it, it feels like your either hearing Bill sing or perform a flashy guitar solo. And this is more than that of course but there's a lot of radio friendly songs and I quite enjoyed my time with this one.
Nine tracks over 35 minutes and how about the first sounds that we hear on that opener "Stage Whispers" as in screaming guitar. The flashy solos will continue on this one. "Love With The Madman" is a top three for me. They slow it down after that energetic opener and the vocals sound different, better. Some emotion. "Maid In Heaven" sounds like a single. "Sister Seagull" is another top three. The melancholy does it for me along with the guitar solos.

"Sound Track" and the closer "Swan Song" are about the two proggiest songs on here which isn't saying a lot. Both the longest tunes here clocking in around 6 minutes. Some orchestral stuff on "Music In Dreamland", some brass. "Between The Worlds" is an uptempo rocker while "Jean Cocteau" is trippy and relaxed and I like it better than the rocker. The closer "Swan Song" is my final top three by the way.

I've seen Bill's name so often over the years so it's finally good to hear him play and sing. A solid 3 stars.

Mellotron Storm



..::TRACK-LIST::..

1. Stage Whispers
2. Love With the Madman
3. Maid in Heaven
4. Sister Seagull
5. Sound Track
6. Music in Dreamland
7. Jean Cocteau
8. Between the Worlds
9. Swan Song

Bonus Track:
10. Lights (B-side of single)



..::OBSADA::..

Guitar [All Guitars], Keyboards, Lead Vocals, Percussion - Bill Nelson
Bass [Fender], Vocals, Percussion - Charles Tumahai
Drums, Percussion - Simon Fox

With:
Peter Oxendale - brass arrangements (6)
Grimethorpe Colliery Band - brass (6)
John Berryman - conductor (6)
Andy Evans - double bass (7)




https://www.youtube.com/watch?v=eGeU3hpnnqc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

At last, Billy Nelson is accepted by the proggy. Not that he would care, I imagine. Regardless, Be Bop Deluxe did some great prog/glam fusion in the mid seventies. I would argue that Modern Music, which isn't listed here, is their best, but Futurama is one hell of an album. Nelson is definitely one of the giants of rock lead guitar, but despite what the All Music Guide may say, I never find on this record that his leads take away from the rest of the music. If you are a devotee of rock guitar and haven't heard him play, you are missing out on some awe-inspiring lead playing, fast but never shreddy. The songs are short, but they pack a melodic punch while still being fairly complex for rock music at the time. Nelson's vocals have also been criticized, but they sound very strong to me and he has a very pleasant tone. The mood of the record is unapologetically grandiose, not quite as pomp as Queen but in the same vein. This is "Big Music", to quote Mike Scott of the Waterboys, so snarky indie rockers need not apply. The lyrics are very intelligent as well, mostly dense but poetic, including a fond ode to Jean Cocteau, a major influence on Nelson. Instrumentally, though there was no keyboard player in the band at that time (Nelson played 'em), the sound is full, even featuring a silver band on "Dreamland", and the rhythm section of Tumahai and Fox is very impressive. This record is a joy, plain and simple, perhaps even the apex of glam rock. It's as good as Night at the Opera or any of Bowie's best works. What's really impressive is that the band would make two records as good or better before the decade was over. Yet today they are all but forgotten, except for the very knowledgable rock collector, and Nelson remains a cult figure. It's a real shame, but you can help redress the balance by obtaining this album!

Heptade


BE BOP DELUXE were quite active in the 70's releasing five studio albums but they never made it to the 80's. "Futurama" is album number two from 1975. They were a trio of guitar, bass and drums and Bill Nelson is the man in control here, the lead guitarist, composer, singer etc. I honestly thought with their band name that they would be all about the humour like OINGO BOINGO but no. This comes across like AOR material, they are tagged as Glam Rock by many. To over simplify it, it feels like your either hearing Bill sing or perform a flashy guitar solo. And this is more than that of course but there's a lot of radio friendly songs and I quite enjoyed my time with this one.
Nine tracks over 35 minutes and how about the first sounds that we hear on that opener "Stage Whispers" as in screaming guitar. The flashy solos will continue on this one. "Love With The Madman" is a top three for me. They slow it down after that energetic opener and the vocals sound different, better. Some emotion. "Maid In Heaven" sounds like a single. "Sister Seagull" is another top three. The melancholy does it for me along with the guitar solos.

"Sound Track" and the closer "Swan Song" are about the two proggiest songs on here which isn't saying a lot. Both the longest tunes here clocking in around 6 minutes. Some orchestral stuff on "Music In Dreamland", some brass. "Between The Worlds" is an uptempo rocker while "Jean Cocteau" is trippy and relaxed and I like it better than the rocker. The closer "Swan Song" is my final top three by the way.

I've seen Bill's name so often over the years so it's finally good to hear him play and sing. A solid 3 stars.

Mellotron Storm



..::TRACK-LIST::..

1. Stage Whispers
2. Love With the Madman
3. Maid in Heaven
4. Sister Seagull
5. Sound Track
6. Music in Dreamland
7. Jean Cocteau
8. Between the Worlds
9. Swan Song

Bonus Track:
10. Lights (B-side of single)



..::OBSADA::..

Guitar [All Guitars], Keyboards, Lead Vocals, Percussion - Bill Nelson
Bass [Fender], Vocals, Percussion - Charles Tumahai
Drums, Percussion - Simon Fox

With:
Peter Oxendale - brass arrangements (6)
Grimethorpe Colliery Band - brass (6)
John Berryman - conductor (6)
Andy Evans - double bass (7)




https://www.youtube.com/watch?v=eGeU3hpnnqc



SEED 15:00-22:00.
POLECAM!!!