...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Trzeci album pochodzącego z Chicago POLYPTYCH.
Mocno kombinujaca, techniczna mieszanka death i black metalu.



..::TRACK-LIST::..

1. Silent Discord 03:16
2. Scars of the Modern Age 04:51
3. Windswept Fragments 02:32
4. Feral Mind, Abstract Tomb 06:54
5. The Decadent's Mirror 03:49
6. Echoes 06:19
7. Crimson Halls 07:22
8. Lexicon of Oppression 04:11
9. Coalescence 04:42
10. Triumph of the Swine 06:37
11. Defying the Metastasis 05:32



..::OBSADA::..

Frank Lato - Bass
Troy Hoff - Drums
Scott Skopec - Guitars
Young Werther - Vocals, Guitars



https://www.youtube.com/watch?v=A02bSN5nNw8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Trzeci album pochodzącego z Chicago POLYPTYCH.
Mocno kombinujaca, techniczna mieszanka death i black metalu.



..::TRACK-LIST::..

1. Silent Discord 03:16
2. Scars of the Modern Age 04:51
3. Windswept Fragments 02:32
4. Feral Mind, Abstract Tomb 06:54
5. The Decadent's Mirror 03:49
6. Echoes 06:19
7. Crimson Halls 07:22
8. Lexicon of Oppression 04:11
9. Coalescence 04:42
10. Triumph of the Swine 06:37
11. Defying the Metastasis 05:32



..::OBSADA::..

Frank Lato - Bass
Troy Hoff - Drums
Scott Skopec - Guitars
Young Werther - Vocals, Guitars



https://www.youtube.com/watch?v=A02bSN5nNw8


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

The Rolling Stones to angielski zespół muzyczny, będący czwartym wykonawcą rockowym z największą liczbą sprzedanych wydawnictw muzycznych w historii - szacuje się, że sprzedali ok. 250 milionów egzemplarzy swoich płyt na całym świecie. Foreign Tongues to dwudziesty piąty brytyjski i dwudziesty siódmy amerykański album studyjny angielskiego zespołu rockowego The Rolling Stones, wydany 10 lipca 2026 roku.

Title: Foreign Tongues

Artist: The Rolling Stones

Country: Wielka Brytania

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.Rough and Twisted
2.In the Stars
3.Jealous Lover
4.Mr. Charm
5.Divine Intervention
6.Ringing Hollow
7.Never Wanna Lose You
8.Hit Me in the Head
9.You Know I'm No Good
10.Some of Us
11.Covered in You
12.Side Effects
13.Back in Your Life
14.Beautiful Delilah

..::INFO::..

Album studyjny amerykańskiego zespołu skapunkowego.

Artist: You People

Title: Lower Your Standards & Open Your Mind

Country: USA

Year: 2015

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 256 kbps

..::TRACK-LIST::..

1.Counting Shoes
2.Excuses
3.Smash The Delusion
4.A.M.A.
5.Hitchhikers Guide to Unity
6.Propaganda of The Deed
7.Resistance Is Fertile
8.Sedative
9.Nazis In Space
10.Dinner With the Boss
11.No One Here Gets Out Alive (lyrics by Sean Swain)
12.Contra Diction

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 27 - February 14, 1974 (Evening) - The Forum, Inglewood, CA (Pt. 2)
1. She Belongs To Me 2:48
2. The Times They Are A-Changin' 3:13
3. Just Like A Woman 4:57
4. Gates Of Eden 4:42
5. Don't Think Twice, It's All Right 3:48
6. It's Alright, Ma (I'm Only Bleeding) 5:30
7. Forever Young 4:39
8. Highway 61 Revisited 4:14
9. Like A Rolling Stone 5:58
10. Maggie's Farm 4:44
11. Blowin' In The Wind 3:40



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 27 - February 14, 1974 (Evening) - The Forum, Inglewood, CA (Pt. 2)
1. She Belongs To Me 2:48
2. The Times They Are A-Changin' 3:13
3. Just Like A Woman 4:57
4. Gates Of Eden 4:42
5. Don't Think Twice, It's All Right 3:48
6. It's Alright, Ma (I'm Only Bleeding) 5:30
7. Forever Young 4:39
8. Highway 61 Revisited 4:14
9. Like A Rolling Stone 5:58
10. Maggie's Farm 4:44
11. Blowin' In The Wind 3:40



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 26 - February 14, 1974 (Evening) - The Forum, Inglewood, CA (Pt. 1)
1. Most Likely You Go Your Way (And I'll Go Mine) 3:32
2. Lay, Lady, Lay 3:11
3. Just Like Tom Thumb's Blues 5:58
4. Rainy Day Women #12 & 35 3:16
5. It Ain't Me, Babe 3:19
6. Ballad Of A Thin Man 3:52
7. All Along The Watchtower 2:43
8. Ballad Of Hollis Brown 4:58
9. Mr. Tambourine Man 4:19
10. Knockin' On Heaven's Door 3:45



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 26 - February 14, 1974 (Evening) - The Forum, Inglewood, CA (Pt. 1)
1. Most Likely You Go Your Way (And I'll Go Mine) 3:32
2. Lay, Lady, Lay 3:11
3. Just Like Tom Thumb's Blues 5:58
4. Rainy Day Women #12 & 35 3:16
5. It Ain't Me, Babe 3:19
6. Ballad Of A Thin Man 3:52
7. All Along The Watchtower 2:43
8. Ballad Of Hollis Brown 4:58
9. Mr. Tambourine Man 4:19
10. Knockin' On Heaven's Door 3:45



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Deep Purple - Nobody's Perfect - (2 CD)
---------------------------------------------------------------------

Artist...............: Deep Purple
Album................: Nobody's Perfect
Genre................: Hard Rock
Source...............: CD
Year.................: 1988-1999
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67-71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Polydor

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Deep Purple - Highway Star [06:10]
2. Deep Purple - Strange Kind Of Woman [07:35]
3. Deep Purple - Dead Or Alive [07:06]
4. Deep Purple - Perfect Strangers [06:25]
5. Deep Purple - Hard Lovin' Woman [05:04]
6. Deep Purple - Bad Attitude [05:30]
7. Deep Purple - Knocking At Your Back Door [11:24]

Playing Time.........: 49:17
Total Size...........: 351,67 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Deep Purple - Child In Time [10:36]
2. Deep Purple - Lazy [05:10]
3. Deep Purple - Space Trucking [06:03]
4. Deep Purple - Black Night [06:07]
5. Deep Purple - Woman From Tokyo [04:00]
6. Deep Purple - Smoke On The Water [07:46]
7. Deep Purple - Hush [03:32]

Playing Time.........: 43:17
Total Size...........: 290,46 MB


Bass Guitar [Steinberger], Other [Peavey Amplification] – Roger Glover
Drums [Pearl], Cymbal [Paiste], Other [Marc Triggering] – Ian Paice
Guitar [Fender], Other [Marshall Amplification] – Ritchie Blackmore
Organ [Hammond B3], Other [Leslie Cabinets], Synthesizer [Yamaha Dx1, Dx7 Cp7om], Other [Perreaux Amplification] – Jon Lord
Vocals – Ian Gillan

Tracks 1-1, 1-2, 1-4, 2-5: Recorded in Irvine Meadows, California on 23 May 1987. Promoter: Brian Murphy, Avalon Attractions.
Track 1-3: Recorded in Milan, Italy on 4 September 1987. Promoter: Franco Mamone.
Tracks 1-5, 2-1, 2-3, 2-4, 2-6: Recorded in Oslo, Norway on 22 August 1987. Promoter: Thomas Johansson & Erik Thomsen.
Tracks 1-6, 1-7, 2-1, 2-2: Recorded in Phoenix, Arizona on 30 May 1987. Promoter: Danny Zelisko, Evening Star Productions.
Track 2-4: Recorded in Verona, Italy on 6 September 1987. Promoter: Franco Mamone.
Track 2-7: Live Jam recorded at Hook End Manor on 26 February 1988.

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 25 - February 14, 1974 (Afternoon) - The Forum, Inglewood, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:40
2. Lay, Lady, Lay 3:15
3. Just Like Tom Thumb's Blues 5:15
4. Rainy Day Women #12 & 35 3:13
5. It Ain't Me, Babe 3:18
6. Ballad Of A Thin Man 3:44
7. All Along The Watchtower 2:51
8. Ballad Of Hollis Brown 4:30
9. Knockin' On Heaven's Door 4:06
10. She Belongs To Me 3:08
11. It's All Over Now, Baby Blue 4:34
12. The Times They Are A-Changin' 3:30
13. Just Like A Woman 4:45
14. It's Alright, Ma (I'm Only Bleeding) 5:20
15. Forever Young 4:55
16. Highway 61 Revisited 3:46
17. Like A Rolling Stone 6:18
18. Blowin' In The Wind 4:26



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 25 - February 14, 1974 (Afternoon) - The Forum, Inglewood, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:40
2. Lay, Lady, Lay 3:15
3. Just Like Tom Thumb's Blues 5:15
4. Rainy Day Women #12 & 35 3:13
5. It Ain't Me, Babe 3:18
6. Ballad Of A Thin Man 3:44
7. All Along The Watchtower 2:51
8. Ballad Of Hollis Brown 4:30
9. Knockin' On Heaven's Door 4:06
10. She Belongs To Me 3:08
11. It's All Over Now, Baby Blue 4:34
12. The Times They Are A-Changin' 3:30
13. Just Like A Woman 4:45
14. It's Alright, Ma (I'm Only Bleeding) 5:20
15. Forever Young 4:55
16. Highway 61 Revisited 3:46
17. Like A Rolling Stone 6:18
18. Blowin' In The Wind 4:26



https://www.youtube.com/watch?v=9AD8zFrLuzc


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Uriah Heep - Living The Dream
---------------------------------------------------------------------

Artist...............: Uriah Heep
Album................: Living The Dream
Genre................: Hard Rock
Source...............: CD
Year.................: 2018
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 72 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Avalon - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Uriah Heep - Grazed By Heaven [04:31]
2. Uriah Heep - Living The Dream [05:34]
3. Uriah Heep - Take Away My Soul [06:13]
4. Uriah Heep - Knocking At My Door [04:58]
5. Uriah Heep - Rocks In The Road [08:18]
6. Uriah Heep - Waters Flowin' [04:27]
7. Uriah Heep - It's All Been Said [06:01]
8. Uriah Heep - Goodbye To Innocence [03:33]
9. Uriah Heep - Falling Under Your Spell [03:24]
10. Uriah Heep - Dreams Of Yesteryear [05:25]
Bonus
11. Uriah Heep - Grazed By Heaven(Alternate Version) [04:53]
12. Uriah Heep - Take Away My Soul(Alternate Version) [04:36]

Playing Time.........: 01:01:58
Total Size...........: 448,47 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w atrakcyjnej okładce, trwający 158 minut, dwupłytowy CD zawierający przede wszystkim fantastycznie brzmiący i doskonale zagrany 114-minutowy koncert profesjonalnie zarejestrowany przez zespół (tzw. soundboard) 3 stycznia 1977 roku podczas tournee promującego wydany dwa dni wcześniej LP "Wind & Wuthering". To była druga trasa z Philem Collinsem w roli wokalisty i niestety ostatnia ze Steve'em Hackettem na gitarze! Na drugim zestawie bębnów (w miejsce Billa Bruforda) grał już były perkusista Zappy i Weather Report - Chester Thompson. Prawdopodobnie był to (obok Zurich 1977) najlepiej brzmiący koncert z całej trasy z 1977 roku. Wszyscy muzycy są perfekcyjnie słyszalni i moim zdaniem całość brzmi nie gorzej niż oficjalny "Seconds Out"! Dodatkowo, w drugiej części drugiego CD dołączono trwającą 45 minut, świetnie brzmiącą (po remasteringu), radiową transmisję 7 utworów zarejestrowanych 3 tygodnie potem w angielskim Leicester. Wielką zaletą tego ponad dwu-i-pół-godzinnego wydawnictwa są unikalne, zdecydowanie progresywne nagrania ze wspomnianego wyżej "Wind & Wuthering" - kompletnie pominięte na wspomnianym, katalogowym 2LP 'Seconds Out' (1977)!
Absolutny mus dla fanów rocka progresywnego!

JL



..::TRACK-LIST::..

CD 1:
1. Eleventh Earl Of Mar
2. The Carpet Crawlers
3. Robbery, Assault & Battery
4. Your Own Special Way
5. Squonk
6. One For The Vine
7. Firth Of Fifth
8. Supper's Ready

CD 2:
1. All In A Mouse's Night
2. I Know What I Like (In Your Wardrobe)
3. Dance On A Volcano
4. Los Endos
5. The Lamb Lies Down On Broadway
6. The Musical Box (Closing Section)

Bonus Tracks:
7. In That Quiet Earth
8. Afterglow
9. Squonk
10. One For The Vine
11. Eleventh Earl Of Mar
12. All In A Mouse's Night
13. I Know What I Like (In Your Wardrobe)



..::OBSADA::..

Bass Guitar, Vocals - Mike Rutherford
Drums - Chester Thompson
Guitar - Steve Hackett
Keyboards - Tony Banks
Vocals, Drums, Percussion - Phil Collins



https://www.youtube.com/watch?v=gp0OzgmVJ3o


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w atrakcyjnej okładce, trwający 158 minut, dwupłytowy CD zawierający przede wszystkim fantastycznie brzmiący i doskonale zagrany 114-minutowy koncert profesjonalnie zarejestrowany przez zespół (tzw. soundboard) 3 stycznia 1977 roku podczas tournee promującego wydany dwa dni wcześniej LP "Wind & Wuthering". To była druga trasa z Philem Collinsem w roli wokalisty i niestety ostatnia ze Steve'em Hackettem na gitarze! Na drugim zestawie bębnów (w miejsce Billa Bruforda) grał już były perkusista Zappy i Weather Report - Chester Thompson. Prawdopodobnie był to (obok Zurich 1977) najlepiej brzmiący koncert z całej trasy z 1977 roku. Wszyscy muzycy są perfekcyjnie słyszalni i moim zdaniem całość brzmi nie gorzej niż oficjalny "Seconds Out"! Dodatkowo, w drugiej części drugiego CD dołączono trwającą 45 minut, świetnie brzmiącą (po remasteringu), radiową transmisję 7 utworów zarejestrowanych 3 tygodnie potem w angielskim Leicester. Wielką zaletą tego ponad dwu-i-pół-godzinnego wydawnictwa są unikalne, zdecydowanie progresywne nagrania ze wspomnianego wyżej "Wind & Wuthering" - kompletnie pominięte na wspomnianym, katalogowym 2LP 'Seconds Out' (1977)!
Absolutny mus dla fanów rocka progresywnego!

JL



..::TRACK-LIST::..

CD 1:
1. Eleventh Earl Of Mar
2. The Carpet Crawlers
3. Robbery, Assault & Battery
4. Your Own Special Way
5. Squonk
6. One For The Vine
7. Firth Of Fifth
8. Supper's Ready

CD 2:
1. All In A Mouse's Night
2. I Know What I Like (In Your Wardrobe)
3. Dance On A Volcano
4. Los Endos
5. The Lamb Lies Down On Broadway
6. The Musical Box (Closing Section)

Bonus Tracks:
7. In That Quiet Earth
8. Afterglow
9. Squonk
10. One For The Vine
11. Eleventh Earl Of Mar
12. All In A Mouse's Night
13. I Know What I Like (In Your Wardrobe)



..::OBSADA::..

Bass Guitar, Vocals - Mike Rutherford
Drums - Chester Thompson
Guitar - Steve Hackett
Keyboards - Tony Banks
Vocals, Drums, Percussion - Phil Collins



https://www.youtube.com/watch?v=gp0OzgmVJ3o


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwupłytowe, rozszerzone, australijskie wydanie albumu "The Hoax Is Over", najpopularniejszej wówczas australijskiej formacji grającej w stylistyce wczesnych Allman Brothers Band. Pierwszy dysk zawiera album z 1971 roku, na którym Billy Thorpe & The Aztecs prezentują ciężkie, surowe brzmienie oparte na długich improwizacjach. Centralnym punktem płyty jest monumentalna, ponad dwudziestominutowa wersja „Gangster of Love”, pokazująca zespół w pełni koncertowej energii. Uzupełniają ją m.in. „Mississippi” oraz „Goodbye Baby”, a także zestaw singli i nagrań koncertowych z końca lat 60. i początku 70. Drugi dysk ma charakter archiwalny – zawiera wcześniej niepublikowane dema, nagrania koncertowe oraz rzadkie materiały z lat 1972–1976.



..::TRACK-LIST::..

CD 1:
The Hoax Is Over (1971)
1. Gangster Of Love
2. Goodbye Baby
3. Mississippi
4. Truth

Live & Singles (1967-73)
5. Season Of The Witch (Live)
6. Dream Baby (Single A-side)
7. You Don't Live Twice (Single B-side)
8. Good Mornin’ Little School Girl (Single A-side)
9. Rock Me Baby (Single B-side)
10. Pinball Wizard (Live)

Ronnie Charles with Billy Thorpe & The Aztecs (1970)
11. Natural Man


CD 2:
Aztecs Demo (1972) Previously Unreleased
1. Betsy

Aztecs Live at Bondi Lifesaver (1974) Previously Unreleased
2. Gimme Your Love
3. Get Ready
4. Ability To Rock

Aztecs Live At Sunbury (1975) Previously Unreleased
5. You Can’t Go Round Saying Fuck On Stage

Aztecs Sydney Rugby League Promo (1994)
6. Friday Night’s A Great Night For Football

Billy Thorpe Lounge Room Demos (1972-1975) Previously Unreleased
7. Believe It Just Like Me
8. Beautiful Days
9. Don’t Take That Light Away
10. It’s Almost Summer
11. I Really Miss You
12. No Title

Bruce Howard (1975) Previously Unreleased
13. Rock And Roll Music

Morgan & Matthews (1976)
14. Walk Me Out
15. Raw Love
16. Endless Winter’s Night



..::OBSADA::..

Billy Thorpe - vocals, harmonica, rhythm guitar
Lobby Loyde - lead guitar
Warren Morgan - keyboards
Paul Wheeler - bass
Kevin Murphy - drums



https://www.youtube.com/watch?v=3Mu8Y6QPot0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwupłytowe, rozszerzone, australijskie wydanie albumu "The Hoax Is Over", najpopularniejszej wówczas australijskiej formacji grającej w stylistyce wczesnych Allman Brothers Band. Pierwszy dysk zawiera album z 1971 roku, na którym Billy Thorpe & The Aztecs prezentują ciężkie, surowe brzmienie oparte na długich improwizacjach. Centralnym punktem płyty jest monumentalna, ponad dwudziestominutowa wersja „Gangster of Love”, pokazująca zespół w pełni koncertowej energii. Uzupełniają ją m.in. „Mississippi” oraz „Goodbye Baby”, a także zestaw singli i nagrań koncertowych z końca lat 60. i początku 70. Drugi dysk ma charakter archiwalny – zawiera wcześniej niepublikowane dema, nagrania koncertowe oraz rzadkie materiały z lat 1972–1976.



..::TRACK-LIST::..

CD 1:
The Hoax Is Over (1971)
1. Gangster Of Love
2. Goodbye Baby
3. Mississippi
4. Truth

Live & Singles (1967-73)
5. Season Of The Witch (Live)
6. Dream Baby (Single A-side)
7. You Don't Live Twice (Single B-side)
8. Good Mornin’ Little School Girl (Single A-side)
9. Rock Me Baby (Single B-side)
10. Pinball Wizard (Live)

Ronnie Charles with Billy Thorpe & The Aztecs (1970)
11. Natural Man


CD 2:
Aztecs Demo (1972) Previously Unreleased
1. Betsy

Aztecs Live at Bondi Lifesaver (1974) Previously Unreleased
2. Gimme Your Love
3. Get Ready
4. Ability To Rock

Aztecs Live At Sunbury (1975) Previously Unreleased
5. You Can’t Go Round Saying Fuck On Stage

Aztecs Sydney Rugby League Promo (1994)
6. Friday Night’s A Great Night For Football

Billy Thorpe Lounge Room Demos (1972-1975) Previously Unreleased
7. Believe It Just Like Me
8. Beautiful Days
9. Don’t Take That Light Away
10. It’s Almost Summer
11. I Really Miss You
12. No Title

Bruce Howard (1975) Previously Unreleased
13. Rock And Roll Music

Morgan & Matthews (1976)
14. Walk Me Out
15. Raw Love
16. Endless Winter’s Night



..::OBSADA::..

Billy Thorpe - vocals, harmonica, rhythm guitar
Lobby Loyde - lead guitar
Warren Morgan - keyboards
Paul Wheeler - bass
Kevin Murphy - drums



https://www.youtube.com/watch?v=3Mu8Y6QPot0


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
AC DC - Power Up
(Blu-spec CD2) (Japan Edition)
---------------------------------------------------------------------

Artist...............: AC DC
Album................: Power Up
Genre................: Hard Rock
Source...............: CD
Year.................: 2020
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 78 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Sony Records Int'l - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. AC DC - Realize [03:37]
2. AC DC - Rejection [04:06]
3. AC DC - Shot In The Dark [03:05]
4. AC DC - Through The Mists Of Time [03:32]
5. AC DC - Kick You When You're Down [03:10]
6. AC DC - Witch's Spell [03:42]
7. AC DC - Demon Fire [03:30]
8. AC DC - Wild Reputation [02:54]
9. AC DC - No Man's Land [03:39]
10. AC DC - Systems Down [03:12]
11. AC DC - Money Shot [03:05]
12. AC DC - Code Red [03:31]

Playing Time.........: 41:07
Total Size...........: 323,83 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, limitowana, mocno rozszerzona i świetnie brzmiąca edycja drugiego albumu wydanego oryginalnie przez szwedzki Sonet w 1971 roku. Dla wielu fanów jest to szczytowe osiągnięcie zespołu i jeden z najważniejszych albumów skandynawskiego hard rocka początku lat 70. Na 'dwójce' zespół ponownie zaproponował intensywny, ciężki blues-rock z progresywnymi elementami a jednocześnie rozwinął pomysły z debiutu. Przez to brzmienie stało się cięższe, bardziej zwarte i jeszcze bardziej gitarowe. Płyta zawiera mnóstwo rozbudowanych, ekspresyjnych solówek, a sekcja rytmiczna grała jak klasyczne, wczesne brytyjskie power trio. Dodatkowo dołączono aż 27 minut (6 nagrań) materiału bonusowego: 2 nagrania z rzadkich singli oraz 4 doskonale brzmiące kawałki koncertowe z 1971 roku i wydane po latach na CD/LP 'November Live'! Ponownie wytwórnia Once Again wiernie zreprodukowała grafiki z oryginalnego, rozkładanego longplaya - po prostu nieobecne na starym wydaniu '2LP na 1CD'.

JL

Na drugim krążku zniknął fantastyczny flet, który zastąpiono okazjonalnymi partiami klawiszy (fortepian, organy). Z tego też powodu niektórzy uważają, że „dwójka” jest nieco słabsza. Moim zdaniem nic bardziej mylnego. Klawisze nie zaszkodziły zespołowi w utrzymaniu ciężkiego brzmienia. Mówi się, że listopad to najbardziej zapłakany miesiąc w roku. Kiedy za oknem, w czarną jak smoła nocą wyje wiatr, a deszcz bębni w szyby wystarczy iskra, mały płomyk w kominku, a smoła zmienia się w mleko. I tak jest właśnie z tymi klawiszami – dają płycie odrobinę ciepła i blasku. Tak jak na przykład w utworze „Sista resan” otwierającym płytę, gdzie liryczny, miękki fortepian idzie w parze z psychodeliczną gitarą. Cudeńko trwające ledwie dwie i pół minuty a ściska gardło. No, ale potem robi się już ciężko w stylu Black Sabbath („Men mitt hjärta ska vara gjort av sten”, „På väg” ), lub Hendrixa („Mina fotspår fylls av vatten”, „Mouchka”, „Ganska långt från Sergel”). I choć bas Stålbrandta nadal zapewnia połowę cudownie luźnego i ciężkiego brzmienia zespołu na płycie obok bluesa „En lång dag är över”, którego nie mogło zabraknąć pojawiło się też skoczne boogie („En ny tid är här”), a nawet dwie instrumentalne miniaturki: klimatyczna „Och så en morgon…” i żartobliwa „Asthamahgurchk”.

Zibi



..::TRACK-LIST::..

1. Sista Resan (Piano-Sylvia Olin) 2:29
2. Men Mitt Hjärta Ska Vara Gjort Av Sten 4:33
3. Asthamahgurchk - Den Fjottegangere 0:44
4. Mina Fotspår Fylls Av Vatten 5:01
5. En Lång Dag Är Över 6:10
6. Môuchkta (Drömmen Om Malin) 2:19
7. På Väg 7:19
8. Ganska Långt Från Sergel 3:12
9. Och Så En Morgon... 'Ibland Räcker Inte Bara Ord' 1:51
10. En Ny Tid Är Här 3:59

Bonus Tracks:
11. Tillbaks Till Stockholm (Single A-side, 1971) 3:41
12. En Ny Tid Är Här (Alternate Version, 1971) 4:33
13. Långt Från Sergel (Live) 4:00
14. Tillbaks Till Stockholm (Live) 4:05
15. Allt Genom Dig (Live) 7:37
16. Mouchta [Drömmen Om Malin] (Live) 2:35



..::OBSADA::..

Drums, Vocals - Björn Inge
Guitar - Richard Rolf
Bass, Vocals - Christer Stålbrandt
+
Piano, Organ, Producer - Georg Wadenius
Piano - Sylvia Olin (tracks: 1)



https://www.youtube.com/watch?v=GRVlYaCEvKo


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, limitowana, mocno rozszerzona i świetnie brzmiąca edycja drugiego albumu wydanego oryginalnie przez szwedzki Sonet w 1971 roku. Dla wielu fanów jest to szczytowe osiągnięcie zespołu i jeden z najważniejszych albumów skandynawskiego hard rocka początku lat 70. Na 'dwójce' zespół ponownie zaproponował intensywny, ciężki blues-rock z progresywnymi elementami a jednocześnie rozwinął pomysły z debiutu. Przez to brzmienie stało się cięższe, bardziej zwarte i jeszcze bardziej gitarowe. Płyta zawiera mnóstwo rozbudowanych, ekspresyjnych solówek, a sekcja rytmiczna grała jak klasyczne, wczesne brytyjskie power trio. Dodatkowo dołączono aż 27 minut (6 nagrań) materiału bonusowego: 2 nagrania z rzadkich singli oraz 4 doskonale brzmiące kawałki koncertowe z 1971 roku i wydane po latach na CD/LP 'November Live'! Ponownie wytwórnia Once Again wiernie zreprodukowała grafiki z oryginalnego, rozkładanego longplaya - po prostu nieobecne na starym wydaniu '2LP na 1CD'.

JL

Na drugim krążku zniknął fantastyczny flet, który zastąpiono okazjonalnymi partiami klawiszy (fortepian, organy). Z tego też powodu niektórzy uważają, że „dwójka” jest nieco słabsza. Moim zdaniem nic bardziej mylnego. Klawisze nie zaszkodziły zespołowi w utrzymaniu ciężkiego brzmienia. Mówi się, że listopad to najbardziej zapłakany miesiąc w roku. Kiedy za oknem, w czarną jak smoła nocą wyje wiatr, a deszcz bębni w szyby wystarczy iskra, mały płomyk w kominku, a smoła zmienia się w mleko. I tak jest właśnie z tymi klawiszami – dają płycie odrobinę ciepła i blasku. Tak jak na przykład w utworze „Sista resan” otwierającym płytę, gdzie liryczny, miękki fortepian idzie w parze z psychodeliczną gitarą. Cudeńko trwające ledwie dwie i pół minuty a ściska gardło. No, ale potem robi się już ciężko w stylu Black Sabbath („Men mitt hjärta ska vara gjort av sten”, „På väg” ), lub Hendrixa („Mina fotspår fylls av vatten”, „Mouchka”, „Ganska långt från Sergel”). I choć bas Stålbrandta nadal zapewnia połowę cudownie luźnego i ciężkiego brzmienia zespołu na płycie obok bluesa „En lång dag är över”, którego nie mogło zabraknąć pojawiło się też skoczne boogie („En ny tid är här”), a nawet dwie instrumentalne miniaturki: klimatyczna „Och så en morgon…” i żartobliwa „Asthamahgurchk”.

Zibi



..::TRACK-LIST::..

1. Sista Resan (Piano-Sylvia Olin) 2:29
2. Men Mitt Hjärta Ska Vara Gjort Av Sten 4:33
3. Asthamahgurchk - Den Fjottegangere 0:44
4. Mina Fotspår Fylls Av Vatten 5:01
5. En Lång Dag Är Över 6:10
6. Môuchkta (Drömmen Om Malin) 2:19
7. På Väg 7:19
8. Ganska Långt Från Sergel 3:12
9. Och Så En Morgon... 'Ibland Räcker Inte Bara Ord' 1:51
10. En Ny Tid Är Här 3:59

Bonus Tracks:
11. Tillbaks Till Stockholm (Single A-side, 1971) 3:41
12. En Ny Tid Är Här (Alternate Version, 1971) 4:33
13. Långt Från Sergel (Live) 4:00
14. Tillbaks Till Stockholm (Live) 4:05
15. Allt Genom Dig (Live) 7:37
16. Mouchta [Drömmen Om Malin] (Live) 2:35



..::OBSADA::..

Drums, Vocals - Björn Inge
Guitar - Richard Rolf
Bass, Vocals - Christer Stålbrandt
+
Piano, Organ, Producer - Georg Wadenius
Piano - Sylvia Olin (tracks: 1)



https://www.youtube.com/watch?v=GRVlYaCEvKo


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

With their succession of mighty technical death metal albums, Allegaeon have continued to expand and improve their sound. Each subsequent release has seen the band evolve and mature while keeping the excitement present throughout their past discography. “Damnum” (which is Latin for “Loss”) is the logical next step that I believe many were anticipating and the title alone suggests a departure from their usual scientific/ dystopic themes in exchange for more personal subjects. These are translated through the abstract lyrics, cover art and of course the intensity of the music. On this record, Allegaeon are taking their blend of brutality, melody and extreme technical musicianship to the next level allowing no time to get distracted or lost in your thoughts. This album will engulf and assault you with every type of musical prowess the band can display.

Despite the constant intensity, “Damnum” stands out from most other death metal albums of similar calibre thanks to its complex but melodic guitar riffs which are handled by the virtuosity of Greg Burgess and Michael Stancel. Mesmerising guitar leads are present throughout the whole album and allow the listener to remain fully engaged in the music's flow. These leads provide the main melodies as they are superimposed to the harsh vocals that belt out the lyrics. Meanwhile the drums and bass lay the foundations for the power that “Damnum” demonstrates. The bass (played by Brandon Michael) is as dynamic as the guitars, the drumming of most recent member Jeff Saltzman is fast, technical but always precise and well structured so that the listener can easily latch onto the grooves and still be astonished by the musicianship. One of the big novelties of this record is the extended use of vocalist Riley McShane's clean singing which is a rarity in technical death metal but fits surprisingly well whenever this band incorporate it. While these were only used as a brief experimentation on their last album, in “Damnum” they're used more prominently even when the music is blasting at full power like in the awesome hook of the song “Of Beasts And Worms” or in the chorus of closing track “Only Loss” which is perhaps the most intense moment of clean singing.

The first five tracks are the kind of absolute bangers you'd expect from Allegaeon at this stage of their evolution but something feels particularly special about this specific group of opening songs. They embody a massive charge of musical vehemence laced with powerful rhythms, catchy guitar melodies and a few unexpected surprises here and there to serve such a buffet to your eardrums. I must highlight “To Carry My Grief Through Torpor And Silence” and “Vermin” which are exemplary tech death songs for you to release your energy to while admiring the intricate music. The prior is split by a wonderful acoustic guitar passage superimposed to a bass solo before the music builds into the spectacular guitar solo. That's just one of the many details that make Allegaeon's musical foundations shine even brighter. Things get more experimental but also more dramatic with “Called Home” and “The Dopamine Void”, the intensity breaks up to give way to songs that start slower and allow the band to show their progressive rock influences. Eventually these two songs evolve into their own madness with the second part of “The Dopamine Void” exploding into a full frenzy as Riley sings at his fastest pace.

The lyrics are obviously about personal issues and experiences but the specific subject matters are never too obvious since the slightly abstract writing leaves room for interpretation. The only exception is “Called Home” because the blunt lyrics of that song reveal the story behind it which I won't describe in this review in case there are sensitive people reading this. Despite this being the slowest song it has a huge build-up and remains the most spine-chilling moment of the record. It will give you goose bumps at the least and waterfalls coming out of your eyes at the most if you have the misfortune of relating to the themes in question. This sad mood is appropriately followed by “Blight” which is one of the more dissonant songs and “Saturnine” is another embellished tech-death banger that prepares you for the album's finale. A beautiful and moody interlude softly carries you towards the overwhelming “Only Loss”, a stomping behemoth that will leave you speechless as if you'd seen a ghost while Riley's final words “onlyyyyy loooossss” echo in your mind.

So Allegaeon have conjured all of their frustrations and turned them into strengths to share with their fans a collection of songs that sound like they came straight from the guts. This is where technical intensity meets emotion thanks to each member's musical talents and the group's ability to bring them together. The additional use of orchestrations, synths and piano help enhance the grandeur and expressive nature of the music. And last but not least I must salute Dave Otero who handled all the mixing and mastering process in a way that makes every musical element perceptible within the monstrous overall sound. It might be worth mentioning that he's also mixed the recent outputs by Aborted, Akhlys and Cattle Decapitation who, as you most likely know, all have a dense and overwhelming sound, I think that alone says enough about this man's skills. I was a bit sad to see Riley depart since he's had quite an evolution during his time with Allegaeon but the band are now reunited with their former vocalist Ezra Haynes and I have full confidence that whatever they put out next will be brilliant. “Damnum” still leaves a strong impact more than two years after its release and will remain a timeless album!

DBH20

I have been following Allegaeon since 2010, when they released their first album: Fragments of Form and Function, on Metal Blade Records. I was instantly a fan of their highly technical, yet super melodic sound. They had quite a few line up changes throughout the years but Greg Burgess is the only original member still in the band and I feel like no matter the changes, he has been the connective tissue that made Allegaeon who they are. After the release of Damnum, the band announced they were parting ways with vocalist Riley McShane, who provided vocals since Proponent for Sentience. It’s a real shame because he really shines brighter than a hot giant ball of gas collapsing in on itself, maintained by the constant nuclear fusion in its core. I can say with confidence that this is the most ambitious and musically diverse album the band ever did.

Damnum starts with the song Bastards of The Earth, which has a beautiful classical acoustic guitar intro. Nevertheless, it doesn’t stay calm for a long time, after a few second, they immediately erect a bombastic wall of sound, with every instruments in full gear, from the blast beats to the chunky guitar riff and the long, deep scream/growl of Riley. Everything hits you in the face perfectly, like any metal fan likes. After the middle mark, there is a beautiful break, with the signature classical guitar of Greg. Furthermore, not only is the music brilliant on this album, but the lyrical content should also be highlighted. Instead of focusing mainly on science and science fiction, like on their previous albums, they get a lot more personal and philosophical. While still having a little bit of those elements in. On Bastards Of The Earth, for example, we have these lines: “Thrust into a world akin to darkness, ruptured by the sun.” and “A spinning wheel that spells disaster - the circle growing deeper every day.” The world of darkness ruptured by the sun is obviously the world we live in today and I see the spinning wheel as a metaphor for our current capitalist system that gave us global warming and the disasters that it causes and will continue to cause.

This song, like all the other songs on this album, has a real proggy feel to it. What I mean by that is that almost every song is over five minutes long and they don’t necessarily have a traditional verse chorus verse chorus structure. Nevertheless, in true technical death metal fashion, there is so much solos everywhere. They definitely do not disappoint on that end. Rather than focusing only on the technical abilities, Greg Burgess is as much technical as he is melodic in his playing. I think he writes most of the music, but on Damnum, every member participated in the writing process, which sprinkles a lot of new and different ideas everywhere. A few examples would be the classical guitars, which is not a new idea for them, but is featured a lot more on this album. Greg is an incredible guitarist on both electric and classical guitars. Another example would be the beautiful and epic sounding piano solo on the song Blight or the classical prog rock organs playing in the background in the beginning of Of Beasts And Worms, or the classical guitars mixed with a tam tam rhythm on the song To Carry My Grief Through Torpor And Silence etc. You get the idea.

Of Beasts And Worms has the most catchy chorus of all of the album. Here, Riley McShane’s clean vocals are on full display. In the last two albums, we had a little taste of his beautiful clean vocals but never to this degree. His voice is so clear and pure, when he goes for higher notes, singing:” This is the place where I rest my bones and the river that cleanses me runs alone. To be there again where my spirit longs and sleep in the soil forevermore”, it gives me chills every time! I think these lyrics could be interpretated as someone who gives up fighting. I feel like these lyrics are more mature and darker, abording real subject matters. Musically, it feels almost as if Mikael Åkerfeldt himself wrote the song: the quieter clean guitars, the rock organs with a soft, spoken words section. (Spoiler alert, it is not the only time Opeth is a clear inspiration on this album.)

Without a doubt, the most Opeth sounding part on the album is on the song Called Home. It starts with a beautiful classical guitar picking and after a while, the drum beat starts slowly. I don’t know who made the recording and the mixing, but it is masterfully done! Everything sounds clean, but completely organic at the same time. We also get a bit of Gojira influences here and there. On the song Blight for example, it starts as a heavy technical death metal riff and drum patterns, but they add the signature “Gojira slide” here and there, which is a cool little musical easter egg. This has also a beautiful and quite long piano solo. It sounds like a grand piano, which makes the whole thing sound even more majestic!

I think I could go on and on talking about this album. After all, it was my favorite album of 2022 for a good reason. There are so much little things you don’t necessarily hear during your first listens. For example, on In Mourning, they adjusted the noisegate so that you can hear Greg’s breathing while he plays guitar. That subtitle touch is just one example of how meticulously crafted everything is. For a few years, it was evident that Allegaeon was going more and more on the prog side, with their many Rush covers, but on Damnum, they really nailed the mix of progressive, technical and melodic death metal blend. I can’t wait to see what they will offer next!

hellzora666



..::TRACK-LIST::..

1. Bastards of the Earth 04:32
2. Of Beasts and Worms 06:30
3. Into Embers 05:19
4. To Carry My Grief Through Torpor and Silence 05:19
5. Vermin 05:10
6. Called Home 07:40
7. Blight 05:01
8. The Dopamine Void, Pt. I 02:06
9. The Dopamine Void, Pt. II 05:01
10. Saturnine 04:41
11. In Mourning 01:51
12. Only Loss 06:53



..::OBSADA::..

Jeff Saltzman - Drums
Michael Stancel - Guitars
Riley McShane - Vocals
Brandon Michael - Bass
Greg Burgess - Guitars



https://www.youtube.com/watch?v=79pGsIxrNuc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

With their succession of mighty technical death metal albums, Allegaeon have continued to expand and improve their sound. Each subsequent release has seen the band evolve and mature while keeping the excitement present throughout their past discography. “Damnum” (which is Latin for “Loss”) is the logical next step that I believe many were anticipating and the title alone suggests a departure from their usual scientific/ dystopic themes in exchange for more personal subjects. These are translated through the abstract lyrics, cover art and of course the intensity of the music. On this record, Allegaeon are taking their blend of brutality, melody and extreme technical musicianship to the next level allowing no time to get distracted or lost in your thoughts. This album will engulf and assault you with every type of musical prowess the band can display.

Despite the constant intensity, “Damnum” stands out from most other death metal albums of similar calibre thanks to its complex but melodic guitar riffs which are handled by the virtuosity of Greg Burgess and Michael Stancel. Mesmerising guitar leads are present throughout the whole album and allow the listener to remain fully engaged in the music's flow. These leads provide the main melodies as they are superimposed to the harsh vocals that belt out the lyrics. Meanwhile the drums and bass lay the foundations for the power that “Damnum” demonstrates. The bass (played by Brandon Michael) is as dynamic as the guitars, the drumming of most recent member Jeff Saltzman is fast, technical but always precise and well structured so that the listener can easily latch onto the grooves and still be astonished by the musicianship. One of the big novelties of this record is the extended use of vocalist Riley McShane's clean singing which is a rarity in technical death metal but fits surprisingly well whenever this band incorporate it. While these were only used as a brief experimentation on their last album, in “Damnum” they're used more prominently even when the music is blasting at full power like in the awesome hook of the song “Of Beasts And Worms” or in the chorus of closing track “Only Loss” which is perhaps the most intense moment of clean singing.

The first five tracks are the kind of absolute bangers you'd expect from Allegaeon at this stage of their evolution but something feels particularly special about this specific group of opening songs. They embody a massive charge of musical vehemence laced with powerful rhythms, catchy guitar melodies and a few unexpected surprises here and there to serve such a buffet to your eardrums. I must highlight “To Carry My Grief Through Torpor And Silence” and “Vermin” which are exemplary tech death songs for you to release your energy to while admiring the intricate music. The prior is split by a wonderful acoustic guitar passage superimposed to a bass solo before the music builds into the spectacular guitar solo. That's just one of the many details that make Allegaeon's musical foundations shine even brighter. Things get more experimental but also more dramatic with “Called Home” and “The Dopamine Void”, the intensity breaks up to give way to songs that start slower and allow the band to show their progressive rock influences. Eventually these two songs evolve into their own madness with the second part of “The Dopamine Void” exploding into a full frenzy as Riley sings at his fastest pace.

The lyrics are obviously about personal issues and experiences but the specific subject matters are never too obvious since the slightly abstract writing leaves room for interpretation. The only exception is “Called Home” because the blunt lyrics of that song reveal the story behind it which I won't describe in this review in case there are sensitive people reading this. Despite this being the slowest song it has a huge build-up and remains the most spine-chilling moment of the record. It will give you goose bumps at the least and waterfalls coming out of your eyes at the most if you have the misfortune of relating to the themes in question. This sad mood is appropriately followed by “Blight” which is one of the more dissonant songs and “Saturnine” is another embellished tech-death banger that prepares you for the album's finale. A beautiful and moody interlude softly carries you towards the overwhelming “Only Loss”, a stomping behemoth that will leave you speechless as if you'd seen a ghost while Riley's final words “onlyyyyy loooossss” echo in your mind.

So Allegaeon have conjured all of their frustrations and turned them into strengths to share with their fans a collection of songs that sound like they came straight from the guts. This is where technical intensity meets emotion thanks to each member's musical talents and the group's ability to bring them together. The additional use of orchestrations, synths and piano help enhance the grandeur and expressive nature of the music. And last but not least I must salute Dave Otero who handled all the mixing and mastering process in a way that makes every musical element perceptible within the monstrous overall sound. It might be worth mentioning that he's also mixed the recent outputs by Aborted, Akhlys and Cattle Decapitation who, as you most likely know, all have a dense and overwhelming sound, I think that alone says enough about this man's skills. I was a bit sad to see Riley depart since he's had quite an evolution during his time with Allegaeon but the band are now reunited with their former vocalist Ezra Haynes and I have full confidence that whatever they put out next will be brilliant. “Damnum” still leaves a strong impact more than two years after its release and will remain a timeless album!

DBH20

I have been following Allegaeon since 2010, when they released their first album: Fragments of Form and Function, on Metal Blade Records. I was instantly a fan of their highly technical, yet super melodic sound. They had quite a few line up changes throughout the years but Greg Burgess is the only original member still in the band and I feel like no matter the changes, he has been the connective tissue that made Allegaeon who they are. After the release of Damnum, the band announced they were parting ways with vocalist Riley McShane, who provided vocals since Proponent for Sentience. It’s a real shame because he really shines brighter than a hot giant ball of gas collapsing in on itself, maintained by the constant nuclear fusion in its core. I can say with confidence that this is the most ambitious and musically diverse album the band ever did.

Damnum starts with the song Bastards of The Earth, which has a beautiful classical acoustic guitar intro. Nevertheless, it doesn’t stay calm for a long time, after a few second, they immediately erect a bombastic wall of sound, with every instruments in full gear, from the blast beats to the chunky guitar riff and the long, deep scream/growl of Riley. Everything hits you in the face perfectly, like any metal fan likes. After the middle mark, there is a beautiful break, with the signature classical guitar of Greg. Furthermore, not only is the music brilliant on this album, but the lyrical content should also be highlighted. Instead of focusing mainly on science and science fiction, like on their previous albums, they get a lot more personal and philosophical. While still having a little bit of those elements in. On Bastards Of The Earth, for example, we have these lines: “Thrust into a world akin to darkness, ruptured by the sun.” and “A spinning wheel that spells disaster - the circle growing deeper every day.” The world of darkness ruptured by the sun is obviously the world we live in today and I see the spinning wheel as a metaphor for our current capitalist system that gave us global warming and the disasters that it causes and will continue to cause.

This song, like all the other songs on this album, has a real proggy feel to it. What I mean by that is that almost every song is over five minutes long and they don’t necessarily have a traditional verse chorus verse chorus structure. Nevertheless, in true technical death metal fashion, there is so much solos everywhere. They definitely do not disappoint on that end. Rather than focusing only on the technical abilities, Greg Burgess is as much technical as he is melodic in his playing. I think he writes most of the music, but on Damnum, every member participated in the writing process, which sprinkles a lot of new and different ideas everywhere. A few examples would be the classical guitars, which is not a new idea for them, but is featured a lot more on this album. Greg is an incredible guitarist on both electric and classical guitars. Another example would be the beautiful and epic sounding piano solo on the song Blight or the classical prog rock organs playing in the background in the beginning of Of Beasts And Worms, or the classical guitars mixed with a tam tam rhythm on the song To Carry My Grief Through Torpor And Silence etc. You get the idea.

Of Beasts And Worms has the most catchy chorus of all of the album. Here, Riley McShane’s clean vocals are on full display. In the last two albums, we had a little taste of his beautiful clean vocals but never to this degree. His voice is so clear and pure, when he goes for higher notes, singing:” This is the place where I rest my bones and the river that cleanses me runs alone. To be there again where my spirit longs and sleep in the soil forevermore”, it gives me chills every time! I think these lyrics could be interpretated as someone who gives up fighting. I feel like these lyrics are more mature and darker, abording real subject matters. Musically, it feels almost as if Mikael Åkerfeldt himself wrote the song: the quieter clean guitars, the rock organs with a soft, spoken words section. (Spoiler alert, it is not the only time Opeth is a clear inspiration on this album.)

Without a doubt, the most Opeth sounding part on the album is on the song Called Home. It starts with a beautiful classical guitar picking and after a while, the drum beat starts slowly. I don’t know who made the recording and the mixing, but it is masterfully done! Everything sounds clean, but completely organic at the same time. We also get a bit of Gojira influences here and there. On the song Blight for example, it starts as a heavy technical death metal riff and drum patterns, but they add the signature “Gojira slide” here and there, which is a cool little musical easter egg. This has also a beautiful and quite long piano solo. It sounds like a grand piano, which makes the whole thing sound even more majestic!

I think I could go on and on talking about this album. After all, it was my favorite album of 2022 for a good reason. There are so much little things you don’t necessarily hear during your first listens. For example, on In Mourning, they adjusted the noisegate so that you can hear Greg’s breathing while he plays guitar. That subtitle touch is just one example of how meticulously crafted everything is. For a few years, it was evident that Allegaeon was going more and more on the prog side, with their many Rush covers, but on Damnum, they really nailed the mix of progressive, technical and melodic death metal blend. I can’t wait to see what they will offer next!

hellzora666



..::TRACK-LIST::..

1. Bastards of the Earth 04:32
2. Of Beasts and Worms 06:30
3. Into Embers 05:19
4. To Carry My Grief Through Torpor and Silence 05:19
5. Vermin 05:10
6. Called Home 07:40
7. Blight 05:01
8. The Dopamine Void, Pt. I 02:06
9. The Dopamine Void, Pt. II 05:01
10. Saturnine 04:41
11. In Mourning 01:51
12. Only Loss 06:53



..::OBSADA::..

Jeff Saltzman - Drums
Michael Stancel - Guitars
Riley McShane - Vocals
Brandon Michael - Bass
Greg Burgess - Guitars



https://www.youtube.com/watch?v=79pGsIxrNuc


SEED 15:00-22:00.
POLECAM!!!

Genre: Doom/Death Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 34:05
Availability of scans in the download: No

Tracklist:
01. Ascent To Godhood
02. Radioactivity Meter
03. Effigy Of An Obliterated God
04. Zeit Der Pest
05. Eternal Wanderer (Starless Void III)
06. Mgły Nocnych Mar
07. Starless Void II

..::INFO::..

---------------------------------------------------------------------
Ronnie Wood - Fearless [EP]
---------------------------------------------------------------------

Artist...............: Ronnie Wood
Album................: Fearless [EP]
Genre................: Rock
Source...............: WEB
Year.................: 2025-09-26
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: BMG

Included.............: NFO, M3U,
Covers...............: Front

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Ronnie Wood - You're So Fine [02:41]
2. Ronnie Wood - Mother of Pearl [04:26]
3. Ronnie Wood - Take It Easy [03:38]
4. Chrissie Hynde - A Certain Girl (feat. Chrissie Hynde) [03:44]

Playing Time.........: 14:30
Total Size...........: 115,73 MB

..::INFO::..

---------------------------------------------------------------------
Ringo Starr - Long Long Road
---------------------------------------------------------------------

Artist...............: Ringo Starr
Album................: Long Long Road
Genre................: Rock, Folk, World, & Country
Source...............: CD
Year.................: 2026
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Universal Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Ringo Starr - Returning Without Tears [02:23]
2. Ringo Starr - Baby Don't Go [03:41]
3. Ringo Starr - I Don't See Me In Your Eyes Anymore [02:52]
4. Ringo Starr - It's Been Too Long [02:42]
5. Ringo Starr - Why [02:50]
6. Ringo Starr - You and I (Wave of Love) [03:52]
7. Ringo Starr - My Baby Don't Want Nothing [04:11]
8. Ringo Starr - Choose Love [03:54]
9. Ringo Starr - She's Gone [03:18]
10. Ringo Starr - Long Long Road [03:39]

Playing Time.........: 33:25
Total Size...........: 216,19 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

First in an ongoing series of box sets celebrating the life and times of this incredible musician.

This 8CD collection includes John’s six solo albums, each with bonus material which have been fully remastered by Maor Appelbaum.

Also included are 2CDs of extremely rare and hard-to-find bonus material, especially curated by Rick Nelson, long-time Wetton archivist and John’s close friend. This material is a treasure trove of wonders for the true Wetton fan.

Presented in a 12x12” box, this collection also features an extensive 64 page book with notes written by Nick Shilton, author of John’s biography, An Extraordinary Life and artwork by Michael Inns, long-time friend and collaborator of John’s.

This box set has been carefully curated with the blessing of John’s wife Lisa and son Dylan and is released with the full support of the Wetton estate.

From his beginnings in the genre defining King Crimson, to the inventive, early prog supergroup UK, to the all-conquering prog-pop behemoth that was Asia and the many projects in-between, John Wetton was revered as a colossus of the progressive rock world.

Not only did he front three of the most successful progressive rock bands of all-time, John also enjoyed stints with Roxy Music, Family, Uriah Heep and Wishbone Ash. His list of collaborators is a veritable Who’s Who of the rock music world. In addition John released no fewer than six solo albums! Thus he is rightly seen as a true song writing visionary and one of the greatest bass players that ever lived.

From the committed prog connoisseur to the prog-pop fan of Asia, Wetton’s appeal is broad and deep. This extensive collection is the perfect entry point to appreciating and understanding the many colourful facets of John Wetton’s musical personality and is the perfect illustration of his extraordinary life.



..::TRACK-LIST::..

CD 1 - Caught In The Crossfire (1980):
1. Turn On The Radio
2. Baby Come Back
3. When Will You Realize?
4. Cold Is The Night
5. Paper Talk
6. Get Away
7. Caught In The Crossfire
8. Get What You Want
9. I'll Be There
10. Woman

Bonus Tracks:
11. Every Inch Of The Way
12. Out Of The Blue



..::OBSADA::..

Voice, Lead Guitar, Bass, Keyboards - John Wetton
Drums, Percussion - Simon Kirke
Lead Guitar - Martin Barre (tracks: 2, 3, 5, 10)
Saxophone – Malcolm Duncan (tracks: 7, 9)

Special Thanks to Phil Manzanera (Track 7)



https://www.youtube.com/watch?v=YTvKCc3Iubg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

First in an ongoing series of box sets celebrating the life and times of this incredible musician.

This 8CD collection includes John’s six solo albums, each with bonus material which have been fully remastered by Maor Appelbaum.

Also included are 2CDs of extremely rare and hard-to-find bonus material, especially curated by Rick Nelson, long-time Wetton archivist and John’s close friend. This material is a treasure trove of wonders for the true Wetton fan.

Presented in a 12x12” box, this collection also features an extensive 64 page book with notes written by Nick Shilton, author of John’s biography, An Extraordinary Life and artwork by Michael Inns, long-time friend and collaborator of John’s.

This box set has been carefully curated with the blessing of John’s wife Lisa and son Dylan and is released with the full support of the Wetton estate.

From his beginnings in the genre defining King Crimson, to the inventive, early prog supergroup UK, to the all-conquering prog-pop behemoth that was Asia and the many projects in-between, John Wetton was revered as a colossus of the progressive rock world.

Not only did he front three of the most successful progressive rock bands of all-time, John also enjoyed stints with Roxy Music, Family, Uriah Heep and Wishbone Ash. His list of collaborators is a veritable Who’s Who of the rock music world. In addition John released no fewer than six solo albums! Thus he is rightly seen as a true song writing visionary and one of the greatest bass players that ever lived.

From the committed prog connoisseur to the prog-pop fan of Asia, Wetton’s appeal is broad and deep. This extensive collection is the perfect entry point to appreciating and understanding the many colourful facets of John Wetton’s musical personality and is the perfect illustration of his extraordinary life.



..::TRACK-LIST::..

CD 1 - Caught In The Crossfire (1980):
1. Turn On The Radio
2. Baby Come Back
3. When Will You Realize?
4. Cold Is The Night
5. Paper Talk
6. Get Away
7. Caught In The Crossfire
8. Get What You Want
9. I'll Be There
10. Woman

Bonus Tracks:
11. Every Inch Of The Way
12. Out Of The Blue



..::OBSADA::..

Voice, Lead Guitar, Bass, Keyboards - John Wetton
Drums, Percussion - Simon Kirke
Lead Guitar - Martin Barre (tracks: 2, 3, 5, 10)
Saxophone – Malcolm Duncan (tracks: 7, 9)

Special Thanks to Phil Manzanera (Track 7)



https://www.youtube.com/watch?v=YTvKCc3Iubg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

New York, New York… the mighty metal hordes that you have raised… Anthrax, Overkill, Pro-Pain, Carnivore, Prong, Nuclear Assault, Riot, Helmet… need I go on? I don’t think so. How about these executioners here? Who were parading earlier as Executioner, the few songs they created under this moniker featured on the debut demo of the same title. The style during those early days was boisterous heavy/power metal remnants of which were still quite audible on the debut, a scattered, not very coherent blend of heavy, power, speed, and thrash that was still entertaining in its own charmingly dishevelled way.

Two years later the band hit with a sicker, which also means better, release, the one reviewed here. And they’ve tightened their act by leaps and bounds, concentrating on the speed/thrash side of the previously displayed conglomerate. The sound quality has also gone up, the production’s more polished, giving the guitars an articulate sharp click. For at least half the time the band just mosh with little remorse, unleashing vehement headbangers like "Horrors of the Mind" and “Another Chosen Life”, stirring mosh-pits left and right, trying to match the belligerence of their colleagues from the NYHC scene every bit of the way. There are a couple of intriguing spices offered here and there, too, like the surreal trippy Voivod-ish etude “Sexploitation”, above all, and the solid steady mid-pacer "I'm Sanctified". "Second Coming" is another deviation, a short lively power/thrash excursion, the guys winking at the Bay-Area on the other side of the country with the stylish semi-technical "No One to Pray To", a respectful reminder of Testament’s "Disciples of the Watch" from "The New Order".

That’s way more like it, the only sector that has remained unchanged being the vocal one; the guy retains his quite effective clean attached antics from the first instalment, recalling both Russ Anderson (Forbidden) and Joey Belladonna (Anthrax). In the long run, one shouldn’t be spitting over the guys too much regarding their not very focused first endeavour as similar upgrade transformations (Helstar, Attacker, Heathen, Nasty Savage, etc.) were not such an uncommon phenomenon on the US scene. And, they got it right the second time around, producing this exhilarating old school thrashing beast that added another plus in their hometown’s impressive resume.

The band disappeared in the early-90’s alongside myriad other 80’s-spawned practitioners, as the tides were shifting, and not all of these cohorts were ready and willing to embrace the numetal trends. We roll a quarter of a century forward, and we see the band guitarists Adam Marigliano and Rui Tavora joining forces again in the new millennium, parading as anti-heroes, also eager to capitalize on the still ongoing old school resurrection campaign. Ha, and this is where the big joke comes: our friends have inexplicably turned into groovy/cheesy glam/grunge rockers, betraying all their classic metal ideas for a cupful of toffee… no speed, no thrash, not even power… a shameful new beginning, a genuine false start, and a most exemplary flop.

But they will rise; I have faith in them… the executioners will start beheading and decapitating again; they just need to sharpen their axes some more… and to start subjecting their will to sicker and sicker thoughts.

bayern



..::TRACK-LIST::..

1. Three Years Later/Dismembered 5:32
2. Another Chosen Life 4:34
3. Sexploitation 3:08
4. Innocent Betrayal 3:44
5. Chamber Of Sorrow 4:23
6. Second Coming 2:51
7. Horrors Of The Mind 4:45
8. No One To Pray To 4:05
9. I'm Sanctified 4:47
10. Infected 3:46



..::OBSADA::..

Vocals - Tommy Lee Haley
Guitar - Adam Marigliano, Rui Tavora
Bass Guitar - Gus Silva
Drums - Billy Gerdes



https://www.youtube.com/watch?v=vnscdw3TrKs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

New York, New York… the mighty metal hordes that you have raised… Anthrax, Overkill, Pro-Pain, Carnivore, Prong, Nuclear Assault, Riot, Helmet… need I go on? I don’t think so. How about these executioners here? Who were parading earlier as Executioner, the few songs they created under this moniker featured on the debut demo of the same title. The style during those early days was boisterous heavy/power metal remnants of which were still quite audible on the debut, a scattered, not very coherent blend of heavy, power, speed, and thrash that was still entertaining in its own charmingly dishevelled way.

Two years later the band hit with a sicker, which also means better, release, the one reviewed here. And they’ve tightened their act by leaps and bounds, concentrating on the speed/thrash side of the previously displayed conglomerate. The sound quality has also gone up, the production’s more polished, giving the guitars an articulate sharp click. For at least half the time the band just mosh with little remorse, unleashing vehement headbangers like "Horrors of the Mind" and “Another Chosen Life”, stirring mosh-pits left and right, trying to match the belligerence of their colleagues from the NYHC scene every bit of the way. There are a couple of intriguing spices offered here and there, too, like the surreal trippy Voivod-ish etude “Sexploitation”, above all, and the solid steady mid-pacer "I'm Sanctified". "Second Coming" is another deviation, a short lively power/thrash excursion, the guys winking at the Bay-Area on the other side of the country with the stylish semi-technical "No One to Pray To", a respectful reminder of Testament’s "Disciples of the Watch" from "The New Order".

That’s way more like it, the only sector that has remained unchanged being the vocal one; the guy retains his quite effective clean attached antics from the first instalment, recalling both Russ Anderson (Forbidden) and Joey Belladonna (Anthrax). In the long run, one shouldn’t be spitting over the guys too much regarding their not very focused first endeavour as similar upgrade transformations (Helstar, Attacker, Heathen, Nasty Savage, etc.) were not such an uncommon phenomenon on the US scene. And, they got it right the second time around, producing this exhilarating old school thrashing beast that added another plus in their hometown’s impressive resume.

The band disappeared in the early-90’s alongside myriad other 80’s-spawned practitioners, as the tides were shifting, and not all of these cohorts were ready and willing to embrace the numetal trends. We roll a quarter of a century forward, and we see the band guitarists Adam Marigliano and Rui Tavora joining forces again in the new millennium, parading as anti-heroes, also eager to capitalize on the still ongoing old school resurrection campaign. Ha, and this is where the big joke comes: our friends have inexplicably turned into groovy/cheesy glam/grunge rockers, betraying all their classic metal ideas for a cupful of toffee… no speed, no thrash, not even power… a shameful new beginning, a genuine false start, and a most exemplary flop.

But they will rise; I have faith in them… the executioners will start beheading and decapitating again; they just need to sharpen their axes some more… and to start subjecting their will to sicker and sicker thoughts.

bayern



..::TRACK-LIST::..

1. Three Years Later/Dismembered 5:32
2. Another Chosen Life 4:34
3. Sexploitation 3:08
4. Innocent Betrayal 3:44
5. Chamber Of Sorrow 4:23
6. Second Coming 2:51
7. Horrors Of The Mind 4:45
8. No One To Pray To 4:05
9. I'm Sanctified 4:47
10. Infected 3:46



..::OBSADA::..

Vocals - Tommy Lee Haley
Guitar - Adam Marigliano, Rui Tavora
Bass Guitar - Gus Silva
Drums - Billy Gerdes



https://www.youtube.com/watch?v=vnscdw3TrKs


SEED 15:00-22:00.
POLECAM!!!

Genre: Progressive Death Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 54:59
Availability of scans in the download: No

Tracklist:
01. Aphasia
02. Kneel
03. Feathers
04. Heirloom
05. Constant (Feat. Natalia Zimecka)
06. They Fall
07. Burial Of The Friend
08. Starless

...( Info )...

Artist: Rita Ora
Title: ORA
Year: 2012
Genre: Pop
Publisher (label): Roc Nation Records, LLC
Duration: 00:56:46
Format/Codec: FLAC (tracks)
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. Facemelt (00:01:33)
02. Roc The Life (00:04:01)
03. How We Do (Party) (00:04:07)
04. R.I.P. (00:03:48)
05. Radioactive (00:04:11)
06. Shine Ya Light (00:03:31)
07. Love And War (00:03:35)
08. Uneasy (00:03:02)
09. Fall In Love (00:04:14)
10. Been Lying (00:03:45)
11. Hello, Hi, Goodbye (00:03:58)
12. Hot Right Now (00:03:02)
13. Crazy Girl (00:03:36)
14. Young, Single & Sexy (00:03:46)
15. Meet Ya (00:02:17)
16. How We Do (Party) (Acoustic) (00:04:20)