...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Szybki i bezlitosny brutalny death/grind. Połączenie Brujeria i Napalm Death.
Nie ma litości...



..::TRACK-LIST::..

1. Mundo En Llamas 1:04
2. Estado Brutal 3:44
3. Himno Del Odio 2:08
4. Mata O Muere 3:19
5. 100% Terroristas 3:01
6. Enemigo 3:29
7. Malditas Partes (En Mi Mente) 2:48
8. O.S.S.A.M.A. 0:29
9. Cadenas Sangrientas 4:00
10. Enfermo De Mierda 2:09
11. Desprecio 3:20
12. Un Minuto De Silencio 3:16
13. Disturbios 12:07

Videoclip - Himno Del Odio 2:28
Video Editor – Diego Martínez




https://www.youtube.com/watch?v=nstCvaWVF8k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Jakiś czas temu zostałem poproszony o ponowne wstawienie pierwszych trzydziestu krążków z tego genialnego box'u w mp3.
Trochę to trwało, osobie zainteresowanej wyjaśniłem, poprosiłem o cierpliwość... i mam nadzieję, że sprawię przyjemność... W końcu!



..::OPIS::..

Wydany na jesieni 2009 roku box Milesa Davisa „zawiera 52 tytuły i łącznie aż 70 krążków! Po niedawnej, wystrzałowej reedycji dzieł wszystkich The Beatles, to przedsięwzięcie wydawnicze przebija rozmiarem wszystko tego typu, a już na pewno w kategorii jazzu. Po słynnej serii dziesięciu 3-7 kompaktowych boksów, integrujących wszystkie nagrania w wybranych okresach, firma Columbia „poszła na całość” i zaoferowała w jednym pudełku w cienkich tekturowych okładkach wszystkie płyty, jakie firmował Davis pod szyldem Columbii w okresie od 1955 do 1985 r., kiedy nagrywał wyłącznie dla Columbii lub Sony Music.

Pewien chronologiczny wyjątek stanowi włączenie do zwartej kolekcji nieco zapomnianego albumu „In Paris Festival International de Jazz; May 1949”, poszerzonego o dwa niepublikowane utwory. Wtedy to Davis odbył pierwszą podróż do Europy, gdzie przyjmowano go entuzjastycznie, a towarzyszyli mu na scenie: James Moody - ts, Tadd Dameron - p, Barney Spieler - b i Kenny Clarke - dr. Innym, niepublikowanym wcześniej dokumentem z trasy europejskiej jest krążek DVD „Live In Europe ’67” (jedyny w zestawie materiał wideo) zawierający rejestrację z dwóch występów kwintetu Davisa w Sztokholmie i Karlsruhe. Jak na mistrzowską formację przystało (Wayne Shorter - ts, Herbie Hancock - p, Ron Carter - b, Tony Williams - dr), podobny repertuar koncertu grywany w tamtym okresie, przedstawili w wyraźnie odmienny sposób. Można się naocznie przekonać, jak rodziła się ta unikalna interakcja między członkami grupy Davisa, choć on sam wydawał się być jakby ponad nią.

Znakomita większość kompaktów zawiera oryginalny materiał, jaki znajdował się jeszcze na płytach winylowych, lecz repertuar niektórych tytułów został rozszerzony, i tak do „Quiet Nights” dodano dwa utwory, które ukazały się wcześniej na składankach. Podwójny „At Plugged Nickel” zawiera oryginalną sekwencję utworów z koncertu, a wszystkie one pojawiły się w pełnym wymiarze, bez wcześniejszych edytorskich wyciszeń. Materiał z występu septetu Davisa (Gary Bartz - ss, Keith Jarrett, Chick Corea - keyb, Dave Holland - b, Jack DeJohnette - dr, Airto Moreira - perc) podczas angielskiego festiwalu rockowego na wyspie Wight był dotychczas dostępny tylko w okrojonej formie na potrójnej składance z udziałem innych zespołów, lub w pełnym wymiarze na DVD „Electric Miles” wydanym kilka lat temu. Utworzono więc nowy tytuł „Isle Of Wight”, zawierający pełną wersję koncertu w wersji audio i taki włączono do niniejszego zestawu. Wreszcie podwójny album „We Want Miles” wzbogacono o trzy utwory pochodzące z rzadkiej koncertowej płyty „Miles! Miles! Miles!”, wydanej wcześniej wyłącznie w Japonii.

Poszczególne kompakty, w zremasterowanej formie (w sensie audio), zostały opakowane w tekturowe okładki w stylu używanym przez wydawców japońskich. Na okładkach zamieszczono reprodukcje z oryginałów jakie znajdowały się na płytach winylowych. W pudełku o niemonstrualnych rozmiarach oprócz kompaktów znajduje się jeszcze 250-stronicowa książka z biograficznym esejem (w trzech językach) pióra Frederica Goaty’ego, rzadkimi fotosami, memorabiliami, pełną dyskografią z odnośnymi komentarzami Francka Bergerota i indeksem wszystkich utworów.

Powyższe szczegóły są istotne dla kolekcjonerów maksymalistów, również dla tych, którzy pragną odświeżyć zbiory zredukowanym objętościowo cackiem. Natomiast dla rozpoczynających przygodę z jazzem, pragnących zgłębić fenomen maestrii Davisa i prześledzić ewolucję jego koncepcji artystycznych, jest to kuszący (również ceną rzędu 170 EUR) sposób wejścia w posiadanie swego rodzaju jazzowej Biblii w wersji limitowanej.

Mniej wtajemniczonym należy przypomnieć, że znajdą w unikalnym zestawie albumy, które decydująco wpłynęły na rozwój jazzu i wytyczały obszar jazzowego idiomu. Mamy więc w zbiorze uznaną za bezapelacyjnie najwspanialszą płytę jazzową wszech czasów „Kind Of Blue”, której doskonałość i piękno dostrzegły jednomyślnie już dwa pokolenia fanów i krytyków; tego można słuchać bez końca! Kolejne tytuły, które zdobyły najwyższe oceny, a może tylko minimalnie ustępowały kunsztem artystycznym, jak „Miles Ahead”, „Milestones”, „Miles Smiles”, „Bitches Brew”, „On The Corner”, „Agharta” i „Aura”, stanowiły punkty zwrotne w kształtowaniu oblicza jazzu w różnych okresach, a niekiedy, jak w przypadku trzech ostatnich pozycji, wyprzedziły epokę.

Nie można też zapomnieć o cudownym potraktowaniu przez hipnotyczną trąbkę Davisa klimatów hiszpańskich w „Sketches Of Spain”, przy niezwykle harmonijnym wtórowaniu orkiestry Gila Evansa, kojącego nastrojem i urokiem albumu „In a Silent Way”, odmalowaniu bokserskich emocji w ścieżce muzycznej do filmu „Jack Johnson”, czy wreszcie futurystycznym szkicu jazzu przyszłości przedstawionym na koncertowym albumie „Pangaea”, jakby desperacko rzuconym przez mistrza przed pięcioletnią przerwą w działalności artystycznej. Na brak wrażeń nie można narzekać przy każdej pozycji.

Hasło noszone w klapach na pamiętnym Jazz Jamboree ’83 z udziałem Davisa jest nadal aktualne: „We Want Miles!”.

Cezary Gumiński



..::TRACK-LIST::..

1. In Paris Festival International De Jazz May, 1949 *
2. 'Round About Midnight *
3. Circle In The Round (2CD)
4. Miles Ahead *
5. Milestones *
6. 1958 Miles *
7. At Newport 1958 *
8. Porgy And Bess *
9. Jazz At The Plaza
10. Kind Of Blue *
11. Sketches Of Spain *
12. Directions (2CD)
13. Someday My Prince Will Come *
14. In Person At The Blackhawk Friday Night (2CD) *
15. In Person At The Blackhawk Saturday Night (2CD) *
16. At Carnegie Hall (2CD) *
17. Quiet Nights *
18. Seven Steps To Heaven *
19. In Europe *
20. My Funny Valentine
21. 'Four' & More
22. Miles In Tokyo
23. Miles In Berlin *
24. E.S.P.
25. At Plugged Nickel, Chicago (2CD)
26. Miles Smiles
27. Sorcerer *
28. Nefertiti *
29. Water Babies *
30. Miles In The Sky *

Albums marked with * contain non-LP bonus tracks.



https://www.youtube.com/watch?v=8LydJ8nHg4I



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Beach Boys - Made In U.S.A.
---------------------------------------------------------------------

Artist...............: Beach Boys
Album................: Made In U.S.A.
Genre................: Pop
Source...............: CD
Year.................: 1986
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Beach Boys - Surfin' Safari [02:06]
2. Beach Boys - 409 [01:59]
3. Beach Boys - Surfin' U.S.A. [02:27]
4. Beach Boys - Be True To Your School [02:07]
5. Beach Boys - Surfer Girl [02:23]
6. Beach Boys - Dance, Dance, Dance [01:58]
7. Beach Boys - Fun, Fun, Fun [02:16]
8. Beach Boys - I Get Around [02:11]
9. Beach Boys - Help Me Rhonda [02:45]
10. Beach Boys - Don't Worry Baby [02:42]
11. Beach Boys - California Girls [02:36]
12. Beach Boys - When I Grow Up (To Be A Man) [02:01]
13. Beach Boys - Barbara Ann [02:04]
14. Beach Boys - Good Vibrations [03:36]
15. Beach Boys - Heros And Villains [03:37]
16. Beach Boys - Wouldn't It Be Nice [02:22]
17. Beach Boys - Sloop John B. [02:56]
18. Beach Boys - God Only Knows [02:48]
19. Beach Boys - Caroline, No [02:17]
20. Beach Boys - Do It Again [02:19]
21. Beach Boys - Rock And Roll Music [02:28]
22. Beach Boys - Come Go With Me [02:07]
23. Beach Boys - Getcha Back [03:01]
24. Beach Boys - Rock 'N' Roll To The Rescue [03:44]
25. Beach Boys - California Dreamin' [03:11]

Playing Time.........: 01:04:11
Total Size...........: 370,47 MB

..::INFO::..

---------------------------------------------------------------------
Chubby Checker - All The Hits
---------------------------------------------------------------------

Artist...............: Chubby Checker
Album................: All The Hits
Genre................: Rock & Roll
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eclipse

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Chubby Checker - The Twist [02:36]
2. Chubby Checker - The Hucklebuck [02:29]
3. Chubby Checker - Pony Time [02:25]
4. Chubby Checker - Let's Twist Again [02:20]
5. Chubby Checker - The Fly [02:25]
6. Chubby Checker - Slow Twistin' [02:34]
7. Chubby Checker - Limbo Rock [02:23]
8. Chubby Checker - Let's Limbo Some More [02:15]
9. Chubby Checker - The Class [02:17]
10. Chubby Checker - Birdland [02:24]
11. Chubby Checker - Hey Bobba Needle [02:19]
12. Chubby Checker - Loddy Lo [02:08]
13. Chubby Checker - Hooka Tooka [02:11]
14. Chubby Checker - Do The Freddy [02:24]
15. Chubby Checker - Lazy Ellie Molly [02:19]
16. Chubby Checker - Dancin' Party [02:06]
17. Chubby Checker - Twist & Shout [02:29]
18. Chubby Checker - Shake Rattle And Roll [02:35]
19. Chubby Checker - At The Hop [02:35]
20. Chubby Checker - Twistin' USA [02:29]
21. Chubby Checker - Twist Along [02:38]
22. Chubby Checker - Twistin' Round The World [02:35]
23. Chubby Checker - Twistin' [01:49]
24. Chubby Checker - Don't Knock The Twist [00:20]
25. Chubby Checker - Dance Along [04:29]
26. Chubby Checker - Oh, Susanna [02:36]
27. Chubby Checker - Blueberry Hill [02:14]
28. Chubby Checker - Hound Dog [02:14]
29. Chubby Checker - Mister Twister [02:40]
30. Chubby Checker - Whole Lotta Twistin' Goin' On [02:34]

Playing Time.........: 01:12:07
Total Size...........: 456,54 MB

..::INFO::..

---------------------------------------------------------------------
Tracy Chapman - Tracy Chapman
---------------------------------------------------------------------

Artist...............: Tracy Chapman
Album................: Tracy Chapman
Genre................: Folk-Rock
Source...............: CD
Year.................: 1988
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 54 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Elektra

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Tracy Chapman - Talkin' Bout a Revolution [02:39]
2. Tracy Chapman - Fast Car [04:56]
3. Tracy Chapman - Across the Lines [03:24]
4. Tracy Chapman - Behind the Wall [01:49]
5. Tracy Chapman - Baby Can I Hold You [03:14]
6. Tracy Chapman - Mountains O' Things [04:39]
7. Tracy Chapman - She's Got Her Ticket [03:56]
8. Tracy Chapman - Why? [02:06]
9. Tracy Chapman - For My Lover [03:12]
10. Tracy Chapman - If Not Now... [03:01]
11. Tracy Chapman - For You [03:09]

Playing Time.........: 36:11
Total Size...........: 199,28 MB

...( Info )...


Artist: Thea Gilmore
Album: Songs from the Gutter
Year: (2003)
Genre: Folk rock with singer-songwriter and acoustic elements
Format: [FLAC]

...( TrackList )...

01 - Down to Nowhere
02 - When Did You Get So Safe_
03 - Tear it All Down
04 - The Dirt is Your Lover Now
05 - I Dreamed I Saw St. Augustine
06 - Lip Reading
07 - Heart String Blues
08 - Mud on My Shoes
09 - Water to Sky
10 - And We'll Dance
11 - Cover Me
12 - I'm Not Done
13 - Hydrogen
14 - Beelzebub
15 - Maybe
16 - Red Farm
17 - Brittle Dreams
18 - December in New York
19 - Gun Cotton
20 - Don't Set Foot Over the Railway Track
21 - Lavender Cowgirl
22 - You Tell Me
23 - Straight Lines

...( Info )...

Artist...............: V.A.
Album................: Vintage Café: Lounge and Jazz Blends (Special Selection), Vol. 25
Genre................: Jazz Lounge
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Beluga's Trio & Marianne Pretty - Down Under (Acoustic Version)
002. Banda Do Sul & Ivette Moraes Feat. Hudson Guitar Quartet - Strange Magic
003. The Cooltrane Quartet & Nenei - L'AMOUR DE MA VIE
004. Stella Starlight Trio - People From Ibiza
005. The Cooltrane Quartet - Sussudio
006. Sarah Menescal - Vogue
007. Eve St. Jones - Blame It on the Boogie (Acoustic Version)
008. Apollinare Rossi - Keep On Loving You
009. Anakelly - Love Never Felt So Good (Jazz & Bossa Nova Mix)
010. Pinky Dread - What a Wonderful World
011. Beluga's Trio - Good Luck, Babe!
012. Anakelly, Natty Bong & Shelly Sony - Cherry Coke
013. Lizette & Groove Da Praia - Wrapped Around Your Finger
014. The Molsbees Feat. Eve St. Jones - Breakfast in Bed (Index Remix)
015. Scubba & Ivette Moraes - Human Nature
016. Quadra & Benjamin - Don't Disturb This Groove
017. Sarah Menescal - Underneath Your Clothes
018. Beleza Mourao & Ecko Presents Bossardo - And She Was
019. Roger Beck - Bye Bye Bye (Natio Remix)
020. Glambeats Corp. - The Way You Make Me Feel (Nikko Mad Mix)
021. Ronan, Michelle Simonal & Nikko Mad - Can't Get Enough of Your Love, Babe
022. Blue System, Dual Sessions & Ronan - Just When I Needed You Most (Ronan Remix)
023. Sublime Reggae Kings - Enola Gay (Lounge Remix)
024. Nova Bossa Ltd. - Let's Go
025. Michelle Simonal - Beautiful Love
026. Dinah York & Brazil XXI - Livin' on the Edge of the Night
027. Bossart Ensemble & Luca Giacco - Harvest Moon
028. George White Group - Away From You
029. Lizette - Boys Do Fall in Love
030. Stella Starlight Trio - End of the World

..::INFO::..

---------------------------------------------------------------------
Cher - The Very Best Of
---------------------------------------------------------------------

Artist...............: Cher
Album................: The Very Best Of
Genre................: Pop
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Cher - Believe [03:59]
2. Cher - If I Could Turn Back Time [04:01]
3. Cher - Heart of Stone [04:11]
4. Cher - Just Like Jesse James [04:07]
5. Cher - Save Up All Your Tears [04:00]
6. Cher - After All (Love Theme from Chances Are) (with Peter Cetera)[04:05]
7. Cher - I Found Someone [03:44]
8. Cher - One by One (Junior Vasquez Vocal Edit) [04:24]
9. Cher - Strong Enough [03:43]
10. Cher - All or Nothing [03:58]
11. Cher - Song for the Lonely (Edit) [03:22]
12. Cher - Take Me Home (Edit) [03:29]
13. Cher - The Shoop Shoop Song (It's in His Kiss) [02:52]
14. Cher - All I Really Want to Do [02:58]
15. Cher - Bang Bang (My Baby Shot Me Down) [02:45]
16. Cher - Half-Breed [02:45]
17. Cher - Gypsys, Tramps & Thieves [02:37]
18. Cher - Dark Lady [03:28]
19. Cher - The Beat Goes On (Sonny & Cher) [03:29]
20. Cher - I Got You Babe (Sonny & Cher) [03:11]
21. Cher - A Different Kind Of Love Song (Rodney Jerkins Main Mix-Faster)[04:19]

Playing Time.........: 01:15:36
Total Size...........: 512,51 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Szaleńcza dawka brudnego australijskiego grind/crust inspirowanego Phobia, Infest, Unholy Grave.

Rocknworld:
The Aussie death/grind record label Grindhead Records is the name of the game, and is it interesting hearing the grind on that label, as wordlwide Grind is going through a restructuring of sorts and there are more interpretations of the style on an almost daily basis. So what, pray tell, do Sordid Remains do with the grind genre? Actually, some damn good stuff. Maybe it's me, but I feel that Napalm Death's classic "outright grinding metal meets mid-paced, slamming death metal" fusion was a pretty solid idea, and as such, Sordid Remains combining it with more generic fare (the obscure B-movie clips, bloody gore, disgusting sexual depravity) is fairly welcome and makes for an entertaining ride. A self-titled debut album for both the band and the label they're on, Sordid Remains not only does the aforementioned Brumley Boys in Napalm Death justice but the likes of recent Phobia too. Besides that, I'm a bit rusty on my early grind stuff (or even retro sounding recent grind) but rest assured this is classic, oldschool grindcore with the slightest of modern nuances in the production, lyrics, and delivery.

Opening cut "Psychoanalism" wraps all of the above into one short track. A crisp, sparkling movie sample of cutting flesh and sinister orchestra starts off the disc, and shortly after all this atmospheric hoo-hah we get treated with good old-fashioned Limey grindcore, frontman Keith's raspy vocals giving things an almost blackened twist. The percussion is very strongly mixed, sounding organic to the point of almost tinny din. "Mix 106 F**k You" recalls more mid-period Napalm, the grooving mid-paced riffs being catchy, brutal, and fuzzy all at the same time. Eventually, a bass led freakout leads into more blasting affairs, and the song showcases a much more versatile band than the first track. "Tuol Sleng" spares no time in kicking your ass, full-throttle grind slamming into your face with brutal front kicks and then pummeling you like a punch flurry with swing after swing of slower riffing. I worship "Dream of Death," a creepy sample behind a massive riff and some feedback pinches later getting mauled by the band's most furious grind yet. "The Only Way to Get to Know Jesus is to get on your Knees" has a very punk vibe to the guitars, a nice bass line, and some swank lyrics. Great stuff this! "From the Outside In" is pure aural rape, nothing less, and "C*nt Struck" follows suit with a low-end bass intro which lowers your guard for a sideswipe of barreling grind the size of a cement mixer flying down the highway towards your prone, motionless body. Hell, the blokes even resurrect Barney of Napalm's famous "death growl/punk shriek" combo here, to great effect. "Hatred" is another great cut, the song taking grind to soaring levels of brutality and graceful ultra-violence with some of the restrained riffs and vocal incantations. "Hollow" proclaims that we live in a "world of shit" before its mammoth uptempo grooves crush souls and end lives. "Threat Remains" has a really wicked opening riff that kind of sinks into grinding fury seconds later, would have liked to hear it stretched a bit longer actually. Still great stuff, just check out that zealous vortex of swirling grindcore mid-song. "Suffocating" is so honestly raw, it will make you grindheads out there like you're just discovering the genre once more, and bring a bloody smile to your sick face. If that doesn't, wait for the rabid dog vokills that close the album and you will grin, no matter what, satisfaction guaranteed.

In closing, if you like golden-age grind of the crusty, punky kind, with a smattering of slamming death metal thrown in for kicks, Sordid Remains are your band. In fact, this just proves that the founding sounds of the genre aren't just a steaming pile of rotten flesh after all; there's still life, still breathing.

Check it out, old and new grind fans alike!



..::TRACK-LIST::..

1. Psychoanalism 2:06
2. Mix 106.Fuck You 3:08
3. Tuol Sleng 1:39
4. Dream Of Death 3:22
5. The Only Way To Get To Know Jesus Is On Our Knees 2:02
6. From The Outside In 1:41
7. Cunt Stuck 1:19
8. Hatred 3:31
9. Hollow 2:13
10. Threat Remains 2:18
11. Suffocating 1:26





SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Szaleńcza dawka brudnego australijskiego grind/crust inspirowanego Phobia, Infest, Unholy Grave.

Rocknworld:
The Aussie death/grind record label Grindhead Records is the name of the game, and is it interesting hearing the grind on that label, as wordlwide Grind is going through a restructuring of sorts and there are more interpretations of the style on an almost daily basis. So what, pray tell, do Sordid Remains do with the grind genre? Actually, some damn good stuff. Maybe it's me, but I feel that Napalm Death's classic "outright grinding metal meets mid-paced, slamming death metal" fusion was a pretty solid idea, and as such, Sordid Remains combining it with more generic fare (the obscure B-movie clips, bloody gore, disgusting sexual depravity) is fairly welcome and makes for an entertaining ride. A self-titled debut album for both the band and the label they're on, Sordid Remains not only does the aforementioned Brumley Boys in Napalm Death justice but the likes of recent Phobia too. Besides that, I'm a bit rusty on my early grind stuff (or even retro sounding recent grind) but rest assured this is classic, oldschool grindcore with the slightest of modern nuances in the production, lyrics, and delivery.

Opening cut "Psychoanalism" wraps all of the above into one short track. A crisp, sparkling movie sample of cutting flesh and sinister orchestra starts off the disc, and shortly after all this atmospheric hoo-hah we get treated with good old-fashioned Limey grindcore, frontman Keith's raspy vocals giving things an almost blackened twist. The percussion is very strongly mixed, sounding organic to the point of almost tinny din. "Mix 106 F**k You" recalls more mid-period Napalm, the grooving mid-paced riffs being catchy, brutal, and fuzzy all at the same time. Eventually, a bass led freakout leads into more blasting affairs, and the song showcases a much more versatile band than the first track. "Tuol Sleng" spares no time in kicking your ass, full-throttle grind slamming into your face with brutal front kicks and then pummeling you like a punch flurry with swing after swing of slower riffing. I worship "Dream of Death," a creepy sample behind a massive riff and some feedback pinches later getting mauled by the band's most furious grind yet. "The Only Way to Get to Know Jesus is to get on your Knees" has a very punk vibe to the guitars, a nice bass line, and some swank lyrics. Great stuff this! "From the Outside In" is pure aural rape, nothing less, and "C*nt Struck" follows suit with a low-end bass intro which lowers your guard for a sideswipe of barreling grind the size of a cement mixer flying down the highway towards your prone, motionless body. Hell, the blokes even resurrect Barney of Napalm's famous "death growl/punk shriek" combo here, to great effect. "Hatred" is another great cut, the song taking grind to soaring levels of brutality and graceful ultra-violence with some of the restrained riffs and vocal incantations. "Hollow" proclaims that we live in a "world of shit" before its mammoth uptempo grooves crush souls and end lives. "Threat Remains" has a really wicked opening riff that kind of sinks into grinding fury seconds later, would have liked to hear it stretched a bit longer actually. Still great stuff, just check out that zealous vortex of swirling grindcore mid-song. "Suffocating" is so honestly raw, it will make you grindheads out there like you're just discovering the genre once more, and bring a bloody smile to your sick face. If that doesn't, wait for the rabid dog vokills that close the album and you will grin, no matter what, satisfaction guaranteed.

In closing, if you like golden-age grind of the crusty, punky kind, with a smattering of slamming death metal thrown in for kicks, Sordid Remains are your band. In fact, this just proves that the founding sounds of the genre aren't just a steaming pile of rotten flesh after all; there's still life, still breathing.

Check it out, old and new grind fans alike!



..::TRACK-LIST::..

1. Psychoanalism 2:06
2. Mix 106.Fuck You 3:08
3. Tuol Sleng 1:39
4. Dream Of Death 3:22
5. The Only Way To Get To Know Jesus Is On Our Knees 2:02
6. From The Outside In 1:41
7. Cunt Stuck 1:19
8. Hatred 3:31
9. Hollow 2:13
10. Threat Remains 2:18
11. Suffocating 1:26





SEED 15:00-22:00.
POLECAM!!!

Artist: Martika
Album: More Than You Know - The Best Of
Year: 1997
Genre: Pop
Format: WAV




1 I Feel The Earth Move (Single Version)
Written-By – C. King*
4:16
2 More Than You Know (Single Version)
Written By – Martika
Written-By – M. Morrow*, M. Jay*
4:08
3 Toy Soldiers (Single Version)
Written-By – Martika, M. Jay*
4:23
4 Water (Remix)
Written-By – Treadwell*, Martika, Sheridan*
4:31
5 Martika's Kitchen (Single Version)
Written-By – Prince
4:14
6 Love...Thy Will Be Done (Single Version)
Written-By – Martika, Prince
4:24
7 Coloured Kisses (7" Edit)
Written-By – Blue*, Martika, Prince
4:10
8 Cross My Heart (Album Version)
Written-By – M. Jay*
3:52
9 Spirit (Album Version)
Written-By – Blue*, Seacer Jr.*, Martika, Prince
4:39
10 Temptation
Written-By – Blue*, Pierce*, Martika
4:46
11 Don't Say U Love Me (Album Version)
Written-By – Martika, Prince
4:23
12 Safe In The Arms Of Love (Album Version)
Written-By – Martika, Cruz*, Jay*
5:08
13 More Than You Know (Dance Mix - Part 1)
Written-By – Martika, M. Morrow*, M. Jay*
6:14
14 I Feel The Earth Move (Club Mix)
Written-By – C. King*
6:38
15 Toy Soldiers (Japanese Version)
Written-By – Martika, M. Jay*
4:47
16 Love...Thy Will Be Done (Prince Mix)
Written-By – Martika, Prince
6:00

Artist: Van Halen
Album: Sammy Hagar Hits
Year: (2025)
Format: [Flac]


01 - Poundcake
02 - Right Now
03 - Top Of The World
04 - Why Can't This Be Love
05 - 5150
06 - Can't Stop Loving You
07 - Don't Tell Me (What Love Can Do)
08 - The Seventh Seal
09 - When It's Love
10 - Feels So Good
11 - Finish What Ya Started
12 - Mine All Mine
13 - Dreams
14 - Inside
15 - Love Walks In

...( Info )...


Artist: Thea Gilmore
Album: Rules for Jokers
Year: (2001)
Format: [FLAC]

...( TrackList )...

1 Fever Beats
2 Saviours And All
3 Holding Your Hand
4 This Girl Is Taking Bets
5 Take Me Home
6 Appararition No12
7 St Luke's Summer
8 The Things We Never Said
9 Seen It All Before
10 Benzedrine
11 Movie Kisses
12 Keep Up
13 Saying Nothing
14 Inverigo

...( Info )...


Artist: Thea Gilmore
Album: Loft Music
Year: (2003)
Genre: folk rock and acoustic covers album.
Format: [FLAC]

...( TrackList )...

1 Ever Fallen In Love 3:11
2 Hide 'N' Seekin 3:41
3 Bad Moon Rising 3:06
4 Don't Come Close 2:20
5 The Old Laughing Lady 4:17
6 Crazy Love 2:58
7 Sitting In Limbo 3:50
8 Josefs Train 3:17
9 Brother Can You Spare A Dime? 2:35
10 When I'm Gone 3:39

..::INFO::..

---------------------------------------------------------------------
Bad Boys Blue - 25 (The Long Mixes - Extended Versions)
---------------------------------------------------------------------

Artist...............: Bad Boys Blue
Album................: 25 (The Long Mixes)
Genre................: EuroDance
Source...............: WEB
Year.................: 2022
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 75 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Digital Media

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Vol. 1
---------------------------------------------------------------------

1. Bad Boys Blue - You're a Woman (New Long Version) [06:56]
2. Bad Boys Blue - Gimme Gimme Your Lovin' (New Long Version with Trevor Vocals)[06:02]
3. Bad Boys Blue - Lady in Black (New Long Version) [05:09]
4. Bad Boys Blue - Pretty Young Girl (New Long Version) [05:47]
5. Bad Boys Blue - Save Your Love (New Long Version) [06:16]
6. Bad Boys Blue - A World Without You (New Long Version) [05:35]
7. Bad Boys Blue - A Train to Nowhere (New Long Version) [05:44]
8. Bad Boys Blue - Lonely Weekend (New Long Version) [05:56]
9. Bad Boys Blue - Hungry for Love (New Long Version) [05:36]
10. Bad Boys Blue - I Wanna Hear Your Heartbeat (New Long Version)[05:23]
11. Bad Boys Blue - House of Silence (New Long Version) [05:12]

Playing Time.........: 01:03:41
Total Size...........: 479,47 MB

---------------------------------------------------------------------
Tracklisting Vol. 2
---------------------------------------------------------------------

1. Bad Boys Blue - I Totally Miss You (New Long Version) [05:42]
2. Bad Boys Blue - Queen of Hearts (New Long Version) [05:28]
3. Bad Boys Blue - Kisses & Tears (New Long Version) [05:44]
4. Bad Boys Blue - Lovers in the Sand (New Long Version) [05:06]
5. Bad Boys Blue - Don't Leave Me Now (MS Project Reload 2022)[04:10]
6. Bad Boys Blue - Mon Amie (MS Project Reload with Trevor Vocals)[03:59]
7. Bad Boys Blue - Come Back and Stay 2022 (MS Project Edit)[04:01]
8. Bad Boys Blue - Come Back and Stay 2022 (MS Project Long Version)[06:53]
9. Bad Boys Blue - Come Back and Stay 2022 (Jay Frog Remix)[03:58]
10. Bad Boys Blue - Lovers in the Sand 2022 (JayDom Remix) [03:03]
11. Bad Boys Blue - Lovers in the Sand 2022 (MS Project Edit)[03:54]
12. Bad Boys Blue - Lovers in the Sand 2022 (MS Project Long Version)[05:17]
13. Bad Boys Blue - Lovers in the Sand 2022 (JayDom Extended Version)[04:35]
14. Bad Boys Blue - Come Back and Stay 2022 (Jay Frog Radio Edit)[03:08]

Playing Time.........: 01:05:01
Total Size...........: 501,96 MB

...( Info )...

Artist: sanah
Album: Dwoje ludzieńków. Sanah śpiewa poezyje - tomik drugi
Country: PL
Genre: Pop
Release: 2025
Duration: 00:51:44
Quality: Mp3, CBR 320 kbps
Size: 123 mb


...( Opis )...

„Sanah śpiewa poezyje – Tomik II” to kontynuacja znakomicie przyjętego pierwszego albumu z rodzimą (i nie tylko) poezją z roku 2022. Tym razem Warszawianka do wierszy postanowiła wykorzystać konwencję duetów. Na podstawowej edycji albumu pojawiło się więc dwanaście kompozycji „na dwa głosy”.

Drugi poezyjowy projekt rozpoczął się na początku 2025 roku. Od 16 stycznia Sanah, co tydzień, dzieliła się kolejnymi wzruszającymi utworami z najznakomitszymi polskimi artystami, zyskując coraz większe uznanie zarówno fanów muzyki, jak i literatury. Finał nastąpił 3 kwietnia 2025 wraz z wypuszczeniem ostatniej, tytułowej kompozycji „Dwoje ludzieńków” do wiersza Bolesława Leśmiana.
Edycja kompaktowa została wzbogacona dwoma utworami (śpiewanymi przez Zuzannę solo). Całość zamyka się w ponad pięćdziesięciu minutach poezji otoczonej muzyką… Albo muzyki otoczonej poezją.


...( TrackList )...

1. SANAH & KRZYSZTOF ZALEWSKI - Eviva l’arte!
    (Kazimierz Przerwa-Tetmajer)

2. SANAH & MICHAŁ BAJOR - Elegia o… [chłopcu polskim]
    (K. K. Baczyński)

3. SANAH & ANNA MARIA JOPEK - Kochałam Pana
    (Agnieszka Osiecka)

4. SANAH & MELA KOTELUK - Maj 1939
    (Zuzanna Ginczanka)

5. SANAH & KUBA BADACH - Piosenka
    (Czesław Miłosz)

6. SANAH & MAZOWSZE - Jesienią
    (Maria Konopnicka)

7. SANAH & NATALIA SZROEDER - Był bal
    (Jonasz Kofta)

8. SANAH & GRZEGORZ SKAWIŃSKI - Inwokacja
    (Adam Mickiewicz)

9. SANAH & KASIA NOSOWSKA - Ofelia
    (Maria Pawlikowska-Jasnorzewska)

10. SANAH & ALICJA MAJEWSKA - Oczyszczenie
    (Tadeusz Różewicz)

11. SANAH & KASIA KOWALSKA - Kiedy umrę kochanie
    (Halina Poświatowska)

12. SANAH & SOBEL - Dwoje ludzieńków
    (Bolesław Leśmian)

13. SANAH - Pocałunki
    (Maria Pawlikowska-Jasnorzewska)

14. SANAH - Na grobie rycerz – [z filmu „Powstaniec 1863”]
    (Maria Konopnicka)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

1. Never Undo
2. Otherwise
3. The Sea
4. Blaze Away
5. Trigger Hippie
6. Light of Gold (Skye and Ross cover)
7. Summertime (George Gershwin cover)
8. Let's Dance (David Bowie cover)
9. Part of the Process
10. Blindfold
11. Let Me See

Encore
12. Sweet L.A.
13. Rome Wasn't Built in a Day




https://www.youtube.com/watch?v=I5BI0owqkeQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

W zasadzie powinienem napisać, że oto i hiszpański Jade wydaje nowy krążek pod tytułem „Mysteries of a Flowery Dream” i że koniecznie musicie go mieć, a na pytanie dlaczego odesłać Was do wcześniejszych recenzji tej grupy.

Nie musielibyście po raz wtóry czytać peanów dla tego zespołu, które z wydawnictwa na wydawnictwo są coraz bardziej ekstatyczne (tak, najwyraźniej jest to możliwe), ja też miałbym ułatwione zadanie, bowiem ileż można się zachwycać zespołem, który trafi może do kilkuset osób na tej planecie? Smutne to trochę, że takie perły jak ta (i wcześniejsze) płyty zespołu przechodzą bez echa, tylko dlatego, że jakiś inny zespół, napompowany niebotyczną promocją spuszcza się nad jakimś wtórnym kawałkiem plastiku, tylko dla zgrywy nazwanym „metalem”.

Natomiast na „Mysteries of a Flowery Dream” dostajecie najwyższych lotów miks death metalu z atmosferycznym graniem, nie stroniącym od innych wpływów spod znaku muzyki ekstremalnej. Innymi słowy amalgamat, w którym zamiast rtęci dostajemy death metal, a kolejnymi składnikami są i black metal i doom metal i progresywno – atmosferyczne elementy, trzymane w jednym naczyniu. Wymieszane ze sobą bardzo mocno, przez co tworzące spójną całość. Choć w porównaniu do numerów ze splitu, na najnowszej płycie dostajemy stosunkowo mniej wyraźne wpływy Candlemass. Cały czas też gdzieś tam słychać twórców „Roman Acupuncture”, ale nie są to już tak mocno bijące po uszach motywy. I nieustannie czuć u muzyków Jade zamiłowanie do progresywnych klimatów w stylu Pink Floyd z jednej strony, ale też Opeth z ery „Morningrise” do „Still Life”. Jeśli weźmiemy pod uwagę ilość nazw, którymi tutaj sobie szafuję, brzmi to dość karkołomnie, ale ja Was po raz kolejny pragnę zapewnić, że Hiszpanie wychodzą z tarczą z tej próby. Muzycy poruszają się tu z olbrzymią klasą i – co nie dla wszystkich może być oczywiste – wypracowanym już własnym stylem. „Mysteries of a Flowery Dream” to po prostu kolejny stopień w ich rozwoju. Nieosiągalny dla wielu zespołów.

Klasycznie już całości dopełnia okładka, która i na poziomie wizualnym i symbolicznym oddaje zawartość płyty. Niejednoznaczne, rozmyte elementy tworzące oczywistą całość. Jak zwykle – jestem pod olbrzymim wrażeniem. Jade jest zespołem tak bardzo nietuzinkowym i tworzącym doskonałą muzykę – poświęćcie te czterdzieści minut swojego cennego czasu i zanurzcie się w dźwięki tej grupy. Wspaniały album.

Oracle


Wierzcie mi lub nie, ale, mimo że funkcjonuję w półświatku metalowym już ponad trzy dekady, chyba nigdy nie spotkałem się z określeniem “atmosferyczny death metal”. Black metal, owszem, ale jak death metal może być atmosferyczny? A właśnie takim sloganem Pulverised Records anonsuje drugą płytę niemiecko – amerykańskiego Jade. Trochę to intrygujące, ale jednocześnie strach się bać. Sprawdzić zatem to cudo należało. Okazuje się, że nie taki diabeł straszny jak go malują. Choć daleki jestem od zachwytów. Owszem, są w muzyce Jade elementy całkiem zjadliwe. Przede wszystkim jeśli chodzi o linie gitarowe. Co prawda dość melancholijne, jednak chwilami ciężkie, sięgające inspiracjami nawet pod wczesny My Dying Bride. W innych partiach bardziej żwawe, wręcz zachęcające do tańca. Ogólnie jednak, przyznać trzeba, że ten międzynarodowy projekt dość sporo w swoich kompozycjach miesza. Czasami zdaje mi się, że aż za bardzo. Nie, że ze źródeł ze sobą nie współgrających, bo wszystko tutaj faktycznie ogranicza się głównie do historii death metalu, z widocznymi jednak odlotami w kierunku doom (może stąd ten przymiotnik „atmosferyczny”?). Bo Jade kładą zdecydowany nacisk na klimat swoich kompozycji. Poniekąd zaskakującym jest jednak fakt, że po wysłuchaniu „Mysteries of a Flowery Dream” niewiele konkretnych riffów pozostaje w głowie (choć taki jeden, a nawet dwa, z „Darkness in Movement” są całkiem zapamiętywalne). Ten krążek jest niczym gęsta mgła, sprawiająca chwilami nawet solidne wrażenie, jednak równie szybko rozpływający się w zapomnieniu. Wspomniałem, że gitary robią tutaj swoje. Inaczej sprawa ma się z wokalami.

O ile klasyczne growle nie odstają od ogólnie przyjętej konwencji, tak śpiewne zakrzywi w stylu Bolzer już są zdecydowanie nadużywane i po pewnym czasie zaczynają irytować, zamiast urozmaicać styl przekazu. Nagrania te brzmią bardziej w stylu współczesnym niż znanym z lat, z których panowie inspiracje czerpią, co też, niestety, działa w tym przypadku na ich niekorzyść. Dla mnie za czysto, zdecydowanie przydałoby się w tych piosenkach więcej piachu. W ostatecznym werdykcie muszą się zatem zsumować wszystkie za i przeciw. W mojej prostej matematyce wychodzi mniej więcej na zero. Co oznacza, że „Mysteries of a Flowery Dream” jest albumem, którego posłuchać można, nawet bez uszczerbku na zdrowiu, ale jeśli go sobie odpuścimy, to żadna krzywda nam się nie stanie. Taki tam, se, „atmosferyczny death metal”.

jesusatan


Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

Owlswald



..::TRACK-LIST::..

1. The Stars' Shelter 03:52
2. Light's Blood 06:20
3. Shores Of Otherness 08:26
4. The Stars' Shelter (II) 04:34
5. 9th Episode 05:35
6. Darkness In Movement 06:40
7. A Flowery Dream 07:12



..::OBSADA::..

J. - Bass & Vocals
A. - Guitars
C. - Guitars & Synths
B. - Drums




https://www.youtube.com/watch?v=AAnvbKTPeZk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

W zasadzie powinienem napisać, że oto i hiszpański Jade wydaje nowy krążek pod tytułem „Mysteries of a Flowery Dream” i że koniecznie musicie go mieć, a na pytanie dlaczego odesłać Was do wcześniejszych recenzji tej grupy.

Nie musielibyście po raz wtóry czytać peanów dla tego zespołu, które z wydawnictwa na wydawnictwo są coraz bardziej ekstatyczne (tak, najwyraźniej jest to możliwe), ja też miałbym ułatwione zadanie, bowiem ileż można się zachwycać zespołem, który trafi może do kilkuset osób na tej planecie? Smutne to trochę, że takie perły jak ta (i wcześniejsze) płyty zespołu przechodzą bez echa, tylko dlatego, że jakiś inny zespół, napompowany niebotyczną promocją spuszcza się nad jakimś wtórnym kawałkiem plastiku, tylko dla zgrywy nazwanym „metalem”.

Natomiast na „Mysteries of a Flowery Dream” dostajecie najwyższych lotów miks death metalu z atmosferycznym graniem, nie stroniącym od innych wpływów spod znaku muzyki ekstremalnej. Innymi słowy amalgamat, w którym zamiast rtęci dostajemy death metal, a kolejnymi składnikami są i black metal i doom metal i progresywno – atmosferyczne elementy, trzymane w jednym naczyniu. Wymieszane ze sobą bardzo mocno, przez co tworzące spójną całość. Choć w porównaniu do numerów ze splitu, na najnowszej płycie dostajemy stosunkowo mniej wyraźne wpływy Candlemass. Cały czas też gdzieś tam słychać twórców „Roman Acupuncture”, ale nie są to już tak mocno bijące po uszach motywy. I nieustannie czuć u muzyków Jade zamiłowanie do progresywnych klimatów w stylu Pink Floyd z jednej strony, ale też Opeth z ery „Morningrise” do „Still Life”. Jeśli weźmiemy pod uwagę ilość nazw, którymi tutaj sobie szafuję, brzmi to dość karkołomnie, ale ja Was po raz kolejny pragnę zapewnić, że Hiszpanie wychodzą z tarczą z tej próby. Muzycy poruszają się tu z olbrzymią klasą i – co nie dla wszystkich może być oczywiste – wypracowanym już własnym stylem. „Mysteries of a Flowery Dream” to po prostu kolejny stopień w ich rozwoju. Nieosiągalny dla wielu zespołów.

Klasycznie już całości dopełnia okładka, która i na poziomie wizualnym i symbolicznym oddaje zawartość płyty. Niejednoznaczne, rozmyte elementy tworzące oczywistą całość. Jak zwykle – jestem pod olbrzymim wrażeniem. Jade jest zespołem tak bardzo nietuzinkowym i tworzącym doskonałą muzykę – poświęćcie te czterdzieści minut swojego cennego czasu i zanurzcie się w dźwięki tej grupy. Wspaniały album.

Oracle


Wierzcie mi lub nie, ale, mimo że funkcjonuję w półświatku metalowym już ponad trzy dekady, chyba nigdy nie spotkałem się z określeniem “atmosferyczny death metal”. Black metal, owszem, ale jak death metal może być atmosferyczny? A właśnie takim sloganem Pulverised Records anonsuje drugą płytę niemiecko – amerykańskiego Jade. Trochę to intrygujące, ale jednocześnie strach się bać. Sprawdzić zatem to cudo należało. Okazuje się, że nie taki diabeł straszny jak go malują. Choć daleki jestem od zachwytów. Owszem, są w muzyce Jade elementy całkiem zjadliwe. Przede wszystkim jeśli chodzi o linie gitarowe. Co prawda dość melancholijne, jednak chwilami ciężkie, sięgające inspiracjami nawet pod wczesny My Dying Bride. W innych partiach bardziej żwawe, wręcz zachęcające do tańca. Ogólnie jednak, przyznać trzeba, że ten międzynarodowy projekt dość sporo w swoich kompozycjach miesza. Czasami zdaje mi się, że aż za bardzo. Nie, że ze źródeł ze sobą nie współgrających, bo wszystko tutaj faktycznie ogranicza się głównie do historii death metalu, z widocznymi jednak odlotami w kierunku doom (może stąd ten przymiotnik „atmosferyczny”?). Bo Jade kładą zdecydowany nacisk na klimat swoich kompozycji. Poniekąd zaskakującym jest jednak fakt, że po wysłuchaniu „Mysteries of a Flowery Dream” niewiele konkretnych riffów pozostaje w głowie (choć taki jeden, a nawet dwa, z „Darkness in Movement” są całkiem zapamiętywalne). Ten krążek jest niczym gęsta mgła, sprawiająca chwilami nawet solidne wrażenie, jednak równie szybko rozpływający się w zapomnieniu. Wspomniałem, że gitary robią tutaj swoje. Inaczej sprawa ma się z wokalami.

O ile klasyczne growle nie odstają od ogólnie przyjętej konwencji, tak śpiewne zakrzywi w stylu Bolzer już są zdecydowanie nadużywane i po pewnym czasie zaczynają irytować, zamiast urozmaicać styl przekazu. Nagrania te brzmią bardziej w stylu współczesnym niż znanym z lat, z których panowie inspiracje czerpią, co też, niestety, działa w tym przypadku na ich niekorzyść. Dla mnie za czysto, zdecydowanie przydałoby się w tych piosenkach więcej piachu. W ostatecznym werdykcie muszą się zatem zsumować wszystkie za i przeciw. W mojej prostej matematyce wychodzi mniej więcej na zero. Co oznacza, że „Mysteries of a Flowery Dream” jest albumem, którego posłuchać można, nawet bez uszczerbku na zdrowiu, ale jeśli go sobie odpuścimy, to żadna krzywda nam się nie stanie. Taki tam, se, „atmosferyczny death metal”.

jesusatan


Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

Owlswald



..::TRACK-LIST::..

1. The Stars' Shelter 03:52
2. Light's Blood 06:20
3. Shores Of Otherness 08:26
4. The Stars' Shelter (II) 04:34
5. 9th Episode 05:35
6. Darkness In Movement 06:40
7. A Flowery Dream 07:12



..::OBSADA::..

J. - Bass & Vocals
A. - Guitars
C. - Guitars & Synths
B. - Drums




https://www.youtube.com/watch?v=AAnvbKTPeZk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album brutalnej death-metalowej załogi z Kentucky!!!



Kentucky's Akephalos is a brutal death metal act that has been around since 2009, yet has only released a single EP in 2011. Headless Demon Angel is the band's 2017 debut, which I only heard about thanks to a certain someone stumbling upon them and showing them to me. What we have here is 41 minutes of well executed brutal death metal, which is sure to leave any fans of the genre more than satisfied, if not wanting more.

An organ and some female vocals set the stage, and almost immediately “Spewed Forth From the Womb of Hell'' lurches at the listener with a slow riff, which slowly ramps up to blistering speeds, with leads to match. From that point onward the band expertly alternates tempos and speeds and throws a slew of memorable leads at us along with a bunch of catchy riffs. It’s a very strong start to the album and perfectly showcases what this band is all about: crushing riffs and dizzying leads. Following that “The Sins of a Sadistic Priest” further ramps up the speed, barely giving us any breathing room to relax, with its driving double bass on the chorus being a particular highlight.

The middle of the album continues in a similar fashion and keeps the quality up, with tracks like “Suffer Forever” and “Putrid Rot” making for some of the best parts of the album. The former opens with an acoustic guitar riff that slowly melds with a bludgeoning mid-paced riff, and then the band shifts into full gear and starts beating us over the head with riff after riff. A notable section here is the stop-start riff that appears at 2:31, underpinning the lead guitar and Brandon Boling’s vocals, which are very reminiscent of Frank Mullen’s work with Suffocation, albeit a bit clearer and more well enunciated. “Putrid Rot” on the other hand is somewhat slower, but in no way lacking in intensity, giving us some more insane leads and even a catchy vocal chorus, which isn’t something one encounters often in brutal death metal.

The latter half has a very slight dip in quality, with tracks like “The Hierophant” and “Apocrypha” being rather forgettable, barring the piano keys used to accentuate parts of the former, while the latter is just too short to leave much of an impact. Between those tracks though we have 2 heavy hitters, those being “Corpse Made Halo” and “Ophidian Desecration”, both of which give us more catchy riffs, with “Corpse Made Halo” having a great buildup to a surprisingly melodic solo at 2:27. The closer, “Ophidian Desecration” is a nice track to end things on, with notable sections being the alternating riffs that start at 2:00 and the leads that close off the album, supported by a very meaty riff that’s with double bass underneath.

Now you might’ve noticed that I haven’t brought up slams during this review, which is admittedly odd for a brutal death metal album. It’s primarily because the band leans more towards the technical end of the spectrum and doesn’t really use them, opting instead for the fantastic leads I’ve mentioned multiple times already. So, if you’re looking for beefy slams and nothing else you will most likely be disappointed by what’s on offer.

The production here is decent, as while being all around quite good, there are some things that bothered me about it. The guitars are quite thick and have a nice tone, which is especially apparent when the band slows down, and the bass guitar, which is arguably what I love hearing the most in metal, is buried in the mix, though its presence can be felt, supplementing the riffs. The vocals are front and centre in the mix, though they don’t overpower the rest of the instruments, which is the norm for most death metal. Now the drums are a bit of a mixed bag. On one hand they’re mixed dynamically, with the snare and the double bass taking centre stage on some songs and really help make those moments hit a bit harder (see “Suffer Forever”). On the other hand, the cymbals fluctuate between being audible and barely being present in the song (see 0:55 of “Sermon of Evil”, all that’s heard is a very faint clicking), which is weird to say the least.

Headless Demon Angel is the work of a band that has full knowledge of what they want to create, and has the required skills to successfully pull it off. It’s a genuine shame that it went under the radar at the time of release, as it’s a well put together album that deserves more attention than what it originally received. What’s also disappointing is that we probably won’t see another release from these guys, since they don’t seem to have done anything else for the past 4 years. It’d be nice to be proven wrong.

JetMeestard



..::TRACK-LIST::..

1. Spewed Forth From the Womb of Hell 04:52
2. The Sins of a Sadistic Priest 03:45
3. Headless Demon Angel 05:39
4. Sermon of Evil 03:49
5. Suffer Forever 04:14
6. Putrid Rot 03:57
7. The Hierophant 03:53
8. Corpse Made Halo 03:34
9. Apocrypha 02:58
10. Ophidian Desecration 04:36



..::OBSADA::..

Adina Blase - Bass, Vocals (backing)
Brandon Boling - Vocals (lead), Guitars (lead), Songwriting, Guitars (rhythm)
Russ Conder - Guitars (lead)




https://www.youtube.com/watch?v=HRtD3Tsclos



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album brutalnej death-metalowej załogi z Kentucky!!!



Kentucky's Akephalos is a brutal death metal act that has been around since 2009, yet has only released a single EP in 2011. Headless Demon Angel is the band's 2017 debut, which I only heard about thanks to a certain someone stumbling upon them and showing them to me. What we have here is 41 minutes of well executed brutal death metal, which is sure to leave any fans of the genre more than satisfied, if not wanting more.

An organ and some female vocals set the stage, and almost immediately “Spewed Forth From the Womb of Hell'' lurches at the listener with a slow riff, which slowly ramps up to blistering speeds, with leads to match. From that point onward the band expertly alternates tempos and speeds and throws a slew of memorable leads at us along with a bunch of catchy riffs. It’s a very strong start to the album and perfectly showcases what this band is all about: crushing riffs and dizzying leads. Following that “The Sins of a Sadistic Priest” further ramps up the speed, barely giving us any breathing room to relax, with its driving double bass on the chorus being a particular highlight.

The middle of the album continues in a similar fashion and keeps the quality up, with tracks like “Suffer Forever” and “Putrid Rot” making for some of the best parts of the album. The former opens with an acoustic guitar riff that slowly melds with a bludgeoning mid-paced riff, and then the band shifts into full gear and starts beating us over the head with riff after riff. A notable section here is the stop-start riff that appears at 2:31, underpinning the lead guitar and Brandon Boling’s vocals, which are very reminiscent of Frank Mullen’s work with Suffocation, albeit a bit clearer and more well enunciated. “Putrid Rot” on the other hand is somewhat slower, but in no way lacking in intensity, giving us some more insane leads and even a catchy vocal chorus, which isn’t something one encounters often in brutal death metal.

The latter half has a very slight dip in quality, with tracks like “The Hierophant” and “Apocrypha” being rather forgettable, barring the piano keys used to accentuate parts of the former, while the latter is just too short to leave much of an impact. Between those tracks though we have 2 heavy hitters, those being “Corpse Made Halo” and “Ophidian Desecration”, both of which give us more catchy riffs, with “Corpse Made Halo” having a great buildup to a surprisingly melodic solo at 2:27. The closer, “Ophidian Desecration” is a nice track to end things on, with notable sections being the alternating riffs that start at 2:00 and the leads that close off the album, supported by a very meaty riff that’s with double bass underneath.

Now you might’ve noticed that I haven’t brought up slams during this review, which is admittedly odd for a brutal death metal album. It’s primarily because the band leans more towards the technical end of the spectrum and doesn’t really use them, opting instead for the fantastic leads I’ve mentioned multiple times already. So, if you’re looking for beefy slams and nothing else you will most likely be disappointed by what’s on offer.

The production here is decent, as while being all around quite good, there are some things that bothered me about it. The guitars are quite thick and have a nice tone, which is especially apparent when the band slows down, and the bass guitar, which is arguably what I love hearing the most in metal, is buried in the mix, though its presence can be felt, supplementing the riffs. The vocals are front and centre in the mix, though they don’t overpower the rest of the instruments, which is the norm for most death metal. Now the drums are a bit of a mixed bag. On one hand they’re mixed dynamically, with the snare and the double bass taking centre stage on some songs and really help make those moments hit a bit harder (see “Suffer Forever”). On the other hand, the cymbals fluctuate between being audible and barely being present in the song (see 0:55 of “Sermon of Evil”, all that’s heard is a very faint clicking), which is weird to say the least.

Headless Demon Angel is the work of a band that has full knowledge of what they want to create, and has the required skills to successfully pull it off. It’s a genuine shame that it went under the radar at the time of release, as it’s a well put together album that deserves more attention than what it originally received. What’s also disappointing is that we probably won’t see another release from these guys, since they don’t seem to have done anything else for the past 4 years. It’d be nice to be proven wrong.

JetMeestard



..::TRACK-LIST::..

1. Spewed Forth From the Womb of Hell 04:52
2. The Sins of a Sadistic Priest 03:45
3. Headless Demon Angel 05:39
4. Sermon of Evil 03:49
5. Suffer Forever 04:14
6. Putrid Rot 03:57
7. The Hierophant 03:53
8. Corpse Made Halo 03:34
9. Apocrypha 02:58
10. Ophidian Desecration 04:36



..::OBSADA::..

Adina Blase - Bass, Vocals (backing)
Brandon Boling - Vocals (lead), Guitars (lead), Songwriting, Guitars (rhythm)
Russ Conder - Guitars (lead)




https://www.youtube.com/watch?v=HRtD3Tsclos



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rivers of Nihil to odważny krok naprzód - zmiany w składzie, odświeżone podejście do stylu, satysfakcjonujący mix brutalności i melodyki oraz dbałość o każdy dźwięk.



Rivers of Nihil's fifth studio album finds them reorganized following their vocalist's exit, whose duties have been taken over by bassist Adam Biggs and newcoming rhythm guitarist Andy Thomas, a great addition to the five-piece extreme metal band. As a band known for its technical death metal style of playing, often leaning towards the use of odd time signatures as well as unconventional instruments, such as the saxophone, the progressive edge in the band's music has been encompassing all of their releases so far, and this new self-titled album is no exception. Definitely a song-oriented album, the ten tracks on here reveal the extent of the band's capabilities and ambition, offering staggering heaviness and relentless playing that could only be rivaled by the most technically gifted bands of today. Intrusive, aggressive, and powerful, this 2025 release is replete with memorable moments that once again prove just how inventive and forward-thinking contemporary metal bands can get.
Compared to some of Rivers of Nihil's previous offerings, this album is much more straightforward and vibrant, with its juggernaut riffing and vehement growls, definitely pertaining to the band's extreme metal roots. The technicality of their music does not compromise the excellent songwriting, and what might have seemed like a difficult transitional period for the American band, in the face of losing a key member, has instead inspired them to create one of their most compelling and digestible works. Both fast-paced, hard-hitting songs, and more melodically acute numbers make up the album, which is also rather diversified in terms of its tempo shifts, moods, and styles ? all essential elements of Rivers' universe. Just right off the bat, the listener hears killer tracks like 'Dustman' and 'Criminals', these ones on the heavier end of the spectrum, while the album drifts off to more sophisticated, textured tones with 'Despair Church' and 'House of Light' in the middle of the record. These tracks are peak prog metal ventures, with their excellent writing, production and performances. And around the album's second half the scorching heaviness gets restored with 'Evidence' and 'American Death', while the closing title track ends on a more tranquil note. 'Rivers of Nihil' is just another excellent entry from this powerhouse of a band, placing them high upon the extreme prog metal pedestal.

A Crimson Mellotron



..::TRACK-LIST::..

1. The Sub-Orbital Blues 04:18
2. Dustman 04:33
3. Criminals 04:32
4. Despair Church 06:30
5. Water & Time 05:24
6. House of Light 05:49
7. Evidence 04:22
8. American Death 05:23
9. The Logical End 06:07
10. Rivers of Nihil 03:16



..::OBSADA::..

Adam Biggs - bass, vocals
Brody Uttley - guitars
Jared Klein - drums
Andy Thomas - guitars, vocals



https://www.youtube.com/watch?v=-_5aOlpKFJ4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rivers of Nihil to odważny krok naprzód - zmiany w składzie, odświeżone podejście do stylu, satysfakcjonujący mix brutalności i melodyki oraz dbałość o każdy dźwięk.



Rivers of Nihil's fifth studio album finds them reorganized following their vocalist's exit, whose duties have been taken over by bassist Adam Biggs and newcoming rhythm guitarist Andy Thomas, a great addition to the five-piece extreme metal band. As a band known for its technical death metal style of playing, often leaning towards the use of odd time signatures as well as unconventional instruments, such as the saxophone, the progressive edge in the band's music has been encompassing all of their releases so far, and this new self-titled album is no exception. Definitely a song-oriented album, the ten tracks on here reveal the extent of the band's capabilities and ambition, offering staggering heaviness and relentless playing that could only be rivaled by the most technically gifted bands of today. Intrusive, aggressive, and powerful, this 2025 release is replete with memorable moments that once again prove just how inventive and forward-thinking contemporary metal bands can get.
Compared to some of Rivers of Nihil's previous offerings, this album is much more straightforward and vibrant, with its juggernaut riffing and vehement growls, definitely pertaining to the band's extreme metal roots. The technicality of their music does not compromise the excellent songwriting, and what might have seemed like a difficult transitional period for the American band, in the face of losing a key member, has instead inspired them to create one of their most compelling and digestible works. Both fast-paced, hard-hitting songs, and more melodically acute numbers make up the album, which is also rather diversified in terms of its tempo shifts, moods, and styles ? all essential elements of Rivers' universe. Just right off the bat, the listener hears killer tracks like 'Dustman' and 'Criminals', these ones on the heavier end of the spectrum, while the album drifts off to more sophisticated, textured tones with 'Despair Church' and 'House of Light' in the middle of the record. These tracks are peak prog metal ventures, with their excellent writing, production and performances. And around the album's second half the scorching heaviness gets restored with 'Evidence' and 'American Death', while the closing title track ends on a more tranquil note. 'Rivers of Nihil' is just another excellent entry from this powerhouse of a band, placing them high upon the extreme prog metal pedestal.

A Crimson Mellotron



..::TRACK-LIST::..

1. The Sub-Orbital Blues 04:18
2. Dustman 04:33
3. Criminals 04:32
4. Despair Church 06:30
5. Water & Time 05:24
6. House of Light 05:49
7. Evidence 04:22
8. American Death 05:23
9. The Logical End 06:07
10. Rivers of Nihil 03:16



..::OBSADA::..

Adam Biggs - bass, vocals
Brody Uttley - guitars
Jared Klein - drums
Andy Thomas - guitars, vocals



https://www.youtube.com/watch?v=-_5aOlpKFJ4



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Buena Vista Social Club - At Carnegie Hall (2 CD)
---------------------------------------------------------------------

Artist...............: Buena Vista Social Club
Album................: At Carnegie Hall
Genre................: world.music, cuban
Source...............: CD
Year.................: 2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60-62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: World Circuit

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Buena Vista Social Club - Chan Chan [04:45]
2. Buena Vista Social Club - De Camino A La Vereda [04:58]
3. Buena Vista Social Club - El Cuarto De Tula [08:00]
4. Buena Vista Social Club - La Enganadora [02:44]
5. Buena Vista Social Club - Buena Vista Social Club [05:59]
6. Buena Vista Social Club - Dos Gardenias [04:23]
7. Buena Vista Social Club - Quizas, Quizas [03:47]
8. Buena Vista Social Club - Veinte Anos [04:06]

Playing Time.........: 38:46
Total Size...........: 243,83 MB

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Tracklisting CD 2
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1. Buena Vista Social Club - Orgullecida [03:23]
2. Buena Vista Social Club - Y Tu Que Has Hecho [03:33]
3. Buena Vista Social Club - Siboney [02:32]
4. Buena Vista Social Club - Mandinga [05:29]
5. Buena Vista Social Club - Almendra [05:49]
6. Buena Vista Social Club - El Carretero [05:38]
7. Buena Vista Social Club - Candela [07:00]
8. Buena Vista Social Club - Silencio [05:25]

Playing Time.........: 38:52
Total Size...........: 238,07 MB

..::INFO::..

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Buena Vista Social Club - Lost And Found
---------------------------------------------------------------------

Artist...............: Buena Vista Social Club
Album................: Lost And Found
Genre................: World Music
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 55 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: World Circuit

Included.............: NFO, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Buena Vista Social Club - Bruca Manigua [05:18]
2. Buena Vista Social Club - Macusa [04:07]
3. Buena Vista Social Club - Tiene Sabor [03:21]
4. Buena Vista Social Club - Bodas De Oro [04:43]
5. Buena Vista Social Club - Black Chicken 37 [03:37]
6. Buena Vista Social Club - Habanera [02:24]
7. Buena Vista Social Club - Como Fue [04:01]
8. Buena Vista Social Club - Guajira En F [04:25]
9. Buena Vista Social Club - Quiereme Mucho [01:32]
10. Buena Vista Social Club - Pedacito De Papel [02:41]
11. Buena Vista Social Club - Mami Me Gusto [05:17]
12. Buena Vista Social Club - Lagrimas Negras [04:09]
13. Buena Vista Social Club - Como Siento Yo [02:01]
14. Buena Vista Social Club - Ruben Sing [00:50]

Playing Time.........: 48:33
Total Size...........: 285,82 MB

...( Info )...

Artist...............: V.A.
Album................: Pop Drop Zone
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Ravyn Lenae - Love Me Not
002. Alex Warren - Ordinary
003. Ed Sheeran - Azizam
004. Charli Xcx - party 4 u
005. Teddy Swims - Bad Dreams
006. Bruno Mars & ROSE - APT.
007. Benson Boone - Mystical Magical
008. Ovy On The Drums, Beéle & W Sound - La Plena (W Sound 05)
009. Coldplay Feat. Twice, tINI, Burna Boy, Little Simz & Elyanna - WE PRAY (feat. TWICE, Little Simz, Burna Boy, Elyanna & TINI) (TWICE Version)
010. David Guetta & Sia - Beautiful People
011. Ava Max - Lovin Myself
012. Sam Gellaitry - Assumptions
013. Jisoo - earthquake
014. Don Toliver Feat. Doja Cat - Lose My Mind (From F1® The Movie) [feat. Doja Cat]
015. Nessa Barrett - PORNSTAR
016. Rachel Chinouriri - All I Ever Asked
017. Alex Warren Feat. Jelly Roll - Bloodline (feat. Jelly Roll)
018. Burna Boy Feat. Travis Scott - TaTaTa (feat. Travis Scott)
019. twenty one pilots - Doubt (demo)
020. Sam Barber Feat. Avery Anna - Indigo (feat. Avery Anna)
021. Lizzo - Still Bad
022. Tiesto, Odd Mob & Goodboys - Won’t Be Possible
023. Dasha - Not at This Party
024. Jack Harlow Feat. Doja Cat - Just Us (feat. Doja Cat)
025. Kaj - Bara Bada Bastu
026. Avery Anna - Mr. Predictable
027. Benson Boone - Sorry I'm Here for Someone Else
028. Bella Poarch - Will You Always Love Her
029. Turnstile - SEEIN’ STARS
030. Ashnikko - Itty Bitty
031. Daniel Seavey - Sleeping With the Lights On
032. Young Thug Feat. Future - Money on Money (feat. Future)
033. Ed Sheeran - Old Phone
034. Luke Combs & Bailey Zimmerman - Backup Plan
035. Mahalia Feat. Masicka - Different Type of Love (feat. Masicka)
036. The Black Keys - No Rain, No Flowers
037. Remy Bond - Moviestar
038. Green Day - Smash It Like Belushi
039. Benson Boone - Momma Song
040. Kaytranada & Justine Skye - Oh Lala
041. Knox - Pick Your Poison
042. Jenna Raine - Who Am I
043. Wesley Schultz & Michael Marcagi - Wish I Never Met You
044. Ella Henderson - Me & You
045. Teddy Swims Feat. Giveon - Are You Even Real (feat. Givēon)
046. Cameron Whitcomb - Options
047. Nessa Barrett - LOVE LOOKS PRETTY ON YOU
048. Rainbow Kitten Surprise - Espionage
049. Brittany Broski - The Sun
050. Anne-Marie - That's What You Get

...( Info )...

Artist...............: V.A.
Album................: Some 70's Hits 100 Classic Tracks
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Fleetwood Mac - Dreams (2018 Remaster)
002. The Doors - Love Her Madly
003. Carly Simon - You're So Vain (2023 Remaster)
004. Tina Turner - Sometimes When We Touch
005. War - Low Rider
006. Talking Heads - Psycho Killer (2005 Remaster)
007. Candi Staton - Young Hearts Run Free
008. Roberta Flack - Killing Me Softly with His Song
009. Aretha Franklin - Rock Steady
010. Curtis Mayfield - Move On Up
011. America - A Horse with No Name
012. Tom Robinson Band - 2-4-6-8 Motorway
013. Gerry Rafferty - Baker Street (Radio Edit)
014. George McCrae - Rock Your Baby
015. CHAKA KHAN - I’m Every Woman
016. Chicago - If You Leave Me Now
017. Betty Wright - Clean Up Woman
018. Peter Brown - Dance with Me
019. Bette Midler - Do You Want to Dance
020. George Benson - Breezin’
021. Faces - Ooh La La
022. Alice Cooper - School’s Out
023. Maria Muldaur - Midnight at the Oasis
024. Dr. John - Right Place Wrong Time
025. The Trammps - Disco Inferno (Single Edit)
026. Jay Ferguson - Thunder Island
027. Timmy Thomas - Why Can’t We Live Together
028. Little Feat - Willin'
029. The Velvet Underground - Sweet Jane
030. Pretenders - Brass in Pocket (2006 Remaster)
031. Bad Company - Feel like Makin’ Love (2015 Remaster)
032. Alan O'Day - Undercover Angel
033. Gordon Lightfoot - If You Could Read My Mind
034. Tower Of Power - So Very Hard to Go
035. Brook Benton - Rainy Night in Georgia
036. Bread - Everything I Own
037. The Cars - Just What I Needed
038. Andrew Gold - Lonely Boy
039. Shirley Bassey - (Where Do I Begin) Love Story
040. VAN MORRISON - Crazy Love
041. Randy Vanwarmer - Just When I Needed You Most
042. KC & The Sunshine Band - Boogie Shoes
043. DAVID GATES - Goodbye Girl
044. Blues Image - Ride Captain Ride (Single Version)
045. The Spinners - The Rubberband Man
046. Donny Hathaway & Roberta Flack - Where Is the Love
047. Seals and Crofts - Summer Breeze
048. England Dan & John Ford Coley - I’d Really Love to See You Tonight
049. Olivia Newton-John - Have You Never Been Mellow
050. Gary Wright - Dream Weaver
051. Foreigner - Cold as Ice (2006 Remaster)
052. Foghat - Slow Ride (Single Version)
053. Lobo - I’d Love You to Want Me
054. Bloodstone - Natural High
055. Gram Parsons - Love Hurts
056. Chris Rea - Fool (If You Think It’s Over)
057. Warren Zevon - Werewolves of London (2007 Remaster)
058. Harpo - Moviestar
059. Ramones - Blitzkrieg Bop (Single Version; Remastered)
060. Todd Rundgren - I Saw the Light (2006 Remaster)
061. Linda Ronstadt - Desperado
062. Randy Newman - Short People
063. Frankie Valli - Grease (2006 Remaster)
064. Stephen Stills - Love the One You’re With
065. Randy Crawford - Street Life (Edit)
066. ROD STEWART - Da Ya Think I’m Sexy
067. Dionne Warwick - Then Came You
068. Mud - Tiger Feet
069. JAMES TAYLOR - You’ve Got a Friend
070. Maxine Nightingale - Right Back Where We Started From
071. Marshall Hain - Dancing in the City
072. Pilot - Magic
073. Sister Sledge - We Are Family
074. Foxy - Get Off
075. Harry Chapin - Cat's in the Cradle
076. Eddie Rabbitt - Every Which Way but Loose
077. Hot Chocolate - You Sexy Thing (2011 Remaster)
078. Carole Bayer Sager Feat. MICHAEL MCDONALD - It’s the Falling in Love (feat. Michael McDonald)
079. Grateful Dead - Shakedown Street
080. Nicolette Larson - Lotta Love
081. Pratt & McClain - Happy Days
082. Blue Magic - Sideshow
083. Firefall - You Are the Woman
084. Sanford Townsend Band - Smoke from a Distant Fire
085. Jefferson Starship - Jane
086. Crosby - Just a Song Before I Go
087. Joni Mitchell - California
088. Cliff Richard - Devil Woman
089. New World - Living Next Door to Alice
090. Al Stewart - Year of the Cat (2020 Remaster)
091. Chic - Good Times (7 Edit; 2018 Remaster)
092. Leblanc and Carr - Falling (2013 Remaster)
093. Baby Huey & The Baby Sitters - Hard Times
094. The Doobie Brothers - Listen to the Music
095. Blue Swede - Hooked on a Feeling
096. Gloria Jones - Tainted Love
097. Hall & Oates - She's Gone
098. Rose Royce - Love Don't Live Here Anymore
099. Al Jarreau - Your Song
100. Redbone - Come and Get Your Love (Live)

...( Info )...
Title: Nullified
Artist: Brain Stem
Year: 2025
Genre: Death-Metal
Country: Canada

Duration: 00:34:28
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intergalactic Cattle
02. Algorithmic Obsoletion
03. Unnatural Selection
04. The Blood Witch
05. Monarch Rising
06. Devoid Of Life
07. Confined
08. Mirrorborn

...( Info )...
Title: Violent Vacation
Artist: Thraxas!
Year: 2025
Genre: Thrash, Groove-Metal
Country: Australia

Duration: 00:50:03
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Blast Shadows
2. The Rage of 1000 Suns
3. Violent Vacation
4. Exemplary Punishment
5. Rapid Descent Into Madness... and Brutality
6. A Guide to Torture
7. Glory Is Reserved for the Dead
8. Sentenced To Debt
9. Thy Plague Bearer
10. Evolution of Revolution
11. Bloody Fist Face Lift

..::INFO::..

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Fleetwood Mac - The Very Best Of Fleetwood Mac (2 CD)
---------------------------------------------------------------------

Artist...............: Fleetwood Mac
Album................: The Very Best Of Fleetwood Mac
Genre................: Rock - Pop
Source...............: CD
Year.................: 2009
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63-68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Reprise Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Fleetwood Mac - Monday Morning [02:45]
2. Fleetwood Mac - Dreams [04:15]
3. Fleetwood Mac - You Make Loving Fun [03:33]
4. Fleetwood Mac - Go Your Own Way [03:40]
5. Fleetwood Mac - Rhiannon [03:46]
6. Fleetwood Mac - Say You Love Me [04:03]
7. Fleetwood Mac - I'm So Afraid [Live 1997] [06:01]
8. Fleetwood Mac - Silver Springs [04:30]
9. Fleetwood Mac - Over My Head [03:08]
10. Fleetwood Mac - Never Going Back Again [02:14]
11. Fleetwood Mac - Sara [06:26]
12. Fleetwood Mac - Love In Store [03:10]
13. Fleetwood Mac - Tusk [03:34]
14. Fleetwood Mac - Landslide [03:17]
15. Fleetwood Mac - Songbird [03:20]
16. Fleetwood Mac - Big Love [Live 1997] [02:48]
17. Fleetwood Mac - Storms [05:28]

Playing Time.........: 01:06:07
Total Size...........: 418,23 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Fleetwood Mac - The Chain [04:29]
2. Fleetwood Mac - Don't Stop [03:12]
3. Fleetwood Mac - What Makes You Think You're The One [03:30]
4. Fleetwood Mac - Gypsy [04:22]
5. Fleetwood Mac - Second Hand News [02:52]
6. Fleetwood Mac - Little Lies [03:39]
7. Fleetwood Mac - Think About Me [02:42]
8. Fleetwood Mac - Go Insane [Live 1997] [04:20]
9. Fleetwood Mac - Gold Dust Woman [04:59]
10. Fleetwood Mac - Hold Me [03:44]
11. Fleetwood Mac - Seven Wonders [03:38]
12. Fleetwood Mac - World Turning [04:24]
13. Fleetwood Mac - Everywhere [03:41]
14. Fleetwood Mac - Sisters Of The Moon [04:41]
15. Fleetwood Mac - Family Man [04:01]
16. Fleetwood Mac - As Long As You Follow [04:18]
17. Fleetwood Mac - No Questions Asked [04:42]
18. Fleetwood Mac - Skies The Limit [03:46]
19. Fleetwood Mac - Paper Doll [03:58]

Playing Time.........: 01:15:07
Total Size...........: 516,51 MB