...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Gorąco polecam, jeden z najlepszych albumów power metalowych lat 80!


This rarity is a true gem of the NWOBHM treasure. The two most outstanding elements are the vocals and the guitars. Russ North is without any doubt one of the best metal singers in the world. Few can combine the power, class, range, technicality, and falsetto screams he shows off only in the first song. Coming to that, he has a voice of his own. Charismatic, strong, inspired and emotional. Yes this singer rocks. He joined Cloven Hoof on the Dominator album but A Sultan’s Ransom feature even finer works of his. This guy was by the way in the final round when Iron Maiden selected a new vocalist.

The guitarist Andy Wood moves the listener to the seventh heaven with his blazing leads, glimmering solos and blasting riffs. It’s such a pleasure listening to the melodic yet so powerful guitars played by competent hands switching between riff attacks, solo crescendos and calmer passages faster and easier than oneself put butter on the breakfast bread. Actually, the guitar work is unparalleled by most bands of the time. It’s like Andy LaRocque in King Diamond’s band during their three best albums, squared. Drumming feels just as human-made as it shall do. Not the overly exact beats of a machine, but the harder, yet more fluid-like ones you only hear from a really skilled drummer. They just flow on, and on, and on… One doesn’t hear any echoes; one cannot but appreciate the swift and soft switching between tempos that happens quite often.

The music is a dynamic speed-attack by this now ten years old band, who now really proves they are masters of the genre. There isn’t one single tune not giving one a sudden, strong and vital urge to head bang. Astral Rider is an instant hit, and so are all the other songs. The only weak spot, Notre Dame, is weak only in sense that it is weaker than the other songs on this album. I don’t want to give the impression that it in is a weak song; that would be misleading. In fact, it slays most Iron Maiden and Judas Priest songs without any problems. Forgotten Heroes and especially Mad, Mad World are extremely catchy, with the kind of choruses you’ll find yourself singing on the street. But even these songs, and the magnificent Astral Rider, speedy, D.V.R, Accept-tasting Jekyll & Hyde, they are all nothing compared to the two real masterpieces, the two epic closing songs. Highlander and Mistress of the Forest are perhaps the two most expressive NWOBHM ever recorded. If not, they are definitely among the top ones.

Corimngul



..::TRACK-LIST::..

1. Astral Rider 5:15
2. Forgotten Heroes 4:41
3. D.V.R. 2:49
4. Jekyll And Hyde 3:28
5. 1001 Nights 5:28
6. Silver Surfer 3:43
7. Notre Dame 5:45
8. Mad, Mad World 2:29
9. Highlander 3:40
10. Mistress Of The Forest 6:50



..::OBSADA::..

Russ North (R.I.P. 2025) - vocals
Andy Wood - guitar
Lee Payne - bass
Jon Brown - drums

Additional musicians:
Mil Gacic - guitar
Paul Hodson - keyboards



https://www.youtube.com/watch?v=cl5bgXgi2s4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Gorąco polecam, jeden z najlepszych albumów power metalowych lat 80!


This rarity is a true gem of the NWOBHM treasure. The two most outstanding elements are the vocals and the guitars. Russ North is without any doubt one of the best metal singers in the world. Few can combine the power, class, range, technicality, and falsetto screams he shows off only in the first song. Coming to that, he has a voice of his own. Charismatic, strong, inspired and emotional. Yes this singer rocks. He joined Cloven Hoof on the Dominator album but A Sultan’s Ransom feature even finer works of his. This guy was by the way in the final round when Iron Maiden selected a new vocalist.

The guitarist Andy Wood moves the listener to the seventh heaven with his blazing leads, glimmering solos and blasting riffs. It’s such a pleasure listening to the melodic yet so powerful guitars played by competent hands switching between riff attacks, solo crescendos and calmer passages faster and easier than oneself put butter on the breakfast bread. Actually, the guitar work is unparalleled by most bands of the time. It’s like Andy LaRocque in King Diamond’s band during their three best albums, squared. Drumming feels just as human-made as it shall do. Not the overly exact beats of a machine, but the harder, yet more fluid-like ones you only hear from a really skilled drummer. They just flow on, and on, and on… One doesn’t hear any echoes; one cannot but appreciate the swift and soft switching between tempos that happens quite often.

The music is a dynamic speed-attack by this now ten years old band, who now really proves they are masters of the genre. There isn’t one single tune not giving one a sudden, strong and vital urge to head bang. Astral Rider is an instant hit, and so are all the other songs. The only weak spot, Notre Dame, is weak only in sense that it is weaker than the other songs on this album. I don’t want to give the impression that it in is a weak song; that would be misleading. In fact, it slays most Iron Maiden and Judas Priest songs without any problems. Forgotten Heroes and especially Mad, Mad World are extremely catchy, with the kind of choruses you’ll find yourself singing on the street. But even these songs, and the magnificent Astral Rider, speedy, D.V.R, Accept-tasting Jekyll & Hyde, they are all nothing compared to the two real masterpieces, the two epic closing songs. Highlander and Mistress of the Forest are perhaps the two most expressive NWOBHM ever recorded. If not, they are definitely among the top ones.

Corimngul



..::TRACK-LIST::..

1. Astral Rider 5:15
2. Forgotten Heroes 4:41
3. D.V.R. 2:49
4. Jekyll And Hyde 3:28
5. 1001 Nights 5:28
6. Silver Surfer 3:43
7. Notre Dame 5:45
8. Mad, Mad World 2:29
9. Highlander 3:40
10. Mistress Of The Forest 6:50



..::OBSADA::..

Russ North (R.I.P. 2025) - vocals
Andy Wood - guitar
Lee Payne - bass
Jon Brown - drums

Additional musicians:
Mil Gacic - guitar
Paul Hodson - keyboards



https://www.youtube.com/watch?v=cl5bgXgi2s4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wciągającą podróż przez osiem dynamicznych utworów, starannie skomponowanych, mistrzowsko zaaranżowanych i zagranych. Dysgnostic z łatwością łączy szeroki wachlarz ekstremalnych wpływów w spójne utwory, nigdy nie decydując się na oczywistość.



Known as Defilementory in a previous avatar, the critically acclaimed Danish death metal band were rechristened Dysgnostic to reflect a more contemporary direction of music that's more dissonant, technical and even atmospheric in its own dark, mysterious way. On their debut full length, the accomplished musicians find little trouble in weaving together songs that are complex yet engaging, offering undulating moments of intensity as well as enveloping dissonant ambience. The process is so deftly done that it almost has a hypnotic effect on you, despite the music getting challenging at times, and keeps your attention riveted through it all. Upholding the compelling sinuous approach, each of the songs manage to offer a slightly different expression, a glimpse into another dark dimension, and find ways to remain with you long after the album is over. Invariably, the album seeps into your consciousness, its cajoling darkness and wistful tunes making the process easier. The dreamier songs toward the end of the album complete the ritual and take over the possession of your mind, body and soul, as intended.

For fans of: Ulcerate, Sunless, Aeviterne, Gorguts, Devenial Verdict, Norse, Deathspell Omega



..::TRACK-LIST::..

1. Dysgnostic 03:13
2. Silvery Tongues 04:55
3. Beneath Abyssal Plains 06:08
4. Oceans of Grey 03:36
5. Nothing's Embrace 06:45
6. Scion of Absence 06:05
7. Eternal Recurrence 06:18
8. Darkest Muse 06:31



..::OBSADA::..

Thomas Fischer - Bass, vocals, composition
Simon Klem Kannegard - Lead guitar, backing vocals
Richardt Olsen - Drums, guitar




https://www.youtube.com/watch?v=r0PU5-5CtNA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Wciągającą podróż przez osiem dynamicznych utworów, starannie skomponowanych, mistrzowsko zaaranżowanych i zagranych. Dysgnostic z łatwością łączy szeroki wachlarz ekstremalnych wpływów w spójne utwory, nigdy nie decydując się na oczywistość.



Known as Defilementory in a previous avatar, the critically acclaimed Danish death metal band were rechristened Dysgnostic to reflect a more contemporary direction of music that's more dissonant, technical and even atmospheric in its own dark, mysterious way. On their debut full length, the accomplished musicians find little trouble in weaving together songs that are complex yet engaging, offering undulating moments of intensity as well as enveloping dissonant ambience. The process is so deftly done that it almost has a hypnotic effect on you, despite the music getting challenging at times, and keeps your attention riveted through it all. Upholding the compelling sinuous approach, each of the songs manage to offer a slightly different expression, a glimpse into another dark dimension, and find ways to remain with you long after the album is over. Invariably, the album seeps into your consciousness, its cajoling darkness and wistful tunes making the process easier. The dreamier songs toward the end of the album complete the ritual and take over the possession of your mind, body and soul, as intended.

For fans of: Ulcerate, Sunless, Aeviterne, Gorguts, Devenial Verdict, Norse, Deathspell Omega




1. Dysgnostic 03:13
2. Silvery Tongues 04:55
3. Beneath Abyssal Plains 06:08
4. Oceans of Grey 03:36
5. Nothing's Embrace 06:45
6. Scion of Absence 06:05
7. Eternal Recurrence 06:18
8. Darkest Muse 06:31




Thomas Fischer - Bass, vocals, composition
Simon Klem Kannegard - Lead guitar, backing vocals
Richardt Olsen - Drums, guitar




https://www.youtube.com/watch?v=r0PU5-5CtNA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Piorunujący, oldschoolowy grindcore z domieszką death metalu!
'Dios Carne' to jedna z najbardziej złowrogich propozycji Looking for an Answer . Dokładnie tego można się spodziewać po weteranie gatunku. I ich brzmienie ani trochę nie straciło na intensywności.

Zabierzcie się za 'grindowanie' jak najszybciej.

FA


Digipack CD including 12 page booklet. Spanish Grindcore veterans LOOKING FOR AN ANSWER return with their first full length in 6 years. "DIOS CARNE? is a visceral sonic descent into the deepest layers of carnism and human depravity. Ethically aware, yet fucking pissed and ready to devour the opposition, LOOKING FOR AN ANSWER have unleashed their most focused aggression of anti-harmonic orchestrations to date. Straight to the throat grindcore with a heavy old school death metal influence, that promises to unrelentingly punish the listener. ?DIOS CARNE? is not just a concept album, but a musical statement abundant in blast beat precision that will simultaneously satisfy speed freaks and obliterate brain matter. Recommended to fans of REPULSION, early NAPALM DEATH, UNSEEN TERROR, AUTOPSY, BOLT THROWER.



Spanish Grindcore veterans LOOKING FOR AN ANSWER return with their first full length in 6 years. "DIOS CARNE” is a visceral sonic descent into the deepest layers of carnism and human depravity. Ethically aware, yet fucking pissed and ready to devour the opposition, LOOKING FOR AN ANSWER have unleashed their most focused collection of anti-harmonic orchestrations to date. Straight to the throat grindcore with a heavy old school death metal influence, that promises to unrelentingly punish the listener.

“DIOS CARNE” is not just a concept album, but a musical statement abundant in blast beat precision that will simultaneously satisfy speed freaks and obliterate brain matter.



..::TRACK-LIST::..

1. Deflagración 04:16
2. La Carne del Leviatán 01:59
3. Sol Negro 01:04
4. Utopía de Sangre 02:01
5. Apoteosis 02:02
6. Redención 02:06
7. Invierno Eterno 03:05
8. Rito De Autofagia 01:32
9. Autofagia 02:13
10. Némesis 01:53
11. Demiurgo 01:05
12. Mártir Matarife 02:03
13. Muerte Lenta 08:40
14. Liberación 02:20



..::OBSADA::..

Santi - vocals
Ramón - bass
Makoko - guitar
Félix - guitar
Moya - drums



https://www.youtube.com/watch?v=gl1YINzDBRY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Piorunujący, oldschoolowy grindcore z domieszką death metalu!
'Dios Carne' to jedna z najbardziej złowrogich propozycji Looking for an Answer . Dokładnie tego można się spodziewać po weteranie gatunku. I ich brzmienie ani trochę nie straciło na intensywności.

Zabierzcie się za 'grindowanie' jak najszybciej.

FA


Digipack CD including 12 page booklet. Spanish Grindcore veterans LOOKING FOR AN ANSWER return with their first full length in 6 years. "DIOS CARNE? is a visceral sonic descent into the deepest layers of carnism and human depravity. Ethically aware, yet fucking pissed and ready to devour the opposition, LOOKING FOR AN ANSWER have unleashed their most focused aggression of anti-harmonic orchestrations to date. Straight to the throat grindcore with a heavy old school death metal influence, that promises to unrelentingly punish the listener. ?DIOS CARNE? is not just a concept album, but a musical statement abundant in blast beat precision that will simultaneously satisfy speed freaks and obliterate brain matter. Recommended to fans of REPULSION, early NAPALM DEATH, UNSEEN TERROR, AUTOPSY, BOLT THROWER.



Spanish Grindcore veterans LOOKING FOR AN ANSWER return with their first full length in 6 years. "DIOS CARNE” is a visceral sonic descent into the deepest layers of carnism and human depravity. Ethically aware, yet fucking pissed and ready to devour the opposition, LOOKING FOR AN ANSWER have unleashed their most focused collection of anti-harmonic orchestrations to date. Straight to the throat grindcore with a heavy old school death metal influence, that promises to unrelentingly punish the listener.

“DIOS CARNE” is not just a concept album, but a musical statement abundant in blast beat precision that will simultaneously satisfy speed freaks and obliterate brain matter.



..::TRACK-LIST::..

1. Deflagración 04:16
2. La Carne del Leviatán 01:59
3. Sol Negro 01:04
4. Utopía de Sangre 02:01
5. Apoteosis 02:02
6. Redención 02:06
7. Invierno Eterno 03:05
8. Rito De Autofagia 01:32
9. Autofagia 02:13
10. Némesis 01:53
11. Demiurgo 01:05
12. Mártir Matarife 02:03
13. Muerte Lenta 08:40
14. Liberación 02:20



..::OBSADA::..

Santi - vocals
Ramón - bass
Makoko - guitar
Félix - guitar
Moya - drums



https://www.youtube.com/watch?v=gl1YINzDBRY



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Joe Satriani - Playlist - The Very Best Of Joe Satriani
---------------------------------------------------------------------

Artist...............: Joe Satriani
Album................: Playlist
Genre................: Rock
Source...............: CD
Year.................: 2010
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Epic

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Joe Satriani - Surfing With The Alien [04:25]
2. Joe Satriani - Always With Me, Always With You [03:22]
3. Joe Satriani - The Crush Of Love [04:20]
4. Joe Satriani - Flying In A Blue Dream [05:23]
5. Joe Satriani - Summer Song [04:58]
6. Joe Satriani - Time Machine [05:07]
7. Joe Satriani - Luminous Flesh Giants [05:56]
8. Joe Satriani - Ceremony [04:52]
9. Joe Satriani - Starry Night [03:54]
10. Joe Satriani - Up In Flames [04:33]
11. Joe Satriani - It's So Good [04:15]
12. Joe Satriani - Crowd Chant [03:15]
13. Joe Satriani - I Just Wanna Rock [03:26]
14. Joe Satriani - Revelation [05:55]

Playing Time.........: 01:03:47
Total Size...........: 454,38 MB

..::INFO::..

---------------------------------------------------------------------
Johnny Hallyday - Souvenirs souvenirs
---------------------------------------------------------------------

Artist...............: Johnny Hallyday
Album................: Souvenirs souvenirs
Genre................: Rock
Source...............: CD
Year.................: 1988
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Vogue

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Johnny Hallyday - Souvenirs souvenirs [02:10]
2. Johnny Hallyday - Kili watch [02:44]
3. Johnny Hallyday - T'aimer follement [02:30]
4. Johnny Hallyday - Oui mon cher [02:25]
5. Johnny Hallyday - Le p'tit clown de ton coeur [02:26]
6. Johnny Hallyday - Depuis qu'ma mome [02:24]
7. Johnny Hallyday - Itsy bitsy petit bikini [02:12]
8. Johnny Hallyday - Une boum chez John [02:02]
9. Johnny Hallyday - Sentimental [01:49]
10. Johnny Hallyday - Nous les gars, nous les filles [01:50]
11. Johnny Hallyday - Mon septieme ciel [01:56]
12. Johnny Hallyday - J'suis mordu [01:56]
13. Johnny Hallyday - Tu parles trop [02:00]
14. Johnny Hallyday - Oui j'ai [03:00]
15. Johnny Hallyday - A New Orleans [02:42]
16. Johnny Hallyday - Tu m'plais [02:07]
17. Johnny Hallyday - Je veux me promener [02:36]
18. Johnny Hallyday - Hey Pony [02:21]
19. Johnny Hallyday - 24 000 baisers [02:19]
20. Johnny Hallyday - Ce n'est pas mechant [02:30]
21. Johnny Hallyday - Je cherche une fille [02:10]
22. Johnny Hallyday - Ton fetiche d'amour [02:18]
23. Johnny Hallyday - Bien trop timide [03:21]
24. Johnny Hallyday - Le plus beau des jeux [02:01]
25. Johnny Hallyday - Laisse les filles [02:20]
26. Johnny Hallyday - Tutti frutti [02:11]

Playing Time.........: 01:00:32
Total Size...........: 339,26 MB

...( Info )...
Title: Memories, Dreams, And Reflections
Artist: John Zorn & Dave Lombardo
Year: 2025
Genre: Avant-garde, Jazz
Country: USA

Duration: 00:38:17
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 – Sacred Beasts
02 – Brethren
03 – A Dangerous Requiem
04 – Scimitar
05 – Hail and Thunder
06 – Timestead
07 – Santeria
08 – Tractatus

...( Info )...
Title: The Return of Gor Gor [EP]
Artist: Gwar
Year: 2025
Genre: Thrash, Glam-Metal
Country: USA

Duration: 00:30:08
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. The Great Circus Train Disaster (03:43)
2. Lot Lizard (02:24)
3. Tyrant King (03:26)
4. Crack In The Egg (Live) (04:10)
5. The Founding Fathers (Live) (04:31)
6. America Must Be Destroyed (Live) (09:29)
7. Fishfuck (Live) (02:21)

...( Info )...
Title: More Balls to Picasso
Artist: Bruce Dickinson
Year: 2025
Genre: Heavy-Metal
Country: UK

Duration: 01:01:44
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
1. Cyclops (2025 Reimagined Version) (07:57)
2. Hell No (2025 Reimagined Version) (05:07)
3. Gods of War (2025 Reimagined Version) (05:05)
4. 1000 Points of Light (2025 Reimagined Version) (04:24)
5. Laughing in the Hiding Bush (2025 Reimagined Version) (04:21)
6. Change of Heart (2025 Reimagined Version) (05:01)
7. Shoot All the Clowns (2025 Reimagined Version) (04:35)
8. Fire (2025 Reimagined Version) (04:31)
9. Sacred Cowboys (2025 Reimagined Version) (03:54)
10. Tears of the Dragon (2025 Reimagined Version) (06:26)
11. Gods of War (Live in the Studio; 2025 Reimagined Version) (04:55)
12. Shoot All the Clowns (Live in the Studio; 2025 Reimagined Version) (05:24)

...( Info )...

Artist: Mark Knopfler
Album: Vaison La Romaine
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Darling Pretty
02. Walk Of Life
03. Imelda
04. The Bug
05. Rudiger
06. Je Suis Désolé
07. Calling Elvis
08. I'm The Fool
09. Last Exit To Brooklyn
10. Romeo And Juliet
11. Sultans Of Swing
12. Done With Bonaparte
13. Father And Son
14. Golden Heart
15. Water Of Love
16. Cannibals
17. Telegraph Road
18. Brothers In Arms
19. Money For Nothing
20. A Night In Summer Long Ago
21. The Long Highway
22. Going Home: Theme Of The Local Hero
23. Darling Pretty (Version 2)
24. Walk Of Life (Version 2)
25. Imelda (Version 2)

...( Info )...

Artist: Linda Ronstadt
Album: How Do I Make You Rambler Gambler
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. How Do I Make You
02. Rambler Gambler

...( Info )...
Genre: Thrash Metal/Crossover
Country: Poland
Year of publication: 1990-2010
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps

...( TrackList )...
1990 - Are You A Rebel?
1991 - Dirty Money, Dirty Tricks
1992 - Strip Tease
1993 - Fishdick
1993 - Vile Vicious Vision
1994 - Infernal Connection
1996 - The State Of Mind Report
1998 - High Proof Cosmic Milk
1998 - Varran Strikes Back – Alive!!!
1999 - Amazing Atomic Activity
2000 - Broken Head
2002 - Acidophilia
2002 - Maximum Overload
2004 - Rock Is Not Enough, Give Me The Metal
2006 - The Hand That Rocks The Coffin
2008 - Verses Of Steel
2010 - Fishdick Zwei – The Dick Is Rising Again

Acid Drinkers to polski zespół thrash metalowy, założony we wrześniu 1986 roku w Poznaniu. W jego skład wchodzili wówczas Tomasz „Titus” Pukacki (wokal, gitara basowa) i Robert „Litza” Friedrich (gitara, wokal). Zespół gra thrash metal z wpływami heavy metalu. Acid Drinkers to jeden z najważniejszych zespołów w polskim thrash i heavy metalu. Skład zespołu zmieniał się kilkukrotnie od początku jego istnienia. Tomasz Pukacki był członkiem zespołu od samego początku, a Robert Friedrich opuścił zespół w 1998 roku.wiki

..::INFO::..

Big D and the Kids Table to zespół ska punkowy założony w październiku 1995 roku w Bostonie w stanie Massachusetts, składający się z kolegów ze studiów. Ich pierwsze wydawnictwo ukazało się w ich własnej wytwórni Fork in Hand Records, ale od tego czasu współpracowali ze Springman Records i SideOneDummy. Wydali 11 albumów studyjnych, pięć EPek i kilka splitów z innymi wykonawcami. Wstawka zawiera szósty album studyjny zespołu.

Title: For the Damned, the Dumb & the Delirious

Artist: Big D and the Kids Table

Country: USA

Year: 2011

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

Best Of Them All
Brain’s-A-Bomb
Clothes Off
Home
Its Raining Zombies On Wall Street
Modern American Gypsy
My Buddy’s Back
One Day
Riot Girl
Rotten
Set Me Straight
Stringers
Walls

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Europejska reedycja wydanego oryginalnie w 1970 roku (wyłącznie w Holandii oraz w Niemczech) jedynego, kompletnie zapomnianego, ale za to świetnego albumu brytyjskiej progresywnej formacji, nawiązującej niemal wprost do nieco jazzującej i jakże typowej dla 1970 roku (saksofon, flet, elektryczna gitara, gęsta perkusja) eklektycznej stylistyki wczesnych Jethro Tull, Blodwyn Pig, Traffic oraz nieznanej formacji Diabolus. Na dętych grał Geoff Leigh - niedługo potem członek formacji Henry Cow.

Jedynymi mankamentami tego albumu są: odbiegający od stylistyki reszty kompozycji, 3-minutowy, smętny kawałek otwierający całość oraz wklejone pomiędzy nagrania (chyba) sztuczne oklaski. Doskonała jakość dźwięku!

JL


..::TRACK-LIST::..

1. Crazy Mabel 3:19
2. Keep On Rolling 3:46
3. Driving Song 3:59
4. Beat Goes On 6:43
5. Rag And Bone Man 4:59
6. It's Alright, Ma (It's Only Witchcraft) 4:47
7. You've Never Had It 4:39
8. Sleepy Feeling 4:24
9. Tea Time 4:06
10. Splitting 4:34



..::OBSADA::..

Vocals - Alan Spriggs
Tenor Saxophone - Bryn Collinson
Alto Saxophone, Flute (tracks: 7,8) - Geoff Leigh
Bass - Jim Sullivan
Drums - Les Cirkel
Lead Guitar - Mick Connell
+
Piano - Tom Parker (tracks: 1, 10)



https://www.youtube.com/watch?v=M85H6gxEzQ0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Europejska reedycja wydanego oryginalnie w 1970 roku (wyłącznie w Holandii oraz w Niemczech) jedynego, kompletnie zapomnianego, ale za to świetnego albumu brytyjskiej progresywnej formacji, nawiązującej niemal wprost do nieco jazzującej i jakże typowej dla 1970 roku (saksofon, flet, elektryczna gitara, gęsta perkusja) eklektycznej stylistyki wczesnych Jethro Tull, Blodwyn Pig, Traffic oraz nieznanej formacji Diabolus. Na dętych grał Geoff Leigh - niedługo potem członek formacji Henry Cow.

Jedynymi mankamentami tego albumu są: odbiegający od stylistyki reszty kompozycji, 3-minutowy, smętny kawałek otwierający całość oraz wklejone pomiędzy nagrania (chyba) sztuczne oklaski. Doskonała jakość dźwięku!

JL


..::TRACK-LIST::..

1. Crazy Mabel 3:19
2. Keep On Rolling 3:46
3. Driving Song 3:59
4. Beat Goes On 6:43
5. Rag And Bone Man 4:59
6. It's Alright, Ma (It's Only Witchcraft) 4:47
7. You've Never Had It 4:39
8. Sleepy Feeling 4:24
9. Tea Time 4:06
10. Splitting 4:34



..::OBSADA::..

Vocals - Alan Spriggs
Tenor Saxophone - Bryn Collinson
Alto Saxophone, Flute (tracks: 7,8) - Geoff Leigh
Bass - Jim Sullivan
Drums - Les Cirkel
Lead Guitar - Mick Connell
+
Piano - Tom Parker (tracks: 1, 10)



https://www.youtube.com/watch?v=M85H6gxEzQ0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Re-issue of the 2nd full-length album '92 + EP "Solitude" '94 by Italian Technical Thrash Metal band.
This is the kind of clean, semi-technical melodic thrash metal that was prevalent at the time, reminding of a mixture of Powermad, Xentrix, Watchtower, Realm, Target, Toxik and Ignorance.
CD includes 3 live-video bonuses.
All fans of thrash metal with clear elements of traditional metal should check this out!!!



I became aware of Broken Glazz when digging through the more than obscure Italian thrash scene of the old days. It seems that the band, based in Turin, had amassed a solid following, without however being able to make more of their career. Part of the 'blame' can arguably be traced back to their genre of choice: arriving to the scene in the very late '80s and sticking to a half-clean, refined style of thrash, with a quasi-technical edge at times, was pretty much equivalent to heading your car towards a concrete wall and slamming on the throttle instead of the brakes. Nevertheless, they at least managed to complete two full-lengths before dissolving, of which Withdraw from Reality (1992) is the last.

Now, in that year you had the odd Sodom or Demolition Hammer stubbornly refusing to acknowledge what was going on around them and acting like the '80s never really ended, but for the most part, bands around the world were not indifferent to the changing of the times. Broken Glazz was no exception, and although the band's sound was always far from being that extreme, they still ended up conforming to the time's paradigms. Countdown to Extinction was already out, I mean. The comparison is relatively easy thanks to guitarist Ivan Appino's almost copycat Mustaine-esque snarl (which, funnily enough, was also almost identical to his predecessor James Wynnie), not to mention the occasional guitar-less verses, the balladic segments appearing every now and then, and the overall restrained average tempo.

Despite all of this, Withdraw from Reality was a rather dignified way of dealing with this hostile landscape. I'm not forgetting the aforementioned faults, especially the second mentioned – 'Empty' is a 2-min acoustic interlude more than anything else, and 'Neverworld' a failed experiment at a half-ballad – yet Broken Glazz throws enough ideas at you to make you overlook those. It helps that almost every refrain might stick in your head, '7.7.2' being the clearest example of doing more with less, case in point its extremely straightforward, yet infectious, almost hard rock structure. It also helps that Appino and one-album wonder Luca Balducci delivered a performance they're still extremely proud of today, I bet, and steal the spotlight from the busy, occasionally slapped bass and far from outrageous, yet spot-on drumming. 'Colours from Grey' or the unfortunately subpar 'The Legion' show more than above average technique, as well as melodic gusto, closer to something like Annihilator or Mekong Delta would write at their least weird, and 'Starry Sky' confirms all of this, being the absolute highlight of the whole album. I had to double-check it wasn't an outtake from The Principle of Doubt, as those continuous harmonies and creative riffing did their best to fool me, and that chorus was just as catchy as thrash can be. In a righteous world, easily among the all-time classics of Italian thrash. Bravo.

All in all, Withdraw from Reality is much more than yet another '90s trainwreck, not only respectable for a time frame that was hardly the most creative phase of thrash metal (even if judging from Game Over's latest, I think it still has its estimators – hopefully we are not approaching again that era), but pretty much enjoyable even nowadays, forgiving the more outdated elements, wannabe-funny cover song at the end above all. Broken Glazz appeared inevitably doomed from the very start, but made sure to leave another mark before disappearing. A small relic from a difficult period.

TheBurningOfSodom



..::TRACK-LIST::..

1. Lady War 4:16
2. 7.7.2 3:30
3. A Foot In The Grave 4:23
4. Colours In Grey 4:55
5. The Legion 4:31
6. Starry Sky 5:12
7. Neverworld 4:44
8. Still Life 5:05
9. Empty 1:51
10. I've Been Betrayed 3:56

Bonus Tracks (From Last EP 'Solitude'):
11. Solitude 3:34
12. Game Over (Accoustic Version) 5:36

Live Video Recorded Dracma Metal Fest 28 June 2008 Torino:
1. 7 7 2
2. Faces On The Floor
3. Solitude



..::OBSADA::..

James Paul Wynne (guitar, vocals, 1989-92)
Ivan Appino (guitar, vocals)
Andry Verga (drums)
Pier Querio (bass)
Luca Balducci (guitar, 1992-94)




https://www.youtube.com/watch?v=7Os83uz2C6A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Re-issue of the 2nd full-length album '92 + EP "Solitude" '94 by Italian Technical Thrash Metal band.
This is the kind of clean, semi-technical melodic thrash metal that was prevalent at the time, reminding of a mixture of Powermad, Xentrix, Watchtower, Realm, Target, Toxik and Ignorance.
CD includes 3 live-video bonuses.
All fans of thrash metal with clear elements of traditional metal should check this out!!!



I became aware of Broken Glazz when digging through the more than obscure Italian thrash scene of the old days. It seems that the band, based in Turin, had amassed a solid following, without however being able to make more of their career. Part of the 'blame' can arguably be traced back to their genre of choice: arriving to the scene in the very late '80s and sticking to a half-clean, refined style of thrash, with a quasi-technical edge at times, was pretty much equivalent to heading your car towards a concrete wall and slamming on the throttle instead of the brakes. Nevertheless, they at least managed to complete two full-lengths before dissolving, of which Withdraw from Reality (1992) is the last.

Now, in that year you had the odd Sodom or Demolition Hammer stubbornly refusing to acknowledge what was going on around them and acting like the '80s never really ended, but for the most part, bands around the world were not indifferent to the changing of the times. Broken Glazz was no exception, and although the band's sound was always far from being that extreme, they still ended up conforming to the time's paradigms. Countdown to Extinction was already out, I mean. The comparison is relatively easy thanks to guitarist Ivan Appino's almost copycat Mustaine-esque snarl (which, funnily enough, was also almost identical to his predecessor James Wynnie), not to mention the occasional guitar-less verses, the balladic segments appearing every now and then, and the overall restrained average tempo.

Despite all of this, Withdraw from Reality was a rather dignified way of dealing with this hostile landscape. I'm not forgetting the aforementioned faults, especially the second mentioned – 'Empty' is a 2-min acoustic interlude more than anything else, and 'Neverworld' a failed experiment at a half-ballad – yet Broken Glazz throws enough ideas at you to make you overlook those. It helps that almost every refrain might stick in your head, '7.7.2' being the clearest example of doing more with less, case in point its extremely straightforward, yet infectious, almost hard rock structure. It also helps that Appino and one-album wonder Luca Balducci delivered a performance they're still extremely proud of today, I bet, and steal the spotlight from the busy, occasionally slapped bass and far from outrageous, yet spot-on drumming. 'Colours from Grey' or the unfortunately subpar 'The Legion' show more than above average technique, as well as melodic gusto, closer to something like Annihilator or Mekong Delta would write at their least weird, and 'Starry Sky' confirms all of this, being the absolute highlight of the whole album. I had to double-check it wasn't an outtake from The Principle of Doubt, as those continuous harmonies and creative riffing did their best to fool me, and that chorus was just as catchy as thrash can be. In a righteous world, easily among the all-time classics of Italian thrash. Bravo.

All in all, Withdraw from Reality is much more than yet another '90s trainwreck, not only respectable for a time frame that was hardly the most creative phase of thrash metal (even if judging from Game Over's latest, I think it still has its estimators – hopefully we are not approaching again that era), but pretty much enjoyable even nowadays, forgiving the more outdated elements, wannabe-funny cover song at the end above all. Broken Glazz appeared inevitably doomed from the very start, but made sure to leave another mark before disappearing. A small relic from a difficult period.

TheBurningOfSodom



..::TRACK-LIST::..

1. Lady War 4:16
2. 7.7.2 3:30
3. A Foot In The Grave 4:23
4. Colours In Grey 4:55
5. The Legion 4:31
6. Starry Sky 5:12
7. Neverworld 4:44
8. Still Life 5:05
9. Empty 1:51
10. I've Been Betrayed 3:56

Bonus Tracks (From Last EP 'Solitude'):
11. Solitude 3:34
12. Game Over (Accoustic Version) 5:36

Live Video Recorded Dracma Metal Fest 28 June 2008 Torino:
1. 7 7 2
2. Faces On The Floor
3. Solitude



..::OBSADA::..

James Paul Wynne (guitar, vocals, 1989-92)
Ivan Appino (guitar, vocals)
Andry Verga (drums)
Pier Querio (bass)
Luca Balducci (guitar, 1992-94)




https://www.youtube.com/watch?v=7Os83uz2C6A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

First Opus and Intense Death Metal of this rotten Chilean band with nine powerful cuts for maniacs of the dark sound of bands in the vein of Morbid Angel, Vital Remains, Deicide, Diabolic.



..::TRACK-LIST::..

1. Aeons of Devastation 01:10
2. Scourge of Blasphemy 04:00
3. Coffinlust 03:45
4. Hereditary 04:14
5. In Der Gaskammer 05:38
6. Lord of Perversion 04:53
7. Necromantic Rites 04:54
8. Primal Chaos 05:57
9. In the Name of God 05:15



..::OBSADA::..

Necrohammer - Drums
Scorcher - Guitars (lead)
Plaguelord - Guitars (rhythm), Vocals
Incarnator - Bass




https://www.youtube.com/watch?v=PfCHiLuEyPQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

First Opus and Intense Death Metal of this rotten Chilean band with nine powerful cuts for maniacs of the dark sound of bands in the vein of Morbid Angel, Vital Remains, Deicide, Diabolic.



..::TRACK-LIST::..

1. Aeons of Devastation 01:10
2. Scourge of Blasphemy 04:00
3. Coffinlust 03:45
4. Hereditary 04:14
5. In Der Gaskammer 05:38
6. Lord of Perversion 04:53
7. Necromantic Rites 04:54
8. Primal Chaos 05:57
9. In the Name of God 05:15



..::OBSADA::..

Necrohammer - Drums
Scorcher - Guitars (lead)
Plaguelord - Guitars (rhythm), Vocals
Incarnator - Bass




https://www.youtube.com/watch?v=PfCHiLuEyPQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rozdzierająca wnętrzności i tyłki, orgiastyczno-soniczna jazda bez trzymanki!



Canada’s abyssal blackened death metallers Ceremonial Bloodbath return with their second album. As a huge fan of their previous works, I await this with bated breath.

After a moment of foreboding introduction we dive headlong into unfettered bestial hellfire. Malicious riffing and scornful drums besiege while the daunting layered vocals feel equally hostile, the entire band working as a rampant unit to deliver pure barbarity. The way in which this record launches into vitriolic extremity and retains the energetic delivery is impressive enough, but Ceremonial Bloodbath does more than just your run of the mill war metal. Those who heard their debut will know there is a strong atmospheric and dissonant angle to their music which can even be, dare I say it, progressive. By no means do they dull the blade of ferocity, but their menacing music certainly has more than one trick up its sleeve. Cavernous soundscapes of decaying life reverberate while the hammering force is never far away to begin bludgeoning us once again. Few acts of this style feel quite as feral and yet unique as these (Black Curse being a highlight for me). Indeed it seems the return of this Canadian entity is a triumphant one based on the first glimpses of this album.

Blow after devastating blow of sonic upheaval continually rains upon you as the unfurling torment grows in primal furore. The dirge and scourge of true bestial black death metal with genuinely bold spirit and tangible aggression ensures every second grips you with its tendrils of vengeance, coating all moments in this thick and indomitable production to guarantee maximum obliteration. While raw and energetic, there is also a refinement and panache to this record that continues in the invigorated vein of its predecessor, something I am most grateful of. Ecstatic malevolence continues to reign throughout the body of this evil work, showing no signs of lessening their demonic intensity from the rapturous riffing, razoring solos or untamed drums all the way through to the pummelling bass and maniacal vocals. There is no weak link in this chain, prepare to be bound for its entirety.

Although utterly crazed, there is a subtly ritualistic feeling to the percussive and rhythmic side amidst all of the animalistic battery. While rabid and ruthless, it can also be a hypnotic listen in certain moments which is fascinating as a listener of this style who seldom finds such descriptions apt. The rolling waves of decimating morbidity continue to crash upon the ears in an unmistakably disquieting fashion. All the way until its explosive climax, “Genesis of Malignant Entropy” retains your attention and affections with its violent storms of metallic convulsions. A band so bestial who do not rely on derivative cliches and recycled aesthetics is to be commended, and Ceremonial Bloodbath are one of few I would put forth as truly worth engaging with. Do not delay, fall victims to this merciless onslaught at your closest opportunity for an orgiastic array of sonic slaughter.

The sophomore album of Ceremonial Bloodbath is another dizzying barrage of furious black / death metal, bestial and malignant with atmosphere and exploration in abundance. If you seek truly visceral and daunting music that will dominate your psyche with pure chaos, then look no further. This opus is not for the weak of heart, but the strong of will. Another resplendently abominable record from one of the finest in this particular corner of extremity that shows no signs of faltering.

Nattskog7



..::TRACK-LIST::..

1. The Ritual of Unholy Descent 00:49
2. Exhumation of the Ominous 03:43
3. Bloodlust Raids of Vengeance 06:01
4. The Boneless One 04:51
5. Loathing Swarm 05:34
6. Caustic Invocation 05:32
7. Dissonance of Morbidity 04:41
8. Mutilation of Sacrifice 04:02
9. The Invocation of the Tomb of Mankind 05:03



..::OBSADA::..

Faceless Infinity - Guitar, Vocals
Abysmal Berserker - Lead Guitar
The Noctural Black - Bass, Vocals
Nuclear Hammer Throne - Drums



https://www.youtube.com/watch?v=RnUycRz5gPw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rozdzierająca wnętrzności i tyłki, orgiastyczno-soniczna jazda bez trzymanki!



Canada’s abyssal blackened death metallers Ceremonial Bloodbath return with their second album. As a huge fan of their previous works, I await this with bated breath.

After a moment of foreboding introduction we dive headlong into unfettered bestial hellfire. Malicious riffing and scornful drums besiege while the daunting layered vocals feel equally hostile, the entire band working as a rampant unit to deliver pure barbarity. The way in which this record launches into vitriolic extremity and retains the energetic delivery is impressive enough, but Ceremonial Bloodbath does more than just your run of the mill war metal. Those who heard their debut will know there is a strong atmospheric and dissonant angle to their music which can even be, dare I say it, progressive. By no means do they dull the blade of ferocity, but their menacing music certainly has more than one trick up its sleeve. Cavernous soundscapes of decaying life reverberate while the hammering force is never far away to begin bludgeoning us once again. Few acts of this style feel quite as feral and yet unique as these (Black Curse being a highlight for me). Indeed it seems the return of this Canadian entity is a triumphant one based on the first glimpses of this album.

Blow after devastating blow of sonic upheaval continually rains upon you as the unfurling torment grows in primal furore. The dirge and scourge of true bestial black death metal with genuinely bold spirit and tangible aggression ensures every second grips you with its tendrils of vengeance, coating all moments in this thick and indomitable production to guarantee maximum obliteration. While raw and energetic, there is also a refinement and panache to this record that continues in the invigorated vein of its predecessor, something I am most grateful of. Ecstatic malevolence continues to reign throughout the body of this evil work, showing no signs of lessening their demonic intensity from the rapturous riffing, razoring solos or untamed drums all the way through to the pummelling bass and maniacal vocals. There is no weak link in this chain, prepare to be bound for its entirety.

Although utterly crazed, there is a subtly ritualistic feeling to the percussive and rhythmic side amidst all of the animalistic battery. While rabid and ruthless, it can also be a hypnotic listen in certain moments which is fascinating as a listener of this style who seldom finds such descriptions apt. The rolling waves of decimating morbidity continue to crash upon the ears in an unmistakably disquieting fashion. All the way until its explosive climax, “Genesis of Malignant Entropy” retains your attention and affections with its violent storms of metallic convulsions. A band so bestial who do not rely on derivative cliches and recycled aesthetics is to be commended, and Ceremonial Bloodbath are one of few I would put forth as truly worth engaging with. Do not delay, fall victims to this merciless onslaught at your closest opportunity for an orgiastic array of sonic slaughter.

The sophomore album of Ceremonial Bloodbath is another dizzying barrage of furious black / death metal, bestial and malignant with atmosphere and exploration in abundance. If you seek truly visceral and daunting music that will dominate your psyche with pure chaos, then look no further. This opus is not for the weak of heart, but the strong of will. Another resplendently abominable record from one of the finest in this particular corner of extremity that shows no signs of faltering.

Nattskog7



..::TRACK-LIST::..

1. The Ritual of Unholy Descent 00:49
2. Exhumation of the Ominous 03:43
3. Bloodlust Raids of Vengeance 06:01
4. The Boneless One 04:51
5. Loathing Swarm 05:34
6. Caustic Invocation 05:32
7. Dissonance of Morbidity 04:41
8. Mutilation of Sacrifice 04:02
9. The Invocation of the Tomb of Mankind 05:03



..::OBSADA::..

Faceless Infinity - Guitar, Vocals
Abysmal Berserker - Lead Guitar
The Noctural Black - Bass, Vocals
Nuclear Hammer Throne - Drums



https://www.youtube.com/watch?v=RnUycRz5gPw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Szybki strzał'
Najpierw odsłuch, a następnie degustacja. Whisky taka sobie, więc nie warto poświęcać jej więcej czasu. Mogę tylko ostrzec, co by nie skusiła was cena, bo jakość jest tutaj na dalszym planie. Opinie w sieci są przeróżne ale ja odradzam zakup STORAGE Blended Scotch whisky.

Wracając do tematu głównego, czyli muzyki – to znów padło na grindcore i to prosto z pięknej Finlandii. Rotten Sound istnieje na scenie od 30 lat i co jakiś czas raczy swoich słuchaczy nowymi wydawnictwami. „Apocalypse” to ich ósmy album, który stylistycznej wolty nie przynosi. Panowie dalej eksplorują przebogate pokłady muzyki ekstremalnej, w których poruszają tematy polityczno-społeczne.

Na płycie znalazło się 18 utworów, które łącznie trwają dwadzieścia minut (no tym razem pobili rekord toru). Co bym nie napisał o tych krótkich „piosenkach”, nie odda to w pełni tego, co dzieje się na „Apocalypse”.

Poziom wkurwu sięgnął zenitu, który opakowany jest w około 1-minutowe gradobicia. Keijo Niinimaa pomimo 50-tki na karku zdziera gardło jakby miał z 18 wiosen. Jestem pełen podziwu i chylę czoła, bo takie dźwięki wydobywa tylko człowiek o nadprzyrodzonych zdolnościach wokalnych. Dane też mi było zobaczyć tego jegomościa w akcji live, to istny zwierz sceniczny.

Dla mnie „Apocalypse” to skondensowany koncentrat jadu i nienawiści, który specjalnie nie potrzebuje reklamy. I tak sobie myślę, że tego jadu to i by na dwadzieścia płyt Rotten Sound wystarczyło, więc panowie proponują rozsądne dawkowanie Grind core rządzi się swoimi prawami i w tym przypadku nie ma taryfy ulgowej. Mi te dwadzieścia minut w zupełności wystarczy.

Oczywiście zapraszam chętnych do zapoznania się z zawartością tej rozwałki, przy okazji życzę miłych wrażeń i wielu uniesień.

Pianka na piwku


The apocalypse is nigh and Finnish grindcore entity ROTTEN SOUND has crafted the perfect soundtrack to accompany humanity’s impending extinction. Aptly titled ‘Apocalypse,’ the band’s eighth studio album is dropping into 2023 with the same blistering speed and chaotic impetus as an asteroid searing through atmosphere and crushing everything upon impact. Each song delivering abrupt yet violent aftershocks, delivering an auditory assault with its unstoppable, seismic force.



..::TRACK-LIST::..

1. Pacify 00:42
2. Equality 00:46
3. Sharing 01:46
4. Apocalypse 01:04
5. Suburban Bliss 01:41
6. Renewables 00:54
7. Newsflash 01:20
8. Digital Bliss 01:16
9. True and False 00:19
10. Denialist 01:45
11. Nothingness 00:28
12. Fight Back 01:03
13. Patriots 01:14
14. Ownership 00:46
15. Science 00:48
16. Empowered 01:57
17. Breach 01:19
18. Inflation 01:23



..::OBSADA::..

Mika Aalto - guitars
Matti Raappana - bass and backing vocals
Sami Latva - drums
Keijo Niinimaa - lead vocals




https://www.youtube.com/watch?v=H_Zh_TvB_S0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Szybki strzał'
Najpierw odsłuch, a następnie degustacja. Whisky taka sobie, więc nie warto poświęcać jej więcej czasu. Mogę tylko ostrzec, co by nie skusiła was cena, bo jakość jest tutaj na dalszym planie. Opinie w sieci są przeróżne ale ja odradzam zakup STORAGE Blended Scotch whisky.

Wracając do tematu głównego, czyli muzyki – to znów padło na grindcore i to prosto z pięknej Finlandii. Rotten Sound istnieje na scenie od 30 lat i co jakiś czas raczy swoich słuchaczy nowymi wydawnictwami. „Apocalypse” to ich ósmy album, który stylistycznej wolty nie przynosi. Panowie dalej eksplorują przebogate pokłady muzyki ekstremalnej, w których poruszają tematy polityczno-społeczne.

Na płycie znalazło się 18 utworów, które łącznie trwają dwadzieścia minut (no tym razem pobili rekord toru). Co bym nie napisał o tych krótkich „piosenkach”, nie odda to w pełni tego, co dzieje się na „Apocalypse”.

Poziom wkurwu sięgnął zenitu, który opakowany jest w około 1-minutowe gradobicia. Keijo Niinimaa pomimo 50-tki na karku zdziera gardło jakby miał z 18 wiosen. Jestem pełen podziwu i chylę czoła, bo takie dźwięki wydobywa tylko człowiek o nadprzyrodzonych zdolnościach wokalnych. Dane też mi było zobaczyć tego jegomościa w akcji live, to istny zwierz sceniczny.

Dla mnie „Apocalypse” to skondensowany koncentrat jadu i nienawiści, który specjalnie nie potrzebuje reklamy. I tak sobie myślę, że tego jadu to i by na dwadzieścia płyt Rotten Sound wystarczyło, więc panowie proponują rozsądne dawkowanie Grind core rządzi się swoimi prawami i w tym przypadku nie ma taryfy ulgowej. Mi te dwadzieścia minut w zupełności wystarczy.

Oczywiście zapraszam chętnych do zapoznania się z zawartością tej rozwałki, przy okazji życzę miłych wrażeń i wielu uniesień.

Pianka na piwku


The apocalypse is nigh and Finnish grindcore entity ROTTEN SOUND has crafted the perfect soundtrack to accompany humanity’s impending extinction. Aptly titled ‘Apocalypse,’ the band’s eighth studio album is dropping into 2023 with the same blistering speed and chaotic impetus as an asteroid searing through atmosphere and crushing everything upon impact. Each song delivering abrupt yet violent aftershocks, delivering an auditory assault with its unstoppable, seismic force.



..::TRACK-LIST::..

1. Pacify 00:42
2. Equality 00:46
3. Sharing 01:46
4. Apocalypse 01:04
5. Suburban Bliss 01:41
6. Renewables 00:54
7. Newsflash 01:20
8. Digital Bliss 01:16
9. True and False 00:19
10. Denialist 01:45
11. Nothingness 00:28
12. Fight Back 01:03
13. Patriots 01:14
14. Ownership 00:46
15. Science 00:48
16. Empowered 01:57
17. Breach 01:19
18. Inflation 01:23



..::OBSADA::..

Mika Aalto - guitars
Matti Raappana - bass and backing vocals
Sami Latva - drums
Keijo Niinimaa - lead vocals




https://www.youtube.com/watch?v=H_Zh_TvB_S0



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

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VA - 24 Golden Instrumental Hits
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Artist...............: Various Artists
Album................: 24 Golden Instrumental Hits
Genre................: Instrumental
Source...............: WEB
Year.................: 2019
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 58 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Digital Media

Included.............: NFO, M3U
Covers...............: Front

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Tracklisting
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1. Franz Lambert - Time Is Tight [03:13]
2. Karl Ratzer - Moonlight Shadow [03:41]
3. Fred Adams - One Way Wind [03:44]
4. Marius - I Am Sailing [04:20]
5. Dalila - El Condor Pasa [03:59]
6. Joe Conrad - A Woman in Love [04:13]
7. Franz Lambert - California Dreaming [02:37]
8. Paul Alcaide - Malaguena [03:30]
9. Dalila - Deguello [03:59]
10. Karl Ratzer - One Night in Bangkok (From ''Chess'') [03:43]
11. Franz Lambert - Baby Elephant Walk [03:28]
12. Tennessee - 3Rd Man Theme [02:34]
13. Joe Conrad - Go Johnnie Go [03:36]
14. Fred Adams - Freedom (Freiheit) [02:44]
15. Los Morenos - Quando, Quando, Quando [02:55]
16. Franz Lambert - Lady Madonna [02:31]
17. Marius - San Francisco [02:50]
18. Dalila - Dreams of Another Land [04:01]
19. Fred Adams - Heart of Gold [03:10]
20. Matt Lebar Ensemble - Starlight Cafe [02:47]
21. Paul Alcaide - Sentimiento [04:16]
22. Joe Conrad - I Have a Dream [04:43]
23. Karl Ratzer - I Just Called to Say I Love You [03:55]
24. Franz Lambert - When a Man Loves a Woman [03:50]

Playing Time.........: 01:24:26
Total Size...........: 491,99 MB

...( Info )...


Artist: Various Artists
Album: Summer Rock Songs
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. America - A Horse with No Name
02. Chicago - 25 or 6 to 4
03. Fleetwood Mac - Dreams (2018 Remaster)
04. Carly Simon - You’re So Vain
05. The Smiths - This Charming Man (2011 Remaster)
06. Bad Company - Bad Company
07. Red Hot Chili Peppers - Californication
08. Kid Rock - All Summer Long
09. War - Low Rider
10. Stevie Nicks - Edge of Seventeen (2016 Remaster)
11. Stone Temple Pilots - Interstate Love Song
12. Duran Duran - Hungry like the Wolf (2009 Remaster)
13. 98º - Let Her Cry
14. The Doors - Roadhouse Blues
15. Bad Company - Can't Get Enough (2015 Remaster)
16. Jackson Browne - Running on Empty
17. Stone Temple Pilots - Creep
18. Twisted Sister - We’re Not Gonna Take It
19. The Smiths - Heaven Knows I’m Miserable Now
20. The Cars - Just What I Needed
21. Chicago - Saturday in the Park
22. The Doors - Riders on the Storm
23. America - Ventura Highway
24. Bad Company - Feel like Makin’ Love (2015 Remaster)
25. Jane’s Addiction - Jane Says
26. The Cars - Drive
27. The Smiths - There Is a Light That Never Goes Out
28. America - Sister Golden Hair
29. Foreigner - Juke Box Hero
30. Green Day - Basket Case
31. Talking Heads - This Must Be the Place (Naive Melody) [2005 Remaster]
32. Pilöt - Magic
33. The Used - The Taste of Ink
34. The Cars - Shake It Up
35. Jefferson Starship - Jane
36. Red Hot Chili Peppers - Scar Tissue
37. The Doors - Break On Through (To the Other Side)
38. Third Eye Blind - Semi-charmed Life

...( Info )...

Artist: Various Artists
Album: Heartbreak Anthems
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Bruno Mars - When I Was Your Man
02. Christina Perri - Jar of Hearts
03. Zach Bryan - Something in the Orange
04. Sam Barber - Indigo (feat. Avery Anna)
05. Rose - number one girl
06. Michael Marcagi - Scared to Start
07. Omar Apollo - Dispose of Me
08. Birdy - Wings
09. Benson Boone - In the Stars
10. Rachel Chinouriri - So My Darling (Acoustic)
11. Omar Apollo - Evergreen (You Didn’t Deserve Me at All)
12. Coldplay - Sparks
13. Ed Sheeran - Happier
14. Bruno Mars - Talking to the Moon
15. Jaymes Young - Happiest Year
16. Bailey Zimmerman - Religiously
17. Noah Rinker - Save My Soul
18. Bebe Rexha - Seasons
19. Zach Bryan - I Remember Everything (feat. Kacey Musgraves)
20. Forest Blakk - If You Love Her
21. Daniel Seavey - Other People
22. Teddy Swims - Some Things I'll Never Know
23. Nessa Barrett - lie
24. Joshua Bassett - Lifeline
25. Kelly Clarkson - mine
26. Zach Bryan - Pink Skies

..::INFO::..

Wrocławski Stan Oskarżenia powstał w drugiej połowie lat 80-tych na gruzach takich kapel jak: Propaganda Buczącej Rury, Dezynsekcja i 48 Godzin. W początkowym okresie kapela grała w składzie Pajdo - wokal, Lokówa - gitara, Bolek - bas i Koza - bębny. Dopiero po którymś Jarocinie Lokówa został wokalistą a Pajdo najpierw krótko gra na basie a potem już do końca na gitarze. W 1991 roku zespół nagrał demówkę "Ciąg dalszy nastąpił" a rok później już bardziej profesjonalną "1992". Obie niestety to były straszna bieda... W tym samym czasie zespół nagrał w Krakowie dwie taśmy pod tym samym tytułem "Budują dla was klatkę z pieśni o wolności". Stan Oskarżenia grał wtedy w składzie Lokówa, Pajdo, Koza i Mirek Skirpan. Na przełomie 1992/1993 zespół zyskuje nową sekcję rytmiczną w osobach Małego - bas i Łysego - dr, którzy wcześniej grali w Działon Punk. Grupa realizuje kolejne studyjne wydawnictwa "Pięść wiary" (1993) i "Intensyfikacja" (1995). W latach 1995-2001 grupa praktycznie istnieje w zawieszeniu. Reaktywuje się w 2002 i nagrywa płytę we wrocławskim studio Clash "I co". Oprócz Lokówy i Pajdo w nagraniach udział wzięli Przemek - bas i Paweł - dr.

Artist: Stan Oskarżenia

Title: Budują dla Was Klatkę z Pieśni o Wolności

Country: Polska

Year: 1992

Genre: Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Dezorientacja
2.Nie Wierz
3.Jestem Tutaj
4.Każdy z Nich
5.Na Pewno Nie Ja
6.Tego Już Nie Zmieni Nikt
7.Robotnicza Miłość
8.Z Tobą Sam
9.Jeden Dzień

..::INFO::..

Oi Polloi to zespoł punkowy, który powstał w 1981 roku w Edynburgu (Szkocja). W 1985 ukazuje się pierwszy materiał - kaseta demo wydana przez zespół - "Destroi the System". Od początku istnienia w zespole grało około 50 muzyków. Z założycieli pozostał tylko Deek - wokalista. Muzyka zespołu ewoluowała od oi do zaangażowanego anarchopunka. Teksty piosenek dotyczą m.in. ochrony środowiska, wyzwolenia zwierząt, wegetarianizmu, zwalczania faszyzmu, brutalności policji. Poza graniem muzyki angażują się w akcje anarchistyczne, ekologiczne oraz ruchu antyfaszystowskiego. Kilkakrotnie odwiedzali Polskę, co zaowocowało dość dobrą znajomością języka polskiego przez Deeka. Ich motto to "No compromise in defense of our earth". Wstawka zawiera album kompilacyjny zespołu.

Title: Pigs For Slaughter

Artist: Oi Polloi

Country: Szkocja

Year: 2006

Genre: Punk

Format / Codec: MP3
Audio bitrate: 192 kbps

..::TRACK-LIST::..

1 Pigs For Slaughter
2 Thugs In Uniform
3 Never Give In
4 Stop Vivisection Now
5 You Cough They Profit
6 Reach For The Light
7 Rich Scumbag
8 Stop The Bloody Slaughter
9 Thrown On The Scrapheap
10 Unite And Win
11 Scum
12 They Shoot Children Don't They?
13 Leaders
14 Free The Henge
15 Nazi Scum
16 Greatest Working Class Rip-Off
17 Break The Mould
18 The Right To Choose
19 When Two Men Kiss
20 Take Back The Land
21 Hunt The Rich
22 Meine Augen
23 D.I.Y.