...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy album francuskiego zespołu grającego kompleksowy progresywny death metal dla fanów GORGUTS, TRIPTYKON, ULCERATE, EMPTINESS, MESHUGGAH, PORTAL, DISKORD, AKERCOCKE, GOJIRA, SUMAC, DEATHSPELL OMEGA, ALTARS, CHAOS ECHOES.

Niezwykle ciężki album. Niesamowity, atmosferyczny death metal, który brzmi, jakby miał nas wszystkich ZMIAŻDŻYĆ...


So many easily shattered doorways beyond surface level heavy and/or extreme music exist that it would seem they all gnash for the crumbs of a smaller, but admittedly more lucrative, fleeting space in the minds of the uninitiated. A half-dead planet full of frustrated phone-gripping mutants represent a huge pile of potential recipients for the deeply shaded gradient that grows between accessible alt-metal innovation and popular modern heavy metal. As I grow older a darker blurred cynicism grows within me with every passing year as the bands that survive through mass influence continue to twinkle in the eyes of new waves of musicians. I didn’t contribute to the success of Gojira nor Meshuggah and even they show some marked embarrassment for the clones spawned from their detritus. To wear these influences outwardly typically riles up a spitting frenzy of limbs and curses from my side of the room yet the self-titled debut EP from Grenoble, France progressive death metal band Barús in 2015 appeared entirely inoffensive and solidly entertaining at the time. In many ways that EP was a way back through to the other side, an angle giving nods to a more accessible style but with a damned seriousness that appeared to avoid populist intentions.

In piecing together the ambitions of their experimental death metal sound within a full-length format Barús offer a structurally complex death metal album that bridges the adventurous spirit of earlier (pre-‘From Mars to Sirius’) Gojira with Gorguts‘ ‘Obscura’ using the atmospheric ripples of turn of the century Immolation to fill in the gaps. It is a curious piece to dive into because there is as much ‘The Link’ as there is influence from Arkhon Infaustus (or even DeathSpell Omega‘s least orthodox momentum) and I haven’t yet mentioned the nigh post-rock feeling atmospheric elements (see: “Engorge”, “Amass”) that actually works remarkably well in terms of providing variety and fluidity. How can this possibly be palatable? By virtue of a heavy attraction to discordant and unique progressive death metal, admittedly.

There is a remarkable middle ground struck on ‘Drowned’ that favors the darker side of things. It isn’t relentlessly slapped like an Ulcerate record nor is it outwardly complex and unhinged as anything by Diskord or Portal but if ‘Obscura’ was a high watermark for you, this provides a distant rhythmic cousin that just slightly extends the concept and trades the early 90’s death metal climate for a warmed over modernity. In fact the production sound and guitar tone are almost too illustriously captured on ‘Drowned’ without the noxious clangor of any of the bands that influenced Barús to fill a sort of ‘abrasion quota’ expected from this type of technicality. It is both refreshing in tone and only slightly disappointing in terms of ‘riffs versus compelling rhythms’.

To say that ‘Drowned’ was a grower only suggests that my expectations were set low at the mention of certain bands I’ve already mentioned. Once I had immersed myself within Barús‘ darkness-bearing tones the effect was not unlike my early experiences with ‘Unholy Cult’ where closer listening revealed complexity and worthwhile dynamic but never completely outdid those opening moments. It would appear that the band are cognizant of the need to lean towards death metal yet they repeatedly rely on dry (bland) riffing for transitions within several tracks (see: “Vitiate”) and this flattens a few very intense moments that would have otherwise been true peaks of interest for the full listen. “Perpetrate” was compelling in that it begins sounding like a stronger track from Sepultura‘s ‘Against’ were it performed by early 2000’s Ulcerate, this sort of moment fluctuated in value with successive listens and made it somewhat difficult to decide how I felt about the bigger picture of Barús‘ debut.

Ultimately I found my horizons slightly expanded by ‘Drowned’ as the rhythmic flow of the record had more to offer once I shut off the part of my brain that is programmed to be repulsed but the esoteric downtuned chug-tone that characterized the early 2000’s popular metal landscape. Between the soggy, crawling riffs and gasped vocals is a worthwhile listen but at no point does it offer more than its influences despite how incredibly polished the overall curation of elements and atmospherically sensitive arrangements is. As an impossibly heavy and twisted chugging beast Barús‘ debut is admirably focused and intense and I can recommend it with a reasonable amount of enthusiasm. I don’t believe it is varied or compelling enough to transcend influences but the ride from Point A to Point B is captivating and takes quite a few unexpected turns despite feeling linear as an experience. If you are fairly orthodox within your death metal tastes and approach this sort of thing with trepidation I would suggest previewing “Dissever” as it is (more or less) the most outside-the-box composition to test your boundaries with. Despite some personal vacillation with interest to the simpler guitar work, I can highly recommend this album.

GrizzlyButts



..::TRACK-LIST::..

1. Descry 05:51
2. Graze 07:31
3. Engorge 05:58
4. Amass 03:05
5. Dissever 06:11
6. Vitiate 03:51
7. Benumb 04:44
8. Perpetrate 08:46
9. Forsake 08:11



..::OBSADA::..

A - Drums
M - Guitars
J - Guitars, Bass
K - Vocals

Track 7 (Benumb) created by Labna.
Guitar solo on track 9 (Forsake) by Grey.



https://www.youtube.com/watch?v=0jGkZNgOfRw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy album francuskiego zespołu grającego kompleksowy progresywny death metal dla fanów GORGUTS, TRIPTYKON, ULCERATE, EMPTINESS, MESHUGGAH, PORTAL, DISKORD, AKERCOCKE, GOJIRA, SUMAC, DEATHSPELL OMEGA, ALTARS, CHAOS ECHOES.

Niezwykle ciężki album. Niesamowity, atmosferyczny death metal, który brzmi, jakby miał nas wszystkich ZMIAŻDŻYĆ...


So many easily shattered doorways beyond surface level heavy and/or extreme music exist that it would seem they all gnash for the crumbs of a smaller, but admittedly more lucrative, fleeting space in the minds of the uninitiated. A half-dead planet full of frustrated phone-gripping mutants represent a huge pile of potential recipients for the deeply shaded gradient that grows between accessible alt-metal innovation and popular modern heavy metal. As I grow older a darker blurred cynicism grows within me with every passing year as the bands that survive through mass influence continue to twinkle in the eyes of new waves of musicians. I didn’t contribute to the success of Gojira nor Meshuggah and even they show some marked embarrassment for the clones spawned from their detritus. To wear these influences outwardly typically riles up a spitting frenzy of limbs and curses from my side of the room yet the self-titled debut EP from Grenoble, France progressive death metal band Barús in 2015 appeared entirely inoffensive and solidly entertaining at the time. In many ways that EP was a way back through to the other side, an angle giving nods to a more accessible style but with a damned seriousness that appeared to avoid populist intentions.

In piecing together the ambitions of their experimental death metal sound within a full-length format Barús offer a structurally complex death metal album that bridges the adventurous spirit of earlier (pre-‘From Mars to Sirius’) Gojira with Gorguts‘ ‘Obscura’ using the atmospheric ripples of turn of the century Immolation to fill in the gaps. It is a curious piece to dive into because there is as much ‘The Link’ as there is influence from Arkhon Infaustus (or even DeathSpell Omega‘s least orthodox momentum) and I haven’t yet mentioned the nigh post-rock feeling atmospheric elements (see: “Engorge”, “Amass”) that actually works remarkably well in terms of providing variety and fluidity. How can this possibly be palatable? By virtue of a heavy attraction to discordant and unique progressive death metal, admittedly.

There is a remarkable middle ground struck on ‘Drowned’ that favors the darker side of things. It isn’t relentlessly slapped like an Ulcerate record nor is it outwardly complex and unhinged as anything by Diskord or Portal but if ‘Obscura’ was a high watermark for you, this provides a distant rhythmic cousin that just slightly extends the concept and trades the early 90’s death metal climate for a warmed over modernity. In fact the production sound and guitar tone are almost too illustriously captured on ‘Drowned’ without the noxious clangor of any of the bands that influenced Barús to fill a sort of ‘abrasion quota’ expected from this type of technicality. It is both refreshing in tone and only slightly disappointing in terms of ‘riffs versus compelling rhythms’.

To say that ‘Drowned’ was a grower only suggests that my expectations were set low at the mention of certain bands I’ve already mentioned. Once I had immersed myself within Barús‘ darkness-bearing tones the effect was not unlike my early experiences with ‘Unholy Cult’ where closer listening revealed complexity and worthwhile dynamic but never completely outdid those opening moments. It would appear that the band are cognizant of the need to lean towards death metal yet they repeatedly rely on dry (bland) riffing for transitions within several tracks (see: “Vitiate”) and this flattens a few very intense moments that would have otherwise been true peaks of interest for the full listen. “Perpetrate” was compelling in that it begins sounding like a stronger track from Sepultura‘s ‘Against’ were it performed by early 2000’s Ulcerate, this sort of moment fluctuated in value with successive listens and made it somewhat difficult to decide how I felt about the bigger picture of Barús‘ debut.

Ultimately I found my horizons slightly expanded by ‘Drowned’ as the rhythmic flow of the record had more to offer once I shut off the part of my brain that is programmed to be repulsed but the esoteric downtuned chug-tone that characterized the early 2000’s popular metal landscape. Between the soggy, crawling riffs and gasped vocals is a worthwhile listen but at no point does it offer more than its influences despite how incredibly polished the overall curation of elements and atmospherically sensitive arrangements is. As an impossibly heavy and twisted chugging beast Barús‘ debut is admirably focused and intense and I can recommend it with a reasonable amount of enthusiasm. I don’t believe it is varied or compelling enough to transcend influences but the ride from Point A to Point B is captivating and takes quite a few unexpected turns despite feeling linear as an experience. If you are fairly orthodox within your death metal tastes and approach this sort of thing with trepidation I would suggest previewing “Dissever” as it is (more or less) the most outside-the-box composition to test your boundaries with. Despite some personal vacillation with interest to the simpler guitar work, I can highly recommend this album.

GrizzlyButts



..::TRACK-LIST::..

1. Descry 05:51
2. Graze 07:31
3. Engorge 05:58
4. Amass 03:05
5. Dissever 06:11
6. Vitiate 03:51
7. Benumb 04:44
8. Perpetrate 08:46
9. Forsake 08:11



..::OBSADA::..

A - Drums
M - Guitars
J - Guitars, Bass
K - Vocals

Track 7 (Benumb) created by Labna.
Guitar solo on track 9 (Forsake) by Grey.



https://www.youtube.com/watch?v=0jGkZNgOfRw



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Smokie - Best Ballads
---------------------------------------------------------------------

Artist...............: Smokie
Album................: Best Ballads
Genre................: Pop, Rock
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Smokie - I'll Seet You At Midnight [03:17]
2. Smokie - Mexican Girl [04:00]
3. Smokie - If You Think You Know How To Love Him [03:27]
4. Smokie - What Can I Do [03:38]
5. Smokie - Love Sometimes Takes Time [04:14]
6. Smokie - Wild Angels [04:29]
7. Smokie - Think About The Night [03:57]
8. Smokie - In The Heat If The Night [04:49]
9. Smokie - When My Back Against The Wall [03:37]
10. Smokie - One More Dance [03:39]
11. Smokie - Baby It's You [03:52]
12. Smokie - Stranger [04:40]
13. Smokie - The Dancer [03:52]
14. Smokie - Norwegian Girl [03:52]
15. Smokie - Talking Her Around [02:41]
16. Smokie - Living Next Door To Alice [03:29]
17. Smokie - Changing All The Time [03:23]
18. Smokie - I Can't Stay Here Tonight [04:09]
19. Smokie - Needles & Pins [02:43]

Playing Time.........: 01:11:55
Total Size...........: 475,27 MB

...( Info )...

Składanka mireczka-stare,nowe,najnowsze vol.6
Gatunek: Dance,Disco,Vixa/Pompa,Trance
Rok:2025
mp3@320kbps
CZAS:01:55:55

...( TrackList )...

1.Gigi D`Agostino & Kondi - Crazy L'Amour Toujours
2.Creeds - Push Up (Bootleg)
3.Purple Disco Machine & Kungs - Substitution
4.Holy Molly & Dj Mularski - Shot a Friend
5.Michael Jackson - Billie Jean (Remix)
6.Młody Pit - Cuban Doll (Bootleg)
7.Barcode Brothers - Dooh Dooh (Remix)
8.Rema, Selena Gomez - Calm Down (Bootleg)
9.Doddy feat. Lora - Dor Sa Te Ador (Remix)
10.Veason & Kejmil - Czuję Dziwne Wibracje (Bootleg)
11.Dr. Swag & Casteam - La Luna
12.Jens Jordan Feat. J&G - Love Is Dynamite
13.Myra Bro & ZoOom Feat Dj Ramezz - Take Me To The Top vs Morozoff
14.TKM - Lambo (Remix)
15.Lemonade Mouth - Determinate (Remix)
16.Baby Alice - Heaven Is A Dancefloor (Remix)
17.The Vamprockerz - Shake It! (Bootleg)
18.Dj Kaka & Nerus & Gigi D'Agostino - Hey DeeJay
19.Alchemist Project & Members Of Mayday - Krishna
20.Valoramous & Miirmaar - Higher
21.Roby Rossini - Sunshine Of Love (Extended Mix)
22.ATB - 9PM (Bootleg)
23.Trill Pem feat. Wac Toja - NICKI (Bootleg)
24.Black Eyed Peas - Just Can't Get Enough (Remix)
25.Yura West - Dance With Me Baby
26.Sound Bass & Dj Bocian - When I'm with you
27.Booty-B! - Pocket Rocket (Mix)
28.Gibbs & Oliver Olson - List (Bootleg)
29.Avi & Gibbs - 30 stopni (Bootleg)
30.NG Rezonance & David Morrish - Where Did You Go (Radio Edit)

..::INFO::..

---------------------------------------------------------------------
Roxette - Charm School (Extended Version) Vol.1, Vol.2
---------------------------------------------------------------------

Artist...............: Roxette
Album................: Charm School (Extended Version)
Genre................: Rock
Source...............: WEB
Year.................: 2025
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64-65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Music Sweden

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Vol.1
---------------------------------------------------------------------

1. Roxette - Way Out [02:45]
2. Roxette - No One Makes It on Her Own [03:42]
3. Roxette - She's Got Nothing on (But the Radio) [03:34]
4. Roxette - Speak to Me [03:41]
5. Roxette - I'm Glad You Called [02:48]
6. Roxette - Only When I Dream [03:51]
7. Roxette - Dream On [03:09]
8. Roxette - Big Black Cadillac [03:05]
9. Roxette - In My Own Way [03:30]
10. Roxette - After All [03:15]
11. Roxette - Happy on the Outside [03:37]
12. Roxette - Sitting on Top of the World [03:55]

Playing Time.........: 40:59
Total Size...........: 268,55 MB

---------------------------------------------------------------------
Tracklisting Vol.2
---------------------------------------------------------------------

1. Roxette - Way Out (T&A Demo Jan 25, 2010) [02:20]
2. Roxette - No One Makes it on Her Own (T&A Demo Jul 26, 2010)[03:16]
3. Roxette - She's Got Nothing On (But the Radio) (T&A Demo Aug 7, 2009)[02:28]
4. Roxette - Speak to Me (T&A Demo Jul 13, 2010) [03:33]
5. Roxette - I'm Glad You Called (Westin Hotel, Rotterdam Demo Nov 19, 2009)[02:38]
6. Roxette - Only When I Dream (T&A Demo Aug 7, 2009) [03:32]
7. Roxette - Dream On (T&A Demo Jan 25, 2010) [02:50]
8. Roxette - Big Black Cadillac (T&A Demo Jul 2, 2010) [03:00]
9. Roxette - In My Own Way (T&A Demo Aug 7, 2009) [02:51]
10. Roxette - After All (T&A Demo Jul 27, 2009) [03:19]
11. Roxette - Happy on the Outside #2 (T&A Demo Aug 17, 2005)[02:55]
12. Roxette - Sitting on Top of the World (T&A Demo Jul 13, 2010)[02:42]
13. Roxette - Happy on the Outside #1 (T&A Demo Jul 18, 2005)[03:04]
14. Roxette - Always The Last (AGM Studio Jul 16, 2009) [02:39]
15. Roxette - I’m Glad You Called (AGM Studio May 5-7, 2008)[03:30]

Playing Time.........: 44:42
Total Size...........: 286,68 MB

..::INFO::..

---------------------------------------------------------------------
Roxette - The Ballad Hits
---------------------------------------------------------------------

Artist...............: Roxette
Album................: The Ballad Hits
Genre................: Pop/Rock
Source...............: CD
Year.................: 2002
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Roxette - A thing about you [03:49]
2. Roxette - It must have been love [04:19]
3. Roxette - Listen to your heart [05:14]
4. Roxette - Fading like a flower [03:53]
5. Roxette - Spending my time [04:36]
6. Roxette - Queen of rain [04:57]
7. Roxette - Almost unreal [04:00]
8. Roxette - Crash! boom! bang! [04:26]
9. Roxette - Vulnerable [04:29]
10. Roxette - You don't understand me [04:28]
11. Roxette - Wish I could fly [04:40]
12. Roxette - Anyone [04:32]
13. Roxette - Salvation [04:38]
14. Roxette - Milk and toast and honey [04:03]
15. Roxette - Breathe [04:33]

Playing Time.........: 01:06:44
Total Size...........: 475,18 MB

...( Info )...

Artist...............: Roger Waters
Album................: Roger Waters: This Is Not A Drill (Live From Prague May 2023)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Roger Waters - Introduction (Live From Prague May 2023)
002. Roger Waters - Comfortably Numb (Live From Prague May 2023)
003. Roger Waters - The Happiest Days of Our Lives (Live From Prague May 2023)
004. Roger Waters - Another Brick in the Wall, Pt. 2 (Live From Prague May 2023)
005. Roger Waters - Another Brick in the Wall, Pt. 3 (Live From Prague May 2023)
006. Roger Waters - The Powers That Be (Live From Prague May 2023)
007. Roger Waters - The Bravery of Being Out of Range (Live From Prague May 2023)
008. Roger Waters - The Bar Part 1 (Live From Prague May 2023)
009. Roger Waters - Have a Cigar (Live From Prague May 2023)
010. Roger Waters - Wish You Were Here (Live From Prague May 2023)
011. Roger Waters - Shine On You Crazy Diamond (Live From Prague May 2023)
012. Roger Waters - Sheep (Live From Prague May 2023)
013. Roger Waters - In the Flesh (Live From Prague May 2023)
014. Roger Waters - Run Like Hell (Live From Prague May 2023)
015. Roger Waters - Déjà Vu (Live From Prague May 2023)
016. Roger Waters - Is This the Life We Really Want (Live From Prague May 2023)
017. Roger Waters - Money (Live From Prague May 2023)
018. Roger Waters - Us and Them (Live From Prague May 2023)
019. Roger Waters - Any Colour You Like (Live From Prague May 2023)
020. Roger Waters - Brain Damage (Live From Prague May 2023)
021. Roger Waters - Eclipse (Live From Prague May 2023)
022. Roger Waters - Two Suns in the Sunset (Live From Prague May 2023)
023. Roger Waters - The Bar Part 2 (Live From Prague May 2023)
024. Roger Waters - Outside the Wall (Live From Prague May 2023)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons.

A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution.

Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!



..::TRACK-LIST::..

1. Perverse Termination (Bulb of Force) 04:12
2. AquaGenesis 03:52
3. Monrovia, LR 1990 04:08
4. Vipers at the Pony Keg 04:14
5. Огромный Кальмар (Ross Sea Trawler) 03:45
6. Bug Sounds II (Megascolides australis) 01:50
7. The Dover Demon 03:05
8. Rat Lung-Worm 01:49
9. Sacral Brain 11:34
10. The Ochopee Skunk Ape 01:42



..::OBSADA::..

Bass - Dayan
Drums - Bogstomper
Guitar - Dustin
Guitar, Synth - Sam
Vocals - Clarisa



https://www.youtube.com/watch?v=JoXGC1jSQeY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons.

A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution.

Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!



..::TRACK-LIST::..

1. Perverse Termination (Bulb of Force) 04:12
2. AquaGenesis 03:52
3. Monrovia, LR 1990 04:08
4. Vipers at the Pony Keg 04:14
5. Огромный Кальмар (Ross Sea Trawler) 03:45
6. Bug Sounds II (Megascolides australis) 01:50
7. The Dover Demon 03:05
8. Rat Lung-Worm 01:49
9. Sacral Brain 11:34
10. The Ochopee Skunk Ape 01:42



..::OBSADA::..

Bass - Dayan
Drums - Bogstomper
Guitar - Dustin
Guitar, Synth - Sam
Vocals - Clarisa



https://www.youtube.com/watch?v=JoXGC1jSQeY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Elton John & Billy Joel - The Piano Men - Live in Tokyo
---------------------------------------------------------------------

Artist...............: Elton John & Billy Joel
Album................: The Piano Men - Live in Tokyo
Genre................: Pop
Source...............: CD
Year.................: 2009
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Immortal

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Elton John & Billy Joel - Your Song [04:14]
2. Elton John & Billy Joel - Don't Let the Sun Go Down On Me[05:58]
3. Billy Joel - Angry Young Man [05:31]
4. Billy Joel - The Stranger [04:43]
5. Billy Joel - Just The Way You Are [03:22]
6. Billy Joel - Allentown [04:13]
7. Billy Joel - I Go To Extremes [04:51]
8. Elton John & Billy Joel - My Life [06:03]
9. Billy Joel - The River Of Dreams [05:19]
10. Billy Joel - Candle In The Wind [04:12]
11. Billy Joel - It's Still Rock And Roll To Me [04:18]
12. Billy Joel - Big Shot [05:03]
13. Elton John & Billy Joel - The Bitch Is Back [04:07]
14. Elton John & Billy Joel - You May Be Right [04:52]
15. Elton John & Billy Joel - Piano Man [07:04]

Playing Time.........: 01:13:57
Total Size...........: 528,30 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trwający blisko 80 minut, kapitalny i bezcenny od strony historycznej album, zawierający unikalny występ The Beatles (z Ringo Starrem na perkusji) zarejestrowany w legendarnym hamburskim klubie w ostatnim tygodniu grudnia 1962 roku. Mający już na koncie wydany przez EMI singiel "Love Me Do" zespół musiał odegrać/odpracować zakontraktowane dużo wcześniej występy i jest to muzyczna rozkosz dla każdego fana Wspaniałej Czwórki!

Oprócz kilku kawałków znanych choćby z nagranego już miesiąc potem LP "Please Please Me", grupa wykonała sporo popowych i rockandrollowych standardów. Jakość dźwięku jest bardzo dobra (nieco lepsza niż na oryginalnych, wydanych po raz pierwszy w 1977 roku płytach), choć nie idealna, ale wszystko świetnie słychać! CD zawiera niepublikowany na płycie, niemal maniakalny "My Girl Is Red Hot", a także (jako bonus) "Money" w wykonaniu towarzyszącej Beatlesom grupy King Size Taylor And The Dominoes. Płyta chyba nigdy nie ukaże się oficjalnie, gdyż w wyniku wieloletnich działań The Beatles, wyrokiem sądu została wycofana z muzycznego rynku.



..::TRACK-LIST::..

1. I Saw Her Standing There (John Lennon, Paul McCartney)
2. Roll Over Beethoven (Chuck Berry)
3. Hippy Hippy Shake (Chan Romero)
4. Sweet Little Sixteen (Berry)
5. Lend Me Your Comb (Kay Twomey, Fred Wise, Ben Weisman)
6. Your Feet's Too Big (Ada Benson, Fred Fisher)
7. Twist and Shout (Phil Medley, Bert Russell)
8. Mr. Moonlight (Roy Lee Johnson)
9. A Taste of Honey (Bobby Scott, Ric Marlow)
10. Bésame Mucho (Consuelo Velázquez, Sunny Skylar)
11. Reminiscing (King Curtis)
12. Kansas City/Hey, Hey, Hey, Hey (Jerry Leiber, Mike Stoller, Richard Penniman)
13. Nothin' Shakin' (But the Leaves on the Trees) (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck)
14. To Know Her Is to Love Her (Phil Spector)
15. Little Queenie (Berry)
16. Falling in Love Again (Can't Help It) (Frederick Hollander, Sammy Lerner)
17. Ask Me Why (Lennon, McCartney)
18. Be-Bop-A-Lula (Gene Vincent, Bill Davis)-Guest lead vocal by Fred Fascher, Star-Club waiter
19. Hallelujah I Love Her So (Ray Charles)-Guest lead vocal by Horst Fascher, Star-Club manager
20. Red Sails in the Sunset (Jimmy Kennedy, Hugh Williams)
21. Everybody's Trying to Be My Baby (Carl Perkins)
22. Matchbox (Carl Perkins)
23. I'm Talking About You (Berry)
24. Shimmy Like Kate (Armand Piron, Fred Smith, Cliff Goldsmith)
Based on The Olympics' arrangement of I Wish I Could Shimmy Like My Sister Kate sometimes misidentified as Shimmy Shimmy or Shimmy Shake
25. Long Tall Sally (Enotris Johnson, Robert Blackwell, Penniman)
26. I Remember You (Johnny Mercer, Victor Schertzinger)

Bonus Tracks:
27. My Girl Is Red Hot (unreleashed)
28. I'm Gonna Sit Right Down and Cry Over You
29. 'Till There Was You
30. Shelia
31. Money

Recorded Live at the Star-Club, Hamburg, Germany on 21st, 25th and 28th December 1962.

Tracks 1-26 released as double albums in Germany (Bellaphon Records, April 1977) and UK (Lingasong Records, May 1977).

Tracks 28-31 released Exclusively on 2LP in USA (Lingasong Records, June 1977).

Track 27 previously unreleased.

Additional Track 32 performed by King Size Taylor and The Dominoes



..::OBSADA::..

John Lennon - rhythm guitar, harmony and backing vocals, harmonica on track 26, lead vocal on tracks 4, 5 (shared), 7, 8, 14, 17, 22, 23, 24

Paul McCartney - bass guitar, harmony and backing vocals, lead vocal on tracks 1, 3, 5 (shared), 6, 9, 10, 12, 15, 16, 20, 25, 26

George Harrison - lead guitar, harmony and backing vocals, lead vocal on tracks 2, 11, 13, 21

Ringo Starr - drums and percussion




https://www.youtube.com/watch?v=o2jxvqskLis



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trwający blisko 80 minut, kapitalny i bezcenny od strony historycznej album, zawierający unikalny występ The Beatles (z Ringo Starrem na perkusji) zarejestrowany w legendarnym hamburskim klubie w ostatnim tygodniu grudnia 1962 roku. Mający już na koncie wydany przez EMI singiel "Love Me Do" zespół musiał odegrać/odpracować zakontraktowane dużo wcześniej występy i jest to muzyczna rozkosz dla każdego fana Wspaniałej Czwórki!

Oprócz kilku kawałków znanych choćby z nagranego już miesiąc potem LP "Please Please Me", grupa wykonała sporo popowych i rockandrollowych standardów. Jakość dźwięku jest bardzo dobra (nieco lepsza niż na oryginalnych, wydanych po raz pierwszy w 1977 roku płytach), choć nie idealna, ale wszystko świetnie słychać! CD zawiera niepublikowany na płycie, niemal maniakalny "My Girl Is Red Hot", a także (jako bonus) "Money" w wykonaniu towarzyszącej Beatlesom grupy King Size Taylor And The Dominoes. Płyta chyba nigdy nie ukaże się oficjalnie, gdyż w wyniku wieloletnich działań The Beatles, wyrokiem sądu została wycofana z muzycznego rynku.



..::TRACK-LIST::..

1. I Saw Her Standing There (John Lennon, Paul McCartney)
2. Roll Over Beethoven (Chuck Berry)
3. Hippy Hippy Shake (Chan Romero)
4. Sweet Little Sixteen (Berry)
5. Lend Me Your Comb (Kay Twomey, Fred Wise, Ben Weisman)
6. Your Feet's Too Big (Ada Benson, Fred Fisher)
7. Twist and Shout (Phil Medley, Bert Russell)
8. Mr. Moonlight (Roy Lee Johnson)
9. A Taste of Honey (Bobby Scott, Ric Marlow)
10. Bésame Mucho (Consuelo Velázquez, Sunny Skylar)
11. Reminiscing (King Curtis)
12. Kansas City/Hey, Hey, Hey, Hey (Jerry Leiber, Mike Stoller, Richard Penniman)
13. Nothin' Shakin' (But the Leaves on the Trees) (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck)
14. To Know Her Is to Love Her (Phil Spector)
15. Little Queenie (Berry)
16. Falling in Love Again (Can't Help It) (Frederick Hollander, Sammy Lerner)
17. Ask Me Why (Lennon, McCartney)
18. Be-Bop-A-Lula (Gene Vincent, Bill Davis)-Guest lead vocal by Fred Fascher, Star-Club waiter
19. Hallelujah I Love Her So (Ray Charles)-Guest lead vocal by Horst Fascher, Star-Club manager
20. Red Sails in the Sunset (Jimmy Kennedy, Hugh Williams)
21. Everybody's Trying to Be My Baby (Carl Perkins)
22. Matchbox (Carl Perkins)
23. I'm Talking About You (Berry)
24. Shimmy Like Kate (Armand Piron, Fred Smith, Cliff Goldsmith)
Based on The Olympics' arrangement of I Wish I Could Shimmy Like My Sister Kate sometimes misidentified as Shimmy Shimmy or Shimmy Shake
25. Long Tall Sally (Enotris Johnson, Robert Blackwell, Penniman)
26. I Remember You (Johnny Mercer, Victor Schertzinger)

Bonus Tracks:
27. My Girl Is Red Hot (unreleashed)
28. I'm Gonna Sit Right Down and Cry Over You
29. 'Till There Was You
30. Shelia
31. Money

Recorded Live at the Star-Club, Hamburg, Germany on 21st, 25th and 28th December 1962.

Tracks 1-26 released as double albums in Germany (Bellaphon Records, April 1977) and UK (Lingasong Records, May 1977).

Tracks 28-31 released Exclusively on 2LP in USA (Lingasong Records, June 1977).

Track 27 previously unreleased.

Additional Track 32 performed by King Size Taylor and The Dominoes



..::OBSADA::..

John Lennon - rhythm guitar, harmony and backing vocals, harmonica on track 26, lead vocal on tracks 4, 5 (shared), 7, 8, 14, 17, 22, 23, 24

Paul McCartney - bass guitar, harmony and backing vocals, lead vocal on tracks 1, 3, 5 (shared), 6, 9, 10, 12, 15, 16, 20, 25, 26

George Harrison - lead guitar, harmony and backing vocals, lead vocal on tracks 2, 11, 13, 21

Ringo Starr - drums and percussion




https://www.youtube.com/watch?v=o2jxvqskLis



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Billy Joel – Greatest Hits Volume I & Volume II (2 CD)
---------------------------------------------------------------------

Artist...............: Billy Joel
Album................: Greatest Hits
Genre................: Rock / Pop / Pop Rock / Ballad
Source...............: CD
Year.................: 1985 / 2017
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 53-57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Mobile Fidelity Sound Lab

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting Volume I
---------------------------------------------------------------------

1. Billy Joel - Piano Man [05:40]
2. Billy Joel - Captain Jack [07:01]
3. Billy Joel - The Entertainer [03:42]
4. Billy Joel - Say Goodbye To Hollywood [04:39]
5. Billy Joel - New York State Of Mind [06:06]
6. Billy Joel - The Stranger [05:10]
7. Billy Joel - Scenes From An Italian Restaurant [07:36]
8. Billy Joel - Just The Way You Are [04:52]
9. Billy Joel - Movin' Out (Anthony's Song) [03:31]
10. Billy Joel - Only The Good Die Young [03:55]
11. Billy Joel - She's Always A Woman [03:22]

Playing Time.........: 55:36
Total Size...........: 296,36 MB

---------------------------------------------------------------------
Tracklisting Volume II
---------------------------------------------------------------------

1. Billy Joel - My Life [04:45]
2. Billy Joel - Big Shot [04:03]
3. Billy Joel - Honesty [03:55]
4. Billy Joel - You May Be Right [04:14]
5. Billy Joel - It's Still Rock And Roll To Me [02:58]
6. Billy Joel - Don't Ask Me Why [03:00]
7. Billy Joel - She's Got A Way [03:02]
8. Billy Joel - Pressure [04:40]
9. Billy Joel - Allentown [03:52]
10. Billy Joel - Goodnight Saigon [07:00]
11. Billy Joel - Tell Her About It [03:53]
12. Billy Joel - Uptown Girl [03:17]
13. Billy Joel - The Longest Time [03:39]
14. Billy Joel - You're Only Human (Second Wind) [04:50]
15. Billy Joel - The Night Is Still Young [05:29]

Playing Time.........: 01:02:43
Total Size...........: 361,08 MB

...( Info )...

Artist: Bryan Adams
Album: Reckless (Live At The Royal Albert Hall 2024)
Year: 2025
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. One Night Love Affair (Live At The Royal Albert Hall 2024)
02. Somebody (Live At The Royal Albert Hall 2024)
03. Reckless (Live At The Royal Albert Hall 2024)
04. Run To You (Live At The Royal Albert Hall 2024)
05. Kids Wanna Rock (Live At The Royal Albert Hall 2024)
06. Heaven (Live At The Royal Albert Hall 2024)
07. Let Me Down Easy (Live At The Royal Albert Hall - 2024)
08. She's Only Happy When She's Dancin' (Live At The Royal Albert Hall 2024)
09. It's Only Love (Live At The Royal Albert Hall 2024)
10. Long Gone (Live At The Royal Albert Hall 2024)
11. Ain't Gonna Cry (Live At The Royal Albert Hall 2024)
12. Summer of 69 (Live At The Royal Albert Hall 2024)

...( Info )...


Artist: Bryan Adams
Album: 18 Til I Die (Live At The Royal Albert Hall 2024)
Year: 2025
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. 18 Til I Die (Live At The Royal Albert Hall 2024)
02. Do To You (Live At The Royal Albert Hall 2024)
03. Let's Make A Night To Remember (Live At The Royal Albert Hall 2024)
04. (I Wanna Be) Your Underwear (Live At The Royal Albert Hall 2024)
05. Star (Live At The Royal Albert Hall 2024)
06. It Ain't A Party… If You Can't Come 'Round (Live At The Royal Albert Hall 2024)
07. You're Still Beautiful To Me (Live At The Royal Albert Hall 2024)
08. I'll Always Be Right There (Live At The Royal Albert Hall 2024)
09. We're Gonna Win (Live At The Royal Albert Hall 2024)
10. I Think About You (Live At The Royal Albert Hall 2024)
11. The Only Thing That Looks Good On Me Is You (Live At The Royal Albert Hall 2024)
12. Have You Ever Really Loved A Woman? (Live At The Royal Albert Hall 2024)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Dziś dużo się dyskutuje o widoczności kobiet w punku, zwłaszcza na scenie, a nie tylko przed nią. W 1980 roku nie było chyba wątpliwości, że punk jest również tworzony przez kobiety i dla kobiet. Przynajmniej w Niemczech...

Jednym z najgorętszych i najbardziej utytułowanych zespołów punkowych był HANS-A-PLAST z Hanoweru. W ich składzie grali Annette Benjamin, potężna wokalistka o niesamowitej charyzmie scenicznej, Renate Baumgart na basie i Bettina Schröder na perkusji.
Jens Meyer i Klaus-Michael Polten grali na gitarach; oboje założyli wpływową wytwórnię No Fun, Hollow Skai, aby zapewnić zespołowi niezależność artystyczną.

2 lipca 1980 roku HANS-A-PLAST wystąpił w Studiu A stacji WDR w Kolonii, gdzie wykonał zestaw najlepszych utworów, zaczynając od „Rock'n Roll Freitag”, a kończąc na wszystkich quasi-przebojach, takich jak „Für 'ne Frau”, „Polizeiknüppel”, „Lederhosentyp”, „Spielfilm”, „Es brennt” i „Hau ab du stinkst”.
Dzięki drogiej technologii telewizyjnej powstało najwyższej jakości nagranie na żywo, a i materiał filmowy również został zachowany – niemal cud, ponieważ do lat 90. nadawcy często wyrzucali takie 'stare badziewie'.



..::TRACK-LIST::..

1. Rock'N Roll Freitag
2. Man Of Stone
3. Für, Ne Frau
4. Ich Zünd Mich An
5. Kaufhaus
6. Teenage Traum
7. Polizeiknüppel
8. Reicher Vati
9. Starfighter
10. Lederhosentyp
11. Spielfilm
12. Rank Xerox
13. Amerikaner
14. Hau Ab Du Stinkst
15. Es Brennt
16. O, O, O,

DVD Bonus Features:
Live @ Ruhrfestspiele, Recklinghausen / Germany, 1st May 1983
17. Medusa 5:36

Official Video Clip:
18. Monstertanz 5:35
Produced By The Band Themselves During Their Study Time - In German Language Only

19. Documentation 10:11



..::OBSADA::..

Vocals, Saxophone - Annette Benjamin
Guitar - Jens Meyer, Klaus-Michael Polten
Drums - Bettina Schroeder
Bass - Renate Baumgart



https://www.youtube.com/watch?v=Bu099uT3r84



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Rod Stewart - Unplugged ...And Seated
---------------------------------------------------------------------

Artist...............: Rod Stewart
Album................: Unplugged ...And Seated
Genre................: Rock
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Rod Stewart - Hot Legs [04:25]
2. Rod Stewart - Tonight's The Night [04:05]
3. Rod Stewart - Handbags And Gladrags [04:25]
4. Rod Stewart - Cut Across Shorty [04:58]
5. Rod Stewart - Every Picture Tells A Story [04:45]
6. Rod Stewart - Maggie May [06:01]
7. Rod Stewart - Reason To Believe [03:50]
8. Rod Stewart - People Get Ready [05:03]
9. Rod Stewart - Have I Told You Lately [04:03]
10. Rod Stewart - Tom Traubert's Blues (Waltzing Matilda) [04:40]
11. Rod Stewart - The First Cut Is The Deepest [04:12]
12. Rod Stewart - Mandolin Wind [05:23]
13. Rod Stewart - Highgate Shuffle [04:04]
14. Rod Stewart - Stay With Me [05:17]
15. Rod Stewart - Having A Party [04:45]

Playing Time.........: 01:10:03
Total Size...........: 442,53 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jedna z najlepszych 'lokalnych' płyt garażowych lat 60, obok Rising Storm , Savages , Bent Wind, Fantastic Dee-Jays, Contents Are i Mystery Meat .
Wytłoczono zaledwie 150 egzemplarzy tego albumu, a oryginały czasami sprzedają się na eBayu za tysiące dolarów.

Członkowie zespołu pochodzili z przedmieść Chicago, z Lake Forest i Lake Bluff. Zespół Bachs istniał przez 3 lata, występując na szkolnych potańcówkach, w klubach młodzieżowych i na prywatnych imprezach na północnym wybrzeżu Chicago i okolicznych przedmieściach (zazwyczaj zarabiając 150-200 dolarów za noc). Wszystkie utwory napisali Blake Allison i John Peterman, a płyta została wydana prywatnie w 1968 roku. Po wydaniu płyty członkowie zespołu postanowili zakończyć karierę muzyczną i postanowili skupić się na swoim życiu.



..::TRACK-LIST::..

1. You're Mine 2:11
2. Pleasure Of Your Company 3:52
3. Free Fall 2:40
4. I See Her 1:37
5. My Indipendence Day 3:21
6. Minister To A Mind Diseased 3:09
7. Tables Of Grass Fields 3:43
8. Show Me That You Want To Go Home 2:08
9. Sitting 3:34
10. Nevermore 3:36
11. Answer To Yesterday 3:47
12. I'm A Little Boy 3:50

Bonus Track: prev. unreleased live track from 1967.
13. That's The Way It Goes 3:10



..::OBSADA::..

Guitar - Mike DeHaven
Guitar, Vocals - John Peterman
Lead Guitar - Ben Harrison
Percussion - John Babicz
Bass, Vocals - Black Allison



https://www.youtube.com/watch?v=nJOPz_815cw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jedna z najlepszych 'lokalnych' płyt garażowych lat 60, obok Rising Storm , Savages , Bent Wind, Fantastic Dee-Jays, Contents Are i Mystery Meat .
Wytłoczono zaledwie 150 egzemplarzy tego albumu, a oryginały czasami sprzedają się na eBayu za tysiące dolarów.

Członkowie zespołu pochodzili z przedmieść Chicago, z Lake Forest i Lake Bluff. Zespół Bachs istniał przez 3 lata, występując na szkolnych potańcówkach, w klubach młodzieżowych i na prywatnych imprezach na północnym wybrzeżu Chicago i okolicznych przedmieściach (zazwyczaj zarabiając 150-200 dolarów za noc). Wszystkie utwory napisali Blake Allison i John Peterman, a płyta została wydana prywatnie w 1968 roku. Po wydaniu płyty członkowie zespołu postanowili zakończyć karierę muzyczną i postanowili skupić się na swoim życiu.



..::TRACK-LIST::..

1. You're Mine 2:11
2. Pleasure Of Your Company 3:52
3. Free Fall 2:40
4. I See Her 1:37
5. My Indipendence Day 3:21
6. Minister To A Mind Diseased 3:09
7. Tables Of Grass Fields 3:43
8. Show Me That You Want To Go Home 2:08
9. Sitting 3:34
10. Nevermore 3:36
11. Answer To Yesterday 3:47
12. I'm A Little Boy 3:50

Bonus Track: prev. unreleased live track from 1967.
13. That's The Way It Goes 3:10



..::OBSADA::..

Guitar - Mike DeHaven
Guitar, Vocals - John Peterman
Lead Guitar - Ben Harrison
Percussion - John Babicz
Bass, Vocals - Black Allison



https://www.youtube.com/watch?v=nJOPz_815cw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album zespołu z Taiwanu!
19 utworów szybkiego grindcore'a w stylu NASUM, BRUTAL TRUTH, ASSÜCK, TERRORIZER.



..::TRACK-LIST::..

1. Vision 00:58
2. Shadow Hearts 01:30
3. Dirty World 01:46
4. Species 01:18
5. Birth 01:03
6. Live a Lie 01:01
7. Peace is a Fragile Glass 01:33
8. Time to Die 01:22
9. Crying City 01:01
10. Sorrow Light House 00:47
11. Wealthy 01:22
12. Fall Apart 01:13
13. History of Sin 01:16
14. Lone Wolf 00:55
15. Every Day 00:28
16. Puppet 01:43
17. Stop 00:20
18. Sick System 01:00
19. Death Bell 06:09



..::OBSADA::..

A dai - Drums
Ash Huang - Bass
Bruce - Guitars, Vocals
Duan - Guitars



https://www.youtube.com/watch?v=xDhvjqDP8AE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album zespołu z Taiwanu!
19 utworów szybkiego grindcore'a w stylu NASUM, BRUTAL TRUTH, ASSÜCK, TERRORIZER.



..::TRACK-LIST::..

1. Vision 00:58
2. Shadow Hearts 01:30
3. Dirty World 01:46
4. Species 01:18
5. Birth 01:03
6. Live a Lie 01:01
7. Peace is a Fragile Glass 01:33
8. Time to Die 01:22
9. Crying City 01:01
10. Sorrow Light House 00:47
11. Wealthy 01:22
12. Fall Apart 01:13
13. History of Sin 01:16
14. Lone Wolf 00:55
15. Every Day 00:28
16. Puppet 01:43
17. Stop 00:20
18. Sick System 01:00
19. Death Bell 06:09



..::OBSADA::..

A dai - Drums
Ash Huang - Bass
Bruce - Guitars, Vocals
Duan - Guitars



https://www.youtube.com/watch?v=xDhvjqDP8AE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część niepublikowanego wcześniej materiału z serii "Lost Not Forgotten Archives". Na albumie "Distance Over Time Demos (2018)" znalazły się utwory z sesji nagraniowej do ich czternastego studyjnego krążka.


A brand-new, previously unreleased entry finds its way into the Lost Not Forgotten Archives. 'Distance Over Time Demos (2018)' documents the writing sessions for Dream Theater’s fourteenth studio album at Yonderbarn in New York, the secluded studio where the band convened for the creation of this much-acclaimed album. Presented here in the original order in which the tracks were written and recorded, this release gives a fascinating glimpse into how that record was constructed.



..::TRACK-LIST::..

1. Song 01 (At Wit's End) 09:12
2. Song 02 (Paralyzed) 04:24
3. Song 03 (Out Of Reach) 04:04
4. Song 04 (Untethered Angel) 06:19
5. Song 05 (Room 137) 04:10
6. Song 06 (Fall Into The Light) 07:05
7. Song 07 (Barstool Warrior) 06:40
8. Song 08 (Viper King) 04:01
9. Song 09 (Pale Blue Dot) 08:18
10. Song 10 (S2N) 06:21



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=2z8b0WBJQT0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część niepublikowanego wcześniej materiału z serii "Lost Not Forgotten Archives". Na albumie "Distance Over Time Demos (2018)" znalazły się utwory z sesji nagraniowej do ich czternastego studyjnego krążka.


A brand-new, previously unreleased entry finds its way into the Lost Not Forgotten Archives. 'Distance Over Time Demos (2018)' documents the writing sessions for Dream Theater’s fourteenth studio album at Yonderbarn in New York, the secluded studio where the band convened for the creation of this much-acclaimed album. Presented here in the original order in which the tracks were written and recorded, this release gives a fascinating glimpse into how that record was constructed.



..::TRACK-LIST::..

1. Song 01 (At Wit's End) 09:12
2. Song 02 (Paralyzed) 04:24
3. Song 03 (Out Of Reach) 04:04
4. Song 04 (Untethered Angel) 06:19
5. Song 05 (Room 137) 04:10
6. Song 06 (Fall Into The Light) 07:05
7. Song 07 (Barstool Warrior) 06:40
8. Song 08 (Viper King) 04:01
9. Song 09 (Pale Blue Dot) 08:18
10. Song 10 (S2N) 06:21



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=2z8b0WBJQT0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



To jeden z najlepszych występów rockowych, jakie kiedykolwiek widziałem.



..::TRACK-LIST::..

Alchemy Live: 23rd July 1983, Hammersmith Odeon, London

1. Intro...Saturday Night At The Movies
2. Once Upon A Time In The West
3. Expresso Love
4. Romeo And Juliet
5. Private Investigations
6. Sultans Of Swing
7. Two Young Lovers
8. Tunnel Of Love
9. Telegraph Road
10. Solid Rock
11. Going Home - Theme From 'Local Hero'

Bonus Features:
Live TV Performances
12. Tunnel Of Love
13. Sultans Of Swing



..::OBSADA::..

Mark Knopfler - guitar, vocals
Alan Clark - keyboards
John Illsley - bass guitar, backing vocals
Hal Lindes - guitar, backing vocals
Terry Williams - drums

Additional musicians:
Mel Collins - saxophone
Tommy Mandel - keyboards
Joop de Korte - percussion



https://www.youtube.com/watch?v=8Pa9x9fZBtY



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Crowded House - Recurring Dream - The Very Best Of Crowded House
---------------------------------------------------------------------

Artist...............: Crowded House
Album................: Recurring Dream - The Very Best Of Crowded House
Genre................: Pop
Source...............: CD
Year.................: 1996
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Crowded House - Weather With You [03:44]
2. Crowded House - World Where You Live [03:05]
3. Crowded House - Fall At Your Feet [03:18]
4. Crowded House - Locked Out [03:18]
5. Crowded House - Don't Dream It's Over [03:55]
6. Crowded House - Into Temptation [04:34]
7. Crowded House - Pineapple Head [03:28]
8. Crowded House - When You Come [04:44]
9. Crowded House - Private Universe [05:36]
10. Crowded House - Not The Girl You Think You Are [04:08]
11. Crowded House - Instinct [03:08]
12. Crowded House - I Feel Possessed [03:48]
13. Crowded House - Four Seasons In One Day [02:48]
14. Crowded House - It's Only Natural [03:32]
15. Crowded House - Distant Sun [03:50]
16. Crowded House - Something So Strong [02:52]
17. Crowded House - Mean To Me [03:14]
18. Crowded House - Better Be Home Soon [03:10]
19. Crowded House - Everything Is Good For You [03:57]

Playing Time.........: 01:10:17
Total Size...........: 470,41 MB

..::INFO::..

---------------------------------------------------------------------
Pet Shop Boys - Pop Art - The Hits - (2 CD)
---------------------------------------------------------------------

Artist...............: Pet Shop Boys
Album................: Pop Art - The Hits
Genre................: Synthpop
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 74 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Parlophone - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1 - Pop
---------------------------------------------------------------------

1. Pet Shop Boys - Go West [05:04]
2. Pet Shop Boys - Suburbia (Video Mix) [05:11]
3. Pet Shop Boys - Se A Vida E (That's The Way Life Is) [04:00]
4. Pet Shop Boys - What Have I Done To Deserve This [04:18]
5. Pet Shop Boys - Always On My Mind [04:01]
6. Pet Shop Boys - I Wouldn't Normally Do This Kind Of Thing[04:45]
7. Pet Shop Boys - Home And Dry [03:58]
8. Pet Shop Boys - Heart [03:58]
9. Pet Shop Boys - Miracles [03:55]
10. Pet Shop Boys - Love Comes Quickly [04:18]
11. Pet Shop Boys - It's A Sin [04:59]
12. Pet Shop Boys - Domino Dancing [04:17]
13. Pet Shop Boys - Before [04:06]
14. Pet Shop Boys - New York City Boy [03:20]
15. Pet Shop Boys - It's Alright [04:19]
16. Pet Shop Boys - Where The Streets Have No Name (I Can't Take My Eyes Off You)[04:30]
17. Pet Shop Boys - A Red Letter Day [04:32]

Playing Time.........: 01:13:37
Total Size...........: 552,37 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - Art
---------------------------------------------------------------------

1. Pet Shop Boys - Left To My Own Devices [04:47]
2. Pet Shop Boys - I Don't Know What You Want But I Can't Give It Any More[04:24]
3. Pet Shop Boys - Flamboyant [03:50]
4. Pet Shop Boys - Being Boring [04:50]
5. Pet Shop Boys - Can You Forgive Her? [03:52]
6. Pet Shop Boys - West End Girls [04:04]
7. Pet Shop Boys - I Get Along [04:11]
8. Pet Shop Boys - So Hard [03:58]
9. Pet Shop Boys - Rent [03:33]
10. Pet Shop Boys - Jealousy [04:15]
11. Pet Shop Boys - DJ Culture [04:20]
12. Pet Shop Boys - You Only Tell Me You Love Me When You're Drunk[03:13]
13. Pet Shop Boys - Liberation [04:06]
14. Pet Shop Boys - Paninaro '95 [04:10]
15. Pet Shop Boys - Opportunities (Let's Make Lots Of Money)[03:45]
16. Pet Shop Boys - Yesterday, When I Was Mad [04:00]
17. Pet Shop Boys - Single-Bilingual [03:30]
18. Pet Shop Boys - Somewhere [04:42]

Playing Time.........: 01:13:38
Total Size...........: 548,17 MB

...( Info )...
Title: The Tunnel
Artist: Esipthycide
Year: 2025
Genre: Melodic, Death, Thrash-Metal
Country: Colobia

Duration: 00:48:10
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Confined 05:10
02. Unknown 04:41
03. Obstinacy 05:02
04. Omen 04:14
05. Paranoia 05:08
06. Cognizance 04:56
07. Unstable 04:17
08. Demise 04:56
09. Tunnel 03:49
10. Death 05:54

...( Info )...

Artist: Martina Dasilva
Album: Just Friends
Year: 2025
Genre: Jazz
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. Just Friends
02. Candy
03. We Three
04. Nature Boy