...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część serii 'Lost Not Forgotten Archives', która zawiera niewydany wcześniej materiał. 'Live at Wacken 2015' to zapis jednego z występów w Niemczech podczas letniej trasy koncertowej Dream Theater, kiedy świętowali 30-lecie istnienia.


A brand-new, unreleased addition to Dream Theater’s extensive ‘Lost Not Forgotten Archives’ project, ‘Live at Wacken (2015) sees the band playing the world-famous German festival during their Summer European tour where they celebrated their 30th anniversary as a band.



..::TRACK-LIST::..

1. Afterlife 05:35
2. Metropolis, Pt. I: The Miracle And The Sleeper 10:17
3. Burning My Soul 05:42
4. The Spirit Carries On 07:44
5. As I Am 07:38
6. Panic Attack 07:39
7. Constant Motion 07:04
8. Bridges In The Sky 09:43



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=B0fPY9PPB2E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część serii 'Lost Not Forgotten Archives', która zawiera niewydany wcześniej materiał. 'Live at Wacken 2015' to zapis jednego z występów w Niemczech podczas letniej trasy koncertowej Dream Theater, kiedy świętowali 30-lecie istnienia.


A brand-new, unreleased addition to Dream Theater’s extensive ‘Lost Not Forgotten Archives’ project, ‘Live at Wacken (2015) sees the band playing the world-famous German festival during their Summer European tour where they celebrated their 30th anniversary as a band.



..::TRACK-LIST::..

1. Afterlife 05:35
2. Metropolis, Pt. I: The Miracle And The Sleeper 10:17
3. Burning My Soul 05:42
4. The Spirit Carries On 07:44
5. As I Am 07:38
6. Panic Attack 07:39
7. Constant Motion 07:04
8. Bridges In The Sky 09:43



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=B0fPY9PPB2E



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Stereophonics - Best Of Stereophonics - Decade In The Sun (2 CD)
(Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Stereophonics
Album................: Best Of Stereophonics - Decade In The Sun
Genre................: Rock
Source...............: CD
Year.................: 2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68-72 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: V2

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Stereophonics - Dakota [04:58]
2. Stereophonics - The Bartender And The Thief [02:54]
3. Stereophonics - Just Looking [04:14]
4. Stereophonics - Have A Nice Day [03:24]
5. Stereophonics - Local Boy In The Photograph [03:19]
6. Stereophonics - Maybe Tomorrow [04:33]
7. Stereophonics - Superman [03:52]
8. Stereophonics - Pick A Part That's New [03:32]
9. Stereophonics - My Own Worst Enemy [03:35]
10. Stereophonics - I Wouldn't Believe Your Radio [03:44]
11. Stereophonics - You're My Star [04:29]
12. Stereophonics - Mr Writer [04:27]
13. Stereophonics - Step On My Old Size Nines [03:56]
14. Stereophonics - Devil [04:41]
15. Stereophonics - It Means Nothing [03:46]
16. Stereophonics - A Thousand Trees [03:00]
17. Stereophonics - Vegas Two Times [03:39]
18. Stereophonics - Traffic [04:53]
19. Stereophonics - More Life In A Tramps Vest [02:22]
20. Stereophonics - Handbags And Gladrags [04:39]

Playing Time.........: 01:18:08
Total Size...........: 564,39 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Stereophonics - Madame Helga [03:53]
2. Stereophonics - Bank Holiday Monday [03:12]
3. Stereophonics - Rewind [04:27]
4. Stereophonics - My Friends [03:35]
5. Stereophonics - Climbing The Wall [04:56]
6. Stereophonics - Mama Told Me Not To Come [03:01]
7. Stereophonics - Since I Told You It's Over [04:16]
8. Stereophonics - Moviestar [04:03]
9. Stereophonics - Not Up To You [04:30]
10. Stereophonics - Getaway [03:54]
11. Stereophonics - I Stopped To Fill My Car Up [04:26]
12. Stereophonics - Carrot Cake And Wine [04:23]
13. Stereophonics - Billy Davey's Daughter [03:41]
14. Stereophonics - Raymond's Shop [02:51]
15. Stereophonics - Stone [03:43]
16. Stereophonics - I'm Alright (You Gotta Go There To Come Back)[04:32]
17. Stereophonics - First Time Ever I Saw Your Face with Jools Holland Orchestra[04:03]
18. Stereophonics - Same Size Feet [03:58]
19. Stereophonics - She Takes Her Clothes Off World Gets Around Sessions[03:14]
20. Stereophonics - Hurry Up And Wait [04:32]

Playing Time.........: 01:19:20
Total Size...........: 542,39 MB

..::INFO::..

---------------------------------------------------------------------
Elvis Presley - The 100 Top Hits Collection (5 CD)
---------------------------------------------------------------------

Artist...............: Elvis Presley
Album................: The 100 Top Hits Collection
Genre................: Rock, Rock & Roll
Source...............: CD
Year.................: 1997
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 46-56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: RCA

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Elvis Presley - Heartbreak Hotel [02:10]
2. Elvis Presley - My Baby Left Me [02:12]
3. Elvis Presley - I Want You, I Need You, I Love You [02:41]
4. Elvis Presley - Don't Be Cruel [02:03]
5. Elvis Presley - Hount Dog [02:16]
6. Elvis Presley - Blue Suede Shoes [02:00]
7. Elvis Presley - Tutti Frutti [02:00]
8. Elvis Presley - Love Me Tender [02:42]
9. Elvis Presley - All Shook Up [01:59]
10. Elvis Presley - (Let Me Be Your) Teddy Bear [01:47]
11. Elvis Presley - Loving You [02:13]
12. Elvis Presley - Jailhouse Rock [02:28]
13. Elvis Presley - Treat Me Nice [02:12]
14. Elvis Presley - Don't [02:50]
15. Elvis Presley - Wear My Ring Around Your Neck [02:15]
16. Elvis Presley - Hard Headed Woman [01:55]
17. Elvis Presley - I Got Stung [01:51]
18. Elvis Presley - One Night [02:31]
19. Elvis Presley - I Need Your Love Tonight [02:05]
20. Elvis Presley - A Big Hunk O'Love [02:14]

Playing Time.........: 44:33
Total Size...........: 206,77 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Elvis Presley - Stuck On You [02:21]
2. Elvis Presley - It's Now Or Never [03:16]
3. Elvis Presley - Wooden Heart (Muss I Denn) [02:03]
4. Elvis Presley - Are You Lonesome Tonight? [03:07]
5. Elvis Presley - Surrender [01:52]
6. Elvis Presley - I Feel So Bad [02:54]
7. Elvis Presley - Wild In The Country [01:52]
8. Elvis Presley - Little Sister [02:32]
9. Elvis Presley - His Latest Flame [02:08]
10. Elvis Presley - Rock A Hula Baby [02:01]
11. Elvis Presley - Can't Help Falling In Love [03:00]
12. Elvis Presley - Good Luck Charm [02:25]
13. Elvis Presley - No More [02:24]
14. Elvis Presley - She's Not You [02:10]
15. Elvis Presley - King Of The Whole Wide World [02:08]
16. Elvis Presley - Return To Sender [02:07]
17. Elvis Presley - One Broken Heart For Sale [01:47]
18. Elvis Presley - Kiss Me Quick [02:48]
19. Elvis Presley - (You're The) Devil In Disguise [02:22]
20. Elvis Presley - Bossa Nova Baby [02:02]

Playing Time.........: 47:29
Total Size...........: 268,29 MB

---------------------------------------------------------------------
Tracklisting CD 3
---------------------------------------------------------------------

1. Elvis Presley - Mexico [02:00]
2. Elvis Presley - Viva Las Vegas [02:22]
3. Elvis Presley - Kissin' Cousins [02:14]
4. Elvis Presley - Such A Night [03:00]
5. Elvis Presley - Crying In The Chapel [02:26]
6. Elvis Presley - I'm Yours [02:22]
7. Elvis Presley - Puppet On A String [02:41]
8. Elvis Presley - Frankie And Johnny [02:34]
9. Elvis Presley - Love Letters [02:52]
10. Elvis Presley - All That I Am [02:17]
11. Elvis Presley - Indescribably Blue [02:49]
12. Elvis Presley - Big Boss Man [02:52]
13. Elvis Presley - U.S. Male [02:43]
14. Elvis Presley - If I Can Dream [03:11]
15. Elvis Presley - Edge Of Reality [03:40]
16. Elvis Presley - Memories [02:22]
17. Elvis Presley - Clean Up Your Own Backyard [03:09]
18. Elvis Presley - In The Ghetto [02:47]
19. Elvis Presley - Suspicious Minds [04:30]
20. Elvis Presley - Don't Cry Daddy [02:48]

Playing Time.........: 55:48
Total Size...........: 308,33 MB

---------------------------------------------------------------------
Tracklisting CD 4
---------------------------------------------------------------------

1. Elvis Presley - Kentucky Rain [03:17]
2. Elvis Presley - Mama Liked The Roses [02:49]
3. Elvis Presley - The Wonder Of You [02:37]
4. Elvis Presley - I've Lost You [03:32]
5. Elvis Presley - Patch It Up [03:10]
6. Elvis Presley - You Don't Have To Say You Love Me [02:35]
7. Elvis Presley - I Really Don't Want To Know [02:45]
8. Elvis Presley - There Goes My Everything [03:00]
9. Elvis Presley - Rags To Riches [01:55]
10. Elvis Presley - Only Believe [02:49]
11. Elvis Presley - I'm Leavin' [03:52]
12. Elvis Presley - It's Only Love [02:43]
13. Elvis Presley - Until It's Time For You To Go [04:00]
14. Elvis Presley - Polk Salad Annie (Live) [04:47]
15. Elvis Presley - Walk A Mile In My Shoes (Live) [03:01]
16. Elvis Presley - I Just Can't Help Believin' (Live) [04:36]
17. Elvis Presley - Are You Lonesome Tonight? (Laughing Version)[02:36]
18. Elvis Presley - You Gave Me A Mountain [03:20]
19. Elvis Presley - An American Trilogy [04:32]
20. Elvis Presley - The First Time Ever I Saw Your Face [03:43]

Playing Time.........: 01:05:47
Total Size...........: 372,72 MB

---------------------------------------------------------------------
Tracklisting CD 5
---------------------------------------------------------------------

1. Elvis Presley - Burning Love [02:52]
2. Elvis Presley - Separate Ways [02:37]
3. Elvis Presley - Always On My Mind [03:40]
4. Elvis Presley - Steamroller Blues [03:05]
5. Elvis Presley - Fool [02:42]
6. Elvis Presley - Raised On Rock [02:41]
7. Elvis Presley - I've Got A Thing About You Baby [02:22]
8. Elvis Presley - Take Good Care Of Her [02:53]
9. Elvis Presley - If You Talk In Your Sleep [02:27]
10. Elvis Presley - Help Me [02:29]
11. Elvis Presley - Promised Land [02:53]
12. Elvis Presley - My Boy [03:20]
13. Elvis Presley - T-R-O-U-B-L-E [03:04]
14. Elvis Presley - Hurt [02:08]
15. Elvis Presley - Guitar Man (Remake) [02:51]
16. Elvis Presley - Moody Blue [02:51]
17. Elvis Presley - My Way [03:47]
18. Elvis Presley - Way Down [02:38]
19. Elvis Presley - Unchained Melody (Live) [02:34]
20. Elvis Presley - The Last Farewell [04:03]

Playing Time.........: 58:09
Total Size...........: 324,44 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Brutalny ponad wszelką miarę.
'Drain' jest okrutny!


..::OPIS::..

This is Rotten Sound's true beginning. It captures their signature grind - the most abrasive, catchy form of it that'll be perfected on the next couple of albums. The production's very fitting, putting a sharp distortion on the guitars so the riffs come out as ample and vicious. With stampeding blast beats and Niinimaa's versatile vocal performance, it's downright assaulting. I love the crushing sound like an intense rush. With the mastering it all comes out clearer and thus makes things easier to decipher. Memorability skyrockets as a result, and this album won't be one to forget. It's like Bolt Thrower's Realm Of Chaos where you know the band has something to build off of.

There's thrash, punk, death and grind rolled into this beast. The clarity separates the instruments well but doesn't reach the polish of Murderworks or Exit. That guitar distortion helps the riffs feel alive with the unrestricted aggression and tenacity surging. It's a saw-like tone that'll hit with various tempos and grooviness. Bass support is more essential to the guitars, often taking lead to splash with some sludgy lines. The combination is addictive and keeps me interested since there's always something catching my attention. The band isn't running through the motions with sloppy playing or redundancy - it's all tense and inventive. Most addicting is when the band goes into a riff break, usually slowing down the blaring speed for a headbanging rhythm.

Kai Hahto's got some tasteful drumming: roundabout, charged, and lots of footwork. The best is when he matches the riffs instead of blasting. It's like having consecutive grooves before Niinimaa's thick growls and shredded screams pour out. It's a relentless approach that doesn't even tire me out. It may sound exhausting but there are plenty of hooks and the appeal is in the collective. From the slick bass drops to the diligent drumming, the album is the antidote for slowness. The title track's got all of the above plus some of those plunging riff breaks that the band uses competently.

The band only upped their game with the next two albums, both of which are standouts of the genre. Drain just starts off the formula by getting it on the right track. On its own I still like it a lot, but it could have been taken further. Grind like this doesn't come easy, and many bands like this end up sounding the same and are held to a lesser quality. If there's any one band to stick with for this kind of music, then Rotten Sound is the one.

OzzyApu



..::TRACK-LIST::..

1. Calm
2. Dirty Currency
3. Bastard Behaviour
4. Alone At Last
5. Drain
6. Braindead
7. Narrow Mind
8. Dark High Way
9. Inversion
10. Vanity
11. Super Satan
12. Cartender
13. Coldvenience
14. Abusement Park
15. Loser



..::OBSADA::..

Vocals [Screams, grawls, grunts and throat torture] - Keijo
Bass [Pounding rhythm with bass and Falcon (TM)] - Pekka
Drums [The Beat] - Kai
Guitar [Fury, hate and lead sections with guitar] - Juha
Guitar [Riffs, aggression and rage with guitar] - Mika




https://www.youtube.com/watch?v=sZnWGuwqcRU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Brutalny ponad wszelką miarę.
'Drain' jest okrutny!


..::OPIS::..

This is Rotten Sound's true beginning. It captures their signature grind - the most abrasive, catchy form of it that'll be perfected on the next couple of albums. The production's very fitting, putting a sharp distortion on the guitars so the riffs come out as ample and vicious. With stampeding blast beats and Niinimaa's versatile vocal performance, it's downright assaulting. I love the crushing sound like an intense rush. With the mastering it all comes out clearer and thus makes things easier to decipher. Memorability skyrockets as a result, and this album won't be one to forget. It's like Bolt Thrower's Realm Of Chaos where you know the band has something to build off of.

There's thrash, punk, death and grind rolled into this beast. The clarity separates the instruments well but doesn't reach the polish of Murderworks or Exit. That guitar distortion helps the riffs feel alive with the unrestricted aggression and tenacity surging. It's a saw-like tone that'll hit with various tempos and grooviness. Bass support is more essential to the guitars, often taking lead to splash with some sludgy lines. The combination is addictive and keeps me interested since there's always something catching my attention. The band isn't running through the motions with sloppy playing or redundancy - it's all tense and inventive. Most addicting is when the band goes into a riff break, usually slowing down the blaring speed for a headbanging rhythm.

Kai Hahto's got some tasteful drumming: roundabout, charged, and lots of footwork. The best is when he matches the riffs instead of blasting. It's like having consecutive grooves before Niinimaa's thick growls and shredded screams pour out. It's a relentless approach that doesn't even tire me out. It may sound exhausting but there are plenty of hooks and the appeal is in the collective. From the slick bass drops to the diligent drumming, the album is the antidote for slowness. The title track's got all of the above plus some of those plunging riff breaks that the band uses competently.

The band only upped their game with the next two albums, both of which are standouts of the genre. Drain just starts off the formula by getting it on the right track. On its own I still like it a lot, but it could have been taken further. Grind like this doesn't come easy, and many bands like this end up sounding the same and are held to a lesser quality. If there's any one band to stick with for this kind of music, then Rotten Sound is the one.

OzzyApu



..::TRACK-LIST::..

1. Calm
2. Dirty Currency
3. Bastard Behaviour
4. Alone At Last
5. Drain
6. Braindead
7. Narrow Mind
8. Dark High Way
9. Inversion
10. Vanity
11. Super Satan
12. Cartender
13. Coldvenience
14. Abusement Park
15. Loser



..::OBSADA::..

Vocals [Screams, grawls, grunts and throat torture] - Keijo
Bass [Pounding rhythm with bass and Falcon (TM)] - Pekka
Drums [The Beat] - Kai
Guitar [Fury, hate and lead sections with guitar] - Juha
Guitar [Riffs, aggression and rage with guitar] - Mika




https://www.youtube.com/watch?v=sZnWGuwqcRU



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Bruce Springsteen - Greatest Hits
---------------------------------------------------------------------

Artist...............: Bruce Springsteen
Album................: Greatest Hits
Genre................: Rock
Source...............: CD
Year.................: 1995
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Columbia

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Bruce Springsteen - Born To Run [04:30]
2. Bruce Springsteen - Thunder Road [04:48]
3. Bruce Springsteen - Badlands [04:02]
4. Bruce Springsteen - The River [05:00]
5. Bruce Springsteen - Hungry Heart [03:20]
6. Bruce Springsteen - Atlantic City [03:57]
7. Bruce Springsteen - Dancing In The Dark [04:02]
8. Bruce Springsteen - Born In The U.S.A. [04:41]
9. Bruce Springsteen - My Hometown [04:12]
10. Bruce Springsteen - Glory Days [03:49]
11. Bruce Springsteen - Brilliant Disguise [04:15]
12. Bruce Springsteen - Human Touch [05:10]
13. Bruce Springsteen - Better Days [03:44]
14. Bruce Springsteen - Streets Of Philadelphia [03:16]
15. Bruce Springsteen - Secret Garden [04:27]
16. Bruce Springsteen - Murder Incorporated [03:57]
17. Bruce Springsteen - Blood Brothers [04:34]
18. Bruce Springsteen - This Hard Land [04:51]

Playing Time.........: 01:16:44
Total Size...........: 504,61 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Mekong Delta has to be simultaneously both one of the most underrated bands ever and one of the most overrated bands ever. From one point of observation they might be a boring, badly produced band with sucky vocals and strange songs. From another point of view they have some of the best early progressive thrash songwriting, strangely catchy ideas and riffs, and truly strange and ominous soundscapes. The latter opinion, of course, is the correct one.

The first associations the band's name brings to mind are the Vietnam War, Far East and humid warmth. The music on their albums, however, is the total opposite: it's eerie atmosphere has a cold and merciless quality, the production is harsh and somehow oddly balanced, and the ease of living in a tropical paradise is not there. It still maintains its own logic, and does not collapse into chaotic war, despite the layered complexity and harsh sound.

The usual career progression of those few thrash bands that dabble with the progressive end of their genre seems to go from aggression to something a bit mellower but much more complex, and the ambition in the compositions increases with the skill level of the musicians. So does the average song length, with the number of various parts increasing and the essential thrashiness decreasing. Mekong Delta hasn't quite gone the usual route, but their infatuation with classical music, especially that written by Modest Mussorgsky, has perhaps sidetracked them a bit; Pictures at an Exhibition can be considered a misstep, or, rather, overshooting of the theme.

On The Principle of Doubt the classical parts are still confined to a single track, "El Colibri", and the only other oddity is the theme from Twilight Zone. The follow-up to this album, Dances of Death (And Other Walking Shadows), started Mekong Delta's Mussorgsky craze, but some borrowed parts can be found already on the earlier two albums. "Twilight Zone" has the most prominent orchestral parts on the album, and as the band was later to show, their way of combining the orchestra's sound with that of a progressive thrash band works well. Both have their personal spaces, and a workable ratio of ingredients is found by mostly avoiding overstepping the borders between the two. They stay in their comfort zones, and the overlap is kept to a minimum.

What does the music sound like, then? Well, it's progressive thrash, blended with some symphonic instrumentation, timpanis and horns being the easiest to notice. The overall production does a fine work of hiding the talent, especially the complex twin guitar parts. Actually, their character could easily be changed, with different production, to immense displays of musicianship, but with the clunky soundscape, they simply are there: no matter how finely tuned and balanced the co-operation of the two guitars is, they simply sound like they were just doing what they were supposed to be doing. In other words, instead of dazzling with technicality and sounding impossibly complicated and difficult, the guitars serve the greater good, the songs, and while their intertwining beauty is there to be found easily if wished, they do not disturb the main agenda, the ten songs on the album. And that, people, is what true progression should be in its deepest essence. Not wankery, not song durations in excess of a quarter of an hour, and definitely not technicality for technicality's sake. Every song on The Principle of Doubt works like a charm, and no part of it seems like ego-tripping by a loony guitar god.

The rest of the band has a character, too. The drumming is excellent, but not overdone, and has a lot of interesting parts in it, especially considering the year of the album's release. The basswork is on par with the progressive metal of the era, in other words way beyond that of more classical heavy metal acts of the late 80s.

The vocals of Keil have an atmosphere of an instant opinion-splitter. His style is rather difficult to describe, but mostly he resorts to a kind of melodic wailing and lower grunty shout. His style is easy to dislike, but even if it's an aquired taste, the trouble of aquiring it pays itself back many times over once the listener finally gains access to the inner workings of the album. Because, obviously, this is not an easily accessible piece of art: the coarse production is the first hurdle to overcome, and the progressively alien songwriting with its eccentric tones and atmospheres full of feelings such as despair, aggression and plain strangeness does not help the first-timer to get an idea of the brilliance within. This album does not want to be liked.

The drawbacks are mostly products of time. The production would surely be different today, just to better display some of the genius in here. Perhaps the creative process would be different and more constrained in 2008, but two decades ago the idea of making a metal version of an argentinian guitarist's song did not sound cheesy at all. Because it simply works in this way. And in the late 80s, this was ruthlessly progressive and even avant-garde.

Get this album. It can be argued that this is the pinnacle of Mekong Delta's career. The songwriting has improved even further from the days of Mekong Delta and Music of Erich Zann, and Dances of Death (And Other Walking Shadows), in its own brilliance, already sounds much more polished, and perhaps gave in to the demands of modern days. Just remember, understanding this piece of work takes effort. Don't give up, it's worth it.



..::TRACK-LIST::..

1. A Question Of Trust 3:15
2. The Principle Of Doubt 3:57
3. Once I Believed 4:15
4. Ever Since Time Began 4:31
5. Curse Of Reality 4:50
6. Twilight Zone 3:30
7. Shades Of Doom 4:04
8. The Jester 6:01
9. El Colibri 1:25
10. No Friend Of Mine 3:44

Bonus Tracks:
11. Toccata
12. Black Betty
13. Interludium (2nd Version)



..::OBSADA::..

Keil - lead and backing vocals, human noises
Rolf Stein - lead & rrhythm guitar
Marc Kaye - lead guitar & backing vocals
Gordon 'the machine' Perkins - batterie, cymbyals, gongs & metal
Björn Eklund - bass, acoustic bass, accoustic & classical guitar




https://www.youtube.com/watch?v=6PfqbUPgP9o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Mekong Delta has to be simultaneously both one of the most underrated bands ever and one of the most overrated bands ever. From one point of observation they might be a boring, badly produced band with sucky vocals and strange songs. From another point of view they have some of the best early progressive thrash songwriting, strangely catchy ideas and riffs, and truly strange and ominous soundscapes. The latter opinion, of course, is the correct one.

The first associations the band's name brings to mind are the Vietnam War, Far East and humid warmth. The music on their albums, however, is the total opposite: it's eerie atmosphere has a cold and merciless quality, the production is harsh and somehow oddly balanced, and the ease of living in a tropical paradise is not there. It still maintains its own logic, and does not collapse into chaotic war, despite the layered complexity and harsh sound.

The usual career progression of those few thrash bands that dabble with the progressive end of their genre seems to go from aggression to something a bit mellower but much more complex, and the ambition in the compositions increases with the skill level of the musicians. So does the average song length, with the number of various parts increasing and the essential thrashiness decreasing. Mekong Delta hasn't quite gone the usual route, but their infatuation with classical music, especially that written by Modest Mussorgsky, has perhaps sidetracked them a bit; Pictures at an Exhibition can be considered a misstep, or, rather, overshooting of the theme.

On The Principle of Doubt the classical parts are still confined to a single track, "El Colibri", and the only other oddity is the theme from Twilight Zone. The follow-up to this album, Dances of Death (And Other Walking Shadows), started Mekong Delta's Mussorgsky craze, but some borrowed parts can be found already on the earlier two albums. "Twilight Zone" has the most prominent orchestral parts on the album, and as the band was later to show, their way of combining the orchestra's sound with that of a progressive thrash band works well. Both have their personal spaces, and a workable ratio of ingredients is found by mostly avoiding overstepping the borders between the two. They stay in their comfort zones, and the overlap is kept to a minimum.

What does the music sound like, then? Well, it's progressive thrash, blended with some symphonic instrumentation, timpanis and horns being the easiest to notice. The overall production does a fine work of hiding the talent, especially the complex twin guitar parts. Actually, their character could easily be changed, with different production, to immense displays of musicianship, but with the clunky soundscape, they simply are there: no matter how finely tuned and balanced the co-operation of the two guitars is, they simply sound like they were just doing what they were supposed to be doing. In other words, instead of dazzling with technicality and sounding impossibly complicated and difficult, the guitars serve the greater good, the songs, and while their intertwining beauty is there to be found easily if wished, they do not disturb the main agenda, the ten songs on the album. And that, people, is what true progression should be in its deepest essence. Not wankery, not song durations in excess of a quarter of an hour, and definitely not technicality for technicality's sake. Every song on The Principle of Doubt works like a charm, and no part of it seems like ego-tripping by a loony guitar god.

The rest of the band has a character, too. The drumming is excellent, but not overdone, and has a lot of interesting parts in it, especially considering the year of the album's release. The basswork is on par with the progressive metal of the era, in other words way beyond that of more classical heavy metal acts of the late 80s.

The vocals of Keil have an atmosphere of an instant opinion-splitter. His style is rather difficult to describe, but mostly he resorts to a kind of melodic wailing and lower grunty shout. His style is easy to dislike, but even if it's an aquired taste, the trouble of aquiring it pays itself back many times over once the listener finally gains access to the inner workings of the album. Because, obviously, this is not an easily accessible piece of art: the coarse production is the first hurdle to overcome, and the progressively alien songwriting with its eccentric tones and atmospheres full of feelings such as despair, aggression and plain strangeness does not help the first-timer to get an idea of the brilliance within. This album does not want to be liked.

The drawbacks are mostly products of time. The production would surely be different today, just to better display some of the genius in here. Perhaps the creative process would be different and more constrained in 2008, but two decades ago the idea of making a metal version of an argentinian guitarist's song did not sound cheesy at all. Because it simply works in this way. And in the late 80s, this was ruthlessly progressive and even avant-garde.

Get this album. It can be argued that this is the pinnacle of Mekong Delta's career. The songwriting has improved even further from the days of Mekong Delta and Music of Erich Zann, and Dances of Death (And Other Walking Shadows), in its own brilliance, already sounds much more polished, and perhaps gave in to the demands of modern days. Just remember, understanding this piece of work takes effort. Don't give up, it's worth it.



..::TRACK-LIST::..

1. A Question Of Trust 3:15
2. The Principle Of Doubt 3:57
3. Once I Believed 4:15
4. Ever Since Time Began 4:31
5. Curse Of Reality 4:50
6. Twilight Zone 3:30
7. Shades Of Doom 4:04
8. The Jester 6:01
9. El Colibri 1:25
10. No Friend Of Mine 3:44

Bonus Tracks:
11. Toccata
12. Black Betty
13. Interludium (2nd Version)



..::OBSADA::..

Keil - lead and backing vocals, human noises
Rolf Stein - lead & rrhythm guitar
Marc Kaye - lead guitar & backing vocals
Gordon 'the machine' Perkins - batterie, cymbyals, gongs & metal
Björn Eklund - bass, acoustic bass, accoustic & classical guitar




https://www.youtube.com/watch?v=6PfqbUPgP9o



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Thea Gilmore
Album: John Wesley Harding
Year: (2011)
Genre: Folk rock / Singer-songwriter / Tribute
Format: [FLAC]

...( TrackList )...

1 John Wesley Harding 2:54
2 As I Went Out One Morning 4:04
3 I Dreamed I Saw St Augustine 4:45
4 All Along The Watchtower 3:09
5 The Ballad Of Frankie Lee And Judas Priest 4:27
6 Drifter's Escape 2:58
7 Dear Landlord 3:27
8 I Am A Lonesome Hobo 2:28
9 I Pity The Poor Immigrant 4:46
10 The Wicked Messenger 1:59
11 Down Along The Cove 3:55
12 I'll Be Your Baby Tonight 3:26

...( Info )...


Artist: Thea Gilmore
Album: Murphy's Heart
Year: (2010)
Genre: Folk rock / Singer-songwriter / Adult alternative
Format: [FLAC]

...( TrackList )...

01 - This Town
02 - God's Got Nothing On You
03 - Due South
04 - Jazz Hands
05 - Love's The Greatest Instrument
06 - Automatic Blue
07 - Coffee And Roses
08 - You're The Radio
09 - Teach Me To Be Bad
10 - Not Alone
11 - How The Love Gets In
12 - Mexico
13 - Wondrous Thing
14 - My Voice

..::INFO::..

Drugi album meksykańskiego zespołu z Guadalajary grającego reggae. Wydali trzy albumy.

Title: Musica Libre

Artist: Golden Ganga

Country: Meksyk

Year: 2011

Genre: Reggae

Format / Codec: MP3

Audio bitrate: 160 Kbps

..::TRACK-LIST::..

1.Gracias
2.Sunset
3.Nada es casualidad
4.Fuerza
5.Sunny Days
6.Aire
7.Mestizos
8.No Babilon
9.Tu
10.Troubles
11.Musica

..::INFO::..

Big D and the Kids Table to zespół ska punkowy założony w październiku 1995 roku w Bostonie w stanie Massachusetts, składający się z kolegów ze studiów. Ich pierwsze wydawnictwo ukazało się w ich własnej wytwórni Fork in Hand Records, ale od tego czasu współpracowali ze Springman Records i SideOneDummy. Wydali 11 albumów studyjnych, pięć EPek i kilka splitów z innymi wykonawcami. Wstawka zawiera czwarty album studyjny zespołu.

Title: Strictly Rude

Artist: Big D and the Kids Table

Country: USA

Year: 2007

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 224 Kbps

..::TRACK-LIST::..

1.Steady Riot
2.Noise Complaint
3.Shining On
4.Souped-Up Vinyl
5.Deadpan
6.Snakebite
7.Strictly Rude
8.Try Out Your Voice
9.Hell On Earth
10.Fly Away
11.Breaking The Bottle
12.Raw Revolution
13.Relocate The Beat
14.The One
15.She Knows Her Way
16.Half Way Home (Vinyl Only)

...( Info )...

Artist: Thea Gilmore
Album: Liejacker
Year: (2008)
Format: [FLAC]

...( TrackList )...

1 Old Soul 3:55
2 Black Letter 3:11
3 Dance In New York 6:53
4 Rosie 4:32
5 Roll On 5:27
6 Icarus Wind 4:10
7 The Wrong Side 3:16
8 Slow Journey 2:39
9 And You Shall Know No Other God 4:24
10 When I Get Back To Shore 2:03
11 Breathe 4:16
12 The Lower Road 5:13
Bonus Track
13 You Spin Me Right Round 3:51

...( Info )...


Artist...............: Antonello Venditti
Album................: Centocitta'
Genre................: Pop
Year.................: 1985
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. Antonello Venditti - Centocittà
2. Antonello Venditti - Sotto il segno dei pesci (Live)
3. Antonello Venditti - Giulia (Live)
4. Antonello Venditti - Piero e cinzia (Live)
5. Antonello Venditti - Il treno delle sette (Live)
6. Antonello Venditti - Le tue mani su di me (Live)
7. Antonello Venditti - Le ragazze di Monaco (Live)
8. Antonello Venditti - Attila e la stella (Live)
9. Antonello Venditti - Sora rosa (Live)
10. Antonello Venditti - Marta (Live)
11. Antonello Venditti - Compagno di scuola (Live)
12. Antonello Venditti - Le cose della vita (Live)
13. Antonello Venditti - Penna a sfera (Live)
14. Antonello Venditti - Ci vorrebbe un amico (Live)

..::INFO::..

Oi Polloi to zespoł punkowy, który powstał w 1981 roku w Edynburgu (Szkocja). W 1985 ukazuje się pierwszy materiał - kaseta demo wydana przez zespół - "Destroi the System". Od początku istnienia w zespole grało około 50 muzyków. Z założycieli pozostał tylko Deek - wokalista. Muzyka zespołu ewoluowała od oi do zaangażowanego anarchopunka. Teksty piosenek dotyczą m.in. ochrony środowiska, wyzwolenia zwierząt, wegetarianizmu, zwalczania faszyzmu, brutalności policji. Poza graniem muzyki angażują się w akcje anarchistyczne, ekologiczne oraz ruchu antyfaszystowskiego. Kilkakrotnie odwiedzali Polskę, co zaowocowało dość dobrą znajomością języka polskiego przez Deeka. Ich motto to "No compromise in defense of our earth". Materiał został wydany przez Skuld Records w 1999 roku. Tytuł płyty napisany jest w języku szkockim gaelickim, oznacza "Zgiełk Walki".

Title: Fuaim Catha!

Artist: Oi Polloi

Country: Szkocja

Year: 1999

Genre: Punk

Format / Codec: MP3
Audio bitrate: 224 kbps

..::TRACK-LIST::..

The Earth Is Our Mother
Terra-Ist
Take Back The Land
Religious Con
Don't Burn The Witch
The Right To Choose
Fuck Everybody Who Voted Tory
Sios Leis a' Ghniomhachas Mhoir
G.L.F.
Willie McRae
Deathcafé
Your Beer Is Shit And Your Money Stinks
Sell-Out
No More Roads
Hunt The Rich
Mindrot
Anti-Police Aggro

..::INFO::..

Dziesiąty, najnowszy album studyjny amerykańskiego zespołu skapunkowego z San Diego. Buck-O-Nine to amerykański zespół ska punkowy, który powstał w 1991 roku. Zespół koncertował na arenie międzynarodowej i wydał kilka albumów oraz EP-ek, a także pojawił się na składankach i ścieżkach dźwiękowych do filmów. W połowie i pod koniec lat 90. odniósł sukces komercyjny dzięki wydaniu albumu Twenty-Eight Teeth oraz jego najbardziej znanego singla „My Town”. Gdy popularność trzeciej fali ska zaczęła spadać, Buck-O-Nine zaprzestał intensywnego koncertowania w 2000 roku, jednak nadal regularnie występuje w Kalifornii i wielu miejscach na południowym zachodzie Stanów Zjednoczonych. Od 2001 roku zespół koncertował również w Japonii, Wielkiej Brytanii, Kanadzie, Meksyku i na Hawajach.


Title: Cut Out The Noise

Artist: Buck-O-Nine

Country: USA

Year: 2025

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Preface
A2.I'm Alive
A3.Done With You
A4.Hallows
A5.Denial
A6.In Their Eyes
A7.Cut Out The Noise
B1.Algo The Great
B2.Razorface
B3.Raging Crescent
B4.Elevate Your Soul
B5.Rise Up
B6.We Don't Know
B7.It's A New Day

..::INFO::..

---------------------------------------------------------------------
Myslovitz - Korova Milky Bar (English Version)
---------------------------------------------------------------------

Artist...............: Myslovitz
Album................: Korova Milky Bar (English Version)
Genre................: Rock, Alternative Rock
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Pomaton EMI

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Myslovitz - Man of Glass [04:49]
2. Myslovitz - Dreamsellers [03:57]
3. Myslovitz - Sound of Solitude [04:06]
4. Myslovitz - Acidland [04:14]
5. Myslovitz - Townboys [04:09]
6. Myslovitz - Korova Milky Bar [03:04]
7. Myslovitz - The Melancholy Tower [05:16]
8. Myslovitz - A Few Mistakes Made by Good Parents [03:59]
9. Myslovitz - Behind Closed Eyes [03:30]
10. Myslovitz - For You [03:44]
11. Myslovitz - Throughout Life in 10 Seconds [02:06]
12. Myslovitz - Us [03:24]
13. Myslovitz - I'd Like To Die of Love [14:27]

Playing Time.........: 01:00:52
Total Size...........: 360,17 MB

...( Info )...

składanka mireczka-a takie tam vol.56
Gatunek: Dance,Disco,Vixa/Pompa,Trance
Rok:2025
mp3@320kbps
CZAS:01:36:59

...( TrackList )...

1.Air Project Vs. Ruslan Aschaulov & Natalka Denisenko - I Want To Be Gentle With You
2.The Donny Donkers - Real Bad Man (Original Mix)
3.EKIPA, Modelki - SANTA CRUZ (KLUBOVA Remix)
4.EKIPA, Modelki - SANTA CRUZ (KLUBOVA Extended Remix)
5.Fausti - sticky rice (Remix)
6.Boski Heniek, Maka, Pancio , Malos - Jadę z nią (Club Revolution Drift Remix)
7.MASKOVA & OMER DEEP - Bomba (Original Mix)
8.EKIPA - LABUBU-Friz,Kacper Błoński,Posti,Kartonii - Hi Hania (Remix)
9.Heiko & Maiko x Who Knows x Gibbs x Jonathan & Money x Beal Longstone x Sebastien Luminous - Morseton State (2025)
10.Golden Wizards, Alex Lander & OREO - Bring Me To Life by FashionMusic
11.KIMIK - VIXIARSKI BALET (prod. INEX) (KuxD Bootleg) 2025
12.RYL0 - Party Monster
13.Shaggy - Hey Sexy Lady (Zorden x Lukade Afro House Remix)
14.Butch U - Beast (Original Mix)
15.HU BISS & S3 DUBS x FILIPS PHILIPS x SZYMUS - OMA G (MEGZU MASHUP)
16.Kubańczyk & Tribbs - Ta noc (Remix)
17.Ammara - Heart Sign (Remix)
18.Pickle and Luvstruck - Paradise 3000
19.Dawid Obserwator ft. Nino - Nara (Bounce & Slap Remix)
20.James Hype - Don't Wake Me Up (Agents Of Time Remix)
21.Wolfpack & Jimmy Clash - Wallcreeper (Greg House Remix) (Remaster) 2025
22.Cypress Hill, Tribute - Cali Warriors (LA Smooth Remix)
23.Kanako - S&M (Nightcore) by FashionMusic
24.Vini Vici, Avalon, Tristan - Music Is The Answer
25.The Discoparty Brothers - Disco Disco Party Party (Eugene Star Remix)
26.Bang Babsy & Raket One - FCK MY LIFE
27.ARTIXXON & AMFABASSE - STEP BACK (KuxD Edit) 2025
28.MASKOVA & OMER DEEP - Cigarettes (Original Mix)
29.Hardwell feat.Jonathan Mendelsohn - Echo (Giuseppe Ottaviani Rmx)
30.DANCE 2 DISCO x MORO & POPEK - ale to Polka Vixa Gin (DJ WALDI blend) 2025

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Sprawa z debiutanckim krążkiem Profane Desecration jest banalnie prosta. Wystarczy, że zrobicie sobie szybki test. Włączcie otwierający całość „Dead Planet” i już po chwili będziecie wiedzieć czym to się je i czy macie na takie danie apetyt. Pojawiający się bowiem już w dwudziestej drugiej sekundzie patent w stylu Immolation rzuca na glebę i nakazuje tam pozostać do końca kompozycji. Na swoim debiucie Amerykanie kultywują narodowe tradycje florydzko-nowojorskie w najlepszy z możliwych sposobów. „Abysmal Stillness” to sto procent amerykańskiego death metalu. Poza inspiracjami płynącymi wartkim nurtem od ekipy Vigny i Dolana (nawet maniera wokalna chwilami zdaje się podobna) nie da się w tych dźwiękach nie zauważyć także starej gitarowej szkoły Johna McEntee. Myli się jednak kto z góry w tym momencie zakłada, że Profane Desecration to jedynie bezmyślna kalka tych dwóch ekip, choć nie zaprzeczę, iż ich wpływy są tu najwyraźniej słyszalne. Zespół na bazie tych dwóch składników stara się stworzyć coś własnego. Mamy tu zatem sporo nagłych przyspieszeń, doomowy wstęp do „The Reaper Is Waiting”, albo „At Midnight”, utwór z czysto punkowym feelingiem, brzmiący trochę jakby z innej bajki. Natomiast w „Abysmal” słyszymy fragment mocno w stylu Morbid Angel. Patrząc zatem globalnie pełniak Profane Desecration gwarantuje sporą ilość strzałów na pysk, choć znajdą się na nim także, nieliczne ale jednak, słabsze ogniwa, jak choćby nieco nijaki „Forest Graves”. Mimo tego lekkiego potknięcia i tak jest bardzo dobrze. Jankesi postarali się, by brzmienie ich nagrań było staroszkolne z głęboko dudniącym basem i głośno cykającymi blachami. Jeśli już wspominam o tym instrumencie, to styl gry i tempo dyktowane przez bębniarza jak żywo przypomina mi singapurskie Impiety. I chcąc nie chcąc znów wracam do porównań, ale nic nie poradzę, że w tego typu śmierć metalu prochu nikt ponownie nie wymyśli. Najważniejsze, że Profane Desecration układają klocki w odpowiednio urozmaicony sposób. To mi wystarczy bym mógł spędzić z „Abysmal Stillness” wiele przyjemnych odsłuchów. Wam też radzę czynić podobnie, bo jest na czym ucho zawiesić.

jesusatan



..::TRACK-LIST::..

1. Dead Planet 04:27
2. Leave No Trace 02:51
3. The Reaper is Waiting 04:35
4. At Midnight 02:05
5. Forest Graves 03:18
6. Abysmal 05:03
7. Stilness 03:57
8. The Drowning Temple 05:42



..::OBSADA::..

K - Guitar
B - Vocals, Bass
M - Drums




https://www.youtube.com/watch?v=SRjr-FRBRyU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Sprawa z debiutanckim krążkiem Profane Desecration jest banalnie prosta. Wystarczy, że zrobicie sobie szybki test. Włączcie otwierający całość „Dead Planet” i już po chwili będziecie wiedzieć czym to się je i czy macie na takie danie apetyt. Pojawiający się bowiem już w dwudziestej drugiej sekundzie patent w stylu Immolation rzuca na glebę i nakazuje tam pozostać do końca kompozycji. Na swoim debiucie Amerykanie kultywują narodowe tradycje florydzko-nowojorskie w najlepszy z możliwych sposobów. „Abysmal Stillness” to sto procent amerykańskiego death metalu. Poza inspiracjami płynącymi wartkim nurtem od ekipy Vigny i Dolana (nawet maniera wokalna chwilami zdaje się podobna) nie da się w tych dźwiękach nie zauważyć także starej gitarowej szkoły Johna McEntee. Myli się jednak kto z góry w tym momencie zakłada, że Profane Desecration to jedynie bezmyślna kalka tych dwóch ekip, choć nie zaprzeczę, iż ich wpływy są tu najwyraźniej słyszalne. Zespół na bazie tych dwóch składników stara się stworzyć coś własnego. Mamy tu zatem sporo nagłych przyspieszeń, doomowy wstęp do „The Reaper Is Waiting”, albo „At Midnight”, utwór z czysto punkowym feelingiem, brzmiący trochę jakby z innej bajki. Natomiast w „Abysmal” słyszymy fragment mocno w stylu Morbid Angel. Patrząc zatem globalnie pełniak Profane Desecration gwarantuje sporą ilość strzałów na pysk, choć znajdą się na nim także, nieliczne ale jednak, słabsze ogniwa, jak choćby nieco nijaki „Forest Graves”. Mimo tego lekkiego potknięcia i tak jest bardzo dobrze. Jankesi postarali się, by brzmienie ich nagrań było staroszkolne z głęboko dudniącym basem i głośno cykającymi blachami. Jeśli już wspominam o tym instrumencie, to styl gry i tempo dyktowane przez bębniarza jak żywo przypomina mi singapurskie Impiety. I chcąc nie chcąc znów wracam do porównań, ale nic nie poradzę, że w tego typu śmierć metalu prochu nikt ponownie nie wymyśli. Najważniejsze, że Profane Desecration układają klocki w odpowiednio urozmaicony sposób. To mi wystarczy bym mógł spędzić z „Abysmal Stillness” wiele przyjemnych odsłuchów. Wam też radzę czynić podobnie, bo jest na czym ucho zawiesić.

jesusatan



..::TRACK-LIST::..

1. Dead Planet 04:27
2. Leave No Trace 02:51
3. The Reaper is Waiting 04:35
4. At Midnight 02:05
5. Forest Graves 03:18
6. Abysmal 05:03
7. Stilness 03:57
8. The Drowning Temple 05:42



..::OBSADA::..

K - Guitar
B - Vocals, Bass
M - Drums




https://www.youtube.com/watch?v=SRjr-FRBRyU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Szybki i bezlitosny brutalny death/grind. Połączenie Brujeria i Napalm Death.
Nie ma litości...



...( TrackList )...

1. Mundo En Llamas 1:04
2. Estado Brutal 3:44
3. Himno Del Odio 2:08
4. Mata O Muere 3:19
5. 100% Terroristas 3:01
6. Enemigo 3:29
7. Malditas Partes (En Mi Mente) 2:48
8. O.S.S.A.M.A. 0:29
9. Cadenas Sangrientas 4:00
10. Enfermo De Mierda 2:09
11. Desprecio 3:20
12. Un Minuto De Silencio 3:16
13. Disturbios 12:07

Videoclip - Himno Del Odio 2:28
Video Editor – Diego Martínez




https://www.youtube.com/watch?v=nstCvaWVF8k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Szybki i bezlitosny brutalny death/grind. Połączenie Brujeria i Napalm Death.
Nie ma litości...



..::TRACK-LIST::..

1. Mundo En Llamas 1:04
2. Estado Brutal 3:44
3. Himno Del Odio 2:08
4. Mata O Muere 3:19
5. 100% Terroristas 3:01
6. Enemigo 3:29
7. Malditas Partes (En Mi Mente) 2:48
8. O.S.S.A.M.A. 0:29
9. Cadenas Sangrientas 4:00
10. Enfermo De Mierda 2:09
11. Desprecio 3:20
12. Un Minuto De Silencio 3:16
13. Disturbios 12:07

Videoclip - Himno Del Odio 2:28
Video Editor – Diego Martínez




https://www.youtube.com/watch?v=nstCvaWVF8k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Jakiś czas temu zostałem poproszony o ponowne wstawienie pierwszych trzydziestu krążków z tego genialnego box'u w mp3.
Trochę to trwało, osobie zainteresowanej wyjaśniłem, poprosiłem o cierpliwość... i mam nadzieję, że sprawię przyjemność... W końcu!



..::OPIS::..

Wydany na jesieni 2009 roku box Milesa Davisa „zawiera 52 tytuły i łącznie aż 70 krążków! Po niedawnej, wystrzałowej reedycji dzieł wszystkich The Beatles, to przedsięwzięcie wydawnicze przebija rozmiarem wszystko tego typu, a już na pewno w kategorii jazzu. Po słynnej serii dziesięciu 3-7 kompaktowych boksów, integrujących wszystkie nagrania w wybranych okresach, firma Columbia „poszła na całość” i zaoferowała w jednym pudełku w cienkich tekturowych okładkach wszystkie płyty, jakie firmował Davis pod szyldem Columbii w okresie od 1955 do 1985 r., kiedy nagrywał wyłącznie dla Columbii lub Sony Music.

Pewien chronologiczny wyjątek stanowi włączenie do zwartej kolekcji nieco zapomnianego albumu „In Paris Festival International de Jazz; May 1949”, poszerzonego o dwa niepublikowane utwory. Wtedy to Davis odbył pierwszą podróż do Europy, gdzie przyjmowano go entuzjastycznie, a towarzyszyli mu na scenie: James Moody - ts, Tadd Dameron - p, Barney Spieler - b i Kenny Clarke - dr. Innym, niepublikowanym wcześniej dokumentem z trasy europejskiej jest krążek DVD „Live In Europe ’67” (jedyny w zestawie materiał wideo) zawierający rejestrację z dwóch występów kwintetu Davisa w Sztokholmie i Karlsruhe. Jak na mistrzowską formację przystało (Wayne Shorter - ts, Herbie Hancock - p, Ron Carter - b, Tony Williams - dr), podobny repertuar koncertu grywany w tamtym okresie, przedstawili w wyraźnie odmienny sposób. Można się naocznie przekonać, jak rodziła się ta unikalna interakcja między członkami grupy Davisa, choć on sam wydawał się być jakby ponad nią.

Znakomita większość kompaktów zawiera oryginalny materiał, jaki znajdował się jeszcze na płytach winylowych, lecz repertuar niektórych tytułów został rozszerzony, i tak do „Quiet Nights” dodano dwa utwory, które ukazały się wcześniej na składankach. Podwójny „At Plugged Nickel” zawiera oryginalną sekwencję utworów z koncertu, a wszystkie one pojawiły się w pełnym wymiarze, bez wcześniejszych edytorskich wyciszeń. Materiał z występu septetu Davisa (Gary Bartz - ss, Keith Jarrett, Chick Corea - keyb, Dave Holland - b, Jack DeJohnette - dr, Airto Moreira - perc) podczas angielskiego festiwalu rockowego na wyspie Wight był dotychczas dostępny tylko w okrojonej formie na potrójnej składance z udziałem innych zespołów, lub w pełnym wymiarze na DVD „Electric Miles” wydanym kilka lat temu. Utworzono więc nowy tytuł „Isle Of Wight”, zawierający pełną wersję koncertu w wersji audio i taki włączono do niniejszego zestawu. Wreszcie podwójny album „We Want Miles” wzbogacono o trzy utwory pochodzące z rzadkiej koncertowej płyty „Miles! Miles! Miles!”, wydanej wcześniej wyłącznie w Japonii.

Poszczególne kompakty, w zremasterowanej formie (w sensie audio), zostały opakowane w tekturowe okładki w stylu używanym przez wydawców japońskich. Na okładkach zamieszczono reprodukcje z oryginałów jakie znajdowały się na płytach winylowych. W pudełku o niemonstrualnych rozmiarach oprócz kompaktów znajduje się jeszcze 250-stronicowa książka z biograficznym esejem (w trzech językach) pióra Frederica Goaty’ego, rzadkimi fotosami, memorabiliami, pełną dyskografią z odnośnymi komentarzami Francka Bergerota i indeksem wszystkich utworów.

Powyższe szczegóły są istotne dla kolekcjonerów maksymalistów, również dla tych, którzy pragną odświeżyć zbiory zredukowanym objętościowo cackiem. Natomiast dla rozpoczynających przygodę z jazzem, pragnących zgłębić fenomen maestrii Davisa i prześledzić ewolucję jego koncepcji artystycznych, jest to kuszący (również ceną rzędu 170 EUR) sposób wejścia w posiadanie swego rodzaju jazzowej Biblii w wersji limitowanej.

Mniej wtajemniczonym należy przypomnieć, że znajdą w unikalnym zestawie albumy, które decydująco wpłynęły na rozwój jazzu i wytyczały obszar jazzowego idiomu. Mamy więc w zbiorze uznaną za bezapelacyjnie najwspanialszą płytę jazzową wszech czasów „Kind Of Blue”, której doskonałość i piękno dostrzegły jednomyślnie już dwa pokolenia fanów i krytyków; tego można słuchać bez końca! Kolejne tytuły, które zdobyły najwyższe oceny, a może tylko minimalnie ustępowały kunsztem artystycznym, jak „Miles Ahead”, „Milestones”, „Miles Smiles”, „Bitches Brew”, „On The Corner”, „Agharta” i „Aura”, stanowiły punkty zwrotne w kształtowaniu oblicza jazzu w różnych okresach, a niekiedy, jak w przypadku trzech ostatnich pozycji, wyprzedziły epokę.

Nie można też zapomnieć o cudownym potraktowaniu przez hipnotyczną trąbkę Davisa klimatów hiszpańskich w „Sketches Of Spain”, przy niezwykle harmonijnym wtórowaniu orkiestry Gila Evansa, kojącego nastrojem i urokiem albumu „In a Silent Way”, odmalowaniu bokserskich emocji w ścieżce muzycznej do filmu „Jack Johnson”, czy wreszcie futurystycznym szkicu jazzu przyszłości przedstawionym na koncertowym albumie „Pangaea”, jakby desperacko rzuconym przez mistrza przed pięcioletnią przerwą w działalności artystycznej. Na brak wrażeń nie można narzekać przy każdej pozycji.

Hasło noszone w klapach na pamiętnym Jazz Jamboree ’83 z udziałem Davisa jest nadal aktualne: „We Want Miles!”.

Cezary Gumiński



..::TRACK-LIST::..

1. In Paris Festival International De Jazz May, 1949 *
2. 'Round About Midnight *
3. Circle In The Round (2CD)
4. Miles Ahead *
5. Milestones *
6. 1958 Miles *
7. At Newport 1958 *
8. Porgy And Bess *
9. Jazz At The Plaza
10. Kind Of Blue *
11. Sketches Of Spain *
12. Directions (2CD)
13. Someday My Prince Will Come *
14. In Person At The Blackhawk Friday Night (2CD) *
15. In Person At The Blackhawk Saturday Night (2CD) *
16. At Carnegie Hall (2CD) *
17. Quiet Nights *
18. Seven Steps To Heaven *
19. In Europe *
20. My Funny Valentine
21. 'Four' & More
22. Miles In Tokyo
23. Miles In Berlin *
24. E.S.P.
25. At Plugged Nickel, Chicago (2CD)
26. Miles Smiles
27. Sorcerer *
28. Nefertiti *
29. Water Babies *
30. Miles In The Sky *

Albums marked with * contain non-LP bonus tracks.



https://www.youtube.com/watch?v=8LydJ8nHg4I



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Beach Boys - Made In U.S.A.
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Artist...............: Beach Boys
Album................: Made In U.S.A.
Genre................: Pop
Source...............: CD
Year.................: 1986
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
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1. Beach Boys - Surfin' Safari [02:06]
2. Beach Boys - 409 [01:59]
3. Beach Boys - Surfin' U.S.A. [02:27]
4. Beach Boys - Be True To Your School [02:07]
5. Beach Boys - Surfer Girl [02:23]
6. Beach Boys - Dance, Dance, Dance [01:58]
7. Beach Boys - Fun, Fun, Fun [02:16]
8. Beach Boys - I Get Around [02:11]
9. Beach Boys - Help Me Rhonda [02:45]
10. Beach Boys - Don't Worry Baby [02:42]
11. Beach Boys - California Girls [02:36]
12. Beach Boys - When I Grow Up (To Be A Man) [02:01]
13. Beach Boys - Barbara Ann [02:04]
14. Beach Boys - Good Vibrations [03:36]
15. Beach Boys - Heros And Villains [03:37]
16. Beach Boys - Wouldn't It Be Nice [02:22]
17. Beach Boys - Sloop John B. [02:56]
18. Beach Boys - God Only Knows [02:48]
19. Beach Boys - Caroline, No [02:17]
20. Beach Boys - Do It Again [02:19]
21. Beach Boys - Rock And Roll Music [02:28]
22. Beach Boys - Come Go With Me [02:07]
23. Beach Boys - Getcha Back [03:01]
24. Beach Boys - Rock 'N' Roll To The Rescue [03:44]
25. Beach Boys - California Dreamin' [03:11]

Playing Time.........: 01:04:11
Total Size...........: 370,47 MB

..::INFO::..

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Chubby Checker - All The Hits
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Artist...............: Chubby Checker
Album................: All The Hits
Genre................: Rock & Roll
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eclipse

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Chubby Checker - The Twist [02:36]
2. Chubby Checker - The Hucklebuck [02:29]
3. Chubby Checker - Pony Time [02:25]
4. Chubby Checker - Let's Twist Again [02:20]
5. Chubby Checker - The Fly [02:25]
6. Chubby Checker - Slow Twistin' [02:34]
7. Chubby Checker - Limbo Rock [02:23]
8. Chubby Checker - Let's Limbo Some More [02:15]
9. Chubby Checker - The Class [02:17]
10. Chubby Checker - Birdland [02:24]
11. Chubby Checker - Hey Bobba Needle [02:19]
12. Chubby Checker - Loddy Lo [02:08]
13. Chubby Checker - Hooka Tooka [02:11]
14. Chubby Checker - Do The Freddy [02:24]
15. Chubby Checker - Lazy Ellie Molly [02:19]
16. Chubby Checker - Dancin' Party [02:06]
17. Chubby Checker - Twist & Shout [02:29]
18. Chubby Checker - Shake Rattle And Roll [02:35]
19. Chubby Checker - At The Hop [02:35]
20. Chubby Checker - Twistin' USA [02:29]
21. Chubby Checker - Twist Along [02:38]
22. Chubby Checker - Twistin' Round The World [02:35]
23. Chubby Checker - Twistin' [01:49]
24. Chubby Checker - Don't Knock The Twist [00:20]
25. Chubby Checker - Dance Along [04:29]
26. Chubby Checker - Oh, Susanna [02:36]
27. Chubby Checker - Blueberry Hill [02:14]
28. Chubby Checker - Hound Dog [02:14]
29. Chubby Checker - Mister Twister [02:40]
30. Chubby Checker - Whole Lotta Twistin' Goin' On [02:34]

Playing Time.........: 01:12:07
Total Size...........: 456,54 MB

..::INFO::..

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Tracy Chapman - Tracy Chapman
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Artist...............: Tracy Chapman
Album................: Tracy Chapman
Genre................: Folk-Rock
Source...............: CD
Year.................: 1988
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 54 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Elektra

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. Tracy Chapman - Talkin' Bout a Revolution [02:39]
2. Tracy Chapman - Fast Car [04:56]
3. Tracy Chapman - Across the Lines [03:24]
4. Tracy Chapman - Behind the Wall [01:49]
5. Tracy Chapman - Baby Can I Hold You [03:14]
6. Tracy Chapman - Mountains O' Things [04:39]
7. Tracy Chapman - She's Got Her Ticket [03:56]
8. Tracy Chapman - Why? [02:06]
9. Tracy Chapman - For My Lover [03:12]
10. Tracy Chapman - If Not Now... [03:01]
11. Tracy Chapman - For You [03:09]

Playing Time.........: 36:11
Total Size...........: 199,28 MB

...( Info )...


Artist: Thea Gilmore
Album: Songs from the Gutter
Year: (2003)
Genre: Folk rock with singer-songwriter and acoustic elements
Format: [FLAC]

...( TrackList )...

01 - Down to Nowhere
02 - When Did You Get So Safe_
03 - Tear it All Down
04 - The Dirt is Your Lover Now
05 - I Dreamed I Saw St. Augustine
06 - Lip Reading
07 - Heart String Blues
08 - Mud on My Shoes
09 - Water to Sky
10 - And We'll Dance
11 - Cover Me
12 - I'm Not Done
13 - Hydrogen
14 - Beelzebub
15 - Maybe
16 - Red Farm
17 - Brittle Dreams
18 - December in New York
19 - Gun Cotton
20 - Don't Set Foot Over the Railway Track
21 - Lavender Cowgirl
22 - You Tell Me
23 - Straight Lines

...( Info )...

Artist...............: V.A.
Album................: Vintage Café: Lounge and Jazz Blends (Special Selection), Vol. 25
Genre................: Jazz Lounge
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Beluga's Trio & Marianne Pretty - Down Under (Acoustic Version)
002. Banda Do Sul & Ivette Moraes Feat. Hudson Guitar Quartet - Strange Magic
003. The Cooltrane Quartet & Nenei - L'AMOUR DE MA VIE
004. Stella Starlight Trio - People From Ibiza
005. The Cooltrane Quartet - Sussudio
006. Sarah Menescal - Vogue
007. Eve St. Jones - Blame It on the Boogie (Acoustic Version)
008. Apollinare Rossi - Keep On Loving You
009. Anakelly - Love Never Felt So Good (Jazz & Bossa Nova Mix)
010. Pinky Dread - What a Wonderful World
011. Beluga's Trio - Good Luck, Babe!
012. Anakelly, Natty Bong & Shelly Sony - Cherry Coke
013. Lizette & Groove Da Praia - Wrapped Around Your Finger
014. The Molsbees Feat. Eve St. Jones - Breakfast in Bed (Index Remix)
015. Scubba & Ivette Moraes - Human Nature
016. Quadra & Benjamin - Don't Disturb This Groove
017. Sarah Menescal - Underneath Your Clothes
018. Beleza Mourao & Ecko Presents Bossardo - And She Was
019. Roger Beck - Bye Bye Bye (Natio Remix)
020. Glambeats Corp. - The Way You Make Me Feel (Nikko Mad Mix)
021. Ronan, Michelle Simonal & Nikko Mad - Can't Get Enough of Your Love, Babe
022. Blue System, Dual Sessions & Ronan - Just When I Needed You Most (Ronan Remix)
023. Sublime Reggae Kings - Enola Gay (Lounge Remix)
024. Nova Bossa Ltd. - Let's Go
025. Michelle Simonal - Beautiful Love
026. Dinah York & Brazil XXI - Livin' on the Edge of the Night
027. Bossart Ensemble & Luca Giacco - Harvest Moon
028. George White Group - Away From You
029. Lizette - Boys Do Fall in Love
030. Stella Starlight Trio - End of the World

..::INFO::..

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Cher - The Very Best Of
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Artist...............: Cher
Album................: The Very Best Of
Genre................: Pop
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. Cher - Believe [03:59]
2. Cher - If I Could Turn Back Time [04:01]
3. Cher - Heart of Stone [04:11]
4. Cher - Just Like Jesse James [04:07]
5. Cher - Save Up All Your Tears [04:00]
6. Cher - After All (Love Theme from Chances Are) (with Peter Cetera)[04:05]
7. Cher - I Found Someone [03:44]
8. Cher - One by One (Junior Vasquez Vocal Edit) [04:24]
9. Cher - Strong Enough [03:43]
10. Cher - All or Nothing [03:58]
11. Cher - Song for the Lonely (Edit) [03:22]
12. Cher - Take Me Home (Edit) [03:29]
13. Cher - The Shoop Shoop Song (It's in His Kiss) [02:52]
14. Cher - All I Really Want to Do [02:58]
15. Cher - Bang Bang (My Baby Shot Me Down) [02:45]
16. Cher - Half-Breed [02:45]
17. Cher - Gypsys, Tramps & Thieves [02:37]
18. Cher - Dark Lady [03:28]
19. Cher - The Beat Goes On (Sonny & Cher) [03:29]
20. Cher - I Got You Babe (Sonny & Cher) [03:11]
21. Cher - A Different Kind Of Love Song (Rodney Jerkins Main Mix-Faster)[04:19]

Playing Time.........: 01:15:36
Total Size...........: 512,51 MB