...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To klasyczny rock progresywny z elementami hard rocka i folku, wszystko wrzucone do kotła lat 70. i zmieszane z miłością.
To typ albumu, który sprawia, że ​​słuchacz na nowo zakochuje się w tym gatunku.

Nie brzmi to jak album z 2026 roku, ale raczej jak zaginione arcydzieło sprzed 50 lat...

'Pestkrønikene' to piękna, dziwna, a momentami wręcz dzika podróż przez folkowy mistycyzm, psychodeliczne brzmienia i inspirowany latami 70. rock progresywny.

BRYLANT!!!


JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene.

Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock. To say that band and record, both in general, blend ‘70s heavy rock like Deep Purple, Rush, and Ashbury with the progressive landscapes of Gentle Giant, Høst, and Landberk somewhat undersells JORDSJØ’s particular headspace. The soothingly otherworldly atmosphere sounds incredibly era-authentic but, more so, exists in a parallel universe worth revisiting over and over again; truly, new details and vistas open up with each spin, even with the soundfield being lushly Spartan. To make that anniversary all the sweeter, JORDSJØ are here joined by a few amazing guests: Jon Henriksen from Black Magic, Kristian Valbo from Obliteration / Aura Noir, and Andreas Prestmo and Lars Fredrik Frøislie from Wobbler. Sonic alchemy, Pestkrønikene is.

Succinct yet deceptively expansive at just 36 minutes, Pestkrønikene is a generous feast of fantastical, extra-dimensional exploration. While not “heavy” in the usual DYING VICTIMS sense, JORDSJØ honor the old ways – handmade, honest, even heroic.



This is completely unexpected. A heavy prog Jordsjø. They were never known to be this heavy but on Pestkrønikene they do just that. Musically it has more in common with the likes of Deep Purple, Uriah Heep, Atomic Rooster, even Rush than anything else they have ever done. There were bands like Black Bonzo from Sweden and Standarte from Italy that played this sort of stuff who did similar kind of retro heavy rock who let everyone know who were their big inspiration. Jordsjø still keeps Håkon Oftung and Kristian Frøland as usual but the guests include Jon Henriksen of Black Magic (who contributes two songs, one of them amusingly called "White Magic"), Lars Fredrik Frøislie, Andreas Prestmo and Kristian Valbo. All these recordings are from 2020 to 2025 and they're obviously from sessions with material that would never fit with the albums they were working on like Pastoralia and Salighet. What's shocking is the musical approach. It's much more direct and heavy, with much more aggressive guitar and heavily fuzzed organ. This is all a very accessible album as well but it's clear they are channeling the heavy rock greats of the past. While Jon Henriksen and Andreas Prestmo contribute vocals to many of the songs, the songs that Håkon sing on has a much more aggressive vocal approach which is nothing that I expected from him as he always gave me the impression he was an introvert as the standard Jordsjø music sounded like music for introverts. I am happy to finally got the wish to see Lars Fredrik Frøislie making a guest here, I knew it was a matter of time. He provides a great Moog solo on "Kaosveldets Endelikt". All the vocals are in English except for the title track. With this album it's very hard telling if this is a one-off because it truly is nothing like anything they ever done before. Only "Kaosvelde - Vasallens Elegi" hearkens back to the more conventional Jordsjø sound, and it's instrumental. I have to say I've been more partial to their usual sound, Nattfiolen is by far my favorite and I'd throw in Kontraster as my favorite as well even though they only contributed one half of it. Still what they did on Pestkrønikene was great and is not your typical Jordsjø. I know this album will throw off longtime fans but if you fancy the idea of a heavy Jordsjø, give it a try, it's nothing like they ever did before and they did a great job at it.

Progfan97402



..::TRACK-LIST::..

1. Pestkrønikene 04:29
2. White Magic (feat. Jon A. Henriksen) 04:42
3. Seven Heads 04:36
4. Kaosvelde - Vasallens Elegi 03:14
5. Kaosveldets Endelikt (feat. Lars Fredrik Frøislie) 03:17
6. The Awakened (feat. Andreas Prestmo) 04:17
7. Spiritual Lament (feat. Kristian Valbo) 05:41
8. Talisman II (feat. Jon A. Henriksen) 04:57



..::OBSADA::..

Håkon Oftung - vocals, guitars, flute, keyboards
Kristian Frøland - drums & percussion

With:
Jon A. Henriksen - vocals (2,8), tambourine (2)
Lars Fredrik Frøislie - Minimoog Model D (5)
Andreas Prestmo - vocals (6)
Kristian Valbo - drums (7)



https://www.youtube.com/watch?v=84rQHfBmyy8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To klasyczny rock progresywny z elementami hard rocka i folku, wszystko wrzucone do kotła lat 70. i zmieszane z miłością.
To typ albumu, który sprawia, że ​​słuchacz na nowo zakochuje się w tym gatunku.

Nie brzmi to jak album z 2026 roku, ale raczej jak zaginione arcydzieło sprzed 50 lat...

'Pestkrønikene' to piękna, dziwna, a momentami wręcz dzika podróż przez folkowy mistycyzm, psychodeliczne brzmienia i inspirowany latami 70. rock progresywny.

BRYLANT!!!


JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene.

Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock. To say that band and record, both in general, blend ‘70s heavy rock like Deep Purple, Rush, and Ashbury with the progressive landscapes of Gentle Giant, Høst, and Landberk somewhat undersells JORDSJØ’s particular headspace. The soothingly otherworldly atmosphere sounds incredibly era-authentic but, more so, exists in a parallel universe worth revisiting over and over again; truly, new details and vistas open up with each spin, even with the soundfield being lushly Spartan. To make that anniversary all the sweeter, JORDSJØ are here joined by a few amazing guests: Jon Henriksen from Black Magic, Kristian Valbo from Obliteration / Aura Noir, and Andreas Prestmo and Lars Fredrik Frøislie from Wobbler. Sonic alchemy, Pestkrønikene is.

Succinct yet deceptively expansive at just 36 minutes, Pestkrønikene is a generous feast of fantastical, extra-dimensional exploration. While not “heavy” in the usual DYING VICTIMS sense, JORDSJØ honor the old ways – handmade, honest, even heroic.



This is completely unexpected. A heavy prog Jordsjø. They were never known to be this heavy but on Pestkrønikene they do just that. Musically it has more in common with the likes of Deep Purple, Uriah Heep, Atomic Rooster, even Rush than anything else they have ever done. There were bands like Black Bonzo from Sweden and Standarte from Italy that played this sort of stuff who did similar kind of retro heavy rock who let everyone know who were their big inspiration. Jordsjø still keeps Håkon Oftung and Kristian Frøland as usual but the guests include Jon Henriksen of Black Magic (who contributes two songs, one of them amusingly called "White Magic"), Lars Fredrik Frøislie, Andreas Prestmo and Kristian Valbo. All these recordings are from 2020 to 2025 and they're obviously from sessions with material that would never fit with the albums they were working on like Pastoralia and Salighet. What's shocking is the musical approach. It's much more direct and heavy, with much more aggressive guitar and heavily fuzzed organ. This is all a very accessible album as well but it's clear they are channeling the heavy rock greats of the past. While Jon Henriksen and Andreas Prestmo contribute vocals to many of the songs, the songs that Håkon sing on has a much more aggressive vocal approach which is nothing that I expected from him as he always gave me the impression he was an introvert as the standard Jordsjø music sounded like music for introverts. I am happy to finally got the wish to see Lars Fredrik Frøislie making a guest here, I knew it was a matter of time. He provides a great Moog solo on "Kaosveldets Endelikt". All the vocals are in English except for the title track. With this album it's very hard telling if this is a one-off because it truly is nothing like anything they ever done before. Only "Kaosvelde - Vasallens Elegi" hearkens back to the more conventional Jordsjø sound, and it's instrumental. I have to say I've been more partial to their usual sound, Nattfiolen is by far my favorite and I'd throw in Kontraster as my favorite as well even though they only contributed one half of it. Still what they did on Pestkrønikene was great and is not your typical Jordsjø. I know this album will throw off longtime fans but if you fancy the idea of a heavy Jordsjø, give it a try, it's nothing like they ever did before and they did a great job at it.

Progfan97402



..::TRACK-LIST::..

1. Pestkrønikene 04:29
2. White Magic (feat. Jon A. Henriksen) 04:42
3. Seven Heads 04:36
4. Kaosvelde - Vasallens Elegi 03:14
5. Kaosveldets Endelikt (feat. Lars Fredrik Frøislie) 03:17
6. The Awakened (feat. Andreas Prestmo) 04:17
7. Spiritual Lament (feat. Kristian Valbo) 05:41
8. Talisman II (feat. Jon A. Henriksen) 04:57



..::OBSADA::..

Håkon Oftung - vocals, guitars, flute, keyboards
Kristian Frøland - drums & percussion

With:
Jon A. Henriksen - vocals (2,8), tambourine (2)
Lars Fredrik Frøislie - Minimoog Model D (5)
Andreas Prestmo - vocals (6)
Kristian Valbo - drums (7)



https://www.youtube.com/watch?v=84rQHfBmyy8


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Patrick Philippe Moraz (ur. 24 czerwca 1948 w Villars-Ste-Croix w Szwajcarii) to szwajcarski muzyk rockowy i jazzowy, kompozytor, grający na instrumentach klawiszowych. Współpracownik wielu zespołów, m.in. Mainhorse, Refugee, Yes i The Moody Blues. Wstawka zawiera powszechnie znany jako The Story of I, pierwszy solowy album klawiszowca, wydany w kwietniu 1976 roku. Jest to album koncepcyjny skupiający się na budynku, do którego ludzie wchodzą i wspinają się, aby spełnić swoje marzenia, umierając po dotarciu do szczyt.

Title: The Story of I

Artist: Patrick Moraz

Country: Szwajcaria

Year: 1976

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Impact
2.Warmer Hands
3.The Storm
4.Cachaça (Baiao
5.Intermezzo
6.Indoors
I. "Interaction
II. "Imps' Dance
7.Best Years of Our Lives
8.Descent
9.Incantation (Procession)
10.Dancing Now
11.Impressions (The Dream)
12.Like a Child in Disguise
13.Rise and Fall
I. Degenerescence of Love Theme No III
II. Magic Preparation Dance
III. The Last Call to Destiny
IV. The Final Push from the Imps onto the Diving Board
14.Symphony in the Space

Genre: Technical/Progressive Thrash Metal
Country of Artist (Band): Poland
Year of Release: 2024 - 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 01:55:30
Availability of scans in the download: No

Tracklist:
2024 - Instrumental (01:08:37)
2026 - Beczkomiot (00:46:53)

https://www.metal-archives.com/bands/Keg_Thrower/3540545339

..::INFO::..

---------------------------------------------------------------------
Budgie - Best Of Budgie
---------------------------------------------------------------------

Artist...............: Budgie
Album................: Best Of Budgie
Genre................: Rock
Source...............: CD
Year.................: 1989
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 58 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Metal Mania - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Budgie - Whisky River [03:20]
2. Budgie - Guts [04:22]
3. Budgie - Rolling Home Again [01:45]
4. Budgie - Homicidal Suicidal [06:45]
5. Budgie - Hot As A Docker's Armpit [05:56]
6. Budgie - Drugstore Woman [03:18]
7. Budgie - Rocking Man [05:28]
8. Budgie - You And I [01:45]
9. Budgie - Rape Of The Locks [06:15]
10. Budgie - Stranded [06:18]

Playing Time.........: 45:17
Total Size...........: 266,06 MB

..::INFO::..

---------------------------------------------------------------------
Ritchie Blackmore - Best Tracks
---------------------------------------------------------------------

Artist...............: Ritchie Blackmore
Album................: Best Tracks
Genre................: Rock
Source...............: CD
Year.................: 1995
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Deep Purple Overseas – Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Deep Purple - Highway Star (Live) [06:41]
2. Ritchie Blackmore - Intro - Over the Rainbow - Kill the King (Live)[05:15]
3. Deep Purple - Burn (Live) [06:35]
4. Deep Purple - Smoke on the Water (Live) [06:27]
5. Ritchie Blackmore - Man on the Silver Mountain (Live) [13:05]
6. Deep Purple - Black Night (Live) [06:57]
7. Ritchie Blackmore - Sixteenth Century Greensleeves (Live)[07:28]
8. Deep Purple - Painted Horse [05:16]
9. Deep Purple - Playground [05:17]
10. Ritchie Blackmore - Guitar Job [05:02]
11. Deep Purple - No No No (Live) [06:11]

Playing Time.........: 01:14:18
Total Size...........: 461,77 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana, limitowana, europejska edycja nagranego jesienią 1972 a wydanego przez Polydor w marcu 1973 trzeciego (i ostatniego, doskonałego) albumu Holendrów grających stylowego rocka progresywnego z najwyższej półki w stylistyce Pink Floyd, Camel, starych Genesis, The Moody Blues i Focus - ze świetnym, żeńskim wokalem. Tak jak w przypadku CD 'Songs Of The Marching Children' (również wydanego ostatnio z bonusami przez Prog Gems) jedną stronę płyty wypełnia genialna, chyba jeszcze lepsza, zachwycająca 17-minutowa suita łącząca obłędną melodykę z progresywnym kanonem. Wszyscy fani klasycznego prog-rocka (zawodzące, ale mocno brzmiące gitary, analogowy syntezator, organy Hammonda, mellotron, mroczne klimaty) będą zachwyceni i wiem, co piszę, gdyż na przestrzeni lat mocno nie doceniałem tego albumu!
Dodatkowo do płytki dołączono 7 nagrań - w tym B-stronę singla z 1974 oraz blisko 40-minutowy fragment świetnego koncertu z marca 1974 pochodzącego z archiwum oryginalnego dźwiękowca grupy. Niestety, po 1975 roku (po fajnej czwartej płycie) zespół zwrócił się ku muzyce pop i nieco zszargał reputację bycia wraz z Focus najlepszą, moim zdaniem, progresywną grupą z Holandii! Dźwięk jest doskonały i oczywiście bije na głowę pozbawione życia wersje z youtube czy spotify.

JL



..::TRACK-LIST::..

1. Atlantis 16:23
- Prelude
- Prologue (Don't Know)
- Rise And Fall (Under A Cloudy Sky)
- Theme Of Atlantis
- The Threat (Suddenly)
- Destructions (Rumbling From Inside The Earth)
- Epilogue (Don't Know)
2. Maybe Tomorrow, Maybe Tonight 3:12
3. Interlude 1:57
4. Fanfare 6:03
5. Theme From Atlantis 1:50
6. Love, Please Close The Door 4:11

Bonus Tracks:
7. Tuffy The Cat (Single B-side, 1974) 3:14
8. Song Of The Marching Children (Live) 19:45
9. Atlantis / In The Mountains (Live) 6:48
10. Fanfare (Live) 6:24
11. Theme From Atlantis (Live) 3:00
12. Maybe Tomorrow, Maybe Tonight (Live) 2:04
13. She Has Funny Cars (Live in Berlin, Autumn 1971) 4:28



..::OBSADA::..

Organ, Mellotron, Piano, Synthesizer, Flute, Virginal - Gerard Koerts
Bass Guitar - Hans Ziech
Drums, Percussion - Ton v. d. Kleij
Electric Guitar, Acoustic Guitar, Vocals - Chris Koerts
Lead Vocals - Jerney Kaagman



https://www.youtube.com/watch?v=NkpFaKhR0_o


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana, limitowana, europejska edycja nagranego jesienią 1972 a wydanego przez Polydor w marcu 1973 trzeciego (i ostatniego, doskonałego) albumu Holendrów grających stylowego rocka progresywnego z najwyższej półki w stylistyce Pink Floyd, Camel, starych Genesis, The Moody Blues i Focus - ze świetnym, żeńskim wokalem. Tak jak w przypadku CD 'Songs Of The Marching Children' (również wydanego ostatnio z bonusami przez Prog Gems) jedną stronę płyty wypełnia genialna, chyba jeszcze lepsza, zachwycająca 17-minutowa suita łącząca obłędną melodykę z progresywnym kanonem. Wszyscy fani klasycznego prog-rocka (zawodzące, ale mocno brzmiące gitary, analogowy syntezator, organy Hammonda, mellotron, mroczne klimaty) będą zachwyceni i wiem, co piszę, gdyż na przestrzeni lat mocno nie doceniałem tego albumu!
Dodatkowo do płytki dołączono 7 nagrań - w tym B-stronę singla z 1974 oraz blisko 40-minutowy fragment świetnego koncertu z marca 1974 pochodzącego z archiwum oryginalnego dźwiękowca grupy. Niestety, po 1975 roku (po fajnej czwartej płycie) zespół zwrócił się ku muzyce pop i nieco zszargał reputację bycia wraz z Focus najlepszą, moim zdaniem, progresywną grupą z Holandii! Dźwięk jest doskonały i oczywiście bije na głowę pozbawione życia wersje z youtube czy spotify.

JL



..::TRACK-LIST::..

1. Atlantis 16:23
- Prelude
- Prologue (Don't Know)
- Rise And Fall (Under A Cloudy Sky)
- Theme Of Atlantis
- The Threat (Suddenly)
- Destructions (Rumbling From Inside The Earth)
- Epilogue (Don't Know)
2. Maybe Tomorrow, Maybe Tonight 3:12
3. Interlude 1:57
4. Fanfare 6:03
5. Theme From Atlantis 1:50
6. Love, Please Close The Door 4:11

Bonus Tracks:
7. Tuffy The Cat (Single B-side, 1974) 3:14
8. Song Of The Marching Children (Live) 19:45
9. Atlantis / In The Mountains (Live) 6:48
10. Fanfare (Live) 6:24
11. Theme From Atlantis (Live) 3:00
12. Maybe Tomorrow, Maybe Tonight (Live) 2:04
13. She Has Funny Cars (Live in Berlin, Autumn 1971) 4:28



..::OBSADA::..

Organ, Mellotron, Piano, Synthesizer, Flute, Virginal - Gerard Koerts
Bass Guitar - Hans Ziech
Drums, Percussion - Ton v. d. Kleij
Electric Guitar, Acoustic Guitar, Vocals - Chris Koerts
Lead Vocals - Jerney Kaagman



https://www.youtube.com/watch?v=NkpFaKhR0_o


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Szkoda, że ​​to nasionko nigdy nie wykiełkowało...
Doskonały, 'kosmiczny' death metal z ciężkimi klawiszami w stylu Nocturnus.



Reissue of obscure Death Metal from 1997, old school technical Death like Nocturnus / Pestilence / Gorguts etc. First time with a larger pressing on real CD.



..::TRACK-LIST::..

1. Crusade to Terra 02:51
2. Conquest and Enslavement 03:28
3. Survival of Zeta Reticuli 03:06
4. Grapes of Wrath 02:41
5. Exodus Journey 03:39
6. The Forlorn 03:14



..::OBSADA::..

Michael F. - Bass
Henning Lanczek - Drums
Olaf Walinger - Guitars
Andreas G. - Guitars
Jan E. - Vocals



https://www.youtube.com/watch?v=KA_OmXEJ3sw


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Szkoda, że ​​to nasionko nigdy nie wykiełkowało...
Doskonały, 'kosmiczny' death metal z ciężkimi klawiszami w stylu Nocturnus.



Reissue of obscure Death Metal from 1997, old school technical Death like Nocturnus / Pestilence / Gorguts etc. First time with a larger pressing on real CD.



..::TRACK-LIST::..

1. Crusade to Terra 02:51
2. Conquest and Enslavement 03:28
3. Survival of Zeta Reticuli 03:06
4. Grapes of Wrath 02:41
5. Exodus Journey 03:39
6. The Forlorn 03:14



..::OBSADA::..

Michael F. - Bass
Henning Lanczek - Drums
Olaf Walinger - Guitars
Andreas G. - Guitars
Jan E. - Vocals



https://www.youtube.com/watch?v=KA_OmXEJ3sw


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Ewa Braun to nieistniejąca już niestety polska grupa zaliczana do sceny rocka alternatywnego i noise. Zespół, który powstał w Słupsku, uważany jest za jeden z najbardziej oryginalnych w historii polskiej muzyki w ogóle! Ewa Braun nagrała pięć płyt, w tym jedną koncertową. Zespół za płytę Sea Sea był nominowany do nagrody muzycznej Fryderyk ’99 i do Machinera w kategorii muzyka niezależna. Gazeta muzyczna BRUM uznała Sea Sea za płytę roku 1999. Muzyka zespołu znalazła się na płycie w prestiżowym brytyjskim piśmie muzycznym WIRE. Płyty ewy braun znajdują się w dystrybucji muzyki niezależnej w takich krajach jak: Niemcy, Holandia, Belgia, Dania, Japonia, USA, Czechy, Węgry, Chorwacja. Zespół ma na swoim koncie wiele koncertów w Polsce i w Europie. W maju 2000 roku, nakładem wytwórni Antena Krzyku Unc., ukazał się czwarty album zespołu pt. ELECTROMOVEMENT. Wstawka zawiera debiutancką płytę zespołu.

Title: Love Peace Noise

Artist: Ewa Braun

Country: Polska

Year: 1994

Genre: Rock, Noise

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.+∞
A2.Zeszły Piątek
A3.Stąd Do Wieczności
A4.Midnite Express
A5.Ogień
B1.Zmartwychwstanie
B2.1692
B3.Elektrownia Atomowa
B4.Ziemia
B5.-∞

..::INFO::..

Debiutancki album kanadyjskiego zespołu skapunkowego z Toronto.

Title: After the Riot

Artist: Rat Grenade

Country: Kanada

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Die Young
02. Parasite
03. Sugar
04. BREAK
05. Beat or Bust
06. Stagnating
07. Better Days
08. Exploding Head Syndrome
09. Bed Bugs
10. Where
11. Little Pieces

https://www.youtube.com/watch?v=-uGtS7AEIjA

..::INFO::..

---------------------------------------------------------------------
Van Morrison - The Best Of Van Morrison
---------------------------------------------------------------------

Artist...............: Van Morrison
Album................: The Best Of Van Morrison
Genre................: Rock
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Exile

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Van Morrison - Bright Side Of The Road [03:46]
2. Van Morrison - Gloria [02:37]
3. Van Morrison - Moondance [04:32]
4. Van Morrison - Baby Please Don't Go [02:42]
5. Van Morrison - Have I Told You Lately [04:20]
6. Van Morrison - Brown Eyed Girl [03:05]
7. Van Morrison - Sweet Thing [04:22]
8. Van Morrison - Warm Love [03:23]
9. Van Morrison - Wonderful Remark [03:58]
10. Van Morrison - Jackie Wilson Said (I'm In Heaven When You Smile)[02:58]
11. Van Morrison - Full Force Gale [03:15]
12. Van Morrison - And It Stoned Me [04:29]
13. Van Morrison - Here Comes The Night [02:47]
14. Van Morrison - Domino [03:05]
15. Van Morrison - Did Ye Get Healed [04:06]
16. Van Morrison - Wild Night [03:33]
17. Van Morrison - Cleaning Windows [04:42]
18. Van Morrison - Whenever God Shines His Light (with Cliff Richard)[04:54]
19. Van Morrison - Queen Of The Slipstream [04:55]
20. Van Morrison - Dweller On The Threshold [04:44]

Playing Time.........: 01:16:23
Total Size...........: 482,97 MB

...( Info )...

Artist: VA
Album: Hypnotised presents Progressive Trance
Genre: Trance
Edition: Black Hole Recordings - BHCD 269
Source: beatport
Duration: 03:55:47
Audio: MP3, 320 Kbps

...( TrackList )...


01. Junk Project - Composure (Original Mix) [8:49]
02. Nickelson - Aquaphonic (Original Mix) [8:05]
03. Cass & Slide - 3Tyrants@thebonaparte (2025 Remastered Original Mix) [10:41]
04. Van Bellen - Let Me Take You [On A Journey] (Original Mix) [8:32]
05. Azzido Da Bass - Dooms Night (Timo Maas Remix) [6:14]
06. The Traveler & In Motion - Believe (Original 12' Remix) [10:02]
07. Aquilia - Dreamstate (Original Mix) [7:16]
08. Lustral - Everytime (Nalin & Kane Remix) [8:33]
09. Red Sun - This Love (Longredsun Mix) [10:52]
10. World Clique - Different Signs (Original Mix) [7:14]
11. Private Taste - First (Original Mix) [9:22]
12. Perry O'Neil - Cold Fusion (Original Mix) [8:59]
13. Joker Jam - Innocence (Original Mix) [9:28]
14. Fu Man Choo - Outlaw (Praha Remix) [8:09]
15. Solarstone vs. Scott Bond - 3rd Earth (Re-Mastered Extended Mix) [8:48]
16. Starecase - Hopeless (Original Mix) [8:15]
17. DJ Remy - Backstabber (Original Mix) [6:59]
18. Max Graham - Falling Together (Original Mix) [10:51]
19. Delerium - Innocente (DJ Tiësto Remix) [7:28]
20. Lolo - Extended Horizon (Original Mix) [9:00]
21. Cultivate - Broken Pieces (Original Mix) [7:58]
22. Mark Otten - So Serene (Original Mix) [10:01]
23. Mr Sam vs. Fred Baker pres. As One - Forever Waiting (Original Mix) [12:00]
24. King Unique - Sugarhigh (Original Mix) [8:46]
25. Tastexperience - Highlander (Original Mix) [7:16]
26. TON TB - Rebirth (Original Mix) [8:31]
27. Karada - Last Flight (Original Mix) [7:55]

...( Info )...

Artist: VA
Album: Summer Trance Vibes Vol. 2
Genre: Trance
Publishing: Transorica Records - TRNCA638
Source: beatport
Duration: 00:56:21
Audio: MP3, 320 Kbps


...( TrackList )...

01. Nation Epic - Create VR (Extended Mix) [7:19]
02. VoiD Mechanic - Channel 84 (Original Mix) [4:26]
03. AlTuch - You And I (Original Mix) [3:59]
04. ProNator - The Switch (Original Mix) [4:58]
05. Soul Seers - Crying Angel (Original Mix) [7:51]
06. STANGIE - First Sunrise (Original Mix) [6:26]
07. Max SunRise - Night Aura (Original Mix) [6:25]
08. Core 8 - Nebula (Original Mix) [6:06]
09. Denis Kuzin - Beautiful Summer (Original Mix) [3:50]
10. D-Trancer - Elevation (Original Mix) [5:06]

...( Info )...

Artist: Adele
Album: 19
Genre: Soul, Jazz, Pop
Year of release: January 28, 2008
Label: XL Recordings – XLLP 313
Country of production: UK
Audio codec: FLAC
Rip type: tracks
Recording format: 24/96
Distribution format: 24/96
Duration: 43:29.461 (250,508,267 samples)


...( TrackList )...

1. Daydreamer 3:40
2. Best For Last 4:18
3. Chasing Pavements 3:30
4. Cold Shoulder 3:11
5. Crazy For You 3:28
6. Melt My Heart To Stone 3:23
7. First Love 3:10
8. Right As Rain 3:17
9. Make You Feel My Love 3:32
10. My Same 3:15
11. Tired 4:18
12. Hometown Glory 4:31

...( Info )...

Artist: Simply Red
Title: Recollections
Genre: Pop
Country of Artist (Band): UK
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 2:44:04


...( TrackList )...

01. Come To My Aid (Recollections 2025) (00:04:03)
02. Sad Old Red (Recollections 2025) (00:04:33)
03. Look At You Now (Recollections 2025) (00:03:02)
04. Heaven (Recollections 2025) (00:04:49)
05. Jericho (Recollections 2025) (00:05:48)
06. Money's Too Tight (To Mention) (Recollections 2025) (00:03:57)
07. Holding Back The Years (Recollections 2025) (00:04:28)
08. Picture Book (Recollections 2025) (00:05:52)
09. Open Up The Red Box (Recollections 2025) (00:03:47)
10. The Right Thing (Recollections 2025) (00:04:22)
11. To Be With You (Recollections 2025) (00:03:15)
12. It's Only Love (Recollections 2025) (00:04:58)
13. A New Flame (Recollections 2025) (00:03:52)
14. You've Got It (Recollections 2025) (00:03:52)
15. Ev'ry Time We Say Goodbye (Recollections 2025) (00:03:03)
16. More (Recollections 2025) (00:04:03)
17. If You Don't Know Me By Now (Recollections 2025) (00:03:25)
18. Enough (Recollections 2025) (00:05:11)
19. Something Got Me Started (Recollections 2025) (00:03:58)
20. Thrill Me (Recollections 2025) (00:05:05)
21. Stars (Recollections 2025) (00:04:07)
22. Your Mirror (Recollections 2025) (00:03:59)
23. For Your Babies (Recollections 2025) (00:04:17)
24. Angel (Recollections 2025) (00:03:46)
25. Fairground (Recollections 2025) (00:04:22)
26. Never Never Love (Recollections 2025) (00:04:01)
27. So Beautiful (Recollections 2025) (00:04:58)
28. The Air That I Breathe (Recollections 2025) (00:04:19)
29. Mellow My Mind (Recollections 2025) (00:03:56)
30. Say You Love Me (Recollections 2025) (00:03:44)
31. Night Nurse (Recollections 2025) (00:03:48)
32. Ain't That A Lot Of Love (Recollections 2025) (00:03:41)
33. Home (Recollections 2025) (00:03:12)
34. Fake (Recollections 2025) (00:03:45)
35. A Song For You (Recollections 2025) (00:04:09)
36. Sunrise (Recollections 2025) (00:03:18)
37. You Make Me Feel Brand New (Recollections 2025) (00:05:06)
38. So Not Over You (Recollections 2025) (00:03:51)
39. Thinking Of You (Recollections 2025) (00:03:11)
40. Just Like You (Recollections 2025) (00:03:13)

...( Info )...

Artist: Placebo
Album: Collection: 43 Discs (1996-2026)
Genre: Alternative Rock / Indie Rock
Country of Artist (Band)
Year of Publication: 1996-2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 1 day, 7 hours, 29 minutes, 58 seconds


...( TrackList )...

Albums, Compilations:
2003 - Covers (Deluxe Edition) (00:59:32)
2004 - Once More With Feeling (Singles 1996-2004) - Disc Three - "Mexican Limited Edition Remix Bonus Disc" (00:33:42)
2006 - Meds (Instrumentals) (00:48:02)
2009 - The Hut Recordings (8CD Box Set) (07:20:27)
2016 - A Place for Us to Dream (3CD Japan Edition) (20 Years Of Placebo - Anthologies) (03:07:10)
2022 - Never Let Me Go (Deluxe Edition) (01:20:28)
2026 - Placebo RE:CREATED (01:16:07)


B-Sides:
2015 - Placebo: B-Sides (01:08:07)
2015 - Without You I'm Nothing: B-Sides (00:44:49)
2015 - Black Market Music: B-Sides (00:55:48)
2016 - Sleeping With Ghosts: B-Sides (00:49:58)
2016 - Meds: B-Sides (01:07:04)


EP:
2011 - Trigger Happy Hands (00:41:50)
2013 - LLLTV EP (00:13:24)
2016 - Life's What You Make It (00:26:00)


Live:
2009 - iTunes Live: London Festival '09 (01:19:26)
2015 - MTV Unplugged (Limited Edition) (01:15:09)
2023 - Collapse Into Never - Live In Europe 2023 (01:32:04)
2025 - This Search For Meaning (3CD Edition) (02:48:11)


Singles:
1996 - Eyesight to the blind (00:08:59)
1996 - Oxygen Thief (00:07:21)
1997 - Bruise Pristine (CD1 Single) (00:12:36)
1998 - You Don't Care About Us (00:16:18)
2000 - Special K (Australia) (00:14:38)
2001 - Black-Eyed (00:15:00)
2004 - English Summer Rain (00:14:35)
2004 - Twenty Years (00:08:06)
2005 - Song To Say Goodbye (Acoustic Demo) (00:03:27)
2006 - Because I Want You (Remixed By Russell Lissack Of Bloc Party) (00:07:50)
2006 - Infra-Red (CD Maxi-Single) (00:21:14)
2006 - Infra-Red (CD Single) (00:07:15)
2014 - A Million Little Pieces (00:08:26)
2017 - Life's What You Make It (Remixes) (00:11:57)
2022 - Shout (Tears For Fears Cover) (00:05:04)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Album 'Tongues In Aspic' Larks z 1973 roku jest powszechnie uważany za jeden z najwspanialszych albumów King Crimson.

Dzięki surowemu brzmieniu, natchnionym improwizacjom i mocnym, nieregularnym rytmom, album ten stanowił radykalną zmianę w twórczości tej najbardziej nowatorskiej grupy.
Był to pierwszy zespół, w którego składzie znaleźli się Bill Bruford i John Wetton.


As well as providing the album itself in its original mix and in the updated mix by Steven Wilson and Robert Fripp (a fairly tasteful, light update which doesn't mess too much with perfection), this continues the run of Crimson boxed sets which come stuffed with live sets from the relevant lineup.
This box is hampered somewhat by two factors: Jamie Muir really wasn't in the band that long, disappearing shortly after the studio album was done, and the band didn't do many soundboard tapes during this era (the Guildford Civic Hall gig being a happy exception). That means that most of the live sets here hail from audience cassettes, which are somewhat varied in their quality as you might imagine.

Some of them are pretty good - with the Zoom Club and Hull Technical College tapes at least sounding better than Earthbound, and offering full sets. (It helps a lot that the chaotic music that Crimson presents here suffers less from a lo-fi presentation than, say, the material that the Islands-era lineup were performing.) And the Beat Club tape is a live- in-the-TV-studio affair, so that sounds great.

At the other end of the spectrum, the Glasgow Green's Playhouse and Portsmouth Guildhall tapes are really not good - to the point where even the high quality of the music itself couldn't save them as it did with some of the other audience tapes. Still, overall the good outweighs the bad in this collection, and it's well worth it if you love the Larks' Tongues material, want some really massive improvs featuring that lineup, and have a tolerance for sometimes dodgy sound quality.

Warthur



..::TRACK-LIST::..

Germany - October 1972
CD 2: The Zoom Club, Frankfurt - October 13, 1972 [36:37]
1. Easy Money 4:08
2. Improv : Fallen Angel 4:12
3. Improv : Z'Zoom 4:47
4. Exiles 8:36
5. The Talking Drum 6:13
6. Larks' Tongues In Aspic (Part II) 8:37



..::OBSADA::..

Guitar, Mellotron - Robert Fripp
Percussion [& Allsorts] - Jamie Muir
Bass Guitar, Vocals - John Wetton
Violin, Flute, Mellotron - David Cross
Drums - Bill Bruford



https://www.youtube.com/watch?v=wPizJobn3DQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Album 'Tongues In Aspic' Larks z 1973 roku jest powszechnie uważany za jeden z najwspanialszych albumów King Crimson.

Dzięki surowemu brzmieniu, natchnionym improwizacjom i mocnym, nieregularnym rytmom, album ten stanowił radykalną zmianę w twórczości tej najbardziej nowatorskiej grupy.
Był to pierwszy zespół, w którego składzie znaleźli się Bill Bruford i John Wetton.


As well as providing the album itself in its original mix and in the updated mix by Steven Wilson and Robert Fripp (a fairly tasteful, light update which doesn't mess too much with perfection), this continues the run of Crimson boxed sets which come stuffed with live sets from the relevant lineup.
This box is hampered somewhat by two factors: Jamie Muir really wasn't in the band that long, disappearing shortly after the studio album was done, and the band didn't do many soundboard tapes during this era (the Guildford Civic Hall gig being a happy exception). That means that most of the live sets here hail from audience cassettes, which are somewhat varied in their quality as you might imagine.

Some of them are pretty good - with the Zoom Club and Hull Technical College tapes at least sounding better than Earthbound, and offering full sets. (It helps a lot that the chaotic music that Crimson presents here suffers less from a lo-fi presentation than, say, the material that the Islands-era lineup were performing.) And the Beat Club tape is a live- in-the-TV-studio affair, so that sounds great.

At the other end of the spectrum, the Glasgow Green's Playhouse and Portsmouth Guildhall tapes are really not good - to the point where even the high quality of the music itself couldn't save them as it did with some of the other audience tapes. Still, overall the good outweighs the bad in this collection, and it's well worth it if you love the Larks' Tongues material, want some really massive improvs featuring that lineup, and have a tolerance for sometimes dodgy sound quality.

Warthur



..::TRACK-LIST::..

Germany - October 1972
CD 2: The Zoom Club, Frankfurt - October 13, 1972 [36:37]
1. Easy Money 4:08
2. Improv : Fallen Angel 4:12
3. Improv : Z'Zoom 4:47
4. Exiles 8:36
5. The Talking Drum 6:13
6. Larks' Tongues In Aspic (Part II) 8:37



..::OBSADA::..

Guitar, Mellotron - Robert Fripp
Percussion [& Allsorts] - Jamie Muir
Bass Guitar, Vocals - John Wetton
Violin, Flute, Mellotron - David Cross
Drums - Bill Bruford



https://www.youtube.com/watch?v=wPizJobn3DQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Album 'Tongues In Aspic' Larks z 1973 roku jest powszechnie uważany za jeden z najwspanialszych albumów King Crimson.

Dzięki surowemu brzmieniu, natchnionym improwizacjom i mocnym, nieregularnym rytmom, album ten stanowił radykalną zmianę w twórczości tej najbardziej nowatorskiej grupy.
Był to pierwszy zespół, w którego składzie znaleźli się Bill Bruford i John Wetton.


As well as providing the album itself in its original mix and in the updated mix by Steven Wilson and Robert Fripp (a fairly tasteful, light update which doesn't mess too much with perfection), this continues the run of Crimson boxed sets which come stuffed with live sets from the relevant lineup.
This box is hampered somewhat by two factors: Jamie Muir really wasn't in the band that long, disappearing shortly after the studio album was done, and the band didn't do many soundboard tapes during this era (the Guildford Civic Hall gig being a happy exception). That means that most of the live sets here hail from audience cassettes, which are somewhat varied in their quality as you might imagine.

Some of them are pretty good - with the Zoom Club and Hull Technical College tapes at least sounding better than Earthbound, and offering full sets. (It helps a lot that the chaotic music that Crimson presents here suffers less from a lo-fi presentation than, say, the material that the Islands-era lineup were performing.) And the Beat Club tape is a live- in-the-TV-studio affair, so that sounds great.

At the other end of the spectrum, the Glasgow Green's Playhouse and Portsmouth Guildhall tapes are really not good - to the point where even the high quality of the music itself couldn't save them as it did with some of the other audience tapes. Still, overall the good outweighs the bad in this collection, and it's well worth it if you love the Larks' Tongues material, want some really massive improvs featuring that lineup, and have a tolerance for sometimes dodgy sound quality.

Warthur



..::TRACK-LIST::..

Germany - October 1972
CD 1: The Zoom Club, Frankfurt - October 13, 1972 [1:18:33]
1. Larks' Tongues In Aspic (Part I) 8:22
2. Book Of Saturday 3:16
3. Zoom 22:03
4. Improv : Zoom Zoom 44:48



..::OBSADA::..

Guitar, Mellotron - Robert Fripp
Percussion [& Allsorts] - Jamie Muir
Bass Guitar, Vocals - John Wetton
Violin, Flute, Mellotron - David Cross
Drums - Bill Bruford



https://www.youtube.com/watch?v=wPizJobn3DQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Album 'Tongues In Aspic' Larks z 1973 roku jest powszechnie uważany za jeden z najwspanialszych albumów King Crimson.

Dzięki surowemu brzmieniu, natchnionym improwizacjom i mocnym, nieregularnym rytmom, album ten stanowił radykalną zmianę w twórczości tej najbardziej nowatorskiej grupy.
Był to pierwszy zespół, w którego składzie znaleźli się Bill Bruford i John Wetton.


As well as providing the album itself in its original mix and in the updated mix by Steven Wilson and Robert Fripp (a fairly tasteful, light update which doesn't mess too much with perfection), this continues the run of Crimson boxed sets which come stuffed with live sets from the relevant lineup.
This box is hampered somewhat by two factors: Jamie Muir really wasn't in the band that long, disappearing shortly after the studio album was done, and the band didn't do many soundboard tapes during this era (the Guildford Civic Hall gig being a happy exception). That means that most of the live sets here hail from audience cassettes, which are somewhat varied in their quality as you might imagine.

Some of them are pretty good - with the Zoom Club and Hull Technical College tapes at least sounding better than Earthbound, and offering full sets. (It helps a lot that the chaotic music that Crimson presents here suffers less from a lo-fi presentation than, say, the material that the Islands-era lineup were performing.) And the Beat Club tape is a live- in-the-TV-studio affair, so that sounds great.

At the other end of the spectrum, the Glasgow Green's Playhouse and Portsmouth Guildhall tapes are really not good - to the point where even the high quality of the music itself couldn't save them as it did with some of the other audience tapes. Still, overall the good outweighs the bad in this collection, and it's well worth it if you love the Larks' Tongues material, want some really massive improvs featuring that lineup, and have a tolerance for sometimes dodgy sound quality.

Warthur



..::TRACK-LIST::..

Germany - October 1972
CD 1: The Zoom Club, Frankfurt - October 13, 1972 [1:18:33]
1. Larks' Tongues In Aspic (Part I) 8:22
2. Book Of Saturday 3:16
3. Zoom 22:03
4. Improv : Zoom Zoom 44:48



..::OBSADA::..

Guitar, Mellotron - Robert Fripp
Percussion [& Allsorts] - Jamie Muir
Bass Guitar, Vocals - John Wetton
Violin, Flute, Mellotron - David Cross
Drums - Bill Bruford



https://www.youtube.com/watch?v=wPizJobn3DQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

The Hybrid Suns is the career-defining fifth record from the Bordeaux-based group, a concept album studying the voyage between life and death, and showcases a jaw-dropping level of musicianship. Continuing to push the boundaries of extremity and precision playing, Exocrine are the bridge between the ferocity of Archspire and Cryptopsy, and the potent progressive leanings of Obscura and GOROD
Comments the band on the new single: "'The Hybrid Suns' is the first titular offering, introducing a new concept with a complex narrative frame to set the tone for the forthcoming album. As usual we have paid particular attention on the technical aspects and the speed, however this time we've pushed harder on the epic side of things to create a more grandiose sound!"



..::TRACK-LIST::..

1. The Hybrid Suns 03:44
2. Dying Light 04:44
3. Horns 03:26
4. Watchtower 03:35
5. Vortex of Shadow 03:33
6. End of Time 03:30
7. Burning Sand 04:47
8. Blast 03:58
9. The Shrine 03:33



..::OBSADA::..

Jordy Besse - Bass, Vocals
Nicolas La Rosa - Guitars
Sylvain Octor-Perez - Guitars (lead)
Théo Gendron - Drums



https://www.youtube.com/watch?v=wmbdVb9AFEQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

The Hybrid Suns is the career-defining fifth record from the Bordeaux-based group, a concept album studying the voyage between life and death, and showcases a jaw-dropping level of musicianship. Continuing to push the boundaries of extremity and precision playing, Exocrine are the bridge between the ferocity of Archspire and Cryptopsy, and the potent progressive leanings of Obscura and GOROD
Comments the band on the new single: "'The Hybrid Suns' is the first titular offering, introducing a new concept with a complex narrative frame to set the tone for the forthcoming album. As usual we have paid particular attention on the technical aspects and the speed, however this time we've pushed harder on the epic side of things to create a more grandiose sound!"



..::TRACK-LIST::..

1. The Hybrid Suns 03:44
2. Dying Light 04:44
3. Horns 03:26
4. Watchtower 03:35
5. Vortex of Shadow 03:33
6. End of Time 03:30
7. Burning Sand 04:47
8. Blast 03:58
9. The Shrine 03:33



..::OBSADA::..

Jordy Besse - Bass, Vocals
Nicolas La Rosa - Guitars
Sylvain Octor-Perez - Guitars (lead)
Théo Gendron - Drums



https://www.youtube.com/watch?v=wmbdVb9AFEQ


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Duran Duran - Out Of My Mind (2 CD)

CD 1 - Out Of My Mind (The Rough Mixes)
CD 2 – Out Of My Mind (The Final Mixes)
---------------------------------------------------------------------

Artist...............: Duran Duran
Album................: Out Of My Mind
Genre................: Pop
Source...............: CD
Year.................: 2004
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: DD Fan Club

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - (The Rough Mixes)
---------------------------------------------------------------------

1. Duran Duran - Out Of My Mind [Album Version] [04:12]
2. Duran Duran - Out Of My Mind [Electric Mix] [04:22]
3. Duran Duran - Out Of My Mind [Perfecto Radio Mix] [03:49]
4. Duran Duran - Out Of My Mind [Perfecto Remix] [05:50]
5. Duran Duran - Out Of My Mind [Perfecto Instrumental] [05:46]
6. Duran Duran - Out Of My Mind [Perfecto Dub 1] [06:36]
7. Duran Duran - Out Of My Mind [Perfecto Dub 2] [09:01]
8. Duran Duran - Out Of My Mind [Perfecto Dub 3] [08:32]
9. Duran Duran - Out Of My Mind [Perfecto Remix Edit] [06:52]
10. Duran Duran - Out Of My Mind [Perfecto Remix] [03:30]
11. Duran Duran - Out Of My Mind [7'' Remix / Edit] [04:25]
12. Duran Duran - Out Of My Mind [Danny Saber's Original Final Mix][04:33]
13. Duran Duran - Out Of My Mind [Danny Saber's Remix + 2%] [04:03]

Playing Time.........: 01:11:38
Total Size...........: 477,99 MB

---------------------------------------------------------------------
Tracklisting - (The Final Mixes)
---------------------------------------------------------------------

1. Duran Duran - Out Of My Mind [Album Version] [04:16]
2. Duran Duran - Out Of My Mind [Metropolis Mix] [04:26]
3. Duran Duran - Out Of My Mind [Perfecto Radio Edit] [03:48]
4. Duran Duran - Out Of My Mind [Perfecto Mix] [05:52]
5. Duran Duran - Out Of My Mind [Perfecto Instrumental] [05:49]
6. Duran Duran - Out Of My Mind [Perfecto Dub 1] [06:43]
7. Duran Duran - Out Of My Mind [Perfecto Dub 2] [06:31]
8. Duran Duran - Out Of My Mind [Single Edit] [03:47]
9. Duran Duran - Out Of My Mind [Saber Radio Remix] [04:05]
10. Duran Duran - Out Of My Mind [Live Version] [05:10]
11. Duran Duran - Out Of My Mind [Call Out Research Hook] [00:12]
12. No Artist - ''It Sounds So Ridiculous...'' [01:06]
13. Duran Duran - Silva Halo [02:26]
14. Nick Rhodes - Ghost 1 [00:22]
15. Duran Duran - Electric Barbarella [Internet Only Mix] [04:17]
16. Nick Rhodes - Ghost 2 [00:32]
17. Duran Duran - Medazzaland [Instrumental] [05:17]
18. Duran Duran - Butt Naked [Unreleased] [05:15]

Playing Time.........: 01:10:03
Total Size...........: 489,73 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trudno powiedzieć, co wydarzyło się między tym albumem, a debiutanckim nokautem. Rzut oka na opis płyty daje jednak trochę do myślenia. Tym razem za perkusją zasiadł Wolfgang Hieronymi. Pojawił się też nowy, amerykański(!) wokalista, Ken Traylor (ex Joy Unlimited) wspomagany dwuosobowym chórkiem żeńskim, zaś płytę wydała stawiająca pierwsze kroki w branży wytwórnia Nova specjalizująca się w wydawaniu na płytach winylowych i kasetach składanek typu „The Best Of…” znanych wykonawców (Rolling Stones, 10cc, Camel, UFO, Cat Stevens, Ten Years After…). Płytę nagrano w styczniu 1975 roku w hamburskich Windrose Studios.

Potężny, nokautujący debiut w swoich długich jazz rockowych kompozycjach miał mocne, ciężkie bluesowe brzmienie gitary. Natomiast „Lost Mankind” w większości brzmi jak zupełnie inny zespół. Inny nie znaczy gorszy. Płyta zaczyna się od energicznego i porywającego „Six O’Clock” gdzie zmiana dźwięku z debiutu jest natychmiast zauważalna. Pompujący saksofon i kaskada organów Hammonda, które krążyły na „Desert Places” wciąż tu są, ale utwór ma bardziej zwartą strukturę. Jest bardziej melodyjny, z mocno wyeksponowanym saksofonem, zaś wokal Kena Taylora wspiera żeński duet nadając mu nieco funkowego brzmienia. Tytułowy, „Lost Mankind” to utwór spod znaku symfonicznego rocka z pogodnym melotronem, kapryśnym fletem, fajną gitarą i żeńskim chórkiem jak u Pink Floyd, choć bardziej kojarzy mi się on z „In the Mountains” z drugiego albumu Earth and Fire „Song of the Marching Children” (1971)… Króciutkie „Reverie” (1:35) z ładnym fortepianem i melotronem w tle to przystawka przed gorącym daniem. „Go Ahead” to 11-minutowy monster, w którym wszystkie działa zespołu zostały wystawione do boju (włącznie z czołgiem z okładki). Zaraźliwe dźwięki saksofonu mieszają się z wystrzałowo jazzującym fletem. Płonący i rozpalonym do czerwoności gitarowy lament współgra z ognistymi podmuchami organów Hammonda. To także wizytówka nowego, świetnego perkusisty Wolfganga Hieronymi. Jest moc – taka jak na debiucie! Będący w amoku muzycy nie odpuszczają idąc dalej w bojowym szyku. „Trace Of Sadness” to nieustępliwy, pełen atomowej energii hard rock z ciężkim jak skała Hammondem i kapitalną, rozbuchaną gitarą tnącą soczystymi solówkami. O rany, jak tu nie kochać Błękitnego Wieloryba…?! W „Midnight Stone” wokal Kena prawie przypomina Johna Wettona z King Crimson, choć ta dwu i półminutowa ballada kojarzy mi się z triem ELP. W „Song For 'Thesy’ ” zdominowanym przez ulotny flet z jazzowymi nutami i królewskimi organami podobają mi się ładnie wykorzystane instrumenty perkusyjne, zwłaszcza dźwięki marimby słyszalne między zwrotkami. Prosty zabieg, a nadaje nagraniu magii. Zacieram ręce, bowiem zamykający płytę, „Beyond The Horizon” ma siłę i moc debiutanckiego albumu. Pełen rozmachu siedmiominutowy, wręcz wzorcowy progresywny rock z rozszerzonym instrumentarium, kąsającą perkusją, falą oszalałych dźwięków Hammonda, radosnym fletem i gitarą przesiąkniętą bluesem powala na kolana! Zagrany mocno, z pasją, ale i subtelnie. Inteligentne zmiany tempa powodują, że całości słucha się z ogromnym zainteresowaniem do ostatniej sekundy, do ostatniego dźwięku. To jeszcze bardziej utwierdza mnie w przekonaniu, że mamy tu do czynienia z wielce utalentowanymi muzykami.

Po wydaniu płyty grupa ruszyła w trasę z Barclay James Harvest. Miało to bezpośredni wpływ na ich późniejszą muzykę. Trzecia płyta „As A Keepsake” (1977) zainspirowana Brytyjczykami była już zdecydowanie bardziej symfonicznym popem niż rockiem. Jeśli ktoś lubi takie granie, to kolejne płyty: „A Whale Of Time” i koncertowa „Whalecome” (obie z 1978) nie powinny rozczarować. Jednak moim skromnym zdaniem ich poziom artystyczny daleko odbiega od dwóch pierwszych i absolutnie genialnych albumów.

Zibi


It's hard to tell exactly what happened between this album from German proggers Satin Whale and their knockout first LP `Desert Places' only a year before in 1974. Their powerful Brain label debut was always very accessible but had a tough and constantly heavy bluesy guitar sound to its lengthy jazz-rock compositions, but here, whilst still delivering a very strong album (one that is often considered their best, in fact), `Lost Mankind' mostly sounds like a completely different band altogether. Satin Whale perform in a prouder symphonic style on this one with a streamlined melodic approach and polished production to its more varied, sophisticated and ambitious material, as well as offering much tidier vocals from an American singer no doubt brought in at the time to make the group more appealing to international audiences.
Right from the energetic and groovy opener `Six O'Clock', the change in sound from the debut is instantly noticeable. The pumping sax and trickles of Hammond organ that darted around `Desert Places' are still there, but the piece is far more compact and instantly tuneful backed up by a chorus of female chorus singers, and the lead vocals of Ken Traylor offer crisp English in stark contrast to guitarist/saxophonist/flautist Dieter Roesberg's heavily accented rasp on the debut. The title track `Lost Mankind' is a lightly playful symphonic piece with serene Mellotron, whimsical flute and humming organ that reminds a little in moments of a track like `In the Mountains' from Earth and Fire's second album `Song of the Marching Children', and `Reverie' is a pretty piano and organ interlude. Then it's all guns blazing for the eleven minute tour-de-force `Go Ahead', jammed with honking infectious sax blasts, jazzy darting flute, red-hot blazing guitar wailing and the Hammond organ out in full-blast, all woven to clever reprising themes. There's so much variety delivered with exemplary skill throughout this one, and it also serves as a fine showcase for new drummer Wolfgang Hieronymi.

The flip side's `Trace Of Sadness' is a relentless and boisterous Hammond-drenched rocker, `Midnight Stone' perhaps resembles a swooning E.L.P-like ballad where Ken's vocals almost remind of John Wetton of King Crimson, and breezy flute flits in and out of soft rocker `Song For 'Thesy' with jazz overtones and organ-driven regal bombast that echoes Focus, M. Efekt and Jethro Tull. Closer `Beyond The Horizon' again comes close to the first album with its extended instrumental stretches of snappy drumming, waves of break-neck frantic Hammond organ runs, joyous flute and bluesy swagger-drenched electric guitar wrangling, and the subtle and skilfully executed tempo-change sprints reveal again what a talented bunch of musicians these guys were.

`Lost Mankind would prove to be a real one-off from the group, with both the heavy Hammond-dominated rocking of the debut and grander symphonic fancy of this one largely removed by their more straight-forward and frequently AOR next album `As a Keepsake' in 1976, and so too singer Traylor as the proper band themselves resumed the vocals from then on (it would actually be very interesting to learn the circumstances as to how he came to be involved with the band in the first place!). The punchy debut might be their real special one, but `Lost Mankind' has stronger playing, ardent ambition and energy to spare, and if you're new to this superb German band, this would be a fine place to start.

Aussie-Byrd-Brother



..::TRACK-LIST::..

1. Six O'Clock 3:47
2. Lost Mankind 5:35
3. Rêverie 1:35
4. Go Ahead 11:15
5. Trace Of Sadness 5:25
6. Midnight Stone 2:40
7. Song For 'Thesy' 4:45
8. Beyond The Horizon 7:05



..::OBSADA::..

Bass, Vocals - Thomas Brück
Drums - Wolfgang Hieronymi
Guitar, Saxophone, Flute, Vocals - Dieter Roesberg
Keyboards - Gerald Dellmann

Guest:
Chorus - Freia, Ralle
Lead Vocals - Ken Traylor



https://www.youtube.com/watch?v=zsF5haa2xhw


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trudno powiedzieć, co wydarzyło się między tym albumem, a debiutanckim nokautem. Rzut oka na opis płyty daje jednak trochę do myślenia. Tym razem za perkusją zasiadł Wolfgang Hieronymi. Pojawił się też nowy, amerykański(!) wokalista, Ken Traylor (ex Joy Unlimited) wspomagany dwuosobowym chórkiem żeńskim, zaś płytę wydała stawiająca pierwsze kroki w branży wytwórnia Nova specjalizująca się w wydawaniu na płytach winylowych i kasetach składanek typu „The Best Of…” znanych wykonawców (Rolling Stones, 10cc, Camel, UFO, Cat Stevens, Ten Years After…). Płytę nagrano w styczniu 1975 roku w hamburskich Windrose Studios.

Potężny, nokautujący debiut w swoich długich jazz rockowych kompozycjach miał mocne, ciężkie bluesowe brzmienie gitary. Natomiast „Lost Mankind” w większości brzmi jak zupełnie inny zespół. Inny nie znaczy gorszy. Płyta zaczyna się od energicznego i porywającego „Six O’Clock” gdzie zmiana dźwięku z debiutu jest natychmiast zauważalna. Pompujący saksofon i kaskada organów Hammonda, które krążyły na „Desert Places” wciąż tu są, ale utwór ma bardziej zwartą strukturę. Jest bardziej melodyjny, z mocno wyeksponowanym saksofonem, zaś wokal Kena Taylora wspiera żeński duet nadając mu nieco funkowego brzmienia. Tytułowy, „Lost Mankind” to utwór spod znaku symfonicznego rocka z pogodnym melotronem, kapryśnym fletem, fajną gitarą i żeńskim chórkiem jak u Pink Floyd, choć bardziej kojarzy mi się on z „In the Mountains” z drugiego albumu Earth and Fire „Song of the Marching Children” (1971)… Króciutkie „Reverie” (1:35) z ładnym fortepianem i melotronem w tle to przystawka przed gorącym daniem. „Go Ahead” to 11-minutowy monster, w którym wszystkie działa zespołu zostały wystawione do boju (włącznie z czołgiem z okładki). Zaraźliwe dźwięki saksofonu mieszają się z wystrzałowo jazzującym fletem. Płonący i rozpalonym do czerwoności gitarowy lament współgra z ognistymi podmuchami organów Hammonda. To także wizytówka nowego, świetnego perkusisty Wolfganga Hieronymi. Jest moc – taka jak na debiucie! Będący w amoku muzycy nie odpuszczają idąc dalej w bojowym szyku. „Trace Of Sadness” to nieustępliwy, pełen atomowej energii hard rock z ciężkim jak skała Hammondem i kapitalną, rozbuchaną gitarą tnącą soczystymi solówkami. O rany, jak tu nie kochać Błękitnego Wieloryba…?! W „Midnight Stone” wokal Kena prawie przypomina Johna Wettona z King Crimson, choć ta dwu i półminutowa ballada kojarzy mi się z triem ELP. W „Song For 'Thesy’ ” zdominowanym przez ulotny flet z jazzowymi nutami i królewskimi organami podobają mi się ładnie wykorzystane instrumenty perkusyjne, zwłaszcza dźwięki marimby słyszalne między zwrotkami. Prosty zabieg, a nadaje nagraniu magii. Zacieram ręce, bowiem zamykający płytę, „Beyond The Horizon” ma siłę i moc debiutanckiego albumu. Pełen rozmachu siedmiominutowy, wręcz wzorcowy progresywny rock z rozszerzonym instrumentarium, kąsającą perkusją, falą oszalałych dźwięków Hammonda, radosnym fletem i gitarą przesiąkniętą bluesem powala na kolana! Zagrany mocno, z pasją, ale i subtelnie. Inteligentne zmiany tempa powodują, że całości słucha się z ogromnym zainteresowaniem do ostatniej sekundy, do ostatniego dźwięku. To jeszcze bardziej utwierdza mnie w przekonaniu, że mamy tu do czynienia z wielce utalentowanymi muzykami.

Po wydaniu płyty grupa ruszyła w trasę z Barclay James Harvest. Miało to bezpośredni wpływ na ich późniejszą muzykę. Trzecia płyta „As A Keepsake” (1977) zainspirowana Brytyjczykami była już zdecydowanie bardziej symfonicznym popem niż rockiem. Jeśli ktoś lubi takie granie, to kolejne płyty: „A Whale Of Time” i koncertowa „Whalecome” (obie z 1978) nie powinny rozczarować. Jednak moim skromnym zdaniem ich poziom artystyczny daleko odbiega od dwóch pierwszych i absolutnie genialnych albumów.

Zibi


It's hard to tell exactly what happened between this album from German proggers Satin Whale and their knockout first LP `Desert Places' only a year before in 1974. Their powerful Brain label debut was always very accessible but had a tough and constantly heavy bluesy guitar sound to its lengthy jazz-rock compositions, but here, whilst still delivering a very strong album (one that is often considered their best, in fact), `Lost Mankind' mostly sounds like a completely different band altogether. Satin Whale perform in a prouder symphonic style on this one with a streamlined melodic approach and polished production to its more varied, sophisticated and ambitious material, as well as offering much tidier vocals from an American singer no doubt brought in at the time to make the group more appealing to international audiences.
Right from the energetic and groovy opener `Six O'Clock', the change in sound from the debut is instantly noticeable. The pumping sax and trickles of Hammond organ that darted around `Desert Places' are still there, but the piece is far more compact and instantly tuneful backed up by a chorus of female chorus singers, and the lead vocals of Ken Traylor offer crisp English in stark contrast to guitarist/saxophonist/flautist Dieter Roesberg's heavily accented rasp on the debut. The title track `Lost Mankind' is a lightly playful symphonic piece with serene Mellotron, whimsical flute and humming organ that reminds a little in moments of a track like `In the Mountains' from Earth and Fire's second album `Song of the Marching Children', and `Reverie' is a pretty piano and organ interlude. Then it's all guns blazing for the eleven minute tour-de-force `Go Ahead', jammed with honking infectious sax blasts, jazzy darting flute, red-hot blazing guitar wailing and the Hammond organ out in full-blast, all woven to clever reprising themes. There's so much variety delivered with exemplary skill throughout this one, and it also serves as a fine showcase for new drummer Wolfgang Hieronymi.

The flip side's `Trace Of Sadness' is a relentless and boisterous Hammond-drenched rocker, `Midnight Stone' perhaps resembles a swooning E.L.P-like ballad where Ken's vocals almost remind of John Wetton of King Crimson, and breezy flute flits in and out of soft rocker `Song For 'Thesy' with jazz overtones and organ-driven regal bombast that echoes Focus, M. Efekt and Jethro Tull. Closer `Beyond The Horizon' again comes close to the first album with its extended instrumental stretches of snappy drumming, waves of break-neck frantic Hammond organ runs, joyous flute and bluesy swagger-drenched electric guitar wrangling, and the subtle and skilfully executed tempo-change sprints reveal again what a talented bunch of musicians these guys were.

`Lost Mankind would prove to be a real one-off from the group, with both the heavy Hammond-dominated rocking of the debut and grander symphonic fancy of this one largely removed by their more straight-forward and frequently AOR next album `As a Keepsake' in 1976, and so too singer Traylor as the proper band themselves resumed the vocals from then on (it would actually be very interesting to learn the circumstances as to how he came to be involved with the band in the first place!). The punchy debut might be their real special one, but `Lost Mankind' has stronger playing, ardent ambition and energy to spare, and if you're new to this superb German band, this would be a fine place to start.

Aussie-Byrd-Brother



..::TRACK-LIST::..

1. Six O'Clock 3:47
2. Lost Mankind 5:35
3. Rêverie 1:35
4. Go Ahead 11:15
5. Trace Of Sadness 5:25
6. Midnight Stone 2:40
7. Song For 'Thesy' 4:45
8. Beyond The Horizon 7:05



..::OBSADA::..

Bass, Vocals - Thomas Brück
Drums - Wolfgang Hieronymi
Guitar, Saxophone, Flute, Vocals - Dieter Roesberg
Keyboards - Gerald Dellmann

Guest:
Chorus - Freia, Ralle
Lead Vocals - Ken Traylor



https://www.youtube.com/watch?v=zsF5haa2xhw


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Motörhead
Title: Motörhead (40th Anniversary Edition)
Year: 1977/2017
Genre: Rock
Style: Heavy Metal, Hard Rock
Publisher (label): Chiswick Records
Country: US
Duration: 01:17:44
Format/Codec: FLAC (tracks)
Audio Bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...

01. Motörhead (00:03:10)
02. Vibrator (00:03:36)
03. Lost Johnny (00:04:13)
04. Iron Horse - Born To Lose (00:05:20)
05. White Line Fever (00:02:37)
06. Keep Us On The Road (00:05:55)
07. The Watcher (00:04:27)
08. Train Kept A-Rollin' (00:03:16)
09. City Kids (Bonus Track) (00:03:28)
10. Beer Drinkers & Hell Raisers (Bonus Track) (00:03:27)
11. On Parole (Bonus Track) (00:06:00)
12. Instro (Bonus Track) (00:02:29)
13. I'm Your Witch Doctor (Bonus Track) (00:02:59)
14. Lost Johnny (Mix 2) (00:04:17)
15. City Kids (Mix 1) (00:03:23)
16. I'm Your Witch Doctor (Alternative Mix) (00:02:40)
17. The Watcher (Mix 3) (00:04:32)
18. White Line Fever (Mix 7) (00:02:36)
19. Keep Us On The Road (Mix 1) (00:06:06)
20. Motörhead (Alternative Vocal & Guitar Solo) (00:03:13)

...( Info )...

Artist: VA
Title: Italo Disco Forever [01-38]
Year: 2009
Genre: Italo-Disco, Synth-pop, Hi-NRG
Duration: 62:01:22
Format/Codec: MP3
Audio Bitrate: 192kbps

...( TrackList )...

2009 - Italo Disco Forever Vol. 01
01. Alan Barry - Come On
02. Alan Ross - Valentino Mon Amour (Swedish Remix)
03. Axel Breitung - In The Dark Of The Night
04. Chicano - Tengo Tengo (Extended)
05. Christian Conde - Dolce Vita (Extended Version)
06. Curacao - Curacao
07. David Lyme - Bambina (Brasil import remix)
08. Den Harrow - Don`t break my Heart(system mix)
09. Edy Huntington - U.s.s.r. (extended version)
10. Gelateria Italiana Vs. DJ Happy Vibes - Tonights the Night(Remix)
11. Grant Miller - Red For Love (Extended)
12. Hank Shostak - Don't Tell Me
13. Joy - Touch By Touch ( New Mix)
14. Joy Peters - Don't Loose Your Heart Tonigh
15. K.B. Caps - Do You Really Need Me (Cap Remix)
16. Ken Laszlo - Don't Cry (Brasil Import Remi
17. Miko Mission - How Old Are You _ (Original Edit Mix)
18. Ric Fellini - Welcome To Rimini
19. Sam Money - Run Away
20. Silent Circle - Forget The Stranger (Remix)

2009 - Italo Disco Forever Vol. 02
01. Boney.M - Happy Songs
02. David Lyme - Bye Bye Mi Amor(Brasil Import
03. Den Harrow - Catch The Fox (Caccia Alla Volpe)
04. Eddy Huntington - Up & Down (Extended Version)
05. Fancy - Lady Of Ice
06. Grant Miller - Colder Than Ice (Happy Remix)
07. Hypnosis - Droid
08. John Christian - Ebony Eyes
09. K.B.Caps - Catch Me Now I'm Falling
10. Lou Sern - Swiss Boy(Instrumental)
11. Michael Bedford - More Than A Kiss (Remix)
12. Mr.Zivago - Little Russian (Brasil Import
13. Nukhead - Dont Leave Me Now
14. Paul Rein - Show Me Tonight
15. Piano Fantasia - Song For Denise (Audiophile Dance Remix)
16. Royales - Secret Angel

2009 - Italo Disco Forever Vol. 03
01. Danuta Lato - Touch My Heart
02. Eddy Huntington - Physical Attraction (Remix)
03. Eddy Huntington - Ussr (Terence Club Mix)
04. Francesco Napoli - Lady Lay(Italo Disco Hits Remix)
05. Grant Miller - Wings Of Love (Lazzy Mix)
06. Joe Peters - Who Took My Girl(Brasil Import)
07. Julian - The Rain Dance(Instrumental)
08. K.B.Caps - Julia (Maxi Mix)
09. Ken Laszlo - Hey Hey Guy Don't Cry Tonight
10. Lee Marrow - Shanghai (Special D.J. Mix)
11. Lian Ross - Say You'll Never (Brasil Import)
12. Michael Bedford - Tonight
13. Mike Mareen - Germany
14. Miko Mission - Two For Love (Tcp 98 Klub Mix)
15. Mozzart - In China
16. Numero Uno - Full Moon Hong-Kong
17. Paul Rein - Lady O (Extd Version)
18. Silent Circle - Touch In The Night

2009 - Italo Disco Forever Vol.04
01. Amanda Lear - Paris By Night (Original Edit)
02. Axel Breitung - Sunset Rendezvous
03. Boney.M - Kalimba De Luna
04. F.R.David - Words (Ultrasound Re-Extended)
05. Fancy - D.I.S.C.O. (Lust For Life)
06. Grant Miller - Tracks In The Snow (Extended)
07. Joy Peters - One Night In Love (Brasil Import Mix)
08. Monte Kristo - Money For Your Love
09. Numero Uno - Tora Tora Tora (12'' Mix)
10. Perfect Times - Time
11. Raggio Di Luna - Comanchero (Ultrasound Extended)
12. Roger Meno - I Find Away (Brasil Import Mix)
13. Ryan Paris - Dolce Vita (Mallorca Single Mix)
14. Silent Circle - Hide Away - Man Is Coming!
15. The Hurricanes - Only One Nights
16. The Twins - Love System

2009 - Italo Disco Forever Vol.05
01. Alex C - Tonight All Night (Brasil Import Mix)
02. Cliff Turner - Moonlight Affair
03. Danny Keith - Keep On Music
04. Gazebo - I Like Chopin (Ultrasound 12 Version)
05. Humphrey Robertson - Back To Stay
06. Joy - Hello.(Extended Special Dance)
07. Monte Kristo - Sherry Mi-Sai
08. Perestroika Power - Animal Farm (Glastnost Version)
09. Savage - Don't Cry Tonight (Ravel Retro)
10. Silent Circle - Stop The Rain In The Night (Brasil Import Mix)
11. Silver Pozzoli - Around My Dream
12. The Hurricanes - Tropical Nights
13. The Twins - Not The Loving Kind
14. Trans - X- 3D-Dance

2009 - Italo Disco Forever Vol. 06
01. Albert One - For your love
02. Bad Boys Blue - Kisses and Tears
03. Baltimora - Tarzan Boy (Razormaid Mix)
04. Beach Club - No Tengo Dinero
05. Carajillo - Fotonovela
06. Charlie G - L'iama L'amour (Brasil Import Mix)
07. David lyme - never say you love me extende
08. Debut De Soiree - La Vie La Nuit
09. Joy - Japanese Touch By Touch '87 N
10. Joy - Valerie
11. Mike Mareen Vs. Da-Freaks - Love Spy
12. Monte Kristo - Lady Valentine
13. Punch - Love Me (Brasil Import Remix)
14. Savage - Computerized love
15. The Hurricanes - Welcome To Cairo

2009 - Italo Disco Forever Vol.07
01. Bad Boys Blue - Pretty Young Girl
02. Baltimora - Key Key Karimba (Extended Version)
03. Chip Digit & The Starkids - E.T. (Extended Version)
04. Clamore Project Vs. I Santo C - Tornero (Club Radio Mix)
05. Curacao - You
06. David Lyme - I Don't Wanna Lose You (Extended Version)
07. Dead Or Alive - You Spin Me Right Round
08. Gazebo - Alice In Wonderland (Extended Version)
09. Grant Miller - Sail Away
10. Jimmy & Susi - Come Back (Extended Version)
11. Joe Yellow - I'm Your Lover (Extended Version)
12. Joy - Forever And Day
13. Latin Lover - Casanova Dance ((Extended Version)
14. Mauro - Buona Sera(New Trand Mix)
15. Max Coveri - Run To The Sun (Extended Version)
16. Mike Mareen - Stand Up (Extended Version)
17. Monte Kristo - La Vie D'un Enfant
18. Videokids - Woodpeckers From Space (Remix)

2009 - Italo Disco Forever Vol. 08
01. Baccara - Yes Sir I Can Boogie (Extended disco version)
02. Bad Boys Blue - Kiss You All Over, Baby(Extended dance version)
03. Boney M. - Rivers Of Babylon
04. Fancy - Flames Of Love(Mcs Radio Mix)
05. Joy Peters - I Wish You Were Here
06. Ken Laszlo - 1-2-3-4-5-6-7-8-9
07. L2R Vs. Toto Cotugno - Autre Chanson
08. Lian Ross - Fantasy (12'' Version)
09. Modern Talking - Brother Louie (The Hi-Nrg Boy Long Mix)
10. Mr. Zivago - Sadness Is Like Snow
11. Night Fox - Tears Of Love (Maxi Version)
12. Opus - Life Is Life [12 Inch Version]
13. Radiorama - Aliens (The Original)
14. Savage - Celebrate (Remix)
15. Silent Circle - What A Shame (Masterbeat Mix)
16. Silicon Dream - Andromeda
17. The Hurricanes - Dancin' In The Night
18. The Twins - Ballet Dancer

2009 - Italo Disco Forever Vol. 09
01. Bad Boys Blue - Save Your Love '99
02. Boney M. - Daddy Cool
03. Curacao - Smile
04. Eartha Kitt - This Is My Life (Longer Ultra Version)
05. Francesco Napoli - Notte Chiara (Disco Hits Remix)
06. Jack's Project - Shy Shy Sugarman
07. Ken Laszlo - Never Say Never
08. Lian Ross - Keep This Feeling (italo mix)
09. Michael Bedford - Space Boys
10. Miko Mission - The World Is You (Original Edit)
11. Mozzart - Devil's Rendezvous (Extended)
12. Mr. Zivago - Russian Paradise (Dance Version)
13. Raggio di luna (moon Ray) - Voice (In The Night)
14. Scotty Vs. Savage - Dont Cry Tonight
15. Silent Circle - I'm Your Beliver

2009 - Italo Disco Forever Vol. 10
01. Alan Michael - Extasy
02. Bobby Vinton - When I Was 17 (Extended Version)
03. Canton - Sleepwalking ( Maxi Version )
04. Finzy Kontini - Night In Paris (Extended Version)
05. Funny Twins - You And Me
06. Gazebo - For Anita (Extended Version)
07. Mika - Relax (Hardpanz Dj Italo Remix)
08. Mike Mareen - Lady Ecstasy (Reloaded 2004)
09. Monte Kristo - The Girl Of Lucifer (Extended Version)
10. Mr. B - Ibiza Goodbye
11. P.Lion - Happy Children (Special Dance Mix)
12. P.Lion - Happy Children (Summer Latino Remix)
13. Solid Strangers - Visions
14. Squash Gang - I Want An Illusion (Extended Version)
15. T.Ark - Count On Me
16. The Twins - Face To Face ( Heart To Heart)
17. Trans-X - X - X - Ich Liebe Dich (I Lo

2009 - Italo Disco Forever Vol. 11
01. Afric Simone - Ramaya (Remix)
02. Eddy Huntington - May Day (Alternative Mix)
03. F.R.David - Words (Slim Mix)
04. Fancy - When Fancy Is Crying
05. Goombay Dance Band - Sun Of Jamaica
06. Johnnym5 - Moscow Nights (Album Mix)
07. Michael Bedford - When Angels Talk
08. Mike Mareen - Agent Of Liberty (Remix)
09. Mozzart - Jasmin China Girl (Extended Version)
10. Numero Uno - Holiday On The Moon
11. Omd - Tesla Girls
12. Patty Ryan - Love Is The Name Of The Game
13. Proxyon - Space Hopper
14. Silent Circle - Oh, Don't Loose Your Heart Ton
15. Squash Gang - Moving Your Hips (Extended Version)
16. T.Ark - Under Cover Lover
17. The Twins - I Need You
18. Trans-X - X - Josee (French Version)

2009 - Italo Disco Forever Vol.12
01. Alan Ross - The Last Wall
02. Azul Y Negro - The Night
03. Bad Boys Blue - You're A Woman(Extended Mix)
04. Bernie Paul - Attenzione (Go Go Radio)
05. Broken Dreams - Broken dreams (D.Jey Mix)
06. Debut de Soiree - Nuit de Folie (French Mix Club)
07. Eugene - Livin' In Your Love
08. Fable Time - Russia Russia
09. Facts & Fiction - Give Me The Night (instrumental)
10. Fred Ventura - Wind of Change
11. Jules Tropicana - Jane Remembers (Extended Version))
12. Lee Marrow - Sayonara
13. Mozzart - Malice & Vice (Extended Version))
14. Radiorama - Chance To Desire
15. Ric Fellini - Souvenir D Amour(American Remix)
16. Steve Clark - No More Love

2009 - Italo Disco Forever Vol. 13
01. Chip Chip - Never Say Goodbye (Vocal Mix)
02. Electra - Cuando Cuando (Extended version)
03. Electric Theatre - Summertime Hot Night Feve
04. Fancy - Fools Cry(Remix Dance)
05. Finzy Kontini - Cha-Cha-Cha (Long Ultrasound Version)
06. Helicon - You see [extended]
07. Ken Laszlo - Glasses Man
08. Mike Mareen - Heavy Water
09. One Two Three - Runaway (extended mix)
10. Rofo - You 've Got To Move It On
11. Sauvage - Do You Want Me (Dance Mix)
12. Savage - Radio
13. Scotch - Mirage
14. STB - Now With Love (Italodance Mix)
15. The Twins - In my Brocken Dream
16. Virgin - Only You (Extended Mix)

2009 - Italo Disco Forever Vol.14
01. Afric Simone - Hafanana (Voodoo Up Mix)
02. A-Ha - Ha - Ha - The Sun Always Shi
03. Alan Cook - Bad Dreams (Maxi Version)
04. Bad Boys Blue - Heart Of Midnight
05. Blind Date - Your Heart Keeps Burning
06. C.C. Catch - I Can Lose My Heart Tonight
07. Chris Luis - The Heart Of The City
08. Eighth Wonder - Cross My Heart (Razormaid Mix)
09. Francesco Napoli - Bambina Che Sara
10. Gazebo - Lunatic (Extendeded Version)
11. Grant Miller - Doctor For My Heart (Extendeded Version)
12. Kelly Brown - Only You Can (You Make Me Feel
13. Mike Mareen - Lost In Love (Da Freaks Solo-Track)
14. Morgana - Ready For Love (Special Edition)
15. Patty Ryan - Stay With Me Tonight
16. Savage - Only You
17. Spagna - Spagna Call Me (Original Euro Mix)
18. Sweet Connection - Need Your Passion (Remix)

2009 - Italo Disco Forever Vol. 15
01. 2 Belgen - Lena
02. Ago - Computer in my mind
03. Alan Ross - Ciao (Base Belgian Remix)
04. Alphaville - Forever Young(forever dance mix)
05. B B Bonsai - Prince of the night
06. Bad Boys Blue - Gimme Gimme Your Lovin
07. Baltimora - Chinese Restaurant
08. Boys Next Door - Lady Of The Night (special long Mix)
09. Claudia T - Tonight
10. Dave Merlin - Electric Nights (Maxi version)
11. David Dean - Bye Bye Baby Goodbye (Maxi long Mix)
12. Del Faro - Bandiera La Playa Del Sol
13. Fancy - Bolero
14. L'Affair - Secret Eyes(Maxi version)
15. Mr. Zivago - Tell By Your Eyes
16. New Baccara - Fantastic Boy (instrumental)
17. Pete Keane - What's The Face Of Love

2009 - Italo Disco Forever Vol. 16....

...( Info )...

Artist: Breakout (Blackout, Mira Kubasinska)
Album: Collection
Genre: Rock / Blues Rock
Country: Poland
Year of release: 1967 - 1982
Audio codec: MP3
Rip type: tracks
Audio bitrate: 128-320 kbps
All - 320 kbps, except for 1999's "Breakout-70a / Blackout Single" (128 kbps)

...( Opis )...

Breakout to najsłynniejszy polski zespół rockowy, który oprócz bluesa wykonuje również rock progresywny.

Zespół beatowy BLACKOUT został założony przez Tadeusza Nalepę w 1967 roku, a Mirą Kubasińską pełniła funkcję wokalistki.
Blackout istniał do końca 1967 roku. W lutym następnego roku zmienił nazwę na Breakout.
Szczyt popularności zespołu przypadł na 1969 rok, kiedy to, poszukując własnego stylu (który później okazał się blues-rockiem), grupa zwróciła się w stronę rocka progresywnego, prezentując publiczności najwybitniejsze przykłady polskiego art rocka, takie jak „Na Drugim Brzegu Tęczy” i „70a”.

Pierwszy z nich łączy w sobie beat music i rock, z żywymi jazzowymi i bluesowymi akcentami. Potężny ładunek emocjonalny albumu jest doskonale oddany przez oszałamiająco elastyczny i rozległy głos Miry. Do zespołu dołączył Włodzimierz Nahorny grający na flecie i saksofonie.

Bardziej bluesowe i znacznie dojrzalsze brzmienie 70a wyróżnia się połączeniem męskiego i żeńskiego wokalu, z wyraźną wrażliwością LED ZEPPELIN, widoczną w kilku utworach. Szczególnie godne uwagi są „Zapraszamy na Korride” i „Piekno”. Oprócz Nahorny, w nagraniu wziął udział również przyszły basista SBB, Josef Skrzek.

Trzeci album okazał się punktem zwrotnym dla zespołu. BREAKOUT w końcu zwrócił się w stronę blues-rocka. Nalepa objął rolę głównego wokalisty, a Dariusz Kozakiewicz, jeden z najlepszych polskich muzyków i znakomity instrumentalista o subtelnym wyczuciu stylu, później grający w zespole TEST, został gitarzystą.

Oprócz bluesa i rocka progresywnego zespół w swojej karierze wykonywał także rock i soul (a raczej pop-soul), czego przykładem są albumy Mira i Ogien.

...( TrackList )...

Blackout
1967 – Blackout (CD: Digiton DIG 117 – 1992) (56:47)
1994 - Blackout (2) (53:36)
1999 - Breakout-70a / Blackout Single (01:19:57) - 128 kbps


Breakout
1969 - Na Drugim Brzegu Tęczy (ed. 1991) (38:05)
1970 - 70a (39:49)
1971 – Blues (37:12)
1971 – Mira (36:45)
1972 – Karate (39:15)
1973 – Ogień (Breakout & Mira Kubasinska) (40:27)
1974 – Kamienie (40:12)
1976 - NOL (Niezidentyfikovany Obiekt Latajacy) (ed. 2005) (43:36)
1979 - ZOL (Zidentyfikovany Obiekt Latajacy)(37:52)
1980 - Żagiel ziemi (37:08)