...( Info )...

Artist: VA
Album: The Greatest Rock`n`roll Hits vol.1
Genre: Rock 'n' Roll
Year of release: 2008
Disc manufacturer: Russia
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 02:37:08



CD1
Duration: 01:18:51
01. Rock Around the Clock - Bill Haley & His Comets
02. My Baby Left Me - Elvis Presley
03. Tutti Frutti - Little Richard
04. High School Confidential - Jerry Lee Lewis
05. At the Hop - Danny & The Juniors
06. Let`s Twist Again - Chubby Checker
07. Johnny B. Goode - Chuck Berry
08. Blue Suede Shoes - Carl Perkins
09. C'Mon Everybody - Eddie Cochran
10. Brown Eyed Handsome Man - Buddy Holly & The Crickets
11. Bye Bye Love - The Everly Brothers
12. Bluejean Bop - Gene Vincent
13. Ooby Dooby - Roy Orbison
14. Ain't That a Shame - Fats Domino
15. Jailhouse Rock - Elvis Presley
16. Route 66 - Chuck Berry
17. See You Later Alligator - Bill Halley
18. Great Balls of Fire - Jerry Lee Lewis
19. Lucille - Little Richard
20. Race with the Devil - Gene Vincent
21. Twenty Flight Rock - Eddie Cochran
22. Peggy Sue - Buddy Holly & The Crickets
23. That's All Right - Elvis Presley
24. School Day - Chuck Berry
25. Be-Bop-A-Lula - Gene Vincent
26. Mona Lisa - Carl Mann
27. Wake Up Little Susie - The Everly Brothers
28. I'm Walkin' - Fats Domino
29. Rockin' Robin - Bobby Day
30. Tequila - The Champs
31. Runaway - Del Shannon
32. Surfin' USA - The Beach Boys
33. Hippy Hippy Shake - The Swinging Blue Jeans
34. Twist and Shout - The Isley Brothers


CD2
Duration: 01:18:17
01. (Let Me Be Your) Teddy Bear - Elvis Presley
02. Boppin the Blues - Carl Perkins
03. Roll Over Beethoven - Chuck Berry
04. Whole Lotta Shakin' Going on - Jerry Lee Lewis
05. Keep a Knockin' - Little Richard
06. Shake, Rattle and Roll - Elvis Presley
07. Rock the Joint - Bill Haley & His Comets
08. Sweet Little Sixteen - Chuck Berry
09. Oh Boy - Buddy Holly & The Crickets
10. Mean Woman Blues - Roy Orbison
11. Somethin' Else - Eddie Cochran
12. I'm Gonna Sit Right Down and Cry - Elvis Presley
13. Double Talkin' Baby - Gene Vincent
14. You Never Can Tell - Chuck Berry
15. Long Tall Sally - The Beatles
16. Surfin' Safari - The Beach Boys
17. The Girl Can't Help It - Little Richard
18. That'll Be the Day - Buddy Holly & The Crickets
19. Rip It Up - Elvis Presley
20. Farewell, So Long, Goodbye - Bill Haley & His Comets
21. Hold Me, Hug Me, Rock Me - Gene Vincent
22. Hallelujah I Love Her So - Ray Charles
23. Blueberry Hill (Live) - Fats Domino
24. You're Gonna Cry - Roy Orbison
25. I Fought the Law - Bobby Fuller
26. Papa Oom Mow Mow - The Rivingtons
27. Don't Deceive Me - Fats Domino
28. Hot Rock - Johnny Carroll
29. Come Go with Me - The Dell Vikings
30. Sh-Boom - The Chords
31. Stay - Maurice Williams & The Zodiacs
32. Woody Bully - The Sham & The Pharaohs
33. Who Do You Love - Bo Diddley
34. Sittin' in the Balcony - Eddie Cochran

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Koncertowy zapis jednego z najważniejszych fińskich zespołów progresywnych początku lat 70., zarejestrowany podczas festiwalu Ruisrock w 1971 roku. Wszystkie nagrania wcześniej niepublikowane! CD2 zawiera bonusowy, blisko 20-minutowy „Better Move On (The Bargain)” z koncertu w Helsinkach.


With a bit of a delay, but Tasavallan Presidentti's "Live At Ruisrock 1971" has finally been released.

Out on the Finnish Svart Records label.
It includes Tasavallan Presidentti's performance of FZ's 'King Kong' combined with 'Celebration Of The Saved Nine'.
A 20-minute version !!



..::TRACK-LIST::..

CD 1:
1. Better Move On [aka The Bargain] 23:56
Lyrics By - Frank Robson
Music By - Jukka Tolonen

2. Feel My Way Through [aka Ramblin'] / Impressions Of India 17:41
Lyrics By - Frank Robson
Music By - Jukka Tolonen

3. King Kong / Celebration Of The Saved Nine 20:51
Music By [Celebration Of The Saved Nine] - Pekka Pöyry
Music By [King Kong] - Frank Zappa


CD 2 - Bonus:
1. Better Move On [aka The Bargain] 19:18
Lyrics By - Frank Robson
Music By - Jukka Tolonen

CD 1 recorded live at Ruisrock in Turku, August 22, 1971.
Bonus CD 2 recorded live at Finlandia Hall, Helsinki, December 5, 1971.



..::OBSADA::..

Soprano Saxophone, Alto Saxophone, Flute, Cowbell - Pekka Pöyry
Vocals, Organ, Tambourine - Frank Robson
Bass - Måns Groundstroem
Drums - Vesa Aaltonen
Guitar - Jukka Tolonen



https://www.youtube.com/watch?v=wC7NTt7GM2o


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Guns N' Roses
Title: Banzai
Year: 1992
Genre: Rock
Style: Hard Rock
Publisher (label): Backstage
Country: Italy
Duration: 2:25:12
Format/Codec: FLAC (tracks) + ArtWork
Audio bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...


CD 01 Banzai: (01:12:33)


01. Nightrain (00:05:21)
02. Mr. Brownstone (00:04:54)
03. Live And Let Die (00:03:45)
04. It's So Easy (00:03:30)
05. Bad Obsession (00:06:55)
06. Pretty Tied Up (00:05:35)
07. Welcome To The Jungle (00:04:53)
08. Don't Cry (00:04:33)
09. Double Talkin' Jive Motherfucker (00:08:49)
10. Civil War (00:07:53)
11. Wild Horses (00:03:37)
12. Patience (00:06:42)
13. You Could Be Mine (00:06:06)


CD 02 Banzai: (01:12:39)

01. November Rain (00:13:11)
02. Sweet Child O' Mine (00:08:22)
03. So Fine (00:04:32)
04. Rocket Queen (00:09:21)
05. Move To The City (00:08:03)
06. Knockin' On Heaven's Door (00:12:26)
07. Estranged (00:09:06)
08. Paradise City (00:07:38)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

First in an ongoing series of box sets celebrating the life and times of this incredible musician.

This 8CD collection includes John’s six solo albums, each with bonus material which have been fully remastered by Maor Appelbaum.

Also included are 2CDs of extremely rare and hard-to-find bonus material, especially curated by Rick Nelson, long-time Wetton archivist and John’s close friend. This material is a treasure trove of wonders for the true Wetton fan.

Presented in a 12x12” box, this collection also features an extensive 64 page book with notes written by Nick Shilton, author of John’s biography, An Extraordinary Life and artwork by Michael Inns, long-time friend and collaborator of John’s.

This box set has been carefully curated with the blessing of John’s wife Lisa and son Dylan and is released with the full support of the Wetton estate.

From his beginnings in the genre defining King Crimson, to the inventive, early prog supergroup UK, to the all-conquering prog-pop behemoth that was Asia and the many projects in-between, John Wetton was revered as a colossus of the progressive rock world.

Not only did he front three of the most successful progressive rock bands of all-time, John also enjoyed stints with Roxy Music, Family, Uriah Heep and Wishbone Ash. His list of collaborators is a veritable Who’s Who of the rock music world. In addition John released no fewer than six solo albums! Thus he is rightly seen as a true song writing visionary and one of the greatest bass players that ever lived.

From the committed prog connoisseur to the prog-pop fan of Asia, Wetton’s appeal is broad and deep. This extensive collection is the perfect entry point to appreciating and understanding the many colourful facets of John Wetton’s musical personality and is the perfect illustration of his extraordinary life.




John Wetton was an English bassist, singer and songwriter. He has been a professional musician since the late 60's. He was a man with a musical career absolutely unique, rich and enviable. He was a member of many progressive rock bands and he also participated in several musical projects of many artists. I absolutely agree with the expression put on John Wetton's biography on this site: "a man who has been in more bands than most of us has had hot dinners".

So, John Wetton reached the fame in the progressive rock due to his participation in some of the best progressive rock bands and worked with some of the best progressive rock artists too, such as Family, King Crimson, Roxy Music, Bryan Ferry, U.K., Wishbone Ash, Steve Hackett. And he was also one of the founders of the supergroup Asia. So, all over his extensive career, he participated in some of the best progressive rock albums. It included King Crimson's "Larks' Tongues In Aspic" of 1973, "Starless And Bible Black" of 1974, "Red" of 1974 and the live album "USA" of 1975, UK's self-titled debut of 1978, Roxy Music's live album "Viva!" of 1976, Steve Hackett's live album "The Tokyo Tapes" of 1998 and Asia's self-titled debut of 1982, only to mention some of the most important albums in which he has participated.

John Wetton was, in my humble opinion, one of the best vocalists and one of the best bass players of the progressive rock music. He had a style of bass playing very own and very powerful, which makes it very distinct and unique.

"Battle Lines" is the third solo studio album of Wetton and was released in 1994. It's the European release of "Voice Mail", the original album released in Japan in 1992. The two versions have the same content but have a different cover.

"Battle Lines" has ten short tracks and we can say that musically the album has some similarities with the earlier sound of Asia. John Wetton invited to participate on his album a handful of musicians. So, the line up on the album is John Wetton (vocals, bass, acoustic guitar and keyboards), Bob Marlette (keyboards, grand piano, synthesizer and programming), Michael Landau (guitars), Michael Cartellone (drums), Claude Gaudette (keyboards and programming), Robert Fripp (guitar and devices), Simon Phillips (drums), Steve Lukather (guitar), Dave Boruff (alto saxophone), Robbie Buchanan (grand piano), Jed Leiber (keyboards and programming) and Paul Buckmaster (arrangements for orchestra).

In the 80's John Wetton shifted his focus slightly to what could best be described as "Prog-Pop" or possibly "Arena-Prog". With "Battle Lines" Wetton shifted even further into the pop realm with his brief foray into the realm of adult contemporary music in an attempt to attract some new listeners and perhaps make himself a bit more accessible. While not as adventurous or as interesting as Wetton's more progressive material, "Battle Lines" is certainly more accessible. The material is still unmistakably John Wetton but it lacks to it a bit of the adventurousness of his earlier career. As a "Prog-Pop" album, "Battle Lines", is a bit of a disappointment for all his progressive fans. But on the other hand, "Battle Lines" is thoroughly enjoyable from the start to finish. The only "throwaway" or "filler" track to be found here is "Jane" which would not have sounded out of place in the 80's, but it's somewhat troubling considering that "Battle Lines" was released well into the 90's. On the other hand, Wetton's voice is thoroughly enjoyable as always. While he may not be the best singer, what he lacks in vocal quality he far more than makes up for in the overall passion of his vocal delivery. His vocals particularly stand out on the title track, "Battle Lines", and on "Hold Me Now". The album succeeds as a melodic showcase for Wetton's voice. Even though there is no Geoffrey Downes the album is very keyboard heavy. Most of the songs are built upon piano or keyboard as opposed to guitar. Highlights include "Crime Of Passion" co-written with John Young, "Hold Me Now" and the title track, one of the best songs John Wetton ever wrote.

With subsequent releases John Wetton would start to return to his more progressive roots to the delight of his fans. But this album shouldn't be dismissed out of hand. Taken in the right context this album is thoroughly enjoyable as anything else John Wetton has ever recorded. If there's a knock on the album it's that the majority of the songs are the same mid-level tempo. So, some credit must be given for John Wetton to try a genre he wasn't known for performing.

Conclusion: "Battle Lines" is really a great rock album with very good songs containing some incredibly beautiful and romantic passages and where the qualities of the songwriting are almost of the high quality. The precision and the quality of the production are also irreproachable. I really like this album. However, I have a problem to rate it. At first sight, it deserves 4 stars, but I can't rate this album with 4 stars. Why? Because "Battle Lines", is an album with very few progressive lines. With the exception of the participation of Robert Fripp and the two first songs "Right Where I Wanted To Be" and especially "Battle Lines", which is, in my opinion, a fantastic song, the rest stuff aren't progressive, and we can never forget that we are in a progressive rock site. Although, if you aren't a progressive fundamentalist and if you like a good melodic rock album and you also have some extra money to spend, I strongly recommend this album.

Prog is my Ferrari. Jem Godfrey (Frost*)

VianaProghead



..::TRACK-LIST::..

1. Right Where I Wanted To Be
2. Battle Lines
3. Jane
4. Crime Of Passion
5. Sand In My Hand
6. Sea Of Mercy
7. Hold Me Now
8. Space And Time
9. Walking On Air
10. You're Not The Only One

Bonus Track:
11. Battle Lines (Acoustic Version)



..::OBSADA::..

Vocals [All Vocals], Bass, Acoustic Guitar, Keyboards - John Wetton
Drums - Michael Cartellone, Simon Phillips
Grand Piano - Robbie Buchanan
Guitar - Michael Landau, Steve Lukather
Guitar, Electronics [Devices] - Robert Fripp
Keyboards, Grand Piano, Synthesizer, Programmed By [Programming] - Bob Marlette
Keyboards, Programmed By [Programming] - Claude Gaudette, Jed Leiber
Alto Saxophone - Dave Boruff



https://www.youtube.com/watch?v=6gl-jE-HEzQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

First in an ongoing series of box sets celebrating the life and times of this incredible musician.

This 8CD collection includes John’s six solo albums, each with bonus material which have been fully remastered by Maor Appelbaum.

Also included are 2CDs of extremely rare and hard-to-find bonus material, especially curated by Rick Nelson, long-time Wetton archivist and John’s close friend. This material is a treasure trove of wonders for the true Wetton fan.

Presented in a 12x12” box, this collection also features an extensive 64 page book with notes written by Nick Shilton, author of John’s biography, An Extraordinary Life and artwork by Michael Inns, long-time friend and collaborator of John’s.

This box set has been carefully curated with the blessing of John’s wife Lisa and son Dylan and is released with the full support of the Wetton estate.

From his beginnings in the genre defining King Crimson, to the inventive, early prog supergroup UK, to the all-conquering prog-pop behemoth that was Asia and the many projects in-between, John Wetton was revered as a colossus of the progressive rock world.

Not only did he front three of the most successful progressive rock bands of all-time, John also enjoyed stints with Roxy Music, Family, Uriah Heep and Wishbone Ash. His list of collaborators is a veritable Who’s Who of the rock music world. In addition John released no fewer than six solo albums! Thus he is rightly seen as a true song writing visionary and one of the greatest bass players that ever lived.

From the committed prog connoisseur to the prog-pop fan of Asia, Wetton’s appeal is broad and deep. This extensive collection is the perfect entry point to appreciating and understanding the many colourful facets of John Wetton’s musical personality and is the perfect illustration of his extraordinary life.




John Wetton was an English bassist, singer and songwriter. He has been a professional musician since the late 60's. He was a man with a musical career absolutely unique, rich and enviable. He was a member of many progressive rock bands and he also participated in several musical projects of many artists. I absolutely agree with the expression put on John Wetton's biography on this site: "a man who has been in more bands than most of us has had hot dinners".

So, John Wetton reached the fame in the progressive rock due to his participation in some of the best progressive rock bands and worked with some of the best progressive rock artists too, such as Family, King Crimson, Roxy Music, Bryan Ferry, U.K., Wishbone Ash, Steve Hackett. And he was also one of the founders of the supergroup Asia. So, all over his extensive career, he participated in some of the best progressive rock albums. It included King Crimson's "Larks' Tongues In Aspic" of 1973, "Starless And Bible Black" of 1974, "Red" of 1974 and the live album "USA" of 1975, UK's self-titled debut of 1978, Roxy Music's live album "Viva!" of 1976, Steve Hackett's live album "The Tokyo Tapes" of 1998 and Asia's self-titled debut of 1982, only to mention some of the most important albums in which he has participated.

John Wetton was, in my humble opinion, one of the best vocalists and one of the best bass players of the progressive rock music. He had a style of bass playing very own and very powerful, which makes it very distinct and unique.

"Battle Lines" is the third solo studio album of Wetton and was released in 1994. It's the European release of "Voice Mail", the original album released in Japan in 1992. The two versions have the same content but have a different cover.

"Battle Lines" has ten short tracks and we can say that musically the album has some similarities with the earlier sound of Asia. John Wetton invited to participate on his album a handful of musicians. So, the line up on the album is John Wetton (vocals, bass, acoustic guitar and keyboards), Bob Marlette (keyboards, grand piano, synthesizer and programming), Michael Landau (guitars), Michael Cartellone (drums), Claude Gaudette (keyboards and programming), Robert Fripp (guitar and devices), Simon Phillips (drums), Steve Lukather (guitar), Dave Boruff (alto saxophone), Robbie Buchanan (grand piano), Jed Leiber (keyboards and programming) and Paul Buckmaster (arrangements for orchestra).

In the 80's John Wetton shifted his focus slightly to what could best be described as "Prog-Pop" or possibly "Arena-Prog". With "Battle Lines" Wetton shifted even further into the pop realm with his brief foray into the realm of adult contemporary music in an attempt to attract some new listeners and perhaps make himself a bit more accessible. While not as adventurous or as interesting as Wetton's more progressive material, "Battle Lines" is certainly more accessible. The material is still unmistakably John Wetton but it lacks to it a bit of the adventurousness of his earlier career. As a "Prog-Pop" album, "Battle Lines", is a bit of a disappointment for all his progressive fans. But on the other hand, "Battle Lines" is thoroughly enjoyable from the start to finish. The only "throwaway" or "filler" track to be found here is "Jane" which would not have sounded out of place in the 80's, but it's somewhat troubling considering that "Battle Lines" was released well into the 90's. On the other hand, Wetton's voice is thoroughly enjoyable as always. While he may not be the best singer, what he lacks in vocal quality he far more than makes up for in the overall passion of his vocal delivery. His vocals particularly stand out on the title track, "Battle Lines", and on "Hold Me Now". The album succeeds as a melodic showcase for Wetton's voice. Even though there is no Geoffrey Downes the album is very keyboard heavy. Most of the songs are built upon piano or keyboard as opposed to guitar. Highlights include "Crime Of Passion" co-written with John Young, "Hold Me Now" and the title track, one of the best songs John Wetton ever wrote.

With subsequent releases John Wetton would start to return to his more progressive roots to the delight of his fans. But this album shouldn't be dismissed out of hand. Taken in the right context this album is thoroughly enjoyable as anything else John Wetton has ever recorded. If there's a knock on the album it's that the majority of the songs are the same mid-level tempo. So, some credit must be given for John Wetton to try a genre he wasn't known for performing.

Conclusion: "Battle Lines" is really a great rock album with very good songs containing some incredibly beautiful and romantic passages and where the qualities of the songwriting are almost of the high quality. The precision and the quality of the production are also irreproachable. I really like this album. However, I have a problem to rate it. At first sight, it deserves 4 stars, but I can't rate this album with 4 stars. Why? Because "Battle Lines", is an album with very few progressive lines. With the exception of the participation of Robert Fripp and the two first songs "Right Where I Wanted To Be" and especially "Battle Lines", which is, in my opinion, a fantastic song, the rest stuff aren't progressive, and we can never forget that we are in a progressive rock site. Although, if you aren't a progressive fundamentalist and if you like a good melodic rock album and you also have some extra money to spend, I strongly recommend this album.

Prog is my Ferrari. Jem Godfrey (Frost*)

VianaProghead



..::TRACK-LIST::..

1. Right Where I Wanted To Be
2. Battle Lines
3. Jane
4. Crime Of Passion
5. Sand In My Hand
6. Sea Of Mercy
7. Hold Me Now
8. Space And Time
9. Walking On Air
10. You're Not The Only One

Bonus Track:
11. Battle Lines (Acoustic Version)



..::OBSADA::..

Vocals [All Vocals], Bass, Acoustic Guitar, Keyboards - John Wetton
Drums - Michael Cartellone, Simon Phillips
Grand Piano - Robbie Buchanan
Guitar - Michael Landau, Steve Lukather
Guitar, Electronics [Devices] - Robert Fripp
Keyboards, Grand Piano, Synthesizer, Programmed By [Programming] - Bob Marlette
Keyboards, Programmed By [Programming] - Claude Gaudette, Jed Leiber
Alto Saxophone - Dave Boruff



https://www.youtube.com/watch?v=6gl-jE-HEzQ


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: The Beatles
Title: Bournemouth 1963
Year: 2025
Genre: Rock
Style: Beat, Rock & Roll
Publisher (label): His Master's Choice
Country: Europe
Duration: 01:48:10
Format/Codec: FLAC (tracks) + Artwork
Audio Bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...


CD 01 Bournemouth 1963: (00:45:47)

01. Roll Over Beethoven (Bournemouth, 8.23.63) (00:02:29)
02. Thank You Girl (Bournemouth, 8.23.63) (00:02:21)
03. Chains (Bournemouth, 8.23.63) (00:01:56)
04. From Me To You (Bournemouth, 8.23.63) (00:02:23)
05. A Taste of Honey (Bournemouth, 8.23.63) (00:02:09)
06. I Saw Her Standing There (Bournemouth, 8.23.63) (00:02:50)
07. Baby It's You (Bournemouth, 8.23.63) (00:03:13)
08. Boys (Bournemouth, 8.23.63) (00:02:52)
09. She Loves You (Bournemouth, 8.23.63) (00:02:25)
10. Twist and Shout (Bournemouth, 8.23.63) (00:03:33)
11. From Me To You (London, 4.5.63) (00:02:45)
12. Please Please Me (London, 4.5.63) (00:02:22)
13. Some Other Guy (Walthamstow, 5.24.63) (00:01:29)
14. Thank You Girl (Walthamstow, 5.24.63) (00:01:57)
15. Please Please Me (Walthamstow, 5.24.63) (00:01:48)
16. I Saw Her Standing There (Walthamstow, 5.24.63) (00:02:38)
17. From Me To You (Walthamstow, 5.24.63) (00:01:36)
18. Running Scared (Walthamstow, 5.24.63) (00:02:10)
19. In Dreams (Walthamstow, 5.24.63) (00:02:51)


CD 02 Bournemouth 1963: (01:02:23)

01. I Saw Her Standing There (Buckingham, 4.4.63) (00:02:38)
02. Too Much Monkey Business (Buckingham, 4.4.63) (00:02:32)
03. Love Me Do (Buckingham, 4.4.63) (00:02:46)
04. Some Other Guy (Buckingham, 4.4.63) (00:02:46)
05. Misery (Buckingham, 4.4.63) (00:02:19)
06. I Just Don't Understand (Buckingham, 4.4.63) (00:02:51)
07. A Shot of Rhythm and Blues (Buckingham, 4.4.63) (00:03:21)
08. Boys (Buckingham, 4.4.63) (00:02:45)
09. Matchbox (Buckingham, 4.4.63) (00:03:29)
10. From Us To You (Buckingham, 4.4.63) (00:02:23)
11. Thank You Girl (Buckingham, 4.4.63) (00:02:22)
12. Memphis Tennessee (Buckingham, 4.4.63) (00:02:49)
13. A Taste of Honey (Buckingham, 4.4.63) (00:02:32)
14. Twist and Shout (Buckingham, 4.4.63) (00:03:22)
15. Anna (Go To Him) (Buckingham, 4.4.63) (00:03:35)
16. Please Please Me (Buckingham, 4.4.63) (00:02:39)
17. Hippy Hippy Shake (Buckingham, 4.4.63) (00:01:57)
18. I'm Talking About You (Buckingham, 4.4.63) (00:02:42)
19. Misery (Buckingham, 4.4.63) (00:02:49)
20. Till There Was You (Buckingham, 4.4.63) (00:02:42)
21. Money (Buckingham, 4.4.63) (00:01:00)
22. I Saw Her Standing There (Buckingham, 4.4.63) (00:01:36)
23. Sweet Little Sixteen (Buckingham, 4.4.63) (00:02:28)
24. Long Tall Sally (Buckingham, 4.4.63) (00:02:00)

...( Info )...

Artist: Blondie
Title: Greatest Hits
Year: 2002
Genre: Pop, Rock
Publisher (label): Capitol Records, LLC
Duration: 01:08:59
Format/Codec: MP3
Audio Bitrate: 320 Kbps

...( TrackList )...

01. Dreaming (00:03:10)
02. Call Me (00:03:36)
03. One Way Or Another (00:03:36)
04. Heart Of Glass (Special Mix) (00:04:35)
05. The Tide Is High (00:04:45)
06. X Offender (00:03:14)
07. Hanging On The Telephone (00:02:25)
08. Rip Her To Shreds (00:03:24)
09. Rapture (00:05:41)
10. Atomic (00:04:43)
11. Picture This (00:02:59)
12. In The Flesh (00:02:34)
13. Denis (00:02:18)
14. (I'm Always Touched By Your) Presence, Dear (00:02:46)
15. Union City Blue (00:03:23)
16. The Hardest Part (00:03:45)
17. Island Of Lost Souls (00:04:44)
18. Sunday Girl (00:03:07)
19. Maria (00:04:14)

..::INFO::..

---------------------------------------------------------------------
The Rolling Stones - Foreign Tongues
---------------------------------------------------------------------

Artist...............: The Rolling Stones
Album................: Foreign Tongues
Genre................: Classic Rock
Source...............: WEB
Year.................: 2026-07-10
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 96000 HZ / 24 Bit
Tags.................: VorbisComment
Information..........: Universal International Music B.V.

Included.............: NFO, M3U
Covers...............: Front

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. The Rolling Stones - Rough And Twisted [04:39]
2. The Rolling Stones - In The Stars [04:13]
3. The Rolling Stones - Jealous Lover [03:49]
4. The Rolling Stones - Mr Charm [04:34]
5. The Rolling Stones - Divine Intervention [04:46]
6. The Rolling Stones - Ringing Hollow [05:18]
7. The Rolling Stones - Never Wanna Lose You [04:30]
8. The Rolling Stones - Hit Me In The Head [02:56]
9. The Rolling Stones - You Know I'm No Good [04:53]
10. The Rolling Stones - Some Of Us [04:00]
11. The Rolling Stones - Covered In You [04:31]
12. The Rolling Stones - Side Effects [04:34]
13. The Rolling Stones - Back In Your Life [06:12]
14. The Rolling Stones - Beautiful Delilah [03:28]

Playing Time.........: 01:02:31
Total Size...........: 1448,70 MB

..::INFO::..

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Budka Suflera - Cisza
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Artist...............: Budka Suflera
Album................: Cisza
Genre................: Rock
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TA Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
---------------------------------------------------------------------

1. Budka Suflera - Stolarz (Budka Live) [01:02]
2. Budka Suflera - Cisza Jak Ta [05:32]
3. Budka Suflera - Ragtime [04:47]
4. Budka Suflera - Młode Lwy [06:17]
5. Budka Suflera - Twoje Radio [05:12]
6. Budka Suflera - Czas Wielkiej Wody [06:07]
7. Budka Suflera - Geniusz Blues [05:31]
8. Budka Suflera - Skandal [04:41]
9. Budka Suflera - Kolęda Rozterek [06:40]

Playing Time.........: 45:54
Total Size...........: 326,30 MB

Bass, Guitar – Mieczysław Jurecki
Drums – Tomasz Zeliszewski
Guitar – Marek Raduli
Guitar [Session] – Andrzej Warda, Arkadiusz Smyk
Keyboards – Romuald Lipko
Lyrics By – Adam Sikorski (tracks: 9), Andrzej Mogielnicki (tracks: 2 to 5, 7, 8), Bogdan Olewicz (tracks: 6)
Music By – Krzysztof Cugowski (tracks: 2, 4 to 8), Romuald Lipko (tracks: 2 to 9)
Saxophone [Session] – Piotr Maciąg
Vocals – Krzysztof Cugowski

..::INFO::..

Trzynasty, najnowszy album studyjny Marilyn Mansona. Chapter 1 był introwertyczną opowieścią o odrodzeniu, trzeźwości i procesie wewnętrznego uzdrawiania. Chapter 2 przybrał charakter bardziej ekstrawertyczny, buntowniczy i konfrontacyjno - rozliczeniowy, typowy dla wczesnego Mansona, ale mocno skorygowany o nonszalancję wylewającą się z The Pale Emperor. Pod ostrzał idą media, fałszywi przyjaciele oraz kultura unieważniania. To bardzo ponura kontynuacja, nie wchodząca już tak łatwo jak pierwsza część. Manson mówi: To dopełnienie mojej historii. Każdy kamień, który we mnie rzucono, wykorzystałem do tego by się wyostrzyć. Wyrosłem z czyśćca i wyryłem te piosenki na skórze świata. Mam nadzieję, że podczas słuchania pozostawią one po sobie bliznę, o której nie sposób zapomnieć. Nie da się ukryć, że jest to płyta zrodzona z bardzo, bardzo gorzkich doświadczeń i rozczarowań ludźmi.

Title: One Assassination Under God Chapter 2

Artist: Marilyn Manson

Country: USA

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Unalive
2.Don't Answer the Door
3.Front Toward Enemy
4.All the Vilest Things
5.None of the Suns
6.Lucifer's Teardro
7.The Arsonist
8.Exit Wound
9.Enantiomorph

..::INFO::..

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Whitesnake - The Best!
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Artist...............: Whitesnake
Album................: The Best!
Genre................: Hard/Blues Rock
Source...............: CD
Year.................: 1991
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Polydor – Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. Whitesnake - Lie Down (A Modern Love Song) [03:16]
2. Whitesnake - Trouble [04:50]
3. Whitesnake - Take Me With You [04:48]
4. Whitesnake - Walking In The Shadow Of The Blues [04:26]
5. Whitesnake - Love Hunter [05:39]
6. Whitesnake - Fool For Your Loving [04:18]
7. Whitesnake - Sweet Talker [03:39]
8. Whitesnake - Ready An' Willing [03:44]
9. Whitesnake - Ain't Gonna Cry No More [05:53]
10. Whitesnake - Don't Break My Heart Again [04:04]
11. Whitesnake - Crying In The Rain [06:02]
12. Whitesnake - Here I Go Again [05:09]

Playing Time.........: 55:54
Total Size...........: 363,92 MB

..::INFO::..

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Queen - MTV History 2000 - The Greatest Hits I, II, III, IV
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Artist...............: Queen
Album................: MTV History 2000 - The Greatest Hits
Genre................: Rock
Source...............: CD
Year.................: 1999
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60-62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Invisible Halahup - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting - The Greatest Hits I
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1. Queen - Bohemian Rhapsody [05:56]
2. Queen - Killer Queen [03:01]
3. Queen - Another One Bites The Dust [03:36]
4. Queen - Fat Bottomed Girls [03:23]
5. Queen - Somebody To Love [04:59]
6. Queen - White Queen [04:34]
7. Queen - Bicycle Race [03:03]
8. Queen - You're My Best Friends [02:53]
9. Queen - Don't Stop Me Now [03:32]
10. Queen - All Dead All Dead [03:09]
11. Queen - Living On My Own [03:38]
12. Queen - Save Me [03:48]
13. Queen - No One But You [04:08]
14. Queen - Jesus [03:47]
15. Queen - Headlong [04:34]
16. Queen - Who Wants To Live Forever [04:56]
17. Queen - Baby I Don't Care [01:35]
18. Queen - Love Of My Life [03:36]
19. Queen - Thank God It's Christmas [04:19]
20. Queen - Barcelona [05:37]

Playing Time.........: 01:18:15
Total Size...........: 481,63 MB

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Tracklisting - The Greatest Hits II
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1. Queen - Radio Ga Ga [05:45]
2. Queen - A Kind Of Magik [04:23]
3. Queen - We Are The Champions [03:03]
4. Queen - Under Pressure [03:58]
5. Queen - I Want It All [04:03]
6. Queen - It's A Hard Life [04:11]
7. Queen - Mustapha [03:03]
8. Queen - Heaven For Everyone [05:40]
9. Queen - Tutti Frutti [02:55]
10. Queen - Your Kind Of Lover [04:01]
11. Queen - Flash [02:50]
12. Queen - Love Kills [04:31]
13. Queen - 39 [03:34]
14. Queen - Spread Your Wings [04:33]
15. Queen - Seven Seas Of Rhye [02:52]
16. Queen - Hallo Mary Lou [01:41]
17. Queen - Let's Turn It On [03:48]
18. Queen - My Fairy King [04:10]
19. Queen - Newer More [01:19]
20. Queen - Life Is Real (Song For Lennon) [03:28]

Playing Time.........: 01:13:58
Total Size...........: 463,26 MB

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Tracklisting - The Greatest Hits III
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1. Queen - We Will Rock You [02:04]
2. Queen - Crazy Little Thing Called Love [02:45]
3. Queen - Innuendo [06:29]
4. Queen - Breakthru [04:11]
5. Queen - I Want To Break Free [04:20]
6. Queen - Play The Game [03:35]
7. Queen - I'm Going Slightly Mad [04:09]
8. Queen - Exercises In Free Love [04:00]
9. Queen - Scandal [04:42]
10. Queen - One Year Of Life [04:29]
11. Queen - One Vision [04:03]
12. Queen - Tear It Up [03:28]
13. Queen - Dear Friends [01:11]
14. Queen - Fun It [03:33]
15. Queen - The Fairy Teller's Master [02:47]
16. Queen - Soul Brother [03:35]
17. Queen - Time [03:52]
18. Queen - Lazing On Sunday Afternoon [01:09]
19. Queen - Jealousy [03:15]
20. Queen - Father To Son [06:12]

Playing Time.........: 01:14:00
Total Size...........: 455,31 MB

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Tracklisting - The Greatest Hits IV
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1. Queen - The Show Must Go On [04:25]
2. Queen - Mr. Bad Gay [03:55]
3. Queen - The Invisible Man [03:58]
4. Queen - The Miracle [04:56]
5. Queen - Forever [03:21]
6. Queen - Friends Will Be Friends [04:08]
7. Queen - Don't Try So Hard [03:41]
8. Queen - Good Old-Fashioned Lover Boy [02:57]
9. Queen - Dont All Right [04:11]
10. Queen - In My Defence [03:54]
11. Queen - You Don't Fool Me [05:28]
12. Queen - The Night Comes Down [04:25]
13. Queen - Foolin' Around [03:38]
14. Queen - My Baby Does Me [03:23]
15. Queen - The Great Pretender [03:27]
16. Queen - Lily Of The Valley [01:45]
17. Queen - Is This The World We Created [02:19]
18. Queen - Rock In Rio Blues [04:33]
19. Queen - Made In Heaven [05:27]

Playing Time.........: 01:14:00
Total Size...........: 457,21 MB

..::INFO::..

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The Rolling Stones - MTV History 2000 - The Very Best Of - (2 CD)
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Artist...............: The Rolling Stones
Album................: MTV History 2000 - The Very Best Of
Genre................: Rock
Source...............: CD
Year.................: 1999
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 61-64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Invisible Halahup

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting - CD 1
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1. The Rolling Stones - Paint It Black [03:46]
2. The Rolling Stones - Satisfaction [03:42]
3. The Rolling Stones - Heart Of Stone [02:45]
4. The Rolling Stones - Angie [04:30]
5. The Rolling Stones - Under My Thumb [03:39]
6. The Rolling Stones - Tell Me [03:47]
7. The Rolling Stones - Heaven [04:21]
8. The Rolling Stones - 19th Nervous Breakdown [03:57]
9. The Rolling Stones - Lady Jane [03:10]
10. The Rolling Stones - It' s All Over Now [03:26]
11. The Rolling Stones - Time Is On My Side [02:50]
12. The Rolling Stones - Ruby Tuesday [03:16]
13. The Rolling Stones - As Tears Go By [02:43]
14. The Rolling Stones - The Last Time [03:41]
15. The Rolling Stones - Play With Fire [02:14]
16. The Rolling Stones - Love Is Strong [03:44]
17. The Rolling Stones - Not Fade Away [01:48]
18. The Rolling Stones - Get Off Of My Cloud [02:56]
19. The Rolling Stones - Let It Bleed [05:05]
20. The Rolling Stones - Honky Tonky Women [02:59]
21. The Rolling Stones - Dandelion [03:08]
22. The Rolling Stones - Money [02:26]

Playing Time.........: 01:14:02
Total Size...........: 459,00 MB

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Tracklisting - CD 2
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1. The Rolling Stones - Time Waits For No One [04:06]
2. The Rolling Stones - Harlem Shuffle [03:24]
3. The Rolling Stones - I Got The Blues [03:54]
4. The Rolling Stones - Might As Well Get Juiced [05:25]
5. The Rolling Stones - Sad Sad Sad [03:38]
6. The Rolling Stones - Sittin' On A Fence [03:06]
7. The Rolling Stones - Manish Boy Boy [04:39]
8. The Rolling Stones - Sister Morphine [05:35]
9. The Rolling Stones - Mother's Little Helper [02:50]
10. The Rolling Stones - You Got Me Rocking [03:37]
11. The Rolling Stones - Fool To Cry [04:04]
12. The Rolling Stones - Hot Stuff [03:32]
13. The Rolling Stones - Hold On To You Hat [03:35]
14. The Rolling Stones - Anybody Seen My Baby [04:34]
15. The Rolling Stones - Congratulation [02:30]
16. The Rolling Stones - Miss You [03:34]
17. The Rolling Stones - Crazy Mama [04:35]
18. The Rolling Stones - New Faces [02:51]
19. The Rolling Stones - Long, Long While [03:00]

Playing Time.........: 01:12:37
Total Size...........: 475,55 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Kapitalny, wydany w 1974 przez Brain Metronome (a brzmiący jak w 1972), debiutancki album niemieckiej formacji grającej ożywczy, pełen energii i dość melodyjny/chwytliwy rock progresywny (dużo Hammondów, dużo fletu, elektryczne gitary, mocne, gęste bębny) w klimacie najlepszych momentów Jane, Eloy, Out Of Focus, Nektar i Twenty Sixty Six And Then - ze szczyptą Jethro Tull (flet). Każdy utwór jest świetny - naprawdę brak wypełniaczy oraz późniejszego, artrockowego smęcenia. Prawdę mówiąc jeśli chodzi o bardziej komercyjny, cięższy krautrock jest to płyta wręcz wzorcowa i polecana jest wszystkim miłośnikom starego rocka!



SATIN WHALE, czyli płetwal błękitny... Muszę przyznać, że ta piękna nazwa rockowej kapeli uwiodła mnie. Może dlatego, że czuję wielki podziw, szacunek, respekt i ogromną sympatię do tych największych znanych zwierząt w historii Ziemi. Proszę sobie wyobrazić, że sam język dorosłego płetwala błękitnego waży (bagatela) 2700 kg, a szeroko rozwarte usta mogą pomieścić 90 ton pożywienia..! A co do zespołu – nie tylko nazwa mnie urzekła. Muzyka na szczęście też.

Ten niemiecki zespół został założony w 1971 roku w Kolonii (niem. Köln) przez Thomasa Brücka (bas, wokal), Gerarda Dellmanna (organy), Dietera Roesberga (gitara, saksofon, flet, wokal) i Horsta Schöffgena (perkusja). O jego początkach wiadomo niewiele, a i późniejsza kariera też nie obfitowała w historie, które zwracałyby szczególną uwagę mediów. Skromny zespół skupiający się na swojej muzyce nie jest pożywką dla bulwarowej prasy. Działając do 1981 roku zostawili po sobie dwa single i sześć długogrających płyt, z czego pierwszą „Desert Places” uważam za nokautującą, zaś druga, „Lost Mankind”, niewiele jej ustępuje.

Początkowo SATIN WHALE związali się z pionierską, dziś już legendarną wytwórnią Brian specjalizującą się w wydawaniu muzyki elektronicznej i krautrocka, dla której nagrywali tacy wykonawcy jak Klaus Schulze, Electric Sun, Grobschnitt, Guru Guru, Jane, Amon Dull… Debiutancki album został nagrany w maju 1973 roku w Rhenus Studios mieszczącym się w kolońskiej dzielnicy Godorf . Krążek zatytułowany „Desert Places” ukazał się dokładnie rok później.

Tak bardzo solidnej, progresywnej płyty z elementami i wpływami innych gatunków muzycznych w 1974 roku nie było zbyt wiele. Album prezentuje bogaty i energiczny rock progresywny z długimi utworami, charakteryzującymi się rozbudowanymi motywami instrumentalnymi, dynamicznymi jamami, potężnymi partiami jazzowej sekcji rytmicznej. Muzyka oparta jest na mocnych gitarach rytmicznych, ostrych riffach z mnóstwem efektów wah-wah (gra gitarzysty to przyjemność dla moich uszu!), baterią klawiszy (tony Hammondów) w psychodelicznym klimacie. Do tego dochodzą partie fletu, saksofon i dyskretne, klasyczne inspiracje z użyciem fortepianu. Cała płyta jest spójna i równa. Wspaniała demonstracja klimatów wczesnego krautrocka (Tommorow’s Gift, Eiliff), z odniesieniami do sceny brytyjskiej (Iron Butterfly, Cream, Jethro Tull), głównie ze względu na angielskie teksty i bluesowe wpływy. No i brzmi jakby została wydana co najmniej trzy lata wcześniej…

Tytułowe „Deseret Places” najbardziej przypomina wczesny Jethro Tull z szybującym fletem i ciężkimi organami, a potężne brzmienie z psychodeliczną gitarą bluesową bliskie jest Cream. Dieter Roesberg gra cudowne solo, jego gitara przez moment jest liderem wśród pozostałych instrumentów. W dalszej części wchodzi flet, a dialog z gitarzystą i przemienne sola na tle organów powodują gęsią skórę… Psychodeliczny „Seasons Of Life” to coś w stylu „The Doors spotyka Iron Butterfly”. Tyle, że w tym przypadku wyszło to jeszcze bardziej ekscytująco! Zwracam uwagę na ładnie wyeksponowany bas i gitarę prowadzącą, zaś Hammond w dalszej części nagrania brzmi wprost niesamowicie. W tym momencie wiem, że ta płyta nie pozwoli stopie stać w bezruchu nawet przez sekundę… Dziesięciominutowy „Remember” pełen żarliwej dynamiki i zmian tempa prowadzony jest przez płonącą gitarę Roesberga i grungowe organy Geralda Dellmana. Piękna, melancholijna melodia zaśpiewana przez gitarzystę półtorej minuty po ognistym wstępie przywołuje nastrój lirycznych Wishbone Ash… Nie czas jednak na sentymenty. Muzycy wściekle prą naprzód niczym pocisk wystrzelony z myśliwca F16 do namierzonego celu. Ależ jazda..! „I Often Wondered” rozpoczyna się mocnym wejściem saksofonu altowego (Roesberg), do którego dołączają bas, perkusja i organy. Te ostatnie wraz z gitarą tworzą doskonale rozumiejący się duet. Przyjemny wokal ustępuje miejsca gitarze, która zaczyna kolejne, pełne polotu solo… Całość wieńczy 13-minutowe „Perception”. Kilka basowych nutek, organy jak w otwarciu „Child In Time” Deep Purple, delikatne dźwięki talerza – cóż za miły wstęp przed wejściem gitary, która wchodzi 40 sekund później, a wraz z nią ekspresyjny wokal. Podoba mi się ten powolny rytm, ale zdaję sobie sprawę, że to tylko wstęp. Około czwartej minuty na czoło wysuwają się potężne organy z ciężką sekcją rytmiczną. Atmosfera robi się gęsta, wręcz ołowiana, muzyka nabiera szybszego tempa. Nieoczekiwanie w miejsce organów pojawia się klasycyzujący fortepian wpuszczając powiew świeżego powietrza robiąc więcej przestrzeni. Hammond powraca po krótkiej chwili, po czym gitara i sekcja rytmiczna płynnie przechodzą w jazz, a właściwie w jazz rockowy jam, do którego podłącza się saksofon. Jak na jedną kompozycję oryginalnie i ciekawie. Takie granie to ja kupuję w ciemno!!!

Nie każdy niemiecki zespół musiał być tak kuszący jak np. Can (obie grupy pochodziły z Kolonii) nie mniej SATIN WHALE jest (jednym z wielu) moich ulubionych zespołów, a „Desert Places” to jedna z tych ukochanych płyt tego okresu. Jedyne do czego mogę się przyczepić to dość marna okładka, ale do nich grupa nigdy nie miała szczęścia.

Zibi

I wish I had this album back when I was younger it suits my tastes perfectly. Great vocals, tons of instrumental sections and especially that bluesy guitar that I could listen to endlessly. T2 might be a good comparison with those great guitar led songs. The bass player/ vocalist had a part in the writing all the songs. Should mention that the organ is prominent with the bass and we also get flute and sax, more of the former and both played by the talented guitarist!. They thank Klaus Schulze in the liner notes. Vocals are in English by the way and there's not an average song on here it's all pretty incredible to my ears. Only the cover art is average in my opinion.
"Deseret Places" opens with flute but it kicks into gear very quickly. A calm before 1 1/2 minutes then it kicks in again with organ leading this time. Soon it's the guitar leading the way. Vocals after 3 minutes as it settles some. man this is good. The flute is back after 4 minutes as the vocals stop. Pulsating organ then the vocals return after 5 minutes.

"Seasons Of Life" opens with multi-vocals as guitar, drums, bass and organ join in. Nice prominent bass here then the guitar leads as we get an instrumental section. It settles as the vocals return as these contrasts continue. A change in sound after 3 minutes. man that organ sounds amazing in this instrumental section. The guitar starts to lead before 5 minutes then the organ before the vocals return before 6 minutes.

"Remember" opens with guitar before piano and outbursts of power take over. The guitar then leads with bass, drums and organ supporting. A calm before 1 1/2 minutes with bluesy guitar as the vocals join in. It kicks in before 3 minutes as the vocals stop. Contrasts continue. Fantastic! The organ leads after 4 minutes then the guitar takes over and he's lighting it up. It settles some but then the guitar is back lighting it up. The organ takes the lead around 7 1/2 minutes before the guitar returns late. A melancholic tune.

"I Often Wonder" is where I hear the sax for the first time. Bass, drums and organ help out before the organ leads as the sax steps aside. The guitar and organ trade off 2 minutes in then we get vocals before 4 minutes. Nice. The guitar starts to solo after 4 1/2 minutes as the vocals stop. Vocals are back as contrasts continue.

"Perception" is the almost 13 minute closer. It opens with bass, keys and light guitar. A nice change before kicking in with the guitar leading. Vocals follow. I like that driving rhythm 3 1/2 minutes in as the vocals step aside and the organ plays over top. Piano after 5 1/2 minutes as the organ stops. It turns jazzy, well at least the bass is jazzy before 7 minutes as the guitar solos. The organ is back trading off with the guitar before 8 minutes. Sax 9 1/2 minutes in then it settles some before 11 minutes as the organ runs. It picks up with guitar before 12 minutes then calms down to the end.

My only experience with SATIN WHALE previously was with their 1978 live album which was more Symphonic and I'm not a fan of it. Apparently they went into that style with the followup to this one. I'll stick with this beauty.

Mellotron Storm

I found an original green Brain/Metronome LP pressing at a Eugene, Oregon record store. I couldn't believe what I was seeing! So I snatched it because it was sold at a rather cheap prince ($20), only to find out copies go for ten times that much, or even more so. This isn't the 2010 reprint, as that was apparently pressed on 180g vinyl, this looks like your typical '70s standard weight, probably 120g, plus it looks to have the usual wear and tear of a 1974 LP. I have heard of Satin Whale for ages (since about 2002) and glad to have bought this.
This is probably the closest to Krautrock they have ever did, but don't expect the experimentation of Can, Faust, Amon Duul II, early Tangerine Dream, Ash Ra Tempel, Agitation Free, etc. Here they often go in the Jethro Tull vein, but often go for extended jams, lots of nice guitar and organ soloing. The vocals are OK, nothing to write home, but at least not bad. Much of the album follows this same path, some short vocal passages, extended instrumental passages. One gripe could be, given its 1974 origins, that this album sounds rather behind the times and sounds more like a 1971 or '72 recording, but then you can say the same thing of Eloy's Floating or even Mythos' Dreamlab. But then from hearing my share of 1974 recordings, I came to the conclusion that the year, musically, seemed to have one foot in the early '70s (the guitar/Hammond organ approach was still commonplace) and the mid '70s (synthesizers were starting to play a bigger role). It's obvious that the Satin Whale was a bit behind the times for synths, as they still didn't use one, or more likely couldn't afford one (of course, they used synths on later albums like As a Keepsake). I don't let the "behind the times" sound bother me, it fits comfortably with your other prog albums released a bit earlier. This album gets a lot of praise in the prog community, and for good reason. It's too bad this was never properly reissued. It did received a bootleg reissue on CD on Germanophon, but it would do so much better had Repertoire been able to get their hands on it (after all, that label had reissued many great titles from the Brain label, it's probably either they can't get the rights to it, or the band members are embarrassed and don't want a reissue, just like Kraftwerk did with anything pre-Autobahn). I'm glad to own a turntable and the original LP, and lucky to find at a real decent price. Great stuff I can highly recommend!

Progfan97402



..::TRACK-LIST::..

1. Desert Places 7:28
2. Seasons Of Life 6:41
3. Remember 9:36
4. I Often Wondered 7:14
5. Perception 12:58



..::OBSADA::..

Guitar, Flute, Alto Saxophone, Lead Vocals - Dieter Roesberg
Organ, Piano, Vibraphone - Gerald Dellmann
Bass, Vocals - Thomas Brück
Drums, Vocals - Horst Schättgen



https://www.youtube.com/watch?v=fBqzeoL4J3Y


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Kapitalny, wydany w 1974 przez Brain Metronome (a brzmiący jak w 1972), debiutancki album niemieckiej formacji grającej ożywczy, pełen energii i dość melodyjny/chwytliwy rock progresywny (dużo Hammondów, dużo fletu, elektryczne gitary, mocne, gęste bębny) w klimacie najlepszych momentów Jane, Eloy, Out Of Focus, Nektar i Twenty Sixty Six And Then - ze szczyptą Jethro Tull (flet). Każdy utwór jest świetny - naprawdę brak wypełniaczy oraz późniejszego, artrockowego smęcenia. Prawdę mówiąc jeśli chodzi o bardziej komercyjny, cięższy krautrock jest to płyta wręcz wzorcowa i polecana jest wszystkim miłośnikom starego rocka!



SATIN WHALE, czyli płetwal błękitny... Muszę przyznać, że ta piękna nazwa rockowej kapeli uwiodła mnie. Może dlatego, że czuję wielki podziw, szacunek, respekt i ogromną sympatię do tych największych znanych zwierząt w historii Ziemi. Proszę sobie wyobrazić, że sam język dorosłego płetwala błękitnego waży (bagatela) 2700 kg, a szeroko rozwarte usta mogą pomieścić 90 ton pożywienia..! A co do zespołu – nie tylko nazwa mnie urzekła. Muzyka na szczęście też.

Ten niemiecki zespół został założony w 1971 roku w Kolonii (niem. Köln) przez Thomasa Brücka (bas, wokal), Gerarda Dellmanna (organy), Dietera Roesberga (gitara, saksofon, flet, wokal) i Horsta Schöffgena (perkusja). O jego początkach wiadomo niewiele, a i późniejsza kariera też nie obfitowała w historie, które zwracałyby szczególną uwagę mediów. Skromny zespół skupiający się na swojej muzyce nie jest pożywką dla bulwarowej prasy. Działając do 1981 roku zostawili po sobie dwa single i sześć długogrających płyt, z czego pierwszą „Desert Places” uważam za nokautującą, zaś druga, „Lost Mankind”, niewiele jej ustępuje.

Początkowo SATIN WHALE związali się z pionierską, dziś już legendarną wytwórnią Brian specjalizującą się w wydawaniu muzyki elektronicznej i krautrocka, dla której nagrywali tacy wykonawcy jak Klaus Schulze, Electric Sun, Grobschnitt, Guru Guru, Jane, Amon Dull… Debiutancki album został nagrany w maju 1973 roku w Rhenus Studios mieszczącym się w kolońskiej dzielnicy Godorf . Krążek zatytułowany „Desert Places” ukazał się dokładnie rok później.

Tak bardzo solidnej, progresywnej płyty z elementami i wpływami innych gatunków muzycznych w 1974 roku nie było zbyt wiele. Album prezentuje bogaty i energiczny rock progresywny z długimi utworami, charakteryzującymi się rozbudowanymi motywami instrumentalnymi, dynamicznymi jamami, potężnymi partiami jazzowej sekcji rytmicznej. Muzyka oparta jest na mocnych gitarach rytmicznych, ostrych riffach z mnóstwem efektów wah-wah (gra gitarzysty to przyjemność dla moich uszu!), baterią klawiszy (tony Hammondów) w psychodelicznym klimacie. Do tego dochodzą partie fletu, saksofon i dyskretne, klasyczne inspiracje z użyciem fortepianu. Cała płyta jest spójna i równa. Wspaniała demonstracja klimatów wczesnego krautrocka (Tommorow’s Gift, Eiliff), z odniesieniami do sceny brytyjskiej (Iron Butterfly, Cream, Jethro Tull), głównie ze względu na angielskie teksty i bluesowe wpływy. No i brzmi jakby została wydana co najmniej trzy lata wcześniej…

Tytułowe „Deseret Places” najbardziej przypomina wczesny Jethro Tull z szybującym fletem i ciężkimi organami, a potężne brzmienie z psychodeliczną gitarą bluesową bliskie jest Cream. Dieter Roesberg gra cudowne solo, jego gitara przez moment jest liderem wśród pozostałych instrumentów. W dalszej części wchodzi flet, a dialog z gitarzystą i przemienne sola na tle organów powodują gęsią skórę… Psychodeliczny „Seasons Of Life” to coś w stylu „The Doors spotyka Iron Butterfly”. Tyle, że w tym przypadku wyszło to jeszcze bardziej ekscytująco! Zwracam uwagę na ładnie wyeksponowany bas i gitarę prowadzącą, zaś Hammond w dalszej części nagrania brzmi wprost niesamowicie. W tym momencie wiem, że ta płyta nie pozwoli stopie stać w bezruchu nawet przez sekundę… Dziesięciominutowy „Remember” pełen żarliwej dynamiki i zmian tempa prowadzony jest przez płonącą gitarę Roesberga i grungowe organy Geralda Dellmana. Piękna, melancholijna melodia zaśpiewana przez gitarzystę półtorej minuty po ognistym wstępie przywołuje nastrój lirycznych Wishbone Ash… Nie czas jednak na sentymenty. Muzycy wściekle prą naprzód niczym pocisk wystrzelony z myśliwca F16 do namierzonego celu. Ależ jazda..! „I Often Wondered” rozpoczyna się mocnym wejściem saksofonu altowego (Roesberg), do którego dołączają bas, perkusja i organy. Te ostatnie wraz z gitarą tworzą doskonale rozumiejący się duet. Przyjemny wokal ustępuje miejsca gitarze, która zaczyna kolejne, pełne polotu solo… Całość wieńczy 13-minutowe „Perception”. Kilka basowych nutek, organy jak w otwarciu „Child In Time” Deep Purple, delikatne dźwięki talerza – cóż za miły wstęp przed wejściem gitary, która wchodzi 40 sekund później, a wraz z nią ekspresyjny wokal. Podoba mi się ten powolny rytm, ale zdaję sobie sprawę, że to tylko wstęp. Około czwartej minuty na czoło wysuwają się potężne organy z ciężką sekcją rytmiczną. Atmosfera robi się gęsta, wręcz ołowiana, muzyka nabiera szybszego tempa. Nieoczekiwanie w miejsce organów pojawia się klasycyzujący fortepian wpuszczając powiew świeżego powietrza robiąc więcej przestrzeni. Hammond powraca po krótkiej chwili, po czym gitara i sekcja rytmiczna płynnie przechodzą w jazz, a właściwie w jazz rockowy jam, do którego podłącza się saksofon. Jak na jedną kompozycję oryginalnie i ciekawie. Takie granie to ja kupuję w ciemno!!!

Nie każdy niemiecki zespół musiał być tak kuszący jak np. Can (obie grupy pochodziły z Kolonii) nie mniej SATIN WHALE jest (jednym z wielu) moich ulubionych zespołów, a „Desert Places” to jedna z tych ukochanych płyt tego okresu. Jedyne do czego mogę się przyczepić to dość marna okładka, ale do nich grupa nigdy nie miała szczęścia.

Zibi

I wish I had this album back when I was younger it suits my tastes perfectly. Great vocals, tons of instrumental sections and especially that bluesy guitar that I could listen to endlessly. T2 might be a good comparison with those great guitar led songs. The bass player/ vocalist had a part in the writing all the songs. Should mention that the organ is prominent with the bass and we also get flute and sax, more of the former and both played by the talented guitarist!. They thank Klaus Schulze in the liner notes. Vocals are in English by the way and there's not an average song on here it's all pretty incredible to my ears. Only the cover art is average in my opinion.
"Deseret Places" opens with flute but it kicks into gear very quickly. A calm before 1 1/2 minutes then it kicks in again with organ leading this time. Soon it's the guitar leading the way. Vocals after 3 minutes as it settles some. man this is good. The flute is back after 4 minutes as the vocals stop. Pulsating organ then the vocals return after 5 minutes.

"Seasons Of Life" opens with multi-vocals as guitar, drums, bass and organ join in. Nice prominent bass here then the guitar leads as we get an instrumental section. It settles as the vocals return as these contrasts continue. A change in sound after 3 minutes. man that organ sounds amazing in this instrumental section. The guitar starts to lead before 5 minutes then the organ before the vocals return before 6 minutes.

"Remember" opens with guitar before piano and outbursts of power take over. The guitar then leads with bass, drums and organ supporting. A calm before 1 1/2 minutes with bluesy guitar as the vocals join in. It kicks in before 3 minutes as the vocals stop. Contrasts continue. Fantastic! The organ leads after 4 minutes then the guitar takes over and he's lighting it up. It settles some but then the guitar is back lighting it up. The organ takes the lead around 7 1/2 minutes before the guitar returns late. A melancholic tune.

"I Often Wonder" is where I hear the sax for the first time. Bass, drums and organ help out before the organ leads as the sax steps aside. The guitar and organ trade off 2 minutes in then we get vocals before 4 minutes. Nice. The guitar starts to solo after 4 1/2 minutes as the vocals stop. Vocals are back as contrasts continue.

"Perception" is the almost 13 minute closer. It opens with bass, keys and light guitar. A nice change before kicking in with the guitar leading. Vocals follow. I like that driving rhythm 3 1/2 minutes in as the vocals step aside and the organ plays over top. Piano after 5 1/2 minutes as the organ stops. It turns jazzy, well at least the bass is jazzy before 7 minutes as the guitar solos. The organ is back trading off with the guitar before 8 minutes. Sax 9 1/2 minutes in then it settles some before 11 minutes as the organ runs. It picks up with guitar before 12 minutes then calms down to the end.

My only experience with SATIN WHALE previously was with their 1978 live album which was more Symphonic and I'm not a fan of it. Apparently they went into that style with the followup to this one. I'll stick with this beauty.

Mellotron Storm

I found an original green Brain/Metronome LP pressing at a Eugene, Oregon record store. I couldn't believe what I was seeing! So I snatched it because it was sold at a rather cheap prince ($20), only to find out copies go for ten times that much, or even more so. This isn't the 2010 reprint, as that was apparently pressed on 180g vinyl, this looks like your typical '70s standard weight, probably 120g, plus it looks to have the usual wear and tear of a 1974 LP. I have heard of Satin Whale for ages (since about 2002) and glad to have bought this.
This is probably the closest to Krautrock they have ever did, but don't expect the experimentation of Can, Faust, Amon Duul II, early Tangerine Dream, Ash Ra Tempel, Agitation Free, etc. Here they often go in the Jethro Tull vein, but often go for extended jams, lots of nice guitar and organ soloing. The vocals are OK, nothing to write home, but at least not bad. Much of the album follows this same path, some short vocal passages, extended instrumental passages. One gripe could be, given its 1974 origins, that this album sounds rather behind the times and sounds more like a 1971 or '72 recording, but then you can say the same thing of Eloy's Floating or even Mythos' Dreamlab. But then from hearing my share of 1974 recordings, I came to the conclusion that the year, musically, seemed to have one foot in the early '70s (the guitar/Hammond organ approach was still commonplace) and the mid '70s (synthesizers were starting to play a bigger role). It's obvious that the Satin Whale was a bit behind the times for synths, as they still didn't use one, or more likely couldn't afford one (of course, they used synths on later albums like As a Keepsake). I don't let the "behind the times" sound bother me, it fits comfortably with your other prog albums released a bit earlier. This album gets a lot of praise in the prog community, and for good reason. It's too bad this was never properly reissued. It did received a bootleg reissue on CD on Germanophon, but it would do so much better had Repertoire been able to get their hands on it (after all, that label had reissued many great titles from the Brain label, it's probably either they can't get the rights to it, or the band members are embarrassed and don't want a reissue, just like Kraftwerk did with anything pre-Autobahn). I'm glad to own a turntable and the original LP, and lucky to find at a real decent price. Great stuff I can highly recommend!

Progfan97402



..::TRACK-LIST::..

1. Desert Places 7:28
2. Seasons Of Life 6:41
3. Remember 9:36
4. I Often Wondered 7:14
5. Perception 12:58



..::OBSADA::..

Guitar, Flute, Alto Saxophone, Lead Vocals - Dieter Roesberg
Organ, Piano, Vibraphone - Gerald Dellmann
Bass, Vocals - Thomas Brück
Drums, Vocals - Horst Schättgen



https://www.youtube.com/watch?v=fBqzeoL4J3Y


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Elektryczne Gitary
Album: A Ty Co
Genre: Rock / Humor
Media: CD
Country of disc (release): Poland
Year of publication: 1993
Country of artist (group): Poland
Audio codec: FLAC (*.flac)
Rip type: image+.cue
Duration: 00:46:22
Source: own rip


...( TrackList )...


01 Dzieci
02 A Ty Co
03 Nie Pij Piotrek
04 Widmo
05 Za Dużo W Głowie
06 Idę Do Pracy
07 Czekamy
08 Dylematy
09 Wyszków Tonie
10 Tatusia
11 O Głowach
12 Spokój Grabarza
13 Chodze I Pytam
14 Wiem
15 Ikidź Metsej

...( Info )...

Artist: Shocking Blue
Album: Very Best of Collected
Year: 2011
Country: Netherlands
Publisher: RED BULLET
Format: 2CD Box Set
Catalog: 66.280
Country of production: Netherlands
Genre: Rock
Duration: 01:45:16
Codec: FLAC
Bitrate: Lossless
Rip type: image + .cue + .log
Scans available: yes


...( TrackList )...

CD1 - Greatest Hits
Duration: 01:00:00
01. Venus 03:04
02. Mighty Joe 03:10
03. Never Marry A Railroad Man 03:07
04. Hello Darkness 02:56
05. Shocking You 03:02
06. Blossom Lady 03:36
07. Out Of Sight Out Of Mind 02:48
08. Inkpot 02:40
09. Rock In The Sea 03:00
10. Eve And The Apple 02:43
11. Oh Lord 02:31
12. Lucy Brown Is Back In Town 02:53
13. Send Me A Postcard 02:41
14. Long And Lonesome Road 02:51
15. Let Me Carry Your Bag 03:28
16. This America 02:58
17. Gonna Sing Me A Song 02:45
18. Hot Sand 02:40
19. Sally Was a Good Old Girl 03:46
20. Love Buzz 03:59


CD2 - At Home
Duration: 00:45:16
01. Boll Weevil 02:42
02. I'll Write Your Name Through The Fire 02:58
03. Acka Raga 03:08
04. Love Machine 03:21
05. I'm A Woman 03:03
06. Venus 03:08
07. California Here I Come 03:16
08. Poor Boy 02:28
09. Long And Lonesome Road 02:50
10. Love Buzz 03:46
11. The Butterfly And I 04:04
12. Harley Davidson 02:40
13. Fireball Of Love 03:02
14. Hot Sand 02:37
15. Wild Wind 02:14

..::INFO::..

---------------------------------------------------------------------
Jimmy Page & Robert Plant - No Quarter (SHM-CD)
---------------------------------------------------------------------

Artist...............: Jimmy Page & Robert Plant
Album................: No Quarter
Genre................: Rock
Source...............: CD
Year.................: 1994-2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Fontana - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Jimmy Page & Robert Plant - Nobody's Fault But Mine [04:06]
2. Jimmy Page & Robert Plant - Thank You [05:48]
3. Jimmy Page & Robert Plant - No Quarter [03:45]
4. Jimmy Page & Robert Plant - Friends [04:36]
5. Jimmy Page & Robert Plant - Yallah [04:59]
6. Jimmy Page & Robert Plant - City Don't Cry [06:08]
7. Jimmy Page & Robert Plant - Since I've Been Loving You [07:30]
8. Jimmy Page & Robert Plant - The Battle Of Evermore [06:41]
9. Jimmy Page & Robert Plant - Wonderful One [04:57]
10. Jimmy Page & Robert Plant - Wah Wah [03:59]
11. Jimmy Page & Robert Plant - That's The Way [05:35]
12. Jimmy Page & Robert Plant - Gallows Pole [04:09]
13. Jimmy Page & Robert Plant - Four Sticks [04:52]
14. Jimmy Page & Robert Plant - Kashmir [12:27]

Playing Time.........: 01:19:37
Total Size...........: 515,36 MB

Recorded on location at Marrakech, Maroc; Snowdonia, Wales; London, Albion.

Banjo, Guitar – Porl Thompson
Bass, Percussion – Charlie Jones
Drums, Percussion – Michael Lee
Hurdy Gurdy – Nigel Eaton
Mandolin, Vocals, Percussion [Bodhran] – Jim Sutherland
Organ [Hammond], Arranged By [Orchestral, English And Egyptian Ensemble] – Ed Shearmur
Producer, Acoustic Guitar, Electric Guitar, Mandolin – Jimmy Page
Producer, Vocals – Robert Plant
Vocals – Najma Akhtar

...( Info )...

Artist: Black Sabbath
Title: Headless Cross
Year: 1989
Genre: Rock
Style: Hard Rock, Heavy Metal
Publisher (label): I.R.S. Metal
Country: Europe
Duration: 00:40:36
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/96 kHz


...( TrackList )...

01. The Gates Of Hell (00:01:07)
02. Headless Cross (00:06:29)
03. Devil & Daughter (00:04:45)
04. When Death Calls (00:06:59)
05. Kill In The Spirit World (00:05:12)
06. Call Of The Wild (00:05:20)
07. Black Moon (00:04:07)
08. Nightwing (00:06:37)

Budka Suflera – Greatest Hits II (1999) [mp3@320kbps]

..::INFO::..

Artist: Budka Suflera
Album: Greatest Hits II
Year: 1999
Style: Rock, Hard Rock
Format: [mp3@320kbps]

..::TRACK-LIST::..

[5:11] 1. Budka Suflera - Twoje Radio
[4:37] 2. Budka Suflera - Martwe Morze
[4:55] 3. Budka Suflera - Sur le Pont d'Avignon
[5:01] 4. Budka Suflera - V Bieg
[4:15] 5. Budka Suflera - Jeden Raz
[4:48] 6. Budka Suflera - Ragtime
[5:09] 7. Budka Suflera - N.O.C
[4:24] 8. Budka Suflera - Nowa Wieza Babel
[4:31] 9. Budka Suflera - Ona Przyszla Prosto Z Chmur
[4:39] 10. Budka Suflera - Noc Komety
[5:09] 11. Budka Suflera - Giganci Tancza
[4:57] 12. Budka Suflera - W Niewielu Slowach
[4:37] 13. Budka Suflera - Takie Tango
[5:31] 14. Budka Suflera - Cisza, Jak Ta

Budka Suflera – Greatest Hits II (1999) [WAV]

..::INFO::..

Artist: Budka Suflera
Album: Greatest Hits II
Year: 1999
Style: Rock, Hard Rock
Format: WAV

..::TRACK-LIST::..

[5:11] 1. Budka Suflera - Twoje Radio
[4:37] 2. Budka Suflera - Martwe Morze
[4:55] 3. Budka Suflera - Sur le Pont d'Avignon
[5:01] 4. Budka Suflera - V Bieg
[4:15] 5. Budka Suflera - Jeden Raz
[4:48] 6. Budka Suflera - Ragtime
[5:09] 7. Budka Suflera - N.O.C
[4:24] 8. Budka Suflera - Nowa Wieza Babel
[4:31] 9. Budka Suflera - Ona Przyszla Prosto Z Chmur
[4:39] 10. Budka Suflera - Noc Komety
[5:09] 11. Budka Suflera - Giganci Tancza
[4:57] 12. Budka Suflera - W Niewielu Slowach
[4:37] 13. Budka Suflera - Takie Tango
[5:31] 14. Budka Suflera - Cisza, Jak Ta

...( Info )...

Artist: Queen
Title: A Night At The Odeon
Year: 2015
Genre: Rock
Style: Glam, Classic Rock, Hard Rock, Pop Rock, Rock & Roll
Publisher (label): Virgin EMI Records
Country: Europe
Duration: 01:08:41
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Now I'm Here (00:04:40)
02. Ogre Battle (00:05:21)
03. White Queen (As It Began) (00:05:28)
04. Bohemian Rhapsody (00:02:31)
05. Killer Queen (00:02:10)
06. The March Of The Black Queen (00:01:30)
07. Bohemian Rhapsody (reprise) (00:01:02)
08. Bring Back That Leroy Brown (00:01:31)
09. Brighton Rock (00:02:26)
10. Guitar Solo (00:06:36)
11. Son And Daughter (00:01:45)
12. Keep Yourself Alive (00:04:30)
13. Liar (00:08:46)
14. In The Lap Of The Gods...Revisited (00:03:30)
15. Big Spender (00:01:32)
16. Jailhouse Rock Medley (00:06:22)
17. Seven Seas Of Rhye (00:03:10)
18. See What A Fool I've Been (00:04:30)
19. God Save The Queen (00:01:21)

...( Info )...

Artist: Queen
Title: Innuendo (2015 Remastered)
Year: 2015/1991
Genre: Rock
Style: Pop Rock, Arena Rock, Hard Rock
Publisher (label): Virgin EMI Records
Country: Europe
Duration: 00:54:02
Format/Codec: FLAC
Rip Type: Tracks + ArtWorks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Innuendo (00:06:34)
02. I'm Going Slightly Mad (00:04:23)
03. Headlong (00:04:40)
04. These Are The Days Of Our Lives (00:04:16)
05. Don't Try So Hard (00:03:40)
06. Ride The Wild Wind (00:04:43)
07. All God's People (00:04:22)
08. I Can't Live With You (00:04:34)
09. Delilah (00:03:38)
10. The Hitman (00:04:58)
11. Bijou (00:03:37)
12. The Show Must Go On (00:04:37)

...( Info )...

Artist: Queen
Title: Sheer Heart Attack
Year: 1974
Genre: Rock
Style: Hard Rock, Pop Rock, Arena Rock
Publisher (label): Virgin EMI Records
Country: Europe
Duration: 00:39:01
Format/Codec: FLAC
Rip Type: Tracks + ArtWork
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Brighton Rock (00:05:11)
02. Killer Queen (00:03:01)
03. Tenement Funster (00:02:47)
04. Flick Of The Wrist (00:03:17)
05. Lily Of The Valley (00:01:45)
06. Now I'm Here (00:04:13)
07. In The Lap Of The Gods (00:03:22)
08. Stone Cold Crazy (00:02:17)
09. Dear Friends (00:01:09)
10. Misfire (00:01:50)
11. Bring Back That Leroy Brown (00:02:15)
12. She Makes Me (Stormtrooper In Stilettos) (00:04:09)
13. In The Lap Of The Gods... Revisited (00:03:45)

...( Info )...

Artist: Smokie
Title: Midnight Café
Year: 1976
Genre: Rock, Pop
Style: Pop Rock
Publisher (label): EMI Electrola
Country: Germany
Duration: 00:43:52
Format/Codec: FLAC
Rip Type: Tracks + ArtWork
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Something's Been Making Me Blue (00:03:05)
02. Wild Wild Angels (00:04:03)
03. Poor Lady (Midnight Baby) (00:04:46)
04. When My Back Was Against The Wall (00:03:39)
05. Make Ya Boogie (00:05:14)
06. Stranger (00:04:45)
07. What Can I Do (00:03:40)
08. Little Lucy (00:03:50)
09. Going Home (00:07:33)
10. I'll Meet You At Midnight (00:03:17)

...( Info )...

Artist: The Beatles
Title: Revolver
Year: 1966
Genre: Rock
Style: Psychedelic Rock, Pop Rock
Publisher (label): Parlophone
Country: UK
Duration: 00:35:23
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Taxman (00:02:42)
02. Eleanor Rigby (00:02:07)
03. I'm Only Sleeping (00:03:04)
04. Love You To (00:03:03)
05. Here, There And Everywhere (00:02:26)
06. Yellow Submarine (00:02:42)
07. She Said She Said (00:02:40)
08. Good Day Sunshine (00:02:10)
09. And Your Bird Can Sing (00:02:03)
10. For No One (00:02:02)
11. Doctor Robert (00:02:18)
12. I Want To Tell You (00:02:31)
13. Got To Get You Into My Life (00:02:32)
14. Tomorrow Never Knows (00:03:03)

...( Info )...

Artist: The Beatles
Title: With The Beatles
Year: 1963
Genre: Rock
Style: Beat, Pop Rock
Publisher (label): Odeon
Country: Germany
Duration: 00:33:09
Format/Codec: FLAC
Rip Type: Tracks + ArtWork
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...


01. It Won't Be Long (00:02:14)
02. All I've Got To Do (00:02:04)
03. All My Loving (00:02:10)
04. Don't Bother Me (00:02:29)
05. Little Child (00:01:48)
06. Till There Was You (00:02:14)
07. Please Mister Postman (00:02:33)
08. Roll Over Beethoven (00:02:45)
09. Hold Me Tight (00:02:32)
10. You Really Gotta Hold On Me (00:03:01)
11. I Wanna Be Your Man (00:02:00)
12. Devil In Her Heart (00:02:26)
13. Not A Second Time (00:02:06)
14. Money (00:02:47)

...( Info )...

Artist: The Cure
Title: Faith (2005 Remastered)
Year: 1981/2005
Genre: Rock
Style: Alternative Rock, New Wave
Publisher (label): Fiction Records
Country: UK
Duration: 01:05:04
Format/Codec: FLAC (tracks)
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. The Holy Hour (00:04:27)
02. Primary (00:03:40)
03. Other Voices (00:04:24)
04. All Cats Are Grey (00:05:28)
05. The Funeral Party (00:04:14)
06. Doubt (00:03:11)
07. The Drowning Man (00:04:50)
08. Faith (00:06:59)
09. Carnage Visors: The Soundtrack (00:27:51)

...( Info )...

Artist: The Rolling Stones
Title: Bridges To Babylon
Year: 1997
Genre: Rock
Style: Blues Rock, Pop Rock, Rock & Roll, Hard Rock, Rhythm & Blues, Reggae
Publisher (label): Virgin
Country: Europe
Duration: 01:02:19
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz


...( TrackList )...

01. Flip The Switch (00:03:27)
02. Anybody Seen My Baby? (00:04:31)
03. Low Down (00:04:26)
04. Already Over Me (00:05:22)
05. Gunface (00:05:05)
06. You Don't Have To Mean It (00:03:41)
07. Out Of Control (00:04:42)
08. Saint Of Me (00:05:15)
09. Might As Well Get Juiced (00:05:23)
10. Always Suffering (00:04:43)
11. Too Tight (00:03:37)
12. Thief In The Night (00:05:16)
13. How Can I Stop (00:06:51)

...( Info )...

Artist: The Rolling Stones
Title: Emotional Rescue (2009 Re-Mastered)
Year: 1980/2009
Genre: Rock
Style: Classic Rock
Publisher (label): Polydor Records
Duration: 00:41:16
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/96 kHz


...( TrackList )...

01. Dance (Pt. 1) (00:04:23)
02. Summer Romance (00:03:15)
03. Send It To Me (00:03:43)
04. Let Me Go (00:03:52)
05. Indian Girl (00:04:23)
06. Where The Boys Go (00:03:30)
07. Down In The Hole (00:03:58)
08. Emotional Rescue (00:05:40)
09. She's So Cold (00:04:13)
10. All About You (00:04:19)