..::INFO::..

McCartney II to trzeci solowy album brytyjskiego muzyka i kompozytora Paula McCartneya, i pierwszy wydany po rozpadzie jego grupy Wings. Latem 1979 po wydaniu chłodno przyjętego albumu Back to the Egg z grupą Wings McCartney postanowił nagrać w pełni solowy album, pierwszy od dziesięciu lat. Tym razem jednak miała to być całkowicie nowatorska koncepcja polegająca na wprowadzeniu elektroniki. Artysta wykorzystał ówczesne syntezatory by je przede wszystkim rozpropagować. Album miał być swoistą kontynuacją i nawiązaniem do solowego albumu McCartney z 1970 nagrywanego w czasie rozpadu The Beatles, toteż nowemu albumowi nadano nazwę McCartney II. Na albumie dominuje muzyka elektroniczna, ale nie brakuje także typowych dla McCartneya ballad ("One Of These Days"). Poprzez ten album muzyk chciał otwarcie pokazać, że dekada Wingsów już się skończyła i teraz chce sam skupić się na działalności solowej.

Title: McCartney II

Artist: Paul McCartney

Country: Wielka Brytania

Year: 1980

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Coming Up
2. Temporary Secretary
3. On The Way
4. Waterfalls
5. Nobody Knows
6. Front Parlour
7. Summer's Day Song
8. Frozen Jap
9. Bogey Music
10.Darkroom
11. One Of These Days
12. Check My Machine (bonus)
13. Secret Friend (bonus)
14. Goodnight Toonight (bonus)

..::INFO::..

---------------------------------------------------------------------
The Beach Boys - Friends & 20-20
---------------------------------------------------------------------

Artist...............: The Beach Boys
Album................: Friends & 20-20
Genre................: Rock
Source...............: CD
Year.................: 1990
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 55 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

Friends
1. The Beach Boys - Meant For You [00:40]
2. The Beach Boys - Friends [02:33]
3. The Beach Boys - Wake The World [01:31]
4. The Beach Boys - Be Here In The Morning [02:17]
5. The Beach Boys - When A Man Needs A Woman [02:08]
6. The Beach Boys - Passing By [02:25]
7. The Beach Boys - Anna Lee, The Healer [01:54]
8. The Beach Boys - Little Bird [02:00]
9. The Beach Boys - Be Still [01:25]
10. The Beach Boys - Busy Doin' Nothin' [03:06]
11. The Beach Boys - Diamond Head [03:40]
12. The Beach Boys - Transcendental Meditation [01:50]
20/20
13. The Beach Boys - Do It Again [02:28]
14. The Beach Boys - I Can Hear Music [02:38]
15. The Beach Boys - Bluebirds Over The Mountain [02:53]
16. The Beach Boys - Be With Me [03:15]
17. The Beach Boys - All I Want To Do [02:05]
18. The Beach Boys - The Nearest Faraway Place [02:40]
19. The Beach Boys - Cotton Fields (The Cotton Song) [02:24]
20. The Beach Boys - I Went To Sleep [01:38]
21. The Beach Boys - Time To Get Alone [02:43]
22. The Beach Boys - Never Learn Not To Love [02:34]
23. The Beach Boys - Our Prayer [01:09]
24. The Beach Boys - Cabinessence [03:36]
Bonus Tracks
25. The Beach Boys - Break Away [Bonus] [02:56]
26. The Beach Boys - Celebrate The News [Bonus] [03:06]
27. The Beach Boys - We're Together Again [Bonus] [01:51]
28. The Beach Boys - Walk On By [Bonus] [00:55]
29. The Beach Boys - Old Folks At Home / Ol' Man River [Bonus][02:34]

Playing Time.........: 01:07:08
Total Size...........: 379,46 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Nowa, limitowana, europejska edycja wydanego przez EMI w kwietniu 1971 roku (w rodzinnej Australii przez Columbię pod tytułem "Choice Cuts", a w UK jako "Master's Apprentices" - nakładem Regal Zonophone), absolutnie doskonałego albumu kryminalnie niedocenionej (poza ojczyzną) formacji. Moim skromnym zdaniem trudno sobie wyobrazić lepsze, klasycznie rockowe, hard-progresywne granie z początku lat 70.! Nagrany w londyńskim Abbey Road (patrz: zdjęcie na tyle CD...), trzeci w dyskografii album grupy to obłędne i całkiem melodyjne granie w klimacie Cream, Wishbone Ash, Jethro Tull, Ginhouse i australijskich Tamam Shud.

Znakiem firmowym brzmienia MA było kapitalne połączenie brzmień elektrycznych i akustycznych (częstokroć grających obok siebie) gitar. Dość krótkie, aczkolwiek bardzo treściwe kompozycje. Naprawdę trudno zrozumieć dlaczego ten zespół nie stał się wielki poza Australią, gdzie miał status pół-Bogów... Wydany w grudniu tego samego, 1971 roku (ponownie powstały w Abbey Road), nieco bardziej progresywny LP "A Toast To Panama Red", bez wątpienia stał na równie wysokim poziomie, choć dla mnie 'krzesło' zawsze będzie dziełem magicznym.
Dodatkowo dwa nagrania z rzadkich stron B singli.

JL

Cała historia zaczyna się w 1965 roku, kiedy to do grupy The Mustangs grającej w pubach w Adelajdzie dołączył, pochodzący ze Szkocji , wokalista Jim Keays. The Mustangs grali muzykę instrumentalną w stylu The Shadows. Pod wpływem Keaysa zespół zainteresował się muzyką Johna Lee Hookera, Jimmiego Reeda, Elmore’a Jamesa, Muddy Watersa. Mustangs zmienili wkrótce nazwę na MASTER’S APPRENTICES, a wraz z nią zmienił się też ich styl. Zaczęli grać ostrego, garażowego rock and rolla w stylu Pretty Things i wczesnego Them Vana Morrisona. Z czasem kompozycje gitarzysty i autora tekstów Micka Bowera stały się bardziej wyrafinowane, refleksyjne i pomimo młodego wieku nad wyraz dojrzałe. Wydany w 1967 roku debiutancki album „Master’s Apprentices” zawierał świetny freakbeat w stylu The Yardbirds i Creation. Wyróżnić w nim można takie kompozycje Bowera jak „Wars Or Hands Of Time”, „Theme For A Social Climber” czy „Tired Of Just Wandering”. Australijska prasa dostrzegła w nich duży potencjał określając zespół „największą nadzieją ostrego rock’n’rolla piątego kontynentu”. Niestety gitarzysta nie wytrzymał presji ciśnienia jakie na nim spoczęło i doznał załamania nerwowego. Za namową lekarzy odszedł od zespołu i zerwał wszelkie kontakty z show businessem. To był szok dla wszystkich. Przyszłość zespołu stanęła pod znakiem zapytania. Jim Keays postanowił jednak dalej kierować zespołem, który po kilku zmianach personalnych wydał w 1969 roku drugi album zatytułowany „Masterpiece”. Tym razem było w nim więcej popu w połączeniu z rockiem podlanym odrobiną psychodelii. Album być może trochę nierówny, na swój sposób jednak czarujący. Grupa zdobywała coraz większą popularność i uznanie krytyków. Koncerty gromadziły coraz większą publiczność. Repertuar stawał się bardziej zadziorny, wręcz hard rockowy, do którego wprowadzali elementy rocka progresywnego, o dziwo nie rezygnując przy tym z pięknych i chwytliwych melodii. Utarło się powiedzenie, że MASTER’S APPRENTICES są tym dla Australii kim The Doors byli dla Ameryki, a Rolling Stones dla Anglii. I kiedy wydawało się, że wszystko idzie w jak najlepszym kierunku, nagle nastąpił w grupie kryzys i pytanie: co dalej?

Poważnie myśleli o wyjeździe na stałe do Stanów. Stanęło jednak na tym, że wiosną 1970 roku zjawili się w Wielkiej Brytanii dając serię znakomicie przyjętych koncertów. Zaowocowało to bardzo szybko podpisanym kontraktem płytowym z wytwórnią EMI, co z kolei otworzyło im możliwość nagrania płyt w słynnych Abbey Road Studios. Miejscu magicznym, gdzie swe płyty nagrywali w tamtym czasie The Beatles i Pink Floyd. W miejscu, w którym kreowano rewolucyjne dźwięki. I pewnie magia tego studia zadziałała także podczas pracy grupy MASTER’S APPRENTICES nad ich albumami. Pierwszy z nich okazał się objawieniem i wielkim skokiem artystycznym.

Ten trzeci w dyskografii grupy album, „Choice Cuts”, to obłędne i całkiem melodyjne granie w klimacie Cream, Jethro Tull, Tamam Shud i Wishbone Ash. Łatwo wpadające w ucho melodie oparte na ciężkich gitarowych riffach Douga Forda. Płytę otwiera rewelacyjna trzyminutowa piosenka „Rio Di Camero”. Z akustycznymi, w stylu hiszpańskiego flamenco, zagrywkami gitary akustycznej i bardzo charakterystycznym, wysokim głosem wokalisty. Delikatnie zaczyna się także „Michael” – drugi utwór na płycie – przerywany ostrymi jak brzytwa cięciami gitary elektrycznej wspartej ciężką sekcją rytmiczną (Glenn Wheatley bg.; Colin Burgess dr.). Krótkie nagrania, ale ile się w nich dzieje. Groźnie jest w „Easy To Lie” z pulsującym, mocnym basem i mrocznym śpiewem Keaysa a la Ozzy Osbourne. Granie jest wyrafinowane. Nawet w tak delikatnej balladzie jak „Because I Love You” zespół nie wpada w sztampę. Ostrzejsze motywy wykonywane są ze swobodą, finezją i wielkim wyczuciem stylistyki rockowej. Na tej płycie nie ma nudy. I nie ma banałów! Dostrzegła to brytyjska prasa muzyczna, która wystawiła płycie rewelacyjne recenzje. Dodam jeszcze, że gustowną okładkę z eleganckim, wyściełanym skórą antycznym krzesłem i tajemniczą „bezcielesną” ręką trzymającą zapalonego papierosa zaprojektowała słynna firma Hipgnosis. Ta sama, która projektowała okładki dla Pink Floyd!

W Australii płyta „Choice Cuts” odniosła olbrzymi sukces, osiągając 11 pozycję na liście najlepiej sprzedających się albumów roku 1970, zaś single z utworami „Turn Up Your Radio” i „Because I Love You” zajęły odpowiednio 7 i 12 miejsce na tamtejszej liście „Top 20”.

Zibi


With Choice Cuts a progressive and psychedelic sound begins to surface for The Masters.
A note: There may be some confusion about this album with European readers. Choice Cuts was released in Europe as 'The Masters Apprentices', sometimes with a heavily cropped version of the Hipgnosis designed cover. It is a totally different album to the Astor release under the name 'The Masters Apprentices' from 1967.

Choice Cuts represents a number of firsts for the Masters Apprentices: the first album the group has recorded where the intention was to go into a studio and record a complete album (the others being collections of work over a few years amalgamated into albums); the first of two albums recorded at the legendary Abbey Road studios; and the first to feature the Masters line-up that would be considered the 'classic line-up' - Jim Keays, Doug Ford, Glenn Wheatley & Colin Burgess.

With the new line-up and the production guidance of Jeff Jarratt (an engineer on a number of The Beatles recordings and Pink Floyd's 'Piper At The Gates Of Dawn') the Masters recorded an album that was influenced by much of the new music they were exposed to while in the UK. These influences included King Crimson, Hendrix and Free from the heavier end of the music spectrum, and Donovan and Van Morrison from the acoustic end.

Choice Cuts is by no means a true progressive album, however it does step away from the beat sound of the past and migrate into progressive areas. "Michael" and "Easy To Lie" are a couple of tracks with a progressive edge. Both make use of some smouldering guitar from Doug Ford that reminds me of Uriah Heep's guitar sound. These are supplemented by the somewhat psychedelic "Our Friend Owsley Stanley III" (a direct reference to the LSD culture of the period), the tribute to the slain Martin Luther King with "Death Of A King", and "Song For A Lost Gypsy".

The hits from the Choice Cuts album are the ballad "Because I Love You" and the Latin- influenced "Rio De Camero". "Because I Love You" features Jeff Jarratt playing piano of the legendary white grand piano belonging to Paul McCartney, and has become an Australian classic over the years. "Rio De Camero" was written at the last minute to give the album another few of minutes playing time, however it did not become a hit until 1974 when it was released as a single to support the Masters "Best Of" album 'Now That It's Over'.

Overall Choice Cuts presents this incarnation of the Masters Apprentices as a competent and cohesive playing unit. It is an important album that showed that Australian artists could venture overseas, learn from their experiences, and translate that into music with a fair level of success.

While not rating high as a progressive album, the Dinosaur is giving Choice Cuts four stars. Why? Because of the influence Choice Cuts had on those artists that followed by giving belief that great albums could be made by Australian artists. This included the next Masters album, an outright progressive album in the form of 'A Toast To Panama Red'.

T.Rox


Australia's THE MASTERS APPRENTICES won a free boat trip in late 1969 to England and spent a few months free from touring duties and any pressures of releasing the second album as all the material was recorded and ready for release. This gave the band the opportunity to refresh their creative mojo and given that London was ground central for the burgeoning prog and hard rock scenes back around 1970, these Aussies became smitten with the wealth of musical expressions that London offered and spent their time in the UK advancing their art form beyond the cheesy playing catch up garage rock / pop of their first two albums. The results amounted to a massive leap in creativity which finally found the band latching onto its own style and place in the greater music scene.
Totally impressed with the superior recording studios and music scene in general, the band ended up staying in London and soaked in the sounds of everyone from King Crimson, Jimi Hendrix and Small Faces to the psychedelic folk sounds of Donovan and Free. With an arsenal of fresh tracks to work with, the band landed in Abbey Road studios and recorded, mixed and mastered the newest album in only a month and then CHOICE CUTS (released simply as "Masters Apprentices" in the UK) came out in 1971, just a year after the anachronistic predecessor "Masterpiece." Sounding primarily like a 70s boogie rock style of hard rock, the band still retained a whiff of their earlier psychedelic leanings as well as a mix of folk based songs such as the single "Because I Love You," which made use of the acoustic guitar in the style of Led Zeppelin. While the band was aiming to strike it big in the UK, the single only charted in its native Australia.

The album opens with the Latin flavored shuffle groove of "Rio de Camero" and then followed by the acoustic ballad "Michael" which showcases THE MASTERS APPRENTICES' continuation of a variety of styles that range from heavy to soft however this time around the tracks flow together smoothly and the album as a whole feels cohesive. "Easy To Lie" and "Catty" showcase the band's boogie shuffle abilities with heavy rockin' guitar riffs and nice leads. Jim Keays vocal style had improved remarkably since the last album and on this album sounded something like a mix of Led Zeppelin's Robert Plant and Free's Paul Rodgers. Likewise some of the grooves were right out of the Free playbook as well. In fact the band had crafted an interesting sum of influences that went into a style of their own making. Overall the tracks came out extremely melodic with the instrumental interplay lights years beyond the album of a mere year prior.

"Death Of A King" is a tribute to the great Martin Luther King Jr. and the track sounds like an usual mix of the Groundhogs and Zeppelin's acoustic side with perhaps a touch of Van Morrison. "Song For A Lost Gypsy" goes for a heavy blues rock and funk style with a contrasting falsetto vocal performance. "I'm Your Satisfier" is a fun little boogie number that rock the jew's harp and all! "Song For Joey - Part II," wait! Where was part one?!! It's nothing more than an acoustic outro that ends the album. Despite all the rave reviews from the critics the band really didn't make much of a splash with CHOICE CUTS most likely due to the glut of fresh prog and harder rock clogging the record stores in 1971 London. Whatever the case the album remained an obscurity until collectors rediscovered it in the 1980s and it became an underground favorite.

It's really hard to believe that this is the same band that released the outdated "Masterpiece" just one years prior. CHOICE CUTS may not have been the most original sounding album on the scene during 1971 but it did stand out in a few ways. First of all the percussion was more dynamic and varied than most hard rock album as it utilized Latin rhythm styles and likewise the diversity of guitar licks and leads made this a more varied album than the typical blues based hard rock band of the early 70s. While not exactly prog, the influences did creep in with tones and textures and the desire to make the chord progressions a bit more spiced up than usual. Basically a folk-tinged heavy psych album, CHOICE CUTS delivered the goods where previous endeavors had failed. Against all odds, THE MASTERS APPRENTICES had come of age but unfortunately that wasn't good enough for any kind of breakthrough success. The band would push on for one more album and then call it quits. This is probably their crowning achievement.

siLLy puPPy



..::TRACK-LIST::..

1. Rio De Camero
2. Michael
3. Easy To Lie
4. Because I Love You
5. Catty
6. Our Friend Owsley Stanley III
7. Death Of A King
8. Song For A Lost Gypsy
9. I'm Your Satisfier
10. Song For Joey - Part II

Bonus Tracks:
11. New Day (B-side, June 1971)
12. Jam It Up (B-side, April 1970)



..::OBSADA::..

Jim Keays - vocals, harmonica
Doug Ford - acoustic, electric & 12-string guitars, vocals
Glenn Wheatley - bass, vocals
Colin Burgess - drums, percussion

With:
Larry Steel - congas (1)
Jeff Jarratt - producer, piano (4)
Claude Lintott - jew's harp (9)




https://www.youtube.com/watch?v=G56RMQl82rk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Nowa, limitowana, europejska edycja wydanego przez EMI w kwietniu 1971 roku (w rodzinnej Australii przez Columbię pod tytułem "Choice Cuts", a w UK jako "Master's Apprentices" - nakładem Regal Zonophone), absolutnie doskonałego albumu kryminalnie niedocenionej (poza ojczyzną) formacji. Moim skromnym zdaniem trudno sobie wyobrazić lepsze, klasycznie rockowe, hard-progresywne granie z początku lat 70.! Nagrany w londyńskim Abbey Road (patrz: zdjęcie na tyle CD...), trzeci w dyskografii album grupy to obłędne i całkiem melodyjne granie w klimacie Cream, Wishbone Ash, Jethro Tull, Ginhouse i australijskich Tamam Shud.

Znakiem firmowym brzmienia MA było kapitalne połączenie brzmień elektrycznych i akustycznych (częstokroć grających obok siebie) gitar. Dość krótkie, aczkolwiek bardzo treściwe kompozycje. Naprawdę trudno zrozumieć dlaczego ten zespół nie stał się wielki poza Australią, gdzie miał status pół-Bogów... Wydany w grudniu tego samego, 1971 roku (ponownie powstały w Abbey Road), nieco bardziej progresywny LP "A Toast To Panama Red", bez wątpienia stał na równie wysokim poziomie, choć dla mnie 'krzesło' zawsze będzie dziełem magicznym.
Dodatkowo dwa nagrania z rzadkich stron B singli.

JL

Cała historia zaczyna się w 1965 roku, kiedy to do grupy The Mustangs grającej w pubach w Adelajdzie dołączył, pochodzący ze Szkocji , wokalista Jim Keays. The Mustangs grali muzykę instrumentalną w stylu The Shadows. Pod wpływem Keaysa zespół zainteresował się muzyką Johna Lee Hookera, Jimmiego Reeda, Elmore’a Jamesa, Muddy Watersa. Mustangs zmienili wkrótce nazwę na MASTER’S APPRENTICES, a wraz z nią zmienił się też ich styl. Zaczęli grać ostrego, garażowego rock and rolla w stylu Pretty Things i wczesnego Them Vana Morrisona. Z czasem kompozycje gitarzysty i autora tekstów Micka Bowera stały się bardziej wyrafinowane, refleksyjne i pomimo młodego wieku nad wyraz dojrzałe. Wydany w 1967 roku debiutancki album „Master’s Apprentices” zawierał świetny freakbeat w stylu The Yardbirds i Creation. Wyróżnić w nim można takie kompozycje Bowera jak „Wars Or Hands Of Time”, „Theme For A Social Climber” czy „Tired Of Just Wandering”. Australijska prasa dostrzegła w nich duży potencjał określając zespół „największą nadzieją ostrego rock’n’rolla piątego kontynentu”. Niestety gitarzysta nie wytrzymał presji ciśnienia jakie na nim spoczęło i doznał załamania nerwowego. Za namową lekarzy odszedł od zespołu i zerwał wszelkie kontakty z show businessem. To był szok dla wszystkich. Przyszłość zespołu stanęła pod znakiem zapytania. Jim Keays postanowił jednak dalej kierować zespołem, który po kilku zmianach personalnych wydał w 1969 roku drugi album zatytułowany „Masterpiece”. Tym razem było w nim więcej popu w połączeniu z rockiem podlanym odrobiną psychodelii. Album być może trochę nierówny, na swój sposób jednak czarujący. Grupa zdobywała coraz większą popularność i uznanie krytyków. Koncerty gromadziły coraz większą publiczność. Repertuar stawał się bardziej zadziorny, wręcz hard rockowy, do którego wprowadzali elementy rocka progresywnego, o dziwo nie rezygnując przy tym z pięknych i chwytliwych melodii. Utarło się powiedzenie, że MASTER’S APPRENTICES są tym dla Australii kim The Doors byli dla Ameryki, a Rolling Stones dla Anglii. I kiedy wydawało się, że wszystko idzie w jak najlepszym kierunku, nagle nastąpił w grupie kryzys i pytanie: co dalej?

Poważnie myśleli o wyjeździe na stałe do Stanów. Stanęło jednak na tym, że wiosną 1970 roku zjawili się w Wielkiej Brytanii dając serię znakomicie przyjętych koncertów. Zaowocowało to bardzo szybko podpisanym kontraktem płytowym z wytwórnią EMI, co z kolei otworzyło im możliwość nagrania płyt w słynnych Abbey Road Studios. Miejscu magicznym, gdzie swe płyty nagrywali w tamtym czasie The Beatles i Pink Floyd. W miejscu, w którym kreowano rewolucyjne dźwięki. I pewnie magia tego studia zadziałała także podczas pracy grupy MASTER’S APPRENTICES nad ich albumami. Pierwszy z nich okazał się objawieniem i wielkim skokiem artystycznym.

Ten trzeci w dyskografii grupy album, „Choice Cuts”, to obłędne i całkiem melodyjne granie w klimacie Cream, Jethro Tull, Tamam Shud i Wishbone Ash. Łatwo wpadające w ucho melodie oparte na ciężkich gitarowych riffach Douga Forda. Płytę otwiera rewelacyjna trzyminutowa piosenka „Rio Di Camero”. Z akustycznymi, w stylu hiszpańskiego flamenco, zagrywkami gitary akustycznej i bardzo charakterystycznym, wysokim głosem wokalisty. Delikatnie zaczyna się także „Michael” – drugi utwór na płycie – przerywany ostrymi jak brzytwa cięciami gitary elektrycznej wspartej ciężką sekcją rytmiczną (Glenn Wheatley bg.; Colin Burgess dr.). Krótkie nagrania, ale ile się w nich dzieje. Groźnie jest w „Easy To Lie” z pulsującym, mocnym basem i mrocznym śpiewem Keaysa a la Ozzy Osbourne. Granie jest wyrafinowane. Nawet w tak delikatnej balladzie jak „Because I Love You” zespół nie wpada w sztampę. Ostrzejsze motywy wykonywane są ze swobodą, finezją i wielkim wyczuciem stylistyki rockowej. Na tej płycie nie ma nudy. I nie ma banałów! Dostrzegła to brytyjska prasa muzyczna, która wystawiła płycie rewelacyjne recenzje. Dodam jeszcze, że gustowną okładkę z eleganckim, wyściełanym skórą antycznym krzesłem i tajemniczą „bezcielesną” ręką trzymającą zapalonego papierosa zaprojektowała słynna firma Hipgnosis. Ta sama, która projektowała okładki dla Pink Floyd!

W Australii płyta „Choice Cuts” odniosła olbrzymi sukces, osiągając 11 pozycję na liście najlepiej sprzedających się albumów roku 1970, zaś single z utworami „Turn Up Your Radio” i „Because I Love You” zajęły odpowiednio 7 i 12 miejsce na tamtejszej liście „Top 20”.

Zibi


With Choice Cuts a progressive and psychedelic sound begins to surface for The Masters.
A note: There may be some confusion about this album with European readers. Choice Cuts was released in Europe as 'The Masters Apprentices', sometimes with a heavily cropped version of the Hipgnosis designed cover. It is a totally different album to the Astor release under the name 'The Masters Apprentices' from 1967.

Choice Cuts represents a number of firsts for the Masters Apprentices: the first album the group has recorded where the intention was to go into a studio and record a complete album (the others being collections of work over a few years amalgamated into albums); the first of two albums recorded at the legendary Abbey Road studios; and the first to feature the Masters line-up that would be considered the 'classic line-up' - Jim Keays, Doug Ford, Glenn Wheatley & Colin Burgess.

With the new line-up and the production guidance of Jeff Jarratt (an engineer on a number of The Beatles recordings and Pink Floyd's 'Piper At The Gates Of Dawn') the Masters recorded an album that was influenced by much of the new music they were exposed to while in the UK. These influences included King Crimson, Hendrix and Free from the heavier end of the music spectrum, and Donovan and Van Morrison from the acoustic end.

Choice Cuts is by no means a true progressive album, however it does step away from the beat sound of the past and migrate into progressive areas. "Michael" and "Easy To Lie" are a couple of tracks with a progressive edge. Both make use of some smouldering guitar from Doug Ford that reminds me of Uriah Heep's guitar sound. These are supplemented by the somewhat psychedelic "Our Friend Owsley Stanley III" (a direct reference to the LSD culture of the period), the tribute to the slain Martin Luther King with "Death Of A King", and "Song For A Lost Gypsy".

The hits from the Choice Cuts album are the ballad "Because I Love You" and the Latin- influenced "Rio De Camero". "Because I Love You" features Jeff Jarratt playing piano of the legendary white grand piano belonging to Paul McCartney, and has become an Australian classic over the years. "Rio De Camero" was written at the last minute to give the album another few of minutes playing time, however it did not become a hit until 1974 when it was released as a single to support the Masters "Best Of" album 'Now That It's Over'.

Overall Choice Cuts presents this incarnation of the Masters Apprentices as a competent and cohesive playing unit. It is an important album that showed that Australian artists could venture overseas, learn from their experiences, and translate that into music with a fair level of success.

While not rating high as a progressive album, the Dinosaur is giving Choice Cuts four stars. Why? Because of the influence Choice Cuts had on those artists that followed by giving belief that great albums could be made by Australian artists. This included the next Masters album, an outright progressive album in the form of 'A Toast To Panama Red'.

T.Rox


Australia's THE MASTERS APPRENTICES won a free boat trip in late 1969 to England and spent a few months free from touring duties and any pressures of releasing the second album as all the material was recorded and ready for release. This gave the band the opportunity to refresh their creative mojo and given that London was ground central for the burgeoning prog and hard rock scenes back around 1970, these Aussies became smitten with the wealth of musical expressions that London offered and spent their time in the UK advancing their art form beyond the cheesy playing catch up garage rock / pop of their first two albums. The results amounted to a massive leap in creativity which finally found the band latching onto its own style and place in the greater music scene.
Totally impressed with the superior recording studios and music scene in general, the band ended up staying in London and soaked in the sounds of everyone from King Crimson, Jimi Hendrix and Small Faces to the psychedelic folk sounds of Donovan and Free. With an arsenal of fresh tracks to work with, the band landed in Abbey Road studios and recorded, mixed and mastered the newest album in only a month and then CHOICE CUTS (released simply as "Masters Apprentices" in the UK) came out in 1971, just a year after the anachronistic predecessor "Masterpiece." Sounding primarily like a 70s boogie rock style of hard rock, the band still retained a whiff of their earlier psychedelic leanings as well as a mix of folk based songs such as the single "Because I Love You," which made use of the acoustic guitar in the style of Led Zeppelin. While the band was aiming to strike it big in the UK, the single only charted in its native Australia.

The album opens with the Latin flavored shuffle groove of "Rio de Camero" and then followed by the acoustic ballad "Michael" which showcases THE MASTERS APPRENTICES' continuation of a variety of styles that range from heavy to soft however this time around the tracks flow together smoothly and the album as a whole feels cohesive. "Easy To Lie" and "Catty" showcase the band's boogie shuffle abilities with heavy rockin' guitar riffs and nice leads. Jim Keays vocal style had improved remarkably since the last album and on this album sounded something like a mix of Led Zeppelin's Robert Plant and Free's Paul Rodgers. Likewise some of the grooves were right out of the Free playbook as well. In fact the band had crafted an interesting sum of influences that went into a style of their own making. Overall the tracks came out extremely melodic with the instrumental interplay lights years beyond the album of a mere year prior.

"Death Of A King" is a tribute to the great Martin Luther King Jr. and the track sounds like an usual mix of the Groundhogs and Zeppelin's acoustic side with perhaps a touch of Van Morrison. "Song For A Lost Gypsy" goes for a heavy blues rock and funk style with a contrasting falsetto vocal performance. "I'm Your Satisfier" is a fun little boogie number that rock the jew's harp and all! "Song For Joey - Part II," wait! Where was part one?!! It's nothing more than an acoustic outro that ends the album. Despite all the rave reviews from the critics the band really didn't make much of a splash with CHOICE CUTS most likely due to the glut of fresh prog and harder rock clogging the record stores in 1971 London. Whatever the case the album remained an obscurity until collectors rediscovered it in the 1980s and it became an underground favorite.

It's really hard to believe that this is the same band that released the outdated "Masterpiece" just one years prior. CHOICE CUTS may not have been the most original sounding album on the scene during 1971 but it did stand out in a few ways. First of all the percussion was more dynamic and varied than most hard rock album as it utilized Latin rhythm styles and likewise the diversity of guitar licks and leads made this a more varied album than the typical blues based hard rock band of the early 70s. While not exactly prog, the influences did creep in with tones and textures and the desire to make the chord progressions a bit more spiced up than usual. Basically a folk-tinged heavy psych album, CHOICE CUTS delivered the goods where previous endeavors had failed. Against all odds, THE MASTERS APPRENTICES had come of age but unfortunately that wasn't good enough for any kind of breakthrough success. The band would push on for one more album and then call it quits. This is probably their crowning achievement.

siLLy puPPy



..::TRACK-LIST::..

1. Rio De Camero
2. Michael
3. Easy To Lie
4. Because I Love You
5. Catty
6. Our Friend Owsley Stanley III
7. Death Of A King
8. Song For A Lost Gypsy
9. I'm Your Satisfier
10. Song For Joey - Part II

Bonus Tracks:
11. New Day (B-side, June 1971)
12. Jam It Up (B-side, April 1970)



..::OBSADA::..

Jim Keays - vocals, harmonica
Doug Ford - acoustic, electric & 12-string guitars, vocals
Glenn Wheatley - bass, vocals
Colin Burgess - drums, percussion

With:
Larry Steel - congas (1)
Jeff Jarratt - producer, piano (4)
Claude Lintott - jew's harp (9)




https://www.youtube.com/watch?v=G56RMQl82rk



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

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Starship - We Built This City - The Very Best Of Starship
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Artist...............: Starship
Album................: We Built This City
Genre................: Rock
Source...............: CD
Year.................: 1997
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: BMG

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Starship - We Built This City [04:54]
2. Starship - Jane [04:04]
3. Starship - Nothing's Gonna Stop Us Now [04:27]
4. Starship - It's Not Over ('Til It's Over) [04:18]
5. Starship - Babylon [04:38]
6. Starship - Set The Night To Music [04:46]
7. Starship - Sara [04:20]
8. Starship - Love Among The Cannibals [02:30]
9. Starship - Rock Myself To Sleep [03:28]
10. Starship - Hearts Of The World (Will Understand) [04:22]
11. Starship - It's Not Enough [04:26]
12. Starship - Layin' It On The Line [04:09]
13. Starship - Find Your Way Back [04:17]
14. Starship - Stranger [04:45]
15. Starship - No Way Out [04:24]
16. Starship - Don't Lose Any Sleep [04:21]
17. Starship - Good Heart [04:20]

Playing Time.........: 01:12:38
Total Size...........: 490,91 MB

..::INFO::..

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Joe Satriani - Playlist - The Very Best Of Joe Satriani
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Artist...............: Joe Satriani
Album................: Playlist
Genre................: Rock
Source...............: CD
Year.................: 2010
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Epic

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Joe Satriani - Surfing With The Alien [04:25]
2. Joe Satriani - Always With Me, Always With You [03:22]
3. Joe Satriani - The Crush Of Love [04:20]
4. Joe Satriani - Flying In A Blue Dream [05:23]
5. Joe Satriani - Summer Song [04:58]
6. Joe Satriani - Time Machine [05:07]
7. Joe Satriani - Luminous Flesh Giants [05:56]
8. Joe Satriani - Ceremony [04:52]
9. Joe Satriani - Starry Night [03:54]
10. Joe Satriani - Up In Flames [04:33]
11. Joe Satriani - It's So Good [04:15]
12. Joe Satriani - Crowd Chant [03:15]
13. Joe Satriani - I Just Wanna Rock [03:26]
14. Joe Satriani - Revelation [05:55]

Playing Time.........: 01:03:47
Total Size...........: 454,38 MB

..::INFO::..

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Johnny Hallyday - Souvenirs souvenirs
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Artist...............: Johnny Hallyday
Album................: Souvenirs souvenirs
Genre................: Rock
Source...............: CD
Year.................: 1988
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Vogue

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Johnny Hallyday - Souvenirs souvenirs [02:10]
2. Johnny Hallyday - Kili watch [02:44]
3. Johnny Hallyday - T'aimer follement [02:30]
4. Johnny Hallyday - Oui mon cher [02:25]
5. Johnny Hallyday - Le p'tit clown de ton coeur [02:26]
6. Johnny Hallyday - Depuis qu'ma mome [02:24]
7. Johnny Hallyday - Itsy bitsy petit bikini [02:12]
8. Johnny Hallyday - Une boum chez John [02:02]
9. Johnny Hallyday - Sentimental [01:49]
10. Johnny Hallyday - Nous les gars, nous les filles [01:50]
11. Johnny Hallyday - Mon septieme ciel [01:56]
12. Johnny Hallyday - J'suis mordu [01:56]
13. Johnny Hallyday - Tu parles trop [02:00]
14. Johnny Hallyday - Oui j'ai [03:00]
15. Johnny Hallyday - A New Orleans [02:42]
16. Johnny Hallyday - Tu m'plais [02:07]
17. Johnny Hallyday - Je veux me promener [02:36]
18. Johnny Hallyday - Hey Pony [02:21]
19. Johnny Hallyday - 24 000 baisers [02:19]
20. Johnny Hallyday - Ce n'est pas mechant [02:30]
21. Johnny Hallyday - Je cherche une fille [02:10]
22. Johnny Hallyday - Ton fetiche d'amour [02:18]
23. Johnny Hallyday - Bien trop timide [03:21]
24. Johnny Hallyday - Le plus beau des jeux [02:01]
25. Johnny Hallyday - Laisse les filles [02:20]
26. Johnny Hallyday - Tutti frutti [02:11]

Playing Time.........: 01:00:32
Total Size...........: 339,26 MB

...( Info )...

Artist: Mark Knopfler
Album: Vaison La Romaine
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Darling Pretty
02. Walk Of Life
03. Imelda
04. The Bug
05. Rudiger
06. Je Suis Désolé
07. Calling Elvis
08. I'm The Fool
09. Last Exit To Brooklyn
10. Romeo And Juliet
11. Sultans Of Swing
12. Done With Bonaparte
13. Father And Son
14. Golden Heart
15. Water Of Love
16. Cannibals
17. Telegraph Road
18. Brothers In Arms
19. Money For Nothing
20. A Night In Summer Long Ago
21. The Long Highway
22. Going Home: Theme Of The Local Hero
23. Darling Pretty (Version 2)
24. Walk Of Life (Version 2)
25. Imelda (Version 2)

...( Info )...

Artist: Linda Ronstadt
Album: How Do I Make You Rambler Gambler
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. How Do I Make You
02. Rambler Gambler

..::INFO::..

Mike and the Mechanics to brytyjska grupa rockowo-popowa stworzona przez Mike'a Rutheforda, gitarzystę i basistę Genesis, w 1985 roku. Grupie Mike & the Mechanics największy sukces przyniosły jej dwa pierwsze albumy - Mike + the Mechanics z 1985 roku oraz The Living Years z 1988, z których pochodzą m.in. utwory Silent Running i The Living Years. W skład zespołu wchodzą także Paul Carrack - wokalista, klawiszowiec i gitarzysta, Adrian Lee - klawiszowiec, Peter Van Hooke - perkusista. Po śmierci wokalisty Paula Younga w roku 2000, zespół zawiesił działalność, by powrócić w 2004 pod nazwą Mike & the Mechanics featuring Paul Carrack, jednak po niedługim czasie rozwiązał się. W 2010 zespół został reaktywowany w nowym składzie.

Title: Dyskografia

Artist: Mike And The Mechanics

Country: Wielka Brytania

Years: 1985-2019

Genre: Elektroniczna

Format / Codec: MP3
Audio bitrate: 320 Kbps

...( AlbumList )...

Mike And The Mechanics (1985)
Living Years (1988)
Word Of Mouth (1991)
Beggar on a Beach of Gold (1995)
Mike and the Mechanics (1999
Rewired (2004)
The Road (2011)
Let Me Fly (2017)
Out Of The Blue (2019)

..::INFO::..

---------------------------------------------------------------------
Chuck Berry - Gold - (2 CD)
---------------------------------------------------------------------

Artist...............: Chuck Berry
Album................: Gold
Genre................: Rock
Source...............: CD
Year.................: 2005
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 43-57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Geffen Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Chuck Berry - Maybellene [02:22]
2. Chuck Berry - Wee Wee Hours [03:05]
3. Chuck Berry - Thirty Days [02:24]
4. Chuck Berry - You Can't Catch Me [02:45]
5. Chuck Berry - Downbound Train [02:51]
6. Chuck Berry - No Money Down [02:59]
7. Chuck Berry - Brown Eyed Handsome Man [02:18]
8. Chuck Berry - Roll Over Beethoven [02:24]
9. Chuck Berry - Too Much Monkey Business [02:56]
10. Chuck Berry - Havana Moon [03:09]
11. Chuck Berry - School Day [02:43]
12. Chuck Berry - Rock And Roll Music [02:33]
13. Chuck Berry - Oh Baby Doll [02:39]
14. Chuck Berry - Sweet Little Sixteen [03:03]
15. Chuck Berry - Guitar Boogie [02:21]
16. Chuck Berry - Reelin' & Rockin' [03:17]
17. Chuck Berry - Johnny B. Goode [02:42]
18. Chuck Berry - Around And Around [02:41]
19. Chuck Berry - Beautiful Delilah [02:11]
20. Chuck Berry - House Of Blue Lights [02:29]
21. Chuck Berry - Carol [02:50]
22. Chuck Berry - Jo Jo Gunne [02:47]
23. Chuck Berry - Memphis, Tennesse [02:15]
24. Chuck Berry - Sweet Little Rock & Roller [02:24]
25. Chuck Berry - LIttle Queenie [02:44]
26. Chuck Berry - Almost Grown [02:21]

Playing Time.........: 01:09:24
Total Size...........: 301,87 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Chuck Berry - Back In The USA [02:29]
2. Chuck Berry - Do You Love Me? [02:24]
3. Chuck Berry - Betty Jean [02:28]
4. Chuck Berry - Childhood Sweetheart [02:45]
5. Chuck Berry - Let It Rock [01:49]
6. Chuck Berry - Too Pooped To Pop [02:37]
7. Chuck Berry - I Got To Find My Baby [02:17]
8. Chuck Berry - Don't You Lie To Me [02:05]
9. Chuck Berry - Bye Bye Johnny [02:07]
10. Chuck Berry - Jaguar & Thunderbird [01:52]
11. Chuck Berry - Down The Road Apiece [02:16]
12. Chuck Berry - Confessin' The Blues [02:10]
13. Chuck Berry - I'm Talking About You [01:51]
14. Chuck Berry - Come On [01:51]
15. Chuck Berry - Nadine (Is It You?) [02:36]
16. Chuck Berry - You Never Can Tell [02:44]
17. Chuck Berry - Promised Land [02:25]
18. Chuck Berry - No Particular Place To Go [02:44]
19. Chuck Berry - Dead Dad [01:52]
20. Chuck Berry - I Want To Be Your Driver [02:17]
21. Chuck Berry - Tulane [02:39]
22. Chuck Berry - My Ding-A-Ling (Live, Single Edit) [04:19]
23. Chuck Berry - Reelin' & Rockin' (Live) [07:04]
24. Chuck Berry - Bio [04:24]

Playing Time.........: 01:04:16
Total Size...........: 376,92 MB

...( Info )...

Artist: Paul Simon
Album: Acoustic & Unplugged
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. The Boy In The Bubble
02. Mrs. Robinson
03. Bridge Over Troubled Water
04. Graceland
05. Jonah
06. She Moves On
07. Still Crazy After All These Years
08. Cecilia
09. 50 Ways To Leave Your Lover
10. Something So Right
11. The Boxer
12. Homeward Bound
13. Scarborough Fair
14. Born At The Right Time
15. Me & Julio Down By The Schoolyard
16. The Coast
17. Late In The Evening

...( Info )...

Artist: John Fogerty
Album: Los Angeles Live... 1985
Year: 2025
Genre: Classic rock and roots rock (live performance)
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Mary Don't You Weep (Live)
02. My Pretty Baby - Leave My Woman Alone (Live)
03. Let's Go, Let's Go, Let's Go (Live)
04. I Need Your Lovin' Every Day (Live)
05. I Confess (Live)
06. I'm a Man-Mannish Boy (Live)
07. There's No Lovin' You (Live)
08. Rock'n'roll Girls (Live)
09. My Toot Toot (Live)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 14 - January 22, 1974 - The Omni, Atlanta, GA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:41
2. Lay, Lady, Lay 2:58
3. Just Like Tom Thumb's Blues 5:31
4. Rainy Day Women #12 & 35 3:27
5. It Ain't Me, Babe 3:36
6. Ballad Of A Thin Man 3:28
7. Ballad Of Hollis Brown 4:01
8. Knockin' On Heaven's Door 3:25
9. The Times They Are A-Changin' 3:05
10. Don't Think Twice, It's All Right 3:38
11. Gates Of Eden 4:09
12. It's All Over Now, Baby Blue 4:38
13. It's Alright, Ma (I'm Only Bleeding) 5:10
14. Forever Young 5:10
15. Something There Is About You 4:48
16. Like A Rolling Stone 6:03
17. Most Likely You Go Your Way (And I'll Go Mine) 3:33



https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 14 - January 22, 1974 - The Omni, Atlanta, GA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:41
2. Lay, Lady, Lay 2:58
3. Just Like Tom Thumb's Blues 5:31
4. Rainy Day Women #12 & 35 3:27
5. It Ain't Me, Babe 3:36
6. Ballad Of A Thin Man 3:28
7. Ballad Of Hollis Brown 4:01
8. Knockin' On Heaven's Door 3:25
9. The Times They Are A-Changin' 3:05
10. Don't Think Twice, It's All Right 3:38
11. Gates Of Eden 4:09
12. It's All Over Now, Baby Blue 4:38
13. It's Alright, Ma (I'm Only Bleeding) 5:10
14. Forever Young 5:10
15. Something There Is About You 4:48
16. Like A Rolling Stone 6:03
17. Most Likely You Go Your Way (And I'll Go Mine) 3:33



https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...( Opis )...

Never Ending Sorry – czwarty album studyjny polskiej piosenkarki Agnieszki Chylińskiej. Wydawnictwo ukazało się 28 października 2022 roku nakładem wytwórni muzycznej Sony Music Entertainment Poland.

...( TrackList )...

1 Jest Nas Więcej 3:09
2 Kiedyś Do Ciebie Wrócę 3:52
3 Drań 3:54
4 Po Tobie 3:54
5 Zapomnieć 3:47
6 Ja Ci Wszystko Dam 3:44
7 Zranione Dziecko 3:50
8 Kochaj Ją 3:57
9 Jesienny Spleen 3:51
10 Płyną Słowa 4:32
11 Bal 2:02
12 Synu 3:18
13 Głupi Jak But 2:21

...( Info )...

Artist: The Police
Album: Sting`s Birthday Bash
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Synchronicity I
02. Synchronicity II
03. Walking In Your Footsteps
04. Message In A Bottle
05. Walking On The Moon
06. O My God
07. De Do Do Do, De Da Da Da
08. Wrapped Around Your Finger
09. Tea In The Sahara
10. Invisible Sun
11. One World (Not Three)
12. King Of Pain
13. Don't Stand So Close
14. Every Breath You Take
15. Murder By Numbers
16. Roxanne
17. Happy Birthday Sting
18. I Can't Stand Losing

...( Info )...

Artist: Rush
Album: An Evening With 1997
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Intro
02. Dreamline
03. Limelight
04. Stick It Out
05. Driven
06. Half The World
07. Red Barchetta
08. Animate
09. Limbo
10. The Trees
11. Virtuality
12. Nobody's Hero
13. Closer To The Heart
14. 2112 Part 1
15. 2112 Part 2
16. Test For Echo
17. Freewill
18. Red Sector A
19. Roll The Bones
20. Resist
21. Leave That Thing Alone (incl. Neil Peart Drum Solo)
22. Natural Science
23. Force Ten
24. The Spirit Of Radio
25. Tom Sawyer
26. Cygnus X-1

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 13 - January 21, 1974 - The Omni, Atlanta, GA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:46
2. Lay, Lady, Lay 3:02
3. Just Like Tom Thumb's Blues 5:16
4. Leopard-Skin Pill-Box Hat 4:00
5. It Ain't Me, Babe 3:22
6. Ballad Of A Thin Man 3:47
7. All Along The Watchtower 2:43
8. Ballad Of Hollis Brown 4:10
9. Knockin' On Heaven's Door 3:32
10. The Times They Are A-Changin' 3:02
11. Don't Think Twice, It's All Right 3:35
12. Gates Of Eden 4:08
13. Just Like A Woman 3:45
14. It's Alright, Ma (I'm Only Bleeding) 5:06
15. Forever Young 4:51
16. Something There Is About You 4:39
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine) 3:29




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 13 - January 21, 1974 - The Omni, Atlanta, GA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:46
2. Lay, Lady, Lay 3:02
3. Just Like Tom Thumb's Blues 5:16
4. Leopard-Skin Pill-Box Hat 4:00
5. It Ain't Me, Babe 3:22
6. Ballad Of A Thin Man 3:47
7. All Along The Watchtower 2:43
8. Ballad Of Hollis Brown 4:10
9. Knockin' On Heaven's Door 3:32
10. The Times They Are A-Changin' 3:02
11. Don't Think Twice, It's All Right 3:35
12. Gates Of Eden 4:08
13. Just Like A Woman 3:45
14. It's Alright, Ma (I'm Only Bleeding) 5:06
15. Forever Young 4:51
16. Something There Is About You 4:39
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine) 3:29




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 12 - January 19, 1974 (Afternoon) - Hollywood Sportatorium, Hollywood, FL
1. All Along The Watchtower 2:45
2. Ballad Of Hollis Brown 3:54
3. Knockin' On Heaven's Door 3:40
4. The Times They Are A-Changin' 3:13
5. Don't Think Twice, It's All Right 3:34
6. Gates Of Eden 4:15
7. Just Like A Woman 4:16
8. It's Alright, Ma (I'm Only Bleeding) 5:04
9. Forever Young 4:51
10. Something There Is About You 4:48
11. Like A Rolling Stone 5:53
12. Most Likely You Go Your Way (And I'll Go Mine) 3:32



https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 12 - January 19, 1974 (Afternoon) - Hollywood Sportatorium, Hollywood, FL
1. All Along The Watchtower 2:45
2. Ballad Of Hollis Brown 3:54
3. Knockin' On Heaven's Door 3:40
4. The Times They Are A-Changin' 3:13
5. Don't Think Twice, It's All Right 3:34
6. Gates Of Eden 4:15
7. Just Like A Woman 4:16
8. It's Alright, Ma (I'm Only Bleeding) 5:04
9. Forever Young 4:51
10. Something There Is About You 4:48
11. Like A Rolling Stone 5:53
12. Most Likely You Go Your Way (And I'll Go Mine) 3:32



https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Ekseption to holenderski zespół grający progresywnego rocka. Został założony w 1967 przez kompozytora, aranżera i pianistę Ricka van der Lindena. Wcześniej działał pod nazwami Incrowd, oraz The Jokers. Zespół zasłynął przede wszystkim oryginalnymi transkrypcjami muzyki poważnej różnych epok. Byli to między innymi: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Piotr Czajkowski. Po rozpadzie zespołu Rick Van Linden założył zespół Trace, który wydał trzy płyty i później znów przekształcił się w Ekseption. Wstawka zawiera drugą płytę zespołu.

Title: Beggar Julia's Time Trip

Artist: Ekseption

Country: Holandia

Year: 1969

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Ouverture
A2.Prologue
A3.Julia
A4.Flying Power
A5.Adagio
A6.Space I
A7.Italian Concerto
B1.Concerto
B2.Space II
B3.Pop Giant
B4.Space III
B5.Feelings
B6.Epilogue
B7.Finale: Music For Mind / Theme Julia

...( Info )...
Title: I Beat Loneliness
Artist: Bush
Year: 2025
Genre: Alternative-Rock, Grunge
Country: UK

Duration: 00:46:37
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
1. Scars (03:29)
2. I Beat Loneliness (04:23)
3. The Land of Milk and Honey (03:14)
4. We're All the Same on the Inside (03:21)
5. I Am Here to Save Your Life (04:08)
6. 60 Ways to Forget People (02:47)
7. Love Me Till the Pain Fades (04:12)
8. We Are of This Earth (04:23)
9. Everyone Is Broken (04:00)
10. Don't Be Afraid (05:15)
11. Footsteps in the Sand (04:01)
12. Rebel with a Cause (03:18)

..::INFO::..

---------------------------------------------------------------------
Van Halen - The Very Best Of Van Halen - Vol.1, Vol.2
---------------------------------------------------------------------

Artist...............: Van Halen
Album................: The Very Best Of Van Halen
Genre................: Rock
Source...............: WEB
Year.................: 2015
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 73-74 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Digital Media

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Vol.1
---------------------------------------------------------------------

1. Van Halen - Eruption (2015 Remastered) [01:42]
2. Van Halen - It's About Time [04:15]
3. Van Halen - Up For Breakfast [04:57]
4. Van Halen - Learning To See [05:15]
5. Van Halen - Ain't Talkin' 'Bout Love (2015 Remastered) [03:47]
6. Van Halen - Finish What Ya Started (Remastered Album Version)[04:23]
7. Van Halen - You Really Got Me (2015 Remastered) [02:36]
8. Van Halen - Dreams (Remastered Version) [04:52]
9. Van Halen - Hot For Teacher (2015 Remastered) [04:42]
10. Van Halen - Poundcake (Remastered Album Version) [05:20]
11. Van Halen - And The Cradle Will Rock...(2015 Remastered)[03:33]
12. Van Halen - Black And Blue (Remastered Album Version) [05:27]
13. Van Halen - Jump (2015 Remastered) [04:01]
14. Van Halen - Top Of The World (Remastered Album Version) [03:54]
15. Van Halen - (Oh) Pretty Woman (2015 Remastered) [02:52]
16. Van Halen - Love Walks In (Remastered Album Version) [05:11]
17. Van Halen - Beautiful Girls (2015 Remastered) [03:56]
18. Van Halen - Can't Stop Lovin' You (Remastered Album Version)[04:08]
19. Van Halen - Unchained (2015 Remastered) [03:29]

Playing Time.........: 01:18:28
Total Size...........: 587,04 MB

---------------------------------------------------------------------
Tracklisting Vol.2
---------------------------------------------------------------------

1. Van Halen - Panama (2015 Remastered) [03:30]
2. Van Halen - Best Of Both Worlds (Remastered Album Version)[04:49]
3. Van Halen - Jamie's Cryin' (2015 Remastered) [03:29]
4. Van Halen - Runaround (Remastered Album Version) [04:20]
5. Van Halen - I'll Wait (2015 Remastered) [04:40]
6. Van Halen - Why Can't This Be Love (Remastered Version) [03:48]
7. Van Halen - Runnin' With The Devil (2015 Remastered) [03:34]
8. Van Halen - When It's Love (Remastered Album Version) [05:38]
9. Van Halen - Dancing In The Street (2015 Remastered) [03:45]
10. Van Halen - Not Enough (Remastered Album Version) [06:48]
11. Van Halen - Feels So Good (Remastered Single Version) [04:32]
12. Van Halen - Right Now (Remastered Album Version) [05:22]
13. Van Halen - Everybody Wants Some!! (2015 Remastered) [05:06]
14. Van Halen - Dance The Night Away (2015 Remastered) [03:08]
15. Van Halen - Ain't Talkin' 'Bout Love (Remastered Live Version)[04:43]
16. Van Halen - Panama (Remastered Live Version) [06:39]
17. Van Halen - Jump (Remastered Live Version) [04:20]

Playing Time.........: 01:18:18
Total Size...........: 575,49 MB

..::INFO::..

---------------------------------------------------------------------
Marc Bolan & T.Rex - Best of the 20th Century Boy
---------------------------------------------------------------------

Artist...............: Marc Bolan & T.Rex
Album................: Best of the 20th Century Boy
Genre................: Rock
Source...............: CD
Year.................: 1986
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: K-Tel

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Marc Bolan & T.Rex - The Groover [03:24]
2. Marc Bolan & T.Rex - Dreamy Lady [02:53]
3. Marc Bolan & T.Rex - Metal Guru [02:27]
4. Marc Bolan & T.Rex - Laser Love [03:36]
5. Marc Bolan & T.Rex - Telegram Sam [03:46]
6. Marc Bolan & T.Rex - Pain and Love [03:43]
7. Marc Bolan & T.Rex - Children of the Revolution [02:28]
8. Marc Bolan & T.Rex - Solid Gold Easy Action [02:19]
9. Marc Bolan & T.Rex - Zip Gun Boogie [03:19]
10. Marc Bolan & T.Rex - Teenage Dream [05:01]
11. Marc Bolan & T.Rex - Light of Love [03:15]
12. Marc Bolan & T.Rex - New York City [03:56]
13. Marc Bolan & T.Rex - The Soul of My Suit [02:38]
14. Marc Bolan & T.Rex - Buick McKane & The Babe Shadow [03:28]
15. Marc Bolan & T.Rex - I Love to Boogie [02:15]
16. Marc Bolan & T.Rex - Truck on (Tyke) [03:04]
17. Marc Bolan & T.Rex - London Boys [02:22]
18. Marc Bolan & T.Rex - Jitterbug Love [02:55]
19. Marc Bolan & T.Rex - Sunken Rags [02:52]
20. Marc Bolan & T.Rex - 20th Century Boy [03:40]

Playing Time.........: 01:03:31
Total Size...........: 396,24 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

limitowany CD zawierający pełny, 50-minutowy występ z października 1968 (na trasie promocyjnej albumu 'The Book Of Taliesyn' Deep Purple wystąpili jako support dla Cream) - jedyną zachowaną rejestrację koncertu pierwszego składu z Rodem Evansem i Nickiem Simperem! Ten bardzo atrakcyjny, częstokroć porywający materiał brzmi świetnie - tutaj nieco lepiej niż na wydanym 20 lat temu, bardzo rzadkim CD 'Inglewood'.



..::TRACK-LIST::..

1. Hush 4:44
2. Kentucky Woman 5:03
3. Mandrake Root 10:12
4. Help 5:34
5. Wring That Neck 7:28
6. River Deep, Mountain High 9:45
7. Hey Joe 7:02



..::OBSADA::..

Bass Guitar - Nick Simper
Drum, Percussion - Ian Paice
Guitar - Ritchie Blackmore
Keyboards - Jon Lord
Lead Vocals - Rod Evans




https://www.youtube.com/watch?v=V33iR-z7MDw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

limitowany CD zawierający pełny, 50-minutowy występ z października 1968 (na trasie promocyjnej albumu 'The Book Of Taliesyn' Deep Purple wystąpili jako support dla Cream) - jedyną zachowaną rejestrację koncertu pierwszego składu z Rodem Evansem i Nickiem Simperem! Ten bardzo atrakcyjny, częstokroć porywający materiał brzmi świetnie - tutaj nieco lepiej niż na wydanym 20 lat temu, bardzo rzadkim CD 'Inglewood'.



..::TRACK-LIST::..

1. Hush 4:44
2. Kentucky Woman 5:03
3. Mandrake Root 10:12
4. Help 5:34
5. Wring That Neck 7:28
6. River Deep, Mountain High 9:45
7. Hey Joe 7:02



..::OBSADA::..

Bass Guitar - Nick Simper
Drum, Percussion - Ian Paice
Guitar - Ritchie Blackmore
Keyboards - Jon Lord
Lead Vocals - Rod Evans




https://www.youtube.com/watch?v=V33iR-z7MDw



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
The Doors - The Very Best Of The Doors (2 CD)
(40th Annivesary)
---------------------------------------------------------------------

Artist...............: The Doors
Album................: The Very Best Of The Doors
Genre................: Rock
Source...............: CD
Year.................: 2007
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60-62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Rhino Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. The Doors - Break On Through (To The Other Side) [02:28]
2. The Doors - Strange Days [03:09]
3. The Doors - Alabama Song (Whisky Bar) [03:17]
4. The Doors - Love Me Two Times [03:16]
5. The Doors - Light My Fire [07:01]
6. The Doors - Spanish Caravan [03:01]
7. The Doors - The Crystal Ship [02:35]
8. The Doors - The Unknown Soldier [03:26]
9. The Doors - The End [11:41]
10. The Doors - People Are Strange [02:12]
11. The Doors - Back Door Man [03:33]
12. The Doors - Moonlight Drive [03:04]
13. The Doors - End Of The Night [02:52]
14. The Doors - Five To One [04:32]
15. The Doors - When The Music's Over [11:05]

Playing Time.........: 01:07:19
Total Size...........: 405,19 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. The Doors - Bird Of Prey [01:05]
2. The Doors - Love Her Madly [03:40]
3. The Doors - Riders On The Storm [07:08]
4. The Doors - Orange County Suite [05:45]
5. The Doors - Runnin' Blue [02:29]
6. The Doors - Hello, I Love You [02:42]
7. The Doors - The WASP Texas Radio And The Big Bea [04:15]
8. The Doors - Stoned Immaculate [01:36]
9. The Doors - Soul Kitchen [03:33]
10. The Doors - Peace Frog [02:58]
11. The Doors - L.A. Woman [08:00]
12. The Doors - Waiting For The Sun [04:03]
13. The Doors - Touch Me [03:13]
14. The Doors - The Changeling [04:26]
15. The Doors - Wishful Sinful [02:59]
16. The Doors - Love Street [02:57]
17. The Doors - Ghost Song [04:14]
18. The Doors - Whiskey, Mystics and Men [02:28]
19. The Doors - Roadhouse Blues [04:07]

Playing Time.........: 01:11:45
Total Size...........: 449,51 MB

...( Info )...

Artist: Jethro Tull
Album: Curious Ruminant
Country: USA
Genre: Progressive Rock / Folk Rock
Release: 2025
Duration: 0:50:34 + 0:50:37
Quality: Mp3, CBR 320 kbps
Size: 231 mb


...( Opis )...

Jethro Tull pod przewodnictwem Iana Andersona wracają z trzecim studyjnym albumem po wznowieniu działalności w 2017 roku. Dziewięć wydanych kompozycji to klasyczny dla zespołu gitarowy folk z absolutnie charakterystycznymi dźwiękami fletu poprzecznego - znaku rozpoznawczego lidera grupy. Edycja dwupłytowa na drugim krążku skrywa inaczej zmiksowany komplet utworów nowego wydawnictwa.


...( TrackList )...

Disc 1:
1. Puppet and the Puppet Master
2. Curious Ruminant
3. Dunsinane Hill
4. The Tipu House
5. Savannah of Paddington Green
6. Stygian Hand
7. Over Jerusalem
8. Drink From the Same Well
9. Interim Sleep

Disc 2:
Alternatywny miks wszystkich utworów.