...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To już czwarta płyta grupy Profeci, a towarzyszymy temu zespołowi od początku w zasadzie. Nie ukrywam, że lubię tych Poznaniaków – ich muzyka siadła mi już od samego początku i debiutu „Matecznik”.

A jeszcze bardziej lubię obserwować jak zespół się rozwija, co akurat ma miejsce w przypadku Profetów (bo chyba tak się to odmienia, co nie?). Na „Trosce” zespół eksploruje rejony na które zapuścił się już przy okazji wcześniejszych materiałów – nie robi tego jednak w sposób kategoryczny, a raczej krok po kroku przesuwa granice. Stwarza to wrażenie konsekwentnego, ale i kontrolowanego badania swoich możliwości kompozycyjnych na niwie black metalu. Ot, dodadzą więcej czystych wokali lub zaaranżują je w nieco odmienny niż dotychczas sposób (jak w „Niepokoje”). Albo instrumentalnie popłyną jeszcze dalej w stronę… progresji? Eksperymentu? Nazwijcie to jak chcecie, ale nie jest to typowy black metal, który można łatwo przypisać na zasadzie „druga fala z Norwegii”. To znaczy – jest to black metal w pełnym znaczeniu tego słowa, choć spozierający gdzieś dalej, poza ramy gatunku. I wbrew tego, co możecie sobie sądzić – „Troska” wypada w ostatecznym rozrachunku bardzo spójnie. Szczególnie, że klamrą która spina wszystkie kompozycje jest jakieś uczucie smutku, melancholii – a może to mój obecny nastrój tak wpływa na odbiór tej płyty?

Po wielu odsłuchach (naprawdę wielu) stwierdzam też, że „Troska” pod względem artystycznym w niczym nie ustępuje poprzednim krążkom. Profeci dostarczyli materiał wciągający i intrygujący – jak dla mnie po prostu ciekawy i bardzo dobry. I trochę szkoda, że w dalszym ciągu egzystują sobie gdzieś trochę na uboczu sceny, mimo że wydawani są niezmiennie od początku przez jeden z najlepszych podziemnych labeli w ogóle. Ja im niezmiennie kibicuję i polecam Wam sprawdzenie ich czwartego longpleja.

Oracle


https://www.youtube.com/watch?v=rrN-qzVFO6I



The cover of Profeci's newest album, "Troska", depicts something not often seen in the metal scene, let alone in black metal. According to the all-knowing Metal Archives, however, that's the genre Profeci plays. We can see some flowers attached to the tree, a crucifix, and an image of Black Madonna, which holds great value to Polish Catholics. On a side note, the monastery in Częstochowa, where this icon is placed, is beautiful, regardless of religious beliefs. So, after all, a conclusion can be made that "Troska" won't be the most misanthropic, hateful output one will hear. And this time, the artwork suggests what to expect and what not to expect.

At the music's core, obviously, lies black metal, since the guitars excel at alarming-sounding tremolo-picked riffs that craft the atmosphere. While not bursting with hatred, it focuses more on introspection and anxiety, with a hint of hope somewhere at the end. The dominant role is taken by the vocalist, whose performance is multifaceted; one could even say theatrical. At times, he furiously shouts, as though he were releasing agony from the depths of his soul, and at other times he can be heard singing cleanly, for instance at the end of "Niepokoje", which is a surprising turn in the nature of the album. "Opiekun", which also happens to feature clean singing, is definitely a highlight of the album because its melancholic ending section easily sticks in one's memory. Profeci also shines when it comes to the songwriting - every piece of music is easily distinguishable from the others, and the whole album has, as I said, many surprising twists and turns which might take one aback. Simultaneously, all the pieces feel connected, and none of them feels out of place. Moreover, the album features several acoustic guitar interludes, which add to the overall melancholic and introspective substance of the music, for example, close to the end of "Niepokoje". Frantic, faster moments, where prominent drumwork can be heard, can be found in songs such as "Kształt sugeruje człowieka" and balance the softness of the aforementioned acoustic guitar parts.

"Nic poza nimi" and "Potem znowu jest góra" happen to be those tracks where the leading role is taken by the guitars, making the atmosphere quite dense and evoking the feelings of anxiety and even a bit of nostalgia with their melodic guitar lines. The former song, lasting only three minutes, especially exposes the feeling of distress with exuberant vocals and guitar lines. Speaking of the vocals, as I said before, the vocals could be described as theatrical, because of the common use of melodic recitation, cleaner vocals, as well as more black metal-fitting shout-meets-growl outbursts. What suited me was the fact that every word was easily understandable, which happens quite rarely when it comes to the music I usually listen to. Unfortunately for some, the lyrics are fully in Polish. The guitars mostly drive the album with tremolo-picked melodies, varying in character, although not feeling out of tune. Even the bass guitar is audible, highlighting the quality of the mix.

While personally I am a fan of more hateful and misanthropic music, I cannot hide the impression "Troska" left on me. I didn't have high hopes for the album, and despite the fact that it's probably not necessarily the type of music I find myself best in, it still managed to capture my attention enough to make me perplexed throughout the 35 minutes of the music. Therefore, I give it 8.3/10, because although I thought my preference for a certain type of music is strong, this album made me more open-minded. Recommended for those who aren't scared of occasional clean vocals or music that doesn't involve blasphemy, destruction, and all evil incarnate.

SzejkElRopa



..::TRACK-LIST::..

1. Kształt sugeruje człowieka 05:13
2. Nieruchoma cisza 05:16
3. Nic poza nimi 03:02
4. Niepokoje 05:48
5. Opiekun 04:15
6. Nie wiem 03:36
7. Potem znów jest góra 04:38
8. Schronienie 03:09



..::OBSADA::..

Piotr Ramlau - Vocals, Guitars
Oliwer Iwanicki - Guitars
Mikołaj Andrzejewski - Bass
Marceli Dziurleja - Drums



https://www.youtube.com/watch?v=p0-i5Q7DBh0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To już czwarta płyta grupy Profeci, a towarzyszymy temu zespołowi od początku w zasadzie. Nie ukrywam, że lubię tych Poznaniaków – ich muzyka siadła mi już od samego początku i debiutu „Matecznik”.

A jeszcze bardziej lubię obserwować jak zespół się rozwija, co akurat ma miejsce w przypadku Profetów (bo chyba tak się to odmienia, co nie?). Na „Trosce” zespół eksploruje rejony na które zapuścił się już przy okazji wcześniejszych materiałów – nie robi tego jednak w sposób kategoryczny, a raczej krok po kroku przesuwa granice. Stwarza to wrażenie konsekwentnego, ale i kontrolowanego badania swoich możliwości kompozycyjnych na niwie black metalu. Ot, dodadzą więcej czystych wokali lub zaaranżują je w nieco odmienny niż dotychczas sposób (jak w „Niepokoje”). Albo instrumentalnie popłyną jeszcze dalej w stronę… progresji? Eksperymentu? Nazwijcie to jak chcecie, ale nie jest to typowy black metal, który można łatwo przypisać na zasadzie „druga fala z Norwegii”. To znaczy – jest to black metal w pełnym znaczeniu tego słowa, choć spozierający gdzieś dalej, poza ramy gatunku. I wbrew tego, co możecie sobie sądzić – „Troska” wypada w ostatecznym rozrachunku bardzo spójnie. Szczególnie, że klamrą która spina wszystkie kompozycje jest jakieś uczucie smutku, melancholii – a może to mój obecny nastrój tak wpływa na odbiór tej płyty?

Po wielu odsłuchach (naprawdę wielu) stwierdzam też, że „Troska” pod względem artystycznym w niczym nie ustępuje poprzednim krążkom. Profeci dostarczyli materiał wciągający i intrygujący – jak dla mnie po prostu ciekawy i bardzo dobry. I trochę szkoda, że w dalszym ciągu egzystują sobie gdzieś trochę na uboczu sceny, mimo że wydawani są niezmiennie od początku przez jeden z najlepszych podziemnych labeli w ogóle. Ja im niezmiennie kibicuję i polecam Wam sprawdzenie ich czwartego longpleja.

Oracle


https://www.youtube.com/watch?v=rrN-qzVFO6I



The cover of Profeci's newest album, "Troska", depicts something not often seen in the metal scene, let alone in black metal. According to the all-knowing Metal Archives, however, that's the genre Profeci plays. We can see some flowers attached to the tree, a crucifix, and an image of Black Madonna, which holds great value to Polish Catholics. On a side note, the monastery in Częstochowa, where this icon is placed, is beautiful, regardless of religious beliefs. So, after all, a conclusion can be made that "Troska" won't be the most misanthropic, hateful output one will hear. And this time, the artwork suggests what to expect and what not to expect.

At the music's core, obviously, lies black metal, since the guitars excel at alarming-sounding tremolo-picked riffs that craft the atmosphere. While not bursting with hatred, it focuses more on introspection and anxiety, with a hint of hope somewhere at the end. The dominant role is taken by the vocalist, whose performance is multifaceted; one could even say theatrical. At times, he furiously shouts, as though he were releasing agony from the depths of his soul, and at other times he can be heard singing cleanly, for instance at the end of "Niepokoje", which is a surprising turn in the nature of the album. "Opiekun", which also happens to feature clean singing, is definitely a highlight of the album because its melancholic ending section easily sticks in one's memory. Profeci also shines when it comes to the songwriting - every piece of music is easily distinguishable from the others, and the whole album has, as I said, many surprising twists and turns which might take one aback. Simultaneously, all the pieces feel connected, and none of them feels out of place. Moreover, the album features several acoustic guitar interludes, which add to the overall melancholic and introspective substance of the music, for example, close to the end of "Niepokoje". Frantic, faster moments, where prominent drumwork can be heard, can be found in songs such as "Kształt sugeruje człowieka" and balance the softness of the aforementioned acoustic guitar parts.

"Nic poza nimi" and "Potem znowu jest góra" happen to be those tracks where the leading role is taken by the guitars, making the atmosphere quite dense and evoking the feelings of anxiety and even a bit of nostalgia with their melodic guitar lines. The former song, lasting only three minutes, especially exposes the feeling of distress with exuberant vocals and guitar lines. Speaking of the vocals, as I said before, the vocals could be described as theatrical, because of the common use of melodic recitation, cleaner vocals, as well as more black metal-fitting shout-meets-growl outbursts. What suited me was the fact that every word was easily understandable, which happens quite rarely when it comes to the music I usually listen to. Unfortunately for some, the lyrics are fully in Polish. The guitars mostly drive the album with tremolo-picked melodies, varying in character, although not feeling out of tune. Even the bass guitar is audible, highlighting the quality of the mix.

While personally I am a fan of more hateful and misanthropic music, I cannot hide the impression "Troska" left on me. I didn't have high hopes for the album, and despite the fact that it's probably not necessarily the type of music I find myself best in, it still managed to capture my attention enough to make me perplexed throughout the 35 minutes of the music. Therefore, I give it 8.3/10, because although I thought my preference for a certain type of music is strong, this album made me more open-minded. Recommended for those who aren't scared of occasional clean vocals or music that doesn't involve blasphemy, destruction, and all evil incarnate.

SzejkElRopa



..::TRACK-LIST::..

1. Kształt sugeruje człowieka 05:13
2. Nieruchoma cisza 05:16
3. Nic poza nimi 03:02
4. Niepokoje 05:48
5. Opiekun 04:15
6. Nie wiem 03:36
7. Potem znów jest góra 04:38
8. Schronienie 03:09



..::OBSADA::..

Piotr Ramlau - Vocals, Guitars
Oliwer Iwanicki - Guitars
Mikołaj Andrzejewski - Bass
Marceli Dziurleja - Drums



https://www.youtube.com/watch?v=p0-i5Q7DBh0


SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Kategoria: Music
Styl: Melodic Death Metal
Kraj: Sweden
Format: FLAC

https://www.metal-archives.com/bands/Amon_Amarth/150

...( TrackList )...
Albumy
1996 - Sorrow Throughout The Nine Worlds (EP) (Pulverised Rec., ASH001 MCD, Singapure, 2000)
1998 - Once Sent From The Golden Hall (Metal Blade, 3984-14716-2, 2CD, Germany, 2009)
1999 - The Avenger (Metal Blade, 3984-14731-0, 2CD, Germany, 2009)
2001 - The Crusher (Metal Blade, 3984-14752-2, 2CD, USA, 2009)
2002 - Versus The World (2CD, Metal Blade, 3984-141410-0, Germany)
2004 - Fate Of Norns (Metal Blade, 3984-14498-2, Germany)
2006 - With Oden On Our Side (Metal Blade, 3984-14584-0, 2CD, Germany)
2008 - Twilight Of The Thunder God (Metal Blade, 3984-14693-0, 2CD, Germany)
2010 - Hymns To The Rising Sun (Metal Blade, MBCY-1130, Japan)
2011 - Surtur Rising (Metal Blade, 3984-14972-2, Germany)
2013 - Deceiver Of The Gods (Howling Bull, HWCY-1329, 2CD, Japan)
2016 - Jomsviking (Sony Records Int'l, SICP 4754, Japan)
2018 - The Pursuit Of Vikings (Sony Music, 19075892419, EU)
2019 - Berserker (Sony Music, SICP 6121~2, 2CD, Japan)
2022 - The Great Heathen Army (Metal Blade, 3984-16003-2, Germany)
2026 - The Allfather Awakens (Metal Blade, 3984-16223-2, AT)

...( Dane Techniczne )...
Bit depth: 16 Bit / 44.1 kHz
Audio codec: FLAC
Rip type: image + .cue + .log
Audio bitrate: 950 - 1104 Kbps
Scans from the disc: YES

Genre: Thrash Metal
Artist (band) Country: Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 43:20
Availability of scans in the download: No

Tracklist:
01. Harbinger
02. The Doom We Crave
03. Let It Bomb
04. Inhuman Resources
05. Metathesiophobia
06. Watch Beauty Die
07. Monster
08. Seasons Of Storms
09. We Don't Owe You Anything

..::INFO::..

Ósmy, najnowszy album studyjny niemieckiego zespołu thrash metalowego z Saarbrucken.

Artist: Godslave

Title: Godslave

Country: Niemcy

Year: 2026

Genre: Thrash Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Reset, rebuild, reclaim
2.Future in motion
3.Repaid in kind
4.Part of the pack
5.Square one
6.The road not taken
7.And yet I stand
8.Let the fire come
9.The sum of all wounds
10.The fire that calls me

..::INFO::..

Black Pantera to brazylijski zespół thrashowy założony w Uberaba, Minas Gerais, na początku 2014 roku. Założony przez Charlesa Gamę (gitara, wokal), Chaene da Gama (bas) i Rodrigo „Pancho” Augusto (bębny) zespół porusza w swoich tekstach m.in. takie tematy jak polityka, rasizm i dyskryminacja, a jego nazwa jest inspirowana Czarnymi Panterami. Muzycznie czerpią inspirację z Bad Brains, Rage Against the Machine, Motorhead, Jamesa Browna, Metallicę, Living Colour, Raimundos, Sepulturę i Devotos. Ich utwory zawierają elementy thrash metalu, hardcore punka i crossover thrash. Wstawka zawiera czwarty, najnowszy album studyjny zespołu. Świetna płyta.

Artist: Black Pantera

Title: Continental

Country: Brazylia

Year: 2026

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Continental
2.Serotonina (Featuring Duquesa)
3.Horus
4.Quando Canto (Featuring Sandra De Sa)
5.Velho Jeans Rasgado
6.Negusa Nagast
7.Start The Game
8.Obsoleto (Featuring Derrick Green)
9.W.P.P.
10.Banzo (Featuring Chico Cesar
11.Yasuke
12.Sic Mundus
13.Punhos Cerrados

https://www.youtube.com/watch?v=se_cVX61wZQ

...( Info )...
Kategoria: Music
Styl: Atmospheric Black Metal
Kraj: Germany
Format: MP3

https://www.metal-archives.com/bands/Urisk/3540553691

...( TrackList )...
Albumy:
2024 - Oidhche I (Demo) (128 kbps)
2025 - Shrivelling Lights (VBR spectre)
2025 - Oidhche II (Demo)
2026 - The Hauled and the Waif (Single)
2026 - Call
...( Dane Techniczne )...
Audio codec: MP3
Rip type: Tracks
Audio bitrate: 320 kbps
Scans from the disc: No (tylko okładka)
Length: 02:19:13

...( Info )...

Artist: Stoned Medusa
Title: Wait for the Flowers to Die [EP]
Year: 2026
Genre: Stoner, Doom Metal
Country: Germany
Duration: 00:33:49
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

01. Darkest Forest (09:03)
02. Wait for the Flowers to Die (10:56)
03. Death Inside (07:17)
04. In the Aftermath (06:32)

...( Info )...

Artist: Aurica
Title: Reflections of the Mind
Year: 2026
Genre: Power Metal
Country: Argentina
Duration: 00:46:52
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

01. Intro (02:19)
02. Horde of Hell (03:47)
03. Leave it all Behind (03:12)
04. Reality (04:41)
05. A Reason to Fight (04:39)
06. Path of Victory (03:52)
07. Reflection of the Mind (03:50)
08. Yells of Glory (04:24)
09. Live in my Veins (06:03)
10. My Game (02:21)
11. Blood that Never Fails (04:12)
12. Quietly (03:26)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



„...zmiana kursu podyktowana strachem przed reakcją odbiorców byłaby najbardziej żałosną porażką, jaką jestem w stanie sobie wyobrazić.”

Qrixkuor


..::OPIS::..

Emerging from the serpentine susurrus left in the wake of last year’s monstrous two-part epic ‘Poison Palinopsia,’ Qrixkuor swiftly rise again to present a new EP entitled ‘Zoetrope’ - a single 24-minute long black arrow of death sent straight to the heart of the world - to be released on CD and cassette tape formats on Friday 18th November, joined in darkness again by Invictus Productions in Europe and Dark Descent Records in the USA, with vinyl format to follow in 2023.

Returning to Priory Recording Studios in Birmingham, England, to record, mix and master the track with the acclaimed Greg Chandler and with cover art this time contributed by the extraordinary Santiago Caruso, the textural approach of ‘Zoetrope’ dilates the divine eye of death metal to unmapped dimensions, dispatching a boot to the face of the idea that it’s marriage with symphonic timbres must be synonymous with floral harmonies backed by sterile production and performed by lifeless sample libraries. ‘Zoetrope’ is majestic, but any beauty has long since withered, and what remains is the discordant dirge of Qrixkuor’s cacophonous duet with the Orchestra of the Eternal Return.

‘Zoetrope’ is an ode to the terror of the cyclic infinite - the endless, silent scream of a mind that has wandered so far that it cannot return. The soul that burns on everlasting, each thousand year journey the mere blink of an eye. There is no escape…



Proof that experimental extreme metal is the new prog of the 21st century, the London based QRIXKUOR has taken the underworld by storm in recent years with a series of innovative monstrous releases that continue to push the bar in terms of both complexity and innovation. Following last year's "Poison Palinopsia," this mere duo of S (vocals, guitars, bass) and D (drums) is back with a larger than life single track experience titled ZOETROPE.
While the EP is titled ZOETROPE, the single track features a lengthier syllabic soup of "Zoetrope (Psychospiritual Sparagmos)" and clocks in at just under 25 minutes. This vicious beast of a musical experience was released by both Invictus Productions and Dark Descent Records. The word ZOETROPE refers to a Victorian mechanical device that produces the illusion of animation by peeking through a hole of a cylindrical version of a phenakistiscope while various images rush by.

While tagged as technical death metal, black metal or progressive metal, QRIXKUOR is what i have come to refer to as astral abyss metal as band lead S seems to have the power to summon sonic demons from parallel dimensions and despite the pummeling military drumming assaults and droning guitar feedback fuzz utilizes symphonic 20th century classical ambience in order to craft a hypnotic effect that allows the listener to simply go along for the ride in a pacified pummeled state if you will.

QRIXKUOR is part of a new metal world where the extremes of worlds of death metal, black metal and doom metal have been alchemized into a new uglier Frankenstein of sonic terror that features an underpinning of divine beauty behind the decibel swarms of dissonant distortion. While only a mere track, ZOETROPE delivers a full album experience with a tone setting opening that slowly morphs droning guitars and swirling ambience into a ferocious assault of blackened death metal orotundity.

The track evolves into a complex array of extreme metal pummeling over 20th century avant-garde classical music compositional fortitude and at times when the symphonic elements are firing on all pistons does remind a bit of symphonic death metal bands such as Fleshgod Apocalypse or even Septicflesh. The difference is that QRIXKUOR doesn't deliver short and catchy melodic compositions but rather glacial movements of ever-changing musical motifs that subtly ratchet up the tortuous tale like the animated device of the release's namesake.

The metal angst completely drops out half way through and the classical elements are allowed to dominate the show for a while. This allows some palette cleansing and offers an insight into the true underpinnings of QRIXKUOR's overarching plan of action which would be to display a classical music score completely decorated with extreme metal clothing. More modern metal bands have adopted this same approach with bands like Ad Nauseam, Abyssal, Coma Cluster Void and Ulcerate upping the complexity and inaccessibility factor of the metal universe with each subsequent release.

All in all ZOETROPE is a masterpiece of modern metal with an organic flow of violent noise channeled into patterns of sound that somehow emulate an episode of astral attacks from the demonic realm. Horror metal in the metaphysical world, the stuff that would give sorcerer's psychological scars with never-ending nightmares for eternity. QRIXKUOR proves with ZOETROPE that his is no flash in the pan sort of musical act. The consistent growth and maturity continues to propel metal into the realms of the most sophisticated world of classical and progressive arenas of the musical world. To my ears, ZOETROPE is sheer perfection on multiple levels. QRIXKUOR has quickly become one of my favorite extreme bands of recent years.

siLLy puPPy


Not much time has passed since Qrixkuor’s masterpiece “Poison Palinopsia”, but already they offer a new single-track EP via Invictus Productions and Dark Descent Records to take us to the abyssal planes of the mind.

Abyssal noises permeate the air with a fog of mystique while we await punishment. The sadistic droning guitars contort into venomous life with militant drumming to conjure nightmarish, claustrophobic and oppressive soundscapes. Bellowing the a menacing production and haunting leads, there is nothing comfortable about this first movement. Daunting rhythms are contrasted by dancing spectres in the form of something vaguely resembling a solo, building a cinematic hell-scape of psychoactive death sentence. There seems to be some level of orchestration to take the already ridiculous intensity to new grounds while S’s one-of-a-king abusive riffing is definitely the vocal point as his bestial snarls howl into the sonic chasm. New drummer D (not to be confused with long-term associate and percussive-destroyer DBH) fills the role excellently with maniacally busy drumming, centred around traditional blast-beats and other more typically metallic fills while giving them some crazed flair which is necessary to stand ground next to the mangled string work. Occasionally a band like Qrixkuor exists that can effectively and genuinely conjure some sort of sleep paralysis while you listen, gradually awakening to its hostile charms. The opening moments of “Zoetrope” do just that.

To call these soundscapes unhinged would be an understatement. Hallucinogenic realms of hope-sodomising despair and cataclysmic violence entwine to concoct a intoxicant that will ensnare every fibre of your psyche whilst defiling any corporeal for you have with the most visceral, untamed and masterfully conjured sonic assaults. Some ambience is used very tastefully to add a tribal element to the music which preys on the deepest fears and curiosities of the human mind, while always purging any sense of pretence away with truly superb, thorough music never being left behind. It is easy to offer superficiality in place of a killer record, but Qrixkuor possess both masterful abilities in songwriting / execution and additionally a sense of genuineness that cannot be overlooked. A singular track lasting near to half an hour will likely turn off the average black / death metal fan, but those who seek something angular, riveting and oh so terrifying will likely be drawn in. Especially those who see the utterly marvellous Santiago Caruso cover art adorning the record. With a striking aesthetic to live up to the sonic torments, as one the prior releases, one is taken into the very world they portray so boldly.

This is another triumph for one of the genres superior acts. Bellowing, beautiful, bewildering and utterly feral. Qrixkuor never look back or rely on former glories. This new offering is another step further into whatever abysses S and his chosen compatriots of the underworld dwell within. The orchestral elements elevate this to transcendental realms while the core of the music plunges you back into the furthest reaches, far away from any line of safety as your pneuma is stripped back to a wisp and rebuilt in a realm of horror. The titled “Zoetrope” acts as fair warning to the dizzying, discombobulating experience that awaits you, a sparagmos of the soul…

Nattskog7



..::TRACK-LIST::..

1. Zoetrope (Psychospiritual Sparagmos) 24:34



..::OBSADA::..

S - Vocals, all guitars and bass
D - Drums



https://www.youtube.com/watch?v=tK1btFhvYcw


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



„...zmiana kursu podyktowana strachem przed reakcją odbiorców byłaby najbardziej żałosną porażką, jaką jestem w stanie sobie wyobrazić.”

Qrixkuor


..::OPIS::..

Emerging from the serpentine susurrus left in the wake of last year’s monstrous two-part epic ‘Poison Palinopsia,’ Qrixkuor swiftly rise again to present a new EP entitled ‘Zoetrope’ - a single 24-minute long black arrow of death sent straight to the heart of the world - to be released on CD and cassette tape formats on Friday 18th November, joined in darkness again by Invictus Productions in Europe and Dark Descent Records in the USA, with vinyl format to follow in 2023.

Returning to Priory Recording Studios in Birmingham, England, to record, mix and master the track with the acclaimed Greg Chandler and with cover art this time contributed by the extraordinary Santiago Caruso, the textural approach of ‘Zoetrope’ dilates the divine eye of death metal to unmapped dimensions, dispatching a boot to the face of the idea that it’s marriage with symphonic timbres must be synonymous with floral harmonies backed by sterile production and performed by lifeless sample libraries. ‘Zoetrope’ is majestic, but any beauty has long since withered, and what remains is the discordant dirge of Qrixkuor’s cacophonous duet with the Orchestra of the Eternal Return.

‘Zoetrope’ is an ode to the terror of the cyclic infinite - the endless, silent scream of a mind that has wandered so far that it cannot return. The soul that burns on everlasting, each thousand year journey the mere blink of an eye. There is no escape…



Proof that experimental extreme metal is the new prog of the 21st century, the London based QRIXKUOR has taken the underworld by storm in recent years with a series of innovative monstrous releases that continue to push the bar in terms of both complexity and innovation. Following last year's "Poison Palinopsia," this mere duo of S (vocals, guitars, bass) and D (drums) is back with a larger than life single track experience titled ZOETROPE.
While the EP is titled ZOETROPE, the single track features a lengthier syllabic soup of "Zoetrope (Psychospiritual Sparagmos)" and clocks in at just under 25 minutes. This vicious beast of a musical experience was released by both Invictus Productions and Dark Descent Records. The word ZOETROPE refers to a Victorian mechanical device that produces the illusion of animation by peeking through a hole of a cylindrical version of a phenakistiscope while various images rush by.

While tagged as technical death metal, black metal or progressive metal, QRIXKUOR is what i have come to refer to as astral abyss metal as band lead S seems to have the power to summon sonic demons from parallel dimensions and despite the pummeling military drumming assaults and droning guitar feedback fuzz utilizes symphonic 20th century classical ambience in order to craft a hypnotic effect that allows the listener to simply go along for the ride in a pacified pummeled state if you will.

QRIXKUOR is part of a new metal world where the extremes of worlds of death metal, black metal and doom metal have been alchemized into a new uglier Frankenstein of sonic terror that features an underpinning of divine beauty behind the decibel swarms of dissonant distortion. While only a mere track, ZOETROPE delivers a full album experience with a tone setting opening that slowly morphs droning guitars and swirling ambience into a ferocious assault of blackened death metal orotundity.

The track evolves into a complex array of extreme metal pummeling over 20th century avant-garde classical music compositional fortitude and at times when the symphonic elements are firing on all pistons does remind a bit of symphonic death metal bands such as Fleshgod Apocalypse or even Septicflesh. The difference is that QRIXKUOR doesn't deliver short and catchy melodic compositions but rather glacial movements of ever-changing musical motifs that subtly ratchet up the tortuous tale like the animated device of the release's namesake.

The metal angst completely drops out half way through and the classical elements are allowed to dominate the show for a while. This allows some palette cleansing and offers an insight into the true underpinnings of QRIXKUOR's overarching plan of action which would be to display a classical music score completely decorated with extreme metal clothing. More modern metal bands have adopted this same approach with bands like Ad Nauseam, Abyssal, Coma Cluster Void and Ulcerate upping the complexity and inaccessibility factor of the metal universe with each subsequent release.

All in all ZOETROPE is a masterpiece of modern metal with an organic flow of violent noise channeled into patterns of sound that somehow emulate an episode of astral attacks from the demonic realm. Horror metal in the metaphysical world, the stuff that would give sorcerer's psychological scars with never-ending nightmares for eternity. QRIXKUOR proves with ZOETROPE that his is no flash in the pan sort of musical act. The consistent growth and maturity continues to propel metal into the realms of the most sophisticated world of classical and progressive arenas of the musical world. To my ears, ZOETROPE is sheer perfection on multiple levels. QRIXKUOR has quickly become one of my favorite extreme bands of recent years.

siLLy puPPy


Not much time has passed since Qrixkuor’s masterpiece “Poison Palinopsia”, but already they offer a new single-track EP via Invictus Productions and Dark Descent Records to take us to the abyssal planes of the mind.

Abyssal noises permeate the air with a fog of mystique while we await punishment. The sadistic droning guitars contort into venomous life with militant drumming to conjure nightmarish, claustrophobic and oppressive soundscapes. Bellowing the a menacing production and haunting leads, there is nothing comfortable about this first movement. Daunting rhythms are contrasted by dancing spectres in the form of something vaguely resembling a solo, building a cinematic hell-scape of psychoactive death sentence. There seems to be some level of orchestration to take the already ridiculous intensity to new grounds while S’s one-of-a-king abusive riffing is definitely the vocal point as his bestial snarls howl into the sonic chasm. New drummer D (not to be confused with long-term associate and percussive-destroyer DBH) fills the role excellently with maniacally busy drumming, centred around traditional blast-beats and other more typically metallic fills while giving them some crazed flair which is necessary to stand ground next to the mangled string work. Occasionally a band like Qrixkuor exists that can effectively and genuinely conjure some sort of sleep paralysis while you listen, gradually awakening to its hostile charms. The opening moments of “Zoetrope” do just that.

To call these soundscapes unhinged would be an understatement. Hallucinogenic realms of hope-sodomising despair and cataclysmic violence entwine to concoct a intoxicant that will ensnare every fibre of your psyche whilst defiling any corporeal for you have with the most visceral, untamed and masterfully conjured sonic assaults. Some ambience is used very tastefully to add a tribal element to the music which preys on the deepest fears and curiosities of the human mind, while always purging any sense of pretence away with truly superb, thorough music never being left behind. It is easy to offer superficiality in place of a killer record, but Qrixkuor possess both masterful abilities in songwriting / execution and additionally a sense of genuineness that cannot be overlooked. A singular track lasting near to half an hour will likely turn off the average black / death metal fan, but those who seek something angular, riveting and oh so terrifying will likely be drawn in. Especially those who see the utterly marvellous Santiago Caruso cover art adorning the record. With a striking aesthetic to live up to the sonic torments, as one the prior releases, one is taken into the very world they portray so boldly.

This is another triumph for one of the genres superior acts. Bellowing, beautiful, bewildering and utterly feral. Qrixkuor never look back or rely on former glories. This new offering is another step further into whatever abysses S and his chosen compatriots of the underworld dwell within. The orchestral elements elevate this to transcendental realms while the core of the music plunges you back into the furthest reaches, far away from any line of safety as your pneuma is stripped back to a wisp and rebuilt in a realm of horror. The titled “Zoetrope” acts as fair warning to the dizzying, discombobulating experience that awaits you, a sparagmos of the soul…

Nattskog7



..::TRACK-LIST::..

1. Zoetrope (Psychospiritual Sparagmos) 24:34



..::OBSADA::..

S - Vocals, all guitars and bass
D - Drums



https://www.youtube.com/watch?v=tK1btFhvYcw


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Pastors of Muppets to wyjątkowy, 12-osobowy francuski zespół metalowo-dęty (metal brass band) założony w 2007 roku w Bordeaux. Formacja zyskała międzynarodową rozpoznawalność dzięki przekształcaniu najcięższych klasyków muzyki rockowej i metalowej w potężne aranżacje oparte wyłącznie na instrumentach dętych i perkusji. Skład opiera się na puzonach, suzafonach, trąbkach i saksofonach, które wspiera niespożyty, niezwykle dynamiczny perkusista. Łącząc energię rockowego koncertu z mobilnością tradycyjnej orkiestry marszowej, zespół z powodzeniem występuje zarówno na wielkich scenach festiwalowych (m.in. legendarny festiwal Hellfest), jak i bezpośrednio na ulicach miast w całej Europie. Wstawka zawiera najnowszy, czwarty studyjny album zespołu z utworami m.in. Motorhead, Korna, Slipknota, Marilyn Manson, Opeth, Gojira, Soulfly i innych. Bardzo dobra płyta.

Title: Of Rats And Rust

Artist: Pastors Of Muppets

Country: Francja

Year: 2026

Genre: Brass Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. The Game
02. Psychosocial
03. Uprising Nation
04. Did My Time
05. Rock Is Dead
06. Blood and Thunder
07. Rust in Peace... Polaris
08. Bleak
09. Steambreather
10. World to Come

...( Info )...
Kategoria: Music
Styl: Hardcore Punk (early); Grindcore/Death Metal (later)
Kraj: UK
Format: FLAC

https://www.metal-archives.com/bands/Napalm_Death/219

...( TrackList )...
Albumy:
(1987) Scum (Reissue 2006) Earache, DualDisc, Remastered (UK&EU, MOSH003CDD)
(1987) Scum (Reissue 2012) Earache, Remastered FDR (UK, MOSH003CDX)
(1988) From Enslavement To Obliteration (Reissue 2012) Earache, Remastered FDR (UK, MOSH008CDX)
(1988) From Enslavement To Obliteration + Scum (Reissue 1990) Toy's Factory (Japan, TFCK-88516)
(1990) Harmony Corruption (1990) Toy's Factory (Japan, TFCK-88515)
(1990) Harmony Corruption (Reissue 2012) Earache, Remastered (UK, MOSH19CDX)
(1992) Utopia Banished (1992) Toy's Factory (Japan, TFCK-88583)
(1992) Utopia Banished (Reissue 2012) Earache, Remastered (UK, MOSH053CDX)
(1994) Fear, Emptiness, Despair (1994) Toy's Factory (Japan, TFCK-88672)
(1995) Diatribes (Reissue 1996) Toy's Factory (Japan, TFCK-88775)
(1997) Inside The Torn Apart (1997) Toy's Factory (Japan, TCFK-87125)
(1998) Words From The Exit Wound (Reissue 1999) Toy's Factory (Japan, TFCK-87171)
(2000) Enemy Of The Music Business (2000) Toy's Factory (Japan, TFCK-87232)
(2002) Order Of The Leech (2003) Toy's Factory (Japan, TFCK-87301)
(2004) Leaders Not Followers Part 2 (2004) Toy's Factory (Japan, TFCK-87356)
(2005) The Code Is Red... Long Live The Code (2005) Toy's Factory (Japan, TFCK-87385)
(2006) Smear Campaign (Reissue 2007) Toy's Factory (Japan, TFCK-87406)
(2009) Time Waits For No Slave (Reissue 2010) Toy's Factory (Japan, TFCK-87461)
(2012) Utilitarian (2012) Trooper Entertainment Inc. (Japan, QATE-10018)
(2015) Apex Predator - Easy Meat (2015) Trooper Entertainment (Japan, QATE-10070)
Compilations, Box Sets:
(1989) The Peel Sessions (Castle Communications, Holland, SFPS 049)
(1991) Death By Manipulation (1995) Earache (US, MOSH51CD)
(1992) The World Keeps Turning (Japan, Toy's Factory, TFCK-88603)
(1993) The Peel Sessions (Dutch East India Trading, US, DEI8123-2)
(2000) The Complete Radio One Sessions (Strange Fruit, UK, SFRSCD091)
(2003) Noise For Music's Sake (2CD) (Earache, UK, MOSH 266CD)
(2011) 3CD Set (Earache, UK, MOSH141CDX)
(2011) 3CD Set (Earache, UK, MOSH171CDX)
(2018) Coded Smears And More Uncommon Slurs (2CD) (EU, Century Media, 19075829452)
EPs, Demos, Promos and Split Albums:
(1985) Hatred Surge - Demo 1985 (Bootleg, Anal.gin Rcds, 2002)
(1989) Mentally Murdered (EP) (Earache, UK, MOSH 14CD)
(1990) Suffer The Children (EP) (Earache, UK, MOSH 24 CD)
(1991) Mass Appeal Madness (Japan) (MS) (Single)
(1992) The World Keeps Turning (EP) (Earache, UK, MOSH65CD)
(1994) Hung (Promo, Columbia, CSK 6024)
(1995) Greed Killing (EP) (Earache, EU, MOSH 146 CD)
(1996) Cursed To Tour (Split with At the Gates) (Earache, US) (Promo Sampler)
(1996) In Tongues We Speak (EP) (Split with Coalesce) (Earache, UK, MOSH 168 CD)
(1997) Breed To Breathe (EP) (Earache, Europe, MOSH 185 CD IRS 996.185)
(1999) Leaders Not Followers (EP) (Dream Catcher, UK, CRIDE 19M)
(2002) The Leech Sampler (Promo, Feto Records, UK, SMACD050P)
Live Albums:
(1992) Live Corruption (UK, MOSH67CDL)
(1998) Bootlegged In Japan (1998) Earache (UK, MOSH 209 CD)
(2002) Punishment In Capitals (Reissue 2007) Armoury Records (US, ARM 25015-2)
Collaboration:
(2025) Melvins & Napalm Death - Savage Imperial Death March
...( Dane Techniczne )...
Audio codec: FLAC
Rip type: image + .cue
Audio bitrate: 760~1102 Kbps
Scans from the disc: YES

..::INFO::..

Dziesięć długich lat kazał czekać zespół Anthrax na swoją kolejną, dwunastą płytę, następcę For All Kings, ale wreszcie jest! Album „Cursum Perficio” ukazał się 18 września nakładem wytwórni Nuclear Blast.Teraz powracają po okrągłej dekadzie bez premierowego materiału studyjnego. Cursum Perficio to już dwunasty longplay w ich dorobku, ale jednocześnie dopiero drugi nagrany w aktualnym składzie, który wykrystalizował się po powrocie wokalisty Joeya Belladonny i zastąpieniu gitarzysty Roba Caggiano Jonem Donais z Shadows Fall. Przez ponad 45 lat swojej kariery Anthrax nierzadko meandrował stylistycznie, a co serwuje nam teraz po latach dziesięciu?

Title: Cursum Perficio

Artist: Anthrax

Country: USA

Year: 2026

Genre: Thrash Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Persistence of Memory
2. The Long Goodbye
3. It’s for the Kids
4. Everybody’s Got a Plan
5. The Edge of Perfection
6. Infectious
7. NYC 93
8. Cursum Perficio
9. T.O.M.B. (Target on my Back)
10. Watch It Go
11. My Victory

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydawnictwo ukazało się w czerwcu 1999 roku nakładem wytwórni muzycznej Old Legend Productions. Materiał został zarejestrowany w 1997 roku w New Project Studio.


There is no shortage of NSBM out there that seems to confuse an ear-splitting fuzz with atmosphere. Amateur non-production has made many would-be classics in the admittedly dodgy field of NSBM borderline unlistenable. I can be forgiven for expecting this sort of thing from Thunderbolt and proceeding with caution.

I have been wrong before, but rarely this wrong! This little demo tape brought me back to my early teenage years, when I first stumbled on the likes of Mayhem, Carpathian Forest, Darkthrone and Immortal. This has so much of the atmosphere that was so treasured in the early days of 'second-wave' black metal. The guitars are piercing, without being excessively waspish. The vocals contain just enough echo to give you that cold, cavernous feeling a la Diabolical Fullmoon Mysticism, but the style of the vocals has more in common with early Ragnarok. Honestly, it feels like I've found another early Norwegian classic to obsess over.

The drums are something else, they remind me of the first few Maniac Butcher albums, which is nothing to be upset about. The bass is somewhere between Under a Funeral Moon and Live in Leipzig, not exactly dominating the mix, but not buried by any means. And to round out this second-wave worship, there are the atmospheric breaks that are like a blend of the acoustic breaks of Immortal and the walls of keyboard texture you find on Emperor's early albums. It's not a completely derivative record, I'm simply using these well-known points of reference to help paint a picture of what one can expect to find here. This particular blend is not something I've heard anywhere else, but it takes me straight back to the grimness that dominated in 1993, and makes me feel the cold, satanic atmosphere all over again. Instant black metal classic, one I would highly recommend!

IrishDeathgrip


Holy shit why did it take me this long to hear this band? After being intrigued by a track of theirs on the Night and the Fog compilation I went on a search to find more, but I did not expect them to be this good.

The band sounds like a mix of many bands including emperor, and dissection with a few of their own touches. One of the best things about this album is that the band isn’t afraid to stray from standard black metal sounds

First of all the production here is excellent. This album just reeks of atmosphere that can rarely be matched in this field of music. Every instrument is heard clearly yet retains a raw cold sound about them. The guitars sound very powerful and epic at times. The riffage is truly excellent and fairly technical at times. The drums sound a lot like Dissection’s did on Storm of The Lights Bane with a little more oomph into them at times. The vocals are very reminiscent of early Dissection as well. They are very cold and aggressive and many of the words can be understood.

One thing that I like a lot about this band is their excellent use in including calmer songs into the mix. For example Shadows of The Deepest Night opens up as a very beautiful folk track with acoustic guitars. The drums soon kick in and sounds like something one would expect to find on a Falkenbach release.

This band is a must to check out if you have not already. If you are wary of NS bands, don’t let this stop you as you will be missing out on something really special.

Scarred Soul



..::TRACK-LIST::..

1. Intro (An Initiation) 1:06
2. Shadows Of The Deepest Night 4:25
3. My Dark Imagination 2:59
4. Wilderness Of The Eternal Darkness 3:28
5. Moonglare 4:24
6. The Song Of Glory 2:26



..::OBSADA::..

Paimon - Vocals, Guitars, Bass, Lyrics, Songwriting
Uldor - Drums

Keyboards [Session] - Jacek Melnicki



https://www.youtube.com/watch?v=92UA97esKAE


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydawnictwo ukazało się w czerwcu 1999 roku nakładem wytwórni muzycznej Old Legend Productions. Materiał został zarejestrowany w 1997 roku w New Project Studio.


There is no shortage of NSBM out there that seems to confuse an ear-splitting fuzz with atmosphere. Amateur non-production has made many would-be classics in the admittedly dodgy field of NSBM borderline unlistenable. I can be forgiven for expecting this sort of thing from Thunderbolt and proceeding with caution.

I have been wrong before, but rarely this wrong! This little demo tape brought me back to my early teenage years, when I first stumbled on the likes of Mayhem, Carpathian Forest, Darkthrone and Immortal. This has so much of the atmosphere that was so treasured in the early days of 'second-wave' black metal. The guitars are piercing, without being excessively waspish. The vocals contain just enough echo to give you that cold, cavernous feeling a la Diabolical Fullmoon Mysticism, but the style of the vocals has more in common with early Ragnarok. Honestly, it feels like I've found another early Norwegian classic to obsess over.

The drums are something else, they remind me of the first few Maniac Butcher albums, which is nothing to be upset about. The bass is somewhere between Under a Funeral Moon and Live in Leipzig, not exactly dominating the mix, but not buried by any means. And to round out this second-wave worship, there are the atmospheric breaks that are like a blend of the acoustic breaks of Immortal and the walls of keyboard texture you find on Emperor's early albums. It's not a completely derivative record, I'm simply using these well-known points of reference to help paint a picture of what one can expect to find here. This particular blend is not something I've heard anywhere else, but it takes me straight back to the grimness that dominated in 1993, and makes me feel the cold, satanic atmosphere all over again. Instant black metal classic, one I would highly recommend!

IrishDeathgrip


Holy shit why did it take me this long to hear this band? After being intrigued by a track of theirs on the Night and the Fog compilation I went on a search to find more, but I did not expect them to be this good.

The band sounds like a mix of many bands including emperor, and dissection with a few of their own touches. One of the best things about this album is that the band isn’t afraid to stray from standard black metal sounds

First of all the production here is excellent. This album just reeks of atmosphere that can rarely be matched in this field of music. Every instrument is heard clearly yet retains a raw cold sound about them. The guitars sound very powerful and epic at times. The riffage is truly excellent and fairly technical at times. The drums sound a lot like Dissection’s did on Storm of The Lights Bane with a little more oomph into them at times. The vocals are very reminiscent of early Dissection as well. They are very cold and aggressive and many of the words can be understood.

One thing that I like a lot about this band is their excellent use in including calmer songs into the mix. For example Shadows of The Deepest Night opens up as a very beautiful folk track with acoustic guitars. The drums soon kick in and sounds like something one would expect to find on a Falkenbach release.

This band is a must to check out if you have not already. If you are wary of NS bands, don’t let this stop you as you will be missing out on something really special.

Scarred Soul



..::TRACK-LIST::..

1. Intro (An Initiation) 1:06
2. Shadows Of The Deepest Night 4:25
3. My Dark Imagination 2:59
4. Wilderness Of The Eternal Darkness 3:28
5. Moonglare 4:24
6. The Song Of Glory 2:26



..::OBSADA::..

Paimon - Vocals, Guitars, Bass, Lyrics, Songwriting
Uldor - Drums

Keyboards [Session] - Jacek Melnicki



https://www.youtube.com/watch?v=92UA97esKAE


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Motörhead
Album: No Sleep 'til Hammersmith
Genre: Hard Rock, Heavy Metal
Edition: Metal Mania – 18DN-38
Duration: 00:40:31
Audio: FLAC, Lossless
Rip type: image + .cue
Thanks for the rip: JarpoMarx


...( TrackList )...

1. Ace of Spades (2:59)
2. Stay Clean (2:58)
3. Metropolis (3:30)
4. The Hammer (3:05)
5. Iron Horse (3:57)
6. No Class (2:34)
7. Overkill (5:26)
8. (We Are) The Road Crew (3:31)
9. Capricorn (4:35)
10. Bomber (3:24)
11. Motorhead (4:37)

..::INFO::..

Finntroll to fiński zespół folkmetalowy, założony w Helsinkach w 1997. Zespół wykonuje skoczną, dynamiczną muzykę, łączącą elementy black metalu i fińskiej polki zwanej humppa. Mimo iż jest to fiński zespół, to teksty utworów są w języku szwedzkim, ponieważ ten język brzmi "cholernie trollowato" według Jamsena, założyciela zespołu, którego ojczystym językiem jest właśnie szwedzki. Finntroll został założony w 1997 roku przez Teemu Raimoranta (Somnium), gitarzystę zespołu Impaled Nazarene oraz Jana Jamsena (Katla). Ich pierwsze demo, Rivfader, zostało nagrane rok później, w 1998 r. Po nagraniu dema do zespołu dołączyli Samu Ruotsalainen (z Barathrum i Rapture), Samuli Ponsimaa, Henri Sorvali (z Moonsorrow) i Sami Uusitalo. Podpisany kontrakt z wytwórnią Spikefarm zaowocowało pierwszą płytą Midnattens Widunder wydaną w 1999 roku. Wstawka zawiera koncertowy album zespołu z 2014 roku.

Title: Natten Med De Levande Finntroll

Artist: Finntroll

Country: Finlandia

Year: 2014

Genre: Folk Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Kitteldags
2. Slaget vid Blodsalv
3. Blodnatt
4. Nedgang
5. Nattfodd
6. Ursvamp
7. Eliytres
8. Aldhissla
9. Jaktens tid
10. Rivfader
11. Korpens saga
12. Trollhammaren
13. Fiskarens fiende
14. Svartberg
15. Forsvinn du som lyser
16. Midnattens widunder
17. En maktig har
18. Det iskalla trollblodet
19. Segersang

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zacznijmy od tego, że materiał wziął mnie z zaskoczenia. Po prostu jednego dnia pojawiła się recka materiału u Pradziadza Metalu i gruchnęła wieść, że Terrestrial Hospice wydało nowy matex! Serce zabiło mi żywiej, a już niemal dostałem zawału ze szczęścia, gdy spojrzałem na tytuł oraz okładkę. ABSOLUT KARKONOSZE TRVE SVDETIAN WORSHIP. Jezu, toć to wygląda, jak nagrane specjalnie dla mnie.
Przepadłem.

Zacznijmy od okładki, która bez jakiejkolwiek krzykliwości, czy szokowania dobitnie podkreśla, że na płycie znajduje się wyłącznie pierwyj sort black metal. Wybór zdjęcia zimowego pejażu w Karkonoszach, autorstwa niezmordowanego wędrowca górkiego, Ihasana, okazał się strzałem w dziesiątkę. Do tego tytuł: „Rübezahl”, czyli na nasze „Liczyrzepa”. Duch opiekuńczy Karkonoszy i ich wizytówka. W środku, poza tekstami, znajdziemy więcej pejzaży, w tym kapitalną fotkę Inferna i Skyggena na tle majestatycznej puszczy. Nadmienię, że w wersji winylowej, to foto dopiero dopiero robi wrażenie, bo sami muzycy nikną gdzieś w dole zdjęcia, a pierwsze skrzypce gra właśnie przyroda. Pysznie.

Pucuję się i pucuję, a część z Was już pewnie zaczyna sapać, że chuj z zachwytami nad obrazkami, i żebym o muzie pogadał. A ta jest rozwinięciem tego, co już zostało zaprezentowane na „Caviary…”. Już otwierający kawałek, „The Blind Urge” wprost brzmi, jak b-side z poprzedniego pełniaka. Niektórzy mogą się na to skrzywić, ale ja mlaskam z ukontentowaniem. Zabawa zaczyna się jednak w drugim utworze, „Holy Malice”, które wita nas absolutnym, lodowatym riffem, który mrozi krew w żyłach. Druga Fala na pełnej kurtyzanie, a ja tarzam się w tym motywie, bo jest idealnie skomponwany. Chwilę oddechu łapiemy w trzecim „Abide With Me”, o ile przy Terrestrial Hospice da się złapać oddech, by znów zanurzyć się w zamieci w zamykającym płytę „Wanderer of Desolation”, w którym od jakichś dwóch trzecich utworu wjeżdża syty riff podlany klawiszami. Wiadomo, klawiszki w black metalu, to nic dziwnego, ale tutaj pozwolę sobie przytoczyć zasłyszaną historyjkę, że będąc w studiu, na nagrywkach Liczyrzepy Inferno i Skyggen natknęli się na syntezator żywcem wyrwanego z lat 70/80 tych. Zachwyceni instrumentem zaczęli się nim bawić, w efekcie czego kończący utwór, oraz całą płytę motyw składa się z riffu podlanego gęstym, synthwave’owym brzmieniem, przy czym oba te czynniki są doskonale zmieszane. No i zapomniałbym! Każdy utwór poprzedzony jest świetnym akustycznym wstępem, który tylko podbija następującą po nim nawałnicę.

Nie będzie chyba zaskoczeniem, jeśli powiem, że „Rübezahl” jawi się, jako album kompletny i totalny. Jest na nim zawarta pełna esencja muzyki Terrestrial Hospice, jednak nie podana w tak ciężki sposób, jak na „Caviary…”, co sprawia, że chce się do tej płyty wracać. Ja łapię się na tym, że nie raz nucę sobie wspomniane przeze mnie powyżej motywy, albo podśpiewuję teksty, co dotyczy wyłącznie płyt, które naprawdę zagrały mi w serduszku.

Na sam koniec jednak napiszę coś całkowicie od siebie, od człowieka, który z Karkonoszy się wywodzi, i który w tych górach zostawił swoją duszę. Ten album, to idealny opis górskiej wędrówki. Pierwszy kawałek jest przebudzeniem w domu, gdy mając dość paskudnej rzeczywistości wokół, przepełnieni gniewem zbieramy manatki i wyjeżdżamy w góry. „Holy Malice” jest wierną ilustracją przybycia w Karkonosze w okołozimową porę. Główny riff maluje lodowaty wicher niosący górskie powietrze, tak ostre, że aż pali w płuca, ale całym sobą człowiek czuje, że targająca nim furia odpuszcza z każdym oddechem. Nadciąga spokój, który będzie towarzyszył nam przez cały trzeci utwór, gdy mozolnie wspinamy się niebieskim szlakiem (gorąco polecam trasę) przez Paciorki i obok majestatycznego, Czarnego Kotła, by w końcu dotrzeć na szczyt. I na sam koniec wlatuje właśnie „Wanderer of Desolation”, w którym po chwili oddechu w głowie słychać tę komendę „Onwards!” i zanurzamy się w narastającej zamieci pozwalając na całkowite oraz pełne zjednoczenie się ciała oraz ducha z górami, a dźwięk syntezatora pięknie podkreśla wirowanie płatków śniegu na wietrze, gdy kierujemy się ku kolejnym szczytom, docelowo w stronę Śnieżnych Kotłów.

To dla mnie płyta totalna. Dziękuję Wam Panowie, bo dokonaliście czegoś, czego nawet nie wiedziałem, jak bardzo potrzebowałem.

Bart


The four compositions are fuelled by the disciplined fury characteristic of Terrestrial Hospice’s previous works. They uphold the austere fundamentals of black metal, where innovation and uniqueness are core tenets. “Rübezahl” introduces a more sombre dimension, with acoustic interludes lending an epic quality that carries over into the songs. The result is a surreal soundscape where epic grandeur meets icy, metallic distortion, capturing the essence of truly inspired black metal. Skyggen commented: The title “Rübezahl” is inspired by ancient folk legends and myths rooted in the pre-Christian past of the region where I grew up. People there would use the name “Rübezahl” (or Liczyrzepa in Polish) to scare children, warning us not to go out at night, lest the Mountain Spirit take us. These memories stay with you forever. This album is a tribute to those tales. “Rübezahl” also represents a longing and a journey through realms that are irretrievably lost, tarnished and mocked by the carriers of deceitful faiths. It expresses contempt for the modern world with its poisonous and false values.



..::TRACK-LIST::..

1. The Blind Urge 4:37
2. Holy Malice 4:44
3. Abide With Me 4:39
4. Wanderer Of Desolation 7:11



..::OBSADA::..

Inferno - Drums, Guitars
Skyggen - Vocals, Guitars, Bass



https://www.youtube.com/watch?v=IteadP1OBEM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zacznijmy od tego, że materiał wziął mnie z zaskoczenia. Po prostu jednego dnia pojawiła się recka materiału u Pradziadza Metalu i gruchnęła wieść, że Terrestrial Hospice wydało nowy matex! Serce zabiło mi żywiej, a już niemal dostałem zawału ze szczęścia, gdy spojrzałem na tytuł oraz okładkę. ABSOLUT KARKONOSZE TRVE SVDETIAN WORSHIP. Jezu, toć to wygląda, jak nagrane specjalnie dla mnie.
Przepadłem.

Zacznijmy od okładki, która bez jakiejkolwiek krzykliwości, czy szokowania dobitnie podkreśla, że na płycie znajduje się wyłącznie pierwyj sort black metal. Wybór zdjęcia zimowego pejażu w Karkonoszach, autorstwa niezmordowanego wędrowca górkiego, Ihasana, okazał się strzałem w dziesiątkę. Do tego tytuł: „Rübezahl”, czyli na nasze „Liczyrzepa”. Duch opiekuńczy Karkonoszy i ich wizytówka. W środku, poza tekstami, znajdziemy więcej pejzaży, w tym kapitalną fotkę Inferna i Skyggena na tle majestatycznej puszczy. Nadmienię, że w wersji winylowej, to foto dopiero dopiero robi wrażenie, bo sami muzycy nikną gdzieś w dole zdjęcia, a pierwsze skrzypce gra właśnie przyroda. Pysznie.

Pucuję się i pucuję, a część z Was już pewnie zaczyna sapać, że chuj z zachwytami nad obrazkami, i żebym o muzie pogadał. A ta jest rozwinięciem tego, co już zostało zaprezentowane na „Caviary…”. Już otwierający kawałek, „The Blind Urge” wprost brzmi, jak b-side z poprzedniego pełniaka. Niektórzy mogą się na to skrzywić, ale ja mlaskam z ukontentowaniem. Zabawa zaczyna się jednak w drugim utworze, „Holy Malice”, które wita nas absolutnym, lodowatym riffem, który mrozi krew w żyłach. Druga Fala na pełnej kurtyzanie, a ja tarzam się w tym motywie, bo jest idealnie skomponwany. Chwilę oddechu łapiemy w trzecim „Abide With Me”, o ile przy Terrestrial Hospice da się złapać oddech, by znów zanurzyć się w zamieci w zamykającym płytę „Wanderer of Desolation”, w którym od jakichś dwóch trzecich utworu wjeżdża syty riff podlany klawiszami. Wiadomo, klawiszki w black metalu, to nic dziwnego, ale tutaj pozwolę sobie przytoczyć zasłyszaną historyjkę, że będąc w studiu, na nagrywkach Liczyrzepy Inferno i Skyggen natknęli się na syntezator żywcem wyrwanego z lat 70/80 tych. Zachwyceni instrumentem zaczęli się nim bawić, w efekcie czego kończący utwór, oraz całą płytę motyw składa się z riffu podlanego gęstym, synthwave’owym brzmieniem, przy czym oba te czynniki są doskonale zmieszane. No i zapomniałbym! Każdy utwór poprzedzony jest świetnym akustycznym wstępem, który tylko podbija następującą po nim nawałnicę.

Nie będzie chyba zaskoczeniem, jeśli powiem, że „Rübezahl” jawi się, jako album kompletny i totalny. Jest na nim zawarta pełna esencja muzyki Terrestrial Hospice, jednak nie podana w tak ciężki sposób, jak na „Caviary…”, co sprawia, że chce się do tej płyty wracać. Ja łapię się na tym, że nie raz nucę sobie wspomniane przeze mnie powyżej motywy, albo podśpiewuję teksty, co dotyczy wyłącznie płyt, które naprawdę zagrały mi w serduszku.

Na sam koniec jednak napiszę coś całkowicie od siebie, od człowieka, który z Karkonoszy się wywodzi, i który w tych górach zostawił swoją duszę. Ten album, to idealny opis górskiej wędrówki. Pierwszy kawałek jest przebudzeniem w domu, gdy mając dość paskudnej rzeczywistości wokół, przepełnieni gniewem zbieramy manatki i wyjeżdżamy w góry. „Holy Malice” jest wierną ilustracją przybycia w Karkonosze w okołozimową porę. Główny riff maluje lodowaty wicher niosący górskie powietrze, tak ostre, że aż pali w płuca, ale całym sobą człowiek czuje, że targająca nim furia odpuszcza z każdym oddechem. Nadciąga spokój, który będzie towarzyszył nam przez cały trzeci utwór, gdy mozolnie wspinamy się niebieskim szlakiem (gorąco polecam trasę) przez Paciorki i obok majestatycznego, Czarnego Kotła, by w końcu dotrzeć na szczyt. I na sam koniec wlatuje właśnie „Wanderer of Desolation”, w którym po chwili oddechu w głowie słychać tę komendę „Onwards!” i zanurzamy się w narastającej zamieci pozwalając na całkowite oraz pełne zjednoczenie się ciała oraz ducha z górami, a dźwięk syntezatora pięknie podkreśla wirowanie płatków śniegu na wietrze, gdy kierujemy się ku kolejnym szczytom, docelowo w stronę Śnieżnych Kotłów.

To dla mnie płyta totalna. Dziękuję Wam Panowie, bo dokonaliście czegoś, czego nawet nie wiedziałem, jak bardzo potrzebowałem.

Bart


The four compositions are fuelled by the disciplined fury characteristic of Terrestrial Hospice’s previous works. They uphold the austere fundamentals of black metal, where innovation and uniqueness are core tenets. “Rübezahl” introduces a more sombre dimension, with acoustic interludes lending an epic quality that carries over into the songs. The result is a surreal soundscape where epic grandeur meets icy, metallic distortion, capturing the essence of truly inspired black metal. Skyggen commented: The title “Rübezahl” is inspired by ancient folk legends and myths rooted in the pre-Christian past of the region where I grew up. People there would use the name “Rübezahl” (or Liczyrzepa in Polish) to scare children, warning us not to go out at night, lest the Mountain Spirit take us. These memories stay with you forever. This album is a tribute to those tales. “Rübezahl” also represents a longing and a journey through realms that are irretrievably lost, tarnished and mocked by the carriers of deceitful faiths. It expresses contempt for the modern world with its poisonous and false values.



..::TRACK-LIST::..

1. The Blind Urge 4:37
2. Holy Malice 4:44
3. Abide With Me 4:39
4. Wanderer Of Desolation 7:11



..::OBSADA::..

Inferno - Drums, Guitars
Skyggen - Vocals, Guitars, Bass



https://www.youtube.com/watch?v=IteadP1OBEM


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Arcana
Album: Studio Albums
Genre: Neoclassical Darkwave
Duration: 07:34:06
Codec: FLAC
Bitrate: Lossless
Rip type: tracks + .cue


...( TrackList )...

Studio Albums
1996 - Dark Age Of Reason
1997 - Cantar De Procella
2000 - ...The Last Embrace
2002 - Inner Pale Sun
2004 - Le Serpent Rouge
2004 - The New Light
2008 - Raspail
2012 - As Bright As A Thousand Suns
2014 - The Extra Songs of Arcana
2026 - Magna Silentia

Genre: Black Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 30:03
Contains scans in the download: No

Tracklist:
01. Intro
02. Spirit Of Ancient Time
03. Through Pagan Forests And Fields
04. Warriors Of The Slavonic Wrath
05. Pagan Blitzkrieg
06. ...When The Ravens Fly Away
07. Unholy Village Black Metal
08. Mokosh (Hail Nature)
09. Against The Modern World
10. Black Metal War (Graveland Cover)
11. Pure Hate

..::INFO::..

Na "Face The End” (2025) Game Over nie brali jeńców, a zaledwie rok później ich głód wściekłego, bezkompromisowego thrash metalu jest jeszcze większy. "When Darkness Falls” podkręca intensywność, nie tracąc przy tym niepowtarzalnego brzmienia: powalających, ostrych jak brzytwa riffów, hardcore'owego charakteru i hymnicznych refrenów, które wręcz domagają się wykrzyczenia na cały głos. Siodmy, najnowszy album studyjny Game Over.

Title: When Darkness Falls

Artist: Game Over

Country: Włochy

Year: 2026

Genre: Thrash Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Hollow And Cold
2. Two Souls One Flesh
3. Break Away
4. Fight For Your Mind
5. Scream It Out
6. What Fate Brings
7. Curse Of Strahd
8. Beneath The Ground
9. Self Denied
10. Command To Die

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

It’s time to announce what is arguably the most ambitious release of Holocausto Canibal over our prolific 25 years of existence!
Holocausto Canibal – Trilhos de Carnificina Inexorável [1997-2022]

Includes 6 CD’s filled with 107 tracks!!!
More than 5h of savage grindage ready to blast your ears!!!
Super limited edition boxset with:
– Limited Collectors Box with Magnetic Closure
– Gory Tiles Puzzle Panel
– Authenticity hand numbered certificate (signed by the whole band)
– Collectible individual photo cards from each member
– Liner notes from past and current members
– “Grotescas Reminiscências” – new CD filled with rarities and unreleased tracks, including a 2022 new track “Ferócia Maligna”.

Also included:
– The first five classic albums: “Gonorreia Visceral”, “Sublime Massacre Corpóreo”, “Opusgenitalia”, “Gorefilia”, “Catalepsia Necrótica” [for the first time ever on CD].
– The EP’s: “Libido Dispareunia”, “Larvas”, “Compendio de Aversões”, “oPus I” and the unholy rehearsal tape “Ensaios ’98” [also for the very first time ever on CD]
– Extra Tracks: all the electronic remixes recorded during this 25 years and 2 more totally unreleased tracks [by Mercic and Alex do Vale].
– Larger than life booklets with more than 80 pages in total filled with lyrics, original covers, censored covers and rare never seen before footage
Design and artwork by Phobos Anomaly Design!



..::TRACK-LIST::..

CD 4 - Gorefilia (2012):
1. Córtex 3:07
2. Objetofilia Platónica 2:16
3. Afogada Em Vómito 3:03
4. Colapso Clismafílico 2:47
5. Supremacia Carnívora 2:32
6. Lactofilia Destalhada 0:57
7. Prepúcio Obliterado 1:37
8. Mutilada Em 10s 0:11
9. Perfurada Por Anzóis 1:19
10. Orifícios 2:15
11. Compulsão Mucofágica 1:32
12. Trucidada Na Paragem 1:08
13. Acrotomofilia Zoófila 2:25
14. Nojo 1:23
15. Vorarefilia - Antropofagia Auto Infligida II 2:48
16. Gore & Gajas 1:24
17. Putrescência Necromântica 4:28
18. Fascínio Paradoxal 2:42



..::OBSADA::..

Bass, Samples – Z. Pedro
Drums – Diogo P.
Guitar – Eduardo F.
Vocals – Max T.

Guest, Soloist, Guitar – Nuno P.
Guest, Vocals – Conde de Samodães, Fuse, Max Tomé, Miguel Newton, Nocturnus Horrendus
Samples [All Intros] – Fabrice Costeira



https://www.youtube.com/watch?v=ICid-RJAtmU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

It’s time to announce what is arguably the most ambitious release of Holocausto Canibal over our prolific 25 years of existence!
Holocausto Canibal – Trilhos de Carnificina Inexorável [1997-2022]

Includes 6 CD’s filled with 107 tracks!!!
More than 5h of savage grindage ready to blast your ears!!!
Super limited edition boxset with:
– Limited Collectors Box with Magnetic Closure
– Gory Tiles Puzzle Panel
– Authenticity hand numbered certificate (signed by the whole band)
– Collectible individual photo cards from each member
– Liner notes from past and current members
– “Grotescas Reminiscências” – new CD filled with rarities and unreleased tracks, including a 2022 new track “Ferócia Maligna”.

Also included:
– The first five classic albums: “Gonorreia Visceral”, “Sublime Massacre Corpóreo”, “Opusgenitalia”, “Gorefilia”, “Catalepsia Necrótica” [for the first time ever on CD].
– The EP’s: “Libido Dispareunia”, “Larvas”, “Compendio de Aversões”, “oPus I” and the unholy rehearsal tape “Ensaios ’98” [also for the very first time ever on CD]
– Extra Tracks: all the electronic remixes recorded during this 25 years and 2 more totally unreleased tracks [by Mercic and Alex do Vale].
– Larger than life booklets with more than 80 pages in total filled with lyrics, original covers, censored covers and rare never seen before footage
Design and artwork by Phobos Anomaly Design!



..::TRACK-LIST::..

CD 4 - Gorefilia (2012):
1. Córtex 3:07
2. Objetofilia Platónica 2:16
3. Afogada Em Vómito 3:03
4. Colapso Clismafílico 2:47
5. Supremacia Carnívora 2:32
6. Lactofilia Destalhada 0:57
7. Prepúcio Obliterado 1:37
8. Mutilada Em 10s 0:11
9. Perfurada Por Anzóis 1:19
10. Orifícios 2:15
11. Compulsão Mucofágica 1:32
12. Trucidada Na Paragem 1:08
13. Acrotomofilia Zoófila 2:25
14. Nojo 1:23
15. Vorarefilia - Antropofagia Auto Infligida II 2:48
16. Gore & Gajas 1:24
17. Putrescência Necromântica 4:28
18. Fascínio Paradoxal 2:42



..::OBSADA::..

Bass, Samples – Z. Pedro
Drums – Diogo P.
Guitar – Eduardo F.
Vocals – Max T.

Guest, Soloist, Guitar – Nuno P.
Guest, Vocals – Conde de Samodães, Fuse, Max Tomé, Miguel Newton, Nocturnus Horrendus
Samples [All Intros] – Fabrice Costeira



https://www.youtube.com/watch?v=ICid-RJAtmU


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Legendy ciężkiego i bezkompromisowego grania - Napalm Death oraz Melvins - oficjalnie połączyły siły. Efektem tej współpracy będzie wspólny album zatytułowany „Savage Imperial Death March”. Projekt zapowiada zderzenie dwóch potężnych estetyk: ekstremalnego grindcore’a Napalm Death oraz ciężkiego, sludge’owo-noise’owego brzmienia Melvins. Muzycy nie idą na kompromisy, stawiając na surowość, intensywność i eksperyment. Pierwszym przedsmakiem wydawnictwa jest singiel „Tossing Coins Into The Fountain Of F*ck”, który jest już dostępny. Utwór jasno pokazuje, że nie będzie to jednorazowa ciekawostka, lecz pełnoprawny materiał, który może zapisać się jako jedno z najmocniejszych kolaboracyjnych wydawnictw ostatnich lat w świecie muzyki ekstremalnej.

Title: Savage Imperial Death March

Artist: Melvins And Napalm Death

Country: USA, Wielka Brytania

Year: 2026

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

Tossing Coins Into The Fountain Of Fuck
Some Kind Of Antichrist
Awful Handwriting
Nine Days Of Rain
Rip The God
Stealing Horses
Comparison Is The Thief Of Joy
Death Hour

...( Info )...

Artist: Judas Priest
Album: Sad Wings of Destiny
Genre: Heavy Metal
Publishing: Exciter Records
Duration: 00:42:37
Audio: FLAC 24/96, Lossless|WEB-DL
Rip type: tracks


...( TrackList )...


1. Prelude (2026 Remixed & Remastered) (2:01)
2. Tyrant (2026 Remixed & Remastered) (4:25)
3. Genocide (2026 Remixed & Remastered) (6:06)
4. Epitaph (2026 Remixed & Remastered) (3:22)
5. Island Of Domination (2026 Remixed & Remastered) (4:13)
6. Victim Of Changes (2026 Remixed & Remastered) (7:52)
7. The Ripper (2026 Remixed & Remastered) (2:50)
8. Dreamer Deceiver (2026 Remixed & Remastered) (5:51)
9. Deceiver (2026 Remixed & Remastered) (2:44)
10. Diamonds And Rust (2026 Remixed & Remastered) (3:17)

..::INFO::..

Who Loves the Sun to trzeci, najnowszy album studyjny amerykańskiego zespołu rockowego Chat Pile założonego w 2019 roju w Oklahomie. Został wydany 4 września 2026 roku nakładem wytwórni The Flenser. Album jest kontynuacją drugiego albumu studyjnego zespołu, Cool World, oraz albumu nagranego wspólnie z Haydenem Pedigo, In the Earth Again.

Title: Who Loves The Sun

Artist: Chat Pile

Country: USA

Year: 2026

Genre: Sludge Metal

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.Creature
2.Deep Blue
3.Same Rules
4.Pen I S Mall
5.Shrine
6.Intruder
7.Christabel '26
8.Influence
9.Family Funeral
10.October All the Time

Genre: Black/Death/Thrash Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 20:23
Contains scans in the download: No

Tracklist:
01. Necrowar
02. Cold Earth
03. Northern Land
04. No Mercy
05. Unabomber

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

HELLS HEADBANGERS is proud to present CADAVERIC INCUBATOR's highly anticipated debut album, Sermons of the Devouring Dead. Comprising veterans of the Finnish underground, CADAVERIC INCUBATOR are a power-trio whose sole purpose is to bury the listener under miles of garbage and grime, sewage and sickness. Their long-gestating full-length debut, Sermons of the Devouring Dead comprises a dozen tracks of utterly ugly, morally bereft DEATH METAL of a most classic vintage - and authentically so. Forget about eras or scenes or geography; this is death metal for death metal maniacs, by death metal maniacs.


CADAVERIC INCUBATOR was formed in 2005 by Necroterror (bass/vocals) and Humiliator (guitar/vocals) with the help of various drummers who came and went during the band's first incarnation, which lasted around two years. The aim was to create old-school disgusting sounds influenced by early Carcass, Repulsion, Autopsy, early Xysma, Mortician, Blood, the early Mexican Disgorge, and such. No fun and no political garbage usually associated with the more grinding side of things - just raw, filthy brutality and total death! But after two demos - only the first one, Resurgence of Morbidity, was released - and countless live shows, the band split up in early 2007 due to personal problems between members.


Seven years later, in 2014, Necroterror resurrected CADAVERIC INCUBATOR by teaming up with his old comrade Pentele, who he had known from the early '90s scene - back in the deep Finnish backwoods when Necroterror played in his first-ever death metal band, Excrement, and Pentele was drumming for Carnifex and Festerday in the same area. Original founding member Humiliator was asked to join, as well, and the new demo Unburied Abominations was recorded. After several brutal live shows and a demos compilation on Terror from Hell Records, the band finally recorded 12 tracks in early 2016 for their debut album, Sermons of the Devouring Dead.


Now armed with the help of fetid fans HELLS HEADBANGERS, CADAVERIC INCUBATOR are set to smother the underground in all sorts of uncleanliness! Just a cursory read of the album's song titles should spell in no uncertain terms exactly what kind of timeless filth there is to bathe in: "Swarming Decay," "Horrific Festering Plagues," "Gravestench Asphyxiation," "Unburied Abominations," and the telltale "Conceived in Filth," among others. Heed these Sermons of the Devouring Dead and get swamped in gore!



..::TRACK-LIST::..

1. Gravestench Asphyxiation
2. Hideous Premonition
3. Cadaveric Incubator
4. The Covenant Of Gore
5. Cold In Casket
6. Rite Of Eibon
7. Massacred
8. Swarming Decay
9. Unburied Abominations
10. Conceived In Filth
11. The Undead Fiend
12. Horrific Festering Plagues

Bonus Tracks:
13. Nocturnal Corpse
14. Cadaveric Incubator Of Endoparasites (Carcass cover)


1 - 12 Sermons Of The Devouring Dead album
13 - 14 Bonus 2018 Split with Festerday



..::OBSADA::..

Pentele - Drums
Humiliator - Guitars, Vocals
Necroterror - Bass, Vocals



https://www.youtube.com/watch?v=qkIoTTwza0c


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