...( Info )...
Genre: Death Metal
Country of Artist (Band): Netherlands
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:57

...( TrackList )...
1. From the Crypts
2. Drained
3. Kneecapped
4. Cadaveric Combustion
5. Mauled
6. Coffin Fetus
7. Wake the Dead
8. Closed Casket
9. The Sledgehammer

...( Info )...
Genre: Black Metal
Country of Artist (Band): Italy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 41:31

...( TrackList )...
01. Transient
02. Truth of the World
03. Out in the Grey Light
04. Universe Black Vacuum
05. Spectral
06. No Place Left to Leave
07. Char These Bones to Coal
08. Eschaton

...( Info )...
Genre: Deathcore
Country of Artist (Band): United Kingdom
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 41:21

...( TrackList )...
01. Bodies at the Gates
02. Where They Gather
03. Traitors to the Ropes
04. Tyranny (feat. Alex Teyen & Black Tongue)
05. Scorched Earth
06. Apache (feat. Josh Davies & Ingested)
07. Seven Spears
08. Throne of Atrophy
09. Winter Sun
10. Mansions Burning on Bleak Horizons
11. Earthmurk
12. The Mines
13. U-235

...( Info )...
Genre: Power/Progressive Metal
Country of Artist (Band): Italy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:59

...( TrackList )...
01. Globe Theatre Symphony
02. Prologue
03. Behind The Mask
04. The Oath of Love
05. Prince Of Cats
06. The Duel
07. Exile
08. Desperation

...( Info )...
Genre: Thrash Metal
Country of Artist (Band): Sweden
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 26:19

...( TrackList )...
01. Thrash Masterplan
02. Ready To Kill
03. Monster Machine
04. Bomberhaus
05. Ultra Crush
06. Devastating Madness
07. No Luck For The Good

...( Info )...
Genre: Doom/Death Metal
Country of Artist (Band): Italy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:53

...( TrackList )...
1. Born Alone
2. Floating Leaves
3. In Shape of Beast
4. Remembrance
5. Hunter of Souls
6. Shining Moon
7. The Path of Life

...( Info )...
Genre: Stoner/Doom Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 43:29

...( TrackList )...
01. Hammer
02. Bloodfeather
03. Pot of Gold
04. Parasites
05. Dwelling
06. Perfect Organism
07. Bones
08. Waiting by the Gallows

...( Info )...
Genre: Melodic Death/Doom Metal
Country of Artist (Band): Czechy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:31

...( TrackList )...
01. Intro
02. Sleepwalker
03. The Last Note For a Dying Hope
04. Thieves of Time
05. The Downfall
06. The Madmann In The Dark
07. Heat of Winter
08. The Ivy
09. Heart's Oasis In The Ivy's Veil

...( Info )...
Genre: Sludge/Doom/Post-Metal
Country of Artist (Band): Germany
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:18

...( TrackList )...
01. Tiefe Wasser
02. Memories Of Ice
03. Keep Me Down In The Deep
04. Black Coral
05. Wirbel Wind
06. Above The Burning Sand
07. Maelstrom
08. Brandung
09. Solar Veil

...( Info )...
Genre: Sludge/Doom Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 01:03:57

...( TrackList )...
1. The Scythe Will Come
2. Deus Vault
3. Coffin Walls
4. The Chaos Of Water
5. Burning Zozobra
6. The Deep Well
7. N5691
8. Red Sparrow

...( Info )...
Genre: Stoner/Doom Metal
Country of Artist (Band): New Zealand
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 01:15:45

...( TrackList )...
1. Queen
2. Jesus Rodriguez
3. Back When People and Trees Were Friends
4. Cisneros Theme
5. Austin's Noodle
6. Long Beef

...( Info )...
Genre: Melodic Doom Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:22

...( TrackList )...
1. Dawn
2. Twilight
3. Entity
4. Grief
5. Reminisce
6. Dusk
7. Eclipse

...( Info )...
Genre: Doom/Sludge Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 55:53

...( TrackList )...
1. Nazaré
2. Craven
3. Mapinguari
4. Kappa
5. Carrion
6. Water Gnohme
7. Windigo
8. Enceladus

...( Info )...
Genre: Progressive/Blackened Stoner/Doom Metal
Country of Artist (Band): Netherlands
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 46:29

...( TrackList )...
1. Cthrl
2. Squid Pro Quo
3. Abysmal Quatrain
4. Transformation
5. The Illusion of Control
6. Mantra

...( Info )...
Genre: Sludge/Stoner Metal
Country of Artist (Band): Finland
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:48

...( TrackList )...
1. 90's Violence
2. Natural Wine Guy
3. You've Got Red On You
4. Goner
5. Dead Dogs
6. I Realize That... Now
7. Spliffhanger
8. Absolutely Launched

...( Info )...
Genre: Gothic Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:50

...( TrackList )...
01. Here I Am Lord
02. Are You Washed in the Blood of the Lamb
03. On Eagle's Wings
04. Amazing Grace
05. I'll Fly Away
06. I Wanna Go to Heaven
07. At the Cross
08. Day Is Dying in the West

...( Info )...
Genre: Melodic Black Metal
Country of Artist (Band): Iran / USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:17

...( TrackList )...
1. Untarnished
2. Eastern Mills
3. Forgotten Heritage
4. Eternal Blindness
5. Chaos of Innocents
6. Desolation of the Wise
7. Corrupted Depression
8. Spiral Faults
9. Deceitful Salvation

...( Info )...
Genre: Stoner/Doom Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:57

...( TrackList )...
1. Devil Worship
2. Purple Dragon
3. Bonghammer
4. Crimson Sand
5. The Satyr
6. Kismet
7. Sapphire Haze

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Speed thrash metalowy klasyk wznowiony w 35-rocznicę premiery.
Debiutancki mini-album Razor z 1984 roku, 6 dodatkowych utworów z demo.


Before becoming the thrash-oriented powerhouse that these Canadians are known for, Razor took the stripped-down, traditional heavy metal approach in line with the NWOBHM acts. That was a very short-lived experience, and while it may show its roots on their full-lengths, the debut EP Armed And Dangerous is the only release to fully flash these lights. It’s a short, sweet experience that’s nice and clean. That alone gives it a standout charm, alongside the superior songwriting.

Despite being the least-aggressive approach, there’s a primal energy to Armed And Dangerous that feels flattering. There’s little in the vein of vocal focus, taking the early ‘80s Pantera approach without any glam fluff and instead just boasts attitude. To match, we have a mildly fuzzed overcast from the bass and lower production value. That raw foundation allows the leads to pierce the surface as the forefront of the experience; consider this helpful, since the leads are Razor’s strongest feature.

And yet, some songs make their presence a little more brash, namely looking at the likes of “Hot Metal.” A need for a harder drive contrasts the laid-back approach of the title track’s steady and heavy focus, and the fact that they compliment each other so well is a great selling point. If that’s not enough, the drums feel more prominent in the latter of the two tracks, working with the leads to establish a mature approach. And if you still crave the speed, look forward to “Take This Torch.” For something so brief, there’s a little taste of everything that this genre is heavily known for.

While maybe nothing groundbreaking, this is everything I look for in those older, brief traditional metal releases that precede a classic career. Nine times out of ten, you can get a whiff of what’s coming, but it’s divorced from the central selling point. Perhaps a hot take, but I like this better than any Razor full-length. Worth seeking out for fans of early Def Leppard, early Pantera, Angel Witch, or Tank.

Sweetie


“…feel the white hot metal, feel it burn your skin, experience the torture, pay for all your sins…”

Easily the rarest of Razor discs, these seven tracks are an early-stage aural portrait of what the four-piece will do for the rest of its existence. Unlike a band such as countrymates Voivod who would transmogrify into something more abstract and otherworldly with each and every subsequent album, Razor’s dial never clicked to a different network, never faltered in their quest for thrash dominance, and…well, no sense rehashing…read my Evil Invaders review for the rest of this diatribe.

These tracks resemble the production value and thinner thrash delivery that's featured on Executioner’s Song rather than Evil Invaders where thickness like swamp water soaks the tracks and the band starts the ascent into their own legendary status. Four of the tracks here are featured on the band’s debut full-lengther, so this ep is more of a hardcore collector’s wet dream, the fan who doesn’t mind dishing out $200+ for two additional songs that will probably turn up on some future compilation/best of release.

It’s easily noticeable that traditional elements in “Killer Instinct” and “Hot Metal” overtake the thrash vehemence that is just clawing to escape, meanwhile the longer title cut possesses one of Sheepdog’s most feeble screams, a mere kitten compared to the masters of the hunt on Evil Invaders that have a tendency to set steel afire.

The first true stroke of thrashmania ignites with blue flame appeal in “Take This Torch” and an opening riff of frantic, flesh-peeling proportion that cannot be overlooked. The chorus fans the flames into a screeching inferno while McLaren unleashes screams more akin to his seminal lungs. It's a quintessential thrash song that (obviously) doubles as the best track on the record and was chosen to punt Executioner’s Song into orbit. Not far off with additional thrash fervor is “Ball and Chain”, meanwhile “Fast and Loud” takes its own advice, pummeling away with a conspicuously insatiable chorus that shoves the track right over the edge. The almost useless “The End” should be tied to it, never to be heard again, but shows up closing their debut nonetheless.

Before the low grumbling on Evil Invaders, Sheepdog’s vocals were more a crackling shriek, amateurish even more so than the additional tracks on Executioner’s Song, and really isn’t all that endearing to him, but a true fan will get over it. Even a non-collector can see the investment value in this. The album’s worth can only go up unless someone finds a glut of them tucked away in the corner of some warehouse. Yeah, I’m not worried either.

"...ready or not, take this torch..."

Gutterscream



..::TRACK-LIST::..

1. The End 2:04
2. Killer Instinct 2:42
3. Hot Metal 2:18
4. Armed And Dangerous 5:07
5. Take This Torch 3:16
6. Ball And Chain 3:32
7. Fast And Loud 3:54

Bonus Tracks [pre production Demo]:
8. Ball And Chain 2:43
9. Hot Metal 2:30
10. Take This Torch 3:25
11. Killer Instinct 2:51
12. Fast And Loud 3:54
13. Armed And Dangerous 5:03

Tracks 1-7 were recorded and mixed at the Waxworks in St.Jacobs ,Ontario, Canada.
Produced by Terry Marostega and Razor, originally released by Voice Records in 1984.
Tracks 8-13 Armed and Dangerous pre production Demo
Recorded April 16th 1984 at Octo Sound Studios, Kitchener, Ontario, Canada.
Produced by Terry Marostega.



..::OBSADA::..

Dave Carlo - Guitars
Sheepdog - Vocals
Mike Campagnolo - Bass
M-Bro - Drums



https://www.youtube.com/watch?v=KZmLgF1mdro



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Speed thrash metalowy klasyk wznowiony w 35-rocznicę premiery.
Debiutancki mini-album Razor z 1984 roku, 6 dodatkowych utworów z demo.


Before becoming the thrash-oriented powerhouse that these Canadians are known for, Razor took the stripped-down, traditional heavy metal approach in line with the NWOBHM acts. That was a very short-lived experience, and while it may show its roots on their full-lengths, the debut EP Armed And Dangerous is the only release to fully flash these lights. It’s a short, sweet experience that’s nice and clean. That alone gives it a standout charm, alongside the superior songwriting.

Despite being the least-aggressive approach, there’s a primal energy to Armed And Dangerous that feels flattering. There’s little in the vein of vocal focus, taking the early ‘80s Pantera approach without any glam fluff and instead just boasts attitude. To match, we have a mildly fuzzed overcast from the bass and lower production value. That raw foundation allows the leads to pierce the surface as the forefront of the experience; consider this helpful, since the leads are Razor’s strongest feature.

And yet, some songs make their presence a little more brash, namely looking at the likes of “Hot Metal.” A need for a harder drive contrasts the laid-back approach of the title track’s steady and heavy focus, and the fact that they compliment each other so well is a great selling point. If that’s not enough, the drums feel more prominent in the latter of the two tracks, working with the leads to establish a mature approach. And if you still crave the speed, look forward to “Take This Torch.” For something so brief, there’s a little taste of everything that this genre is heavily known for.

While maybe nothing groundbreaking, this is everything I look for in those older, brief traditional metal releases that precede a classic career. Nine times out of ten, you can get a whiff of what’s coming, but it’s divorced from the central selling point. Perhaps a hot take, but I like this better than any Razor full-length. Worth seeking out for fans of early Def Leppard, early Pantera, Angel Witch, or Tank.

Sweetie


“…feel the white hot metal, feel it burn your skin, experience the torture, pay for all your sins…”

Easily the rarest of Razor discs, these seven tracks are an early-stage aural portrait of what the four-piece will do for the rest of its existence. Unlike a band such as countrymates Voivod who would transmogrify into something more abstract and otherworldly with each and every subsequent album, Razor’s dial never clicked to a different network, never faltered in their quest for thrash dominance, and…well, no sense rehashing…read my Evil Invaders review for the rest of this diatribe.

These tracks resemble the production value and thinner thrash delivery that's featured on Executioner’s Song rather than Evil Invaders where thickness like swamp water soaks the tracks and the band starts the ascent into their own legendary status. Four of the tracks here are featured on the band’s debut full-lengther, so this ep is more of a hardcore collector’s wet dream, the fan who doesn’t mind dishing out $200+ for two additional songs that will probably turn up on some future compilation/best of release.

It’s easily noticeable that traditional elements in “Killer Instinct” and “Hot Metal” overtake the thrash vehemence that is just clawing to escape, meanwhile the longer title cut possesses one of Sheepdog’s most feeble screams, a mere kitten compared to the masters of the hunt on Evil Invaders that have a tendency to set steel afire.

The first true stroke of thrashmania ignites with blue flame appeal in “Take This Torch” and an opening riff of frantic, flesh-peeling proportion that cannot be overlooked. The chorus fans the flames into a screeching inferno while McLaren unleashes screams more akin to his seminal lungs. It's a quintessential thrash song that (obviously) doubles as the best track on the record and was chosen to punt Executioner’s Song into orbit. Not far off with additional thrash fervor is “Ball and Chain”, meanwhile “Fast and Loud” takes its own advice, pummeling away with a conspicuously insatiable chorus that shoves the track right over the edge. The almost useless “The End” should be tied to it, never to be heard again, but shows up closing their debut nonetheless.

Before the low grumbling on Evil Invaders, Sheepdog’s vocals were more a crackling shriek, amateurish even more so than the additional tracks on Executioner’s Song, and really isn’t all that endearing to him, but a true fan will get over it. Even a non-collector can see the investment value in this. The album’s worth can only go up unless someone finds a glut of them tucked away in the corner of some warehouse. Yeah, I’m not worried either.

"...ready or not, take this torch..."

Gutterscream



..::TRACK-LIST::..

1. The End 2:04
2. Killer Instinct 2:42
3. Hot Metal 2:18
4. Armed And Dangerous 5:07
5. Take This Torch 3:16
6. Ball And Chain 3:32
7. Fast And Loud 3:54

Bonus Tracks [pre production Demo]:
8. Ball And Chain 2:43
9. Hot Metal 2:30
10. Take This Torch 3:25
11. Killer Instinct 2:51
12. Fast And Loud 3:54
13. Armed And Dangerous 5:03

Tracks 1-7 were recorded and mixed at the Waxworks in St.Jacobs ,Ontario, Canada.
Produced by Terry Marostega and Razor, originally released by Voice Records in 1984.
Tracks 8-13 Armed and Dangerous pre production Demo
Recorded April 16th 1984 at Octo Sound Studios, Kitchener, Ontario, Canada.
Produced by Terry Marostega.



..::OBSADA::..

Dave Carlo - Guitars
Sheepdog - Vocals
Mike Campagnolo - Bass
M-Bro - Drums



https://www.youtube.com/watch?v=KZmLgF1mdro



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki album VULCANO, wydany w 1986 roku.
Jest uważany za jeden z pionierskich albumów brazylijskiego black/thrash metalu, który wywarł znaczący wpływ na późniejsze zespoły metalowe. Album charakteryzuje się surowym, agresywnym brzmieniem, łączącym elementy thrash i black metalu. Tutaj reedycja 2024 w slipcase CD.


Świat bez 'Krwawej Zemsty' Vulcano nie jest wart życia.
Wkurwienie i agresja w najczystszej postaci!!!
Niesamowity wpierdol w morderczych tempach!!!



..::TRACK-LIST::..

1. Dominios of Death 02:53
2. Spirits of Evil 03:39
3. Ready to Explode 01:40
4. Holocaust 03:46
5. Incubus 02:12
6. Death Metal 03:50
7. Voices from Hell 01:29
8. Bloody Vengeance 04:04



..::OBSADA::..

Angel - vocals
Zhema Rodero - bass
Soto Junior - guitar
Flavio - guitar
Laudior Piloni - drums




https://www.youtube.com/watch?v=jHv08BDOOg4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki album VULCANO, wydany w 1986 roku.
Jest uważany za jeden z pionierskich albumów brazylijskiego black/thrash metalu, który wywarł znaczący wpływ na późniejsze zespoły metalowe. Album charakteryzuje się surowym, agresywnym brzmieniem, łączącym elementy thrash i black metalu. Tutaj reedycja 2024 w slipcase CD.


Świat bez 'Krwawej Zemsty' Vulcano nie jest wart życia.
Wkurwienie i agresja w najczystszej postaci!!!
Niesamowity wpierdol w morderczych tempach!!!



..::TRACK-LIST::..

1. Dominios of Death 02:53
2. Spirits of Evil 03:39
3. Ready to Explode 01:40
4. Holocaust 03:46
5. Incubus 02:12
6. Death Metal 03:50
7. Voices from Hell 01:29
8. Bloody Vengeance 04:04



..::OBSADA::..

Angel - vocals
Zhema Rodero - bass
Soto Junior - guitar
Flavio - guitar
Laudior Piloni - drums




https://www.youtube.com/watch?v=jHv08BDOOg4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsze co przyszło mi do głowy kiedy po raz pierwszy usłyszałem ten krążek to cudowny czas gdy 'pałowałem się' przy 'Obsessed by Cruelty' SODOM'a...

FA

First things first: the melody of “Follow the Call…” sounds exactly like the typical “medieval lines” of Desaster. The guitar creates this melancholic and I-see-only-the-shapes-of-the-castle-in-the-fog feeling that Sonderkommando Kuschke brought into the scene. Moreover, as the track gets wild, it also lies in very close proximity to the brutal parts of the so-called medieval songs of Desaster. This is slightly dubious on the one hand, on the other hand it means that we are listening to a wonderful example of black thrash metal. By the way, the opening riff of the closer also reminds me of another track (“Under the Hammer of Gore”, Chainsaw, Greece), but that’s surely a coincidence. Better still, this tune with its hymnal yet inciting chorus also constitutes a fantastic point of orientation. These two tracks at the end of the running order make a good album even more enjoyable. Friends of the first Quintessenz full-length will love it, but they will not be the only ones.

Frankly speaking, I was not sure whether or not it would be necessary to lend an ear to “A Thousand Pyres”, because the debut of the duo was okay, but it was this kind of okay that means the-album-is-not-very-exciting-but-I-am-too-lazy-to-pick-out-another-CD-from-my-shelf. “Summoning Hell” did not suffer from severe mistakes and the same can be said about the new work. But, and here comes the difference, “A Thousand Pyres” marks the first step of the band out of the unmanageable crowd of solid yet interchangeable formations. The title track or “Scorn and Wrath” have stirring, powerful guitar lines that lend the material an individual face, at least to a certain extent. The same goes for the pounding chorus of “Dark Forces”. Cobwebbed sounds drone out of the mausoleum that once (probably 1990 / 1991) was built in the erroneous assumption that both thrash and black metal were not comatose but dead. Nocturnal Witch keep the fire burning and fortunately, the production underlines the musical approach fittingly in view of its comparatively warm touch. Warm yet mighty and strict, of course. It also goes without saying that the mix does not render homage to purity or transparency. Nocturnal Witch emanate this musty smell that other German bands, for instance Eurynomos or Megatherion, also like to spread (and I already mentioned that Desaster seem to be an inspiring unit for the protagonists of the here reviewed output).

38 minutes are an appropriate length for an album that wants nothing else to be but another chapter in the book of black thrash. No doubt, it is a well written chapter, every paragraph is interesting to read and holds relevant information. The authors are on a good way and I have the feeling that they are men of conviction. Expressed differently, I will keep my eyes open for their third full-length. This band does not lack honesty and due to its obviously increasing song-writing abilities – the album is free from flops - their next work can become a real jewel of the bastard genre. Until then, it feels good to get the daily shit out of the head by listening to “A Thousand Pyres”.

Felix 1666



..::TRACK-LIST::..

1. Downfall of the World 04:25
2. A Thousand Pyres 05:55
3. Black Chalice 03:26
4. Scorn and Wrath 06:12
5. Dark Forces 04:28
6. Eclipsing the Light 04:17
7. Follow the Call 04:54
8. Raise the Swords 04:19



..::OBSADA::..

Tyrant - Vocals, Guitars, Bass
Baphomet - Drums, Keyboards, Vocals (backing)




https://www.youtube.com/watch?v=7ptdNjs45TI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsze co przyszło mi do głowy kiedy po raz pierwszy usłyszałem ten krążek to cudowny czas gdy 'pałowałem się' przy 'Obsessed by Cruelty' SODOM'a...

FA

First things first: the melody of “Follow the Call…” sounds exactly like the typical “medieval lines” of Desaster. The guitar creates this melancholic and I-see-only-the-shapes-of-the-castle-in-the-fog feeling that Sonderkommando Kuschke brought into the scene. Moreover, as the track gets wild, it also lies in very close proximity to the brutal parts of the so-called medieval songs of Desaster. This is slightly dubious on the one hand, on the other hand it means that we are listening to a wonderful example of black thrash metal. By the way, the opening riff of the closer also reminds me of another track (“Under the Hammer of Gore”, Chainsaw, Greece), but that’s surely a coincidence. Better still, this tune with its hymnal yet inciting chorus also constitutes a fantastic point of orientation. These two tracks at the end of the running order make a good album even more enjoyable. Friends of the first Quintessenz full-length will love it, but they will not be the only ones.

Frankly speaking, I was not sure whether or not it would be necessary to lend an ear to “A Thousand Pyres”, because the debut of the duo was okay, but it was this kind of okay that means the-album-is-not-very-exciting-but-I-am-too-lazy-to-pick-out-another-CD-from-my-shelf. “Summoning Hell” did not suffer from severe mistakes and the same can be said about the new work. But, and here comes the difference, “A Thousand Pyres” marks the first step of the band out of the unmanageable crowd of solid yet interchangeable formations. The title track or “Scorn and Wrath” have stirring, powerful guitar lines that lend the material an individual face, at least to a certain extent. The same goes for the pounding chorus of “Dark Forces”. Cobwebbed sounds drone out of the mausoleum that once (probably 1990 / 1991) was built in the erroneous assumption that both thrash and black metal were not comatose but dead. Nocturnal Witch keep the fire burning and fortunately, the production underlines the musical approach fittingly in view of its comparatively warm touch. Warm yet mighty and strict, of course. It also goes without saying that the mix does not render homage to purity or transparency. Nocturnal Witch emanate this musty smell that other German bands, for instance Eurynomos or Megatherion, also like to spread (and I already mentioned that Desaster seem to be an inspiring unit for the protagonists of the here reviewed output).

38 minutes are an appropriate length for an album that wants nothing else to be but another chapter in the book of black thrash. No doubt, it is a well written chapter, every paragraph is interesting to read and holds relevant information. The authors are on a good way and I have the feeling that they are men of conviction. Expressed differently, I will keep my eyes open for their third full-length. This band does not lack honesty and due to its obviously increasing song-writing abilities – the album is free from flops - their next work can become a real jewel of the bastard genre. Until then, it feels good to get the daily shit out of the head by listening to “A Thousand Pyres”.

Felix 1666



..::TRACK-LIST::..

1. Downfall of the World 04:25
2. A Thousand Pyres 05:55
3. Black Chalice 03:26
4. Scorn and Wrath 06:12
5. Dark Forces 04:28
6. Eclipsing the Light 04:17
7. Follow the Call 04:54
8. Raise the Swords 04:19



..::OBSADA::..

Tyrant - Vocals, Guitars, Bass
Baphomet - Drums, Keyboards, Vocals (backing)




https://www.youtube.com/watch?v=7ptdNjs45TI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwa materiały norweskich zespołów grających tradycyjny black metal, pochodzące z połowy lat 90-tych i do tej pory dostępne wyłącznie w postaci niskonakładowych kaset demo.



..::TRACK-LIST::..

Naglfar - Demo 1994:
1. Fimbulvinteren 6:45
2. Etter Nornenes Dom... 5:31
3. Den Gåtefulle Guden 5:12
4. Skumringstid 4:15
5. ...og Mjøden Skal Atter Flyte 5:51
6. Vindtid, Vargtid 4:45

Morgul - 'In Gowns Flowing Wide' (1995):
7. Riket Som Var 5:50
8. ...and The Wolves Wept 6:45
9. Night's Eternal Majesty 7:08
10. River of Princess 9:44

Tracks 1-6: Recorded in December 1994
Tracks 7-10: Recorded at X-Ray Studios, Rolvsøy, Norway, 27-28 June 1995




https://www.youtube.com/watch?v=W7Vyqubx-U0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dwa materiały norweskich zespołów grających tradycyjny black metal, pochodzące z połowy lat 90-tych i do tej pory dostępne wyłącznie w postaci niskonakładowych kaset demo.



..::TRACK-LIST::..

Naglfar - Demo 1994:
1. Fimbulvinteren 6:45
2. Etter Nornenes Dom... 5:31
3. Den Gåtefulle Guden 5:12
4. Skumringstid 4:15
5. ...og Mjøden Skal Atter Flyte 5:51
6. Vindtid, Vargtid 4:45

Morgul - 'In Gowns Flowing Wide' (1995):
7. Riket Som Var 5:50
8. ...and The Wolves Wept 6:45
9. Night's Eternal Majesty 7:08
10. River of Princess 9:44

Tracks 1-6: Recorded in December 1994
Tracks 7-10: Recorded at X-Ray Studios, Rolvsøy, Norway, 27-28 June 1995




https://www.youtube.com/watch?v=W7Vyqubx-U0



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Death/Thrash Metal
Country of Artist (Band): USA
Year of Release: 2021-2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps

...( TrackList )...
2021 - Insignificant Memories
2023 - Crimson
2025 - Terralith

...( Info )...
Genre: Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 42:55

...( TrackList )...
01. Enigmatic
02. Ignorant Bastard
03. Low Life
04. Consumed by Greed
05. Evil Eye
06. Controlling the Hordes
07. Fuck Your Mantra
08. Thriving to Die
09. Time

...( Info )...
Genre: Death Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 29:41

...( TrackList )...
1. Merciless Suffering
2. Hung and Drawn
3. Upon the Torture Rack
4. Chamber of Cruelty
5. Sawblade Execution
6. Under the Scalpel
7. Crushed
8. Path of Brutality
9. Grotesque Remains
10. As the Blade Swings Down

...( Info )...
Genre: Melodic Death Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:53

...( TrackList )...
1. The Swine of Mount Cashel
2. Unmarked Graves of the Autochthonous
3. Hudud Execution
4. The Extinguishing Fleets
5. Red Civil Ensign
6. Migrants of Al-Sham
7. Wolves of the Trench