...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Trzeci album niesamowitego zespołu z Argentyny grającego avantgardowy black metal!


Following the band's first two instrumental albums, AlphA and Beta, Psicosfera emerges with their third installment, titled Summa Negativa. This album is a predatory plunge into pitch-black darkness of avant-garde black metal. The album illuminates the souls of the damned with its devilish fangs.

The new material is a reflection of Psicosfera’s ongoing evolution, driven by ceaseless march of time. With a blend of uncompromising determination and the introduction of vocals, alongside the liberation of an even fiercer facet of the band’s creativity, the new material relentlessly pushes the boundaries beyond their prior instrumental efforts.

Spanning their previous two albums, the band absorbed its influences, mastered the emotional depth of those records and honed their craft meticulously. Five years after their second album, the band’s journey has culminated in Summa Negativa, which materializes as a sinister reflection of contemporary darkness, seamlessly morphing the vision of genre’s progenitors into a contemporary realm that is both relentless and audacious. By skillfully weaving dissonance and melody through inventive manipulation, complemented by genuinely dreadful riffs, the album creates an encapsulated universe that embraces the essence of despair, melancholy, aggression, and hostility.

Summa Negativa emerges not as a nostalgic reverie, but as a reflection of modern nihilistic void. The darkness, evil, and despair within aren’t mere obligatory components; they mirror the current, profound upheavals of the soul of man. This essence imbues Summa Negativa with unparalleled vitality.

As such, Psicosfera’s new album holds the promise of elation - for seekers of evolving flux, for those who embrace musical development - while remaining devotional to the spirit.



..::TRACK-LIST::..

1. Rising River of Frustration 4:45
2. Pernicious Oblivion pt. 1 4:41
3. Pernicious Oblivion pt. 2 5:02
4. Gamma (interlude) 0:47
5. Taste of Triumph 4:09
6. Dismal Landscape of Disillusion and Rejection 5:53
7. Contortionist of Perception 6:00
8. Tartarus 5:35



..::OBSADA::..

Gabriel Sabatini - Guitars
Gabriel Luque - Guitars
Julián Reggi - Vocals
Juan Facundo Brinville - Drums
Alan Ponce - Bass



https://www.youtube.com/watch?v=AWAMMXa72xQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Trzeci album niesamowitego zespołu z Argentyny grającego avantgardowy black metal!


Following the band's first two instrumental albums, AlphA and Beta, Psicosfera emerges with their third installment, titled Summa Negativa. This album is a predatory plunge into pitch-black darkness of avant-garde black metal. The album illuminates the souls of the damned with its devilish fangs.

The new material is a reflection of Psicosfera’s ongoing evolution, driven by ceaseless march of time. With a blend of uncompromising determination and the introduction of vocals, alongside the liberation of an even fiercer facet of the band’s creativity, the new material relentlessly pushes the boundaries beyond their prior instrumental efforts.

Spanning their previous two albums, the band absorbed its influences, mastered the emotional depth of those records and honed their craft meticulously. Five years after their second album, the band’s journey has culminated in Summa Negativa, which materializes as a sinister reflection of contemporary darkness, seamlessly morphing the vision of genre’s progenitors into a contemporary realm that is both relentless and audacious. By skillfully weaving dissonance and melody through inventive manipulation, complemented by genuinely dreadful riffs, the album creates an encapsulated universe that embraces the essence of despair, melancholy, aggression, and hostility.

Summa Negativa emerges not as a nostalgic reverie, but as a reflection of modern nihilistic void. The darkness, evil, and despair within aren’t mere obligatory components; they mirror the current, profound upheavals of the soul of man. This essence imbues Summa Negativa with unparalleled vitality.

As such, Psicosfera’s new album holds the promise of elation - for seekers of evolving flux, for those who embrace musical development - while remaining devotional to the spirit.



..::TRACK-LIST::..

1. Rising River of Frustration 4:45
2. Pernicious Oblivion pt. 1 4:41
3. Pernicious Oblivion pt. 2 5:02
4. Gamma (interlude) 0:47
5. Taste of Triumph 4:09
6. Dismal Landscape of Disillusion and Rejection 5:53
7. Contortionist of Perception 6:00
8. Tartarus 5:35



..::OBSADA::..

Gabriel Sabatini - Guitars
Gabriel Luque - Guitars
Julián Reggi - Vocals
Juan Facundo Brinville - Drums
Alan Ponce - Bass



https://www.youtube.com/watch?v=AWAMMXa72xQ



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Artist: Dragonauta
Album: Omega Pentagram
Country: Argentina
Release date: 2013
Genre: Psychedelic Stoner/Doom Metal
Format: MP3
Bitrate: 320 kbps
Duration: 00:52:03

...( TrackList )...
01 - Frozen Neptunian Demons [00:05:23]
02 - I. The Talking Snake II. The Witch Hammer [00:08:04]
03 - Nautilus 666 [00:03:34]
04 - Seven Rings Of Saturn [00:06:28]
05 - I Am The Frost Thrones [00:06:36]
06 - Jupiterian Sword Of Annihilation [00:04:17]
07 - Iron Planet [00:07:12]
08 - Black Horn Messiah [00:10:27]

...( Info )...
Genre: Stoner/Doom Metal
Country of artist (band): USA
Year of publication: 2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 22:31

...( TrackList )...
1. First Frost
2. The Bottom
3. Excavation
4. No Ritual
5. The Return

...( Info )...
Genre: Stoner/Doom Metal
Country of artist (band): UK
Year of publication: 2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 00:38:09

...( TrackList )...
1. Zeus Among The Clouds (05:26)
2. Prometheus Unbound (03:37)
3. Medusa's Lament (03:04)
4. Underworld Love (03:35)
5. Persephone's Return (03:11)
6. The Minotaur's Labyrinth (03:36)
7. King Midas' Curse (02:48)
8. Pandora's Reckoning (03:35)
9. Aphrodite's Dream (02:48)
10. Guardians Of The Gates (03:52)
11. Cerberus' Lullaby (04:39)
12. The River Styx (02:58)

...( Info )...
Title: Lightning In A Bottle
Artist: Pentagram
Year: 2025
Genre: Doom-Metal
Country: USA

Duration: 00:52:05
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Live Again (03:34)
02. In The Panic Room (03:31)
03. I Spoke To Death (03:40)
04. Dull Pain (03:30)
05. Lady Heroin (05:32)
06. I'll Certainly See You In Hell (02:08)
07. Thundercrest (03:01)
08. Solve The Puzzle (03:12)
09. Spread Your Wings (03:31)
10. Lightning In A Bottle (04:40)
11. Walk The Sociopath (04:49)
12. Start The End (Bonus Track) (03:55)
13. Might Just Wanna Be Your Fool (Bonus Track) (02:27)
14. Lady Heroin (Pre-Edit Rough Mix Bonus Track) (04:28)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja na 25 urodziny! Szósty album AGATHOCLES wydany oryginalnie w 1999 roku. 16 utworów + dwa bonusowe numery z 2000 roku wydane jako split 7"EP z włoskim KONTATTO. Surowy, minimalistyczny noise'owy D-beat punk inspirowany przez takie zespoły jak ABSURD, wczesny DISCHARGE, DISCLOSE, wczesny ANTI CIMEX, D.N.A., BOMBRAID, ANTI-BOFORS, BOMBANFAL, DISASTER, SHITLICKERS. Odświeżona oprawa graficzna oraz liner notes autorstwa Jan'a AGx.


I was possitively surpried when I first heard this album. I had almost given up on Agathocles after their inconsistent and rather sloppy "Humarrogance" album but this time the band again knew how to do exactly that which I didn't expect. They've simply recorded a hardcore punk / crustcore album. Their earlier split Ep with Vomit Fall has been a personal favorite and this time they must have though "what the hell, let's release a punk album".

The production is heavy but fortunately not too much. There's still plenty of definition in the separate instruments and the performace is suprisingly well.
Of course one could complain an album full of just these kind of songs tends to get monotone but it really is over before you even now it. They still change pace a lot on this album if you care to listen closely. Of course the tempi are mostly variations on 'being fast', but hey, it's hardcore punk and there are a lot of different kinds of fast here!

There are no real stand out tracks but if I have to name a few, the catchy opener "Bomb the Bastard" and "Who Cares" have become personal favorites. Least favorite song must be "One Sided Views" which has a Celtic Frost break (Morbid Tales) and therefor becomes somewhat annoying. There is however something to complain of course. One thing really. It's the vocals. We all know Jan had tried some different vocals on earlier records and especially his screaming punk voice worked very well on their hardcore punks songs (remember "Get Off You Ass", "Fragments of a time to come" and "Here And Now"?). On this album he mostly uses his grunting vocals and this proves to be something of a bummer. A lot more could have been done vocally on these songs. I wonder why they didn't. If they'd done so, this could have been my second favorite Agathocles album ever

Morbert



..::TRACK-LIST::..

1. Bomb the Bastard 02:28
2. Judged Too Soon 01:27
3. Wage-War 02:11
4. To Serve... to Protect 02:04
5. Hand in Hand 03:15
6. Scared 01:34
7. Homes Not Domes 02:10
8. Full of Hatred 01:41
9. Who Cares 01:32
10. Euro-Nomous 03:00
11. One-Sided-Views 02:00
12. Wrong Way 00:57
13. I Thought 03:20
14. Living in Hell 01:32
15. Cool Fools 02:04
16. Tele-Conning 01:18

Bonus Tracks:
Recorded in 2000 and released on a split 7"EP w/ KONTATTO from Italy
17. Fed Up with Your Make Up 01:16
18. Leads to… 01:39



..::OBSADA::..

Bass [Bass-Tard], Vocals [Throat] - Jan
Drums, Voice [Voicenoises] - Burt
Guitar [Guitarzzz], Vocals [Mouth] - Dirk




https://www.youtube.com/watch?v=MZpIr86VqmA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja na 25 urodziny! Szósty album AGATHOCLES wydany oryginalnie w 1999 roku. 16 utworów + dwa bonusowe numery z 2000 roku wydane jako split 7"EP z włoskim KONTATTO. Surowy, minimalistyczny noise'owy D-beat punk inspirowany przez takie zespoły jak ABSURD, wczesny DISCHARGE, DISCLOSE, wczesny ANTI CIMEX, D.N.A., BOMBRAID, ANTI-BOFORS, BOMBANFAL, DISASTER, SHITLICKERS. Odświeżona oprawa graficzna oraz liner notes autorstwa Jan'a AGx.


I was possitively surpried when I first heard this album. I had almost given up on Agathocles after their inconsistent and rather sloppy "Humarrogance" album but this time the band again knew how to do exactly that which I didn't expect. They've simply recorded a hardcore punk / crustcore album. Their earlier split Ep with Vomit Fall has been a personal favorite and this time they must have though "what the hell, let's release a punk album".

The production is heavy but fortunately not too much. There's still plenty of definition in the separate instruments and the performace is suprisingly well.
Of course one could complain an album full of just these kind of songs tends to get monotone but it really is over before you even now it. They still change pace a lot on this album if you care to listen closely. Of course the tempi are mostly variations on 'being fast', but hey, it's hardcore punk and there are a lot of different kinds of fast here!

There are no real stand out tracks but if I have to name a few, the catchy opener "Bomb the Bastard" and "Who Cares" have become personal favorites. Least favorite song must be "One Sided Views" which has a Celtic Frost break (Morbid Tales) and therefor becomes somewhat annoying. There is however something to complain of course. One thing really. It's the vocals. We all know Jan had tried some different vocals on earlier records and especially his screaming punk voice worked very well on their hardcore punks songs (remember "Get Off You Ass", "Fragments of a time to come" and "Here And Now"?). On this album he mostly uses his grunting vocals and this proves to be something of a bummer. A lot more could have been done vocally on these songs. I wonder why they didn't. If they'd done so, this could have been my second favorite Agathocles album ever

Morbert



..::TRACK-LIST::..

1. Bomb the Bastard 02:28
2. Judged Too Soon 01:27
3. Wage-War 02:11
4. To Serve... to Protect 02:04
5. Hand in Hand 03:15
6. Scared 01:34
7. Homes Not Domes 02:10
8. Full of Hatred 01:41
9. Who Cares 01:32
10. Euro-Nomous 03:00
11. One-Sided-Views 02:00
12. Wrong Way 00:57
13. I Thought 03:20
14. Living in Hell 01:32
15. Cool Fools 02:04
16. Tele-Conning 01:18

Bonus Tracks:
Recorded in 2000 and released on a split 7"EP w/ KONTATTO from Italy
17. Fed Up with Your Make Up 01:16
18. Leads to… 01:39



..::OBSADA::..

Bass [Bass-Tard], Vocals [Throat] - Jan
Drums, Voice [Voicenoises] - Burt
Guitar [Guitarzzz], Vocals [Mouth] - Dirk




https://www.youtube.com/watch?v=MZpIr86VqmA



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Tragic Creature
Artist: Discordant Meditation
Year: 2025
Genre: Experimental, Death-Metal
Country: USA

Duration: 00:32:11
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Conduit
2. Festering Black Fractals
3. Exist Alone
4. Formless As Water
5. Passage Of Obscured Lucidity
6. Deformed Beyond Recognition
7. Clawing At The Open Wound
8. Tragic Creature

...( Info )...
Title: Psychotic Break
Artist: Worldfall
Year: 2025
Genre: Experimental, Thrash-Metal
Country: USA

Duration: 00:37:07
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Age of Sensitivity
02. Obliteration
03. Psychotic Break
04. Convicción
05. Larger Than Life
06. Tarnished Image
07. Through These Eyes

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Przyznam szczerze, że kiedy po wydaniu usłyszałem ten krążek byłem załamany...
Po takim debiucie? Jak? Dlaczego?

Dzisiaj... Człowiek się jednak starzeje...



Although the reason why I decided to revisit Iron Angel’s back catalogue some ten years ago was the release of the awful “Back from Hell” demo, about which the guys should forget faster than Destruction did about their mid-90’s period (yeah, it’s that bad), I was quite glad that I did since it reminded me of how jubilant I was listening to this happy-go-lucky speed metal barrage on the album reviewed here in my teenage years, feeling also content with the fact that I had found “Walls of Jericho”’s little brother, only served with a more mainstream flavour. Although the guys were the first German victims of the mid-80’s transformation campaign (Motley Crue, Judas Priest, Iron Maiden, etc.) towards a mellower poppier sound, they still managed to retain quite a bit of their aggressive swagger that made their debut such a compulsive headbanging fest.

The debut was a compelling speed/thrash affair with audible attempts at more individual ways of expression. However, the sophomore here shows an obvious fascination with the mentioned Helloween magnum opus, and it remains its most faithful companion all these years including with the more commercial radio-friendly additives, and not only because of Dick Shroder’s “Kai Hansen meets Udo”-like vocals. The stomping officiant intro that is the title-track abruptly turns into a ball of speed metal fury on “Metalstorm” which couldn’t have been titled more appropriately, a short bursting speedster that almost exemplifies the German speed metal scene in its entirety. “Son of a Bitch” is not an Accept cover, contrary to the expectations, but is a great uplifting power metal anthem with a nearly stadium-filling potential with the rousing shouty chorus and the brisk bouncy rhythms. “Vicious” has a smattering pounding beginning, but after it it’s business as usual the band unleashing a whirlwind of fast lashing guitars turning this number into another shining example of pure speed metal carnage done right. “Born to Rock” has a very clear message from the very title, and this is indeed a fist-pumping heavy rocker worthy of Accept and Scorpions with a staged live setting echoing Bruce Springsteen’s “Born to Run”.

Far from embarrassment, this number remains the only full-fledged probe into the growing pop-metalish aesthetics on the field, and is totally cancelled by “Fight for Your Life”, a vigorous speed/thrash with biting cutting guitars, arguably the band’s finest achievement, offering myriad time and tempo-changes, a shredding fest of epic proportions nearly matched by “Stronger than Steel” which stomping intro reminds of Exciter’s “Scream in the Night” from “Violence & Force”; furious speed metal is thrown at the expectant audience later, a soaring “eagle fly free” cavalcade with the next in line sing-along chorus embedded into the hyper-active melee. “Sea of Flames” serves a tasteful portion of melodic leads as an appetizer which precedes another fast-paced carnival mixed with more laid-back power metal, the melodic hooks appearing later again to wrap it on. “Creatures of Destruction” is a brilliant angry speed metaller the guys raising hell as a logical conclusion to this impressive slab of old school metal which actual finale is the cool short balladic “Back to the Silence” with Schroder showing his more lyrical, more passionate vocal arsenal to a really positive effect.

German speed metal couldn’t have come much better than here, and apart from the early Helloween exploits and Living Death’s “Metal Revolution” it’s probably only the first two Scanner instalments that managed to capture the movement’s invigorating charm as profoundly, not siding that readily with the more aggressive thrash-prone debuts of Angel Dust, Exumer and Paradox, and Blind Guardian’s first two. The mentioned friendlier ingredients boded danger for eventual future recordings as one never knew how far the guys would be willing to reach exploring their more tender side. In this train of thought their very early disappearance, one of the earliest in metal history as a matter of fact, may have been for the better cause no one wanted to see prime German speed metallers releasing “Cold Lake” or “Eat the Heat” before those albums were even conceived on the mental plane.

The old school resurrection wave brought the Iron Angels back into the game, and although the first showing (the mentioned demo) after the reformation had better be forgotten, the more recent weather forecasts hint at potential strong winds (of war) stirring somewhere in the distance.

Bayern



..::TRACK-LIST::..

1. Winds Of War
2. Metalstorm
3. Son Of A Bitch
4. Vicious
5. Born To Rock
6. Fight For Your Life
7. Stronger Than Steel
8. Sea Of Flames [First Solo And Melodic Guitar] - Jürgen Blackmore
9. Creatures Of Destruction
10. Back To The Silence



..::OBSADA::..

Dirk Schröder - Vocals
Mike Matthes - Drums
Thorsten Lohman- Bass
Sven Strüven (R.I.P. 2008) - Guitars
Peter Wittke (R.I.P. 2000) - Guitars




https://www.youtube.com/watch?v=LJ5ERWrXF5A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Przyznam szczerze, że kiedy po wydaniu usłyszałem ten krążek byłem załamany...
Po takim debiucie? Jak? Dlaczego?

Dzisiaj... Człowiek się jednak starzeje...



Although the reason why I decided to revisit Iron Angel’s back catalogue some ten years ago was the release of the awful “Back from Hell” demo, about which the guys should forget faster than Destruction did about their mid-90’s period (yeah, it’s that bad), I was quite glad that I did since it reminded me of how jubilant I was listening to this happy-go-lucky speed metal barrage on the album reviewed here in my teenage years, feeling also content with the fact that I had found “Walls of Jericho”’s little brother, only served with a more mainstream flavour. Although the guys were the first German victims of the mid-80’s transformation campaign (Motley Crue, Judas Priest, Iron Maiden, etc.) towards a mellower poppier sound, they still managed to retain quite a bit of their aggressive swagger that made their debut such a compulsive headbanging fest.

The debut was a compelling speed/thrash affair with audible attempts at more individual ways of expression. However, the sophomore here shows an obvious fascination with the mentioned Helloween magnum opus, and it remains its most faithful companion all these years including with the more commercial radio-friendly additives, and not only because of Dick Shroder’s “Kai Hansen meets Udo”-like vocals. The stomping officiant intro that is the title-track abruptly turns into a ball of speed metal fury on “Metalstorm” which couldn’t have been titled more appropriately, a short bursting speedster that almost exemplifies the German speed metal scene in its entirety. “Son of a Bitch” is not an Accept cover, contrary to the expectations, but is a great uplifting power metal anthem with a nearly stadium-filling potential with the rousing shouty chorus and the brisk bouncy rhythms. “Vicious” has a smattering pounding beginning, but after it it’s business as usual the band unleashing a whirlwind of fast lashing guitars turning this number into another shining example of pure speed metal carnage done right. “Born to Rock” has a very clear message from the very title, and this is indeed a fist-pumping heavy rocker worthy of Accept and Scorpions with a staged live setting echoing Bruce Springsteen’s “Born to Run”.

Far from embarrassment, this number remains the only full-fledged probe into the growing pop-metalish aesthetics on the field, and is totally cancelled by “Fight for Your Life”, a vigorous speed/thrash with biting cutting guitars, arguably the band’s finest achievement, offering myriad time and tempo-changes, a shredding fest of epic proportions nearly matched by “Stronger than Steel” which stomping intro reminds of Exciter’s “Scream in the Night” from “Violence & Force”; furious speed metal is thrown at the expectant audience later, a soaring “eagle fly free” cavalcade with the next in line sing-along chorus embedded into the hyper-active melee. “Sea of Flames” serves a tasteful portion of melodic leads as an appetizer which precedes another fast-paced carnival mixed with more laid-back power metal, the melodic hooks appearing later again to wrap it on. “Creatures of Destruction” is a brilliant angry speed metaller the guys raising hell as a logical conclusion to this impressive slab of old school metal which actual finale is the cool short balladic “Back to the Silence” with Schroder showing his more lyrical, more passionate vocal arsenal to a really positive effect.

German speed metal couldn’t have come much better than here, and apart from the early Helloween exploits and Living Death’s “Metal Revolution” it’s probably only the first two Scanner instalments that managed to capture the movement’s invigorating charm as profoundly, not siding that readily with the more aggressive thrash-prone debuts of Angel Dust, Exumer and Paradox, and Blind Guardian’s first two. The mentioned friendlier ingredients boded danger for eventual future recordings as one never knew how far the guys would be willing to reach exploring their more tender side. In this train of thought their very early disappearance, one of the earliest in metal history as a matter of fact, may have been for the better cause no one wanted to see prime German speed metallers releasing “Cold Lake” or “Eat the Heat” before those albums were even conceived on the mental plane.

The old school resurrection wave brought the Iron Angels back into the game, and although the first showing (the mentioned demo) after the reformation had better be forgotten, the more recent weather forecasts hint at potential strong winds (of war) stirring somewhere in the distance.

Bayern



..::TRACK-LIST::..

1. Winds Of War
2. Metalstorm
3. Son Of A Bitch
4. Vicious
5. Born To Rock
6. Fight For Your Life
7. Stronger Than Steel
8. Sea Of Flames [First Solo And Melodic Guitar] - Jürgen Blackmore
9. Creatures Of Destruction
10. Back To The Silence



..::OBSADA::..

Dirk Schröder - Vocals
Mike Matthes - Drums
Thorsten Lohman- Bass
Sven Strüven (R.I.P. 2008) - Guitars
Peter Wittke (R.I.P. 2000) - Guitars




https://www.youtube.com/watch?v=LJ5ERWrXF5A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Deathless Void to kusząca mieszanka ponurej agresji, majestatycznej melodii i mrocznego nastroju.
Zapraszam do mocnej i stosunkowo niezdrowej zabawy...



Dutch Black Metal visionaries Deathless Void are set to ignite the global metal scene with the release of their highly anticipated debut album, "The Voluptuous Fire of Sin," out September 20th via Iron Bonehead Productions.

Emerging from the resurgent Dutch Black Metal underground, Deathless Void made their enigmatic debut in early 2022 with a self-titled demo that shook the foundations of extreme music. Now, with their full-length debut, the band coagulates their place among the elite of the genre, offering a sonic journey that is as terrifying as it is mesmerizing.

Blending familiar Black Metal ferocity with a mind-warping, otherworldly atmosphere, "The Voluptuous Fire Of Sin" is an orgy of flesh-creeping guitar riffs, telluric blast beats, undulating bass frequencies and unhinged screams of berserk ecstasy and demonic fury executed with unprecedented dedication.

"The Voluptuous Fire Of Sin" is a paroxysmal psychedelic vision of mystery, misery, madness, and lust - rejoice in sin, enter the deathless void!


https://darksoulsunited.wordpress.com/2024/09/21/deathless-void-the-voluptuous-fire-of-sin-iron-bonehead/



..::TRACK-LIST::..

1. Psychedelic Warfare 03:54
2. Vortex Climax 04:56
3. The Shattered Realms Of Man Become The Abyss 03:12
4. The Ecstasy Of Sin 04:11
5. Iside 01:33
6. Burning Shapes Without Form 03:21
7. Crossing The Threshold 07:06
8. Purple Triad 05:28
9. Curse Upon You 05:08



https://www.youtube.com/watch?v=CGj69SRwKuE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Deathless Void to kusząca mieszanka ponurej agresji, majestatycznej melodii i mrocznego nastroju.
Zapraszam do mocnej i stosunkowo niezdrowej zabawy...



Dutch Black Metal visionaries Deathless Void are set to ignite the global metal scene with the release of their highly anticipated debut album, "The Voluptuous Fire of Sin," out September 20th via Iron Bonehead Productions.

Emerging from the resurgent Dutch Black Metal underground, Deathless Void made their enigmatic debut in early 2022 with a self-titled demo that shook the foundations of extreme music. Now, with their full-length debut, the band coagulates their place among the elite of the genre, offering a sonic journey that is as terrifying as it is mesmerizing.

Blending familiar Black Metal ferocity with a mind-warping, otherworldly atmosphere, "The Voluptuous Fire Of Sin" is an orgy of flesh-creeping guitar riffs, telluric blast beats, undulating bass frequencies and unhinged screams of berserk ecstasy and demonic fury executed with unprecedented dedication.

"The Voluptuous Fire Of Sin" is a paroxysmal psychedelic vision of mystery, misery, madness, and lust - rejoice in sin, enter the deathless void!


https://darksoulsunited.wordpress.com/2024/09/21/deathless-void-the-voluptuous-fire-of-sin-iron-bonehead/



..::TRACK-LIST::..

1. Psychedelic Warfare 03:54
2. Vortex Climax 04:56
3. The Shattered Realms Of Man Become The Abyss 03:12
4. The Ecstasy Of Sin 04:11
5. Iside 01:33
6. Burning Shapes Without Form 03:21
7. Crossing The Threshold 07:06
8. Purple Triad 05:28
9. Curse Upon You 05:08



https://www.youtube.com/watch?v=CGj69SRwKuE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


Na prośbę...


..::OPIS::..

Infernal War to powstały w 1997 roku (początkowo działał pod nazwami Quintus i Infernal SS) polski zespół wykonujący szybki i brutalny Black Metal z wpływami Death Metalu. Na koncie mają miedzy innymi kilka splitów (na przykład z Kriegsmaschine), dwie EPki (w tym "Conflagrator" prezentującą nieco inne oblicze zespołu) i przede wszystkim trzy pełniaki. Muzycznie mamy tu do czynienia z bardzo szybki i intensywnym (blasty, blasty i jeszcze więcej blastów) Black Metalem z wyraźnymi naleciałościami Death Metalu. Ludzi odpowiedzialni za zespół udzielają/udzielali się także w innych mniej lub bardziej znanych projektach, między innymi Iperyt, Thunderbolt, Deus Mortem czy Voidhanger.



..::TRACK-LIST::..

Terrorfront (2005):
1. Introduction To Assassination (Intro) (Performer - Cezary Gapik)(0:52)
2. Crushing Impure Idolatry (3:15)
3. Dead Head's Empire (3:06)
4. Be A Slave Or Be A Lord (3:53)
5. Crush The Tribe Of Jesus Christ (4:09)
6. Terrorfront (4:15)
7. Salvation (6:02)
8. The Grand Intolerance Manifestation (2:26)
9. Dechristianized By Parabellum (3:09)
10. Triumphant Outroduction (Outro) (Performer - Cezary Gapik)(1:16)


Redesekration [The Gospel Of Hatred And Apotheosis Of Genocide] (2007):
1. Prelude To Infernal Purification (Intro) (Performer - Cezary Gapik)(0:11)
2. Spill The Dirty Blood Of Jesus (3:56)
3. Shatterer Of Liberty (3:38)
4. Redesekration (3:00)
5. Radical (Kill The Peace!) (3:51)
6. Regime Of Terror (with Pete Helmkamp from Angelcorpse)(4:08)
7. Heretic Victory Ascending (4:11)
8. Extirpate (3:40)
9. Death's Evangelist (4:14)
10. Branded With Sacred Flames Of Gehinnom (5:07)
11. The End Of Time (Outro) (Performer - Cezary Gapik)(1:19)


Axiom (2015):
1. Coronation (04:41)
2. Militant Hate Church (03:17)
3. Into Dead Soil (04:00)
4. Paradygmat (03:15)
5. Nihil Prayer (04:16)
6. The Parallel Darkness (03:15)
7. Transfigure (03:29)
8. Eater of Hope (03:40)
9. Camp 22 (04:00)
10. No Forgiveness (03:30)
11. Axiom (05:30)




https://www.youtube.com/watch?v=YvG_I5PH7ZI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Split AGATHOCLES z 2022 roku z rosyjskim death/grindowym СТАБИЛЬНОСТЬ!


..::TRACK-LIST::..

Agathocles:
1. Big Mess 01:20
2. Rollin Horror 00:35
3. Choke And Die 00:27
4. Deceits 00:19
5.Fick Deine Nationalitat 00:51
6. Flemish Nationalist Garbage 00:27
7. Sick And Twisted Lies 00:53
8. Deny Your Blood 00:53
9. Somos Ratas De Belgica 00:29
10. Outro 01:13

Стабильность:
11. 2014 (Интро) 01:33
12. Стабильность 01:01
13. Наши Реалии 01:09
14. Война 01:01
15. Чиновник 00:29
16. Гомофобия 01:39
17. Мракобес 01:30
18. Современное Рабство 01:49




https://www.youtube.com/watch?v=sYLfD6DLp6o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Split AGATHOCLES z 2022 roku z rosyjskim death/grindowym СТАБИЛЬНОСТЬ!


..::TRACK-LIST::..

Agathocles:
1. Big Mess 01:20
2. Rollin Horror 00:35
3. Choke And Die 00:27
4. Deceits 00:19
5.Fick Deine Nationalitat 00:51
6. Flemish Nationalist Garbage 00:27
7. Sick And Twisted Lies 00:53
8. Deny Your Blood 00:53
9. Somos Ratas De Belgica 00:29
10. Outro 01:13

Стабильность:
11. 2014 (Интро) 01:33
12. Стабильность 01:01
13. Наши Реалии 01:09
14. Война 01:01
15. Чиновник 00:29
16. Гомофобия 01:39
17. Мракобес 01:30
18. Современное Рабство 01:49




https://www.youtube.com/watch?v=sYLfD6DLp6o



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: The 3rd Dimension
Artist: Hazzerd
Year: 2025
Genre: Thrash-Metal
Country: Canada

Duration: 00:41:06
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 - Interdimension [00:03:35]
02 - Scars [00:03:38]
03 - Unto Ashes [00:06:18]
04 - Deathbringer [00:04:25]
05 - T.T.T [00:01:25]
06 - Plagueis [00:03:50]
07 - ThArSh TiLl DeTh [00:02:23]
08 - Parasitic [00:03:13]
09 - A Fell Omen [00:09:07]
10 - Control [00:03:08]

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Oszałamiający debiut!


CORRUPT MORAL ALTAR are an angry band. "Mechanical Tides" is an angry album full of angry songs. 'Anger is an energy', sounded the battle cry raised by former SEX PISTOLS frontman Johnny Rotten. CORRUPT MORAL ALTAR connected the dots and reviewed the forever undead spirit of original punk with their founding on the Merseyside in 2012. Filling in the blanks left by decades of musical evolution, the quartet added sludge, grind and hardcore elements to their sound. This fistful of aggression was slammed straight into the faces of their adversaries, creating shockwaves with the immediate release of their "Needle Drugs" demo in the year of their founding as well as the 2013 EPs "Luciferian Deathcult" and "Whiskey Sierra", which received a glowing welcome in the UK press.

CORRUPT MORAL ALTAR underlined their ambitions with intimidating live shows alongside renowned bands such as BRUTAL TRUTH, PSYCROPTIC, EXTREME NOISE TERROR, HOUR OF PENANCE, and more. Now the band is ready to unleash their first full-length "Mechanical Tides" in a worldwide blaze of fury. Open up for CORRUPT MORAL ALTAR and let the anger flow through you! Anger is an energy!



..::TRACK-LIST::..

1. Father Tongue 02:49
2. Blood Harmony 05:06
3. Die Glocke ft. Jeff Walker (Carcass) 03:19
4. Line Check 02:58
5. Wire Mother 07:37
6. Gin Dreams 03:07
7. Closed Casket 01:45
8. Sweet Talk 02:33
9. Admit Defeat ft. Mitch Harris (Napalm Death) 03:28
10. Garland Greene 03:42
11. River Blind 03:32
12. Black Chapter 00:35
13. Insect Politicians 02:36



..::OBSADA::..

John Cooke - Guitar
Chris Reese - Vocals
Tom Dring - Drums
Adam Clarkson - Bass

Additional Vocals:
Blood Harmony - Kirsty Harding, Nial Owen, Die Glocke - Jeff Walker
Wire Mother - Kirsty Harding, Closed Casket - Zac Broughton
Sweet Talk - Ed and Rich
Admit Defeat - Mitch Harris and Garland Greene - Jeff Walker and Damian Von Talbot




https://www.youtube.com/watch?v=efemCreT0zo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Oszałamiający debiut!


CORRUPT MORAL ALTAR are an angry band. "Mechanical Tides" is an angry album full of angry songs. 'Anger is an energy', sounded the battle cry raised by former SEX PISTOLS frontman Johnny Rotten. CORRUPT MORAL ALTAR connected the dots and reviewed the forever undead spirit of original punk with their founding on the Merseyside in 2012. Filling in the blanks left by decades of musical evolution, the quartet added sludge, grind and hardcore elements to their sound. This fistful of aggression was slammed straight into the faces of their adversaries, creating shockwaves with the immediate release of their "Needle Drugs" demo in the year of their founding as well as the 2013 EPs "Luciferian Deathcult" and "Whiskey Sierra", which received a glowing welcome in the UK press.

CORRUPT MORAL ALTAR underlined their ambitions with intimidating live shows alongside renowned bands such as BRUTAL TRUTH, PSYCROPTIC, EXTREME NOISE TERROR, HOUR OF PENANCE, and more. Now the band is ready to unleash their first full-length "Mechanical Tides" in a worldwide blaze of fury. Open up for CORRUPT MORAL ALTAR and let the anger flow through you! Anger is an energy!



..::TRACK-LIST::..

1. Father Tongue 02:49
2. Blood Harmony 05:06
3. Die Glocke ft. Jeff Walker (Carcass) 03:19
4. Line Check 02:58
5. Wire Mother 07:37
6. Gin Dreams 03:07
7. Closed Casket 01:45
8. Sweet Talk 02:33
9. Admit Defeat ft. Mitch Harris (Napalm Death) 03:28
10. Garland Greene 03:42
11. River Blind 03:32
12. Black Chapter 00:35
13. Insect Politicians 02:36



..::OBSADA::..

John Cooke - Guitar
Chris Reese - Vocals
Tom Dring - Drums
Adam Clarkson - Bass

Additional Vocals:
Blood Harmony - Kirsty Harding, Nial Owen, Die Glocke - Jeff Walker
Wire Mother - Kirsty Harding, Closed Casket - Zac Broughton
Sweet Talk - Ed and Rich
Admit Defeat - Mitch Harris and Garland Greene - Jeff Walker and Damian Von Talbot




https://www.youtube.com/watch?v=efemCreT0zo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jest tempo, proszę Państwa. Niniejszy album, będący zarazem pierwszym wydawnictwem w ogóle hordu o nazwie Necromoon, dostałem może z miesiąc – półtora miesiąca temu, zaś sama premiera była w maju. I dziś wchodzę na stronę na Metal Archives i widzę, że od tego czasu zespół wypuścił trzy kolejne materiały w tym jedną kompilację.

Pasowałoby powiedzieć więc, że Necromoon para się black metalem (badum tssss + odgłos świerszcza), ale wprowadziłbym Was w błąd. A przecież tak nie można! Więc ogłaszam, że zespół o nazwie Necromoon, na albumie zatytułowanym „War with Tyranny”, który zdobi okładka z kobietą w lateksowym habicie, z maską pegazką na głowie, gra black metal. Totalne zaskoczenie, prawda?

A konkretnie to przebijają mi się tutaj dwie kapele: Beherit oraz Blasphemy. Wpływy więc doskonałe, szczególnie dla takiego prymitywa jak niżej podpisany. Ale jak wiemy, w chuj jest zespołów, które są jakimś wykrzywionym pastiszem obu tych kultowych hord. Może zepsuł mi się czujnik lipy, ale nie wyczuwam niczego takiego w przypadku Necromoon. Przeciwnie – bardzo udanie korzystają (korzysta?) z tego, co zapoczątkowane zostało na „Drawning Down the Moon” i „Fallen Angel of Doom”. Mamy tu więc totalnie zwierzęce, brutalne ataki, ale też dużo powolnych i transowych (a przy tym wciąż agresywnych i nienawistnych) momentów. Wszystko oczywiście z brudnym i nieludzkim brzmieniem, choć tu akurat moim zdaniem szala przechyla się raczej na rzecz inspiracji Finami niż Kanadyjczykami. A na sam koniec dostajemy trwającego niemal kwadrans w chuj powolnego black/doom metalowego potwora, chyba żeby Was do końca zeszmacić.

I jeśli to było zadanie „War with Tyranny”, to w moim przypadku się udało. Niezły kawał smolistego black metalu, mocno osadzonego w najczarniejszym z kultów. Nie wiem jak się rozwinęła muzyka Necromoon w ciągu kolejnych trzech miesięcy, ale możecie być pewni, że sprawdzę, bowiem debiut mocno mnie zainteresował.

Oracle


No! Dokładnie o to chodziło panie Morgul! Właśnie dzięki takim wydawnictwom Putrid Cult jest przez niektórych nazywany polskim odpowiednikiem Iron Bonehead Productions. „War With Tyranny” to debiutancki album naszych krajanów, a jego zawartość to Szatan, syf, choróbska wszelakie, gnijące zwierzęce szczątki oraz dwie taczki gnoju i błota. Poza ostatnim, trwającym niemal kwadrans „A Transcendental Journey to an Unknown Dimension”, pozostałe utwory, a jest ich osiem, zamykają się w większości w trzech minutach. Najprościej byłoby posłużyć się tutaj porównaniem dość oczywistym. Panowie zapewne nie obrażą się, jeśli nazwę ich muzykę polskim odpowiednikiem Beherit, bo to zapewne wczesna twórczość tego zespołu była główną inspiracją powołania Necromoon do życia. Finezji muzyczne nie ma tu zatem żadnej, ale to nie mają być, z zasady, piosenki do słuchania w radio czy filharmonii. Muzycy za pomocą prostych środków sieją na tych nagraniach zniszczenie i popełniają bluźnierstwa najgorszego sortu. Niewiele tutaj przyspieszeń, a nawet jeśli takowe się zdarzają, to momentalnie równoważone są brudnymi jak miejski ściek zwolnieniami. Mimo bardzo sztywnych ram inspiracji, Necromoon starają się, by ich kompozycje nie były jednakowe czy schematyczne. Powiedziałbym, że muzycy udowadniają, iż mocno wyeksploatowane już harmonie można odświeżyć i tchnąć weń odrobinę świeżości (jeśli to słowo w tym przypadku w ogóle jest na miejscu). Całość wieńczy, wspomniany już, czternastominutowy kolos, oparty na mariażu schowanego na drugi plan ambientu, z drone’owymi, ociężałymi riffami i rytualnymi wokalizami. I przy tych dźwiękach piekło dosłownie otwiera swoje wrota na oścież. Klimat tej kompozycji to czyste zło, bezwzględnie idealne ukoronowanie „Wojny z Tyranią”. Uwielbiam takie proste, obłąkane, satanistyczne granie, a Necromoon zaprezentowali w tym temacie materiał z najwyższej półki, który bez wstydu można postawić obok Nekkrofukk czy Cult of Black Blood. Dla maniaków gatunku ten debiut to absolutny mus, a dla mnie chyba najbardziej zaskakujący debiut na rodzimej scenie w tym roku (przynajmniej do chwili obecnej).

jesusatan



https://www.youtube.com/watch?v=6fKcof_qXV0



This album is a kind of return or tribute to bands from the late 80s and early 90s, especially beherit, sarcofago, blasphemy. It is not a copy or blind imitation, but a capture of the atmosphere of those times. Filthy sound, morbid and possessed vocals, blasphemous invocations, anxiety and pure evil. A total of 37 minutes that perfectly capture the spirit of those times and open the gates of hell.
This is what hell should sound like !!!



..::TRACK-LIST::..

1. Burning Witches 01:40
2. Mysterious Circles 02:19
3. The Cold Howl 03:41
4. The End Of All Life 02:18
5. Inferno 02:44
6. Silence And Wind 02:56
7. Screams Out Of Nowhere 04:42
8. Rites Of Executed Witches 02:51
9. A Transcendental Journey To An Unknown Dimension 14:05




https://www.youtube.com/watch?v=LXIgJXtOQQU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jest tempo, proszę Państwa. Niniejszy album, będący zarazem pierwszym wydawnictwem w ogóle hordu o nazwie Necromoon, dostałem może z miesiąc – półtora miesiąca temu, zaś sama premiera była w maju. I dziś wchodzę na stronę na Metal Archives i widzę, że od tego czasu zespół wypuścił trzy kolejne materiały w tym jedną kompilację.

Pasowałoby powiedzieć więc, że Necromoon para się black metalem (badum tssss + odgłos świerszcza), ale wprowadziłbym Was w błąd. A przecież tak nie można! Więc ogłaszam, że zespół o nazwie Necromoon, na albumie zatytułowanym „War with Tyranny”, który zdobi okładka z kobietą w lateksowym habicie, z maską pegazką na głowie, gra black metal. Totalne zaskoczenie, prawda?

A konkretnie to przebijają mi się tutaj dwie kapele: Beherit oraz Blasphemy. Wpływy więc doskonałe, szczególnie dla takiego prymitywa jak niżej podpisany. Ale jak wiemy, w chuj jest zespołów, które są jakimś wykrzywionym pastiszem obu tych kultowych hord. Może zepsuł mi się czujnik lipy, ale nie wyczuwam niczego takiego w przypadku Necromoon. Przeciwnie – bardzo udanie korzystają (korzysta?) z tego, co zapoczątkowane zostało na „Drawning Down the Moon” i „Fallen Angel of Doom”. Mamy tu więc totalnie zwierzęce, brutalne ataki, ale też dużo powolnych i transowych (a przy tym wciąż agresywnych i nienawistnych) momentów. Wszystko oczywiście z brudnym i nieludzkim brzmieniem, choć tu akurat moim zdaniem szala przechyla się raczej na rzecz inspiracji Finami niż Kanadyjczykami. A na sam koniec dostajemy trwającego niemal kwadrans w chuj powolnego black/doom metalowego potwora, chyba żeby Was do końca zeszmacić.

I jeśli to było zadanie „War with Tyranny”, to w moim przypadku się udało. Niezły kawał smolistego black metalu, mocno osadzonego w najczarniejszym z kultów. Nie wiem jak się rozwinęła muzyka Necromoon w ciągu kolejnych trzech miesięcy, ale możecie być pewni, że sprawdzę, bowiem debiut mocno mnie zainteresował.

Oracle


No! Dokładnie o to chodziło panie Morgul! Właśnie dzięki takim wydawnictwom Putrid Cult jest przez niektórych nazywany polskim odpowiednikiem Iron Bonehead Productions. „War With Tyranny” to debiutancki album naszych krajanów, a jego zawartość to Szatan, syf, choróbska wszelakie, gnijące zwierzęce szczątki oraz dwie taczki gnoju i błota. Poza ostatnim, trwającym niemal kwadrans „A Transcendental Journey to an Unknown Dimension”, pozostałe utwory, a jest ich osiem, zamykają się w większości w trzech minutach. Najprościej byłoby posłużyć się tutaj porównaniem dość oczywistym. Panowie zapewne nie obrażą się, jeśli nazwę ich muzykę polskim odpowiednikiem Beherit, bo to zapewne wczesna twórczość tego zespołu była główną inspiracją powołania Necromoon do życia. Finezji muzyczne nie ma tu zatem żadnej, ale to nie mają być, z zasady, piosenki do słuchania w radio czy filharmonii. Muzycy za pomocą prostych środków sieją na tych nagraniach zniszczenie i popełniają bluźnierstwa najgorszego sortu. Niewiele tutaj przyspieszeń, a nawet jeśli takowe się zdarzają, to momentalnie równoważone są brudnymi jak miejski ściek zwolnieniami. Mimo bardzo sztywnych ram inspiracji, Necromoon starają się, by ich kompozycje nie były jednakowe czy schematyczne. Powiedziałbym, że muzycy udowadniają, iż mocno wyeksploatowane już harmonie można odświeżyć i tchnąć weń odrobinę świeżości (jeśli to słowo w tym przypadku w ogóle jest na miejscu). Całość wieńczy, wspomniany już, czternastominutowy kolos, oparty na mariażu schowanego na drugi plan ambientu, z drone’owymi, ociężałymi riffami i rytualnymi wokalizami. I przy tych dźwiękach piekło dosłownie otwiera swoje wrota na oścież. Klimat tej kompozycji to czyste zło, bezwzględnie idealne ukoronowanie „Wojny z Tyranią”. Uwielbiam takie proste, obłąkane, satanistyczne granie, a Necromoon zaprezentowali w tym temacie materiał z najwyższej półki, który bez wstydu można postawić obok Nekkrofukk czy Cult of Black Blood. Dla maniaków gatunku ten debiut to absolutny mus, a dla mnie chyba najbardziej zaskakujący debiut na rodzimej scenie w tym roku (przynajmniej do chwili obecnej).

jesusatan



https://www.youtube.com/watch?v=6fKcof_qXV0



This album is a kind of return or tribute to bands from the late 80s and early 90s, especially beherit, sarcofago, blasphemy. It is not a copy or blind imitation, but a capture of the atmosphere of those times. Filthy sound, morbid and possessed vocals, blasphemous invocations, anxiety and pure evil. A total of 37 minutes that perfectly capture the spirit of those times and open the gates of hell.
This is what hell should sound like !!!



..::TRACK-LIST::..

1. Burning Witches 01:40
2. Mysterious Circles 02:19
3. The Cold Howl 03:41
4. The End Of All Life 02:18
5. Inferno 02:44
6. Silence And Wind 02:56
7. Screams Out Of Nowhere 04:42
8. Rites Of Executed Witches 02:51
9. A Transcendental Journey To An Unknown Dimension 14:05




https://www.youtube.com/watch?v=LXIgJXtOQQU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Długo oczekiwana czwarta duża płyta długodystansowców z Kanady!
41 zabójczy grindcore'owych numerów przesiąkniętych obsesją na punkcie seryjnych morderców!
To jest ostra 'napierdalanka', nie spodziewajcie się cudów...



..::TRACK-LIST::..

1. Obsessive Compulsive 2:05
2. Underground Terror 1:06
3. Adam J. Morris 0:49
4. Charles Sobhraj 0:15
5. Abdel Nasser Ibrahim Mahmoud 0:29
6. By My Hands 1:19
7. Leonard Lake 0:21
8. Bilos 1:13
9. The Perfect Prey 0:56
10. Dirty Christ 0:51
11. Gilles Pimpare 1:24
12. Jacques Duchesne 1:10
13. Camille Noel 0:40
14. Richard Christian Hansen 1:19
15. Zero Tolerance 0:50
16. George Vera 1:14
17. Guy Georges 0:51
18. Richard Barnabe 0:50
19. Moose II 0:12
20. Jaws 1:17
21. Someone Else Living Your Life 0:42
22. Turn Away And Face The End 1:00
23. Can't Repair 1:07
24. Shortest Life 1:19
25. Bai Baoshan 0:36
26. Obscene Sounds 0:26
27. Parasiting Mental Infection 0:50
28. Tim Kretschmer 0:44
29. Guilty Of Being There 1:33
30. Slowly... Sharply... 0:51
31. Somewhere, Anywhere 1:34
32. Something's Wrong 0:54
33. Sipho Mandla Agmatir Thwala 0:05
34. Wrong Headed 0:29
35. Empty World 0:26
36. ...To The Death 1:10
37. Collective Paranoia 0:44
38. Charles Chi-tat Ng 1:12
39. Clifford Orgy II 0:27
40. Ahmad Suradji 2:18
41. Demers 0:23



..::OBSADA::..

Vocals [Vocal], Layout - Steve
Drums - Dan
Guitar - Fred
Bass, Recorded By [All Done By] - Jack

Backing Vocals [Back Vocals By] - The Moose Mafia
Backing Vocals, Guest [Special Appearance By] - Simon Frost




https://www.youtube.com/watch?v=bm4Hj7hnJhE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Długo oczekiwana czwarta duża płyta długodystansowców z Kanady!
41 zabójczy grindcore'owych numerów przesiąkniętych obsesją na punkcie seryjnych morderców!
To jest ostra 'napierdalanka', nie spodziewajcie się cudów...



..::TRACK-LIST::..

1. Obsessive Compulsive 2:05
2. Underground Terror 1:06
3. Adam J. Morris 0:49
4. Charles Sobhraj 0:15
5. Abdel Nasser Ibrahim Mahmoud 0:29
6. By My Hands 1:19
7. Leonard Lake 0:21
8. Bilos 1:13
9. The Perfect Prey 0:56
10. Dirty Christ 0:51
11. Gilles Pimpare 1:24
12. Jacques Duchesne 1:10
13. Camille Noel 0:40
14. Richard Christian Hansen 1:19
15. Zero Tolerance 0:50
16. George Vera 1:14
17. Guy Georges 0:51
18. Richard Barnabe 0:50
19. Moose II 0:12
20. Jaws 1:17
21. Someone Else Living Your Life 0:42
22. Turn Away And Face The End 1:00
23. Can't Repair 1:07
24. Shortest Life 1:19
25. Bai Baoshan 0:36
26. Obscene Sounds 0:26
27. Parasiting Mental Infection 0:50
28. Tim Kretschmer 0:44
29. Guilty Of Being There 1:33
30. Slowly... Sharply... 0:51
31. Somewhere, Anywhere 1:34
32. Something's Wrong 0:54
33. Sipho Mandla Agmatir Thwala 0:05
34. Wrong Headed 0:29
35. Empty World 0:26
36. ...To The Death 1:10
37. Collective Paranoia 0:44
38. Charles Chi-tat Ng 1:12
39. Clifford Orgy II 0:27
40. Ahmad Suradji 2:18
41. Demers 0:23



..::OBSADA::..

Vocals [Vocal], Layout - Steve
Drums - Dan
Guitar - Fred
Bass, Recorded By [All Done By] - Jack

Backing Vocals [Back Vocals By] - The Moose Mafia
Backing Vocals, Guest [Special Appearance By] - Simon Frost




https://www.youtube.com/watch?v=bm4Hj7hnJhE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Będący multimetalowym maniakiem Blakkheim nie poprzestał na pojedynczej black metalowej płycie i już po roku wydał następcę genialnego „Ravendusk In My Heart” pod szyldem Diabolical Masquerade. Na „The Phantom Lodge” znów jest groźnie, znów obrazowo, znów coś tam dośpiewał Dan Swanö, choć tym razem gości jest więcej, między innymi na fletach. Najważniejsze jednak, że znowu udało się sklecić przejmujące i pochłaniające dzieło.

Muzykę Diabolical Masquerade cechuje niebywała plastyczność. Gitary wraz z klawiszami układają się w całe, pędzące po nocy, obrazy. „In dreams and visions I saw the beast rise again.” Tymi słowami zaczyna się ta płyta i ja właśnie przez cały już czas czuję się jak bym był w jakimś fascynującym śnie, gdzie w środku nocy i ciemnego lasu, pod gołym niebem, dzieją się rzeczy mroczne i niebywałe. Blakkheim dba o wartkość akcji, zmienność temp i burzliwość fabuły. Szybkie i ostre blackowe riffy mieszają się z przestrzennymi klawiszowo i akustycznie uspokojeniami, a krzykliwy wokal oddaje pola sporadycznym czystym śpiewom i wielu mówionym kwestiom, które nadają opowieści epickiego i nastrojowego charakteru. Takie „Ravenclaw” czy „The Blazing Demondome Of Murmurs And Secrecy” to są kompozycyjne majstersztyki. W utrzymaniu odpowiedniej atmosfery pomaga też akustyczny numer instrumentalny „Cross The Open Vault And Away…”

Mimo całego zauroczenia czarem tej płyty, muszę przyznać, że pod względem przebojowości nie dorównuje ona jednak poprzedniczce. Na „Ravendusk In My Heart” co i rusz natykaliśmy się na jakieś smaczki w postaci chwytliwych zagrywek i wokali, a tu pod tym względem jest bardziej skromnie. Na pewno przemawia ostrość i kreatywność gitar oraz wokali w „The Puzzling Constellation Of A Deathrune”, na pewno uderza szybkość fragmentów "The Walk Of The Hunchbacked", na pewno ujmuje melodyjność „Cloaked By The Moonshine Mist”, na pewno zwraca uwagę hiciarski „Hater”, gdzie właśnie swoje kwestie wyciąga „Dan Swanö” i wreszcie na pewno porywa „Upon The Salty Wall Of The Broody Gargoyle", który tutaj wręcz bryluje swoim refrenem, ale właśnie takich wybijających się momentów jest mniej i stąd minus przy końcowej ocenie.

Nic jednak nie zmieni faktu, że „The Phantom Lodge” to płyta natchniona, wciągająca i absorbująca swoim magicznym światem. Słuchanie takiej muzyki to czysta przyjemność, wręcz jak uczestniczenie w jakimś przedstawieniu. Zamykając oczy można znaleźć się daleko od rzeczywistości, wśród koszmarnych postaci: „Far away from the light, creatures of the night, ghouls from the gravesite, corpse of the deathrite.”

Wujas


Second album of haunting, atmospheric black metal from Katatonia’s Anders Nystrom.

“…it’s obvious that we have another Diabolical masterpiece here” – The Metal Observer

Diabolical Masquerade was the solo-project launched by Katatonia mastermind Anders Blackheim Nyström.

The Phantom Lodge was the second of four albums from this symphonic Extreme Metal solo-project, and was originally released in 1997.

Diabolical Masquerade was based primarily around symphonic/melodic black metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia.



I am honoured to add my review of this album, since I came to a point where I finally felt like I understood it.

My opinion on Blackheims second release may be different from others, but I know most of you will agree with what I am to say.
Ravendusk in my Heart was an album that I didn’t pay much attention to (as much as the rest of his releases in other words). It wasn’t really the album I liked most, and I must say that Blackheims style and skill has evolved. In The Phantom Lodge, the tunes hypnotized me at once. I felt more vicious beauty in the music, the tunes where cleaner and it wasn’t as “chaotic” as the previous release. I would call it more of a melodic sound with more power-metal influences.

The guitar riffs neither sound better nor worse, but the music itself has more effects and keyboards involved, which gives the feeling of a wider environment as you listen to it. The environment that is built inside you can sometimes make you feel calm and comfortable, but when you think of it, every single piece of what is drilled into your ears and soul is madness.
The drums are quite simple, but it doesn’t bother me at all as long as it fits. Dan Swanö is impressive as usual, and the balance between guitars and drums is very neutral.
Black metal “singing” is always a hard to figure out whether it’s good or bad. But I think Diabolical Masquerade is of my favourites when it comes to that. I think of all the trouble I’ve had when I listened to Burzum for a bad example. DM’s lyrics are very mysterious and spiritual and it fits perfectly into the music. Some may say that listening to Diabolical Masquerade is a good thing because the true feeling is brought to you by the music, and the lyrics are just an effect of darkness and evil. I can agree with that to a certain point, but the lyrics are sometimes very important. I like the lyrics especially in Cloaked By The Moonshine Mist, which is also a very impressive mixture of beautiful and evil tunes.

I will end this review by saying that The Phantom Lodge isn’t much of a beginner’s choice when it comes to Diabolical Masquerade, but it's still a masterpiece that you can't miss.

Foolish Mortal



..::TRACK-LIST::..

1. Astray Within The Coffinwood Mill 04:09
2. The Puzzling Constellation Of A Deathrune 06:10
3. Ravenclaw 08:17
4. The Walk Of The Hunchbacked 04:32
5. Cloaked By The Moonshine Mist 05:14
6. Across The Open Vault And Away... 01:52
7. Hater 02:39
8. The Blazing Demondome Of Murmurs And Secrecy 05:01
9. Upon The Salty Wall Of The Broody Gargoyle 04:54



..::OBSADA::..

Blakkheim - guitars, bass guitar, programming, keyboard, vocals, producer, artwork, art director

Additional personnel:
Sean C. Bates - drums, percussion
Dan Swanö - vocals on 'Hater', producer, engineering, mixing
Roger Öberg - vocals on 'Astray Within the Coffinwood Mill'
Igmar Dohn - bass on 'Cloaked by the Moonshine Mist'
Marie Gaard Engberg - flute on tracks 5 and 6
Tina Sahlstedt - flute on tracks 5 and 6




https://www.youtube.com/watch?v=QRD-xUXrFls



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Będący multimetalowym maniakiem Blakkheim nie poprzestał na pojedynczej black metalowej płycie i już po roku wydał następcę genialnego „Ravendusk In My Heart” pod szyldem Diabolical Masquerade. Na „The Phantom Lodge” znów jest groźnie, znów obrazowo, znów coś tam dośpiewał Dan Swanö, choć tym razem gości jest więcej, między innymi na fletach. Najważniejsze jednak, że znowu udało się sklecić przejmujące i pochłaniające dzieło.

Muzykę Diabolical Masquerade cechuje niebywała plastyczność. Gitary wraz z klawiszami układają się w całe, pędzące po nocy, obrazy. „In dreams and visions I saw the beast rise again.” Tymi słowami zaczyna się ta płyta i ja właśnie przez cały już czas czuję się jak bym był w jakimś fascynującym śnie, gdzie w środku nocy i ciemnego lasu, pod gołym niebem, dzieją się rzeczy mroczne i niebywałe. Blakkheim dba o wartkość akcji, zmienność temp i burzliwość fabuły. Szybkie i ostre blackowe riffy mieszają się z przestrzennymi klawiszowo i akustycznie uspokojeniami, a krzykliwy wokal oddaje pola sporadycznym czystym śpiewom i wielu mówionym kwestiom, które nadają opowieści epickiego i nastrojowego charakteru. Takie „Ravenclaw” czy „The Blazing Demondome Of Murmurs And Secrecy” to są kompozycyjne majstersztyki. W utrzymaniu odpowiedniej atmosfery pomaga też akustyczny numer instrumentalny „Cross The Open Vault And Away…”

Mimo całego zauroczenia czarem tej płyty, muszę przyznać, że pod względem przebojowości nie dorównuje ona jednak poprzedniczce. Na „Ravendusk In My Heart” co i rusz natykaliśmy się na jakieś smaczki w postaci chwytliwych zagrywek i wokali, a tu pod tym względem jest bardziej skromnie. Na pewno przemawia ostrość i kreatywność gitar oraz wokali w „The Puzzling Constellation Of A Deathrune”, na pewno uderza szybkość fragmentów "The Walk Of The Hunchbacked", na pewno ujmuje melodyjność „Cloaked By The Moonshine Mist”, na pewno zwraca uwagę hiciarski „Hater”, gdzie właśnie swoje kwestie wyciąga „Dan Swanö” i wreszcie na pewno porywa „Upon The Salty Wall Of The Broody Gargoyle", który tutaj wręcz bryluje swoim refrenem, ale właśnie takich wybijających się momentów jest mniej i stąd minus przy końcowej ocenie.

Nic jednak nie zmieni faktu, że „The Phantom Lodge” to płyta natchniona, wciągająca i absorbująca swoim magicznym światem. Słuchanie takiej muzyki to czysta przyjemność, wręcz jak uczestniczenie w jakimś przedstawieniu. Zamykając oczy można znaleźć się daleko od rzeczywistości, wśród koszmarnych postaci: „Far away from the light, creatures of the night, ghouls from the gravesite, corpse of the deathrite.”

Wujas


Second album of haunting, atmospheric black metal from Katatonia’s Anders Nystrom.

“…it’s obvious that we have another Diabolical masterpiece here” – The Metal Observer

Diabolical Masquerade was the solo-project launched by Katatonia mastermind Anders Blackheim Nyström.

The Phantom Lodge was the second of four albums from this symphonic Extreme Metal solo-project, and was originally released in 1997.

Diabolical Masquerade was based primarily around symphonic/melodic black metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia.



I am honoured to add my review of this album, since I came to a point where I finally felt like I understood it.

My opinion on Blackheims second release may be different from others, but I know most of you will agree with what I am to say.
Ravendusk in my Heart was an album that I didn’t pay much attention to (as much as the rest of his releases in other words). It wasn’t really the album I liked most, and I must say that Blackheims style and skill has evolved. In The Phantom Lodge, the tunes hypnotized me at once. I felt more vicious beauty in the music, the tunes where cleaner and it wasn’t as “chaotic” as the previous release. I would call it more of a melodic sound with more power-metal influences.

The guitar riffs neither sound better nor worse, but the music itself has more effects and keyboards involved, which gives the feeling of a wider environment as you listen to it. The environment that is built inside you can sometimes make you feel calm and comfortable, but when you think of it, every single piece of what is drilled into your ears and soul is madness.
The drums are quite simple, but it doesn’t bother me at all as long as it fits. Dan Swanö is impressive as usual, and the balance between guitars and drums is very neutral.
Black metal “singing” is always a hard to figure out whether it’s good or bad. But I think Diabolical Masquerade is of my favourites when it comes to that. I think of all the trouble I’ve had when I listened to Burzum for a bad example. DM’s lyrics are very mysterious and spiritual and it fits perfectly into the music. Some may say that listening to Diabolical Masquerade is a good thing because the true feeling is brought to you by the music, and the lyrics are just an effect of darkness and evil. I can agree with that to a certain point, but the lyrics are sometimes very important. I like the lyrics especially in Cloaked By The Moonshine Mist, which is also a very impressive mixture of beautiful and evil tunes.

I will end this review by saying that The Phantom Lodge isn’t much of a beginner’s choice when it comes to Diabolical Masquerade, but it's still a masterpiece that you can't miss.

Foolish Mortal



..::TRACK-LIST::..

1. Astray Within The Coffinwood Mill 04:09
2. The Puzzling Constellation Of A Deathrune 06:10
3. Ravenclaw 08:17
4. The Walk Of The Hunchbacked 04:32
5. Cloaked By The Moonshine Mist 05:14
6. Across The Open Vault And Away... 01:52
7. Hater 02:39
8. The Blazing Demondome Of Murmurs And Secrecy 05:01
9. Upon The Salty Wall Of The Broody Gargoyle 04:54



..::OBSADA::..

Blakkheim - guitars, bass guitar, programming, keyboard, vocals, producer, artwork, art director

Additional personnel:
Sean C. Bates - drums, percussion
Dan Swanö - vocals on 'Hater', producer, engineering, mixing
Roger Öberg - vocals on 'Astray Within the Coffinwood Mill'
Igmar Dohn - bass on 'Cloaked by the Moonshine Mist'
Marie Gaard Engberg - flute on tracks 5 and 6
Tina Sahlstedt - flute on tracks 5 and 6




https://www.youtube.com/watch?v=QRD-xUXrFls



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album nowego zespołu założonego przez Dopi'ego (MACHETAZO, LEPROPHILIAC, MUTILATED VETERANS, PREMATURE BURIAL, RUINEBELL, ex-BODYBAG, ex-DEADMASK, ex-DISHAMMER...) oraz eksperymentalnego/freejazz'owego perkusistę Avelino Saavedra (ex-MOL). 11 utworów ekstremalnego grindcore'a inspirowanego takimi zespołami jak TERRORIZER, BRUTAL TRUTH, D.R.I., THE ACCÜSED. Mastering to dzieło jedynego w swoim rodzaju Jasona Fullera (BLOOD DUSTER) w australiskim Goatsound Studios.

DEATHCONTROL powstał z połączenia sił JM Dopio z Avelino Saavedra, dwójki znajomych z wczesnych lat lat 90. - złotej ery hardcore'a, crossover, grindcore's, thrash i death metalu, których ścieżki na przestrzeni lat schodziły się i rozchodziły w różnych kierunkach.

Zamiłowanie Dopiego do najbardziej plugawych, ekstremalnych i przesterowanych dźwięków oraz Avelino poruszającego się między jazzem, latino jazzem, muzyką afrykańską oraz rockiem doprowadziło obydwu na ścieżkę eksperymentalnych sposobów tworzenia muzyki, takich jak: improwizacja, free jazz, współpraca z tańcem i teatrem. A finalnie doprowadziła do założenia DEATHCONTROL celem stworzenia bezpośredniej, agresywnej muzyki, pozbawionej przedprodukcji oraz naturalnej jak to tylko możliwe. W rezultacie powstało sześć utworów inspirowanych Terrorizer, Brutal Truth, D.R.I., The Accüsed oraz pięć zgrzytliwych interludiów będących pokłosiem najbardziej kompulsywnych i ekstremalnych pasaży autorstwa Johna Zorna.



Deathcontrol to dwóch, od dawna znających się ze sceny panów, którzy po latach postanowili nagrać coś na luzie i co by nawiązywało do starych czasów. Jednym z nich jest były muzyk Machetazo więc już wiecie czego mniej więcej można spodziewać się po „The Endless Echo Of His Own Litany”. Płyta ta to jedenaście utworów o dwojakim charakterze, bo pięć to krótkie interludia, które stanowią jakby przeciwwagę do pozostałych sześciu. Te sześć nawiązuje w prostej linii do drugiej połowy lat osiemdziesiątych i pierwszej dziewięćdziesiątych, kiedy rządziły takie kapele jak Terrorizer czy Extreme Noise Terror. W brutalnych riffach tych kawałków bez trudu wyłapiecie mieszające się ze sobą wpływy deta, thrashu i grindu. Agresywne i niezwykle intensywne gitary i bulgoczący na równi z nimi bas, zapodają na przemian trochę miażdżącego gniecenia, lawinowych wybuchów wścieklizny oraz odbierających powietrze zwolnień. Wszystkiemu towarzyszą perkusyjne d-beaty i naparzanka w werble, które wydają dźwięki niczym kałach wraz z soczystymi growlami, zatem mocny element punkowy siłą rzeczy też tu się wdziera. Wspomniane wcześniej interludia to mini-kompozycje, które niosą ze sobą fuzję dziwnych dźwięków i gwałtownego, gitarowego młócenia, którym akompaniują wrzaski wokalisty. Przypominają one krótkie, grindowe numery jakie można było kiedyś spotkać nie tylko na dwóch pierwszych wydawnictwach Napalm Death. Jednak ich geneza jest trochę inna, gdyż mają one korespondować z twórczością Johna Zorna i grupy Naked City, która łączyła w swoich aranżacjach takie style jak fusion, death, grind, punk, jazz i muzykę poważną. Zatem noise pełną gębą, która pożera wszystko co spotka na swojej drodze. Bardzo ciekawy krążek wysmażyła dwójka tych artystów, będący podróżą w przeszłość, kiedy ekstremalna muza była codziennością i częściej słuchało się takich rzeczy. Krwisty, mięsisty i lepki death-grind z małą dozą hałasu, ale gdzieś tam w oddali jakieś rogi również widać. Polecam, ponieważ to świetne grzanie z Hiszpanii.

shub niggurath


Debut full length of the new band by Dopi (MACHETAZO, LEPROPHILIAC, MUTILATED VETERANS, PREMATURE BURIAL, RUINEBELL, ex-BODYBAG, ex-DEADMASK, ex-DISHAMMER...) and experimental musician / free jazz drummer Avelino Saavedra (ex-MOL). 11 songs of extreme grindcore influenced by TERRORIZER, BRUTAL TRUTH, D.R.I., THE ACCÜSED. Mastering was carried out by the one and only Jason Fuller (BLOOD DUSTER) at Goatsound studios in Australia.

DEATHCONTROL was born from the joining of forces of J.M.Dopico and Avelino Saavedra. They are both from the city of La Coruña, in Galicia, Spain and have known each other since the early nineties, the golden age of Hardcore, Crossover, Grindcore, Thrash and Death Metal.
In those days Dopi was the drummer for Frustradicción and later for the legendary band Machetazo, while Avelino put his drumsticks at the service of the hardcore band Mol. Then each one went down different paths, although with the common points of both continuing in the most underground scene and rejecting the mainstream.

Dopi remained faithful to the most putrid, distorted and extreme music, forming different projects such as Bodybag, Premature Burial or Leprophiliac, among others, while Avelino, after having played very different styles such as Jazz, Latin Jazz, African music, Rock of all kinds , etc , led to more “experimental” ways of making music, such as free improvisation, free Jazz, collaborations for dance and theater, etc, which are what he is currently focused on.

Both had been talking for a long time about doing something together and from this mix of life experiences DEATHCONTROL emerged, a project conceived from a distance, since they both currently live on opposite ends of Spain. What they were clear about was that they wanted to make music with references to those bygone times, direct, aggressive music, with hardly any post-production, as natural and authentic as possible.
Dopi recorded the guitars over click tracks, sent them to Avelino, who recorded the drums and in turn he sent them back so that the former could incorporate the bass and vocals. The result was six structured songs, with their corresponding lyrics, highly influenced by classic bands such as Terrorizer, Brutal Truth, D.R.I., The Accüsed... and five interludes of pure sick noise with an aftertaste of the craziest and most extreme passages of John Zorn's Naked City or Painkiller.

Guitars, bass and vocals were recorded by Paco Liaño at Treboada studios, drums were recorded by Avelino at Önilewaland studios, where he was also in charge of the mixing. Mastering was carried out by the one and only Jason Fuller (ex-Blood Duster) at Goatsound studios in Australia. On the graphic side, Dopi was in charge of the logo design and layout, while Avelino created the interior illustrations and the cover.




1. Controlled, Indoctrinated And Brainwashed 01:01
2. Interlude I 00:43
3. Point Of Veracity 02:53
4. Interlude II 00:35
5. A.I. Scum 02:11
6. Interlude III 00:45
7. W.T.F.A.Y. 01:55
8. Interlude IV 00:16
9. All Wrong 02:34
10. Interlude V 00:29
11. Pagan But Urban 03:26



..::OBSADA::..

Avelino Saavedra - Drums, Lyrics (track 5), Songwriting
JM Dopico - Vocals, Guitars, Bass, Lyrics (tracks 1-4, 6-11), Songwriting




https://www.youtube.com/watch?v=qfD1SoSIZ3E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album nowego zespołu założonego przez Dopi'ego (MACHETAZO, LEPROPHILIAC, MUTILATED VETERANS, PREMATURE BURIAL, RUINEBELL, ex-BODYBAG, ex-DEADMASK, ex-DISHAMMER...) oraz eksperymentalnego/freejazz'owego perkusistę Avelino Saavedra (ex-MOL). 11 utworów ekstremalnego grindcore'a inspirowanego takimi zespołami jak TERRORIZER, BRUTAL TRUTH, D.R.I., THE ACCÜSED. Mastering to dzieło jedynego w swoim rodzaju Jasona Fullera (BLOOD DUSTER) w australiskim Goatsound Studios.

DEATHCONTROL powstał z połączenia sił JM Dopio z Avelino Saavedra, dwójki znajomych z wczesnych lat lat 90. - złotej ery hardcore'a, crossover, grindcore's, thrash i death metalu, których ścieżki na przestrzeni lat schodziły się i rozchodziły w różnych kierunkach.

Zamiłowanie Dopiego do najbardziej plugawych, ekstremalnych i przesterowanych dźwięków oraz Avelino poruszającego się między jazzem, latino jazzem, muzyką afrykańską oraz rockiem doprowadziło obydwu na ścieżkę eksperymentalnych sposobów tworzenia muzyki, takich jak: improwizacja, free jazz, współpraca z tańcem i teatrem. A finalnie doprowadziła do założenia DEATHCONTROL celem stworzenia bezpośredniej, agresywnej muzyki, pozbawionej przedprodukcji oraz naturalnej jak to tylko możliwe. W rezultacie powstało sześć utworów inspirowanych Terrorizer, Brutal Truth, D.R.I., The Accüsed oraz pięć zgrzytliwych interludiów będących pokłosiem najbardziej kompulsywnych i ekstremalnych pasaży autorstwa Johna Zorna.



Deathcontrol to dwóch, od dawna znających się ze sceny panów, którzy po latach postanowili nagrać coś na luzie i co by nawiązywało do starych czasów. Jednym z nich jest były muzyk Machetazo więc już wiecie czego mniej więcej można spodziewać się po „The Endless Echo Of His Own Litany”. Płyta ta to jedenaście utworów o dwojakim charakterze, bo pięć to krótkie interludia, które stanowią jakby przeciwwagę do pozostałych sześciu. Te sześć nawiązuje w prostej linii do drugiej połowy lat osiemdziesiątych i pierwszej dziewięćdziesiątych, kiedy rządziły takie kapele jak Terrorizer czy Extreme Noise Terror. W brutalnych riffach tych kawałków bez trudu wyłapiecie mieszające się ze sobą wpływy deta, thrashu i grindu. Agresywne i niezwykle intensywne gitary i bulgoczący na równi z nimi bas, zapodają na przemian trochę miażdżącego gniecenia, lawinowych wybuchów wścieklizny oraz odbierających powietrze zwolnień. Wszystkiemu towarzyszą perkusyjne d-beaty i naparzanka w werble, które wydają dźwięki niczym kałach wraz z soczystymi growlami, zatem mocny element punkowy siłą rzeczy też tu się wdziera. Wspomniane wcześniej interludia to mini-kompozycje, które niosą ze sobą fuzję dziwnych dźwięków i gwałtownego, gitarowego młócenia, którym akompaniują wrzaski wokalisty. Przypominają one krótkie, grindowe numery jakie można było kiedyś spotkać nie tylko na dwóch pierwszych wydawnictwach Napalm Death. Jednak ich geneza jest trochę inna, gdyż mają one korespondować z twórczością Johna Zorna i grupy Naked City, która łączyła w swoich aranżacjach takie style jak fusion, death, grind, punk, jazz i muzykę poważną. Zatem noise pełną gębą, która pożera wszystko co spotka na swojej drodze. Bardzo ciekawy krążek wysmażyła dwójka tych artystów, będący podróżą w przeszłość, kiedy ekstremalna muza była codziennością i częściej słuchało się takich rzeczy. Krwisty, mięsisty i lepki death-grind z małą dozą hałasu, ale gdzieś tam w oddali jakieś rogi również widać. Polecam, ponieważ to świetne grzanie z Hiszpanii.

shub niggurath


Debut full length of the new band by Dopi (MACHETAZO, LEPROPHILIAC, MUTILATED VETERANS, PREMATURE BURIAL, RUINEBELL, ex-BODYBAG, ex-DEADMASK, ex-DISHAMMER...) and experimental musician / free jazz drummer Avelino Saavedra (ex-MOL). 11 songs of extreme grindcore influenced by TERRORIZER, BRUTAL TRUTH, D.R.I., THE ACCÜSED. Mastering was carried out by the one and only Jason Fuller (BLOOD DUSTER) at Goatsound studios in Australia.

DEATHCONTROL was born from the joining of forces of J.M.Dopico and Avelino Saavedra. They are both from the city of La Coruña, in Galicia, Spain and have known each other since the early nineties, the golden age of Hardcore, Crossover, Grindcore, Thrash and Death Metal.
In those days Dopi was the drummer for Frustradicción and later for the legendary band Machetazo, while Avelino put his drumsticks at the service of the hardcore band Mol. Then each one went down different paths, although with the common points of both continuing in the most underground scene and rejecting the mainstream.

Dopi remained faithful to the most putrid, distorted and extreme music, forming different projects such as Bodybag, Premature Burial or Leprophiliac, among others, while Avelino, after having played very different styles such as Jazz, Latin Jazz, African music, Rock of all kinds , etc , led to more “experimental” ways of making music, such as free improvisation, free Jazz, collaborations for dance and theater, etc, which are what he is currently focused on.

Both had been talking for a long time about doing something together and from this mix of life experiences DEATHCONTROL emerged, a project conceived from a distance, since they both currently live on opposite ends of Spain. What they were clear about was that they wanted to make music with references to those bygone times, direct, aggressive music, with hardly any post-production, as natural and authentic as possible.
Dopi recorded the guitars over click tracks, sent them to Avelino, who recorded the drums and in turn he sent them back so that the former could incorporate the bass and vocals. The result was six structured songs, with their corresponding lyrics, highly influenced by classic bands such as Terrorizer, Brutal Truth, D.R.I., The Accüsed... and five interludes of pure sick noise with an aftertaste of the craziest and most extreme passages of John Zorn's Naked City or Painkiller.

Guitars, bass and vocals were recorded by Paco Liaño at Treboada studios, drums were recorded by Avelino at Önilewaland studios, where he was also in charge of the mixing. Mastering was carried out by the one and only Jason Fuller (ex-Blood Duster) at Goatsound studios in Australia. On the graphic side, Dopi was in charge of the logo design and layout, while Avelino created the interior illustrations and the cover.



..::TRACK-LIST::..

1. Controlled, Indoctrinated And Brainwashed 01:01
2. Interlude I 00:43
3. Point Of Veracity 02:53
4. Interlude II 00:35
5. A.I. Scum 02:11
6. Interlude III 00:45
7. W.T.F.A.Y. 01:55
8. Interlude IV 00:16
9. All Wrong 02:34
10. Interlude V 00:29
11. Pagan But Urban 03:26



..::OBSADA::..

Avelino Saavedra - Drums, Lyrics (track 5), Songwriting
JM Dopico - Vocals, Guitars, Bass, Lyrics (tracks 1-4, 6-11), Songwriting




https://www.youtube.com/watch?v=qfD1SoSIZ3E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trzeci studyjny album Devin Townsend. Całkowicie nowa edycja wydana z okazji 25-tej rocznicy premiery z zaktualizowaną okładką i dodatkowymi utworami.



I just got this album. No, I didn't just buy it, I just understood it...after so long of trying to comprehend it...I get it. And lo and behold, it is beautiful and amazing and majestic and badass and awe-inspiring and divine. Add another five star rating to Devin Townsend from me; this one is one of the most amazing releases ever.
While Terria feels like the story of the earth, Ocean Machine the story of the ocean, and Synchestra the story of all things good in life, this album is the story of the soul of mankind in relation to god. Yes, I will overinterprete that much. Maybe if you ever love this album as much as I do, you'll do the same. The journey of the human soul in it's purest and most raw form through life, that's what this is. From the birth to the midlife crisis to the calm at the end of life, this has it all. This is an epic voyage through life and the way god made the human soul.

The album opens up with the most majestic and amazing piece of music I've ever heard, simply entitled Truth. From the opening riff, you can tell it's gonna be majestic. Then Devy comes in with his high yells over those crazy guitar riffs, then everything turns perfect, and oh man, words cannot describe how perfect this song is. The absolute best opener ever. This is the revelation; the awakening; the birth of the soul, and all it is screaming is "OH HELL YES I AM ALIVE AND IT FEELS ****ING GREAT! HALLELUJAH!" You can feel that being cried out all throughout. Amazing. Truth turns into Christeen, easily the most accessible song on the album. It's more or less a pop rock song with tons of Devy-isms (such as lots of layering and odd touches everywhere). Great great song, lots of fun. This song, I feel, talks of early life, where the soul is free and full of life, and trying to find love, and looking optimistic and happy and finding love, even if there is none. The soul believes there is. Happy upbeat song to represent a happy and upbeat soul.

Next comes probably the most recognizable song on here from Devy fans, which is Bad Devil. This is essentially a big band rock song with awesome organ and a nice shuffle feel all throughout. There's a nice trombone solo interlude halfway through with finger snaps, a jazz keyboard solo. Good singing, and good drumming. What a fun song this is, haha. This song is when the soul gets older, around the teen years, where a person starts to learn of the risky and risque things in life...all the dark sides. It flirts with the dark side though, much like many teenagers. It hasn't been fully imbraced anything bad, but it knows it is all there. Following Bad Devil is another fan favorite, War. This has a shuffle feel as well, except slower. This is a little repetitive, but in no way bad at all. good vocals and lyrics, and the ending is very interesting. And how about that "doo-wap wawap, doo-wap wawap" section in the middle? Awesome. The end is kinda a preview for how weird the album is about to get, I think. This song I feel like is college years to about 25 years, where some hope for love is there, but it's more the soul is searching, trying to balance and stabilize their lives in the hectic life a young person leads...everything is being shoved on the soul and it screaming, "I DON'T WANT YOUR WAR!".

Next is Soul Driven, the first really "out there" song on the album. It's got a very majestic riff around it. It requires all the listener's effort to get anything out of it that's worth noting, and I still haven't gotten all of it. I have picked up on enough to love it though. It's super majestic all throughoutand the way Devy uses his voice is super cool. Something worth noting at 3:50-4:00 is that a melody from Stravisnky's Rite of Spring comes in softly and plays out a little bit. This is the part right before the deep voice comes in. It's just a real cool touch. I feel like this is the first breakdown of the soul, screaming out to whatever the soul worships and believes in, screaming, "WHAT THE ****?! THIS IS LIFE? HELP ME!". A cry to whatever one believes in. And the end I had trouble putting meaning to, but I feel like maybe it's saying how after this breakdown, life goes on as normal, frantic and whatnot for simple things, and the weird pop techno feel of what Devy is singing is how life happily goes on without you, breakdown or not.

Ants is next, and it is INSANE! You can almost see tons of little ants scurrying around to accomplish whatever they gotta do. So much layering here, it must have taken forever to produce. This song revolves around the frantic meaningless insanity of the human life and soul around 30...do the laundry! Make money! Make more money! It represents the soul running around like crazy trying to live, and they really have to go nuts to survive.

Wild Colonial Boy is another very good song. It takes some getting used to, as it's different in feel even for this album. This just feels like Devy is messing around a bit. Thus...it's not up to par with the rest of the album, but it's still good, and I like listening to it out of sequence with the rest of the album. If I had to interpret this...it's the soul quietly on the side during the bussle of life, trying to say it still has some of that carefree freedom that we saw in Christeen...it's just muffled by the formality and retardedness of life. This is around age 40-50 now.

Dynamics is similar to Soul Driven, just done better and with a much nicer beginning. I like this song quite a bit...I mean, I already liked Soul Driven, and this is just a super-buffed up version of that song. The last three minutes absolutely tear my head off...this is the climax of the album, the last three minutes of this album. It's as hardcore and emotional and majestic as possible. This song is the second and final breakdown, starting to reach nearer to the end of your life, and saying..."My life has been one crazy as hell ride...holy CRAP! I'M ALIVE, BUT I'M LOST I'M LOST I'M LOST IN THIS CRAZY ****ING WORLD." It's another cry to god, more of a cry of asking what my life has been about, and the insanity of it all, and how nothing feels real and so on. The final screaming at the end of this song is the true climax of this album. It sums up the feel so well...just a mighty scream at the behemoth that is life.

Unity is the end of your life. It is the relaxing, the calming down..."I''m ok now...I'll make it, through this damned life of mine...it's almost over, and I'll enjoy what I have. It's alright...I'm home." I always feel like this is the grandparent stage of life, watching your kids grow, your grandkids, and just being happy for them, and relaxing yourself after working hard through the insanity all your life. It's a very peaceful song that could cheer anyone up. Wonderful relaxing feel. The end grows, symbolising how life is still insane, but the original peaceful melody and feel stays intact. Because it's alright. The soul is at peace. The song ends with a minute of silence..the fade out into death. But a peaceful fade out. Such a nice song, it's a little repetitive but so pretty I don't care at all. In fact it's one of my favorite songs on the whole allbum.

Noisy Pink Bubbles is plenty of fun, it's kinda a stoner-ish song, which is ok. It's well-done, and starts with some real funky stuff going on. The second half is more interesting yet. I can't even describe it or draw up comparisons, like I can't for most of this album because there's nothing else like it. It kinda has a Pink Floyd feel to it, almost. This doesn't fit into the story, because the story is over.

So basically, this album breaks down into two halves: the first four songs, which are the more accessible and more satisfying songs, and the next five having more focus on crazy layering and a rather divine feel. So divine the listener might not enjoy them, actually. But they are divine. For audio buffs a most here, and for anyone with patience, they will reward you greatly. Then...Noisy Pink Bubbles is in a class of its own.

I guess I more told of my interpretation of the album than anhything else, heh. But that's ok...just know it's a masterpiece. Very difficult to get into...very difficult. Thus, I wouldn't be surprised to see many people hate it. Those who get it, however...will not regret it.

FishyMonkey


The Canadian guitarist and vocalist Devin TOWNSEND is a very original musician. His career took off in 1992 when he got the honourable opportunity to sing on Steve Vai's "Sex and Religion" album. His own compositions are truly original and you probably won't find any other artists with Devin's approach to the music. He's a brilliant guitarist as well as vocalist, and his music is often very complex and experimental.
Some may find the distorted sound that is very present on this album quite disturbing, but if you're familiar with, and enjoy bands such as FRONT LINE ASSEMBLY, PEACE, LOVE & PITBULLS, MINISTRY and SKINNY PUPPY, you'll probably enjoy this album, even if it's quite not comparable to these bands. But if you're mixing the aforementioned bands with Adrian BELEW, PpZ30, SLAYER, Steve VAI and Frank ZAPPA, you're quite close to how it sounds.

Some songs may sound like a massive noise if you're taking a quick listening, but if you're listening closely you'll hear that there's a melody behind it all. Then there's the other songs that are catchy and almost commercial (Christeen), groovy (Bad Devil), funny (Ants), power ballad-ish (Wild Colonial Boy) and beautiful dreamy (Unity). As you can see there's a lot of variation to the material, so you won't get bored with this album in a long time.

A very interesting album that will grow on you with each listening. Highly recommended!

Greger



..::TRACK-LIST::..

CD1:
1. Truth 03:58
2. Christeen 03:41
3. Bad Devil 04:52
4. War 06:29
5. Soul Driven Cadillac 05:14
6. Ants 02:01
7. Wild Colonial Boy 03:04
8. Life Is All Dynamics 05:08
9. Unity 06:07
10. Noisy Pink Bubbles 05:22

CD2:
1. Om (Demo) 06:18
2. Sit In The Mountain (Demo) 03:16
3. Processional (Demo) 11:42
4. Love-Load (Demo) 05:01
5. Sister (Live Acoustic) 02:16
6. Hide Nowhere (Live Acoustic) 05:03
7. Man (1996 Demo) 05:12



..::OBSADA::..

Devin Townsend - vocals, guitar, bass, keyboards, programming
Gene Hoglan - drums
Christian Olde Wolbers - upright bass
Andy Codrington - trombone
Chris Valagao Mina - guitar, backing vocal
Erin Townsend, Lyn Townsend, Dave Townsend, Naomi, Tanya Evans, Lara Uthoff, Brad Jackson, Jennifer Lewis - additional vocals
Jamie Meyer - piano solo (track 3)




https://www.youtube.com/watch?v=UHzxWVZnDgo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trzeci studyjny album Devin Townsend. Całkowicie nowa edycja wydana z okazji 25-tej rocznicy premiery z zaktualizowaną okładką i dodatkowymi utworami.



I just got this album. No, I didn't just buy it, I just understood it...after so long of trying to comprehend it...I get it. And lo and behold, it is beautiful and amazing and majestic and badass and awe-inspiring and divine. Add another five star rating to Devin Townsend from me; this one is one of the most amazing releases ever.
While Terria feels like the story of the earth, Ocean Machine the story of the ocean, and Synchestra the story of all things good in life, this album is the story of the soul of mankind in relation to god. Yes, I will overinterprete that much. Maybe if you ever love this album as much as I do, you'll do the same. The journey of the human soul in it's purest and most raw form through life, that's what this is. From the birth to the midlife crisis to the calm at the end of life, this has it all. This is an epic voyage through life and the way god made the human soul.

The album opens up with the most majestic and amazing piece of music I've ever heard, simply entitled Truth. From the opening riff, you can tell it's gonna be majestic. Then Devy comes in with his high yells over those crazy guitar riffs, then everything turns perfect, and oh man, words cannot describe how perfect this song is. The absolute best opener ever. This is the revelation; the awakening; the birth of the soul, and all it is screaming is "OH HELL YES I AM ALIVE AND IT FEELS ****ING GREAT! HALLELUJAH!" You can feel that being cried out all throughout. Amazing. Truth turns into Christeen, easily the most accessible song on the album. It's more or less a pop rock song with tons of Devy-isms (such as lots of layering and odd touches everywhere). Great great song, lots of fun. This song, I feel, talks of early life, where the soul is free and full of life, and trying to find love, and looking optimistic and happy and finding love, even if there is none. The soul believes there is. Happy upbeat song to represent a happy and upbeat soul.

Next comes probably the most recognizable song on here from Devy fans, which is Bad Devil. This is essentially a big band rock song with awesome organ and a nice shuffle feel all throughout. There's a nice trombone solo interlude halfway through with finger snaps, a jazz keyboard solo. Good singing, and good drumming. What a fun song this is, haha. This song is when the soul gets older, around the teen years, where a person starts to learn of the risky and risque things in life...all the dark sides. It flirts with the dark side though, much like many teenagers. It hasn't been fully imbraced anything bad, but it knows it is all there. Following Bad Devil is another fan favorite, War. This has a shuffle feel as well, except slower. This is a little repetitive, but in no way bad at all. good vocals and lyrics, and the ending is very interesting. And how about that "doo-wap wawap, doo-wap wawap" section in the middle? Awesome. The end is kinda a preview for how weird the album is about to get, I think. This song I feel like is college years to about 25 years, where some hope for love is there, but it's more the soul is searching, trying to balance and stabilize their lives in the hectic life a young person leads...everything is being shoved on the soul and it screaming, "I DON'T WANT YOUR WAR!".

Next is Soul Driven, the first really "out there" song on the album. It's got a very majestic riff around it. It requires all the listener's effort to get anything out of it that's worth noting, and I still haven't gotten all of it. I have picked up on enough to love it though. It's super majestic all throughoutand the way Devy uses his voice is super cool. Something worth noting at 3:50-4:00 is that a melody from Stravisnky's Rite of Spring comes in softly and plays out a little bit. This is the part right before the deep voice comes in. It's just a real cool touch. I feel like this is the first breakdown of the soul, screaming out to whatever the soul worships and believes in, screaming, "WHAT THE ****?! THIS IS LIFE? HELP ME!". A cry to whatever one believes in. And the end I had trouble putting meaning to, but I feel like maybe it's saying how after this breakdown, life goes on as normal, frantic and whatnot for simple things, and the weird pop techno feel of what Devy is singing is how life happily goes on without you, breakdown or not.

Ants is next, and it is INSANE! You can almost see tons of little ants scurrying around to accomplish whatever they gotta do. So much layering here, it must have taken forever to produce. This song revolves around the frantic meaningless insanity of the human life and soul around 30...do the laundry! Make money! Make more money! It represents the soul running around like crazy trying to live, and they really have to go nuts to survive.

Wild Colonial Boy is another very good song. It takes some getting used to, as it's different in feel even for this album. This just feels like Devy is messing around a bit. Thus...it's not up to par with the rest of the album, but it's still good, and I like listening to it out of sequence with the rest of the album. If I had to interpret this...it's the soul quietly on the side during the bussle of life, trying to say it still has some of that carefree freedom that we saw in Christeen...it's just muffled by the formality and retardedness of life. This is around age 40-50 now.

Dynamics is similar to Soul Driven, just done better and with a much nicer beginning. I like this song quite a bit...I mean, I already liked Soul Driven, and this is just a super-buffed up version of that song. The last three minutes absolutely tear my head off...this is the climax of the album, the last three minutes of this album. It's as hardcore and emotional and majestic as possible. This song is the second and final breakdown, starting to reach nearer to the end of your life, and saying..."My life has been one crazy as hell ride...holy CRAP! I'M ALIVE, BUT I'M LOST I'M LOST I'M LOST IN THIS CRAZY ****ING WORLD." It's another cry to god, more of a cry of asking what my life has been about, and the insanity of it all, and how nothing feels real and so on. The final screaming at the end of this song is the true climax of this album. It sums up the feel so well...just a mighty scream at the behemoth that is life.

Unity is the end of your life. It is the relaxing, the calming down..."I''m ok now...I'll make it, through this damned life of mine...it's almost over, and I'll enjoy what I have. It's alright...I'm home." I always feel like this is the grandparent stage of life, watching your kids grow, your grandkids, and just being happy for them, and relaxing yourself after working hard through the insanity all your life. It's a very peaceful song that could cheer anyone up. Wonderful relaxing feel. The end grows, symbolising how life is still insane, but the original peaceful melody and feel stays intact. Because it's alright. The soul is at peace. The song ends with a minute of silence..the fade out into death. But a peaceful fade out. Such a nice song, it's a little repetitive but so pretty I don't care at all. In fact it's one of my favorite songs on the whole allbum.

Noisy Pink Bubbles is plenty of fun, it's kinda a stoner-ish song, which is ok. It's well-done, and starts with some real funky stuff going on. The second half is more interesting yet. I can't even describe it or draw up comparisons, like I can't for most of this album because there's nothing else like it. It kinda has a Pink Floyd feel to it, almost. This doesn't fit into the story, because the story is over.

So basically, this album breaks down into two halves: the first four songs, which are the more accessible and more satisfying songs, and the next five having more focus on crazy layering and a rather divine feel. So divine the listener might not enjoy them, actually. But they are divine. For audio buffs a most here, and for anyone with patience, they will reward you greatly. Then...Noisy Pink Bubbles is in a class of its own.

I guess I more told of my interpretation of the album than anhything else, heh. But that's ok...just know it's a masterpiece. Very difficult to get into...very difficult. Thus, I wouldn't be surprised to see many people hate it. Those who get it, however...will not regret it.

FishyMonkey


The Canadian guitarist and vocalist Devin TOWNSEND is a very original musician. His career took off in 1992 when he got the honourable opportunity to sing on Steve Vai's "Sex and Religion" album. His own compositions are truly original and you probably won't find any other artists with Devin's approach to the music. He's a brilliant guitarist as well as vocalist, and his music is often very complex and experimental.
Some may find the distorted sound that is very present on this album quite disturbing, but if you're familiar with, and enjoy bands such as FRONT LINE ASSEMBLY, PEACE, LOVE & PITBULLS, MINISTRY and SKINNY PUPPY, you'll probably enjoy this album, even if it's quite not comparable to these bands. But if you're mixing the aforementioned bands with Adrian BELEW, PpZ30, SLAYER, Steve VAI and Frank ZAPPA, you're quite close to how it sounds.

Some songs may sound like a massive noise if you're taking a quick listening, but if you're listening closely you'll hear that there's a melody behind it all. Then there's the other songs that are catchy and almost commercial (Christeen), groovy (Bad Devil), funny (Ants), power ballad-ish (Wild Colonial Boy) and beautiful dreamy (Unity). As you can see there's a lot of variation to the material, so you won't get bored with this album in a long time.

A very interesting album that will grow on you with each listening. Highly recommended!

Greger



..::TRACK-LIST::..

CD1:
1. Truth 03:58
2. Christeen 03:41
3. Bad Devil 04:52
4. War 06:29
5. Soul Driven Cadillac 05:14
6. Ants 02:01
7. Wild Colonial Boy 03:04
8. Life Is All Dynamics 05:08
9. Unity 06:07
10. Noisy Pink Bubbles 05:22

CD2:
1. Om (Demo) 06:18
2. Sit In The Mountain (Demo) 03:16
3. Processional (Demo) 11:42
4. Love-Load (Demo) 05:01
5. Sister (Live Acoustic) 02:16
6. Hide Nowhere (Live Acoustic) 05:03
7. Man (1996 Demo) 05:12



..::OBSADA::..

Devin Townsend - vocals, guitar, bass, keyboards, programming
Gene Hoglan - drums
Christian Olde Wolbers - upright bass
Andy Codrington - trombone
Chris Valagao Mina - guitar, backing vocal
Erin Townsend, Lyn Townsend, Dave Townsend, Naomi, Tanya Evans, Lara Uthoff, Brad Jackson, Jennifer Lewis - additional vocals
Jamie Meyer - piano solo (track 3)




https://www.youtube.com/watch?v=UHzxWVZnDgo



SEED 15:00-22:00.
POLECAM!!!