...( Info )...
Title: Postumus
Artist: Butchers
Year: 2025
Genre: Thrash-Metal
Country: Hungary
Duration: 00:36:57
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
1. Man#Animal
2. Song Before Harvest (Ady Endre verse)
3. Living Among Fears
4. Hibernation
5. Burnt Hearts
6. Smoke, Fire, Ruins
7. Loneliness
8. Fourth Dimension
9. Go to Others for Comfort

...( Info )...
Title: Ukko's Hammer
Artist: Ukko's Hammer
Year: 2025
Genre: Thrash-Metal, Crossover
Country: USA

Duration: 00:33:14
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Altar of Progress
2. All for One
3. Endless Pain
4. Excited Delirium
5. Hiisi Tanssi
6. Skin and Bone
7. Theft of the Sampo
8. Ukonilma
9. New Song
10. More Machine than Man
11. Ukonvasara

...( Info )...
Title: Make War To Be In Peace
Artist: Dead Winds
Year: 2025
Genre: Thrash, Groove-Metal
Country: France

Duration: 00:49:15
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Unmankind
2. Insomnia
3. Fucked up My Youth
4. Dawn of War
5. Make War to Be in Peace
6. Destroyed to Be Perfect
7. Can't Wait More
8. When Honor Is Destroyed
9. Sous les bombes
10. Blackout
11. Anarchy

...( Info )...
Title: Endless Devastation
Artist: Axident
Year: 2025
Genre: Thrash-Metal
Country: Belgium

Duration: 00:33:55
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intro
02. Toxic Parasite
03. Massacre
04. Axidental Thrash
05. The Mountain
06. Curse of the Seed
07. Ancalagon The Black
08. The Bitch of Buchenwald

...( Info )...
Title: Hounds Of Earth
Artist: Debunker
Year: 2025
Genre: Thrash, Groove-Metal
Country: Portugal

Duration: 01:01:38
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. (Intro) The Brute Flower of Will
2. Hounds of Earth
3. Whirpool of Decay
4. Doomsayer
5. Clepsydra
6. O Princípio da Incerteza
7. I Accept
8. Memory Stone
9. Bread & Circuses
10. Rede Social (Felicidade Falsa)
11. Heat-Fueled Rage
12. Dasein

...( Info )...
Title: Duality
Artist: Vox Mortem
Year: 2025
Genre: Thrash-Metal
Country: Brazil

Duration: 00:32:52
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01.The Quasar 01:11
02.Duality 03:59
03.Walls of Death 03:45
04.Armageddon 03:49
05.Lockdown 03:43
06.Heretic 04:11
07.The Chronos Reign 01:05
08.Gods Eater 03:40
09.Not a Redeemer 04:32
10.Caligula 02:59

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Gdyby Celtic Frost i Enslaved kopulowali na oczach 'street'owego' Behemoth i punk'owego Immortal, bękart wyglądałby właśnie tak jak
muzyka na tym krążku...
Mały skurwiel, który ocieka ponurą, czarną złośliwością i brzydką, podziemną nienawiścią...



..::TRACK-LIST::..

1. Eternal Rotting Misery 05:54
2. Call Me Death 06:31
3. Law of the Rope 04:57
4. Bathed in Moonblood & Wolflight 04:38
5. The Failure King 06:53
6. Dead Rat, Rotting Raven 03:54
7. Solace Eclipsed 08:21



..::OBSADA::..

Adam Clemans - vocals
Andrew Gerrity - bass, vocals
Garry Naples - drums
John Porada - bass, guitar, vocals
Jeff Wilson - guitar, bass, synth

Additional guitars by Jarrett Pritchard and Ken Sorceron
Cellos by Kakophonix




https://www.youtube.com/watch?v=xcM7UcuEt1s



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Gdyby Celtic Frost i Enslaved kopulowali na oczach 'street'owego' Behemoth i punk'owego Immortal, bękart wyglądałby właśnie tak jak
muzyka na tym krążku...
Mały skurwiel, który ocieka ponurą, czarną złośliwością i brzydką, podziemną nienawiścią...



..::TRACK-LIST::..

1. Eternal Rotting Misery 05:54
2. Call Me Death 06:31
3. Law of the Rope 04:57
4. Bathed in Moonblood & Wolflight 04:38
5. The Failure King 06:53
6. Dead Rat, Rotting Raven 03:54
7. Solace Eclipsed 08:21



..::OBSADA::..

Adam Clemans - vocals
Andrew Gerrity - bass, vocals
Garry Naples - drums
John Porada - bass, guitar, vocals
Jeff Wilson - guitar, bass, synth

Additional guitars by Jarrett Pritchard and Ken Sorceron
Cellos by Kakophonix




https://www.youtube.com/watch?v=xcM7UcuEt1s



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Evanescence
Album: The Bitter Truth
Country: USA
Genre: Alt. Metal
Release: 2021
Duration: 00:47:19
Quality: Mp3, CBR 320 kbps
Size: 110 mb


...( Opis )...

Podstawowe wydanie piątego studyjnego albumu amerykańskiej formacji Evanescence, na której czele od początku stoi charyzmatyczna wokalistka Amy Lee. "The Bitter Truth" był gotowy już w 2020 roku (zespół zameldował się w studiu w styczniu tego samego roku), ale jego wydanie zostało wstrzymane w związku z opóźnieniami pandemicznymi. Charakter tych utworów jest tym, z czego kapela jest dobrze znana: jest mroczno, ciężko, ale też oszczędnie. Krążek ostatecznie ukazał się w marcu 2021 roku.


...( TrackList )...

1. Artifact / The Turn
2. Broken Pieces Shine
3. The Game Is Over
4. Yeah Right
5. Feeding The Dark
6. Wasted On You
7. Better Without You
8. Use My Voice
9. Take Cover
10. Far From Heaven
11. Part Of Me
12. Blind Belief

...( Info )...
Title: Chasing The Dragon
Artist: Helms Deep
Year: 2025
Genre: Heavy, Power-Metal
Country: USA

Duration: 00:57:35
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Wing Chun 00:40 instrumental
2. Black Sefirot 06:42
3. Chasing the Dragon 04:43
4. Craze of the Vampire 06:51
5. Cursed 05:03
6. Flight of the Harpy 05:41
7. Frozen Solid 04:02
8. Necessary Evil 05:00
9. Red Planet 06:01
10. Seventh Circle 05:33
11. Shiva's Wrath 07:19

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Popieprzone' jak Painkiller w latach 90-tych!



Not even the most sophisticated recommender systems will accurately predict your preference for this integration between sparse, echo effected grunts and metallic clanks dominated by fast space grind drumming and complex electric strings. Space junk special effects pollute the atmosphere, while the occasional wah pedal magnifies the radioactivity of the numerous barre chords, all in order to psudoktrinate audience members for several minutes at a time.

The 4½th Psudoku album Psudoktrination contains 10 progressive space grind tracks totaling 27:24. Despite the formation of live-Psudoku in 2024, studio-Psudoku continues to operate as a one-shuttle mission specialist band.



..::TRACK-LIST::..

1. uLtRa-PrObABle-fUtuRE-iNfoTaiNmeNt-SceNaRio 01:52
2. OuteR-SpaCe-EscaPisM-4eVEry1 04:02
3. reAcH-wARP-speEd-uSinG-Old-teChNoLOgY 02:29
4. PLanetArY-nAmInG-cONVeNtioN 03:13
5. UpSide-DownWards-tiMe-trAVel 01:40
6. AdVanCed-ScienTifiC-eXperiMent-iNteRrUpteD 01:23
7. cArEFul-obSeRvATioN-of-MiNiAtuRe-bLaCK-holeS 03:58
8. AStrOnoMicAllY-AcCuRatE-solAr-SysTem-mOdeLLing 02:58
9. neW-hAbITabLE-pLaNET-diScOvEreD-TheN-iGnoRed 03:30
10. sPaCe-StATioN-MaiNtEnANce 02:16



..::OBSADA::..

Guitar, bass, samples, programming, vocals & mixing by
Shuttle Mission Specialist Roger




https://www.youtube.com/watch?v=bfVZ1qV5krE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Popieprzone' jak Painkiller w latach 90-tych!



Not even the most sophisticated recommender systems will accurately predict your preference for this integration between sparse, echo effected grunts and metallic clanks dominated by fast space grind drumming and complex electric strings. Space junk special effects pollute the atmosphere, while the occasional wah pedal magnifies the radioactivity of the numerous barre chords, all in order to psudoktrinate audience members for several minutes at a time.

The 4½th Psudoku album Psudoktrination contains 10 progressive space grind tracks totaling 27:24. Despite the formation of live-Psudoku in 2024, studio-Psudoku continues to operate as a one-shuttle mission specialist band.



..::TRACK-LIST::..

1. uLtRa-PrObABle-fUtuRE-iNfoTaiNmeNt-SceNaRio 01:52
2. OuteR-SpaCe-EscaPisM-4eVEry1 04:02
3. reAcH-wARP-speEd-uSinG-Old-teChNoLOgY 02:29
4. PLanetArY-nAmInG-cONVeNtioN 03:13
5. UpSide-DownWards-tiMe-trAVel 01:40
6. AdVanCed-ScienTifiC-eXperiMent-iNteRrUpteD 01:23
7. cArEFul-obSeRvATioN-of-MiNiAtuRe-bLaCK-holeS 03:58
8. AStrOnoMicAllY-AcCuRatE-solAr-SysTem-mOdeLLing 02:58
9. neW-hAbITabLE-pLaNET-diScOvEreD-TheN-iGnoRed 03:30
10. sPaCe-StATioN-MaiNtEnANce 02:16



..::OBSADA::..

Guitar, bass, samples, programming, vocals & mixing by
Shuttle Mission Specialist Roger




https://www.youtube.com/watch?v=bfVZ1qV5krE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Całkowicie szalony, awangardowy atak na twoją równowagę psychiczną!

FA


Veilburner are back with a new album full of twisted, brain-warping, consciousness-altering death/black metal. Many thought they'd achieved their pinnacle with their previous full length 'A Sire to the Ghouls of Lunacy' but this one, while continuing where it left off, expands upon the theme of that one in ways never imagined. This is more of the same unhinged, dissonant and downright terrifying music delivered with even more conviction and extremity. Their creative genius is inexhaustible as the band once again elaborates on the concept of the man suffering from a mental condition being haunted by the ghoul-ish entities that feature on the artwork and fighting to prove their existence. Indeed, the multi-faceted music sounds as though it's written by someone with multiple personality disorder because it's fantastically whimsical, following no perceivable trajectories, and just leaves you shocked and spellbound by it all. It's the next level in extreme metal music, blurring boundaries of death and black metal and everything in between, and elevating it to heights hitherto unscaled.




My boyfriend had a car once, a real taped-together life raft to get him to his last couple months of an old job, and this car had a tape player that sounded like someone’s kid had been feeding it old refrigerator magnets as a snack. I swear this player would foam at the slot if it sat too long in the sun. It was too warped and out of balance to play anything clearly, taking my Best Of Alice Cooper cassette and mashing the tunes into a burbling, scurrying pest that was soon regurgitated with its reflective tapey guts hanging out. I can only imagine a similar incident happened to Veilburner at some point in time, because they seem intent on elevating that sonic vivisection into an obsession. To my ears, death metal has never been quite so expressionistic, which is a full semester’s tuition of a word to drop on a record called Lurkers In The Capsule Of Skull.

All I want to talk about is their sound, not their songwriting. Fine-tuned though it may be, I think it’s a little bit above my reading level to try and track the internal order of this material rather than the grotesque, yet enticing, contours that ripple away from it. It’s so twitchy, always ululating, verging on something insectoid in nature. I guess the closest textural foundation to compare would be the kind of winding, near-techy affect of the latest Tomb Mold, but with innards twisted and folded to negative space. The searing hot black metal of Melechesh also matches Veilburner’s guitars for weight and Phrygian thrust, but neither can hold a candle in terms of lurch. The most distinctive trait of Veilburner’s work its peristaltic motion. Some of these riffs seem to bulge in ways I’ve heard nowhere else (at least not so pervasively), using gradual bends, tortured wah-wah, and spasms of the tremolo bar to swell into something uncomfortably 3-dimensional.

Lurkers is that rare record that doesn’t get weaker when it leans on effects over technique, using the guitar as a metamorphic synth unit. There’s quite a few spots, like the crescendos of “Lurkers” itself, that sound like a spirit box channeling a very foreboding harmonica player. I’m also taken with how much the voice of the guitar itself is stretched and varied within what seems like a constricted range. Listening to the solo from “Nocturnal Gold”, one of the few solos on this record even approaching conventional, is like taking Andy Larocque’s whammy-happy leadwork and melting it in the microwave. Multi-instrumental bandleader Mephisto Deleterio is on some alchemical shit here. I can almost imagine his laboratorium, walls smeared with the distortive viscera that spatters from the strings.

Of course, goofing with synths could easily be a curtailed gimmick were the underlying structure not in order, and Veilburner definitely dodge the obvious pitfall of deploying their sorcery without purpose. The interlude jam, “Para-Opaque”, is a desert mirage built on a bassy nod, where the guitar wavers like a sleepwalker with his eyelids twitching. Reaching the rapturous climax of “Cursed, Disfigured, Amen” is like anointing oneself as a born-again Cenobite, a fitting image in more ways than one. Veilburner finds extremity not necessarily in speed, heaviness, or overwrought chaos, but in the twisting of death and black metal flesh into something darkly parodic. Evocative of a familiar being, but exquisitely peeled apart and rewired into an uncanny engine of perverted bliss. This concoction of dissodeath dischordance and effervescent sound sculpting really delivers sonically on the kind of surreal, Lovecraftian wrongness that so many others simply can’t summon, beyond running their megapolysyllabic lyrics through a thesaurus. All throughout, this record is dotted with genuine paranormal events.

In fact, I feel safe admitting that Lurkers wouldn’t be nearly as effective without that tonal mastery. It’s a little difficult to judge the songwriting, since the aesthetic meat of the album is all so textural. It doesn’t snap back and forth directionally the way that Blood Incantation or that new Devoid Of Thought do. Rather, it’s about scratched-out abrasive streaks, choosing one dissonant thought and peppering it in between muted, hummingbird-heartbeat tremolo. The entire trip recalls something like Beyond The Black Rainbow or some kind of art horror. Thwarted pattern recognition and tricks of perception are the techniques at work here, rather than a comprehensible monster with motivations and screen presence. It is at once assault and seduction of your senses. Perplexing, bewildering, even carnal in its uninhibited throes. Everything you hear is distorted through a curved lens, and when it’s over, the real world might feel a little too linear to be trusted.

A Spooky Mansion



..::TRACK-LIST::..

1. In the Tomb of Dreaming Limbo 07:09
2. Nocturnal Gold 07:20
3. Cursed,Disfigured, Amen! 07:30
4. Lurkers in the Capsule of Skull 06:21
5. Para-Opaque 04:57
6. An Odyssey Through Cataclysm 06:27
7. Vault of Haunting Dissolve 05:42
8. Dissonance in Bloom 07:49



..::OBSADA::..

Mephisto Deleterio - All music and backing vocals
Chrisom Infernium - Vocals and all artwork




https://www.youtube.com/watch?v=DjJKHaHn2zA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Całkowicie szalony, awangardowy atak na twoją równowagę psychiczną!

FA


Veilburner are back with a new album full of twisted, brain-warping, consciousness-altering death/black metal. Many thought they'd achieved their pinnacle with their previous full length 'A Sire to the Ghouls of Lunacy' but this one, while continuing where it left off, expands upon the theme of that one in ways never imagined. This is more of the same unhinged, dissonant and downright terrifying music delivered with even more conviction and extremity. Their creative genius is inexhaustible as the band once again elaborates on the concept of the man suffering from a mental condition being haunted by the ghoul-ish entities that feature on the artwork and fighting to prove their existence. Indeed, the multi-faceted music sounds as though it's written by someone with multiple personality disorder because it's fantastically whimsical, following no perceivable trajectories, and just leaves you shocked and spellbound by it all. It's the next level in extreme metal music, blurring boundaries of death and black metal and everything in between, and elevating it to heights hitherto unscaled.




My boyfriend had a car once, a real taped-together life raft to get him to his last couple months of an old job, and this car had a tape player that sounded like someone’s kid had been feeding it old refrigerator magnets as a snack. I swear this player would foam at the slot if it sat too long in the sun. It was too warped and out of balance to play anything clearly, taking my Best Of Alice Cooper cassette and mashing the tunes into a burbling, scurrying pest that was soon regurgitated with its reflective tapey guts hanging out. I can only imagine a similar incident happened to Veilburner at some point in time, because they seem intent on elevating that sonic vivisection into an obsession. To my ears, death metal has never been quite so expressionistic, which is a full semester’s tuition of a word to drop on a record called Lurkers In The Capsule Of Skull.

All I want to talk about is their sound, not their songwriting. Fine-tuned though it may be, I think it’s a little bit above my reading level to try and track the internal order of this material rather than the grotesque, yet enticing, contours that ripple away from it. It’s so twitchy, always ululating, verging on something insectoid in nature. I guess the closest textural foundation to compare would be the kind of winding, near-techy affect of the latest Tomb Mold, but with innards twisted and folded to negative space. The searing hot black metal of Melechesh also matches Veilburner’s guitars for weight and Phrygian thrust, but neither can hold a candle in terms of lurch. The most distinctive trait of Veilburner’s work its peristaltic motion. Some of these riffs seem to bulge in ways I’ve heard nowhere else (at least not so pervasively), using gradual bends, tortured wah-wah, and spasms of the tremolo bar to swell into something uncomfortably 3-dimensional.

Lurkers is that rare record that doesn’t get weaker when it leans on effects over technique, using the guitar as a metamorphic synth unit. There’s quite a few spots, like the crescendos of “Lurkers” itself, that sound like a spirit box channeling a very foreboding harmonica player. I’m also taken with how much the voice of the guitar itself is stretched and varied within what seems like a constricted range. Listening to the solo from “Nocturnal Gold”, one of the few solos on this record even approaching conventional, is like taking Andy Larocque’s whammy-happy leadwork and melting it in the microwave. Multi-instrumental bandleader Mephisto Deleterio is on some alchemical shit here. I can almost imagine his laboratorium, walls smeared with the distortive viscera that spatters from the strings.

Of course, goofing with synths could easily be a curtailed gimmick were the underlying structure not in order, and Veilburner definitely dodge the obvious pitfall of deploying their sorcery without purpose. The interlude jam, “Para-Opaque”, is a desert mirage built on a bassy nod, where the guitar wavers like a sleepwalker with his eyelids twitching. Reaching the rapturous climax of “Cursed, Disfigured, Amen” is like anointing oneself as a born-again Cenobite, a fitting image in more ways than one. Veilburner finds extremity not necessarily in speed, heaviness, or overwrought chaos, but in the twisting of death and black metal flesh into something darkly parodic. Evocative of a familiar being, but exquisitely peeled apart and rewired into an uncanny engine of perverted bliss. This concoction of dissodeath dischordance and effervescent sound sculpting really delivers sonically on the kind of surreal, Lovecraftian wrongness that so many others simply can’t summon, beyond running their megapolysyllabic lyrics through a thesaurus. All throughout, this record is dotted with genuine paranormal events.

In fact, I feel safe admitting that Lurkers wouldn’t be nearly as effective without that tonal mastery. It’s a little difficult to judge the songwriting, since the aesthetic meat of the album is all so textural. It doesn’t snap back and forth directionally the way that Blood Incantation or that new Devoid Of Thought do. Rather, it’s about scratched-out abrasive streaks, choosing one dissonant thought and peppering it in between muted, hummingbird-heartbeat tremolo. The entire trip recalls something like Beyond The Black Rainbow or some kind of art horror. Thwarted pattern recognition and tricks of perception are the techniques at work here, rather than a comprehensible monster with motivations and screen presence. It is at once assault and seduction of your senses. Perplexing, bewildering, even carnal in its uninhibited throes. Everything you hear is distorted through a curved lens, and when it’s over, the real world might feel a little too linear to be trusted.

A Spooky Mansion



..::TRACK-LIST::..

1. In the Tomb of Dreaming Limbo 07:09
2. Nocturnal Gold 07:20
3. Cursed,Disfigured, Amen! 07:30
4. Lurkers in the Capsule of Skull 06:21
5. Para-Opaque 04:57
6. An Odyssey Through Cataclysm 06:27
7. Vault of Haunting Dissolve 05:42
8. Dissonance in Bloom 07:49



..::OBSADA::..

Mephisto Deleterio - All music and backing vocals
Chrisom Infernium - Vocals and all artwork




https://www.youtube.com/watch?v=DjJKHaHn2zA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Jedyny duży album francuskiego zespołu grającego grind/crust z black metalowymi wpływami.
To mieszanka ekstremalnego grindu, metalu, mrocznych stron natury ludzkiej, smutku, strachu, myśli samobójczych, presji, energii, chaosu i szaleństwa – wszystko to zapakowane w maniakalną muzyczną recytację.

FA


Once Upon A Time śmiało mogę dopisać do listy płyt, których sam nie tknąłbym palcem. Na szczęście (w tym przypadku) pisanina na tym portalu czasami przymusza mnie do kontaktu z takimi produkcjami. Kaliyuga, wbrew przeczuciu, okazał się zespołem grającym naprawdę świetnie. To pierwszorzędna mieszanka black metalu, neocrustu i grindcore’u.

Płyta ta została wydana przez L’inphantile Collective w maju roku bieżącego. Debiut zespołu to nie jest, ale w praktyce można go za taki uznać (jedna siedmiocalówka wcześniej to niewiele). Krążek zawiera około pół godziny muzyki zawartej na szesnastu napakowanych negatywnością kawałkach.

Nie spodziewałem się aż tylu emocji zawartych w tej muzyce. A jeśli już to raczej gniewu i złości. Kaliyuga natomiast potrafi zabrzmieć jak punkowa wersja DSBMu. Potrafi, bo kawałki są różnorodne i poukładane tak, by płyta po prostu była ciekawsza. Utwory, ogólnie mówiąc, są krótsze niż dłuższe oraz bardzo intensywne. Kaliyuga nie bawi się w zwolnienia. Gna wciąż do przodu, byle wścieklej, byle mocniej. Blasty sypią się jak bluzgi na budowie, gitary sieją huraganowy zamęt a wokalistka krzyczy jakby zrywano z niej skórę, bądź sama miałaby to sobie zrobić. Piszę to w kontekście komplementu. Wrzaski Emilie pasują idealnie, są jednocześnie depresyjne i agresywne, do tego brzmią świetnie. Sprawdzają się równie dobrze na utworach gniewnych, jak Angry albo Devious As A Snake i tych bardziej blackmetalowych jak Judgement. Grindcore i crust punk też tu znajdziesz, wymieńmy chociażby Battle czy Step Back, przy czym muszę wspomnieć o ciekawych wydziwach wokalnych pod koniec tego ostatniego. Ale najlepiej jest na utworach pokroju Suicide. Utworach, na których krystalizuje się wspomniana fuzja DSBM i punka. Po prostu czuć w nich żywe emocje, a to przecież chyba najlepsze, co można o muzyce powiedzieć. Kaliyuga bardzo dobrze też dobrał sobie cover. Nasumowe The Last Sleep już oryginalnie było utworem ponurym, jednak Francuzi zrobili z niego całkowicie depresyjny walec.

Brzmienie płyty bardzo mi się podoba. Jest ostre i mięsiste, ale nie za bardzo. Bardzo ładnie podkreśla same kompozycje. Muzycy także grają w klimacie. Nie znajdziecie tu szpanerskich solówek, kozaczenia, i, ogólnie mówiąc, środków innych niż dosadna prostota. Tu liczy się energia i emocje. Layout ma ten plus, że jest bogaty i trafia się kilka fotek wokalistki. Poza tym nie powiedziałbym, że mi się podoba, choć na pewno jest dobrze zrobiony.

Bardzo polecam zapoznać się z Once Upon A Time. Jest duża szansa, że zostaniesz zaskoczony równie pozytywnie, co ja. Mam nadzieję, że po tym krążku zespół nabierze rozpędu i renomy. Czego życzę Kaliyudze, sobie i wam.

Kapitan Bajeczny



..::TRACK-LIST::..

1. Intro
2. You hate again
3. Angry
4. Step Back
5. Time To Change
6. From Denied To Forsaken
7. Judgement
8. Suicide
9. Battle
10. Domus Die
11. Etats D’aeme
12. No Way
13. Devious As A Snake
14. Drop Dead
15. Once Upon A Time
16. The Final Sleep (Nasum Cover)



..::OBSADA::..

Nidhal - Guitars, back vocal
Emilie - SCREAMING
Matt - Drumm
Josh - Bass




https://www.youtube.com/watch?v=vQ45rDVRGJ4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Jedyny duży album francuskiego zespołu grającego grind/crust z black metalowymi wpływami.
To mieszanka ekstremalnego grindu, metalu, mrocznych stron natury ludzkiej, smutku, strachu, myśli samobójczych, presji, energii, chaosu i szaleństwa – wszystko to zapakowane w maniakalną muzyczną recytację.

FA


Once Upon A Time śmiało mogę dopisać do listy płyt, których sam nie tknąłbym palcem. Na szczęście (w tym przypadku) pisanina na tym portalu czasami przymusza mnie do kontaktu z takimi produkcjami. Kaliyuga, wbrew przeczuciu, okazał się zespołem grającym naprawdę świetnie. To pierwszorzędna mieszanka black metalu, neocrustu i grindcore’u.

Płyta ta została wydana przez L’inphantile Collective w maju roku bieżącego. Debiut zespołu to nie jest, ale w praktyce można go za taki uznać (jedna siedmiocalówka wcześniej to niewiele). Krążek zawiera około pół godziny muzyki zawartej na szesnastu napakowanych negatywnością kawałkach.

Nie spodziewałem się aż tylu emocji zawartych w tej muzyce. A jeśli już to raczej gniewu i złości. Kaliyuga natomiast potrafi zabrzmieć jak punkowa wersja DSBMu. Potrafi, bo kawałki są różnorodne i poukładane tak, by płyta po prostu była ciekawsza. Utwory, ogólnie mówiąc, są krótsze niż dłuższe oraz bardzo intensywne. Kaliyuga nie bawi się w zwolnienia. Gna wciąż do przodu, byle wścieklej, byle mocniej. Blasty sypią się jak bluzgi na budowie, gitary sieją huraganowy zamęt a wokalistka krzyczy jakby zrywano z niej skórę, bądź sama miałaby to sobie zrobić. Piszę to w kontekście komplementu. Wrzaski Emilie pasują idealnie, są jednocześnie depresyjne i agresywne, do tego brzmią świetnie. Sprawdzają się równie dobrze na utworach gniewnych, jak Angry albo Devious As A Snake i tych bardziej blackmetalowych jak Judgement. Grindcore i crust punk też tu znajdziesz, wymieńmy chociażby Battle czy Step Back, przy czym muszę wspomnieć o ciekawych wydziwach wokalnych pod koniec tego ostatniego. Ale najlepiej jest na utworach pokroju Suicide. Utworach, na których krystalizuje się wspomniana fuzja DSBM i punka. Po prostu czuć w nich żywe emocje, a to przecież chyba najlepsze, co można o muzyce powiedzieć. Kaliyuga bardzo dobrze też dobrał sobie cover. Nasumowe The Last Sleep już oryginalnie było utworem ponurym, jednak Francuzi zrobili z niego całkowicie depresyjny walec.

Brzmienie płyty bardzo mi się podoba. Jest ostre i mięsiste, ale nie za bardzo. Bardzo ładnie podkreśla same kompozycje. Muzycy także grają w klimacie. Nie znajdziecie tu szpanerskich solówek, kozaczenia, i, ogólnie mówiąc, środków innych niż dosadna prostota. Tu liczy się energia i emocje. Layout ma ten plus, że jest bogaty i trafia się kilka fotek wokalistki. Poza tym nie powiedziałbym, że mi się podoba, choć na pewno jest dobrze zrobiony.

Bardzo polecam zapoznać się z Once Upon A Time. Jest duża szansa, że zostaniesz zaskoczony równie pozytywnie, co ja. Mam nadzieję, że po tym krążku zespół nabierze rozpędu i renomy. Czego życzę Kaliyudze, sobie i wam.

Kapitan Bajeczny



..::TRACK-LIST::..

1. Intro
2. You hate again
3. Angry
4. Step Back
5. Time To Change
6. From Denied To Forsaken
7. Judgement
8. Suicide
9. Battle
10. Domus Die
11. Etats D’aeme
12. No Way
13. Devious As A Snake
14. Drop Dead
15. Once Upon A Time
16. The Final Sleep (Nasum Cover)



..::OBSADA::..

Nidhal - Guitars, back vocal
Emilie - SCREAMING
Matt - Drumm
Josh - Bass




https://www.youtube.com/watch?v=vQ45rDVRGJ4



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: From Zero (2CD, Deluxe Edition)
Artist: Linkin Park
Year: 2025
Genre: Rock
Style: Alternative Rock, Nu Metal, Alternative Metal
Publisher (label): Warner, Machine Shop

Duration: 00:58:22
Format/Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList )...
CD 01: (00:32:03)
01. From Zero (Intro) (00:00:22)
02. The Emptiness Machine (00:03:11)
03. Cut The Bridge (00:03:49)
04. Heavy Is The Crown (00:02:47)
05. Over Each Other (00:02:51)
06. Casualty (00:02:21)
07. Overflow (00:03:31)
08. Two Faced (00:03:04)
09. Stained (00:03:06)
10. IGYEIH (00:03:29)
11. Good Things Go (00:03:32)

CD 02: (00:26:19)
01. Up From The Bottom (00:03:03)
02. Unshatter (00:03:16)
03. Let You Fade (00:03:29)
04. The Emptiness Machine (Live) (00:03:18)
05. Heavy Is The Crown (Live) (00:03:26)
06. Over Each Other (Live) (00:02:53)
07. Casualty (Live) (00:02:56)
08. Two Faced (Live) (00:03:58)

...( Info )...
Title: Voices
Artist: Hybridized
Year: 2025
Genre: Groove, Thrash-Metal
Country: Italy

Duration: 00:38:14
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Admission
2. Gifted
3. Bipolar
4. Schizophrenia
5. 220
6. Anankastic Pathology
7. Wounded Heart
8. Hypochondria

...( Info )...
Title: Evil Waits For Its Messiah
Artist: Herzoga
Year: 2025
Genre: Thrash, Heavy-Metal
Country: Poland

Duration: 00:35:57
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Spirit of Walpurga 03:12
2. Evil Messiah 04:18
3. The Cry of Silenced 03:41
4. At the Gates of Torment 01:20
5. Rip Them Apart 03:06
6. Frozen Wraith 04:35
7. Asphyxiated 03:54
8. Hidden Deranged Mind 04:12
9. Social Parasite 03:09
10. Fatal Insomnia 04:30

...( Info )...
Genre: Progressive Death Metal
Country of the artist (band): Poland
Year of publication: 2019
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 41 mb
Presence of scans in the distribution content: Front

...( TrackList )...
01. Newcomer
02. Reya
03. Report
04. Encounter
05. Demons
06. Oxygen
07. Experiment
08. Farewell
09. Epilogue

...( Info )...
Title: Suffocate All Life
Artist: Carving Void
Year: 2025
Genre: Death-Metal
Country: Germany

Duration: 00:35:44
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intro
02. Entrained by Hate
03. Empires
04. Fragments Under the Black Sun
05. Homecoming
06. Suffocate All Life
07. The Heat / The Shape
08. Mindgrinder
09. The Architects of Disgrace

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Swego rodzaju rytuał ze złowieszczym klimatem i ciężkim okultystycznym akcentem...
Dobra, i tylko dobra płyta...

FA


From the Greek black metal bastion of Athens emerge Eleventh Ray, with lamentations that have laid in wait for the best part of a decade. The occult offerings within the unhallowed sleeve of Reviving Tehom invoke the spirit of Celtic Frost, Sodom, the ‘90s exploits of the great Magus Wampyr Daoloth (Necromantia, Rotting Christ, Thou Art Lord), and of course Therion's 1993's Symphony Masses: Ho Drakon Ho Megas album.

The seeds for Eleventh Ray were sown by materials once artificed for the black metal force of Serpent Noir, whose changing tonality saw guitarist Y.K. bury said materials for a later purpose. A decision that first bore rotten fruit via a devastating rehearsal demo in 2022, which piqued the interest of Dark Descent Records.

“Eleventh Ray is a totally new autonomous entity for which we plan to work with full force and NOT a one-off project of Serpent Noir leftovers,” exclaims Y.K. “As it happens with all my projects, Eleventh Ray is deeply rooted in Dark Magic and the Typhonian Alchemy.”

The practices of Magic and Alchemy are of critical importance to Y.K., and these elements at even keel with the music itself.

“Writing music for the sake of music is not enough. It is the expression of what lies hidden beyond the frames of what we call reality. The great Unknown emanated from the foremost symbol of power, the Red Dragon,” explains Y.K. “What we were aiming to achieve was the creation of a purely black Magical death/thrash/black metal album without the lyrical satanic naivety of the past. Listening carefully to the album, you will realise that into this blend there is a striking ritualistic element with an ominous vibe and a heavy occult twist. Basically, Reviving Tehom is an album I would personally love to listen to but I could not find anywhere. “

The common thread extends to the stunning artwork by L.G.N Nekropropaganda, depicting the aforesaid Great Red Dragon “as the orgasm of existence, the utmost symbol of hidden wisdom and forbidden knowledge which is also a tangible form of ecstatic energy. Lyrics deal with personal experiences related to the awakening/ channelling of this tremendous force.”

Recorded by Haris V. at the Eleventh Tower Studio – a familiar collaborator of Y.K. - the production perfectly complements this first wave hell-noise with a crushing old school sound. With full force!



..::TRACK-LIST::..

1. Nightside of Damascus 04:47
2. Staring Eyes 04:30
3. Ha Illan Ha Hizon TrianAdohi 03:42
4. Path of the Bellator 01:48
5. IGUL 03:32
6. Κόκκινη Αποκάλυψη 02:20
7. ZODAMRAN NOX 04:23
8. Pan Noctifer 04:20
9. Reviving Tehom 05:27



..::OBSADA::..

D. Gharrassielh - Rhythm and lead guitars, chants
D. AanoNin - Vocals, chants
Peyote - Bass, additional lead guitars
Nuctemeron - Drums, percussion




https://www.youtube.com/watch?v=6ProrvIU958



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Swego rodzaju rytuał ze złowieszczym klimatem i ciężkim okultystycznym akcentem...
Dobra, i tylko dobra płyta...

FA


From the Greek black metal bastion of Athens emerge Eleventh Ray, with lamentations that have laid in wait for the best part of a decade. The occult offerings within the unhallowed sleeve of Reviving Tehom invoke the spirit of Celtic Frost, Sodom, the ‘90s exploits of the great Magus Wampyr Daoloth (Necromantia, Rotting Christ, Thou Art Lord), and of course Therion's 1993's Symphony Masses: Ho Drakon Ho Megas album.

The seeds for Eleventh Ray were sown by materials once artificed for the black metal force of Serpent Noir, whose changing tonality saw guitarist Y.K. bury said materials for a later purpose. A decision that first bore rotten fruit via a devastating rehearsal demo in 2022, which piqued the interest of Dark Descent Records.

“Eleventh Ray is a totally new autonomous entity for which we plan to work with full force and NOT a one-off project of Serpent Noir leftovers,” exclaims Y.K. “As it happens with all my projects, Eleventh Ray is deeply rooted in Dark Magic and the Typhonian Alchemy.”

The practices of Magic and Alchemy are of critical importance to Y.K., and these elements at even keel with the music itself.

“Writing music for the sake of music is not enough. It is the expression of what lies hidden beyond the frames of what we call reality. The great Unknown emanated from the foremost symbol of power, the Red Dragon,” explains Y.K. “What we were aiming to achieve was the creation of a purely black Magical death/thrash/black metal album without the lyrical satanic naivety of the past. Listening carefully to the album, you will realise that into this blend there is a striking ritualistic element with an ominous vibe and a heavy occult twist. Basically, Reviving Tehom is an album I would personally love to listen to but I could not find anywhere. “

The common thread extends to the stunning artwork by L.G.N Nekropropaganda, depicting the aforesaid Great Red Dragon “as the orgasm of existence, the utmost symbol of hidden wisdom and forbidden knowledge which is also a tangible form of ecstatic energy. Lyrics deal with personal experiences related to the awakening/ channelling of this tremendous force.”

Recorded by Haris V. at the Eleventh Tower Studio – a familiar collaborator of Y.K. - the production perfectly complements this first wave hell-noise with a crushing old school sound. With full force!



..::TRACK-LIST::..

1. Nightside of Damascus 04:47
2. Staring Eyes 04:30
3. Ha Illan Ha Hizon TrianAdohi 03:42
4. Path of the Bellator 01:48
5. IGUL 03:32
6. Κόκκινη Αποκάλυψη 02:20
7. ZODAMRAN NOX 04:23
8. Pan Noctifer 04:20
9. Reviving Tehom 05:27



..::OBSADA::..

D. Gharrassielh - Rhythm and lead guitars, chants
D. AanoNin - Vocals, chants
Peyote - Bass, additional lead guitars
Nuctemeron - Drums, percussion




https://www.youtube.com/watch?v=6ProrvIU958



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Supraconciencia
Artist: Awqanakuy
Year: 2025
Genre: Heavy-Metal
Country: Argentina

Duration: 00:32:26
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Espectros (04:09)
02. Soleiu (04:40)
03. Ninja Nacional (04:36)
04. El Arcangel (03:58)
05. Puño y Calaveras (04:35)
06. El Legislador (03:48)
07. Nuestra Guerra (03:15)
08. Señalado (03:22)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Takiego zespołu brakowało na polskiej scenie, jeśli mam być szczery. Jakoś przynajmniej nie przychodzi mi do głowy wiele nazw, które grają podobnie do SexMaga.

Tak, domyślacie się – nazwę zaczerpnęli od numeru Kata, więc i muzycznie będzie to pewnie coś w tej stylistyce. Jest to jak najbardziej uprawnione stwierdzenie – na „Sex Metal” słychać bowiem bardzo mocne inspiracje dwiema pierwszymi studyjnymi płytami ekipy Romana. Ale nie tylko jej. Dorzuciłbym od siebie Scarecrow, Thrasher Death, pierwszy Dragon i Wilczy Pająk czy nawet Destroyers. Generalnie ten band złożony z muzyków Haunted Cenotaph, Black Hosts czy edytora „Dead ’til Death” zine okopał się głęboko w drugiej połowie lat osiemdziesiątych, kiedy na polskiej scenie wszystko było jeszcze dziewicze i totalnie surowe. Brzmi to przede wszystkim naprawdę doskonale – to znaczy, cholernie dziko i surowo, tak jak powinno i jak grało się dawniej w polskim undergroundzie. Oczywiście można by było wymienić również i nazwy spoza granic Polskiej Rzeczypospolitej Ludowej, ale mam dziwne podskórne przeczucie, że ta kapela powstała głównie jako hołd dla krajowej sceny. Między innymi z uwagi na polskojęzyczne teksty – tutaj chwilami mamy zrzynę z Kata, kiedy indziej zalatuje to perwersyjnymi lirykami pisanymi przez Łozę. A jako że naprawdę jestem fanem zespołów, które przedtem wymieniłem – SexMag robi mi cholernie dobrze. Fajnie też, że trafili pod opiekuńcze skrzydła Floriana, bo ten typ wie jak wypromować tego typu granie.

Więc jeśli tylko polski metal z drugiej połowy lat osiemdziesiątych jest podstawą Twojego muzycznego gustu, bierz EPkę SexMag w ciemno. Napierdalać banią i jebać pozerów!

Oracle


https://chaosvault.com/sex-mag-zyjemy-i-dzialamy-na-co-dzien-po-metalowemu/



From the abyss of the filthy Silesian Streets emerges the Nasty Beast, just like in St. John's Apocalypse. Three sixes branded at the top of his head, and the prophecy predicts eternal tribulation and condemnation to those who betrayed and wear shackles. Seven chaplets and 11 horns encrust his neck, and his hand holds the key to the world unblemished by the lie. The sign of Hell worships the beast in black and his servant...SEXMAG!

Drawing their moniker from Poland’s legendary Kat, SEXMAG arrive from the darkest past with a seven-track expurse of sodomy bearing the call-to-arms title of Sex Metal. Across the five primary curses and bookending intro and outro, the mysterious entity create a caustic and careening sound drawing equal strength from ‘80s proto-black metal and the vilest thrash. Names invoked include earliest Destruction, Sepultura, Venom, Tormentor, Sarcófago, Master’s Hammer, and Violent Force, but with a fear-for-their-safety identity all their own. Or, put another way, think of the most garaged old New Renaissance release left rotting in the sun and covered in black-candle wax…that is Sex Metal!

No more and no less, no trends and no compromise, posers leave the hall when SEXMAG fuck you with their Sex Metal!



Each Polish fan of the old metal at the sight of the name of the new band from Silesia will have only one correct association. The origin of its name is so unambiguous that you don't need to explain anything to anyone. Therefore, it is not difficult to guess what content is hidden on the debut, apart from the demo cassette released last year in the amount of only twenty copies, EP etitled coquettishly "Sex Metal". It features an intro / outro plus five tracks kept in good old heavy / thrash metal style. I mentioned that the band is new at the scene, but the members of the band are hardly newcomers. After all, names such as Black Hosts or Haunted Cenotaph are well-recognized brands in the native underground. Here, the gentlemen decided to pay tribute to the great Polish underground of the 1980s. Yes, I’m writing Polish on purpose, because in Sexmag's music the echoes of such legends as Kat, Destroyers, Wolf Spider or Dragon are most deeply reflected. So there are no technical performances here, but there are a lot of fragments to shake your head with, cutting deep like a razor harmonies, the singer's panicked scream, also in the national language, and old school riffing. And how wonderful the guitars sound on these recordings, you can get goose bumps. Exactly as they once sounded - a bit dry but predatory. There is not much originality in these sounds, and some fragments even touch on a little plagiarism, but everything is so well-tuned, restored and arranged according to grandfather's recipe that it is impossible not to get carried away, nomen omen, by madness. This material is only twenty-five minutes long and each listening session passes like a cumshot, but believe me, listening to "Sex Metal" on a repeat can really make you lose track of time. Especially when the individual tracks have already bitten into your head and you are not able to resist the temptation to ride this time machine even one more time. This material has penetrated me damn deeply and it sits in my head like a splinter under a fingernail, not giving me peace. Catch this EP because it's just great.

jesusatan



..::TRACK-LIST::..

1.Zapomniany Czarci Kult
2.Sex Metal
3.Wysłannik Hadesu
4.Nagrobek Kurtyzany
5.Nałożnice Hrabiny
6.Piekła Znak


..::OBSADA::..

Lead Vocals - TRUPOSZ
Drums - L.V.
Guitar - KAT
Bass Guitar - GOLEM



https://www.youtube.com/watch?v=Hmpc_DXZE58



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Takiego zespołu brakowało na polskiej scenie, jeśli mam być szczery. Jakoś przynajmniej nie przychodzi mi do głowy wiele nazw, które grają podobnie do SexMaga.

Tak, domyślacie się – nazwę zaczerpnęli od numeru Kata, więc i muzycznie będzie to pewnie coś w tej stylistyce. Jest to jak najbardziej uprawnione stwierdzenie – na „Sex Metal” słychać bowiem bardzo mocne inspiracje dwiema pierwszymi studyjnymi płytami ekipy Romana. Ale nie tylko jej. Dorzuciłbym od siebie Scarecrow, Thrasher Death, pierwszy Dragon i Wilczy Pająk czy nawet Destroyers. Generalnie ten band złożony z muzyków Haunted Cenotaph, Black Hosts czy edytora „Dead ’til Death” zine okopał się głęboko w drugiej połowie lat osiemdziesiątych, kiedy na polskiej scenie wszystko było jeszcze dziewicze i totalnie surowe. Brzmi to przede wszystkim naprawdę doskonale – to znaczy, cholernie dziko i surowo, tak jak powinno i jak grało się dawniej w polskim undergroundzie. Oczywiście można by było wymienić również i nazwy spoza granic Polskiej Rzeczypospolitej Ludowej, ale mam dziwne podskórne przeczucie, że ta kapela powstała głównie jako hołd dla krajowej sceny. Między innymi z uwagi na polskojęzyczne teksty – tutaj chwilami mamy zrzynę z Kata, kiedy indziej zalatuje to perwersyjnymi lirykami pisanymi przez Łozę. A jako że naprawdę jestem fanem zespołów, które przedtem wymieniłem – SexMag robi mi cholernie dobrze. Fajnie też, że trafili pod opiekuńcze skrzydła Floriana, bo ten typ wie jak wypromować tego typu granie.

Więc jeśli tylko polski metal z drugiej połowy lat osiemdziesiątych jest podstawą Twojego muzycznego gustu, bierz EPkę SexMag w ciemno. Napierdalać banią i jebać pozerów!

Oracle


https://chaosvault.com/sex-mag-zyjemy-i-dzialamy-na-co-dzien-po-metalowemu/



From the abyss of the filthy Silesian Streets emerges the Nasty Beast, just like in St. John's Apocalypse. Three sixes branded at the top of his head, and the prophecy predicts eternal tribulation and condemnation to those who betrayed and wear shackles. Seven chaplets and 11 horns encrust his neck, and his hand holds the key to the world unblemished by the lie. The sign of Hell worships the beast in black and his servant...SEXMAG!

Drawing their moniker from Poland’s legendary Kat, SEXMAG arrive from the darkest past with a seven-track expurse of sodomy bearing the call-to-arms title of Sex Metal. Across the five primary curses and bookending intro and outro, the mysterious entity create a caustic and careening sound drawing equal strength from ‘80s proto-black metal and the vilest thrash. Names invoked include earliest Destruction, Sepultura, Venom, Tormentor, Sarcófago, Master’s Hammer, and Violent Force, but with a fear-for-their-safety identity all their own. Or, put another way, think of the most garaged old New Renaissance release left rotting in the sun and covered in black-candle wax…that is Sex Metal!

No more and no less, no trends and no compromise, posers leave the hall when SEXMAG fuck you with their Sex Metal!



Each Polish fan of the old metal at the sight of the name of the new band from Silesia will have only one correct association. The origin of its name is so unambiguous that you don't need to explain anything to anyone. Therefore, it is not difficult to guess what content is hidden on the debut, apart from the demo cassette released last year in the amount of only twenty copies, EP etitled coquettishly "Sex Metal". It features an intro / outro plus five tracks kept in good old heavy / thrash metal style. I mentioned that the band is new at the scene, but the members of the band are hardly newcomers. After all, names such as Black Hosts or Haunted Cenotaph are well-recognized brands in the native underground. Here, the gentlemen decided to pay tribute to the great Polish underground of the 1980s. Yes, I’m writing Polish on purpose, because in Sexmag's music the echoes of such legends as Kat, Destroyers, Wolf Spider or Dragon are most deeply reflected. So there are no technical performances here, but there are a lot of fragments to shake your head with, cutting deep like a razor harmonies, the singer's panicked scream, also in the national language, and old school riffing. And how wonderful the guitars sound on these recordings, you can get goose bumps. Exactly as they once sounded - a bit dry but predatory. There is not much originality in these sounds, and some fragments even touch on a little plagiarism, but everything is so well-tuned, restored and arranged according to grandfather's recipe that it is impossible not to get carried away, nomen omen, by madness. This material is only twenty-five minutes long and each listening session passes like a cumshot, but believe me, listening to "Sex Metal" on a repeat can really make you lose track of time. Especially when the individual tracks have already bitten into your head and you are not able to resist the temptation to ride this time machine even one more time. This material has penetrated me damn deeply and it sits in my head like a splinter under a fingernail, not giving me peace. Catch this EP because it's just great.

jesusatan



..::TRACK-LIST::..

1.Zapomniany Czarci Kult
2.Sex Metal
3.Wysłannik Hadesu
4.Nagrobek Kurtyzany
5.Nałożnice Hrabiny
6.Piekła Znak


..::OBSADA::..

Lead Vocals - TRUPOSZ
Drums - L.V.
Guitar - KAT
Bass Guitar - GOLEM



https://www.youtube.com/watch?v=Hmpc_DXZE58



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: 20 Years of the Music Man
Artist: Chris Caffery
Year: 2025
Genre: Progressive, Power-Metal
Country: USA

Duration: 01:45:42
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. The Jester's Court (03:53)
2. May Day (05:23)
3. Music Man (04:57)
4. Pisses Me Off (Radio edit) (04:21)
5. Do You See What I See Now (05:33)
6. Edge Of Darkness (04:11)
7. Fright Knights (06:37)
8. S.O.T.S. (Sick of This Shit) (04:48)
9. Forever We'll Be (05:17)
10. What Child Is This (03:55)
11. Glitter (05:03)
12. Seasons Change (05:16)
13. My Light (05:29)
14. I Miss You...Sometimes (04:18)
15. Last Time (04:04)
16. Your Heaven Is Real (05:51)
17. Why (07:24)
18. Y.G.B.F.K.M. (04:08)
19. Preludio (04:56)
20. Abandoned (06:50)
21. Then She's Gone (03:18)

...( Info )...
Title: Las Puertas Del Infierno
Artist: Phantom Death
Year: 2025
Genre: Heavy, Thrash-Metal
Country: Colobia

Duration: 00:40:49
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1.Extincion 04:13
2.Mentes Sicopatas 03:54
3.Religiones Paganas 02:52
4.Las Puertas Del Infierno 03:01
5.Tiranos 10:19
6.Hipocresia 02:13
7.Tormento Eterno 07:10
8.Mente De Un Criminal 07:09

...( Info )...
Title: Sic Semper Tyrannis
Artist: Hammer Strike
Year: 2025
Genre: Death, Thrash-Metal
Country: USA

Duration: 00:40:46
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. No Kings
02. Blood Splatter
03. Spit Upon Your Grave
04. God of Destruction
05. Aftermath of War
06. The Spark
07. Dark Spirits
08. Sonic Demonic

...( Info )...
Title: Load [Remastered]
Artist: Metallica
Year: 1996/2025
Genre: Thrash-Metal
Country: USA

Duration: 01:18:57
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 – Ain't My Bitch (Remastered 2025)
02 – 2 x 4 (Remastered 2025)
03 – The House Jack Built (Remastered 2025)
04 – Until It Sleeps (Remastered 2025)
05 – King Nothing (Remastered 2025)
06 – Hero of the Day (Remastered 2025)
07 – Bleeding Me (Remastered 2025)
08 – Cure (Remastered 2025)
09 – Poor Twisted Me (Remastered 2025)
10 – Wasting My Hate (Remastered 2025)
11 – Mama Said (Remastered 2025)
12 – Thorn Within (Remastered 2025)
13 – Ronnie (Remastered 2025)
14 – The Outlaw Torn (Remastered 2025)