...( Info )...
Title: Addicted to Power
Artist: Nefarious
Year: 2025
Genre: Thrash, Heavy-Metal
Country: USA

Duration: 00:43:09
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Mirror Death (06:18)
02. Addicted to Power (05:44)
03. Master Plan (04:22)
04. Together We Rise (04:38)
05. Day After (05:31)
06. Snarler (04:57)
07. Avatar of Chaos (05:05)
08. One Nation Enslaved (06:30)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trudno dostępny drugi album experimental grind/deathmetalowej załogi z Czech!!!

Utrzymany jest ten sam styl muzyczny, tak charakterystyczny dla zespołu. Grindowa baza wciąż jest podstawą, ale wzbogacona jest o sporo technik HC, deathmetalowych pasaży i, co nie mniej ważne, elektroniki, która dodaje całości świeżości i pikanterii... i tak naprawdę, dzięki tym syntetycznym dźwiękom, CONTRASTIC to dla mnie oryginalnie brzmiący zespół z własnym obliczem i podejściem do kompozycji, co bardzo mi się podoba.

FA


Coming hot off the heels of fellow countrymen !T.O.O.H.!'s attempt at relevancy comes this most unexpected of releases: Contrastic's sophomore(!!!) effort, Mamun. Much like yet another fellow Czech extreme metal luminaries, Lykathea Aflame, Contrastic released a sole masterpiece 20 years ago and seemingly decided they had done enough. Unlike the aforementioned band, they didn't spend the next 15 years promising a grand return. Unlike the aforementioned band, they now present a grand return.

Imagine my dread when I saw the album announced. Most of my experiences with big-name-comebacks ("big-names" as understood in the context of niche extreme metal, in this case) throughout the freshly finished decade have amounted to little more than depressing Memento Mori(s), a front-row seat to the spectacle that is the decay of creativity and the ruining of legacies. I was absolutely ready for this trend to continue. After all, what else can I expect from a band that stood dormant for two entire decades, only burst into the scene again in pretty much the same way a brick burst through a window, carrying an ominous message on a piece of paper tied to it? This time around, however, it wasn't much of a brick bursting through a window. It was rather like bumping into an old friend with whom one had lost contact in a pub right in the middle of Happy Hour. Fuck knows I needed something like this to put a slightly less depressive cap to the decade.

Contrastic has, either by virtue of unadultered genius, by quietly and slowly developing ideas before commiting them to tape, or by paying close attention to what's been going on in the past ten years, shown that they can still write challenging and imaginative music. Surely they have not reinvented the wheel; what this album has to offer has been offered before by other bands, tellingly by bands that seem to have been influenced by the immediately idiosyncratic and easily recognised extreme experimental Czech scene of the early 2000s. With that in mind, what we have here seems to be a sort of Gorguts situation: The band has come back to offer us their say in these current times, to show that, while maybe not as revolutionary as they once were, they're at the very least at the same level as all those bands that came after, walking the now-trodden path they had left behind. That's a relief, to say the least, and I cannot realistically expect a better outcome for an album 20 years in the making.

Now, that said, you'd expect the music itself is quite different from that of their self-titled, and it very much is. There is a lot, and I mean a LOT, going on here. The band managed to condense a fuckoff amount of ideas and approaches in this tiny, ~25min. long album without ending up with an overbearing mismash of pointless eclecticism and tackiness. The music overall has a slightly industrial edge to it. Not "industrial" in the sense that most people think of, which roughly translates to "it has keyboards but it's not symphonic", but rather in the Dødheimsgard sense of electronic 'sounds' used to enhance a sense of inhumanity or otherwordliness as they see fit. There are samples, digitally distorted vocals, the works. And the works work. One thing that struck me is how I couldn't really point out to anything that felt out of place. If anything my only complaint is that the album is too short, but then again that might be a blessing in disguise, especially when it comes to both comebacks and deathgrind in general. Their first album, tellingly, was also below the half-hour mark.

Riffing and drumming, let's talk about that. Let's talk about how varied they are, how contemporary they sound. Some people still reel and gnash their teeth when exposed to the rather straightforward idea that time, well, passes. The Internet has made it easy for an entire generation (mine, sadly enough) to build their entire personality around the constant shock of learning that time moves forward, and that 2000 was 20 years ago. Yes, it's true: My generation's main contribution to the history of culture seems to be their complete inability to wrap their heads around basic arithmetic (that, and the glorification of a new kind of "oldness", which they insist starts at age 25). Anyway. the point is that, yes, 20 years is indeed a sizeable chunck of time, and, especially when it comes to popular culture, 2000 was a long time ago. It happens. That was the main reason why I was more than ready to discover an absolutely mediocre, lukewarm attempt at music that, while always fresh and ready for revisiting, would be rather ridiculous to present as a new product today. If there's any band out there releasing new albums comprised of new material that sounds pretty much exactly like, say, Bloodflowers-era The Cure, they'd be laughed off of the stage. However this continues to be perfectly acceptable in the world of metal, for some fuckdamned reason. The term "contemporary" no longer covers that decade, like it or not. And that's a lesson that Contrastic seems to have learned straight away, with no need of intermediate albums. I don't know what it is, since the lineup seems to be pretty much the same except the bass player (R.I.P.) and the musicians involved haven't really been active for over ten years.

Where did they learn to stay acceptably fresh? Where did they learn to alternate straightforward deathgrind with somewhat "post-metal"-ish flirtings that's been all the rage in the 2010s, with the start-stop rockish approaches and the juxtaposition of thick distortion and thin cleanliness? The melodiousness that doesn't compromise aggressivity? The tactful dynamics in tempo and timbre which allows the band to shine in somewhat un-metal ways? Whence cometh this occasional burst of dissonance? Have they been taking notes frome DsO and the Icelandic scene? Terribly unlikely, and yet here we are, a veteran arriving at the same conclusion as his disciples, through completely different means and through no cross-pollination (that I know of). Kind of makes me sad that these good folk have had nothing to say throughout the decade, because with an effort as strong and imaginative as this one coming after 20 years of silence, maybe exercising their musical abilities throughout the decade could have established them as a main driving force instead of joining the ranks of the numerous Comeback Kids of the 10s, which is always an ugly title to bear, regardless of how good the comeback is.

As it is, it's nothing short of miraculous that a band that released one legendary album two entire decades ago would release a second effort that is at the very least up to the challenge of a now thankfully concluded decade. They were never going to rediscover fire nor trailblaze their way into an entire new subgenre, but that doesn't matter anymore. That, I don't believe will be happening again. This sort of pleasant surprise is as good as it will ever get. I declare this album nothing short of a miracle. One that no other Czech band that has been scratching their arses for 20 years now will be able to pull off. You hearing me, Lykathea Aflame?

Avestriel



..::TRACK-LIST::..

1. Na márách 03:08
2. Tarvas Maniacus 02:27
3. Mentální výtok 03:07
4. Tenkrát na severu 02:45
5. Košile 02:21
6. Oni 02:17
7. Služebně starší nacista 01:38
8. National razor 02:37
9. Homoheresy 04:07




https://www.youtube.com/watch?v=h53toP9zN5U



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trudno dostępny drugi album experimental grind/deathmetalowej załogi z Czech!!!

Utrzymany jest ten sam styl muzyczny, tak charakterystyczny dla zespołu. Grindowa baza wciąż jest podstawą, ale wzbogacona jest o sporo technik HC, deathmetalowych pasaży i, co nie mniej ważne, elektroniki, która dodaje całości świeżości i pikanterii... i tak naprawdę, dzięki tym syntetycznym dźwiękom, CONTRASTIC to dla mnie oryginalnie brzmiący zespół z własnym obliczem i podejściem do kompozycji, co bardzo mi się podoba.

FA


Coming hot off the heels of fellow countrymen !T.O.O.H.!'s attempt at relevancy comes this most unexpected of releases: Contrastic's sophomore(!!!) effort, Mamun. Much like yet another fellow Czech extreme metal luminaries, Lykathea Aflame, Contrastic released a sole masterpiece 20 years ago and seemingly decided they had done enough. Unlike the aforementioned band, they didn't spend the next 15 years promising a grand return. Unlike the aforementioned band, they now present a grand return.

Imagine my dread when I saw the album announced. Most of my experiences with big-name-comebacks ("big-names" as understood in the context of niche extreme metal, in this case) throughout the freshly finished decade have amounted to little more than depressing Memento Mori(s), a front-row seat to the spectacle that is the decay of creativity and the ruining of legacies. I was absolutely ready for this trend to continue. After all, what else can I expect from a band that stood dormant for two entire decades, only burst into the scene again in pretty much the same way a brick burst through a window, carrying an ominous message on a piece of paper tied to it? This time around, however, it wasn't much of a brick bursting through a window. It was rather like bumping into an old friend with whom one had lost contact in a pub right in the middle of Happy Hour. Fuck knows I needed something like this to put a slightly less depressive cap to the decade.

Contrastic has, either by virtue of unadultered genius, by quietly and slowly developing ideas before commiting them to tape, or by paying close attention to what's been going on in the past ten years, shown that they can still write challenging and imaginative music. Surely they have not reinvented the wheel; what this album has to offer has been offered before by other bands, tellingly by bands that seem to have been influenced by the immediately idiosyncratic and easily recognised extreme experimental Czech scene of the early 2000s. With that in mind, what we have here seems to be a sort of Gorguts situation: The band has come back to offer us their say in these current times, to show that, while maybe not as revolutionary as they once were, they're at the very least at the same level as all those bands that came after, walking the now-trodden path they had left behind. That's a relief, to say the least, and I cannot realistically expect a better outcome for an album 20 years in the making.

Now, that said, you'd expect the music itself is quite different from that of their self-titled, and it very much is. There is a lot, and I mean a LOT, going on here. The band managed to condense a fuckoff amount of ideas and approaches in this tiny, ~25min. long album without ending up with an overbearing mismash of pointless eclecticism and tackiness. The music overall has a slightly industrial edge to it. Not "industrial" in the sense that most people think of, which roughly translates to "it has keyboards but it's not symphonic", but rather in the Dødheimsgard sense of electronic 'sounds' used to enhance a sense of inhumanity or otherwordliness as they see fit. There are samples, digitally distorted vocals, the works. And the works work. One thing that struck me is how I couldn't really point out to anything that felt out of place. If anything my only complaint is that the album is too short, but then again that might be a blessing in disguise, especially when it comes to both comebacks and deathgrind in general. Their first album, tellingly, was also below the half-hour mark.

Riffing and drumming, let's talk about that. Let's talk about how varied they are, how contemporary they sound. Some people still reel and gnash their teeth when exposed to the rather straightforward idea that time, well, passes. The Internet has made it easy for an entire generation (mine, sadly enough) to build their entire personality around the constant shock of learning that time moves forward, and that 2000 was 20 years ago. Yes, it's true: My generation's main contribution to the history of culture seems to be their complete inability to wrap their heads around basic arithmetic (that, and the glorification of a new kind of "oldness", which they insist starts at age 25). Anyway. the point is that, yes, 20 years is indeed a sizeable chunck of time, and, especially when it comes to popular culture, 2000 was a long time ago. It happens. That was the main reason why I was more than ready to discover an absolutely mediocre, lukewarm attempt at music that, while always fresh and ready for revisiting, would be rather ridiculous to present as a new product today. If there's any band out there releasing new albums comprised of new material that sounds pretty much exactly like, say, Bloodflowers-era The Cure, they'd be laughed off of the stage. However this continues to be perfectly acceptable in the world of metal, for some fuckdamned reason. The term "contemporary" no longer covers that decade, like it or not. And that's a lesson that Contrastic seems to have learned straight away, with no need of intermediate albums. I don't know what it is, since the lineup seems to be pretty much the same except the bass player (R.I.P.) and the musicians involved haven't really been active for over ten years.

Where did they learn to stay acceptably fresh? Where did they learn to alternate straightforward deathgrind with somewhat "post-metal"-ish flirtings that's been all the rage in the 2010s, with the start-stop rockish approaches and the juxtaposition of thick distortion and thin cleanliness? The melodiousness that doesn't compromise aggressivity? The tactful dynamics in tempo and timbre which allows the band to shine in somewhat un-metal ways? Whence cometh this occasional burst of dissonance? Have they been taking notes frome DsO and the Icelandic scene? Terribly unlikely, and yet here we are, a veteran arriving at the same conclusion as his disciples, through completely different means and through no cross-pollination (that I know of). Kind of makes me sad that these good folk have had nothing to say throughout the decade, because with an effort as strong and imaginative as this one coming after 20 years of silence, maybe exercising their musical abilities throughout the decade could have established them as a main driving force instead of joining the ranks of the numerous Comeback Kids of the 10s, which is always an ugly title to bear, regardless of how good the comeback is.

As it is, it's nothing short of miraculous that a band that released one legendary album two entire decades ago would release a second effort that is at the very least up to the challenge of a now thankfully concluded decade. They were never going to rediscover fire nor trailblaze their way into an entire new subgenre, but that doesn't matter anymore. That, I don't believe will be happening again. This sort of pleasant surprise is as good as it will ever get. I declare this album nothing short of a miracle. One that no other Czech band that has been scratching their arses for 20 years now will be able to pull off. You hearing me, Lykathea Aflame?

Avestriel



..::OBSADA::..

1. Na márách 03:08
2. Tarvas Maniacus 02:27
3. Mentální výtok 03:07
4. Tenkrát na severu 02:45
5. Košile 02:21
6. Oni 02:17
7. Služebně starší nacista 01:38
8. National razor 02:37
9. Homoheresy 04:07




https://www.youtube.com/watch?v=h53toP9zN5U



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Hellbastard powstał w 1984 roku w Wielkiej Brytanii. Historia tego zespołu jest w chuj długa i pogmatwana. Wystarczy tylko wspomnieć, że członkowie zespołu w wyniku różnych kłótni i różnicy zdań odchodzili i zakładali własne zespoły o podobnych nazwach, wydawali płyty i ponownie się godzili.

To tak w dużym skrócie. W 1988 ukazał się debiutancki album Heading for Internal Darkness, który uznawany jest za jeden z kamieni milowych crust punka. Album ten poprzedziły dwie taśmy demo, z których ta pierwsza Ripper Crust uznawana jest za matkę gatunku Crust, od której zaczerpnięto nazwę.

W 1989 roku zespół podpisał papiery z Earache, która to wytwórnia w 1990 roku wydaje nieziemski Natural Order, który mimo, że nie jest tak wściekły jak debiut to zwrócił uwagę sceny zajebistym wykorzystaniem gitary rytmicznej. Płyta to jak i debiut to absolutny mus dla fanów Amebix, Discharge, Sacrilege.

Od tego momentu w Hellbastard następuje rozłam i zespół się rozpada na kilka innych grup. Powrócili w 2007 roku by dwa lata później nasza Selfmadegod wypuściła trzeci album, który już znacznie odbiegał od dwóch poprzednich a muzyka to bardziej taki thrash metal albo crossover. W 2015 wyszedł czwarty i jak na razie ostatni album Feral, który mimo zajebistej okładki muzycznie prezentował się średnio dalej będąc gatunkowo w muzyce thrash.

Hajasz



..::TRACK-LIST::..

CD 2 - Heading For Eternal Darkness:
1. We Had Evidence
2. Civilised?
3. Nazis Killed
4. Death Camp
5. Massacre.....
6. Heading For Internal Darkness
7. The Pylons
8. Afrikkan Beggar
9. Rise Of Crust (Inst.)

Bonus Tracks:
10. Into The Crypts Of Rays (Rehearsal 1988)
11. Return To The Eve (Rehearsal 1988)
12. Aggressor (Rehearsal 1988)
13. Aggressor (Brixton 1988)
14. Die By The Sword (Rehearsal 1988)
15. Die By The Sword (Birmingham 1988)



..::OBSADA::..

Vocals - Wendy V. Gill
Bass, Backing Vocals [Backing Vox] - Scotty
Drums, Percussion - Phil
Guitar [Guitars], Vocals, Music By [All Music], Lyrics By, Layout [Insert, Label, Back Cover, Sticker, Logo] - Scruff

Synth - Andy Tillison



https://www.youtube.com/watch?v=uOFlr3zwQNQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Hellbastard powstał w 1984 roku w Wielkiej Brytanii. Historia tego zespołu jest w chuj długa i pogmatwana. Wystarczy tylko wspomnieć, że członkowie zespołu w wyniku różnych kłótni i różnicy zdań odchodzili i zakładali własne zespoły o podobnych nazwach, wydawali płyty i ponownie się godzili.

To tak w dużym skrócie. W 1988 ukazał się debiutancki album Heading for Internal Darkness, który uznawany jest za jeden z kamieni milowych crust punka. Album ten poprzedziły dwie taśmy demo, z których ta pierwsza Ripper Crust uznawana jest za matkę gatunku Crust, od której zaczerpnięto nazwę.

W 1989 roku zespół podpisał papiery z Earache, która to wytwórnia w 1990 roku wydaje nieziemski Natural Order, który mimo, że nie jest tak wściekły jak debiut to zwrócił uwagę sceny zajebistym wykorzystaniem gitary rytmicznej. Płyta to jak i debiut to absolutny mus dla fanów Amebix, Discharge, Sacrilege.

Od tego momentu w Hellbastard następuje rozłam i zespół się rozpada na kilka innych grup. Powrócili w 2007 roku by dwa lata później nasza Selfmadegod wypuściła trzeci album, który już znacznie odbiegał od dwóch poprzednich a muzyka to bardziej taki thrash metal albo crossover. W 2015 wyszedł czwarty i jak na razie ostatni album Feral, który mimo zajebistej okładki muzycznie prezentował się średnio dalej będąc gatunkowo w muzyce thrash.

Hajasz



..::TRACK-LIST::..

CD 2 - Heading For Eternal Darkness:
1. We Had Evidence
2. Civilised?
3. Nazis Killed
4. Death Camp
5. Massacre.....
6. Heading For Internal Darkness
7. The Pylons
8. Afrikkan Beggar
9. Rise Of Crust (Inst.)

Bonus Tracks:
10. Into The Crypts Of Rays (Rehearsal 1988)
11. Return To The Eve (Rehearsal 1988)
12. Aggressor (Rehearsal 1988)
13. Aggressor (Brixton 1988)
14. Die By The Sword (Rehearsal 1988)
15. Die By The Sword (Birmingham 1988)



..::OBSADA::..

Vocals - Wendy V. Gill
Bass, Backing Vocals [Backing Vox] - Scotty
Drums, Percussion - Phil
Guitar [Guitars], Vocals, Music By [All Music], Lyrics By, Layout [Insert, Label, Back Cover, Sticker, Logo] - Scruff

Synth - Andy Tillison



https://www.youtube.com/watch?v=uOFlr3zwQNQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album białoruskiego zespołu złożonego z muzyków OMINOUS SCRIPTURES i RELICS OF HUMANITY.
11 utworów brutalnego i mocnego death/grind!



Before we get into the meat of this cd, I'd like you to focus your attention on the cover art. Go on, take a gander. Now you might be thinking that it's just a vase of flowers, but it's not until you take another look when you start noticing the splattered blood and body parts on there. Once you've spotted that, there is no more denying that this is some bitchin' cover art, right? You just gotta love art that comes at you in waves like that. It's something different than the depraved slaughter or dystopian landscape art that adorns a lot of death metal releases these days, and I love it! And with that out of the way, let's talk music!

Stylistically, you could place Grimentity between late 90's brutal death metal such as Lividity, Disgorge (US), Fleshgrind and Incestuous, and the death/grind style as it was popular around that same time in Germany and Eastern Europe, with acts like Ingrowing, Kadath, Nyctophobic and Abortion. Blast beat driven ferocity is alternated with groovier stomp, with the fat and heavy riffing holding the tracks firmly together. The vocals are a two-pronged attack of a gruff grunt and a ferocious scream that had me thinking of classic US grinders such as Terrorizer and Hemdale, thus establishing a genuine grindcore feel throughout. There are some winks and nods to the later works of Misery Index and Napalm Death in the guitar work as well, ensuring a good amount of variation, while keeping it all aggressive and fierce. This is a dose of way above average grinding death metal, and all into late 90's/early 00's bands such as Dying Fetus, Exhumed, Skinless and Resurrected should be able to find something to like in here.

When it comes to production I'm a bit torn here, honestly. It all sounds effin' massive, with everything neatly balanced out, but while the guitars sound heavy as fuck and the vocals make for an aggressive performance, the percussion sounds that bit too compressed to my liking. I guess that this is more or less a case of taste on my part, but if the drums had sounded just that bit more organic, it would have given the already ripping music even more punch.

I'm going to wrap this one up by saying that this is a pretty banging affair, sounding massive whilst oozing aggression, and it should be able to strike a nerve with all who like death metal/grindcore with an old school brutal death metal edge to it. If you feel any kind of nostalgia for the late 90's death metal scene (like me), these guys are sure worth checking out!

Vaseline1980



..::TRACK-LIST::..

1. Searching the perfect shade 02:10
2. The power of broken 02:19
3. Blinded by the majesty of own mind 02:54
4. Healing With Fury 01:30
5. Psilocybin Recombination 02:51
6. Faith imitation 02:20
7. A sense of the breath of a flame 02:39
8. Crimson tones dreams 02:13
9. Individual Perception of Psychoanalysis 02:15
10. The Supreme Form of Evolution 01:59
11. DSM-5. The New Chapter 02:05



..::OBSADA::..

Illia Baradulich - Vocals
Pavel Lapkouski - Guitar, Vocals
Nikita Metelskiy - Bass
Roman Drobishevski - Drums



https://www.youtube.com/watch?v=bGYdi4hWFq4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album białoruskiego zespołu złożonego z muzyków OMINOUS SCRIPTURES i RELICS OF HUMANITY.
11 utworów brutalnego i mocnego death/grind!



Before we get into the meat of this cd, I'd like you to focus your attention on the cover art. Go on, take a gander. Now you might be thinking that it's just a vase of flowers, but it's not until you take another look when you start noticing the splattered blood and body parts on there. Once you've spotted that, there is no more denying that this is some bitchin' cover art, right? You just gotta love art that comes at you in waves like that. It's something different than the depraved slaughter or dystopian landscape art that adorns a lot of death metal releases these days, and I love it! And with that out of the way, let's talk music!

Stylistically, you could place Grimentity between late 90's brutal death metal such as Lividity, Disgorge (US), Fleshgrind and Incestuous, and the death/grind style as it was popular around that same time in Germany and Eastern Europe, with acts like Ingrowing, Kadath, Nyctophobic and Abortion. Blast beat driven ferocity is alternated with groovier stomp, with the fat and heavy riffing holding the tracks firmly together. The vocals are a two-pronged attack of a gruff grunt and a ferocious scream that had me thinking of classic US grinders such as Terrorizer and Hemdale, thus establishing a genuine grindcore feel throughout. There are some winks and nods to the later works of Misery Index and Napalm Death in the guitar work as well, ensuring a good amount of variation, while keeping it all aggressive and fierce. This is a dose of way above average grinding death metal, and all into late 90's/early 00's bands such as Dying Fetus, Exhumed, Skinless and Resurrected should be able to find something to like in here.

When it comes to production I'm a bit torn here, honestly. It all sounds effin' massive, with everything neatly balanced out, but while the guitars sound heavy as fuck and the vocals make for an aggressive performance, the percussion sounds that bit too compressed to my liking. I guess that this is more or less a case of taste on my part, but if the drums had sounded just that bit more organic, it would have given the already ripping music even more punch.

I'm going to wrap this one up by saying that this is a pretty banging affair, sounding massive whilst oozing aggression, and it should be able to strike a nerve with all who like death metal/grindcore with an old school brutal death metal edge to it. If you feel any kind of nostalgia for the late 90's death metal scene (like me), these guys are sure worth checking out!

Vaseline1980



..::TRACK-LIST::..

1. Searching the perfect shade 02:10
2. The power of broken 02:19
3. Blinded by the majesty of own mind 02:54
4. Healing With Fury 01:30
5. Psilocybin Recombination 02:51
6. Faith imitation 02:20
7. A sense of the breath of a flame 02:39
8. Crimson tones dreams 02:13
9. Individual Perception of Psychoanalysis 02:15
10. The Supreme Form of Evolution 01:59
11. DSM-5. The New Chapter 02:05



..::OBSADA::..

Illia Baradulich - Vocals
Pavel Lapkouski - Guitar, Vocals
Nikita Metelskiy - Bass
Roman Drobishevski - Drums



https://www.youtube.com/watch?v=bGYdi4hWFq4



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Scientist
Artist: Symmetry Was Never An Option
Year: 2025
Genre: Progressive, Post-Metal
Country: Poland

Duration: 00:59:57
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Constant Changes
2. Atmosphere
3. Communication
4. D.I.J.A.V. II
5. Active
6. Consume Myself
7. Scientist
8. Colours
9. Farewell

...( Info )...
Title: Greed
Artist: Ritual Awakening
Year: 2025
Genre: Melodic, Death-Metal
Country: USA

Duration: 00:26:59
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Greed
2. Metamorphosis
3. Grotesque Obsession
4. Blinded
5. Impenitent
6. Chamber of Torment
7. Noosed
8. Portal

...( Info )...
Title: Kradljivac Duša
Artist: Smetlište
Year: 2025
Genre: Thrash, Groove-Metal
Country: Bosnia and Herzegovina

Duration: 00:47:55
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
1. Dum Spiro Spero
2. Revolucija
3. Lažna nada
4. Maska
5. N.E.R.V.
6. Delirium
7. Kradljivac duša
8. Korak više
9. Grijeh 0
10. Prezir (Bonus Track)

...( Info )...
Title: As The Ember Dies
Artist: Black Light
Year: 2025
Genre: Thrash-Metal
Country: Slovakia
Duration: 00:41:03
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
1. Chase
2. Into the Nothing
3. Mistbreath
4. Frozen Desert
5. The Crones
6. Son of Sam
7. Circled Snake
8. Sticks and Stones
9. The First Touch
10. The Lake
11. Frameshift

...( Info )...
Title: Vs The World
Artist: Poison The Preacher
Year: 2025
Genre: Thrash-Metal, Crossover
Country: Colobia

Duration: 00:29:37
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Future Tense
2. Sucker Punch
3. Dying Every Day
4. 1312
5. Hate too Much
6. Congelado en el Tiempo
7. Promise to Pay
8. One Man Army
9. Us Against the World

...( Info )...
Title: Dream Labyrinth
Artist: Allodium
Year: 2025
Genre: Post, Black-Metal
Country: USA

Duration: 00:52:21
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Hiraeth
02. Barren Earth
03. You Were Faire
04. Dream Labyrinth
05. Into the Evergrey
06. Totenreich

...( Info )...
Title: Khaomorphosis
Artist: Khaotus
Year: 2025
Genre: Black, Death-Metal
Country: Finland

Duration: 00:35:15
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Intro
2. Scorched
3. A Husk No More
4. Here Where They Now Stand
5. Expunging the Ashes
6. The Petrichor of What Once Was

...( Info )...
Title: By All Means
Artist: Senpais
Year: 2025
Genre: Melodic, Death-Metal
Country: Germany

Duration: 00:43:06
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Not Even Close
02. Hunting Season
03. All Animals Are Equal
04. The Bludgeoning
05. Watch The World Burn
06. Repulse
07. War Is Peace
08. Scarlet
09. W.A.Y.S.B.
10. Nevermourn

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Tak na szybko mogę zaoferować taki zestaw. Miłego słuchania...



..::TRACK-LIST::..

Demos:
1989 - Reduced To Ashes
1990 - Excruciating Pain

Single, Live, Compilation:
1991 - The Black Mass (Single)
1992 - Live Demo 1991 (Live)
1994 - Live Soundboard (Live)
2006 - Horrors Of Hell (Compilation)
2007 - Evil - Death (Live)

Studio:
1992 - Let Us Pray
1992 - Let Us Pray (Reissue 2009)
1995 - Into Cold Darkness
1997 - Forever Underground
2000 - Dawn Of The Apocalypse
2003 - Dechristianize
2007 - Icons Of Evil



https://www.youtube.com/watch?v=_QEQ-8ZA8zk



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Hibernation Devastation
Artist: Bangover
Year: 2025
Genre: Thrash-Metal
Country: UK

Duration: 00:36:06
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. The Texas Chainsaw Thrashacre
2. Scum Of The Earth
3. Thrashional Rail
4. The Banshee
5. Death Shed
6. Tannhauser Gates
7. Hibernation Devastation

...( Info )...
Title: This World Is Ours [Kristy Robson Edition]
Artist: Juliet's Not Dead
Year: 2025
Genre: Hard-Rock, Grunge
Country: UK

Duration: 00:49:04
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Sinner or Saint? (04:08)
2. Thrillseekers (03:04)
3. Open Fire (03:49)
4. Battle Scarred (03:39)
5. Notorious (03:38)
6. Passing Ships (04:09)
7. Double Life (02:48)
8. Last One Standing (04:01)
9. King & Queen (03:15)
10. Capsize (04:20)
11. Open Fire (04:16)
12. Battle Scarred (03:52)
13. Passing Ships (03:58)

...( Info )...
Title: The Mirror
Artist: Black Rose
Year: 2025
Genre: Hard, Heavy-Metal
Country: Sweden

Duration: 00:45:04
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Dualities 04:21
2. Farewell, Misery 03:38
3. Heavy Metal Angel 03:37
4. Shine 03:55
5. The Labyrinth Of Me 04:44
6. Heaven's Gate 05:32
7. Sole Survivor 04:30
8. Wildfire 05:18
9. Rebel Soul 04:31
10. Divine Sign 04:58

...( Info )...
Title: The End Of Human Tragedy
Artist: Chopped In Half
Year: 2025
Genre: Death-Metal
Country: Germany

Duration: 00:43:07
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Welcome to the ...
02. House of Pain
03. Insane
04. Immolation
05. End of Human Tragedy
06. No More Words
07. Ih8Yall
08. Obituary
09. Fall of the Last Civilisation
10. Morbid

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Jedyna duża płyta UTOPIE założonego przez dwóch Polaków zamieszkałych w Niemczech. 16 utworów ultra brutalnego i krwawego goregrind najwyższych lotów.
Limitowane wznowienie! KULT!



..::TRACK-LIST::..

1. My Blood Through Your Vein - My Words Through Your Mouth 4:52
2. Spat Out To Live 3:11
3. He Put His Erected Phallus In Her Anal Canal And Said: 'Hey Mom This Time I Trust You - I Don't Want Your Shit On My Cock!' 4:10
4. Manipulated And Dismembered Like A Piece Of Shit 3:24
5. Short Erection 9 0:13
6. Kill - Fuck - Mutilate 2:24
7. Phalluskult Usus 5:52
8. Suffocate And Perish In Separation Of Humanity 1:37
9. Stop Viagra - Smoke Pot 2:08
10. Long Erection 2:40
11. Short Erection 10 0:11
12. The Way To Be An Autocannibal 3:04
13. Psychopathologic Menstruationorgasm 3:09
14. Short Erection 11 0:21
15. Our Life - Our Reality 4:33
16. You Are What I Eat 2:24
17. Untitled (Bonus Instrumental) 2:51

'Instinct For Existence' was recorded and mixed at Zinnkopf Audio Studio in Siegsdorf in March 99



..::OBSADA::..

Drums, Vocals - Marius
Guitar, Bass, Vocals [Screams] - Arek




https://www.youtube.com/watch?v=FYc7t_iFWdU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Jedyna duża płyta UTOPIE założonego przez dwóch Polaków zamieszkałych w Niemczech. 16 utworów ultra brutalnego i krwawego goregrind najwyższych lotów.
Limitowane wznowienie! KULT!



..::TRACK-LIST::..

1. My Blood Through Your Vein - My Words Through Your Mouth 4:52
2. Spat Out To Live 3:11
3. He Put His Erected Phallus In Her Anal Canal And Said: 'Hey Mom This Time I Trust You - I Don't Want Your Shit On My Cock!' 4:10
4. Manipulated And Dismembered Like A Piece Of Shit 3:24
5. Short Erection 9 0:13
6. Kill - Fuck - Mutilate 2:24
7. Phalluskult Usus 5:52
8. Suffocate And Perish In Separation Of Humanity 1:37
9. Stop Viagra - Smoke Pot 2:08
10. Long Erection 2:40
11. Short Erection 10 0:11
12. The Way To Be An Autocannibal 3:04
13. Psychopathologic Menstruationorgasm 3:09
14. Short Erection 11 0:21
15. Our Life - Our Reality 4:33
16. You Are What I Eat 2:24
17. Untitled (Bonus Instrumental) 2:51

'Instinct For Existence' was recorded and mixed at Zinnkopf Audio Studio in Siegsdorf in March 99



..::OBSADA::..

Drums, Vocals - Marius
Guitar, Bass, Vocals [Screams] - Arek




https://www.youtube.com/watch?v=FYc7t_iFWdU



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Culto
Artist: Infection Code
Year: 2025
Genre: Thrash-Metal
Country: Italy

Duration: 00:51:39
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Nail In The Wall
2. Great Old Ones Company
3. The Final Act
4. Cursed Breed
5. Dead Brain's Oblivion
6. Faceless God
7. Inner Infernus
8. Veleno
9. Plague Daemon
10. Worship Remains Underground

...( Info )...
Title: First Cold Days In Hell
Artist: Moribund Scum
Year: 2025
Genre: Thrash-Metal
Country: Germany

Duration: 00:31:56
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. First Cold Days In Hell
2. Fragile Manhood
3. Eternal Hangover
4. They Come With Pitchforks
5. Running On Fumes
6. Social Batteries
7. Dismantle
8. Redneck Execution

...( Info )...
Title: Return Of The Beast
Artist: Tyson
Year: 2025
Genre: Groove, Thrash-Metal
Country: Germany

Duration: 00:36:13
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Return Of The Beast
2. Counting Days
3. Nowhere Home
4. Apocalypse Survivor
5. Mexican Death
6. Bury Me In Darkness
7. Prisoners Of Time
8. Evolution Of Corruption
9. Poisoned Apples
10. Nuclear Assault

...( Info )...
Title: Armageddon
Artist: Steel
Year: 2025
Genre: Heavy, Thrash-Metal
Country: Hungary

Duration: 00:39:37
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Prelűd
2. Szabadsag
3. Eláll A Szavad
4. Temetesi induló A♭ moll-ban
5. Szep Új Vilag
6. MK Ultra
7. Az Őrület Határán
8. Kivonulás
9. Armageddon
10. A Végtelenbe

...( Info )...
Title: Fatuidad Corpórea
Artist: Into The Fucking Grave
Year: 2025
Genre: Death-Metal
Country: Colombia

Duration: 00:27:20
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Intro
2. Herético
3. Soliloquio
4. Hechos profanos
5. Insulso trasegar
6. Fatuidad corpórea (El reflejo de la estirpe)
7. Víctimas de lo macabro
8. Falsa abnegación
9. Necrosinapsis

...( Info )...
Title: Pillars For The Dying
Artist: ForeAeon
Year: 2025
Genre: Thrash, Death-Metal
Country: Lithuania

Duration: 00:35:42
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. One For None
02. The Sets Of Madness
03. Future's Nebula
04. Resident Of Chaos
05. Dead Empires
06. Succubus
07. Welcome To Hell

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jest NAJLEPSZY zespół grind/death i ch..!!!

FA


Knockdown! Leżę na deskach z gębą mocniej obitą niż Michalczewski po walce z Tiozzo. Wydaje mi się, że podczas nagrywania Order Of The Leech Napalm Death przyjął tylko jedno założenie: NAPIERDALAĆ!!! Angole nakurwiają jak szaleni przez całe 12 tracków. Kontynuują druzgocące pomysły z „Enemy Of The Music Business”, tyle że tu skupili się na pisaniu bardzo szybkich kawałków. Tym samym powstał najszybszy album Napalm Death. Zero wolnych utworów, jedynie krótkie zwolnienia do średniego tempa, a poza tym sieka! Sieka, rzeź, masakra! Wściekły growl Barneya, agresywne, gęste riffowanie, intensywny napieprz w perkusję, sprawiają, że czuję się jak w okopie podczas jakiejś wojny. Wokół napierdalają bomby, granaty, wszędzie pył i dym, a powietrze wypełnia krzyk rozpaczy!
Chuj, więcej już nie napiszę, muszę mieć siłę na kolejne starcie z tym ponadnormatywnie nabuzowanym wściekłością longplayem!

Corpse



..::TRACK-LIST::..

1. Continuing War On Stupidity
2. The Icing On The Hate
3. Forced To Fear
4. Narcoleptic
5. Out Of Sight, Out Of Mind
6. To Lower Yourself (Blind Servitude)
7. Lowest Common Denominator
8. Forewarned Is Disarmed?
9. Per Capita
10. Farce And Fiction
11. Blows To The Body
12. The Great Capitulato



..::OBSADA::..

Mark 'Barney' Greenway - lead vocals
Mitch Harris - guitars, backing vocals
Shane Embury - bass
Danny Herrera - drums




https://www.youtube.com/watch?v=bgaham2Qpfg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jest NAJLEPSZY zespół grind/death i ch..!!!

FA


Knockdown! Leżę na deskach z gębą mocniej obitą niż Michalczewski po walce z Tiozzo. Wydaje mi się, że podczas nagrywania Order Of The Leech Napalm Death przyjął tylko jedno założenie: NAPIERDALAĆ!!! Angole nakurwiają jak szaleni przez całe 12 tracków. Kontynuują druzgocące pomysły z „Enemy Of The Music Business”, tyle że tu skupili się na pisaniu bardzo szybkich kawałków. Tym samym powstał najszybszy album Napalm Death. Zero wolnych utworów, jedynie krótkie zwolnienia do średniego tempa, a poza tym sieka! Sieka, rzeź, masakra! Wściekły growl Barneya, agresywne, gęste riffowanie, intensywny napieprz w perkusję, sprawiają, że czuję się jak w okopie podczas jakiejś wojny. Wokół napierdalają bomby, granaty, wszędzie pył i dym, a powietrze wypełnia krzyk rozpaczy!
Chuj, więcej już nie napiszę, muszę mieć siłę na kolejne starcie z tym ponadnormatywnie nabuzowanym wściekłością longplayem!

Corpse



..::TRACK-LIST::..

1. Continuing War On Stupidity
2. The Icing On The Hate
3. Forced To Fear
4. Narcoleptic
5. Out Of Sight, Out Of Mind
6. To Lower Yourself (Blind Servitude)
7. Lowest Common Denominator
8. Forewarned Is Disarmed?
9. Per Capita
10. Farce And Fiction
11. Blows To The Body
12. The Great Capitulato



..::OBSADA::..

Mark 'Barney' Greenway - lead vocals
Mitch Harris - guitars, backing vocals
Shane Embury - bass
Danny Herrera - drums




https://www.youtube.com/watch?v=bgaham2Qpfg



SEED 15:00-22:00.
POLECAM!!!