...( Info )...
Title: High Tide
Artist: SkullDozer
Year: 2025
Genre: Stoner, Doom-Metal
Country: USA

Duration: 00:43:38
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Bloody Ground 06:33
2. Sign of the Times 04:59
3. High Tide 05:00
4. Erosion 04:51
5. Mass Production 06:36
6. Misanthromation 10:14
7. Hand of Fate 05:25

...( Info )...
Title: Lost Bloody Heroes
Artist: Boguslaw Balcerak's Crylord
Year: 2025
Genre: Neoclassical, Power-Metal
Country: Poland

Duration: 01:01:09
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Night Sky Glooms (04:50)
2. Final Hour (04:26)
3. Born to Rock (04:18)
4. Inside of the Hell (04:44)
5. Unchain My Dream (05:42)
6. Lost Bloody Heroes (04:51)
7. Hold On (03:55)
8. Saracen (05:44)
9. New Horizon (05:03)
10. Hammer of the Gods (04:56)
11. Voodoo Night (05:01)
12. Worlds Away (07:33)

...( Info )...
Title: Electric Elephant Graveyard
Artist: Pissectomy
Year: 2025
Genre: Progressive-Metal
Country: USA

Duration: 00:39:40
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1.Welcome to Dead End 05:16
2.Between Ghosts and God 04:39
3.Sharkstar 04:08
4.Electric Elephant Graveyard 03:26
5.Pissrealm Antichrist 03:54
6.Astronomy 02:11
7.Starstorm Omega 07:32
8.Singularity 08:34

...( Info )...
Title: Lobo Solitario
Artist: JBP
Year: 2025
Genre: Heavy, Power-Metal
Country: Spain

Duration: 00:38:23
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Listo para Luchar
2. Abrázame
3. Vuelve a Soñar
4. Lobo Solitario
5. Aléjate de Mí
6. Corre Escapa
7. Salvado
8. Otra Noche en el Infierno
9. No Llores Más

...( Info )...
Title: In Failure We Trust
Artist: Old School
Year: 2025
Genre: Thrash-Metal
Country: Morocco

Duration: 00:29:32
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Modern Bedtime Story
2. Die in Pieces
3. Thrash Masters
4. Sincerely Yours, Suicide
5. A Day in Hell
6. Fallen
7. Human Insect

...( Info )...
Title: Bleed the World: Live
Artist: Heathen
Year: 2025
Genre: Speed, Thrash-Metal
Country: USA

Duration: 00:40:23
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. This Rotting Sphere (Live) (1:39)
2. The Blight (Live) (4:38)
3. Empire of the Blind (Live) (5:47)
4. Dying Season (Live) (5:44)
5. Set Me Free (Live) (4:03)
6. Sun in My Hand (Live) (5:00)
7. The Heathen Horde (Live) (0:31)
8. Goblin's Blade (Live) (4:42)
9. Hypnotized (Live) (8:16)

...( Info )...
Title: Ad Vitam
Artist: Castigo
Year: 2025
Genre: Groove, Heavy-Metal
Country: Argentina

Duration: 00:43:17
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Wings
2. Spheres Of Silence
3. Condena
4. Abyss
5. Boddah
6. My Agony
7. Svara
8. Swamp
9. Boreal

...( Info )...
Title: Imperfect Mortality
Artist: Panpsychism
Year: 2025
Genre: Death, Thrash-Metal
Country: USA

Duration: 00:29:30
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Imperfect Contrition
02. Reclamation
03. Manufactured Genocide
04. Words Unspoken
05. Eternalize
06. Deceit of the Valiant
07. Serenity Within Silence

...( Info )...
Genre: Death Metal
Country of the artist (band): Poland
Year of publication: 2009-2021
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 02:14:17

...( TrackList )...
2009 - More To Come (Demo) (320 kbps) (00:19:00)
2013 - It Rains, It Pours (320 kbps) (00:42:21)
2016 - We Had It Coming (320 kbps) (00:33:22)
2021 - The Grand Scheme of Things (320 kbps) (00:39:34)

...( Info )...
Title: Pain Communion
Artist: Collapsed Vein
Year: 2025
Genre: Dark, Doom-Metal
Country: USA

Duration: 00:57:19
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Cadaver Synod
2. Pissgrave
3. Deviant Burial
4. Children of God
5. May Your Name Still Endure
6. Inevitable End
7. Invictus
8. Overwhelmed With Bereavement
9. The Devils Orchard
10. The Eternal Idol (Black Sabbath cover)

...( Info )...
Title: Tooth And Nail
Artist: Dormant Ordeal
Year: 2025
Genre: Death-Metal
Country: Poland

Duration: 00:47:11
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Wije i mary, Pt. 1
2. Halo of Bones
3. Horse Eater
4. Orphans
5. Solvent
6. Dust Crown
7. Against the Dying of the Light
8. Everything That Isn't Silence Is Trivial
9. Wije i mary, Pt. 2

...( Info )...
Title: Circles Of Hell
Artist: Northern Eye
Year: 2025
Genre: Doom, Gothic-Metal
Country: Germany

Duration: 01:06:41
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Shadows of Eternity
2. There will be War
3. Gluttony
4. Redemption
5. Farewell
6. Circles of Hell
7. The Gate
8. Maleborge
9. Wait

...( Info )...
Title: The Time Has Come
Artist: Bark
Year: 2025
Genre: Groove-Metal, Death-n-Roll
Country: Belgium

Duration: 00:43:25
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Negativist
2. Shaman
3. Dodge the Bullet
4. On No One’s Word
5. Whiskey Rivers
6. Faceless
7. Wanted Man
8. Seven
9. Wildheart
10. Lord of the Skies
11. Wrath Unchained
12. The Curse from Above

...( Info )...
Name: Diamante
Artist: Trovao
Year: 2025
Genre: Heavy Metal
Country: Brazil

Duration: 00:36:54
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Preso ao Passado
2. Seres da Noite
3. Trovão
4. Até o Fim
5. Olhos da Cidade
6. Diamante
7. Não Lembre Mais de Mim (Vapor cover)
8. Sociedade Corrompida
9. Insanidade

...( Info )...
Title: Soldiers Of Speed
Artist: Regiment
Year: 2025
Genre: Speed-Metal
Country: USA

Duration: 00:26:55
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Acid Lord
2. Vultures
3. Voodoo Rock and Roll
4. Drag Me to Hell
5. Cyborg Holocaust
6. Speed ​​Tyrant
7. New World Order
8. Hellhounds
9. Erotic Asphyxiation (Executioner's Theme)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część serii 'Lost Not Forgotten Archives', która zawiera niewydany wcześniej materiał. 'Live at Wacken 2015' to zapis jednego z występów w Niemczech podczas letniej trasy koncertowej Dream Theater, kiedy świętowali 30-lecie istnienia.


A brand-new, unreleased addition to Dream Theater’s extensive ‘Lost Not Forgotten Archives’ project, ‘Live at Wacken (2015) sees the band playing the world-famous German festival during their Summer European tour where they celebrated their 30th anniversary as a band.



..::TRACK-LIST::..

1. Afterlife 05:35
2. Metropolis, Pt. I: The Miracle And The Sleeper 10:17
3. Burning My Soul 05:42
4. The Spirit Carries On 07:44
5. As I Am 07:38
6. Panic Attack 07:39
7. Constant Motion 07:04
8. Bridges In The Sky 09:43



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=B0fPY9PPB2E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Brutalny ponad wszelką miarę.
'Drain' jest okrutny!


..::OPIS::..

This is Rotten Sound's true beginning. It captures their signature grind - the most abrasive, catchy form of it that'll be perfected on the next couple of albums. The production's very fitting, putting a sharp distortion on the guitars so the riffs come out as ample and vicious. With stampeding blast beats and Niinimaa's versatile vocal performance, it's downright assaulting. I love the crushing sound like an intense rush. With the mastering it all comes out clearer and thus makes things easier to decipher. Memorability skyrockets as a result, and this album won't be one to forget. It's like Bolt Thrower's Realm Of Chaos where you know the band has something to build off of.

There's thrash, punk, death and grind rolled into this beast. The clarity separates the instruments well but doesn't reach the polish of Murderworks or Exit. That guitar distortion helps the riffs feel alive with the unrestricted aggression and tenacity surging. It's a saw-like tone that'll hit with various tempos and grooviness. Bass support is more essential to the guitars, often taking lead to splash with some sludgy lines. The combination is addictive and keeps me interested since there's always something catching my attention. The band isn't running through the motions with sloppy playing or redundancy - it's all tense and inventive. Most addicting is when the band goes into a riff break, usually slowing down the blaring speed for a headbanging rhythm.

Kai Hahto's got some tasteful drumming: roundabout, charged, and lots of footwork. The best is when he matches the riffs instead of blasting. It's like having consecutive grooves before Niinimaa's thick growls and shredded screams pour out. It's a relentless approach that doesn't even tire me out. It may sound exhausting but there are plenty of hooks and the appeal is in the collective. From the slick bass drops to the diligent drumming, the album is the antidote for slowness. The title track's got all of the above plus some of those plunging riff breaks that the band uses competently.

The band only upped their game with the next two albums, both of which are standouts of the genre. Drain just starts off the formula by getting it on the right track. On its own I still like it a lot, but it could have been taken further. Grind like this doesn't come easy, and many bands like this end up sounding the same and are held to a lesser quality. If there's any one band to stick with for this kind of music, then Rotten Sound is the one.

OzzyApu



..::TRACK-LIST::..

1. Calm
2. Dirty Currency
3. Bastard Behaviour
4. Alone At Last
5. Drain
6. Braindead
7. Narrow Mind
8. Dark High Way
9. Inversion
10. Vanity
11. Super Satan
12. Cartender
13. Coldvenience
14. Abusement Park
15. Loser



..::OBSADA::..

Vocals [Screams, grawls, grunts and throat torture] - Keijo
Bass [Pounding rhythm with bass and Falcon (TM)] - Pekka
Drums [The Beat] - Kai
Guitar [Fury, hate and lead sections with guitar] - Juha
Guitar [Riffs, aggression and rage with guitar] - Mika




https://www.youtube.com/watch?v=sZnWGuwqcRU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Brutalny ponad wszelką miarę.
'Drain' jest okrutny!


..::OPIS::..

This is Rotten Sound's true beginning. It captures their signature grind - the most abrasive, catchy form of it that'll be perfected on the next couple of albums. The production's very fitting, putting a sharp distortion on the guitars so the riffs come out as ample and vicious. With stampeding blast beats and Niinimaa's versatile vocal performance, it's downright assaulting. I love the crushing sound like an intense rush. With the mastering it all comes out clearer and thus makes things easier to decipher. Memorability skyrockets as a result, and this album won't be one to forget. It's like Bolt Thrower's Realm Of Chaos where you know the band has something to build off of.

There's thrash, punk, death and grind rolled into this beast. The clarity separates the instruments well but doesn't reach the polish of Murderworks or Exit. That guitar distortion helps the riffs feel alive with the unrestricted aggression and tenacity surging. It's a saw-like tone that'll hit with various tempos and grooviness. Bass support is more essential to the guitars, often taking lead to splash with some sludgy lines. The combination is addictive and keeps me interested since there's always something catching my attention. The band isn't running through the motions with sloppy playing or redundancy - it's all tense and inventive. Most addicting is when the band goes into a riff break, usually slowing down the blaring speed for a headbanging rhythm.

Kai Hahto's got some tasteful drumming: roundabout, charged, and lots of footwork. The best is when he matches the riffs instead of blasting. It's like having consecutive grooves before Niinimaa's thick growls and shredded screams pour out. It's a relentless approach that doesn't even tire me out. It may sound exhausting but there are plenty of hooks and the appeal is in the collective. From the slick bass drops to the diligent drumming, the album is the antidote for slowness. The title track's got all of the above plus some of those plunging riff breaks that the band uses competently.

The band only upped their game with the next two albums, both of which are standouts of the genre. Drain just starts off the formula by getting it on the right track. On its own I still like it a lot, but it could have been taken further. Grind like this doesn't come easy, and many bands like this end up sounding the same and are held to a lesser quality. If there's any one band to stick with for this kind of music, then Rotten Sound is the one.

OzzyApu



..::TRACK-LIST::..

1. Calm
2. Dirty Currency
3. Bastard Behaviour
4. Alone At Last
5. Drain
6. Braindead
7. Narrow Mind
8. Dark High Way
9. Inversion
10. Vanity
11. Super Satan
12. Cartender
13. Coldvenience
14. Abusement Park
15. Loser



..::OBSADA::..

Vocals [Screams, grawls, grunts and throat torture] - Keijo
Bass [Pounding rhythm with bass and Falcon (TM)] - Pekka
Drums [The Beat] - Kai
Guitar [Fury, hate and lead sections with guitar] - Juha
Guitar [Riffs, aggression and rage with guitar] - Mika




https://www.youtube.com/watch?v=sZnWGuwqcRU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Szybki i bezlitosny brutalny death/grind. Połączenie Brujeria i Napalm Death.
Nie ma litości...



...( TrackList )...

1. Mundo En Llamas 1:04
2. Estado Brutal 3:44
3. Himno Del Odio 2:08
4. Mata O Muere 3:19
5. 100% Terroristas 3:01
6. Enemigo 3:29
7. Malditas Partes (En Mi Mente) 2:48
8. O.S.S.A.M.A. 0:29
9. Cadenas Sangrientas 4:00
10. Enfermo De Mierda 2:09
11. Desprecio 3:20
12. Un Minuto De Silencio 3:16
13. Disturbios 12:07

Videoclip - Himno Del Odio 2:28
Video Editor – Diego Martínez




https://www.youtube.com/watch?v=nstCvaWVF8k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Szybki i bezlitosny brutalny death/grind. Połączenie Brujeria i Napalm Death.
Nie ma litości...



..::TRACK-LIST::..

1. Mundo En Llamas 1:04
2. Estado Brutal 3:44
3. Himno Del Odio 2:08
4. Mata O Muere 3:19
5. 100% Terroristas 3:01
6. Enemigo 3:29
7. Malditas Partes (En Mi Mente) 2:48
8. O.S.S.A.M.A. 0:29
9. Cadenas Sangrientas 4:00
10. Enfermo De Mierda 2:09
11. Desprecio 3:20
12. Un Minuto De Silencio 3:16
13. Disturbios 12:07

Videoclip - Himno Del Odio 2:28
Video Editor – Diego Martínez




https://www.youtube.com/watch?v=nstCvaWVF8k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Szaleńcza dawka brudnego australijskiego grind/crust inspirowanego Phobia, Infest, Unholy Grave.

Rocknworld:
The Aussie death/grind record label Grindhead Records is the name of the game, and is it interesting hearing the grind on that label, as wordlwide Grind is going through a restructuring of sorts and there are more interpretations of the style on an almost daily basis. So what, pray tell, do Sordid Remains do with the grind genre? Actually, some damn good stuff. Maybe it's me, but I feel that Napalm Death's classic "outright grinding metal meets mid-paced, slamming death metal" fusion was a pretty solid idea, and as such, Sordid Remains combining it with more generic fare (the obscure B-movie clips, bloody gore, disgusting sexual depravity) is fairly welcome and makes for an entertaining ride. A self-titled debut album for both the band and the label they're on, Sordid Remains not only does the aforementioned Brumley Boys in Napalm Death justice but the likes of recent Phobia too. Besides that, I'm a bit rusty on my early grind stuff (or even retro sounding recent grind) but rest assured this is classic, oldschool grindcore with the slightest of modern nuances in the production, lyrics, and delivery.

Opening cut "Psychoanalism" wraps all of the above into one short track. A crisp, sparkling movie sample of cutting flesh and sinister orchestra starts off the disc, and shortly after all this atmospheric hoo-hah we get treated with good old-fashioned Limey grindcore, frontman Keith's raspy vocals giving things an almost blackened twist. The percussion is very strongly mixed, sounding organic to the point of almost tinny din. "Mix 106 F**k You" recalls more mid-period Napalm, the grooving mid-paced riffs being catchy, brutal, and fuzzy all at the same time. Eventually, a bass led freakout leads into more blasting affairs, and the song showcases a much more versatile band than the first track. "Tuol Sleng" spares no time in kicking your ass, full-throttle grind slamming into your face with brutal front kicks and then pummeling you like a punch flurry with swing after swing of slower riffing. I worship "Dream of Death," a creepy sample behind a massive riff and some feedback pinches later getting mauled by the band's most furious grind yet. "The Only Way to Get to Know Jesus is to get on your Knees" has a very punk vibe to the guitars, a nice bass line, and some swank lyrics. Great stuff this! "From the Outside In" is pure aural rape, nothing less, and "C*nt Struck" follows suit with a low-end bass intro which lowers your guard for a sideswipe of barreling grind the size of a cement mixer flying down the highway towards your prone, motionless body. Hell, the blokes even resurrect Barney of Napalm's famous "death growl/punk shriek" combo here, to great effect. "Hatred" is another great cut, the song taking grind to soaring levels of brutality and graceful ultra-violence with some of the restrained riffs and vocal incantations. "Hollow" proclaims that we live in a "world of shit" before its mammoth uptempo grooves crush souls and end lives. "Threat Remains" has a really wicked opening riff that kind of sinks into grinding fury seconds later, would have liked to hear it stretched a bit longer actually. Still great stuff, just check out that zealous vortex of swirling grindcore mid-song. "Suffocating" is so honestly raw, it will make you grindheads out there like you're just discovering the genre once more, and bring a bloody smile to your sick face. If that doesn't, wait for the rabid dog vokills that close the album and you will grin, no matter what, satisfaction guaranteed.

In closing, if you like golden-age grind of the crusty, punky kind, with a smattering of slamming death metal thrown in for kicks, Sordid Remains are your band. In fact, this just proves that the founding sounds of the genre aren't just a steaming pile of rotten flesh after all; there's still life, still breathing.

Check it out, old and new grind fans alike!



..::TRACK-LIST::..

1. Psychoanalism 2:06
2. Mix 106.Fuck You 3:08
3. Tuol Sleng 1:39
4. Dream Of Death 3:22
5. The Only Way To Get To Know Jesus Is On Our Knees 2:02
6. From The Outside In 1:41
7. Cunt Stuck 1:19
8. Hatred 3:31
9. Hollow 2:13
10. Threat Remains 2:18
11. Suffocating 1:26





SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Szaleńcza dawka brudnego australijskiego grind/crust inspirowanego Phobia, Infest, Unholy Grave.

Rocknworld:
The Aussie death/grind record label Grindhead Records is the name of the game, and is it interesting hearing the grind on that label, as wordlwide Grind is going through a restructuring of sorts and there are more interpretations of the style on an almost daily basis. So what, pray tell, do Sordid Remains do with the grind genre? Actually, some damn good stuff. Maybe it's me, but I feel that Napalm Death's classic "outright grinding metal meets mid-paced, slamming death metal" fusion was a pretty solid idea, and as such, Sordid Remains combining it with more generic fare (the obscure B-movie clips, bloody gore, disgusting sexual depravity) is fairly welcome and makes for an entertaining ride. A self-titled debut album for both the band and the label they're on, Sordid Remains not only does the aforementioned Brumley Boys in Napalm Death justice but the likes of recent Phobia too. Besides that, I'm a bit rusty on my early grind stuff (or even retro sounding recent grind) but rest assured this is classic, oldschool grindcore with the slightest of modern nuances in the production, lyrics, and delivery.

Opening cut "Psychoanalism" wraps all of the above into one short track. A crisp, sparkling movie sample of cutting flesh and sinister orchestra starts off the disc, and shortly after all this atmospheric hoo-hah we get treated with good old-fashioned Limey grindcore, frontman Keith's raspy vocals giving things an almost blackened twist. The percussion is very strongly mixed, sounding organic to the point of almost tinny din. "Mix 106 F**k You" recalls more mid-period Napalm, the grooving mid-paced riffs being catchy, brutal, and fuzzy all at the same time. Eventually, a bass led freakout leads into more blasting affairs, and the song showcases a much more versatile band than the first track. "Tuol Sleng" spares no time in kicking your ass, full-throttle grind slamming into your face with brutal front kicks and then pummeling you like a punch flurry with swing after swing of slower riffing. I worship "Dream of Death," a creepy sample behind a massive riff and some feedback pinches later getting mauled by the band's most furious grind yet. "The Only Way to Get to Know Jesus is to get on your Knees" has a very punk vibe to the guitars, a nice bass line, and some swank lyrics. Great stuff this! "From the Outside In" is pure aural rape, nothing less, and "C*nt Struck" follows suit with a low-end bass intro which lowers your guard for a sideswipe of barreling grind the size of a cement mixer flying down the highway towards your prone, motionless body. Hell, the blokes even resurrect Barney of Napalm's famous "death growl/punk shriek" combo here, to great effect. "Hatred" is another great cut, the song taking grind to soaring levels of brutality and graceful ultra-violence with some of the restrained riffs and vocal incantations. "Hollow" proclaims that we live in a "world of shit" before its mammoth uptempo grooves crush souls and end lives. "Threat Remains" has a really wicked opening riff that kind of sinks into grinding fury seconds later, would have liked to hear it stretched a bit longer actually. Still great stuff, just check out that zealous vortex of swirling grindcore mid-song. "Suffocating" is so honestly raw, it will make you grindheads out there like you're just discovering the genre once more, and bring a bloody smile to your sick face. If that doesn't, wait for the rabid dog vokills that close the album and you will grin, no matter what, satisfaction guaranteed.

In closing, if you like golden-age grind of the crusty, punky kind, with a smattering of slamming death metal thrown in for kicks, Sordid Remains are your band. In fact, this just proves that the founding sounds of the genre aren't just a steaming pile of rotten flesh after all; there's still life, still breathing.

Check it out, old and new grind fans alike!



..::TRACK-LIST::..

1. Psychoanalism 2:06
2. Mix 106.Fuck You 3:08
3. Tuol Sleng 1:39
4. Dream Of Death 3:22
5. The Only Way To Get To Know Jesus Is On Our Knees 2:02
6. From The Outside In 1:41
7. Cunt Stuck 1:19
8. Hatred 3:31
9. Hollow 2:13
10. Threat Remains 2:18
11. Suffocating 1:26





SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Nullified
Artist: Brain Stem
Year: 2025
Genre: Death-Metal
Country: Canada

Duration: 00:34:28
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intergalactic Cattle
02. Algorithmic Obsoletion
03. Unnatural Selection
04. The Blood Witch
05. Monarch Rising
06. Devoid Of Life
07. Confined
08. Mirrorborn

...( Info )...
Title: Violent Vacation
Artist: Thraxas!
Year: 2025
Genre: Thrash, Groove-Metal
Country: Australia

Duration: 00:50:03
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Blast Shadows
2. The Rage of 1000 Suns
3. Violent Vacation
4. Exemplary Punishment
5. Rapid Descent Into Madness... and Brutality
6. A Guide to Torture
7. Glory Is Reserved for the Dead
8. Sentenced To Debt
9. Thy Plague Bearer
10. Evolution of Revolution
11. Bloody Fist Face Lift

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Bardzo podobnie jak w przypadku 'Reign in Blood'. Dostajesz w ryj, zbierasz zęby i...



..::TRACK-LIST::..

1. Attrition 01:36
2. Bound By Misery 01:32
3. Congregation 01:55
4. Circuition 00:49
5. Godlust 02:15
6. Rebirth 02:40
7. Calloused Mind 01:41
8. Circle of Shit 04:21
9. Wordless 01:00
10. Endless Nothing 00:48
11. ALEL 01:01
12. All We Have 00:33
13. Unspoken 01:53




https://www.youtube.com/watch?v=YgsfMmFGX2o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Bardzo podobnie jak w przypadku 'Reign in Blood'. Dostajesz w ryj, zbierasz zęby i...



..::TRACK-LIST::..

1. Attrition 01:36
2. Bound By Misery 01:32
3. Congregation 01:55
4. Circuition 00:49
5. Godlust 02:15
6. Rebirth 02:40
7. Calloused Mind 01:41
8. Circle of Shit 04:21
9. Wordless 01:00
10. Endless Nothing 00:48
11. ALEL 01:01
12. All We Have 00:33
13. Unspoken 01:53




https://www.youtube.com/watch?v=YgsfMmFGX2o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Nie wiem czy pamiętacie, ale drugi album Varnheim w przededniu premiery otrzymał tutaj ode mnie kilka ciepłych słów. Widać nie tylko mi ich granie przypadło do gustu, bo chłopaki w końcu znaleźli konkretny label chętny do wydania ich nagrań. „Void” to album numer trzy, będący systematycznym rozwijaniem stylu zapoczątkowanego na debiucie. O ile poprzednik dość mocno nasączony był inspiracjami Mgłą, to tym razem Mazowszanie do charakterystycznego, chłodnego i melodyjnego riffowania dodali jakby więcej od siebie. Nie znaczy to, że melodii rodem z „Exercises in Futility” nie ma tu wcale. One są, i to w każdym z czterech utworów, jednak już nie tak nachalne, stanowiące tym razem bardzo zgrabny dodatek. Czego zatem na tym albumie więcej? Przede wszystkim różnorodności. Kompozycje Varnheim są dość długie, bo trwające około dziesięciu minut, i naprawdę sporo się w nich dzieje. Nie tylko pod względem różnicowania tempa, wahającego się od szybkich, blastujących fragmentów po niemal doomowe, nostalgiczne zwolnienia. Muzycy udanie równoważą dawkowanie francuskiej trucizny spod znaku zagrywek dysonansowych, z prostolinijnym, bezlitosnym atakiem a’la Marduk. Ponadto przewijające się tutaj harmonie niezwykle zgrabnie się przeplatają i płynnie przechodzą z jednej w drugą, utrzymując jednocześnie niezmiennie wysoki poziom napięcia. Może znów niepotrzebnie rzucam nasuwającymi mi się na myśl nazwami, ale nowy materiał Varnheim ma w sobie także coś z Manbryne czy Cursebinder, i to zarówno czysto muzycznie, jak i pod względem tworzonego klimatu. Może dlatego, że podobnie jak wymienieni, nie trzyma się sztywno jednego stylu, a umiejętnie pobiera nauki od kilku profesorów. To sprawia, że „Void” jest albumem wieloodcieniowym, a jednocześnie zwartym i spójnym.

Ponadto sporą jego zaletą jest produkcja. Dość przejrzysta, by nic nie ginęło w zakamarkach, a jednocześnie odpowiednio zimna i szorstka. In plus oceniłbym też wokale (a śpiewane jest po angielsku i po naszemu), agresywne i ekspresyjne. Im dłużej słucham tych nagrań, tym głębiej wbijają mi się w głowę, co świadczy, że „Void” to typowy „grower”, album, którego nie odstawi się na półkę po dwóch / trzech rundach, bo dopiero wtedy zaczyna żreć i wciągać. A naprawdę ma ku temu sporo argumentów, i jest na nim co eksplorować. Dla każdego maniaka polskiego black metalu nowy Varnheim to pozycja obowiązkowa. Może jeszcze nie z tej najwyższej półki, ale jako iż tendencję chłopaki mają wzrostową, to kto wie co będzie następnym razem. Wiele im nie brakuje.

jesusatan



https://www.youtube.com/watch?v=eNfFqXLi05g



Polish Varnheim is one of many bands that I have recently discovered. Their newest album, "Void", is a solid piece of black metal that stands out for its gripping atmosphere, powerful vocals, and much more.

It comes as no surprise that Varnheim paints a nihilistic, depressing atmosphere, reflected both in the music and the lyrics. The pattern for all four songs in this album is rather simple; once in a while, they slow down only to hit you hard with aggressive tremolo picking riffs and powerful vocals done by Patryk Włódarczyk. The melodies are very memorable, for example, in the opener, "Vengeance". Of course, it is not only the case in this particular song, these can be found throughout the whole album. Coming back to the pattern mentioned before, the slower, maybe mid-tempo moments are those that contribute the most to the atmosphere; they even help you "drown" in that void. The more I listened to this album, the more I found myself "drowning", to be honest. The peak moment of it was when the hypnotizing melody in "Downwards" was playing. Another moment that I found worth mentioning in that song was the speech of Robert Oppenheimer. I was quite perplexed when I heard it once again. Small thing, but as it is said, the devil dwells in the details. Overall, the void that Varnheim mentioned in the album title, in fact, exists.

If anyone had read my reviews before, they would have known that I adore the idea of guitar solos in black metal. In this album, these can also be found in "Onwards" and "Inwards". To be honest, taking the depressing atmosphere into account, I wouldn't imagine making any for it. Nevertheless, Varnheim managed to sneak these perfectly. They never become overly melodic, and that's the huge plus of the album. The riffs are similar to each other in style, but each one is different. They are not anything that will change the history of metal, but they are of very good quality for sure. As said before, the melody and tempo changes, which is by no means boring. Sometimes we hear pick slides, sometimes tremolo picking, and sometimes more melodic guitar playing.

As for vocals, these might be a bit monotonous, with one exception at the end of "Inwards", when the words are spoken, and in "Downwards", when at one point vocals echo. Nonetheless, they are high-quality, and to be honest, I can't imagine shrieks fitting the kind of music Varnheim plays. Drums are pretty sophisticated, which is not heard on the first listen. I am not a drummer, but I believe the whole drum kit seems to have been put to good use on this album. Lyrically, two songs are in English and two in Polish. As a Polish native speaker, these Polish ones might have been inspired by Mgła, because in "Inwards" there are terms from Greek mythology, and the first verse of "Downwards" is a bit of the Bible inversion, as in "Exercises in Futility V", though Mgła's version used English lyrics. Despite that and opinions that Varnheim is a clone of Mgła, it doesn't change my perspective of this album.

To sum up, Varnheim's third full-length is a very enjoyable modern black metal album that carries great atmosphere, good instrumental playing, and is worth listening to. If you enjoy long black metal songs, these four, ranging from 9 to 14 minutes, are for you.

SzejkElRopa



..::TRACK-LIST::..

1. Vengeance 09:46
2. Onwards 09:09
3. Inwards 10:00
4. Downwards 13:14



..::OBSADA::..

Patryk Włódarczyk - Vocals, Guitars
Mateusz Waśkiewicz - Guitars
Wojciech Gąsiorowski - Bass
Paweł Duda - Drums



https://www.youtube.com/watch?v=Qk0fThz0Eeg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Nie wiem czy pamiętacie, ale drugi album Varnheim w przededniu premiery otrzymał tutaj ode mnie kilka ciepłych słów. Widać nie tylko mi ich granie przypadło do gustu, bo chłopaki w końcu znaleźli konkretny label chętny do wydania ich nagrań. „Void” to album numer trzy, będący systematycznym rozwijaniem stylu zapoczątkowanego na debiucie. O ile poprzednik dość mocno nasączony był inspiracjami Mgłą, to tym razem Mazowszanie do charakterystycznego, chłodnego i melodyjnego riffowania dodali jakby więcej od siebie. Nie znaczy to, że melodii rodem z „Exercises in Futility” nie ma tu wcale. One są, i to w każdym z czterech utworów, jednak już nie tak nachalne, stanowiące tym razem bardzo zgrabny dodatek. Czego zatem na tym albumie więcej? Przede wszystkim różnorodności. Kompozycje Varnheim są dość długie, bo trwające około dziesięciu minut, i naprawdę sporo się w nich dzieje. Nie tylko pod względem różnicowania tempa, wahającego się od szybkich, blastujących fragmentów po niemal doomowe, nostalgiczne zwolnienia. Muzycy udanie równoważą dawkowanie francuskiej trucizny spod znaku zagrywek dysonansowych, z prostolinijnym, bezlitosnym atakiem a’la Marduk. Ponadto przewijające się tutaj harmonie niezwykle zgrabnie się przeplatają i płynnie przechodzą z jednej w drugą, utrzymując jednocześnie niezmiennie wysoki poziom napięcia. Może znów niepotrzebnie rzucam nasuwającymi mi się na myśl nazwami, ale nowy materiał Varnheim ma w sobie także coś z Manbryne czy Cursebinder, i to zarówno czysto muzycznie, jak i pod względem tworzonego klimatu. Może dlatego, że podobnie jak wymienieni, nie trzyma się sztywno jednego stylu, a umiejętnie pobiera nauki od kilku profesorów. To sprawia, że „Void” jest albumem wieloodcieniowym, a jednocześnie zwartym i spójnym.

Ponadto sporą jego zaletą jest produkcja. Dość przejrzysta, by nic nie ginęło w zakamarkach, a jednocześnie odpowiednio zimna i szorstka. In plus oceniłbym też wokale (a śpiewane jest po angielsku i po naszemu), agresywne i ekspresyjne. Im dłużej słucham tych nagrań, tym głębiej wbijają mi się w głowę, co świadczy, że „Void” to typowy „grower”, album, którego nie odstawi się na półkę po dwóch / trzech rundach, bo dopiero wtedy zaczyna żreć i wciągać. A naprawdę ma ku temu sporo argumentów, i jest na nim co eksplorować. Dla każdego maniaka polskiego black metalu nowy Varnheim to pozycja obowiązkowa. Może jeszcze nie z tej najwyższej półki, ale jako iż tendencję chłopaki mają wzrostową, to kto wie co będzie następnym razem. Wiele im nie brakuje.

jesusatan



https://www.youtube.com/watch?v=eNfFqXLi05g



Polish Varnheim is one of many bands that I have recently discovered. Their newest album, "Void", is a solid piece of black metal that stands out for its gripping atmosphere, powerful vocals, and much more.

It comes as no surprise that Varnheim paints a nihilistic, depressing atmosphere, reflected both in the music and the lyrics. The pattern for all four songs in this album is rather simple; once in a while, they slow down only to hit you hard with aggressive tremolo picking riffs and powerful vocals done by Patryk Włódarczyk. The melodies are very memorable, for example, in the opener, "Vengeance". Of course, it is not only the case in this particular song, these can be found throughout the whole album. Coming back to the pattern mentioned before, the slower, maybe mid-tempo moments are those that contribute the most to the atmosphere; they even help you "drown" in that void. The more I listened to this album, the more I found myself "drowning", to be honest. The peak moment of it was when the hypnotizing melody in "Downwards" was playing. Another moment that I found worth mentioning in that song was the speech of Robert Oppenheimer. I was quite perplexed when I heard it once again. Small thing, but as it is said, the devil dwells in the details. Overall, the void that Varnheim mentioned in the album title, in fact, exists.

If anyone had read my reviews before, they would have known that I adore the idea of guitar solos in black metal. In this album, these can also be found in "Onwards" and "Inwards". To be honest, taking the depressing atmosphere into account, I wouldn't imagine making any for it. Nevertheless, Varnheim managed to sneak these perfectly. They never become overly melodic, and that's the huge plus of the album. The riffs are similar to each other in style, but each one is different. They are not anything that will change the history of metal, but they are of very good quality for sure. As said before, the melody and tempo changes, which is by no means boring. Sometimes we hear pick slides, sometimes tremolo picking, and sometimes more melodic guitar playing.

As for vocals, these might be a bit monotonous, with one exception at the end of "Inwards", when the words are spoken, and in "Downwards", when at one point vocals echo. Nonetheless, they are high-quality, and to be honest, I can't imagine shrieks fitting the kind of music Varnheim plays. Drums are pretty sophisticated, which is not heard on the first listen. I am not a drummer, but I believe the whole drum kit seems to have been put to good use on this album. Lyrically, two songs are in English and two in Polish. As a Polish native speaker, these Polish ones might have been inspired by Mgła, because in "Inwards" there are terms from Greek mythology, and the first verse of "Downwards" is a bit of the Bible inversion, as in "Exercises in Futility V", though Mgła's version used English lyrics. Despite that and opinions that Varnheim is a clone of Mgła, it doesn't change my perspective of this album.

To sum up, Varnheim's third full-length is a very enjoyable modern black metal album that carries great atmosphere, good instrumental playing, and is worth listening to. If you enjoy long black metal songs, these four, ranging from 9 to 14 minutes, are for you.

SzejkElRopa



..::TRACK-LIST::..

1. Vengeance 09:46
2. Onwards 09:09
3. Inwards 10:00
4. Downwards 13:14



..::OBSADA::..

Patryk Włódarczyk - Vocals, Guitars
Mateusz Waśkiewicz - Guitars
Wojciech Gąsiorowski - Bass
Paweł Duda - Drums



https://www.youtube.com/watch?v=Qk0fThz0Eeg



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Black Metal
Country of the artist (band): Poland
Year of publication: 2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 46:05

...( TrackList )...
1. Miejsca
2. Sny o lataniu
3. Idziemy w mgłę
4. Ludzie schronu (2034)
5. Bunt maszyn
6. A Good Day
7. Plamy I
8. Plamy II
9. Wielkie Zanikanie

...( Info )...
Title: Descension
Artist: Citadel
Year: 2025
Genre: Progressive, Death-Metal
Country: USA

Duration: 01:02:39
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Veil
2. Sorrow of the Thousandth Death
3. Crescent Dissentient
4. Under the Primrose
5. A Shadow in the Mist
6. Downwards Ever
7. As One