...( Info )...
Original title: Slash - Made in Stoke
Year of release: 2011
Genre: Hard rock
Director: Russell Thomas
Starring: Slash

About the film: "Made in Stoke" is a concert by British-American hard rock guitarist Slash. Featuring American vocalist Myles Kennedy, the album was recorded during Slash's debut solo tour in Stoke-on-Trent, where he spent his early years. Recorded on July 24, 2011, at the 1,500-capacity Victoria Hall, it was released by Armoury Records, a division of Eagle Rock Entertainment, on November 14, 2011, as a live album and DVD/Blu-ray with 5.1-channel surround sound. In addition to songs from Slash's self-titled debut album, "Made in Stoke" also includes songs originally performed by the guitarist's previous bands: Guns N' Roses, Slash's Snakepit, and Velvet Revolver.

...( TrackList )...
01. Been There Lately
02. Nightrain
03. Ghost
04. Mean Bone
05. Back From Cali
06. Rocket Queen
07. Civil War
08. Nothing To Say
09. Starlight
10. Promise
11. Doctor Alibi
12. Speed ​​Parade
13. Watch This
14. Beggars & Hangers On
15. Patience
16. Godfather Solo
17. Sweet Child O' Mine
18. Slither
19. By The Sword
20. Mr. Brownstone
21. Paradise City

Country: UK
Studio: Eagle Rock Entertainment
Duration: 02:05:30
Translation: Not required

...( Dane Techniczne )...
Codec: MPEG-4 AVC
Quality: BDRip 720p
Video: 1280x720 at 29.970 fps 7219 kbps
Sound: English 48 kHz, DTS, 3/2 (L, C, R, L, R) + LFE ch, ~1510.00 kbps avg

...( Info )...
Kiss - Live In Tokyo. The Crazy Nights Tour 88

Date: 1988
Genre: Rock
Country: Japan

The band's 1988 world tour. The concert was recorded live at the Budokan, Tokyo, on April 22, 1988.
Duration: 01:30:20

...( Dane Techniczne )...
Video format: DVDRip
Quality: AVI
Video: 640x480 (1.33:1), 23.970 fps, XviD build 63, ~2024 kbps avg, 0.28 bits/pixel
Audio: 48 kHz, AC3 Dolby Digital, 2/0 (L,R) ch, ~192.00 kbps avg

...( TrackList )...
01. CREDITS
02. INTRO
03. LOVE GUN
04. COLD GIN
05. BANG BANG YOU
06. CALLING DR. LOVE
07. FITS LIKE A GLOVE
08. CRAZY CRAZY NIGHTS
09. BRUCE SOLO
10. NO, NO, NO
11. REASON TO LIVE
12. HEAVEN’S ON FIRE
13. ERIC SOLO
14. WAR MACHINE
15. I LOVE IT LOUD
16. LICK IT UP
17. BLACK DIAMOND
18. I WAS MADE FOR LOVIN’ YOU
19. SHOUT IT OUT LOUD
20. STRUTTER
21. ROCK AND ROLL ALL NITE
22. DETROIT, ROCK CITY

...( Info )...
Original title: Kiss - Rocks Vegas
Release year: 2016
Genre: Hard rock, glam rock
Director: Devin DeHaven
Starring: Kiss

About the film: "Kiss Rocks Vegas" is a concert film by the American rock band Kiss, released on August 26, 2016. The film depicts the band's concert at the Hard Rock Hotel and Casino in Las Vegas, which took place in November 2014 during their 40th anniversary tour.

...( TrackList )...
01. Detroit Rock City
02. Creatures Of The Night
03. Psycho Circus
04. Parasite
05. War Machine
06. Tears Are Falling
07. Deuce
08. Lick It Up
09. I Love It Loud
10. Hell Or Hallelujah
11. Guitar Solo
12. Bass Solo
13. God Of Thunder
14. Do You Love Me
15. Love Gun
16. Black Diamond
17. Shout It Out Loud
18. Rock And Roll All Night
19. God Gave Rock'n'Roll To You (Credits)

Acoustic set:
01. Coming Home
02. Plaster Caster
03. Hard Luck Woman
04. Christine Sixteen
05. Goin' Blind
06. Love Her All I Can
07. Beth

Country: USA
Studio: Eagle Rock Entertainment
Duration: 01:28:12 + 00:25:42
Translation: Not required

...( Dane Techniczne )...
Codec: H.264
Quality: BDRip 720p
Video: 1280x720 at 23.976 fps 8900 kbps
Sound:
Audio 1: English 48 kHz, PCM, 2 channels, ~1536.00 kbps avg
Audio 2: English 48 kHz, DTS, 3/2 (L, C, R, L, R) + LFE channel, ~1510.00 kbps avg

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

GBH jest uznawany za jeden z pionierów angielskiej sceny street punkowej / UK82. Na początku lat 80. GBH należał do czołówki brytyjskiej elity punkrockowej.

To DVD/BluRay przedstawia całą historię zespołu, opowiedzianą ich własnymi słowami, od prób w sypialni Boring Johna, po pandemię, która przerwała ich światową trasę koncertową.

Wydanie jest limitowane do 666 egzemplarzy, wszystkie numerowane przez zespół w Birmingham w Wielkiej Brytanii. Każdy box set zawiera 2 płyty (DVD i Blu-ray – full HD) oraz rozkładany plakat A2, kolekcję naklejek i pocztówek!



..::TRACK-LIST::..

1. Birmingham Smiles
2. Rage Against Time
3. Knife Edge
4. Lycantrophy
5. Necrophilia
6. Dead Ob Arrival
7. Generals
8. Freak
9. I Am The Hunted
10. Fifty What?
11. No Survivors
12. Self Destruct
13. Big Women
14. Sick Boy
15. Slit Your own Throat
16. Am I Dead Yet?
17. Give Me Fire
18. I Never Asked For Any Of This
19. Momentum
20. Diplomatic Immunity
21. City Baby Attacked By Rats
22. City Baby's Revenge
23. Liquid Paradise (TheEpic)



https://www.youtube.com/watch?v=qjj1I5_ZzE0



https://www.youtube.com/watch?v=bzoilBNHzDs&list=PL6sghD5K-mCmQqd2B8V6z9DOgdnalo7Yn&index=1



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jeden z najbardziej wpływowych zespołów w historii brytyjskiego punk rocka.
Ze swoimi pełnymi treści politycznych tekstami i charakterystycznym brutalnym, agresywnym brzmieniem, zapisali się w historii jako jeden z najważniejszych zespołów hardcore punkowych wszech czasów, ukształtowali scenę punkową i przekazali pałeczkę kolejnym pokoleniom.

Wywiady i nagrania na żywo z trzech najsłynniejszych brytyjskich klubów undergroundowych! (Londyńskie: T-Chances, 100 Club i Bristol Exchange)



..::TRACK-LIST::..

1. Blood Runs Red
2. Fight Back
3. Hear Nothing See Nothing Say Nothing
4. Nightmare Continues
5. Look At Tomorrow
6. Hell On Earth
7. Cries Of Pain
8. Ain't No Feeble Bastard
9. Protest & Survive
10. Hype Overload
11. New World Order
12. Corpse Of Decadence
13. Hate Bomb
14. Never Again!
15. State Violence State Control
16. Realities Of War
17. Decontrol
18. You Take Part In Creating This System
19. Accessories By Molotov
20. War Is Hell Hell Is War
21. War's No Fairytale
22. You Deserve Me
23. Possibility Of Life's Destruction




https://www.youtube.com/watch?v=AELLR3Gtmos



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

DVD 5
NTSC
16:9
DD 2.0
DD 5.1


Biorąc pod uwagę czas, który upłynął od początku istnienia grupy, ten koncert jest prawdziwą ucztą dla ucha i oka...


Recorded and filmed at the: Rites Of Spring Festival at the Majestic Theater,
Gettysburg, Pennsylvania USA Sunday May 8th 2016.



..::TRACK-LIST::..

1. Prologue 1:12
2. Autumn 10:16
3. Sad Young Man 4:58
4. Just Love 3:29
5. Without Your Song 1:02
6. Shine On Silver Sun 3:11
7. Hero And Heroine 3:55
8. Snow White Dove 1:24
9. Midnight Sun 4:57
10. Her Open Arms 0:42
11. Out In The Cold / Round And Round 10:05
12. Angst 0:46
13. Lay A Little Light On Me / Hero's Theme / Round And Round (Reprise) / Shine On Silver Sun 8:44



..::OBSADA::..

Bass, Twelve-String Guitar, Vocals - Chas Cronk
Drums, Percussion - Tony Fernandez
Keyboards [Keyboard Programming] - Dave Bainbridge
Lead Guitar, Vocals - Dave Lambert
Vocals, Acoustic Guitar, Electric Guitar - David Cousins




https://www.youtube.com/watch?v=yS5hxGqQ6Jc




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..::INFO::..

---------------------------------------------------------------------
Santana - Santana IV - Live At The House Of Blues Las Vegas - (2 CD)
---------------------------------------------------------------------

Artist...............: Santana
Album................: Santana IV - Live At The House Of Blues Las Vegas
Genre................: Rock
Source...............: CD
Year.................: 2016
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68-69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eagle Vision

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Santana - Soul Sacrifice [08:21]
2. Santana - Jingo [04:56]
3. Santana - Evil Ways [07:07]
4. Santana - Everybody's Everything [04:00]
5. Santana - Shake It [04:43]
6. Santana - Anywhere You Want To Go [04:54]
7. Santana - Choo Choo [03:44]
8. Santana - All Aboard [02:08]
9. Santana - Samba Pa Ti [05:49]
10. Santana - Batuka [03:21]
11. Santana - No One to Depend On [05:09]
12. Santana - Leave Me Alone [05:39]
13. Santana - Suenos [04:52]

Playing Time.........: 01:04:49
Total Size...........: 446,87 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Santana - Caminando [05:26]
2. Santana - Blues Magic [04:42]
3. Santana - Echizo [05:13]
4. Santana - Come As You Are [05:24]
5. Santana - Yambu [05:25]
6. Santana - Black Magic Woman & Gypsy Queen [06:35]
7. Santana - Oye Como Va [05:26]
8. Santana - Ronald Isley Intro [02:18]
9. Santana - Love Makes The World Go Round (feat. Ronald Isley)[07:36]
10. Santana - Freedom In Your Mind (feat. Ronald Isley) [06:16]
11. Santana - Toussaint L'Ouverture [08:26]

Playing Time.........: 01:02:52
Total Size...........: 434,90 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::TRACK-LIST::..

1. My Favorite Things
2. Sing Me Softly of the Blues
3. Encuentros
4. Naima
5. Take The Coltrane



..::OBSADA::..

John McLaughlin - guitar
Joey DeFrancesco - hammond organ
Elvin Jones - drums



https://www.youtube.com/watch?v=laOMKyadlKg



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...( Info )...

Gatunek: Thrash Metal
Czas trwania: 157 min.
Jakość: DVD9
Format: DVD Video
Rozdzielczość: 4/3 MPG2 720x480
Dźwięk: AC3 48000 Hz 16 bit / 6ch
Rozmiar: 6.86gb


...( Opis )...

Pierwsza płyta DVD w dorobku Acid Drinkres została wydana przez Metal Mind Production. Zestaw zawiera fragmenty dwóch krakowskich koncertów, wywiady z Titusem i Litzą oraz sześć teledysków. Fani znajdą na krążku także historię oraz dyskografię zespołu.


...( TrackList )...

Koncert #1 (47 min.) (Bucklein Theatre, Kraków, 1998):
1. Be My Godzilla
2. High Proof Cosmic Milk
3. The Joker
4. United Suicide Legion
5. Drug Dealer
6. Human Bazooka
7. Flooded With Wine
8. Pump The Plastic Heart
9. Zero
10. Pizza Driver
11. Proud Mary

Koncert #2 (42 min.) (Łęg TV Studio, Kraków, 1995):
12. Slow & Stoned (Method Of Yonash)
13. Seek & Destroy
14. Poplin Twist
15. Barmy Army
16. Hiperenigmatic Stuff Of Mr. Nothing
17. Midnight Visitor
18. I Fuck The Violence
19. Always Look At The Bright Side Of Life
20. Smoke On The Water
21. Ace Of Spades
22. Fuck Me
23. Track Time 66.6 Sec.
24. Reggae-end

Teledyski (23 min):
25. Acidofilia
26. 2B1
27. Sad Like A Coal Check
28. High Proof Cosmic Milk
29. Proud Mary
30. (I Can Get No) Satisfaction

DVD zawiera również:
- wywiad z Titusem - 31 min.
- wywiad z Litzą - 14 min.
- animowane menu
- biografię Acid Drinkers
- galerię zdjęć
- tapety na pulpit

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

All roads have led to this. Forty-one years in the making, the R40 tour took a very real journey back through time. Beginning with the grand design: a state-of-the-art stage set that pivots, rolls and dives, and brings Clockwork Angels into bombastic, colourful life before marching stridently back in time (through theatre stages, a panoply of band and fan shots, the accrued memories of a life spent playing live) to a mocked-up school gym and the band playing there; a solitary bass amp set on the chair behind Geddy Lee, a mirror ball spiralling crazily above, casting thin rods of light like a light rain across the crowd, “Working Man” coming to a shuddering halt as the band’s beginning becomes their end.

The two hometown shows at Toronto’s Air Canada Centre this summer were always going to have an added poignancy given the giant question mark over the band’s future – Neil’s resistance to play live, Alex’s physical travails – plus, this was the town where Rush rehearsed in their rooms and garages, were the scourge of high school dances, brought the bar scene thrumming into bluesy life, it’s where “Subdivisions” was played out and the song born.

Any doubts were offset by a sell-out 35-date tour which drew people from as far afield as Australia, Japan, China, South America and London (not the one in Ontario, though they were in attendance too) and only amplified the Canadians’ legend. People came dressed as the band (the 2112 era proving particularly popular even down to Neil’s moustache), eleven-year-olds thrilled to hear songs that were recorded and released when their fathers were still teenage boys and were now too trying to keep time with Neil’s rattling fills.

Toronto was the live debut for “Losing It,” the band’s hymn to a creative light finally snuffed out. The version on the Signals album was raised ever higher by Ben Mink’s (FM) wonderfully affecting violin part, the recreation of which had always put the song beyond the band’s live set. His appearance (mere moments after the band had casually told him that the whole show was being filmed) was, and is, a moment of intractable and pure joy, filled (much like the R40 tour) with bittersweet highs and lows, inexpressively beautiful, the violin’s high-keening song reaching out to the impossibly high ceiling, disappearing there among the rafters.

“Closer to the Heart” is similarly impactful, as the room lights up with thousands of plastic star men logos held high, swaying unsteadily, couples link arms as the song’s refrain echoes around the room and down through time. “Xanadu” buzzes into life as the stage becomes a giant lattice of blue laser beams, the audience in thrall as Lee and Lifeson strap on their double-neck guitars.

It’s a musical history writ large; songs that have travelled with people for some if not all of their lives. As Geddy Lee shouts from the stage, maybe for one final time, “Thank you for forty years and I hope we see you again!” And that sentiment is reflected in every joyful face staring back at him.



..::TRACK-LIST::..

Set One
1. The World Is... The World Is...
2. The Anarchist
3. Headlong Flight
4. Far Cry
5. The Main Monkey Business
6. How It Is
7. Animate
8. Roll The Bones
9. Between The Wheels
10. Losing It (Electric Violin Ben Mink)
11. Subdivisions

Set Two
12. No Country For Old Hens
13. Tom Sawyer
14. YYZ
15. The Spirit Of Radio
16. Natural Science
17. Jacob's Ladder
18. Hemispheres: Prelude
19. Cygnus X-1 / The Story So Far (Drum Solo)
20. Closer To The Heart
21. Xanadu
22. 2112

Encore
23. Mel's Rockpile (Narrator Eugene Levy)
24. Lakeside Park / Anthem
25. What You're Doing / Working Man
26. Exit Stage Left

Bonus
27. One Little Victory
28. Distant Early Warning
29. Red Barchetta



..::OBSADA::..

Vocals, Bass, Keyboards - Geddy Lee
Guitar, Vocals - Alex Lifeson
Drums - Neil Peart



https://www.youtube.com/watch?v=IyMwIdrvpHI


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..::INFO::..

---------------------------------------------------------------------
The Jimi Hendrix Experience - Winterland - (4 CD)
---------------------------------------------------------------------
CD 1 - Winterland - (San Fransisco CA. 10-10-68)
CD 2 - Winterland - (San Fransisco CA. 10-11-68)
CD 3 - Winterland - (San Fransisco CA. 10-12-68)
CD 4 - Winterland - (Bonus Disc)
---------------------------------------------------------------------

Artist...............: The Jimi Hendrix Experience
Album................: Winterland
Genre................: Rock
Source...............: CD
Year.................: 2011
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60-66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Sony Music, Legacy

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1 - (Winterland, San Fransisco CA. 10-10-68)
---------------------------------------------------------------------

1. Jimi Hendrix Experience - Tax Free [15:15]
2. Jimi Hendrix Experience - Lover Man [05:21]
3. Jimi Hendrix Experience - Sunshine Of Your Love [07:30]
4. Jimi Hendrix Experience - Hear My Train A Comin' [11:33]
5. Jimi Hendrix Experience - Killing Floor [07:55]
6. Jimi Hendrix Experience - Foxey Lady [05:36]
7. Jimi Hendrix Experience - Hey Joe [07:19]
8. Jimi Hendrix Experience - Star Spangled Banner [05:56]
9. Jimi Hendrix Experience - Purple Haze [05:37]

Playing Time.........: 01:12:06
Total Size...........: 460,00 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - (Winterland, San Fransisco CA. 10-11-68)
---------------------------------------------------------------------

1. Jimi Hendrix Experience - Tax Free [10:01]
2. Jimi Hendrix Experience - Like A Rolling Stone [11:46]
3. Jimi Hendrix Experience - Lover Man [03:45]
4. Jimi Hendrix Experience - Hey Joe [05:12]
5. Jimi Hendrix Experience - Fire [03:20]
6. Jimi Hendrix Experience - Foxey Lady [05:12]
7. Jimi Hendrix Experience - Are You Experienced [12:13]
8. Jimi Hendrix Experience - Red House [12:24]
9. Jimi Hendrix Experience - Purple Haze [05:18]

Playing Time.........: 01:09:14
Total Size...........: 455,00 MB

---------------------------------------------------------------------
Tracklisting - CD 3 - (Winterland, San Fransisco CA. 10-12-68)
---------------------------------------------------------------------

1. Jimi Hendrix Experience - Fire [04:59]
2. Jimi Hendrix Experience - Lover Man [04:29]
3. Jimi Hendrix Experience - Like A Rolling Stone [11:48]
4. Jimi Hendrix Experience - Manic Depression [05:34]
5. Jimi Hendrix Experience - Sunshine Of Your Love [09:01]
6. Jimi Hendrix Experience - Little Wing [04:01]
7. Jimi Hendrix Experience - Spanish Castle Magic [06:28]
8. Jimi Hendrix Experience - Red House [09:13]
9. Jimi Hendrix Experience - Hey Joe [06:45]
10. Jimi Hendrix Experience - Purple Haze [03:42]
11. Jimi Hendrix Experience - Wild Thing [03:30]

Playing Time.........: 01:09:34
Total Size...........: 457,94 MB

---------------------------------------------------------------------
Tracklisting - CD 4 - (Bonus Disc) (Winterland, San Francisco, CA)
---------------------------------------------------------------------

1. Jimi Hendrix Experience - Foxey Lady (10-12-68) [06:05]
2. Jimi Hendrix Experience - Are You Experienced (10-10-68)[07:27]
3. Jimi Hendrix Experience - Voodoo Child (Slight Return) (10-10-68)[07:43]
4. Jimi Hendrix Experience - Red House (10-10-68) [15:21]
5. Jimi Hendrix Experience - Star Spangled Banner (10-11-68)[06:10]
6. Jimi Hendrix Experience - Purple Haze (10-11-68) [06:15]
7. Jimi Hendrix Experience - Boston Garden Backstage Interview (11-16-68)[19:04]

Playing Time.........: 01:08:09
Total Size...........: 379,08 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



DVD 5
NTSC
4:3
DD 2.0



..::TRACK-LIST::..

..::OBSADA::..

Horace Silver quintet:
1. Nutville
2. Song for my father

Horace Silver - Piano
Bill Hardman - Trumpet
Bennie Maupin - Tenor
John Williams - Bass
Billy Cobham - Drums



Elvin Jones trio:
3.Village green
4.Sweet little maia
5.Ginger bread boy

Elvin Jones - Drums
Joe Farrel - Sax, Flute
Jimmy Garrison - Bass



https://www.youtube.com/watch?v=0dX28TGFLwY



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



No jaj ten występ nie urywa...



..::TRACK-LIST::..

Recorded Live @ Eurockéennes Festival, Belfort, France (2003-07-05).

1. Disciple 3:45
2. God Send Death 4:43
3. War Ensemble 5:08
4. Haunting The Chapel / The Antichrist 5:11
5. Stain Of Mind 4:01
6. Threshold 3:02
7. Dead Skin Mask 5:57
8. Criminally Insane 3:19
9. Mandatory Suicide 4:15
10. Hell Awaits 5:16
11. South Of Heaven 4:29
12. Angel Of Death 6:02
13. Postmortem 4:18
14. Raining Blood 3:38



..::OBSADA::..

Tom Araya - Bass & Vocals
Jeff Hanneman - Guitar
Kerry King - Guitar
Dave Lombardo - Drums



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Meshuggah długo przebijali się do świadomości szerszego grona słuchaczy. Na dobre zaistnieli w niej wydając "Nothing". W ten sposób określili swoją muzyczną tożsamość i zainspirowali szereg mniej lub bardziej udanych epigonów, którzy zaczęli używać świeżo ukutego terminu "djent" dla zdefiniowania swojego stylu.

Twórczość Szwedów od początku była nietuzinkowa, jednak doceniona została dopiero wraz z premierą wspomnianego tytułu. Wtedy stali się przedmiotem zainteresowań kolegów po fachu i wykładowców na muzycznych uniwersytetach. Wzrosła również liczba wyznawców wśród fanów. Każdy z fascynacją zagłębiał się w świat metrycznych dysonansów kreowany przez ekipę z Umea. Jak wspomniałem, jak grzyby po deszczu zaczęli wyrastać naśladowcy, którzy zapożyczali różne elementy z muzyki Meshuggah. Niestety większość brzmiała jak wykastrowana wersja swego wzorca.

Cechy charakterystyczne dla twórczości Szwedów? Specyficzny psychodeliczny klimat, polirytmiczne zabawy, ciężar gitar i rozwrzeszczany wokal Kidmana. Inne zespoły mogą się z nimi ścigać i grać nawet na piętnastostrunowych gitarach, jednak i tak nie zabrzmią tak ciężko jak Meshuggah, gdyż jego ciężar muzyki wynika bezpośrednio z samych kompozycji. Nie wystarczy odpowiednio nastroić gitary i bezmyślnie trącać struny. Wciąż tak wiele zespołów tego nie rozumie.

Ostatni krążek "Koloss" stanowił syntezę brzmienia zespołu oraz podsumowanie pewnego etapu. Ekstrakt z poprzednich wydawnictw. Ciekawe dokąd zabiorą nas następnym razem? Zespół, który stworzył, jeśli nie nowy gatunek muzyczny, to przynajmniej odrębny gatunek metalu świętuje w tym roku dwadzieścia pięć lat działalności. Z tej okazji zostało przygotowane DVD, wzbogacone o dwupłytowy materiał audio będący lustrzanym odbiciem zawartości krążka DVD. Różnica głównie polega na tym, że kawałki na audio zebrano z różnych części trasy, natomiast zdjęcia do DVD kręcono w dwóch miejscach, ale o tym później. "The Ophidian Trek" to rzecz skierowana raczej wyłącznie do fanów, zwłaszcza, że po "Obzen" ukazało się świetne "Alive", na którym można było zobaczyć, co oznacza Meshuggah live. "The Ophidian Trek" nie oferuje niczego nowego w tym zakresie, poza kompozycjami z "Koloss" i Kidmanem w koszulce "The Dude" z "Big Lebowskiego".

Czasy, kiedy fani dostawali w ręce wydawnictwa w rodzaju "Wake up and smell...Carcass" czy "Monkey Puss" Entombed, czyli dość wiernie oddające klimat występu live, odeszły do lamusa. Nie inaczej jest z najnowszym tytułem Meshuggah. Miałem przyjemność oglądać ten zespół dwa razy, raz w klubie, raz na festiwalu. Żadne DVD nie odda tego, jak człowiek czuje się w konfrontacji z tą muzyką na żywo. W moim przypadku uruchamia jedynie wspomnienia, mam się do czego odnieść. Pozostali otrzymują namiastkę, mogą obejrzeć reakcję publiki, zobaczyć jak zespół się zachowuje na scenie ale sama esencja pozostanie poza zasięgiem. Trochę jak lizanie loda przez szybkę.

Ale do rzeczy. "The Ophidian Trek" ogląda się bardzo przyjemnie. Wspomniałem, że kręcony był na dwóch arenach. Pierwsza, niezidentyfikowana (nigdzie nie znalazłem wzmianki, poza tym, że gdzieś w USA) pokazuje zespół w warunkach klubowych. Sama miejscówka przypomina wnętrze teatru. Druga lokalizacja to festiwal Wacken Open Air i tam rządzą kamery ZDF Kultur. Tu otrzymujemy typowe ujęcia festiwalowe, ruchome kamery itd. Standard. Ciekawsze są ujęcia z drugiej lokalizacji. Reżyser Anthony Dubois rozmieścił kamery w wielu różnych miejscach, dzięki czemu w jakimś stopniu można poczuć, że jest się na koncercie Meshuggah. Wszystko za sprawą ujęć z poziomu widowni. Jeden z kamerzystów kręci z samego młyna, więc jesteśmy tuż obok, pomiędzy szalejącymi fanami. Mamy ujęcia z widowni, z balkonu, tuz przed samą sceną. Na szczęście są też ujęcia ze sceny. Na szczęście przynajmniej dla mnie, bo mógłbym oglądać tzw. drum cam z całego ich występu.

Jeśli ktoś choć raz zaliczył udział w metalowym festiwalu, widząc zdjęcia z Wacken, z łatwością może przenieść się na miejsce. Letnie powietrze, pierwszy wieczorny chłód, niebo pełne gwiazd i hałas płynący ze sceny. I patrząc po ludziach ten sam trans w jaki wpędza człowieka Meshuggah na żywo. Wszyscy jak zahipnotyzowani kiwają się w przód i w tył. DVD jest tak skonstruowane, że bez przerw przenosi się z jednej lokalizacji do drugiej. Ujęcia sklejono w taki sposób, że gdy kończy się jeden kawałek, od razu zaczyna się drugi a widz dopiero po chwili orientuje się, że to już inne miejsce. Dźwięk oczywiście został poddany obróbce studyjnej, szumy zredukowane, widownię słychać jedynie na początku i na koniec każdego utworu. A te reprezentowały przede wszystkim ostatni krążek i były przeplatane numerami z wcześniejszych materiałów aż do "Chaosphere" ("New Millenium Cyanide Christ", jakżeby inaczej). Mamy wszystkie hity, "Rational Gaze", "Bleed", "Combustion", "Demiurge" (ten groove, obezwładniający), "Dancers To A Discordant System" czy pędzący na złamanie karku "The Hurt That Finds You First". Dziewięćdziesiąt minut szaleństwa.

Jak wspomniałem, to rzecz głównie dla fanów, jeśli ktoś nie miał wcześniej styczności z Meshuggah lepiej niech zacznie od płyt studyjnych. Ci pierwsi będą zadowoleni, bo kontaktu z ich ulubieńcami w każdej formie nigdy dość. Zdaję sobie sprawę, że częściej będę wracał do "Alive', zwłaszcza do fragmentów z Japonii (świetny klimat i praca kamer). "The Ophidian Trek" przyciąga głównie przez fakt, że stanowi dopełnienie ostatniego studyjnego krążka, zawierając pochodzące z niego numery. Szkoda też, że nie ma żadnych dodatków. Może na trzydziestolecie działalności Szwedzi przygotują coś specjalnego. A tak, mamy standardowe DVD od wyjątkowego zespołu.

Sebastian Urbańczyk



..::TRACK-LIST::..

1. Swarmer
2. Swarm
3. Combustion
4. Rational Gaze
5. obZen
6. Lethargica
7. Do Not Look Down
8. The Hurt That Finds You First
9. I Am Colossus
10. Bleed
11. Demiurge
12. New Millennium Cyanide Christ
13. Dancers To A Discordant System
14. Mind's Mirrors / In Life - Is Death / In Death - Is Death
15. The Last Vigil



..::OBSADA::..

Jens Kidman - vocals
Fredrik Thordendal - lead guitar
Mårten Hagström - rhythm guitar
Tomas Haake - drums
Dick Lövgren - bass




https://www.youtube.com/watch?v=Ze98NKr02ng



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..::OPIS::..

The disc lifts off with the captivating in-house Elektra Records film of the Doors performing “Break On Through” on a darkened set. The video, widely seen on MTV and released on multiple VHS and DVD collections, succinctly captures the excitement of the early Doors. The early TV appearances on shows like Shebang, American Bandstand and Malibu U are all a bit stiff, partly due to the band’s inexperience and their inability to properly lip sync their performances. It was part and parcel of being a rock band in the 1960s. More shows would follow — Murray The K In New York, The Jonathan Winters Show, and even an odd sequence around “Hello, I Love You” from German TV — and great live and semi-live performances have been preserved.

The clip of “Touch Me,” another previously released video of the Doors on the Smothers Brothers Comedy Hour is perhaps the best of the TV appearances here, with Morrison sounding together, singing live over the pre-recorded orchestration track. Conspicuously missing is the band’s infamous appearance on The Ed Sullivan Show on September 17, 1969. Despite being banned from the show, the producers have no problem including the performance on their Rock & Roll Classics DVD releases. Squeezed in between is the short film behind “The Unknown Soldier,” in which Morrison is mock executed on the beach as footage from Vietnam is mixed in for dramatic effect. Far different from the TV shows.

Several music videos made from archival live film and additional footage shot, some with and by Ray Manzarek, Robby Kreiger and John Densmore, plus lots of candid cutaways of Jim Morrison. Many of these videos have been released on previous VHS and DVD collections, and shown on MTV. The 1984 video for “Strange Days” attempts to create a live action sequence of the album’s cover featuring sideshow circus performers and cameos of Manzarek. The Doors keyboardist’s directorial role is more apparent in the suave and fun video for “LA Woman,” which vividly captures the spirit of the City of Angels (maybe even better than Randy Newman), before it veers off into a tangent of strange bedfellows and weird hallucinations.

“Ghost Song,” the final video in the main section, is taken from An American Prayer, the 1978 album the surviving Doors cut, blending new music with tapes of spoken word poetry from Jim Morrison. It shows Manzarek, Kreiger and Densmore playing along with brief flashes of Morrison. The Bonus section is highlighted by the story behind that video and many of the others, as told by Krieger, Densmore, engineer Bruce Botnik and Elektra president Jac Holzman in the Breaking Through The Lens documentary. There’s also a performance of “Break On Through (To The Other Side)” from the Isle of Wight 1970 festival, and a rather off-track excursion in the form of a Ford Motors training film the Doors apparently did the soundtrack for. Strange days indeed. It would seem R-Evolution fills in every last nook and cranny of available Doors footage, but you never know what’s buried in the vault. Stand by for the next chapter.

Shawn Perry


https://raymanzarek.com/films-revolution/



..::TRACK-LIST::..

1. Break On Through (To The Other Side): Music Film – January 1967
2. Break On Through (To The Other Side): Shebang – March 6, 1967
3. The Crystal Ship: American Bandstand – July 22, 1967
4. Light My Fire: American Bandstand – July 22, 1967
5. Light My Fire: Malibu U – August 25 1967
6. People Are Strange: Murray The K In New York – September 22, 1967
7. Moonlight Drive: From The Jonathan Winters Show – December 27, 1967
8. The Unknown Soldier: Music Film – February 1968
9. Hello, I Love You: Musik Für Junge Leute: 4-3-2-1 Hot And Sweet – September 13, 1968
10. Touch Me: The Smothers Brothers Comedy Hour – December 15, 1968
11. Wild Child: Music Film – July 1969
12. Roadhouse Blues: Music Film – February 1970
13. Crawling King Snake: GTK (Get To Know) – December 1970
14. The Changeling: Music Film – April 1971
15. Gloria: Music Film – October 1983
16. People Are Strange: Music Film – 1980’s
17. Strange Days: Music Film – 1984
18. L.A. Woman: Music Film – 1985
19. Ghost Song: Music Film – 1995

Bonus Features :
20. Love Thy Customer
21. Break On Through (To The Other Side)
22. Breaking Through The Lens
23. Commentary



https://www.youtube.com/watch?v=RrDsSPtZOu4


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..::OPIS::..

Montreux Sounds and Eagle Vision present a Montreux Jazz Festival production, The Crusaders: Live at Montreux 2003. Recorded live in concert with guest Randy Crawford on July 18, 2003 at the Auditorium Stravinski, Montreux, Switzerland.



The Jazz Crusaders was formed in 1960 from a group that played together in Houston, Texas. Stix Hooper, Joe Sample and Wilton Felder moved out to form the new band and pulled in Wayne Henderson to complete the basic quartet. They got rid of "Jazz" in the group's title in 1971, a reflection of the assimilation of the different streams their music imbibed including funk and soul.

Time is not static, and neither are tastes. There were personnel changes over the year, and The Crusaders finally disbanded. In 2003, however, Hooper, Sample and Felder came back to record Rural Renewal with Ray Parker Jr. They toured in support of the album. Montreux, the setting for this video performance, was on their list of destinations.

A live performance by a familiar cast thrives not only on current repertoire but also on nostalgia. The Crusaders balanced playing three songs from Rural Renewal with giving the past another look on nine songs, including the Parker smash hit "Ghostbusters," which closes the set.

The viewer will see that the Crusaders are in the groove right from the first note, but as the concert progresses it becomes apparent their then current material paled in comparison to the old. "Viva De Funk" just about greases the wheels of the rhythm while "Rural Renewal" is a tad too smooth and easy. But let those pass: the band shouts in glory on the other material, particularly on the classic fare, "Put It Where You Want It" and "Way Back Home." Both continue to be pulse-pounders in their own way. Parker sets up the first, his guitar heralding the horns and establishing a deep, solid rhythm bed. The mood is infectious, abetted by the groove and the changes in tempo. Sample calls the second "The Anthem," and so it's appropriately named. Felder mines the blues, and the band cuts in and turns on a spellbinding performance. It still shines as a majestic composition.

Randy Crawford is in fine voice as she sings blues, soul and pop. Her soft vocals are like a silk thread weaving a magic spell as she brings her impress to bear on a jazzy version of "Imagine," The highlight however, is her version of "Soul Shadows," on which she harvests every word and its nuance to perfection.

At the end of it all, The Crusaders and Crawford turn on the heat and let their music capture the night.

Jerry D'Souza



..::TRACK-LIST::..

2003
1. Spiral
2. Viva De Funk
3. Creepin'
4. Way Back Home
5. Carnival Of The Night
6. Put It Where You Want It
7. Thrill Is Gone
8. Soul Shadows (with Randy Crawford)
9. Street Life (with Randy Crawford)
10. Imagine (with Randy Crawford)
11. Rural Renewal
12. Ghostbusters

Bonus Tracks: 1976
1. Soul caravan
2. A Ballad For Joe (Louis)
3. Spiral
4. Hard Times

The Crusaders at the Montreux Jazz Festival in 2003 & 1976 Montreux bonus tracks



..::OBSADA::..

Joe Sample - Keyboards
Stephan Baxter - Trombone
Wilton Felder - Sax
Ray Parker Jr, - Guitar
Kendrick Scott - Drums
Freddie Washington - Bass
Randy Crawford - Vocal



https://www.youtube.com/watch?v=IpMN3DYgTP8


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..::OPIS::..

Nagranie powstało w ramach akustycznej trasy koncertowej w dniach 21 i 22 stycznia 2016 r. W słynnej nowojorskiej Carnegie Hall. Wsparciem dla wokalisty i gitarzysty na scenie byli: pianista Reese Wynans, perkusista Anton Fig i Eric Bazilian na mandolinie, lira korbowa, saksofon i gitara akustyczna. Obecni byli także chińska wiolonczelistka Tina Guo oraz egipski perkusista i kompozytor Hossam Ramzy.



Przodownik pracy Joe Bonamassa niezmiennie wyrabia 300% normy i nie ma roku, by na rynku nie pojawiło się dzieło podpisane jego nazwiskiem.

"This train don't stop for no one / This train got a mind of its own / This train don't wait for no one / This train, I'm gonna leave this town" - tak śpiewa Joe Bonamassa w otwierającym nowe wydawnictwo utworze "This Train" pochodzącym ze świetnego ostatniego albumu "Blues of Desperation". Trudno oprzeć się wrażeniu, że napędzana muzycznym ADHD kariera gitarzysty mknie jak tytułowy pociąg. W końcu "Live at Carnegie Hall - An Acoustic Evening" to już piętnasta koncertówka w karierze ledwie 40-letniego Bonamassy. Co więcej, niedawno na rynku pojawiła się przecież w każdym calu rewelacyjna akustyczna koncertówka "An Acoustic Evening at the Vienna Opera House". Określenie 'niedawno' odnosi się jednak do zwykłych śmiertelników, bowiem w czasie czterech lat dzielących obydwa wydawnictwa Joe zdążył wydać jeszcze osiem (!) innych albumów nagranych na żywo. Powrót do akustycznych dźwięków wydaje się więc - z jego perspektywy - jak najbardziej uzasadniony.

"Live at Carnegie Hall" w pewnym stopniu powiela schemat płyty nagranej w wiedeńskiej operze - Joe raz jeszcze postarał się o międzynarodowy skład towarzyszących mu muzyków. W styczniu 2016 roku, podczas dwóch koncertów w kultowej Carnegie Hall w Nowym Jorku, na scenie pojawił się 9 osobowy zespół, w skład którego weszli, poza Bonamassą, chińska wiolonczelistka i erhuistka Tina Guo, egipski perkusjonista i kompozytor Hossam Ramzy, który ma na koncie m.in. współpracę z Jimmy Page'm i Robertem Plantem, a także Reese Wynans (fortepian), świetny Anton Fig (perkusja), Eric Bazilian (mandolina, lira korbowa, saksofon, gitara akustyczna, wokal) oraz australijskie wokalistki i wokalista - Mahalia Barnes, Juanita Tippins i Gary Pinto.

Aż by się chciało zobaczyć to wszystko na własne oczy, bo "Live at Carnegie Hall" ukazał się oczywiście również w formacie DVD i Blu-ray, ale niestety tak się złożyło, że dysponuję tylko nośnikiem audio. 'Tylko' to zresztą słowo klucz, bo tak jak w przypadku "An Acoustic Evening at the Vienna Opera House", gdzie główną siłę materiału stanowił obraz cudów wyprawianych przez muzyków, tak samo byłoby zapewne w przypadku nagrania z Nowego Jorku. Nie da się ukryć, wersja CD bez obrazu nie rusza tak jak powinna, a fakt ponownego połączenia muzycznych kultur ewidentnie schodzi na dalszy plan. Tym bardziej, że tym razem lider projektu nie pozostawił zbyt wiele miejsca towarzyszącym mu muzykom, może poza Tiną Guo, która "Woke Up Dreaming" rozpoczyna solową partią, brzmiącą jak wariacja na temat "Lotu trzmiela", później zaś aktywnie prowadzi z Bonamassą wiolonczelowo-gitarowy dialog. Szkoda, że podobnych momentów nie ma na "Live at Carnegie Hall" więcej.

Przearanżowane utwory z "Blues of Desperation" prezentują się świetnie (niestety, zabrakło kompozycji tytułowej), podobnie zresztą jak większość innych utworów, pod którymi podpisał się Bonamassa, choć wersje takich kawałków jak "Dust Bowl" czy "Driving Towards the Daylight" wykonane w Wiedniu podobały mi się bardziej. Przy okazji, ciekawostką jest otwarcie wspomnianego "This Train", w którym Reese Wynans przemyca intro znane z nieśmiertelnego "Locomotive Breath" Jethro Tull. Tematyczna zbieżność obu tytułów nie jest przypadkowa. Od pewnego czasu Bonamassa, który może wybierać w stale rosnącym repertuarze, ucieka od sztandarowych do niedawna kompozycji i rzeczywiście w setliście koncertu zabrakło takich przebojów jak "Slow Train" czy "The Ballad Of John Henry". I nie ma w tym nic złego, przynajmniej do momentu, gdy kończy się pierwszy, bardzo solidny krążek, a do odtwarzacza trafia płyta nr 2.

Tu napięcie siada już za sprawą pierwszego, przesłodzonego "Mountain Time" (czy nie lepiej sprawdziłby się "Mountain Climbing"?), a później wzrasta tylko sporadycznie, głównie dzięki "Woke Up Dreaming". Niezbyt trafione okazują się umieszczone tu covery, może z wyjątkiem starego standardu Blind Alfred Reeda "How Can a Poor Man Stand Such Times and Live", który nie wypada gorzej niż interpretacja Bruce Springsteena, oraz akustycznej wersji "Song of Yesterday". Utwór ma odpowiedni klimat, szczególnie dobrze pracują perkusjonalia Hossama Ramzy i nie można mu właściwie niczego zarzucić. Choć nie da się ukryć, że 'elektryczny' oryginał Black Country Communion brzmiał po prostu lepiej. Znacznie gorzej jest za to z "Hummingbird" Leona Russela, który wypada całkowicie bezpłciowo. A także z popową balladą "The Rose". Owszem, pasuje ona do repertuaru Amandy McBroom albo Bette Midler, ale w wykonaniu Bonamassy brzmi, jakby wpadła do niej torba cukru. Nie idź tą drogą, Joe, pop zostaw innym. Po tak przesłodzonym daniu dobrze smakuje gorzka kawa, ale tej gitarzysta postanowił słuchaczom oszczędzić, ponieważ "The Rose" zamyka album.

Podsumowując, "Live at Carnegie Hall - An Acoustic Evening" jest trochę nierówna. Być może na nie do końca trafioną setlistę wpływ ma klęska urodzaju w koncertowych wydawnictwach Bonamassy, który chcąc uciec od powtarzania znanych publiczności kompozycji sięga po inny repertuar. Tak czy owak, mimo wad nowe wydawnictwo to kawał solidnej rozrywki. Jednocześnie, można odnieść wrażenie, że krótki urlop nie zaszkodziłby ani Joe, ani jego - przynajmniej tym mniej fanatycznym - fanom.

Szymon Kubicki



..::TRACK-LIST::..

1. Cold Streets (Intro)
2. This Train
3. Drive
4. The Valley Runs Low
5. Dust Bowl
6. Driving Towards The Dayllight
7. Black Lung Heartache
8. Blue And Evil
9. Livin' Easy
10. Get Back My Tomorrow
11. Band Introductions
12. Mountain Time
13. How Can A Poor Man Stand Such Times And Live
14. Song Of Yesterday
15. Woke Up Dreaming
16. Hummingbird
17. Encore Farewell
18. The Rose
19. Cold Streets (Credits)

Bonus Features:
20. Joe Bonamassa At Carnegie Hall Behind The Scenes
21. Woke Up Dreaming (Second Night)
22. Live At Carnegie Photo Gallery



..::OBSADA::..

Joe Bonamassa - Vocals, Guitar
Gary Pinto, Juanita Tippins, Mahalia Barnes - Vocals
Eric Bazilian - Mandolin, Banjo, Saxophone
Reese Wynans - Piano
Tina Guo - Cello, Erhu
Anton Fig - Drums
Hossam Ramzy - Percussion



https://www.youtube.com/watch?v=E01_7nkNLMU


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..::OPIS::..

Ten dokument, wyreżyserowany przez niemieckiego filmowca Rüdigera Nüchterna, przedstawia kulisy powstawania filmu, podczas którego 'progresywni rockerzy' nagrywają swój debiutancki album 'Phallus Dei' w monachijskim studiu nagraniowym w 1968 roku. Łącząc nagrania z występów z zbiorem psychodelicznych klipów przyrodniczych, medytacyjny film Nüchterna oddaje prawdziwą istotę legendarnego krautrockowego kolektywu.
Film miał premierę na Festiwalu Filmowym w Edynburgu.



This short DVD consists of Rüdiger Nüchtern's film "Amon Düül II Spielt Phallus Dei" from 1968. And just as the title says, it shows Amon Düül II performing what soon would be the title-track from their first album. The film itself is very artsy, and mixes the band with footage of the sunrise above a forest, trees, clouds and general shots of the German countryside. The band plays in front of a wall with lots of animated psychedelic colours and patterns, but it surprisingly enough never becomes distractive or disturbing. The film is shot from only one angle, and in the beginning we see little else than Renate Knaup and Shrat, but the angle fortunately widens after a while, and we're allowed to see the rest of the band. The musical performance is very good, and the track lasts for 5 minutes longer than the studio version. Chris Karrer's dancing during the percussion part is priceless. "Play Phallus Dei" gives you not just a unique glimpse of some classic early krautrock, but stands also as one of the first examples of making a music video.



The title of the DVD explains it's contents...a short 16mm film depicting Amon Duul II playing selections from their album Phallus Dei. However, what one does not infer from the title its it's unfortunately short lenghth (28min) and the poor quality of the print it's taken from (check screen caps). Still, this is a fantastic performance with great sound quality, and any fan of the band knows how scarce this footage is.

Of special note is that one of the cinematographers on this project was none other than Wim Wenders.

Includes short album retrospective and optional surround audio.

This cinematic retrospective focusing on the early experimental days of Amon Duul II. The original film shot in the summer of 1966 at a Munich studio, features the German rock group with their legendary line-up. A few months before signing their first recording contract. The group was filmed performing the title track from their 1969 debut album. The movie was launched at the Edinburgh Film Festival. The film could be entitled 'the creation of sound', remarked the programme notes. A respected national daily newspaper enthused: "...a German rock music movie - Rudiger Nuchtern's one of the Munich rock group Amon Duul turned out to be the most successful entry and the only one to earn spontaneous applause and requests for a repeat performance. In addition to earning the curious accolade, "It's rough, it's vicious, it's drama."

CD-Net.cz




https://www.youtube.com/watch?v=ZnSoPxjA9SM



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To jeden z najbardziej fascynujących występów w historii rocka progresywnego!


A rare example of a band that has actually gained power over the years - and a rare example of an orchestra'n'band arrangement which doesn't lend the music a cosy background, but rather a fair amount of catharsis and Celtic gloom. Questionlessly essential material, not only for the half-a-dozen of fans, but for *every* fan of folk/jazz rock. It actually can't get much better than that!
I've already highlighted the several qualities of this amazing band in my seperate reviews. Take this album as the document of a fascinating reunion concert with a kind of 'best-of' set-list. I don't know if the CD/DVD is still available somewhere (please contact Charly Heidenreich from Germany or Gregg Walker of Synphonic to obtain this gem), but if it is, you should definitely get it soon. There are plenty of reasons to do so. Firstly (and profanely), this band is totally exotic and makes a fine addition to an unconventional record collection (it's not that this is the main reason, of course!). Secondly, among all the releases by bands of such a slight publicity I've rarely seen an album as affectionately designed as this one: immaculate sound and video quality, a silk-mat cardboard box, lots of photos and extensive comments. Unfortunately, the texts are in Icelandic - unsurprisingly the band is better known there than on mainland of Europe or the US.

Thirdly, and most importantly, all of the qualities of this exciting band have survived - and, in a way, ripened - until 2008. The excellent little orchestra named Capút adds a lot to the sound and provides welcome changes, for sure, but the biggest surprise might be how the new-wavey songs from the early 1980s are treated here. Seven of nine Gæti eins verið songs appear here, and those who disliked the sparse synth-pop sound will definitely be more contented with the new versions: they're a lot more organic, bassoonist Rúnar Vilbergsson plays some of the formerly synthesizer-played lines on his bassoon (most notably in Gegnum holt og hædir and the orientalisms in Nú er heima) whilst þorður Árnason plays totally heartfelt guitar solos in Ranimósk and Vill einhver elska? with the kind of inspired melodies and biting harmonics which also enriched Æri-Tobbi in 1979. The refined arrangements prove that Gæti eins verið was a jazz rock album after all, even though the jazz was hidden amidst all of the synthesizers - I really started to appreciate Gæti eins verið after listening to the orchestral versions.

Égill Ólafsson's voice, just like David Gilmour's, has become deeper and more sonorous over the years, but - as a voice - sounds better to me than before. It might be due to his professional singing techniques used in the musicals which he sang over the 1980s and 1990s, but the range is there, the power is there, the accuracy is there - a fabulous singer all the way through. Interestingly, he presents some unknown tunes from his musicals here. Apart from the more contemplative Draumasöngur Grettis and the ballad version of Gegnum holt og hæðir (both available as rough þursaflokkurinn recordings on Okomin forneskjan) it's especially the jaunty Upphafssöngur ur Gretti/Álagaþula Gláms which stands out as one of the most Canterburesque tunes here, with all of these weird chord voicings and swirling jazzy Hammond organ chords - a great song. Drummer Ásgeir Oskarsson does a great job as well: powerful, accurate and imaginative drumming.

Those who already know the studio albums will find some pleasant changes in the arrangement from time to time. I don't want to spoil the surprise, but to say the least all of these little (sometimes humorous) alterations always stay in line with the positively native and astonishingly consistent atmosphere in this concert. Granted that the landscape and atmosphere in Sigur Rós' Heima is a true representation of what is 'quintessentially Icelandic', I feel that this Þursaflokkurinn album is rooted as firmly in the culture and nature of Iceland, representing both the jolly folk aspect (Bruðkaupsvísur, Einsetumaður einu sinni) which we also know from Swedish RIO bands and the more reflective and sombre ballads (Grafskript, Skriftagangur). Surprisingly, exactly 50% of the songs have a traditional folk background. You won't notice that if you concentrate on the arrangements or the rhythms because it's mainly the lyrics (which you probably won't understand) and the melodies ('tunes') which are derived from the traditional material.

The encore, Jón var kræfur karl og hraustur, is the expection to the rule as a genuine punk rock song by bassist Tómas Tómasson, first released on the first þursaflokkurinn live album in 1980. It's always been inspiring to me to see an 'art rock' band ending a concert with such a lot of enthusiasm. (Of course, the orchestra doesn't play here.) Bassoonist Rúnar Vilbergsson, however, moves over to a second drum kit, Hammond organist Eyþór Gunnarson engages in some free-form organ bashing à la Mike Ratledge while Tómasson yells his lungs out, including a maniac scatting-plus-bass improvisation. Cathartic and hilarious at the same time, especially if you know that Tómasson is a critically acclaimed opera baritone who sang for the Wagner Festspiele in Bayreuth in 2011.

Again I have to say: this group deserves its late appreciation. These guys aren't some of the many third-row prog plagiarists, and it also ain't no neo-prog band which winks at Genesis and Yes all of the time. Especially those who enjoy Samla Mammas Manna, Gryphon, Camel, Magma, Mike Oldfield, Focus, Caravan or other artists with a sense of melancholy, reflection and creative individualism might at least listen to the little MP3 tasters on the Progarchives page. Highly recommendable!

Einsetumadur



..::TRACK-LIST::..

1. Ranimosk
2. Stóðum Tvö Í Túni
3. Búnaðarbálkur
4. Einsetumaður Einu Sinni
5. Vera Mátt Góður
6. Æri-Tobbi
7. Sjö Sinnum...
8. Brúðkaupssálmur (Guð Skóp Adam...)
9. Brúðkaupsvísur
10. Skriftagangur/Bannfæring
11. Grafskript
12. Upphafssöngur Úr Gretti/Álagaþula Gláms
13. Draumsöngur Grettis
14. Vill Einhver Elska...?
15. Nú Er Heima! (Ein Mann)
16. Sérfræðingar Segja... (Læknar Hafa Tjáð Mér)
17. Pínulítill Karl
18. Gegnum Holt og Hæðir (feat. Ragnheidur Gröndal)
19. Sigtrygur Vann...
20. Nútíminn
21. Gegnum Holt Og Hæðir
22. Jón Var Kræfur Karl Og Hraustur

Aukaefni
23. Þursasía



..::OBSADA::..

Þórður Arnason - guitar
Égill Ólafsson - lead vocals, keyboards
Ásgeir Óskarsson - drums, percussion
Tómas M. Tómasson - bass, keyboards, backing vocals
Rúnar Vilbergsson - bassoon, drums
Eyþór Gunnarsson - Hammond organ, keyboards

With:
Caput Chamber Orchestra
Guðni Franzson - didgeridoo (track 8 on DVD)
Ragnheiður Gröndal - vocals (track 18 on DVD)



https://www.youtube.com/watch?v=gI0AlkpbnG0


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..::OPIS::..

DVD 5
NTSC
4:3
DD 2.0



DVD exclusive to members of Slayer's Slatanic Whermacht fan club, long promised and finally released in January 2010
Packaged in a cardboard sleeve it features a 20 minute video and a bonus photo slideshow
the video was filmed in Australia in 2007 and includes:
- Intro montage of various gigs and fans
- Behind the scenes footage including the construction of the stage, souncheck, fans at the merch stand plus a short interview with Tom Araya and the band in the dressing room preparing to go on stage
- South of Heaven (live video edited to studio audio)
- Cult (Tom's live intro followed by live video edited to studio audio)
- Various post-gig clips of the band coming offstage and in the dressing room, Dave Lombardo with his family, fans and the band leaving



..::TRACK-LIST::..

1. Exclusive Behind The Scenes / Live Concert Performances 19:00
2. Photo Slide Show 4:35



..::OBSADA::..

Bass, Lead Vocals - Tom Araya
Drums - Dave Lombardo
Guitar - Jeff Hanneman, Kerry King



https://www.youtube.com/watch?v=xUSpMuecTVM



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..::INFO::..

---------------------------------------------------------------------
Phil Collins & Dire Straits – Live USA (2 CD)
---------------------------------------------------------------------
---------------------------------------------------------------------
CD 1 - Phil Collins - Live USA
---------------------------------------------------------------------

Artist...............: Phil Collins
Album................: Live USA
Genre................: Pop, Rock
Source...............: CD
Year.................: 1983
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Imtrat - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Phil Collins - I Don't Care Anymore [04:51]
2. Phil Collins - I Can't Believe It's True [05:21]
3. Phil Collins - This Must Be Love [04:24]
4. Phil Collins - Through These Walls [04:59]
5. Phil Collins - I Missed Again [03:39]
6. Phil Collins - Behind The Lines [03:44]
7. Phil Collins - The Roof Is Leaking [03:18]
8. Phil Collins - Don't Let Him Steal Your Heart [05:41]
9. Phil Collins - The West Side [05:56]
10. Phil Collins - In The Air Tonight [05:19]
11. Phil Collins - You Can't Hurry Love [03:28]
12. Phil Collins - It Don't Matter To Me [04:19]
13. Phil Collins - Hand To Hand [08:11]
14. Phil Collins - And So To F [06:08]
15. Phil Collins - People Get Ready [03:10]

Playing Time.........: 01:12:35
Total Size...........: 475,76 MB


---------------------------------------------------------------------
CD 2 - Dire Straits - Live USA
---------------------------------------------------------------------

Artist...............: Dire Straits
Album................: Live USA
Genre................: Rock
Source...............: CD
Year.................: 1979
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Imtrat - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Dire Straits - Sultans Of Swing [06:29]
2. Dire Straits - Eastbound Train [04:23]
3. Dire Straits - Southbound Again [05:03]
4. Dire Straits - Water Of Love [07:10]
5. Dire Straits - What's The Matter With You Baby [03:27]
6. Dire Straits - Lions [06:02]
7. Dire Straits - Six Blade Knife [04:33]
8. Dire Straits - Down The Waterline [03:07]
9. Dire Straits - In The Gallery [05:50]
10. Dire Straits - Wild West End [05:43]

Playing Time.........: 51:52
Total Size...........: 314,47 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

13 listopada 2008 roku Gary Moore wystąpił na Baloise Session, wydarzeniu w Bazylei (Szwajcaria), w kameralnej atmosferze klubu.
Wielu uważa ten występ za jeden z najlepszych w jego karierze.

Trzy lata później, 6 lutego 2011 roku, zmarł w wieku 58 lat podczas wakacji w Hiszpanii...

To elektryzujący, choć dość krótki spektakl, ukazujący potężną, nieustępliwą i zaciekłą grę Moore'a.
PETARDA!!!



..::TRACK-LIST::..

1. Oh, Pretty Woman
2. Since I Met You Baby
3. Thirty Days (To Come Back Home)
4. I Love You More Than You'll Ever Know
5. Don't Believe a Word
6. Still Got the Blues
7. Walking by Myself
8. The Blues Is Alright



..::OBSADA::..

Gary Moore - guitar and vocals
Pete Rees - bass
Brian Downey - drums
Vic Martin - keyboards




https://www.youtube.com/watch?v=DoYfTTFA-0k



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After I had purchased the (former Classic Rock Productions label) Inside editions of Yes, ELP, Genesis, Supertramp and Pink Floyd, I was desperately searching for the King Crimson Inside 1972-1975 DVD for years. It was so hard to get because shortly after the first edition was released, Robert Fripp hired a lawyer in order to prosecute the producers of the King Crimson Inside DVD. Then this DVD disappeared out of the records shops and was "officially no longer available". This week I was pleasantly surprised to discover the King Crimson Inside 1972-1975 DVD in one of my favorite record shops. On the back cover I read that it has been re-released in 2005 and former King Crimson member of the 'classic King Crimson 1972-1975 line-up' David Cross is involved in this project. This is a bit cynical because other King Crimson member of that classic line-up Robert Fripp is opposing against this DVD, you can read about that on Robert Fripp his website in his diary in July 2006.
While watching this DVD I got more and more excited because of the very good and inspired musical analysis (by journalists, musicians, record producers, band members, reviewers) and the amazing, sometimes very rare Seventies video footage. In this review I have created chapters that vary slightly from the DVD chapters, let's call it 'artistic freedom'.

THE BAND: It is mentioned that King Crimson "went through an awful lot of personal changes that clearly effected the band", "the new line-up made more experimental music, more based upon improvisation" and "This King Crimson is a fine example of British Art Rock" ...

THE MEMBERS: about Robert Fripp: "he is a bit like the Alec Guiness of the guitar, he has no single style", "Fripp can range from classical to soft jazz to heavy metal", "his distorted guitar sound was more close to Jeff Beck than Page or Hendrix but less bluesy" and "Fripp was not only a virtuosic guitarist but also somebody who thought what's best for the band". About Bill Bruford: "Bill was able to enhance the melodies around him" and "After Yes for Bill King Crimson was the perfect antidote, it was about art, music and expression and not about ego-mania". About John Wetton: "John was very versatile, reliable, he had a sense of power and funkyness", "his vocals were almost an instrument" and "John had an archetypical poprock vocal style". About Jamie Muir: "He was regarded as the secret weapon", "he could play everything and incorporate that in the band" and "It was beautiful organised chaos". And about David Cross: "his violinplay was great, it could be another improvised voice, from avant-garde and romantic to classical and jazz".

THE ALBUMS: the focus on this DVD is on three studio albums: Larks' Tongues In Aspic from 1973 ("King Crimson loved 5/4 and 7/4 signatures", the whole thing is very dark" and "it's never self-indulgent"), Starless And Bible Black from 1974 ("this album is more composed and less improvised than LTIA", "Wetton his singing is vastly superior than on LTIA" and "the song Fractured is Fripp at his best: jazzrock meets heavy metal meets alternative progressive!) and finally Red from 1974 ("the titletrack is the greatest ever King Crimson riff", "the song Red is heavier than Deep Purple and Black Sabbath in that time", "Starless is the finest piece of music King Crimson ever made"). I got goose bumps when an emotional and gently gesturing Robert Fripp told (1991 interview) about Starless as "a beautiful melodic line"!

THE VIDEO FOOTAGE: In comparison to the other legendary symphonic prog/Art-rock bands there is very little Seventies video footage and only the song Larks' Tongues In Aspic (on the Beatclub 1973 DVD compilation) is official. This video footage is extensively used on this Inside 1972-1975 DVD but the real excitement is delivered by the Atlantic Records Promotional Film from 1972 (unknown to me) featuring lots of great images (songs Easy Money and Improvisations On Easy Money) from all band members, especially Robert Fripp (playing fiery soli on his black Gibson Les Paul) and David Cross on his violin and on the white Mellotron M400 is breathtaking, THIS IS VISUAL PROGROCK HISTORY! Other video footage is from Yes with Bill Bruford (Beatclub 1971), Asia Live 1990 (with John Wetton on acosutic guitar), John Wetton Live 2003 (with Martin Offord on keyboards) playing captivating renditions of Starless and Red (the full versions are the two bonustracks on this DVD) and from David Cross (past and present like the song Terminal) who also gives some thrilling demonstrations on his violin and lots of interesting comments about his King Crimson period.

erik neuteboom



..::TRACK-LIST::..

Excerpts from:
Larks' Tongues In Aspic (Beatclub 1973 video footage)
Easy Money
Your's Is No Disgrace (Beatclub 1971 video footage)
Book Of Saturday (Asia Live In Moscow 1990 video footage)
Book Of Saturday
The Talking Drum
The Great Deceiver
We'll Let You Know
Lament
Fracture
Starless And Bible Black
Red (John Wetton Live 2003 video footage)
Providence
Starless
Starless (John Wetton Live 2003 video footage)



..::OBSADA::..

1973:
Bill Bruford - drums
David Cross - violin, viola, mellotron
Robert Fripp - guitar, mellotron, devices
Jamie Muir - percussion
John Wetton - bass, vocals

1974:
Bill Bruford - drums
David Cross - violin, viola, kbds
Robert Fripp - guitars
John Wetton - bass, vocals

1975:
Bill Bruford - drums
Robert Fripp - guitars
John Wetton - bass, vocals

WITH:
Mark Charig - cornet
Mel Collins - soprano saxophone
David Cross - violin
Ian McDonald - alto saxophone
Robin Miller - oboe



https://www.youtube.com/watch?v=8bFMrTCjFdc



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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Zappa prowokuje humorem, improwizacją i zaskakującą formą. Album tryska energią i bezkompromisowym stylem. Każdy utwór burzy schematy muzyczne. Płyta zachwyca fanów eksperymentu i wolności dźwięku.



..::TRACK-LIST::..

1. Intro / Cheepnis - Percussion / "Cheaper Than Cheep"
2. Cosmik Debris
3. Band Introductions
4. RDNZL
5. Village Of The Sun
6. Montana
7. Duke Goes Out
8. A Visit To The Art Studio
9. Inca Roads
10. 'Get Down Simmons'
11. Penguin In Bondage
12. T'Mershi Duween
13. The Dog Breath Variations
14. Uncle Meat
15. How Could I Be Such A Fool
16. I'm Not Satisfied
17. Wowie Zowie
18. I Don't Even Care
19. Let's Make The Water Turn Black
20. Dupree's Paradise Introduction
21. Dupree's Paradise
22.Oh No
23. Son Of Orange County
24. More Trouble Every Day
25. Apostrophe'
26. Camarillo Brillo

Bonus Features:
1. Time Is Money (Excerpt)
2. Echidna's Arf (Of You) - Incomplete
3. Art Studio Outtakes
4. The Amazing Mr. Bickford (Excerpt)



..::OBSADA::..

Tenor Saxophone, Flute, Vocals - Napoleon M. Brock
Percussion - Ruth Underwood
Guitar, Vocals - Frank Zappa, Jeff Simmons
Keyboards, Vocals - George Duke
Bass - Tom Fowler
Drums - Chester Thompson



https://www.youtube.com/watch?v=2Gdw7lFYdCw


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..::INFO::..

---------------------------------------------------------------------
Johnny Hallyday - Palais des Sports 76 - Vol. 1-2
(Super Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Johnny Hallyday
Album................: Palais des Sports 76
Genre................: Rock, Pop, French Chanson
Source...............: WEB
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 76 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Mercury Music Group

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting - Vol.1
---------------------------------------------------------------------

1. Johnny Hallyday - Introduction [02:14]
2. Johnny Hallyday - Da Dou Ron Ron [02:30]
3. Johnny Hallyday - Elle est terrible [02:44]
4. Johnny Hallyday - Medley: Tes tendres années / Retiens la nuit / L'idole des jeunes[05:40]
5. Johnny Hallyday - I Got A Woman [04:29]
6. Johnny Hallyday - Johnny reviens [03:40]
7. Johnny Hallyday - Si j'étais un charpentier [03:17]
8. Johnny Hallyday - Le pénitencier [03:59]
9. Johnny Hallyday - Hey Joe [04:44]
10. Johnny Hallyday - Medley: Pour moi la vie va commencer / Les coups / Jusqu'a minuit / Je suis seul / Noir c'est noir[16:19]
11. Johnny Hallyday - La bagarre (Instrumental) [03:35]
12. Johnny Hallyday - La bagarre [02:31]
13. Johnny Hallyday - La bagarre - Reprise [04:55]

Playing Time.........: 01:00:45
Total Size...........: 341,04 MB

---------------------------------------------------------------------
Tracklisting - Vol.2
---------------------------------------------------------------------

1. Johnny Hallyday - Introduction seconde partie [02:27]
2. Johnny Hallyday - Watermelon Man [04:27]
3. Johnny Hallyday - Rock'N'Roll Man [06:39]
4. Johnny Hallyday - 37eme étage [02:42]
5. Johnny Hallyday - Que je t'aime [03:35]
6. Johnny Hallyday - La fille de l'été dernier [03:13]
7. Johnny Hallyday - Requiem pour un fou [04:23]
8. Johnny Hallyday - Joue pas de Rock'N'Roll pour moi [04:59]
9. Johnny Hallyday - Présentation des musiciens [03:39]
10. Johnny Hallyday - Né pour vivre sans amour [02:44]
11. Johnny Hallyday - Rendez-vous en enfer [04:10]
12. Johnny Hallyday - Gabrielle [04:48]
13. Johnny Hallyday - Derriere l'amour [04:54]
14. Johnny Hallyday - Ma chérie, c'est moi [04:54]
15. Johnny Hallyday - La terre promise [08:26]
16. Johnny Hallyday - La musique que j'aime [12:36]

Playing Time.........: 01:18:45
Total Size...........: 550,59 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Basista i frontman pionierskiego punk-funk Primus, geniusz sztuki alternatywnej, rozszerzył swoje podróże w muzyczne szaleństwo dzięki niezliczonej liczbie wspólnych projektów pobocznych. 5 GALLONS OF DIESEL prezentuje zbiór występów na żywo, teledysków, nagrań zza kulis i innych materiałów dodatkowych z przedsięwzięć Claypoola niezwiązanych z Primus.



..::TRACK-LIST::..

Sausage
1. Riddles Are Abound Tonight (Video)
2. The Making Of Riddles
3. Prelude To Fear (Live)

Holy Mackerel
4. Hendershot (Live)

Oysterhead
5. Shadow Of A Man (Live)

Frog Brigade
6. Here's To The Man (Live)
7. Running The Gauntlet (Live)
8. David Makalaster (Live)
9. Long In The Tooth (Live)
10. Whamola (Live)
11. Granny's Little Yard Gnome (Live)
12. Ding Dang (Live)
13. Buzzards Of Green Hill (Live)

Colonel Claypool's Bucket Of Bernie Brains
14. Opening Jam (Live)
15. Encore Jam (Live)
16. Tyranny Of The Hunt (Live)
17. Scott Taylor (Live)

Les Claypool
18. Riddles Are Abound Tonight (Live)
19. The Awakening (Live)

Extras
20. 3 Guys Named Schmo (Live)
21. Buzzards Of Green Hill (Video)
22. The Making Of Buzzards
23. The Recording Of Buzzards
24. Fly Fishing The World 2004 & 2005



..::OBSADA::..

with Sausage:
Les Claypool - Bass, Vocals
Jay Lane - Drums
Todd Huth - Guitar

with Holy Mackerel:
Les Claypool - Bass, Vocals
Brain - Drums
Adam Gates - Vocals
Mark "Mirv" Haggard - Guitars

with Oysterhead:
Les Claypool - Bass, Vocals
Trey Anastasio - Guitar
Stewart Copeland Drums

with Frog Brigade:
Les Claypool - Bass, Vocals
Jay Lane - Drums, vocals
Jeff Chimenti - Keyboards, vocals
Todd Huth - Guitar
Skerik - Saxophone
Tim Alexander- Drums
Eenor - Guitar

with Bucket of Bernie Brains:
Les Claypool - Bass, Vocals
Buckethead - Guitar
Bernie Worrell - Keyboards
Brain - Drums



https://www.youtube.com/watch?v=joPXL0aC7xc



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...( Info )...
Genre: Progressive rock
Duration: 02:42:56
Year of release: 2011

Description: "Time Machine 2011: Live In Cleveland" was recorded in April in Cleveland at Quicken Loans Arena during the band's extensive "Time Machine" world tour. It was the band's first live recording in the United States. During this highly popular tour, the band performed their classic hits, beloved by fans, as well as tracks from RUSH's then-forthcoming 20th studio album, "Clockwork Angels." The highlight of the concerts was a performance of the landmark album "Moving Pictures"—the first in the band's long and eventful history. The tour received rave reviews. The Hollywood Reporter said: "'Time Machine' is a must-see. Over three hours, including an intermission, RUSH confirm their status as a cult live act."

...( TrackList )...
01. The Spirit of Radio
02. Time Stand Still
03. Presto
04. Stick It Out
05. Workin' Them Angels
06. Leave That Thing Alone
07. Faithless
08. BU2B
09. Freewill
10. Marathon
11. Subdivisions
12. Tom Sawyer
13. Red Barchetta
14. YYZ
15. Limelight
16. The Camera Eye
17. Witch Hunt
18. Vital Signs
19. Caravan
20. Moto Perpetuo (Drum solo)
21. O'Malley's Break (acoustic solo)
22. Closer to the Heart
23. 2112 (Overture/The Temples of Syrinx)
24. Far Cry
25. La Villa Strangiato
26. Working Man

...( Dane Techniczne )...
Quality: BDRip 720p
Container: MKV
Video Codec: H.264
Audio Codec: DTS
Video: 1280x720 (16:9), 23.976 fps, AVC, ~5400 kbps, 0.244 bits/pixel
Audio: English, 48.0 kHz, DTS, 6 channels, 1510 kbps
Chapters: Subscribed

Pobrałeś/aś podziękuj
To nic nie kosztuje a Motywuje!

Seeding od około 16;30 do 24;00

...( Info )...

Gatunek: Koncert
Produkcja: Polska 2025 r.

...( Opis )...

Legendy i gwiazdy największego formatu! Specjalnie dla Was wystąpi m.in. Doda, która zapowiada spektakularny show, Skolim, Tymek i Tede rozpalający scenę swoimi hitami, oraz niezawodny Zenek Martyniuk, bez którego nie może odbyć się żadna prawdziwa impreza! Nie zabraknie również zespołu Big Cyc, Kombii, Modelek, Justyny Steczkowskiej, Lanberry, Stachursky’ego, Michała Wiśniewskiego, oraz światowej sławy zespołu BONEY M, a to dopiero początek...

...( Dane Techniczne )...

Format : MPEG-4 at 1.408 kb/s
Length : 1,58 GB for 2 h 40 min 14s 434 ms

Video #0 : AVC at 1.247 kb/s
Aspect : 1280 x 720 (1.778) at 30.000 fps

Audio #0 : AAC at 96,0 kb/s
Infos : 2 kanały, 44,1 kHz

..::INFO::..

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Lenny Kravitz - Acoustic
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Artist...............: Lenny Kravitz
Album................: Acoustic
Genre................: Rock
Source...............: CD
Year.................: 1994
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Kiss The Stone - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. Lenny Kravitz - Are You Gonna Go My Way [06:26]
2. Lenny Kravitz - Believe [05:13]
3. Lenny Kravitz - Rosemary [05:36]
4. Lenny Kravitz - Just Be a Woman [04:06]
5. Lenny Kravitz - Sister [07:15]
6. Lenny Kravitz - Always On The Run [03:57]
7. Lenny Kravitz - My Precious Love [05:54]
8. Lenny Kravitz - Let Love Rule [06:43]
9. Lenny Kravitz - Are You Gonna Go My Way (Bonus Track) [03:26]
10. Lenny Kravitz - Always On The Run (Bonus Track) [05:57]

Playing Time.........: 54:37
Total Size...........: 368,35 MB

..::INFO::..

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The Corrs - VH1 Presents - The Corrs - Live in Dublin
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Artist...............: The Corrs
Album................: VH1 Presents - The Corrs - Live in Dublin
Genre................: Celtic
Source...............: CD
Year.................: 2002
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 73 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Atlantic

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. The Corrs - Would You Be Happier? [03:24]
2. The Corrs - Breathless [03:27]
3. The Corrs - When The Stars Go Blue (Featuring Bono) [04:19]
4. The Corrs - Little Wing (Featuring Bon Wood) [05:14]
5. The Corrs - Joy Of Life - Trout In The Bath [04:05]
6. The Corrs - Runaway [04:38]
7. The Corrs - Only Love Can Break Your Heart [03:03]
8. The Corrs - Radio [04:50]
9. The Corrs - Summer Wine (Featuring Bono) [03:54]
10. The Corrs - So Young [04:52]
11. The Corrs - Ruby Tuesday (Featuring Ron Wood) [03:39]

Playing Time.........: 45:29
Total Size...........: 334,13 MB