...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Esoterrorcult' to prawdziwe dzieło sztuki.
Jest nieskończenie mroczny i złowrogi, ale jednocześnie urzekający. Pustka na początku... na początku po prostu się w nią zanurzasz, ale po drugim czy trzecim przesłuchaniu zaczynasz dostrzegać aspekty i przekazy, skupiając się na ważnych rzeczach, a w końcu możesz je złożyć w jeden wielki obraz, jak obrazy Boscha...

FA


As blasphemous and corrosive as it is, Karkosa's new album Esoterrorcult reaches a level of catchiness that blackened death metal rarely nails, but honestly could stand to reach more often. There's no tradeoffs happening here, as Esoterrorcult is big on impact and vile, crawling riffs--but the Indiana group's core offering comes with engaging trappings that only add to the experience. Somber spoken word interludes, near-operatic gang vocals, and massive production make every song memorable, though the band's dynamic songwriting plays a role there as well. It's interesting to hear scream-along-worthy lyrics next to exacting technical staccato riffs, but damn if it doesn't work here.

Invisible Oranges


At first listen of Karkosa’s full length debut album Esoterrorcult released on Redefining Darkness Records, I must admit I was a little underwhelmed. Sure, it is a barrage of relentless warring guitars, growls, screams, howls, and machine gun blast beats that feels like being fully bulldozed by a speeding semi-truck full of wolverines, but it just sounded like that is all it was going to be. Been there done that if you will. Well, I am here to admit that I was being a total dickwad and my brutal black metal credentials were under serious question at the time. Esoterrorcult is all those wonderful or grim, blackened death metal things that we all love so much, but it is also so much more. Once this album’s hooks really dig in, it reveals itself to be a completely different animal full of more than just piss and venom. It is dissonantly complex, often with slight elements of tech death and layers of progressiveness that takes this so much further into the realm of nightmarish soundscapes. To be fair I was in heavy traffic the very first time I listened to this, so I was already distracted and highly irritable. Let us move on, shall we.

Formed in 2013, Karkosa are an aggressive black metal quartet hailing from Fort Wayne Indiana. Having released a highly touted EP Harvest of the Adept in 2018, the band showed serious promise from the start. Consisting of Alden Debee, Brenton Weaver (guitars), Ian Lemberg (drums) and Rafael Palacios (vocals), Esoterrorcult is an infernal coming together of blasphemous, corrosive, and violently dark black metal. You will be hard-pressed to find a more menacing as well as musically fresh example of this genre.

Right from the beginning of the record, track one, Encorcelled Spirits, bursts out of the speakers like an angry demon full of hellfire. A brief guitar intro last about nine seconds before a cacophony of blast beats and searing tremolo picked riffs flog the ever-living life from your body. A lone tortured scream over the fiery beginning riffs sets the mood of pure agony. This track alone tells the story of how varied this record really is. Guitar squawks, death metal riffs mixed with burning black metal speed, a huge singable chorus that is alarmingly hypnotizing, progressive sensibilities that changes the mood from violently possessed to grim darkness all come together in a way that feels completely organic. The vocal range from Rafael goes from memorable shrieks, and growls to spoken word and course yells. He truly sets this release off with tremendous vocal personality. The punishing drums from Ian hit extreme levels of destruction on tracks like Poison of God and Domini Sanctum. His insane fills are as lethal as his blast beats. The guitars of Alden and Brenton are full of hateful toxicity throughout the entire record but are at their highest point in tracks like Angelus Ejectiones, where hooky death metal riffs meet dissonant, frenzied black metal. Glorious from beginning to end.

Honestly, I could not be more impressed with how quickly this record showed me its true vile face. The production sounds massive as well as oppressive. By the second listen, one where I actually listened, I felt like I was in hell being ripped apart repeatedly, each time a little more complex and horrifying than the first. Esoterrocult is a brutal record full of hate, spite, malice, and engaging songwriting. Not to be missed.

Rick Farley



..::TRACK-LIST::..

1. Ensorcelled Spirits 05:08
2. Poison of God 04:09
3. Tomb of Hiram Abiff 04:45
4. Dominae Sanctum 05:31
5. Axis Mundi 02:58
6. Remnants of Creation 05:01
7. Cyclopian Gateway 05:16
8. Shattered Throne 04:42
9. The Freezing Shadows of the Eternal Winter 06:52
10. Angelus Ejectiones 05:53



..::OBSADA::..

Alden Debee - Guitars
Brenton Weaver - Guitars
Rafael Palacios- Vocals
Ian Lemberg - Drums

bass performed by Kurt Ley



https://www.youtube.com/watch?v=TXlJJ4V6Q6w


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Może znacie, bo ja, jak dotąd nie, ale już znam. Ci czterej panowie są z Waszyngtonu, lecz w żadnym razie na Iran napadać nie zamierzają. Napadają za to na swoich fanów drugim już w swojej karierze krążkiem. Amerykańce szyją grindujący metal śmierci, który podąża przed siebie w zmiennych tempach, zasypując blastami, miażdżącymi zwolnieniami i bardziej skocznymi akordami. Czasem zaskoczy on krótką solówką, innym razem noisowym przesterem lub przerywnikiem na basie. Wszystkie te elementy wraz ze zmiennymi wokalizami tworzą intensywną i brutalną muzę, która złożona jest również z szybkiego, biczującego kostkowania. „No Peace” ucieka także chwilami w lżejsze rytmy upodabniając się do późniejszej Sepultury, a nawet skręcając w rejony bliższe zmetalizowanemu core’owi w typie Pro-Pain czy też wczesnego Downset. Jednakże death metalowe mielenie i grindowe ataki stanowią większość tego materiału, który został zawarty w dwunastu, krótkich utworach. Katują one przez prawie 22 minuty, swoimi gęstymi riffami, które okresowo przechodzą w dość chaotyczną napierdalankę. To w obrębie tego sposobu na granie, mocne kompozycje, które zwięźle wypowiadają się na polityczne, antywojenne (więc na pewno NO/MÁS nie ma nic do Iranu) i poświęcone wszelkim niesprawiedliwościom społecznym, tematy. Jak dla mnie, fuzja tych wszystkich występujących tutaj pierwiastków, niczym szczególnym się nie wyróżnia i jest najzwyczajniej w świecie, typowym rzępoleniem w tym stylu. Stylu, który trochę łączy późniejszy Napalm Death, dokłada to tego odrobinę Brutal Truth i posypuje całość szczyptą wyżej wymienionych Nowojorczyków czy czymś w rodzaju Exhorder. Wyszedł z tego taki ciężki crossover, który doskonale sprzedaje się w USA lub wśród fanów takiego grania. Mi nie leży, ale miłośnicy takiego ujęcia nie powinni być zawiedzeni.

shub niggurath



D.C. grindcore crushers NO/MAS return with a vicious new single blending hardcore speed, death-metal heft, and razor political urgency. One of the East Coast’s fastest-rising extreme bands, they deliver their most precise and punishing work yet.



DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Grin Reaper



..::TRACK-LIST::..

1. Foreign Threat 00:31
2. Manic 01:55
3. Overthrow 01:03
4. Blood Soaked Soil 01:55
5. Abolition (feat. Gobi Longobardi) 01:52
6. Leech 02:43
7. Act of Killing 01:06
8. Ley Indígena 01:48
9. Choke Point 02:05
10. Spineless 02:12
11. No Peace 01:54
12. Cycle of Sacrifice 02:44



..::OBSADA::..

Roger Rivadeneira - Vocals
John Letzkus - Guitar
Henry Everitt - Drums, Vocals
Joe Vasta - Bass

Additional vocals on Abolition by Gobi Longobardi



https://www.youtube.com/watch?v=pNDjWn_tZxI


SEED 15:00-22:00.
POLECAM!!!

Genre: Hard Rock
Duration: 1 hour 58 minutes.
Year of manufacture: 2013

W 1984 roku nastąpił długo oczekiwany reaktywacja klasycznego drugiego składu Deep Purple – Ritchiego Blackmore'a, Iana Gillana, Rogera Glovera, Jona Lorda i Iana Paice'a (w pierwotnym składzie: Rod Evans, Jon Lord, Ritchie Blackmore, Nick Simper, Ian Paice). To był ich pierwszy wspólny występ od 1973 roku. Nagrali nowy album studyjny „Perfect Strangers” i ruszyli z nim w trasę koncertową.

Tracklist:
01. Highway Star
02. Nobody's Home
03. Strange Kind Of Woman
04. A Gypsy's Kiss
05. Perfect Strangers
06. Under The Gun
07. Knocking At Your Back Door
08. Lazy (including Ian Paice drum solo)
09.Child In Time
10. Difficult To Cure
11. Jon Lord Keyboard Solo
12. Space Truckin' (with Ritchie Blackmore guitar solo)
13. Black Night
14. Speed ​​King
15. Smoke On The Water

Quality: HDTVRip
Video Resolution/Scan Rate: 1080i
Container: BDAV
Video Codec: H.264
Audio Codec: AC3
Video: MPEG4 Video (H264) 1440x1080 25fps 5844 Mbps
Audio: Dolby AC3 48000Hz stereo 192 kbps
Audio 2: Dolby AC3 5.1 48000Hz 448 kbps
Audio 3: DTS 5.1 48000Hz 1510 kbps

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Może znacie, bo ja, jak dotąd nie, ale już znam. Ci czterej panowie są z Waszyngtonu, lecz w żadnym razie na Iran napadać nie zamierzają. Napadają za to na swoich fanów drugim już w swojej karierze krążkiem. Amerykańce szyją grindujący metal śmierci, który podąża przed siebie w zmiennych tempach, zasypując blastami, miażdżącymi zwolnieniami i bardziej skocznymi akordami. Czasem zaskoczy on krótką solówką, innym razem noisowym przesterem lub przerywnikiem na basie. Wszystkie te elementy wraz ze zmiennymi wokalizami tworzą intensywną i brutalną muzę, która złożona jest również z szybkiego, biczującego kostkowania. „No Peace” ucieka także chwilami w lżejsze rytmy upodabniając się do późniejszej Sepultury, a nawet skręcając w rejony bliższe zmetalizowanemu core’owi w typie Pro-Pain czy też wczesnego Downset. Jednakże death metalowe mielenie i grindowe ataki stanowią większość tego materiału, który został zawarty w dwunastu, krótkich utworach. Katują one przez prawie 22 minuty, swoimi gęstymi riffami, które okresowo przechodzą w dość chaotyczną napierdalankę. To w obrębie tego sposobu na granie, mocne kompozycje, które zwięźle wypowiadają się na polityczne, antywojenne (więc na pewno NO/MÁS nie ma nic do Iranu) i poświęcone wszelkim niesprawiedliwościom społecznym, tematy. Jak dla mnie, fuzja tych wszystkich występujących tutaj pierwiastków, niczym szczególnym się nie wyróżnia i jest najzwyczajniej w świecie, typowym rzępoleniem w tym stylu. Stylu, który trochę łączy późniejszy Napalm Death, dokłada to tego odrobinę Brutal Truth i posypuje całość szczyptą wyżej wymienionych Nowojorczyków czy czymś w rodzaju Exhorder. Wyszedł z tego taki ciężki crossover, który doskonale sprzedaje się w USA lub wśród fanów takiego grania. Mi nie leży, ale miłośnicy takiego ujęcia nie powinni być zawiedzeni.

shub niggurath



D.C. grindcore crushers NO/MAS return with a vicious new single blending hardcore speed, death-metal heft, and razor political urgency. One of the East Coast’s fastest-rising extreme bands, they deliver their most precise and punishing work yet.



DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Grin Reaper



..::TRACK-LIST::..

1. Foreign Threat 00:31
2. Manic 01:55
3. Overthrow 01:03
4. Blood Soaked Soil 01:55
5. Abolition (feat. Gobi Longobardi) 01:52
6. Leech 02:43
7. Act of Killing 01:06
8. Ley Indígena 01:48
9. Choke Point 02:05
10. Spineless 02:12
11. No Peace 01:54
12. Cycle of Sacrifice 02:44



..::OBSADA::..

Roger Rivadeneira - Vocals
John Letzkus - Guitar
Henry Everitt - Drums, Vocals
Joe Vasta - Bass

Additional vocals on Abolition by Gobi Longobardi



https://www.youtube.com/watch?v=pNDjWn_tZxI


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Trzeci album amerykańskiego zespołu skapunkowego z Chicago.

Title: 30 Minutes or Less

Artist: Beat the Smart Kids

Country: USA

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Enjoy It While It Lasts
02. Bad Influencer
03. Nothing Is Real
04. The Supreme Court Boogie
05. Sharing Is Scaring
06. Absent Humility
07. Toothless and Grey
08. I Beg Your Pardon
09. Don't Add Up
10. Slop

..::INFO::..

---------------------------------------------------------------------
Cliff Richard - Rock 'N' Roll!
---------------------------------------------------------------------

Artist...............: Cliff Richard
Album................: Rock 'N' Roll!
Genre................: Rock & Roll
Source...............: CD
Year.................: 2013
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Delta

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Cliff Richard - Move It [02:22]
2. Cliff Richard - That'll Be The Day (live) [02:11]
3. Cliff Richard - Whole Lotta Shakin' Goin' On (live) [02:58]
4. Cliff Richard - Schoolboy Crush [02:31]
5. Cliff Richard - High Class Baby [02:08]
6. Cliff Richard - My Feet Hit The Ground [01:59]
7. Cliff Richard - Don't Bug Me Baby (live) [02:18]
8. Cliff Richard - King Creole (live) [00:46]
9. Cliff Richard - Rockin' Robin (live) [00:58]
10. Cliff Richard - High School Confidential (live) [01:49]
11. Cliff Richard - Livin' Lovin' Doll [02:08]
12. Cliff Richard - Dynamite [01:55]
13. Cliff Richard - Twenty Flight Rock [01:44]
14. Cliff Richard - Blue Suede Shoes [01:45]
15. Cliff Richard - Mean Woman Blues [02:27]
16. Cliff Richard - Willie And The Hand Jive [02:36]
17. Cliff Richard - D' In Love [02:27]
18. Cliff Richard - Blue Moon [03:31]
19. Cliff Richard - What'd I Say [03:01]
20. Cliff Richard - Blueberry Hill [02:43]
21. Cliff Richard - Ready Teddy (live) [01:52]
22. Cliff Richard - Too Much (live) [02:15]
23. Cliff Richard - Donna (live) [03:09]
24. Cliff Richard - Baby I Don't Care (live) [02:08]
25. Cliff Richard - Mean Streak [01:56]

Playing Time.........: 55:52
Total Size...........: 372,77 MB

..::INFO::..

---------------------------------------------------------------------
Elvis Presley - The Jasmine EP Collection
---------------------------------------------------------------------

Artist...............: Elvis Presley
Album................: The Jasmine EP Collection
Genre................: Rock
Source...............: CD
Year.................: 2025
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 55 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Jasmine Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Elvis Presley - I Got A Woman [02:26]
2. Elvis Presley - Just Because [02:35]
3. Elvis Presley - Money Honey [02:37]
4. Elvis Presley - I Forgot To Remember To Forget [02:30]
5. Elvis Presley - Lawdy Miss Clawdy [02:10]
6. Elvis Presley - Rip It Up [01:55]
7. Elvis Presley - Paralyzed [02:26]
8. Elvis Presley - Poor Boy [02:16]
9. Elvis Presley - So Glad You're Mine [02:23]
10. Elvis Presley - Old Shep [04:12]
11. Elvis Presley - Anyplace Is Paradise [02:27]
12. Elvis Presley - Long Tall Sally [01:53]
13. Elvis Presley - First In Line [03:25]
14. Elvis Presley - I Need You So [02:40]
15. Elvis Presley - Have I Told You Lately That I Love You [02:33]
16. Elvis Presley - Blueberry Hill [02:41]
17. Elvis Presley - True Love [02:08]
18. Elvis Presley - Mean Woman Blues [02:20]
19. Elvis Presley - Blue Christmas [02:10]
20. Elvis Presley - Santa Claus Is Back In Town [02:25]
21. Elvis Presley - Don't Leave Me Now [02:07]
22. Elvis Presley - Baby I Don't Care [01:54]
23. Elvis Presley - King Creole [02:10]
24. Elvis Presley - New Orleans [02:01]
25. Elvis Presley - Trouble [02:19]
26. Elvis Presley - Crawfish [01:51]
27. Elvis Presley - Good Rockin' Tonight [02:14]
28. Elvis Presley - Flaming Star [02:27]
29. Elvis Presley - Summer Kisses, Winter Tears [02:21]
30. Elvis Presley - Follow That Dream [01:39]
31. Elvis Presley - Angel [02:40]
32. Elvis Presley - King Of The Whole Wide World [02:43]
33. Elvis Presley - This Is Living [01:43]

Playing Time.........: 01:18:36
Total Size...........: 432,89 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana i niedostępna od lat reedycja wydanego przez Philips w 1971 roku jedynego albumu grupy Light Of Darkness. Zespół zaproponował bardzo interesujące i w sumie oryginalne połączenie ciężkiego blues rocka, wczesnego hard rocka i elementów rocka progresywnego. Choć grupę tworzyli szkoccy muzycy działający w Hamburgu, to ich brzmienie wyraźnie nawiązuje do brytyjskiej sceny przełomu lat 60. i 70. Słychać było echa Edgar Broughton Band i wczesnych Uriah Heep, ale bez prostego kopiowania któregoś z tych zespołów. Dużą zaletą płyty była jej surowa energia. Zespół swobodnie przechodził od ciężkich gitarowych riffów do bardziej nastrojowych, bluesowych fragmentów, wzbogaconych partiami organów, fortepianu, fletu i skrzypiec a także charakterystycznym, nieco szorstkim wokalem. Można powiedzieć, że muzycy bardziej stawiali na spontaniczność i klimat niż na techniczną wirtuozerię. Na szczególne wyróżnienie zasługuje 10-minutowy Soul Francisco z repertuaru amerykańskiego muzyka folkowego Tony'ego Joe White'a. Album zachwyci wszystkich miłośników ciężkiego, bluesowego grania z wyraźnym progresywnym zacięciem.

JL



..::TRACK-LIST::..

1. Movin' Along 4:13
2. Love In Your Heart 5:18
3. Ain't No Place Where I Belong 4:59
4. Soul Francisco 9:53
5. Freedom Fight 6:40
6. Time 4:14
7. Down 'n' Out 8:50



..::OBSADA::..

Drums, Percussion - Manfred Bebert
Guitar, Violin - Byron Grant
Bass, Keyboards, Blues Harp, Flute - Mike Reoch
Vocals, Keyboards, Percussion - John Latimer



https://www.youtube.com/watch?v=_v0OyJa5Dcg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana i niedostępna od lat reedycja wydanego przez Philips w 1971 roku jedynego albumu grupy Light Of Darkness. Zespół zaproponował bardzo interesujące i w sumie oryginalne połączenie ciężkiego blues rocka, wczesnego hard rocka i elementów rocka progresywnego. Choć grupę tworzyli szkoccy muzycy działający w Hamburgu, to ich brzmienie wyraźnie nawiązuje do brytyjskiej sceny przełomu lat 60. i 70. Słychać było echa Edgar Broughton Band i wczesnych Uriah Heep, ale bez prostego kopiowania któregoś z tych zespołów. Dużą zaletą płyty była jej surowa energia. Zespół swobodnie przechodził od ciężkich gitarowych riffów do bardziej nastrojowych, bluesowych fragmentów, wzbogaconych partiami organów, fortepianu, fletu i skrzypiec a także charakterystycznym, nieco szorstkim wokalem. Można powiedzieć, że muzycy bardziej stawiali na spontaniczność i klimat niż na techniczną wirtuozerię. Na szczególne wyróżnienie zasługuje 10-minutowy Soul Francisco z repertuaru amerykańskiego muzyka folkowego Tony'ego Joe White'a. Album zachwyci wszystkich miłośników ciężkiego, bluesowego grania z wyraźnym progresywnym zacięciem.

JL



..::TRACK-LIST::..

1. Movin' Along 4:13
2. Love In Your Heart 5:18
3. Ain't No Place Where I Belong 4:59
4. Soul Francisco 9:53
5. Freedom Fight 6:40
6. Time 4:14
7. Down 'n' Out 8:50



..::OBSADA::..

Drums, Percussion - Manfred Bebert
Guitar, Violin - Byron Grant
Bass, Keyboards, Blues Harp, Flute - Mike Reoch
Vocals, Keyboards, Percussion - John Latimer



https://www.youtube.com/watch?v=_v0OyJa5Dcg


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
The Animals - Animals Blues Years
---------------------------------------------------------------------

Artist...............: The Animals
Album................: Animals Blues Years
Genre................: British Invasion Rock
Source...............: CD
Year.................: 1968-1999
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 58 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Rock-In-Beat-Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. The Animals - All Night Long [02:47]
2. The Animals - Shake [03:16]
3. The Animals - The Other Side Of This Life [03:29]
4. The Animals - Rock Me Baby [05:24]
5. The Animals - Lucille [02:20]
6. The Animals - Smokestack Lightning [05:23]
7. The Animals - Hey Gyp [03:48]
8. The Animals - Hit The Road Jack [03:19]
9. The Animals - Outcast [02:37]
10. The Animals - Louisiana Blues [02:39]
11. The Animals - That's All I Am To You [02:10]
12. The Animals - Goin' Down Slow [06:16]
13. The Animals - Heartbreak Hotel (BBC Live 1967-68) [02:35]
14. The Animals - Work Song (BBC Live 1967-68) [02:46]
15. The Animals - Corinna Corinna (BBC Live 1967-68) [02:17]
16. The Animals - Inside Looking Out (BBC Live 1967-68) [03:42]
17. The Animals - Sweet Little Sixteen (BBC Live 1967-68) [03:02]
18. The Animals - Jailhouse Rock (BBC Live 1967-68) [02:47]
19. The Animals - When I Was Young (BBC Live 1967-68) [03:01]
20. The Animals - San Franciscan Nights (BBC Live 1967-68) [03:03]

Playing Time.........: 01:06:51
Total Size...........: 383,05 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debut album by this astonishing italian band of Technical & Progressive Thrash/ Death for lovers of acts like Control Denied, Death, Psychotic Waltz, Nevermore, Mekong Delta, Watchtower, Anacrusis, Saviour Machine, Crimson Glory...



..::TRACK-LIST::..

1. Zero-Point Collapse 00:45
2. Human vs. Machine 07:42
3. Echoes of π 05:12
4. Married to the Masterplan 06:24
5. The Curse of Majesty 04:04
6. When Numbers Speak 04:30
7. A World in a Single Word 05:57
8. Masquerade (The Algorithm) 03:42
9. Amphibian to Chameleon 06:42
10. φinal Jest 02:07



..::OBSADA::..

Erymanthon Seth - Guitars (lead) (tracks 2-4, 8, 9), Keyboards
Alessandro Gargivolo - Guitars, Bass, Vocals, Songwriting



https://www.youtube.com/watch?v=w624-0RnQb0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debut album by this astonishing italian band of Technical & Progressive Thrash/ Death for lovers of acts like Control Denied, Death, Psychotic Waltz, Nevermore, Mekong Delta, Watchtower, Anacrusis, Saviour Machine, Crimson Glory...



..::TRACK-LIST::..

1. Zero-Point Collapse 00:45
2. Human vs. Machine 07:42
3. Echoes of π 05:12
4. Married to the Masterplan 06:24
5. The Curse of Majesty 04:04
6. When Numbers Speak 04:30
7. A World in a Single Word 05:57
8. Masquerade (The Algorithm) 03:42
9. Amphibian to Chameleon 06:42
10. φinal Jest 02:07



..::OBSADA::..

Erymanthon Seth - Guitars (lead) (tracks 2-4, 8, 9), Keyboards
Alessandro Gargivolo - Guitars, Bass, Vocals, Songwriting



https://www.youtube.com/watch?v=w624-0RnQb0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Holókauston' wynosi unikalne podejście zespołu, zbudowane wokół nisko strojonych gitar, ceremonialnych wokali i destrukcyjnych struktur rytmicznych, na jeszcze wyższy poziom intensywności.
Zachowując estetykę klasycznego black metalu, album na nowo analizuje gatunkowe rozumienie atmosfery, ciężaru i kompozycji z innej, mroczniejszej perspektywy.



The Age of Wrath is upon Us! At long last, Dark Descent Records presents "Holokauston", the follow-up to Bestia Arcana's acclaimed debut "To Anabainon ek tes Abyssu". Four aphotic hymns to the End-of -Days spoken in sepulchral tongues. Fever- dream oracles of howling gods. Dissonant paeans to mankind's ruin and the final triumph of Death. Who will withstand the Fires of Judgment? Our hands are full of Blood! Oh Lord, our hands are full of Blood!



Bestia Arcana is a band from Naas Alcameth (Nightbringer, Akhlys, Aoratos), so you can roughly guess what the listener will hear on Holókauston. To place Bestia Arcana amongst Naas' other bands in terms of sound, it can be said that they are most reminiscent of Nightbringer in terms of complexity and this epic, majestic vibe, but they are much more massive, chaotic and not as focused on the high leads. Instead they play with lower-pitched rhythm guitars.

But now to Holókauston: This album really has something of a mad, cacophonous sermon. This feeling is mainly created by the vocals. When it comes to vocals, you have to mention Ophis, who also contributed significant parts, especially on Terra Damnata. On this album, however, Ophis takes up a large part of the vocals, whose voice is less reminiscent of classic black metal screams than of operatic, absolutely insane chanting, which creates the aforementioned sermon vibe. Naas is also often heard on the album, but instead of his distinctive screams, he contributes his incantatory growls, which support Ophis very well.
Occasionally, very strong voice eaters are also used, which really make the singers sound like they are underwater.

Another important element are the guitars, which, as already mentioned, are tuned much lower than in Naas' other projects, consequently giving off a certain chaotic death metal vibe. The distortion on the guitars is sometimes so strong that it resembles an apocalyptic thunderstorm and sounds even more massive with a good pinch of reverb. But there are also some lead parts, which usually throw around dissonances with strangely large intervals between two notes.

Menthor's drumming supports the overall picture perfectly, or to be more precise, they actually help create it. Unbelievably powerful blast beats, evocative toms used a lot, a lot of midtempo and partly also funeral doom-like passages, which are so cruelly drawn out that it hurts. Grandiose!

The whole thing is supported by such a dense and powerful production, which is only capable of effectively producing these waves of pure chaos. The sound resembles a roll of thunder that penetrates the auditory canals.

Another highlight is the structure of the album: there are only four songs, but three of them are over 10 minutes long, resulting in a pleasant 41-minute listening experience that is over surprisingly quickly. The first two songs in particular form the most chaotic and massive elements on the entire album, sounding like a thousand portents of Armageddon being loudly spread.

Then comes a cut, Howling, and this presents itself much more subtle and atmospheric than the first two songs. The tempo is completely taken out, but it is played entirely in doom tempo. This song presents itself like a silent storm of death, quietly bringing the hours before the end. It creates a bit of a sense of foreshadowing of what is to come. And this turns out in the form of Iniquity, the last song, which skilfully combines all the elements once again, from the chaotic technical riffs and blast attacks of the first two songs and the beastly slow playing of Howling, but also brings along enough originality. Iniquity is the most epic song on the album, as it features some choir vocals on the one hand, and melodic orchestral samples on the other, which really give the song a doomsday feel. In addition, the song contains an absolutely disturbing dissonant lead part that is really intense. The album and the song ends with a beautiful sample and a melody, which could already be heard in the first half of the song and offers an excellent conclusion to this epic masterpiece.

As a rule, I can't say much about the lyrics: but here are some lines that are used so skilfully that they burn themselves into skulls: The "Term of all that liveth" quote from Golden Dawn, the often repeated "Our hands are full of blood, Oh lord" on Iniquity, the "Consumatum est (it is consumed) and the "The age of wrath is upon us, who will withstand the fires of judgment" on Hellmouth are just a few examples.

The album artworks are two of the best I have ever seen. Both the Chalice of Revelation, penned by David Herrerias with very beautiful colour gradients, the golden vessel and the prominent serpents, and second: the burning city on the digipack, which really immerses you in the end-time battle, could hang like an oil painting in a castle.

What else can be said about this: For me, Holókauston is one of the best black metal albums of all times, because it stands for itself above all. There is nothing that sounds like Holókauston, it cannot be compared to anything, and even within the Naas Alcameth discography, it shows itself to be unique.

John Baal


From the mystical forests of Colorado hail the three bringers of death. Naas Alcameth and Menthor strike again, in cooperation with a third anonymous member. Naas Alcameth's projects (Nightbringer, Akhlys, Aoratos) are widely known among the underground as some of the most unique, innovative and frightening black metal in the scene, each project Naas worked on proved his unmistakable ability to create mesmerizing sonic landscapes, exploring the occult and esoteric themes in their purest form.

While the aforementioned projects of Naas somewhat follow certain patterns and remain generally familiar, they always bring something new to the table and explore different esoteric themes, Bestia Arcana is no different in that regard, bringing an entirely different approach to their own, well recognizable black metal formula once again and expanding upon it.

"Holókauston" is composed of 4 massive tracks, each of them ranging from 8 to 11 minutes long, all brewed from the same formula, yet each of them presenting an entirely different and equally fascinating results, Bestia Arcana has enough to offer in each track to keep the listener invested in the music until the last minutes of the album. With both Naas' masterfully crafted compositions as well as spectacular vocal performance and the deadly, powerful and mesmerizing drumming of Menthor, "Holókauston" is a relentless, apocalyptic black metal offering that surpasses all expectations and reaches far beyond most conventional black metal and instead focuses on delivering their unique approach to the genre that is far more dark, relentless and well put than most of your pseudo "true" black metal.

The album opens with the most intense track on the album, "Hellmouth", which begins with the lone toll of the bell shortly followed by maniacal riffing and inhumanly precise and crushing blasting of the drums. The demented, narrative vocals begin to chant as everything unfolds into a bursting wall of orgasmic sonic explosion. The entire track is a bombastic soundscape filled with ferocious passages and adrenaline-inducing intensity that bounces between being extremely addictive yet delivering a haunting, dark and unpredictive dose of powerful and atmosphere-drenched black metal.

"Howling", a third track on the album, stands out the most out of all four tracks, as it is an 11 minute-long, slow, droning, you could say - Howling, invocation that is just as brutal and relentless as the rest of the fast-paced tracks. The slow, almost funeral doom-esque tempo of the track, combined with demented orations and deep, miserably sluggish guitar tones and drums, creates a truly oppressive atmosphere drowned in apocalyptic, frightening ambiance and droning movements. "Howling" is a powerful statement that delivers an incomprehensible weight and sets the dark tone for the entire album.

The album jumps between incredibly intense and tense, powerful black metal blasting and astonishingly deep, heavy passages that are more reminiscent of funeral doom, except with more dynamic and layers of atmosphere, drone and ambiance. What makes "Holókauston" great however is not what and how many elements it uses, because every band can throw all kind of noise in the mix and hope for the best, Bestia Arcana is strict and direct, every single sound on this album has its purpose and every time you listen to it, it is a journey that has its beginning and the end, it is an album that had a vision and a concept that was executed perfectly with no compromise, the way everything blends together and creates the demented, apocalyptic black metal sound that Bestia Arcana was able to produce is nothing short of a masterpiece and proves that there is still a lot of room for innovation in the genre.

In short, a must listen!

InTheShadowOfAThousandBeans



..::TRACK-LIST::..

1. Hellmouth 10:33
2. Obscurator 08:25
3. Howling 11:09
4. Iniquity 11:21



..::OBSADA::..

Naas Alcameth - Lyrics, Synthesizers, Vocals, Ambiance, Guitars, Songwriting, Bass
Menthor - Drums
Ophis - Vocals (lead), Lyrics

Guest, Vocals - T. Kaos



https://www.youtube.com/watch?v=fuWl3jTCmTk


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Holókauston' wynosi unikalne podejście zespołu, zbudowane wokół nisko strojonych gitar, ceremonialnych wokali i destrukcyjnych struktur rytmicznych, na jeszcze wyższy poziom intensywności.
Zachowując estetykę klasycznego black metalu, album na nowo analizuje gatunkowe rozumienie atmosfery, ciężaru i kompozycji z innej, mroczniejszej perspektywy.



The Age of Wrath is upon Us! At long last, Dark Descent Records presents "Holokauston", the follow-up to Bestia Arcana's acclaimed debut "To Anabainon ek tes Abyssu". Four aphotic hymns to the End-of -Days spoken in sepulchral tongues. Fever- dream oracles of howling gods. Dissonant paeans to mankind's ruin and the final triumph of Death. Who will withstand the Fires of Judgment? Our hands are full of Blood! Oh Lord, our hands are full of Blood!



Bestia Arcana is a band from Naas Alcameth (Nightbringer, Akhlys, Aoratos), so you can roughly guess what the listener will hear on Holókauston. To place Bestia Arcana amongst Naas' other bands in terms of sound, it can be said that they are most reminiscent of Nightbringer in terms of complexity and this epic, majestic vibe, but they are much more massive, chaotic and not as focused on the high leads. Instead they play with lower-pitched rhythm guitars.

But now to Holókauston: This album really has something of a mad, cacophonous sermon. This feeling is mainly created by the vocals. When it comes to vocals, you have to mention Ophis, who also contributed significant parts, especially on Terra Damnata. On this album, however, Ophis takes up a large part of the vocals, whose voice is less reminiscent of classic black metal screams than of operatic, absolutely insane chanting, which creates the aforementioned sermon vibe. Naas is also often heard on the album, but instead of his distinctive screams, he contributes his incantatory growls, which support Ophis very well.
Occasionally, very strong voice eaters are also used, which really make the singers sound like they are underwater.

Another important element are the guitars, which, as already mentioned, are tuned much lower than in Naas' other projects, consequently giving off a certain chaotic death metal vibe. The distortion on the guitars is sometimes so strong that it resembles an apocalyptic thunderstorm and sounds even more massive with a good pinch of reverb. But there are also some lead parts, which usually throw around dissonances with strangely large intervals between two notes.

Menthor's drumming supports the overall picture perfectly, or to be more precise, they actually help create it. Unbelievably powerful blast beats, evocative toms used a lot, a lot of midtempo and partly also funeral doom-like passages, which are so cruelly drawn out that it hurts. Grandiose!

The whole thing is supported by such a dense and powerful production, which is only capable of effectively producing these waves of pure chaos. The sound resembles a roll of thunder that penetrates the auditory canals.

Another highlight is the structure of the album: there are only four songs, but three of them are over 10 minutes long, resulting in a pleasant 41-minute listening experience that is over surprisingly quickly. The first two songs in particular form the most chaotic and massive elements on the entire album, sounding like a thousand portents of Armageddon being loudly spread.

Then comes a cut, Howling, and this presents itself much more subtle and atmospheric than the first two songs. The tempo is completely taken out, but it is played entirely in doom tempo. This song presents itself like a silent storm of death, quietly bringing the hours before the end. It creates a bit of a sense of foreshadowing of what is to come. And this turns out in the form of Iniquity, the last song, which skilfully combines all the elements once again, from the chaotic technical riffs and blast attacks of the first two songs and the beastly slow playing of Howling, but also brings along enough originality. Iniquity is the most epic song on the album, as it features some choir vocals on the one hand, and melodic orchestral samples on the other, which really give the song a doomsday feel. In addition, the song contains an absolutely disturbing dissonant lead part that is really intense. The album and the song ends with a beautiful sample and a melody, which could already be heard in the first half of the song and offers an excellent conclusion to this epic masterpiece.

As a rule, I can't say much about the lyrics: but here are some lines that are used so skilfully that they burn themselves into skulls: The "Term of all that liveth" quote from Golden Dawn, the often repeated "Our hands are full of blood, Oh lord" on Iniquity, the "Consumatum est (it is consumed) and the "The age of wrath is upon us, who will withstand the fires of judgment" on Hellmouth are just a few examples.

The album artworks are two of the best I have ever seen. Both the Chalice of Revelation, penned by David Herrerias with very beautiful colour gradients, the golden vessel and the prominent serpents, and second: the burning city on the digipack, which really immerses you in the end-time battle, could hang like an oil painting in a castle.

What else can be said about this: For me, Holókauston is one of the best black metal albums of all times, because it stands for itself above all. There is nothing that sounds like Holókauston, it cannot be compared to anything, and even within the Naas Alcameth discography, it shows itself to be unique.

John Baal


From the mystical forests of Colorado hail the three bringers of death. Naas Alcameth and Menthor strike again, in cooperation with a third anonymous member. Naas Alcameth's projects (Nightbringer, Akhlys, Aoratos) are widely known among the underground as some of the most unique, innovative and frightening black metal in the scene, each project Naas worked on proved his unmistakable ability to create mesmerizing sonic landscapes, exploring the occult and esoteric themes in their purest form.

While the aforementioned projects of Naas somewhat follow certain patterns and remain generally familiar, they always bring something new to the table and explore different esoteric themes, Bestia Arcana is no different in that regard, bringing an entirely different approach to their own, well recognizable black metal formula once again and expanding upon it.

"Holókauston" is composed of 4 massive tracks, each of them ranging from 8 to 11 minutes long, all brewed from the same formula, yet each of them presenting an entirely different and equally fascinating results, Bestia Arcana has enough to offer in each track to keep the listener invested in the music until the last minutes of the album. With both Naas' masterfully crafted compositions as well as spectacular vocal performance and the deadly, powerful and mesmerizing drumming of Menthor, "Holókauston" is a relentless, apocalyptic black metal offering that surpasses all expectations and reaches far beyond most conventional black metal and instead focuses on delivering their unique approach to the genre that is far more dark, relentless and well put than most of your pseudo "true" black metal.

The album opens with the most intense track on the album, "Hellmouth", which begins with the lone toll of the bell shortly followed by maniacal riffing and inhumanly precise and crushing blasting of the drums. The demented, narrative vocals begin to chant as everything unfolds into a bursting wall of orgasmic sonic explosion. The entire track is a bombastic soundscape filled with ferocious passages and adrenaline-inducing intensity that bounces between being extremely addictive yet delivering a haunting, dark and unpredictive dose of powerful and atmosphere-drenched black metal.

"Howling", a third track on the album, stands out the most out of all four tracks, as it is an 11 minute-long, slow, droning, you could say - Howling, invocation that is just as brutal and relentless as the rest of the fast-paced tracks. The slow, almost funeral doom-esque tempo of the track, combined with demented orations and deep, miserably sluggish guitar tones and drums, creates a truly oppressive atmosphere drowned in apocalyptic, frightening ambiance and droning movements. "Howling" is a powerful statement that delivers an incomprehensible weight and sets the dark tone for the entire album.

The album jumps between incredibly intense and tense, powerful black metal blasting and astonishingly deep, heavy passages that are more reminiscent of funeral doom, except with more dynamic and layers of atmosphere, drone and ambiance. What makes "Holókauston" great however is not what and how many elements it uses, because every band can throw all kind of noise in the mix and hope for the best, Bestia Arcana is strict and direct, every single sound on this album has its purpose and every time you listen to it, it is a journey that has its beginning and the end, it is an album that had a vision and a concept that was executed perfectly with no compromise, the way everything blends together and creates the demented, apocalyptic black metal sound that Bestia Arcana was able to produce is nothing short of a masterpiece and proves that there is still a lot of room for innovation in the genre.

In short, a must listen!

InTheShadowOfAThousandBeans



..::TRACK-LIST::..

1. Hellmouth 10:33
2. Obscurator 08:25
3. Howling 11:09
4. Iniquity 11:21



..::OBSADA::..

Naas Alcameth - Lyrics, Synthesizers, Vocals, Ambiance, Guitars, Songwriting, Bass
Menthor - Drums
Ophis - Vocals (lead), Lyrics

Guest, Vocals - T. Kaos



https://www.youtube.com/watch?v=fuWl3jTCmTk


SEED 15:00-22:00.
POLECAM!!!

Genre: Thrash Metal/Hardcore
Country of artist (band): Poland
Year of release: 2026
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 33:45
Contains scans in the distribution content: no

Tracklist:
01. Intro
02. Zasolona Ziemia
03. Moderca
04. To Tam Gdzie Bóg Odwrócił Się Plecami
05. Walka O Tożsamość
06. Z Kołyski Do Grobu
07. Jestem Z Innego Świata
08. Kłamca

OldiesPart085⭐
MP3 @320 kbps
A BOX OF Modern English,Nick Heyward,Talk Talk,ZZ Top

Albums:
⭐A BOX OF... Modern English (17CD)
  Mesh & Lace  [1981]
  After the Snow  [1982]
  Ricochet Days  [1984]
  Drowning Man, Early Demos & Peel Sessions  [1985]
  Stop Start  [1986]
  Pillow Lips  [1990]
  Everything's Mad  [1996]
  Life in The Gladhouse 1980-1984, The Best Of.  [2001]
  In Concert  [2008]
  Modern English (Live)  [2008]
  Soundtrack  [2010]
  Blister  [2012]
  Rarities and The Unreleased  [2014]
  Take Me to The Trees  [2017]
  After The Snow, Live From Indigo At The O2 (Live)  [2021]
  1 2 3 4  [2024]
⭐A BOX OF... Nick Heyward and Haircut One Hundred (20CD)
  01 Haircut One Hundred - Pelican West 40 (2023, The Celebration Edition) (4CD) (1982)
  02 Nick Heyward - North of a Miracle (2025, 40th Anniversary Super Deluxe Edition) (4CD) (1983)
  03 Haircut One Hundred - Paint and Paint (2017 Cherry Pop Deluxe Edition) (2CD) (1984)
  04 Nick Heyward - Postcards from Home (2002 Expanded Edition) (1986)
  05 Nick Heyward - I Love You Avenue (1988)
  06 Nick Heyward - From Monday to Sunday (2010 Cherry Red Expanded Edition) (1993)
  07 Nick Heyward - Tangled (1995)
  08 Nick Heyward & Haircut One Hundred - The Greatest Hits of Nick Heyward & Haircut One Hundred (1996)
  09 Nick Heyward - The Apple Bed (US Expanded Edition) (1998)
  10 Nick Heyward & Haircut One Hundred - The Very Best of... (2003)
  11 Nick Heyward & India Dupre - The Mermaid and the Lighthouse Keeper (2006)
  12 Nick Heyward - Woodland Echoes (2017)
  13 Haircut One Hundred - Boxing the Compass (2026)
⭐A BOX OF... Talk Talk (18CD)
  01 Talk Talk - The Party's Over (1997 Digital Remaster) (1982)
  02 Talk Talk - It's My Life (1997 Digital Remaster) (1984)
  03 Talk Talk - The Colour of Spring (1997 Digital Remaster) (1986)
  04 Talk Talk - Spirit of Eden (1997 Digital Remaster) (1988)
  05 Talk Talk - History Revisited - The Remixes (1991)
  06 Talk Talk - Laughing Stock (1991)
  07 Talk Talk - The Very Best of (1997)
  08 Mark Hollis - Mark Hollis (1998)
  09 Talk Talk - Asides Besides (2CD) (1998)
  10 Talk Talk - London 1986 - Live at Hammersmith Odeon, May 8th, 1986 (1999)
  11 Talk Talk - 12x12 Original Remixes (1999)
  12 Talk Talk - Missing Pieces (2001)
  13 Talk Talk - Introducing... Talk Talk (2003)
  14 Talk Talk - Natural History 1982-1988 (2013)
  15 Talk Talk - Natural Order 1982-1991 (2013)
  16 Talk Talk - Live at Hammersmith Odeon, May 7th, 1986 - BBC Radio 6 Music Broadcast (2019)
  17 Talk Talk - Natural History: The Very Best of Talk Talk (45th Anniversary 1981-2026 Deluxe Edition) (2CD) (2026)
⭐ZZ Top In memory of Frank Beard R.I.P
  01 ZZ Top - Eliminator (2008 Collector's Edition Digital Remaster) (1983)
  02 ZZ Top - Afterburner (2008 Collector's Edition Digital Remaster) (1985)
  03 ZZ Top - Greatest Hits (2008 Collector's Edition Digital Remaster) (2CD) (2008)
  04 ZZ Top - The Complete Studio Albums 1970-1990 (10CD) (2013)
  05 ZZ Top - The Very Baddest (2CD) (2014)
  06 ZZ Top - Goin' 50 (3CD) (2019)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzecia płyta Titanic Sea Moon (ex-Ewa Braun). Tym razem podwójny CD w eleganckim rozkładanym digipaku. Dwa kompakty, dwie książeczki, trzy wersje kolorystyczne, prawie 150 minut muzyki.


Titanic Sea Moon na kolejnej płycie kontynuują swoją podróż w przestrzeń między dźwiękami. Słychać tu post rockową oszczędność w operowaniu dźwiękiem, dużo wybrzmiewa pomiędzy. Są ambientowe niemal fragmenty zadumy. Pojawia się i znika krautowa motoryka… Bywa psychodelicznie, czasem hałaśliwie. Ale przede wszystkim czuję, że to jest osobny głos, że zespół ma swój język i swoje rejony, które eksploruje i w których się umościł. Język ten jest minimalistyczny, ale pozostaje zrozumiały.

Cały materiał jest spójny, nie miałem nawet przez moment wrażenia obcowania z czymś posklejanym z obcych sobie klocków. Brzmienie jest przestrzenne, przejrzyste, ułatwia wejście w ten świat. Czuć, że to dzieło doświadczonych, świadomych swoich możliwości artystów, którzy dokładnie wiedzą, co chcą zrobić, nawet jeśli to coś rodzi się z improwizacji. Daje to nam okazję do ponad półtorej godziny świetnego, leniwego transu.

Muzyka płynie niespiesznie w sobie znanym kierunku, meandrując między gatunkami. Zanurza słuchacza w swój świat i zabiera w podróż. Jedynym zastrzeżeniem może (acz nie musi) być długość tej podróży. Płyta (a właściwie dwie płyty CD) jest naprawdę długa, co może niektórych podróżników nieco zmęczyć.

Mnie ta podróż nie męczy, materiału słucham codziennie i nie nudzi mi się to wcale. W dzisiejszym świecie goniącym własny ogon taki czas zatrzymania się i oderwania jest bezcenny.

Marcin 'Guliwer' Zawadzki



..::TRACK-LIST::..

Side A:
1. We Grew Houses Out Of Sleep
2. Canon Of The Human Head
3. Zbliża Się Ziemia
4. Wszystko

Side B:
1. Nagłe Fale
2. W Krainie Psów I Kotów
3. Zakłócony Sen I Żywe Sny



..::OBSADA::..

Bass - Rafał Szymański
Drums - Dariusz Dudziński
Mixed By, Guitar, Mellotron, Graphic Design - Paweł Nałysnik
Voice, Guitar, Mastered By - Piotr Sulik




https://www.youtube.com/watch?v=QQCtVqfgVy0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzecia płyta Titanic Sea Moon (ex-Ewa Braun). Tym razem podwójny CD w eleganckim rozkładanym digipaku. Dwa kompakty, dwie książeczki, trzy wersje kolorystyczne, prawie 150 minut muzyki.


Titanic Sea Moon na kolejnej płycie kontynuują swoją podróż w przestrzeń między dźwiękami. Słychać tu post rockową oszczędność w operowaniu dźwiękiem, dużo wybrzmiewa pomiędzy. Są ambientowe niemal fragmenty zadumy. Pojawia się i znika krautowa motoryka… Bywa psychodelicznie, czasem hałaśliwie. Ale przede wszystkim czuję, że to jest osobny głos, że zespół ma swój język i swoje rejony, które eksploruje i w których się umościł. Język ten jest minimalistyczny, ale pozostaje zrozumiały.

Cały materiał jest spójny, nie miałem nawet przez moment wrażenia obcowania z czymś posklejanym z obcych sobie klocków. Brzmienie jest przestrzenne, przejrzyste, ułatwia wejście w ten świat. Czuć, że to dzieło doświadczonych, świadomych swoich możliwości artystów, którzy dokładnie wiedzą, co chcą zrobić, nawet jeśli to coś rodzi się z improwizacji. Daje to nam okazję do ponad półtorej godziny świetnego, leniwego transu.

Muzyka płynie niespiesznie w sobie znanym kierunku, meandrując między gatunkami. Zanurza słuchacza w swój świat i zabiera w podróż. Jedynym zastrzeżeniem może (acz nie musi) być długość tej podróży. Płyta (a właściwie dwie płyty CD) jest naprawdę długa, co może niektórych podróżników nieco zmęczyć.

Mnie ta podróż nie męczy, materiału słucham codziennie i nie nudzi mi się to wcale. W dzisiejszym świecie goniącym własny ogon taki czas zatrzymania się i oderwania jest bezcenny.

Marcin 'Guliwer' Zawadzki



..::TRACK-LIST::..

Side A:
1. We Grew Houses Out Of Sleep
2. Canon Of The Human Head
3. Zbliża Się Ziemia
4. Wszystko

Side B:
1. Nagłe Fale
2. W Krainie Psów I Kotów
3. Zakłócony Sen I Żywe Sny



..::OBSADA::..

Bass - Rafał Szymański
Drums - Dariusz Dudziński
Mixed By, Guitar, Mellotron, Graphic Design - Paweł Nałysnik
Voice, Guitar, Mastered By - Piotr Sulik




https://www.youtube.com/watch?v=QQCtVqfgVy0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

REMASTERED LIMITED EDITION 5CD CLAMSHELL BOX SET OF THE ALBUMS & RECORDINGS BY JAZZ-ROCK GROUP BACK DOOR MADE BETWEEN 1971- 1976.

INCLUDES THE ALBUMS ‘BACK DOOR’, ‘8th STREET NIGHTS’, ‘ANOTHER FINE MESS’ & ‘ACTIVATE’, A DISC OF THE BAND’S BBC SESSIONS & THE COMPLETE IMPULSE STUDIOS SESSIONS FROM 1971.

BOOKLET INCLUDES A NEW ESSAY & PHOTOGRAPHS.

Back Door first came together in 1971 as a trio featuring Colin Hodkinson (bass, guitar, vocals), Ron Aspery (saxes, flute, electric piano) and Tony Hicks (drums) and recorded their first album in 1972. This self-financed and independently released record came to the attention of the London music press and after enthusiastic reviews and a short residency at Ronnie Scott’s club in Soho, the band secured a wider release of their album with Warner Bros. Around this time Back Door also began to record sessions for BBC Radio 1 and had a supporter in legendary DJ John Peel.

Over the next few years they recorded a further three albums, ‘8th Street Nights’, ‘Another Fine Mess’ (which saw keyboard player Dave McRae added to their ranks) and ‘Activate’ (which featured new drummer Adrian Tilbrook). The band also undertook a tour of the USA supporting Emerson, Lake & Palmer with Carl Palmer produced Back Door’s final album ‘Activate’ in 1976.



..::TRACK-LIST::..

CD 4 - Another Fine Mess (1975):
1. I'm Gonna Stay A Long, Long Time 3:32
Backing Vocals - Peter Thorup
2. Blakey Jones 4:16
3. T.B. Blues 3:34
4. Candles Round Your Hat 4:47
5. Detroit Blues 2:47
6. The Spoiler 4:57
Guitar - Bernie Holland
7. Shaken By Love 4:13
Guitar - Bernie Holland
8. Streamline Guitar 2:32
Backing Vocals - Peter Thorup
9. Manager's Shirt 2:41
Scat [Scat Vocals] - Peter Thorup
10. The Dashing White Sergeant 3:05



..::OBSADA::..

Ron Aspery - saxophone, flute
Tony Hicks - drums
Colin Hodgkinson - bass, guitar, vocals

With:
Dave MacCrae - keyboards all tracks
Bernie Holland - guitar on a couple of tracks



https://www.youtube.com/watch?v=vN9Iz581rY8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

REMASTERED LIMITED EDITION 5CD CLAMSHELL BOX SET OF THE ALBUMS & RECORDINGS BY JAZZ-ROCK GROUP BACK DOOR MADE BETWEEN 1971- 1976.

INCLUDES THE ALBUMS ‘BACK DOOR’, ‘8th STREET NIGHTS’, ‘ANOTHER FINE MESS’ & ‘ACTIVATE’, A DISC OF THE BAND’S BBC SESSIONS & THE COMPLETE IMPULSE STUDIOS SESSIONS FROM 1971.

BOOKLET INCLUDES A NEW ESSAY & PHOTOGRAPHS.

Back Door first came together in 1971 as a trio featuring Colin Hodkinson (bass, guitar, vocals), Ron Aspery (saxes, flute, electric piano) and Tony Hicks (drums) and recorded their first album in 1972. This self-financed and independently released record came to the attention of the London music press and after enthusiastic reviews and a short residency at Ronnie Scott’s club in Soho, the band secured a wider release of their album with Warner Bros. Around this time Back Door also began to record sessions for BBC Radio 1 and had a supporter in legendary DJ John Peel.

Over the next few years they recorded a further three albums, ‘8th Street Nights’, ‘Another Fine Mess’ (which saw keyboard player Dave McRae added to their ranks) and ‘Activate’ (which featured new drummer Adrian Tilbrook). The band also undertook a tour of the USA supporting Emerson, Lake & Palmer with Carl Palmer produced Back Door’s final album ‘Activate’ in 1976.



..::TRACK-LIST::..

CD 4 - Another Fine Mess (1975):
1. I'm Gonna Stay A Long, Long Time 3:32
Backing Vocals - Peter Thorup
2. Blakey Jones 4:16
3. T.B. Blues 3:34
4. Candles Round Your Hat 4:47
5. Detroit Blues 2:47
6. The Spoiler 4:57
Guitar - Bernie Holland
7. Shaken By Love 4:13
Guitar - Bernie Holland
8. Streamline Guitar 2:32
Backing Vocals - Peter Thorup
9. Manager's Shirt 2:41
Scat [Scat Vocals] - Peter Thorup
10. The Dashing White Sergeant 3:05



..::OBSADA::..

Ron Aspery - saxophone, flute
Tony Hicks - drums
Colin Hodgkinson - bass, guitar, vocals

With:
Dave MacCrae - keyboards all tracks
Bernie Holland - guitar on a couple of tracks



https://www.youtube.com/watch?v=vN9Iz581rY8


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: VA
Title: 80s Music Greatest Hits
Year: 2026
Genre: Pop, Rock, RnB
Duration: 04:00:21
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

01. Tina Turner - What's Love Got to Do with It (03:50)
02. John Parr - St. Elmo's Fire (Man in Motion) (04:11)
03. Duran Duran - Hungry like the Wolf (2009 Remaster) (03:40)
04. Foreigner - I Want to Know What Love Is (1999 Remaster) (05:04)
05. George Benson - Give Me the Night (Single Version) (04:58)
06. Chicago - You're the Inspiration (03:50)
07. Michael McDonald - I Keep Forgettin (Every Time You're Near) (03:42)
08. Chaka Khan - Ain’t Nobody (04:40)
09. The Cars - Drive (03:54)
10. The Beach Boys - Kokomo (03:36)
11. Simply Red - If You Don't Know Me by Now (03:26)
12. Talk Talk - It's My Life (03:52)
13. The Time - Jungle Love (Single Version) (03:28)
14. Spandau Ballet - True (05:28)
15. Limahl - Never Ending Story (Giorgio 7" Mix) (03:32)
16. Jane’s Addiction - Jane Says (04:46)
17. Al Jarreau - Mornin' (2012 Japan Remaster) (04:17)
18. Peter Cetera - Glory of Love (04:18)
19. Randy Crawford - You Might Need Somebody (04:14)
20. The B-52's - Love Shack (Edit) (04:17)
21. Laura Branigan - Self Control (04:07)
22. Los Lobos - La Bamba (02:53)
23. Bette Midler - Wind Beneath My Wings (04:53)
24. Starpoint - Object of My Desire (Edit) (03:57)
25. The Proclaimers - I'm Gonna Be (500 Miles) (03:39)
26. Faith No More - Epic (Radio Edit) (03:59)
27. Debbie Gibson - Lost in Your Eyes (03:33)
28. AL B. SURE! - Nite and Day (03:58)
29. Karyn White - Superwoman (Edit Version) (04:32)
30. Robert Palmer - Simply Irresistible (04:14)
31. Levert - Casanova (04:22)
32. Dusty Springfield - In Private (04:22)
33. James Ingram - There’s No Easy Way (03:50)
34. Art Of Noise - Kiss (feat. Tom Jones) (03:31)
35. Larry Graham - One in a Million You (04:12)
36. Cliff Richard - Ocean Deep (2002 Remaster) (05:15)
37. Zapp - More Bounce to the Ounce (05:11)
38. The Pretenders - Don't Get Me Wrong (03:47)
39. Joey Scarbury - Believe It or Not (From "Greatest American Hero") (03:15)
40. Roger - I Want to Be Your Man (7" Version) (04:03)
41. Marillion - Kayleigh (2017 Remaster) (04:03)
42. Ramones - Baby, I Love You (03:45)
43. Sheila E. - The Glamorous Life, Pt. 1 (03:43)
44. The Blues Brothers - Everybody Needs Somebody to Love (03:25)
45. Twisted Sister - We’re Not Gonna Take It (Single Version) (03:37)
46. Slave - Watching You (03:28)
47. Adrian Gurvitz - Classic (04:54)
48. Climie Fisher - Love Changes (Everything) (04:28)
49. Hot Chocolate - It Started with a Kiss (04:02)
50. Chris Rea - On the Beach (2019 Remaster) (05:04)
51. Jane Child - Don’t Wanna Fall in Love (04:07)
52. Narada Michael Walden - Gimme Gimme Gimme (feat. Patti Austin) (04:41)
53. Sister Sledge - Frankie (Edit Version; Remastered) (04:16)
54. The Stranglers - Golden Brown (03:26)
55. Stacy Lattisaw - Jump to the Beat (03:21)
56. Donald Fagen - I.G.Y. (06:03)
57. STEVE ARRINGTON - Feel So Real (Single Version) (05:07)
58. Peabo Bryson - If Ever You're in My Arms Again (04:15)

...( Info )...

Artist: VA
Title: My 80s Collection
Year: 2026
Genre: Pop, Rock
Duration: 04:49:25
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...


01. Yes - Owner of a Lonely Heart (04:28)
02. Tina Turner - What's Love Got to Do with It (03:50)
03. A-Ha - Take On Me (03:44)
04. Starship - Nothing's Gonna Stop Us Now (04:30)
05. Simply Red - Holding Back the Years (04:29)
06. Fleetwood Mac - Everywhere (2018 Remaster) (03:43)
07. Alphaville - Forever Young (03:46)
08. Pet Shop Boys - West End Girls (04:45)
09. John Parr - St. Elmo's Fire (Man in Motion) (04:11)
10. The B-52's - Love Shack (Edit) (04:17)
11. The Beach Boys - Kokomo (03:36)
12. Duran Duran - Hungry like the Wolf (2009 Remaster) (03:40)
13. Chicago - Hard to Say I’m Sorry (03:41)
14. Spandau Ballet - True (05:28)
15. Stevie Nicks - Edge of Seventeen (2016 Remaster) (05:29)
16. Madonna - La Isla Bonita (04:02)
17. George Benson - Give Me the Night (Single Version) (04:58)
18. Foreigner - I Want to Know What Love Is (1999 Remaster) (05:04)
19. Limahl - Never Ending Story (Giorgio 7" Mix) (03:32)
20. Chaka Khan - Ain't Nobody (04:45)
21. The Cars - Drive (03:54)
22. Michael McDonald - I Keep Forgettin (Every Time You're Near) (03:42)
23. Roxette - The Look (03:57)
24. Al Jarreau - We’re in This Love Together (2012 Japan Remaster) (03:47)
25. Robert Palmer - Simply Irresistible (04:14)
26. Rod Stewart - Baby Jane (04:43)
27. Peter Cetera - Glory of Love (04:18)
28. Los Lobos - La Bamba (02:53)
29. Bette Midler - Wind Beneath My Wings (04:53)
30. Randy Crawford - One Day I'll Fly Away (05:02)
31. Talk Talk - It's My Life (03:52)
32. New Order - Blue Monday '88 (2015 Remaster) (04:11)
33. Joey Scarbury - Believe It or Not (From "Greatest American Hero") (03:15)
34. The Time - Jungle Love (Single Version) (03:28)
35. The Stranglers - Golden Brown (03:26)
36. The Pretenders - Don't Get Me Wrong (03:47)
37. Talking Heads - This Must Be the Place (Naive Melody) (2005 Remaster) (04:56)
38. James Ingram - There’s No Easy Way (03:50)
39. Laura Branigan - Self Control (Edit) (03:57)
40. Hot Chocolate - No Doubt About It (04:29)
41. Peabo Bryson - If Ever You're in My Arms Again (04:15)
42. The Smiths - Please, Please, Please, Let Me Get What I Want (01:52)
43. Roger - I Want to Be Your Man (7" Version) (04:03)
44. Kajagoogoo - Too Shy (2004 Remaster) (03:45)
45. Art Of Noise - Kiss (feat. Tom Jones) (03:31)
46. Twisted Sister - We’re Not Gonna Take It (Single Version) (03:37)
47. Narada Michael Walden - Gimme Gimme Gimme (feat. Patti Austin) (04:41)
48. Marillion - Kayleigh (2017 Remaster) (04:03)
49. Sister Sledge - Pretty Baby (04:03)
50. Climie Fisher - Love Changes (Everything) (04:28)
51. Todd Rundgren - Bang the Drum All Day (03:38)
52. Cliff Richard - Ocean Deep (2002 Remaster) (05:15)
53. Sheila E. - The Glamorous Life, Pt. 1 (03:43)
54. Jane’s Addiction - Jane Says (04:46)
55. The Dream Academy - Life in a Northern Town (04:16)
56. Donald Fagen - I.G.Y. (06:03)
57. AL B. SURE! - Nite and Day (03:58)
58. Debbie Gibson - Lost in Your Eyes (03:33)
59. Eddie Rabbitt - I Love a Rainy Night (03:11)
60. Karyn White - Superwoman (Edit Version) (04:32)
61. Chris Rea - On the Beach (2019 Remaster) (05:04)
62. Dusty Springfield - In Private (04:22)
63. Faith No More - Epic (Radio Edit) (03:59)
64. Jane Child - Don’t Wanna Fall in Love (04:07)
65. Levert - Casanova (04:22)
66. Chris Rainbow - Body Music (7" Version) (04:05)
67. Stacy Lattisaw - Jump to the Beat (03:21)
68. Keith Sweat - Make It Last Forever (feat. Jacci McGhee) (04:56)
69. Dexys - Geno (03:27)
70. Stacey Q - Two of Hearts (03:57)

...( Info )...

Artist: VA
Title: REDISCOVER The 2020s: Pop
Year: 2026
Genre: Pop
Duration: 05:15:37
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

01. Harry Styles - As It Was (2:47)
02. Olivia Rodrigo - drivers license [Explicit] (4:02)
03. Miley Cyrus - Flowers (3:20)
04. Sabrina Carpenter - Espresso [Explicit] (2:55)
05. The Weeknd - Blinding Lights (3:20)
06. Taylor Swift - Fortnight [feat. Post Malone] (3:49)
07. Alex Warren - Ordinary (3:07)
08. Billie Eilish - BIRDS OF A FEATHER [Explicit] (3:30)
09. HUNTR-X - Golden (3:14)
10. Benson Boone - Beautiful Things (3:00)
11. Dua Lipa - Levitating (feat. DaBaby) (3:23)
12. BTS - Dynamite (3:19)
13. Lewis Capaldi - Before You Go (3:35)
14. Teddy Swims - Lose Control (3:30)
15. Hozier - Too Sweet (4:11)
16. Ed Sheeran - Shivers (3:27)
17. ROSÉ - APT. (2:49)
18. Taylor Swift - The Fate of Ophelia (3:46)
19. Chappell Roan - Good Luck, Babe! (3:38)
20. Dua Lipa - Dance The Night (2:56)
21. Harry Styles - Watermelon Sugar (2:54)
22. Ed Sheeran - Bad Habits (3:50)
23. Doechii - Anxiety [Explicit] (4:09)
24. Taylor Swift - I Can Do It With a Broken Heart [Explicit] (3:38)
25. Ariana Grande - we can't be friends (wait for your love) (3:48)
26. Billie Eilish - What Was I Made For [From The Motion Picture Barbie ] (3:42)
27. Lady Gaga - Die With A Smile (4:11)
28. Benson Boone - Sorry I'm Here For Someone Else (2:36)
29. Sabrina Carpenter - Manchild [Explicit] (3:33)
30. Sabrina Carpenter - Please Please Please [Explicit] (3:06)
31. The Kid LAROI - STAY [Explicit] (2:21)
32. Post Malone - I Had Some Help [feat. Morgan Wallen] [Explicit] (2:58)
33. Ariana Grande - positions [Explicit] (2:52)
34. Harry Styles - Adore You (3:27)
35. sombr - undressed (3:02)
36. Gracie Abrams - That’s So True [Explicit] (2:46)
37. Chappell Roan - HOT TO GO! (3:04)
38. Charli xcx - Apple (2:31)
39. Tate McRae - Sports car (2:45)
40. Ariana Grande - Popular (Edit) (2:53)
41. Ed Sheeran - Sapphire (2:59)
42. Taylor Swift - willow (3:34)
43. Chappell Roan - Pink Pony Club (4:18)
44. Shaboozey - A Bar Song (Tipsy) [Explicit] (2:51)
45. The Weeknd - Save Your Tears (Remix) (3:11)
46. Justin Bieber - DAISIES (2:56)
47. Myles Smith - Stargazing (2:52)
48. Olivia Dean - Man I Need (3:04)
49. Lola Young - Messy [Explicit] (4:44)
50. Taylor Swift - cardigan (3:59)
51. sombr - back to friends (3:19)
52. Sam Smith - Unholy [Clean] (2:36)
53. Justin Bieber - Peaches [feat. Daniel Caesar & Giveon] [Explicit] (3:18)
54. Dua Lipa - Training Season (3:29)
55. Sabrina Carpenter - Taste (2:37)
56. Taylor Swift - Opalite (3:55)
57. Tate McRae - Just Keep Watching (2:22)
58. Morgan Wallen - What I Want (3:04)
59. Beyoncé - II MOST WANTED (3:28)
60. Benson Boone - Slow It Down (2:41)
61. Teddy Swims - Bad Dreams (3:04)
62. Sabrina Carpenter - Feather [Explicit] (3:05)
63. Alex Warren - Burning Down (2:59)
64. Olivia Rodrigo - vampire [Explicit] (3:39)
65. SZA - Kill Bill (2:33)
66. Taylor Swift - Karma [Explicit] (3:24)
67. Tate McRae - greedy [Explicit] (2:09)
68. Jack Harlow - Lovin On Me [Explicit] (2:18)
69. Taylor Swift - Anti-Hero (3:20)
70. OneRepublic - I Ain't Worried (2:28)
71. Elton John - Hold Me Closer (3:22)
72. Steve Lacy - Bad Habit [Explicit] (3:52)
73. Lady Gaga - Hold My Hand (3:45)
74. Olivia Rodrigo - traitor (3:49)
75. Camila Cabello - Bam Bam (3:25)
76. Elton John - Cold Heart (PNAU Remix) (3:22)
77. Shawn Mendes - When You're Gone (2:52)
78. Tiësto - The Motto (2:44)
79. Rema - Calm Down (3:59)
80. Miley Cyrus - Edge of Midnight (Midnight Sky Remix) (3:40)
81. Doja Cat - Kiss Me More [Explicit] (3:28)
82. Taylor Swift - Bejeweled (3:14)
83. Adele - Easy On Me (3:44)
84. Billie Eilish - Therefore I Am (2:54)
85. Olivia Rodrigo - good 4 u [Explicit] (2:58)
86. Shawn Mendes - Monster (2:59)
87. Billie Eilish - Happier Than Ever (Edit) [Explicit] (2:31)
88. Justin Bieber - Ghost (2:33)
89. Marshmello - Leave Before You Love Me (2:35)
90. Dua Lipa - Don't Start Now (3:03)
91. Selena Gomez - Lose You To Love Me (3:26)
92. Maroon 5 - Memories (3:09)
93. Camila Cabello - My Oh My (2:51)
94. Doja Cat - Say So [Explicit] (3:26)
95. Jessie Murph - Blue Strips [Explicit] (2:27)
96. Billie Eilish - everything i wanted (4:05)
97. benny blanco - Lonely [Explicit] (2:29)
98. BLACKPINK - Ice Cream (2:55)

...( Info )...

Artist: VA
Title: REDISCOVER The 2010s: Pop
Year: 2026
Genre: Pop
Duration: 06:05:41
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

001. David Guetta - Titanium (Feat. Sia) (4:05)
002. The Weeknd - Can't Feel My Face (3:33)
003. Taylor Swift - I Knew You Were Trouble. (3:38)
004. Ed Sheeran - Perfect (4:23)
005. Camila Cabello - Havana (3:37)
006. Eminem - Love The Way You Lie [feat. Rihanna] [Explicit] (4:23)
007. Robin Thicke - Blurred Lines [feat. T.I., Pharrell] [Explicit] (4:23)
008. Charli xcx - Boom Clap (2:49)
009. Fun. - We Are Young (feat. Janelle Monáe) (4:10)
010. Daddy Yankee - Despacito (Remix) [feat. Justin Bieber] (3:50)
011. Katy Perry - Dark Horse [feat. Juicy J] (3:35)
012. Pitbull - Timber (3:24)
013. Sia - Cheap Thrills (3:44)
014. Carly Rae Jepsen - Call Me Maybe (3:13)
015. Post Malone - Sunflower (Spider-Man Into the Spider-Verse) (2:37)
016. Bruno Mars - Locked out of Heaven (3:53)
017. Ariana Grande - thank u, next [Explicit] (3:27)
018. Rihanna - Only Girl (In The World) (3:55)
019. Halsey - Without Me [Explicit] (3:21)
020. Maroon 5 - One More Night (3:39)
021. Lorde - Royals (3:10)
022. Miley Cyrus - Wrecking Ball (3:41)
023. Taylor Swift - Blank Space (3:51)
024. Justin Bieber - Sorry (3:20)
025. Katy Perry - Roar (3:43)
026. Ed Sheeran - Shape of You (3:53)
027. Shawn Mendes - Señorita (3:10)
028. Lady Gaga - Shallow (3:35)
029. Rihanna - We Found Love (Album Version) (3:35)
030. Taylor Swift - Shake It Off (3:39)
031. Ariana Grande - Problem [feat. Iggy Azalea] (3:13)
032. Adele - Someone Like You (4:45)
033. Icona Pop - I Love It (feat. Charli XCX) [Explicit] (2:37)
034. Maroon 5 - Moves Like Jagger (Studio Recording From The Voice Performance) [feat. Christina Aguilera] [Explicit] (3:21)
035. Justin Bieber - Love Yourself (3:53)
036. Adele - Water Under the Bridge (4:00)
037. The Chainsmokers - Don't Let Me Down (3:28)
038. Mark Ronson - Uptown Funk [Explicit] (4:29)
039. Adele - Hello (4:55)
040. Ariana Grande - 7 rings [Explicit] (2:58)
041. Sam Smith - Stay With Me (2:52)
042. Maroon 5 - Girls Like You (Cardi B Version) [feat. Cardi B] [Explicit] (3:55)
043. Katy Perry - Firework (3:47)
044. Kelly Clarkson - Stronger (What Doesn't Kill You) (3:41)
045. Drake - Hold On, We're Going Home (3:47)
046. Lady Gaga - Bad Romance [Explicit] (4:54)
047. Bruno Mars - Just the Way You Are (3:40)
048. Adele - Love In The Dark (4:45)
049. Taylor Swift - Bad Blood (3:31)
050. Katy Perry - E.T. (3:26)
051. LMFAO - Party Rock Anthem [feat. Lauren Bennett & GoonRock] [Explicit] (4:22)
052. Macklemore - Can't Hold Us (feat. Ray Dalton) [Explicit] (4:18)
053. Rihanna - S&M [Explicit] (4:03)
054. Zedd - The Middle (3:04)
055. Billie Eilish - bad guy (3:14)
056. Bruno Mars - Grenade (3:42)
057. Justin Timberlake - Mirrors (Radio Edit) (4:37)
058. Pharrell Williams - Happy (From Despicable Me 2 ) (3:53)
059. Maroon 5 - Sugar [Explicit] (3:55)
060. Rihanna - Rude Boy [Explicit] (3:42)
061. Nicki Minaj - Super Bass [Explicit] (3:20)
062. Meghan Trainor - All About That Bass [Explicit] (3:11)
063. Taylor Swift - We Are Never Ever Getting Back Together (3:11)
064. Ed Sheeran - Thinking out Loud (4:41)
065. John Legend - All Of Me (4:29)
066. Justin Bieber - What Do You Mean (3:25)
067. Lewis Capaldi - Someone You Loved (3:02)
068. Ariana Grande - no tears left to cry (3:25)
069. Ellie Goulding - Love Me Like You Do (From Fifty Shades Of Grey ) (4:10)
070. Katy Perry - California Gurls (Feat. Snoop Dogg) (3:54)
071. Rihanna - Where Have You Been (Album Version) (4:02)
072. Bruno Mars - 24K Magic [Explicit] (3:46)
073. Rachel Platten - Fight Song (3:24)
074. Mike Posner - I Took A Pill In Ibiza (Seeb Remix) [Explicit] (3:17)
075. One Direction - What Makes You Beautiful (3:18)
076. Kesha - Die Young (3:31)
077. DNCE - Cake By The Ocean [Explicit] (3:39)
078. Justin Timberlake - CAN'T STOP THE FEELING! (from DreamWorks Animation's TROLLS ) (3:57)
079. Panic! At The Disco - High Hopes (3:10)
080. Lizzo - Truth Hurts [Explicit] (2:53)
081. The Chainsmokers - Something Just Like This (4:07)
082. Maroon 5 - Payphone [feat. Wiz Khalifa] [Explicit] (3:51)
083. Jonas Brothers - Sucker (3:01)
084. Ed Sheeran - I Don't Care (3:39)
085. Calvin Harris - This Is What You Came For (3:41)
086. Bruno Mars - When I Was Your Man (3:33)
087. Lil Nas X - Old Town Road (Remix) (2:37)
088. Wiz Khalifa - See You Again (feat. Charlie Puth) (3:49)
089. Dua Lipa - New Rules (3:29)
090. Iggy Azalea - Fancy [feat. Charli XCX] [Explicit] (3:19)
091. USHER - OMG (4:29)
092. Imagine Dragons - Thunder (3:07)
093. Bebe Rexha - Meant to Be (feat. Florida Georgia Line) (2:43)
094. Flo Rida - Whistle (3:44)
095. Post Malone - Circles (3:35)
096. The Chainsmokers - Closer (4:05)
097. Demi Lovato - Sorry Not Sorry [Explicit] (3:23)
098. Selena Gomez - Same Old Love [Explicit] (3:49)
099. Taylor Swift - You Need To Calm Down (2:51)
100. Halsey - Bad At Love [Explicit] (3:01)

...( Info )...

Artist: VA
Title: REDISCOVER The 2000s: Pop
Year: 2026
Genre: Pop
Duration: 06:34:39
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

001. Gwen Stefani - Hollaback Girl [Explicit] (3:19)
002. Miley Cyrus - Party In The U.S.A. (3:22)
003. Black Eyed Peas - My Humps (Single Version) (4:11)
004. Taylor Swift - Love Story (3:55)
005. Kelly Clarkson - Breakaway (3:57)
006. Maroon 5 - She Will Be Loved (4:17)
007. Lady Gaga - Poker Face [Explicit] (3:57)
008. Rihanna - SOS (3:58)
009. Justin Timberlake - My Love (4:36)
010. Flo Rida - Low (feat. T-Pain) (3:51)
011. Nelly Furtado - Say It Right (3:43)
012. Shakira - Hips Don't Lie (featuring Wyclef Jean) (En Español) (3:39)
013. Britney Spears - Toxic (3:18)
014. Destiny's Child - Independent Women, Pt. 1 (3:41)
015. USHER - Yeah! (4:10)
016. Black Eyed Peas - I Gotta Feeling (4:49)
017. Kelis - Milkshake (3:02)
018. NSYNC - Bye Bye Bye (3:20)
019. Kelly Clarkson - Because of You (3:39)
020. Mariah Carey - We Belong Together (3:21)
021. Adele - Chasing Pavements (3:30)
022. Beyoncé - Crazy In Love (3:56)
023. Nelly - Hot In Herre [Explicit] (3:48)
024. Outkast - Hey Ya! [Explicit] (3:55)
025. Beyoncé - Single Ladies (Put a Ring on It) (3:13)
026. Kelly Clarkson - Since U Been Gone (3:08)
027. Maroon 5 - This Love (3:26)
028. 50 Cent - In Da Club [Explicit] (3:13)
029. Britney Spears - Oops!...I Did It Again (3:31)
030. Justin Timberlake - SexyBack [Clean] (4:02)
031. Kanye West - Gold Digger [feat. Jamie Foxx] [Explicit] (3:27)
032. Lady Gaga - Just Dance [feat. Colby O'Donis] (4:01)
033. Kesha - TiK ToK (3:20)
034. Eminem - Lose Yourself [Explicit] (5:20)
035. USHER - U Remind Me [Explicit] (4:26)
036. Justin Timberlake - Cry Me a River (4:48)
037. Black Eyed Peas - Where Is The Love (4:32)
038. USHER - Confessions Part II (3:31)
039. NSYNC - It's Gonna Be Me (3:12)
040. P!nk - Get the Party Started (3:12)
041. Jennifer Lopez - I'm Real (Murder Remix) [Explicit] (4:22)
042. Beyoncé - Irreplaceable [Clean] (3:47)
043. Christina Aguilera - Beautiful (3:58)
044. Jason Mraz - I'm Yours (4:02)
045. Vanessa Carlton - A Thousand Miles (3:57)
046. Maroon 5 - Makes Me Wonder [Explicit] (3:31)
047. Amy Winehouse - Rehab (3:33)
048. Ja Rule - Always On Time [feat. Ashanti] [Explicit] (4:05)
049. Destiny's Child - Survivor (4:14)
050. Outkast - The Way You Move [Explicit] (3:54)
051. Christina Aguilera - Fighter (4:05)
052. Flo Rida - Right Round (3:24)
053. Sean Paul - Temperature (3:36)
054. Ashanti - Foolish [Explicit] (3:47)
055. USHER - U Got It Bad (4:07)
056. Fergie - Big Girls Don't Cry (Personal) (4:28)
057. Backstreet Boys - Shape of My Heart (3:50)
058. NSYNC - Gone (4:52)
059. P!nk - Don't Let Me Get Me (Radio Edit) (3:31)
060. Santana - Maria Maria (4:22)
061. Aaliyah - Try Again (4:44)
062. Janet Jackson - Doesn't Really Matter (4:24)
063. Madonna - Music (3:46)
064. Christina Aguilera - Come on over Baby (All I Want Is You) (Radio Version) (3:23)
065. Shaggy - It Wasn't Me [feat. Ricardo Ducent] (3:47)
066. Outkast - Ms. Jackson [Explicit] (4:30)
067. Joe - Stutter (Double Take Remix) [Explicit] (3:33)
068. Crazy Town - Butterfly (3:36)
069. Shaggy - Angel (3:57)
070. Janet Jackson - All For You (5:30)
071. Destiny's Child - Bootylicious (3:27)
072. Alicia Keys - Fallin' (3:30)
073. Mary J. Blige - Family Affair (4:25)
074. Jennifer Lopez - Ain't It Funny (Remix) (3:51)
075. Nelly - Dilemma [feat. Kelly Rowland] [Explicit] (4:49)
076. Kelly Clarkson - A Moment Like This (3:48)
077. B2K - Bump, Bump, Bump (4:44)
078. Jennifer Lopez - All I Have (4:14)
079. Sean Paul - Get Busy (3:31)
080. 50 Cent - 21 Questions [feat. Nate Dogg] [Explicit] (3:44)
081. Sean Diddy Combs - Shake Ya Tailfeather (feat. Nelly & Murphy Lee) [Explicit] (4:53)
082. Beyoncé - Baby Boy (4:04)
083. Ludacris - Stand Up [feat. Shawnna] [Explicit] (3:33)
084. USHER - Burn (3:51)
085. Ciara - Goodies (3:43)
086. USHER - My Boo (3:43)
087. Snoop Dogg - Drop It Like It's Hot [feat. Pharrell Williams] [Explicit] (4:30)
088. Mario - Let Me Love You (4:09)
089. 50 Cent - Candy Shop [feat. Olivia] [Explicit] (3:29)
090. Chris Brown - Run It! (3:49)
091. Mariah Carey - Don't Forget About Us (3:53)
092. Beyoncé - Check On It (feat. Bun B and Slim Thug) (3:30)
093. James Blunt - You're Beautiful [Explicit] (3:29)
094. Ne-Yo - So Sick (3:27)
095. Daniel Powter - Bad Day (3:53)
096. Chamillionaire - Ridin' [feat. Krayzie Bone] [Explicit] (5:03)
097. Fergie - London Bridge [Explicit] (4:01)
098. Ludacris - Money Maker [feat. Pharrell] [Explicit] (3:50)
099. Akon - I Wanna Love You [feat. Snoop Dogg] [Explicit] (4:07)
100. Justin Timberlake - What Goes Around...-...Comes Around (Interlude) (7:28)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rock Workshop’s self-titled 1970 debut album and 1971 follow up ‘The Very Last Time’ re- issued.

Audio from the album master tapes for the first time ever.

Includes the first re-issue of the single versions of ‘You To Lose’ and ‘Born In The City’, also taken from the master tapes.

Rock Workshop’s debut album features legendary singer Alex Harvey as one’s of the band’s two lead vocalists alongside Alan Greed. Harvey sings lead on ‘Wade In The Water’ and ‘Hole In Her Stocking’ and also on alternate takes of album tracks ‘You To Lose’ and ‘Ice Cold’, single B side ‘Born In The City’ and originally unreleased track ‘Let My Bluebird Sing’.

This box includes several previously unreleased tracks including the instrumentals ‘People That’s Why’ and ‘Tokyo Drift’ and the excellent pre- first album demo taken from Ray Russell’s archive – ‘When Life Was Simple’ that along with ‘Soul Sisters’ and ‘Watch Your Step’ got the group signed to CBS.

Rock Workshop were formed by guitarist Ray Russell who’d replaced Vic Flick in The John Barry Seven, toured with Georgie Fame and the Blue Flames and led his own jazz group The Ray Russell Quartet. Bringing jazz style improvisation to rock music, Rock Workshop pioneered an innovative and exciting jazz / funk / rock fusion.

Band members include celebrated British Jazz musicians Harry Beckett (trumpet / flugelhorn), Bob Downes (tenor sax / flute), Tony Roberts (tenor sax / flute), Derek Wadsworth (trombone), Daryl Runswick (bass), Alan Rushton (drums) and Robin Jones (congas).

Notes by MOJO magazine’s Lois Wilson include a new interview with band leader and guitarist Ray Russell.



..::TRACK-LIST::..

CD 3 - The Hustler: Alternate Versions, Demos and Outtakes:
1. When Life Was Simple (First Demos)
2. Soul Sisters a.k.a. Patterns (First Demos)
3. Watch Your Step (First Demos)

Live In The Studio
4. Spine Cop (Live Studio Version)
5. Hole In Her Stocking (Live Studio Version)
6. Born In The City (Live Studio Version)
7. You To Lose (Live Studio Version)
8. Primrose Hill (Live Studio Version)
9. Return To Goddess
10. The Hustler a.k.a. Watch Your Step
11. Wade In The Water (Live Studio Version)
12. Ice Cold (Live Studio Version)
13. Spine Cop (Live Studio Version #2)
14. Theme For Freedom (Live Studio Version)

Outtakes
15. People That’s Why (Take 1)
16. Don’t Go Short a.k.a. Hole In Her Stocking (instrumental version)
17. Studio Jam



https://www.youtube.com/watch?v=j6FhLuuBdxA


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rock Workshop’s self-titled 1970 debut album and 1971 follow up ‘The Very Last Time’ re- issued.

Audio from the album master tapes for the first time ever.

Includes the first re-issue of the single versions of ‘You To Lose’ and ‘Born In The City’, also taken from the master tapes.

Rock Workshop’s debut album features legendary singer Alex Harvey as one’s of the band’s two lead vocalists alongside Alan Greed. Harvey sings lead on ‘Wade In The Water’ and ‘Hole In Her Stocking’ and also on alternate takes of album tracks ‘You To Lose’ and ‘Ice Cold’, single B side ‘Born In The City’ and originally unreleased track ‘Let My Bluebird Sing’.

This box includes several previously unreleased tracks including the instrumentals ‘People That’s Why’ and ‘Tokyo Drift’ and the excellent pre- first album demo taken from Ray Russell’s archive – ‘When Life Was Simple’ that along with ‘Soul Sisters’ and ‘Watch Your Step’ got the group signed to CBS.

Rock Workshop were formed by guitarist Ray Russell who’d replaced Vic Flick in The John Barry Seven, toured with Georgie Fame and the Blue Flames and led his own jazz group The Ray Russell Quartet. Bringing jazz style improvisation to rock music, Rock Workshop pioneered an innovative and exciting jazz / funk / rock fusion.

Band members include celebrated British Jazz musicians Harry Beckett (trumpet / flugelhorn), Bob Downes (tenor sax / flute), Tony Roberts (tenor sax / flute), Derek Wadsworth (trombone), Daryl Runswick (bass), Alan Rushton (drums) and Robin Jones (congas).

Notes by MOJO magazine’s Lois Wilson include a new interview with band leader and guitarist Ray Russell.



..::TRACK-LIST::..

CD 3 - The Hustler: Alternate Versions, Demos and Outtakes:
1. When Life Was Simple (First Demos)
2. Soul Sisters a.k.a. Patterns (First Demos)
3. Watch Your Step (First Demos)

Live In The Studio
4. Spine Cop (Live Studio Version)
5. Hole In Her Stocking (Live Studio Version)
6. Born In The City (Live Studio Version)
7. You To Lose (Live Studio Version)
8. Primrose Hill (Live Studio Version)
9. Return To Goddess
10. The Hustler a.k.a. Watch Your Step
11. Wade In The Water (Live Studio Version)
12. Ice Cold (Live Studio Version)
13. Spine Cop (Live Studio Version #2)
14. Theme For Freedom (Live Studio Version)

Outtakes
15. People That’s Why (Take 1)
16. Don’t Go Short a.k.a. Hole In Her Stocking (instrumental version)
17. Studio Jam



https://www.youtube.com/watch?v=j6FhLuuBdxA


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Acid Drinkers
Title: P.E.E.P. Show
Year: 2016
Genre: Thrash Metal, Crossover
Country: Poland
Duration: 00:45:53
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

01. Let'em Bleed
02. Monkey Mosh
03. Sociopath
04. Become a Bitch
05. Thy Will Be Done
06. 50?! Don't Slow Down
07. The Cannibal
08. God Is (Isn't) Dead
09. Diamond Throats
10. Heavenly Hellfucker
11. After the Vulture

...( Info )...

Artist: The Beatles
Title: Help!
Year: 1965/1985
Genre: Rock, Pop, Stage, Screen
Style: Beat, Soundtrack, Pop Rock
Publisher (label): Mobile Fidelity Sound Lab
Country: US
Duration: 00:34:42
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Bit Depth: 24 Bit/192 kHz

...( TrackList )...


01. Help! (00:02:22)
02. The Night Before (00:02:38)
03. You've Got To Hide Your Love Away (00:02:12)
04. I Need You (00:02:33)
05. Another Girl (00:02:10)
06. You're Going To Lose That Girl (00:02:22)
07. Ticket To Ride (00:03:12)
08. Act Naturally (00:02:33)
09. It's Only Love (00:01:59)
10. You Like Me Too Much (00:02:40)
11. Tell Me What You See (00:02:42)
12. I've Just Seen A Face (00:02:09)
13. Yesterday (00:02:11)
14. Dizzy Miss Lizzy (00:02:59)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wiem, że wielu słuchaczy podchodzi z dużym dystansem do takich wydawnictw. Że to taka zapchajdziura w dyskografii, dopełnienie kontraktu albo wyciągnięcie ostatniego grosza od wiernych fanów. I pewnie w paru przypadkach tak było, jednak Soen z przerabiania swojego materiału na nieco symfoniczną modłę wyszedł obronną ręką. Ale po kolei.

Po pierwsze – to kolejne muzyczne dziecko pandemicznych czasów. Troszkę takich materiałów w stylu „na żywo, ale w studio” w ostatnich latach powstało. Po drugie – tak, praktycznie nie ma tu premierowego materiału. Muzycy dokonują swoistej reinterpretacji dwunastu autorskich kompozycji odczytując je na nowo wraz z ośmioosobowym składem symfoników „uzbrojonych” w skrzypce, altówki, wiolonczelę czy pianino. Pomysł nienowy, niemniej w ich prezentacji wypadający przekonująco.

Bo Soen to kapela grająca ciężko i progmetalowo. Zespół, w którym - nomen omen – pierwsze skrzypce grają mocarne, selektywne, poszatkowane niekiedy, matematycznie gitarowe riffy. Ale to też grupa skrywająca w swoich kompozycjach niezwykle piękną, niekiedy nostalgiczną i melancholijną melodyjność. I tu urok tych melodii został wypuszczony na pierwszy plan. Żeby była jasność, zespół dalej gra tu „elektrycznie”. Nie ma tu żadnego (no prawie żadnego) „akustycznego ciumkania”. Jest solidna sekcja rytmiczna ale i gitary. Te jednak złagodzone i nieco schowane, by dać pole do popisu symfonikom. Grupa faktycznie przearanżowała wiele kompozycji, w których urzekają przecudne, jesienne formy pianina, czy smyczkowe tła, które czasami wygrywają melodyczne figury nieobecne w wersjach oryginalnych. Dobór kompozycji jest zaiste wyborny - sam szukając najbardziej przebojowych i zapamiętywalnych ich utworów nie wybrałbym lepiej. A do tego artyści serwują… dwie wisienki na torcie. Pierwszą z nich jest zupełnie premierowy utwór Trials, specjalnie przygotowany na to wydawnictwo i idealnie zintegrowany z całością. Swoją drogą, jestem niezwykle ciekawy, czy muzycy zdecydują się kiedyś na reinterpretację tej kompozycji, tylko że „w drugą stronę” – z wersji symfonicznej na metalową. Druga wisienką jest cover Snuff, czyli numeru… Slipknota. Spokojnie, każdy kto zna twórczość szaleńców z Iowa wie, że to kompozycja delikatna jak baranek, zatem wielkiej rewolucji tu nie dostaniemy, ale pomysł godny jest zauważenia.

Recenzowany materiał przygotowany został w formacie CD + DVD z dokładnie tym samym, 80-minutowym materiałem muzycznym na obu płytach. Na tej drugiej wszak mamy wszystko ubrane w obraz. Rzecz nieprzypadkowo zatytułowano Atlantis, bowiem występ nakręcono i nagrano 10 grudnia 2021 roku w słynnym sztokholmskim studiu Atlantis Grammofon, które w czasach II wojny światowej było kinem, a później Metronome Studio, w którym nagrywali między innymi Quincy Jones, Lenny Kravitz, Green Day ale przede wszystkim Abba, której legenda i pierwsze płyty zrodziły się właśnie w tym miejscu. I tak, wszystkich muzyków, fakt że w dość statycznej formule, możemy zobaczyć w jego wnętrzu, w którym na jednej ze ścian widnieje świecący niczym neon szyld Soen. Powolne ujęcia i najazdy pozwalają cieszyć się oglądaniem precyzyjnej gry muzyków. Fajnie też wypada wokalista Joel Ekelöf, który siedząc, musi - tak naprawdę - wyładować całą swą ekspresję, poprzez emocjonalną mimikę twarzy. I to też dodaje pewnej dramaturgii temu występowi.

Gwoli pewnej ścisłości warto dodać, że Blu-ray zawiera dodatkowo 25-minutowy materiał filmowy Insights Into Atlantis złożony z ekskluzywnego wywiadu z całym zespołem i z materiałami „zza kulis”.

Mariusz Danielak


This review is being written just as Soen is wrapping up a hugely successful Latin American leg of its “Imperial” tour and preparing to embark on the European leg of its highly anticipated “Atlantis” tour. The latter is dedicated to the very album that is being reviewed here; the live, orchestra-backed “Atlantis”, as a refresher of sorts before European audiences finally have the opportunity to experience it in person.

While writing this in the context described above, I can’t help but ponder how I would summarize the album I’m about to review as an all-encompassing title. And here’s what I’ve come up with: Soen’s “Atlantis”: The Next Level For a Band That is Already Next Level. And to back up this daring statement, I’d recommend watching any of the latest videos posted on Soen’s various social media accounts from their recent Latin American stint. What you will most likely notice is a band that is more confident on stage than ever before, near-flawlessly performing in venues packed with people who genuinely live and breathe their music and lyrics.

This success is further proof that Soen has long ceased being legendary Martín López’s latest band, but has become a standalone project in which every single member is a musical force in their own right. And this too is by design, since each one of them has been carefully chosen to round up a project that is impeccably polished, wonderfully unique and constantly evolving.

“Atlantis” very much feels like the next step in this evolution and, after listening to the album, one might argue that it’s a very appropriate one. Because hearing Soen’s most powerful songs in this regal orchestral context gives you the sense that they have always been meant to play at this level and could very well continue to do so if they chose to.

Soen’s music is highly complex, both instrumentally and lyrically. Every single track is polished to perfection; every guitar riff and solo, every bass line and drum track thought out in the most minute detail. Layered upon this are strong, emotive vocal lines that give brutally honest accounts of the world we inhabit, with all of its cruelty and unfairness, but also impart hopeful musings over the power of resilience and unity against ever-increasing adversity. Soen speaks to the outcasts, the unsung heroes, to those who simply do not fit. And, if there was an anthem to be discovered among the band’s songs, I believe it would be ‘Lotus’.

“Atlantis” takes all of this and strips away the heavy overtones to reveal the deeper, emotionally and compositionally softer meanings underneath. The new orchestral arrangement and the vulnerability of the live performance itself paint songs that are well-known and loved into often entirely different colors. Intricate guitar solos are doubled by forceful piano passages that at times have an almost jazzy quality, thundering drum solos are enhanced by tempestuous string arrangements, while Joel Ekelöf’s deep, velvety voice shines in a new light. As in most live performances, he allows his natural vibrato to come through a lot more, which adds more depth and realness to his emotive delivery, complete with delicate falsetto passages and flourishes. The backing vocals and the violins, which on certain tracks almost sound like an extra vocal layer, help to bring all of these qualities out even more. In describing this, my mind actually travels to a lyrical passage from ‘Monarch’: “thundering choirs fill the air with cries.”

The album is almost entirely made up of existing Soen songs, one might say some of their most iconic: ‘Savia’ (“Cognitive”), which could be considered a common ground favorite for fans of the band’s original sound and fans of its current, post-“Lykaia” sound alike; ‘Jinn’ and ‘Lucidity’ (“Lykaia”); ‘Lotus’, ‘Lunacy’, ‘River’ and ‘Lascivious’ (“Lotus”); ‘Antagonist’, ‘Illusion’, ‘Monarch’, ‘Modesty’ and ‘Fortune’ (“Imperial”). Perhaps unsurprisingly, most of the songs chosen for this live recorded performance are from “Lotus” and “Imperial”, the albums that mark Soen’s evolution into its own unique sound.

The only new additions are the original song ‘Trials’, a hauntingly beautiful cry of despair within a broken world, and a masterful cover of Slipknot’s already epic ‘Snuff’. It’s not often that I find myself unable to decide whether I prefer the original or the cover version of a song, but I can honestly say Soen has put me in this situation with their brilliant rendition of ‘Snuff’. The raw emotional tumult of the song is a perfect fit for everything Soen stands for stylistically.

To conclude, “Atlantis” is a decidedly next level stage for a band that has already been evolving at a constant, maybe even rapid pace with every new release. An absolute must-listen, in my opinion, as it gives insight into everything Soen stands for – both musically and thematically – from a completely fresh angle. One that gives a majestic touch to an already highly perfected sound. And, if you can catch them live on this tour, I would highly recommend you take the opportunity.

Alina (WuTheLotus)



..::TRACK-LIST::..

1. Antagonist 6:48
2. Lunacy 5:53
3. Monarch 4:33
4. Trials 5:16
5. River 5:41
6. Jinn 5:46
7. Illusion 5:16
8. Modesty 4:40
9. Lucidity 7:01
10. Savia 5:51
11. Fortune 5:42
12. Snuff 5:07
13. Lascivious 5:40
14. Lotus 5:31



..::OBSADA::..

Joel Ekelöf - Vocals
Martín López - Drums
Lars Enok Åhlund - Keyboards and Guitar
Cody Lee Ford - Guitar
Oleksii 'Zlatoyar' Kobel - Bass



https://www.youtube.com/watch?v=u8vJRisFgIw


SEED 15:00-22:00.
POLECAM!!!