...( Info )...

Artist: Various Artists
Album: Disconnection Vibes Day 1
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Stephen Kovacevich - Piano Sonata No. 8 in C Minor, Op. 13 Pathétique II. Adagio cantabile
02. Pierre Laniau - Romance - Jeux Interdits
03. Carlos Cipa - And She Was
04. Dalal - Una mattina
05. Ahn Trio - This Is Not America
06. David Fray - Nocturnes, Op. 9 No. 2 in E-Flat Major. Andante
07. RIOPY - Peace of Mind
08. Gordon Back - Salut d' Amour, Op. 12
09. Dalal - Etude
10. Camille Berthollet - Piano Trio in E-Flat Major, D. 929 II. Andante con moto
11. Carlos Cipa - I Wanted You to Know
12. RIOPY - Sweet Dream
13. Matteo Myderwyk - Tristes
14. Maxence Cyrin - Larmes glacées
15. Piotr Anderszewski - Prelude and Fugue in A-Flat Major, BWV 886 I. Prelude
16. Dalal - A Model of the Universe
17. Shani Diluka - Shimmers
18. RIOPY - Noah
19. Matteo Myderwyk - Fidèle

...( Info )...

Artist: Various Artists
Album: Best 70s Pop
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Gerry Rafferty - Baker Street (2011 Remaster)
02. The Doobie Brothers - What a Fool Believes
03. Rod Stewart - Da Ya Think I’m Sexy
04. Chicago - If You Leave Me Now
05. Blue Swede - Hooked on a Feeling
06. Carly Simon - You're So Vain (2023 Remaster)
07. George McCrae - Rock Your Baby
08. Sister Sledge - We Are Family
09. America - A Horse with No Name
10. Frankie Valli & The Four Seasons - December, 1963 (Oh What a Night!)
11. KC And The Sunshine Band - Please Don’t Go
12. Al Stewart - Year of the Cat (2020 Remaster)
13. George Benson - Breezin’
14. England Dan & John Ford Coley - I’d Really Love to See You Tonight
15. The Spinners - The Rubberband Man
16. Roberta Flack - Killing Me Softly with His Song
17. Daryl Hall & John Oates - She's Gone
18. Hot Chocolate - You Sexy Thing (2011 Remaster)
19. Todd Rundgren - I Saw the Light (2006 Remaster)
20. Aretha Franklin - Day Dreaming
21. Van Morrison - Crazy Love
22. Chic - Good Times
23. Bread - Everything I Own
24. Maxine Nightingale - Right Back Where We Started From
25. Joni Mitchell - A Case of You
26. Lobo - I’d Love You to Want Me
27. Chaka Khan - I’m Every Woman
28. Seals & Crofts - Summer Breeze
29. Randy Crawford - Street Life
30. Alan O'Day - Undercover Angel
31. Curtis Mayfield - Move On Up
32. Cliff Richard - We Don't Talk Anymore
33. Candi Staton - Young Hearts Run Free
34. Orleans - Dance with Me
35. Gary Wright - Dream Weaver
36. Chris Rea - Fool (If You Think It’s Over)
37. Harry Chapin - Cat's in the Cradle
38. Crosby, Stills & Nash - Just a Song Before I Go
39. Frankie Valli - Grease (2006 Remaster)
40. Gordon Lightfoot - If You Could Read My Mind
41. Leblanc and Carr - Falling (2013 Remaster)
42. Randy Vanwarmer - Just When I Needed You Most
43. Nicolette Larson - Lotta Love
44. Marshall Hain - Dancing in the City
45. Stephen Stills - Love the One You’re With
46. Olivia Newton-John - Have You Never Been Mellow
47. Brook Benton - Rainy Night in Georgia
48. Sanford Townsend Band - Smoke from a Distant Fire
49. David Gates - Goodbye Girl
50. Maria Muldaur - Midnight at the Oasis
51. Randy Newman - Short People
52. New World - Living Next Door to Alice
53. Tina Turner - Sometimes When We Touch
54. Blue Magic - Sideshow
55. Tower Of Power - So Very Hard to Go

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Krótko, zwięźle i na temat... Piękne granie!!!



..::TRACK-LIST::..

1. In the Arms of Morpheus 05:22
2. Night Terror 09:55
3. A Broken Man 08:29
4. Dead Asleep 11:06
5. Midnight Messiah 07:58
6. Are We Dreaming? 01:28
7. Bend the Clock 07:24
8. The Shadow Man Incident 19:32



..::OBSADA::..

James LaBrie - Vocals
John Petrucci - Guitar
Jordan Rudess - Keyboards
John Myung - Bass
Mike Portnoy - Drums




https://www.youtube.com/watch?v=BVykt8LzEWI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Krótko, zwięźle i na temat... Piękne granie!!!



..::TRACK-LIST::..

1. In the Arms of Morpheus 05:22
2. Night Terror 09:55
3. A Broken Man 08:29
4. Dead Asleep 11:06
5. Midnight Messiah 07:58
6. Are We Dreaming? 01:28
7. Bend the Clock 07:24
8. The Shadow Man Incident 19:32



..::OBSADA::..

James LaBrie - Vocals
John Petrucci - Guitar
Jordan Rudess - Keyboards
John Myung - Bass
Mike Portnoy - Drums




https://www.youtube.com/watch?v=BVykt8LzEWI



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist..........................: Various
Album.........................: Super Maxi vol. 3-Dance M.I.X.E.S.
Genre.........................: Italo-Disco, Space, Funk, Pop Rap
Year............................: 1984
Publisher.....................: 6.25752 Teldec Music Germany
Total Time...................: 65:54
Codec.........................: Flac Highest Stereo Quality 44100Hz
Surce..........................: Web

...( TrackList )...

A1. Fun Fun - Happy Station (scratch version) 6:50
A2. Klapto - Mister Game (vocal version) 6:51
A3. The Creatures - Believe In Yourself (special remix) 5:45
A4. Novo - Extremix (12'' version) 7:00
A5. Hipnosis - Pulstar (disco mix) 8:13
B1. Kano - Queen Of Witches (special extended mix) 6:12
B2. Unique - What I Got Is What You Need (vocal version) 6:32
B3. Patto - Black And White (12'' version) 6:22
B4. Funtoms - Hoola Rap (extended) 7:16
B5. Righeira - No Tengo Dinero (scratch version) 4:53

..::INFO::..

Ósmy, najnowszy album studyjny amerykańskiego zespołu hardcoreowego z Orange County.

Title: Keep Planting Flowers

Artist: Stick To Your Guns

Country: USA

Year: 2025

Genre: Hardcore

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. We All Die Anyway
02. Spineless
03. Permanent Dark
04. Invisible Rain
05. Severed Forever
06. More Than A Witness
07. Keep Planting Flowers
08. Eats Me Up
09. Who Needs Who
10. H84U

..::INFO::..

Trzeci i ostatni album amerykańskiego zespołu skapunkowego z Florydy. Nagrali trzy płyty i demówkę.

Artist: Hard Richards

Title: Nu Derection

Country: USA

Year: 2013

Genre: SkaPunk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

1 Caught on the Inside
2 Possibly Positive
3 Jenny
4 Ten Minutes Later
5 The Walk
6 I Don't Care
7 Jagermeister
8 Look Busy
9 Get Down
10 S O S
11 Better Days
12 Nu Derection
13 I Wanna Riot

Artist...............: Various Artists
Album................: 40 Przebojow na 40lecie (Disc 1)
Genre................: misc
Source...............: CD
Year.................:
Ripper...............: Exact Audio Copy (Secure mode) & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 54 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment


Included.............: NFO, PLS, CUE
Covers...............: Front Back CD


Tracklisting CD 1


1. Czeslaw Niemen - Pod Papugami [03:19]
2. Niebiesko-Czarni - Niedziela Bedzie dla nas prosze [02:55]
3. Czerwone Gitary - Historia jednej znajomosci [03:02]
4. Halina Frackowiak - Napisz prosze [03:12]
5. Piotr Szczepanik - Zolte kalendzarze [03:15]
6. Skaldowie - Medytacje wiejskiego listonosza [02:55]
7. Andrzej i Eliza - Czas relaksu [03:28]
8. Krzysztof Klenczon - 10 w skali Beauforta [02:56]
9. 2+1 - Windoa do nieba [04:29]
10. Maciej Kossowski - Wakcje z bladynka [02:12]
11. Klan - Z brzytwa na poziomki [02:46]
12. Budka Suflera - Sen o dolinie [04:19]
13. Maryla Rodowicz - Malgoska [04:26]
14. Tadeusz Wozniak - Zegarmistrz swiatla [05:20]
15. Dzamble - Wymyslilem ciebie [03:01]
16. Ewa Bem - Zyj kolorowo [02:41]
17. Marek Grechuta - Dni, ktorych nie znamy [04:54]
18. Martyna Jakubowicz - W domach z betonu [04:56]
19. TSA - 51 [05:14]
20. Lombard - Przezyj to sam [07:42]

Playing Time.........: 01:17:11
Total Size...........: 421,90 MB



Tracklisting CD 2


1. Various - Kocham cię kochanie moje - Maanam [04:27]
2. Various - Mniej niż zero - Lady Pank [04:02]
3. Various - Andzia i ja - Odział zamknięty [02:40]
4. Various - Jezu, jak się cieszę - Klaus Mitffoch [02:12]
5. Various - Biała flaga - Republika [04:32]
6. Various - Moja i twoja nadzieja - Hey [04:45]
7. Various - Kocham cię jak Irlandię - Kobranocka [04:54]
8. Various - King - T`Love [04:29]
9. Various - Sen - Edyta Bartosiewicz [03:47]
10. Various - Dwa serca, dwa smutki - Bajm [04:43]
11. Various - Kochać inaczej - De Mono [05:33]
12. Various - To nie ja - Edyta Górniak [03:06]
13. Various - Orła cień - Varius Manx [03:08]
14. Various - Son Of The Blue Sky - Wilki [04:12]
15. Various - Dziewczyna Szamana - Justyna Steczkowska [03:12]
16. Various - I wszystko się może zdarzyć - Anita Lipnicka [03:47]
17. Various - Długość dźwięku samotności - Myslovitz [03:47]
18. Various - Szepty i łzy - Anna Maria Jopek [04:36]
19. Various - Autobiografia - Perfect [04:34]
20. Various - Dziwny jest ten świat - Czesław Niemen [03:36]

Playing Time.........: 01:20:13
Total Size...........: 478,04 MB

---------------------------------------------------------------------
VA - Polski Beat - Złote lata sześćdziesiąte
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: Polski Beat
Genre................: Pop/Beat
Source...............: CD
Year.................: 1998
Ripper...............: Exact Audio Copy 0.9b4 & HL-DT-ST DVDRAM GSA-4167B
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: ID3 v1.1, ID3 v2.3VorbisComment
Information..........: Fraza Records



Included.............: NFO, M3U, LOG, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. (00:03:45) K Sobczyk - Mały książę
2. (00:02:41) K Sobczyk - To nie grzech
3. (00:02:00) K Sobczyk - 300 000 gitar
4. (00:01:43) K Sobczyk - Tato kup mi jeansy
5. (00:02:21) A Rusowicz - Hej dziewczynko
6. (00:02:14) A Rusowicz - Za daleko mieszkasz miły
7. (00:02:51) W Korda - Niedziela będzie dla nas
8. (00:02:47) W Korda - Raz ją spotkałem
9. (00:02:56) M Burano - Zostały mi tylko Twoje listy
10. (00:02:30) H Majdaniec - Chciałeś wszystko zmienić
11. (00:02:08) P Janczarski - Pożar w Kwaśniewicach
12. (00:02:44) Czerwone Gitary - Nie zadzieraj nosa
13. (00:02:59) Czerwone Gitary - Historia jednej znajomości
14. (00:03:05) Czerwone Gitary - Czy słyszysz co mówię
15. (00:02:45) T Keczer - 17 milionów
16. (00:02:20) J Lech - Cygańska wróżba
17. (00:02:06) H Fabian - Kwiatki
18. (00:03:36) J Lech - Trochę dobrze trochę źle
19. (00:03:07) Skaldowie - Uciekaj uciekaj
20. (00:03:51) Cz Niemen - Chciałbym cofnąć czas

Playing Time.........: 00:54:29
Total Size...........: 317,12 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. (00:03:52) Cz Niemen - Wspomnienie
2. (00:02:31) Cz Niemen - Płonąca stodoła
3. (00:03:49) Cz Niemen - Klęcząc przed Tobą
4. (00:02:55) Trubadurzy - Byłaś tu
5. (00:03:28) Trubadurzy - Krajobrazy
6. (00:03:07) Breakout - Gdybyś kochał hej
7. (00:04:00) Breakout - Na drugim brzegu tęczy
8. (00:02:27) Breakout - Wołanie przez Dunajec
9. (00:03:00) A Ty pocałujesz mnie - M Burano
10. (00:04:08) Polanie - Nieprawda nie wierzę
11. (00:02:00) No To Co - Te opolskie dziouchy
12. (00:03:24) No To Co - Po ten kwiat czerwony
13. (00:04:45) Skaldowie - Cała jesteś w skowronkach
14. (00:02:52) Skaldowie - Medytacje wiejskiego listonosza
15. (00:02:55) ABC - Za mną nie oglądaj się
16. (00:03:05) ABC - Ktoś
17. (00:02:05) M Grechuta - Tango Anawa
18. (00:02:52) Stan Borys i Bizony - Spacer dziką plażą
19. (00:03:02) Dwa plus Jeden - Chodź pomaluj mój świat
20. (00:02:52) P Szczepanik - Zabawa podmiejska

Playing Time.........: 01:03:09
Total Size...........: 378,91 MB

CD: Tajfuny - Z archiwum Polskiego Radia - Nagrania radiowe z lat 1964 - 1966
YEAR: 2008

01. Białe wzgórza [0:02:51.38]
02. Czas rozmowy [0:02:21.02]
03. Niespokojna noc [0:02:18.40]
04. Przed burzą [0:02:02.47]
05. Zwrotnik raka [0:01:58.16]
06. Bluzeczka zamszowa [0:02:36.74]
07. Głos prerii [0:02:20.40]
08. Na Ornaku [0:02:24.34]
09. Niepotrzebny parasol [0:02:14.63]
10. Rozstanie z morzem [0:02:22.70]
11. Sezam otwarty [0:02:28.04]
12. Stalowa woda [0:02:32.05]
13. Na kosmodromie [0:02:08.26]
14. Nieoczekiwane rozwiązanie [0:02:50.23]
15. Optymistyczna melodia [0:02:03.66]
16. Przez mrok [0:01:53.13]
17. Spacer przy księżycu [0:02:07.64]
18. Tramwaj numer 24 [0:02:42.56]
19. Białe wzgórza [0:02:51.14]
20. Droga na księżyc [0:02:34.51]
21. Powiem nie [0:02:07.10]
22. Tramwaj numer 24 [0:02:18.04]
23. Zwrotnik raka [0:02:06.29]
24. Dom wschodzącego słońca [0:03:43.08]
25. Taniec z szablami [0:05:38.55]
26. Sygnał zespołu Tajfuny [0:00:27.44]
27. Ej, ta droga [0:02:07.22]
28. My i oni [0:03:05.42]
29. Bo róża też kolce ma [0:01:59.72]
30. Dlaczego niedźwiedź w zimie śpi [0:02:29.08]

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Niezwykle bogaty w wydawnictwa Neala Morse'a jest mijający rok. Artysta wydał wszak album Sola Gratia, materiał zatytułowany Hope And A Future, wraz z Portnoyem i Georgem pochwalił się trzecią odsłoną cyklu Cover To Cover a 4 grudnia wypuścił kolejne w swojej dyskografii wypasione wydawnictwo koncertowe Jesus Christ The Exorcist - Live At Morsefest 2018.

Rzecz wpisuje się w wydawane niemalże regularnie rejestracje koncertów organizowanych podczas cyklicznej imprezy Morsefest. 15 września 2018 roku w Cross Plains w Tennessee artysta zdecydował się zagrać po raz pierwszy w całości na żywo progresywno rockowy musical Jesus Christ The Exorcist. Tę niemalże rockową operę Morse stworzył już w 2009 roku jednak dopiero dziesięć lat później znalazła się ona na dwupłytowym studyjnym wydawnictwie. Ciekawostką jest zatem to, że tak naprawdę koncertowa wersja Jesus Christ The Exorcist jest pod względem rejestracji wcześniejsza, choć wydana już po albumie studyjnym.

Tematycznie Jesus Christ The Exorcist jest po prostu opowieścią o życiu Jezusa a poszczególne kompozycje odnoszą się do słynnych wątków znanych z Nowego Testamentu. Dwugodzinny koncert w kościele New Life Fellowship jest zatem przede wszystkim swoistym religijnym misterium. Widać to po pełnych emocji i wzruszeń zachowaniach Neal'a Morse'a ale także towarzyszących mu artystów. Pomijając jednak te religijne wątki dostajemy przygotowany z dużym rozmachem rockowy spektakl. Czegóż my tu nie mamy?! Chór, kwartet smyczkowy, sekcję waltornii, mnóstwo wokalistów otwarzających poszczególne role a nawet dwie tancerki (w tej roli córka i synowa Morse'a). Trzon zespołu stanowią stali współpracownicy Morse'a z jego zespołu: Bill Hubauer, Randy George oraz Eric Gilette. Co ciekawe, ten znany z The Neal Morse Band gitarzysta gra tutaj na perkusji (!) godnie zastępując Mike'a Portnoya. Z kolei obowiązki gitarzysty przejął świetnie się prezentujący Paul Bielatowicz.

Ten koncert pokazuje z nieco innej strony samego Morse'a. Bo choć tradycyjnie znajduje się on w centrum sceny za klawiszowym zestawem, to jednak nie odgrywa głównej roli. Tylko chwilami jest głównym wokalistą, tym razem przede wszystkim, oprócz gry na instrumentach, dyryguje (dosłownie!) wydarzeniami na scenie. Bardzo dobrze w tytułowej roli Jezusa pokazuje się Ted Leonard (Spock's Beard, Enchant), przekonujący jako Judasz jest Nick D'Virgilio, najwięcej jednak ciepła i takiego duchowego uroku wnosi delikatna Talon David w roli Marii Magdaleny.

Pod względem muzycznym to kolejny przemyślany w szczegółach przez Morse'a koncept, pełen aranżacyjnego bogactwa, zmian nastrojów i wzruszających melodii. W przeciwieństwie do dzieł sygnowanych nazwą The Neal Morse Band to rzecz nieco mniej rockowa, bardziej symfoniczna i gospelowa. Momentów jest tu mnóstwo, choćby przepiękne Free At Last, przejmujące The Greatest Love Of All albo wzniosłe Love Has Called My Name. Z drugiej strony trudno pominąć zaskakujące The Madman Of The Gadarenes okraszone popisem kilku wokalistów śpiewających unisono.

Całość zgrabnie sfilmowano (na oświetlonej ciekawie scenie, za którą umieszczono ekran z wyświetlanymi wszystkimi tekstami, obserwujemy precyzyjnie wszystkich wykonawców) i obdarzono dobrym brzmieniem. Jako bonus dostajemy godzinny dokument Jesus Christ The Exorcist: Behind The Curtain z wypowiedzimi muzyków oraz przebitakami z prób przed spektaklem. Do pudełka Blu-ray dodano książeczkę z bogatym wyborem zdjęć z koncertu. Wartościowe wydawnictwo.

Mariusz Danielak


Niezmordowany Neal Morse powraca ze swoim nowym setem koncertowym pt. „Jesus Christ The Exorcist (Live At Morsefest 2018)”. Jak sugeruje tytuł, ten nowy album CD (oraz - a jakże! - DVD i Blu-ray) został zarejestrowany na dorocznym festiwalu Morsefest w 2018 roku, podczas którego Neal i towarzyszący mu artyści wykonali w całości program albumu „Jesus Christ The Exorcist”, notabene na około pół roku przed jego oficjalną sklepową premierą. O studyjnej edycji płyty „Jesus Christ The Exorcist”, o jej religijnym kontekście i o długiej drodze do jej wydania pisaliśmy w naszej małoleksykonowej recenzji, którą można znaleźć pod tym linkiem.

Jak pamiętamy, album przedstawia artystyczną wizję dotyczącą życia Chrystusa włożoną w ramy progrockowego musicalu. Chyba po raz pierwszy w przypadku swoich solowych przedsięwzięć Morse pozostał nieco w cieniu, zachowując dla siebie raczej rolę dyrektora muzycznego (a także gitarzysty i keyboardzisty oraz odtwórcy trzech pomniejszych ról (Piłata, Demona oraz Ucznia)), a nie głównego wykonawcy. W zespole towarzyszącym mu na scenie znaleźć można oczywiście jego stałych współpracowników (zwycięskiego składu się nie zmienia!), jak Bill Hubauer, Randy George i Eric Gillette (to gitarzysta, który dla potrzeb tego projektu zasiadł za zestawem perkusyjnym!). Obowiązki gitarzysty przejął Paul Bielatowicz, a oprócz rockowych instrumentów mamy tu jeszcze prawdziwą orkiestrę: sekcję waltorniową, duży chór, chórki oraz kwartet smyczkowy. Inscenizacja i oświetlenie są imponujące, a wizualizacja i projekcje autorstwa Christiana Riosa oraz dźwięk zrealizowany przez Jerry'ego Guidroza (Sons of Apollo, Neal Morse Band, Haken) robią różnicę w stosunku do studyjnej wersji.

Główną rolę Jezusa Chrystusa odtwarza Ted Leonard z grupy Enchant (a także z zespołu Spock’s Beard, z którego wywodzi się autor całego przedsięwzięcia). Ten wybór to prawdziwy strzał w dziesiątkę, bo to jeden z najlepszych głosów w amerykańskim rocku, co zresztą udowodnił w trakcie niniejszego koncertu. Leonardowi towarzyszy plejada wspaniałych wokalistów, wśród których można znaleźć samych dobrych znajomych, m.in.: Nicka D'Virgilio (Spock’s Beard, Big Big Train), Jake’a Livgrena (Protokaw), Matta Smitha (Theocracy), Johna Schlitta (Petra), Ricka Floriana (White Heart), Julie Harrison, Marka Pogue i syna Neala, Wila Morse’a. Jednak osobą, która wszystkim im skradła show, jest debiutująca w tak dużym scenicznym przedsięwzięciu, Talon David, która wcieliła się w rolę Marii Magdaleny. Ma ona nieprzeciętny i unikatowy głos i wie jak go używać, co – jak to widać w ruchomych obrazkach zarejestrowanych podczas tego występu – u niejednego widza wywołało łezkę wzruszenia, jak choćby podczas finałowego duetu „The Greatest Love Of All” zaśpiewanego z Tedem Leonardem. Innymi punktami kulminacyjnymi, na które warto zwrócić uwagę, są piosenki w trakcie których Morse i spółka przedstawiają porywające zabawy wielopiętrowymi harmonicznymi głosami z wyraźnymi wpływami grupy Gentle Giant, kiedy to wielu wokalistów śpiewa jednocześnie różne melodie bezbłędnie rozpisane na wielogłosy. Takie popisy to prawdziwy konik Neala Morse’a i, jak pamiętam, po podobne rozwiązania sięga on począwszy od swojej pierwszej oficjalnej płyty nagranej ćwierć wieku temu jeszcze z grupą Spock’s Beard.

Potężne, pełne rozmachu aranżacje, porywające wykonania, epicki rozmach, sceniczny profesjonalizm i ani jednej fałszywej nuty, ani jednej wpadki, a poziom wykonawczy najwyższy, jaki można sobie wyobrazić i wymarzyć. Nie sposób nie być pod wrażeniem tego spektaklu. Na tę bezbłędnie funkcjonującą sceniczną machinę złożyło się wiele elementów. Mocne kompozycje to pierwsza sprawa. Bezbłędne rozpisanie ról i doborowa obsada – to zaleta numer dwa. Najwyższy poziom wykonawców (zarówno wokalistów, jak i instrumentalistów) – to trzy. Lecz to, co Neal Morse ze swoimi współpracownikami wyprodukował przy stosunkowo niewielkim budżecie, mocno ograniczonym czasie i przy niewielu próbach, jest po prostu zadziwiające. Taka muzyka i tego rodzaju sceniczne przedstawienia są prawdziwą solą epickiego prog rocka i jestem pewien, że niniejsze wydawnictwo z pewnością zachwyci każdego fana twórczości Neala Morse'a.

Artur Chachlowski


Normally the more I play an album the more I enjoy it, but now I look back at my review of the studio version, I cannot believe I gave it 4*’s. That feeling has definitely come through onto the live version as well, as while the performance from all those involved is wonderful, the complete set is just way too clunky, with the story being shoehorned into the music, none of which have stand out tunes. This was an experiment for Neal, in that he plays the part of composer and musical director and only gives himself a few small roles to play. The lead role of Jesus was taken by Ted Leonard (Enchant, Spock’s Beard) and he was joined by Nick D’Virgilio (Spock’s Beard, Big Big Train), Jake Livgren (Protokaw), Matt Smith (Theocracy), John Schlitt (Petra), Rick Florian (White Heart), Mark Pogue, Wil Morse and Talon David. I remember when my sister started getting heavily into Christian music some 30 years ago, she used to play Petra all the time, one of the greatest proponents of that style of music.

I am not sure if it is my own personal religious beliefs have changed dramatically over the years, or whether it is down to Morse providing music which is far more theatrical and less of the style I associate with him, but very little on this album works for me. When I hear a Neal Morse album I really do want to hear the complexity and style I expect which he first cemented in Spock’s Beard and then took into much of his solo work. Unlike ‘Jesus Christ Superstar’, this really does have an air of being preached at, in a very American style. Everyone provides a great performance, with his normal guitarist Eric Gillette showing he is one of those guys who can seemingly do anything as he is the drummer on this performance, while bassist Randy George has been at the top of the game forever. This is an album which will be appreciated far more by Christians than progheads, while the subset of that venn diagram will have a blast. I can appreciate it, but that is way different from actually enjoying it.

Kev Rowland



..::TRACK-LIST::..

Act One:
1. Introduction 2:46
2. Overture 4:24
3. Getaway 2:47
4. Gather The People 5:10
5. Jesus' Baptism 4:20
6. Jesus' Temptation 10:14
7. There's A Highway 3:54
8. The Woman Of Seven Devils 5:34
9. Free At Last 7:17
10. The Madman Of The Gadarenes 6:53
11. Love Has Called My Name 4:15
12. Better Weather 1:45
13. The Keys Of The Kingdom 5:02
14. Get Behind Me Satan 3:19

Act Two:
15. He Must Go To The Cross 5:14
16. Jerusalem 4:03
17. Hearts Full Of Holes 4:03
18. The Last Supper 3:47
19. Gethsemane 7:46
20. Jesus Before The Council And Peter's Denial 3:14
21. Judas' Death 4:08
22. Jesus Before Pilate And The Crucifixion 8:25
23. Mary At The Tomb 2:54
24. The Greatest Love Of All 5:02
25. Love Has Called My Name (Reprise) 1:39
26. End Credits 6:11

Extras:
27. Jesus Christ The Exorcist: Behind The Curtain 1:03:06



..::OBSADA::..

Backing Vocals - Amy Pippin, April Zachary, Debbie Bressee, Julie Harrison
Bass - Randy George
Cello - Maggie Chafee
Drums - Eric Gillette
French Horn - Holly Smith
Guest, Vocals [Caiaphas] - John Schlitt
Guest, Vocals [Demon 2, Pharisee 4] - Gabe Klein
Guest, Vocals [Demon 4], Bass [String], Cello, Viola, Violin, Arranged By [Horn And String] - Gideon Klein
Guest, Vocals [Israelite 1, The Madman of the Gadarenes, Pharisee 2] - Mark Pogue
Guest, Vocals [Israelite 2, Demon 3, Pharisee 1], Percussion, Keyboards - Wil Morse
Guest, Vocals [Jesus] - Ted Leonard
Guest, Vocals [John the Baptist] - Matt Smith
Guest, Vocals [Judas] - Nick D'Virgilio
Guest, Vocals [Mary Magdalene] - Talon David
Guest, Vocals [Peter] - Jake Livgren
Guest, Vocals [Servant Girl] - Julie Harrison
Guest, Vocals [The Devil] - Rick Florian
Guitar [Guitars] - Paul Bielatowicz
Keyboards - Bill Hubauer
Keyboards, Guitar [Guitars], Vocals [Pilate, Demon 1, Disciple 1], Written By, Producer, Music By, Lyrics By - Neal Morse
Saxophone, Flute - Gabriel Collins
Trombone - David Cooper
Trumpet - Dominique Caster, Steve Patrick
Viola - Michael Lucarelli
Violin - Jake Tudor, Laura Epling



https://www.youtube.com/watch?app=desktop&v=J2zRVpr_z-I&t=4634s



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Mimo znakomitej zawartości, album 'Messin” jakiejś specjalnej furory na listach przebojów nie zrobił.
Nie pomogły mu w tym zapewne również zabiegi amerykańskiego dystrybutora, który wymusił na zespole zmianę okładki (na brzydszą, ale pewnie miało być bardziej psychodelicznie).
Mimo upływu lat, 'Messin” wciąż się broni. Kto wie, może to nawet najlepszy album, jaki nagrał Manfred Mann ze swoim Earth Bandem?...

FA


This album - like most of the other Earth Band albums - is absolutely strange. This record is the most impenetratable take on blues rock that was likely to come out in 1973.
This album is where Manfred Mann's Earth Band first steadied their distinctive sound - the unisono playing of a fierce Stratocaster and the Moog synthesizer, the rapid jams which start abruptly in the middle of a song and the effective deconstruction of cover versions. But when I listen to this album I always wonder what kind of music this band actually wants to do. There are the spacy synthesizers, the (slight) jazz influences and the moody instrumentals, but the whole thing reminds me more of Lynyrd Skynyrd's debut album than of anything else. It's all about tight band interplaying and heavy riffs, but these riffs share similarities both with Robert Johnson's and Gustav Holst's compositions. There are few progressive bands which rely as heavily on riffs, and there is no other progressive rock band which arranges these riffs in such a sophisticated way, eventually making them sound like the title melody to a science fiction movie. This album is really knotty and cold, but nonetheless tremendously exciting.

First of all - I don't own the reissue of this album. The Earth Band reissues by Creature Music Ltd. are by far the worst reissues I've ever seen. Useless bonus tracks, a shabby booklet design without any interesting information and a sometimes shabby sound (especially on the Chapter Three albums). I don't want to know which drunk apprentice was responsible for this stuff. I mean, making typos while copying the original liner notes for an album - that cannot be true!

But all in all, there's just one dull track on the whole record. Get Your Rocks Off is a cover version of one of the many overrated Dylan Basement Tapes songs and is on the same level as the mediocre stuff on the Glorified Magnified album. Ok, they manage to pack a short and sweet multi-tracked guitar bridge into the song at 1:11, and the slide guitar in the chorus is quite alright as well, but they just aren't The Band - and the song itself is pretty forgettable. It's a shame because the MMEB pulled off some nice blues rockers on Glorified Magnified, particularly the stomping I'm Gonna Have You All and Look Around, which itself is based on the American folk song Black Betty.

Cloudy Eyes isn't dull, but simply a few tads too little inspired. It is a laid-back instrumental which steadily walks along a stoic 4/4 beat without lots of variation. Nevertheless I always enjoyed the neat J.S.Bach melodics in this tune with the sharp lead guitar setting the main melody with lots of trills while the Moog synthesizer echoes some guitar motives, allowing the guitar to do some variations. But since I've listened to Procol Harum's Repent Walpurgis I believe that such music works much better when given a certain degree of solemnity. But that's not the major problem, the chord progression differs too much from Repent Walpurgis to make the track a rip-off. But there's not a lot happening in the first four minutes, it's just the same (good) melody over and over again. Thankfully, the piece fades out before it gets tedious. The last 90 seconds are dedicated to Mann's Moog, and here he emulates the sound of a hurdy-gurdy, a stringed folk instrument which gives a droning sound due to a revolving wheel. In a way it's a violin with an endless circular bow, or the stringed pendant to the bagpipes. It sounds absolutely odd and I've got no idea what purpose this fragment has. But I don't mind; no matter what it is or what it shall be - it is really successful in its menacing drone and sends shivers down my spine.

Sadjoy is more or less an extended guitar solo constructed around a 40bpm, i.e. really slow, rhythm with many people singing a sophisticated melody over and over again. Supposedly Manfred Mann intended to write some kind of musical in 1973, and this and Cloudy Eyes are recycled versions of compositions intended for this purpose. A track like this, for sure, will only be successful when the guitar playing is good, and indeed Mick Rogers rarely had such a good opportunity to show off his considerable skills. The sharp attack of the Stratocaster bridge pick-up and Mick Rogers' emotional bendings fit very well to each other, preventing the whole affair from being boring over the whole 5 minutes.

Mardi Gras Day is one of the swampy Cajun-like tracks by Dr. John Creaux, and although this is pretty much a simple sing-along tune, this mixture of shrieking lead guitars, the laid-back offbeat rhythm and the tribal backing vocals by presumably everyone who was present in the studio is amazing. Mick Rogers really nails this one with his reggae vocals and the clean funky rhythm guitar. Manfred Mann's Earth Band, as early versions of Ashes to the Wind show, did a lot of this world-music inspired rock fusion in those years and continued to do so on the Somewhere in Africa album.

This brings us to the three huge songs on this album.

In Black and Blue the band do what they were always best in: enriching existing songs by other bands which sounded pretty dull in their original form. This time it's a first-person blues song by an Australian band which has slavery and deprivation as its topic. Starting off as a Mick Rogers vocal solo the song develops into a mournful sea of tightly weaved Moog melodies on top of a leaden rhythm. The guitar stays pretty quiet, but howls from afar from time to time. Apart from the wailing multi-tracked guitar riff (which, in fact, take in the role of a chorus) this is an amazingly haunting piece of psychedelic blues rock and a definite highlight in the band's career. I'm not completely sure, but it might be my favorite track off this record, simply due to the psychedelic mid-part which is pretty unique in the band's repertoire.

Messin' is, in fact, a self-cover - something which the Earth Band frequently did with their 1960s and Chapter Three songs. It was written by keyboarder Mike Hugg and recorded for the shelved third Chapter Three record. Originally a fast soul/rock track with free jazz elements, actually a more concise Happy Being Me with a flute and Hammond organ solo, the band augmented it with industrial machine sounds and sounds of crying monkeys (both effects are utterly frightening, I have to admit) and made a leaden blues rocker out of it. The female backing vocals and the lyrics are the only things which didn't change, even Mike Hugg's melody has been simplified at certain places. But the band deteriorated the original version by no means; they rather gave it a better structure in the extended instrumental part by rearranging the brass melody of the early Chapter Three track Konekuf that it may fit on the heavy rhythm of the vocal parts. Interestingly, they play parts of the melody in a nearly polyphonic way (i.e., shifted by some bars) with amazing musical communication between Manfred Mann and Mick Rogers. Afterwards Manfred Mann shows his talent of writing riffs which sound bluesy although their melodies, soaked with strange intervals and avantgarde, are as stiff as contemporary classical music. At first Mick Rogers has an extended solo, then Manfred Mann runs into some ragtime-inspired Moog synthesizer pitch bends. After a reprise of the chorus the track ends in the monkey and machine noises again. A tour de force with a style of improvisation absolutely typical of this band. Check out the Chapter Three version (Messin' Up The Land from the Odds and Sods collection) as well - it's available for commercial download and absolutely worth the mony.

Buddah begins deceptively as a ballad - a really good ballad I daresay, owing to Mick Rogers' controlled and vibrato-laden voice and the catchy clean Stratocaster picking, alternated by some heavy riffing in the chorus. The (not that rarely thought about) topic is the reappearance of ancient prophets (Jesus, Buddah and Moses) in our time. The Strawbs' The Man Who Called Himself Jesus is, from the lyrical point of view, more interesting than this example, but it doesn't matter in this case because everything else sounds marvellous. At 3:38 the jam part of the song begins. Listen closely to the shift in timing in the first bars of this part and you'll find again how meticously the band composed and planned the frame of the improvisation. They played these bars exactly the same way live, as recordings for the BBC and the Swedish TV prove! To the accurate thumping of the bass guitar and an accelerated drum rhythm Manfred Mann glides into an atmospheric Moog solo, sometimes accompanied by some backwards piano notes, a bit like Deep Purple's No One Came, but more futuristic and avantgardistic. The last 90 seconds contain in total six different parts: a riff-laden hard rock part, followed by some rising major chords, moving into majestic Moog fanfares (I suppose many AOR bands listened to this part!), a reprise of the riff-laden part, a short drum solo and an ending in which Mick Rogers majestically superimposes lead guitar lines in a major mode - which is not the kind of scale you would expect in a blues jam, but which Mick Rogers would later be known for.

All in all, ideas like these - making jams more exciting by improvising on complex scales, deconstructing existing melodies in a classical way, taking influence from world music, jazz, space rock and blues rock - make this album a really interesting piece of music. Solar Fire is more consistent and also has more peaks, but the stiff blues rock of Messin' - although it's, perhaps unintentionally, an exhausting and absolutely uncommercial record - isn't far away from the quality of Solar Fire. Get the album if you like blues rock and Moog synthesizers, but be prepared that the album is tougher than you might expect it to be.

Einsetumadur



..::TRACK-LIST::..

CD 3 - Messin'(1973):
1. Messin' 10:00
2. Buddah 7:00
3. Cloudy Eyes 5:30
4. Get Your Rocks Off 2:56
5. Sadjoy 5:24
6. Black And Blue 7:22
7. Mardi Gras Day 3:04



..::OBSADA::..

Manfred Mann - organ, Minimoog synthesiser
Mick Rogers - electric guitar, lead vocals
Colin Pattenden - bass guitar
Chris Slade - drums

Additional musicians:
Laurie Baker - Machines and Zoo on 'Messin''
Liza Strike - backing vocals
Vicki Brown - backing vocals
Judith Powell - backing vocals
Ruby James - backing vocals




https://www.youtube.com/watch?v=vVHCQrarNw4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Mimo znakomitej zawartości, album 'Messin” jakiejś specjalnej furory na listach przebojów nie zrobił.
Nie pomogły mu w tym zapewne również zabiegi amerykańskiego dystrybutora, który wymusił na zespole zmianę okładki (na brzydszą, ale pewnie miało być bardziej psychodelicznie).
Mimo upływu lat, 'Messin” wciąż się broni. Kto wie, może to nawet najlepszy album, jaki nagrał Manfred Mann ze swoim Earth Bandem?...

FA


This album - like most of the other Earth Band albums - is absolutely strange. This record is the most impenetratable take on blues rock that was likely to come out in 1973.
This album is where Manfred Mann's Earth Band first steadied their distinctive sound - the unisono playing of a fierce Stratocaster and the Moog synthesizer, the rapid jams which start abruptly in the middle of a song and the effective deconstruction of cover versions. But when I listen to this album I always wonder what kind of music this band actually wants to do. There are the spacy synthesizers, the (slight) jazz influences and the moody instrumentals, but the whole thing reminds me more of Lynyrd Skynyrd's debut album than of anything else. It's all about tight band interplaying and heavy riffs, but these riffs share similarities both with Robert Johnson's and Gustav Holst's compositions. There are few progressive bands which rely as heavily on riffs, and there is no other progressive rock band which arranges these riffs in such a sophisticated way, eventually making them sound like the title melody to a science fiction movie. This album is really knotty and cold, but nonetheless tremendously exciting.

First of all - I don't own the reissue of this album. The Earth Band reissues by Creature Music Ltd. are by far the worst reissues I've ever seen. Useless bonus tracks, a shabby booklet design without any interesting information and a sometimes shabby sound (especially on the Chapter Three albums). I don't want to know which drunk apprentice was responsible for this stuff. I mean, making typos while copying the original liner notes for an album - that cannot be true!

But all in all, there's just one dull track on the whole record. Get Your Rocks Off is a cover version of one of the many overrated Dylan Basement Tapes songs and is on the same level as the mediocre stuff on the Glorified Magnified album. Ok, they manage to pack a short and sweet multi-tracked guitar bridge into the song at 1:11, and the slide guitar in the chorus is quite alright as well, but they just aren't The Band - and the song itself is pretty forgettable. It's a shame because the MMEB pulled off some nice blues rockers on Glorified Magnified, particularly the stomping I'm Gonna Have You All and Look Around, which itself is based on the American folk song Black Betty.

Cloudy Eyes isn't dull, but simply a few tads too little inspired. It is a laid-back instrumental which steadily walks along a stoic 4/4 beat without lots of variation. Nevertheless I always enjoyed the neat J.S.Bach melodics in this tune with the sharp lead guitar setting the main melody with lots of trills while the Moog synthesizer echoes some guitar motives, allowing the guitar to do some variations. But since I've listened to Procol Harum's Repent Walpurgis I believe that such music works much better when given a certain degree of solemnity. But that's not the major problem, the chord progression differs too much from Repent Walpurgis to make the track a rip-off. But there's not a lot happening in the first four minutes, it's just the same (good) melody over and over again. Thankfully, the piece fades out before it gets tedious. The last 90 seconds are dedicated to Mann's Moog, and here he emulates the sound of a hurdy-gurdy, a stringed folk instrument which gives a droning sound due to a revolving wheel. In a way it's a violin with an endless circular bow, or the stringed pendant to the bagpipes. It sounds absolutely odd and I've got no idea what purpose this fragment has. But I don't mind; no matter what it is or what it shall be - it is really successful in its menacing drone and sends shivers down my spine.

Sadjoy is more or less an extended guitar solo constructed around a 40bpm, i.e. really slow, rhythm with many people singing a sophisticated melody over and over again. Supposedly Manfred Mann intended to write some kind of musical in 1973, and this and Cloudy Eyes are recycled versions of compositions intended for this purpose. A track like this, for sure, will only be successful when the guitar playing is good, and indeed Mick Rogers rarely had such a good opportunity to show off his considerable skills. The sharp attack of the Stratocaster bridge pick-up and Mick Rogers' emotional bendings fit very well to each other, preventing the whole affair from being boring over the whole 5 minutes.

Mardi Gras Day is one of the swampy Cajun-like tracks by Dr. John Creaux, and although this is pretty much a simple sing-along tune, this mixture of shrieking lead guitars, the laid-back offbeat rhythm and the tribal backing vocals by presumably everyone who was present in the studio is amazing. Mick Rogers really nails this one with his reggae vocals and the clean funky rhythm guitar. Manfred Mann's Earth Band, as early versions of Ashes to the Wind show, did a lot of this world-music inspired rock fusion in those years and continued to do so on the Somewhere in Africa album.

This brings us to the three huge songs on this album.

In Black and Blue the band do what they were always best in: enriching existing songs by other bands which sounded pretty dull in their original form. This time it's a first-person blues song by an Australian band which has slavery and deprivation as its topic. Starting off as a Mick Rogers vocal solo the song develops into a mournful sea of tightly weaved Moog melodies on top of a leaden rhythm. The guitar stays pretty quiet, but howls from afar from time to time. Apart from the wailing multi-tracked guitar riff (which, in fact, take in the role of a chorus) this is an amazingly haunting piece of psychedelic blues rock and a definite highlight in the band's career. I'm not completely sure, but it might be my favorite track off this record, simply due to the psychedelic mid-part which is pretty unique in the band's repertoire.

Messin' is, in fact, a self-cover - something which the Earth Band frequently did with their 1960s and Chapter Three songs. It was written by keyboarder Mike Hugg and recorded for the shelved third Chapter Three record. Originally a fast soul/rock track with free jazz elements, actually a more concise Happy Being Me with a flute and Hammond organ solo, the band augmented it with industrial machine sounds and sounds of crying monkeys (both effects are utterly frightening, I have to admit) and made a leaden blues rocker out of it. The female backing vocals and the lyrics are the only things which didn't change, even Mike Hugg's melody has been simplified at certain places. But the band deteriorated the original version by no means; they rather gave it a better structure in the extended instrumental part by rearranging the brass melody of the early Chapter Three track Konekuf that it may fit on the heavy rhythm of the vocal parts. Interestingly, they play parts of the melody in a nearly polyphonic way (i.e., shifted by some bars) with amazing musical communication between Manfred Mann and Mick Rogers. Afterwards Manfred Mann shows his talent of writing riffs which sound bluesy although their melodies, soaked with strange intervals and avantgarde, are as stiff as contemporary classical music. At first Mick Rogers has an extended solo, then Manfred Mann runs into some ragtime-inspired Moog synthesizer pitch bends. After a reprise of the chorus the track ends in the monkey and machine noises again. A tour de force with a style of improvisation absolutely typical of this band. Check out the Chapter Three version (Messin' Up The Land from the Odds and Sods collection) as well - it's available for commercial download and absolutely worth the mony.

Buddah begins deceptively as a ballad - a really good ballad I daresay, owing to Mick Rogers' controlled and vibrato-laden voice and the catchy clean Stratocaster picking, alternated by some heavy riffing in the chorus. The (not that rarely thought about) topic is the reappearance of ancient prophets (Jesus, Buddah and Moses) in our time. The Strawbs' The Man Who Called Himself Jesus is, from the lyrical point of view, more interesting than this example, but it doesn't matter in this case because everything else sounds marvellous. At 3:38 the jam part of the song begins. Listen closely to the shift in timing in the first bars of this part and you'll find again how meticously the band composed and planned the frame of the improvisation. They played these bars exactly the same way live, as recordings for the BBC and the Swedish TV prove! To the accurate thumping of the bass guitar and an accelerated drum rhythm Manfred Mann glides into an atmospheric Moog solo, sometimes accompanied by some backwards piano notes, a bit like Deep Purple's No One Came, but more futuristic and avantgardistic. The last 90 seconds contain in total six different parts: a riff-laden hard rock part, followed by some rising major chords, moving into majestic Moog fanfares (I suppose many AOR bands listened to this part!), a reprise of the riff-laden part, a short drum solo and an ending in which Mick Rogers majestically superimposes lead guitar lines in a major mode - which is not the kind of scale you would expect in a blues jam, but which Mick Rogers would later be known for.

All in all, ideas like these - making jams more exciting by improvising on complex scales, deconstructing existing melodies in a classical way, taking influence from world music, jazz, space rock and blues rock - make this album a really interesting piece of music. Solar Fire is more consistent and also has more peaks, but the stiff blues rock of Messin' - although it's, perhaps unintentionally, an exhausting and absolutely uncommercial record - isn't far away from the quality of Solar Fire. Get the album if you like blues rock and Moog synthesizers, but be prepared that the album is tougher than you might expect it to be.

Einsetumadur



..::TRACK-LIST::..

CD 3 - Messin'(1973):
1. Messin' 10:00
2. Buddah 7:00
3. Cloudy Eyes 5:30
4. Get Your Rocks Off 2:56
5. Sadjoy 5:24
6. Black And Blue 7:22
7. Mardi Gras Day 3:04



..::OBSADA::..

Manfred Mann - organ, Minimoog synthesiser
Mick Rogers - electric guitar, lead vocals
Colin Pattenden - bass guitar
Chris Slade - drums

Additional musicians:
Laurie Baker - Machines and Zoo on 'Messin''
Liza Strike - backing vocals
Vicki Brown - backing vocals
Judith Powell - backing vocals
Ruby James - backing vocals




https://www.youtube.com/watch?v=vVHCQrarNw4



SEED 15:00-22:00.
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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

1. Drink To Me
2. The Man On The Hill
3. Hank And Joe And Me
4. Clementine
5. The Great Speckled Bird
6. Austin Prison
7. I Want To Go Home
8. The Caretaker
9. Old Apache Squaw
10. Don't Step On Mother's Roses
11. My Grandfather's Clock
12. It Could Be You ?

13. Locomotive Man (1960 - Bonus Track)




https://www.youtube.com/watch?v=yi6KI6ngkuU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

1. Drink To Me
2. The Man On The Hill
3. Hank And Joe And Me
4. Clementine
5. The Great Speckled Bird
6. Austin Prison
7. I Want To Go Home
8. The Caretaker
9. Old Apache Squaw
10. Don't Step On Mother's Roses
11. My Grandfather's Clock
12. It Could Be You ?

13. Locomotive Man (1960 - Bonus Track)




https://www.youtube.com/watch?v=yi6KI6ngkuU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Mocno psychodeliczny, niemal awangardowy krautrock.
Zremasterowana reedycja z 2023 roku.



The least you can say is that this album doesn't sound anything like what you might expect from the artwork. It may look like a bunch of hippies on a symphonic loveboat through space, but the music is almost entirely free-jazz, abandoning much of the delicious psychedelic jazz-rock from the debut.
When touring their Osmose album, Annexus Quam gradually turned towards experimental jazz music, abandoning drums and electric instruments for a primarily free improvisational style. In doing so they sure progressed far outside their fans' comfort zone, who hurried to abandon the sinking ship. It's quite a bit out of my way as well, but after continuing to digest this album in small portions, I've really come to like it.

Things start out quite welcoming with the beautiful Trobluhs el E Isch, a melancholic duet of trombone and sax, later joined by jazzy guitar chords and some melodious bass and percussion.

It doesn't warn the listener for the disturbing free jazz that follows. Leyenburg is a 20 minute improvisation (divided in two parts) without any structure, tonal restpoint or soothing harmonies. Instead it offers snappy disconnected shreds of melody and sounds that clash about in irregular and unpredictable ways, an instrumental "Trout Mask Replica" is the closest comparison I can think off. Now I can't tell you why, but somehow it works for me. The seemingly random dialogue between the instruments creates a new sort of language that - even if unintelligible - still is striking and intriguing.

Dreh Dich Nicht Um has similar free jazz traits in the middle section, but it also offers pleasant acoustic guitar arpeggios in the long opening and closing sections. The lazy-hazy psych mood of it reminds of Mythos and Dom, two other obscure Kraut bands inspired by the dreamy pastoral side of early Floyd.

Beziehungen is an awkward album for Prog Archives, the tracks vary between uncompromising free-jazz and abstract psychedelic experiments that, even for most kraut and jazz-rock fans, will be very much a hit or miss. Approach at your own risk.

Bonnek



..::TRACK-LIST::..

1. Trobluhs El Ë Isch 5:29
2. Leyenburg 1 14:05
3. Dreh Dich Nicht Um 16:20
4. Leyenburg 2 3:35



..::OBSADA::..

Peter Werner - guitar, percussion
Hans Kämper - Spanish guitar, trombone, panpipes
Ove Volquartz - tenor & soprano saxophones, flute
Harald Klemm - electric zither, tabla, bendir, jew's harp, prepared guitar
Martin Habenicht - bass, double bass




https://www.youtube.com/watch?v=dNhUXmjbvF4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Mocno psychodeliczny, niemal awangardowy krautrock.
Zremasterowana reedycja z 2023 roku.



The least you can say is that this album doesn't sound anything like what you might expect from the artwork. It may look like a bunch of hippies on a symphonic loveboat through space, but the music is almost entirely free-jazz, abandoning much of the delicious psychedelic jazz-rock from the debut.
When touring their Osmose album, Annexus Quam gradually turned towards experimental jazz music, abandoning drums and electric instruments for a primarily free improvisational style. In doing so they sure progressed far outside their fans' comfort zone, who hurried to abandon the sinking ship. It's quite a bit out of my way as well, but after continuing to digest this album in small portions, I've really come to like it.

Things start out quite welcoming with the beautiful Trobluhs el E Isch, a melancholic duet of trombone and sax, later joined by jazzy guitar chords and some melodious bass and percussion.

It doesn't warn the listener for the disturbing free jazz that follows. Leyenburg is a 20 minute improvisation (divided in two parts) without any structure, tonal restpoint or soothing harmonies. Instead it offers snappy disconnected shreds of melody and sounds that clash about in irregular and unpredictable ways, an instrumental "Trout Mask Replica" is the closest comparison I can think off. Now I can't tell you why, but somehow it works for me. The seemingly random dialogue between the instruments creates a new sort of language that - even if unintelligible - still is striking and intriguing.

Dreh Dich Nicht Um has similar free jazz traits in the middle section, but it also offers pleasant acoustic guitar arpeggios in the long opening and closing sections. The lazy-hazy psych mood of it reminds of Mythos and Dom, two other obscure Kraut bands inspired by the dreamy pastoral side of early Floyd.

Beziehungen is an awkward album for Prog Archives, the tracks vary between uncompromising free-jazz and abstract psychedelic experiments that, even for most kraut and jazz-rock fans, will be very much a hit or miss. Approach at your own risk.

Bonnek



..::TRACK-LIST::..

1. Trobluhs El Ë Isch 5:29
2. Leyenburg 1 14:05
3. Dreh Dich Nicht Um 16:20
4. Leyenburg 2 3:35



..::OBSADA::..

Peter Werner - guitar, percussion
Hans Kämper - Spanish guitar, trombone, panpipes
Ove Volquartz - tenor & soprano saxophones, flute
Harald Klemm - electric zither, tabla, bendir, jew's harp, prepared guitar
Martin Habenicht - bass, double bass




https://www.youtube.com/watch?v=dNhUXmjbvF4



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Uther Pendragon - San Francisco Earthquakepi

Genre: Rock, Psychedelic Rock, Garage Rock, Heavy Psych
Recording date: 1966-1975
Year of disc release: 2015
Publisher (label): Guerssen-GUESSCD059
Country: US
Total Time: 02:06:46
Audio codec: Mp3 @320 kbps

...( TrackList )...
CD 1 (01:03:40)
01. Intro - You're a Human Now (1974) 06:02
02. Side of the Dawn (1969) 04:13
03. Who's Gonna Try (1975) 05:44
04. Devil's Due (1974) 05:10
05. 10 Miles To Freedom (1969) 10:59
06. San Francisco Earthquake (1975) 05:26
07. Signify Justice (1969) 02:58
08. Love Lock Temperature Drop (1967) 02:31
09. Magical Door (1969) 03:29
10. Peter Pan Blowup (1967) 02:22
11. Luxury's Draft (1975) 04:08
12. Realm Of 7 Planes (1974) 05:29
13. Man of Means (1975) 05:09

CD 2 (01:03:06)
01. Spanish Fly (1974) 06:32
02. King Muskrat (1975) 06:50
03. See It My Way (1974) 06:13
04. Rock and Roll Star (1975) 02:35
05. Meanie Jeanie - Old Man (1975) 10:05
06. Troubles (1975) 09:03
07. Woman (1975) 04:18
08. Hell's Rock (1975) 02:52
09. They'll Never Last (1968) 03:30
10. Kristina (1966) 04:17
11. Music Box (1969) 06:51

Personnel:
Mark Lightcap - rhythm guitar, vocals
Bruce Marelich - lead guitar, vocals
Martin Espinosa - bass, vocals
Mike Beers - drums (CD 1:1-4,6,7,9,11-13 / CD 2:1-8)
George Miller - drums (CD 1:5,8,10)
Doug Williams - keyboards (CD 1:8,10 / CD 2:10,11)
Derek French - drums (CD 2:9-11)

...( Info )...

Artist: Various Artists
Album: CHILL AND DANCE 2025
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Lavern Baker - Gimme a Pigfoot
02. Les McCann - With These Hands
03. George Benson - Breezin’
04. Charles Wright & The Watts 103rd St. Rhythm Band - Express Yourself
05. Cilla Black - Your Song (Acoustic Version)
06. James Otto - Just Got Started Lovin’ You
07. Damien Rice - Cannonball
08. Jason Mraz - I’m Yours
09. Tasmin Archer - Sleeping Satellite (Acoustic Version)
10. Chaka Khan - Ain’t Nobody
11. Anna Book - Natural Woman
12. Randy Crawford - Desperado
13. Flo Rida - Low (feat. T-Pain)
14. Sven Ingvars - Just a Gigolo (I Ain't Got Nobody)
15. The Proclaimers - I'm Gonna Be (500 Miles)
16. Maria Ahn - This Is Not America
17. Mina - Love Hurts
18. Graziella Schazad - Look at Me
19. Flo Rida - Good Feeling
20. Jason Castro - Learning to Fly (Acoustic Version)
21. Big Daddy - Nothing Compares 2 U
22. Graziella Schazad - Take On Me
23. Tina Turner - Let’s Stay Together

...( Info )...

Artist: Various Artists
Album: Calming Classical Music for Babies
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Mariam Batsashvili - 5 Lieder, Op. 49 No. 4, Wiegenlied
02. Moura Lympany - Kinderszenen, Op. 15 VII. Träumerei
03. Fazil Say - Prelude and Fugue in C Major, BWV 846 I. Prelude
04. Daniel Müller-Schott - Sonata for Cello and Piano, FP 143 II. Cavatine
05. Bertrand Chamayou - On an Overgrown Path, Book 1 No. 7, Good Night!
06. Bertrand Chamayou - Pavane pour une infante défunte, M. 19
07. Matteo Myderwyk - Sincère
08. Paavo Berglund - Piano Concerto No. 2 in F Major, Op. 102 II. Andante
09. Andrew von Oeyen - Flute Sonata No. 2 in E-Flat Major, BWV 1031 II. Siciliano (Arr. for Piano by Kempff)
10. RIOPY - Ukiyo
11. Martin Kohlstedt - Pan
12. Lily Laskine - Albumblätter, Op. 124 No. 6, Wiegenliedchen
13. RIOPY - Flo
14. Fazil Say - Preludes, Book 1, L. 117 VIII. La fille aux cheveux de lin
15. Helen Jane Long - Porcelain Stars
16. Anne Queffélec - Gnossiennes I. Lent
17. Bertrand Chamayou - Miocheries, Op. 126 No. 13, La toute petite s'endort
18. Dalal - The Crane Dance
19. Nicholas Angelich - 3 Intermezzi, Op. 117 No. 1 in E-Flat Major. Andante moderato
20. Bertrand Chamayou - Elegien No. 7, Berceuse
21. Guillaume Bellom - Spiegel im Spiegel
22. Mariam Batsashvili - Consolations, S. 172 III. Lento placido
23. Bertrand Chamayou - Wiegenlied, S. 198
24. Piotr Anderszewski - Prelude and Fugue in A-Flat Major, BWV 886 I. Prelude
25. Alexandre Tharaud - Symphony No. 5 in C-Sharp Minor, Pt. 3 IV. Adagietto (Transcr. Tharaud)
26. Mariam Batsashvili - 6 Polish Songs, S. 480 II. Frühling
27. Fazil Say - Piano Sonata No. 14 in C Minor, K. 457 II. Adagio
28. Piotr Anderszewski - Prelude and Fugue in F Major, BWV 880 I. Prelude
29. Gabriela Montero - Violin Concerto No. 2 in E Major, BWV 1042 II. Adagio
30. Bertrand Chamayou - 6 Morceaux faciles, Op. 59 No. 2, Berceuse d'une poupée
31. Alexandre Tharaud - Children's Album, Book I, Op. 62 I. Andantino
32. Martin James Bartlett - Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. for Piano by Busoni)
33. Maxence Cyrin - A Forest Bird Never Wants a Cage
34. Alexandre Tharaud - Le Carnaval des Animaux, R. 125 XIII. Le cygne
35. Fazil Say - Nocturnes, Op. 9 No. 2 in E-Flat Major. Andante
36. Daniel Barenboim - The Well-Tempered Clavier, Book I, BWV 846-869 Prelude and Fugue No. 4 in C-Sharp Minor, BW
37. Elisabeth Leonskaja - Piano Sonata No. 12 in F Major, K. 332 II. Adagio
38. Bertrand Chamayou - Lyric Pieces, Book 2, Op. 38 No. 1, Berceuse
39. Dalal - Melodia Africana I
40. Bertrand Chamayou - Song for Octave

...( Info )...
Genre: Psychedelic Stoner Rock
Country: France
Year of publication: 2018
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 00:33:48
Availability of scans: front

...( TrackList )...
01 - Electric Ayahuasca (00:01:44)
02 - The Alone Boy Song (00:05:40)
03 - The Faceless Man (00:06:10)
04 - The Upside Down (00:04:29)
05 - Healed By The Fire (00:05:13)
06 - The Winter Haze (00:05:17)
07 - Shake Your Mind (00:05:11)

...( Info )...

Artist: Various Artists
Album: 2024_2025 Hits
Year: 2025
Format/Quality: .mp3 320 kbps

...( TrackList )...

01. Rose - APT
02. Loco boy - All Night
03. Burna Boy - Bundle by Bundle
04. KSI - Dirty
05. Ataypapi - TOPG
06. zavet - Etage 3 (feat. Bausa)
07. Alle Farben - Die Welt in allen Farben (feat. Heavent)
08. David Guetta - Forever Young
09. Nessa Barrett - DISCO (FT. TOMMY GENESIS)
10. Error - SIGNS
11. Ava Max - Spot a Fake
12. Alle Farben - Call My Name (feat. Sofiloud)
13. Linkin Park - Over Each Other
14. Omar Rudberg - Sabotage
15. Drew Sycamore - Another Lovesong
16. Bensh - Loyalty
17. Charlize - Wie immer
18. Rose - number one girl
19. Jack Harlow - Hello Miss Johnson
20. Error - FLUCHTPUNKT
21. Bensh - Catch Me
22. Charli XCX - Talk talk featuring troye sivan
23. Alle Farben - Drum (feat. Lena Sue)
24. Robin Schulz - One by One (feat. Oaks)
25. Moncrieff - I just don't think I'll make it over you
26. Giovanni Zarrella - Universo
27. MilleniumKid - Keine Luft
28. McCoy - GOLDEN
29. Rachel Chinouriri - Even (with Cat Burns)
30. Coldplay - feelslikeimfallinginlove
31. Simona - Monster
32. Charlize - Anomalie
33. Loco boy - Drink in Moderation
34. BELLA X - Rollercoaster
35. The Blessed Madonna - Brand New (feat. James Vincent McMorrow and A-Trak)
36. Ravyn Lenae - Love Me Not (feat. Rex Orange County)
37. Charli XCX - Sympathy is a knife featuring ariana grande
38. Ashnikko - Halloweenie VI Possess Me
39. Daniel Seavey - Gateway Drug
40. Robin Schulz - World Gone Wild (feat. Sam Martin)
41. CCOSMO - Frühstück bei Tiffany
42. Losin - Überlebt
43. FKA Twigs - Perfect Stranger
44. Coldplay - WE PRAY (feat. Little Simz, Burna Boy, Elyanna & TINI)
45. Data Luv - Feelings
46. Vanessa Mai - Lobby
47. Error - UBER INS ABYSS (feat. Wa22ermann)
48. Röya - Falling (D'Opera)
49. Muryel - difficult (acoustic)
50. Lil Uzi Vert - Mr Chow
51. Sam Gellaitry - HOME
52. Linkin Park - Heavy Is the Crown
53. Cher - DJ Play a Christmas Song
54. Rose - toxic till the end
55. Coldplay - ALL MY LOVE
56. Pet Shop Boys - All the young dudes
57. Robin Schulz - Satellite
58. Nessa Barrett - MUSTANG BABY (feat. ARTEMAS)
59. Loco boy - Slow Dancing

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

Live In Holland '99 (Part 2)
Live At IJsselhallen, Zwolle, The Netherlands, November 11, 1999
1. Act I: Scene Three: I. Through My Eyes
2. Act I: Scene Three: II. Fatal Tragedy
3. Erotomania
4. Paradigm Shift
5. Universal Mind
6. Hollow Years
7. Another Day
8. Act II: Scene Six: Home
9. Pull Me Under
10. Under A Glass Moon
11. A Fortune In Lies
12. Only A Matter Of Time
13. Take The Time




SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

Live In Holland '99 (Part 2)
Live At IJsselhallen, Zwolle, The Netherlands, November 11, 1999
1. Act I: Scene Three: I. Through My Eyes
2. Act I: Scene Three: II. Fatal Tragedy
3. Erotomania
4. Paradigm Shift
5. Universal Mind
6. Hollow Years
7. Another Day
8. Act II: Scene Six: Home
9. Pull Me Under
10. Under A Glass Moon
11. A Fortune In Lies
12. Only A Matter Of Time
13. Take The Time




SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

CD 4 - Tokyo 1995 (Part 2):
Live At Nakano Sunplaza Hall, Tokyo, Japan, January 24, 1995
1. A mind Behind Itself: I. Erotomania
2. A mind Behind Itself: II. Voice
3. A mind Behind Itself: III. The Silent Man
4. Metropolis Pt. 1 - The Miracle And The Sleeper

Live In Holland '99 (Part 1):
Live At IJsselhallen, Zwolle, The Netherlands, November 11, 1999
5. Laura Palmer's Theme From Twin Peaks
6. Metropolis Pt. 1 - The Miracle And The Sleeper
7. Act I: Scene Two: I. Overture 1928
8. Act I: Scene Two: II. Strange Déjà Vu
9. Lifting Shadows Of A Dream
10. Just Let Me Breathe
11. Peruvian Skies




https://www.youtube.com/watch?v=QZ3jlQEPjHg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

CD 4 - Tokyo 1995 (Part 2):
Live At Nakano Sunplaza Hall, Tokyo, Japan, January 24, 1995
1. A mind Behind Itself: I. Erotomania
2. A mind Behind Itself: II. Voice
3. A mind Behind Itself: III. The Silent Man
4. Metropolis Pt. 1 - The Miracle And The Sleeper

Live In Holland '99 (Part 1):
Live At IJsselhallen, Zwolle, The Netherlands, November 11, 1999
5. Laura Palmer's Theme From Twin Peaks
6. Metropolis Pt. 1 - The Miracle And The Sleeper
7. Act I: Scene Two: I. Overture 1928
8. Act I: Scene Two: II. Strange Déjà Vu
9. Lifting Shadows Of A Dream
10. Just Let Me Breathe
11. Peruvian Skies




https://www.youtube.com/watch?v=QZ3jlQEPjHg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

CD 3 - Tokyo 1995 (Part 1):
Live At Nakano Sunplaza Hall, Tokyo, Japan, January 24, 1995
1. Pull Me Under
2. 06:00
3. Take The Time
4. Caught In A Web / Mike Portnoy Drum Solo
5. Lifting Shadows Of A Dream
6. A Crack In The Mirror / The Mirror
7. Happy Birthday John Myung
8. Another Day



https://www.youtube.com/watch?v=v1uf15nnmGs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Live Broadcast - Nagrania broadcast, zwane również nagraniami transmisyjnymi, odnoszą się do profesjonalnych nagrań dźwiękowych i wizualnych, które są transmitowane przez media takie jak radio, telewizja lub internet.



..::TRACK-LIST::..

CD 3 - Tokyo 1995 (Part 1):
Live At Nakano Sunplaza Hall, Tokyo, Japan, January 24, 1995
1. Pull Me Under
2. 06:00
3. Take The Time
4. Caught In A Web / Mike Portnoy Drum Solo
5. Lifting Shadows Of A Dream
6. A Crack In The Mirror / The Mirror
7. Happy Birthday John Myung
8. Another Day



https://www.youtube.com/watch?v=v1uf15nnmGs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

Recorded at the Whisky A Go-Go, Hollywood on May 25th, 2001.

1. 17th Moon
2. Superheroes
3. Into The Night
4. Scarified
5. Motor Man
6. Dead Man's Shoes
7. That Hormone Thing
8. Time Before The Sun
9. Let The Spirit Fly
10. Get Away
11. Waiting
12. Hammer Away
13. Phallic Tractor - Fire Of Rock
14. O.H.B.
15. Street Lethal
16. Godzilla (Blue Öyster Cult cover)



..::OBSADA::..

Bass - John Alderete
Drums - Scott Travis
Guitar - Paul Gilbert
Vocals - Jeff Martin




https://www.youtube.com/watch?v=OLfMO0DeEZ4



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: 80er Alternativ
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Peter Schilling - Major Tom (Coming Home)
02. Alphaville - Lies (2019 Remaster) [Remix]
03. Falco - Coming Home (Jeanny Pt. 2, Ein jahr danach)
04. A-Ha - Train of Thought
05. Art Of Noise - Peter Gunn (feat. Duane Eddy)
06. Spandau Ballet - To Cut a Long Story Short
07. Talk Talk - It’s My Life
08. Ideal - Blaue Augen
09. The Stranglers - Golden Brown
10. The Smiths - Girlfriend in a Coma (2011 Remaster)
11. The Sisters Of Mercy - Detonation Boulevard (2018 Remaster)
12. Curt Cress - Welcome to Japan
13. The Replacements - Bastards of Young
14. New Model Army - Stupid Questions
15. Joy Division - Love Will Tear Us Apart
16. Arcadia - Election Day
17. Jane’s Addiction - Jane Says
18. Vicious Pink - 815 to Nowhere Great Balls of Fire
19. New Order - Blue Monday (2016 Remaster)
20. Echo And The Bunnymen - Bring On the Dancing Horses
21. Duran Duran - Careless Memories
22. Classix Nouveaux - Tokyo
23. Book Of Love - Boy
24. Ian Mcculloch - Proud to Fall
25. Marc Almond - Tears Run Rings
26. Morrissey - Suedehead (2011 Remaster)
27. Bow Wow Wow - C30 C60 C90 Go
28. Animal Magnet - Welcome to the Monkey House
29. Dexys - Dance Stance
30. Big Pig - Breakaway
31. Ministry - Deity
32. The Smiths - The Boy with the Thorn in His Side (2011 Remaster)
33. New Order - Shellshock (7 Edit)
34. Kajagoogoo - Big Apple
35. Spandau Ballet - Chant No. 1 (I Don't Need This Pressure On)
36. Classix Nouveaux - Because You're Young
37. Models - Out of Mind Out of Sight
38. The Stranglers - Skin Deep
39. Blue Zoo - (I Just Can't) Forgive and Forget
40. B-Movie - Nowhere Girl
41. A-Ha - The Sun Always Shines on T.V
42. Peter Schilling - The Different Story (World of Lust and Crime)
43. Fuzzbox - Pink Sunshine
44. Talking Heads - Girlfriend Is Better
45. The Soup Dragons - Soft as Your Face
46. Rusty Egan - The Other Side
47. Ideal - Monotonie
48. Echo And The Bunnymen - The Cutter
49. New Model Army - I Love the World
50. Talking Heads - Burning Down the House
51. Talk Talk - Talk Talk
52. The Sisters Of Mercy - Walk Away (2018 Remaster)
53. Alphaville - The Jet Set (2019 Remaster)
54. Faith No More - We Care a Lot
55. Falco - Crime Time (2021 Remaster)
56. Ramones - Do You Remember Rock and Roll Radio
57. Duran Duran - Planet Earth
58. The Sound - Winning
59. Hüsker Dü - Don't Want to Know If You Are Lonely
60. Re-Flex - The Politics of Dancing
61. Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden)
62. The Replacements - Kiss Me On the Bus
63. Book Of Love - I Touch Roses
64. The Dream Academy - Life in a Northern Town
65. Red Flag - Russian Radio