...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Amerykański zespół blues-rockowy założony w 1969 roku przez byłych członków Jefferson Airplane, Jormę Kaukonena (gitarzysta/wokal) i Jacka Casady'ego (basista). Choć zespół zawsze był płynny, a muzycy przychodzili i odchodzili na przestrzeni lat, jego trzon stanowiła zawsze współpraca Kaukonena i Casady'ego.



..::TRACK-LIST::..

CD 1 - Hot Tuna (1970):
1. Hesitation Blues 5:03
2. How Long Blues 3:56
3. Uncle Sam Blues 4:54
4. Don't You Leave Me Here 3:00
5. Death Don't Have No Mercy 6:12
6. Know You Rider 4:05
7. Oh Lord, Search My Heart 3:51
8. Winin' Boy Blues 5:29
9. New Song (For the Morning) 5:00
10. Mann's Fate 5:23
11. Keep Your Lamps Trimmed And Burning 3:47
12. Candy Man 3:34
13. True Religion 8:32
14. Belly Shadow 2:58
15. Come Back Baby 6:06


CD 2 - First Pull Up, Then Pull Down (1971) + Double Dose (1978):
1. John's Other 8:15
2. Candy Man 5:46
3. Been So Long 3:40
4. Want You to Know 4:30
5. Keep Your Lamps Trimmed And Burning 8:12
6. Never Happen No More 3:49
7. Come Back baby 9:35

8. Jorma Kaukonen - Winin' Boy Blues 6:32
9. Jorma Kaukonen - Keep Your Lamps Trimmed And Burning 8:12
10. Jorma Kaukonen - Embryonic Journey 2:15
11. Jorma Kaukonen - Killing Time In The Crystal City 7:03


CD 3 - Double Dose (1978):
1. I Wish You Would 4:35
2. Genesis 4:30
3. Extrication Love Song 4:31
4. Talking 'Bout You 5:46
5. Funky #7 8:53
6. Serpent Of Dreams 6:47
7. Bowlegged Woman, Knock Kneed Man 5:01
8. I See The Light 5:53
9. Watch The North Wind Rise 5:04
10. Sunrise Dance With Devil 5:52
11. I Can't Be Satisfied 5:05



..::OBSADA::..

'Hot Tuna' Produced by Al Schmitt
Jorma Kaukonen - Acoustic Guitar & Vocals
Jack Cassidy - Bass
Will Scarlett - Harmonica

'First Pull Up, Then Pull Down'
Jorma Kaukonen - Guitar & Vocals
Jack Cassady - Bass
Papa John Creach - Violin
Sammy Piazza - Drummer Extraordinaire
Will Scarlett - Harmonica

'Double Dose' Produced by Felix Pappalardi
Jorma Kaukonen - Guitar & Vocals
Jack Cassady - Bass
Nick Buck - Keyboards
Bob Steeler - Drums



https://www.youtube.com/watch?v=AOOQ1woZWQY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Amerykański zespół blues-rockowy założony w 1969 roku przez byłych członków Jefferson Airplane, Jormę Kaukonena (gitarzysta/wokal) i Jacka Casady'ego (basista). Choć zespół zawsze był płynny, a muzycy przychodzili i odchodzili na przestrzeni lat, jego trzon stanowiła zawsze współpraca Kaukonena i Casady'ego.



..::TRACK-LIST::..

CD 1 - Hot Tuna (1970):
1. Hesitation Blues 5:03
2. How Long Blues 3:56
3. Uncle Sam Blues 4:54
4. Don't You Leave Me Here 3:00
5. Death Don't Have No Mercy 6:12
6. Know You Rider 4:05
7. Oh Lord, Search My Heart 3:51
8. Winin' Boy Blues 5:29
9. New Song (For the Morning) 5:00
10. Mann's Fate 5:23
11. Keep Your Lamps Trimmed And Burning 3:47
12. Candy Man 3:34
13. True Religion 8:32
14. Belly Shadow 2:58
15. Come Back Baby 6:06


CD 2 - First Pull Up, Then Pull Down (1971) + Double Dose (1978):
1. John's Other 8:15
2. Candy Man 5:46
3. Been So Long 3:40
4. Want You to Know 4:30
5. Keep Your Lamps Trimmed And Burning 8:12
6. Never Happen No More 3:49
7. Come Back baby 9:35

8. Jorma Kaukonen - Winin' Boy Blues 6:32
9. Jorma Kaukonen - Keep Your Lamps Trimmed And Burning 8:12
10. Jorma Kaukonen - Embryonic Journey 2:15
11. Jorma Kaukonen - Killing Time In The Crystal City 7:03


CD 3 - Double Dose (1978):
1. I Wish You Would 4:35
2. Genesis 4:30
3. Extrication Love Song 4:31
4. Talking 'Bout You 5:46
5. Funky #7 8:53
6. Serpent Of Dreams 6:47
7. Bowlegged Woman, Knock Kneed Man 5:01
8. I See The Light 5:53
9. Watch The North Wind Rise 5:04
10. Sunrise Dance With Devil 5:52
11. I Can't Be Satisfied 5:05


..::OBSADA::..

'Hot Tuna' Produced by Al Schmitt
Jorma Kaukonen - Acoustic Guitar & Vocals
Jack Cassidy - Bass
Will Scarlett - Harmonica

'First Pull Up, Then Pull Down'
Jorma Kaukonen - Guitar & Vocals
Jack Cassady - Bass
Papa John Creach - Violin
Sammy Piazza - Drummer Extraordinaire
Will Scarlett - Harmonica

'Double Dose' Produced by Felix Pappalardi
Jorma Kaukonen - Guitar & Vocals
Jack Cassady - Bass
Nick Buck - Keyboards
Bob Steeler - Drums



https://www.youtube.com/watch?v=AOOQ1woZWQY



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Lady Pank - Koncertowa
---------------------------------------------------------------------

Artist...............: Lady Pank
Album................: Koncertowa
Genre................: Rock
Source...............: CD
Year.................: 1999
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Reedycja 2015

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Lady Pank - Wstęp [00:20]
2. Lady Pank - Zamki Na Piasku [04:23]
3. Lady Pank - Kryzysowa Narzeczona [04:03]
4. Lady Pank - Vademecum Skauta [03:14]
5. Lady Pank - Fabryka Małp [04:04]
6. Lady Pank - Sztuka Latania [05:11]
7. Lady Pank - Marchewkowe Pole [06:34]
8. Lady Pank - Zawsze Tam Gdzie Ty [06:36]
9. Lady Pank - Zostawcie Titanica [04:45]
10. Lady Pank - Mała Wojna [04:32]
11. Lady Pank - Du Du [04:04]
12. Lady Pank - Mniej Niż Zero [03:36]
13. Lady Pank - Znowu Pada Deszcz [04:59]
14. Lady Pank - Tańcz Głupia Tańcz [03:15]
15. Lady Pank - Ohyda! [04:34]
16. Lady Pank - Rozmowa Z... [04:11]
17. Lady Pank - Do Moniki L. [04:35]

Playing Time.........: 01:13:04
Total Size...........: 515,52 MB

...( Info )...
Genre: Indie Rock / Pop-Rock
Country: UK
Year of publication: 1981 - 2023
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 24:50:39

The Cleaners from Venus, began in Wivenhoe, Essex, in November 1980. They recorded their music on minimal equipment, using cheap or sometimes home-made instruments.https://thecleanersfromvenus.bandcamp.com/

...( TrackList )...
Albums:
1981 - Blow Away Your Troubles (64:41)
1982 - Midnight Cleaners (35:45)
1982 - On Any Normal Monday (35:42)
1983 - In the Golden Autumn (42:11)
1984 - Under Wartime Conditions (36:59)
1986 - Living with Victoria Grey (37:29)
1988 - Town And Country (40:19)
1990 - Number Thirteen (40:39)
2000 - My Back Wages (40:52)
2002 - Live in Japan (Osaka 1994) (01:08:40)
2011 - English Electric (36:16)
2011 - In Chimp World (00:39:14)
2013 - A Dawn Chorus: Early Cleaners and Beyond (1967-1985) (43:23)
2013 - Songs for a Fallow Land (40:28)
2013 - The Late District (43:36)
2014 - Extra Wages (32:34)
2014 - Return to Bohemia (37:46)
2015 - Rose of the Lanes (00:43:37)
2016 - The Last Boy in the Locarno (00:39:02)
2017 - Martin Newell's Jumble Sale (00:47:31)
2018 - Life in a Time Machine (00:39:46)
2018 - Star Cafe (00:50:08)
2019 - Ginger Stepkids (The Lost Demos 2009/2010) (00:40:47)
2019 - Going to England (00:36:05)
2020 - Dolly Birds & Spies (00:41:02)
2021 - Penny Novelettes (00:47:31)
2022 - That London (00:46:58)
2023 - K7 (00:37:33)

EP & Singles:
1987 - Mind How You Go CS (1987, Man At The Off Licence) (15:31)
2017 - Kitchen Table (00:17:58)
2018 - Android Nation (00:11:58)
2019 - Could Be Christmas Eve (00:13:07)
2019 - Essex Princess (00:10:22)
2019 - Time Machine (00:08:39)
2020 - Flowers of December (00:14:56)
2020 - July (00:12:29)
2021 - Christabel's Party (00:12:23)
2022 - Lo-Fi London (00:10:52)
2023 - The Beautiful Stoned (00:10:09)

Compilation:
2004 - The Very Best of Cleaners from Venus (01:18:17)
2022 - Cleaned Up Collectables vol.1 (00:43:42)
2022 - Cleaned Up Collectibles vol.2 (00:44:03)

...( Info )...


Artist: Julie Alapnes
Album: Reinkalvria
Year: 2025
Genre: Folk
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. Alappen - Stolegáisi
02. Kokong
03. Uendelig - Agálaš
04. Vårvendt
05. Stille storm
06. Reinkalvria
07. Høye skuldra
08. Ballast
09. Overblikk
10. Stødig
11. Gazas håp

...( Info )...

Artist: Elodie Vignon
Album: Monsieur Debussy L'œuvre pour piano Vol. 1 Soirs d'or
Year: 2025
Genre: Classic
Quality: FLAC 24Bit-192kHz

...( TrackList )...

Disc 1
01. Prélude à l’après-midi d’un faune, L. 86 (Arr. Pour Deux Pianos de Claude Debussy)
02. Rêverie, L. 8
03. Arabesque No. 1, L. 66
04. Arabesque No. 2, L. 66
05. Danse bohémienne, L. 9
06. Valse romantique, L. 71
07. Suite bergamasque, L. 75: I. Prélude
08. Suite bergamasque, L. 75: II. Menuet
09. Suite bergamasque, L. 75: III. Clair de lune
10. Suite bergamasque, L. 75: IV. Passepied
11. Danse "Tarentelle styrienne", L. 69
12. Mazurka, L. 67
13. Ballade, L. 70
14. Images oubliées, L. 87: I. Lent (mélancolique et doux)
15. Images oubliées, L. 87: II. Souvenir du Louvre
16. Images oubliées, L. 87: III. Quelques aspects de Nous n’irons pas au bois parce qu’il fait un temps insupportable
17. Nocturne, L. 82
Disc 2
01. Pour le piano, L. 95: I. Prélude
02. Pour le piano, L. 95: II. Sarabande
03. Pour le piano, L. 95: III. Toccata
04. Images (1ère série), L. 110: I. Reflets dans l’eau
05. Images (1ère série), L. 110: II. Hommage à Rameau
06. Images (1ère série), L. 110: III. Mouvement
07. Estampes, L. 100: I. Pagodes
08. Estampes, L. 100: II. La Soirée dans Grenade
09. Estampes, L. 100: III. Jardins sous la pluie
10. Pièce pour piano "Morceau de concours", L. 108
11. Images (2ème série), L. 111: I. Cloches à travers les feuilles
12. Images (2ème série), L. 111: II. Et la lune descend sur le temple qui fut
13. Images (2ème série), L. 111: III. Poissons d’or
14. Masques, L. 105
15. D’un cahier d’esquisses, L. 99
16. L’Isle joyeuse, L. 106

...( Info )...

Artist: Matt Dusk & Margaret
Title: Just the Two Of Us
Year: 2015
Genre: Classical Smooth Jazz
Publisher (label): Magic Records
Duration: 00:58:36
Format/Codec: FLAC
Rip type: Tracks
Audio bitrate: Lossless
Bit depth: 16 Bit/44.1 kHz


...( Opis )...

Ogień i woda! Niesamowite muzyczne spotkanie! Margaret i Matt Dusk - bo o nich mowa - mają na koncie złote i platynowe płyty, wiele prestiżowych nagród i tysiące fanów!

Efektem połączenia unikatowej barwy głosu i charyzmy Margaret oraz romantyzmu i ciepła płynącego z głosu Matta Duska jest fantastyczny album zawierający subtelne, swingujące interpretacje jazzowych standardów takich jak: „Deed I Do”, „Gee Baby”, „Ain't I Good To You”, „Just The Two Of Us”, „Sunshine Of My Life” czy „Something Stupid”.

Klasyka Smooth Jazzu w wykonaniu blond piękności rodem ze Stargardu Szczecińskiego. Obserwujemy tutaj dojrzalszą Małgorzatę: popowe, radiowe "Thank You Very Much" zamieniała na standardy muzyki jazzowej. Oto 'tylko ich dwoje' - 22-letnia Margaret oraz 37-letni Matt Dusk. Różnica wieku spora - zamiłowanie do swingu podobne. Warto posłuchać.


...( TrackList )...

1. Quiet Nights Of Quiet Stars
2. Just The Two Of Us
3. Something Stupid
4. ?Deed I Do
5. Gee Baby, Ain't I Good To You
6. You Are The Sunshine Of My Life
7. Your Kiss Is On My List
8. This Masquerade
9. Girl From Ipanema
10. How Insensitive
11. Our Love Is Here To Stay
12. They Can't Take That Away From Me

13. I Got It Bad (And That Ain't Good) - bonus track (Margaret solo)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja drugiego (i zarazem ostatniego) pełnego albumu VECTOM oryginalnie wydanego w 1986 roku. Niecałe 38 minut old school speed / thrash metalu.
Limitowane do 500 sztuk wydanie slipcase CD z plakatem



In any sub-genre of metal, there is always one band that many will point to and say something along the lines of, "This sounds generic, so it's one of the worst things ever." For mid-80s speed metal, the short-lived German outfit known as Vectom seems to be one of the more popular whipping boys, though this sentiment seems to be more triggered by the evil KKK looking guys on the album cover than anything else because the actual contents of their albums have tended to be fairly solid, if maybe coming up short on taking risks. But one area where there tends to be a consensus is that Rules Of Mystery, the band's second LP in as many years, is a step up from its predecessor. Everything is just a bit more polished this time around, from the songwriting to the production quality, with the only real reduction being the smaller number of evil characters resembling icons of American racism adoring the cover.

Precision is more of a factor for Vectom this time around, as the arrangement has gotten a bit tighter and the stylistic leanings of the songwriting, while still mostly nestled in speed metal cliche, has also taken on a power metal oriented approach to chorus creation and melodic instrumental underpinnings, not to mention a more thrashing feel at times. Occasional trace lead guitar melody drones pop in and out from time to time, perhaps most notably on "Dipsomania" to complement a more symmetrical songwriting structure that leans towards Iron Maiden. Similarly, while sporting a couple faster Judas Priest oriented spurts, "Why Am I Alive" has all the mid-paced, galloping chug riffing meat and potatoes of a slower paced Metallica or Testament song. Truth be told, this album listens pretty close to a poor man's The Legacy with a vocalist that has more of a classic punk-persona with a German accent.

Barring the few aforementioned exceptions where things are a bit more restrained and catchy, much of this album tends towards a mix of flashing speed and punchy thrashing riffs. The speed metal stock and trade of this band that ruled their debut is heard yet again on straight-line speeders such as "Prisoner's Back" and "Outlaw", following the typical German model that is best represented in the early Kai Hansen days of Helloween. On the other hand, "Elixier Of Death" and "Evil Run" carry the closing end of this song on more of a thrashing note, conjuring up some similarities to Tankard's Zombie Attack, while "Feelings Of Freedom" manages some impressive bass work and some mid-paced riff work right out of the early Metallica playbook. This whole album manages to capitalize on Ralf Simon's impressive speed picked bass work by putting him fairly high in the mix, enough to hold a candle to what Joey Demaio brought to early Manowar.

The accusation lobbed at this band of being generic has some truth to it, as it is very possible for a novice in mid-80s metal to confuse this with any number of noteworthy early German speed acts and even some of the earliest thrash output of the Bay Area scene circa 1983-85, but the charge has been exaggerated by many to the point of unintentional parody. Sure, the band didn't really add anything substantial to the sizable scene that was in place where they put out their material, but that alone doesn't a good album from a poor one. The imagery is kinda comical, and at times the music inadvertently plays into that, but the competency factor is definitely there and the fun factor is close behind it. There are better speed metal bands from the era in question, but Vectom's Rules Of Mystery is far from the worst.

hells unicorn



..::TRACK-LIST::..

1. Der Anfang 0:09
2. Prisoner's Back 3:09
3. Dipsomania 4:28
4. Metallic War 4:45
5. Why Am I Alive 4:10
6. Outlaw 3:43
7. Feelings Of Freedom 3:49
8. Elixier Of Death 4:24
9. Caught By Insanity 3:31
10. Evil Run 5:25
11. This Is The End 0:14



..::OBSADA::..

Lead Guitar - Horst Götz, Stefan Kroll
Vocals - Christian Bucher
Bass - Ralf Simon
Drums - Wolfgang Sonhütter



https://www.youtube.com/watch?v=wgFY4h5jqcA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja drugiego (i zarazem ostatniego) pełnego albumu VECTOM oryginalnie wydanego w 1986 roku. Niecałe 38 minut old school speed / thrash metalu.
Limitowane do 500 sztuk wydanie slipcase CD z plakatem



In any sub-genre of metal, there is always one band that many will point to and say something along the lines of, "This sounds generic, so it's one of the worst things ever." For mid-80s speed metal, the short-lived German outfit known as Vectom seems to be one of the more popular whipping boys, though this sentiment seems to be more triggered by the evil KKK looking guys on the album cover than anything else because the actual contents of their albums have tended to be fairly solid, if maybe coming up short on taking risks. But one area where there tends to be a consensus is that Rules Of Mystery, the band's second LP in as many years, is a step up from its predecessor. Everything is just a bit more polished this time around, from the songwriting to the production quality, with the only real reduction being the smaller number of evil characters resembling icons of American racism adoring the cover.

Precision is more of a factor for Vectom this time around, as the arrangement has gotten a bit tighter and the stylistic leanings of the songwriting, while still mostly nestled in speed metal cliche, has also taken on a power metal oriented approach to chorus creation and melodic instrumental underpinnings, not to mention a more thrashing feel at times. Occasional trace lead guitar melody drones pop in and out from time to time, perhaps most notably on "Dipsomania" to complement a more symmetrical songwriting structure that leans towards Iron Maiden. Similarly, while sporting a couple faster Judas Priest oriented spurts, "Why Am I Alive" has all the mid-paced, galloping chug riffing meat and potatoes of a slower paced Metallica or Testament song. Truth be told, this album listens pretty close to a poor man's The Legacy with a vocalist that has more of a classic punk-persona with a German accent.

Barring the few aforementioned exceptions where things are a bit more restrained and catchy, much of this album tends towards a mix of flashing speed and punchy thrashing riffs. The speed metal stock and trade of this band that ruled their debut is heard yet again on straight-line speeders such as "Prisoner's Back" and "Outlaw", following the typical German model that is best represented in the early Kai Hansen days of Helloween. On the other hand, "Elixier Of Death" and "Evil Run" carry the closing end of this song on more of a thrashing note, conjuring up some similarities to Tankard's Zombie Attack, while "Feelings Of Freedom" manages some impressive bass work and some mid-paced riff work right out of the early Metallica playbook. This whole album manages to capitalize on Ralf Simon's impressive speed picked bass work by putting him fairly high in the mix, enough to hold a candle to what Joey Demaio brought to early Manowar.

The accusation lobbed at this band of being generic has some truth to it, as it is very possible for a novice in mid-80s metal to confuse this with any number of noteworthy early German speed acts and even some of the earliest thrash output of the Bay Area scene circa 1983-85, but the charge has been exaggerated by many to the point of unintentional parody. Sure, the band didn't really add anything substantial to the sizable scene that was in place where they put out their material, but that alone doesn't a good album from a poor one. The imagery is kinda comical, and at times the music inadvertently plays into that, but the competency factor is definitely there and the fun factor is close behind it. There are better speed metal bands from the era in question, but Vectom's Rules Of Mystery is far from the worst.

hells unicorn



..::TRACK-LIST::..

1. Der Anfang 0:09
2. Prisoner's Back 3:09
3. Dipsomania 4:28
4. Metallic War 4:45
5. Why Am I Alive 4:10
6. Outlaw 3:43
7. Feelings Of Freedom 3:49
8. Elixier Of Death 4:24
9. Caught By Insanity 3:31
10. Evil Run 5:25
11. This Is The End 0:14



..::OBSADA::..

Lead Guitar - Horst Götz, Stefan Kroll
Vocals - Christian Bucher
Bass - Ralf Simon
Drums - Wolfgang Sonhütter



https://www.youtube.com/watch?v=wgFY4h5jqcA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

One of the most influential metal bands ever, is without doubt Possessed. Didn’t they create an entire main genre in extreme metal? The Possessed demo ‘Death Metal’ from 1984 was ground breaking and led to a deal with Combat Records. Debut album ‘Seven Churches’ was released late 1985 and influenced many, if not all, extreme metal bands up till today. Live at Balboa Theatre, January 1986 was the gig they performed the ‘Seven Churches’ album. That night the bill was Exodus, Possessed, Dark Angel, DRI & Death Angel. All tracks are carefully restored and remastered by Achilleas Kalantzis (Vio Lence, Defiance, Varathron). Extensive liner notes / interview with Jeff Becerra. Rare, never before published pictures. Cover and booklet art by Thomas Pinheiro (Malevolent Creation, Defiance, Lobotomy). Official live album. No ultra fancy polished sound, raw as hell, the way early death / black metal was suppossed to sound, this was 1986!



..::TRACK-LIST::..

1. The Exorcist 04:47
2. Pentagram 04:10
3. Satan's Curse 04:44
4. Holy Hell 04:43
5. Burning In Hell 03:28
6. Evil Warriors 04:13
7. Seven Churches 03:37
8. Death Metal 03:59



https://www.youtube.com/watch?v=5qdOkVyWVgE


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

One of the most influential metal bands ever, is without doubt Possessed. Didn’t they create an entire main genre in extreme metal? The Possessed demo ‘Death Metal’ from 1984 was ground breaking and led to a deal with Combat Records. Debut album ‘Seven Churches’ was released late 1985 and influenced many, if not all, extreme metal bands up till today. Live at Balboa Theatre, January 1986 was the gig they performed the ‘Seven Churches’ album. That night the bill was Exodus, Possessed, Dark Angel, DRI & Death Angel. All tracks are carefully restored and remastered by Achilleas Kalantzis (Vio Lence, Defiance, Varathron). Extensive liner notes / interview with Jeff Becerra. Rare, never before published pictures. Cover and booklet art by Thomas Pinheiro (Malevolent Creation, Defiance, Lobotomy). Official live album. No ultra fancy polished sound, raw as hell, the way early death / black metal was suppossed to sound, this was 1986!



..::TRACK-LIST::..

1. The Exorcist 04:47
2. Pentagram 04:10
3. Satan's Curse 04:44
4. Holy Hell 04:43
5. Burning In Hell 03:28
6. Evil Warriors 04:13
7. Seven Churches 03:37
8. Death Metal 03:59



https://www.youtube.com/watch?v=5qdOkVyWVgE


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Yes, this is the same thrash metal band from the east coast that was one of the early signees with the then fledgling label, New Renaissance Records started by none other than Ann Boleyn. These guys released two albums, an EP and also had a couple of their tracks on the speed metal hell compilations back in the eighties which practically did not get them anywhere(while still drawing critical acclaim for being one of the first speed metal bands) and then vanished from the scene altogether. After a sabbatical of nearly 21 years, the trio is back again with this release titled “Infidel” and seems like this could have been on their eighties catalog. The feel of this album is pure old school and by no means utilizes any half step measures of the late 90s and post 2000. At War is back in business!!!!

Just like the previous two albums, the band uses the tried and tested formula of keeping the length of this one well within 35 minutes which in is fair enough for a speed metal band that uses a good dose of punk as well. The production is done pretty well alongside keeping the old school eighties feel intact. All the instruments can be easily distinguished from each other without any single instrument dominance, while the vocals are yet again vintage Motorhead style, though with a little more gruff and thrash edge. The songs in here are short and crisp, devoid of any sad as hell intros and background noise effects whereas the riff work is brilliant. Another thing likeable about this release is that the tuning is Standard E and not the drop D style that most bands follow these days.

As for the tracks, all of them blend along very well without giving any hint of falling apart at the seams. I feel no necessity of covering each and every track in detail but instead pick out a few that stick to my head prompting me to listen to them again. “Assassins” has that main riff that is some of the best I’ve heard in recent years and “Semper Fi” sort of reminded me of “Indulgence” era Nasty Savage without the insane wails of Nasty Ronnie and to an extent, Slayer in some of the guitar parts. The tracks that really stand out though are “At War” and “R.A.F”, filled with oodles of energy and a total war attitude that reminds newcomers of how thrash metal should be done. The closer “Rapechase” is a track that appeared on their debut album and also one of the “Speed Metal Hell” compilations and this in my opinion is an absolute banger of a song that could have given some of the big names back during the thrash boom a run for their money and fame.

Though some people out there would argue that this release is no different from what they did back in the eighties, and that the band has not matured at all after all these years. My take on this is that even though these guys sound dated, they’re still better off than all those bands who have taken an absolutely approach to their music. An example would be At War’s ex-label mates Sepultura who have transformed themselves beyond recognition. From a death/thrash hybrid to a total shitty sounding groove band, they’ve just made themselves look like clowns of a circus troupe. This trio on the other hand do not show any signs of compromising on their original sound and still show loyalty towards their fans with no intentions whatsoever of alienating them.

As far as the recommendation is concerned, I’d definitely go the extra mile to support these guys and bring them to the notice of the masses. Fans of yesteryear thrash, proto death and mid era Motorhead would find interest of significance here. This is the return of the war veterans.


Cravingforvenom



The best way to learn about thrash metal is, ironically, not through its big names. Most of the "Big Four" of thrash (Metallica, Megadeth, Anthrax, and Slayer) became big by straying from the genre. Metallica started writing radio hits; Megadeth tried to do likewise. Anthrax dabbled in rap, alt-metal, and rock. Only Slayer stayed mostly true to thrash, but they are so sui generis that they are almost their own genre. Thus, the so-called "second tier"-- bands that never made it big-- comprise thrash's true sound. These bands knock out machine-gun riffs and polka beats with no regard for the mainstream, and are often much more intense than the Big Four.

At War are one such band. Even when they began in the 1980s, they stood out from the thrash herd. They were from Virginia, not one of America's thrash epicenters (New York City, Los Angeles, the Bay Area). They also weren't pacifists. Much of 1980s thrash was a reaction to Reagan-era policies, with countless bands preaching the horrors of nuclear war. At War, however, were unabashed military supporters. They weren't necessarily right-wing conservatives; one of their songs advocated the separation of church and state. But they had friends and family in the military, and paid tribute to that history through their music. Thus, military imagery pervaded their artwork, and military sounds peppered their albums.

Like most of their thrash colleagues, At War stood down in the 1990s once grunge came along. But popular music is cyclical, and the past few years have seen a resurgence in thrash metal. New bands have sprung up to emulate old ones, many of whom have reunited. Thus, At War's new album Infidel feels both retro and contemporary. The band's straight-ahead approach has not changed. Paul Arnold's vocals remain commanding and rhythmic. Shawn Helsel's guitars still blend Motörhead with German thrash. Dave Stone's drums have the surprising subtlety they had in the 1980s. The band even retained old-school thrash producer Alex Perialas for this record. He elicited the band's strongest performances to date. The band has never sounded so tight, nor has it ever had such big production. Such precision and cleanliness is slightly odd for a band known for its rawness. The sound has power, though, and reflects the realities of recording in a more technologically advanced time.

War requires an enemy. For At War, that has shifted from Communists to Muslim fundamentalists. The cover of Infidel depicts an eagle-tattooed man facing down an army of Jihadists. "Want You Dead" features a chorus of "They want you dead/ Kuffar die!/ They want you dead/ Open your eyes!" This is hardly diplomatic, but metal is not diplomatic music. Infidel is a strong statement. Agreement with it is up to the listener.

Cosmo Lee



..::TRACK-LIST::..

1. Assassins
2. Semper Fi
3. Make Your Move
4. At War
5. Want You Dead
6. R.A.F.
7. Deceit
Lead Guitar [All Other Leads] - Shawn Helsel
Lead Guitar [First] - Adam Tranquilli
8. Vengeful Eyes
Lead Guitar [All Other Leads] - Shawn Helsel
Lead Guitar [Front And Back] - RikiLee
9. Rapechase



..::OBSADA::..

Paul Arnold - Bass, Vocals
Shawn Helsel - Guitars, Vocals (backing)
Dave Stone - Drums



https://www.youtube.com/watch?v=t1TM62pCCZ4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Yes, this is the same thrash metal band from the east coast that was one of the early signees with the then fledgling label, New Renaissance Records started by none other than Ann Boleyn. These guys released two albums, an EP and also had a couple of their tracks on the speed metal hell compilations back in the eighties which practically did not get them anywhere(while still drawing critical acclaim for being one of the first speed metal bands) and then vanished from the scene altogether. After a sabbatical of nearly 21 years, the trio is back again with this release titled “Infidel” and seems like this could have been on their eighties catalog. The feel of this album is pure old school and by no means utilizes any half step measures of the late 90s and post 2000. At War is back in business!!!!

Just like the previous two albums, the band uses the tried and tested formula of keeping the length of this one well within 35 minutes which in is fair enough for a speed metal band that uses a good dose of punk as well. The production is done pretty well alongside keeping the old school eighties feel intact. All the instruments can be easily distinguished from each other without any single instrument dominance, while the vocals are yet again vintage Motorhead style, though with a little more gruff and thrash edge. The songs in here are short and crisp, devoid of any sad as hell intros and background noise effects whereas the riff work is brilliant. Another thing likeable about this release is that the tuning is Standard E and not the drop D style that most bands follow these days.

As for the tracks, all of them blend along very well without giving any hint of falling apart at the seams. I feel no necessity of covering each and every track in detail but instead pick out a few that stick to my head prompting me to listen to them again. “Assassins” has that main riff that is some of the best I’ve heard in recent years and “Semper Fi” sort of reminded me of “Indulgence” era Nasty Savage without the insane wails of Nasty Ronnie and to an extent, Slayer in some of the guitar parts. The tracks that really stand out though are “At War” and “R.A.F”, filled with oodles of energy and a total war attitude that reminds newcomers of how thrash metal should be done. The closer “Rapechase” is a track that appeared on their debut album and also one of the “Speed Metal Hell” compilations and this in my opinion is an absolute banger of a song that could have given some of the big names back during the thrash boom a run for their money and fame.

Though some people out there would argue that this release is no different from what they did back in the eighties, and that the band has not matured at all after all these years. My take on this is that even though these guys sound dated, they’re still better off than all those bands who have taken an absolutely approach to their music. An example would be At War’s ex-label mates Sepultura who have transformed themselves beyond recognition. From a death/thrash hybrid to a total shitty sounding groove band, they’ve just made themselves look like clowns of a circus troupe. This trio on the other hand do not show any signs of compromising on their original sound and still show loyalty towards their fans with no intentions whatsoever of alienating them.

As far as the recommendation is concerned, I’d definitely go the extra mile to support these guys and bring them to the notice of the masses. Fans of yesteryear thrash, proto death and mid era Motorhead would find interest of significance here. This is the return of the war veterans.


Cravingforvenom



The best way to learn about thrash metal is, ironically, not through its big names. Most of the "Big Four" of thrash (Metallica, Megadeth, Anthrax, and Slayer) became big by straying from the genre. Metallica started writing radio hits; Megadeth tried to do likewise. Anthrax dabbled in rap, alt-metal, and rock. Only Slayer stayed mostly true to thrash, but they are so sui generis that they are almost their own genre. Thus, the so-called "second tier"-- bands that never made it big-- comprise thrash's true sound. These bands knock out machine-gun riffs and polka beats with no regard for the mainstream, and are often much more intense than the Big Four.

At War are one such band. Even when they began in the 1980s, they stood out from the thrash herd. They were from Virginia, not one of America's thrash epicenters (New York City, Los Angeles, the Bay Area). They also weren't pacifists. Much of 1980s thrash was a reaction to Reagan-era policies, with countless bands preaching the horrors of nuclear war. At War, however, were unabashed military supporters. They weren't necessarily right-wing conservatives; one of their songs advocated the separation of church and state. But they had friends and family in the military, and paid tribute to that history through their music. Thus, military imagery pervaded their artwork, and military sounds peppered their albums.

Like most of their thrash colleagues, At War stood down in the 1990s once grunge came along. But popular music is cyclical, and the past few years have seen a resurgence in thrash metal. New bands have sprung up to emulate old ones, many of whom have reunited. Thus, At War's new album Infidel feels both retro and contemporary. The band's straight-ahead approach has not changed. Paul Arnold's vocals remain commanding and rhythmic. Shawn Helsel's guitars still blend Motörhead with German thrash. Dave Stone's drums have the surprising subtlety they had in the 1980s. The band even retained old-school thrash producer Alex Perialas for this record. He elicited the band's strongest performances to date. The band has never sounded so tight, nor has it ever had such big production. Such precision and cleanliness is slightly odd for a band known for its rawness. The sound has power, though, and reflects the realities of recording in a more technologically advanced time.

War requires an enemy. For At War, that has shifted from Communists to Muslim fundamentalists. The cover of Infidel depicts an eagle-tattooed man facing down an army of Jihadists. "Want You Dead" features a chorus of "They want you dead/ Kuffar die!/ They want you dead/ Open your eyes!" This is hardly diplomatic, but metal is not diplomatic music. Infidel is a strong statement. Agreement with it is up to the listener.

Cosmo Lee



..::TRACK-LIST::..

1. Assassins
2. Semper Fi
3. Make Your Move
4. At War
5. Want You Dead
6. R.A.F.
7. Deceit
Lead Guitar [All Other Leads] - Shawn Helsel
Lead Guitar [First] - Adam Tranquilli
8. Vengeful Eyes
Lead Guitar [All Other Leads] - Shawn Helsel
Lead Guitar [Front And Back] - RikiLee
9. Rapechase



..::OBSADA::..

Paul Arnold - Bass, Vocals
Shawn Helsel - Guitars, Vocals (backing)
Dave Stone - Drums



https://www.youtube.com/watch?v=t1TM62pCCZ4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

WIZRD: Formed Trondheim, Norway, 2018. Since then based in Oslo.

The band was originally envisioned at the Jazz Conservatory in Trondheim by bassist and vocalist Hallvard GAARDLØS who enlisted the help of two of his fellow students at the Conservatory to form a band with a view to the trio performing at his graduating exam. The trio played several songs at the exam, including some which eventually ended up on the band's debut album.

Although formed as a guitar/bass/drums three-piece in early 2018, Vegard Lien BJERKAN joined on keys very soon after the band's initial formation, and the completed line-up consisted of four excellent musicians who were already members of other fine bands - such as Norwegian Jazz Fusionists SOFT FFOG, Rock'n'Roll powerhouse SPIDERGAWD, Jazz/Progressive Trio KROKOFANT, Hard Rock and Metal band DRAKEN and the Free Jazz outfit MEGALODON COLLECTIVE.

WIZRD's completed line-up in early 2018 was: Hallvard GAARDLØS (SPIDERGAWD, DRAKEN and more) on bass and lead vocals, Karl BJORÅ (MEGALODON COLLECTIVE and more) on guitar and vocals, Vegard Lien BJERKAN (SOFT FFOG and more) on keyboards and vocals and Axel SKALSTAD (KROKOFANT, SOFT FFOG and more) on drums.

The band eventually began working on their debut album in 2020, and the finished album was produced by Norwegian film score composer and Norwegian Alt-Jazz legends JAGA JAZZIST drummer Martin HORNTVETH, whom the various members of WIZRD had known for many years. The album was recorded at Studio Paradiso in Oslo, with HORNTVETH being assisted by Marcus FORSGREN (BROR FORSGREN, JAGA JAZZIST), and the mixing was done by Bergen-based musician and producer Matias TELLEZ (YOUNG DREAMS, GIRL IN RED).

With a classic Rock line-up of guitar, bass, drums, keyboards and vocals the quartet stylistically follows the traditions of the likes of CREAM, MAHAVISHNU ORCHESTRA, WEATHER REPORT etc. in generating a sense urgency and energy without sacrificing attention to melody and dynamics. The band's intention from the very outset was to mix progressive and improvisational elements with rock & pop sensibilities.

The result was the groovy, catchy and progressive debut album 'Seasons', which was finally released on 21st October 2022 by Karisma Records - home to bands like WOBBLER and SEVEN IMPALE - and showcases how WIZRD are more than happy to test their limits with a sound that encompasses a variety of genres - ranging from Rock and Indie to Jazz and Prog. The album has been described as an exciting mix of guitar driven progressive rock, frenzied organ-fueled Classic Rock, captivating vocal harmonies, and Jazz Fusion excursions - all supported by a superb rhythm section.

Prior to the album's release in October 2022, a single 'Fire & Water' was released by Karisma Records on 29th September, for which band were lucky enough to have James PETRALLI from the band WHITE DENIM guesting on lead vocals. The band's choice of this single is notable for the fact that it's a song which marks the very beginning of WIZRD's existence, and provides an opportunity to trace the band's progression in terms of writing and concept from almost day one. Another single called 'Lessons' was released from the album a few weeks earlier by Karisma at the beginning of September 2022.

The band's line up has remained stable since its formation despite all the participants being involved in several other projects, and more recently in October 2023 - having already begun work on their next album - WIZRD and Karisma Records once again joined forces to release a cover of the seminal BLACK SABBATH track 'The Wizard'. This song was a part of WIZRD's setlist a few years back, when they played some shows where the audience could vote and choose in advance what kind of artists the band should cover.

Bio provided by Yam Yam



WIZRD is a Norwegian rock band that dips its toes in all kinds of genres. From rock and indie to jazz and prog, WIZRD knows all the rules but deliberately break them.

Formed at the Jazz Conservatory in Trondheim, WIZRD's four-piece line-up consists of Hallvard Gaardløs (Spidergawd, Draken and more) on bass and lead vocals, Karl Bjorå (Megalodon Collective and more) on guitar and vocals, Vegard Lien Bjerkan (Soft Ffog and more) on keyboards and vocals, Axel Skalstad (Krokofant, Soft Ffog and more) on drums.

Since 2020 the band has been working on their debut album, produced by Norwegian film score composer and Jaga Jazzist drummer Martin Horntveth. The album was recorded in Studio Paradiso in Oslo by Marcus Forsgren (Bror Forsgren, Jaga Jazzist) and Horntveth. Bergen-based musician and producer Matias Tellez (Young Dreams, Girl in Red) has mixed the album.

“Seasons” is a groovy, catchy and progressive masterclass, with beautiful vocal harmonies, awesome melodies, quirky jazz grooves and a rock’n’roll drive to die for.



..::TRACK-LIST::..

1. Lessons 04:10
2. Free Will 04:43
3. Spitfire 04:59
4. All Is As It Should Be 08:09
5. Show Me What You Got 07:44
6. Fire & Water 03:40
7. Divine 06:03
8. When You Call 04:24



..::OBSADA::..

Hallvard Gaardløs - bass, lead vocals
Axel Skalstad - drums & percussion
Karl Bjorå - guitar, vocals
Vegard Lien Bjerkan - keyboards, vocals

With:
James Petralli - lead vocals (6)



https://www.youtube.com/watch?v=m72EJT3kayQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

WIZRD: Formed Trondheim, Norway, 2018. Since then based in Oslo.

The band was originally envisioned at the Jazz Conservatory in Trondheim by bassist and vocalist Hallvard GAARDLØS who enlisted the help of two of his fellow students at the Conservatory to form a band with a view to the trio performing at his graduating exam. The trio played several songs at the exam, including some which eventually ended up on the band's debut album.

Although formed as a guitar/bass/drums three-piece in early 2018, Vegard Lien BJERKAN joined on keys very soon after the band's initial formation, and the completed line-up consisted of four excellent musicians who were already members of other fine bands - such as Norwegian Jazz Fusionists SOFT FFOG, Rock'n'Roll powerhouse SPIDERGAWD, Jazz/Progressive Trio KROKOFANT, Hard Rock and Metal band DRAKEN and the Free Jazz outfit MEGALODON COLLECTIVE.

WIZRD's completed line-up in early 2018 was: Hallvard GAARDLØS (SPIDERGAWD, DRAKEN and more) on bass and lead vocals, Karl BJORÅ (MEGALODON COLLECTIVE and more) on guitar and vocals, Vegard Lien BJERKAN (SOFT FFOG and more) on keyboards and vocals and Axel SKALSTAD (KROKOFANT, SOFT FFOG and more) on drums.

The band eventually began working on their debut album in 2020, and the finished album was produced by Norwegian film score composer and Norwegian Alt-Jazz legends JAGA JAZZIST drummer Martin HORNTVETH, whom the various members of WIZRD had known for many years. The album was recorded at Studio Paradiso in Oslo, with HORNTVETH being assisted by Marcus FORSGREN (BROR FORSGREN, JAGA JAZZIST), and the mixing was done by Bergen-based musician and producer Matias TELLEZ (YOUNG DREAMS, GIRL IN RED).

With a classic Rock line-up of guitar, bass, drums, keyboards and vocals the quartet stylistically follows the traditions of the likes of CREAM, MAHAVISHNU ORCHESTRA, WEATHER REPORT etc. in generating a sense urgency and energy without sacrificing attention to melody and dynamics. The band's intention from the very outset was to mix progressive and improvisational elements with rock & pop sensibilities.

The result was the groovy, catchy and progressive debut album 'Seasons', which was finally released on 21st October 2022 by Karisma Records - home to bands like WOBBLER and SEVEN IMPALE - and showcases how WIZRD are more than happy to test their limits with a sound that encompasses a variety of genres - ranging from Rock and Indie to Jazz and Prog. The album has been described as an exciting mix of guitar driven progressive rock, frenzied organ-fueled Classic Rock, captivating vocal harmonies, and Jazz Fusion excursions - all supported by a superb rhythm section.

Prior to the album's release in October 2022, a single 'Fire & Water' was released by Karisma Records on 29th September, for which band were lucky enough to have James PETRALLI from the band WHITE DENIM guesting on lead vocals. The band's choice of this single is notable for the fact that it's a song which marks the very beginning of WIZRD's existence, and provides an opportunity to trace the band's progression in terms of writing and concept from almost day one. Another single called 'Lessons' was released from the album a few weeks earlier by Karisma at the beginning of September 2022.

The band's line up has remained stable since its formation despite all the participants being involved in several other projects, and more recently in October 2023 - having already begun work on their next album - WIZRD and Karisma Records once again joined forces to release a cover of the seminal BLACK SABBATH track 'The Wizard'. This song was a part of WIZRD's setlist a few years back, when they played some shows where the audience could vote and choose in advance what kind of artists the band should cover.

Bio provided by Yam Yam



WIZRD is a Norwegian rock band that dips its toes in all kinds of genres. From rock and indie to jazz and prog, WIZRD knows all the rules but deliberately break them.

Formed at the Jazz Conservatory in Trondheim, WIZRD's four-piece line-up consists of Hallvard Gaardløs (Spidergawd, Draken and more) on bass and lead vocals, Karl Bjorå (Megalodon Collective and more) on guitar and vocals, Vegard Lien Bjerkan (Soft Ffog and more) on keyboards and vocals, Axel Skalstad (Krokofant, Soft Ffog and more) on drums.

Since 2020 the band has been working on their debut album, produced by Norwegian film score composer and Jaga Jazzist drummer Martin Horntveth. The album was recorded in Studio Paradiso in Oslo by Marcus Forsgren (Bror Forsgren, Jaga Jazzist) and Horntveth. Bergen-based musician and producer Matias Tellez (Young Dreams, Girl in Red) has mixed the album.

“Seasons” is a groovy, catchy and progressive masterclass, with beautiful vocal harmonies, awesome melodies, quirky jazz grooves and a rock’n’roll drive to die for.



..::TRACK-LIST::..

1. Lessons 04:10
2. Free Will 04:43
3. Spitfire 04:59
4. All Is As It Should Be 08:09
5. Show Me What You Got 07:44
6. Fire & Water 03:40
7. Divine 06:03
8. When You Call 04:24



..::OBSADA::..

Hallvard Gaardløs - bass, lead vocals
Axel Skalstad - drums & percussion
Karl Bjorå - guitar, vocals
Vegard Lien Bjerkan - keyboards, vocals

With:
James Petralli - lead vocals (6)



https://www.youtube.com/watch?v=m72EJT3kayQ


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Turbo
Album: Blizny
Country: PL
Genre: Heavy Metal
Release: 2025
Duration: 00:52:09
Quality: Mp3, CBR 320 kbps
Size: 123 mb

...( Opis )...

Ekipa pod dowództwem Wojciecha Hoffmanna wraca po jedenastu latach milczenia. "Blizny" zapowiadał w ubiegłym roku singiel pt. "Nowy rozdział". Od lutego 2025 płyta dostępna jest na koncertach zespołu. W marcu wreszcie przyszedł czas na ogólnopolską premierę. Za mikrofonem tradycyjnie stanął Tomasz Struszczyk i to właśnie jego niesamowite partie wokalne są jednym z najjaśniejszych punktów płyty. Na płycie nie zabrakło gości specjalnych, między innymi Piotrka i Wojtka Cugowskich.

Całość to najczystszy heavy metal najwyższej próby! 


...( TrackList )...

1. Intro
2. Nowy rozdział
3. w.w.w.w
4. Łotr
5. Przyjdź do mnie
6. Magnetyczny sen
7. Zawrót głowy
8. Na dno
9. Do domu
10. Zwyczajnie nie
11. Spokojny

Artist: Michael Jackson
Album: King Of Pop Przeboje Wybrane Przez Polskich Fanów (CD2)
Year: 2008
Genre: Pop
Format: WAV


2-01 Michael Jackson– Smooth Criminal 4:17
2-02 Michael Jackson– Give In To Me 5:29
2-03 Michael Jackson– Beat It 4:18
2-04 Michael Jackson– Man In The Mirror 5:19
2-05 Michael Jackson– They Don't Care About Us 4:10
2-06 The Jacksons– Can You Feel It 5:58
2-07 Michael Jackson– Dirty Diana 4:41
2-08 Michael Jackson– You Are Not Alone 4:56
2-09 Michael Jackson– Wanna Be Startin' Somethin' 4:21
2-10 Michael Jackson– You Rock My World 5:07
2-11 Michael Jackson– The Way You Make Me Feel 4:58
2-12 Michael Jackson– Stranger In Moscow 5:22
2-13 Michael Jackson– Bad 4:07
2-14 Michael Jackson– Don't Stop 'Til You Get Enough 4:00
2-15 Michael Jackson– We Are The World 5:21

..::INFO::..

---------------------------------------------------------------------
Lady Pank - The Best of Lady Pank (1997)
Remastered 2005
---------------------------------------------------------------------

Artist...............: Lady Pank
Album................: The Best of Lady Pank
Genre................: Rock
Source...............: CD
Year.................: 1997
Ripper...............: Exact Audio Copy 0.9b4 &
Codec................: Free Lossless Audio Codec (FLAC)
Quality..............: Lossless, (avg. compression: 72 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: ID3 v1.1, ID3 v2.3VorbisComment
Information..........: Remastered 2005

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. (00:04:02) Lady Pank - Mniej niż zero
2. (00:04:25) Lady Pank - Zamki na piasku
3. (00:03:59) Lady Pank - Kryzysowa narzeczona
4. (00:05:24) Lady Pank - Sztuka latania
5. (00:03:43) Lady Pank - Fabryka małp
6. (00:03:27) Lady Pank - Oh Luczija
7. (00:03:40) Lady Pank - Rysunkowa postać
8. (00:04:00) Lady Pank - Bez satysfakcji
9. (00:04:43) Lady Pank - Tańcz głupia tańcz
10. (00:04:03) Lady Pank - Vademecum skauta
11. (00:03:26) Lady Pank - Mała Lady Pank
12. (00:04:52) Lady Pank - Minus 10 w Rio
13. (00:03:46) Lady Pank - A to ohyda
14. (00:04:22) Lady Pank - Moje Kilimandżaro
15. (00:03:25) Lady Pank - Zabij to
16. (00:05:21) Lady Pank - Wciaż bardziej obcy
17. (00:04:20) Lady Pank - Zawsze tam gdzie Ty
18. (00:03:45) Lady Pank - Na co komu dziś
Bonus:
19. (00:04:53) Lady Pank - Byś imię miał

Playing Time.........: 02:27:34
Total Size...........: 481,82 MB

..::INFO::..

In Love Again to drugi, najnowszy album studyjny londyńskiego zespołu indie rockowego Ex-Void. Został wydany 17 stycznia 2025 roku nakładem Tapete Records.

Title: In Love Again

Artist: Ex-Void

Country: Wielka Brytania

Year: 2025

Genre: Indie-Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Swansea
2.In Love Again
3.July
4.Nightmare
5.Pinhead
6.Lonely Girls
7.Sara
8.Strange Insinuation
9.Down The Drain
10.Outline

..::INFO::..

Horror to trzeci, najnowszy album studyjny amerykańskiego muzyka Barteesa Strange'a. Został wydany przez 4AD 14 lutego 2025 roku i spotkał się z pozytywnym przyjęciem krytycznym

Artist: Bartees Strange

Title: Horror

Country: USA

Year: 2025

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

Too Much
Hit It Quit It
Sober
Baltimore
Lie 05
Wants Needs
Lovers
Doomsday Buttercup
17
Loop Defenders
Dorf Gun
Backseat Banton

..::INFO::..

---------------------------------------------------------------------
Grzegorz Turnau - Kawałek cienia
---------------------------------------------------------------------

Artist...............: Grzegorz Turnau
Album................: Kawałek cienia
Genre................: Other
Source...............: CD
Year.................: 2005
Ripper...............: Exact Audio Copy 0.9b4 & Liteon LTN526
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 87 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: ID3 v1.1, ID3 v2.3VorbisComment
Information..........: Złota Kolekcja

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. (00:03:17) Grzegorz Turnau - Cichosza
2. (00:04:31) Grzegorz Turnau - Pamięć
3. (00:04:13) Grzegorz Turnau - Naprawdę nie dzieje się nic
4. (00:02:29) Grzegorz Turnau - Tak samo
5. (00:03:26) Grzegorz Turnau - Ostatnie słowa
6. (00:03:35) Grzegorz Turnau - Liryka, liryka
7. (00:03:51) Grzegorz Turnau - Tutaj jestem
8. (00:02:52) Grzegorz Turnau - Znów wędrujemy
9. (00:05:14) Grzegorz Turnau - Bracka
10. (00:03:00) Grzegorz Turnau - 24 smutki
11. (00:04:00) Grzegorz Turnau - Gdy wszystko się zdarzy
12. (00:04:28) Grzegorz Turnau - Natężenie świadomości
13. (00:03:18) Grzegorz Turnau - Jestem synem mego ojca
14. (00:03:24) Grzegorz Turnau - Między ciszą a ciszą
15. (00:03:38) Grzegorz Turnau - Wszystko co piękne
16. (00:04:55) Grzegorz Turnau - Wiem
17. (00:03:19) Grzegorz Turnau - Leniwa głowa
18. (00:03:05) Grzegorz Turnau - Księżyc w misce
19. (00:05:32) Grzegorz Turnau - Kawałek cienia
20. (00:03:51) Grzegorz Turnau - Nawet

Playing Time.........: 01:15:58
Total Size...........: 432,26 MB

..::INFO::..

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Shakin' Dudi - Złota Płyta
---------------------------------------------------------------------

Artist...............: Shakin' Dudi
Album................: Zlota Plyta
Genre................: Blues
Source...............: CD
Year.................: 2007
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Metal Mind Productions

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Shakin' Dudi - Au Szalalala [02:53]
2. Shakin' Dudi - Oh Ziuta! [04:28]
3. Shakin' Dudi - Za Dziesięć Trzynasta [02:03]
4. Shakin' Dudi - Zastanów Się Co Robisz [03:23]
5. Shakin' Dudi - Stany Lękowe [03:18]
6. Shakin' Dudi - O Ogień Bój [02:06]
7. Shakin' Dudi - Pornografia [02:25]
8. Shakin' Dudi - Otwórz Oczka [02:49]
9. Shakin' Dudi - To Ty Słodka [03:11]
10. Shakin' Dudi - Super Gwiazda [02:15]
11. Shakin' Dudi - Kaptur [02:59]
12. Shakin' Dudi - Opakowanie [01:48]
13. Shakin' Dudi - Codzienny Aerobic [02:19]
Bonusy:
14. Shakin' Dudi - Opakowanie (Rawa Blues 2004) [01:46]
15. Shakin' Dudi - Stany Lękowe (Rawa Blues 2004) [03:31]
16. Shakin' Dudi - A Ona Śmieje Się (Rawa Blues 2004) [02:44]
17. Shakin' Dudi - Goście Idą (Rawa Blues 2004) [02:31]
18. Shakin' Dudi - Au Szalalala (Rawa Blues 2004) [02:27]

Playing Time.........: 48:58
Total Size...........: 334,88 MB

...( Info )...
OldiesPart013⭐MP3@320kbps

...( TrackList )...
VA - Super Stars of Seventies Soul [2004] (4CD)
VA - The In Crowd: The Ultimate Mod Collection from the Original Style Movement (20th Anniversary Remastered Expanded Super Deluxe Edition) [2021] (12CD)
VA - There's No Stopping Us Now - The Female Mods' Forgotten Story (Edsel Official CD Rip) (4CD Box Set) (2025)
VA - Time for Action: The British Mod, Soul & Ska Revival 1977-1983 - 215 Classic Mod, Soul & Ska Anthems (Super Deluxe Edition) [2024] (9CD)

...( Info )...
Genre: Indie Rock / Pop-Rock
Country: UK
Year of publication: 1983
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps

...( TrackList )...
01. Cleaners From Venus - Renee (Who's Driving Your Car) (03:26)
02. Cleaners From Venus - A Holloway Person (03:21)
03. Cleaners From Venus - Ghosts in Doorways (03:05)
04. Cleaners From Venus - The Autumn Cornfield (03:31)
05. Cleaners From Venus - Balloon Drop Shadow (02:49)
06. Cleaners From Venus - Krugerand Gladiators (03:37)
07. Cleaners From Venus - Golden Age Saturday (03:11)
08. Cleaners From Venus - Marilyn on a Train (03:42)
09. Cleaners From Venus - Sandstorm in Paradise (03:43)
10. Cleaners From Venus - Victorian Society (02:49)
11. Cleaners From Venus - A Fool Like You (05:04)
12. Cleaners From Venus - Don't Step on My Rainbow (03:53)

...( Info )...

Artist: Jan Lisiecki
Album: Preludes by Chopin Bach Rachmaninoff Messiaen Górecki
Year: 2025
Genre: Classic
Quality: FLAC 24Bit-96kHz

...( TrackList )...

01. Prelude in A-Flat Major, KK IVb-7. Presto con leggierezza
02. The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846-1
03. 10 Preludes, Op. 23: No. 3 in D Minor. Tempo di minuetto
04. Préludes: I. La colombe
05. Préludes: II. Chant d'extase dans un paysage triste
06. Préludes: III. Le nombre léger
07. Prelude in C-Sharp Minor, Op. 45. Sostenuto
08. Prelude in C-Sharp Minor Op. 3 No. 2
09. 4 Preludes, Op. 1: No. 1, Molto agitato
10. 4 Preludes, Op. 1: No. 4, Molto allegro quasi presto
11. The Well-Tempered Clavier, Book 1: Prelude No. 2 in C Minor, BWV 847-1
12. 10 Preludes, Op. 23: No. 5 in G Minor. Alla marcia
13. 24 Preludes, Op. 28: No. 1 in C Major. Agitato
14. 24 Preludes, Op. 28: No. 2 in A Minor. Lento
15. 24 Preludes, Op. 28: No. 3 in G Major. Vivace
16. 24 Preludes, Op. 28: No. 4 in E Minor. Largo
17. 24 Preludes, Op. 28: No. 5 in D Major. Molto allegro
18. 24 Preludes, Op. 28: No. 6 in B Minor. Lento assai
19. 24 Preludes, Op. 28: No. 7 in A Major. Andantino
20. 24 Preludes, Op. 28: No. 8 in F-Sharp Minor. Molto agitato
21. 24 Preludes, Op. 28: No. 9 in E Major. Largo
22. 24 Preludes, Op. 28: No. 10 in C-Sharp Minor. Molto allegro
23. 24 Preludes, Op. 28: No. 11 in B Major. Vivace
24. 24 Preludes, Op. 28: No. 12 in G-Sharp Minor. Presto
25. 24 Preludes, Op. 28: No. 13 in F-Sharp Major. Lento
26. 24 Preludes, Op. 28: No. 14 in E-Flat Minor. Allegro
27. 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop Prelude"
28. 24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco
29. 24 Preludes, Op. 28: No. 17 in A-Flat Major. Allegretto
30. 24 Preludes, Op. 28: No. 18 in F Minor. Molto allegro
31. 24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace
32. 24 Preludes, Op. 28: No. 20 in C Minor. Largo
33. 24 Preludes, Op. 28: No. 21 in B-Flat Major. Cantabile
34. 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato
35. 24 Preludes, Op. 28: No. 23 in F Major. Moderato
36. 24 Preludes, Op. 28: No. 24 in D Minor. Allegro appassionato

...( Info )...

Artist: Art Pepper
Album: Geneva 1980 (Live in Geneva 1980)
Year: 2025
Genre: Jazz
Quality: FLAC 24Bit-44.1kHz

...( TrackList )...

01. Ophelia ((Live in Geneva 1980))
02. Mambo Koyama ((Live in Geneva 1980))
03. Patricia ((Live in Geneva 1980))
04. Miss Who ((Live in Geneva 1980))
05. I'll Remember April ((Live in Geneva 1980) [inc])
06. Blues For Blanche ((Live in Geneva 1980))
07. Valse Triste ((Live in Geneva 1980))
08. Make A List (Make A Wish) (Live in Geneva 1980)
09. Goodbye ((Live in Geneva 1980))
10. Blues For Les ((Live in Geneva 1980))

...( Info )...

Artist: Michael Jackson
Album: King Of Pop Przeboje Wybrane Przez Polskich Fanów (CD1)
Year: 2008
Genre: Pop
Format: WAV

...( TrackList )...

1-01 Michael Jackson– Billie Jean 4:53
1-02 Michael Jackson– Black Or White 4:15
1-03 Michael Jackson– Thriller 5:13
1-04 Michael Jackson– Earth Song 5:01
1-05 Michael Jackson– Remember The Time 3:59
1-06 Paul McCartney, Michael Jackson– Say Say Say 3:55
1-07 Michael Jackson– Blood On The Dance Floor 4:13
1-08 Michael Jackson– Scream 4:39
1-09 Michael Jackson– Who Is It 3:59
1-10 The Jacksons– Blame It On The Boogie 3:31
1-11 Michael Jackson– Ghosts 5:14
1-12 Michael Jackson– Rock With You 3:23
1-13 Michael Jackson– Heal The World 4:32
1-14 Michael Jackson– Human Nature 4:06
1-15 Michael Jackson– Liberian Girl 3:49
1-16 Michael Jackson– Dangerous 7:01

...( Info )...

Artist: Lady Pank
Album: Lady Pank
Year: 1983
Genre: Rock, Pop
Format: Flac

...( TrackList )...

1 Mniej Niż Zero 4:04
2 Kryzysowa Narzeczona 4:01
3 Fabryka Małp 3:43
4 Pokręciło Mi Się W Głowie 3:36
5 Du Du 4:00
6 Zakłócenie Porządku 1:33
7 Zamki Na Piasku 4:32
8 Wciąż Bardziej Obcy 5:31
9 Vademecum Skauta 4:14
10 Moje Kilimandżaro 4:21
11 Minus 10 W Rio 4:51
12 Mała Lady Pank 3:25
13 Raport Z N. 3:19
14 Rysunkowa Postać 3:40
15 Sly 4:10
16 This Is Only Rock 'n' Roll 4:01

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja albumu Johnny Casha z 1960 roku, wydanego pierwotnie przez Columbia Records. To szósty album w dorobku Casha uznawany za jego pierwszy album koncepcyjny.
Album jest reklamowany jako 'reportaż z podróży', w którym Cash zapewnia narrację mówioną przed każdą piosenką, aby nadać kontekst, w kilku przypadkach grając postacie historyczne i opisując różne miejsca w USA odwiedzane pociągiem. Same piosenki nie są zazwyczaj związane z koleją.



..::TRACK-LIST::..

1. Loading Coal
2. Slow Rider
3. Lumberjack
4. Dorraine Of Porchartrain
5. Going To Memphis
6. When Papa Played The Dobro
7. Boss Jack
8. Old Doc Brown

9. Girl In Saskatoon (1960 - Bonus Track)
10. Smiling Bill Mccall (1960 - Bonus Track)
11. Port Of Lonely Hearts (1960 - Bonus Track)
12. Give My Love To Rose (1957 - Bonus Track)
13. Straight A's In Love (1959 - Bonus Track)




https://www.youtube.com/watch?v=sTC_ucZfZAs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja albumu Johnny Casha z 1960 roku, wydanego pierwotnie przez Columbia Records. To szósty album w dorobku Casha uznawany za jego pierwszy album koncepcyjny.
Album jest reklamowany jako 'reportaż z podróży', w którym Cash zapewnia narrację mówioną przed każdą piosenką, aby nadać kontekst, w kilku przypadkach grając postacie historyczne i opisując różne miejsca w USA odwiedzane pociągiem. Same piosenki nie są zazwyczaj związane z koleją.



..::TRACK-LIST::..

1. Loading Coal
2. Slow Rider
3. Lumberjack
4. Dorraine Of Porchartrain
5. Going To Memphis
6. When Papa Played The Dobro
7. Boss Jack
8. Old Doc Brown

9. Girl In Saskatoon (1960 - Bonus Track)
10. Smiling Bill Mccall (1960 - Bonus Track)
11. Port Of Lonely Hearts (1960 - Bonus Track)
12. Give My Love To Rose (1957 - Bonus Track)
13. Straight A's In Love (1959 - Bonus Track)




https://www.youtube.com/watch?v=sTC_ucZfZAs



SEED 15:00-22:00.
POLECAM!!!