...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Klasyczny album drugiej fali brytyjskiego punka.
Debiut zespołu z Leeds z 1982 roku.
Punk skoczny i zadziorny!



..::TRACK-LIST::..

1. Vicious Circle 2:35
2. 1982 1:55
3. Danger, Danger 2:36
4. BBC 2:08
5. Mayday 1:57
6. Voice Of Youth 2:33
7. Just Another Punk Band 2:40
8. Gotta Run 1:57
9. Burn 'Em Down 2:39
10. Shout It Out 2:00
11. Slaughterhouse 2:13
12. First Rule (No Rule) 3:38
13. Attack 2:18
14. When The Punks Go Marching In 3:42

Bonus Tracks:
15. The Army Song 1:54
16. Juvenile 2:06
17. So Slow 1:35
18. Vicious Circle (Single Version) 2:40
19. Attack (Single Version) 2:24
20. Voice Of Youth (Single Version) 2:55
21. Urban Rebel 2:47
22. Criminal Youth 2:08



https://www.youtube.com/watch?v=gzdzfxJ7BCY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolaboracja Bardoseneticcube & Shinkiro.
Bardzo mocny album!



This is already the second collaboration album of Bardoseneticcube from Russia and Shinkiro from Japan, this time under their own names. The first disc "Four Noble Truths" was released under the combined title of Bashin on the French label Athanor in 2011 and was dedicated to the basic principles of Buddhist teachings. The meditative and contemplative subject continues here as well, now being focused on the aspects of inner and outer space.

We submerge in the dark thick matter of sound, fluid, transparent and stratiform. Woven from abstract electronics, omnifarious samples and transformed voices, textures are smoothly interchanging, always showing new visions in the black mirror of our viewport. Makes you wonder - does the perceivable exist separately from the percipient? In any case this is dark, nocturnal, cosmic music, not devoid of epicism and dramatism. Worth having in your playlist for the next space travel!




Very beautifully this year begins, with regard to ambient and dark ambient music. And in some cases very surprisingly. I remember that “Four Noble Truths” was a decent album, I gave it a very positive review a couple of years ago, but today I’d be lying claiming that I listen to it very often. The first composition made me think that this time it will be a similar situation, that it will be well produced music that I’ll enjoy during a couple of listens, but after a while I’ll put it back on the shelf and move forward to other musical creations. Ok, I can’t say right now, I’ll need much more time to see if “Inner And Outer Space” will stand the test of time, but right now after several listens I must say that it made quite an impression on me. It’s much more sophisticated than their first work.

The tracks differ from one another. The pieces on “Four Noble Truths” were more or less similar in terms of construction, which is good for building up a monumental feeling, but after a while I realized that I had a problem focusing on the music within the space of the whole album. Maybe I’m getting old, I don’t know. Yet I’ve given about a twenty listens to “Inner And Outer Space” up to this day and so far I didn’t have such an impression after all. The whole consuming space is as overwhelming as absorbing of the listener’s attention with its diversity.

“Fluctuations” though isn’t so enthralling, it’s a cosmic dark ambient which sounds like it’s made by the book, without any creative madness. Not the best opening in the ambient world and if I weren’t be so patient I could have taken a break after the first listening and left further contact with the album for the indefinite “tomorrow”. Yet things started getting better and better later. “Evolution” sucked me in an infinite vortex with swirling cosmic winds, distant bells and low-tuned rumblings, later counterpointed by atmospheric, quasi-choir-like drones. Not very original, but somehow tantalizing with a deep cosmic secret.

With “Inflaction” you cross the last point in timespace known to man. You can’t say what’s behind it, but at the same time can’t wait for the secret to reveal itself. You need to check it for yourself. This track is less intense. Once again a wind-like background and stellar calls makes me feel like I’m surrounded by a flickering darkness with no limits.

If had to choose one track from the album that you all should listen to, it would be “Afterglow”, with a constantly growing tension, weird sounds swirling and whirling, accompanied by this ever absorbing drone and reverbed synth micromelodies. Once again, it’s a huge and powerful piece of music, but this time also sparkling with some vague sadness. A longing for home. Luckily “Dark Ages” has nothing to do with dull medieval dark wave – I feel ashamed that I even thought about that. Not at all, this one is like watching the nebulas’ beauty through a telescope. There’s something like a grotesque alien transmission once or twice during these eleven minutes, but it doesn’t disturb the somehow soothing feeling of the track.

Yes, I think I can say it. This album is far better than “Four Noble Truths”. It’s like the extension of those ideas, taking them to a slightly different direction. Sure, it’s nothing new within the genre, there’s a lot of sounds and passages that I feel are familiar from other albums. Even this “Dark Ages” in some moments reminds me of “Passing Inner Shields” by you-know-who. So it’s not visionary (then again, what is in dark ambient these days), the mystery lies not in the sound itself, but in your imagination being stimulated by the music, the music which is a perfect craftmanship of two musicians who know exactly what they want to achieve.~(santa sangre magazine)


~Bardoseneticcube is a dark ambient/industrial project from St. Petersburg. Now with Bardoseneticcube, you never really know what you’re going to get, so let’s see how these two artists work together. “Fluctuations” opens with the kind of spacey dark ambient that I have come to expect from Zhelezobeton. “Evolution” keeps this feel going with the moving of tectonic plates and warbling synth. Reminds me of older Lustmord and Rapoon. “Inflation” is where we begin to see the synthesis of these acts. Like the previous tracks, it begins peacefully, with slowly shifting synth notes that hold for several measures at a time. But this is all an illusion, as it becomes progressively harsher as the track evolves. This is what you hear right before you cross the event horizon. After another interlude of spacey ambient in “Afterglow,” we move to the conclusion in “Dark Ages.” Heavily processed, sped up robot voices, a woman holding out one note, and bits of timpani all help to bring the spacy drone down to earth. This is the chaotic element of Bardoseneticcube that I enjoy. Overall, this is quite enjoyable and makes me interested to hear more from Shinkiro. This album weighs in at around 52 minutes and is limited to 333 copies. ~ (CHAIN D.L.K.)



..::TRACK-LIST::..

1. Fluctuations 12:33
2. Evolution 09:46
3. Inflation 10:17
4. Afterglow 09:04
5. Dark Ages 11:04



..::OBSADA::..

Artwork - Vitaly Stromchinsky
Composed By - Igor Potsukaylo
Composed By, Mastered By - Manabu Hiramoto




SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolaboracja Bardoseneticcube & Shinkiro.
Bardzo mocny album!



This is already the second collaboration album of Bardoseneticcube from Russia and Shinkiro from Japan, this time under their own names. The first disc "Four Noble Truths" was released under the combined title of Bashin on the French label Athanor in 2011 and was dedicated to the basic principles of Buddhist teachings. The meditative and contemplative subject continues here as well, now being focused on the aspects of inner and outer space.

We submerge in the dark thick matter of sound, fluid, transparent and stratiform. Woven from abstract electronics, omnifarious samples and transformed voices, textures are smoothly interchanging, always showing new visions in the black mirror of our viewport. Makes you wonder - does the perceivable exist separately from the percipient? In any case this is dark, nocturnal, cosmic music, not devoid of epicism and dramatism. Worth having in your playlist for the next space travel!




Very beautifully this year begins, with regard to ambient and dark ambient music. And in some cases very surprisingly. I remember that “Four Noble Truths” was a decent album, I gave it a very positive review a couple of years ago, but today I’d be lying claiming that I listen to it very often. The first composition made me think that this time it will be a similar situation, that it will be well produced music that I’ll enjoy during a couple of listens, but after a while I’ll put it back on the shelf and move forward to other musical creations. Ok, I can’t say right now, I’ll need much more time to see if “Inner And Outer Space” will stand the test of time, but right now after several listens I must say that it made quite an impression on me. It’s much more sophisticated than their first work.

The tracks differ from one another. The pieces on “Four Noble Truths” were more or less similar in terms of construction, which is good for building up a monumental feeling, but after a while I realized that I had a problem focusing on the music within the space of the whole album. Maybe I’m getting old, I don’t know. Yet I’ve given about a twenty listens to “Inner And Outer Space” up to this day and so far I didn’t have such an impression after all. The whole consuming space is as overwhelming as absorbing of the listener’s attention with its diversity.

“Fluctuations” though isn’t so enthralling, it’s a cosmic dark ambient which sounds like it’s made by the book, without any creative madness. Not the best opening in the ambient world and if I weren’t be so patient I could have taken a break after the first listening and left further contact with the album for the indefinite “tomorrow”. Yet things started getting better and better later. “Evolution” sucked me in an infinite vortex with swirling cosmic winds, distant bells and low-tuned rumblings, later counterpointed by atmospheric, quasi-choir-like drones. Not very original, but somehow tantalizing with a deep cosmic secret.

With “Inflaction” you cross the last point in timespace known to man. You can’t say what’s behind it, but at the same time can’t wait for the secret to reveal itself. You need to check it for yourself. This track is less intense. Once again a wind-like background and stellar calls makes me feel like I’m surrounded by a flickering darkness with no limits.

If had to choose one track from the album that you all should listen to, it would be “Afterglow”, with a constantly growing tension, weird sounds swirling and whirling, accompanied by this ever absorbing drone and reverbed synth micromelodies. Once again, it’s a huge and powerful piece of music, but this time also sparkling with some vague sadness. A longing for home. Luckily “Dark Ages” has nothing to do with dull medieval dark wave – I feel ashamed that I even thought about that. Not at all, this one is like watching the nebulas’ beauty through a telescope. There’s something like a grotesque alien transmission once or twice during these eleven minutes, but it doesn’t disturb the somehow soothing feeling of the track.

Yes, I think I can say it. This album is far better than “Four Noble Truths”. It’s like the extension of those ideas, taking them to a slightly different direction. Sure, it’s nothing new within the genre, there’s a lot of sounds and passages that I feel are familiar from other albums. Even this “Dark Ages” in some moments reminds me of “Passing Inner Shields” by you-know-who. So it’s not visionary (then again, what is in dark ambient these days), the mystery lies not in the sound itself, but in your imagination being stimulated by the music, the music which is a perfect craftmanship of two musicians who know exactly what they want to achieve.~(santa sangre magazine)


~Bardoseneticcube is a dark ambient/industrial project from St. Petersburg. Now with Bardoseneticcube, you never really know what you’re going to get, so let’s see how these two artists work together. “Fluctuations” opens with the kind of spacey dark ambient that I have come to expect from Zhelezobeton. “Evolution” keeps this feel going with the moving of tectonic plates and warbling synth. Reminds me of older Lustmord and Rapoon. “Inflation” is where we begin to see the synthesis of these acts. Like the previous tracks, it begins peacefully, with slowly shifting synth notes that hold for several measures at a time. But this is all an illusion, as it becomes progressively harsher as the track evolves. This is what you hear right before you cross the event horizon. After another interlude of spacey ambient in “Afterglow,” we move to the conclusion in “Dark Ages.” Heavily processed, sped up robot voices, a woman holding out one note, and bits of timpani all help to bring the spacy drone down to earth. This is the chaotic element of Bardoseneticcube that I enjoy. Overall, this is quite enjoyable and makes me interested to hear more from Shinkiro. This album weighs in at around 52 minutes and is limited to 333 copies. ~ (CHAIN D.L.K.)



..::TRACK-LIST::..

1. Fluctuations 12:33
2. Evolution 09:46
3. Inflation 10:17
4. Afterglow 09:04
5. Dark Ages 11:04



..::OBSADA::..

Artwork - Vitaly Stromchinsky
Composed By - Igor Potsukaylo
Composed By, Mastered By - Manabu Hiramoto




SEED 15:00-22:00.
POLECAM!!!

Artist..........................: Chris
Album.........................: My Name Is Chris
Genre.........................: Eurobeat, Italo-Disco
Year............................: 1990
Publisher.....................: ARD CD 02 Asia Records Italy
Total Time...................: 34:19
Codec.........................: Flac Highest Stereo Quality 44100Hz
Surce..........................: Web



01. Two By Two 3:59
02. My My My 3:31
03. First Time 3:20
04. Growin' Up 2:59
05. Take Me To The Top 3:14
06. Two By Two (rock edit) 4:28
07. Crazy Cat 3:15
08. Lucky Boy 3:03
09. Sandy E L'Amor 3:18
10. Party Time 3:12


...( Dodatkowo )...

Chris - Two By Two (maxi single '88)-(flac)

A1. Two By Two (long version) 6:02
B1. Two By Two (dub version) 4:27
B2. Growin' Up (easy version) 2:59

...( Info )...
Genre: British Psychedelia, Prog-Rock, Proto-Punk
Country of disc production: Japan
Year of disc release: 1999
Publisher (label): Captain Trip Records CTCD-175
Country: UK
Audio codec: Mp3 @320 kbps
Duration: 00:41:54

...( TrackList )...
1. "Mona (A Fragment)" (Ellas McDaniel) – 3:15
2. "Carnivorous Circus, Part 1" (Farren) – 15:19
I."The Whole Thing Starts"
II."But Charlie, It's Still Moving"
III."Observe The Ravens"
IV."Society of the Horsemen"
3. "Summertime Blues" (Eddie Cochran) – 2:41
4. "Carnivorous Circus, Part 2" (Farren) – 13:01
V."Don't Talk to Me Mary"
VI."You Can't Move Me"
VII."In My Window Box"
VIII."An Epitaph Can Point the Way"
5. "Mona (The Whole Trip)" (McDaniel) – 7:25

Tracklist:
1. Need Your Lovin (feat. Elianne)
2. Can't Stop
3. Go Back In Time
4. When You Hold Me (feat. Elianne)
5. In My Dreams (feat. Ethan)
6. No More (feat. Donna Lugassy)
7. Criminal
8. Into The Grey
9. Not The Same
10. Can You Feel It (feat Jean Roch)

Bonus Track

11. Skytech & Dannic - Hurt Me Now (Retro C!ty Remix)
12. Jauz - Higher For Your Love (Retro C!ty Remix)

Release Name: Rero C!ty - Undiscovered (2024)
Genre: Eletro - House
Type: WAV

..::INFO::..

Debiutancki album amerykańskiego zespołu street punkowego z Austin w Texasie.

Title: This We'll Defend

Artist: Hooligan Justice

Country: USA

Year: 2017

Genre: Street Punk

Format / Codec: MP3

Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Intro
2.This We'll Defend
3.Fuck With One
4.Forever Crucified
5.R.O.E.
6.Lionheart
7.Texas
8.Sweet Revenge
9.Watch Your Mouth
10.Last Of A Dying Breed
11.No Better Friend
12.H.O.O.L.I.G.A.N.

..::INFO::..

Traffic to brytyjska grupa rockowa założona w kwietniu 1967 roku, utożsamiana z ruchem hippisowskim. W pierwotnym składzie występowali Steve Winwood, Jim Capaldi, Chris Wood i Dave Mason. Po dwóch latach i wydaniu trzech płyt - Mr. Fantasy, Traffic i Last Exit - nastąpiło pierwsze zawieszenie działalności grupy. Steve Winwood i Ric Grech, były basista zespołu Family, uformowali efemeryczną supergrupę Blind Faith, czasami nazywaną SuperCream, gdyż pozostałymi jej członkami byli Eric Clapton i Ginger Baker. W 1970 roku Blind Faith rozpadł się, a Steve Winwood i Ric Grech zasilili kolejną supergrupę - Ginger Baker’s Air Force - jednakże po kilku wspólnych koncertach Steve Winwood i Ric Grech postanowili reaktywować Traffic. Wstawka zawiera debiutancki album zespołu.

Title: Mr. Fantasy

Artist: Traffic

Country: Wielka Brytania

Year: 1967

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Heaven Is In Your Mind
2. Berkshire Poppies
3. House for Everyone
4. No Face, No Name, No Number
5. Dear Mr. Fantasy
6. Dealer
7. Utterly Simple
8. Coloured Rain
9. Hope I Never Find Me There
10. Giving To You

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Obcowanie z tym debiutem jest jak strzał prosto w ryja zakończony deptaniem jaj po upadku na podłogę!!!



'Summoned to Rise features some of the fastest, catchiest, darkest, meanest, smartest, most intricate thrash fucking metal to come down the pike in years. No letup. No duds. Just a fiery, eponymous opening volley. (...)' - Decibel Magazine

'Insane old school riffs for all your moshing needs, Jeff Hanneman style squealing solos (which made the hair on my arm stand up at points), brutal vocal deliveries that at times walk the line of really solid Death Metal vocals, and a ton of intense outstanding drumming throughout. Everything works on this album, from lyrical content, to the tone of the music, and of course that break neck pace the vast majority of the record offers.' - Hellbound.ca

'‘Summoned to Rise’ is a an all out assault that takes no prisoners! Fast songs, brutal thrash and death metal riffage and blast beats…..What more could you ask for?' - Metal Nexus



When is it appropriate to employ the term ‘supergroup’? Could it be in the instance of new Floridian act Create A Kill? Featuring members of Malevolent Creation, Gruesome and Solstice – this unstoppable supergroup was always gonna make an impact based on the line-up alone. However, little were our ears prepared for the onslaught that was to come on debut album Summoned To Rise. Not just in terms of pure fury, but also the sheer quality. The overall sound of Create A Kill is a perfect mesh of the previously-mentioned three bands, but with an unhealthy dose of Demolition Hammer injected into the death/thrash assault. This is raw, blistering, violent, nasty shit. And boy, do I love it!

Not only do these Floridians exhume pure malice, they do it in a way that’s weirdly accessible and…dare I say it…catchy! Hell, if the chorus to “Premeditated” hasn’t got you hooked after one playthrough, there’s something wrong with your brain. These memorable hooks provide moments of clarity amid the sheer maelstrom of this album. Riffs cut like razors, solos insanely channel their inner Kerry King, blast-beats pound at your brain – and the whole affair is wrapped in a chaotic vibe that just about keeps in control. The way everything sounds like it’s teetering on the edge of composure is exciting and irresistible. The varied vocal attack contributes to this massively. Although I’m unsure exactly which vocal style is performed by who, the combination of vile high shrieks, powerful low growls and Schuldiner-esque mids creates a real death/thrash party atmosphere.

The production quality is absolutely spot on, bringing back that raw, authentic early ’90s spirit. The cut-throat guitar tone is both grisly and fun, but the snappy bass/snare mix is utterly gorgeous. This is what Demolition Hammer’s Tortured Existence should have sounded like! Summoned To Rise is the definition of ‘all killer, no filler’. Every single cut delivers the madness at a blistering pace with not a second wasted. Even the mid-tempo segments are loaded with impact, such as the opening riffs to “Cold Blooded” and “Reap The Whirlwind”, or the verses in “Gauntlet Of Pain”. In fact, my favourite moments are the slower ilk which hit you like a fucking steamroller (see “Decimated” – what a sledgehammer of a track!). Structurally, this album flows beautifully – mixing the faster and slower sections, though never losing a single ounce of barbarism.

As previously stated, there are memorable hooks and standout moments abound on this album. These guys have a penchant for writing catchy death/thrash metal that doesn’t compromise the style or cheapen the brand. “Crave The Blade”, “Premeditated” and the hammering “Show Of Force” are all great examples of how this sub-genre can be accessible for newcomers whilst pleasing the elitists. However, the jewel in this record’s crown is the bonus track – dedicated to late Malevolent Creation frontman Bret Hoffman – “Flesh, Blood & Stone”. When Matt Harvey bellows out ‘FLESH AND GOLD AND BLOOD AND STEEL AND FUCKING STONE!!’, you know Bret himself would have been majorly proud of this LP. Create A Kill should be proud of this effort. Really proud. I cannot pinpoint any specific aspect that weakens it. Summoned To Rise is simply an incredible slice of no-holds-barred death/thrash metal that will have any fan of the genre headbanging like it’s 1989.

Larry6990



..::TRACK-LIST::..

1. Create A Kill 02:58
2. Cold Blooded 03:14
3. Crave the Blade 03:39
4. Decimate 04:57
5. Premeditated 03:18
6. Gauntlet of Pain 03:42
7. Praise the Beast 03:12
8. Reap the Whirlwind 04:27
9. The Sow is Mine 04:13
10. Show of Force 03:29



..::OBSADA::..

Gus Rios (Gruesome/Malevolent Creation) - Guitars/Bass/Drums
Alex Marquez (Solstice/Resurrection) - Vocals/Drums
Dirk Verbueren (Megadeth/Soilwork) - Drums
Tobias Gustafsson (Cut Up/Vomitory) - Drums
Matt Harvey (Exhumed) - Vocals
Daniel Gonzalez (Possessed) - Guitars




https://www.youtube.com/watch?v=7J6HXUtz_XA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Obcowanie z tym debiutem jest jak strzał prosto w ryja zakończony deptaniem jaj po upadku na podłogę!!!



'Summoned to Rise features some of the fastest, catchiest, darkest, meanest, smartest, most intricate thrash fucking metal to come down the pike in years. No letup. No duds. Just a fiery, eponymous opening volley. (...)' - Decibel Magazine

'Insane old school riffs for all your moshing needs, Jeff Hanneman style squealing solos (which made the hair on my arm stand up at points), brutal vocal deliveries that at times walk the line of really solid Death Metal vocals, and a ton of intense outstanding drumming throughout. Everything works on this album, from lyrical content, to the tone of the music, and of course that break neck pace the vast majority of the record offers.' - Hellbound.ca

'‘Summoned to Rise’ is a an all out assault that takes no prisoners! Fast songs, brutal thrash and death metal riffage and blast beats…..What more could you ask for?' - Metal Nexus



When is it appropriate to employ the term ‘supergroup’? Could it be in the instance of new Floridian act Create A Kill? Featuring members of Malevolent Creation, Gruesome and Solstice – this unstoppable supergroup was always gonna make an impact based on the line-up alone. However, little were our ears prepared for the onslaught that was to come on debut album Summoned To Rise. Not just in terms of pure fury, but also the sheer quality. The overall sound of Create A Kill is a perfect mesh of the previously-mentioned three bands, but with an unhealthy dose of Demolition Hammer injected into the death/thrash assault. This is raw, blistering, violent, nasty shit. And boy, do I love it!

Not only do these Floridians exhume pure malice, they do it in a way that’s weirdly accessible and…dare I say it…catchy! Hell, if the chorus to “Premeditated” hasn’t got you hooked after one playthrough, there’s something wrong with your brain. These memorable hooks provide moments of clarity amid the sheer maelstrom of this album. Riffs cut like razors, solos insanely channel their inner Kerry King, blast-beats pound at your brain – and the whole affair is wrapped in a chaotic vibe that just about keeps in control. The way everything sounds like it’s teetering on the edge of composure is exciting and irresistible. The varied vocal attack contributes to this massively. Although I’m unsure exactly which vocal style is performed by who, the combination of vile high shrieks, powerful low growls and Schuldiner-esque mids creates a real death/thrash party atmosphere.

The production quality is absolutely spot on, bringing back that raw, authentic early ’90s spirit. The cut-throat guitar tone is both grisly and fun, but the snappy bass/snare mix is utterly gorgeous. This is what Demolition Hammer’s Tortured Existence should have sounded like! Summoned To Rise is the definition of ‘all killer, no filler’. Every single cut delivers the madness at a blistering pace with not a second wasted. Even the mid-tempo segments are loaded with impact, such as the opening riffs to “Cold Blooded” and “Reap The Whirlwind”, or the verses in “Gauntlet Of Pain”. In fact, my favourite moments are the slower ilk which hit you like a fucking steamroller (see “Decimated” – what a sledgehammer of a track!). Structurally, this album flows beautifully – mixing the faster and slower sections, though never losing a single ounce of barbarism.

As previously stated, there are memorable hooks and standout moments abound on this album. These guys have a penchant for writing catchy death/thrash metal that doesn’t compromise the style or cheapen the brand. “Crave The Blade”, “Premeditated” and the hammering “Show Of Force” are all great examples of how this sub-genre can be accessible for newcomers whilst pleasing the elitists. However, the jewel in this record’s crown is the bonus track – dedicated to late Malevolent Creation frontman Bret Hoffman – “Flesh, Blood & Stone”. When Matt Harvey bellows out ‘FLESH AND GOLD AND BLOOD AND STEEL AND FUCKING STONE!!’, you know Bret himself would have been majorly proud of this LP. Create A Kill should be proud of this effort. Really proud. I cannot pinpoint any specific aspect that weakens it. Summoned To Rise is simply an incredible slice of no-holds-barred death/thrash metal that will have any fan of the genre headbanging like it’s 1989.

Larry6990



..::TRACK-LIST::..

1. Create A Kill 02:58
2. Cold Blooded 03:14
3. Crave the Blade 03:39
4. Decimate 04:57
5. Premeditated 03:18
6. Gauntlet of Pain 03:42
7. Praise the Beast 03:12
8. Reap the Whirlwind 04:27
9. The Sow is Mine 04:13
10. Show of Force 03:29



..::OBSADA::..

Gus Rios (Gruesome/Malevolent Creation) - Guitars/Bass/Drums
Alex Marquez (Solstice/Resurrection) - Vocals/Drums
Dirk Verbueren (Megadeth/Soilwork) - Drums
Tobias Gustafsson (Cut Up/Vomitory) - Drums
Matt Harvey (Exhumed) - Vocals
Daniel Gonzalez (Possessed) - Guitars




https://www.youtube.com/watch?v=7J6HXUtz_XA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

29 listopada 2024 roku na rynku zadebiutował album Eric Clapton’s Crossroads Guitar Festival 2023, który uchwycił atmosferę siódmej edycji festiwalu Crossroads Guitar Festival.
Po czteroletniej przerwie wydarzenie miało miejsce 23 i 24 września 2023 roku w wypełnionej po brzegi Crypto.com Arena w Los Angeles.
Wśród zaproszonych gwiazd znaleźli się m.in. Joe Bonamassa, Gary Clark Jr., Sheryl Crow oraz Eric Gales, a całość poprowadził Bill Murray. Festiwal zaintrygował widzów mieszanką bluesowych klasyków, utworów z amerykańskiego kanonu oraz rockowych hitów, ożywionych przez wybitnych gitarzystów.



..::TRACK-LIST::..

BD 1 Live at Crypto.com Arena, Los Angeles, CA, 9/23/2023:
1. Intro - By Bill Murray
2. Groovy Goddess - By Sonny Landreth
3. 1952 Vincent Black Lightning - By The Del McCoury Band, Sierra Hull, Jerry Douglas & Bradley Walker
4. Walk On Boy - By Sierra Hull
5. Today I Started Loving You Again - By Bradley Walker
6. Always On My Mind - By Bradley Walker & Eric Clapton
7. Fall Like Rain (with Eric Clapton) - By The Del McCoury Band
8. Every Night is Saturday Night - By James Bullard
9. Give Your Love to Someone Else (with Eric Gales) - By Judith Hill
10. Redemption Day - By Sheryl Crow
11. Smokestack Lightning - By Eric Gales, Samantha Fish & Christone Kingfish Ingram
12. Layla - By Eric Gales, Samantha Fish & Christone Kingfish Ingram
13. Put That Back - By Eric Gales, Samantha Fish & Christone Kingfish Ingram
14. Going Down - By Eric Gales, Samantha Fish & Christone Kingfish Ingram
15. Habits - By Gary Clark Jr.
16. Breaking Up Somebody’s Home - By Joe Bonamassa
17. Early in the Morning - By Taj Mahal
18. Texas Flood (with Gary Clark Jr.) - By Jimmie Vaughan
19. Sweet Home Chicago - By Jimmie Vaughan
20. The Waiting - By The Wallflowers
21. Turn! Turn! Turn! (with The Wallflowers) - By Roger McGuinn
22. Eight Miles High (with Eric Clapton & The Wallflowers) - By Roger McGuinn
23. Bluebird (with Eric Clapton & The Wallflowers) - By Stephen Stills
24. Gimme All Your Lovin’ - By ZZ Top


BD 2 Live at Crypto.com Arena, Los Angeles, CA, 9/24/2023:
1. Intro - By Bill Murray
2. I’m So Glad (with Eric Clapton) - By Bill Murray
3. Medley: Für Elise / Foxy Lady (with Eric Gales & Joe Bonamassa) - By Robert Randolph
4. Kokopelli - By Kurt Rosenwinkel
5. Intro - By Marcus King
6. If the River Was Whiskey (Divin’ Duck Blues) [with Taj Mahal] - By Keb’ Mo’
7. It’s Too Late - By Marcus King
8. Rice Pudding - By Marcus King
9. How Could We Know (with Judith Hill) - By Daniel Santiago & Pedro Martins
10. My Favorite Mistake (with John Mayer) - By Sheryl Crow
11. Son’s Gonna Rise (with Robert Randolph) - By Citizen Cope
12. Hold On - By H.E.R.
13. Are You Gonna Go My Way - By H.E.R.
14. Salt Creek - By Molly Tuttle & Sierra Hull
15. Don’t Worry Baby - By Los Lobos
16. The Healing - By Gary Clark Jr.
17. Our Love - By Gary Clark Jr.
18. The Last of Us - By Gustavo Santaolalla
19. Jingo - By Santana
20. A Love Supreme (with John McLaughlin) - By Santana
21. It Makes No Difference
22. I Shot the Sheriff
23. Crossroads (with Stevie Wonder)




https://www.youtube.com/watch?v=LPOeZnbEcBU



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: Country Right Now
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Zach Bryan - High Road
02. Dasha - Austin
03. Warren Zeiders - Relapse
04. Cody Johnson - I'm Gonna Love You
05. Miranda Lambert - Ain’t in Kansas Anymore (From Twisters The Album)
06. Redferrin - Just like Johnny
07. Cameron Whitcomb - Medusa
08. Chase Matthew - Darlin'
09. Conner Smith - Steal My Thunder (feat. Tucker Wetmore) [From Twisters The Album]
10. Shania Twain - Boots Don't (From Twisters The Album)
11. Cole Swindell - Forever to Me
12. Tyler Braden - Devil You Know
13. Bailey Zimmerman - Holy Smokes
14. Gavin Adcock - Run Your Mouth
15. Austin Snell - Wildfire
16. Gabby Barrett - Growin’ Up Raising You
17. Orville Peck - Midnight Ride
18. Thomas Rhett - Feelin' Country (From Twisters The Album)
19. Luke Combs - Ain't No Love in Oklahoma (From Twisters The Album)
20. Sam Barber - Restless Mind (feat. Avery Anna)
21. Willow Avalon - Homewrecker
22. Megan Moroney - Never Left Me (From Twisters The Album)
23. Adrien Nunez - LOW ROAD (feat. Avery Anna)
24. Noah Rinker - Save My Soul
25. Zach Bryan - This World's a Giant
26. Ian Munsick - Fixin' Me
27. The Castellows - Sober Sundays
28. Cody Johnson - How Do You Sleep at Night
29. Jenna Raine - Roses (feat. Avery Anna)
30. Bailey Zimmerman - New to Country
31. Tucker Wetmore - Already Had It (From Twisters The Album)
32. Dasha - Bye Bye Bye
33. Jelly Roll - Dead End Road (From Twisters The Album)
34. Maddox Batson - X's
35. Kane Brown - Country Classic (From Twisters The Album)
36. Warren Zeiders - You for a Reason
37. Austin Snell - I've Been Drinking (feat. Hannah McFarland)
38. Wyatt Flores - Before I Do (From Twisters The Album)
39. Chase Matthew - Always Be Mine
40. Orville Peck - How Far Will We Take It
41. Sam Barber - Thought of You
42. Tyler Braden - More than a Prayer
43. Mason Ramsey - I’ll See You in My Dreams
44. Tyler Childers - Song While You're Away (From Twisters The Album)
45. Gavin Adcock - Almost Gone
46. Matt Schuster - Bail Money
47. Redferrin - Ruin My Night
48. Nolan Taylor - Driving You Home (From Twisters The Album)
49. Pecos & the Rooftops - Sweet Tumbleweed
50. Amble - Lonely Island

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drummer, composer, lyricist, improviser, cultural theorist and the individual largely responsible for the existence of ReR/Recommended records, Chris Cutler (like his longtime musical sparring partner Fred Frith) has cast a long shadow over avant rock for over 30 years. He first came to prominence when he joined Henry Cow in 1971, but he had been active on London's psychedelic/underground scene since the mid 60s, and in the early 70s formed the Ottawa Music Company (a large collective of rock composers) with sometime Egg/Hatfields keyboards player Dave Stewart.

When Henry Cow ceased working in 1978, he was instrumental in setting up Recommended Records along with Nick Hobbs, Henry Cow's ex-manager, initially as a distribution service and subsequently as a label in its own right. He also formed the excellent Art Bears with Fred Frith and Dagmar Krause, in which he was lyricist as well as the drummer. Since then he has been involved in a bewildering number of projects, often simultaneously, including The Residents, Pere Ubu, News From Babel, Cassiber, Aqsak Maboul, The EC Nudes and P53. He has also worked as an improviser, notably with Fred Frith (see seperate entry), Thomas DiMuzio and Zeena Parkins. Further to all this, he has also developed a unique electric drum kit - to quote from the man himself: "There are no samples, pads or triggers, just acoustic drums amplified and modified with standard electronic processors ... All this is run into a small 16 channel mixer and out through various standard pedals and guitar effects" (from the sleevenotes to Solo). More details can be found on his website. At various points in its evolution, this kit can be heard on all his post Henry Cow recordings. To date there have been only 2 Cutler solo releases; Solo is live improvisations on the electric drumkit, while Twice Around The World is an album of soundscapes created for London based Resonance FM and described as 'an experiment in listening'. The discography also includes 2 albums recorded with electronics performer Thomas DiMuzio (who has also worked with 5UUs) and one with Zeena Parkins (News From Babel, Skeleton Crew).

A masterful and highly original drummer, he is well worth catching live where his unique style can be seen as well as heard. All of his albums can be recommended, but his collaborations with Thomas DiMuzio are perhaps the best place to start, in particular the masterful Dust. See also Cutler/Frith.

A seminal figure in the RIO scene, Cutler's solo and collaborative works are an essential addition to the RIO/Avant prog category.



10 CDs, 1 DVD, 80pp booklet and box.
To make public a mass of unreleased material I decided to wrap this musical collection into a box. These 10 CDs (and a DVD) include over five hours of unreleased materials, my three previously released solo CDs (‘solo’, ‘twice around the earth’ and ‘there and back again’); plus a double CD collection of tracks spanning 50 years of official recordings (It Makes Sense to Me), as well as the 22-hour radio programme I made for Radio Art Zone last year (that’s on the DVD). 36 hours. Comes with 2 fat books of documentation, artwork, photographs, published and unpublished texts.
for the avoidance of all confusion: of the 5 CDs of 'unreleased materials', 100 copies of 4 of them were privately printed for japan (as CC100, 200, 300 & 400), so a few of you may have them. CC500, the two books and the DVD appear for the first time.

The subscription edition is numbered and signed and comes with an extra CD not otherwise available.



A companion to 'Twice around the Earth, 'There and Back Again' uses 44 environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. Mainly it's just meant to be good to listen to: surprising, serendipitous, mundane - but alien, the commonplace transfigured - an agglomeration of inadvertent sounds made haphazardly by the world and some of its inhabitants that were never meant to survive, and certainly not to be listened to repeatedly. And yet - they seem to add up. I listened to this many times and it keeps changing, though it can't. I don't understand it, but I like it. As a whole it's very different from 'Twice', though both share some locations (taken at different points) making reading across the two CDs another dimension of listening.




..::TRACK-LIST::..

There And Back Again (Volume 2: On Memory):
1. Blue Radio Introduction
2 - 45 There and Back Again




SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: Seventies 70 Greatest Hits from the 70s
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Gerry Rafferty - Baker Street (2011 Remaster)
02. Joni Mitchell - Big Yellow Taxi
03. Fleetwood Mac - Landslide (2018 Remaster)
04. Carly Simon - You’re So Vain
05. Rod Stewart - Standin' in the Shadows of Love
06. Blue Swede - Hooked on a Feeling
07. Roberta Flack - Killing Me Softly with His Song
08. Olivia Newton-John - Have You Never Been Mellow
09. Todd Rundgren - I Saw the Light
10. Wizzard - See My Baby Jive
11. Mud - Dyna-Mite
12. Babe Ruth - Dancer (2007 Remaster)
13. Maxine Nightingale - Right Back Where We Started From
14. Cilla Black - The Other Woman
15. The Doobie Brothers - Slippery St. Paul
16. Cliff Richard - Winning (1996 Remaster)
17. George McCrae - Rock Your Baby
18. Ramones - Blitzkrieg Bop
19. George Benson - Breezin’
20. The J. Geils Band - Gotta Have Your Love
21. Alice Cooper - King of the Silver Screen
22. Stacy Lattisaw - Jump to the Beat
23. Randy Crawford - Street Life
24. Tina Turner - Rockin' and Rollin'
25. England Dan & John Ford Coley - I’d Really Love to See You Tonight
26. Brook Benton - Rainy Night in Georgia
27. Stephen Stills - Love the One You’re With
28. Talking Heads - Psycho Killer (2005 Remaster)
29. The Doors - Riders on the Storm
30. Chris Rea - Fool (If You Think It’s Over)
31. Chicago - If You Leave Me Now
32. Linda Ronstadt - Desperado
33. Seals & Crofts - Summer Breeze
34. Daryl Hall & John Oates - She’s Gone
35. America - A Horse with No Name
36. Dr. Feelgood - Milk and Alcohol
37. Foghat - Fool for the City
38. Chic - Good Times
39. Maria Muldaur - Midnight at the Oasis
40. Curtis Mayfield - Move On Up
41. Shirley Bassey - (Where Do I Begin) Love Story
42. Gary Wright - Dream Weaver
43. Hot Chocolate - You Sexy Thing (2011 Remaster)
44. Nicolette Larson - Lotta Love
45. War - Low Rider
46. Faces - Ooh La La
47. Andrew Gold - Lonely Boy
48. Jefferson Starship - Jane
49. Harry Chapin - Cats in the Cradle
50. Bad Company - Feel like Makin’ Love (2015 Remaster)
51. The Trammps - Disco Inferno
52. The Pretenders - Brass in Pocket (2006 Remaster)
53. The Spinners - The Rubberband Man
54. Foreigner - Cold as Ice (2006 Remaster)
55. KC And The Sunshine Band - Please Don’t Go
56. Rose Royce - Wishing on a Star
57. Orleans - Still the One
58. Al Stewart - Year of the Cat
59. Pilöt - Magic
60. Warren Zevon - Werewolves of London (2007 Remaster)
61. New World - Living Next Door to Alice
62. Candi Staton - Young Hearts Run Free
63. Randy Vanwarmer - Just When I Needed You Most
64. Bread - Everything I Own
65. Frankie Valli - Grease
66. Chaka Khan - I’m Every Woman
67. Ben E. King - Supernatural Thing, Pt. 1
68. Lobo - I’d Love You to Want Me
69. James Taylor - You’ve Got a Friend
70. The Cars - Just What I Needed

...( Info )...

Artist: Various Artists
Album: Awesome 80s Hits 80 Classics From The 80s
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Madonna - Material Girl
02. Roxette - The Look
03. Kate Bush - Babooshka
04. Tina Turner - Private Dancer
05. Alphaville - Forever Young
06. Pet Shop Boys - Heart
07. Fleetwood Mac - Little Lies (2018 Remaster)
08. Duran Duran - Girls on Film (2010 Remaster)
09. Starship - We Built This City
10. A-Ha - Take On Me
11. Spandau Ballet - True
12. Simply Red - If You Don't Know Me by Now
13. The Pretenders - Don't Get Me Wrong
14. Dolly Parton - To Know Him Is to Love Him
15. Rod Stewart - Lost In You
16. London Boys - London Nights
17. Christopher Cross - Arthur's Theme (Best That You Can Do)
18. Stevie Nicks - Edge of Seventeen (2016 Remaster)
19. Foreigner - I Want to Know What Love Is (1999 Remaster)
20. Laura Branigan - Self Control
21. Climie Fisher - Love Changes (Everything)
22. Chaka Khan - I Feel for You
23. Limahl - Never Ending Story
24. Simply Red - Holding Back the Years
25. Roxette - Dressed for Success
26. Madonna - Like a Virgin
27. The Beach Boys - Kokomo
28. Randy Crawford - Almaz
29. Marillion - Kayleigh (2017 Remaster)
30. John Parr - St. Elmo's Fire (Man in Motion)
31. Alphaville - The Jet Set (2019 Remaster)
32. Talk Talk - It's My Life
33. Tina Turner - What’s Love Got to Do with It
34. Debbie Gibson - Lost in Your Eyes
35. Chris Rea - Josephine
36. A-Ha - The Sun Always Shines on T.V
37. Joy Division - Love Will Tear Us Apart
38. Randy Travis - Forever and Ever, Amen (All the Number Ones Version)
39. Hot Chocolate - It Started with a Kiss
40. Foreigner - Juke Box Hero
41. George Benson - Give Me the Night
42. Los Lobos - La Bamba
43. Arcadia - Election Day
44. Starpoint - Object of My Desire
45. Sister Sledge - Frankie
46. Cliff Richard - Some People
47. Peabo Bryson - If Ever You're in My Arms Again
48. The Cars - Drive
49. Nu Shooz - I Can’t Wait
50. Duran Duran - Rio (U.S. Remix)
51. Kajagoogoo - Too Shy (2004 Remaster)
52. Peter Schilling - The Different Story (World of Lust and Crime)
53. Labi Siffre - Nothin's Gonna Change
54. Rod Stewart - Young Turks
55. Spandau Ballet - To Cut a Long Story Short
56. Pet Shop Boys - Always on My Mind
57. Peter Cetera - Glory of Love
58. Robert Palmer - Simply Irresistible
59. Whitesnake - Here I Go Again 87 (2018 Remaster)
60. Alannah Myles - Black Velvet
61. The Blues Brothers - Everybody Needs Somebody to Love
62. Talking Heads - This Must Be the Place (Naive Melody) [2005 Remaster]
63. The Smiths - There Is a Light That Never Goes Out
64. Yes - Owner of a Lonely Heart
65. Narada Michael Walden - Gimme Gimme Gimme (feat. Patti Austin)
66. New Order - Blue Monday '88 (2015 Remaster)
67. Kate Bush - The Man with the Child in His Eyes
68. Stacey Q - Two of Hearts
69. Adrian Gurvitz - Classic
70. Nick Kamen - Each Time You Break My Heart
71. Chicago - You're the Inspiration
72. The B-52's - Love Shack
73. Fleetwood Mac - Big Love (2018 Remaster)
74. Twisted Sister - I Wanna Rock
75. The Pretenders - Brass in Pocket (2006 Remaster)
76. The Proclaimers - I'm Gonna Be (500 Miles)
77. The Dream Academy - Life in a Northern Town
78. Stevie Nicks - Stop Draggin' My Heart Around (feat. Tom Petty And The Heartbreakers)
79. Starship - Nothing's Gonna Stop Us Now
80. Dusty Springfield - In Private

...( Info )...

Artist...............: ABBA
Album................: Thank You For The Music [4CD]
Genre................: Pop
Year.................: 1983
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. People Need Love
002. Another Town, Another Train
003. He Is Your Brother
004. Love Isn't Easy (But It Sure Is Hard Enough)
005. Ring Ring (English Version)
006. Waterloo
007. Hasta Manana
008. Honey, Honey
009. Dance (While The Music Still Goes On)
010. So Long
011. I've Been Waiting For You
012. I Do, I Do, I Do, I Do, I Do
013. SOS
014. Mamma Mia
015. Fernando
016. Dancing Queen
017. That's Me
018. When I Kissed The Teacher
019. Money, Money, Money
020. Crazy World
021. My Love, My Life
022. Knowing Me, Knowing You
023. Happy Hawaii
024. The Name Of The Game (Edit)
025. I Wonder (Departure) (Live From Sydney Showground, Australia - 1977)
026. Eagle (Long Version)
027. Take A Chance On Me
028. Thank You For The Music
029. Summer Night City (Long Version)
030. Chiquitita
031. Lovelight (Remixed Edit Version)
032. Does Your Mother Know
033. Voulez-Vous (Edit)
034. Angeleyes
035. Gimme! Gimme! Gimme! (A Man After Midnight)
036. I Have A Dream
037. The Winner Takes It All
038. Elaine
039. Super Trouper
040. Lay All Your Love On Me
041. On And On And On
042. Our Last Summer
043. The Way Old Friends Do (Live At Wembley Arena, London, England - 1979)
044. The Visitors
045. One Of Us
046. Should I Laugh Or Cry
047. Head Over Heels
048. When All Is Said And Done
049. Like An Angel Passing Through My Room
050. The Day Before You Came
051. Cassandra
052. Under Attack
053. Put On Your White Sombrero
054. Dream World
055. Thank You For The Music (Doris Day Mix)
056. Hej gamle man
057. Merry-Go-Round
058. Santa Rosa
059. She's My Kind Of Girl
060. Medley Pick A Bale Of Cotton
061. You Owe Me One
062. Slipping Through My Fingers - Me And I (Live From Dick Cavett Meets Abba, Sveriges Television - 1981)
063. Abba Undeleted (Medley)
064. Waterloo (French - Swedish Version)
065. Ring Ring (Swedish - Spanish - German Version)
066. Honey Honey (Swedish Version)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drummer, composer, lyricist, improviser, cultural theorist and the individual largely responsible for the existence of ReR/Recommended records, Chris Cutler (like his longtime musical sparring partner Fred Frith) has cast a long shadow over avant rock for over 30 years. He first came to prominence when he joined Henry Cow in 1971, but he had been active on London's psychedelic/underground scene since the mid 60s, and in the early 70s formed the Ottawa Music Company (a large collective of rock composers) with sometime Egg/Hatfields keyboards player Dave Stewart.

When Henry Cow ceased working in 1978, he was instrumental in setting up Recommended Records along with Nick Hobbs, Henry Cow's ex-manager, initially as a distribution service and subsequently as a label in its own right. He also formed the excellent Art Bears with Fred Frith and Dagmar Krause, in which he was lyricist as well as the drummer. Since then he has been involved in a bewildering number of projects, often simultaneously, including The Residents, Pere Ubu, News From Babel, Cassiber, Aqsak Maboul, The EC Nudes and P53. He has also worked as an improviser, notably with Fred Frith (see seperate entry), Thomas DiMuzio and Zeena Parkins. Further to all this, he has also developed a unique electric drum kit - to quote from the man himself: "There are no samples, pads or triggers, just acoustic drums amplified and modified with standard electronic processors ... All this is run into a small 16 channel mixer and out through various standard pedals and guitar effects" (from the sleevenotes to Solo). More details can be found on his website. At various points in its evolution, this kit can be heard on all his post Henry Cow recordings. To date there have been only 2 Cutler solo releases; Solo is live improvisations on the electric drumkit, while Twice Around The World is an album of soundscapes created for London based Resonance FM and described as 'an experiment in listening'. The discography also includes 2 albums recorded with electronics performer Thomas DiMuzio (who has also worked with 5UUs) and one with Zeena Parkins (News From Babel, Skeleton Crew).

A masterful and highly original drummer, he is well worth catching live where his unique style can be seen as well as heard. All of his albums can be recommended, but his collaborations with Thomas DiMuzio are perhaps the best place to start, in particular the masterful Dust. See also Cutler/Frith.

A seminal figure in the RIO scene, Cutler's solo and collaborative works are an essential addition to the RIO/Avant prog category.



10 CDs, 1 DVD, 80pp booklet and box.
To make public a mass of unreleased material I decided to wrap this musical collection into a box. These 10 CDs (and a DVD) include over five hours of unreleased materials, my three previously released solo CDs (‘solo’, ‘twice around the earth’ and ‘there and back again’); plus a double CD collection of tracks spanning 50 years of official recordings (It Makes Sense to Me), as well as the 22-hour radio programme I made for Radio Art Zone last year (that’s on the DVD). 36 hours. Comes with 2 fat books of documentation, artwork, photographs, published and unpublished texts.
for the avoidance of all confusion: of the 5 CDs of 'unreleased materials', 100 copies of 4 of them were privately printed for japan (as CC100, 200, 300 & 400), so a few of you may have them. CC500, the two books and the DVD appear for the first time.

The subscription edition is numbered and signed and comes with an extra CD not otherwise available.



A companion to 'Twice around the Earth, 'There and Back Again' uses 44 environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. Mainly it's just meant to be good to listen to: surprising, serendipitous, mundane - but alien, the commonplace transfigured - an agglomeration of inadvertent sounds made haphazardly by the world and some of its inhabitants that were never meant to survive, and certainly not to be listened to repeatedly. And yet - they seem to add up. I listened to this many times and it keeps changing, though it can't. I don't understand it, but I like it. As a whole it's very different from 'Twice', though both share some locations (taken at different points) making reading across the two CDs another dimension of listening.




..::TRACK-LIST::..

There And Back Again (Volume 2: On Memory):
1. Blue Radio Introduction
2 - 45 There and Back Again




SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: 80s Mellow
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Madonna - Crazy For You
02. Spandau Ballet - True
03. Simply Red - Holding Back the Years
04. Peter Cetera - Glory of Love
05. Tina Turner - Private Dancer
06. Whitesnake - Is This Love
07. Duran Duran - Save a Prayer (2009 Remaster)
08. Fleetwood Mac - Gypsy (2018 Remaster)
09. The Beach Boys - Kokomo
10. Michael McDonald - I Keep Forgettin (Every Time You're Near)
11. A-Ha - Hunting High and Low (7 Remix)
12. Foreigner - I Want to Know What Love Is (1999 Remaster)
13. The Cars - Drive
14. Chicago - You're the Inspiration
15. Chaka Khan - Through the Fire
16. Starship - Nothing's Gonna Stop Us Now
17. Chris Rea - Josephine
18. Al Jarreau - Mornin' (2012 Japan Remaster)
19. Rod Stewart - Every Beat of My Heart
20. Stevie Nicks - Rooms on Fire
21. AL B. SURE! - Nite and Day
22. Bette Midler - Wind Beneath My Wings
23. David Foster - The Best of Me
24. Randy Crawford - One Hello
25. Cliff Richard - Ocean Deep (2002 Remaster)
26. Peabo Bryson - If Ever You're in My Arms Again
27. Joey Scarbury - Believe It or Not (From Greatest American Hero)
28. Fleetwood Mac - Everywhere (2018 Remaster)
29. Madonna - Live to Tell
30. The Pretenders - Thin Line Between Love and Hate
31. Tina Turner - We Don't Need Another Hero (Thunderdome)
32. Karyn White - Superwoman
33. Roger - I Want to Be Your Man
34. Laura Branigan - Power of Love
35. James Ingram - There’s No Easy Way
36. Donald Fagen - I.G.Y
37. Tanita Tikaram - Twist in My Sobriety
38. Climie Fisher - Rise to the Occasion
39. Robert Palmer - She Makes My Day
40. Chicago - Hard to Say I’m Sorry
41. Matt Bianco - More than I Can Bear
42. The Stranglers - Golden Brown
43. Larry Graham - One in a Million You
44. Foreigner - Waiting for a Girl like You
45. Debbie Gibson - Lost in Your Eyes
46. Simply Red - If You Don't Know Me by Now
47. Stacy Lattisaw - Perfect Combination
48. Rod Stewart - Downtown Train
49. Al Jarreau - Moonlighting
50. Benjamin Orr - Stay the Night

...( Info )...


Artist: Various Artists
Album: Jazz Vocalists
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Scarlett Johansson - Summertime
02. Donny Hathaway - Misty
03. Nils Wülker - Season (feat. Max Mutzke)
04. Leona Berlin - Nothing Compares 2 U
05. Per 'Texas' Johansson - My Shining Hour
06. Madeleine Peyroux - Reckless Blues
07. Michael Bublé - My Funny Valentine
08. Viktoria Tolstoy - We'll Be Together Again
09. Tory Noé Trio - Hallelujah
10. Eartha Kitt - Autumn Leaves
11. Bobby Darin - I Didn't Know What Time It Was
12. Sarah Vaughan - You Stepped Out of a Dream (2007 Remaster)
13. Mose Allison - Your Mind Is on Vacation
14. Chris Connor - Love Walked In
15. Aretha Franklin - I Say a Little Prayer
16. Viktoria Tolstoy - Blame It on My Youth
17. Michael Bublé - Haven't Met You Yet
18. Leona Berlin - Feel the Love
19. Tory Noé Trio - Angel on a Snowflake
20. Nils Wülker - Grow (feat. Rob Summerfield)
21. Michael Bublé - All of Me
22. Renee Olstead - When I Fall in Love (feat. Chris Botti)
23. Madeleine Peyroux - Lovesick Blues
24. Leona Berlin - Thinking About You (feat. Replife & Casey Benjamin)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Definately, at least to me, an improvement over their debut, this was finally the EARTH BAND that found their sound. No more of that New Orleans-type of stuff here, this is definately a more progressive album. Having been familiar with "Solar Fire" for much longer than I had this one, I am amazed how several of the songs on this album reminds me of "Solar Fire". For example, "Meat", which features Chris Slade doing the same kind of drumming as he would later do on "Earth, the Circle Part 2". "Look Around", "Our Friend George" and "I'm Gonna Have You All" all sound like they could fit nicely on "Solar Fire". I really like some of those heavy guitar solo found on "Look Around". The band also did a couple more "down to earth" numbers here. One was "Down Home", with a rather down home feel, almost like The BAND. The other being "It's All Over Now, Baby Blue", a Bob DYLAN song which was pretty much what you expect on an EARTH BAND album up until 1975.

Also you get a re-recording of a MANFRED MANN Chapter III song, "One Way Glass" (originally on their 1969 debut), but of course this version has all the horns removed and done in the EARTH BAND fashion (including a Moog solo at the end). I own the American LP which has a black cover with the EARTH BAND logo (this was the first EARTH BAND album to feature that logo), rather than white like you expect on the British version on the Philips label. This is probably my second favorite EARTH BAND album outside of "Solar Fire".

Proghead



..::TRACK-LIST::..

CD 2 - Glorified Magnified (1972):
1. Meat 4:03
2. Look Around 5:10
3. One Way Glass 4:07
4. I'm Gonna Have You All 5:19
5. Down Home 3:17
6. Our Friend George 3:03
7. Ashes To The Wind 2:14
8. Wind 1:58
9. It's All Over Now Baby Blue 4:26
10. Glorified Magnified 4:40



..::OBSADA::..

Manfred Mann - organ, Minimoog synthesiser, vocals
Mick Rogers - guitar, vocals
Colin Pattenden - bass guitar
Chris Slade - drums



https://www.youtube.com/watch?v=Y7fdAgFNfnU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Definately, at least to me, an improvement over their debut, this was finally the EARTH BAND that found their sound. No more of that New Orleans-type of stuff here, this is definately a more progressive album. Having been familiar with "Solar Fire" for much longer than I had this one, I am amazed how several of the songs on this album reminds me of "Solar Fire". For example, "Meat", which features Chris Slade doing the same kind of drumming as he would later do on "Earth, the Circle Part 2". "Look Around", "Our Friend George" and "I'm Gonna Have You All" all sound like they could fit nicely on "Solar Fire". I really like some of those heavy guitar solo found on "Look Around". The band also did a couple more "down to earth" numbers here. One was "Down Home", with a rather down home feel, almost like The BAND. The other being "It's All Over Now, Baby Blue", a Bob DYLAN song which was pretty much what you expect on an EARTH BAND album up until 1975.

Also you get a re-recording of a MANFRED MANN Chapter III song, "One Way Glass" (originally on their 1969 debut), but of course this version has all the horns removed and done in the EARTH BAND fashion (including a Moog solo at the end). I own the American LP which has a black cover with the EARTH BAND logo (this was the first EARTH BAND album to feature that logo), rather than white like you expect on the British version on the Philips label. This is probably my second favorite EARTH BAND album outside of "Solar Fire".

Proghead



..::TRACK-LIST::..

CD 2 - Glorified Magnified (1972):
1. Meat 4:03
2. Look Around 5:10
3. One Way Glass 4:07
4. I'm Gonna Have You All 5:19
5. Down Home 3:17
6. Our Friend George 3:03
7. Ashes To The Wind 2:14
8. Wind 1:58
9. It's All Over Now Baby Blue 4:26
10. Glorified Magnified 4:40



..::OBSADA::..

Manfred Mann - organ, Minimoog synthesiser, vocals
Mick Rogers - guitar, vocals
Colin Pattenden - bass guitar
Chris Slade - drums



https://www.youtube.com/watch?v=Y7fdAgFNfnU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Sześciopłytowy zestaw zawierający antologię kultowej brytyjskiej grupy. Znalazły się tutaj albumy: "Help Yourself" z 1971, "Strange Affair" i "Beware The Shadow" z 1972, "Return Of Ken Whaley", "Happy Days" i "Help Yourself 5" (wydany dopiero w 2004) z 1973, a także solowy album lidera zespołu Malcolma Morleya "Lost And Found", nagrany w 1976 z towarzyszeniem grupy Plummet Airlines, którego taśmy-matki zaginęły i odnalazły się po latach, a następnie zostały wydane w 2002 roku. Wszystkie nagrania zremasterowano, a całość znajduje się w sztywnym pudełku, z książeczką z niepublikowanymi wcześniej zdjęciami i wywiadami oraz plakatem.


- A NEW 6CD REMASTERED BOXED SET ANTHOLOGY FEATURING THE COMPLETE STUDIO RECORDINGS BY THE UNSUNG HEROES OF BRITISH EARLY ‘70s ROCK, HELP YOURSELF
- FEATURING 66 TRACKS ON 6 CDs INCLUDING THE ALBUMS HELP YOURSELF, STRANGE AFFAIR, BEWARE THE SHADOW, THE RETURN OF KEN WHALEY / HAPPY DAYS, THE ALBUM FIVE & MALCOLM MORLEY’S 1976 ALBUM LOST & FOUND (BOTH UNRELEASED FOR THIRTY YEARS) ALONG WITH A PREVIOUSLY UNRELEASED BBC SESSION & DEMO.
- REMASTERED FROM THE ORIGINAL ALBUM MASTER TAPES
- INCLUDES AN ILLUSTRATED BOOK WITH EXTENSIVE ESSAY WITH PREVIOUSLY UNSEEN PHOTOGRAPHS AND INTERVIEWS & A POSTER

Esoteric Recordings are pleased to announce the release of PASSING THROUGH – THE COMPLETE STUDIO RECORDINGS, a 6CD boxed set by the unsung heroes of British early ‘70s rock, HELP YOURSELF.

The band was formed in London in 1970, originally as a backing band for singer-songwriter MALCOLM MORLEY and took their influences from American West Coast Country and Acid Rock. After Morley signed to the Famepushers management stable, his manager John Eichler suggested Morley form a new band and HELP YOURSELF was born. Featuring MALCOLM MORLEY (guitars, keyboards, vocals), former Sam Apple Pie member DAVE CHARLES (drums, percussion, vocals), RICHARD TREECE (guitars, vocals, harmonica) and KEN WHALEY (bass), the band signed to United Artists in 1970 and their eponymous debut album was issued in 1971.

Following a tour with label mates Brinsley Schwarz and Ernie Graham (also Famepushers artists), Ken Whaley departed the band. An expanded line-up including Ernie Graham and Jonathan Glemser began work on the album STRANGE AFFAIR in 1972, but Graham and Glemser’s departure half-way through the recording saw roadie Paul Burton join the band to complete the album, (which would include the excellent extended track “The All Electric Fur Trapper”). The band embarked on a tour of Switzerland with Welsh rock legends Man and a bond formed between the two groups. The band’s next album, BEWARE THE SHADOW, was an even stronger effort, featuring the Help’s twelve-minute anthem, “Reaffirmation”, a track that displayed the instrumental excellence of the group. Prior to a tour to promote their most recent album Malcolm Morley fell ill with depression and DEKE LEONARD, recently dismissed from Man, took his place. When Morley recovered, Leonard remained with the band, appearing with them on the CHRISTMAS AT THE PATTI concert in Swansea in December 1972. In early 1973 Deke Leonard departed the band to pursue a solo career and the band began work on the album HAPPY DAYS, a record that also featured THE FLYING ACES (featuring former MAN bassist MARTIN ACE and his wife George) and VIVIAN “SPIV’ MORRIS and spawned a touring musical review featuring all the musicians. Paul Burton’s departure during these sessions saw Ken Whaley return to the band. Work then commenced on another album, THE RETURN OF KEN WHALEY. Both albums were released as a package by United Artists later that year. Although critically acclaimed, commercial success continued to elude the band and Help Yourself were dropped by their record label. A fifth album was recorded at Chipping Norton Studios in Oxfordshire in 1973 but this failed to gain a release for over thirty years. The aborted album led to Help Yourself disbanding, with Malcolm Morley and Ken Whaley joining Man in 1974 for their album Winos, Rhinos and Lunatics. Following his departure from Man, Malcolm Morley recorded a solo album in 1976 that would also remain unreleased for thirty years.

Over four decades on, HELP YOURSELF are now regarded as one of the great, unsung British bands of their era and the songs of Malcolm Morley are recognised as true treasures. PASSING THROUGH – THE COMPLETE STUDIO RECORDINGS is a lovingly compiled boxed set which gathers together the albums HELP YOURSELF, STRANGE AFFAIR, BEWARE THE SHADOW, THE RETURN OF KEN WHALEY / HAPPY DAYS, the unreleased album FIVE , all the band’s non-album singles & Malcolm Morley’s unreleased album LOST & FOUND along with a previously unreleased BBC session & a studio demo.

The set is newly re-mastered from the original master tapes and features an illustrated booklet with rare photographs and a new essay with interviews and a poster and is a tribute to the inspirational music of HELP YOURSELF.

Esoteric



More of the same for Help Yourself on their second album, for the most part. Bassist Ken Whaley had taken his leave, replaced by former band roadie Ernie Graham on guitars and vocals (although Whaley would return a couple years later with the band naming their fourth album in his honor). Graham penned the only non-Malcolm Morley track on the first two albums, the strumming and west coast-flavored “Movie Star”.
Otherwise most of these tracks are quite similar to the debut, at least most of them. The band would put together their first full- length psych jam here with the ten minute rambling “Excerpts from the ‘All Electric Fur Trapper’”, which would only be topped during their career by the even longer and more improvisational “Reaffirmation” on the ‘Beware the Shadow’ release.

The instrumentation is the same: a couple of guitars, piano, bass and drums. Pub band fare for the most part, but Help Yourself had a knack for coming off as just vaguely enough like several ‘A’ list bands to sound like they were a bit more accomplished than what they probably were. The title track for example has a jaunty piano intro and lumbering tempo that bears a striking resemblance to a fair amount of Joe Walsh’s solo stuff; even the theme, something about a classy chick picking up a bum in a bar, sounds like something Walsh would have penned.

“Brown Lady” leans quite heavily into Ambrosia or Firefall territory with its strumming acoustic guitar, almost invisible bass line, and disjointed amorous lyrics. The Graham track “Movie Star” fits quite well in between the Morley tunes, but with harmonizing vocals that recall Buffalo Springfield or even CSN; while “Deanna Call and Scotty” has a Morley vocal track and piano accompaniment that could easily have been inspired by any number of tracks from ‘Abbey Road’, or maybe even some of the early seventies albums from the Beatles Lite (ELO).

The band moves back into pub rock with “Heaven Row”, even to the extent of including female harmonizing vocal backing. And the closing “Many Ways of Meeting” has a real “Let it Be” feel to it but without any kind of heavy lyrical undercurrent of meaning.

But the stand out track is the aforementioned “Excerpts from the ‘All Electric Fur Trapper’”, a lightly psychedelic and slow- developing instrumental that weaves in acoustic picking, electric strumming, fuzz, and some odd keyboard effects with a couple minutes of undisciplined jamming that sounds awfully acid-inspired. The result is one of those space-out songs that is best listened to in early dusk while lying on the hood of your car in a park somewhere. Peaceful, easy stuff, and probably brought the lighters out when it was played live at festivals back then (assuming it was played live at festivals, which I’m sure it was).

The next couple albums would be a bit heavier than this one, which is a bit heavier than the debut. But in reality these guys can be easily lumped with Man, pre-Laurie Wisefield Wishbone Ash, or Home. In other words British pub rock that aspires to be a bit more, and is inexplicably very west coast leaning in its execution. Decent stuff, probably not progressive, but worth a listen unless you are a prog purist. Three stars.

ClemofNazareth



..::TRACK-LIST::..

CD 2 - STRANGE AFFAIR (remastered edition) Released in 1972:
1. Strange Affair
2. Brown Lady
3. Movie Star
4. Deanna Call And Scotty
5. Heaven Row
6. Excerpts From 'The All Electric Fur Trapper' (Soundtrack From The Film Of The Novel)
7. Many Ways Of Meetings

Bonus Track:
8. Heaven Row (A-Side Of Single - Released In 1972)



..::OBSADA::..

Malcolm Morley - keyboards, guitar, vocals, composer (excl. 3)
Richard Treece - bass, guitar, vocals
Paul Burton - bass, guitar, vocals
Dave Charles - drums, percussion, vocals

With:
Ernie Graham - guitar, vocals
Jonathan 'Jojo' Glemser - guitar




https://www.youtube.com/watch?v=3ErEZ9_7SK0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Sześciopłytowy zestaw zawierający antologię kultowej brytyjskiej grupy. Znalazły się tutaj albumy: "Help Yourself" z 1971, "Strange Affair" i "Beware The Shadow" z 1972, "Return Of Ken Whaley", "Happy Days" i "Help Yourself 5" (wydany dopiero w 2004) z 1973, a także solowy album lidera zespołu Malcolma Morleya "Lost And Found", nagrany w 1976 z towarzyszeniem grupy Plummet Airlines, którego taśmy-matki zaginęły i odnalazły się po latach, a następnie zostały wydane w 2002 roku. Wszystkie nagrania zremasterowano, a całość znajduje się w sztywnym pudełku, z książeczką z niepublikowanymi wcześniej zdjęciami i wywiadami oraz plakatem.


- A NEW 6CD REMASTERED BOXED SET ANTHOLOGY FEATURING THE COMPLETE STUDIO RECORDINGS BY THE UNSUNG HEROES OF BRITISH EARLY ‘70s ROCK, HELP YOURSELF
- FEATURING 66 TRACKS ON 6 CDs INCLUDING THE ALBUMS HELP YOURSELF, STRANGE AFFAIR, BEWARE THE SHADOW, THE RETURN OF KEN WHALEY / HAPPY DAYS, THE ALBUM FIVE & MALCOLM MORLEY’S 1976 ALBUM LOST & FOUND (BOTH UNRELEASED FOR THIRTY YEARS) ALONG WITH A PREVIOUSLY UNRELEASED BBC SESSION & DEMO.
- REMASTERED FROM THE ORIGINAL ALBUM MASTER TAPES
- INCLUDES AN ILLUSTRATED BOOK WITH EXTENSIVE ESSAY WITH PREVIOUSLY UNSEEN PHOTOGRAPHS AND INTERVIEWS & A POSTER

Esoteric Recordings are pleased to announce the release of PASSING THROUGH – THE COMPLETE STUDIO RECORDINGS, a 6CD boxed set by the unsung heroes of British early ‘70s rock, HELP YOURSELF.

The band was formed in London in 1970, originally as a backing band for singer-songwriter MALCOLM MORLEY and took their influences from American West Coast Country and Acid Rock. After Morley signed to the Famepushers management stable, his manager John Eichler suggested Morley form a new band and HELP YOURSELF was born. Featuring MALCOLM MORLEY (guitars, keyboards, vocals), former Sam Apple Pie member DAVE CHARLES (drums, percussion, vocals), RICHARD TREECE (guitars, vocals, harmonica) and KEN WHALEY (bass), the band signed to United Artists in 1970 and their eponymous debut album was issued in 1971.

Following a tour with label mates Brinsley Schwarz and Ernie Graham (also Famepushers artists), Ken Whaley departed the band. An expanded line-up including Ernie Graham and Jonathan Glemser began work on the album STRANGE AFFAIR in 1972, but Graham and Glemser’s departure half-way through the recording saw roadie Paul Burton join the band to complete the album, (which would include the excellent extended track “The All Electric Fur Trapper”). The band embarked on a tour of Switzerland with Welsh rock legends Man and a bond formed between the two groups. The band’s next album, BEWARE THE SHADOW, was an even stronger effort, featuring the Help’s twelve-minute anthem, “Reaffirmation”, a track that displayed the instrumental excellence of the group. Prior to a tour to promote their most recent album Malcolm Morley fell ill with depression and DEKE LEONARD, recently dismissed from Man, took his place. When Morley recovered, Leonard remained with the band, appearing with them on the CHRISTMAS AT THE PATTI concert in Swansea in December 1972. In early 1973 Deke Leonard departed the band to pursue a solo career and the band began work on the album HAPPY DAYS, a record that also featured THE FLYING ACES (featuring former MAN bassist MARTIN ACE and his wife George) and VIVIAN “SPIV’ MORRIS and spawned a touring musical review featuring all the musicians. Paul Burton’s departure during these sessions saw Ken Whaley return to the band. Work then commenced on another album, THE RETURN OF KEN WHALEY. Both albums were released as a package by United Artists later that year. Although critically acclaimed, commercial success continued to elude the band and Help Yourself were dropped by their record label. A fifth album was recorded at Chipping Norton Studios in Oxfordshire in 1973 but this failed to gain a release for over thirty years. The aborted album led to Help Yourself disbanding, with Malcolm Morley and Ken Whaley joining Man in 1974 for their album Winos, Rhinos and Lunatics. Following his departure from Man, Malcolm Morley recorded a solo album in 1976 that would also remain unreleased for thirty years.

Over four decades on, HELP YOURSELF are now regarded as one of the great, unsung British bands of their era and the songs of Malcolm Morley are recognised as true treasures. PASSING THROUGH – THE COMPLETE STUDIO RECORDINGS is a lovingly compiled boxed set which gathers together the albums HELP YOURSELF, STRANGE AFFAIR, BEWARE THE SHADOW, THE RETURN OF KEN WHALEY / HAPPY DAYS, the unreleased album FIVE , all the band’s non-album singles & Malcolm Morley’s unreleased album LOST & FOUND along with a previously unreleased BBC session & a studio demo.

The set is newly re-mastered from the original master tapes and features an illustrated booklet with rare photographs and a new essay with interviews and a poster and is a tribute to the inspirational music of HELP YOURSELF.

Esoteric



More of the same for Help Yourself on their second album, for the most part. Bassist Ken Whaley had taken his leave, replaced by former band roadie Ernie Graham on guitars and vocals (although Whaley would return a couple years later with the band naming their fourth album in his honor). Graham penned the only non-Malcolm Morley track on the first two albums, the strumming and west coast-flavored “Movie Star”.
Otherwise most of these tracks are quite similar to the debut, at least most of them. The band would put together their first full- length psych jam here with the ten minute rambling “Excerpts from the ‘All Electric Fur Trapper’”, which would only be topped during their career by the even longer and more improvisational “Reaffirmation” on the ‘Beware the Shadow’ release.

The instrumentation is the same: a couple of guitars, piano, bass and drums. Pub band fare for the most part, but Help Yourself had a knack for coming off as just vaguely enough like several ‘A’ list bands to sound like they were a bit more accomplished than what they probably were. The title track for example has a jaunty piano intro and lumbering tempo that bears a striking resemblance to a fair amount of Joe Walsh’s solo stuff; even the theme, something about a classy chick picking up a bum in a bar, sounds like something Walsh would have penned.

“Brown Lady” leans quite heavily into Ambrosia or Firefall territory with its strumming acoustic guitar, almost invisible bass line, and disjointed amorous lyrics. The Graham track “Movie Star” fits quite well in between the Morley tunes, but with harmonizing vocals that recall Buffalo Springfield or even CSN; while “Deanna Call and Scotty” has a Morley vocal track and piano accompaniment that could easily have been inspired by any number of tracks from ‘Abbey Road’, or maybe even some of the early seventies albums from the Beatles Lite (ELO).

The band moves back into pub rock with “Heaven Row”, even to the extent of including female harmonizing vocal backing. And the closing “Many Ways of Meeting” has a real “Let it Be” feel to it but without any kind of heavy lyrical undercurrent of meaning.

But the stand out track is the aforementioned “Excerpts from the ‘All Electric Fur Trapper’”, a lightly psychedelic and slow- developing instrumental that weaves in acoustic picking, electric strumming, fuzz, and some odd keyboard effects with a couple minutes of undisciplined jamming that sounds awfully acid-inspired. The result is one of those space-out songs that is best listened to in early dusk while lying on the hood of your car in a park somewhere. Peaceful, easy stuff, and probably brought the lighters out when it was played live at festivals back then (assuming it was played live at festivals, which I’m sure it was).

The next couple albums would be a bit heavier than this one, which is a bit heavier than the debut. But in reality these guys can be easily lumped with Man, pre-Laurie Wisefield Wishbone Ash, or Home. In other words British pub rock that aspires to be a bit more, and is inexplicably very west coast leaning in its execution. Decent stuff, probably not progressive, but worth a listen unless you are a prog purist. Three stars.

ClemofNazareth



..::TRACK-LIST::..

CD 2 - STRANGE AFFAIR (remastered edition) Released in 1972:
1. Strange Affair
2. Brown Lady
3. Movie Star
4. Deanna Call And Scotty
5. Heaven Row
6. Excerpts From 'The All Electric Fur Trapper' (Soundtrack From The Film Of The Novel)
7. Many Ways Of Meetings

Bonus Track:
8. Heaven Row (A-Side Of Single - Released In 1972)



..::OBSADA::..

Malcolm Morley - keyboards, guitar, vocals, composer (excl. 3)
Richard Treece - bass, guitar, vocals
Paul Burton - bass, guitar, vocals
Dave Charles - drums, percussion, vocals

With:
Ernie Graham - guitar, vocals
Jonathan 'Jojo' Glemser - guitar




https://www.youtube.com/watch?v=3ErEZ9_7SK0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 2 - January 4, 1974 - Chicago Stadium, Chicago, IL:
1. Hero Blues 4:03
2. Just Like Tom Thumb's Blues 4:46
3. It Ain't Me, Babe 3:47
4. Tough Mama 4:01
5. Ballad Of A Thin Man 6:19
6. Leopard-Skin Pill-Box Hat 3:32
7. Knockin' On Heaven's Door 3:12
8. The Times They Are A-Changin' 3:21
9. Love Minus Zero/No Limit 3:29
10. The Lonesome Death Of Hattie Carroll 4:51
11. Nobody 'Cept You 3:15
12. It's Alright, Ma (I'm Only Bleeding) 5:34
13. Maggie's Farm 3:42




https://www.youtube.com/watch?v=N46p_MscEgU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 2 - January 4, 1974 - Chicago Stadium, Chicago, IL:
1. Hero Blues 4:03
2. Just Like Tom Thumb's Blues 4:46
3. It Ain't Me, Babe 3:47
4. Tough Mama 4:01
5. Ballad Of A Thin Man 6:19
6. Leopard-Skin Pill-Box Hat 3:32
7. Knockin' On Heaven's Door 3:12
8. The Times They Are A-Changin' 3:21
9. Love Minus Zero/No Limit 3:29
10. The Lonesome Death Of Hattie Carroll 4:51
11. Nobody 'Cept You 3:15
12. It's Alright, Ma (I'm Only Bleeding) 5:34
13. Maggie's Farm 3:42




https://www.youtube.com/watch?v=N46p_MscEgU



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Caravan Palace to francuski zespół electro swingowy założony w 2008 roku w Paryżu. Członkowie wśród swoich największych inspiracji wymieniają takich wykonawców, jak Django Reinhardt, Vitalic, Cab Calloway, Justice, Lionel Hampton i Daft Punk. Wydali pięć albumów studyjnych i dwie EPki. Wstawka zawiera czwarty album Caravan Palace.

Title: Chronologic

Artist: Caravan Palace

Country: Francja

Year: 2019

Genre: Electroswing

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.Miracle
2.About You (featuring Charles X)
3.Moonshine
4.Melancoli
5.Plume
6.Fargo
7.Waterguns (featuring Tom Bailey)
8.Leena
9.Supersonics
10.Ghosts
11.April

..::INFO::..

Debiutancki album włoskiego zespołu skapunkowego.

Artist: Barricata Rossa

Title: E Non Si Arrende!

Country: Włochy

Year: 1997

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 128 kbps

..::TRACK-LIST::..

Intro
Cento Spari Nel Buio
Uno Contro Il Mundo
Corri Corri
Barricata Rossa
Con Un Ago, Con Il Piombo
Cuba Es Libre (Sin Cuba Nada Seria Igual)
30 Giugno 1960
Hiltzaile Demokrazia
Cani
Rabbiadub
Combat
Contessa

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Materiał pierwotnie wydany przez THRONE RECORDS, teraz ponownie dostępny jest na CD z bonusami!Numery 1-13 to studyjne i koncertowe utwory z Ratem (VARUKERS) na wokalach, utwory 14-15 pochodzą z "Beginning of the End" 7"EP (Thunk Records). Jako bonus są cztery numery z pierwszego demo z 1978 roku nagrane tuż przed tym jak Cal dołączył do zespołu.Pionierzy dis-beat/crustpunka!!!



..::TRACK-LIST::..

Tour Edition CD
1. War Is Hell
2. State Violence State Control
3. You Deserve Me
4. Never Again
5. The More I See
6. Hype Overload
7. Corpse Of Decadence
8. Mad
9. You Take Part In Creating This System
10. Nightmare Continues (Live)
11. Hell On Earth (Live)
12. Realities Of War (Live)
13. Doomsday (Live)

Beginning Of The End 7"
14. Beginning Of The End
15. The Blood Of The Innocent

Bonus Tracks:
Unreleased 1978 Demo
16. Suburban Dreams
17. Pigs
18. No Future USA
19. Pause

Tracks 1 to 13 taken from the Tour Edition 001 CD.
Tracks 14 to 15 taken from the Beginning Of The End EP.
Tracks 16 to 19 taken from the 1978 Demo.



..::OBSADA::..

Bass - Rainy (tracks: 1 to 15)
Drums - Tezz (tracks: 1 to 15)
Guitar - Bones (tracks: 1 to 15)
Vocals - Rat (tracks: 1 to 15)



https://www.youtube.com/watch?v=I0fSjYgltYU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Materiał pierwotnie wydany przez THRONE RECORDS, teraz ponownie dostępny jest na CD z bonusami!Numery 1-13 to studyjne i koncertowe utwory z Ratem (VARUKERS) na wokalach, utwory 14-15 pochodzą z "Beginning of the End" 7"EP (Thunk Records). Jako bonus są cztery numery z pierwszego demo z 1978 roku nagrane tuż przed tym jak Cal dołączył do zespołu.Pionierzy dis-beat/crustpunka!!!



..::TRACK-LIST::..

Tour Edition CD
1. War Is Hell
2. State Violence State Control
3. You Deserve Me
4. Never Again
5. The More I See
6. Hype Overload
7. Corpse Of Decadence
8. Mad
9. You Take Part In Creating This System
10. Nightmare Continues (Live)
11. Hell On Earth (Live)
12. Realities Of War (Live)
13. Doomsday (Live)

Beginning Of The End 7"
14. Beginning Of The End
15. The Blood Of The Innocent

Bonus Tracks:
Unreleased 1978 Demo
16. Suburban Dreams
17. Pigs
18. No Future USA
19. Pause

Tracks 1 to 13 taken from the Tour Edition 001 CD.
Tracks 14 to 15 taken from the Beginning Of The End EP.
Tracks 16 to 19 taken from the 1978 Demo.



..::OBSADA::..

Bass - Rainy (tracks: 1 to 15)
Drums - Tezz (tracks: 1 to 15)
Guitar - Bones (tracks: 1 to 15)
Vocals - Rat (tracks: 1 to 15)



https://www.youtube.com/watch?v=I0fSjYgltYU



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist...............: Stadio
Album................: The Platinum Collection [3CD]
Genre................: Pop Rock
Year.................: 2007
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

 1. Stadio - Sorprendimi                  
 2. Stadio - Ballando Al Buio (1998 Digital Remaster)   
 3. Stadio - Ti Mando Un Bacio               
 4. Stadio - Il Segreto                  
 5. Stadio - Vorrei                    
 6. Stadio - C'è                      
 7. Stadio - Lo Zaino                   
 8. Stadio - Le Mie Poesie Per Te             
 9. Stadio - La Ragazza Col Telefonino           
10. Stadio - Segreteria Telefonica (1998 Digital Remaster) 
11. Stadio - Un Volo D'Amore                
12. Stadio - Chiaro                    
13. Stadio - Mi Vuoi Ancora                
14. Stadio - Muoio Un Po'                 
15. Stadio - Al Tuo Fianco (1998 Digital Remaster)     
16. Stadio - Universi Sommersi               
17. Stadio - Parole Nel Vento               
18. Stadio - Generazione Di Fenomeni            
19. Stadio - Chiedi Chi Erano I Beatles (Versione 2003)  
20. Stadio - Dammi 5 Minuti                
21. Stadio - Puoi Fidarti Di Me              
22. Stadio - Un Altro Grande Figlio Di Puttana (Versione 2003)
23. Stadio - Graffiti                   
24. Stadio - Montagne Russe                
25. Stadio - Ti Perdonerei                 
26. Stadio - In Paradiso Con Te              
27. Stadio - Sei Tutto Quel Che Ho             
28. Stadio - Porno In TV                  
29. Stadio - La Legge Del Dollaro             
30. Stadio - Equilibrio Instabile (Radio Edit)       
31. Stadio - Per La Bandiera                
32. Stadio - Ci Sarà                    
33. Stadio - Banana Republic                
34. Stadio - E Mi Alzo Sui Pedali             
35. Stadio - Guardami (Live)                
36. Stadio - Acqua E Sapone (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
37. Stadio - Bella Più Che Mai (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
38. Stadio - Ho Bisogno Di Voi (Live from Teatro Petrella, Longiano, Italy/1993)
39. Stadio - Stabiliamo Un Contatto (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
40. Stadio - Allo Stadio (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
41. Stadio - Canzoni Alla Radio (Live from Teatro Petrella, Longiano, Italy/1993)
42. Stadio - Dentro Le Scarpe (Live from Teatro Petrella, Longiano, Italy/1993)
43. Stadio - La Faccia Delle Donne (Live)         
44. Stadio - Swatch (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
45. Stadio - Un Disperato Bisogno D'Amore (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
46. Stadio - Buona Sorte (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
47. Stadio - Fine Di Un Estate (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
48. Stadio - E Dimmi Che Non Vuoi Morire (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
49. Stadio - Un Senso (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
50. Stadio - Prima Di Partire Per Un Lungo Viaggio (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)
51. Stadio - Canzoni Per Parrucchiere (Live From Teatro Gentile Fabriano, Ancona, Italy/2006)