..::INFO::..

Nina Simone, właśc. Eunice Kathleen Waymon (ur. 21 lutego 1933 w Tryon, zm. 21 kwietnia 2003 w Carry-le-Rouet) to amerykańska piosenkarka, autorka tekstów i pianistka. Klasyfikowana na ogół jako przedstawicielka jazzu, choć sama nie lubiła takiego szufladkowania. Jej twórczość to również muzyka z pogranicza bluesa, rhythm and bluesa i soulu. W 2018 wprowadzona do Rock and Roll Hall of Fame. Nuff Said!” to album nagrany - z wyjątkiem utworów 1, 8 i 11 - w Westbury Music Fair 7 kwietnia 1968, trzy dni po morderstwie Martina Luthera Kinga Jr. Cały program tego wieczoru był poświęcony jego pamięci.

Title: 'Nuff Said

Artist: Nina Simone

Country: USA

Year: 1968

Genre: Rock, Soul

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.In the Morning
2.Sunday in Savannah
3.Backlash Blues
4.Please Read Me
5.Gin House Blues
6.Why? (The King of Love Is Dead)
7.Peace of Mind
8.Ain't Got No, I Got Life
9.I Loves You Porgy
10.Take My Hand, Precious Lord
11.Do What You Gotta Do
12.Mississippi Goddam (Live)
13.Don't Let Me Be Misunderstood (Live)
14.Come Ye (Remastered)
15.Ain't Got No - I Got Life (Remastered)
16.Peace of Mind (Remastered)

...( Info )...

Artist: Various Artists
Album: 80s – 100 Best
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Madonna - Like a Prayer
02. Alphaville - Forever Young
03. Fleetwood Mac - Everywhere (2018 Remaster)
04. Whitesnake - Here I Go Again 87 (2018 Remaster)
05. Chicago - You're the Inspiration
06. Pet Shop Boys - Always on My Mind
07. A-Ha - Take On Me
08. Spandau Ballet - True
09. Roxette - The Look
10. The Cars - Drive
11. George Benson - Give Me the Night
12. Michael McDonald - I Keep Forgettin (Every Time You're Near)
13. Tina Turner - The Best
14. John Parr - St. Elmo's Fire (Man in Motion)
15. Duran Duran - Hungry like the Wolf (2009 Remaster)
16. Laura Branigan - Self Control
17. Starship - Nothing's Gonna Stop Us Now
18. Foreigner - I Want to Know What Love Is (1999 Remaster)
19. The Beach Boys - Kokomo
20. Alannah Myles - Black Velvet
21. Chaka Khan - Ain't Nobody
22. Peter Cetera - Glory of Love
23. Rod Stewart - Baby Jane
24. Talk Talk - It's My Life
25. The Proclaimers - I'm Gonna Be (500 Miles)
26. Yes - Owner of a Lonely Heart
27. Simply Red - If You Don't Know Me by Now
28. Robert Palmer - Simply Irresistible
29. New Order - Blue Monday '88 (2015 Remaster)
30. Joey Scarbury - Believe It or Not (From Greatest American Hero)
31. Stevie Nicks - Edge of Seventeen (2016 Remaster)
32. Levert - Casanova
33. Al Jarreau - Mornin' (2012 Japan Remaster)
34. Nu Shooz - I Can’t Wait
35. Joy Division - Love Will Tear Us Apart
36. AL B. SURE! - Nite and Day
37. Hot Chocolate - It Started with a Kiss
38. Climie Fisher - Love Changes (Everything)
39. Madonna - La Isla Bonita
40. Cliff Richard - Ocean Deep (2002 Remaster)
41. Starpoint - Object of My Desire
42. Tina Turner - What's Love Got to Do with It
43. Los Lobos - La Bamba
44. Chris Rea - Josephine
45. The B-52's - Love Shack
46. Debbie Gibson - Lost in Your Eyes
47. Marillion - Kayleigh (2017 Remaster)
48. Whitesnake - Is This Love
49. The Time - Jungle Love
50. Limahl - Never Ending Story (Giorgio 7 Mix)
51. The Pretenders - Don't Get Me Wrong
52. Peabo Bryson - If Ever You're in My Arms Again
53. Nick Kamen - Each Time You Break My Heart
54. The Smiths - There Is a Light That Never Goes Out
55. Jane Child - Don’t Wanna Fall in Love
56. Duran Duran - Girls on Film (2010 Remaster)
57. Talking Heads - This Must Be the Place (Naive Melody) [2005 Remaster]
58. Kajagoogoo - Too Shy (2004 Remaster)
59. Faith No More - Epic (Radio Edit)
60. Fleetwood Mac - Little Lies (2018 Remaster)
61. Randy Crawford - You Might Need Somebody
62. Art Of Noise - Kiss (feat. Tom Jones)
63. Starship - We Built This City
64. Slave - Watching You
65. Ramones - Baby, I Love You
66. Dusty Springfield - In Private
67. Chaka Khan - I Feel for You
68. Jane’s Addiction - Jane Says
69. Adrian Gurvitz - Classic (Radio Edit)
70. The Dream Academy - Life in a Northern Town
71. Peter Schilling - Major Tom
72. Brother Beyond - The Harder I Try
73. Alphaville - Big in Japan
74. James Ingram - There’s No Easy Way
75. Rod Stewart - Young Turks
76. Simply Red - Holding Back the Years
77. The Blues Brothers - Everybody Needs Somebody to Love
78. Roxette - Dressed for Success
79. Stacey Q - Two of Hearts
80. Bette Midler - Wind Beneath My Wings
81. Spandau Ballet - Gold
82. Narada Michael Walden - Gimme Gimme Gimme (feat. Patti Austin)
83. Donald Fagen - I.G.Y
84. Karyn White - Superwoman
85. Pet Shop Boys - Heart
86. Roger - I Want to Be Your Man
87. Tanita Tikaram - Twist in My Sobriety
88. Twisted Sister - We’re Not Gonna Take It
89. Sister Sledge - Frankie
90. The Stranglers - Golden Brown
91. Larry Graham - One in a Million You
92. Chris Rea - On the Beach (2019 Remaster)
93. STEVE ARRINGTON - Feel So Real
94. Modern Romance - Best Years of Our Lives
95. Zapp - More Bounce to the Ounce
96. Labi Siffre - (Something Inside) So Strong
97. Stacy Lattisaw - Jump to the Beat
98. Marc Almond - Something's Gotten Hold of My Heart
99. Jaki Graham - Set Me Free
100. Hollywood Beyond - What's the Colour of Money

...( Info )...
Artist: Various Artists
Album: 90s – 100 Best
Year: 2024
Genre: Pop, Rock
Format: mp3 320 kbps

...( TrackList )...

01. Madonna - Vogue
02. THE GOO GOO DOLLS - Iris
03. Brandy - The Boy Is Mine (Radio Edit)
04. Red Hot Chili Peppers - Under the Bridge
05. Duran Duran - Ordinary World
06. Alanis Morissette - Ironic (2015 Remaster)
07. Seal - Kiss from a Rose
08. Matchbox Twenty - Push
09. Cher - Believe
10. The Notorious B.I.G. - Big Poppa
11. Blur - Song 2 (2012 Remaster)
12. Diddy - I’ll Be Missing You (feat. Faith Evans & 112)
13. Marc Cohn - Walking in Memphis
14. Mark Morrison - Return of the Mack (C & J Street Mix)
15. Third Eye Blind - Semi-charmed Life (2006 Remaster)
16. En Vogue - Don't Let Go (Love)
17. Stone Temple Pilots - Interstate Love Song
18. Big Mountain - Baby, I Love Your Way
19. Roxette - Joyride
20. Simply Red - Stars
21. Green Day - Good Riddance (Time of Your Life)
22. Deee-Lite - Groove Is in the Heart
23. 98º - Only Wanna Be with You
24. Edwin McCain - I’ll Be
25. Donna Lewis - I Love You Always Forever
26. Faith Hill - This Kiss
27. Rod Stewart - Have I Told You Lately
28. All Saints - Never Ever (Radio Edit)
29. The Pretenders - I’ll Stand by You
30. (Snow) - Informer
31. Tasmin Archer - Sleeping Satellite
32. The Corrs - Runaway
33. Color Me Badd - I Wanna Sex You Up
34. Tina Turner - Goldeneye
35. Faith No More - Easy
36. Robin S - Show Me Love
37. Green Day - Basket Case
38. Pet Shop Boys - Go West (2003 Remaster)
39. Paula Cole - I Don’t Want to Wait
40. Blur - Girls & Boys (2012 Remaster)
41. Madonna - Frozen
42. Barenaked Ladies - One Week
43. LSG - My Body
44. Nick Kamen - I Promised Myself
45. Duncan Sheik - Barely Breathing
46. Red Hot Chili Peppers - Scar Tissue
47. The Notorious B.I.G. - Hypnotize (2014 Remaster)
48. Simply Red - Something Got Me Started
49. Julee Cruise - Falling
50. Jamie Walters - Hold On
51. Tori Amos - Cornflake Girl
52. Spacehog - In the Meantime
53. Eternal - I Wanna Be the Only One (feat. BeBe Winans)
54. Damn Yankees - High Enough
55. En Vogue - My Lovin’ (You’re Never Gonna Get It)
56. Electronic - Getting Away with It
57. Mase - Feel So Good
58. Matchbox Twenty - 3am
59. Faith Evans - Love like This
60. Chris Rea - Looking for the Summer
61. Silk - Freak Me
62. Candlebox - Far Behind
63. Vitamin C - Graduation (Friends Forever)
64. Roxette - Fading Like a Flower (Every Time You Leave)
65. All-4-One - I Swear
66. Seal - Crazy (7 Mix)
67. Carlene Carter - Every Little Thing
68. Peter Andre - Mysterious Girl (Radio Edit)
69. Third Eye Blind - Jumper (2006 Remaster)
70. Adina Howard - Freak Like Me (Radio Edit)
71. Gina G - Ooh Aah...Just a Little Bit (Motiv8 Radio Edit)
72. 112 - Only You (feat. The Notorious B.I.G.)
73. Faith Hill - Breathe
74. A-Ha - Crying in the Rain
75. Planet Perfecto Featuring Grace - Bullet in the Gun (Radio Edit) [Rabbit In The Moon Remix]
76. Alanis Morissette - Hand in My Pocket
77. MC Lyte - Cold Rock a Party
78. New Order - Regret
79. Madonna - Take A Bow
80. Stone Temple Pilots - Plush
81. Biz Markie - Just a Friend
82. Rod Stewart - Rhythm of My Heart (Rhythm of My Heart)
83. Better Than Ezra - Good
84. Eric Benét - Georgy Porgy (feat. Faith Evans)
85. THE GOO GOO DOLLS - Slide
86. The Corrs - What Can I Do (Remix)
87. Keith Sweat - Twisted
88. They Might Be Giants - Birdhouse in Your Soul
89. Shola Ama - You Might Need Somebody
90. Lene Marlin - Sitting Down Here
91. Changing Faces - Stroke You Up
92. Jennifer Love Hewitt - No Ordinary Love
93. Morcheeba - The Sea
94. Ol Dirty Bastard - Shimmy Shimmy Ya
95. Catatonia - Mulder and Scully
96. Kym Sims - Too Blind to See It
97. Tamia - So into You
98. Cher - Strong Enough
99. Del Tha Funky Homosapien - Mistadobalina
100. Prince Ital Joe - Happy People (feat. Marky Mark)

...( Info )...

Artist: Various Artists
Album: greatest 80s 100 best songs
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Madonna - Open Your Heart (RemixEdit)
02. Roxette - The Look
03. Simply Red - If You Don't Know Me by Now
04. Rod Stewart - Forever Young
05. Pet Shop Boys - Always on My Mind
06. Stevie Nicks - Edge of Seventeen (2016 Remaster)
07. Tanita Tikaram - Twist in My Sobriety
08. Nick Kamen - Each Time You Break My Heart
09. The Pretenders - Don't Get Me Wrong
10. Robert Palmer - Simply Irresistible
11. Narada Michael Walden - Gimme Gimme Gimme (feat. Patti Austin)
12. Peter Cetera - Glory of Love
13. Starship - We Built This City
14. Limahl - Never Ending Story (2009 Remaster)
15. Laura Branigan - Self Control
16. Fleetwood Mac - Family Man (2017 Remaster)
17. Foreigner - I Want to Know What Love Is
18. Debbie Gibson - Lost in Your Eyes
19. Climie Fisher - Love Changes (Everything)
20. Chicago - Look Away
21. Duran Duran - Hungry like the Wolf (2009 Remaster)
22. Roxette - Dressed for Success
23. Chaka Khan - I Feel for You
24. A-Ha - The Living Daylights
25. Tina Turner - We Don't Need Another Hero (Thunderdome)
26. Madonna - Cherish
27. Audio Two - Top Billin'
28. Joey Scarbury - Believe It or Not (From Greatest American Hero)
29. Karyn White - Superwoman
30. Zapp - Dance Floor
31. Ramones - Rock ’n’ Roll High School
32. Laura Branigan - Gloria
33. Levert - Casanova
34. Joy Division - Love Will Tear Us Apart
35. The Sound - Party of the Mind
36. Chicago - Hard to Say I’m Sorry
37. Ten City - That’s the Way Love Is
38. Elaine Paige - Memory
39. Chic - Stage Fright
40. Foreigner - Juke Box Hero
41. Whitesnake - Is This Love
42. Talking Heads - Once in a Lifetime (2005 Remaster)
43. Labi Siffre - (Something Inside) So Strong
44. The Proclaimers - I'm Gonna Be (500 Miles)
45. Belouis Some - Imagination
46. Faster Pussycat - House of Pain
47. Hot Chocolate - It Started with a Kiss
48. Troop - Still in Love
49. Stacy Lattisaw - Jump to the Beat
50. Primal Scream - Imperial
51. MC Lyte - Lyte as a Rock
52. Stevie Nicks - Rooms on Fire
53. The Smiths - There Is a Light That Never Goes Out
54. New Order - Bizarre Love Triangle (2015 Remaster)
55. The Sisters Of Mercy - Dominion Mother Russia
56. The Pogues - Dirty Old Town
57. The Smiths - This Charming Man (2011 Remaster)
58. Fleetwood Mac - Everywhere (2018 Remaster)
59. Randy Crawford - Almaz
60. Starship - It's Not Over ('Til It's Over)
61. Alphaville - Forever Young
62. Talk Talk - It's My Life
63. Spandau Ballet - True
64. Yes - Owner of a Lonely Heart
65. Simply Red - Holding Back the Years
66. Talking Heads - Burning Down the House
67. Stacey Q - We Connect
68. Echo And The Bunnymen - The Killing Moon
69. Arcadia - Election Day
70. John Parr - St. Elmo's Fire (Man in Motion)
71. Whitesnake - Here I Go Again 87 (2018 Remaster)
72. Marillion - Kayleigh (2017 Remaster)
73. Los Lobos - La Bamba
74. Twisted Sister - We’re Not Gonna Take It
75. The B-52's - Love Shack
76. The Dream Academy - Life in a Northern Town
77. The Stranglers - Golden Brown
78. Cliff Richard - Some People
79. Dusty Springfield - In Private
80. Marc Almond - Something's Gotten Hold of My Heart
81. Jaki Graham - Set Me Free
82. Peter Schilling - Major Tom (Coming Home)
83. Starpoint - Object of My Desire
84. Classix Nouveaux - Never Never Comes
85. Tina Turner - Private Dancer
86. Pet Shop Boys - Heart
87. Spandau Ballet - Gold
88. The Cars - Drive
89. Duran Duran - The Wild Boys
90. Kajagoogoo - Too Shy
91. A-Ha - Take On Me
92. Debbie Gibson - Only in My Dreams
93. Art Of Noise - Kiss (feat. Tom Jones)
94. The Beach Boys - Kokomo
95. Julee Cruise - Falling
96. Chris Rea - On the Beach
97. Red Box - For America
98. LOU GRAMM - Lost in the Shadows (From The Lost Boys)
99. Chaka Khan - Ain’t Nobody
100. Rod Stewart - Baby Jane

...( Info )...

Artist: Various
Album: New Music Releases Week 49 of 2024
Genre: Pop, Rock, R&B, Hip-Hop, Dance
Released During: Week 49 of 2024
Format: Mp3 320 Kbps

...( TrackList )...

01. Khalid, Ayra Starr - Make It Up To You
02. Lil Baby - Touchdown
03. ROSÉ - toxic till the end
04. Bad Bunny - EL CLúB
05. Hozier - Hymn To Virgil
06. Quavo, Luke Bryan, Teddy Swims - Georgia Ways
07. TWICE, Megan Thee Stallion - Strategy
08. Peso Pluma - gervonta
09. Sam Fender - Wild Long Lie
10. TV Girl, George Clanton - Yesterday's World
11. YoungBoy Never Broke Again - Stealing Out The Trap
12. David Kushner - Empty Bench
13. Sky Ferreira - Leash (Babygirl Original Soundtrack)
14. Juice WRLD - Empty Out Your Pockets
15. ONE OR EIGHT, Big Sean - KAWASAKI (with Big Sean)
16. Smino - Dear Fren
17. Alok, Clementine Douglas - Body Talk (feat. Clementine Douglas)
18. Xavi, Fuerza Regida - SRT
19. Debbii Dawson - The Great Magician
20. Rich Amiri - IM GONE
21. Samant, Lou Val - RUFF RIDE
22. Chezile - Still In Love
23. Quinn XCII - Come Home
24. Sharon Van Etten - Southern Life (What It Must Be Like)
25. Davido, ODUMODUBLVCK, Chike - Funds
26. Ashley McBryde - Ain't Enough Cowboy Songs
27. sawyer hill - For The Hell Of It
28. Roddy Ricch, Terrace Martin - Lonely Road
29. BossMan Dlow - Dlow Curry
30. RL Grime, Knock2, Abi Flynn - come aliv3
31. Rebecca Black - Sugar Water Cyanide
32. Queen Naija - Straight Outta Heaven
33. Noah Rinker - Wherever I Go
34. Inhaler - Open Wide
35. Sadie Jean - Nice Knowing You
36. Lil Tjay, NLE Choppa - Why (feat. NLE Choppa)
37. SYML - How It Was It Will Never Be Again
38. Love Spells - With Only Your Mouth
39. Dylan Scott - Country Till I Die
40. Sebastian Schub - I Can’t Believe We Never Went Out Dancing
41. Gabriella Rose - Doublewide
42. Carin Leon - El Amor De Mi Herida
43. Max McNown, Hailey Whitters - Roses and Wolves (
44. Karri - Upperhand
45. Hamilton Leithauser - This Side of the Island
46. Denison Witmer, Sufjan Stevens - Focus Ring
47. Daniel Allan, Brieanna Grace - Waiting For You
48. 80purppp - she want prada
49. KILIMANJARO - The Seeker
50. Skepta, Lex Luger - Alpha Omega
51. Hildegard, Helena Deland, Ouri - No Other Mind
52. Lauren Mayberry - Sunday Best
53. Jayla Darden - Never Settle
54. Ty Myers - Can't Hold Me Down
55. TobyMac - a lil Church (nobody’s too lost)
56. Peter McPoland - Gruhguhguh
57. Greek - OCTOBER
58. Babymorocco - Body Organic Disco Electronic
59. Malaa, Jeremih - All In
60. SadBoi, Blanco - L's
61. Natanael Cano, Nueva H - Amapola
62. Grace Enger - The Alchemist
63. The Army, The Navy - Rascal
64. Henrik - Be alive
65. Danny Towers, Money Man - Tuck Your Chain
66. Nightly - gas station cowboy hats
67. Roy Woods - Solo
68. AzChike - Love Yo Weapons
69. MoBlack, Nana Atta - Kuwe
70. Dorothy - I COME ALIVE
71. Malcolm Todd - Chest Pain (I Love)
72. Petit Biscuit, Surf Mesa, JP Saxe - Without You
73. Zoe Osama - Slip & Slide
74. De La Rose - Cobro
75. Rhyan Douglas, Lekan - Magic Gurl (feat. Lekan)
76. Big Hit, Hit-Boy - Bigger Than Life
77. Oliver Hazard - Raindrop River
78. Maddy Hicks - untitled
79. Tyler Braden - Call Me First
80. HotWax - Wanna Be A Doll
81. Kučka - FUN!
82. PlayThatBoiZay, A$AP Ferg, Hunter - PUT IT DOWN
83. Martina Stoessel - el cielo
84. M. Byrd - One Way or the Other
85. iann dior - Secrets
86. Idris - No Long Talk
87. Arima Ederra, Mereba - Oh God (feat. Mereba)
88. UCHE YARA - honey, come find me
89. DWLLRS - Nights That We Needed
90. Sophia Scott - Tumbleweed
91. Bloodywood, BABYMETAL - Bekhauf
92. Alex Wann, Liva K - Cash Only
93. Beele, Ovy On The Drums - Mi Refe
94. THEY. - Straight Up
95. Yves Jarvis - Gold Filigree
96. YoungThreat - Headtaps
97. KHEA, Sebastián Yatra - TE VAS
98. Twine - Spine
99. Chill Chicos, Daniel Sabater - NO SALES DE MI CABEZA
100. chlothegod - My GF H8s Me
101. Ceechynaa - Peggy
102. jasmine.4.t - You Are The Morning
103. Nafe Smallz - Blame It On You
104. Sigala, Ely Oaks - With You
105. Elmiene - Open Light
106. Tom Misch, Loyle Carner - Colourblind
107. Issey Cross - Different Planets
108. Bubble Love, Ross From Friends, Jeshi, Cameo Blush - Close Your Eyes
109. Kingfishr - Bet On Beauty
110. Alessi Rose - pretty world
111. Levi, Orem - Electric Feel (feat. Orem)
112. V'ghn, Tano - Bacchanal Lady
113. Ego Ella May - Winter Sun
114. Ben Hemsley, Ferry Corsten, Rose Gray - Tidal
115. Shabaka, André 3000 - To The Moon
116. ARTAN - Bangkok Bandit
117. Rationale - Feel It Coming
118. The Lathums - Long Shadows
119. KhakiKid - Boy Racer
120. CLIPZ, Stush - Tell Them
121. Asco - Straight Drop X5
122. Loreen - Gravity
123. Chris Lorenzo - U Should Not Be Doing That
124. Flex (UK), Kuila - Don't Call Me
125. Offica - Plotting
126. mary in the junkyard - bear walk
127. DJ Tunez, Wande Coal, Libianca - Promiscuous
128. Aquilo - It's Only Love
129. French The Kid - What Can I Say
130. lau.ra - Vibe
131. Villagers - A Matter of Taste
132. TN_490 - same girls
133. re6ce - so wrong (so right!)
134. Aimee Carty - Sister
135. Babymorocco - Give Me Luv
136. 5eb - sorrym8
137. Duke Boara - Flicker
138. Wells*, Foley - Lose My Lines
139. Travy - Master Shifu
140. The Horrors - Lotus Eater
141. bilk - Tommy
142. Joshua J - In My Phone
143. Tommy Saint - omw
144. Jelani Blackman, Star.One, PAV4N - City On Fire
145. 1111 - In My Head
146. Timothée Chalamet - Like a Rolling Stone
147. Mha Iri - Go Hard
148. EV - Chaos
149. Cloonee, Young M.a, InntRaw - Stephanie
150. Banshee - You are what you fear in me.
151. Eyelar - Antibiotics
152. Acraze, Lil Mabu - Take Ya B
153. Ben Barnes - Nevermind
154. Biscits - Freak
155. HUGEL, GROSSOMODDO, Randoree - Majnuna
156. Zac Samuel - Let Go
157. Tommy Genesis, Marlon Hoffstadt, DJ Daddy Trance - Number One
158. Belle Mt. - God Is Busy
159. Martin Luke Brown - animal
160. Chowerman, Scrapper - This Year
161. SOBSTORY - Paloma
162. bby ivy - With My Love
163. just lil, Cameo Blush - CHOOSE U
164. Twelve XII - Before
165. Omar+ - Back of the Club
166. Black Foxxes - In The Image Of Perfection
167. Moonchild Sanelly - To Kill a Single Girl (Tequila)
168. Discrete, Rory Hope - Deeper Than The Water
169. Sota, Disrupta, Mila Falls - Round + Round
170. Tamino - Dissolve
171. Oscar Jerome - Desert Belly
172. Boston Bun - THIS CITY'S BURNING
173. Cole LC - Weight Of Love
174. Swim Deep - Hard To Come Back
175. Thala - drive song
176. Peterparker69, Two Shell - Magic Powers
177. Sarah Meth - Someday we'll meet on Brooklyn Bridge (until then bitch wtf)
178. Eve Buckley - Tongue Tied
179. George Smeddles - Pain Away
180. Tommy Ashby - Coastguard
181. Love Shaun - I'll Carry On
182. Eva Lazarus - Know Your Power
183. René LaVice, Jasmine Knight - Vibe Check
184. Jody Wisternoff, Nox Vahn, Natascha Polké - Tales From Beyond
185. AILSHA - Call In A Minute
186. Maxwell Varey - Hollow Man
187. Delilah Bon - Not The President
188. Sabrina Bahsoon - MINE
189. Winny, Projexx - Suh Good
190. Sick-Days - Silly
191. Adam Beyer - Life Is
192. FKA twigs, Anyma - Eusexua (Anyma Remix)
193. Tape B - Hot One
194. Farrago - Naked Light (Sara Landry Remix)
195. Empire Of The Sun - We Are The People (ARTBAT Remix)
196. CASSIMM - Valerie
197. Shermanology - Don't You Leave
198. Mahmut Orhan, Jasiel Nunez - Maldad Pura (feat. Jasiel Nuñez)
199. Steve Aoki, B Jones - Beautiful
200. Makèz - Day Starter
201. Wink, Nikko - cantBREATHE
202. Sub Focus, Katy B, K Motionz - Push The Tempo (K Motionz Remix)
203. Shallou - Don't Lose Your Head
204. Morgan Seatree, Florence + The Machine - Say My Name (Remix)
205. Öwnboss, Glockenbach - Said & Done
206. Abraham Mateo - SOLONELY
207. Holy Priest, Lil Texas - Like A Boss
208. Trickstar, Golden Child - MONEY COUNT
209. Jay Lumen - X
210. Nora En Pure - Polar Lights
211. Rommii - can't get you out of my mind
212. Nitefreak, Imad, Black Coffee, Clubhouse, Shoba - Not The Same
213. KSHMR - More Than A Feeling
214. Paraleven, Running Touch - Meant To Be
215. Dom Dolla, Tove Lo, Partiboi69, X CLUB. - CAVE (Partiboi69 & X CLUB. Remix)
216. Yulia Niko, Tim Engelhardt, 7KY - Haunted (Radio Version)
217. Sydney Blu - Give It Up for Me (deadmau5 Remix)
218. Murphy's Law (UK), Rob Stillekens - I Feel It
219. Kompany, Cyclops - Brain Busta
220. Above & Beyond - Hackney Siren
221. Ginton, &friends - Naam
222. I Hate Models - Twin Souls
223. Jetta - sicklysweet (Tobiahs Remix)
224. Gaskin - Me, Myself & That Dancefloor
225. HotLap, Sophie Saint - Blue Moon (feat. Sophie Saint)
226. Next To Blue, Canary Yellow - Painkiller
227. Psy Trance Mafia, Infected Mushroom, Blastoyz - BOOMBA
228. Holly - In Love We Know Ourselves
229. Nicole Moudaber - It's Just A Dream
230. Upper90 - HEARTLESS GROOVE
231. Viperactive - Bout To Break
232. Klangphonics - Fairytale of Berlin
233. BLR, Matt Sassari, Truetone - Submerge
234. Bakermat, Lady Blackbird - High Above
235. Blawan - BouQ
236. Fonzerelli, Kryder - Moonlight Party
237. Third Party, Romeo Blanco - Paradise
238. BRUX, Frazer Ray - Out Of My Mind
239. Boris Brejcha - The Music Is The Dancer (Original Mix)
240. Jason Ross, Dotter - Where In Heaven
241. Warner Case - nightfall
242. Kassko - Love Is All Around
243. Gramatik - Replicore Memory
244. TOKiMONSTA, Kaelin Ellis - For You
245. James Carter, Lucas Estrada - Falls Down
246. JEY, Mogwaa - WYA (Mogwaa Remix)
247. Greta Levska, Sian, Sacha Robotti, David LeSal - Take You Back
248. Fragma - Toca's Miracle (Vidojean X Oliver Loenn Edit)
249. Mila Journée - Gran Finale
250. Almero - For You
251. Beltran - Firewhip (Viralata Mix)
252. Jamie Jones, Miluhska - La Musa (Adam Ten & Rafael Remix)
253. Return Of The Jaded, Haylee Wood - Satisfy
254. Dipha Barus, Vygilant - SURAK
255. Lee Foss, Joe Smooth - Promised Land
256. Wax Motif - Heaven
257. Deeper Purpose - Disco Bus
258. Ben Kim - Dirty Rave
259. ZOYA - Power
260. BIJOU, Jayelle - Put It Down
261. Party Favor - Breathe
262. CINTHIE - I Warned You Baby
263. RayRay, T A N E - Lose Control
264. Axel Thesleff - Bad Karma (Chet Porter Remix)
265. demotapes - found
266. Jigitz, Elphi - it's our time down here
267. Frank Walker, Alexander Stewart, Brooks - Crossfire (Brooks Remix)
268. DJ LAG, Jay Music, Thobeka - Yebo (Remix)
269. not without friends, Jordan Brando, Luke Alessi, William Kiss - Caliente!
270. Valentino Khan, No/Me - Magnetic
271. Goosey, Jamie G - Way U Move
272. Habstrakt - Don't Stop
273. ManyFew, Janne Schaffer - Get Up!
274. Ryan Castro, Juanes, SOG - El Chucu Chucu
275. Rels B, J Abecia - Te Regalo
276. Tiago PZK, Grupo Frontera - Mi Corazón
277. Anitta, Ivete Sangalo - Lugar Perfeito
278. Tito Double P - ROSONES
279. Daniela Spalla, Camilo - Lejos de la Ciudad (con Camilo)
280. Zhamira Zambrano, Jay Wheeler - Santa
281. NSQK, DrefQuila - OTROS LUGARES
282. SOG, Nio Garcia - Te Conviene
283. ROA, De La Rose, Luar La L, Yan Block, Omar Courtz - ETA (RMX)
284. Paloma Mami - Mi KAMA
285. Brray, Zion, Wisin - Mis Amigas (Remix)
286. Joaquina - aeropuerto
287. Lasso - ¿vienes o voy?
288. Lalo Ebratt - BAHAMAS
289. Victor Mendivil, El Padrinito Toys - Un Pacto
290. Kei Linch, Micro TDH - ¿Qué nos Pasó? (Remix)
291. TIMØ - Para El Tiempo
292. Íñigo Quintero, Besmaya - El Tiempo Que Paso Contigo
293. Estevie - Hombre Malvado
294. Adriel Favela - Todo Es Rojo
295. Yahritza Y Su Esencia - No Es Cierto
296. C-kan, Griss Romero - Miedo Tenerte
297. Yexel, Key Key - Hola
298. Pierre La Voz - La Mala
299. Pipo Beatz, Harry Nach - Solita
300. Remers, Kris R., Juanka, Totoy El Frio - KITH (Remix)
301. Papi Sousa - Mi Gatita Del West
302. Airbag - Anarquía en Buenos Aires
303. Caloncho - Hora Dorada
304. Vale - Déjame Ir
305. Bruses - Coma Party
306. Juliito, Kris R. - La K y la J
307. Carlos Uzi, Rubiera - Si Mañana Muero
308. Mene - Call It Freestyle
309. Esteesgarcia - Lipstick ;*
310. Javypablo, henry semler - I know
311. Plastilina - cuchillos que brillan
312. Maxiolly - en la disco pensándote
313. SCH, Damso - 02:00
314. Khalid, Chlöe - MIA (feat. Chlöe)
315. Carbonne, DYSTINCT, Michael Brun - Comment te remplacer
316. Adèle Castillon, Louane - Je me demande
317. Cocoon - Destruction
318. Merveille - C'est ma vie
319. Jul - Je suis fait pour...
320. Camille Lellouche - Dans tes yeux
321. Patrick Fiori - L'agréable inutile (Infini)
322. Antoine Chambe - Rêverie
323. Pierre Guénard - CINÉMA
324. Bamby, Maureen - CHIC
325. Alex Warren, Joe Jonas - Burning Down (with Joe Jonas)
326. Booba - Muay Thaï
327. DJ Kawest, Innoss'b - Elle veut
328. Star Academy - Je t'aimais, je t'aime, je t'aimerai (Charles, Ebony, Emma & Marine)
329. Ama - Employee
330. ONE OK ROCK - +Matter
331. Myra - T PAS SI BO
332. Miel De Montagne - Nouveau départ
333. Lyele, Tiakola - 4 Decembre
334. Guy2bezbar - MON ANNÉE
335. Bagarre, Lulu Van Trapp, Louisadonna, Liv del Estal - Ring Ring
336. Tengaïshy, Fally Ipupa - Médusa
337. Alonzo - Highlander
338. Christophe Mali, Tryo - Enfant doré
339. Thursday - White Bikes
340. Charli Lucas - Bless the Internet
341. Babyboy AV, CKay, Victony - Obianuju
342. Arthur Teboul, Baptiste Trotignon - Un homme heureux
343. BØRNS - Grateful For
344. ISK, RK - N'aie pas peur
345. Philippine - CARDIO
346. Tonique & Man, Jean Tonique, Mi Man - Burning
347. Soprano - Gamberge d'ancien
348. Blaiz Fayah, Titony - More
349. Tip Stevens - Mamba
350. Jean-Louis Aubert - L'encrier
351. Later. - Echo
352. Zed - Long Life
353. L'Algerino - Ça ira
354. mike. - high school sweetheart
355. Stuffed Foxes - Merry Xmas
356. Davy One, Genezio - Hobbit
357. Victor Marc - California
358. SAF - PAS LÀ
359. MC Solaar, Jok'air - Benjamin B
360. DAYSY - Je suis là
361. Octave Lissner, Pierre Grizzli - La caïpi
362. ISHA, Limsa D'aulnay - But en or
363. Miedjia, Didi B - J'adore
364. Kaky - Tu me manques
365. Howard - Keep Running
366. Alisa Xayalith - Different Light
367. Zuukou mayzie - La Rose Cadillac vers 19h19
368. Still Fresh - J'ai coupé l'contact
369. Dizzy Dros, Kekra, Norfafrica - STK STK
370. Oscar Emch - La Fièvre
371. Tony Boy - Segnali di fumo
372. Sally Cruz, Rose Villain - DAMMI UN SENSO ALLA FINE
373. Pinguini Tattici Nucleari - Amaro
374. Rkomi - odio, quindi sono.
375. centomilacarie - figli degli dei
376. Rondodasosa - BABA
377. Joan Thiele - Veleno
378. Paola Iezzi - Club Astronave
379. TOMMY DALI - Ti scorderai di me
380. Pinguini Tattici Nucleari - Burnout
381. Wax - 7 VITE
382. CanovA, asteria - HIGH SCHOOL TECHNO KIDS
383. cmqmartina - allucinazione
384. piazzabologna, Gorbaciof - occhisalsadisoia
385. Jul, Baby Gang - Partire
386. Nitro - Rotten 2
387. En?gma, Salmo - ALHAMBRA
388. Elio e le Storie Tese - Natale in trincea
389. Peter White - Dolceamara malinconia
390. Rizzo - Speciali +
391. Donatella Rettore - Disco Prosecco (Spritz c’est chic)
392. SARAFINE - UN TRAUMA È PER SEMPRE
393. Hammon - Milano Non È Così Bad
394. Saintpaul - Cuore Cucito
395. Remi, Coco - BILICO (feat. CoCo)
396. Joseph - LA PAURA NON ESISTE
397. Cecile - Ragni
398. WISM, Teseghella - SEMPRE UN PO' MEGLIO
399. Spacehippiez - La Storia Della Nostra Vita
400. Bais - 2024
401. Gamuel Sori, Stealth - Slippin' Back
402. Maggio, Ngawa - FEMORI
403. Emma - 666 SEMPRE DiSTRATTa
404. Federico Di Napoli - Nsuonno
405. Tara - Dunya
406. Enny P - Non è colpa mia
407. Scaccia, RRARI DAL TACCO, Sacky - PESA
408. Leano - bestie
409. Elisa Benetti - Paesà
410. Magenta Flora, TANAROUGE - Ci Rideremo Su
411. Angela IRIS, Yna - Videogame
412. maniviola - paolo
413. Ophelia Lia - Passi Lenti
414. Kaput - Provinciale
415. Sea John - Se fossi felice
416. Kid Gamma - giovani vuoti
417. K beezy 28 - PETALI ROSA
418. Voina - Senza paura
419. Provinz - Walzer
420. Nina Chuba - Farbenblind
421. Caro van Ee, Lili Pistorius - COUTURE
422. Sosa La M, Luciano - Butcher
423. MAYBERG - morgen
424. Ski Aggu - Kein DJ
425. Shindy - F**kin' 1
426. Lune - sag wieso?
427. Zimmer90 - Follow (I will never let you go)
428. CRO, Bunt. - HERZ
429. Tom Twers - Dreck
430. Rin - MoMA
431. Saliou, Jazeek - Did You See (feat. Jazeek)
432. Gabry Ponte - Ghost
433. ZAVET, Bausa - Etage 3 (feat. Bausa)
434. BRUCKNER - Forrest Gump
435. UVT, Sido - Mondlicht
436. LUNAX - One Last Kiss for Christmas
437. FiNCH - LEUCHTTURM
438. 01099 - Weihnachtslied 2024
439. Morpheuz, Simona - Rote Ampel
440. Joris - eigentlich
441. Lena&Linus - Fenster zum Hof
442. Ansu, 2sick - FREI
443. Klaas - Tell Me How You Feel
444. Wiz Khalifa - Hit It Once
445. Clarry Berry - Rio Filter
446. DJ Lucas Beat, Jason Derulo, Sia - You Can Do Anything (MTG DA SIA)
447. Alle Farben, Heavent - Die Welt in allen Farben
448. LU KALA - Cry Baby
449. maïa - alles okay
450. Schlotte, laurin - neue Notiz
451. Losin - Brauch nur dich
452. Chris James - Do You Feel This Way?
453. Russ - How Long
454. Felicia Lu - Bigger One
455. Valentin, Dan Bay, Le Rubrique - Weiter Als Der Himmel
456. David Gray - Singing For The Pharaoh
457. Egon Werler - was uns gerade fehlt
458. 1da Banton, Fiokee - BABY OKU (feat. Fiokee)
459. Somewhen - Neon
460. DUEJA - winterkuss :*
461. Noa Lone - the party is over now
462. Teesy - Meile
463. Emi - One Of Them
464. Pietro Lombardi - Ich liebe Dich
465. Josh Breaks - Good But Bad Together
466. Chung Ha - Sleigh
467. hongjoin - Secret
468. Lucy - She′s Smiling
469. Dessy - LEAD ME ON
470. Olivia Marsh - First December with You
471. Colde, Camo, Kid Milli - Nirvana Blues
472. Big Naughty, Sion - Hero Death (Feat. Sion)
473. Paul Blanco - Careless I Love You
474. Wendy Wander, Billyrrom - Nightglow Dreamer
475. TENDRE - HAPPY END
476. Sophia Fredskild - Interstellar
477. Lang, Zekke - GIRL FROM THE EAST
478. tomo blu, ABANGSAPAU - Watered Down
479. THE 8, JinJiBeWater_隼 - Orbit (轨道)
480. Sun Cell, Nosedive - The Pains of Being Pure at Heart
481. LIA - Why Not
482. YEJI (ITZY) - Think about you
483. Travis Japan - BO$$Y
484. Winter - HUNJUNG YEONSUH
485. ALI, The Crane - NEON
486. Ado - Episode X
487. Number_i - HIRAKEGOMA
488. CreepHyp - Namareba
489. AKASAKI - Roots
490. Omoinotake - Iolite
491. Ella Henderson - Filthy Richmas
492. V, Bing Crosby - White Christmas (with V of BTS)
493. TREASURE - LAST NIGHT
494. Toaka - Your Hero
495. Chilli Beans. - escape
496. NOISEMAKER - Supernatural feat. Masato from coldrain
497. Smino, Ravyn Lenae - Glo-Fi
498. 3House - Eyes
499. Jessie Reyez - MERRY NOTHIN
500. Aratani Shota, Suzuki Mamiko, TOSHIKI HAYASHI(%C) - Focus
501. Tyga - Slave
502. Hanumankind, Kalmi, A$AP Rocky - Big Dawgs (Remix)
503. Vigorman, WILYWNKA - Telling adults (feat. WILYWNKA)
504. Big Animal Theory - Free
505. Red Eye, D.O, Flower.far - Blood Line
506. PSYCHIC FEVER from EXILE TRIBE, PERO PERO CANDY, Jimmy, WEESA - SH♡TGUN
507. Zettakun, edhiii boi - Only I am Nonfiction
508. &TEAM - illumination
509. NOA - Christmas Lights
510. YU-KA - Feel Like This
511. Joe Armon-Jones - Sorrowful Rhodes
512. 88rising, KnowKnow - DISAPPOINTED
513. Gregory Porter - Christmas Will Really Be Christmas
514. Pentatonix, A Great Big World - Christmastime Is Finally Here
515. 音田 雅則 - 聖なるクリスマス (Acoustic Ver.)
516. EXILE TAKAHIRO - Winter Song
517. 倖田來未 - This weekend
518. CRAVITY - Now or Never
519. THE BOYZ - Last Kiss
520. Mahiru Coda - STOP ME
521. Crash Adams - Optimist
522. Tokyo Gal - Better woman (City pop version)
523. Olivia Marsh - Heaven
524. Yuika - It doesn’t have to be Christmas Day
525. Nogizaka46 - soremadenoyuuyo
526. Shye - The Sun Will Cry
527. Akiko Yano, Hiromi - Tokyowa Yoruno 7ji (Live)
528. Cwondo - Me
529. Aimi Kobayashi - Schubert: 4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major
530. Joe Hisaishi, Wiener Symphoniker - HANA-BI
531. Miki Matsubara - Sky Restaurant
532. Villagers - Mountain out of a Molehill
533. Charlie Cunningham - Best Part
534. Tempest - Bubble Gum

...( Info )...

Artists: Various Artists / Playlist
Title: Psychedelic Selections Vol. 007 Compiled by Khromata
Type/Genre: Playlist / Psytrance, Progressive Psytrance, Goa Trance, Psychedelic Trance
Release date: 2022
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 978 MB
Tracks total: 20
Duration total: [02:33:29]

...( Dane Techniczne )...

Format             : FLAC
Format/Info          : Free Lossless Audio Codec
File size           : 49.6 MiB
Duration            : 7 min 26 s
Overall bit rate mode     : Variable
Overall bit rate        : 933 kb/s
Album             : Psychedelic Selections, Vol. 007
Album/Performer        : Khromata
Part              : 1
Part/Total           : 1
Track name           : Pure Mind
Track name/Position      : 1
Track name/Total        : 20
Performer           : Samra
Recorded date         : 2022
Copyright           : 2022 Iboga Records
Cover             : Yes
Cover description       : cover.jpg
Cover type           : Cover (front)
Cover MIME           : image/jpeg

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 7 min 26 s
Bit rate mode         : Variable
Bit rate            : 928 kb/s
Channel(s)           : 2 channels
Channel layout         : L R
Sampling rate         : 44.1 kHz
Bit depth           : 16 bits
Compression mode        : Lossless
Stream size          : 49.4 MiB (99%)

...( TrackList )...

1-20

Samra - Pure Mind (Original mix)
Formula None - Whiplash (Original mix)
Freq, Emok - States of Consciousness (Original mix)
Alien Art - Mutation (Original mix)
Deedrah - Hellsonic (Shanti v Deedrah Remix)
Headroom (SA) - Anxiety Society (Original mix)
Timelock, Waveform - Somnia (Original mix)
Protonica - Symmetry (Interactive Noise Remix)
Flegma, Relativ - Inok (Original mix)
E-Clip - Fluid Motion (Original mix)
GeneTrick - Grace of Light (Original mix)
Asgard - Bright Horizon (Original mix)
Silent Sphere, Yestermorrow - Alien Technology (Hypnotic Edit)
Solarix - Divinity (Original mix)
Astrix - Acid Rocker (Antinomy Remix)
Formula None, Khromata - Gold Rush (Original mix)
Ace Ventura, Vertical Mode - Deep Breath (Ticon remix)
Audiodact - Homebound (2022 Remix)
Phaxe, Gaudium, Martin Vice, Emok - Ost (Original mix)
Ace Ventura - Going Back (Pitch Black's Eternally Happy remix)

...( Info )...

Artists: Various Artists / Playlist
Title: Psychedelic Selections Vol. 005 Compiled by Khromata
Type/Genre: Playlist / Psytrance, Progressive Psytrance, Goa Trance, Psychedelic Trance
Release date: 2020
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 1,16 GB
Tracks total: 24
Duration total: [03:04:12]

...( Dane Techniczne )...

Format             : FLAC
Format/Info          : Free Lossless Audio Codec
File size           : 54.3 MiB
Duration            : 8 min 27 s
Overall bit rate mode     : Variable
Overall bit rate        : 896 kb/s
Album             : Psychedelic Selections Vol 005
Album/Performer        : Khromata
Part              : 1
Part/Total           : 1
Track name           : 11911 (Original mix)
Track name/Position      : 1
Track name/Total        : 24
Performer           : Rocky / Tilbor
Recorded date         : 2020
Copyright           : 2019 Iboga Records
Cover             : Yes
Cover description       : cover.jpg
Cover type           : Cover (front)
Cover MIME           : image/jpeg

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 8 min 27 s
Bit rate mode         : Variable
Bit rate            : 892 kb/s
Channel(s)           : 2 channels
Channel layout         : L R
Sampling rate         : 44.1 kHz
Bit depth           : 16 bits
Compression mode        : Lossless
Stream size          : 54.0 MiB (100%)

...( TrackList )...

1-24

Rocky, Tilbor - 11911 (Original mix)
Martin Vice, Michael Banel, Silent Sphere - Space Travel (Original mix)
Flip-Flop - Blocks (Original mix)
Rinkadink, Silent Sphere - Hidden Patterns (Original mix)
Ritmo, Morten Granau - Reborn (Original mix)
Sphera, Ritmo - It's Your Time (Original mix)
Animato, Ticon - Polygon (Original mix)
Yestermorrow - Just Amazing (Original mix)
Gaudium, Ritmo - Don't Lose Ur Mind (Original mix)
Ace Ventura, Animato - Moments of Ecstasy (Origina mix)
Sub6 - Tlv Sao (Gaudium Remix)
Aioaska, TRISTATE - Cyborgs (Original mix)
Egorythmia - Nagual (Original mix)
Protonica, Ticon - Departure (Original mix)
Modus - Fluid (Original mix)
Sun Project, Tsuyoshi Suzuki, X-Dream - Audio Drugs (Original mix)
GeneTrick, V-Society - Freedom in You (Original mix)
Vertical Mode - Domination (Gaudium Remix)
Protoculture - More Directions (Shadow Chronicles Remix)
Altered State - Drunk on Acid (Original mix)
Liquid Ace - Neurochemistry (Indianix Remix)
Relativ, Yestermorrow - Galactic Riders (Original mix)
Ace Ventura, Juno Reactor - Ingonyama (Original mix)
Outsiders, Sphera - Matter of Fact (Original mix)

...( Info )...

Artists: Various Artists / Playlist
Title: Psychedelic Selections Vol. 003 Compiled by Ritmo
Type/Genre: Playlist / Psytrance, Progressive Psytrance, Goa Trance, Psychedelic Trance
Release date: 2018
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 0,99 GB
Tracks total: 21
Duration total: [02:42:47]

...( Dane Techniczne )...

Example - Track 01:

Format             : FLAC
Format/Info          : Free Lossless Audio Codec
File size           : 45.2 MiB
Duration            : 7 min 21 s
Overall bit rate mode     : Variable
Overall bit rate        : 858 kb/s
Album             : Psychedelic Selections Vol 003 Compiled by Ritmo
Album/Performer        : Ritmo
Part              : 1
Part/Total           : 1
Track name           : Reborn
Track name/Position      : 1
Track name/Total        : 21
Performer           : Ritmo / Morten Granau
Recorded date         : 2018
Copyright           : 2018 Iboga Records
Cover             : Yes
Cover description       : cover.jpg
Cover type           : Cover (front)
Cover MIME           : image/jpeg

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 7 min 21 s
Bit rate mode         : Variable
Bit rate            : 852 kb/s
Channel(s)           : 2 channels
Channel layout         : L R
Sampling rate         : 44.1 kHz
Bit depth           : 16 bits
Compression mode        : Lossless
Stream size          : 44.8 MiB (99%)

...( TrackList )...

1-21

Ritmo, Morten Granau - Reborn
Symbolic, Lifeforms - One of a Kind
Freedom Fighters, Rocky Tilbor - Stranger Things
Ritmo - Your Gate to Freedom
NOK - The Encounter
Gaudium - Let Us All Unite
Ace Ventura, Animato - Moments of Ecstasy
Liquid Soul, Captain Hook - Liquid Hook (Interactive Noise Remix)
Ritmo, Lifeforms - Orchid
Technical Hitch - Mama India (Out Now Remix)
Off Limits - Cobra Dance (Planet 6 Remix)
Ace Ventura - Altern8 Patterns (Pitch Bend Remix)
Ticon, Phanatic - Indigo
Astrix - Sahara
Yestermorrow - Vision of the Future (Ilai Remix)
Cosma, Silent Sphere - Moving (Ritmo Remix)
Perfect Stranger - Six Feet Under (Captain Hook Remix)
Sphera - Matter (Ritmo Remix)
TRISTATE - Nevermore
Ritmo - Follow Me (Perfect Stranger Remix Revisited)
Emok, Loud, Martin Vice - Om (Extended Mix)

...( Info )...

Artists: Various Artists / Playlist
Title: Trance 100 - Best of Summer 2024
Type/Genre: Playlist / Trance, Rave, Party, Tech-trance, Progressive Trance, Uplifting Trance, Vocal Trance
Release date: 2024
Source: TIDAL
Bit-depth / Sampling rate: 16-24-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC / m4a
Size total: 3,36 GB
Tracks total: 98
Duration total: [05:39:49]

...( Dane Techniczne )...

Example - Track 01:

Format             : FLAC
Format/Info          : Free Lossless Audio Codec
File size           : 26.5 MiB
Duration            : 3 min 17 s
Overall bit rate mode     : Variable
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Album replay gain       : -10.93 dB
Album replay gain peak     : 1.000000
Album             : Trance 100 - Best of Summer 2024
Album/Performer        : Various Artists
Part              : 1
Part/Total           : 4
Track name           : Es Vedrà
Track name/Position      : 1
Track name/Total        : 100
Performer           : Armin van Buuren
Recorded date         : 2024-09-13
ISRC              : NLF712406443
Copyright           : Armada Music B.V.
Cover             : Yes
Cover type           : Cover (front)
Cover MIME           : image/jpeg

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 3 min 17 s
Bit rate mode         : Variable
Bit rate            : 1 093 kb/s
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Channel layout         : L R
Sampling rate         : 44.1 kHz
Bit depth           : 16 bits
Compression mode        : Lossless
Replay gain          : -8.38 dB
Replay gain peak        : 0.966217
Stream size          : 25.7 MiB (97%)
Writing library        : Mutagen 1.47.0

...( TrackList )...

001. Aly & Fila, Richard Durand - Nebula
001. Armin van Buuren - Es Vedrà
001. KIKI - 5 Mins Of Acid
002. Giuseppe Ottaviani, Adriana Stone - Something About You
002. Jan Blomqvist - Our Broken Mind Embassy (Luca Saporito Remix)
002. Juliet Fox - What Would Gerry Do
002. Reinier Zonneveld, Tiga, Zyntherius - Sunglasses at Night
003. Ben Gold, Bo Bruce - Half Light
003. Binary finary - 1998 (Anfisa Letyago Remix)
003. Ferry Corsten - Rock Your Body Rock (Space Motion Remix)
003. Paul van Dyk, Amos & Riot Night, Matt Noland - SHINE TOGETHER NOW (SHINE IBIZA ANTHEM 2024)
004. Ben Nicky, Creeds - Survive It
004. Joris Voorn, AVIRA - The Orange Theme
004. Lock 'N Load - Blow Ya Mind (Laherte Remix)
004. nilsix, ADARA - Falls Apart
005. Eelke Kleijn, ZOE ASKA - Stranger's Town
005. Gabry Ponte, Tai Woffinden, Yasmin Jane - Body
005. Hammer House - The Jumper (Mass Medium Remix)
005. Simon Patterson - Lost Vagueness
006. BT, Matt Fax - Vertical
006. David Forbes - Alcazar
006. Ferry Corsten - Just Breathe
006. Lange, Skye - Drifting Away (Alessandra Roncone Remix)
007. Ahmed Helmy - Stuck In My Mind
007. Allen Watts, Awaken - Serotonin
007. Paul Oakenfold - Theme For Great Cities (Revisited)
007. Ruben de Ronde, Matt Fax - Stokbrood
008. Craig Connelly - Emotion FM
008. Darren Porter, XiJaro & Pitch - Reach for the Stars
008. Giuseppe Ottaviani, Lasada - Leave You There
008. Magnus, Conor Ross - Don't Look Down
009. Arty, Jay Sorrow - In My Head (Club Mix)
009. BLR - Endless
009. Silva City - Struck Piano
009. Superstrings, Signum - What Ya Got 4 Me
010. Ahmed Helmy - R4VE 401
010. DIM3NSION - United in Love
010. Kryder, Sarah De Warren - Lights Out (Dominiq Vanquish Remix)
010. Paradoks - Distress
011. Chicane - Freefall
011. K90 - Deliverance (Achilles & Maurya Sevak Remix)
011. Maarten de Jong, Frank Spector - La Nuit Toujours
011. Moony - Dove (I'll Be Loving You) (Loods Remix)
012. Armin van Buuren, VIZE, Leony - City Lights
012. BLR - Ethereal
012. Felix - Don't You Want Me (KIKI Remix)
012. Reboot, Avenue One - My Soul
013. Antillas, Fiora - Damaged (Juliet Fox Remix)
013. Ferry Corsten, 22Bullets, Couché - Belong To You
013. Jerome Isma, ae - Hold That Sucker Down (Helsløwed Remix)
013. Protoculture - In Bloom
014. David Forbes, Nina de Koning - Tunnel Vision
014. ORKID, Agents Of Time, Armin van Buuren - Love Is Eternity
014. Silva City - The Journey
014. Simon Patterson - Tank
015. Jan Blomqvist, Rodriguez Jr - Destination Lost (Andrea Oliva Remix)
015. Paul Denton - The Code
015. Steve Dekay, Allen Watts, Awaken - D.N.A
015. Will Atkinson - High On The Low
016. HelSløwed, Amber Revival - Wildfire
016. Matt Guy - Rush
016. Matty Ralph - Love Buzz
016. The Space Brothers, DT8 Project, Andrea Britton - Never Felt This Good
017. Kyau, albert - Cascading Waterfalls
017. Laura Van Dam - How Does It Feel
017. Scorz, Sirolf, Diandra Faye - Missing Piece
017. Trance Wax - Ascend (Sneijder Remix)
018. Amyelle - Silver Lining
018. Jose Amnesia - The Eternal (Loveparade Mix)
018. The Space Brothers - Shine (Ciaran McAuley Remix)
018. Will Clarke, Josefina - Burn This City
019. BK - Give You Love
019. Dj T.H., TH3 ONE, Sue McLaren - Everything To Me
019. KASIA - Drowning
019. Zack Martino, Higher Lane - Pieces
020. Alessandra Roncone - Venezia
020. David Forbes - All On You
020. Trance Wax - So Alone (Kiara Scuro Remix)
020. Zank - Feels Like Home
021. Ahmed Helmy - Love Never Fades
021. Alan Morris, Marco Cera - The Deepest Truth
021. P.O.U, Oddfellowz - Monaco
022. 0Gravity - Take My Breath
022. Paraleven, Burko - Milosonic
022. Sunstar - Balearic Desire (Woody van Eyden Remix)
022. Super8 & Tab - Flare
023. LÜRUM, Bertie Scott - In The Dark
023. Matty Ralph - Dreaming
023. MurZo - Perfect Storm
023. Scott Mac, Luvstruck - The Music
024. DJ Melvin - Set U Free (Ammara Remix)
024. Nitrous Oxide, Adam Sobiech - Magique
024. Pete K, Paul Arcane, Amy J Pryce - Hold Me
024. Stoneface, terminal - Don't Give a Fuck (2024 Rework)
025. Eugenio Tokarev, Bruno Oloviani - Feel Alive
025. Magnus, Conor Ross - JOI (Part II)
025. Morgin Madison, Adam Nazar, Crimsen - Closer
025. MRPHLNDR - Captain Future

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Dwa lata po EP-ce Czerń, definiującej death metalowy kierunek poszukiwań, warszawski kwintet powraca z pełnometrażowym albumem 'Klątwa'. Nieco ponad półgodzinny materiał podsumowuje poszukiwania własnego miejsca; siedem nowych kompozycji osadzonych na solidnym, staroszkolnym metalu śmierci, zainfekowanych jest różnymi, dźwiękowymi wątkami – od mrocznego hardcore’a, przez black metalowy jad aż po klimaty rodem z notatnika Stalowego Piotra.
Niezmiennie mocną stroną zespołu pozostają znakomite, nasycone riffy i brutalny growl Łukasza Zająca. Całość spięta jest szorstką dosłownością przekazu, ubraną w potężne brzmienie, nad którym zespół ponownie pracował z realizatorem Marcinem Buźniakiem (W Dobrym Tonie Studio, Axis). Bez zmian pozostaje wierność językowi polskiemu – w tekstach Czerń rozprawia się z pokręconą egzystencją w świecie pełnym szaleństwa i politycznego ścieku.



..::TRACK-LIST::..

1. Wschód 05:08
2. Tnij 03:50
3. Cel sam w sobie 03:46
4. Ściek 02:32
5. Szybsza krew 05:30
6. Jestem 03:15
7. Klątwa 06:19



https://www.youtube.com/watch?v=cTxjnG_Z7bI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Dwa lata po EP-ce Czerń, definiującej death metalowy kierunek poszukiwań, warszawski kwintet powraca z pełnometrażowym albumem 'Klątwa'. Nieco ponad półgodzinny materiał podsumowuje poszukiwania własnego miejsca; siedem nowych kompozycji osadzonych na solidnym, staroszkolnym metalu śmierci, zainfekowanych jest różnymi, dźwiękowymi wątkami – od mrocznego hardcore’a, przez black metalowy jad aż po klimaty rodem z notatnika Stalowego Piotra.
Niezmiennie mocną stroną zespołu pozostają znakomite, nasycone riffy i brutalny growl Łukasza Zająca. Całość spięta jest szorstką dosłownością przekazu, ubraną w potężne brzmienie, nad którym zespół ponownie pracował z realizatorem Marcinem Buźniakiem (W Dobrym Tonie Studio, Axis). Bez zmian pozostaje wierność językowi polskiemu – w tekstach Czerń rozprawia się z pokręconą egzystencją w świecie pełnym szaleństwa i politycznego ścieku.



..::TRACK-LIST::..

1. Wschód 05:08
2. Tnij 03:50
3. Cel sam w sobie 03:46
4. Ściek 02:32
5. Szybsza krew 05:30
6. Jestem 03:15
7. Klątwa 06:19



https://www.youtube.com/watch?v=cTxjnG_Z7bI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Technical progressive/avant-garde is a difficult genre to succeed in. In order to keep people coming back, you have to not sound like you're ripping off Gorguts, Ulcerate, DSO, or the likes. You have to incorporate your own twists and turns to make it sound unique to set you apart from the 3,000 other bands trying to sound dissonant and cool and simultaneously make it engaging so that people want to hear it again. Added upon those basic challenges of making good music is the challenge of succeeding in a genre that is already one of the least accessible genres of music while using compositional tools like dissonance that send even many metalheads running to the hills. More often than not, a band just ends up creating a wall of dissonant noise that only tires and bores the listener (cough, cough, Altarage), or gets their head stuck up their butt creating "atmusfeeric" noises (hey there, Blus Aut Nord) or just creates a lifeless ripoff of the genre's greats. But, every so often, a band will create a dissonant masterpiece, a testament to the ideals of creativity and thinking outside the box without ripping off Ulcerate or another dissonant legend. Bands like Pyrrhon, Gorguts (who's done it a lot), and Redemptor have made albums that are masterful, unique, jaw-dropping and unconventional. That pantheon is about to be joined by Ingurgitating Oblivion.

it's hard to describe these guys because they create a sound that's all their own on this release. Imagine Defeated Sanity taking Gorguts and Ulcerate pills by the gallon and lacing it with some DSO, Cynic, and Atheist. That’ll give you a 'basic' idea of what to expect.

The album kicks off with the song Amid the Offal, Abide With Me. The song starts off with 40 seconds of soft atmospheric noise, then kicks in with one of the best opening riffs I’ve heard before. That riff alone is worth talking about because it is the perfect example of how the album functions. It’s a groovy, dissonant riff that sounds not too different from something you would find in a BDM album. It’s a perfectly crafted riff that starts off on a crushing note than goes into some dissonant harmonies before descending into chaos. The song is the perfect example of how brutality and memorable yet innovative songwriting can work together to create something amazing. The song crashes and twists and writhes in an unpredictable, serpentine structure, laying down riff after riff. And frick are those riffs mouthwatering. The riffs alternate between groovy, technical and spazzed-out weird while remaining cold, dissonant, and almost catchy at times. Sometimes they will have a motif, or variations of the main riff, lead the song, which is great. By doing so, the allow the song to flow without sounding redundant. They only sound slightly like the original riff, but they make listening to the song much more immersive and easier to follow. The song ends with some very eerie, dissonant riffs and nice, jazzy drumming.

Th next song, a 22-minute behemoth, with an absurdly long title, is amazing. It starts off with a cool, jazzy dissonant part reminiscent of Atheist. The song then kicks in on a crushing note. What is enjoyable about this song is that this band knows that it’s okay to REPEAT a good riff more than once. This makes digesting the riff-tornado this song is much more enjoyable and more engaging. This song is one my favorites, packed full of good riffs. This song has the best balance of dissonance and more traditional BDM riffs and avant-garde progressive moments. The only complaint is that the atmospheric section at the end of the song is too long. But, thanks to the skip button, this can be bypassed without ruining the listening experience.

The title track is a monster. It’s one of the more varied tracks, fluctuating between heavy dissonant riffing interspersed with dissonant harmonies and proggy atmospheric sections. The song is unpredictable, yet it pulls your attention in constantly. The solos and harmonies create a stunning and coldly dissonant landscape. The drumming on this song is some of the most intense as well, and the way the vocalist uses his higher pitch rasps is very enjoyable. The piano section at the end is also really good. Most piano/acoustic sections in extreme metal are boring, predictable and don't really add to the song besides being a novelty. Here, though, it adds to the texture and mood progression and concludes it in an unpredictable yet extremely satisfying way.

The final track is probably the most divisive. I personally enjoyed the long, dissonant, jazzy jam, as it wasn't just some jazz being done to show that they're cool progressive guys. I feel like they use it to create moods, atmosphere, and feeling exceptionally well, though not everyone will enjoy it. The last two minutes or so are 'normal' death metal (at least by their standards) and concludes the song fantastically and energetically.

What makes this album so phenomenal is that while each track in itself is a masterpiece, yet all the songs flow into each other while being easily individually distinguishable. These guys create a genuinely engrossing and hypnotic quilt of mood, atmosphere, and textures together, and the album maintains this unique blend throughout the entire album without faltering. The riffs are absolutely amazing. The production fits the album's vision like a glove and is wonderfully balanced so that everything can be heard clearly. A special shoutout to the drummer: Lille Gruber takes this album to the next level. His drumming is ridiculously technical, smooth, and his fills are very creative and cool to listen to. The drumming never distracts from anything else going on though, serving to blend and enhance what's going on beautifully. His unique jazzy style and incredible brutal technicality, coupled with his penchant for endlessly creative fills, take this album to another level of perfection. No other drummer could have made the album as good with their drumming as Lille Gruber did on this album. Another shoutout to the vocalist, who sounds unique, and his growls carry their own distinctive personality. The nearest comparison would be a throatier, more in-your-face Steve Tucker.

If you haven't listened to this album, try it. A warning though: Go in with an open mind. This is an incredibly varied and eclectic album. It may take time to fully digest, but trust me, this album's magnificence will not be lost on you.

coolerspiller



..::TRACK-LIST::..

1. Amid the offal, abide with me 10:42
2. A Mote Constitutes What To Me Is Not All, And Eternally All, Is Nothing 22:50
3. Vision Wallows In Symphonies Of Light 10:50
4. A Devourer Of Fitting Shades Who Dwells In Rays Of Light 07:39



..::OBSADA::..

Rhythm Guitar, Lead Guitar, Vocals, Lyrics By - Florian Engelke
Drums - Lille Gruber
Lead Guitar, Engineer - Norbert Müller
Bass, Synth, Vocals - Adrian Bojarowski
Vibraphone - Maren Poelman
Piano - Celine Voccia




https://www.youtube.com/watch?v=LFlkwqvOaOo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Technical progressive/avant-garde is a difficult genre to succeed in. In order to keep people coming back, you have to not sound like you're ripping off Gorguts, Ulcerate, DSO, or the likes. You have to incorporate your own twists and turns to make it sound unique to set you apart from the 3,000 other bands trying to sound dissonant and cool and simultaneously make it engaging so that people want to hear it again. Added upon those basic challenges of making good music is the challenge of succeeding in a genre that is already one of the least accessible genres of music while using compositional tools like dissonance that send even many metalheads running to the hills. More often than not, a band just ends up creating a wall of dissonant noise that only tires and bores the listener (cough, cough, Altarage), or gets their head stuck up their butt creating "atmusfeeric" noises (hey there, Blus Aut Nord) or just creates a lifeless ripoff of the genre's greats. But, every so often, a band will create a dissonant masterpiece, a testament to the ideals of creativity and thinking outside the box without ripping off Ulcerate or another dissonant legend. Bands like Pyrrhon, Gorguts (who's done it a lot), and Redemptor have made albums that are masterful, unique, jaw-dropping and unconventional. That pantheon is about to be joined by Ingurgitating Oblivion.

it's hard to describe these guys because they create a sound that's all their own on this release. Imagine Defeated Sanity taking Gorguts and Ulcerate pills by the gallon and lacing it with some DSO, Cynic, and Atheist. That’ll give you a 'basic' idea of what to expect.

The album kicks off with the song Amid the Offal, Abide With Me. The song starts off with 40 seconds of soft atmospheric noise, then kicks in with one of the best opening riffs I’ve heard before. That riff alone is worth talking about because it is the perfect example of how the album functions. It’s a groovy, dissonant riff that sounds not too different from something you would find in a BDM album. It’s a perfectly crafted riff that starts off on a crushing note than goes into some dissonant harmonies before descending into chaos. The song is the perfect example of how brutality and memorable yet innovative songwriting can work together to create something amazing. The song crashes and twists and writhes in an unpredictable, serpentine structure, laying down riff after riff. And frick are those riffs mouthwatering. The riffs alternate between groovy, technical and spazzed-out weird while remaining cold, dissonant, and almost catchy at times. Sometimes they will have a motif, or variations of the main riff, lead the song, which is great. By doing so, the allow the song to flow without sounding redundant. They only sound slightly like the original riff, but they make listening to the song much more immersive and easier to follow. The song ends with some very eerie, dissonant riffs and nice, jazzy drumming.

Th next song, a 22-minute behemoth, with an absurdly long title, is amazing. It starts off with a cool, jazzy dissonant part reminiscent of Atheist. The song then kicks in on a crushing note. What is enjoyable about this song is that this band knows that it’s okay to REPEAT a good riff more than once. This makes digesting the riff-tornado this song is much more enjoyable and more engaging. This song is one my favorites, packed full of good riffs. This song has the best balance of dissonance and more traditional BDM riffs and avant-garde progressive moments. The only complaint is that the atmospheric section at the end of the song is too long. But, thanks to the skip button, this can be bypassed without ruining the listening experience.

The title track is a monster. It’s one of the more varied tracks, fluctuating between heavy dissonant riffing interspersed with dissonant harmonies and proggy atmospheric sections. The song is unpredictable, yet it pulls your attention in constantly. The solos and harmonies create a stunning and coldly dissonant landscape. The drumming on this song is some of the most intense as well, and the way the vocalist uses his higher pitch rasps is very enjoyable. The piano section at the end is also really good. Most piano/acoustic sections in extreme metal are boring, predictable and don't really add to the song besides being a novelty. Here, though, it adds to the texture and mood progression and concludes it in an unpredictable yet extremely satisfying way.

The final track is probably the most divisive. I personally enjoyed the long, dissonant, jazzy jam, as it wasn't just some jazz being done to show that they're cool progressive guys. I feel like they use it to create moods, atmosphere, and feeling exceptionally well, though not everyone will enjoy it. The last two minutes or so are 'normal' death metal (at least by their standards) and concludes the song fantastically and energetically.

What makes this album so phenomenal is that while each track in itself is a masterpiece, yet all the songs flow into each other while being easily individually distinguishable. These guys create a genuinely engrossing and hypnotic quilt of mood, atmosphere, and textures together, and the album maintains this unique blend throughout the entire album without faltering. The riffs are absolutely amazing. The production fits the album's vision like a glove and is wonderfully balanced so that everything can be heard clearly. A special shoutout to the drummer: Lille Gruber takes this album to the next level. His drumming is ridiculously technical, smooth, and his fills are very creative and cool to listen to. The drumming never distracts from anything else going on though, serving to blend and enhance what's going on beautifully. His unique jazzy style and incredible brutal technicality, coupled with his penchant for endlessly creative fills, take this album to another level of perfection. No other drummer could have made the album as good with their drumming as Lille Gruber did on this album. Another shoutout to the vocalist, who sounds unique, and his growls carry their own distinctive personality. The nearest comparison would be a throatier, more in-your-face Steve Tucker.

If you haven't listened to this album, try it. A warning though: Go in with an open mind. This is an incredibly varied and eclectic album. It may take time to fully digest, but trust me, this album's magnificence will not be lost on you.

coolerspiller



..::TRACK-LIST::..

1. Amid the offal, abide with me 10:42
2. A Mote Constitutes What To Me Is Not All, And Eternally All, Is Nothing 22:50
3. Vision Wallows In Symphonies Of Light 10:50
4. A Devourer Of Fitting Shades Who Dwells In Rays Of Light 07:39



..::OBSADA::..

Rhythm Guitar, Lead Guitar, Vocals, Lyrics By - Florian Engelke
Drums - Lille Gruber
Lead Guitar, Engineer - Norbert Müller
Bass, Synth, Vocals - Adrian Bojarowski
Vibraphone - Maren Poelman
Piano - Celine Voccia




https://www.youtube.com/watch?v=LFlkwqvOaOo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Włoski agresywny hardcore z crustowymi naleciałościami czyli między Exploited a Aus Rotten (Call The Cops), i czeski street hardcore w stylu Inepsy spotyka Motorhead (Just Wär).

Aggressive HC Punk with a slight crust influence from Italy meets Czech street rock’n’roll. The musical development compared to their debut albums is clearly noticeable in both bands. If you like comparisons: CALL THE COPS move between old Exploited & Aus-Rotten and JUST WÄR could be a modern Inepsy / Mötorhead version with more Punk influence.



..::TRACK-LIST::..

Just Wär:
1. Helldriver
2. Faceless Warriors
3.Don't Pray For Me (Feat. Bilos)
4. Live On Fire
5. Punk Attitude (Call The Cops cover)

Call The Cops:
6. Street-Crust Rock'N'Roll (Feat. Samall)
7. The Product
8. Il Galeone (1967 Italian Anarchist Song)
9. Gerontocide
10. Cards & Dice (Just Wär cover)



https://www.youtube.com/watch?v=rKb3MICV_hI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Włoski agresywny hardcore z crustowymi naleciałościami czyli między Exploited a Aus Rotten (Call The Cops), i czeski street hardcore w stylu Inepsy spotyka Motorhead (Just Wär).

Aggressive HC Punk with a slight crust influence from Italy meets Czech street rock’n’roll. The musical development compared to their debut albums is clearly noticeable in both bands. If you like comparisons: CALL THE COPS move between old Exploited & Aus-Rotten and JUST WÄR could be a modern Inepsy / Mötorhead version with more Punk influence.



..::TRACK-LIST::..

Just Wär:
1. Helldriver
2. Faceless Warriors
3.Don't Pray For Me (Feat. Bilos)
4. Live On Fire
5. Punk Attitude (Call The Cops cover)

Call The Cops:
6. Street-Crust Rock'N'Roll (Feat. Samall)
7. The Product
8. Il Galeone (1967 Italian Anarchist Song)
9. Gerontocide
10. Cards & Dice (Just Wär cover)



https://www.youtube.com/watch?v=rKb3MICV_hI



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Hub City Stompers to amerykański zespół grający ska, reggae i oi! Został założony w 2002 roku, w New Brunswick, New Jersey. W skład zespołu wchodzą między innymi byli członkowie Inspecter 7, Professor Plum, Predator Dub Assassins, Bigger Thomas, The Best of the Worst i Bomb Town. Wstawka zawiera ósmy,najnowszy album studyjny Hub City Stompers.

Title: Drinking Rage

Artist: Hub City Stompers

Country: USA

Year: 2024

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Bloodstream
2.In the Mind of a Skin
3.Limbo
4.Won't Lose Sleep
5.One Way Sister
6.The Short But Brilliant Life of Seymour Baruch
7.Gibian Street
8.Cum & Get Out of My Life
9.Ain't No Party
10.Tastefull Beginnings
11.Dive
12.My Vow
13.All the Young Droogs
14.Drinking Rage

..::INFO::..

Debiutancki album kolumbijskiego zespołu skapunkowego.

Title: Ciudadanos Del Mundo

Artist: Barriosanto

Country: Kolumbia

Year: 2010

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

1.La Hechicera (Con Diego Pulecio - Don Tetto)
2.Indiferencia
3.Esta Paz sin Ti
4.Como el Poema de Brecht
5.El Sabrosong
6.Jugando a La Guerra
7.Escuchar tema
8.Agonia
9.Vamonos de Fiesta (con La 33)
10.El Inmigrante
11.Para Ti
12.Inalcanzable

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja klasycznej płyty z 1994 roku w wykonaniu amerykańskiego GUTTED. Intensywny, ciężki i miażdżący death metal!


Gutted z amerykańskiego Toledo to nowe wcielenie grupy Demi-God, którą w 1990 roku powołali do życia trzej bracia o nazwisku Ditch. W 1992 roku chłopaków naszło na zmianę szyldu, więc przeprowadzili ją gładko i po taniości – do tego stopnia, że demo Demi-God rozprowadzali pod tytułem… „Gutted”. W 1993 roku zespół dorobił się drugiej demówki, już z całkowicie nowymi utworami, która szybko zapewniła im kontrakt z Red Light Records. Na potrzeby nagrań debiutu bracia ściągnęli do składu starego znajomka, Billy’ego Millsa – to dzięki niemu materiał został wzbogacony o kilka solówek i zyskał na ogólnej gęstości.

Bleed For Us To Live to trzy kwadranse ciężkiego i krwistego death metalu, który — co zaskakujące, biorąc pod uwagę czas powstania tej płyty — wcale nie sprowadza się do bezczelnej zrzynki z co sławniejszych kapel. Oczywiście muzyka Gutted w żadnym stopniu nie jest oryginalna (a przynajmniej ja nie wychwyciłem tu nic naonczas odkrywczego), bo chłopaki lubią wpleść tu i ówdzie riff pod Cannibal Corpse albo Morbid Angel, zaś tempa i motoryka materiału są dość charakterystyczne dla Benediction czy Grave, a mimo to nie można im jednoznacznie zarzucić naśladownictwa. Zamiast konkurować z innymi w ilościach blastów i stopniu skomplikowania struktur, Amerykanie postawili na masywną ścianę dźwięku, raczej umiarkowane (choć urozmaicone) tempa i bardzo wyraźny groove. Muzycznej mielonce towarzyszy odpowiednio głęboki i czytelny wokal Marka.

Nagrywając debiut, zespół powtórzył wszystkie utwory z dema „Disease”, co mogłoby nie najlepiej świadczyć o jego kreatywności, gdyby nie to, że wszystkie zostały odrobinę podkręcone, uzupełnione nowymi solówkami i podane w nad wyraz dobrym brzmieniu. No i jest wśród nich „Death Before Dismember” – zdecydowanie największy hicior na płycie. Gdyby aż tak chwytliwych kawałków — czy ogólnie wybijających się fragmentów — było na Bleed For Us To Live więcej, muzyka na pewno mogłaby jeszcze szybciej zagnieździć się w pamięci, a tak mamy niemal monolit, z którym trzeba spędzić trochę czasu, żeby należycie poznać jego mocne strony. Tych na szczęście nie brakuje i dlatego debiut Gutted to porządna deathmetalowa uczta.

Bleed For Us To Live mogę śmiało polecić miłośnikom fachowo zagranej mielonki w amerykańskim stylu. Zespół braki oryginalności nadrabia jakością muzyki, więc po sesji z tym krążkiem nikt nie powinien czuć się zawiedziony. To klasyk, choć raczej przez małe „k”.

demo


Shit, it's really hard to believe that such a devastating album remained so unnoticed and I myself haven't even heard of GUTTED until 2008! The only explanation I can find is that I'm not the only one, as this album must have had really shitty promotion at the time of its release. Real shame, as nowadays I can say it's one of the best (!!!!) death metal albums that came from the American scene at the time; it even equals such masterpieces as "Leprosy" or "Human Waste". From my first listen of "Bleed For us to Live" I was hooked, these claws from the cover caught my guts and ripped them unmercifully. Absolutely killer stuff.

Before this CD, GUTTED has released two demo tapes - first one "Into the Gates of Insanity" was pretty much weak and dull, but the second demo called "Disease" was a sign that this is a band to watch. The music was truly phenomenal and this debut album is just same, only with better production and even more killer songs. GUTTED hasn’t changed their style at all since that demo – actually “Bleed For Us To Live” is a natural successor of “Disease” and simply develops the style from it. Here’s the same catchiness, the same fantastic groove, massively brutal parts, mostly mid or slow paced, hardly ever really fast – but they did play some blasts, which just massacre like in “Chock Full of Guts”… Really lovely stuff.

GUTTED used the same RT Audio studio and they knew what they’re doing. This place gave them fantastic production and this album has even more brutal sound. You can hear it especially with the vocals, which seem to be bit more guttural. “Bleed For Us To Live” contains ten tracks in total – only few of them are really new, as there are basically all the hits from “Disease” demo. I must admit it was wise decision to put them here also, as these songs simply deserve to have place on a full length. New compositions aren’t any worse and kill with equal strength. Pure relentless force, with such amazing and memorable tunes as “Death Before Dismember”, “Skeletonized”.

Any surprises? Not really (hmm, maybe an acoustic fragments in “Flood of Blood”?). I love the way GUTTED composed their songs, with so many great ideas, many hooks, quality stuff and no fillers. All that created an amazing album, which I would never consider as boring. I could listen to it and listen forever, without any signs of boredom. I also like the titles of these tracks – truly classic for death metal like “Chock Full of Guts” or “Kickin’ the Corpse”, not to mention “Death Before Dismember”. Well, I guess I like everything about GUTTED. It is just a fuckin’ must to have. Hmm, the only complain I can think of is the way this album is released. I have a feeling that somehow the version of CD I have is a re-release done by the band, but it's done so poorly that it disappoints. No lyrics, no booklet, nothing what normally should come with such an album.

dismember marcin



..::TRACK-LIST::..

1. Bleed 05:58
2. Sins of God 04:16
3. Nailed to the Cross 03:50
4. Cold in the Coffin 05:03
5. Chopped up the Altar 03:41
6. Death before Dismember 05:44
7. Chock full of Guts 04:32
8. Skeletonized 04:37
9. Kickin' the Corpse 03:34
10. Flood of Blood 03:37



..::OBSADA::..

Mark Ditch - Vocals, Bass, Keyboards
Scott Ditch - Drums
Michael Ditch (R.I.P. 2014) - Guitars (rhythm), Guitars (lead)
Billy Mills - Guitars (lead), Guitars (rhythm), Guitars (acoustic)




https://www.youtube.com/watch?v=ZCx-qH1z6pU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja klasycznej płyty z 1994 roku w wykonaniu amerykańskiego GUTTED. Intensywny, ciężki i miażdżący death metal!


Gutted z amerykańskiego Toledo to nowe wcielenie grupy Demi-God, którą w 1990 roku powołali do życia trzej bracia o nazwisku Ditch. W 1992 roku chłopaków naszło na zmianę szyldu, więc przeprowadzili ją gładko i po taniości – do tego stopnia, że demo Demi-God rozprowadzali pod tytułem… „Gutted”. W 1993 roku zespół dorobił się drugiej demówki, już z całkowicie nowymi utworami, która szybko zapewniła im kontrakt z Red Light Records. Na potrzeby nagrań debiutu bracia ściągnęli do składu starego znajomka, Billy’ego Millsa – to dzięki niemu materiał został wzbogacony o kilka solówek i zyskał na ogólnej gęstości.

Bleed For Us To Live to trzy kwadranse ciężkiego i krwistego death metalu, który — co zaskakujące, biorąc pod uwagę czas powstania tej płyty — wcale nie sprowadza się do bezczelnej zrzynki z co sławniejszych kapel. Oczywiście muzyka Gutted w żadnym stopniu nie jest oryginalna (a przynajmniej ja nie wychwyciłem tu nic naonczas odkrywczego), bo chłopaki lubią wpleść tu i ówdzie riff pod Cannibal Corpse albo Morbid Angel, zaś tempa i motoryka materiału są dość charakterystyczne dla Benediction czy Grave, a mimo to nie można im jednoznacznie zarzucić naśladownictwa. Zamiast konkurować z innymi w ilościach blastów i stopniu skomplikowania struktur, Amerykanie postawili na masywną ścianę dźwięku, raczej umiarkowane (choć urozmaicone) tempa i bardzo wyraźny groove. Muzycznej mielonce towarzyszy odpowiednio głęboki i czytelny wokal Marka.

Nagrywając debiut, zespół powtórzył wszystkie utwory z dema „Disease”, co mogłoby nie najlepiej świadczyć o jego kreatywności, gdyby nie to, że wszystkie zostały odrobinę podkręcone, uzupełnione nowymi solówkami i podane w nad wyraz dobrym brzmieniu. No i jest wśród nich „Death Before Dismember” – zdecydowanie największy hicior na płycie. Gdyby aż tak chwytliwych kawałków — czy ogólnie wybijających się fragmentów — było na Bleed For Us To Live więcej, muzyka na pewno mogłaby jeszcze szybciej zagnieździć się w pamięci, a tak mamy niemal monolit, z którym trzeba spędzić trochę czasu, żeby należycie poznać jego mocne strony. Tych na szczęście nie brakuje i dlatego debiut Gutted to porządna deathmetalowa uczta.

Bleed For Us To Live mogę śmiało polecić miłośnikom fachowo zagranej mielonki w amerykańskim stylu. Zespół braki oryginalności nadrabia jakością muzyki, więc po sesji z tym krążkiem nikt nie powinien czuć się zawiedziony. To klasyk, choć raczej przez małe „k”.

demo


Shit, it's really hard to believe that such a devastating album remained so unnoticed and I myself haven't even heard of GUTTED until 2008! The only explanation I can find is that I'm not the only one, as this album must have had really shitty promotion at the time of its release. Real shame, as nowadays I can say it's one of the best (!!!!) death metal albums that came from the American scene at the time; it even equals such masterpieces as "Leprosy" or "Human Waste". From my first listen of "Bleed For us to Live" I was hooked, these claws from the cover caught my guts and ripped them unmercifully. Absolutely killer stuff.

Before this CD, GUTTED has released two demo tapes - first one "Into the Gates of Insanity" was pretty much weak and dull, but the second demo called "Disease" was a sign that this is a band to watch. The music was truly phenomenal and this debut album is just same, only with better production and even more killer songs. GUTTED hasn’t changed their style at all since that demo – actually “Bleed For Us To Live” is a natural successor of “Disease” and simply develops the style from it. Here’s the same catchiness, the same fantastic groove, massively brutal parts, mostly mid or slow paced, hardly ever really fast – but they did play some blasts, which just massacre like in “Chock Full of Guts”… Really lovely stuff.

GUTTED used the same RT Audio studio and they knew what they’re doing. This place gave them fantastic production and this album has even more brutal sound. You can hear it especially with the vocals, which seem to be bit more guttural. “Bleed For Us To Live” contains ten tracks in total – only few of them are really new, as there are basically all the hits from “Disease” demo. I must admit it was wise decision to put them here also, as these songs simply deserve to have place on a full length. New compositions aren’t any worse and kill with equal strength. Pure relentless force, with such amazing and memorable tunes as “Death Before Dismember”, “Skeletonized”.

Any surprises? Not really (hmm, maybe an acoustic fragments in “Flood of Blood”?). I love the way GUTTED composed their songs, with so many great ideas, many hooks, quality stuff and no fillers. All that created an amazing album, which I would never consider as boring. I could listen to it and listen forever, without any signs of boredom. I also like the titles of these tracks – truly classic for death metal like “Chock Full of Guts” or “Kickin’ the Corpse”, not to mention “Death Before Dismember”. Well, I guess I like everything about GUTTED. It is just a fuckin’ must to have. Hmm, the only complain I can think of is the way this album is released. I have a feeling that somehow the version of CD I have is a re-release done by the band, but it's done so poorly that it disappoints. No lyrics, no booklet, nothing what normally should come with such an album.

dismember marcin



..::TRACK-LIST::..

1. Bleed 05:58
2. Sins of God 04:16
3. Nailed to the Cross 03:50
4. Cold in the Coffin 05:03
5. Chopped up the Altar 03:41
6. Death before Dismember 05:44
7. Chock full of Guts 04:32
8. Skeletonized 04:37
9. Kickin' the Corpse 03:34
10. Flood of Blood 03:37



..::OBSADA::..

Mark Ditch - Vocals, Bass, Keyboards
Scott Ditch - Drums
Michael Ditch (R.I.P. 2014) - Guitars (rhythm), Guitars (lead)
Billy Mills - Guitars (lead), Guitars (rhythm), Guitars (acoustic)




https://www.youtube.com/watch?v=ZCx-qH1z6pU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany w 1970 roku (a nie w 1969 - jak podają niektóre źródła), jedyny, za to rewelacyjny album amerykańskiej formacji o czadowym, gitarowo-organowym, niemal progresywnym (m.in. melotron), brytyjskim brzmieniu.
Aż nie chce się wierzyć, że kilka lat potem dwóch muzyków tej grupy założyło raczej mierny Cheap Trick. To jest album z tej samej półki co debiut Captain Beyond, pierwsze płyty Bloodrock, czy drugi album Damnation Of Adam Blessing.
Dodatkowo dwa nagrania z dość przeciętnego singla z 1969 roku.



..::TRACK-LIST::..

1. Across The Skies 4:31
2. Permanent Resident 4:20
3. Show Me 4:13
4. To Your Health 6:00
5. In A Window 5:55
6. 4/43/4 3:59
7. Mystery Ship 3:19
8. Sad Day 5:47

Bonus Tracks 1969 Single:
9. Hound Dog 2:52
10. Cruisin' For Burgers 4:59



..::OBSADA::..

Bass - Tom Peterson
Drums - Chip Greenman
Lead Guitar - Craig Myers
Organ, Mellotron, Guitar - Rick Nielsen
Vocals - Joe Sundberg




https://www.youtube.com/watch?v=FE7aNaPHw5g



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany w 1970 roku (a nie w 1969 - jak podają niektóre źródła), jedyny, za to rewelacyjny album amerykańskiej formacji o czadowym, gitarowo-organowym, niemal progresywnym (m.in. melotron), brytyjskim brzmieniu.
Aż nie chce się wierzyć, że kilka lat potem dwóch muzyków tej grupy założyło raczej mierny Cheap Trick. To jest album z tej samej półki co debiut Captain Beyond, pierwsze płyty Bloodrock, czy drugi album Damnation Of Adam Blessing.
Dodatkowo dwa nagrania z dość przeciętnego singla z 1969 roku.



..::TRACK-LIST::..

1. Across The Skies 4:31
2. Permanent Resident 4:20
3. Show Me 4:13
4. To Your Health 6:00
5. In A Window 5:55
6. 4/43/4 3:59
7. Mystery Ship 3:19
8. Sad Day 5:47

Bonus Tracks 1969 Single:
9. Hound Dog 2:52
10. Cruisin' For Burgers 4:59



..::OBSADA::..

Bass - Tom Peterson
Drums - Chip Greenman
Lead Guitar - Craig Myers
Organ, Mellotron, Guitar - Rick Nielsen
Vocals - Joe Sundberg




https://www.youtube.com/watch?v=FE7aNaPHw5g



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Little introduction is required for the progressive metal institution that is Sweden’s Opeth. In a career running over 30 years in length and spanning 13 previous studio albums, they have demonstrated an unending pursuit of progression by drawing in more influences as they’ve changed. From death metal to progressive rock to European folk to whimsical jazz, they have tracked a course that has always been fascinating, even if the quality has varied a little more than that. Reaching 2024, The Last Will and Testament is a remarkable record in a career full of remarkable records. It represents all of the following: the most overdue studio album, being released five years after its predecessor; the first release with the young but experienced Waltteri Väyrynen on drums; the return of harsh vocals for the first time in 16 years; and the first concept record since 1999’s Still Life.

Despite these remarkable qualities, The Last Will and Testament offers a smooth and natural progression from 2019’s In Cauda Venenum, but with discernible nods to other records in the Opeth discography. The first and most obvious reference is the progressive melodrama levered on Ghost Reveries and Watershed. The swinging passage from 1:30 on “§2”1 is effortlessly cool, layering groovy guitars and dramatic keyboards with spoken-word narration and a wild vibrato buried in the background. It recalls that specific era of death-influenced progressive metal, dripping with keyboard-generated atmosphere. The second core component of The Last Will and Testament’s sound is the heady compositions favored on In Cauda Venenum. That record featured varied, complex compositions but they’re too disparate. Those here are simultaneously sharper but also freer. “§4” bridges a soft flute interlude with a heavy guitar passage via a subtle drum crescendo, and despite the contrasting instrumentation, it’s smooth and cohesive in a way that few other bands can match. The musical continuity builds a sense of completeness, which is no doubt aided by the final influence in The Last Will and Testament’s sound: Still Life’s rich storytelling.

The album’s concept drives both the music and structure. The Last Will and Testament spins a yarn based around the administration of the estate of a wealthy man, replete with a seedy lawyer (entertainingly performed by Ian Anderson of Jethro Tull) and an imposing patriarch (given a voice through Mikael Åkerfeldt’s wrathful roar). The twisting tale of family intrigue and deception—including soap opera grudges and illicit children—is narrated across the first six tracks, before culminating in “§7” where Anderson delivers a deliciously-evil reading of the will to the unsuspecting beneficiaries. While this feels appropriately climactic, the final track “A Story Never Told” succeeds this chicanery with jarring clarity. It’s an excellent tonal shift, with Åkerfeldt’s clean singing layered over a simple piano melody that’s as simple as it is beautiful. While The Last Will and Testament twists and turns throughout, the opening to this track lifts the listener out of the mire of family drama2 and closes affairs with peacefulness.

But The Last Will and Testament’s most important quality is its sheer mastery. There’s no one else that writes music like this, and rarely so successfully. Every element of its core fusion of death metal and progressive rock is highly accomplished, from the knotty compositions to the polished performances to the immaculate production. As referenced earlier, In Cauda Venenum has a similar scope of instrumentation and intricate compositions. But they’re elevated here; more harmonious, more sophisticated, more artful. “§5” is a prime example. There’s a high degree of intricacy as it folds crisp drums, dancing bass lines, beautiful strings, darting vocals, and bluesy guitars into something that oscillates between subtle jazz and crunchy death metal. I love the natural lilt and the unexpected transitions.3 It’s busy and dense with textures, but the bold melodies and crystalline production prevent the material from sinking into murkiness. I’ll also commend “A Story Never Told” as one of the best songs of the year. Its organic swell from delicate piano melodies to the grand guitar solo concludes the album on an endlessly moreish note.

The Last Will and Testament doesn’t yield any weaknesses. On their fourteenth go-round, Opeth has once more delivered something exemplary in conception, performance, and production. The songs are varied but focused, feeling shorter and tighter than prior work. And while its story may not be as tragic as prior Opeth concepts, I admire the willingness to have some fun with it.4 Existing fans will no doubt gain much from this experience, and anyone with their interest limited to O(ld)peth may just find something here too. 2024 sees these Swedes finding a new harmony in their sound, and connoisseurs of progressive music mustn’t miss this.

El Cuervo



..::TRACK-LIST::..

§I 5:56
§II 5:33
§III 5:10
§IV 7:00
§V 7:29
§VI 6:03
§VII 6:30
A Story Never Told 7:11



..::OBSADA::..

Mikael Åkerfeldt - guitars, lead and backing vocals, cittra, Mellotrons, percussion & FX, string arrangements, art direction, lyrical concept
Martín Méndez - bass, backing vocals
Fredrik Åkesson - guitars, backing vocals
Joakim Svalberg - piano, Hammond organ, Mellotrons, Fender Rhodes & Moogs, backing vocals and FX
Waltteri Väyrynen - drums, percussion, backing vocals

Additional personnel:
Ian Anderson - flute (§4, §7, A Story Never Told), spoken word (§1, §2, §4, and §7)
Joey Tempest - backing vocals (§2)
Mia Westlund - harp (§4)
Mirjam Åkerfeldt - spoken word (§1)
London Session Orchestra - strings
Dave Stewart - string arrangements




https://www.youtube.com/watch?v=afufR5ayYG4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Little introduction is required for the progressive metal institution that is Sweden’s Opeth. In a career running over 30 years in length and spanning 13 previous studio albums, they have demonstrated an unending pursuit of progression by drawing in more influences as they’ve changed. From death metal to progressive rock to European folk to whimsical jazz, they have tracked a course that has always been fascinating, even if the quality has varied a little more than that. Reaching 2024, The Last Will and Testament is a remarkable record in a career full of remarkable records. It represents all of the following: the most overdue studio album, being released five years after its predecessor; the first release with the young but experienced Waltteri Väyrynen on drums; the return of harsh vocals for the first time in 16 years; and the first concept record since 1999’s Still Life.

Despite these remarkable qualities, The Last Will and Testament offers a smooth and natural progression from 2019’s In Cauda Venenum, but with discernible nods to other records in the Opeth discography. The first and most obvious reference is the progressive melodrama levered on Ghost Reveries and Watershed. The swinging passage from 1:30 on “§2”1 is effortlessly cool, layering groovy guitars and dramatic keyboards with spoken-word narration and a wild vibrato buried in the background. It recalls that specific era of death-influenced progressive metal, dripping with keyboard-generated atmosphere. The second core component of The Last Will and Testament’s sound is the heady compositions favored on In Cauda Venenum. That record featured varied, complex compositions but they’re too disparate. Those here are simultaneously sharper but also freer. “§4” bridges a soft flute interlude with a heavy guitar passage via a subtle drum crescendo, and despite the contrasting instrumentation, it’s smooth and cohesive in a way that few other bands can match. The musical continuity builds a sense of completeness, which is no doubt aided by the final influence in The Last Will and Testament’s sound: Still Life’s rich storytelling.

The album’s concept drives both the music and structure. The Last Will and Testament spins a yarn based around the administration of the estate of a wealthy man, replete with a seedy lawyer (entertainingly performed by Ian Anderson of Jethro Tull) and an imposing patriarch (given a voice through Mikael Åkerfeldt’s wrathful roar). The twisting tale of family intrigue and deception—including soap opera grudges and illicit children—is narrated across the first six tracks, before culminating in “§7” where Anderson delivers a deliciously-evil reading of the will to the unsuspecting beneficiaries. While this feels appropriately climactic, the final track “A Story Never Told” succeeds this chicanery with jarring clarity. It’s an excellent tonal shift, with Åkerfeldt’s clean singing layered over a simple piano melody that’s as simple as it is beautiful. While The Last Will and Testament twists and turns throughout, the opening to this track lifts the listener out of the mire of family drama2 and closes affairs with peacefulness.

But The Last Will and Testament’s most important quality is its sheer mastery. There’s no one else that writes music like this, and rarely so successfully. Every element of its core fusion of death metal and progressive rock is highly accomplished, from the knotty compositions to the polished performances to the immaculate production. As referenced earlier, In Cauda Venenum has a similar scope of instrumentation and intricate compositions. But they’re elevated here; more harmonious, more sophisticated, more artful. “§5” is a prime example. There’s a high degree of intricacy as it folds crisp drums, dancing bass lines, beautiful strings, darting vocals, and bluesy guitars into something that oscillates between subtle jazz and crunchy death metal. I love the natural lilt and the unexpected transitions.3 It’s busy and dense with textures, but the bold melodies and crystalline production prevent the material from sinking into murkiness. I’ll also commend “A Story Never Told” as one of the best songs of the year. Its organic swell from delicate piano melodies to the grand guitar solo concludes the album on an endlessly moreish note.

The Last Will and Testament doesn’t yield any weaknesses. On their fourteenth go-round, Opeth has once more delivered something exemplary in conception, performance, and production. The songs are varied but focused, feeling shorter and tighter than prior work. And while its story may not be as tragic as prior Opeth concepts, I admire the willingness to have some fun with it.4 Existing fans will no doubt gain much from this experience, and anyone with their interest limited to O(ld)peth may just find something here too. 2024 sees these Swedes finding a new harmony in their sound, and connoisseurs of progressive music mustn’t miss this.

El Cuervo



..::TRACK-LIST::..

§I 5:56
§II 5:33
§III 5:10
§IV 7:00
§V 7:29
§VI 6:03
§VII 6:30
A Story Never Told 7:11



..::OBSADA::..

Mikael Åkerfeldt - guitars, lead and backing vocals, cittra, Mellotrons, percussion & FX, string arrangements, art direction, lyrical concept
Martín Méndez - bass, backing vocals
Fredrik Åkesson - guitars, backing vocals
Joakim Svalberg - piano, Hammond organ, Mellotrons, Fender Rhodes & Moogs, backing vocals and FX
Waltteri Väyrynen - drums, percussion, backing vocals

Additional personnel:
Ian Anderson - flute (§4, §7, A Story Never Told), spoken word (§1, §2, §4, and §7)
Joey Tempest - backing vocals (§2)
Mia Westlund - harp (§4)
Mirjam Åkerfeldt - spoken word (§1)
London Session Orchestra - strings
Dave Stewart - string arrangements




https://www.youtube.com/watch?v=afufR5ayYG4



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist...............: Abba
Album................: More Abba Gold
Genre................: Pop
Year.................: 1993
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. Summer Night City
002. Angeleyes
003. The Day Before You Came
004. Eagle (Short Version)
005. I Do, I Do, I Do, I Do, I Do
006. So Long
007. Honey, Honey
008. The Visitors
009. Our Last Summer
010. On And On And On
011. Ring Ring (English Version)
012. I Wonder (Departure)
013. Lovelight (Original Version)
014. Head Over Heels
015. When I Kissed The Teacher
016. I Am The City
017. Cassandra
018. Under Attack
019. When All Is Said And Done
020. The Way Old Friends Do (Live At Wembley Arena, London, England - 1979)

...( Info )...

Artist...............: V.A.
Album................: Hits 1000 [39-40]
Genre................: Vari
Year.................: 2024
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. Pink Martini - Hey Eugene!
002. Kylie Minogue Feat. A Guevara - Chocolate
003. Kim Wilde - You Came
004. James Taylor - Your Smiling Face (Live Video)
005. Chynna Phillips - I Live For You
006. Engelbert Humperdinck - I'm a Better Man
007. Diana Ross - The Boss
008. Jason Donovan - Sealed with a Kiss
009. Donna Summer - Bad Girls
010. Aaliyah - At Your Best (You Are Love) (LP Mix)
011. Sister Sledge - We Are Family
012. Incognito - Everybody Loves the Sunshine
013. Karen Carpenter - If We Try
014. Crowded House - Nails In My Feet
015. Del Shannon - Runaway
016. JOHNNY GILL Feat. ROGER TROUTMAN - It's Your Body (Album)
017. Gabrielle - Out Of Reach
018. E.M.D. - Save Tonight
019. The Cardigans - Lovefool (Radio Edit)
020. Citizen Cope - Hands Of The Saints (Album Version)
021. Extreme - More Than Words (Radio Edit)
022. The Miracles - You've Really Got A Hold On Me
023. Pet Shop Boys - Leaving (2023 Remaster)
024. Marcela Mangabeira - September
025. Diana Ross - I'm Coming Out (Album Version)

...( Info )...

Artist...............: Roxette
Album................: Crash! Boom! Bang! 30th Anniversary Edition
Genre................: Pop
Year.................: 2024
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. Roxette - Harleys & Indians (Riders in the Sky)
002. Roxette - Crash! Boom! Bang!
003. Roxette - Fireworks
004. Roxette - Run To You
005. Roxette - Sleeping In My Car
006. Roxette - Vulnerable
007. Roxette - The First Girl On The Moon
008. Roxette - Place Your Love
009. Roxette - I Love The Sound Of Crashing Guitars
010. Roxette - What's She Like
011. Roxette - Do You Wanna Go The Whole Way
012. Roxette - Lies
013. Roxette - I'm Sorry
014. Roxette - Love Is All (Shine Your Light On Me)
015. Roxette - Go To Sleep
016. Roxette - Almost Unreal
017. Roxette - Crazy About You
018. Roxette - See Me
019. Per Gessle & Roxette - Harleys & Indians (T&A Demo Aug 10, 1993)
020. Per Gessle & Roxette - Crash! Boom! Bang! (T&A Demo May 6, 1993)
021. Per Gessle & Roxette - Fireworks (T&A Demo Jan 30, 1993)
022. Per Gessle & Roxette - Run To You (T&A Demo Dec 12, 1992)
023. Roxette - Sleeping in My Car (The Stockholm Demo Version 1993)
024. Per Gessle & Roxette - Vulnerable (T&A Demo Dec 28, 1990)
025. Per Gessle & Roxette - The First Girl On The Moon (T&A Demo Dec 20, 1992)
026. Per Gessle & Roxette - Place Your Love (T&A Demo Nov 10, 1992)
027. Per Gessle & Roxette - I Love The Sound Of Crashing Guitars (T&A Demo Jun 27, 1993)
028. Per Gessle & Roxette - What’s She Like (T&A Demo Jan 29, 1992)
029. Per Gessle & Roxette - Do You Wanna Go The Whole Way (T&A Demo Mar 21, 1993)
030. Per Gessle & Roxette - Lies (T&A Demo May 14, 1993)
031. Per Gessle & Roxette - I’m Sorry (T&A Demo Mar 18, 1993)
032. Per Gessle & Roxette - Love Is All (T&A Demo Dec 17, 1992)
033. Per Gessle & Roxette - She Doesn’t Live Here Anymore (T&A Demo Dec 16, 1992)
034. Roxette - Almost Unreal (Demo February '93)
035. Per Gessle & Roxette - Crazy About You (T&A Demo Jun 18, 1993)
036. Per Gessle & Roxette - Sweet Thing (T&A Demo Dec 16, 1993)
037. Per Gessle & Roxette - Always Breaking My Heart (T&A Demo Dec 27, 1992)
038. Per Gessle & Roxette - Before You Go To Sleep (T&A Demo Nov 23, 1992)
039. Per Gessle - Blue Umbrella (B-side 'I Want You To Know' - T&A Demo, 15 June, 1993)
040. Per Gessle & Roxette - It Hurts (T&A Demo Mar 7, 1993)
041. Per Gessle & Roxette - Gone Gone Gone (T&A Demo Feb 25, 1993)

...( Info )...

Artist...............: V.A.
Album................: Hits 1000 [37-40]
Genre................: Vari
Year.................: 2024
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. Cyndi Lauper - Girls Just Want to Have Fun
002. Katie Melua - Nine Million Bicycles
003. Beyoncé - Love On Top
004. Angelo Badalamenti & Tim Booth - Dance Of The Bad Angels
005. Kashif - Don't Stop My Love
006. Wang Chung - Dance Hall Days
007. Sandra - Secret Land (Album Version)
008. k.d. lang - The Consequences of Falling (LP Version)
009. Simply Red - Never Never Love (2008 Remaster)
010. The Three Degrees - When Will I See You Again (Album Ver.)
011. Boney M. - No Woman No Cry
012. Billy Vera & The Beaters - Oh, What a Nite
013. The Temptations - Just My Imagination
014. Londonbeat - You Bring On The Sun
015. Lisa Stansfield - The Real Thing (Remastered)
016. Smokie - Hungry Heart
017. Chris Rea - Texas (2019 Remaster)
018. George Benson - All I Know (Album Version)
019. Marvin Gaye - Mercy Mercy Me (The Ecology)
020. Gwen McCrae - 90% Of Me Is You
021. The Pointer Sisters - Dare Me
022. G.Q. - Disco Nights (Rock Freak)
023. 10CC - Dreadlock Holiday
024. Mickey Gilley - Stand by Me
025. Dana Gillespie - Where Blue Begins

TRACKLISTA:

CD1
1. Intro (depeche_mood)
2. depeche_mood
3. Ryzyko
4. Nie trać ducha walki
5. Matka Ziemia Feat. Bas Tajpan
6. Brudna Flota
7. Basement jak ’94
8. Na Zachodzie bez zmian
9. City Break Feat. Gandzior
10. Na swoje
11. Zwykły chłopak Feat. Kobra
12. Gra bez reguł
13. Z Godnością
14. Rap News
15. Zrodzony z chaosu
16. Lot Skazańca 2 Feat. Hans
17. Droga mistrza 2
18. Poznański loco

CD2 - Instrumentale


DANE TECHNICZNE:

Wielkość uploadu: 287,3 MB
Format/Kodek: Mp3

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Oczekiwania wobec najnowszej płyty grupy Tame Impala były ogromne. Stojący za tym projektem Australijczyk Kevin Parker w ostatniej dekadzie stał się wyznacznikiem nowych muzycznych trendów, bacznie obserwowanym przez zwolenników zarówno komercyjnego, jak i alternatywnego popu.

Jeśli podobał wam się wydany sześć lat temu album "Currents", to z pewnością przypadnie wam do gustu także "The Slow Rush" - najnowsza płyta grupy z Antypodów. Tame Impala ponownie zgłębiają tajniki dream popu, zapraszając słuchaczy do krainy bajkowych klimatów i hipnotycznych brzmień. Na dobre porzucili już indie rockowe dźwięki.

Dominują tu syntezatory tworzące barwne tło dla całkiem chwytliwych melodii. Piosenki czasem przybierają niemal kosmiczną aurę, ale są trzymane w ryzach klasycznej formy. Tame Impala zaskakująco blisko w nich do francuskiej elektronicznej sceny, reprezentowanej przez Air, Cassius i Daft Punk.

Jest w muzyce zespołu ta sama swoboda, lekkość i odrobina nonszalancji. Muzyka Tame Impala cały czas rezonuje. Znakomicie uchwycony został tu soczysty basowy puls, intryguje zmatowione brzmienie, nadające utworom psychodeliczny odcień. Realizatorsko to prawdziwy majstersztyk, znamionujący geniusz Parkera.

Grzegorz Dusza


Wydana pięć lat temu płyta „Currents” całkowicie zmieniła życie Kevina Parkera. Momentalnie przeskoczył on kilka szczebli prowadzących na muzyczne szczyty: status hedlajnera na takich festiwalach jak Coachella czy Primavera Sound oraz umieszczanie facjaty na okładkach popularnych czasopism coś bowiem oznaczają. Parker zyskał też kilku nowych znajomych, którzy zapragnęli z nim współpracować (m.in. Kanye West, Travis Scott czy Lady Gaga). W sumie trudno się temu dziwić. „Currents” podobała się chyba wszystkim – rodzicom i ich dzieciom, psom i kotom, tym, którzy kochają gust Mikołaja Ziółkowskiego i tym, co uważają, że w Polsce najlepiej na muzyce zna się Artur Rojek. „Let It Happen” i „The Less I Know The Better” puszczano w modnych sieciówkach ubraniowych, na weselach, studniówkach, a i nie sposób wykluczyć, że utwory znajdowały się na tych samych plejlistach, co jakieś totalnie niesłuchalne młodzieżowe rzeczy.

Po takim sukcesie kolejny krok był trudny. W zasadzie można było się spodziewać, że „The Slow Rush” spotka się z mieszanym odbiorem. Gdyby Parker postawił znów na przeboje, prawdopodobnie psioczyliby ci, którzy uważali, iż jest on kimś na kształt zbawcy rocka, a zwłaszcza jego psychodelicznej odmiany. Obranie bardziej eksperymentalnej drogi wkurzyłoby natomiast tych, którzy są zdania, że media strumieniowe czy dziennikarki radiowe najlepiej wiedzą, jak zapewnić mile spędzony czas. Tame Impala na czwartym albumie to wybór jeszcze innego kierunku, możliwe że najbardziej bezpiecznego. Niby Parker nawiązuje do „Currents”, chce zrobić sobie i słuchaczom dobrze, ale jednocześnie uznaje, że wpadające w ucho motywy nie są mu do niczego potrzebne. Nie ma więc ani przebojów, ani przecierania nowych szlaków.

Już od pierwszych sekund obcowania z „The Slow Rush” łatwo o wrażenie, że jedno Parkerowi na pewno się udało – nie sposób pomylić go z nikim innym. W dalszym ciągu korzysta ze swoich znaków firmowych, czyli pogłosów, falsetu w stylu Bee Gees oraz charakterystycznego pulsującego basu i dla niektórych zapewne jest to wystarczająca rekomendacja. Zgodnie z przewidywaniami znajdziemy tutaj coś z r&b, acid house, synth popu, disco i odrobina rocka. Doskonale słychać też, że po raz kolejny Parker doskonale bawił się w układanie klocków na monitorze. Jeśli jednak od strony producenckiej czwarty album Tame Impala to wręcz mistrzostwo świata, to już sama zawartość wywołuje nieco mieszane uczucia.

„The Slow Rush” nie słucha się źle, ale nieobce jest wrażenie, że chyba wypadałoby oczekiwać czegoś więcej. Głębszych emocji ten album we mnie nie wywołuje i nie dzieje się tak bez przyczyny. Przede wszystkim kompletnie nie rozumiem, po co większość utworów jest tak długa: tak jakby Parker postanowił sobie, że płyta ma trwać 57 minut i zamiast dorzucić kilka nagrań, rozciągnął w czasie te, które udało mu się już stworzyć. Jakby tego było mało, po kilkukrotnym przesłuchaniu raczej nie potrafiłem wskazać utworów, które chciałbym sobie włączyć jeszcze raz (może poza „Bordeline”, ale ten jest znany w odrobinę innej wersji już od dłuższego czasu, i ewentualnie „Lost In Yesterday”, ale tutaj znów ten falset mnie nieco irytuje). Wszystko zlewa się bowiem w jedno i Rihanna tym razem na pewno nie zdecydowałaby się na pożyczenie którejś z piosenek do swojego repertuaru. Trudno mi również wskazać nawet jakiś jeden wyjątkowy czy genialny moment, porównywalny do tego co działo się choćby w drugiej części „Let It Happen”. Teksty utworów, obracające się wokół tematyki pamięci, przemijania, śmierci, skomplikowanych relacji z ojcem, też raczej nie są w stanie zauroczyć (choć na szczęście nie obrażają).

Słuchając „The Slow Rush” można w sumie spędzić miło czas, a niektórym zapewne uda się nawet odpłynąć. W wielu materiałach na temat krążka padają następujące słowa: lato, wakacje, plaża itp. Komuś zdarzyło się napisać, że jest to wspaniały podkład do spotkań przy grillu. Nie jestem fanem tego rodzaju aktywności, ale jakoś trudno mi zaliczyć to określenie za wielką zaletę, może dlatego, że muzyki oczekuję czegoś innego niż miłego tła do rzucania węgielków do ognia czy rozmów o pogodzie i serialach. Na szczęście tak źle nie jest i materiał sprawdza się w innych okolicznościach. Żadna spośród nich nie jest jednak w stanie zmienić tego, iż „The Slow Rush” to zdecydowanie najsłabsza płyta w dyskografii Tame Impala: na dłuższą metę przede wszystkim dość nudna i pozbawiona błysku, do którego na trzech poprzednich albumach przyzwyczaił Parker. W „It Might Be Time” śpiewa: You ain’t as cool as you used to be – byłoby przesadą odnieść to bezpośrednio do płyty, ale mimochodem przy każdym kolejnym odsłuchaniu coraz bardziej zwracam uwagę na ten wers.

Michał Stępniak



..::TRACK-LIST::..

1. One More Year 5:22
2. Instant Destiny 3:13
3. Borderline 3:57
4. Posthumous Forgiveness 6:06
5. Breathe Deeper 6:12
6. Tomorrow's Dust 5:26
7. On Track 5:01
8. Lost In Yesterday 4:09
9. Is It True 3:58
10. It Might Be Time 4:32
11. Glimmer 2:08
12. One More Hour 7:13



..::OBSADA::..

Music By, Performer, Producer, Mixed By - Kevin Parker



https://www.youtube.com/watch?v=sR9d5doziDs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Oczekiwania wobec najnowszej płyty grupy Tame Impala były ogromne. Stojący za tym projektem Australijczyk Kevin Parker w ostatniej dekadzie stał się wyznacznikiem nowych muzycznych trendów, bacznie obserwowanym przez zwolenników zarówno komercyjnego, jak i alternatywnego popu.

Jeśli podobał wam się wydany sześć lat temu album "Currents", to z pewnością przypadnie wam do gustu także "The Slow Rush" - najnowsza płyta grupy z Antypodów. Tame Impala ponownie zgłębiają tajniki dream popu, zapraszając słuchaczy do krainy bajkowych klimatów i hipnotycznych brzmień. Na dobre porzucili już indie rockowe dźwięki.

Dominują tu syntezatory tworzące barwne tło dla całkiem chwytliwych melodii. Piosenki czasem przybierają niemal kosmiczną aurę, ale są trzymane w ryzach klasycznej formy. Tame Impala zaskakująco blisko w nich do francuskiej elektronicznej sceny, reprezentowanej przez Air, Cassius i Daft Punk.

Jest w muzyce zespołu ta sama swoboda, lekkość i odrobina nonszalancji. Muzyka Tame Impala cały czas rezonuje. Znakomicie uchwycony został tu soczysty basowy puls, intryguje zmatowione brzmienie, nadające utworom psychodeliczny odcień. Realizatorsko to prawdziwy majstersztyk, znamionujący geniusz Parkera.

Grzegorz Dusza


Wydana pięć lat temu płyta „Currents” całkowicie zmieniła życie Kevina Parkera. Momentalnie przeskoczył on kilka szczebli prowadzących na muzyczne szczyty: status hedlajnera na takich festiwalach jak Coachella czy Primavera Sound oraz umieszczanie facjaty na okładkach popularnych czasopism coś bowiem oznaczają. Parker zyskał też kilku nowych znajomych, którzy zapragnęli z nim współpracować (m.in. Kanye West, Travis Scott czy Lady Gaga). W sumie trudno się temu dziwić. „Currents” podobała się chyba wszystkim – rodzicom i ich dzieciom, psom i kotom, tym, którzy kochają gust Mikołaja Ziółkowskiego i tym, co uważają, że w Polsce najlepiej na muzyce zna się Artur Rojek. „Let It Happen” i „The Less I Know The Better” puszczano w modnych sieciówkach ubraniowych, na weselach, studniówkach, a i nie sposób wykluczyć, że utwory znajdowały się na tych samych plejlistach, co jakieś totalnie niesłuchalne młodzieżowe rzeczy.

Po takim sukcesie kolejny krok był trudny. W zasadzie można było się spodziewać, że „The Slow Rush” spotka się z mieszanym odbiorem. Gdyby Parker postawił znów na przeboje, prawdopodobnie psioczyliby ci, którzy uważali, iż jest on kimś na kształt zbawcy rocka, a zwłaszcza jego psychodelicznej odmiany. Obranie bardziej eksperymentalnej drogi wkurzyłoby natomiast tych, którzy są zdania, że media strumieniowe czy dziennikarki radiowe najlepiej wiedzą, jak zapewnić mile spędzony czas. Tame Impala na czwartym albumie to wybór jeszcze innego kierunku, możliwe że najbardziej bezpiecznego. Niby Parker nawiązuje do „Currents”, chce zrobić sobie i słuchaczom dobrze, ale jednocześnie uznaje, że wpadające w ucho motywy nie są mu do niczego potrzebne. Nie ma więc ani przebojów, ani przecierania nowych szlaków.

Już od pierwszych sekund obcowania z „The Slow Rush” łatwo o wrażenie, że jedno Parkerowi na pewno się udało – nie sposób pomylić go z nikim innym. W dalszym ciągu korzysta ze swoich znaków firmowych, czyli pogłosów, falsetu w stylu Bee Gees oraz charakterystycznego pulsującego basu i dla niektórych zapewne jest to wystarczająca rekomendacja. Zgodnie z przewidywaniami znajdziemy tutaj coś z r&b, acid house, synth popu, disco i odrobina rocka. Doskonale słychać też, że po raz kolejny Parker doskonale bawił się w układanie klocków na monitorze. Jeśli jednak od strony producenckiej czwarty album Tame Impala to wręcz mistrzostwo świata, to już sama zawartość wywołuje nieco mieszane uczucia.

„The Slow Rush” nie słucha się źle, ale nieobce jest wrażenie, że chyba wypadałoby oczekiwać czegoś więcej. Głębszych emocji ten album we mnie nie wywołuje i nie dzieje się tak bez przyczyny. Przede wszystkim kompletnie nie rozumiem, po co większość utworów jest tak długa: tak jakby Parker postanowił sobie, że płyta ma trwać 57 minut i zamiast dorzucić kilka nagrań, rozciągnął w czasie te, które udało mu się już stworzyć. Jakby tego było mało, po kilkukrotnym przesłuchaniu raczej nie potrafiłem wskazać utworów, które chciałbym sobie włączyć jeszcze raz (może poza „Bordeline”, ale ten jest znany w odrobinę innej wersji już od dłuższego czasu, i ewentualnie „Lost In Yesterday”, ale tutaj znów ten falset mnie nieco irytuje). Wszystko zlewa się bowiem w jedno i Rihanna tym razem na pewno nie zdecydowałaby się na pożyczenie którejś z piosenek do swojego repertuaru. Trudno mi również wskazać nawet jakiś jeden wyjątkowy czy genialny moment, porównywalny do tego co działo się choćby w drugiej części „Let It Happen”. Teksty utworów, obracające się wokół tematyki pamięci, przemijania, śmierci, skomplikowanych relacji z ojcem, też raczej nie są w stanie zauroczyć (choć na szczęście nie obrażają).

Słuchając „The Slow Rush” można w sumie spędzić miło czas, a niektórym zapewne uda się nawet odpłynąć. W wielu materiałach na temat krążka padają następujące słowa: lato, wakacje, plaża itp. Komuś zdarzyło się napisać, że jest to wspaniały podkład do spotkań przy grillu. Nie jestem fanem tego rodzaju aktywności, ale jakoś trudno mi zaliczyć to określenie za wielką zaletę, może dlatego, że muzyki oczekuję czegoś innego niż miłego tła do rzucania węgielków do ognia czy rozmów o pogodzie i serialach. Na szczęście tak źle nie jest i materiał sprawdza się w innych okolicznościach. Żadna spośród nich nie jest jednak w stanie zmienić tego, iż „The Slow Rush” to zdecydowanie najsłabsza płyta w dyskografii Tame Impala: na dłuższą metę przede wszystkim dość nudna i pozbawiona błysku, do którego na trzech poprzednich albumach przyzwyczaił Parker. W „It Might Be Time” śpiewa: You ain’t as cool as you used to be – byłoby przesadą odnieść to bezpośrednio do płyty, ale mimochodem przy każdym kolejnym odsłuchaniu coraz bardziej zwracam uwagę na ten wers.

Michał Stępniak



..::TRACK-LIST::..

1. One More Year 5:22
2. Instant Destiny 3:13
3. Borderline 3:57
4. Posthumous Forgiveness 6:06
5. Breathe Deeper 6:12
6. Tomorrow's Dust 5:26
7. On Track 5:01
8. Lost In Yesterday 4:09
9. Is It True 3:58
10. It Might Be Time 4:32
11. Glimmer 2:08
12. One More Hour 7:13



..::OBSADA::..

Music By, Performer, Producer, Mixed By - Kevin Parker



https://www.youtube.com/watch?v=sR9d5doziDs



SEED 15:00-22:00.
POLECAM!!!