..::INFO::..

---------------------------------------------------------------------
John Lennon - Rock 'N' Roll
---------------------------------------------------------------------

Artist...............: John Lennon
Album................: Rock 'N' Roll
Genre................: Rock & Roll
Source...............: CD
Year.................: 2004
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Apple Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. John Lennon - Be-Bop-A-Lula [02:40]
2. John Lennon - Stand By Me [03:26]
3. John Lennon - Medley: a) Rip It Up - b) Ready Teddy [01:34]
4. John Lennon - You Can't Catch Me [04:51]
5. John Lennon - Ain't That A Shame [02:38]
6. John Lennon - Do You Want To Dance [03:15]
7. John Lennon - Sweet Little Sixteen [03:00]
8. John Lennon - Slippin' And Slidin' [02:16]
9. John Lennon - Peggy Sue [02:05]
10. John Lennon - Medley: a) Bring It On Home To Me - b) Send Me Some Lovin'[03:41]
11. John Lennon - Bony Moronie [03:47]
12. John Lennon - Ya Ya [02:17]
13. John Lennon - Just Because [04:25]
Bonus Tracks
14. John Lennon - Angel Baby [03:43]
15. John Lennon - To Know Her Is To Love Her [04:31]
16. John Lennon - Since My Baby Left Me [04:40]
17. John Lennon - Just Because (Reprise) [01:25]

Playing Time.........: 54:22
Total Size...........: 384,47 MB

...( Info )...

Artist...............: Alessandro Quarta, Solisti Filarmonici Italiani & Giuseppe Magagnino
Album................: I 5 elementi
Genre................: Classica
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - La Creazione
002. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - Terra
003. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - Acqua
004. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - Aria
005. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - Fuoco
006. Alessandro Quarta, Giuseppe Magagnino & Solisti Filarmonici Italiani - Etere

...( Info )...

Artist...............: Matia Bazar
Album................: Concerto (Live at RSI, 20 Maggio 1981)
Year:................: 1981
Genre................: Pop
Year.................: 2015

...( TrackList )...

001. Matia Bazar - Cavallo Bianco (Live 20 Maggio 1981)
002. Matia Bazar - Stasera che sera (Live 20 Maggio 1981)
003. Matia Bazar - Tu semplicità (Live 20 Maggio 1981)
004. Matia Bazar - Italian sinfonia (Live 20 Maggio 1981)
005. Matia Bazar - C'é tutto un mondo intorno (Live 20 Maggio 1981)
006. Matia Bazar - Solo tu (Live 20 Maggio 1981)
007. Matia Bazar - Ricordi (Live 20 Maggio 1981)
008. Matia Bazar - Come un fiore (Live 20 Maggio 1981)
009. Matia Bazar - Il tempo del sole (Live 20 Maggio 1981)
010. Matia Bazar - Sigla matia bazar (Live 20 Maggio 1981)

...( Info )...


Artist...............: Matia Bazar
Album................: Essential (Remastered) (1998 Remaster)
Genre................: Pop
Year.................: 2012
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Matia Bazar - Ti Sento
002. Matia Bazar - Vacanze Romane (Remaster 1998)
003. Matia Bazar - Solo Tu (Remaster 1998)
004. Matia Bazar - Per Un'Ora D'Amore (1998 Remaster)
005. Matia Bazar - Stasera... Che Sera! (1998 Remaster)
006. Matia Bazar - Ma Perchè (2007 Remaster)
007. Matia Bazar - C'è Tutto Un Mondo Intorno (Remaster 1998)
008. Matia Bazar - Aristocratica (1998 Remaster)
009. Matia Bazar - E Dirsi Ciao (1998 Remaster)
010. Matia Bazar - Elettrochoc (Remaster 1998)
011. Matia Bazar - Tu Semplicità (2007 Remaster)
012. Matia Bazar - Fantasia (Remaster 1998)

..::INFO::..

Debiutancki album amerykańskiego zespołu - projektu pobocznego Street Sects.

Title: Full Color Eclipse

Artist: Street Sex

Country: USA

Year: 2025

Genre: Synthpop

Format / Codec: MP3
Audio bitrate: 320 Kbps

...( AlbumList )...

A1.Timing Belt
A2.Coming Of Age
A3.Perpetuity
A4.Turn Blue
A5.Half Laugh
A6.Rock Salt
B1.Going Up
B2.New Braunfels
B3.Short Cut
B4.The Squeeze
B5.The Pretense
B6.The Arrangement
B7.The Big Heat

..::INFO::..

The Barrymores to 6-osobowy zespół ska z Winnipeg, w Kanadzie. Jolene Norton, Rob Goodman, Dan Parr, Ian Lodewyks, Ian Kowal i Devin Mitchell. Nagrali trzy płyty i demówkę.

Title: The Barrymores

Artist: Kill All the Ska Kids / Non Album Tracks

Country: Kanada

Year: 2001

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 160/ 320 kbps

..::TRACK-LIST::..

1 The Barrymores Theme
2 The Great Date Skatastrophe
3 S.S.
4 Up the Bum

Another Teenage Love
Happy Hour
No Sugar Tonight
Our Ocean
The S Song

...( Info )...

Artist...............: Neil Young
Album................: Neil Young Archives Vol. III (1976 - 1987)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Neil Young - Let It Shine (Live)
002. Neil Young - Mellow My Mind (Live)
003. Neil Young - Too Far Gone (Live)
004. Neil Young - Only Love Can Break Your Heart (Live)
005. Neil Young - A Man Needs a Maid (Live)
006. Neil Young - No One Seems to Know (Live)
007. Neil Young - Heart of Gold (Live)
008. Neil Young & Crazy Horse - My Country Home (Live)
009. Neil Young & Crazy Horse - Don't Cry No Tears (Live)
010. Neil Young & Crazy Horse - Cowgirl In the Sand (Live)
011. Neil Young & Crazy Horse - Lotta Love (Live, March 11, 1976)
012. Neil Young & Crazy Horse - The Losing End (When You’re On) (Live)
013. Neil Young & Crazy Horse - Southern Man (Live)
014. Neil Young & Crazy Horse - Cortez the Killer (Live, March 11, 1976)
015. Neil Young - Human Highway (Live)
016. Neil Young - The Needle and the Damage Done (Live)
017. Neil Young - Stringman (Live)
018. Neil Young & Crazy Horse - Down By the River (Live)
019. Neil Young & Crazy Horse - Like a Hurricane (Live)
020. Neil Young & Crazy Horse - Drive Back (Live)
021. Neil Young & Crazy Horse - Cortez the Killer (Live, March 31, 1976)
022. Neil Young & Crazy Horse - Homegrown (Live)
023. Neil Young - Intro
024. Neil Young - Powderfinger
025. Neil Young - Captain Kennedy
026. Neil Young - Hitchhiker
027. Neil Young - Give Me Strength
028. Neil Young - The Old Country Waltz
029. Neil Young - Intro Judy Garland
030. Neil Young - Too Far Gone
031. Neil Young - White Line
032. Neil Young - Mr. Soul (November 20, 1976)
033. Neil Young - A Man Needs a Maid
034. Neil Young - Journey Through the Past
035. Neil Young - Campaigner
036. Neil Young - The Old Laughing Lady
037. Neil Young - The Losing End (When You’re On)
038. Neil Young - Intro The Last Waltz
039. Neil Young Feat. Joni Mitchell - Helpless (with Joni Mitchell)
040. Neil Young Feat. Joni Mitchell - Four Strong Winds (with Joni Mitchell)
041. Neil Young - Intro Will to Love
042. Neil Young - Will to Love
043. Neil Young Feat. Ronnie Wood - Lost In Space (with Ronnie Wood)
044. Neil Young - Intro Hold Back The Tears
045. Neil Young - Hold Back the Tears
046. Neil Young - Intro Snapshot in Time
047. Neil Young - Long May You Run
048. Neil Young - Hey Babe (March 1, 1977)
049. Neil Young - The Old Country Waltz (March 1, 1977)
050. Neil Young - Hold Back the Tears (March 1, 1977)
051. Neil Young - Peace of Mind (March 1, 1977)
052. Neil Young - Sweet Lara Larue
053. Neil Young - Bite the Bullet
054. Neil Young - Saddle Up the Palomino
055. Neil Young - Star of Bethlehem
056. Neil Young - Bad News Comes to Town
057. Neil Young - Motorcycle Mama
058. Neil Young - Intro American Stars 'n Bars
059. Neil Young - Hey Babe
060. Neil Young - Intro Barefoot Floors
061. Neil Young - Barefoot Floors
062. Neil Young - Intro The Ducks
063. The Ducks - I Am a Dreamer (Live)
064. The Ducks - Sail Away (Live)
065. The Ducks - Wide Eyed and Willin' (Live)
066. The Ducks - I’m Tore Down (Live)
067. The Ducks - Little Wing (Live)
068. The Ducks - Hey Now (Live)
069. Neil Young - Windward Passage (Live)
070. The Ducks - Cryin’ Eyes (Live)
071. Neil Young - Intro Crazy Mama
072. Neil Young - Field of Opportunity
073. Neil Young - It Might Have Been
074. Neil Young - Dance Dance Dance
075. Neil Young - Intro Pocahontas
076. Neil Young - Pocahontas
077. Neil Young - Peace of Mind
078. Neil Young - Sail Away
079. Neil Young - Human Highway
080. Neil Young - Comes a Time
081. Neil Young - Lost In Space
082. Neil Young - Goin’ Back
083. Neil Young & Nicolette Larson Feat. The Give To The Wind Orchestra - Comes a Time (with The Give To The Wind Orchestra)
084. Neil Young - Love-Art Blues
085. Neil Young - Intro Union Hall
086. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Are You Ready for the Country (with The Gone With The Wind Orchestra)
087. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Dance Dance Dance-Love Is a Rose (with The Gone With The Wind Orchestra)
088. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Old Man (with The Gone With The Wind Orchestra)
089. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - The Losing End (When You’re On) [with The Gone With The Wind Orchestra]
090. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Heart of Gold (with The Gone With The Wind Orchestra)
091. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Already One (with The Gone With The Wind Orchestra)
092. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Lady Wingshot (with The Gone With The Wind Orchestra)
093. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Four Strong Winds (with The Gone With The Wind Orchestra)
094. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Down By the River (with The Gone With The Wind Orchestra)
095. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Alabama (with The Gone With The Wind Orchestra)
096. Neil Young & Nicolette Larson Feat. The Gone With The Wind Orchestra - Are You Ready for the Country (with The Gone With The Wind Orchestra) [reprise]
097. Neil Young - Intro Comes A Time Outtakes
098. Neil Young & Nicolette Larson - We're Having Some Fun Now
099. Neil Young - Intro Please Help Me I'm Falling
100. Neil Young & Nicolette Larson - Please Help Me, I’m Falling
101. Neil Young & Nicolette Larson - Motorcycle Mama
102. Neil Young - Intro (Live at the Boarding House)
103. Neil Young - Shots (Live at the Boarding House)
104. Neil Young - Ride My Llama (Live at the Boarding House)
105. Neil Young - Sail Away (Live at the Boarding House)
106. Neil Young - Pocahontas (Live at the Boarding House)
107. Neil Young - Human Highway (Live at the Boarding House)
108. Neil Young - Already One (Live at the Boarding House)
109. Neil Young - Birds (Live at the Boarding House)
110. Neil Young - Cowgirl In the Sand (Live at the Boarding House)
111. Neil Young - Sugar Mountain (Live at the Boarding House)
112. Neil Young - Powderfinger (Live at the Boarding House)
113. Neil Young - Thrasher (Live at The Boarding House)
114. Neil Young - Comes a Time (Live at the Boarding House)
115. Neil Young - Intro Devo
116. Devo & Neil Young - Hey Hey, My My (Into the Black)
117. Neil Young - Intro Back To The Boarding House (Live at the Boarding House)
118. Neil Young - My My, Hey Hey (Out of the Blue) (Live at the Boarding House)
119. Neil Young - The Ways of Love (Live at the Boarding House)
120. Neil Young - Homegrown (Live at the Boarding House)
121. Neil Young - Down By the River (Live at the Boarding House)
122. Neil Young - After the Gold Rush (Live at the Boarding House)
123. Neil Young - Out of My Mind (Live at the Boarding House)
124. Neil Young - Dressing Room (Live at the Boarding House)
125. Neil Young & Crazy Horse - Bright Sunny Day
126. Neil Young & Crazy Horse - The Loner (Live)
127. Neil Young & Crazy Horse - Welfare Mothers (Live)
128. Neil Young & Crazy Horse - Lotta Love (Live)
129. Neil Young & Crazy Horse - Sedan Delivery (Live)
130. Neil Young & Crazy Horse - Cortez the Killer (Live)
131. Neil Young & Crazy Horse - Tonight’s the Night (Live)
132. Neil Young & Crazy Horse - Powderfinger (Live)
133. Neil Young & Crazy Horse - When You Dance, I Can Really Love (Live)
134. Neil Young & Crazy Horse - Hey Hey, My My (Into the Black) (Live)
135. Neil Young - Coastline
136. Neil Young - Stayin' Power
137. Neil Young - Hawks and Doves
138. Neil Young - Comin' Apart at Every Nail
139. Neil Young - Union Man
140. Neil Young - Winter Winds
141. Neil Young & Crazy Horse - Southern Pacific
142. Neil Young & Crazy Horse - Opera Star
143. Neil Young & Crazy Horse - Rapid Transit
144. Neil Young & Crazy Horse - Sunny Inside
145. Neil Young & Crazy Horse - Surfer Joe and Moe the Sleaze
146. Neil Young & Crazy Horse - Get Up
147. Neil Young - Intro Trans
148. Neil Young & The Trans Band - Sample and Hold
149. Neil Young - Mr. Soul
150. Neil Young & Crazy Horse - Computer Cowboy
151. Neil Young & Crazy Horse - We R In Control
152. Neil Young - Computer Age
153. Neil Young - Transformer Man
154. Neil Young - Intro Johnny
155. Neil Young - Johnny
156. Neil Young & Royal Pineapples - Island In the Sun
157. Neil Young - Intro It's An Island
158. Neil Young & Royal Pineapples - Silver & Gold
159. Neil Young & Royal Pineapples - If You Got Love
160. Neil Young & Royal Pineapples - Rainin’ In Paradise
161. Neil Young & Royal Pineapples - Big Pearl
162. Neil Young & Royal Pineapples - Hold On to Your Love
163. Neil Young & The Trans Band - Soul of a Woman
164. Neil Young - Intro Johnny's Island
165. Neil Young & The Trans Band - Love Hotel
166. Neil Young - California Sunset
167. Neil Young - My Boy
168. Neil Young - Old Ways
169. Neil Young - Depression Blues
170. Neil Young & The Shocking Pinks - Cry, Cry, Cry
171. Neil Young & The Shocking Pinks - Mystery Train
172. Neil Young & The Shocking Pinks - Payola Blues
173. Neil Young & The Shocking Pinks - Betty Lou’s Got a New Pair of Shoes
174. Neil Young & The Shocking Pinks - Bright Lights, Big City
175. Neil Young & The Shocking Pinks - Rainin' In My Heart
176. Neil Young & The Shocking Pinks - Get Gone
177. Neil Young - I Got a Problem
178. Neil Young - Hard Luck Stories
179. Neil Young - Your Love
180. Neil Young - If You Got Love (January 1984)
181. Neil Young - Razor Love
182. Neil Young & Crazy Horse - Rock (Live at The Catalyst)
183. Neil Young & Crazy Horse - So Tired (Live at The Catalyst)
184. Neil Young & Crazy Horse - Violent Side (Live at The Catalyst)
185. Neil Young & Crazy Horse - I Got a Problem (Live at The Catalyst)
186. Neil Young & Crazy Horse - Your Love (Live at The Catalyst)
187. Neil Young & Crazy Horse - Barstool Blues (Live at The Catalyst)
188. Neil Young & Crazy Horse - Welfare Mothers (Live at The Catalyst)
189. Neil Young & Crazy Horse - Touch the Night (Live at The Catalyst)
190. Neil Young and the International Harvesters - Amber Jean
191. Neil Young and the International Harvesters - Get Back to the Country
192. Neil Young and the International Harvesters - Are You Ready for the Country
193. Neil Young and the International Harvesters - It Might Have Been (September 25, 1984)
194. Neil Young and the International Harvesters - Bound for Glory
195. Neil Young and the International Harvesters - Let Your Fingers Do the Walking
196. Neil Young and the International Harvesters - Soul of a Woman
197. Crazy Harvesters - Misfits (Dakota) (Live)
198. Neil Young and the International Harvesters - Nothing Is Perfect
199. Neil Young - Time Off for Good Behavior
200. Neil Young and the International Harvesters - This Old House
201. Neil Young and the International Harvesters - Southern Pacific
202. Neil Young and the International Harvesters - Interstate (Live)
203. Neil Young and the International Harvesters - Grey Riders
204. Neil Young - Drifter
205. Neil Young - Hippie Dream
206. Neil Young - Bad News Beat
207. Neil Young - People On the Street
208. Neil Young - Weight of the World
209. Neil Young - Pressure
210. Neil Young & Crazy Horse - Road of Plenty
211. Neil Young & Crazy Horse - We Never Danced
212. Neil Young & Crazy Horse - When Your Lonely Heart Breaks
213. Neil Young - Intro Summer Songs
214. Neil Young - American Dream
215. Neil Young - Someday
216. Neil Young - For the Love of Man
217. Neil Young - One of These Days
218. Neil Young - Wrecking Ball
219. Neil Young - Hangin' On a Limb
220. Neil Young - Name of Love
221. Neil Young - Last of His Kind
222. Neil Young - Outro Summer Songs

...( Info )...

Artist: Matraca Berg
Album: The Dreaming Fields
Year: (2011)
Genre: Country , Americana , Singer-Songwriter.
Format: [FLAC]

...( Opis )...

The Dreaming Fields (2011) to bardzo osobisty i refleksyjny album Matracy Berg, łączący przejmujące opowieści z eleganckimi melodiami. Jest to jej powrót do nagrywania po kilku latach przerwy, pokazujący jej dojrzałość zarówno jako piosenkarki, jak i autorki tekstów.

...( TrackList )...

1 If I Had Wings
2 You And Tequila
3 Racing The Angels
4 Silver And Glass
5 Clouds
6 The Dreaming Fields
7 Oh Cumberland
8 You Husband's Cheating On Us
9 Fall Again
10 South Of Heaven
11 A Cold, Rainy Morning In London In June

...( Info )...

Artist...............: Matia Bazar
Album................: Tutto Il Meglio Dei Matia Bazar
Genre................: Pop
Year.................: 1996
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Matia Bazar - Mister Mandarino (1996 Digital Remaster)
002. Matia Bazar - Per Un'Ora D'Amore (1996 Digital Remaster)
003. Matia Bazar - Solo Tu (1996 Digital Remaster)
004. Matia Bazar - Vacanze Romane (1996 Digital Remaster)
005. Matia Bazar - Ti Sento (1996 Digital Remaster)
006. Matia Bazar - Stasera... Che Sera! (1996 Digital Remaster)
007. Matia Bazar - Cavallo Bianco (1996 Digital Remaster)
008. Matia Bazar - Tu Semplicità (1996 Digital Remaster)
009. Matia Bazar - Elettrochoc (1996 Digital Remaster)
010. Matia Bazar - C'è Tutto Un Mondo Intorno (1996 Digital Remaster)
011. Matia Bazar - E Dirsi Ciao (1996 Digital Remaster)
012. Matia Bazar - Souvenir (1996 Digital Remaster)
013. Matia Bazar - Aristocratica (1996 Digital Remaster)
014. Matia Bazar - Il Video Sono Io (1996 Digital Remaster)
015. Matia Bazar - Angelina (1996 Digital Remaster)
016. Matia Bazar - Fuori Orario (1996 Digital Remaster)
017. Matia Bazar - Fantasia (1996 Digital Remaster)

..::INFO::..

---------------------------------------------------------------------
Jimi Hendrix - Experience Hendrix
The Best Of Jimi Hendrix
---------------------------------------------------------------------

Artist...............: Jimi Hendrix
Album................: Experience Hendrix
Genre................: Rock
Source...............: CD
Year.................: 1997-2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Universal Music Japan SHM-CD

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Jimi Hendrix - Purple Haze [02:51]
2. Jimi Hendrix - Fire [02:44]
3. Jimi Hendrix - The Wind Cries Mary [03:20]
4. Jimi Hendrix - Hey Joe [03:29]
5. Jimi Hendrix - All Along The Watchtower [03:58]
6. Jimi Hendrix - Stone Free [03:35]
7. Jimi Hendrix - Crosstown Traffic [02:19]
8. Jimi Hendrix - Manic Depression [03:41]
9. Jimi Hendrix - Little Wing [02:25]
10. Jimi Hendrix - If 6 Was 9 [05:34]
11. Jimi Hendrix - Foxy Lady [03:18]
12. Jimi Hendrix - Bold As Love [04:11]
13. Jimi Hendrix - Castles Made Of Sand [02:47]
14. Jimi Hendrix - Red House [03:50]
15. Jimi Hendrix - Voodoo Child (Slight Return) [05:12]
16. Jimi Hendrix - Freedom [03:25]
17. Jimi Hendrix - Night Bird Flying [03:50]
18. Jimi Hendrix - Angel [04:22]
19. Jimi Hendrix - Dolly Dagger [04:45]
20. Jimi Hendrix - Star Spangled Banner [03:47]

Playing Time.........: 01:13:33
Total Size...........: 529,22 MB

...( Info )...
Title: Circle The Sun
Artist: Atomic Rooster
Year: 2025
Genre: Progressive, Hard Rock
Country: UK

Duration: 00:37:45
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Fly Or Die 03:45
02. Circle The Sun 03:19
03. Never 2 Lose 05:09
04. Walk With Me 03:01
05. Rebel Devil 03:32
06. No More 03:52
07. Pillow 03:47
08. Last Night 03:05
09. First Impression 04:05
10. Blow That Mind 04:05

...( Info )...
Title: Litania
Artist: Litania
Year: 2025
Genre: Doom Metal
Country: Italy

Duration: 00:37:48
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Manasi Devi
02. Ghunghru
03. Veil of Illusions
04. Vighnaharta
05. Jamuniya
06. Bound
07. Shankara
08. Fading Light

...( Info )...
Title: Vita Est In Morte
Artist: Nementia
Year: 2025
Genre: Death, Black Metal
Country: Chile

Duration: 00:42:26
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Nementia
02. Dryas
03. Inerte
04. Irreflejo
05. Pâro
06. Menguante
07. Nodus Tollens
08. Snag
09. Erde - Buster Odeholm Remix

..::INFO::..

Saving Grace to dwunasty album studyjny angielskiego wokalisty Roberta Planta, przypisany Robertowi Plantowi wraz z Suzi Dian, wydany 26 września 2025 roku przez wytwórnię Nonesuch Records. Zawiera nagrania zespołu, z którym Plant koncertuje od 2019 roku, i obejmuje dziesięć coverów utworów różnych artystów. Saving Grace wzięło swoją nazwę od zespołu, z którym Plant występuje od ponad sześciu lat. W jego skład wchodzą wokalistka Suzi Dian, perkusista Oli Jefferson, gitarzysta Tony Kelsey, banjista i multiinstrumentalista Matt Worley oraz wiolonczelista Barney Morse-Brown. W oświadczeniu Plant mówił o radosnej więzi, jaka łączy go z zespołem, podkreślając „słodycz całego przedsięwzięcia” i zauważając, że często razem się „śmieją”. Album został nagrany między kwietniem 2019 a styczniem 2025 w studiach położonych w regionie Cotswolds i na pograniczu walijskim. Plant rozpoczął współpracę z kolektywem Saving Grace podczas pandemii COVID-19, tworząc brzmienie oparte na korzeniach - inspirowane muzyką folkową i tradycyjnym bluesem.

Title: Saving Grace

Artist: Robert Plant

Country: Wielka Brytania

Year: 2025

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Chevrolet
2.As I Roved Out
3.It's a Beautiful Day Today
4.Soul of a Man
5.Ticket Taker
6.I Never Will Marry
7.Higher Rock
8.Too Far from You
9.Everybody's Song
10.Gospel Plough

..::INFO::..

Getting Killed to czwarty album studyjny amerykańskiego zespołu rockowego Geese, wydany 26 września 2025 roku nakładem Partisan Records i Play It Again Sam. Album, wyprodukowany przez sam zespół i Kenny'ego Beatsa, poprzedziły single Taxes, „Trinidad i 100 Horses.

Artist: Geese

Title: Getting Killed

Country: USA

Year: 2025

Genre: Indie Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Trinidad
2.Cobra
3.Husbands
4.Getting Killed
5.Islands of Men
6.100 Horses
7.Half Real
8.Au Pays du Cocaine
9.Bow Down
10.Taxes
11.Long Island City Here I Come

...( Info )...

Artist...............: Matia Bazar
Album................: Red corner (1997 Digital Remaster)
Genre................: Pop
Year.................: 1989
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Matia Bazar - Stringimi (1997 Remaster)
002. Matia Bazar - Se tu (1997 Remaster)
003. Matia Bazar - Il mare (1997 Remaster)
004. Matia Bazar - Winnie (1997 Remaster)
005. Matia Bazar - Sentimentale (1997 Remaster)
006. Matia Bazar - Cuba (1997 Remaster)
007. Matia Bazar - Cuore Irlandese (1997 Remaster)
008. Matia Bazar - Besame (1997 Remaster)
009. Matia Bazar - Caccia alle streghe (1997 Remaster)
010. Matia Bazar - Nell'era delle automobili (1997 Remaster)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza w historii antologia grupy z Blackpool, która samodzielnie wydała jeden z najrzadszych i najdroższych albumów na świecie. W 1970 roku kwartet wytłoczył 99 egzemplarzy (w celu uniknięcia podatku) swojego debiutanckiego albumu, którego okładka, ze względu na wadę produkcyjną, była nieco mniejsza od płyty. W 1971 grupa nagrała drugi album, "The Way We Feel", wydany w sierpniu tego samego roku przez wytwórnię Deroy, ponownie w 99 egzemplarzach. Na trzecim CD znalazło się pięć utworów z zarejestrowanego w 1972 acetatu, a także singiel "Who Got The Love / She Turns Me On" z 1976 i niepublikowane wcześniej nagrania z lat 1973-1978. Płyty znajdują się w kopertach wsuniętych do tekturowego etui, razem z 24-stronicową książeczką zawierającą m.in. historię grupy.



The UK pop psych/progressive rock band Complex issued only two rare albums and one single during their 1971-1978 lifespan, including a self-released debut LP, so sought after that it has fetched as much as 10,000 pounds sterling among collectors.

Cherry Red Records has compiled those recordings, supplemented by contemporary out-takes and a third disc of recordings seeing their first ever release in a new three disc box set on its Grapefruit Records imprint.

Blackpool based Complex, drummer/lead vocalist Tony Shakespeare, lead guitarist/vocalist Brian Lee, bass guitarist/vocalist Lance Fogg and keyboardist Steve Coe, recorded their debut album in November 1970. The LP consisted of eleven tunes, eight written by Coe with his friend Bob Mitchell, two by Coe alone and one by Coe and Shakespeare. Only 99 copies were pressed, distributed and sold or given away. The group had a unique sound led by Coe’s Vox Continental organ, using a Selmer amplifier played through Vox speakers and employing a Binson echo unit. The album opens with organ led pop rocker ‘Funny Feeling’. ‘Message From The Year 2000’ has a delicate melody featuring acoustic guitar and gorgeous vocals. ‘Green-Eyed Lucy’ has a heavy riff supplied by Fogg and Shakespeare and hot lead guitar by Lee who delivers a tasty solo as does Coe. ‘Josie’ is a mellow acoustic tune while ‘Witch’s Spell’ is an acid rocker with two soaring solos and a roaring lead guitar line by Lee. ‘Norwegian Butterfly’ is a melodic commercial number with restrained guitar work by Lee. The six minute ‘Self Declaration’ has a driving beat with Coe’s organ and Lee’s wah wah guitar on display. ‘Images Blue’ is a mid-tempo rocker with the band locked into a gentle groove and Shakespeare’s beautiful vocals giving the song commercial appeal. ‘Storm On Way’ is a pop rocker showcasing Lee’s guitar picking skills. The delicate ‘Mademoiselle Jackie’ is melodic with Coe’s organ to the fore and Lee soloing the song to a close. The album’s highlight, and closing track, is the box set’s title track, with its roaring guitar intro and Lee’s lead line dominating throughout, floating and fluttering, augmented by Shakespeare’s delicate vocals, with Fogg and Shakespeare locking down the bottom end. The disc’s bonus tracks include both sides of an acetate only 45 recorded in July 1970. First is a cover of Joe South’s ‘Hush’ with Lee’s guitar snarling as his lead line soars, his wah wah and reverb aided solo roaring over Shakespeare’s racing drums and Fogg’s throbbing bass. Next is an extended, slower tempo take on ‘Images Blue’ with Lee’s guitar dominant and his solo leisurely flowing over the tune’s delicate melody. The disc also includes alternate versions of ‘Green-Eyed Lucy’ and ‘Norwegian Butterfly’ as well as the original demo version of the latter.

Disc two is built around Compex’s sophomore album ‘The Way We Feel’ recorded in June and July 1971. As with its predecessor, all nine of the LP’s tracks were penned by Coe, seven
co-written with Mitchell. The album opens with a great bit of bubble gum pop, the keyboard driven ‘Every Time I Hear That Song’. ‘Am I’ features a Small Faces-style organ intro and delicate melody, Shakespeare contributing beautiful vocals. Lee’s wah wah laden solo joins Coe’s organ interlude on ‘We Don’t Exist’. ‘Lemon Pie Fair’ is a light hearted piece of pop psych with Coe’s electric piano and Shakespeare’s metronomic drums dominant. ‘The Way I Feel’, the tune responsible for the LP’s title, is another nice bit of bubble gum, with its sunny Tremeloes-like pop sound. Commercially appealing, the track could easily have been a hit. A highlight of the album is the instrumental ‘Moving Moor’ which features Brian Lee cutting loose with a soaring solo and a melodic organ break by Coe, a gorgeous mix of pop and neo-classical rock. Coe’s electric piano and Shakespeare’s echoed vocals are featured on the balladish ‘Jeananette’. ‘Hey Girl You’ve Got Style’ is an organ driven melodic love song with more delicate vocals from Shakespeare. The album closer is its heaviest tune, the nearly seven minute ‘If You Are My Love’, which opens with snarling guitar by Lee, whose lead line is joined by Coe’s jazzy organ and a hard driving riff supplied by Fogg and Shakespeare. Complex shows its ability to rock as Lee’s fuzzed out wah wah laden solo soars with Coe supplying the melody as Lee’s roaring guitar drives the tune and album to a close. The disc is finished off by alternate versions of ‘Moving Moor’ and ‘The Way I Feel’. Like “Complex’ only 99 copies of the LP were pressed and when major labels passed on picking it up Coe decided to relocate to London while the rest of the group remained in Blackpool, the band losing its keyboard player, and more importantly leaving them without a songwriter.

With Coe’s replacement, keyboardist/vocalist Mike Proctor, the new quartet moved in a progressive direction and cut a five track acetate album at Radio Blackburn in March 1972. Side one had two original songs written by the entire band, with Proctor on lead vocals. The eight and a half minute keyboard driven ‘No Title’ is a space rock tinged prog rocker with Proctor’s electric piano to the fore. Fogg’s bass thunders while Shakespeare rides the cymbals, supplying the tune’s heavy groove and Lee playing the song out with a fuzz and feedback filled solo. The six minute ‘To Make Me See You’ is another venture into space rock with Lee’s guitar leading to Proctor’s organ interlude while Fogg and Shakespeare supply a heavy groove and Proctor’s gorgeous vocals make the track melodic. Side two consists of covers of three American hits given British progressive rock treatment. Shakespeare’s striking vocals join the gentle guitar and keyboard work of Proctor on the group’s relaxed, almost hypnotic cover of Redbone’s ‘The Witch Queen Of New Orleans’. Restrained guitar and organ performances by Lee and Proctor respectively join Fogg’s loping bass line and Shakespeare’s gentle drums on Jimmy Webb’s ‘By The Time I Get To Phoenix’ while Proctor’s organ and Lee’s restrained wah wah guitar are featured on a cover of Isaac Hayes’ “Theme From Shaft’ which is complete with female backing vocals. When the tracks failed to result in a recording contract Proctor departed, Keith Shackleton taking over on keyboards. Three tracks were cut in the spring of 1973 in hopes of attracting attention. These included shortened re-recordings of ‘Moving Moor’ and ‘We Don’t Exist’ and a new Shakespeare tune, the breezy pop rocker ‘Teenybopper Joe’ with its tasty lead line and wah wah work by Lee. Undaunted, the group recorded two further tracks in 1973, both competent pop efforts which sadly went unnoticed. The band’s move toward mainstream pop didn’t set well with bassist Fogg who exited the band replaced by Dave Yardley. A final single was recorded in December 1975 and released in April 1976, coupling band manager Johnny Burton penned ‘Who Got The Love’ with the Shackleton original ‘She Turns Me On’, competent though not memorable efforts, which failed to sell. The disc closes with six tracks written by Shackleton, recorded between 1976 and 1978, by which time Carl Hutchinson had taken over drum duties allowing Shakespeare to concentrate on lead vocals. The takes are evidence of Shackleton’s songwriting abilities, highlights being ‘Who Do You Think I Am’, ‘The Crack’ and ‘Susie My Friend’ all featuring strong guitar work by Lee, but failing to result in any further releases. The tracks are definitely pleasant listens and important for historical purposes in documenting the Complex story.

‘Live For The Minute-The Complex Anthology’ comes in a tortoise shell box with each of its three discs in cardboard mini-LP replica sleeves. The set also includes a 24 page full color booklet with an extensive essay by compiler/annotator David Wells as well as many photos of the band, press clippings and other memorabilia. The Complex sounds better than ever thanks to the mastering job of Simon Murphy. The box set, the last word on all things Complex, will appeal to fans of 1970’s pop psych and progressive rock music and comes highly recommended.

Kevin Rathert



..::TRACK-LIST::..

CD 2 - The Way We Feel (1971):
1. Every Time I Hear That Song 2:45
2. Am I 4:08
3. We Don't Exist 5:53
4. Lemon Pie Fair 3:57
5. The Way I Feel 3:20
6. Moving Moor 4:46
7. Jeananette 4:30
8. Hey Girl, You've Got Style 3:00
9. If You Are My Love 6:40

Bonus Tracks:
10. Moving Moor (Alternative Version) 4:47
11. The Way I Feel (Alternative Version) 3:18



..::OBSADA::..

Lead Vocals, Drums - Tony Shakespeare
Organ, Electric Piano - Steve Coe
Bass Guitar, Vocals - Lance Fogg
Electric Guitar, Acoustic Guitar, Vocals - Brian Lee




https://www.youtube.com/watch?v=z1MuXWKS89k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza w historii antologia grupy z Blackpool, która samodzielnie wydała jeden z najrzadszych i najdroższych albumów na świecie. W 1970 roku kwartet wytłoczył 99 egzemplarzy (w celu uniknięcia podatku) swojego debiutanckiego albumu, którego okładka, ze względu na wadę produkcyjną, była nieco mniejsza od płyty. W 1971 grupa nagrała drugi album, "The Way We Feel", wydany w sierpniu tego samego roku przez wytwórnię Deroy, ponownie w 99 egzemplarzach. Na trzecim CD znalazło się pięć utworów z zarejestrowanego w 1972 acetatu, a także singiel "Who Got The Love / She Turns Me On" z 1976 i niepublikowane wcześniej nagrania z lat 1973-1978. Płyty znajdują się w kopertach wsuniętych do tekturowego etui, razem z 24-stronicową książeczką zawierającą m.in. historię grupy.



The UK pop psych/progressive rock band Complex issued only two rare albums and one single during their 1971-1978 lifespan, including a self-released debut LP, so sought after that it has fetched as much as 10,000 pounds sterling among collectors.

Cherry Red Records has compiled those recordings, supplemented by contemporary out-takes and a third disc of recordings seeing their first ever release in a new three disc box set on its Grapefruit Records imprint.

Blackpool based Complex, drummer/lead vocalist Tony Shakespeare, lead guitarist/vocalist Brian Lee, bass guitarist/vocalist Lance Fogg and keyboardist Steve Coe, recorded their debut album in November 1970. The LP consisted of eleven tunes, eight written by Coe with his friend Bob Mitchell, two by Coe alone and one by Coe and Shakespeare. Only 99 copies were pressed, distributed and sold or given away. The group had a unique sound led by Coe’s Vox Continental organ, using a Selmer amplifier played through Vox speakers and employing a Binson echo unit. The album opens with organ led pop rocker ‘Funny Feeling’. ‘Message From The Year 2000’ has a delicate melody featuring acoustic guitar and gorgeous vocals. ‘Green-Eyed Lucy’ has a heavy riff supplied by Fogg and Shakespeare and hot lead guitar by Lee who delivers a tasty solo as does Coe. ‘Josie’ is a mellow acoustic tune while ‘Witch’s Spell’ is an acid rocker with two soaring solos and a roaring lead guitar line by Lee. ‘Norwegian Butterfly’ is a melodic commercial number with restrained guitar work by Lee. The six minute ‘Self Declaration’ has a driving beat with Coe’s organ and Lee’s wah wah guitar on display. ‘Images Blue’ is a mid-tempo rocker with the band locked into a gentle groove and Shakespeare’s beautiful vocals giving the song commercial appeal. ‘Storm On Way’ is a pop rocker showcasing Lee’s guitar picking skills. The delicate ‘Mademoiselle Jackie’ is melodic with Coe’s organ to the fore and Lee soloing the song to a close. The album’s highlight, and closing track, is the box set’s title track, with its roaring guitar intro and Lee’s lead line dominating throughout, floating and fluttering, augmented by Shakespeare’s delicate vocals, with Fogg and Shakespeare locking down the bottom end. The disc’s bonus tracks include both sides of an acetate only 45 recorded in July 1970. First is a cover of Joe South’s ‘Hush’ with Lee’s guitar snarling as his lead line soars, his wah wah and reverb aided solo roaring over Shakespeare’s racing drums and Fogg’s throbbing bass. Next is an extended, slower tempo take on ‘Images Blue’ with Lee’s guitar dominant and his solo leisurely flowing over the tune’s delicate melody. The disc also includes alternate versions of ‘Green-Eyed Lucy’ and ‘Norwegian Butterfly’ as well as the original demo version of the latter.

Disc two is built around Compex’s sophomore album ‘The Way We Feel’ recorded in June and July 1971. As with its predecessor, all nine of the LP’s tracks were penned by Coe, seven
co-written with Mitchell. The album opens with a great bit of bubble gum pop, the keyboard driven ‘Every Time I Hear That Song’. ‘Am I’ features a Small Faces-style organ intro and delicate melody, Shakespeare contributing beautiful vocals. Lee’s wah wah laden solo joins Coe’s organ interlude on ‘We Don’t Exist’. ‘Lemon Pie Fair’ is a light hearted piece of pop psych with Coe’s electric piano and Shakespeare’s metronomic drums dominant. ‘The Way I Feel’, the tune responsible for the LP’s title, is another nice bit of bubble gum, with its sunny Tremeloes-like pop sound. Commercially appealing, the track could easily have been a hit. A highlight of the album is the instrumental ‘Moving Moor’ which features Brian Lee cutting loose with a soaring solo and a melodic organ break by Coe, a gorgeous mix of pop and neo-classical rock. Coe’s electric piano and Shakespeare’s echoed vocals are featured on the balladish ‘Jeananette’. ‘Hey Girl You’ve Got Style’ is an organ driven melodic love song with more delicate vocals from Shakespeare. The album closer is its heaviest tune, the nearly seven minute ‘If You Are My Love’, which opens with snarling guitar by Lee, whose lead line is joined by Coe’s jazzy organ and a hard driving riff supplied by Fogg and Shakespeare. Complex shows its ability to rock as Lee’s fuzzed out wah wah laden solo soars with Coe supplying the melody as Lee’s roaring guitar drives the tune and album to a close. The disc is finished off by alternate versions of ‘Moving Moor’ and ‘The Way I Feel’. Like “Complex’ only 99 copies of the LP were pressed and when major labels passed on picking it up Coe decided to relocate to London while the rest of the group remained in Blackpool, the band losing its keyboard player, and more importantly leaving them without a songwriter.

With Coe’s replacement, keyboardist/vocalist Mike Proctor, the new quartet moved in a progressive direction and cut a five track acetate album at Radio Blackburn in March 1972. Side one had two original songs written by the entire band, with Proctor on lead vocals. The eight and a half minute keyboard driven ‘No Title’ is a space rock tinged prog rocker with Proctor’s electric piano to the fore. Fogg’s bass thunders while Shakespeare rides the cymbals, supplying the tune’s heavy groove and Lee playing the song out with a fuzz and feedback filled solo. The six minute ‘To Make Me See You’ is another venture into space rock with Lee’s guitar leading to Proctor’s organ interlude while Fogg and Shakespeare supply a heavy groove and Proctor’s gorgeous vocals make the track melodic. Side two consists of covers of three American hits given British progressive rock treatment. Shakespeare’s striking vocals join the gentle guitar and keyboard work of Proctor on the group’s relaxed, almost hypnotic cover of Redbone’s ‘The Witch Queen Of New Orleans’. Restrained guitar and organ performances by Lee and Proctor respectively join Fogg’s loping bass line and Shakespeare’s gentle drums on Jimmy Webb’s ‘By The Time I Get To Phoenix’ while Proctor’s organ and Lee’s restrained wah wah guitar are featured on a cover of Isaac Hayes’ “Theme From Shaft’ which is complete with female backing vocals. When the tracks failed to result in a recording contract Proctor departed, Keith Shackleton taking over on keyboards. Three tracks were cut in the spring of 1973 in hopes of attracting attention. These included shortened re-recordings of ‘Moving Moor’ and ‘We Don’t Exist’ and a new Shakespeare tune, the breezy pop rocker ‘Teenybopper Joe’ with its tasty lead line and wah wah work by Lee. Undaunted, the group recorded two further tracks in 1973, both competent pop efforts which sadly went unnoticed. The band’s move toward mainstream pop didn’t set well with bassist Fogg who exited the band replaced by Dave Yardley. A final single was recorded in December 1975 and released in April 1976, coupling band manager Johnny Burton penned ‘Who Got The Love’ with the Shackleton original ‘She Turns Me On’, competent though not memorable efforts, which failed to sell. The disc closes with six tracks written by Shackleton, recorded between 1976 and 1978, by which time Carl Hutchinson had taken over drum duties allowing Shakespeare to concentrate on lead vocals. The takes are evidence of Shackleton’s songwriting abilities, highlights being ‘Who Do You Think I Am’, ‘The Crack’ and ‘Susie My Friend’ all featuring strong guitar work by Lee, but failing to result in any further releases. The tracks are definitely pleasant listens and important for historical purposes in documenting the Complex story.

‘Live For The Minute-The Complex Anthology’ comes in a tortoise shell box with each of its three discs in cardboard mini-LP replica sleeves. The set also includes a 24 page full color booklet with an extensive essay by compiler/annotator David Wells as well as many photos of the band, press clippings and other memorabilia. The Complex sounds better than ever thanks to the mastering job of Simon Murphy. The box set, the last word on all things Complex, will appeal to fans of 1970’s pop psych and progressive rock music and comes highly recommended.

Kevin Rathert



..::TRACK-LIST::..

CD 2 - The Way We Feel (1971):
1. Every Time I Hear That Song 2:45
2. Am I 4:08
3. We Don't Exist 5:53
4. Lemon Pie Fair 3:57
5. The Way I Feel 3:20
6. Moving Moor 4:46
7. Jeananette 4:30
8. Hey Girl, You've Got Style 3:00
9. If You Are My Love 6:40

Bonus Tracks:
10. Moving Moor (Alternative Version) 4:47
11. The Way I Feel (Alternative Version) 3:18



..::OBSADA::..

Lead Vocals, Drums - Tony Shakespeare
Organ, Electric Piano - Steve Coe
Bass Guitar, Vocals - Lance Fogg
Electric Guitar, Acoustic Guitar, Vocals - Brian Lee




https://www.youtube.com/watch?v=z1MuXWKS89k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To fantastyczny album, wyróżniający się bogactwem ostrych, a zarazem porywających riffów, a także zjawiskowym wokalem Amy Lee Carlson , gdzie surowy, często porównywalny z Leather Leone , ton i przyzwoite vibrato przywodzą na myśl erę NWOBHM i speed metalu wyjętego z połowy lat 80.

Bojowo-energetyczny speed metal!!!

FA


Seattle speed metal tyrants Sölicitör are back with a vengeance in the form of their second studio album!

Sölicitör are finally bringing forth their sophomore release of classic 80s style speed metal fury. Ten songs of haunting, powerful and destructive metal mania.

Five years have passed since “Spectral Devastation”, Sölicitör’s debut LP was unleashed. Now they are back with a bang. More leather-bound, more aggression, more power and more metal than ever. From the powerful riffing and impressive drum work to the evocative vocals; it won’t take you long to fall in love with the classic and authentic sound of this new offering. Mixing heavy, speed and even some thrash metal elements to achieve a unique sound of metallic excellence, none shall be spared on this ferocious new opus.

Fans will notice the more dynamic, emotive and varied approach on this album that still retains all of the power and fury of their previous efforts.

The band took a more DIY approach to the actual recording while re-amping, mixing and mastering was done by Chris Mannino to truly bring the electrifying takes to life. Speaking of DIY, the band’s vocalist Amy handled the artwork for this release, ensuring the bands vision was appropriately represented.

The band put this into words best: "This album was built on blood, sweat and struggle, personal catastrophes and triumphs, division and uncertainty - ultimately pulled together by dedication to a long term vision and determination above all odds to deliver performances that will surely outlast our previous offerings. We believe in the integrity of these songs, as a representation of our evolution and arrival to this point. This album is darker, more melodic, much more expressive, personal, and may take some by surprise for better or worse. Themes of the paranormal, revenge and retribution, betrayal, and a steadfast commitment to heavy metal and all that has come before us as we continue to pursue and mark our place in a drastically different and ever changing landscape."



..::TRACK-LIST::..

1. The Descent 01:45
2. Paralysis 05:01
3. Iron Wolves of War 05:23
4. Spellbound Mist 06:11
5. We Who Remain 05:28
6. Fallen Angel 05:44
7. Crimson Battle Beast 03:46
8. Enemy in Mirrors 04:43
9. Black Magick & The Devil's Hand Pt I 05:35
10. Black Magick & The Devil's Hand Pt II 04:09



..::OBSADA::..

Amy Lee Carlson - Vocals
Matthew Vogan - Guitars, Keyboards
Patrick Fry - Guitars
Damon Cleary-Erickson - Bass
Johanson Waymire - Drums

Guest vocals on track 3 by Leif Julin



https://www.youtube.com/watch?v=UCUaAc6aHbU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To fantastyczny album, wyróżniający się bogactwem ostrych, a zarazem porywających riffów, a także zjawiskowym wokalem Amy Lee Carlson , gdzie surowy, często porównywalny z Leather Leone , ton i przyzwoite vibrato przywodzą na myśl erę NWOBHM i speed metalu wyjętego z połowy lat 80.

Bojowo-energetyczny speed metal!!!

FA


Seattle speed metal tyrants Sölicitör are back with a vengeance in the form of their second studio album!

Sölicitör are finally bringing forth their sophomore release of classic 80s style speed metal fury. Ten songs of haunting, powerful and destructive metal mania.

Five years have passed since “Spectral Devastation”, Sölicitör’s debut LP was unleashed. Now they are back with a bang. More leather-bound, more aggression, more power and more metal than ever. From the powerful riffing and impressive drum work to the evocative vocals; it won’t take you long to fall in love with the classic and authentic sound of this new offering. Mixing heavy, speed and even some thrash metal elements to achieve a unique sound of metallic excellence, none shall be spared on this ferocious new opus.

Fans will notice the more dynamic, emotive and varied approach on this album that still retains all of the power and fury of their previous efforts.

The band took a more DIY approach to the actual recording while re-amping, mixing and mastering was done by Chris Mannino to truly bring the electrifying takes to life. Speaking of DIY, the band’s vocalist Amy handled the artwork for this release, ensuring the bands vision was appropriately represented.

The band put this into words best: "This album was built on blood, sweat and struggle, personal catastrophes and triumphs, division and uncertainty - ultimately pulled together by dedication to a long term vision and determination above all odds to deliver performances that will surely outlast our previous offerings. We believe in the integrity of these songs, as a representation of our evolution and arrival to this point. This album is darker, more melodic, much more expressive, personal, and may take some by surprise for better or worse. Themes of the paranormal, revenge and retribution, betrayal, and a steadfast commitment to heavy metal and all that has come before us as we continue to pursue and mark our place in a drastically different and ever changing landscape."



..::TRACK-LIST::..

1. The Descent 01:45
2. Paralysis 05:01
3. Iron Wolves of War 05:23
4. Spellbound Mist 06:11
5. We Who Remain 05:28
6. Fallen Angel 05:44
7. Crimson Battle Beast 03:46
8. Enemy in Mirrors 04:43
9. Black Magick & The Devil's Hand Pt I 05:35
10. Black Magick & The Devil's Hand Pt II 04:09



..::OBSADA::..

Amy Lee Carlson - Vocals
Matthew Vogan - Guitars, Keyboards
Patrick Fry - Guitars
Damon Cleary-Erickson - Bass
Johanson Waymire - Drums

Guest vocals on track 3 by Leif Julin



https://www.youtube.com/watch?v=UCUaAc6aHbU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 16 - January 26, 1974 (Evening) - Hofheinz Pavilion, Houston, TX
1. Most Likely You Go Your Way (And I'll Go Mine) 3:40
2. Lay, Lady, Lay 2:51
3. Just Like Tom Thumb's Blues 5:18
4. Rainy Day Women #12 & 35 3:19
5. It Ain't Me, Babe 3:29
6. Ballad Of A Thin Man 3:15
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 3:48
9. Knockin' On Heaven's Door 3:11
10. The Times They Are A-Changin' 2:59
11. Don't Think Twice, It's All Right 3:26
12. Gates Of Eden 4:06
13. Just Like A Woman 3:56
14. It's Alright, Ma (I'm Only Bleeding) 4:48
15. Forever Young 4:37
16. Something There Is About You 4:15
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine)




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 16 - January 26, 1974 (Evening) - Hofheinz Pavilion, Houston, TX
1. Most Likely You Go Your Way (And I'll Go Mine) 3:40
2. Lay, Lady, Lay 2:51
3. Just Like Tom Thumb's Blues 5:18
4. Rainy Day Women #12 & 35 3:19
5. It Ain't Me, Babe 3:29
6. Ballad Of A Thin Man 3:15
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 3:48
9. Knockin' On Heaven's Door 3:11
10. The Times They Are A-Changin' 2:59
11. Don't Think Twice, It's All Right 3:26
12. Gates Of Eden 4:06
13. Just Like A Woman 3:56
14. It's Alright, Ma (I'm Only Bleeding) 4:48
15. Forever Young 4:37
16. Something There Is About You 4:15
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine)




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 15 - January 26, 1974 (Afternoon) - Hofheinz Pavilion, Houston, TX
1. Most Likely You Go Your Way (And I'll Go Mine) 3:32
2. Lay, Lady, Lay 3:00
3. Just Like Tom Thumb's Blues 5:35
4. Rainy Day Women #12 & 35 3:12
5. It Ain't Me, Babe 3:15
6. Ballad Of A Thin Man 3:28
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 3:53
9. Knockin' On Heaven's Door 3:14
10. The Times They Are A-Changin' 2:56
11. Don't Think Twice, It's All Right 3:25
12. Gates Of Eden 4:06
13. Just Like A Woman 5:09
14. It's Alright, Ma (I'm Only Bleeding) 4:59
15. Forever Young 4:58
16. Something There Is About You 4:29
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine) 3:31




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 15 - January 26, 1974 (Afternoon) - Hofheinz Pavilion, Houston, TX
1. Most Likely You Go Your Way (And I'll Go Mine) 3:32
2. Lay, Lady, Lay 3:00
3. Just Like Tom Thumb's Blues 5:35
4. Rainy Day Women #12 & 35 3:12
5. It Ain't Me, Babe 3:15
6. Ballad Of A Thin Man 3:28
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 3:53
9. Knockin' On Heaven's Door 3:14
10. The Times They Are A-Changin' 2:56
11. Don't Think Twice, It's All Right 3:25
12. Gates Of Eden 4:06
13. Just Like A Woman 5:09
14. It's Alright, Ma (I'm Only Bleeding) 4:59
15. Forever Young 4:58
16. Something There Is About You 4:29
17. Like A Rolling Stone 5:49
18. Most Likely You Go Your Way (And I'll Go Mine) 3:31




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Extreme - The Best Of Extreme
An Accidental Collication Of Atoms?
---------------------------------------------------------------------

Artist...............: Extreme
Album................: The Best Of Extreme
Genre................: Rock
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 72 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: A&M Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Extreme - Decadence Dance [06:51]
2. Extreme - Rest In Peace [06:04]
3. Extreme - Kid Ego [04:04]
4. Extreme - Get The Funk Out [04:25]
5. Extreme - Tragic Comic [04:46]
6. Extreme - Hip Today [04:42]
7. Extreme - Stop The World [06:05]
8. Extreme - More Than Words [05:36]
9. Extreme - Cupid's Dead (Horn Mix) [05:56]
10. Extreme - Leave Me Alone [04:49]
11. Extreme - Play With Me [03:31]
12. Extreme - Hole-Hearted [03:41]
13. Extreme - Am I Ever Gonna Change [06:58]

Playing Time.........: 01:07:35
Total Size...........: 485,85 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

The disc lifts off with the captivating in-house Elektra Records film of the Doors performing “Break On Through” on a darkened set. The video, widely seen on MTV and released on multiple VHS and DVD collections, succinctly captures the excitement of the early Doors. The early TV appearances on shows like Shebang, American Bandstand and Malibu U are all a bit stiff, partly due to the band’s inexperience and their inability to properly lip sync their performances. It was part and parcel of being a rock band in the 1960s. More shows would follow — Murray The K In New York, The Jonathan Winters Show, and even an odd sequence around “Hello, I Love You” from German TV — and great live and semi-live performances have been preserved.

The clip of “Touch Me,” another previously released video of the Doors on the Smothers Brothers Comedy Hour is perhaps the best of the TV appearances here, with Morrison sounding together, singing live over the pre-recorded orchestration track. Conspicuously missing is the band’s infamous appearance on The Ed Sullivan Show on September 17, 1969. Despite being banned from the show, the producers have no problem including the performance on their Rock & Roll Classics DVD releases. Squeezed in between is the short film behind “The Unknown Soldier,” in which Morrison is mock executed on the beach as footage from Vietnam is mixed in for dramatic effect. Far different from the TV shows.

Several music videos made from archival live film and additional footage shot, some with and by Ray Manzarek, Robby Kreiger and John Densmore, plus lots of candid cutaways of Jim Morrison. Many of these videos have been released on previous VHS and DVD collections, and shown on MTV. The 1984 video for “Strange Days” attempts to create a live action sequence of the album’s cover featuring sideshow circus performers and cameos of Manzarek. The Doors keyboardist’s directorial role is more apparent in the suave and fun video for “LA Woman,” which vividly captures the spirit of the City of Angels (maybe even better than Randy Newman), before it veers off into a tangent of strange bedfellows and weird hallucinations.

“Ghost Song,” the final video in the main section, is taken from An American Prayer, the 1978 album the surviving Doors cut, blending new music with tapes of spoken word poetry from Jim Morrison. It shows Manzarek, Kreiger and Densmore playing along with brief flashes of Morrison. The Bonus section is highlighted by the story behind that video and many of the others, as told by Krieger, Densmore, engineer Bruce Botnik and Elektra president Jac Holzman in the Breaking Through The Lens documentary. There’s also a performance of “Break On Through (To The Other Side)” from the Isle of Wight 1970 festival, and a rather off-track excursion in the form of a Ford Motors training film the Doors apparently did the soundtrack for. Strange days indeed. It would seem R-Evolution fills in every last nook and cranny of available Doors footage, but you never know what’s buried in the vault. Stand by for the next chapter.

Shawn Perry


https://raymanzarek.com/films-revolution/



..::TRACK-LIST::..

1. Break On Through (To The Other Side): Music Film – January 1967
2. Break On Through (To The Other Side): Shebang – March 6, 1967
3. The Crystal Ship: American Bandstand – July 22, 1967
4. Light My Fire: American Bandstand – July 22, 1967
5. Light My Fire: Malibu U – August 25 1967
6. People Are Strange: Murray The K In New York – September 22, 1967
7. Moonlight Drive: From The Jonathan Winters Show – December 27, 1967
8. The Unknown Soldier: Music Film – February 1968
9. Hello, I Love You: Musik Für Junge Leute: 4-3-2-1 Hot And Sweet – September 13, 1968
10. Touch Me: The Smothers Brothers Comedy Hour – December 15, 1968
11. Wild Child: Music Film – July 1969
12. Roadhouse Blues: Music Film – February 1970
13. Crawling King Snake: GTK (Get To Know) – December 1970
14. The Changeling: Music Film – April 1971
15. Gloria: Music Film – October 1983
16. People Are Strange: Music Film – 1980’s
17. Strange Days: Music Film – 1984
18. L.A. Woman: Music Film – 1985
19. Ghost Song: Music Film – 1995

Bonus Features :
20. Love Thy Customer
21. Break On Through (To The Other Side)
22. Breaking Through The Lens
23. Commentary



https://www.youtube.com/watch?v=RrDsSPtZOu4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Montreux Sounds and Eagle Vision present a Montreux Jazz Festival production, The Crusaders: Live at Montreux 2003. Recorded live in concert with guest Randy Crawford on July 18, 2003 at the Auditorium Stravinski, Montreux, Switzerland.



The Jazz Crusaders was formed in 1960 from a group that played together in Houston, Texas. Stix Hooper, Joe Sample and Wilton Felder moved out to form the new band and pulled in Wayne Henderson to complete the basic quartet. They got rid of "Jazz" in the group's title in 1971, a reflection of the assimilation of the different streams their music imbibed including funk and soul.

Time is not static, and neither are tastes. There were personnel changes over the year, and The Crusaders finally disbanded. In 2003, however, Hooper, Sample and Felder came back to record Rural Renewal with Ray Parker Jr. They toured in support of the album. Montreux, the setting for this video performance, was on their list of destinations.

A live performance by a familiar cast thrives not only on current repertoire but also on nostalgia. The Crusaders balanced playing three songs from Rural Renewal with giving the past another look on nine songs, including the Parker smash hit "Ghostbusters," which closes the set.

The viewer will see that the Crusaders are in the groove right from the first note, but as the concert progresses it becomes apparent their then current material paled in comparison to the old. "Viva De Funk" just about greases the wheels of the rhythm while "Rural Renewal" is a tad too smooth and easy. But let those pass: the band shouts in glory on the other material, particularly on the classic fare, "Put It Where You Want It" and "Way Back Home." Both continue to be pulse-pounders in their own way. Parker sets up the first, his guitar heralding the horns and establishing a deep, solid rhythm bed. The mood is infectious, abetted by the groove and the changes in tempo. Sample calls the second "The Anthem," and so it's appropriately named. Felder mines the blues, and the band cuts in and turns on a spellbinding performance. It still shines as a majestic composition.

Randy Crawford is in fine voice as she sings blues, soul and pop. Her soft vocals are like a silk thread weaving a magic spell as she brings her impress to bear on a jazzy version of "Imagine," The highlight however, is her version of "Soul Shadows," on which she harvests every word and its nuance to perfection.

At the end of it all, The Crusaders and Crawford turn on the heat and let their music capture the night.

Jerry D'Souza



..::TRACK-LIST::..

2003
1. Spiral
2. Viva De Funk
3. Creepin'
4. Way Back Home
5. Carnival Of The Night
6. Put It Where You Want It
7. Thrill Is Gone
8. Soul Shadows (with Randy Crawford)
9. Street Life (with Randy Crawford)
10. Imagine (with Randy Crawford)
11. Rural Renewal
12. Ghostbusters

Bonus Tracks: 1976
1. Soul caravan
2. A Ballad For Joe (Louis)
3. Spiral
4. Hard Times

The Crusaders at the Montreux Jazz Festival in 2003 & 1976 Montreux bonus tracks



..::OBSADA::..

Joe Sample - Keyboards
Stephan Baxter - Trombone
Wilton Felder - Sax
Ray Parker Jr, - Guitar
Kendrick Scott - Drums
Freddie Washington - Bass
Randy Crawford - Vocal



https://www.youtube.com/watch?v=IpMN3DYgTP8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Cult Dutch thrash metal from the late 80’s. Complete discography on cd featuring:
Liquidation demo 1988, Sandgrains Ep 1990, Live at Geronimo Rotterdam (restored / remastered by Robbie Woning (Dead Head). The demo and ep were recorded at Franky's Recording Kitchen with Berthus Westerhuys (God Dethroned, Altar, Severe Torture ). The booklet contains old pictures, flyers and extensive liner notes from Steven Willems (Rock Tribune / Voices from the Darkside). Brain Implosion featured members of Abacinate, Remote Control, Out of the System and Radiathor. In total the album contains 15 tracks!



..::TRACK-LIST::..

1. Liquidation (Liquidation demo 1988) 03:29
2. Lunacy (Liquidation demo 1988) 05:01
3. Implosion Fear Rules (Liquidation demo 1988) 08:50
4. In Your Face (Liquidation demo 1988) 04:47
5. Sandgrains (Sandgrains Ep 1990) 04:51
6. Intramural (Sandgrains Ep 1990) 06:07
7. In Your Face (Live at Geronimo) 05:36
8. Lunacy (Live at Geronimo) 05:15
9. Pikketrekker (Live at Geronimo) 03:25
10. Six Feet (Live at Geronimo) 05:03
11. Fear Rules (Live at Geronimo) 06:46
12. Nostalgia (Live at Geronimo) 03:34
13. Liquidation (Live at Geronimo) 03:55
14. Intra Mural (Live at Geronimo) 06:40
15. New Song (Live at Geronimo) 03:42

Liquidation demo 1988 recorded at Franky's Recording Kitchen, Nieuwleusden, Netherlands.
Sandgrains EP 1990 recorded 1989 at Franky's Recording Kitchen, Nieuwleusden, Netherlands. Cover, artwork, design & logo design by Rene R.
Live At Geronimo digitalised, restored and remastered by Robbie Woning, Jan. 2024.



..::OBSADA::..

Vocals - Alex Geerts (tracks: 3)
Rhythm Guitar - Jochem Steenbergen
Lead Guitar, Vocals, Rhythm Guitar - Miguel Van Sloten
Bass Guitar - Alex Geerts
Drums - Ian Van Sloten




https://www.youtube.com/watch?v=LMtWqwdzdN8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Cult Dutch thrash metal from the late 80’s. Complete discography on cd featuring:
Liquidation demo 1988, Sandgrains Ep 1990, Live at Geronimo Rotterdam (restored / remastered by Robbie Woning (Dead Head). The demo and ep were recorded at Franky's Recording Kitchen with Berthus Westerhuys (God Dethroned, Altar, Severe Torture ). The booklet contains old pictures, flyers and extensive liner notes from Steven Willems (Rock Tribune / Voices from the Darkside). Brain Implosion featured members of Abacinate, Remote Control, Out of the System and Radiathor. In total the album contains 15 tracks!



..::TRACK-LIST::..

1. Liquidation (Liquidation demo 1988) 03:29
2. Lunacy (Liquidation demo 1988) 05:01
3. Implosion Fear Rules (Liquidation demo 1988) 08:50
4. In Your Face (Liquidation demo 1988) 04:47
5. Sandgrains (Sandgrains Ep 1990) 04:51
6. Intramural (Sandgrains Ep 1990) 06:07
7. In Your Face (Live at Geronimo) 05:36
8. Lunacy (Live at Geronimo) 05:15
9. Pikketrekker (Live at Geronimo) 03:25
10. Six Feet (Live at Geronimo) 05:03
11. Fear Rules (Live at Geronimo) 06:46
12. Nostalgia (Live at Geronimo) 03:34
13. Liquidation (Live at Geronimo) 03:55
14. Intra Mural (Live at Geronimo) 06:40
15. New Song (Live at Geronimo) 03:42

Liquidation demo 1988 recorded at Franky's Recording Kitchen, Nieuwleusden, Netherlands.
Sandgrains EP 1990 recorded 1989 at Franky's Recording Kitchen, Nieuwleusden, Netherlands. Cover, artwork, design & logo design by Rene R.
Live At Geronimo digitalised, restored and remastered by Robbie Woning, Jan. 2024.



..::OBSADA::..

Vocals - Alex Geerts (tracks: 3)
Rhythm Guitar - Jochem Steenbergen
Lead Guitar, Vocals, Rhythm Guitar - Miguel Van Sloten
Bass Guitar - Alex Geerts
Drums - Ian Van Sloten




https://www.youtube.com/watch?v=LMtWqwdzdN8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nagranie powstało w ramach akustycznej trasy koncertowej w dniach 21 i 22 stycznia 2016 r. W słynnej nowojorskiej Carnegie Hall. Wsparciem dla wokalisty i gitarzysty na scenie byli: pianista Reese Wynans, perkusista Anton Fig i Eric Bazilian na mandolinie, lira korbowa, saksofon i gitara akustyczna. Obecni byli także chińska wiolonczelistka Tina Guo oraz egipski perkusista i kompozytor Hossam Ramzy.



Przodownik pracy Joe Bonamassa niezmiennie wyrabia 300% normy i nie ma roku, by na rynku nie pojawiło się dzieło podpisane jego nazwiskiem.

"This train don't stop for no one / This train got a mind of its own / This train don't wait for no one / This train, I'm gonna leave this town" - tak śpiewa Joe Bonamassa w otwierającym nowe wydawnictwo utworze "This Train" pochodzącym ze świetnego ostatniego albumu "Blues of Desperation". Trudno oprzeć się wrażeniu, że napędzana muzycznym ADHD kariera gitarzysty mknie jak tytułowy pociąg. W końcu "Live at Carnegie Hall - An Acoustic Evening" to już piętnasta koncertówka w karierze ledwie 40-letniego Bonamassy. Co więcej, niedawno na rynku pojawiła się przecież w każdym calu rewelacyjna akustyczna koncertówka "An Acoustic Evening at the Vienna Opera House". Określenie 'niedawno' odnosi się jednak do zwykłych śmiertelników, bowiem w czasie czterech lat dzielących obydwa wydawnictwa Joe zdążył wydać jeszcze osiem (!) innych albumów nagranych na żywo. Powrót do akustycznych dźwięków wydaje się więc - z jego perspektywy - jak najbardziej uzasadniony.

"Live at Carnegie Hall" w pewnym stopniu powiela schemat płyty nagranej w wiedeńskiej operze - Joe raz jeszcze postarał się o międzynarodowy skład towarzyszących mu muzyków. W styczniu 2016 roku, podczas dwóch koncertów w kultowej Carnegie Hall w Nowym Jorku, na scenie pojawił się 9 osobowy zespół, w skład którego weszli, poza Bonamassą, chińska wiolonczelistka i erhuistka Tina Guo, egipski perkusjonista i kompozytor Hossam Ramzy, który ma na koncie m.in. współpracę z Jimmy Page'm i Robertem Plantem, a także Reese Wynans (fortepian), świetny Anton Fig (perkusja), Eric Bazilian (mandolina, lira korbowa, saksofon, gitara akustyczna, wokal) oraz australijskie wokalistki i wokalista - Mahalia Barnes, Juanita Tippins i Gary Pinto.

Aż by się chciało zobaczyć to wszystko na własne oczy, bo "Live at Carnegie Hall" ukazał się oczywiście również w formacie DVD i Blu-ray, ale niestety tak się złożyło, że dysponuję tylko nośnikiem audio. 'Tylko' to zresztą słowo klucz, bo tak jak w przypadku "An Acoustic Evening at the Vienna Opera House", gdzie główną siłę materiału stanowił obraz cudów wyprawianych przez muzyków, tak samo byłoby zapewne w przypadku nagrania z Nowego Jorku. Nie da się ukryć, wersja CD bez obrazu nie rusza tak jak powinna, a fakt ponownego połączenia muzycznych kultur ewidentnie schodzi na dalszy plan. Tym bardziej, że tym razem lider projektu nie pozostawił zbyt wiele miejsca towarzyszącym mu muzykom, może poza Tiną Guo, która "Woke Up Dreaming" rozpoczyna solową partią, brzmiącą jak wariacja na temat "Lotu trzmiela", później zaś aktywnie prowadzi z Bonamassą wiolonczelowo-gitarowy dialog. Szkoda, że podobnych momentów nie ma na "Live at Carnegie Hall" więcej.

Przearanżowane utwory z "Blues of Desperation" prezentują się świetnie (niestety, zabrakło kompozycji tytułowej), podobnie zresztą jak większość innych utworów, pod którymi podpisał się Bonamassa, choć wersje takich kawałków jak "Dust Bowl" czy "Driving Towards the Daylight" wykonane w Wiedniu podobały mi się bardziej. Przy okazji, ciekawostką jest otwarcie wspomnianego "This Train", w którym Reese Wynans przemyca intro znane z nieśmiertelnego "Locomotive Breath" Jethro Tull. Tematyczna zbieżność obu tytułów nie jest przypadkowa. Od pewnego czasu Bonamassa, który może wybierać w stale rosnącym repertuarze, ucieka od sztandarowych do niedawna kompozycji i rzeczywiście w setliście koncertu zabrakło takich przebojów jak "Slow Train" czy "The Ballad Of John Henry". I nie ma w tym nic złego, przynajmniej do momentu, gdy kończy się pierwszy, bardzo solidny krążek, a do odtwarzacza trafia płyta nr 2.

Tu napięcie siada już za sprawą pierwszego, przesłodzonego "Mountain Time" (czy nie lepiej sprawdziłby się "Mountain Climbing"?), a później wzrasta tylko sporadycznie, głównie dzięki "Woke Up Dreaming". Niezbyt trafione okazują się umieszczone tu covery, może z wyjątkiem starego standardu Blind Alfred Reeda "How Can a Poor Man Stand Such Times and Live", który nie wypada gorzej niż interpretacja Bruce Springsteena, oraz akustycznej wersji "Song of Yesterday". Utwór ma odpowiedni klimat, szczególnie dobrze pracują perkusjonalia Hossama Ramzy i nie można mu właściwie niczego zarzucić. Choć nie da się ukryć, że 'elektryczny' oryginał Black Country Communion brzmiał po prostu lepiej. Znacznie gorzej jest za to z "Hummingbird" Leona Russela, który wypada całkowicie bezpłciowo. A także z popową balladą "The Rose". Owszem, pasuje ona do repertuaru Amandy McBroom albo Bette Midler, ale w wykonaniu Bonamassy brzmi, jakby wpadła do niej torba cukru. Nie idź tą drogą, Joe, pop zostaw innym. Po tak przesłodzonym daniu dobrze smakuje gorzka kawa, ale tej gitarzysta postanowił słuchaczom oszczędzić, ponieważ "The Rose" zamyka album.

Podsumowując, "Live at Carnegie Hall - An Acoustic Evening" jest trochę nierówna. Być może na nie do końca trafioną setlistę wpływ ma klęska urodzaju w koncertowych wydawnictwach Bonamassy, który chcąc uciec od powtarzania znanych publiczności kompozycji sięga po inny repertuar. Tak czy owak, mimo wad nowe wydawnictwo to kawał solidnej rozrywki. Jednocześnie, można odnieść wrażenie, że krótki urlop nie zaszkodziłby ani Joe, ani jego - przynajmniej tym mniej fanatycznym - fanom.

Szymon Kubicki



..::TRACK-LIST::..

1. Cold Streets (Intro)
2. This Train
3. Drive
4. The Valley Runs Low
5. Dust Bowl
6. Driving Towards The Dayllight
7. Black Lung Heartache
8. Blue And Evil
9. Livin' Easy
10. Get Back My Tomorrow
11. Band Introductions
12. Mountain Time
13. How Can A Poor Man Stand Such Times And Live
14. Song Of Yesterday
15. Woke Up Dreaming
16. Hummingbird
17. Encore Farewell
18. The Rose
19. Cold Streets (Credits)

Bonus Features:
20. Joe Bonamassa At Carnegie Hall Behind The Scenes
21. Woke Up Dreaming (Second Night)
22. Live At Carnegie Photo Gallery



..::OBSADA::..

Joe Bonamassa - Vocals, Guitar
Gary Pinto, Juanita Tippins, Mahalia Barnes - Vocals
Eric Bazilian - Mandolin, Banjo, Saxophone
Reese Wynans - Piano
Tina Guo - Cello, Erhu
Anton Fig - Drums
Hossam Ramzy - Percussion



https://www.youtube.com/watch?v=E01_7nkNLMU


SEED 15:00-22:00.
POLECAM!!!