..::INFO::..

Opolska scena niezależna, czy można tak nazwą określić to co działo się w latach osiemdziesiątych i na początku dziewięćdziesiątych wieku ubiegłego? Czas to był bardzo kreatywny, muzyczne pomysły i zespoły, które wyrastały jak grzyby po deszczu… Taka właśnie była załoga, którą pierwotnie tworzyli Fido – perkusja, Łysy - gitara basowa, Waldek – gitara, Paweł – gitara i Gibon – wokal – koledzy z jednej klasy TE w Opolu. Szukanie własnego stylu muzycznego, setki pomysłów ale też nauka gry na instrumentach, które to staraliśmy się zdobyć w różnych miejscach jeżdżąc po całym kraju. Pierwsze próby w MDK-u w Opolu. Pierwsze zmiany składu. Imprezy i pierwsze koncerty. Pomysły na nazwę też bywały różne: Eskadra Jonatana Kota, Czerwień się Marysiu i w końcu Najpiękniejsze Nogi Opola. Materiał została nagrany w Opolu w 1989 roku. Pierwotnie ukazał się na płycie winylowej.

Title: Studio 1989

Artist: Czerwień Się Marysiu

Country: Polska

Year: 1989

Genre: Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Karabiny
2.Sklep
3.Słodkie Słowo Wolność
4.Ulica
5.Zabawa Psychicznie Chorego
6.Zwierzenia Pasiaka
7.ZX 81

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

This DVD was released to celebrate Ensiferum’s 10 years in action, and I was very impressed!

The concert was recorded on Newyears eve 2005 in Helsinki, Finland. I’m a huge fan of Ensiferum, and have long wondered what they would sound like live, since I’ve never got to see them myself, and it’s a killer performance! The instruments sound almost exactly as it does in the studio, no fuckups or something like that. The only thing which is a bit of a downside is the vocals. Jari was a great, great vocalist, and I think it’s quite hard to replase him. Petri Lindroos of Norther was not the greatest choice in my opinion. He sounds good in the studio, but live he sounds forced. His microphone also have an annoying effect on it, sounding like he is singing inside a box or something. The vocals of Markus Toyvonen and Sami Hinka was a surprise, however. Sinse Jari had such a majestic and room filling voice, I thought this would not be half as great, but as I said, I was surprised in a positive way. Markus, I think, sounds a bit hilarious though, being a 28 year old or something, he sounded more like my age. although Markus struggles with hitting the notes sometimes, it’s just charming, because Ensiferum isn’t supposed to be Iron Maiden or a power metal band with ultrahigh notes and extremely good technical singing or something.

The song selection was very good. I never had a boring time listening to this. Although I was hoping they could play Little Dreamer or Sword Chant, but maybe Markus would have a really hard time singing those Halford like notes in the latter. The consert starts with the intro from their debut album, and then kicks into Hero in a dream, one of the best songs of the Ensiferum discography. It continues with great songs like Tale of revenge, Guardians of fate, Lai Lai hei, Token of time, Iron, and of course, the closer, Battle song.

There’s also two guests on this, Kaisa Sari on Tears and Finnish medley, which she also did in the studio. I think she did a very good job, almost better than in the studio. We also have that Ville Tuomi guy from Amorphis, adding vocals on their cover of the Amorphis song, Into hiding. I must admit, I haven’t heard much of that band, but he does a relatively good performance. I think his screams in the beginning of the song is awesome! Maybe a band worth checking out a little more?

The production is also good, but it could have been a little louder, but that can have something to do with my TV. Although as I have stated earlier, Petri’s microphone is horrible! As the previous reviewer also have mentioned, the crowd should have been a bit louder in the mixing, but it’s not something to wine much about.

I recommend you to buy this if you are an Ensiferum fan, but if you are new to them, I strongly advise you to check out their albums first. But it’s a nice addition to a folk metalers collection.

Svarthavid



..::TRACK-LIST::..

1. Intro
2. Hero In A Dream
3. Guardians Of Fate
4. Tale Of Revenge
5. Dragonheads
6. Windrider
7. Warrior's Quest
8. LAI LAI HEI
9. Old Man (Väinämöinen)
10. Slayer Of Light
11. Finnish Medley
12. Tears
13. Token Of Time
14. White Storm
15. Into Hiding
16. Into Battle
17. Kalevala Melody (Intro)
18. Iron
19. Treacherous Gods
20. Näitä Polkuja Tallaan
21. Battle Song

Bonus Track:
Congratulation Song for Ensiferum (Performed by Finntroll)



..::OBSADA::..

Petri Lindroos - Guitar & Harsh Vocals
Markus Toivonen - Guitar, Clean & Backing Vocals
Sami Hinkka - Bass, Clean & Backing Vocals
Janne Parviainen - Drums
Meiju Enho - Keyboard

Special Guests:
Kaisa Saari - Female Vocals on "Finnish Medley" & "Tears"
Diffe Luomi - Clean Vocals on "Into Hiding"
Finntroll - Entire Band on Bonus Track




https://www.youtube.com/watch?v=wA2U2iIoM9U



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Recorded live on February 5th, 2005 @ Shibuya-AX, Tokyo, Japan, during the Reckoning Night World Tour.

1. Prelude For Reckoning
2. Misplaced
3. Blinded No More
4. FullMoon, Exctact From 'White Pearl, Black Oceans'
5. Victoria's Secret
6. Broken
7. 8th Commandment
8. Shamandalie
9. Kingdom For A Heart
10. Replica
11. My Land
12. Black Sheep
13. Sing In Silence
14. The End Of This Keyboard / Sing Along
15. San Sebastian
16. Gravenimage
17. Don't Say A Word
18. The Cage
19. 'Vodka/Hana Nagila' - Sing A Long
20. Outro 'Draw Me'

Bonus Material:
21. The Men Of The North In The Land Of The Rising Sun



..::OBSADA::..

Vocals - Tony Kakko
Keyboards - Henrik Klingenberg
Guitar - Jani Liimatainen
Drums - Tommy Portimo
Bass - Marko Paasikoski

Backing Vocals - Henrik Klingenberg, Jani Liimatainen, Marko Paasikoski



https://www.youtube.com/watch?v=TenBhLskAFU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwsza, klasyczna duża płyta z 1992 roku weteranów z Chicago. Cholernie ciężki, niskostrojony amerykański death/doom.


"Criminally underrated" is probably the first thing to come to mind when I think of the band Cianide. The next thing I think of is this album, and how it's a really crushing death metal record. Cianide took most of the main ingredients to death metal, leaving out the factor of speed for most of the album. This gave birth to a gem of a death metal album that stands out amongst the crowd of a time, rich in great death metal. It's a damn shame that no one is talking about this band anymore, because this album really does something unique with death metal.

So, much like Autopsy, Cianide does the whole "death metal meets Sabbath" idea. This immediately brings up some lesser done ideas, as now blast beats are no longer the beat of choice here. Instead, tempos are kept in a relaxed yet solid groove. Double bass thumps through appropriate sections, while the bass rides along with it, and the guitars open up. Many of the riffs change from open strums to tremolo in progression, and end up opening more options in terms of song arrangement. In other words, when Cianide wants to play slow, they really make it feel slow.

Everything in this band fits together well. The production is completely appropriate as it focuses more on the low side of things, allowing for true heaviness to occur. The bass drums have a great thump as stated, the bass is thick and pulsating, and the vocals are low and evil sounding. Not to mention a deadly guitar tone. It just literally sounds like these guys were made to play slow.

The phrasing in the riffs are relatively simple but sound daunting and perhaps even abysmal. Power chord progressions with different textures and strum patterns come up, or sometimes just simple droning of chords allows for various moods to be expressed.

The best part about this album is that every song is full of parts that stand out, so there's always something that grabs you for every song. For example, "Minscrape" features a good snare pattern in a beat. "Second Life" features some well thought out vocal patterns that stick out well. The title track contains the fastest section on the whole album, and it isn't even a blast beat (but still has some velocity). Little things like that appear all over the album, and are unique to each song, which helps it define itself.

This album is a classic, and anyone who considers themselves a fan of good death metal should hunt it down one way or another. I personally think it's a gem and established a very distinct style of death metal that's done just right. This is the best Cianide disc without question. Cianide is still a great band today (and consistent), but, this manages to stand above the rest.

Orphy



..::TRACK-LIST::..

The Dying Truth CD 1992
1. Scourging At The Pillar 5:12
2. The Dying Truth 5:22
3. Funeral 5:50
4. The Suffering 4:12
5. Human Cesspool 3:27
6. Mindscrape 5:30
7. Crawling Chaos 6:02
8. Second Life 6:37

Bonus Tracks:
Funeral Demo 1990
9. Morbid Restitution 3:47
10. Funeral 4:10
11. Choose Your Death 2:27

Second Life Demo 1991
12. The Dying Truth 5:45
13. Mindscrape 5:31
14. Human Cesspool 3:31
15. The Suffering 4:00
16. Second Life 5:46



..::OBSADA::..

Scott Carroll - Guitars
Mike Perun - Bass, Vocals
Jeff Kabella - Drums



https://www.youtube.com/watch?v=5LlEmpKKY50


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwsza, klasyczna duża płyta z 1992 roku weteranów z Chicago. Cholernie ciężki, niskostrojony amerykański death/doom.


"Criminally underrated" is probably the first thing to come to mind when I think of the band Cianide. The next thing I think of is this album, and how it's a really crushing death metal record. Cianide took most of the main ingredients to death metal, leaving out the factor of speed for most of the album. This gave birth to a gem of a death metal album that stands out amongst the crowd of a time, rich in great death metal. It's a damn shame that no one is talking about this band anymore, because this album really does something unique with death metal.

So, much like Autopsy, Cianide does the whole "death metal meets Sabbath" idea. This immediately brings up some lesser done ideas, as now blast beats are no longer the beat of choice here. Instead, tempos are kept in a relaxed yet solid groove. Double bass thumps through appropriate sections, while the bass rides along with it, and the guitars open up. Many of the riffs change from open strums to tremolo in progression, and end up opening more options in terms of song arrangement. In other words, when Cianide wants to play slow, they really make it feel slow.

Everything in this band fits together well. The production is completely appropriate as it focuses more on the low side of things, allowing for true heaviness to occur. The bass drums have a great thump as stated, the bass is thick and pulsating, and the vocals are low and evil sounding. Not to mention a deadly guitar tone. It just literally sounds like these guys were made to play slow.

The phrasing in the riffs are relatively simple but sound daunting and perhaps even abysmal. Power chord progressions with different textures and strum patterns come up, or sometimes just simple droning of chords allows for various moods to be expressed.

The best part about this album is that every song is full of parts that stand out, so there's always something that grabs you for every song. For example, "Minscrape" features a good snare pattern in a beat. "Second Life" features some well thought out vocal patterns that stick out well. The title track contains the fastest section on the whole album, and it isn't even a blast beat (but still has some velocity). Little things like that appear all over the album, and are unique to each song, which helps it define itself.

This album is a classic, and anyone who considers themselves a fan of good death metal should hunt it down one way or another. I personally think it's a gem and established a very distinct style of death metal that's done just right. This is the best Cianide disc without question. Cianide is still a great band today (and consistent), but, this manages to stand above the rest.

Orphy



..::TRACK-LIST::..

The Dying Truth CD 1992
1. Scourging At The Pillar 5:12
2. The Dying Truth 5:22
3. Funeral 5:50
4. The Suffering 4:12
5. Human Cesspool 3:27
6. Mindscrape 5:30
7. Crawling Chaos 6:02
8. Second Life 6:37

Bonus Tracks:
Funeral Demo 1990
9. Morbid Restitution 3:47
10. Funeral 4:10
11. Choose Your Death 2:27

Second Life Demo 1991
12. The Dying Truth 5:45
13. Mindscrape 5:31
14. Human Cesspool 3:31
15. The Suffering 4:00
16. Second Life 5:46



..::OBSADA::..

Scott Carroll - Guitars
Mike Perun - Bass, Vocals
Jeff Kabella - Drums



https://www.youtube.com/watch?v=5LlEmpKKY50


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Recenzja ta powstała nad wyraz szybko. Naprawdę niedawno (ale oczywiście nie godzinę temu) dostałem materiał w swoje łapy i właśnie spisuje, co mi się tam w głowie cogituje. Nie wiem czy to dobrze dla niego, bo warto było jednak chwilę poczekać, aż opadnie kurz pierwszych emocji. Tak jednak wyszło.

Przyznaję się od razu nie znam wcześniej dokonań Duszę Wypuścił, więc nie wiem czy wraz ze zmianą nazwą nastąpiło nowe otwarcie. Nie na tym się jednak skupimy. Miałem rozmowę ostatnio na temat kina dla masy i ambitnego, a dokładniej rzecz ujmując tworzenia niszy w niszy. Robienie filmów, które w zasadzie są już dla nikogo, bo stają się tak niszowe, tak pozbawione jakiegoś wyraźnego przekazu, że nikt, poza masturbującymi się nimi ich twórcami nie rzuci na nie okiem. Analogicznie wygląda to w przypadku muzyki, nazwijmy to eksperymentalnej (w myśl jednak zasady „wkurwia Cie bauns, nazwij to melanż” możemy ją określić mianem alternatywnej). Z jednej strony jest to cholernie pojemna szuflada w której mieści się wszystko, co nie mainstreamowe, poukładane i radiowe. Z drugiej jednak strony istnieje ryzyko, że w swoim eksperymencie pójdziemy tak daleko, że znikniemy gdzieś tam na jej końcu, gdzie leży to, czego nikt nie chce się tknąć. „Kiedy deszcz zaczął padać na zawsze?” to nie grozi. Ten materiał to naprawdę świetne, wchodzące do głowy wokale. To emocje, które w nich słychać. To przetrawiony alkohol unoszący się nad tym materiałem. To transowy beat, który wbija się do głowy i brzmi na długo po tym jak muzyka ucichnie. To dźwiękowy misz-masz, którego nie będę opisywał, bo tak szczerze, ciężko mi znaleźć dobre porównania, bo to nie moje granie. To chyba najlepszy na płycie „Specjalista od buntu”. Alkoholowy walczyk powykrzywiany nieznośne i ciekawi mnie czy znalazłby miejsce na śląskiej liście szlagierów na TVS, których prywatnie jestem fanem. Zdaje sobie sprawę, że chuja Wam to powiedziało, ale to może być przyczynek do zaopatrzenia się w ten materiał, bo naprawdę warto, że tak sobie pozwolę odkryć wszystkie karty. Ten materiał to w końcu teksty z nawiązaniami do Eposu o Gilgameszu. Jest też wspomniany „Specjalista od buntu” i tak szczerze zastanawiam się czyj to jest tekst. W sensie, kto jest jego autorem.

Tytułem podsumowania „Kiedy deszcz zaczął padać na zawsze?” to alkohol, Gilgamesz i trans. Kolejność dowolna.

Ef



..::TRACK-LIST::..

1. Który wszystko widział 03:42
2. Kiedy deszcz zaczął padać na zawsze? 03:09
3. Specjalista od buntu 03:30
4. Saturn jest słodki w smaku 02:56



https://www.youtube.com/watch?v=TUnIoj6rMuA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Recenzja ta powstała nad wyraz szybko. Naprawdę niedawno (ale oczywiście nie godzinę temu) dostałem materiał w swoje łapy i właśnie spisuje, co mi się tam w głowie cogituje. Nie wiem czy to dobrze dla niego, bo warto było jednak chwilę poczekać, aż opadnie kurz pierwszych emocji. Tak jednak wyszło.

Przyznaję się od razu nie znam wcześniej dokonań Duszę Wypuścił, więc nie wiem czy wraz ze zmianą nazwą nastąpiło nowe otwarcie. Nie na tym się jednak skupimy. Miałem rozmowę ostatnio na temat kina dla masy i ambitnego, a dokładniej rzecz ujmując tworzenia niszy w niszy. Robienie filmów, które w zasadzie są już dla nikogo, bo stają się tak niszowe, tak pozbawione jakiegoś wyraźnego przekazu, że nikt, poza masturbującymi się nimi ich twórcami nie rzuci na nie okiem. Analogicznie wygląda to w przypadku muzyki, nazwijmy to eksperymentalnej (w myśl jednak zasady „wkurwia Cie bauns, nazwij to melanż” możemy ją określić mianem alternatywnej). Z jednej strony jest to cholernie pojemna szuflada w której mieści się wszystko, co nie mainstreamowe, poukładane i radiowe. Z drugiej jednak strony istnieje ryzyko, że w swoim eksperymencie pójdziemy tak daleko, że znikniemy gdzieś tam na jej końcu, gdzie leży to, czego nikt nie chce się tknąć. „Kiedy deszcz zaczął padać na zawsze?” to nie grozi. Ten materiał to naprawdę świetne, wchodzące do głowy wokale. To emocje, które w nich słychać. To przetrawiony alkohol unoszący się nad tym materiałem. To transowy beat, który wbija się do głowy i brzmi na długo po tym jak muzyka ucichnie. To dźwiękowy misz-masz, którego nie będę opisywał, bo tak szczerze, ciężko mi znaleźć dobre porównania, bo to nie moje granie. To chyba najlepszy na płycie „Specjalista od buntu”. Alkoholowy walczyk powykrzywiany nieznośne i ciekawi mnie czy znalazłby miejsce na śląskiej liście szlagierów na TVS, których prywatnie jestem fanem. Zdaje sobie sprawę, że chuja Wam to powiedziało, ale to może być przyczynek do zaopatrzenia się w ten materiał, bo naprawdę warto, że tak sobie pozwolę odkryć wszystkie karty. Ten materiał to w końcu teksty z nawiązaniami do Eposu o Gilgameszu. Jest też wspomniany „Specjalista od buntu” i tak szczerze zastanawiam się czyj to jest tekst. W sensie, kto jest jego autorem.

Tytułem podsumowania „Kiedy deszcz zaczął padać na zawsze?” to alkohol, Gilgamesz i trans. Kolejność dowolna.

Ef



..::TRACK-LIST::..

1. Który wszystko widział 03:42
2. Kiedy deszcz zaczął padać na zawsze? 03:09
3. Specjalista od buntu 03:30
4. Saturn jest słodki w smaku 02:56



https://www.youtube.com/watch?v=TUnIoj6rMuA



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

składanka mireczka-a takie tam vol.52
Gatunek: Dance,Disco,Vixa/Pompa,Trance
Rok:2025
mp3@320kbps
CZAS:01:42:59

...( TrackList )...

1.Bajorson & Śliwa, Aron&Krux, Dawid Obserwator - Piątek (Remix)
2.Ellie Goulding - Lights (LUNATIC X SINNOH Remix)
3.Boski Heniek & Maka, Pancio - Jadę z nią (Remix)
4.Boski Heniek & Maka, Pancio - Jadę z nią (VAYTO Remix)
5.Hazel vs Damien x KIMIK x Crouzer - Bania Bania Bitch (2025)
6.KubaS - House Down (KuxD Edit) 2025
7.Pezet & Wani - Dom nad wodą (Dj Przemooo Bootleg)
8.Westbam feat. Cosmos & DBL X Dj Alien vs. Rocos & Marco Marecki - Agharta driver (2025)
9.ZEAMSONE - 4 RANO (CAMEN x SXB x DJ KACPER BOOTLEG)
10.Nerus & Kaka & Sound Bass - Hola blow papi (spacedj Mush EDIT) 2025
11.MICHU & ZECIK - PORYTY BRAINROT (mix)
12.Roman Messer & Diandra Faye - Why So Serious
13.ĆWIARAAA - PP Energy
14.Cascada - Ready Or Not (DJ Arix Bootleg)
15.Dikej ft. Sylwia Grzeszczak - Redukcja But Odcięcie (DJ PUDEL EDIT)
16.WESTBAM - Aghata ( BONIU ReFresh) 2025
17.DJ Layla - DON'T GO (ft. Malina Tanase) (Remix)
18.DJ Klubbingman & Yomanda & Mauro Picotto x DanieL - Love Opera (2025)
19.MATTN & Mairee x C-Bool x Gigi D'Agostino - Would Dodo You Feel Bla bla bla (2025)
20.SKOLIM - Daj mi Jedno Słowo (VAYTO Remix)
21.A.R. Rahman, The Pussycat Dolls ft. Nicole Scherzinger - Jai Ho (Dj Przemooo Bootleg)
22.Andy Judge - Castles In The Sky (Mix) 2025
23.I.Got.U x DNF x Komar & Blaga feat. Mevis vs. Danil - Ready for the rave (2025)
24.Discotekk - Summertime Sadness (Extended Mix)
25.Klubbheads & Toxic - Kickin' Hard (LegoDJ VIXA EDIT) 2025
26.Dżeju - Turn Me Up (Original Mix)
27.VEASON - BOGINI (Dj Squirrel Remix) 2025
28.M4CHA - Sippin VBL's (Extended Mix)
29.ROBIN SCHULZ & RICHARD JUDGE – SHOW ME LOVE (REMIX)
30.Rafonix & Toneex & Komar & Gregory R - On wstał, stary wstał

..::INFO::..

---------------------------------------------------------------------
Tracy Chapman - Greatest Hits
---------------------------------------------------------------------

Artist...............: Tracy Chapman
Album................: Greatest Hits
Genre................: Folk
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Elektra

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Tracy Chapman - Telling Stories [03:58]
2. Tracy Chapman - Baby Can I Hold You [03:12]
3. Tracy Chapman - Change [05:04]
4. Tracy Chapman - The Promise [05:25]
5. Tracy Chapman - Open Arms [04:34]
6. Tracy Chapman - Subcity [05:10]
7. Tracy Chapman - Fast Car [04:56]
8. Tracy Chapman - Bang Bang Bang [04:22]
9. Tracy Chapman - Crossroads [04:12]
10. Tracy Chapman - Speak The Word [04:10]
11. Tracy Chapman - Smoke And Ashes [06:38]
12. Tracy Chapman - Sing For You (Single Version) [03:41]
13. Tracy Chapman - You're The One [03:04]
14. Tracy Chapman - Save Us All [03:44]
15. Tracy Chapman - All That You Have Is Your Soul [05:14]
16. Tracy Chapman - Talkin' 'bout A Revolution [02:39]
17. Tracy Chapman - Give Me One Reason [04:28]
18. Tracy Chapman - Stand By Me [02:49]

Playing Time.........: 01:17:27
Total Size...........: 496,49 MB

..::INFO::..

---------------------------------------------------------------------
Michael Jackson - The Essential (2 CD)
---------------------------------------------------------------------

Artist...............: Michael Jackson
Album................: The Essential
Genre................: Pop
Source...............: CD
Year.................: 2005
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Epic / Legacy

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. The Jackson 5 - I Want You Back [02:58]
2. The Jackson 5 - ABC [02:57]
3. The Jackson 5 - The Love You Save [03:05]
4. Michael Jackson - Got To Be There [03:25]
5. Michael Jackson - Rockin' Robin [02:32]
6. Michael Jackson - Ben [02:46]
7. The Jacksons - Blame It On The Boogie [03:30]
8. The Jacksons - Shake Your Body (Down To The Ground) [03:45]
9. Michael Jackson - Don't Stop 'Til You Get Enough [03:56]
10. Michael Jackson - Off The Wall [03:46]
11. Michael Jackson - Rock With You [03:23]
12. Michael Jackson - She's Out Of My Life [03:37]
13. Michael Jackson - Can You Feel It [03:50]
14. Michael Jackson & Paul McCartney - The Girl Is Mine [03:41]
15. Michael Jackson - Billie Jean [04:52]
16. Michael Jackson - Beat It [04:18]
17. Michael Jackson - Wanne Be Startin' Somethin' [04:17]
18. Michael Jackson - Human Nature [03:45]
19. Michael Jackson - P.Y.T. (Pretty Young Thing) [03:58]
20. Michael Jackson And Siedah Garrett - I Just Can't Stop Loving You [04:11]
21. Michael Jackson - Thriller [05:14]

Playing Time.........: 01:17:55
Total Size...........: 548,47 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Michael Jackson - Bad [04:06]
2. Michael Jackson - The way you make me feel [04:26]
3. Michael Jackson - Man in the mirror [05:18]
4. Michael Jackson - Dirty Diana [04:40]
5. Michael Jackson - Another part of me [03:46]
6. Michael Jackson - Smooth criminal [04:17]
7. Michael Jackson - Leave me alone [04:39]
8. Michael Jackson - Black or white [03:21]
9. Michael Jackson - Remember the time [03:59]
10. Michael Jackson And Mystery Girl - In the closet [04:48]
11. Michael Jackson - Who is it [03:59]
12. Michael Jackson - Heal the world [06:24]
13. Michael Jackson - Will you be there [03:40]
14. Michael Jackson - You are not alone [04:55]
15. Michael Jackson - Earth song [05:02]
16. Michael Jackson - They don't care about us [04:44]
17. Michael Jackson - You rock my world [05:08]

Playing Time.........: 01:17:22
Total Size...........: 543,24 MB

...( Info )...

Artist: Marianne Faithfull
Album: Burning Moonlight
Year: 2025
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Burning Moonlight
02. Love Is (Head Version)
03. Three Kinsmen Bold
04. She Moved Thru’ The Fair

...( Info )...
Title: Harvesters Of Suffering
Artist: Murderhorde
Year: 2025
Genre: Death, Sludge-Metal
Country: USA

Duration: 00:46:19
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Earth Is a Pasture for Human Souls
02. An Exercise of Futility
03. A Dispute
04. To Say We End
05. Tithes of Innumerous Corruption
06. Husks (The Death You Face)
07. It Loomed Within the Ether
08. Abhor the Sun
09. Cursed Flesh Walks
10. The Unfinished One

...( Info )...
Title: Feelings Of Nausea
Artist: Gore Temptations
Year: 2025
Genre: Progressive, Death-Metal
Country: Brazil

Duration: 00:31:00
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01.Constant Mutation
02.Overgenocide
03.Nothing Detected
04.Ground Zero
05.Eras of Wrath
06.Disconnection
07.Regain the Power
08.The Trial
09.Feelings of Nausea

...( Info )...
Title: Deus Ex Machina
Artist: Attenuated
Year: 2025
Genre: Heavy-Metal
Country: Costa Rica

Duration: 00:33:06
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Face the Fire
02. Deus Ex Machina
03. Deeper Below
04. Six Hours 'til Dawn
05. Lights Out (On Planet Earth)
06. Eye of the Storm
07. Await the Day
08. Heavy Stuff

...( Info )...
Title: Profanation Of The Adamic Covenant
Artist: Ritual Ascension
Year: 2025
Genre: Death, Doom-Metal
Country: USA

Duration: 00:47:36
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Womb Exegesis
2. Pillars of Antecedence
3. Cursed Adamic Tongues
4. Consummation Rites
5. Kolob (At the Throne of Elohim)

...( Info )...
Title: Nuclear Booze Patrol
Artist: Atomizator
Year: 2025
Genre: Thrash, Speed-Metal
Country: Switzerland

Duration: 00:41:27
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. U-235
2. Permanent Injury
3. Thrash Compactor
4. Toxic Highway
5. Laser Bite
6. 12-Gauge Carnage
7. Total Wipeout
8. Terror 404
9. System (T)error
10. Last Breath
11. Atomizator
12. N.B.P. (Nuclear Booze Patrol)

...( Info )...
Title: Death Of The Almighty
Artist: Exileth
Year: 2025
Genre: Death-Metal
Country: Armenia

Duration: 00:35:28
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Overture to Hate
2. Atrocities
3. Autumn Leaves
4. Genocidal Lust
5. Ի՛ Զեն
6. Death of the Almighty
7. Siege of Mind
8. Burned Alive
9. ed Violence
10. Exileth
11. War Unend

...( Info )...
Title: Blackened Skies, Open Graves
Artist: Buried Faith
Year: 2025
Genre: Thrash-Metal
Country: Germany

Duration: 00:33:07
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Bloodstorm Rising
2. Buried Faith
3. Halls of the Wretched
4. Blackened Skies, Open Graves
5. Massive Aggression
6. All This Blood
7. False Prophecies
8. Secrets of the Plague

...( Info )...
Artist: Behemoth
Album: The Shit Ov God
Country: Poland
Label: Nuclear Blast
Release date: 2025
Genre: Blackened Death Metal
Format: MP3
Bitrate: 320 kbps
Duration: 00:37:57

...( TrackList )...
01 - The Shadow Elite [00:04:39]
02 - Sowing Salt [00:03:07]
03 - The Shit Ov God [00:05:36]
04 - Lvciferaeon [00:04:16]
05 - To Drown The Svn In Wine [00:03:29]
06 - Nomen Barbarvm [00:05:03]
07 - O Venvs, Come! [00:05:55]
08 - Avgvr (The Dread Vvltvre) [00:05:49]

...( Info )...
Title: Desolation Boulevard (Rem. 2005)
Artist: Sweet
Year: 1974/2005
Genre: Rock
Country: UK

Duration: 01:15:21
Format/Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList )...
01. The Six Teens [00:04:01]
02. Solid Gold Brass [00:05:29]
03. Turn It Down [00:03:27]
04. Medussa [00:04:41]
05. Lady Starlight [00:03:11]
06. Man With the Golden Arm [00:08:26]
07. Fox on the Run [00:04:45]
08. Breakdown [00:03:03]
09. My Generation [00:03:53]
10. Teenage Rampage [00:03:34]
11. Own Up, Take a Look at Yourself [00:03:57]
12. Burn on the Flame [00:03:36]
13. Someone Else Will [00:03:23]
14. Medussa (home demo) [00:05:48]
15. Burn on the Flame (home demo) [00:03:58]
16. I Wanna Be Committed [00:03:10]
17. Fox on the Run (7. version) [00:03:22]
18. Miss Demeanor [00:03:29]

...( Info )...
Title: Beneath The Flesh
Artist: Silius
Year: 2025
Genre: Thrash, Groove-Metal
Country: Austria

Duration: 00:51:16
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Gone and Forgotten
2. Captive Breeding
3. Reign Divide
4. Columbian Necktie
5. The Shadow over…
6. Innsmouth
7. Beneath the Flesh
8. Down my Stone
9. Verdun
10. Shell Shocked
11. Eat the Priest
12. Rise in Riot
13. Satanic Embrace
14. Solitude (Black Sabbath cover)

...( Info )...
Title: Thicker Than Water
Artist: Brathair
Year: 2025
Genre: Doom-Metal
Country: USA

Duration: 01:00:13
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. A Stern Warning of Things to Come
2. Get Me Low
3. Heavy Lies the Crown
4. Ne Obliviscaris
5. Find Our Way
6. Make Your Bones
7. Hideaway
8. Over and Over
9. A Demon's Whisper
10. Planets Collide

...( Info )...
Title: The Crucible Of Brutal Opposition
Artist: Chironex
Year: 2025
Genre: Progressive, Death-Metal
Country: USA

Duration: 00:35:03
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Soul Purge
02. Matses
03. Swagyu Beef
04. Arjuna
05. Musashi
06. Omnissiah
07. Blood Of The Beast
08. So Wet
09. Minokawa

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Płyta okrutna, miażdżąca swą intensywnością!
Okładka płyty Abomination, stanowi ważną wskazówkę dotyczącą tego, czego możecie się spodziewać po odpaleniu krążka.
No i Krzysiu na bębenku...



..::TRACK-LIST::..

1. Brooding Fear 01:49
2. Odium Generis Humani 03:33
3. Scorn 03:04
4. Baal-Zebul 04:24
5. Holy Poison 04:45
6. The Killing Fields of Judah 05:03
7. Damnation 04:31
8. Blood Dawn 04:51



..::OBSADA::..

Tamas Csiszar - Guitars
Set Vox Inferni - Vocals
Lorenzo Mulsch - Bass
Krzysztof Klingbein - Session Drums



https://www.youtube.com/watch?v=HCX5BBFLldM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Płyta okrutna, miażdżąca swą intensywnością!
Okładka płyty Abomination, stanowi ważną wskazówkę dotyczącą tego, czego możecie się spodziewać po odpaleniu krążka.
No i Krzysiu na bębenku...



..::TRACK-LIST::..

1. Brooding Fear 01:49
2. Odium Generis Humani 03:33
3. Scorn 03:04
4. Baal-Zebul 04:24
5. Holy Poison 04:45
6. The Killing Fields of Judah 05:03
7. Damnation 04:31
8. Blood Dawn 04:51



..::OBSADA::..

Tamas Csiszar - Guitars
Set Vox Inferni - Vocals
Lorenzo Mulsch - Bass
Krzysztof Klingbein - Session Drums



https://www.youtube.com/watch?v=HCX5BBFLldM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Akustyczny Marillion naprawdę potrzebuje intymności. Wtedy unosi się to
coś...



..::TRACK-LIST::..

Recorded 17 November 2000 at the Bass Museum, Burton-on-Trent, England.

1. Intro 0:58
2. Go! 5:41
3. After Me 3:54
4. Alone Again In The Lap Of Luxury 5:18
5. Cinderella Search 3:43
6. The Space... 4:47
7. A Collection 7:15
8. Beautiful 5:15
9. Afraid Of Sunrise 5:52
10. Sympathy 4:44
11. Number One 3:18
12. Dry Land 6:09
13. Sugar Mice 5:50
14. Gazpacho 5:33
15. 80 Days 5:33
16. Answering Machine 6:49
17. How Will You Go 4:39
18. Cannibal Surf Babe 6:38
19. Way Over Yonder (Carole King cover) 7:49
20. Let It Be (The Beatles cover) 4:46

Extra Feature:
21. Map Of The World (Photo Gallery) 3:59



..::OBSADA::..

Guitar - Steve Rothery
Keyboards - Mark Kelly
Liner Notes, Vocals - Steve Hogarth
Bass - Pete Trewavas
Drums - Ian Mosley




SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



DVD 9
PAL
16:9
DD 2.00



..::TRACK-LIST::..

1. Intro
2. Aurora
3. Forgotten
4. Through the Non-Time
5. Pulkovo Meridian
6. Motherland
7. Curtains
8. Heart Of Leningrad
9. Varen'ka
10. Cold Embrace
11. Stalingrad
12. Fall
13. Dolls
14. Credits
15. Teotihuacan (Video)
16. Autographs (Video)
17. Backstage (Video)
18. Sto Festival Obscuro (30.08.2003)
19. Eyescream Metal Fest IV (03.03.2012)
20. Autographs
21. Teotihuacan 2012



..::OBSADA::..

Bass - Andy
Drums - Alex
Guitar - Clode, Dan J. E.
Vocals - Mike Lunacy




https://www.youtube.com/watch?v=pK-8817fnTQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Absolutny KULT!


GUTWRENCH was of one of the early Dutch death metal bands. The band recorded two demos in 1993 and ’94. Gutwrench members also played in Goddess of Desire, Consolation and Pentacle. Their debut demo ‘Wither Without You’ was recorded at Beaufort Studios (Sear Bliss, The Gathering, Delirium). Second demo ‘Beneath Skin’ from 1994 was recorded with Paul van Rijswijk (Destroyer 666, Severe Torture). All tracks are remastered by Pieter Bas Borger. Besides the two demos this release also contains a compilation album track and four studio outtakes, 15 tracks in total. Interview and liner notes by Pim Blankenstein (Lords of Metal journalist), additional liner notes by Arjan van Exter (Inside The Coffin death metal ‘zine). Booklet design by Arjan Janssen (Dead End, Infernal Majesty, Sinister).



..::TRACK-LIST::..

Demo 1 Wither Without You 1993
1. Meatlocker 4:59
2. Necrosis 4:19
3. Crawl 3:28
4. Wither Without You 4:38
5. The Art Of Mutilation 4:36

Displeased Compilation 'Antichrist Superstar' 1994
6. Asphyxia 3:56

Demo 2 Beneath Skin 1994
7. Beneath Skin 4:00
8. Pest Controller 4:24
9. The God Complex 3:36
10. Scarred & Hollow 3:12
11. The Seedling 3:54
12. Cain 5:02

Outtakes Demo 2 Beneath Skin 1994
13. Deadlock Policy 4:10
14. Sixth Sense Visuals 4:44
15. Frostbite 3:44



..::OBSADA::..

Vocals, Guitar - Robert Van Der Mijle (tracks: 1 to 15)
Keyboards - Robert Van Der Mijle (tracks: 7 to 15)
Guitar - Edwin Fölsche (tracks: 1 to 15)
Bass - Harm Noort (tracks: 7 to 15), Olaf Hijne (tracks: 1 to 5)
Drums - Niels Kloosterman (tracks: 1 to 15)



https://www.youtube.com/watch?v=_MrzrhaJ45o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Absolutny KULT!


GUTWRENCH was of one of the early Dutch death metal bands. The band recorded two demos in 1993 and ’94. Gutwrench members also played in Goddess of Desire, Consolation and Pentacle. Their debut demo ‘Wither Without You’ was recorded at Beaufort Studios (Sear Bliss, The Gathering, Delirium). Second demo ‘Beneath Skin’ from 1994 was recorded with Paul van Rijswijk (Destroyer 666, Severe Torture). All tracks are remastered by Pieter Bas Borger. Besides the two demos this release also contains a compilation album track and four studio outtakes, 15 tracks in total. Interview and liner notes by Pim Blankenstein (Lords of Metal journalist), additional liner notes by Arjan van Exter (Inside The Coffin death metal ‘zine). Booklet design by Arjan Janssen (Dead End, Infernal Majesty, Sinister).



..::TRACK-LIST::..

Demo 1 Wither Without You 1993
1. Meatlocker 4:59
2. Necrosis 4:19
3. Crawl 3:28
4. Wither Without You 4:38
5. The Art Of Mutilation 4:36

Displeased Compilation 'Antichrist Superstar' 1994
6. Asphyxia 3:56

Demo 2 Beneath Skin 1994
7. Beneath Skin 4:00
8. Pest Controller 4:24
9. The God Complex 3:36
10. Scarred & Hollow 3:12
11. The Seedling 3:54
12. Cain 5:02

Outtakes Demo 2 Beneath Skin 1994
13. Deadlock Policy 4:10
14. Sixth Sense Visuals 4:44
15. Frostbite 3:44



..::OBSADA::..

Vocals, Guitar - Robert Van Der Mijle (tracks: 1 to 15)
Keyboards - Robert Van Der Mijle (tracks: 7 to 15)
Guitar - Edwin Fölsche (tracks: 1 to 15)
Bass - Harm Noort (tracks: 7 to 15), Olaf Hijne (tracks: 1 to 5)
Drums - Niels Kloosterman (tracks: 1 to 15)



https://www.youtube.com/watch?v=_MrzrhaJ45o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Produkt najwyższej jakości!
Miażdżące riffy przeplatane wspaniałymi melodiami, a całość opakowana technicznym kunsztem!
Jeden z najlepszych w 2021 roku!

FA


Six years is a long time to wait. When a band takes this long in between records, sometimes they spend it slowly honing their sound and improving everything they can. Sometimes they simply lose interest and are never the same. Based on last year’s EP, Alustrium still have plenty of interest in their music. The six year wait paid off, and now I have the task of putting how good their new release sounds into words.

Alustrium are a US-based technical death metal band currently signed to Unique Leader Records. Of major technical death metal influences, their sound leans towards the clean virtuosic end of the genre, similar to The Faceless or Obscura. Alustrium’s specific brand of technical death metal involves stuffing everything they can into a record, and then cramming two more full tracks complete with excessive solos on top. Even though this description raises every red flag of “soulless technical death metal” that can be found, Alustrium cram emotional earnestness and breathing room in their records along with everything else, so concerned potential listeners should safely proceed without anxiety.

A Monument To Silence improves on A Tunnel To Eden (The band’s excellent 2015 release) in two large ways. First, A Monument To Silence flows as well as any technical death metal album I’ve ever heard. A Tunnel To Eden didn’t exactly fail in this regard, but Alustrium obviously used the six years between albums to great benefit. Everything feels completely natural. Verses and solos transition seamlessly to rather insane choruses and to each other, and I found it easy to lose myself in the ambience of this record.

Let’s talk about those choruses more. Another improvement from A Tunnel To Eden that Alustrium offer the listener is simple, pure catchiness. I have now had one moment from “The Hollow Ache” stuck in my head for over a month now. Again, A Tunnel To Eden was a great record and did extremely well in this regard. With A Monument To Silence, Alustrium have only improved.

Against the rest of the technical death metal field, Alustrium don’t challenge the genre’s greats by creating an enticing atmosphere (although they do that as well), or by drowning the listener in dissonance, or by pushing the boundaries of what people conceive as death metal. Instead, they simply write and perform death metal as well as anyone. This is evident in the amazing choruses and flow of A Monument To Silence, but also in the little things. In the slight pauses before the chorus hits in “Join the Dead.” In the wavering tone of some of the slower guitar solos. A Monument To Silence does nothing new or unique, instead Alustrium crafted every moment to near perfection.

My issues with this record feel like they could be someone else’s favorite part. The production feels overly harsh at times, but that only highlights Alustrium’s heaviness and technicality. This record is over an hour long, but I would miss any song that got cut and appreciate how much of a good thing Alustrium are giving their audience here. There is a bizarre drum solo moment at the end of “Join the Dead” that almost went very poorly, but instead creates a nice diversion. “Dreamless Sleep” is an unnecessary interlude, but I find it quite pleasant and a good leadup to the next track. Nothing I could throw at A Monument To Silence lessens how good this record sounds.

I haven’t even mentioned how well this works as a concept album, or the return of previous moments in the amazing final track. I could go on for a long time, but words can’t do this album justice. With A Monument To Silence, Alustrium are no longer in the realm of bands like Beyond Creation or Inferi (both of whom I highly recommend as well). Their new peers are bands like Necrophagist and Death. A Monument To Silence is the best album of the year so far, and the best new release I’ve ever reviewed. I hope to listen to it for a long time.

Nathan


Philadelphia’s progressive tech death architects Alustrium smashed out an album for the ages with their 2015 opus A Tunnel to Eden. The sophomore LP presented a kaleidoscopic, grand in scale masterwork of progressive and technical death metal, featuring serious instrumental and compositional chops, while possessing tons of heart and style. Despite being a little too bloated and ambitious for its own good, the pros far outweighed the miniscule cons to deliver a knockout punch. Punctuated by 2020’s strong Insurmountable EP, it has been a long time between drinks on the full-length recording front. Curiously slipping under the radar, Alustrium’s third album, A Monument to Silence is now upon us.

“The Hollow Ache” sets the bar high from the get-go, mutating from gently hypnotic beginnings and whispered vocals into a beastly tune, immediately showcasing Alustrium’s firm grasp of smart songwriting dynamics and brain melting technicality, underpinned by dexterous melodic currents, insidious hooks, and proggy twists. All the trademark Alustrium ingredients are in place, yet A Monument to Silence shows a band not content to coast or create a half-baked sequel to a blockbuster original. A Monument to Silence maintains the band’s ambitious streak, while carving out its own chunk of character. It has a notably darker, edgier tone than its predecessor, almost blackened at times, while the relentless barrage of scattershot percussion, lightning fretwork, jacked speed, and dueling vocals, leaning heavily on the high and low trade-off variants, courses energy, fury, and aggression into the album’s veins.

Deft arrangements and progressive tints do not detract from the fact these cats bring the heaviness tenfold. The album has serious fucking teeth, counteracting the complexity and prog foundations. Take the frenetic tradeoffs and rugged grooves at the midpoint of “Hunted,” or the damaging breakdown rearing up on “Join the Dead” for examples of Alustrium’s heavier capabilities. Alustrium balance each component expertly into a cohesive whole. The proggified tech is never used as a crutch, while creating memorable songs full of unpredictable twists, character and emotional pull is the band’s bread and butter. Cranking the momentum beyond the high quality early throes, back to back bangers, “The Accuser” and “The Plea,” are like two sinister peas conspiring in a pod, flexing Alustrium’s progressive muscle and multifaceted dynamics; tinkering with tricky rhythmic patterns, experimental vocal interplay, and complex structures, while dispensing power packed riffs, flashy solos, and seething grooves. The former even sets off some Tool vibes during its early passages.

“Deliverance of the Damned” recalls flashes of Necrophagist and a beefed up The Black Dahlia Murder during its thrashy, tech-death passages. Album pacing is solid, culminating in the epic title track, containing nifty links to the album opener. I often bitch about metal albums that drag past their welcome, or marble otherwise strong material with unnecessary fat and gristle. However A Monument to Silence does not fall into the category of overcooked ideas stuffed into a too small casing. Yeah if I was being a bastard I could scrape the barrel for reasons and shave a couple of minutes, but it would be like separating layers of skin with a scalpel. Alustrium’s willingness to push the envelope and incorporate surprising turns maintains intrigue. Performances are expectedly outstanding, especially from livewire guitar combo of Mike DeMaria and Chris Kelly (also on shared vocals). The axe wielding duo’s playing is at once adventurous, intricate, extravagant, and still metal as fuck, while Kevin Corkran is phenomenal on the skins, propelling each song with his flowing style and creative, high energy chops. The material screams for a richer, more dynamic master, while the second half of the album ever so slightly dips in quality, but these are relatively minor gripes in the big scheme of things

Alustrium is a class act and A Monument to Silence consolidates their position at the forefront of the modern prog and tech death scenes. A Tunnel to Eden took a while to fully absorb and appreciate, growing in stature over time, so I can see A Monument to Silence following a similar path. Some may miss the overly hyperactive, playful qualities and flair of its predecessor, but I can not imagine most fans of Alustrium’s prior works being disappointed with what they have served up here. Intelligent, regal, blistering, brutal, and superbly composed, A Monument to Silence is must listen stuff for fans of prog and tech infused death.

Saunders



..::TRACK-LIST::..

1. This Hollow Ache 06:42
2. Join the Dead 06:09
3. Hunted 03:58
4. The Accuser 08:47
5. The Plea 07:26
6. Dreamless Sleep 01:05
7. Blood for Blood 04:32
8. Deliverance for the Damned 06:25
9. Worthless Offers 06:53
10. A Monument to Silence 10:39



..::OBSADA::..

Mike DeMaria - Guitars, Songwriting
Kevin Corkran - Drums
Kevin Penny - Bass, Songwriting (track 8)
Jerry Martin - Vocals (lead), Lyrics
Chris Kelly - Vocals, Songwriting (tracks 1-5, 7-10), Guitars



https://www.youtube.com/watch?v=A1rnM5zqEwY



SEED 15:00-22:00.
POLECAM!!!