...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::TRACK-LIST::..

1. Tell Her You Belong to Me
2. Sugar Shack
3. For My Friend (Bill Withers cover)
4. Try a Little Harder
5. I'll Take Care of You (Bobby "Blue" Bland cover)
6. Rub Me for Luck
7. Easy
8. Isolation
9. Mama This One's for You
10. Without Words in the Way
11. Baby Shot Me Down
12. Spanish Lullabies
13. Bad Woman Blues
14. I'd Rather Go Blind



..::OBSADA::..

Beth Hart - vocals, piano, acoustic guitar, bass
Jon Nichols - electric and acoustic guitar
Bill Ransom - drums, percussion
Tom Lilly - electric and upright bass




https://www.youtube.com/watch?v=iaN_e6SvkNM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Trzeci album nowojorczyków z Malignancy. Ekstremalnie brutalna dawka technicznego death metalu!

Dla fanów MORTICIAN, SUFFOCATION, DYING FETUS, DEVOURMENT, WORMED.



Originally I started listening to this album thinking that I am going to hate it. Why? Because it's different and for a cult classic band such as Malignancy that already put out a handful of amazing releases, it's not always the best idea to change sound and style. While I was listening to this release for the first 1-2 times I thought this was just a toned-down version of Intrauterine Cannibalism when in reality this is much much more than that.

First things first, Roger is back in the band although this time he takes up the bass duties and leaves the drumming to Mike Heller. The fact that he is back in the band didn't really excite me all that much until I heard the amazing bass sound they are working with. It's loud, it's fast and it's an all-around amazing piece of a technical element that they managed to sneak into their mostly riff-heavy music. The riffs on this record are even better than they were on Inhuman Grotesqueries since they are actually a lot more memorable than they were on the previous record. I think at this point in their career it's pretty obvious that Danny Nelson's vocals are always top-notch both in terms of brutality and variety. This doesn't change this time either. The really low and guttural growls sometimes mixed with the high-pitched screams of this guy is just insane.

To start of the album, we get a strange intro with a bunch of samples cut together, but luckily Roger didn't bring along his Mortician style, so this intro sits well below 1 minute and the only purpose of it, is to lead into Type Zero Civilization (which starts of with one of the greatest screams you will hear from the band). It's a fast-paced track as usual, and the riff with the technical "seasoning" is a real treat to my ears. If you were to compare this song to anything from their debut album you would hear how they evolved over time. The vocals are "cleaner" just like the production, the bass is even louder, the riffs that were mostly chugging brutal death metal riffs are now switched to technical death metal riffs with occasional chugs here and there. It's kinda funny how the slam elements are basically the only thing that hasn't changed over 13 years. Yes, they are still here, but this time they make a strong presence. Breakdowns here and there, but nothing deathcore level of time-wasting, so they don't end up being all that annoying.

The band also managed to take up a new habit. They actually made songs longer than 4 minutes!!! 2 of them to be exact. While the first one Separatists is also a riff-heavy track (at least from my point of view) it starts out with an amazing acoustic intro and goes into few licks which turns into a breakdown soon enough. After that breakdown, the rest of the song is a lot better to be fair. The second 4-minute song, on the other hand, is a lot less interesting. The Breach starts off with a break-neck speed riff, but it quickly transforms into some technical wankery (and not the good kind of tech-wankery). It could have used less technical riffs and more of the already amazing high-pitched screams and we would have gotten an amazing song, but in this case, we just got a song that should have been 2 minutes but is 4 minutes and it's not necessarily able to fill up this time period.

Overall other than the very last track, this album is all killer, no filler. Every second of it screams that it was made by the very best and at this point, 3 full-lengths, 2 EPs and 2 splits into their career I can safely say they are one of the best (if not the very best) and most consistent brutal death metal band ever.

Feast for the Damned



..::TRACK-LIST::..

1. Intro 0:47
2. Type Zero Civilization 2:53
3. Eugenics 2:55
4. Extinction Event 3:03
5. Global Systemic Collapse 3:51
6. Cataclysmic Euphoria 3:17
7. Separatists 4:44
8. Monstrous Indifference 1:23
9. Cryptobiosis 2:28
10. Creatures Of Conformity 2:53
11. The Breach 4:06



..::OBSADA::..

Vocals - Danny Nelson
Guitar - Ron Kachnic
Bass - Roger J. Beaujard
Drums - Mike Heller



https://www.youtube.com/watch?v=UMlkSxwlpXs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Trzeci album nowojorczyków z Malignancy. Ekstremalnie brutalna dawka technicznego death metalu!

Dla fanów MORTICIAN, SUFFOCATION, DYING FETUS, DEVOURMENT, WORMED.



Originally I started listening to this album thinking that I am going to hate it. Why? Because it's different and for a cult classic band such as Malignancy that already put out a handful of amazing releases, it's not always the best idea to change sound and style. While I was listening to this release for the first 1-2 times I thought this was just a toned-down version of Intrauterine Cannibalism when in reality this is much much more than that.

First things first, Roger is back in the band although this time he takes up the bass duties and leaves the drumming to Mike Heller. The fact that he is back in the band didn't really excite me all that much until I heard the amazing bass sound they are working with. It's loud, it's fast and it's an all-around amazing piece of a technical element that they managed to sneak into their mostly riff-heavy music. The riffs on this record are even better than they were on Inhuman Grotesqueries since they are actually a lot more memorable than they were on the previous record. I think at this point in their career it's pretty obvious that Danny Nelson's vocals are always top-notch both in terms of brutality and variety. This doesn't change this time either. The really low and guttural growls sometimes mixed with the high-pitched screams of this guy is just insane.

To start of the album, we get a strange intro with a bunch of samples cut together, but luckily Roger didn't bring along his Mortician style, so this intro sits well below 1 minute and the only purpose of it, is to lead into Type Zero Civilization (which starts of with one of the greatest screams you will hear from the band). It's a fast-paced track as usual, and the riff with the technical "seasoning" is a real treat to my ears. If you were to compare this song to anything from their debut album you would hear how they evolved over time. The vocals are "cleaner" just like the production, the bass is even louder, the riffs that were mostly chugging brutal death metal riffs are now switched to technical death metal riffs with occasional chugs here and there. It's kinda funny how the slam elements are basically the only thing that hasn't changed over 13 years. Yes, they are still here, but this time they make a strong presence. Breakdowns here and there, but nothing deathcore level of time-wasting, so they don't end up being all that annoying.

The band also managed to take up a new habit. They actually made songs longer than 4 minutes!!! 2 of them to be exact. While the first one Separatists is also a riff-heavy track (at least from my point of view) it starts out with an amazing acoustic intro and goes into few licks which turns into a breakdown soon enough. After that breakdown, the rest of the song is a lot better to be fair. The second 4-minute song, on the other hand, is a lot less interesting. The Breach starts off with a break-neck speed riff, but it quickly transforms into some technical wankery (and not the good kind of tech-wankery). It could have used less technical riffs and more of the already amazing high-pitched screams and we would have gotten an amazing song, but in this case, we just got a song that should have been 2 minutes but is 4 minutes and it's not necessarily able to fill up this time period.

Overall other than the very last track, this album is all killer, no filler. Every second of it screams that it was made by the very best and at this point, 3 full-lengths, 2 EPs and 2 splits into their career I can safely say they are one of the best (if not the very best) and most consistent brutal death metal band ever.

Feast for the Damned



..::TRACK-LIST::..

1. Intro 0:47
2. Type Zero Civilization 2:53
3. Eugenics 2:55
4. Extinction Event 3:03
5. Global Systemic Collapse 3:51
6. Cataclysmic Euphoria 3:17
7. Separatists 4:44
8. Monstrous Indifference 1:23
9. Cryptobiosis 2:28
10. Creatures Of Conformity 2:53
11. The Breach 4:06



..::OBSADA::..

Vocals - Danny Nelson
Guitar - Ron Kachnic
Bass - Roger J. Beaujard
Drums - Mike Heller



https://www.youtube.com/watch?v=UMlkSxwlpXs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



SOCIALSTYRELSEN to ciężki d-beat/crustpunk w klimacie M:40, PROTESTERA i MASSMORD.
BRUTE FORCE TRAUMA to mistrzowski kawałek d-beat w klimacie WOLFPACK!



..::OBSADA::..

..::TRACK-LIST::..

SOCIALSTYRELSEN From Värmländsk, Sweden.
Hanna - Vox
Putte - Guitar
Devan - Guitar
Arne - Bass
Sebbe - Drums

1. Asphyxia
2. Kafferep Och Känghäng
3. Jävla As
4. Lusask Blues
5. Helvetesgapet


BRUTE FORCE TRAUMA From Mariestad, Sweden.
Anders - Vocals
Danne - Vocals
Tommy - Guitar
Ludde - Guitar
Markus - Bass
Emil - Drums

6. Mening Och Mål
7. Mayhem Machine
8. Total Apati
9. Post War Scars




https://www.youtube.com/watch?v=JRPgrYuneQY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



SOCIALSTYRELSEN to ciężki d-beat/crustpunk w klimacie M:40, PROTESTERA i MASSMORD.
BRUTE FORCE TRAUMA to mistrzowski kawałek d-beat w klimacie WOLFPACK!



..::OBSADA::..

..::TRACK-LIST::..

SOCIALSTYRELSEN From Värmländsk, Sweden.
Hanna - Vox
Putte - Guitar
Devan - Guitar
Arne - Bass
Sebbe - Drums

1. Asphyxia
2. Kafferep Och Känghäng
3. Jävla As
4. Lusask Blues
5. Helvetesgapet


BRUTE FORCE TRAUMA From Mariestad, Sweden.
Anders - Vocals
Danne - Vocals
Tommy - Guitar
Ludde - Guitar
Markus - Bass
Emil - Drums

6. Mening Och Mål
7. Mayhem Machine
8. Total Apati
9. Post War Scars




https://www.youtube.com/watch?v=JRPgrYuneQY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Drummer, composer, lyricist, improviser, cultural theorist and the individual largely responsible for the existence of ReR/Recommended records, Chris Cutler (like his longtime musical sparring partner Fred Frith) has cast a long shadow over avant rock for over 30 years. He first came to prominence when he joined Henry Cow in 1971, but he had been active on London's psychedelic/underground scene since the mid 60s, and in the early 70s formed the Ottawa Music Company (a large collective of rock composers) with sometime Egg/Hatfields keyboards player Dave Stewart.

When Henry Cow ceased working in 1978, he was instrumental in setting up Recommended Records along with Nick Hobbs, Henry Cow's ex-manager, initially as a distribution service and subsequently as a label in its own right. He also formed the excellent Art Bears with Fred Frith and Dagmar Krause, in which he was lyricist as well as the drummer. Since then he has been involved in a bewildering number of projects, often simultaneously, including The Residents, Pere Ubu, News From Babel, Cassiber, Aqsak Maboul, The EC Nudes and P53. He has also worked as an improviser, notably with Fred Frith (see seperate entry), Thomas DiMuzio and Zeena Parkins. Further to all this, he has also developed a unique electric drum kit - to quote from the man himself: "There are no samples, pads or triggers, just acoustic drums amplified and modified with standard electronic processors ... All this is run into a small 16 channel mixer and out through various standard pedals and guitar effects" (from the sleevenotes to Solo). More details can be found on his website. At various points in its evolution, this kit can be heard on all his post Henry Cow recordings. To date there have been only 2 Cutler solo releases; Solo is live improvisations on the electric drumkit, while Twice Around The World is an album of soundscapes created for London based Resonance FM and described as 'an experiment in listening'. The discography also includes 2 albums recorded with electronics performer Thomas DiMuzio (who has also worked with 5UUs) and one with Zeena Parkins (News From Babel, Skeleton Crew).

A masterful and highly original drummer, he is well worth catching live where his unique style can be seen as well as heard. All of his albums can be recommended, but his collaborations with Thomas DiMuzio are perhaps the best place to start, in particular the masterful Dust. See also Cutler/Frith.

A seminal figure in the RIO scene, Cutler's solo and collaborative works are an essential addition to the RIO/Avant prog category.



10 CDs, 1 DVD, 80pp booklet and box.
To make public a mass of unreleased material I decided to wrap this musical collection into a box. These 10 CDs (and a DVD) include over five hours of unreleased materials, my three previously released solo CDs (‘solo’, ‘twice around the earth’ and ‘there and back again’); plus a double CD collection of tracks spanning 50 years of official recordings (It Makes Sense to Me), as well as the 22-hour radio programme I made for Radio Art Zone last year (that’s on the DVD). 36 hours. Comes with 2 fat books of documentation, artwork, photographs, published and unpublished texts.
for the avoidance of all confusion: of the 5 CDs of 'unreleased materials', 100 copies of 4 of them were privately printed for japan (as CC100, 200, 300 & 400), so a few of you may have them. CC500, the two books and the DVD appear for the first time.

The subscription edition is numbered and signed and comes with an extra CD not otherwise available.



An experiment in listening. These compositions are an offshoot of the daily soundscape programme I ran for Resonance FM radio between July 2001-2002, which consisted of commissioned real-time recordings made all around the world between 23.30 and midnight GMT (the time of the broadcast). This CD begins with material from these broadcasts confecting, as it were, two composites of the Earth and a few of its inhabitants, somewhat analogous to what an impossible satellite ear with pinpoint acuity might hear in transit - plus one ear-cleaning stretch between them, taken from a single hear-point. I have tried to make these pieces both open and to work on parallel levels: not only do they have their own narrative and aesthetic qualities, but I hope they also offer a meditation on listening and not listening, interpretation and structure, chance and microphonics. The list of ears around the world who supplied basic material is too long to print here, but it includes many names familiar from these catalogues, and many from the still young soundscape and phonograpic community. Full details of people and places are given in the booklet, along with artwork and thorough notes. You have to trust me on this, it's a really engaging record. Sometimes unbelieveable. I don't think you'll regret giving it a chance.



Record what you're doing right now. Don't worry about the fidelity, just hit "record" on your walkman or minicassette player, attach it to your pocket and we'll take care of the rest. Yes, I'm interested in what you get on tape. I really do want to hear how your refrigerator door sounds, and what's playing on television through the wall. The traffic outside is of particular interest, as is the conversation of whoever might be sitting nearby, or across the hall, or downstairs. When you have about thirty minutes, stop the tape, and send it to me. Don't worry, I'll take the best snippet, and immortalize your mundane vignette. In fact, ask a couple of your friends to do the same thing, and I'll make all of you stars. Avant-stars!

If this sounds like a waste of time, maybe you need some convincing. British experimental musician Chris Cutler (Henry Cow, Art Bears, Pere Ubu, head of ReR Records) has assembled some of the most interesting aural moments in the lives of other like-minded musicians. He did this for Out of the Blue Radio, a broadcast project funded by the London Musicians Coop from July 2002 to July 2003, using snippets of sound taken from all over the world. The only catch was, his contributors had to record their sound during the time the broadcast would air-- 11:30 pm to midnight, in whatever time zone the person lived. Cutler took the 30-minute records and aired them for the program, unaltered. Think of it as reality entertainment of a sort.

For Twice Around the Earth, Cutler went a step further, editing 43 of the recordings he received into short snippets, and arranged them chronologically into the lengthy title track. Additionally, the piece follows the contributors geographically, acting as a sound guide, literally twice around the world. On this CD, Cutler also includes his recording "Lux", taken from in the inside of a cafeteria, and "Blue Winter": Thirty-four more contributor recordings selected and arranged by Cutler and kindred spirit/engineer Bob Drake.

Since both "Twice Around the Earth" and "Blue Winter" feature dozens of short, physically disconnected segments of sound, you might expect a dizzying, disorienting experience. Far from it: the segments tend to dissolve into one another, and the overall effect is one of constantly shifting, but ever blending still life. The opening of the title track, the Blue Radio theme, replete with clock tower chimes, segues seamlessly into English composer John Scott's jogging along the Thames, which in turn transforms into David Lee Myers' Frog Lake, New York soundscape of, yes, frogs and crickets, moving right along to experimental sound design artist Thomas Dimuzio in San Francisco recording the noise outside his window, only to erupt in Hardy Fox's recording of piano at the Musee Mechanique, also in San Francisco. This is the pace of "Twice Around the World": technically breathless, but in practice, more like an ambient night train. The quieter moments (like Otomo Yoshihide's short Tokyo apartment recording, or the Hafler Trio's Andrew Mackenzie recording the Reykjavik air across the street from Björk's place) never seem far removed from the more boisterous ones (Jon Rose's overheard nightlife conversation in Australia, or the bizarre electronic noise of Haco and Christopher in Kobe, Japan), even when I know they're different in almost every way.

Cutler's "Lux" unfolds more naturally, with uninterrupted activity from a Luxembourg cafeteria. Yes, you get the quiet roar of people talking, the clang of dishes, the squeak of rubber souls on marble, a lone, repeated piano motif in the distance, unintelligible loudspeaker announcements-- practically a greatest hits of urban interior ambience. Background noise it may be, but as with any number of sparse, free improv records, its effectiveness is rooted in an unpredictability even when I "know" exactly what is happening. Of course, there will be people who deny this is music at all, but I'm not sure that's the point. Cutler's document suggests that when the sounds around us are so intrinsically interesting, there's no need to frame them with structure or artifice.

Dominique Leone



..::TRACK-LIST::..

1. - 47. Twice Around The Earth (31:42)
48. Lux (13:52)
49. - 82. Blue Winter (21:46)



..::OBSADA::..

This composite was assembled by Chris Cutler at Studio Midi Pyrenees, France, and was engineered by Robert Drake. The introduction and Coda were made by Chris Cutler at the Elsenstudio, Berlin and were engineered by Lutz Glandien.

The individual recordings heard were made by:
John Scott, David Lee Myers, Tom Dimuzio, Hardy Fox, Nicholas Frances Chase, Daniel Van Beers, Brian Woodbury, Otomo Yoshihide, Brian Labycz, Haco & Christopher, Dickson Dee, Daniel Beban, Peter Cusak, David Kerman, Udi Koomran, Michael Northam, Marzio Carlessi, Michael Maksymenko, Andreas Hagerlüken, Chris Cutler, Will Menter, E.M.Thomas, Andrea Rocca, John Dreever, Tony Whitehead, Andrew McKenzie, Richard Windeyer, Jack Vees, Steve McLean, Phil Zampino, Carmen Borgia, Warren Burt, Annie Gosfield, Nic Collins, Chris deLaurentis, Toby Paddock, Bill Harkelroad, John Kennedy, Jim Denley, Philip Mar, Jon Rose and Warrick Swinney - and were all taken from their contributions to Out of the Blue Radio.
Out of the Blue Radio was conceived and is curated by Chris Cutler.




https://www.youtube.com/watch?v=KrK53xb9-dA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Drummer, composer, lyricist, improviser, cultural theorist and the individual largely responsible for the existence of ReR/Recommended records, Chris Cutler (like his longtime musical sparring partner Fred Frith) has cast a long shadow over avant rock for over 30 years. He first came to prominence when he joined Henry Cow in 1971, but he had been active on London's psychedelic/underground scene since the mid 60s, and in the early 70s formed the Ottawa Music Company (a large collective of rock composers) with sometime Egg/Hatfields keyboards player Dave Stewart.

When Henry Cow ceased working in 1978, he was instrumental in setting up Recommended Records along with Nick Hobbs, Henry Cow's ex-manager, initially as a distribution service and subsequently as a label in its own right. He also formed the excellent Art Bears with Fred Frith and Dagmar Krause, in which he was lyricist as well as the drummer. Since then he has been involved in a bewildering number of projects, often simultaneously, including The Residents, Pere Ubu, News From Babel, Cassiber, Aqsak Maboul, The EC Nudes and P53. He has also worked as an improviser, notably with Fred Frith (see seperate entry), Thomas DiMuzio and Zeena Parkins. Further to all this, he has also developed a unique electric drum kit - to quote from the man himself: "There are no samples, pads or triggers, just acoustic drums amplified and modified with standard electronic processors ... All this is run into a small 16 channel mixer and out through various standard pedals and guitar effects" (from the sleevenotes to Solo). More details can be found on his website. At various points in its evolution, this kit can be heard on all his post Henry Cow recordings. To date there have been only 2 Cutler solo releases; Solo is live improvisations on the electric drumkit, while Twice Around The World is an album of soundscapes created for London based Resonance FM and described as 'an experiment in listening'. The discography also includes 2 albums recorded with electronics performer Thomas DiMuzio (who has also worked with 5UUs) and one with Zeena Parkins (News From Babel, Skeleton Crew).

A masterful and highly original drummer, he is well worth catching live where his unique style can be seen as well as heard. All of his albums can be recommended, but his collaborations with Thomas DiMuzio are perhaps the best place to start, in particular the masterful Dust. See also Cutler/Frith.

A seminal figure in the RIO scene, Cutler's solo and collaborative works are an essential addition to the RIO/Avant prog category.



10 CDs, 1 DVD, 80pp booklet and box.
To make public a mass of unreleased material I decided to wrap this musical collection into a box. These 10 CDs (and a DVD) include over five hours of unreleased materials, my three previously released solo CDs (‘solo’, ‘twice around the earth’ and ‘there and back again’); plus a double CD collection of tracks spanning 50 years of official recordings (It Makes Sense to Me), as well as the 22-hour radio programme I made for Radio Art Zone last year (that’s on the DVD). 36 hours. Comes with 2 fat books of documentation, artwork, photographs, published and unpublished texts.
for the avoidance of all confusion: of the 5 CDs of 'unreleased materials', 100 copies of 4 of them were privately printed for japan (as CC100, 200, 300 & 400), so a few of you may have them. CC500, the two books and the DVD appear for the first time.

The subscription edition is numbered and signed and comes with an extra CD not otherwise available.



An experiment in listening. These compositions are an offshoot of the daily soundscape programme I ran for Resonance FM radio between July 2001-2002, which consisted of commissioned real-time recordings made all around the world between 23.30 and midnight GMT (the time of the broadcast). This CD begins with material from these broadcasts confecting, as it were, two composites of the Earth and a few of its inhabitants, somewhat analogous to what an impossible satellite ear with pinpoint acuity might hear in transit - plus one ear-cleaning stretch between them, taken from a single hear-point. I have tried to make these pieces both open and to work on parallel levels: not only do they have their own narrative and aesthetic qualities, but I hope they also offer a meditation on listening and not listening, interpretation and structure, chance and microphonics. The list of ears around the world who supplied basic material is too long to print here, but it includes many names familiar from these catalogues, and many from the still young soundscape and phonograpic community. Full details of people and places are given in the booklet, along with artwork and thorough notes. You have to trust me on this, it's a really engaging record. Sometimes unbelieveable. I don't think you'll regret giving it a chance.



Record what you're doing right now. Don't worry about the fidelity, just hit "record" on your walkman or minicassette player, attach it to your pocket and we'll take care of the rest. Yes, I'm interested in what you get on tape. I really do want to hear how your refrigerator door sounds, and what's playing on television through the wall. The traffic outside is of particular interest, as is the conversation of whoever might be sitting nearby, or across the hall, or downstairs. When you have about thirty minutes, stop the tape, and send it to me. Don't worry, I'll take the best snippet, and immortalize your mundane vignette. In fact, ask a couple of your friends to do the same thing, and I'll make all of you stars. Avant-stars!

If this sounds like a waste of time, maybe you need some convincing. British experimental musician Chris Cutler (Henry Cow, Art Bears, Pere Ubu, head of ReR Records) has assembled some of the most interesting aural moments in the lives of other like-minded musicians. He did this for Out of the Blue Radio, a broadcast project funded by the London Musicians Coop from July 2002 to July 2003, using snippets of sound taken from all over the world. The only catch was, his contributors had to record their sound during the time the broadcast would air-- 11:30 pm to midnight, in whatever time zone the person lived. Cutler took the 30-minute records and aired them for the program, unaltered. Think of it as reality entertainment of a sort.

For Twice Around the Earth, Cutler went a step further, editing 43 of the recordings he received into short snippets, and arranged them chronologically into the lengthy title track. Additionally, the piece follows the contributors geographically, acting as a sound guide, literally twice around the world. On this CD, Cutler also includes his recording "Lux", taken from in the inside of a cafeteria, and "Blue Winter": Thirty-four more contributor recordings selected and arranged by Cutler and kindred spirit/engineer Bob Drake.

Since both "Twice Around the Earth" and "Blue Winter" feature dozens of short, physically disconnected segments of sound, you might expect a dizzying, disorienting experience. Far from it: the segments tend to dissolve into one another, and the overall effect is one of constantly shifting, but ever blending still life. The opening of the title track, the Blue Radio theme, replete with clock tower chimes, segues seamlessly into English composer John Scott's jogging along the Thames, which in turn transforms into David Lee Myers' Frog Lake, New York soundscape of, yes, frogs and crickets, moving right along to experimental sound design artist Thomas Dimuzio in San Francisco recording the noise outside his window, only to erupt in Hardy Fox's recording of piano at the Musee Mechanique, also in San Francisco. This is the pace of "Twice Around the World": technically breathless, but in practice, more like an ambient night train. The quieter moments (like Otomo Yoshihide's short Tokyo apartment recording, or the Hafler Trio's Andrew Mackenzie recording the Reykjavik air across the street from Björk's place) never seem far removed from the more boisterous ones (Jon Rose's overheard nightlife conversation in Australia, or the bizarre electronic noise of Haco and Christopher in Kobe, Japan), even when I know they're different in almost every way.

Cutler's "Lux" unfolds more naturally, with uninterrupted activity from a Luxembourg cafeteria. Yes, you get the quiet roar of people talking, the clang of dishes, the squeak of rubber souls on marble, a lone, repeated piano motif in the distance, unintelligible loudspeaker announcements-- practically a greatest hits of urban interior ambience. Background noise it may be, but as with any number of sparse, free improv records, its effectiveness is rooted in an unpredictability even when I "know" exactly what is happening. Of course, there will be people who deny this is music at all, but I'm not sure that's the point. Cutler's document suggests that when the sounds around us are so intrinsically interesting, there's no need to frame them with structure or artifice.

Dominique Leone



..::TRACK-LIST::..

1. - 47. Twice Around The Earth (31:42)
48. Lux (13:52)
49. - 82. Blue Winter (21:46)



..::OBSADA::..

This composite was assembled by Chris Cutler at Studio Midi Pyrenees, France, and was engineered by Robert Drake. The introduction and Coda were made by Chris Cutler at the Elsenstudio, Berlin and were engineered by Lutz Glandien.

The individual recordings heard were made by:
John Scott, David Lee Myers, Tom Dimuzio, Hardy Fox, Nicholas Frances Chase, Daniel Van Beers, Brian Woodbury, Otomo Yoshihide, Brian Labycz, Haco & Christopher, Dickson Dee, Daniel Beban, Peter Cusak, David Kerman, Udi Koomran, Michael Northam, Marzio Carlessi, Michael Maksymenko, Andreas Hagerlüken, Chris Cutler, Will Menter, E.M.Thomas, Andrea Rocca, John Dreever, Tony Whitehead, Andrew McKenzie, Richard Windeyer, Jack Vees, Steve McLean, Phil Zampino, Carmen Borgia, Warren Burt, Annie Gosfield, Nic Collins, Chris deLaurentis, Toby Paddock, Bill Harkelroad, John Kennedy, Jim Denley, Philip Mar, Jon Rose and Warrick Swinney - and were all taken from their contributions to Out of the Blue Radio.
Out of the Blue Radio was conceived and is curated by Chris Cutler.




https://www.youtube.com/watch?v=KrK53xb9-dA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

10 lat po debiutanckim albumie niemiecki INGURGITATING OBLIVION powraca! Przytłączający, chaotyczny i gęsty techniczny death metal, który zadowoli fanów GORGUTS, IMMOLATION i MORBID ANGEL!


Po dziesięciu latach nową płytę zdecydował się wydać niemiecki ansambl death metalowy Ingurgitating Oblivion. To dopiero ich drugi pełny krążek. Nie miałem jednak okazji posłuchać wcześniejszych nagrań, a więc nie porównam nowych dźwięków z żadnymi z przeszłości. Mogę jedynie skupić się tym, co akuratnie wylatuje z moich głośników. Zanim odpaliłem sobie płytę, to moją uwagę przykuł czas trwania poszczególnych utworów. Wyraźnie widać, że nikt tu nie zamierza bawić się w krótkie strzały. Cel jest zgoła odmienny. Z jednej strony sugerowało to, że są tu ciekawe pomysły, a z drugiej budziło daleko posuniętą ostrożność, czy aby nie ma tu przekombinowania i piłowania dźwięków dla samego piłowania. W ostatecznym rozrachunku okazuje się, że ta druga myśl jest zdecydowanie bliższa prawdy. Przede wszystkim cholernie wymęczył mnie ten album. Tak naprawdę już podczas drugiego odsłuchu miałem dość. Nie dlatego, że panowie nie umieją grać. Umieją i to bardzo dobrze i tu jest mały problem. Pakują w te swoje utwory mnóstwo dźwięków i zapominają, że czasami prościej naprawdę oznacza lepiej. Można się w tym wszystkim pogubić. Wystarczy na chwilkę się zapomnieć i wątek macie zgubiony jak w banku. Męczą mnie ostatnimi czasy takie dźwięki. Biegłość instrumentalna to zdecydowanie za mało dla mnie. Ja chcę dobrych utworów, kopiących zadek pomysłów i czegoś, co momentalnie zapadnie w pamięć. Czegoś takiego nie ma tu za wiele. Ba, nie ma praktycznie wcale. Pewnie paru onanistów się tym albumem zachwyci, ale ja się do nich nie zaliczam. Znużony jestem tym albumem okrutnie. Niby krew się leje obficie, niby jest zdrowo posunięta brutalność, niby jest wszystko co być powinno. Co z tego, skoro to wszystko zlewa się w jedną, niesłuchalną magmę? Ewidentnie brak tu umiaru. Niemal gotów jestem założyć się, że kapela chciała upchać na płytę, jak najwięcej pomysłów, ale wyszło to tak sobie. Nie mam problemu, żeby sobie te dźwięki gdzieś tam w tle leciały, ale raczej nie więcej niż dwa razy pod rząd. Potem zaczyna narastać wkurwienie i rozdrażnienie, a wtedy lepiej się wyciszyć. Taki to właśnie album jest. Pierwszy odsłuch jakoś szybko mija, ale potem zaczyna się uważne słuchanie i narastające w szybkim tempie zmęczenie. Dziękuję, ale to nie jest album dla mnie. Może innym razem, o ile będę miał ochotę sprawdzić. Na dzień dzisiejszy wydaje mi się to bardzo mało prawdopodobne.

Paweł Denys


Incredibly impressed with Ingurgitating Oblivion's third effort Vision Wallows in Symphonies of Light, I decided to venture back in their discography a bit. While this is by all means solid, there's really no signs that just one album later they would be a band that would not only write an avant-garde dissonant jazz-influenced 22 minute tech death epic dripping with alien atmosphere, but also somehow manage to make it sound amazing and not a pretentious, bloated pile of horse dung. On their sophomore Continuum of Absence they are not exactly your average death metal band, but they're also not that far removed.

Continuum generally undulates between a really modern and busy not-quite-tech-death-but-getting-there sound and a thick, doomy dissonant lurching. While not exactly trailblazers of originality, and even if a Gorguts influence can be quite prominent of times, I'm glad that it's not just a rip off one or two obvious old school classics and call it a day sort of affair. Ingurgitating Oblivion (that name though - I had to look up "ingurgitating" to make sure it was a real word) are a busy band and have a fair amount of ideas to bounce about. How busy they are can be cool, but it also sometimes work to their detriment. While they're really good at the tech death aspect of their sound, sometimes they forget to let the music breathe. While not as common as the frantic buzz of twisting distortion and frantic blastbeats, the dissonant lurching portion of their sound would serve this function well if not for one thing. While the drummer is quite technically adept, he doesn't really know when to step back and allow for breathing room. During the more doomy churning he just keeps hammering away at the double bass, seemingly unaware of what the rest of the band is doing.

It does seem that this is supposed to be death metal with a decent amount of atmosphere, but this doesn't really shine through as well as it could. While the dark ambient sections are pretty good, the production is a bit dry and dull. A thick murky atmosphere could have been achieved with ease in the slower sections, but the guitar tone just doesn't get the job done. That said, these parts are still cool and the music is much better off for having them. Still, the songs don't do very much to differentiate themselves from each other. In the end it just becomes a blur and I can't really recall any individual song having its own character or being a standout moment.

I hope I'm not being needlessly harsh with this album because of what a massive improvement the next one would be. This is by all means a solid death metal album and above average. It's just not something I see myself coming back to very often, especially when the next one is a goddamn masterpiece (definitely my favourite death metal album of this year so far).

Thumbman



..::TRACK-LIST::..

1. Eternal Quiescence 10:21
2. Antinomian Rites 04:52
3. Burden Of Recurrence 08:28
4. Descent To The Temple 06:45
5. Avatar Of Radiating Abscence 07:26
6. Offering 03:46
7. Stupendous, Featureless, Still 07:50



..::OBSADA::..

Vocals [All] - Ulrich Kreienbrink
Guitar - Florian Engelke, Sascha Hermesdorf
Bass Guitar - Christian Pfeil
Drums - Ingo Neugebauer

Sampler - Ulrich Kreienbrink
Soloist - Jan Ferdinand (tracks: 1), Lille Gruber (tracks: 4)




https://www.youtube.com/watch?v=es0ftusCI5o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

10 lat po debiutanckim albumie niemiecki INGURGITATING OBLIVION powraca! Przytłączający, chaotyczny i gęsty techniczny death metal, który zadowoli fanów GORGUTS, IMMOLATION i MORBID ANGEL!


Po dziesięciu latach nową płytę zdecydował się wydać niemiecki ansambl death metalowy Ingurgitating Oblivion. To dopiero ich drugi pełny krążek. Nie miałem jednak okazji posłuchać wcześniejszych nagrań, a więc nie porównam nowych dźwięków z żadnymi z przeszłości. Mogę jedynie skupić się tym, co akuratnie wylatuje z moich głośników. Zanim odpaliłem sobie płytę, to moją uwagę przykuł czas trwania poszczególnych utworów. Wyraźnie widać, że nikt tu nie zamierza bawić się w krótkie strzały. Cel jest zgoła odmienny. Z jednej strony sugerowało to, że są tu ciekawe pomysły, a z drugiej budziło daleko posuniętą ostrożność, czy aby nie ma tu przekombinowania i piłowania dźwięków dla samego piłowania. W ostatecznym rozrachunku okazuje się, że ta druga myśl jest zdecydowanie bliższa prawdy. Przede wszystkim cholernie wymęczył mnie ten album. Tak naprawdę już podczas drugiego odsłuchu miałem dość. Nie dlatego, że panowie nie umieją grać. Umieją i to bardzo dobrze i tu jest mały problem. Pakują w te swoje utwory mnóstwo dźwięków i zapominają, że czasami prościej naprawdę oznacza lepiej. Można się w tym wszystkim pogubić. Wystarczy na chwilkę się zapomnieć i wątek macie zgubiony jak w banku. Męczą mnie ostatnimi czasy takie dźwięki. Biegłość instrumentalna to zdecydowanie za mało dla mnie. Ja chcę dobrych utworów, kopiących zadek pomysłów i czegoś, co momentalnie zapadnie w pamięć. Czegoś takiego nie ma tu za wiele. Ba, nie ma praktycznie wcale. Pewnie paru onanistów się tym albumem zachwyci, ale ja się do nich nie zaliczam. Znużony jestem tym albumem okrutnie. Niby krew się leje obficie, niby jest zdrowo posunięta brutalność, niby jest wszystko co być powinno. Co z tego, skoro to wszystko zlewa się w jedną, niesłuchalną magmę? Ewidentnie brak tu umiaru. Niemal gotów jestem założyć się, że kapela chciała upchać na płytę, jak najwięcej pomysłów, ale wyszło to tak sobie. Nie mam problemu, żeby sobie te dźwięki gdzieś tam w tle leciały, ale raczej nie więcej niż dwa razy pod rząd. Potem zaczyna narastać wkurwienie i rozdrażnienie, a wtedy lepiej się wyciszyć. Taki to właśnie album jest. Pierwszy odsłuch jakoś szybko mija, ale potem zaczyna się uważne słuchanie i narastające w szybkim tempie zmęczenie. Dziękuję, ale to nie jest album dla mnie. Może innym razem, o ile będę miał ochotę sprawdzić. Na dzień dzisiejszy wydaje mi się to bardzo mało prawdopodobne.

Paweł Denys


Incredibly impressed with Ingurgitating Oblivion's third effort Vision Wallows in Symphonies of Light, I decided to venture back in their discography a bit. While this is by all means solid, there's really no signs that just one album later they would be a band that would not only write an avant-garde dissonant jazz-influenced 22 minute tech death epic dripping with alien atmosphere, but also somehow manage to make it sound amazing and not a pretentious, bloated pile of horse dung. On their sophomore Continuum of Absence they are not exactly your average death metal band, but they're also not that far removed.

Continuum generally undulates between a really modern and busy not-quite-tech-death-but-getting-there sound and a thick, doomy dissonant lurching. While not exactly trailblazers of originality, and even if a Gorguts influence can be quite prominent of times, I'm glad that it's not just a rip off one or two obvious old school classics and call it a day sort of affair. Ingurgitating Oblivion (that name though - I had to look up "ingurgitating" to make sure it was a real word) are a busy band and have a fair amount of ideas to bounce about. How busy they are can be cool, but it also sometimes work to their detriment. While they're really good at the tech death aspect of their sound, sometimes they forget to let the music breathe. While not as common as the frantic buzz of twisting distortion and frantic blastbeats, the dissonant lurching portion of their sound would serve this function well if not for one thing. While the drummer is quite technically adept, he doesn't really know when to step back and allow for breathing room. During the more doomy churning he just keeps hammering away at the double bass, seemingly unaware of what the rest of the band is doing.

It does seem that this is supposed to be death metal with a decent amount of atmosphere, but this doesn't really shine through as well as it could. While the dark ambient sections are pretty good, the production is a bit dry and dull. A thick murky atmosphere could have been achieved with ease in the slower sections, but the guitar tone just doesn't get the job done. That said, these parts are still cool and the music is much better off for having them. Still, the songs don't do very much to differentiate themselves from each other. In the end it just becomes a blur and I can't really recall any individual song having its own character or being a standout moment.

I hope I'm not being needlessly harsh with this album because of what a massive improvement the next one would be. This is by all means a solid death metal album and above average. It's just not something I see myself coming back to very often, especially when the next one is a goddamn masterpiece (definitely my favourite death metal album of this year so far).

Thumbman



..::TRACK-LIST::..

1. Eternal Quiescence 10:21
2. Antinomian Rites 04:52
3. Burden Of Recurrence 08:28
4. Descent To The Temple 06:45
5. Avatar Of Radiating Abscence 07:26
6. Offering 03:46
7. Stupendous, Featureless, Still 07:50



..::OBSADA::..

Vocals [All] - Ulrich Kreienbrink
Guitar - Florian Engelke, Sascha Hermesdorf
Bass Guitar - Christian Pfeil
Drums - Ingo Neugebauer

Sampler - Ulrich Kreienbrink
Soloist - Jan Ferdinand (tracks: 1), Lille Gruber (tracks: 4)




https://www.youtube.com/watch?v=es0ftusCI5o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 1 - January 3, 1974 - Chicago Stadium, Chicago, IL:
1. Hero Blues 3:31
2. Lay, Lady, Lay 3:22
3. Tough Mama 4:18
4. It Ain't Me, Babe 4:01
5. Leopard-Skin Pill-Box Hat 3:54
6. All Along The Watchtower 2:31
7. Song To Woody 3:32
8. The Lonesome Death Of Hattie Carroll 4:33
9. Nobody 'Cept You 2:58
10. It's Alright, Ma (I'm Only Bleeding) 5:26
11. Forever Young 4:49
12. Something There Is About You 4:24
13. Like A Rolling Stone 6:42
14. Most Likely You Go Your Way (And I'll Go Mine) 3:50




https://www.youtube.com/watch?v=N46p_MscEgU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 1 - January 3, 1974 - Chicago Stadium, Chicago, IL:
1. Hero Blues 3:31
2. Lay, Lady, Lay 3:22
3. Tough Mama 4:18
4. It Ain't Me, Babe 4:01
5. Leopard-Skin Pill-Box Hat 3:54
6. All Along The Watchtower 2:31
7. Song To Woody 3:32
8. The Lonesome Death Of Hattie Carroll 4:33
9. Nobody 'Cept You 2:58
10. It's Alright, Ma (I'm Only Bleeding) 5:26
11. Forever Young 4:49
12. Something There Is About You 4:24
13. Like A Rolling Stone 6:42
14. Most Likely You Go Your Way (And I'll Go Mine) 3:50




https://www.youtube.com/watch?v=N46p_MscEgU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Uwielbiam zapach terpentyny, którym przesiąknięty jest pokój mojej córki. Tu powstają malarskie retrospekcje jej wspomnień, utrwalone akrylem portrety przyjaciół, barwna układanka myśli i emocji naniesionych farbą na płótno. Tak powstaje skomplikowana mozaika przeszłości, przetransponowana na język sztuki. Magiczne pudełko może zawierać, zamiast farb, kredki świecowe albo pastele, grafit, węgiel lub kredę o bogatej gamie kolorów. Wszystko po to, aby skreślić wizualizację emocji i marzeń. Lub zamknąć niepowtarzalne chwile w szkatule pamięci.

Na okładce nowego albumu zespołu Red Sand jest kasetka zawierająca ołówki o tęczowych barwach i pejzaż, który przedstawia drogę wijącą się wśród bezkresu pól i łąk. Nie ma tam ludzi, jest soczysta zieleń natury i spokój, Nieograniczona, niczym wolność obcowania z subtelnym pięknem i swobodą. To chwila, gdy anioły rozwierają skrzydła i karmią przestrzeń swoim śpiewem. Pochmurne niebo tężeje szarością i gra w warcaby z wiatrem.

Barwy. Kolory. Odcienie. Mogą być symbolem, emblematem zawierającym w sobie fragmenty naszych ukrytych zalet, sygnaturą naznaczającą cechy charakteru i temperament. To odważna projekcja. Tym bardziej, że dotyczy moich serdecznych przyjaciół z grupy Red Sand. Ale skoro oni sami wywołali prowokację okładką nowej płyty…

Simon Caron jest jak niesamowita akwamaryna - to spokój i równowaga. Wyobraźnia sprzężona z nutą melancholii. Cisza drzemiąca w szepcie nut, melodii i gitarowych fresków.

Perry Angelillo to ciepły cynober. Szalony, ekspresyjny w każdym geście i słowie. Perry zawsze będzie mi się kojarzył z cudownym kolorem jesiennych, klonowych liści, czapką naciągniętą zawadiacko na czoło i syropem klonowym w butelce o kształcie liścia.

Michel Renaud to malachit kanadyjskich lasów, zmysłowy wokal i barwa głosu, tajemnicza, uzbrojona w potężne moce.

Natasha Lebrun - lawenda. Cudowna osoba, dyskretna i opiekuńcza. Natasha jest esencją subtelnego spokoju, oazą dyskrecji i fantastyczną artystką. Jest autorką okładki albumu, grafiki oraz zdjęć.

Barbara Caron to błękit królewski: dystynkcja, elegancja i znakomite teksty. Esencja młodości połączona z uśmiechem pełnym niewinnego czaru.

Andre Godbout – grafit, czyli powaga, naturalność i pasja.

Muzyka ma w sobie wszystkie barwy, jakie przeleje w nią twórca, emocje i myśli ukryte między dźwiękami. Warstwa liryczna dopowiada wszystko do końca, otacza nuty koronkowym szalem poezji.

Premiera nowego albumu zespołu Red Sand zbiegła się w cudowny sposób z koncertami w Polsce, które miały miejsce w połowie września tego roku. „Paint Box” zawiera sześć kompozycji, w tym dwie instrumentalne (wersja winylowa jest niestety pozbawiona utworu „Time”). Simon Caron z niebywałą konsekwencją podąża progresywnym szlakiem. Nie robi eksperymentów, nie ulega modzie, jest sobą. Dzięki temu odnajdziemy w muzyce jego zespołu prawdziwą esencję stylistyki neoprogowej. Ten rodzaj estetyki jest niesamowitym kąskiem dla wielbicieli klasycznego rocka zabarwionego kroplą wrażliwości. Wydawnictwo dostarcza znakomicie skonstruowany materiał muzyczny, bogatą paletę brzmień, finezyjne solówki gitarowe, efektowne klawisze i ciekawe teksty. Praca sekcji rytmicznej nadaje wyrazistości, podkreśla ważne frazy i buduje nastrój. Za warstwę liryczną jest odpowiedzialna młodsza córka Simona - Barbara. Podejmuje ona niezmiernie istotne problemy współczesnego świata pełnego korupcji, okrucieństwa i niesprawiedliwości.

„Paint Box” to już jedenasty album w dyskografii Kanadyjczyków i pierwszy nagrany z nowym wokalistą, Michelem Renaudem, którego głos zmienia nieco brzmienie grupy, jednocześnie zbliżając je do czasów ich debiutanckiego krążka „Mirror Of Insanity”.

Pierwszy utwór na płycie, „Wake Up The Child”, rozpoczyna się pochodem mrocznych klawiszy i basu. Delikatna gitara łagodzi złowrogi nastrój. Barwa głosu Michela Renauda może się przez chwilę kojarzyć z Davidem Bowie. Emanuje z niego powaga i tajemniczość. Tekst piętnuje otaczającą nas rzeczywistość: dwulicowość i kłamliwość polityków, korupcję i pęd do pieniądza. Podkreśla jak bardzo materializm i konsumpcja niszczą esencję życia.

„Wake up the child that is sleeping inside of you. Don’t believe the man with a tie, don’t forget happiness corrupted into lies, don’t forget that you can shine...”.

Są tu niesamowite zmiany rytmu i charakteru muzyki. Koronkowa gitara przeplata się z mocnym basem i żarliwą perkusją. W tle można odnaleźć nieśmiałe motywy smyczkowe. Utwór płynnie przechodzi w instrumentalny „Us”. Porywająca siła tej kompozycji tkwi w fenomenalnym brzmieniu gitary Simona, która szepce, śpiewa i wybucha niczym ognisty wulkan.

„Time” znalazł się tylko na CD, nie ma go na płycie winylowej. Jest to bardzo energiczny, wręcz przebojowy utwór. Rusztowanie całości buduje z typową sobie żywiołowością niestrudzony Perry Angelillo.

W utworze „Breaking Wings” czuje się jak bardzo Red Sand zwraca się ku korzeniom rocka progresywnego. Utwór penetruje klasyczne klimaty z kropelką floydowej esencji. To wspaniała kompozycja ze świetną linią wokalną Michela Renauda i zaangażowanym tekstem Barbary.

Kolejna instrumentalna perełka, obok „Us”, to prześliczna kompozycja zatytułowana „Poland”. Prawdę mówiąc, gdy po raz pierwszy jej słuchałam, poczułam dumę i radość. Sądzę, że Polska ma szczególne znaczenie dla zespołu. W tej kompozycji odnajdujemy delikatną materię utkaną przez gitarę Simona Carona. Niebiański mariaż melodii wypływających spod jego palców, z sugestywnym rytmem nadawanym przez perkusję – wszystko to oddaje epicką głębię tego utworu.

Na zakończenie albumu pojawia się wisienka na torcie w postaci 30-minutowej suity „Tie”. To kulminacyjny moment tej płyty. Chwila, gdy opowieść dobiega końca i jednocześnie nabiera rozpędu. Utwór ten jest niczym ogrody Wersalu. Bogactwo brzmień, zmienna stylistyka i symfoniczny rozmach spojone są mocnym i ambitnym tekstem. Ile tu inspirujących solówek Simona - delikatnych jak pianka na powierzchni ciemnego espresso, innym razem drapieżnych niczym pantera. Ile fantastycznych linii wokalnych i misternych sekwencji perkusji. „Tie” to przepyszny deser finalizujący niezwykłe przyjęcie zorganizowane przez grupę Red Sand.

„Paint Box” jest kolejną fantastycznym albumem kanadyjskiego zespołu. Piękno muzyki, zaangażowane teksty, efektowne aranżacje, symfoniczny rozmach i emocje zatopione w bursztynie wyobraźni… Czy trzeba czegoś więcej?

Olga Walkiewicz



..::TRACK-LIST::..

1. Wake Up The Child 05:40
2. Us 03:16
3. Time 03:24
4. Breaking Wings 03:43
5. Poland 03:43
6. Tie 31:11



..::OBSADA::..

Michel Renaud - vocals
Simon Caron - guitars, bass, keyboards
Perry Angelillo - drums



https://www.youtube.com/watch?v=t7A0ysD8Jp4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Potencjał, jaki tkwi w człowieku, poznajemy gdy pozwolimy mu wypowiedzieć się do końca, kiedy ma okazję rozwinąć skrzydła bez jakichkolwiek ograniczeń, w przestrzeni przepełnionej pasją twórczą i całkowitą swobodą. Tak, to wolność napędza mechanizm ludzkich możliwości. Daje wiarę i siłę, aby realizować swoje wizje. Uzmysławia, że potrafimy znacznie więcej niż nam się wydaje. Może dlatego tak bardzo lubię solowe wcielenie Lee Abrahama. Jest w nim prawdziwy do bólu, zdejmuje z twarzy maskę, uwalnia emocje i zabiera słuchacza do swojego prywatnego świata. Na scenie gasną światła i opada kurtyna. Wchodzimy do innego wymiaru, w którym są wspomnienia, marzenia i sny. W którym jest prawda o rzeczywistości, w jakiej żyjemy, są refleksje oraz uczucia. Album „Origin Of The Storm” jest kontynuacją płyty „Only Human” z 2021 roku. I jest to już dziewiąty solowy album muzyka od lat związanego z grupą Galahad, poruszający mnóstwo ważnych tematów, jak wojna na Ukrainie, zmagania ze zdrowiem psychicznym, retrospekcje z dzieciństwa i stare legendy.

Na nowej płycie Abrahama występuje mnóstwo wspaniałych gości: Clive Nolan (Arena, Pendragon) gra na instrumentach klawiszowych, Mark Spencer (Galahad, Twelfth Night) – śpiewa w chórkach, Mark Atkinson (Nine Stones Close, Riversea, Moon Halo) - śpiewa, Peter Jones (Cyan, Tiger Moth Tales) – też śpiewa, Gerald Mulligan (Credo) gra na perkusji, Paul Drew (DWB) – na gitarze, Rob Arnold – na fortepianie, a Ken Bryant na basie. Mastering to dzieło Karla Grooma (Threshold), a okładkę albumu zaprojektował Andy Tillison (tak…, dokładnie ten Andy Tillison - frontman grupy The Tangent).

Na nowym krążku znajduje się siedem utworów, w tym otwierający to wydawnictwo, instrumentalny „Origin Of The Storm”. A w nim uroczyste brzmienie skoncentrowane na klawiszach prowadzi dialog z gitarą. Jest tu bezmiar improwizacji - lekkiej, radosnej i prostej w formie, stanowiącej przystawkę do głównego dania, jakim są piosenki tworzące rdzeń tego albumu.

„The Same Life” rozpoczyna się pełnym ognia intro, po którym następuje część zdecydowanie wolniejsza, nastrojowa i pełna refleksji. Peter Jones dodaje swoim głosem dyskretnego czaru i niesamowitości. Potrafi stworzyć z nut barwny kalejdoskop, rozszczepić w pryzmacie muzyki szarość wieczoru i świetlistość poranka. Gitara Lee Abrahama jest wisienką na torcie: emocjonalna, zmienna jak sztormowa pogoda, zaskakująca idylliczną prostotą.

W „Chalk Hill” jest tysiąc pytań i odpowiedzi. Są wspomnienia z przeszłości, czarno-białe fotografie miejsc wspólnych spotkań, twarze przyjaciół, którzy już odeszli. To chwile zatrzymane w pamięci, niczym owad w bursztynie. Lee powraca do nich muzycznym wehikułem czasu. Stapia łagodny dźwięk gitary z miękkim akompaniamentem fortepianu. Peter Jones wchodzi swoim miękkim wokalem w krainę słodkiej melancholii, kruszy lód smutku, zapisuje w pamiętniku najskrytsze marzenia. Solówka gitarowa nadaje tej kompozycji rozmachu i zmysłowości. Wszystko jest niesamowicie dopracowane i brzmi doskonale. Aż trudno uwierzyć, że Lee tworzył ten album w trakcie równoległej pracy z Galahad nad płytą „The Long Goodbye”.

„Isolation/Disconnection” to utwór kontrastów, zmian tempa i nastroju. Motoryczna muzyka wsparta szaloną praca perkusji - wciąż przekształca się i ewoluuje, by z wulkanu energii stać się subtelnością. Za linię wokalną tym razem odpowiada Mark Atkinson.

„Hole In The Sky” emanuje spokojem i nostalgią. Fortepian buduje fundament - dyskretnie, znikając w tle i ustępując sekcji rytmicznej i wokalowi. Klasyczna gitara snuje koronkowy wątek otulony rytmem perkusji. Po chwili właściwa solówka wybucha tysiącem barw.

„When I Need A Friend” to mój faworyt, utwór o podobnej sile rażenia, co „The Hands Of Time” z albumu „Only Human” z 2021 roku. Cudowne spectrum muzyczne, niesamowita warstwa liryczna, aksamitny głos Petera Jonesa i esencja blasku płynąca spod palców Lee Abrahama. To prawdziwa perełka z tekstem o niezaprzeczalnej mocy, jaką ma w sobie przyjaźń.

Album zamyka jeszcze jedna długa, dziesięciominutowa kompozycja „Siren’s Song”. To element „baśniowego świata” na „Origin Of The Storm”. Łączą się tutaj dwa muzyczne światy: epicki - przesiąknięty czarowną bajkowością, jaśniejący światłem połamanego chmurami księżyca i ten zwyczajny - szary, sklejony narracją o ułomnej rzeczywistości. Elementy patetycznych, progresywnych labiryntów przenika sieć prostoty ukrytej w piosence. Niesamowitym zaskoczeniem są mocne (jak na Lee Abrahama) gitarowe riffy. Po tej szalonej eskapadzie następuje kojąca muzyka - finezyjne, skroplone rosą, progresywne „babie lato”. To piękne zakończenie i kolejny niezmiernie udany solowy album Lee Abrahama. Z pewnością będzie to jedna z najważniejszych płyt tego roku. Można się w niej zakochać bez pamięci. Bo jest wspomnieniem, bajką, snem, marzeniem oraz wolnością. Wszystkim, co nosimy w swoich sercach...

Olga Walkiewicz



..::TRACK-LIST::..

1. Origin Of The Storm 04:20
2. The Same Life 08:51
3. Chalk Hill 08:09
4. Isolation/Disconnection 08:51
5. Hole In The Sky 05:11
6. When I Need A Friend 09:25
7. Siren's Song 10:35



..::OBSADA::..

Lee Abraham - Guitars

Guests:
Peter Jones - Vocals
Marc Atkinson - Vocals
Paul Drew - Guitars
Ken Bryant - Bass
Alistair Martin - Bass
Rob Arnold - Piano
Clive Nolan - Keyboards
Mark Spencer - Backing Vocals
Gerald Mulligan - Drums




https://www.youtube.com/watch?v=nBzS31N8E0E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Debiutancki album Conflictu z 1983. Tak się to wszystko zaczęło.



..::TRACK-LIST::..

1. Young Parasites
2. Kings & Punks
3. Meat Means Murder
4. No Island Of Dreams
5. Great What?
6. The Guilt & The Glory
7. 1824 Overture
8. Bullshit Broadcast
9. One Nation Under The Bomb
10. Blind Attack
11. Vietnam Serenade
12. Blood Morons
13. Exploitation
14. Crazy Governments
15. Untitled

Bonus Tracks:
THE HOUSE THAT MAN BUILT
16. Conflict
17. I've Had Enough
18. Wargames
19. Blind Attack

TO A NATION OF ANIMAL LOVERS
20. Berkshire Cunt
21. Meat Still Means Murder!
22. Whichever Way You Want It

LIVE AT CENTRO IBERICO
23. Kings & Punks
24. Meat Means Murder
25. Exploitation
26. Bullshit Broadcast
27. Vietnam Serenade
28. No Island Of Dreams

Recorded at Southern Studios, London July-November 1982



..::OBSADA::..

Vocals - Colin
Bass - John
Drums - Paco
Guitar - Steve

Vocals [Additional] - Gemma, Mandy




https://www.youtube.com/watch?v=XZe3fYRc7pM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Debiutancki album Conflictu z 1983. Tak się to wszystko zaczęło.



..::TRACK-LIST::..

1. Young Parasites
2. Kings & Punks
3. Meat Means Murder
4. No Island Of Dreams
5. Great What?
6. The Guilt & The Glory
7. 1824 Overture
8. Bullshit Broadcast
9. One Nation Under The Bomb
10. Blind Attack
11. Vietnam Serenade
12. Blood Morons
13. Exploitation
14. Crazy Governments
15. Untitled

Bonus Tracks:
THE HOUSE THAT MAN BUILT
16. Conflict
17. I've Had Enough
18. Wargames
19. Blind Attack

TO A NATION OF ANIMAL LOVERS
20. Berkshire Cunt
21. Meat Still Means Murder!
22. Whichever Way You Want It

LIVE AT CENTRO IBERICO
23. Kings & Punks
24. Meat Means Murder
25. Exploitation
26. Bullshit Broadcast
27. Vietnam Serenade
28. No Island Of Dreams

Recorded at Southern Studios, London July-November 1982



..::OBSADA::..

Vocals - Colin
Bass - John
Drums - Paco
Guitar - Steve

Vocals [Additional] - Gemma, Mandy




https://www.youtube.com/watch?v=XZe3fYRc7pM



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Dusty Springfield
Album: Essential Classics Vol. 163 Dusty Springfield
Year: 2024
Genre: Pop
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

Disc 1
01. We Wish You a Merry Christmas
02. Island of Dreams
03. Silver Threads and Golden Needles
04. Allentown Jail
05. The Green Leaves of Summer
06. Say I Won´t be There
07. Bambino
08. Jingle Bells
09. Mary's Boy Child
10. The Twelve Days of Christmas
Disc 2
01. Dear Hearts and Gentle People
02. Ring-a-My Phone
03. The Black Hills of Dakota
04. Seven Little Girls, Sitting in the Back Seat
05. Silver Dollar
06. Chimes of Arcady
07. Cry Cry Baby
08. Lonesome Traveller
09. Tell Him No
10. Two Brothers

...( Info )...

Artist: Buddy Knox
Album: Essential Classics Vol. 150 Buddy Knox
Year: 2024
Genre: Rock and roll, rockabilly, pop
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

Disc 1
01. Party Doll
02. Devil Woman
03. All by Myself (I'm Gonna Kill)
04. Rock Your Little Baby to Sleep
05. Rock Around the Clock
06. C'mon Baby
07. Swinging Daddy
08. She's Gone
09. Somebody Touched Me
10. Cause I'm in Love
Disc 2
01. Storm Clouds
02. All for You
03. Dear Abby
04. That's Why I Cry
05. Lovey Dovey
06. Maybelline
07. Hula Love
08. Don't Make Me Cry
09. Ling Ting Tong
10. Open Your Lovin' Arms (I Got Go)

...( Info )...

Artist: VA
Album: Gothic Music Orgy Vol. 7
Genre: EBM, Darkwave, Gothic
Year of publication: 2021
Publisher: darkTunes Music Group
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 04:46:13

...( TrackList )...

01. TOAL - Silence (4:16)
02. Antilav - Going Down (4:04)
03. Omnimar - Oxygene (5:35)
04. Blackbook - Slowlove (3:39)
05. Inspira - Everybody Lies (4:34)
06. C Z A R I N A - Atomic: Ad Initivm (4:21)
07. The Designs - Begin (4:11)
08. Freak Injection - Crosses (5:07)
09. G.L.O.W. ALC - Significant Other (Biomechanimal Remix) (4:50)
10. BASSCALATE - Bass Bitch (3:26)
11. :Waijdan: - Incinerate (3:31)
12. Simon Carter; Fabsi - Beautiful Destruction (Industrial Version with More Lead) (feat. Fabsi) (5:48)
13. SINthetik Messiah; Cat Hall - Languish (feat. Cat Hall) (3:27)
14. Apryl - Im Mondlicht (3:05)
15. Morgenstern - Morgenstern (3:29)
16. God Destruction - Carnage (5:06)
17. Dust in Mind - Lost Control (4:37)
18. Ocean Dark - Fallen (3:36)
19. Aevum - The Time Machine (4:15)
20. Agnis - I Am the Light (4:54)
21. Edea - Helydea (3:56)
22. Form Follows Function - The Lament of the Swan (5:25)
23. Molfa - Zeit totschlagen (4:20)
24. Giant Waves - The House of Prayer (3:29)
25. Michael Krebs Haggerty - And There Was War (3:12)
26. Matt Hart - Triolith (4:53)
27. Controversial - Violence (5:22)
28. Darkcell - Carnevil (3:35)
29. Thrillsville - The Fever (3:45)
30. Scars Are Soulless - Never Forgive, Never Forget (2:54)
31. SynthAttack - Call Me Insane (90s Tribute) (3:35)
32. Alien:Nation - Aniquilacion Biotoxica (4:43)
33. Extize - Dirty Evil Women (5:42)
34. Device Noize - Elevate (Remix by Exemia) (4:32)
35. Dead Inside Effect - Whispers of Consciousness (6:06)
36. Guardians of Tears - A Lie In the Dark (4:44)
37. Dance My Darling - Kathedrale (3:52)
38. Merry Chicklit - Großes Kino (3:03)
39. Finita - Valley of Shadows (5:35)
40. Tétrico Romance - Nocturnal Birds (3:55)
41. Williams - Life Spread (3:09)
42. Humans Can't Reboot - Fallen Angel (5:36)
43. The Palace of Tears - Thy Womb Full of Black Nectar (5:42)
44. Ashes'n'Android - When You Were All Mine (4:25)
45. Johnathan Christian - Car Crash Romance (5:12)
46. ​​Cathedral In Flames - Desperado (Bury Me Deep) (3:46)
47. Fourth Circle - One, Together (6:08)
48. The Silverblack - Prototype (3:28)
49. Batavia - The Absinthian (Grendel Mix) (4:28)
50. Black Angel - Animal (5:20)
51. Death Party UK - Mark of the Vampire (3:20)
52. Cattac - She's the Devil (3:57)
53. Zeitgeist Zero - Satanic Sex Witch (4:00)
54. La Lune Noire - My Friend Paranoia (4:14)
55. Chamaeleon - Scars of Time (3:23)
56. London Sadness - Collapse (4:41)
57. Auger - Insurgence (4:23)
58. Empyres - Fire (4:49)
59. Basszilla - Kiss My (B)Ass (4:50)
60. Binary Division - Zero Tolerance (Supressor Remix) (5:22)
61. T3RR0R 3RR0R - We Came to Party (3:19)
62. Suppressor - A Man Called Rorschach (5:33)
63. Xordia - Stained (3:00)
64. Pro Patria - Razorblade (4:09)
65. XXOT - Dyadya Misha (3:13)
66. Metzger - Heim (4:14)

...( Info )...

Artist: VA
Album: Gothic Music Orgy Vol. 8
Genre: EBM, Darkwave, Industrial
Year of publication: 2023
Publisher: darkTunes Music Group
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 04:50:37


...( TrackList )...

01. Dead Lights - Receiver (5:28)
02. Blackbook - You Are Strange (2:44)
03. MonoSapien - Der Himmel brennt (4:07)
04. Omnimar - Feels Like Velvet (Rotersand Rework) (5:04)
05. Apnoie - Jesus Told Us (3:01)
06. Syn Nine - Hold On (Dark Mix) (5:10)
07. BASSCALATE - Schau Mich An (3:47)
08. Dunkelsucht - This is Fucking Mainstream (3:53)
09. Morgenstern - Hass ihn (3:18)
10. Scheitan - Lost In Time (4:39)
11. The Black Capes - Reset (4:50)
12. Devil69 - Tomorrow (4:32)
13. Hidden House - Hide (3:07)
14. Amore Ad Lunam - Salvation & Drug (4:19)
15. Flores de Tchernobyl - Black Plague (4:55)
16. Deliverance MX - She's Calling (4:34)
17. Her Despair - Like A Crucifixion (3:43)
18. Fourth Circle - The Truth (4:41)
19. Inverne - Countess (6:50)
20. Normoria - The Judases (3:16)
21. Aevum - Black Swan Theory (3:26)
22. Fragments - Mi Existir (Elektroterapi Remix) (3:32)
23. Djversion666 - Embrace the Entropy (5:22)
24. MissSuicide - Kharm (3:00)
25. SynthAttack - No God (4:04)
26. Extize - chatGPT is Gother Than You (3:50)
27. :Waijdan: - ERASE (4:33)
28. CØLDSTAR - I Won't Follow You (4:04)
29. Ashen Decay - Messengers (3:52)
30. Dance My Darling - Gang Bang (3:26)
31. ИIGH - IMPVLSIVI†Y (3:06)
32. Disorder Faith - A Lovely Place (6:07)
33. Palindrones - Samadhi (4:06)
34. Liebe In Tiefer Finsternis - Genüsse der Unsterblichkeit (8:58)
35. Ashes'n'Android - Colored Ice (Toal Remix) (5:03)
36. IRA NOCTIS - Freedom Is Slavery (4:43)
37. Freaky Mind - I Just Wanna Dance (5:12)
38. Antibody - F.Society (3:34)
39. Circuit Preacher - Bound Down (3:24)
40. White Ritual - Blue Shadow (3:31)
41. The Escape - Navigator (4:59)
42. Cattac - Hellea Calling (3:22)
43. TOAL - Stigmata (Single Version) (4:53)
44. Dust in Mind - Take Me Away (3:29)
45. CERNUNNOS - The Hole (4:48)
46. Lúcida Fila - The Whore of Babylon (4:27)
47. Moonlight Asylum - My Own Prescription (5:01)
48. Frau Fleischer - Out Of Control (4:26)
49. Freak Injection - Glitters in Hell (4:07)
50. Ocean Dark - Proclaim (4:23)
51. HER OWN WORLD - Jessie (3:46)
52. C Z A R I N A - Cities In Dust (4:20)
53. Agnis - Sol Invictus (4:16)
54. Raudadler - Sexual Deviants (5:22)
55. Chent - Outside My Mind (2:43)
56. Damaged Reality - Talk Shit (4:59)
57. Inline Sex Terror - Human Rights (2023 Mix) (5:13)
58. Logan Ryuk - Remnants And Ashes (5:02)
59. Matt Hart - Terraform (Sirus Remix) (4:58)
60. Basszilla - The Vampire of Heidelberg (5:01)
61. Binary Division - Netrunner (4:45)
62. Kimberly; OneZeroCypher - Spillover (At0Shima 3Rr0R Remix) (4:16)
63. Uncarnate - So Cold (4:02)
64. Odinkrsna - Somos los sobrevivientes (4:47)
65. Subliminal Code - Push Me Down (5:50)
66. Cima Muta - Purple Demon (4:28)

...( Info )...

Artist: VA
Album: Gothic Spirits 1-19
Genre: Gothic, Symphonic, Industrial, Melodic, Death
Country of disc production: Germany
Years of publication: 2005-2014
Publisher: ZYX Music
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
(LAME 3.99.5 using libsndfile 1.0.25 64bit, «--preset insane»)
Duration: 60:34:07
Source: Own discs


...( TrackList )...

2005-2015 - Gothic Spirits
2005 - Gothic Spirits
2005 - Gothic Spirits 2
2006 - Gothic Spirits 3
2006 - Gothic Spirits 4
2007 - Gothic Spirits 5
2007 - Gothic Spirits 6
2008 - Gothic Spirits 7
2008 - Gothic Spirits 8
2009 - Gothic Spirits 9
2009 - Gothic Spirits 10
2010 - Gothic Spirits 11
2010 - Gothic Spirits 12
2011 - Gothic Spirits 13
2011 - Gothic Spirits 14
2012 - Gothic Spirits 15
2012 - Gothic Spirits 16
2013 - Gothic Spirits 17
2014 - Gothic Spirits 18
2015 - Gothic Spirits 19


2006-2011 - Gothic Spirits Sonnenfinsternis
2006 - Gothic Spirits Sonnenfinsternis
2007 - Gothic Spirits Sonnenfinsternis 2
2009 - Gothic Spirits Sonnenfinsternis 3
2010 - Gothic Spirits Sonnenfinsternis 4
2011 - Gothic Spirits Sonnenfinsternis 5


2010 - Gothic Spirits Vampire Lady


2011-2013 - Gothic Spirits pres. Dark Ladies
2011 - Gothic Spirits pres. Dark Ladies
2011 - Gothic Spirits pres. Dark Ladies 2
2012 - Gothic Spirits pres. Dark Ladies 3
2013 - Gothic Spirits pres. Dark Ladies 4


2012 - Gothic Spirits pres. Schwarze Weihnacht

...( Info )...

Artist: Eddie Bond
Album: Essential Classics Vol. 409 Eddie Bond
Year: 2024
Genre: Country, Rockabilly
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

Disc 1
01. Flip, Flop Mama
02. Rockin' Daddy
03. Slip, Slip Slippin' In
04. Here Comes the Train
05. Tore Up
06. Boppin' Bonnie
07. Blue Blue Day
08. Boo Bop Da Caa Caa
09. Big Boss Man
10. One Way Ticket
Disc 2
01. Juke Joint Johnnie
02. The Monkey & the Baboon
03. Double Duty Lovin'
04. Memphis Tennessee
05. This Old Heart of Mine
06. Satisfied
07. I've Got a Woman
08. Talking Off the Wall
09. Love Makes a Fool (Every Day)
10. Country Shindig

...( Info )...

Artist: VA
Album: Gothic Music Orgy, Vol. 6
Genre: Gothic-Music
Edition: Compilations
Source: link
Duration: 04:50:35
Codec: MP3
Bitrate: 320 Kbps


...( TrackList )...

01 - Love & Hate [00:03:36]
02 - Trapped Heart [00:03:37]
03 - Cøldstar [00:03:12]
04 - Can't Count on You [00:04:43]
05 - Insta.Fuck [00:03:44]
06 - The Devil Is a DJ (Gothic Music Orgy Mix) [00:04:22]
07 - The Blackest One [00:03:55]
08 - Daddy Is the Devil [00:04:51]
09 - Neon Lights [00:02:58]
10 - Burn the Witches [00:04:41]
11 - Schwarze rosen [00:03:50]
12 - Macabre (Single version) [00:04:47]
13 - You & I [00:03:55]
14 - People Are Fake [00:03:47]
15 - November engel [00:03:36]
16 - Keep Walking [00:06:10]
17 - Brave, Strong and Tenacious (Sebastian Komor Remix) [00:04:00]
18 - Harsh Will Never Die (Basszilla RMX) [00:03:37]
19 - Ritual [00:05:08]
20 - Cyber Industrial Revolution (V.2018) [00:05:04]
21 - Degrading Vision [00:03:55]
22 - Dance of the Profane (Exemia Remix 2 - Gothic Music Orgy Exclusive Mix) [00:05:07]
23 - A New World [00:03:42]
24 - Loneliness [00:03:13]
25 - Hopeless [00:04:00]
26 - Rock and Roll Zombies [00:03:49]
27 - He Feels Coming Destination of Death [00:03:53]
28 - The Exorcism [00:03:50]
29 - Conquer the Universe [00:05:01]
30 - Tides of the Sea [00:05:11]
31 - Villain [00:04:37]
32 - Sorrow (Ruined Conflict Remix) [00:04:33]
33 - Retrogods (Gothic Music Orgy Mix) [00:04:27]
34 - Bitterness [00:04:15]
35 - Incarnation [00:05:44]
36 - Shadow (Industriezone Remix) [00:03:47]
37 - Shadow of Your Love [00:05:29]
38 - The Blood Is the Life [00:04:10]
39 - Rain on a Wedding Day [00:04:04]
40 - Dämonen [00:03:11]
41 - You Were Mine [00:06:25]
42 - Frostbite [00:04:52]
43 - Save Me the Last Waltz [00:03:40]
44 - Outlived [00:05:38]
45 - Waste of Time [00:03:54]
46 - Mad Society [00:02:58]
47 - Zion [00:05:15]
48 - Change the Color [00:04:35]
49 - No Justice [00:03:28]
50 - Cat in the Brain (Inversion of Control Remix) [00:04:03]
51 - Ultimate Provocation [00:05:24]
52 - We Are the Ones (Alien_ Nation Remix) [00:03:43]
53 - This Modern Age (Is Glitched) [00:05:45]
54 - Close to Me [00:04:53]
55 - Face the Truth [00:04:15]
56 - The System [00:05:17]
57 - Awake and Lost [00:04:11]
58 - Kontrolle [00:03:52]
59 - Stay Here (By My Side) [00:02:52]
60 - Baby Baby [00:03:50]
61 - Kinder des zorns [00:05:53]
62 - Torched by an Angel [00:05:12]
63 - Tanz des lebens [00:04:12]
64 - Twenty Days [00:03:56]
65 - The Call of the Seer [00:04:38]
66 - An Ultimatum to Samyasa [00:07:53]

...( Info )...

Tytuł: Natural Born Killers
Genre: Soundtrack
Year of release: 1994
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 1:15:27


...( TrackList )...

1. Leonard Cohen - Waiting For The Miracle (3:43)
2. L7 - Shitlist (2:48)
3. Dan Zanes - Moon Over Greene County (2:19)
4. Patti Smith - Rock N Roll Nigger (4:00)
5. Cowboy Junkies - Sweet Jane (3:23)
6. Bob Dylan - You Belong To Me (3:09)
7. Duane Eddy - The Trembler (1:10)
8. Nine Inch Nails - Burn (5:00)
9. Film Dialogue - Route 666 (0:56)
10. Remmy Ongala And Orchestre Sup - Totally Hot (0:47)
11. Patsy Cline - Back In Baby's Arms (2:04)
12. Peter Gabriel & Nusrat Fateh A - Taboo (4:22)
13. Jane's Addiction & Diamanda Ga - Sex Is Violent (4:58)
14. Prince - History Repeats Itself (2:22)
15. Nine Inch Nails - Something I Can Never Have (4:04)
16. Russell Means - I Will Take You Home (2:18)
17. Hollywood Persuaders - Drums A Go - Go (1:10)
18. Barry Adamson - Hungry Ants (3:12)
19. Dr. Dre - The Day The Niggaz Took Over (4:33)
20. Film Dialogue - Born Bad (0:43)
21. Sergio Cervetti - Fall Of The Rebel Angels (1:21)
22. Lard - Forkboy (3:54)
23. Budapest Philarmonic Orchestra - Batonga In Batongaville (1:04)
24. Nine Inch Nails - A Warm Place (2:59)
25. Nusrat Fateh Ali Khan, Party & - Allah, Mohammed, Char, Ya (1:08)
26. Leonard Cohen - The Future (3:49)
27. What Would U Do? - What Would U Do (4:12)

..::INFO::..

Sarabande to drugi solowy album Jona Lorda, członka i legendarnego klawiszowca zespołu Deep Purple, zarejestrowany pomiędzy 3 i 6 września 1975 w StadtHalle Oer-Erkenschwick niedaleko Düsseldorfu w Niemczech. Wydany w 1976 roku nakładem Purple Records. Wszystkie utwory zostały skomponowane i zapisane przez Lorda pomiędzy styczniem i sierpniem 1975 w Monachium.

Title: Sarabande

Artist: Jon Lord

Country: Wielka Brytania

Year: 1976

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Fantasia
02. Sarabande
03. Aria
04. Gigue
05. Bouree
06. Pavane
07. Caprice
08. Finale

...( Info )...

Composer: Henry Jackman
Album title: Recording Sessions, Promo (FYC)
Genre: Score
Year of disc release: 2024
Country of film production: USA
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 1:32:23
Tracks: 50
Source: downloaded from the network
Presence of scans in the distribution content: no
ID3 tags: yes


...( TrackList )...

01. 1m02 The Jig Is Up
02. 1m03 On The Job
03. 1m04 No Cutsies
04. 1m05 Sick Sleigh Ride
05. 2m06 Home Sweet Home
06. 2m07 One Last Ride
07. 2m08 Welcome To The Witch
08. 2m09 End Of An Eon
09. 2m10 Who's With Red?
10. 2m11 Breach
11. 3m13 The Wolf
12. 3m14 Dylan
13. 3m15 Wolf Virtuoso
14. 3m16 Jack In The Box
15. 3m17 MORA
16. 3m18 Huggy Bear
17. 4m19 The Christmas Witch
18. 4m20 Gearing Up
19. 4m21 About To Get Real
20. 4m22 Bring Me The Weapon
21. 4m23 Jack's Gift
22. 4m24 They're Called 'Death Mercs'
23. 4m25 Gryla
24. 5m26A Possession Pt. 1
25. 5m26B Possession Pt. 2
26. 5m27 We've Got Snowmen
27. 5m28 Machine Isn't Working
28. 5m29 He Don't Leave, We Don't Visit
29. 6m30A D Castle De Krampus
30. 6m31 To Be Good Or Not
31. 6m32A-C You Shoudn't Be Here
32. 6m33 Chant Drums #1
33. 6m34 Chant Drums #2
34. 6m35A-C Krampusschlap
35. 6m36 Mythic Mayhem
36. 7m37 Let's Save Christmas
37. 7m38 Magilla Gryla
38. 7m39 Find Me
39. 7m40 Stressy MORA
40. 7m41 I've Got A Signal
41. 7m42 I Can Do Better
42. 7m43 Do The Ride Herself
43. 8m44 Stop That Sleigh
44. 8m45 Krampus Style
45. 8m46 Chant Drums #3
46. 8m47 Witch Got Served
47. 8m48 Cleared For Takeoff
48. 8m49 Yuletide Beastmode
49. 8m50 I Always Believe
50. Song - Christmas Magic

...( Info )...

Composer: Hans Zimmer
Additional Music by: Andrew Kawczynski, Steve Mazzaro, David Fleming, Stevem Doar, Clint Bennett, Michael Gieger, Theo Green, Czarina Russell and Klaus Schulze
Album title: FYC Academy Promo
Genre: Score
Year of disc release: 2021
Country of film production: USA
Audio codec: MP3
Rip type: tracks
Source: WEB, downloaded from the network
Audio bitrate: 192 kbps
Duration: 1:51:43
Presence of scans in the distribution content: no



...( TrackList )...


01 - 1m01 Opening (3:15)
Hans Zimmer & Steven Doar
02 - 1m02B Herald of the Change (3:14)
Hans Zimmer & Steve Mazzaro
03 - 1m04 Paul Tells Duncan His Dream (2:34)
Hans Zimmer & David Fleming
04 - 2m10 Bene Gisserit Arrive (3:44)
Hans Zimmer & David Fleming
05 - 2m11 Gom Jabbar (2:04)
Hans Zimmer
06 - 2m12 Bene Gisserit Leave (2:01)
Hans Zimmer & David Fleming
07 - 2m13A Paul & Jessica (1:46)
Hans Zimmer & Steve Mazzaro
08 - 2m14 Leaving Caladan (1:58)
Hans Zimmer & David Fleming
09 - 3m20 Sandwalk Video (1:30)
Hans Zimmer & David Fleming
10 - 4m27 Flight to Spice Field (3:10)
Hans Zimmer & Steve Mazzaro
11 - 4m28-29 Failed Harvester Lock (5:47)
Hans Zimmer & Steve Mazzaro
12 - 4m30 Visions of Chani (4:31)
Hans Zimmer & David Fleming
13 - 5m31 Sardaukar (1:20)
Hans Zimmer & Andrew Kawczynski
14 - 5m32-35 Night On Arrakis (5:12)
Hans Zimmer & David Fleming
15 - 5m36-37 Harkonnen Attack (2:41)
Hans Zimmer & David Fleming
16 - 5m38-39 Betrayal (2:42)
Hans Zimmer & David Fleming
17 - 5m40-41 Burning Palms / Duncan Kicks Ass (4:08)
Hans Zimmer & Andrew Kawczynski
18 - 6m43 Burning City (1:04)
Hans Zimmer & David Fleming
19 - 6m44 Broken Tooth (2:28)
Hans Zimmer & Andrew Kawczynski
20 - 6m46 Holy War Across the Universe (4:10)
Hans Zimmer & Steve Mazzaro
21 - 6m48 A Place to Hide (1:50)
Hans Zimmer & David Fleming
22 - 7m50-51 Duncan's Sacrifice (3:42)
Hans Zimmer & Andrew Kawczynski
23 - 7m52-54 Escape In Ornithopter (3:09)
Hans Zimmer & Steve Mazzaro
24 - 7m55 Chase Into Dust Storm (0:56)
Hans Zimmer & Andrew Kawczynski
25 - 7m55B Dust Vision (1:17)
Hans Zimmer & David Fleming
26 - 7m57 Kill Them (0:54)
Hans Zimmer & Andrew Kawczynski
27 - 7m59-61 Stillsuits (4:41)
Hans Zimmer & David Fleming
28 - 8m63-64 Run / Shai-Hulud (2:42)
Hans Zimmer & Steve Mazzaro
29 - 8m69 My Road Leads Into the Desert (3:57)
Hans Zimmer & David Fleming
30 - 9m70 End Credits (Dream Tune) (7:04)
Hans Zimmer & Klaus Schulze and Steven Doar

...( Info )...

Artist: Krzysztof Klenczon
Album: The Complete Recordings 1970-1972
Genre: Pop Rock, Psychedelic Rock
Media: 2CD (Compilation, Digipak, Archival),
Country of disc (release): Poland
Year of publication: 2013
Publisher (label): Kameleon Records
Catalog number: KAMCD 29/30
Country of artist (group): Poland
Audio codec: FLAC (*.flac)
Rip type: (tracks + .cue)
Audio bitrate: lossless
Presence of scans in the distribution content: full scans, jpeg, 600 dpi
Duration: 2:29:55


...( TrackList )...


CD1
......Krzysztof Klenczon Trzy Korony 1971 LP 75:17
1 10 W Skali Beauforta ( (Lyrics By – Janusz Kondratowicz) 2:51
2 Wiosenna Miłość (Lyrics By – Jan Gawęcki) 2:34
3 Jestem Do Przodu (Lyrics By – Andrzej Jastrzębiec-Kozłowski) 3:06
4 Świecą Gwiazdy Świecą (Lyrics By – Stefan Zabieglik) 1:17
5 Coś (Lyrics By – Marek Gaszyński) 2:06
6 Piosenka O Niczym (Lyrics By – Jerzy Domaradzki) 3:47
7 Nie Przejdziemy Do Historii (Lyrics By – Andrzej Kuryło) 5:11
8 Sprawię Sobie Niespodziankę (Lyrics By – Wojciech Niwiński) 0:47
9 Spotkanie Z Diabłem (Lyrics By – Andrzej Takliński, Paweł Bielawski) 2:39
10 Stary Walc Przypomni Ci (Lyrics By – Jan Świąc) 3:10
11 Bierz Życie Jakie Jest (Lyrics By – Andrzej Jastrzębiec-Kozłowski) 2:52
12 Już Nie Czas (Lyrics By – Paweł Bielawski; Music By, Lead Vocals – Grzegorz Andrian) 3:17
13 Fatalny Dzień (Lyrics By – Jan Świąc) 2:13
14 Raz Na Tysiąc Nocy (Lyrics By – Halina Stefanowska) 2:22
15 Port (Lyrics By – Halina Stefanowska) 3:35
......Nagrania Radiowe 1970
16 10 W Skali Beauforta (Lyrics By – Janusz Kondratowicz) 3:21
17 Kronika Podróży, Czyli Ciuchcią W Nieznane (Wersja Skrócona) (Lyrics By – Janusz Kondratowicz) 3:34
18 Hej Słowiki, Słowiki (Lyrics By – Janusz Kondratowicz) 3:42
19 Polesia Czar (Adapted By – Krzysztof Klenczon; Music By, Lyrics By – Jerzy Artur Kostecki) 4:57
20 Budzi Się Dzień (Lyrics By – Stanisław Halny) 4:24
21 Śmigła Diana (Wersja Bez Efektów) (Lyrics By – Marek Gaszyński) 4:35
22 Ludzie Wśród Ludzi (Lyrics By – Janusz Kondratowicz) 4:08
23 Ty Albo Więcej Nikt (Lyrics By – Marek Gaszyński) 3:51

CD2
.......Nagrania Radiowe 1970-1972 74:41
1 Port (Lyrics By – Halina Stefanowska) 3:51
2 Czyjaś Dziewczyna (Lyrics By – Janusz Kondratowicz) 3:26
3 Retrospekcja (Lyrics By – Janusz Kondratowicz, Stanisław Halny) 3:07
4 Nie Przejdziemy Do Historii (Lyrics By – Andrzej Kuryło) 5:05
5 Korona 6:41
6 Statek Widmo (Lyrics By – Włodzimierz Skalski) 3:50
7 Uchwyć Wiatr (Lyrics By – Jan Świąc) 2:19
8 Twój Czas (Lyrics By – Jonasz Kofta; Music By – Andrzej Zygierewicz) 3:38
9 Kronika Podróży, Czyli Ciuchcią W Nieznane (Wersja Alternatywna) (Lyrics By – Janusz Kondratowicz) 3:18
10 Retrospekcja (Wersja Alternatywna) (Lyrics By – Janusz Kondratowicz, Stanisław Halny) 3:02
11 Droga Pełna Słońca (Lyrics By – Andrzej Jastrzębiec-Kozłowski) 2:27
12 Popatrz Prawdzie W Oczy (Lyrics By – Andrzej Jastrzębiec-Kozłowski) 1:59
13 Koncert (Lyrics By – Stanisław Halny) 2:10
14 Pożegnanie Z Gitarą (Lyrics By – Jan Tomasz) 3:19

Nagrania Dodatkowe
15 Kronika Podróży, Czyli Ciuchcią W Nieznane (Pełna Wersja) (Lyrics By – Janusz Kondratowicz) 4:32
16 Śmigła Diana (Wersja Z Efektami) (Lyrics By – Marek Gaszyński) 4:06
17 Retrospekcja (Alternatywny Mix Radiowy) (Lyrics By – Janusz Kondratowicz, Stanisław Halny) 3:00
18 Ludzie Wśród Ludzi (Opole 1970) (Lyrics By – Janusz Kondratowicz) 4:26
19 10 W Skali Beauforta (Opole 1970) (Lyrics By – Janusz Kondratowicz) 2:40
20 Legia Gola (Lyrics By – Andrzej Olechowski, Andrzej Stankiewicz) 3:23
21 Stara Szkapa (Wersja Demo) 3:29



....POBRAŁEŚ PODZIĘKUJ....

...( Info )...

Artist: Krzysztof Klenczon
Album:The Show Never Ends
Genre: Pop Rock
Media: CD
Country of disc production and country of artist: pic Poland
Year of publication: 1977 (1996)
Publisher (label): AKAR
Catalog number: AKCD-011
Audio codec: FLAC (*.flac)
Rip type: tracks+.cue
Audio bitrate: lossless
Duration: 1:07:33
Source: own rip


...( TrackList )...

1. Gdy odlatują bociany [bonus] 2:45
2. Suddenly 2:21
3. Workday 3:03
4. Shades of Green 3:24
5. All for You 2:32
6. Dancing 2:49
7. Seven Days 3:45
8. The Happy Song 2:52
9. Troublemaker 3:21
10. A Man Who Knows 3:09
11. Vacation 3:31
12. Lost Soul 3:49
13. The Show Never Ends 2:17
14. Polesia czar [bonus] 5:01
15. Wiśniowy sad - Zdarzyło się, czy nie [bonus] 4:03
16. Natalie - Piękniejszy świat [bonus] 6:41
17. Latawce z moich stron [bonus] 4:25
18. Twój czas [bonus] 3:42
19. Strzemiennego [bonus] 4:03

.....POBRAŁEŚ PODZIĘKUJ....

...( Info )...

Composer: Various Artists
Album title: A Quiet Place (Unofficial Soundtracks) - VA (2018-2024)
Genre: Soundtrack
Year of film release: 2018; 2020; 2024
Country of film production: US, UK, CA
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 00:24:49
Presence of scans in the distribution content: no
ID3 tags: yes

music from the film A Quiet Place (2018) ; A Quiet Place Part II (2020) ; A Quiet Place: Day One (2024)


...( TrackList )...


A Quiet Place (Unofficial Soundtrack) - VA (2018)
A Quiet Place Part II (Unofficial Soundtrack) - VA (2020)
A Quiet Place: Day One (Unofficial Soundtrack) - VA (2024)

...( Info )...

Artist: Def Leppard
Album: One Night Only: Live At The Leadmill
Genre: Classic Rock, Hard Rock
Duration: 01:05:54
Year of release: 2024


[_hellt_opis]

Def Leppard's One Night Only: Live at The Leadmill Sheffield captures the energy and intimacy of a rare club performance by the stadium fillers in their hometown. Recorded on May 19, 2023, the show took place in front of just under 900 fans, marking the smallest venue the band had played in the UK or Europe in over 35 years. Returning to their roots, the band performed a set packed with hits and deep cuts spanning their entire career, delivering an unforgettable experience. The setlist included iconic tracks like 'Bringin' On The Heartbreak', 'Hysteria' and 'Pour Some Sugar On Me', which had the crowd singing every word. The atmosphere of the venue, along with the band's tight performance, brought an incredible intensity that's rarely found in larger arenas.


...( TrackList )...

01. Action
02. Fire It Up
03. Let It Go
04. Too Late For Love
05. Excitable
06. Mirror Mirror (Look Into My Eyes)
07. Slang
08. Kick
09. Bringin' On The Heartbreak
10. Switch 625
11. Hysteria
12. Pour Some Sugar On Me
13. Wasted


...( Dane Techniczne )...

Quality: BDRip
Video resolution/scan: 1080p
Container: MKV
Video codec: H.264
Audio codec: DTS, FLAC
Video: AVC / 1920x1080 / 8800 kbps / 29.970 fps / [email protected]
Audio 1: DTS / 5.1 ch / 48 kHz / 1509 kbps
Audio 2: FLAC / 2.0 ch / 48 kHz / 1875 kbps / 24-bit