..::INFO::..

---------------------------------------------------------------------
Uriah Heep - Rarities From The Bronze Age
---------------------------------------------------------------------

Artist...............: Uriah Heep
Album................: Rarities From The Bronze Age
Genre................: Rock
Source...............: CD
Year.................: 1991
Ripper...............: EAC (Secure mode) / LAME 3.92 & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Sequel Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Uriah Heep - Look At Yourself [03:09]
2. Uriah Heep - Simon The Bullet Freak [03:28]
3. Uriah Heep - Gypsy [02:58]
4. Uriah Heep - Why [04:57]
5. Uriah Heep - Stealin` [03:18]
6. Uriah Heep - Sunshine [04:49]
7. Uriah Heep - What Can I Do [03:13]
8. Uriah Heep - Shout It Out [03:35]
9. Uriah Heep - Return To Fantasy [03:41]
10. Uriah Heep - Time Will Come [04:08]
11. Uriah Heep - Crime Of Passion [03:38]
12. Uriah Heep - Masquerade [03:47]
13. Uriah Heep - Gimme` Love (Struttin`) [03:16]
14. Uriah Heep - Cheater [03:59]
15. Uriah Heep - Been Hurt [03:53]
16. Uriah Heep - Love Stealer [03:25]
17. Uriah Heep - Think It Over [03:32]
18. Uriah Heep - My Joanna Needs Tuning [02:54]
19. Uriah Heep - Tin Soldier [03:53]
20. Uriah Heep - Son Of A Bitch [04:06]
21. Uriah Heep - Playing For Time [04:26]

Playing Time.........: 01:18:16
Total Size...........: 500,92 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Klasyczny niemiecki grind/death metal; szósta duża płyta z 1999 roku.
Reedycja VIC RECORDS zawiera również cover IMPETIGO "Wizzard of Gore".



After finally seeing Blood live, and being blown away by what I'd consider to be one of the best extreme metal shows I've ever witnessed, I think it's the best time to discuss in detail why I've always held these German wacks in such a high regard - considering them to be pretty much the best grindcore band of all time. I remember, during the earlier part of my adolescence, holding Carcass' "Reek of Putrefaction" as my all-time favorite grind album, being enamored with its inhuman putridity and insane riff galore, believing nothing could ever top it. Then, around the age of seventeen, I ran across Blood for the first time, hearing the track "Ebola", and of course I was floored: no grindcore band I knew up until then had ever sounded this violent, this powerful, this nasty, this wretched in spite of its extreme minimalism and streamlined presentation. Not too long after, I dove deep into Blood's discography, discovering and falling in love with the haunting, morbid extremity of works such as "O agios pethane" and "Christbait". But the album that really took the cake for me was the one featuring the track that made me a convert in the first place - an album that was even able to surpass what, up until that point, I'd consider to be the artistic peak of the genre. "Reek of Putrefaction" was not my favorite grindcore record anymore: "Gas. Flames. Bones." was.

I wonder why this album gets overlooked so often, even by Blood fans and by the band themselves. To me it's easily Blood's most violent, intense, consistent, all-encompassing work, yet it's probably also their least talked about, generally relegated to a mere footnote in their discography (especially since vocalist Martin Witchskinner rejoined the band, with live shows shifting their focus back to the first three records as a consequence of that). "Gas. Flames. Bones." is an abrupt departure from the formula of previous albums such as "Mental Conflicts" and "Depraved Goddess", which bore an overall lighter, less busy, more punk-laden approach featuring less intense riffs, more minimalistic songwriting and a generally more relaxed pace to the songs: on the contrary, this is probably Blood's grittiest, fiercest, overall busiest offering - cramming an insane amount of riffs in generally shorter amounts of space, with a stunning newfound sensibility, eloquence and dynamism in the songwriting department, in stark contrast to the relatively static songwriting of previous two works; this restless urgency is further aggravated by a rather severe, solemn atmosphere that's instantly established by the intro track, setting the mood for the album right at the start with a sample from Carl Orff's "Carmina Burana" (which, to be fair, was already featured on a track from "Depraved Goddess"), later joined by drums, bass and guitars accenting it and giving it a new level of gravitas and epic drama.

And fuck me if the album doesn't deliver on that, with the following nineteen tracks. This is Blood turned up to eleven in any conceivable regard: "Gas. Flames. Bones." blends the robust, choppy yet intensely atmospheric riffage heard on "Christbait", "O agios pethane" and (to a degree) "Mental Conflicts" with the merciless nonstop blasting of "Impulse to Destroy", all that with an added level of vehemence the band hadn't quite shown before. If "O agios pethane" just dared to gaze into the abyss of human depravity, "Gas. Flames. Bones." takes you straight into the slaughterhouse and smashes your skull with the most downright evil, pitch-black negative riffage the band has ever delivered in their career (enhanced by the grimy, sludgy guitar tone, both obesely heavy in the lower/mid frequencies and annoyingly buzzy in the highs), while Ventilator blasts restlessly and Clausi spews his hatred right into the mic. By the way, about Clausi's vocals: he's no Martin (whose performance on "Impulse to Destroy" remains one of a kind), but I find his role in carrying the band during the "Mental Conflicts"/"Dysangelium" era to be quite underrated. His ogre-like growls, while nothing revolutionary, always manage to sound notably expressive in spite of their - by nature - limited range: they're angry, mean-spirited and filled with utter hatred and contempt, at times tastefully emphasized by the occasional high rasps placed as backing vocals (which sound as devilish and sinister as they can ever get in grindcore), and it always feels like the guy is giving all he's got, never phoning it in - especially during the more relentless tracks such as "Mankind", whose chorus you're never going to forget once you've heard it.

The best word to describe Blood's trademark riffing would be tasty: at least, that's the feeling it always gave me. Bands like Depression and Rot have tried to replicate this style, but no one can quite pull it off as good as the originals (even though Rot's latest record is definitely the best attempt I've heard so far). Blood takes the fat, simple, straight-to-the-point riffing of death/grind staples like Terrorizer and improves upon it, giving it more depth, three-dimensionality and overall memorability. As a general rule, Blood riffs are some of the catchiest you're ever going to hear in grindcore: whether they're long-winded tremolos or ultra-minimal three-chord affairs, they're always granted to remain stuck in your head, and the band is always sure to develop and milk their already catchy motifs to the highest extent as far as the old school grind formula can go. A track like "Woundead", for instance, feels like a masterclass in extreme musical minimalism, showing how to indulge in just a few notes per song while still crafting and developing a theme that feels rich and dynamic, in a way that feels worthy of raw black metal champions such as Darkthrone, Von, Ildjarn and Profanatica. As a result, these tracks feel heavy and weighty but ultimately sweet and satisfying, pretty much the feeling you get when eating a fuckton of chocolate if you get what I mean - and well, "Gas. Flames. Bones." is without a doubt the one Blood album that's going to give you an indigestion.

First of all, you're gonna hear the most memorably wicked tremolo riffs the band has ever written on tracks such as "Screaming With No Face", "Perishment in Utter Ecstasy", "FH-70mm", "Serial Infanticide" and "Positional Warfare". Songs are also filled with tons of open-chord punky riffage, which was already making a significant comeback in Blood's sound by the times of "Depraved Goddess". Aside from your usual d-beat up-tempos in the vein of "Flames and Gas" or "Multiglobalised Fallacy", I also find worth noting that this is probably the Blood album with the most amount of pure, unadulterated grindcore minimalism since the times of "Impulse to Destroy", as it's immediately apparent by hearing tracks such as the rather lo-fi "Holy Rot": streams of quasi-atonal early Napalm Death power chords abound all throughout the record - and yet, even during those seemingly inarticulate sections, Blood's mature, distinct, well thought-out songwriting formula is still preserved, if not even emphasized to a higher degree; the main motifs of tracks like "Ebola" are built around two or three power chords - and yet they feel more "alive" and with more things to say than most prog discographies ever will, possessing such a distinct, unmistakable identity that it sounds unreal when you hear it. Despite this relatively high amount of stripped down punky minimalism, however, the more rigid, percussive approach developed between "Christbait" and "Mental Conflicts" in the form of choppier, chuggier riffage still plays an important role on numerous pieces such as "Auto Cannibalism", "Defaced Total Mutation" and "Fleshconsumer", at times even intertwining with the whirly grindcore riffs (see: "Derangement") in a dynamic, ever-changing stream of violence that never lets you off the hook and never gives you a chance to catch your breath, in a way that seems unthinkable for such an old school, minimalistic grind record. "Gas. Flames. Bones." manages to accomplish the kind of mature, narrative approach to grindcore songwriting that records like "Reek of Putrefaction" needed twice the amount of riffs to properly convey, and that's the album's secret strength in a nutshell.

And I still haven't talked about what happens when the songs slow down. Ohhh, boy: I've never been more happy to hear a grindcore record slow down than on "Gas. Flames. Bones." - and that's saying a lot, considering how much I've just praised the album's blasting sections. If you're familiar with famous Blood tunes such as "Spasmo Paralytic Dreams", you know how infectious their chugging mid-tempos can be - and on this album, this formula reaches its peak on "Der Henker", whose main riff is one you can't truly forget, and the grinding double-bass mid-paced attacks of "Hecatomb". Staying true to Blood's tried-and-true formula since the first album, songs like "Screaming With No Face", "Derangement" and "Serial Infanticide" feature some chugging mid-paced breaks which only serve to add some dynamism and make later blasting sections feel even more impactful. And yet, this particular Blood album adds an even more interesting ingredient to the mix: the second halves of tracks such as "Auto Cannibalism" and "Der Henker" feature some open-chord pauses/slowdowns with a rather martial, solemn rhythmic cadence that makes them feel more akin to black metal than anything death metal or grindcore-related. During these slower parts, the riffs are sludgier, more minimalistic and more dripping with misanthropic malevolence than anywhere else on the record - and these slow, almost black-ish interludes later morph into more apocalyptic, minimalistic grindcore blasting with such an intuitive naturalness that speaks volumes about this band's musical intelligence. I've heard Blood being associated multiple times with black metal despite their surface musical attributes sounding nothing like it: after all, many of their smaller gigs (like the one I attended last weekend) tend to revolve around a predominantly black/death-oriented bill, closer to the war metal scene than to the grindcore one - and let's also not forget that the band themselves used to wear some haphazardly-made corpsepaint on stage around the times of "O agios pethane" and "Mental Conflicts". However, to me this connection has never been more apparent than on "Gas. Flames. Bones.", especially during its slower portions: closing track "Positional Warfare" is a perfect way to wrap things up by emphasizing, through its rather epic construction and morbid use of melody, the album's evil, depraved nature that sounds more akin to Blasphemy or Goatpenis than Napalm Death or Repulsion in spirit.

Hey, wait a minute - all this chit-chat about guitar riffs and atmosphere has diverted me from discussing one of the most defining elements of this record and Blood as a whole: Ventilator's INSANE drumming. I can't really imagine this band without him: this is one of those cases, along with Cryptopsy and a few others, where the concept of the drummer being the engine of a band ascends to a whole new level of meaning. If you've read some of my past reviews about cult underground releases from the 80's, you might be aware of my slight preference for more old school, primitive forms of blasting - more chaotic and directly related to the thrash beat archetype. However, as far as proper extreme metal blast-beats go, Ventilator has always been among my favorites interpreters of the style. He's not a particularly fast drummer by current standards (although he was clearly ahead of the curve back in 1989), but nevertheless, he's often able to make his performance feel faster than it really is, through the sheer intensity of his playing: unlike many trigger-reliant extreme metal drummers of today (and seemingly keeping faith to D.D. Crazy's style), he never speeds up at the expense of hitting his drumkit with the reasonable amount of strength, and that makes his faster sections all the more impactful and significant. I swear his playing is ten times more stunning and jaw-dropping when heard live, but the albums where the ridiculous intensity of his drumming is more immediately apparent are "Impulse to Destroy" and "Gas. Flames. Bones." - the latter benefitting from ten more years of technical advancement, put at the service of a more lethally precise performance that truly leaves no survivors. Starting right from "Screaming With No Face", you're run over by a never-ending flood of blast-beats, overwhelming your senses like on no other Blood album ever. I generally tend to enjoy my grindcore with sloppier, less precise drumming (see: Mick Harris' crashing, mayhemic wall of sound on Napalm Death's first two records) - but this is one of those cases where technical precision, being implemented into such an overall intense musical framework, does truly benefit the music, instead of making it more streamlined and boring as it sadly is often the case.

The mix between "Gas. Flames. Bones."'s hyperactive songwriting and relentlessly fast drumming does really constitute what you'd call an explosive cocktail: Ventilator never sits on a beat for too long, switching between steamrolling blast-beats, restless d-beats and massive, grinding mid-tempos. Aside from the usual modern grind blasting, he even digs up some of those older, more primitive proto-blast skank beats that used to be very popular back in the late 80's and could still be heard at times on "Impulse to Destroy" (see: "Foulmouthed Politicians") on tracks such as "Serial Infanticide" or even the verse sections from "Flames and Gas". But the thing that sends me on the moon when it comes to Ventilator's drumming is the mercilessly precise violence of his breaks: really, this guy took grindcore's typical drum break and turned it into a mind-blowing art form. Past examples of that could be found on songs such as "Cannibal Ritual" (which I had the pleasure to hear live), but my favorite example ever can be found right on this album, more specifically on "Flames and Gas", which ends in a reckless blastfest accented by some of the sharpest, most precise drum breaks I've ever heard, getting more and more intense each time they repeat until the end of the song. This is another testament to Blood's unbelievable songwriting prowess, even concerning the tiniest, seemingly most trivial details.

I didn't plan for this review to be this long, but well, it seems like you can never give this album enough praise. "Gas. Flames. Bones." remains to this day my favorite work in the entire grindcore genre - a vibrant, inspired, splendidly crafted synthesis of all its best attributes (in a similar way to Vomitory's "Blood Rapture" for death metal), and I can't imagine anything possibly topping it. Could Mortician be counted as reasonable contenders? Well - they do possess a huge, undeniable grindcore baggage in their sound (further testified by their Napalm Death and Repulsion covers), but their thuggy musical approach is overall much more akin to your typical 90's NY brutal death act than any pre-2000 grindcore band; Blood on the other hand is pure old school death/grind, and no one does it better than they do on this record. Even though I was blown away by the live renditions of their earlier, more classic albums, I still wish the band would cover at least a handful of tracks from this criminally overlooked masterpiece I encourage any grindcore fan (both old school and modern) to check out. It's an album so violent, deranged, gritty and genuinely evil that it could truly have come out of the Nazi camps depicted on its cover.

Noise Maniakk



..::TRACK-LIST::..

1. Intro 1:52
2. Screaming With No Face 1:19
3. Flames And Gas 1:35
4. Auto Cannibalism 1:55
5. Ebola 1:23
6. Perishment In Utter Ecstasy 1:48
7. Defaced Total Mutation 1:02
8. 2011 0:06
9. Der Henker 2:48
10. Fleshconsumer 1:01
11. Multiglobalised Fallacy 1:20
12. Derangement 2:33
13. Woundead 0:41
14. FH-70mm 1:20
15. Holy Rot 1:49
16. Mankind 1:16
17. Serial Infanticide 2:16
18. Amputation 1:24
19. Hecatomb 1:41
2. Positional Warfare 2:13

Bonus Track:
21. Wizards Of Gore 3:24

Track 21 originally appeared on the tribute to Impetigo CD "Wizards of Gore" on Razorback Records and is extra for this edition.



..::OBSADA::..

Vocals - Clausi
Bass - Taki
Drums - Ventilator
Guitar - Eisen



https://www.youtube.com/watch?v=U6XsKsDyqKg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Klasyczny niemiecki grind/death metal; szósta duża płyta z 1999 roku.
Reedycja VIC RECORDS zawiera również cover IMPETIGO "Wizzard of Gore".



After finally seeing Blood live, and being blown away by what I'd consider to be one of the best extreme metal shows I've ever witnessed, I think it's the best time to discuss in detail why I've always held these German wacks in such a high regard - considering them to be pretty much the best grindcore band of all time. I remember, during the earlier part of my adolescence, holding Carcass' "Reek of Putrefaction" as my all-time favorite grind album, being enamored with its inhuman putridity and insane riff galore, believing nothing could ever top it. Then, around the age of seventeen, I ran across Blood for the first time, hearing the track "Ebola", and of course I was floored: no grindcore band I knew up until then had ever sounded this violent, this powerful, this nasty, this wretched in spite of its extreme minimalism and streamlined presentation. Not too long after, I dove deep into Blood's discography, discovering and falling in love with the haunting, morbid extremity of works such as "O agios pethane" and "Christbait". But the album that really took the cake for me was the one featuring the track that made me a convert in the first place - an album that was even able to surpass what, up until that point, I'd consider to be the artistic peak of the genre. "Reek of Putrefaction" was not my favorite grindcore record anymore: "Gas. Flames. Bones." was.

I wonder why this album gets overlooked so often, even by Blood fans and by the band themselves. To me it's easily Blood's most violent, intense, consistent, all-encompassing work, yet it's probably also their least talked about, generally relegated to a mere footnote in their discography (especially since vocalist Martin Witchskinner rejoined the band, with live shows shifting their focus back to the first three records as a consequence of that). "Gas. Flames. Bones." is an abrupt departure from the formula of previous albums such as "Mental Conflicts" and "Depraved Goddess", which bore an overall lighter, less busy, more punk-laden approach featuring less intense riffs, more minimalistic songwriting and a generally more relaxed pace to the songs: on the contrary, this is probably Blood's grittiest, fiercest, overall busiest offering - cramming an insane amount of riffs in generally shorter amounts of space, with a stunning newfound sensibility, eloquence and dynamism in the songwriting department, in stark contrast to the relatively static songwriting of previous two works; this restless urgency is further aggravated by a rather severe, solemn atmosphere that's instantly established by the intro track, setting the mood for the album right at the start with a sample from Carl Orff's "Carmina Burana" (which, to be fair, was already featured on a track from "Depraved Goddess"), later joined by drums, bass and guitars accenting it and giving it a new level of gravitas and epic drama.

And fuck me if the album doesn't deliver on that, with the following nineteen tracks. This is Blood turned up to eleven in any conceivable regard: "Gas. Flames. Bones." blends the robust, choppy yet intensely atmospheric riffage heard on "Christbait", "O agios pethane" and (to a degree) "Mental Conflicts" with the merciless nonstop blasting of "Impulse to Destroy", all that with an added level of vehemence the band hadn't quite shown before. If "O agios pethane" just dared to gaze into the abyss of human depravity, "Gas. Flames. Bones." takes you straight into the slaughterhouse and smashes your skull with the most downright evil, pitch-black negative riffage the band has ever delivered in their career (enhanced by the grimy, sludgy guitar tone, both obesely heavy in the lower/mid frequencies and annoyingly buzzy in the highs), while Ventilator blasts restlessly and Clausi spews his hatred right into the mic. By the way, about Clausi's vocals: he's no Martin (whose performance on "Impulse to Destroy" remains one of a kind), but I find his role in carrying the band during the "Mental Conflicts"/"Dysangelium" era to be quite underrated. His ogre-like growls, while nothing revolutionary, always manage to sound notably expressive in spite of their - by nature - limited range: they're angry, mean-spirited and filled with utter hatred and contempt, at times tastefully emphasized by the occasional high rasps placed as backing vocals (which sound as devilish and sinister as they can ever get in grindcore), and it always feels like the guy is giving all he's got, never phoning it in - especially during the more relentless tracks such as "Mankind", whose chorus you're never going to forget once you've heard it.

The best word to describe Blood's trademark riffing would be tasty: at least, that's the feeling it always gave me. Bands like Depression and Rot have tried to replicate this style, but no one can quite pull it off as good as the originals (even though Rot's latest record is definitely the best attempt I've heard so far). Blood takes the fat, simple, straight-to-the-point riffing of death/grind staples like Terrorizer and improves upon it, giving it more depth, three-dimensionality and overall memorability. As a general rule, Blood riffs are some of the catchiest you're ever going to hear in grindcore: whether they're long-winded tremolos or ultra-minimal three-chord affairs, they're always granted to remain stuck in your head, and the band is always sure to develop and milk their already catchy motifs to the highest extent as far as the old school grind formula can go. A track like "Woundead", for instance, feels like a masterclass in extreme musical minimalism, showing how to indulge in just a few notes per song while still crafting and developing a theme that feels rich and dynamic, in a way that feels worthy of raw black metal champions such as Darkthrone, Von, Ildjarn and Profanatica. As a result, these tracks feel heavy and weighty but ultimately sweet and satisfying, pretty much the feeling you get when eating a fuckton of chocolate if you get what I mean - and well, "Gas. Flames. Bones." is without a doubt the one Blood album that's going to give you an indigestion.

First of all, you're gonna hear the most memorably wicked tremolo riffs the band has ever written on tracks such as "Screaming With No Face", "Perishment in Utter Ecstasy", "FH-70mm", "Serial Infanticide" and "Positional Warfare". Songs are also filled with tons of open-chord punky riffage, which was already making a significant comeback in Blood's sound by the times of "Depraved Goddess". Aside from your usual d-beat up-tempos in the vein of "Flames and Gas" or "Multiglobalised Fallacy", I also find worth noting that this is probably the Blood album with the most amount of pure, unadulterated grindcore minimalism since the times of "Impulse to Destroy", as it's immediately apparent by hearing tracks such as the rather lo-fi "Holy Rot": streams of quasi-atonal early Napalm Death power chords abound all throughout the record - and yet, even during those seemingly inarticulate sections, Blood's mature, distinct, well thought-out songwriting formula is still preserved, if not even emphasized to a higher degree; the main motifs of tracks like "Ebola" are built around two or three power chords - and yet they feel more "alive" and with more things to say than most prog discographies ever will, possessing such a distinct, unmistakable identity that it sounds unreal when you hear it. Despite this relatively high amount of stripped down punky minimalism, however, the more rigid, percussive approach developed between "Christbait" and "Mental Conflicts" in the form of choppier, chuggier riffage still plays an important role on numerous pieces such as "Auto Cannibalism", "Defaced Total Mutation" and "Fleshconsumer", at times even intertwining with the whirly grindcore riffs (see: "Derangement") in a dynamic, ever-changing stream of violence that never lets you off the hook and never gives you a chance to catch your breath, in a way that seems unthinkable for such an old school, minimalistic grind record. "Gas. Flames. Bones." manages to accomplish the kind of mature, narrative approach to grindcore songwriting that records like "Reek of Putrefaction" needed twice the amount of riffs to properly convey, and that's the album's secret strength in a nutshell.

And I still haven't talked about what happens when the songs slow down. Ohhh, boy: I've never been more happy to hear a grindcore record slow down than on "Gas. Flames. Bones." - and that's saying a lot, considering how much I've just praised the album's blasting sections. If you're familiar with famous Blood tunes such as "Spasmo Paralytic Dreams", you know how infectious their chugging mid-tempos can be - and on this album, this formula reaches its peak on "Der Henker", whose main riff is one you can't truly forget, and the grinding double-bass mid-paced attacks of "Hecatomb". Staying true to Blood's tried-and-true formula since the first album, songs like "Screaming With No Face", "Derangement" and "Serial Infanticide" feature some chugging mid-paced breaks which only serve to add some dynamism and make later blasting sections feel even more impactful. And yet, this particular Blood album adds an even more interesting ingredient to the mix: the second halves of tracks such as "Auto Cannibalism" and "Der Henker" feature some open-chord pauses/slowdowns with a rather martial, solemn rhythmic cadence that makes them feel more akin to black metal than anything death metal or grindcore-related. During these slower parts, the riffs are sludgier, more minimalistic and more dripping with misanthropic malevolence than anywhere else on the record - and these slow, almost black-ish interludes later morph into more apocalyptic, minimalistic grindcore blasting with such an intuitive naturalness that speaks volumes about this band's musical intelligence. I've heard Blood being associated multiple times with black metal despite their surface musical attributes sounding nothing like it: after all, many of their smaller gigs (like the one I attended last weekend) tend to revolve around a predominantly black/death-oriented bill, closer to the war metal scene than to the grindcore one - and let's also not forget that the band themselves used to wear some haphazardly-made corpsepaint on stage around the times of "O agios pethane" and "Mental Conflicts". However, to me this connection has never been more apparent than on "Gas. Flames. Bones.", especially during its slower portions: closing track "Positional Warfare" is a perfect way to wrap things up by emphasizing, through its rather epic construction and morbid use of melody, the album's evil, depraved nature that sounds more akin to Blasphemy or Goatpenis than Napalm Death or Repulsion in spirit.

Hey, wait a minute - all this chit-chat about guitar riffs and atmosphere has diverted me from discussing one of the most defining elements of this record and Blood as a whole: Ventilator's INSANE drumming. I can't really imagine this band without him: this is one of those cases, along with Cryptopsy and a few others, where the concept of the drummer being the engine of a band ascends to a whole new level of meaning. If you've read some of my past reviews about cult underground releases from the 80's, you might be aware of my slight preference for more old school, primitive forms of blasting - more chaotic and directly related to the thrash beat archetype. However, as far as proper extreme metal blast-beats go, Ventilator has always been among my favorites interpreters of the style. He's not a particularly fast drummer by current standards (although he was clearly ahead of the curve back in 1989), but nevertheless, he's often able to make his performance feel faster than it really is, through the sheer intensity of his playing: unlike many trigger-reliant extreme metal drummers of today (and seemingly keeping faith to D.D. Crazy's style), he never speeds up at the expense of hitting his drumkit with the reasonable amount of strength, and that makes his faster sections all the more impactful and significant. I swear his playing is ten times more stunning and jaw-dropping when heard live, but the albums where the ridiculous intensity of his drumming is more immediately apparent are "Impulse to Destroy" and "Gas. Flames. Bones." - the latter benefitting from ten more years of technical advancement, put at the service of a more lethally precise performance that truly leaves no survivors. Starting right from "Screaming With No Face", you're run over by a never-ending flood of blast-beats, overwhelming your senses like on no other Blood album ever. I generally tend to enjoy my grindcore with sloppier, less precise drumming (see: Mick Harris' crashing, mayhemic wall of sound on Napalm Death's first two records) - but this is one of those cases where technical precision, being implemented into such an overall intense musical framework, does truly benefit the music, instead of making it more streamlined and boring as it sadly is often the case.

The mix between "Gas. Flames. Bones."'s hyperactive songwriting and relentlessly fast drumming does really constitute what you'd call an explosive cocktail: Ventilator never sits on a beat for too long, switching between steamrolling blast-beats, restless d-beats and massive, grinding mid-tempos. Aside from the usual modern grind blasting, he even digs up some of those older, more primitive proto-blast skank beats that used to be very popular back in the late 80's and could still be heard at times on "Impulse to Destroy" (see: "Foulmouthed Politicians") on tracks such as "Serial Infanticide" or even the verse sections from "Flames and Gas". But the thing that sends me on the moon when it comes to Ventilator's drumming is the mercilessly precise violence of his breaks: really, this guy took grindcore's typical drum break and turned it into a mind-blowing art form. Past examples of that could be found on songs such as "Cannibal Ritual" (which I had the pleasure to hear live), but my favorite example ever can be found right on this album, more specifically on "Flames and Gas", which ends in a reckless blastfest accented by some of the sharpest, most precise drum breaks I've ever heard, getting more and more intense each time they repeat until the end of the song. This is another testament to Blood's unbelievable songwriting prowess, even concerning the tiniest, seemingly most trivial details.

I didn't plan for this review to be this long, but well, it seems like you can never give this album enough praise. "Gas. Flames. Bones." remains to this day my favorite work in the entire grindcore genre - a vibrant, inspired, splendidly crafted synthesis of all its best attributes (in a similar way to Vomitory's "Blood Rapture" for death metal), and I can't imagine anything possibly topping it. Could Mortician be counted as reasonable contenders? Well - they do possess a huge, undeniable grindcore baggage in their sound (further testified by their Napalm Death and Repulsion covers), but their thuggy musical approach is overall much more akin to your typical 90's NY brutal death act than any pre-2000 grindcore band; Blood on the other hand is pure old school death/grind, and no one does it better than they do on this record. Even though I was blown away by the live renditions of their earlier, more classic albums, I still wish the band would cover at least a handful of tracks from this criminally overlooked masterpiece I encourage any grindcore fan (both old school and modern) to check out. It's an album so violent, deranged, gritty and genuinely evil that it could truly have come out of the Nazi camps depicted on its cover.

Noise Maniakk



..::TRACK-LIST::..

1. Intro 1:52
2. Screaming With No Face 1:19
3. Flames And Gas 1:35
4. Auto Cannibalism 1:55
5. Ebola 1:23
6. Perishment In Utter Ecstasy 1:48
7. Defaced Total Mutation 1:02
8. 2011 0:06
9. Der Henker 2:48
10. Fleshconsumer 1:01
11. Multiglobalised Fallacy 1:20
12. Derangement 2:33
13. Woundead 0:41
14. FH-70mm 1:20
15. Holy Rot 1:49
16. Mankind 1:16
17. Serial Infanticide 2:16
18. Amputation 1:24
19. Hecatomb 1:41
2. Positional Warfare 2:13

Bonus Track:
21. Wizards Of Gore 3:24

Track 21 originally appeared on the tribute to Impetigo CD "Wizards of Gore" on Razorback Records and is extra for this edition.



..::OBSADA::..

Vocals - Clausi
Bass - Taki
Drums - Ventilator
Guitar - Eisen



https://www.youtube.com/watch?v=U6XsKsDyqKg


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Najnowsze wydawnictwo studyjne Neila Percivala Younga (ur. 12 listopada 1945 w Toronto) - kanadyjsko-amerykańskiego gitarzysty, wokalisty i kompozytora rockowego, wprowadzonego do Rock and Roll Hall of Fame w 1995 (jako artysta solowy) i w 1997 (wraz z Buffalo Springfield). Kawaler Orderu Kanady i Orderu Manitoby. Wstawka zawiera pięćdziesiąty album Neila Younga i drugi wydany wraz z The Chrome Hearts, w którym na gitarze gra Micah Nelson, najmłodszy syn Williego Nelsona.

Title: Second Song

Artist: Neil Young And The Chrome Hearts

Country: USA

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.The Foggy Edge of Time
2.Day After Day
3.Earth Girl
4.Second Song
5.Casting Me Away from You
6.Soon I Might Be Going
7.I'll Love You Forever

..::INFO::..

Justin Andrew Honard, znany pod pseudonimem Alaska Thunderfuck 5000 lub Alaska Thunderfuck, a także jako Alaska, to amerykańska drag queen i piosenkarka z Erie w Pensylwanii. Wstawka zawiera piąty, najnowszy album studyjny.

Title: The Brunette Album

Artist: Alaska Thunderfuck

Country: USA

Year: 2026

Genre: Pop

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

01 Hello
02 Brunette
03 Revolution
04 Trixie
05 Dance With The Devil
06 Hot Gurl
07 Reflection
08 I Fucking Love You

..::INFO::..

---------------------------------------------------------------------
Cat Stevens - The Very Best Of Cat Stevens
---------------------------------------------------------------------

Artist...............: Cat Stevens
Album................: The Very Best Of Cat Stevens
Genre................: Pop
Source...............: CD
Year.................: 1990
Ripper...............: EAC (Secure mode) / LAME 3.92 & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 55 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Island Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Cat Stevens - Where Do The Children Play [03:54]
2. Cat Stevens - Wild World [03:20]
3. Cat Stevens - Tuesday's Dead [03:37]
4. Cat Stevens - Lady D'Arbanville [03:43]
5. Cat Stevens - The First Cut Is The Deepest [03:01]
6. Cat Stevens - Oh Very Young [02:34]
7. Cat Stevens - Rubylove [02:36]
8. Cat Stevens - Morning Has Broken [03:19]
9. Cat Stevens - Moonshadow [02:50]
10. Cat Stevens - Matthew And Son [02:41]
11. Cat Stevens - Father And Son [03:40]
12. Cat Stevens - Can't Keep It In [03:00]
13. Cat Stevens - Hard Headed Woman [03:49]
14. Cat Stevens - (Remember The Days Of The) Old School Yard[02:44]
15. Cat Stevens - I Love My Dog [02:18]
16. Cat Stevens - Another Saturday Night [02:29]
17. Cat Stevens - Sad Lisa [03:42]
18. Cat Stevens - Peace Train [04:06]

Playing Time.........: 57:31
Total Size...........: 318,53 MB

...( Info )...

Artist: Bonnie Tyler
Album: Compilation
Genre: Pop rock, Soft rock
Duration: 07:05:14
Audio: MP3, 320 Kbps

...( TrackList )...


001. From The Bottom Of My Lonely Heart ❂ Silhouette In Red 1993
002. All We Have Is Tonight ❂ Angel Heart 1992
003. Holding Out For A Hero (OST Footloose) ❂ Secret Dreams & Forbidden Fire 1986
004. Against The Wind ❂ Bitterblue 1991
005. He's The King ❂ All In One Voice 1998
006. I Want You ❂ Simply Believe 2004
007. Angel Heart ❂ Angel Heart 1992
008. The Best ❂ Hide Your Heart 1988
009. It's A Heartache ❂ Natural Force 1978
010. You're The One ❂ Free Spirit 1995
011. Bitterblue ❂ Bitterblue 1991
012. Have You Ever Seen The Rain ❂ Faster Than The Speed ​​Of Night 1983
013. Hide Your Heart ❂ Hide Your Heart 1988
014. It's A Jungle Out There ❂ Faster Than The Speed ​​Of Night 1983
015. Dreams Are Not Enough ❂ The Best Is Yet To Come 2021
016. Sally Comes Around ❂ Silhouette In Red 1993
017. Flat On The Floor ❂ Rocks & Honey 2013
018. Lost In France ❂ The World Starts Tonight 1977
019. Simply Believe ❂ Simply Believe 2004
020. Stay ❂ Silhouette In Red 1993
021. Straight From The Heart ❂ Faster Than The Speed Of Night 1983
022. Everybody Hurts (& Prague Philharmonic) ❂ Heart Strings (Heart & Soul) 2002
023. Total Eclipse Of The Heart ❂ Faster Than The Speed Of Night 1983
024. Why ❂ Bitterblue 1991
025. Years May Come ❂ Silhouette In Red 1993
026. Call Me ❂ Angel Heart 1992
027. A Whiter Shade Of Pale ❂ Goodbye To The Island 1981
028. Bad Dreams ❂ Silhouette In Red 1993
029. Bad For Loving You ❂ Between The Earth & The Stars 2019
030. Band Of Gold ❂ Secret Dreams & Forbidden Fire 1986
031. James Dean ❂ Silhouette In Red 1993
032. Hungry Hearts ❂ The Best Is Yet To Come 2021
033. Piece Of My Heart ❂ The World Starts Tonight 1977
034. Move ❂ Between The Earth & The Stars 2019
035. All I Ever Wanted ❂ Rocks & Honey 2013
036. Amazed (& Prague Philharmonic) ❂ Heart Strings (Heart & Soul) 2002
037. Battle Of The Sexes (& Rod Stewart) ❂ Between The Earth & The Stars 2019
038. Before We Get Any Closer ❂ Silhouette In Red 1993
039. Careless Heart ❂ Bitterblue 1991
040. Crying In Berlin ❂ Wings 2005
041. Daytime Friends ❂ Angel Heart 1992
042. Don’t Push Your Luck ❂ Between The Earth & The Stars 2019
043. Don’t Turn Around ❂ Hide Your Heart 1988
044. Don't Stop The Music (B-Side) ❂ Natural Force 1978
045. Driving Me Crazy ❂ Wings 2005
046. Driving Me Wild ❂ Free Spirit 1995
047. Fools Lullaby ❂ Angel Heart 1992
048. Get Out Of My Head (B-Side) ❂ Goodbye To The Island 1981
049. Getting So Exciting ❂ Faster Than The Speed Of Night 1983
050. Goodbye To The Island ❂ Goodbye To The Island 1981
051. Heaven ❂ Natural Force 1978
052. Here Am I ❂ Natural Force 1978
053. Hey Love (It's A Feelin') ❂ Natural Force 1978
054. I Believe In Your Sweet Love ❂ Diamond Cut 1979
055. I Put A Spell On You ❂ All In One Voice 1998
056. If You Were A Woman (And I Was A Man) ❂ Secret Dreams & Forbidden Fire 1986
057. I'm Just A Woman (Single) ❂ Goodbye To The Island 1981
058. In My Life (& Prague Philharmonic) ❂ Heart Strings (Heart & Soul) 2002
059. Keep Your Love Alive ❂ Bitterblue 1991
060. Like An Ocean ❂ All In One Voice 1998
061. Louise ❂ Wings 2005
062. Love Is In Love Again ❂ Bitterblue 1991
063. Love Of A Rolling Stone ❂ The World Starts Tonight 1977
064. Love's Holding On (& Axel Rudi Pell) ❂ Love's Holding On EP 2017
065. My ! My ! Honeycomb (B-Side) ❂ The World Starts Tonight 1977
066. My Guns Are Loaded ❂ Diamond Cut 1979
067. Nobody Better ❂ Simply Believe 2004
068. Nothing To Do With Love ❂ Free Spirit 1995
069. Open Your Eyes ❂ Simply Believe 2004
070. Race To The Fire ❂ Angel Heart 1992
071. Rebel Without A Clue ❂ Secret Dreams & Forbidden Fire 1986
072. Return To Blue ❂ All In One Voice 1998
073. Right Here Waiting (& Prague Philharmonic) ❂ Heart Strings (Heart & Soul) 2002
074. Save Me ❂ Bitterblue 1991
075. Shy With You ❂ Hide Your Heart 1988
076. Si Demain (Turn Around) (& Kareen Antonn) ❂ Simply Believe 2004
077. Si Tout S'arrete (It's A Heartache) (& Kareen Antonn) ❂ Simply Believe 2004
078. Sitting On The Edge Of The Ocean (Alternate) ❂ Goodbye To The Island 1981
079. Sometimes When We Touch ❂ Goodbye To The Island 1981
080. Soon Will Be Too Late ❂ All In One Voice 1998
081. Stubborn ❂ Rocks & Honey 2013
082. Stuck To My Guns ❂ The Best Is Yet To Come 2021
083. Sunshine ❂ Rocks & Honey 2013
084. Take A Chance ❂ Angel Heart 1992
085. Take Me Back ❂ Faster Than The Speed Of Night 1983
086. Tears (& Frankie Miller) ❂ Faster Than The Speed Of Night 1983
087. Tell Me The Truth ❂ Bitterblue 1991
088. The Best Is Yet To Come ❂ The Best Is Yet To Come 2021
089. Through Thick & Thin (I'll Stand By You) (& Lorraine Crosby) ❂ Through Thick & Thin (I'll Stand By You) EP 2020
090. Time Mends A Broken Heart ❂ Free Spirit 1995
091. To Love Somebody ❂ Hide Your Heart 1988
092. Too Hot ❂ Bitterblue 1991
093. Turtle Blues ❂ Hide Your Heart 1988
094. Two Out Of Three Ain't Bad ❂ Free Spirit 1995
095. Where Were You ❂ Bitterblue 1991
096. Wild Side Of Life ❂ Goodbye To The Island 1981
097. Wings ❂ Wings 2005
098. Words Can Change Your Life ❂ Diamond Cut 1979
099. Yes I Can ❂ Only Love EP 2025
100. You Always Saw The Blue Skies ❂ All In One Voice 1998
101. You're The One ❂ The Best Is Yet To Come 2021
102. Holding Out For A Hero ❂ Simply Believe 2004
103. One World One Home ❂ One World One Home EP 2026

...( Info )...

Artist: Celine Dion
Album: Compilation
Genre: Pop
Source: qobuz Discography
Duration: 04:54:02
Audio: MP3, 320 Kbps

...( Opis )...

Céline Marie Claudette Dion ( ur. 30 marca 1968 w Charlemagne w prowincji Quebec) to kanadyjska piosenkarka, autorka tekstów, aktorka, bizneswoman, filantropka i kompozytorka.
Nazywana „Królową Power Ballads ”, znana jest z wpływu na muzykę popularną dzięki swojemu potężnemu, technicznie dopracowanemu wokalowi i komercyjnym sukcesom.
Urodzona w wielodzietnej rodzinie w Quebecu, Dion wychowała się w wierze katolickiej w biednym, ale – jak sama wspomina – szczęśliwym domu w Charlemagne . Muzyka zawsze odgrywała ważną rolę w rodzinie Dion, a imię otrzymała od piosenki „Céline ”, którą francuski piosenkarz Hugues Auffray nagrał dwa lata przed jej narodzinami. Jako mała dziewczynka, Dion była często prześladowana w szkole i nazywana „wampirem” z powodu krzywych zębów i szczupłej sylwetki. W wywiadach często opisywała, jak biegała ze szkoły do ​​domu, żeby bawić się w piwnicy z rodzeństwem. „Nienawidziłam szkoły. Zawsze żyłam otoczona dorosłymi i dziećmi znacznie starszymi ode mnie. Wszystkiego, co musiałam wiedzieć, uczyłam się od nich. Z mojego punktu widzenia, wokół nich istniało prawdziwe życie” – napisała później w swojej autobiografii.
Celine Dion stała się gwiazdą w świecie francuskojęzycznym jako nastolatka, po tym jak jej menedżer i przyszły mąż, René Angélil, zastawił dom, aby sfinansować jej pierwsze nagranie.


...( TrackList )...


01. Fade Away ❂ Taking Chances 2007
02. I Drove All Night ❂ One Heart 2003
03. Just Walk Away (B-Side) ❂ The Color Of My Love 1993
04. My Heart Will Go On (OST Titanic-Love Theme) ❂ Let's Talk About Love 1997
05. One Heart ❂ One Heart 2003
06. Water & A Flame ❂ Loved Me Back To Life 2013
07. Parler A Mon Pere ❂ Sans Attendre 2012
08. I'm Alive ❂ A New Day Has Come 2002
09. (If There Was) Any Other Way ❂ Unison 1990
10. Je Cherche L'ombre ❂ D'elles 2007
11. Reveal ❂ One Heart 2003
12. Tout L'or Des Hommes ❂ 1 Fille & 4 Types 2003
13. A Cause ❂ D'elles 2007
14. A New Day Has Come. mix ❂ A New Day Has Come 2002
15. A Vous ❂ Encore Un Soir 2016
16. All By Myself ❂ Falling Into You 1996
17. Ashes. mix (OST Deadpool 2 & Steve Aoki) ❂ Ashes EP 2018
18. Beautiful Boy ❂ Miracle 2004
19. Can't Fight The Feelin' ❂ Taking Chances 2007
20. C'est Pour Toi ❂ C'est Pour Toi 1985
21. Change My Mind ❂ Courage 2019
22. D'amour Ou D'amitie ❂ Tellement J'ai D'amour 1982
23. Dans Un Autre Monde (& Les Choeurs de Radio France) ❂ S'il Suffisait D'aimer 1998
24. Delivre-Moi (& Isa Minoke) ❂ Incognito 1987
25. Des Milliers De Baisers (& Jean-Jacques Goldman) ❂ 1 Fille & 4 Types 2003
26. Destin ❂ D'eux 1995
27. Did You Give Enough Love ❂ Celine Dion 1992
28. Encore Un Soir ❂ Encore Un Soir 2016
29. Et S'il N'en Restait Qu'une (Je Serais Celle-La) ❂ D'elles 2007
30. Everybody's Talkin' My Baby Down ❂ The Colour Of My Love 1993
31. Faith ❂ One Heart 2003
32. Grand Maman ❂ La Voix Du Bon Dieu 1981
33. I Feel Too Much ❂ Unison 1990
34. If That's What It Takes ❂ Falling Into You 1996
35. If You Could See Me Now ❂ Celine Dion 1992
36. Immensite ❂ D'elles 2007
37. Immortality (& Bee Gees) ❂ Let's Talk About Love 1997
38. J'attendais ❂ D'eux 1995
39. Je Danse Dans Ma Tete ❂ Dion Chante Plamondon 1991
40. Je Nous Veux ❂ Encore Un Soir 2016
41. Just A Little Bit Of Love ❂ Let's Talk About Love 1997
42. La Mer Et L'enfant ❂ Sans Attendre 2012
43. Le Temps Qui Compte ❂ D'elles 2007
44. Les Paradis ❂ D'elles 2007
45. Les Yeux Au Ciel ❂ Encore Un Soir 2016
46. L'etoile ❂ Encore Un Soir 2016
47. Little Bit Of Love ❂ Celine Dion 1992
48. Lolita (Trop Jeune Pour Aimer) (& Isa Minoke) ❂ Incognito 1987
49. Love Doesn't Ask Why ❂ The Colour Of My Love 1993
50. Lovers Never Die ❂ Courage 2019
51. Make You Happy ❂ Falling Into You 1996
52. Mamy Blue ❂ Les Chemins De Ma Maison 1983
53. Misled ❂ The Colour Of My Love 1993
54. Nobody's Watching ❂ Courage 2019
55. On Ne Change Pas (& Les Choeurs de Radio France) ❂ S'il Suffisait D'aimer 1998
56. Oxygene ❂ Dion Chante Plamondon 1991
57. Piaf Chanterait Du Rock ❂ Dion Chante Plamondon 1991
58. Pour Que Tu M'aimes Encore ❂ D'eux 1995
59. Pour Vous ❂ C'est Pour Toi 1985
60. Qui Peut Vivre Sans Amour (& Paris Pop Orchestra) ❂ Sans Attendre 2012
61. Rain, Tax (It's Inevitable) ❂ A New Day Has Come 2002
62. Real Emotion ❂ The Colour Of My Love 1993
63. Refuse To Dance ❂ The Colour Of My Love 1993
64. Si C'etait A Refaire ❂ Encore Un Soir 2016
65. Si Je N'ai Rien De Toi ❂ Sans Attendre 2012
66. Somebody Loves Somebody ❂ Loved Me Back To Life 2013
67. Stand By Your Side ❂ One Heart 2003
68. The Power Of Love ❂ The Colour Of My Love 1993
69. Think Twice ❂ The Colour Of My Love 1993
70. This Time ❂ Taking Chances 2007
71. Treat Her Like A Lady ❂ Let's Talk About Love 1997
72. Une Colombe ❂ Melanie 1984
73. Unison ❂ Unison 1990
74. Where Does My Heart Beat Now ❂ Unison 1990
75. Dansons ❂ Dansons EP 2026

...( Info )...

Artist: Thomas Anders
Album: Different
Genre: Electronic, Rock, Pop, Pop Rock, Ballad
Edition: TELDEC – 246 187-1
Duration: 00:48:10
Audio: FLAC 24/96, Lossless
Rip type: image + .cue

...( TrackList )...

1. Love Of My Own (4:50)
2. On My Way (5:53)
3. Turn On The Light (4:07)
4. Living On The Edge (4:40)
5. You Are My Life (4:40)
6. One Thing (3:50)
7. Soldier (4:30)
8. Someone New (4:45)
9. Close Your Eyes To Heaven (5:00)
10. Fool If You Think It's Over (5:31)

...( Info )...

Artist: VA
Album: Just listen ... Part 43 Other Rock Covers
Genre: Cover, Other, Blues Rock
Duration: 00:56:01
Audio: MP3, 320 Kbps

...( TrackList )...


01 - John Denver - Take Me Home (Rock Cover By Gentle Bluesrock)
02 - Paul Anka - I Don't Like to Sleep Alone (Rock Cover By Gentle Bluesrock)
03 - Deep Purple - Soldier of Fortune (Rock Cover By Gentle Bluesrock)
04 - Bee Gees - Don't Forget to Remember (Rock Cover By Gentle Bluesrock)
05 - Rod Stewart - I Don't Want to Talk About it (Rock Cover By Gentle Bluesrock)
06 - Bill Withers - Ain't No Sunshine (Rock Cover By Gentle Bluesrock)
07 - Led Zeppelin - Stairway to Heaven (Rock Cover By Gentle Bluesrock)
08 - Ben E. King - Stand By Me (Rock Cover By Gentle Bluesrock)
09 - The Beatles - Let it Be (Rock Cover By Gentle Bluesrock)
10 - Lynyrd Skynyrd - Simple Man (Rock Cover By Gentle Bluesrock)
11 - Steelheart - She's Gone (Rock Cover By Gentle Bluesrock)
12 - Disturbed - The Sound of Silence (Rock Cover By Gentle Bluesrock)

...( Info )...

Artist: Accept
Title: Teutonic Titans 1976-2026
Year: 2026
Genre: Heavy Metal
Country: Germany
Duration: 01:16:26
Format/Codec: FLAC
Audio Bitrate: 24-Bit - 48.0 kHz


...( TrackList )...

01.Fast as a Shark (feat. Phil Anselmo, Kirk Hammett, Billy Sheehan, Mikkey Dee, Harmoniemusik Hindelang)(3:49)
02.Balls to the Wall (feat. Rob Halford, Matthias Jabs, Rex Brown, Jason Bowld)(5:44)
03.Aiming High (feat. Chuck Billy, Gary Holt, David Ellefson, Christopher Williams)(4:03)
04.Run If You Can (feat. Todd La Torre, Ola Englund, Chuck Garric, Roy Mayorga)(4:42)
05.Hellhammer (feat. Jason McMaster, Zeuss, Phil Shouse, Christopher Williams)(3:28)
06.Metal Heart (feat. Dino Jelusick, Joel Hoekstra, Ava Rebekah Rahman, Jason Bowld)(5:15)
07.Losers and Winners (feat. Hansi Kürsch, Paul Gilbert, Chuck Garric, Tommy Aldridge)(4:17)
08.Save Us (feat. Tobias Forge, Frank Bello, Ray Luzier)(4:23)
09.Up to the Limit (feat. John Bush, Alex Skolnick, Rudy Sarzo, Shannon Larkin)(3:49)
10.Wrong is Right (feat. Ralf Scheepers, John Norum, Ken Mary)(3:08)
11.Starlight (feat. Joseph Michael, Phil Demmel, Michael Cartellone)(3:48)
12.Fight It Back (feat. Mark Lopes, Bumblefoot, Billy Sheehan, Shawn Drover)(3:32)
13.Love Child (feat. Billy Corgan, David Ellefson, Tommy Aldridge)(3:40)
14.Breaker (feat. Girish Pradhan, Glen Drover, Shawn Drover, Chuck Garric)(3:37)
15.Demon's Night (feat. Bobby Blitz, Andy Sneap, David Ellefson, Ray Luzier)(4:22)
16.T.V. War (feat. Joe Lynn Turner, Fredrik Åkesson, Rudy Sarzo, Ken Mary)(3:25)
17.London Leatherboys (feat. Sebastian Bach, Rex Brown, Shawn Drover)(3:58)
18.Monsterman (feat. Jeff Scott Soto, Jeff Loomis, Rudy Sarzo, Michael Cartellone)(3:09)
19.Restless and Wild (feat. Chris Jericho, K. K. Downing, Billy Sheehan, Ray Luzier)(4:17)

Genre: Black Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 28:34
Contains scans in the download: No

Tracklist:
01. Intro
02. On My Nihilist Path (Slaughter the Lamb)
03. Złego diabli nie biorą
04. Więc jestem już martwy
05. Żadnych znamion duszy
06. No Lives Matter

...( Info )...

Artist: Mylene Farmer
Album: Point De Suture
Genre: Electronic, Pop, Chanson
Edition: Stuffed Monkey – 19802826281
Duration: 00:53:06
Audio: FLAC 24/96, Lossless
Rip type: image + .cue

...( TrackList )...


A1 Degénération (5:27)
A2 Appelle Mon Numero (5:32)
B1 Je M'Ennuie (4:22)
B2 Paradis Inanimé (4:26)
B3 Looking For My Name (4:19)
C1 Point De Suture (4:49)
C2 Réveiller Le Monde (4:15)
C3 Sextonik (4:35)
D1 C'Est Dans L'Air (4:33)
D2 Si J'Avais Au Moins... (5:31)
D3 Ave Maria (4:58)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Kolejna płyta studyjna – więc będzie kolejna trasa. Wkrótce po wydaniu „The Division Bell” Pink Floyd wyruszyli w obejmującą cały świat ogromną trasę koncertową. Podczas (niezwykle widowiskowych) koncertów, oprócz utworów z aktualnie promowanego albumu i (niestety w mniejszości) „A Momentary Lapse Of Reason” grali też, rzecz jasna, sporą porcję klasycznych nagrań; między innymi zdarzało się w drugiej części koncertu zagrać w całości „The Dark Side Of The Moon”. Pierwotnie, jak sami panowie się zarzekali, nie mieli w planie żadnej płyty koncertowej, skoro kilka lat wcześniej ukazał się „Delicate Sound Of Thunder”, potem zespół planował wydać wyłącznie koncertową wersję „Ciemnej Strony”; ostatecznie ukazał się dwupłytowy album live oraz kaseta video (nieco różniące się repertuarem: VHS był zapisem jednego koncertu, na płycie zebrano nagrania z różnych występów). Niektórzy fani Watersa widzieli w tym swoiste odreagowanie: skoro Roger nagrał był koncertową wersję swojego osobistego magnum opus, „The Wall”, to Gilmour i spółka odpowiedzieli koncertową wersją najsłynniejszego dzieła zespołu… Jak dla mnie, to gruba przesada.

Nie ulega natomiast wątpliwości jedno. Wersja wizualna „Pulse” zachwyca do dziś: światła, lasery, filmy, świnie, szklana kula, rozbijający się o scenę samolot, świetne zgranie wszelkich specjalnych efektów z muzyką… Natomiast wersja audio – niestety – nie broni się. Całość wypada dziwnie statycznie. Monotonnie. Poza tym – co w przypadku płyty koncertowej boli szczególnie – całość jest bardzo podobna do wersji studyjnych (głównie dlatego, że muzyka musi pasować do filmów, świateł itp.). Że nagrania z „The Division Bell” na scenie wypadają dobrze? OK, ale np. ja bardzo chętnie zamieniłbym nijakie „Coming Back To Life” choćby na „Yet Another Movie”. A już pominięcie w wersji CD „One Of These Days” (dostępnego w wersji kasetowej i winylowej) na korzyść „Coming...” to gruba przesada. Że na żywo „Learning To Fly” zyskał intrygujące, basowo-perkusyjne otwarcie i zamknięcie, a „Sorrow” codę identyczną do zakończenia? Że w środkowej części „Money” panowie sobie poimprowizowali, pojawił się rytm reggae? Że „Another Brick In The Wall Part Two” i zwłaszcza „Run Like Hell” zagrają bardzo dynamicznie, czadowo? Że na sam początek będzie „Shine On You Crazy Diamond”, a bisy zakończy „Comfortably Numb” i „Run Like Hell”? Wszystko to było już na poprzedniej koncertówce. Właśnie: w sumie nie do końca wiadomo, po co panowie wydawali dwie płyty koncertowe z rzędu, skoro ta nowa nie wnosi nic, czego nie było na „Delicate”. (Prawie nic: panowie odgrzali – żywo, dynamicznie wykonane – „Astronomy Domine”.) I czemu „Pulse” rozwleczono do dwóch i pół godziny: jeśli miała być to ciekawostka dla fanów, wystarczyłaby sama „Ciemna Strona Księżyca” AD 1994. Która również nic nowego specjalnie nie wnosi.

„Delicate Sound Of Thunder” był niezłym dokumentem trasy z roku 1987; a przede wszystkim, był ciekawym uzupełnieniem dyskografii zespołu, ubogiej zwłaszcza w (oficjalne) nagrania live. Natomiast „Pulse” – imponująca w wersji VHS, a zwłaszcza DVD – w wersji wyłącznie audio pozostawia niemiłe wrażenie płyty wydanej głównie po to, żeby wyciągnąć trochę pieniędzy od wiernych fanów. Szkoda.

Piotr 'Strzyż' Strzyżowski



..::TRACK-LIST::..

Pulse One:
1. Shine On You Crazy Diamond (Concert Version) 13:21
2. Learning To Fly 5:50
3. High Hopes 7:57
4. Take It Back 5:55
5. Coming Back To Life 6:24
6. Sorrow 12:04
7. Keep Talking 7:25
8. Another Brick In The Wall (Part 2) 6:51
9. One Of These Days 7:00

Features
Bootlegging The Bootleggers
10. What Do You Want From Me? 4:47
11. On The Turning Away 7:23
12. Poles Apart 8:36
13. Marooned 4:25

Screen Films
14. Shine On You Crazy Diamond 8:25
15. Learning To Fly (1987) 1:57
16. High Hopes 8:11

Videos
17. Learning To Fly 4:44
18. Take It Back 5:01

Tour Stuff
19. Maps
20. Itinerary
21. Stage Plans

22. Pulse TV Ad 1:05


Pulse Two:
The Dark Side Of The Moon
1. Speak To Me 1:47
2. Breathe In The Air 2:43
3. On The Run 3:29
4. Time 6:49
5. The Great Gig In The Sky 5:00
6. Money 8:58
7. Us And Them 6:58
8. Any Colour You Like 3:18
9. Brain Damage 3:44
10. Eclipse 2:59

Encores
11. Wish You Were Here 6:03
12. Comfortably Numb 9:55
13. Run Like Hell 9:44

Screen Films
14. Speak To Me (Graphic) 1:19
15. On The Run 3:36
16. Time 2:04
17. The Great Gig In The Sky (Wave) 4:56
18. Money (1987) 2:44
19. Us And Them (1987) 7:03
20. Brain Damage 3:48
21. Eclipse 2:01

Alternate Versions
22. Speak To Me (1987) 2:00
23. Speak To Me (1987) Time (Ian Eames) 2:18
24. The Great Gig In The Sky (Animation) 5:15
25. Money (Alien) 1:39
26. Us And Them (1994) 7:12

27. Say Goodbye To Life As We Know It 15:38
Film Director - Caroline Wright
Film Editor - Peter Daniel
Film Producer - Poonam Sharma
Film Technician - Annette Mason, Joe Winnington, Nick Mason, Warren "Wiggy" Toll

28. Photo Gallery 6:30
29. Wish You Were Here With Billy Corgan 10:31
30. Cover Art
31. Additional Credits 1:17



..::OBSADA::..

Keyboards, Vocals - Richard Wright
Drums - Nick Mason
Guitar, Vocals, Producer [Music Production, 5.1 Surround Mix] - David Gilmour

Backing Vocals - Claudia Fontaine, Durga McBroom, Sam Brown
Bass Guitar - Guy Pratt
Guitar - Tim Renwick
Keyboards - Jon Carin
Percussion - Gary Wallis
Saxophone - Dick Parry



https://www.youtube.com/watch?v=ai_gI0Jbr_E


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: VA
Album: Afro Beats End of Summer (Deep Strips)
Genre: House, Dance
Edition: Deep Strips
Source: qobuz
Duration: 02:02:51
Audio: FLAC, Lossless|WEB-DL
Rip type: tracks

...( TrackList )...


01. Cristian Ferrer - Slow Down (3:50)
02. Elegant Ape - Just Feel (3:34)
03. Elegant Ape - Nothing (4:15)
04. Cristian Ferrer - Stay With Me (4:03)
05. Elegant Ape - Closer (2:51)
06. Elegant Ape - Desert Bloom (Lino Tenerife Remix) (5:34)
07. Elegant Ape - Freedom (3:06)
08. Elegant Ape - Fading Light (2:02)
09. Cristian Ferrer - My Moment (4:36)
10. Elegant Ape - Before The Light (2:40)
11. Elegant Ape - Desert Bloom (Cristian Ferrer Remix) (5:42)
12. Elegant Ape - Moving through the night (4:44)
13. Elegant Ape - Huracan (2:32)
14. Elegant Ape - Feel The Fire (3:58)
15. Elegant Ape - We Are One (5:13)
16. Elegant Ape - I Hear Your Voice (3:57)
17. Cristian Ferrer - Wanna Be Yours (5:11)
18. Elegant Ape - The Spirit Moves (2:58)
19. Elegant Ape - Feel The Call Of The Night (2:50)
20. Elegant Ape - Rise in the Light (2:48)
21. Elegant Ape - Desert Bloom (3:09)
22. Elegant Ape - The Rhythms of us (3:04)
23. Elegant Ape - Sunset Echoes (3:39)
24. Cristian Ferrer - Feroz (5:02)
25. Cristian Ferrer - Take Me High (4:39)
26. Cristian Ferrer - Osupa Ti (4:55)
27. Cristian Ferrer - Lost In Space (6:02)
28. Elegant Ape - Kuya (5:01)
29. Cristian Ferrer - Careless Whisper (4:58)
30. Cristian Ferrer - Alright (5:58)

...( Info )...

Artist: Shibi Midnight Blues
Album: Just listen ... Part 50 Other Rock Blues Cover
Genre: Cover, Other, Blues Rock
Duration: 01:26:16
Audio: MP3, 320 Kbps

...( TrackList )...


01 - Céline Dion - My Heart Will Go on (Blues Rock Cover By Shibi Midnight Blues)
02 - No Doubt - Don't Speak (Blues Rock Cover By Shibi Midnight Blues)
03 - Diana Ross - If We Hold on Together (Blues Rock Cover By Shibi Midnight Blues)
04 - The Doobie Brothers - Listen to the Music (Blues Rock Cover By Shibi Midnight Blues)
05 - Shibi Midnight Blues - Wild World
06 - Rihanna - Umbrella (Blues Rock Cover By Shibi Midnight Blues)
07 - Pink Floyd - Time (Blues Rock Cover By Shibi Midnight Blues)
08 - Gary Moore - Still Got the Blues (For You) (Blues Rock Cover By Shibi Midnight Blues)
09 - Bertie Higgins - Casablanca (Blues Rock Cover By Shibi Midnight Blues)
10 - The Drifters - Save the Last Dance for Me (Blues Rock Cover By Shibi Midnight Blues)
11 - Rod Stewart - Have I Told You Lately (Blues Rock Cover By Shibi Midnight Blues)
12 - Tom Jones - Delilah (Blues Rock Cover By Shibi Midnight Blues)
13 - Kansas - Dust in the Wind (Blues Rock Cover By Shibi Midnight Blues)
14 - Savage Garden - Truly Madly Deeply (Blues Rock Cover By Shibi Midnight Blues)
15 - John Lee Hooker - Boom Boom (Blues Rock Cover By Shibi Midnight Blues)
16 - George Benson - Nothing's Gonna Change My Love for You (Blues Rock Cover By Shibi Midnight Blues)
17 - Dan Byrd - Boulevard (Blues Rock Cover By Shibi Midnight Blues)

...( Info )...

Artist: VA
Album: The Best of Bond... James Bond Collection
Genre: Pop Rock, Synth-pop, Jazz
Duration: 06:41:18
Audio: MP3, 320 Kbps

...( TrackList )...

Disc1 - Original Songs & Music:

01. The James Bond Fanfare (arr. David Arnold) (0:32)
02.Dr. No "Gun Barrel" (performed by The Monty Norman Orchestra) (1:39)
03.Dr. No "Under the Mango Tree" (performed by Diana Coupland) (2:22)
04. From Russia With Love (performed by Matt Munro) (2:34)
05. Goldfinger (performed by Shirley Bassey) (2:49)
06. Thunderball (performed by Tom Jones) (3:03)
07. Casino Royale (performed by Herb Alpert & The Tiujana Brass) (2:38)
08. Casino Royale "The Look of Love" (performed by Dusty Springfield) (3:32)
09. Casino Royale "End Title" (performed by Mike Redway) (2:21)
10. You Only Live Twice (performed by Nancy Sinatra) (2:46)
11. On Her Majesty's Secret Service (performed by The John Barry Orchestra) (2:36)
12. On Her Majesty's Secret Service "Do You Know How Christmas Trees Are Grown?" (performed by Nina) (3:21)
13. On Her Majesty's Secret Service "We Have All The Time In The World" (performed by Louis Armstrong) (3:14)
14. Diamonds Are Forever (performed by Shirley Bassey) (2:42)
15. Live And Let Die (performed by Wings) (3:14)
16. The Man With The Golden Gun (performed by LULU) (2:35)
17. The Spy Who Loved Me "Nobody Does It Better" (performed by Carly Simon) (3:28)
18. Moonraker (performed by Shirley Bassey) (3:09)
19. For Your Eyes Only (performed by Sheena Easton) (3:04)
20. For Your Eyes Only "Make It Last All Night" (performed by Rage) (3:30)
21. Octopussy "All Time High" (performed by Rita Coolidge) (3:03)
22. Never Say Never Again (performed by Lani Hall) (3:13)
23. Never Say Never Again "Une Chanson d'Amour" (performed by Sophie Della) (4:27)
24. A View To A Kill (performed by Duran Duran) (3:35)
Duration: 01:09:14

Disc2 - Original Songs & Music:
Disc3 - Additional Music & Alternates:
Disc4 - Additional Music & Alternates:
Disc5 - Additional Music & Alternates:
Disc6 - The Video Games:

...( Info )...

Artist: VA
Album: Now That's What I Call Soft Rock & Power Pop Anthems
Genre: Pop Rock, Soft Rock, Power Pop
Publication: Now That's What I Call Music Llp – CDNNNOW167; Sony Music – CDNNNOW167; EMI – CDNNNOW167
Duration: 05:16:25
Audio: FLAC, Lossless
Rip type: tracks + .cue


...( TrackList )...

CD One:

1.1 Queen – We Are The Champions 3:02
1.2 Def Leppard – Love Bites (Radio Edit) 4:50
1.3 Bon Jovi – Always (Radio Edit) 4:50
1.4 Heart – Alone (Remastered 2011) 3:37
1.5 Cher – I Found Someone 3:42
1.6 Laura Branigan – Self Control 4:05
1.7 Alice Cooper – Poison 4:31
1.8 Poison – Every Rose Has It's Thorn 4:18
1.9 Marillion – Kayleigh (Single Edit) 3:36
1.10 Foreigner – I Want To Know What Love Is 5:04
1.11 The Cars – Drive 3:55
1.12 Huey Lewis & The News – The Power Of Love (From "Back To The Future" Soundtrack) 3:56
1.13 Pretenders – Back On The Chain Gang 3:52
1.14 Toto – Africa (Single Version) 4:22
1.15 REO Speedwagon – Keep On Loving You 3:22
1.16 Rick Springfield – Jessie's Girl 3:15
1.17 Pat Benatar – We Belong 3:40
1.18 Kim Carnes – Bette Davis Eyes (Radio Edit) 3:44
1.19 Chicago – If You Leave Me Now 3:55
1.20 10cc – I'm Not In Love (Edit) 3:44
Duration: 01:19:20


CD Two:

2.1 Electric Light Orchestra – Mr. Blue Sky 5:03
2.2 Gerry Rafferty – Baker Street (Edit) 4:08
2.3 Meat Loaf – I'd Do Anything For Love (But I Won't Do That) (Radio Edit) 5:26
2.4 Bonnie Tyler – Total Eclipse Of The Heart 4:27
2.5 T'Pau – China In Your Hand (Single Version) 4:08
2.6 Belinda Carlisle – Heaven Is A Place On Earth 3:54
2.7 Jane Wiedlin – Rush Hour 4:05
2.8 Chris Rea – The Road To Hell Pt. II (2009 Remaster) 4:28
2.9 Roy Orbison – I Drove All Night 3:47
2.10 Joan Armatrading – Drop The Pilot (Album Version) 3:40
2.11 Daryl Hall & John Oates – You Make My Dreams (Come True) 3:07
2.12 The J. Geils Band – Centerfold 3:38
2.13 Steve Winwood – Valerie (Remix) 4:08
2.14 Mr. Mister – Broken Wings 4:23
2.15 Eric Carmen – Hungry Eyes (From "Dirty Dancing" Soundtrack) 4:10
2.16 Martika – Toy Soldiers (Single Version) 4:19
2.17 Will To Power – Baby I Love Your Way / Freebird (Free Baby) 4:08
2.18 Gary Moore & Phil Lynott – Parisienne Walkways 3:21
2.19 Roxy Music – Avalon (2003 Digital Remaster) 4:14
Duration: 01:18:32


CD Three:

3.1 Bruce Springsteen – Dancing In The Dark 4:02
3.2 Philip Bailey & Phil Collins – Easy Lover (Single Version) 4:45
3.3 Tina Turner – The Best (Edit) 4:10
3.4 Alannah Myles – Black Velvet (Single Remix) 4:04
3.5 Toto – Rosanna (Single Version) 4:03
3.6 Journey – Don't Stop Believin' 4:11
3.7 Kenny Loggins – Danger Zone (From "Top Gun" Original Soundtrack) 3:37
3.8 Robert Palmer – Addicted To Love (Edit Version) 3:59
3.9 Lenny Kravitz – Fly Away 3:43
3.10 Roachford – Cuddly Toy 3:45
3.11 Michael Bolton – Time, Love And Tenderness (Single Version) 4:17
3.12 Spin Doctors – Two Princes 4:17
3.13 Deep Blue Something – Breakfast At Tiffany's 4:17
3.14 The Calling – Wherever You Will Go 3:27
3.15 Sheryl Crow – All I Wanna Do 4:34
3.16 Bruce Hornsby & The Range – The Way It Is 4:58
3.17 Patty Smyth & Don Henley – Sometimes Love Just Ain't Enough (Single Version) 4:27
3.18 Lonestar – Amazed (Captain Mix) 4:27
3.19 Take That – Rule The World (Radio Edit) 3:58

Duration: 01:19:00


CD Four:

4.1 Berlin – Take My Breath Away (Love Theme From "Top Gun") 4:09
4.2 The Police – Every Breath You Take 4:14
4.3 Elton John – Tiny Dancer 6:16
4.4 Billy Joel – Piano Man 4:35
4.5 Don McLean – American Pie (Single Version) 4:07
4.6 Cutting Crew – (I Just) Died In Your Arms 4:39
4.7 Richard Marx – Hazard (Edit) 4:48
4.8 Scorpions – Wind Of Change (English Edit) 3:41
4.9 Maria McKee – Show Me Heaven (From "Days Of Thunder" Soundtrack) 3:49
4.10 Patti Smith Group – Because The Night 3:23
4.11 Blondie – Union City Blue ('79 Single Version) 3:22
4.12 Bonnie Tyler – It's A Heartache 3:30
4.13 Boz Scaggs – Lido Shuffle 3:41
4.14 Boston – More Than A Feeling 3:29
4.15 Bachman - Turner Overdrive – You Ain't Seen Nothing Yet 3:56
4.16 Thin Lizzy – Whiskey In The Jar (7" Edit) 3:44
4.17 Mott The Hoople – All The Young Dudes 3:33
4.18 Meat Loaf – Two Out Of Three Ain't Bad 4:46
4.19 John Miles – Music 5:52

Duration: 01:19:33

...( Info )...

Artist: Fear Factory
Album: Studio Albums
Genre: Death/Groove/Industrial Metal
Duration: 15:08:26
Codec: FLAC
Bitrate: Lossless
Rip type: tracks + .cue


...( TrackList )...

Studio Albums
1992 - Soul Of A New Machine
1995 - Demanufacture
1997 - Remanufacture (Cloning Technology)
1998 - Obsolete
2001 - Digimortal
2002 - Concrete
2003 - Hatefiles
2004 - Archetype
2005 - Transgression
2010 - Mechanize
2012 - The Industrialist
2015 - Genexus
2021 - Aggression Continuum
2022 - Recoded
2023 - Re-Industrialized

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To potężna, poruszająca i oryginalna grupa muzyków, którzy nie boją się groove'u...
Wspaniały koncert!



With only two studio albums under their belt and a drummer about leave the band Umphrey's McGee filmed two shows outdoors at the Skyline Stage in Chicago. Having a reputation as a jam band, Umphrey's is a band best experienced live. If you live in the continental US, chances are they've been to a venue near you. If not here's one of three opportunities currently available on DVD to see them at home.
The set list actually includes only one song from their first album, which I haven't heard yet, and just two from their second one with two from their first live album. Most of their repertoire could only be experienced live. I count eight tracks here that weren't available anywhere else at the time. I guess practice pays off. For only being together for some four years, they've impressive performers and put on a great show. It's a well-produced DVD. The show was filmed with 18 cameras crew and you get surround sound mixes along with a standard stereo and stereo binaural. The bonus features are fairly forgettable though. Pleasantly surprised to hear a Dixie Dregs like piece by them during the credits (Mullet Over).

Slartibartfast



..::TRACK-LIST::..

Set 1:
1. All in Time Part I
2. Utopian Fur
3. Pay The Snucka [pt. iii]
4. The Fuzz
5. Hajimemashite
6. Jimmy Stewart
7. Andy's Last Beer
8. Divisions

Set 2:
9. Hurt Bird Bath
10. 2x2
11. Another Jimmy Stewart
12. Joel Solo
13. The Triple Wide
14. 40s Theme
15. All in Time Part II
16. Mullet Over [Credits]



..::OBSADA::..

Brendan Bayliss - guitars, vocals
Jake Cinninger - guitars, vocals
Joel Cummins - keyboards
Andy Farag - percussion
Mike Mirro - drums
Ryan Stasic - basses, no vocals



https://www.youtube.com/watch?v=V6TbWNLC5E4


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Linkin Park
Album: Unshatter Film Soundtrack
Genre: Alternative
Publication: Warner Records
Duration: 01:05:37
Audio: FLAC 24/48, Lossless|WEB-DL
Rip type: tracks


...( TrackList )...

1. Inception/Intro - Unshatter Film Soundtrack (Live in Sao Paulo) (2:41)
2. Somewhere I Belong - Unshatter Film Soundtrack (Live in Sao Paulo) (3:26)
3. The Emptiness Machine - Unshatter Film Soundtrack (Live in Sao Paulo) (3:16)
4. Creation/Interlude - Unshatter Film Soundtrack (Live in Sao Paulo) (1:44)
5. The Catalyst - Unshatter Film Soundtrack (Live in Sao Paulo) (5:01)
6. Waiting For the End - Unshatter Film Soundtrack (Live in Sao Paulo) (4:10)
7. Casualty - Unshatter Film Soundtrack (Live in Sao Paulo) (2:29)
8. Two Faced - Unshatter Film Soundtrack (Live in Sao Paulo) (3:45)
9. Break Collapse/Interlude - Unshatter Film Soundtrack (Live in Sao Paulo) (0:36)
10. Lost - Unshatter Film Soundtrack (Live in Sao Paulo) (2:11)
11. What I've Done - Unshatter Film Soundtrack (Live in Sao Paulo) (3:32)
12. Leave Out All The Rest - Unshatter Film Soundtrack (Live in Sao Paulo) (4:51)
13. Over Each Other - Unshatter Film Soundtrack (Live in Sao Paulo) (3:01)
14. Numb - Unshatter Film Soundtrack (Live in Sao Paulo) (3:24)
15. In the End - Unshatter Film Soundtrack (Live in Sao Paulo) (3:43)
16. Faint - Unshatter Film Soundtrack (Live in Sao Paulo) (4:33)
17. Resolution/Intro - Unshatter Film Soundtrack (Live in Sao Paulo) (1:48)
18. Papercut - Unshatter Film Soundtrack (Live in Sao Paulo) (3:18)
19. Heavy Is the Crown - Unshatter Film Soundtrack (Live in Sao Paulo) (2:49)
20. Bleed It Out - Unshatter Film Soundtrack (Live in Sao Paulo) (5:29)

...( Info )...

Artist: Lacrimas Profundere
Album: Lay Me Down O Silent Fear
Genre: Gothic Rock, Gothic Metal
Publisher: Steamhammer
Source: link
Duration: 00:40:29
Audio: FLAC 24/44.1, Lossless|WEB-DL
Rip type: tracks


...( TrackList )...


1. Days Of Doom (3:42)
2. Nevermore (4:24)
3. Heart I Will Break You Before You Break Me (4:16)
4. O Silent Fear (5:13)
5. Agony (In Dread And Dust) (3:10)
6. Faceless (4:13)
7. Arcane Promises (3:43)
8. A Sinful Desire (3:37)
9. Veil XV (5:03)
10. At The End Of A Dream Lies The Hope You Once Killed (3:10)

...( Info )...

Artist: VA
Album: The Orient Collective: Lost City of Petra
Genre: World, Ethnic, Oriental Folk
Publishing: The Orient Collective - TOC105
Source: beatport
Duration: 01:04:36
Audio: FLAC, Lossless|WEB-DL
Rip type: tracks

...( TrackList )...


01. LØDZIKØVSKY - Spiritual Tabla (5:09)
02. Kaisser Bouzriba - The Hidden Moon (5:05)
03. Monolight - Ogomalo (3:56)
04. ARTYDAL - Lavendé 2.0 (5:26)
05. Dreamers Inc - Walimengu (4:52)
06. Ayna Lune - Mainha (4:43)
07. Marga Sol - Ashé (3:12)
08. Jennifer Dons - Olodumare (5:33)
09. Divenitto - Sheyla (4:56)
10. DIVINE TIMING - Elefantum (Tebra Edit) (6:41)
11. Shika saber - Sinonem (6:28)
12. Monolight - Chori (3:59)
13. Kaisser Bouzriba - Patricia (4:36)

...( Info )...

Artist: Dawn Of Elysium
Title: The Mandela Effect
Year: 2026
Genre: Gothic Rock
Country: UK
Duration: 00:46:01
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

01. No Tomorrow
02. First Light
03. Gravity
04. Stolen
05. Orphan
06. Ghost In The Machine
07. The Day That Never Was
08. Time Regained
09. Storm
10. Home

...( Info )...

Artist: Melanie West
Title: Cowboy Collection
Year: 2026
Genre: Country
Country: USA
Duration: 00:45:21
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...


01. Cowboy Collection 03:17
02. Tired Of Getting My Heart Broke 02:11
03. Men And Music 03:33
04. Love Me Loudly 03:31
05. What's So Great About Texas 02:59
06. If I Never Leave The House 02:57
07. Total Waste Of Makeup 04:00
08. Old Man Cologne 03:08
09. Tell Me That You Love Me Again 05:11
10. If He Ain't In Texas 03:04
11. You Proved Me Wrong 03:01
12. Go Fix Yourself 02:29
13. Cowboy In A Coffee Shop 02:43
14. What The Heartbreak Is For 03:12

Genre: Grindcore, Death Metal
Country of Artist (Band): Poland
Year of Release: 2003-2022
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 03:09:09
Availability of scans in the distribution content: yes

Albums:
2003 - SupeROTic Performance (Scans, 38:58)
2009 - SupeROTic Experience (Scans, 37:56)
2010 - e-ROT.icon (Scans, 27:24)
2014 - TheoROTical (Scans, 24:20)
2022 - ROTend (30:29)
2025 - Goodbye My ROT (30:02)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

The album ‘Sanctum Disruption, Sphere of the Rotting’ contains the two heaviest and most brutal Dutch death metal demos ever. Especially their second demo ‘Sphere of the Rotting’ is in the world wide death metal underground highly acclaimed as one of the most extreme demos ever. This six track demo was recorded at Het Pand in 1992 with Frits van Mourik (Phlebotomized, Threnody, Lair of Golgotha). The booklet comes with extensive liner notes and many rare pictures. The debut demo ‘Sanctum’s Disruption’ (1991) is restored and remixed, the second demo is fully remastered. Also included is one never released track from the second demo sessions and a live track.



..::TRACK-LIST::..

Sphere Of The Rotting Demo 1992
1. The Initiation 0:44
2. Aroused By The Deceased 3:31
3. Sanctum's Disruption 4:17
4. Witch From Akyrz 2:18
5. Pernicious Saviour 4:59
6. Church Of Delusion 3:57

Sanctum's Disruption 1990
7. Witch From Akyrz 2:26
8. Mutual Hatred 2:03
9. Things That Were And Shall Be Again 3:20
10. Obtruncation 2:06
11. Repudiated Angel 3:14

Bonus Track:
12. Aroused By The Deceased 4:30

Track 12 - recorded live in October 22th, 1994 at Schedelpop Festival, Oostburg.




https://www.youtube.com/watch?v=8ZYcDPp4KpA


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

The album ‘Sanctum Disruption, Sphere of the Rotting’ contains the two heaviest and most brutal Dutch death metal demos ever. Especially their second demo ‘Sphere of the Rotting’ is in the world wide death metal underground highly acclaimed as one of the most extreme demos ever. This six track demo was recorded at Het Pand in 1992 with Frits van Mourik (Phlebotomized, Threnody, Lair of Golgotha). The booklet comes with extensive liner notes and many rare pictures. The debut demo ‘Sanctum’s Disruption’ (1991) is restored and remixed, the second demo is fully remastered. Also included is one never released track from the second demo sessions and a live track.



..::TRACK-LIST::..

Sphere Of The Rotting Demo 1992
1. The Initiation 0:44
2. Aroused By The Deceased 3:31
3. Sanctum's Disruption 4:17
4. Witch From Akyrz 2:18
5. Pernicious Saviour 4:59
6. Church Of Delusion 3:57

Sanctum's Disruption 1990
7. Witch From Akyrz 2:26
8. Mutual Hatred 2:03
9. Things That Were And Shall Be Again 3:20
10. Obtruncation 2:06
11. Repudiated Angel 3:14

Bonus Track:
12. Aroused By The Deceased 4:30

Track 12 - recorded live in October 22th, 1994 at Schedelpop Festival, Oostburg.




https://www.youtube.com/watch?v=8ZYcDPp4KpA


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Freddie Mercury - Original Version - Single Version - Rarities - (2 CD)
---------------------------------------------------------------------

Artist...............: Freddie Mercury
Album................: Original Version - Single Version - Rarities
Genre................: Rock, Pop, Electronic
Source...............: CD
Year.................: 2012
Ripper...............: EAC (Secure mode) / LAME 3.92 & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66-69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Virgin EMI Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Freddie Mercury - Living On My Own (Original Extended Version 1985)[06:39]
2. Freddie Mercury - Foolin' Around (Unreleased 12'' Mix) [05:38]
3. Freddie Mercury - How Can I Go On (with Montserrat Caballe) (Single Version 1989)[04:02]
4. Freddie Mercury - My Love Is Dangerous (Original Single Version 1985)[03:40]
5. Freddie Mercury - Love Kills (Original Extended Version 1984)[05:22]
6. Freddie Mercury - I Was Born To Love You (Original Extended Version 1985)[07:06]
7. Freddie Mercury - Made In Heaven (Alternative Version) [04:28]
8. Freddie Mercury - Lady With A Tenor Sax (Billy Squier-Work in Progress 1986)[04:02]
9. Freddie Mercury - In My Defence (2000 Remix) [03:55]
10. Freddie Mercury - She Blows Hot & Cold (Alternative Version feat. Brian May)[04:36]
11. Freddie Mercury - The Great Pretender (The Platters cover) (Brian Malouf Remix)[03:39]
12. Freddie Mercury - Hold On (Freddie Mercury and Jo Dare 1986)[03:39]
13. Freddie Mercury - Love Makin' Love (Demo) [03:36]
14. Freddie Mercury - Man Made Paradise (Original Version 1985)[04:09]
15. Freddie Mercury - Love Me Like There's No Tomorrow (Original Extended Version 1985)[05:32]
16. Freddie Mercury - Mr Bad Guy (Early Version) [03:29]
17. Freddie Mercury - Love Is The Hero (12'' Version Billy Squier 1986)[05:22]

Playing Time.........: 01:19:04
Total Size...........: 546,86 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Freddie Mercury - Foolin' Around (Instrumental) [03:40]
2. Freddie Mercury - Let's Turn It On (Original Extended Version 1985)[05:09]
3. Freddie Mercury - How Can I Go On (Instrumental) [03:59]
4. Freddie Mercury - Time (Nile Rodgers Remix 1992) [03:56]
5. Freddie Mercury - Love Kills (Instrumental) [04:27]
6. Freddie Mercury - There Must Be More To Life Than This (Original Version 1985)[03:00]
7. Freddie Mercury - The Man From Manhatten (Eddie Howel 1976)[03:22]
8. Freddie Mercury - In My Defence (Instrumental) [03:56]
9. Freddie Mercury - Money Can't Buy Happiness (Demo) [02:37]
10. Freddie Mercury - Your Kind Of Lover (Steve Brown Mix) [03:33]
11. Freddie Mercury - Made In Heaven (Instrumental) [04:17]
12. Freddie Mercury - Holding On (Demo) [04:12]
13. Freddie Mercury - Horns Of Doom (Demo) [04:17]
14. Freddie Mercury - She Blows Hot & Cold (Non-Album B-Side 1985)[03:27]
15. Freddie Mercury - The Great Pretender (The Platters cover) (Instrumental)[03:27]
16. Freddie Mercury - Stop All The Fighting (Non-Album B-Side 1985)[03:19]
17. Freddie Mercury - Love Me Like There's No Tomorrow (Instrumental)[04:03]
18. Freddie Mercury - Living On My Own (Remix) [03:36]
19. Freddie Mercury - There Must Be More To Life Than This (Instrumental)[03:06]
20. Freddie Mercury - Heaven For Everyone (The Cross Version 1988)[04:43]
21. Freddie Mercury - I Was Born To Love You (Single Version 1985)[03:36]

Playing Time.........: 01:19:53
Total Size...........: 532,39 MB

...( Info )...

Artist: VA
Title: Euro Hits 2011 Vol. 1 by Zhuravlik
Year: 2011
Genre: Pop, Dance, Electronic
Duration: 06:25:40
Format/Codec: MP3
Audio Bitrate: 320

...( TrackList )...


[3:35]. 001-Deepside Deejays - Never Be Alone
[3:07]. 002-Rares & Joshua - Radio Live 247
[3:31]. 003-The D.O.K. & Farina & Michelle Lily - Feel Alright
[3:28]. 004-Dj Sava & Cristina - Mute Trumpet
[4:02]. 005-Vivo & Orel - Feel
[3:52]. 006-Marat Mc - Only You
[3:20]. 007-LMFAO - Sexy And I Know It
[3:42]. 008-Dony & Elena Gheorghe - Hot Girls
[3:52]. 009-Pitbull & Marc Anthony - Rain Over Me
[3:30]. 010-Dan Balan - Freedom
[3:41]. 011-Marius Nedelcu & Alexandra Ungureanu - Slow It Down
[3:43]. 012-Elena Gheorghe - Waiting
[4:31]. 013-Akon & Aadesh & Avitesh - One For The World
[4:25]. 014-Inna - No Limit
[2:48]. 015-Mossano - Caramba
[4:02]. 016-Mike Posner - A Perfect Mess
[3:37]. 017-Britney Spears & Sabi - Beautiful
[3:42]. 018-R.I.O. - Hot Girl
[4:53]. 019-Jennifer Lopez & Pitbull - On The Floor
[3:13]. 020-Madcon & Maad Moiselle - Outrun The Sun
[3:13]. 021-David Guetta & Akon - Crank It Up
[3:51]. 022-Sander Van Doorn & Nadia Ali & Sidney Samson - Rolling The Dice
[3:10]. 023-Delyno & Looloo - Let Me Feel You
[2:58]. 024-Play & Win - Ya BB
[3:38]. 025-Yarabi & Sorana Darclee - Sexy Violin
[4:49]. 026-Sak Noel - Loca People
[4:26]. 027-Moby - The Right Thing
[3:16]. 028-Da Fleiva & Bijue - Jazzy Girl
[3:53]. 029-Danny L Blake - I Feel Your Love
[3:38]. 030-Michelle & Randi - Only You
[3:10]. 031-Alessia - Loca Por Tu Boca
[3:42]. 032-Sergio Project - The Punisher
[3:38]. 033-Andreea Banica & Play & Win - Sexy
[3:55]. 034-Plazma - Angel Of Snow
[4:09]. 035-Flo Rida - Good Feeling
[3:32]. 036-Doi Deejay & Sunrise Sounds - Positive
[3:20]. 037-Shaggy & Pitbull - Fired Up
[3:07]. 038-Rizzle Kicks - Down With The Trumpets
[3:37]. 039-Arsenie - You Can Be Free
[3:21]. 040-Celia - Daddy Down
[3:31]. 041-Simon - Lose Control
[3:12]. 042-Deejay Traian & Otilia - Preciosa
[3:43]. 043-Sunrise Inc - Nina
[2:51]. 044-Deejay Dalvee - Feel The Vibe
[3:38]. 045-Da Fleiva & Bijue - Share This Love For Life
[3:37]. 046-Mike Posner - Rolling In The Deep
[3:13]. 047-Play & Win - Change The World
[3:34]. 048-David Deejay & P Jolie & Nonis - Perfect 2
[3:16]. 049-Deepsystem - Party Time
[3:43]. 050-John Modena & Lenny O'bryan - Inside
[3:16]. 051-Juan Magan & Pitbull & El Cata - Bailando Por El Mundo
[3:18]. 052-Laza Morgan & Mavado - One By One
[3:32]. 053-Blue Zone & Dj Yulis - Like You
[4:11]. 054-Voxis - I Just Wanna
[5:09]. 055-Kristine & Edward Maya - Boy Just Think Twice
[3:31]. 056-Frankmusik & Far East Movement - Do It In The Am
[3:59]. 057-Tony Ray & Johanna Starr - My Heart Is Cryin
[4:44]. 058-Tom Boxer & Catherine Cassidy - You
[3:16]. 059-Dj Antoine & Mad Mark & Remady - I Feel
[3:11]. 060-Ian Carey & Snoop Dogg & Bobby Anthony - Last Night
[3:20]. 061-Karma - More & More
[3:47]. 062-Dj Sign & Inusa Dawuda - I Want Your Sax
[3:22]. 063-Captain Jack - How Does It Feel
[3:22]. 064-Dj Dark & Shidances & Phelipe - Sexy Lady
[3:19]. 065-Gums & Sir Samuel - Don't Give Up
[4:31]. 066-Jay Sean & Pitbull - Do It For You
[3:03]. 067-Fly Djs & Jimmy Dub - Move Ya
[3:22]. 068-The Game & Chris Brown - Pot Of Gold
[5:07]. 069-Tom Boxer & Morena & J.warner - Deep In Love
[3:33]. 070-Shahzoda & Akcent - All Alone
[3:21]. 071-Melanie C - Stupid Game
[3:06]. 072-Alex Sayz & Nadia Ali - Free To Go
[3:09]. 073-Selena Gomez & The Scene - Love You Like A Love Song
[3:10]. 074-Inna - W.O.W.
[3:43]. 075-Nayer & Pitbull & Mohombi - Suave (Kiss Me)
[3:42]. 076-Fly Project - Musica
[3:24]. 077-Adrian Sina & Sandra N - Angel
[3:21]. 078-Richard Durand & Ellie Lawson - Wide Awake
[5:51]. 079-Dj Tiesto & Allure & Jes - Show Me The Way
[5:07]. 080-Serge Devant & Taleen - 3 Am Eternal (Cover Klf)
[3:13]. 081-Costi Ionita & Sahara - I Wonder Why
[7:17]. 082-Armin Van Buuren & Nadia Ali - Feels So Good
[3:22]. 083-Maroon 5 & Christina Aguilera - Moves Like Jagger
[3:30]. 084-Andreea Banica - Electrified
[3:38]. 085-Dony & Adena - Milkshake
[3:09]. 086-Vanessa & Marcko - Oh Lala
[3:02]. 087-Melanie C - Cruel Intentions
[3:50]. 088-Emil Lassaria & F.Charm - 9 Mm
[4:18]. 089-Pitbull & Akon & David Rush - Everybody Fucks
[3:15]. 090-Simplu & Alexs - Convict
[3:28]. 091-Nick Kamarera & Mike Diamondz - Kalya
[3:54]. 092-Lumidee & Beenie Man - Celebration
[3:47]. 093-Dev - In The Dark
[3:18]. 094-Sander Van Doorn & Carol Lee - Love Is Darkness
[3:25]. 095-Nina - Take Me Away
[3:39]. 096-Mish & Dj Winn & Freeman - The Power Of Lov
[3:33]. 097-Marcos Rodriguez & Sasha David - Jump
[4:25]. 098-Dj Lex - Goodbye Summer
[3:32]. 099-Bros Project & Rella Roxx - Habibi
[3:49]. 100-Dj Sava & Andreea D & Yolo - Money Maker
[3:48]. 101-Mc Dany - Sha La La
[3:32]. 102-Kongos - Come With Me Now
[3:50]. 103-Pitbull & Ne-yo & Afrojack & Nayer - Give Me Everything
[3:16]. 104-Tato & Dj Hammond - Everyday Normal Motherfucker
[2:50]. 105-Yves Larock - Don't Turn Back