..::INFO::..

Jedyna płyta włoskiego zespołu z Rovereto grającego ska.

Title: Red Solution

Artist: Red Solution

Country: Włochy

Year: 1999

Genre: Ska

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1 Sisfattista
2 Skunk
3 Soldato
4 Vera
5 Brivado
6 Vile Denaro
7 Sono Stufo
8 E' Gia Mattina
9 Help
10 Cosi
11 Buongiorno

...( Info )...


Artist...............: Robert Plant
Album................: Live Principles
Genre................: Rock
Year.................: 2024
Codec................: Reference libFLAC 1.5


...( TrackList )...

001. Robert Plant - In The Mood
002. Robert Plant - Pledge Pin
003. Robert Plant - Messin' With The Mekon
004. Robert Plant - Worse Than Detroit
005. Robert Plant - Thru' With The Two Step
006. Robert Plant - Other Arms
007. Robert Plant - Horizontal Departure
008. Robert Plant - Moonlight In Samosa
009. Robert Plant - Wreckless Love
010. Robert Plant - Band Introduction
011. Robert Plant - Slow Dancer
012. Robert Plant - Like I've Never Been Gone
013. Robert Plant - Burning Down One Side
014. Robert Plant - Big Log
015. Robert Plant - Stranger Here...Than Over There
016. Robert Plant - Treat Her Right (ft. Jimmy Page)

...( Info )...

Artist...............: Robert Plant
Album................: Robert Plant - NHK FM Radio Broadcast Festival Hall Osaka Japan 20th February 1984.
Genre................: Rock
Year.................: 2021
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Robert Plant - In The Mood
002. Robert Plant - Pledge Pin
003. Robert Plant - Messin - with The Mekon
004. Robert Plant - Moonlight Samosa
005. Robert Plant - Thru - with The Two Step
006. Robert Plant - Other Arms
007. Robert Plant - Horizontal Departure
008. Robert Plant - Band Introduction
009. Robert Plant - Slow Dancer
010. Robert Plant - Like I've Never Been Gone
011. Robert Plant - Burning Down One Side
012. Robert Plant - Big Log

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

DVD 5
NTSC
4:3
DD 2.0



DVD exclusive to members of Slayer's Slatanic Whermacht fan club, long promised and finally released in January 2010
Packaged in a cardboard sleeve it features a 20 minute video and a bonus photo slideshow
the video was filmed in Australia in 2007 and includes:
- Intro montage of various gigs and fans
- Behind the scenes footage including the construction of the stage, souncheck, fans at the merch stand plus a short interview with Tom Araya and the band in the dressing room preparing to go on stage
- South of Heaven (live video edited to studio audio)
- Cult (Tom's live intro followed by live video edited to studio audio)
- Various post-gig clips of the band coming offstage and in the dressing room, Dave Lombardo with his family, fans and the band leaving



..::TRACK-LIST::..

1. Exclusive Behind The Scenes / Live Concert Performances 19:00
2. Photo Slide Show 4:35



..::OBSADA::..

Bass, Lead Vocals - Tom Araya
Drums - Dave Lombardo
Guitar - Jeff Hanneman, Kerry King



https://www.youtube.com/watch?v=xUSpMuecTVM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Ja wiem, że “The Roaring Silence” to najlepsza płyta Manfred Mann’s Earth Band, ale ja i tak bardziej lubię “Angel Station”. Tutaj Mann po raz pierwszy (z Ziemską Orkiestrą) gra piosenki. Tylko piosenki. A wcześniej jednak skłaniał się w stronę nieco ambitniejszego repertuaru (nawet jazz-rockowego). Chociaż skomponowanie kilku ciekawych piosenek z chwytliwymi melodiami nie jest często spotykaną umiejętnością. W każdym razie coś takiego pozostaje poza zasięgiem jakich 99% współczesnych wykonawców prog-rockowych. MMEB też jest zaliczany do rocka progresywnego, ale to zawsze było na granicy prog-rocka i rockowego mainstreamu. W zależności od płyty byli nieco po tej, albo po tamtej stronie. „Angel Station” to wychylenie wahadła na tą mniej ambitną (teoretycznie) stronę. Mann zrezygnował całkowicie z bardziej skomplikowanych, trudniejszych utworów i skupił się tylko na piosenkach. Odpuszczenie, pójście na łatwiznę? Na pewno nie. Być może chęć utrzymania się na rynku. „The Roaring Silence” było wielkim przebojem po obu stronach Atlantyku, a następna, „Watch” była wielką, ale klapą (W USA, w Wielkiej Brytanii radziła sobie nieco lepiej). W międzyczasie rynek się zmienił, praktycznie wszyscy wielcy uproszczali swoją muzykę, MMEB też to dopadło. Przy czym akurat MMEB udało się wyjść z takich zawirowań stylistycznych obronną ręką. Do tego „Watch” było tylko gorszą kopią „The Roaring Silence”, w ogóle najsłabsza płytą MMEB do tego czasu i raczej o jakieś zmiany się prosiło. Niektórzy powiedzą, że kosztem pewnych ambicji artystycznych, ale ja akurat z tym się nie zgodzę. „Angel Station” mimo swojej przystępności jest jedną z ciekawszych płyt, jakie MMEB nagrał w latach siedemdziesiątych. Mann uważał, że nie jest konieczne zapełnianie swoich płyt tylko autorskimi kompozycjami. Bardzo często przerabiał cudze utwory, a efekty były znakomite – to co „wyciągnął” z króciutkiej kompozycji Dylana, czyli „Father of Day, Father of Night” z „Solar Fire” to jest mistrzostwo świata. Był też i Springsteen – to nie autorskie wersje „Blinded by The Light” i „Spirit In the Night” hulały po listach przebojów. Ale to chyba Dylan był ulubionym autorem Manna, bo po jego kompozycje sięgał najczęściej.

„Angel Station” jest płytą pół na pół – połowę materiału skomponował Mann ze współpracownikami, druga połowa to pożyczki. Nie znam wersji oryginalnych „Hollywood Town”, czy „Don’t Kill Carol”, ale mogę się domyślać, że zostały poddane dosyć gruntownemu „tunningowi”, a „Waiting for The Rain” Billy Falcona to już na pewno, gdyż ten artysta to postać raczej z kręgu muzyki country. Obowiązkowy trybut dla Dylana też mamy - "You Angel You". Też nie znam wersji oryginalnej, to nie wiem, co przy tym majstrował Mann. A na pewno majstrował. Ale i tak, na szczęście najlepszy utwór, to jednak autorska kompozycja Manna i jego kolegów - "Angels At My Gate". Kiedy pierwszy raz słuchałem jej w Wieczorze Płytowym zastanawiałem się czy wokalista doliczy do zera (tam jest taka wyliczanka od 61 w dół). Następny - "You Are - I Am", to drugi najlepszy na płycie. Tak jak „Angels At My Gate” też jest to bogato zaaranżowana, nastrojowa ballada. Wspomniane „Waiting for the Rain” w podobnym klimacie czyni drugą stronę zdecydowanie spokojniejsza i bardziej wyciszoną.

Koniec lat siedemdziesiątych i koniec świetności Manfred Mann’s Earth Band. Po „Angel Station” było „Chance”, nagrane dwa lata później. Płyta sympatyczna, przyjemna, ale momentami trudno ją obronić przed zarzutem muzycznego banału. Potem było jeszcze gorzej. Na szczęście kilka lat temu pojawiła się płyta „2006” sygnowana w dość skomplikowany sposób - Manfred Mann '06 with Manfred Mann's Earth Band. Trudno powiedzieć, że dawała nadzieję na przyszłość, bo zespół z ponad trzydziestoletnim stażem raczej wszystko co miał, to już zagrał, ale mimo dosyć kontrowersyjnych (hip-hopowych) fragmentów, prezentowała się bardzo przyjemnie.

Manfred Mann’s Earth Band to jednak kawał rockowej klasyki, też i prog-rockowej, jednak już trochę zapomnianej. Ale warto poznać przynajmniej kilka płyt z lat siedemdziesiątych, kiedy grupa święciła swoje największe triumfy i była u szczytu powodzenia.

Wojciech Kapała



..::TRACK-LIST::..

CD 9 - Angel Station (1979):
1. Don't Kill It Carol 6:17
2. You Angel You 4:02
3. Hollywood Town 5:11
4. 'Belle' Of The Earth 2:45
5. Platform End 1:33
6. Angels At My Gate 4:50
7. You Are - I Am 5:12
8. Waiting For The Rain 6:18
9. Resurrection 2:40



..::OBSADA::..

Chris Hamlet Thompson - vocals
Steve Waller - guitar, vocals
Manfred Mann - keyboards, vocals
Pat King - bass
Geoff Britton - drums, alto sax

With:
Anthony Moore - guitar, synthesizer, sequencer, producer
Jimmy O'Neill - rhythm guitar, arrangements
Jo Ann Kelly - guitar & vocals (7)
Graham Preskett - violin (8)
John Potter - choral arrangements (9)
Dyan Birch - backing vocals




https://www.youtube.com/watch?v=h3ZDBSC0r20



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



Ja wiem, że “The Roaring Silence” to najlepsza płyta Manfred Mann’s Earth Band, ale ja i tak bardziej lubię “Angel Station”. Tutaj Mann po raz pierwszy (z Ziemską Orkiestrą) gra piosenki. Tylko piosenki. A wcześniej jednak skłaniał się w stronę nieco ambitniejszego repertuaru (nawet jazz-rockowego). Chociaż skomponowanie kilku ciekawych piosenek z chwytliwymi melodiami nie jest często spotykaną umiejętnością. W każdym razie coś takiego pozostaje poza zasięgiem jakich 99% współczesnych wykonawców prog-rockowych. MMEB też jest zaliczany do rocka progresywnego, ale to zawsze było na granicy prog-rocka i rockowego mainstreamu. W zależności od płyty byli nieco po tej, albo po tamtej stronie. „Angel Station” to wychylenie wahadła na tą mniej ambitną (teoretycznie) stronę. Mann zrezygnował całkowicie z bardziej skomplikowanych, trudniejszych utworów i skupił się tylko na piosenkach. Odpuszczenie, pójście na łatwiznę? Na pewno nie. Być może chęć utrzymania się na rynku. „The Roaring Silence” było wielkim przebojem po obu stronach Atlantyku, a następna, „Watch” była wielką, ale klapą (W USA, w Wielkiej Brytanii radziła sobie nieco lepiej). W międzyczasie rynek się zmienił, praktycznie wszyscy wielcy uproszczali swoją muzykę, MMEB też to dopadło. Przy czym akurat MMEB udało się wyjść z takich zawirowań stylistycznych obronną ręką. Do tego „Watch” było tylko gorszą kopią „The Roaring Silence”, w ogóle najsłabsza płytą MMEB do tego czasu i raczej o jakieś zmiany się prosiło. Niektórzy powiedzą, że kosztem pewnych ambicji artystycznych, ale ja akurat z tym się nie zgodzę. „Angel Station” mimo swojej przystępności jest jedną z ciekawszych płyt, jakie MMEB nagrał w latach siedemdziesiątych. Mann uważał, że nie jest konieczne zapełnianie swoich płyt tylko autorskimi kompozycjami. Bardzo często przerabiał cudze utwory, a efekty były znakomite – to co „wyciągnął” z króciutkiej kompozycji Dylana, czyli „Father of Day, Father of Night” z „Solar Fire” to jest mistrzostwo świata. Był też i Springsteen – to nie autorskie wersje „Blinded by The Light” i „Spirit In the Night” hulały po listach przebojów. Ale to chyba Dylan był ulubionym autorem Manna, bo po jego kompozycje sięgał najczęściej.

„Angel Station” jest płytą pół na pół – połowę materiału skomponował Mann ze współpracownikami, druga połowa to pożyczki. Nie znam wersji oryginalnych „Hollywood Town”, czy „Don’t Kill Carol”, ale mogę się domyślać, że zostały poddane dosyć gruntownemu „tunningowi”, a „Waiting for The Rain” Billy Falcona to już na pewno, gdyż ten artysta to postać raczej z kręgu muzyki country. Obowiązkowy trybut dla Dylana też mamy - "You Angel You". Też nie znam wersji oryginalnej, to nie wiem, co przy tym majstrował Mann. A na pewno majstrował. Ale i tak, na szczęście najlepszy utwór, to jednak autorska kompozycja Manna i jego kolegów - "Angels At My Gate". Kiedy pierwszy raz słuchałem jej w Wieczorze Płytowym zastanawiałem się czy wokalista doliczy do zera (tam jest taka wyliczanka od 61 w dół). Następny - "You Are - I Am", to drugi najlepszy na płycie. Tak jak „Angels At My Gate” też jest to bogato zaaranżowana, nastrojowa ballada. Wspomniane „Waiting for the Rain” w podobnym klimacie czyni drugą stronę zdecydowanie spokojniejsza i bardziej wyciszoną.

Koniec lat siedemdziesiątych i koniec świetności Manfred Mann’s Earth Band. Po „Angel Station” było „Chance”, nagrane dwa lata później. Płyta sympatyczna, przyjemna, ale momentami trudno ją obronić przed zarzutem muzycznego banału. Potem było jeszcze gorzej. Na szczęście kilka lat temu pojawiła się płyta „2006” sygnowana w dość skomplikowany sposób - Manfred Mann '06 with Manfred Mann's Earth Band. Trudno powiedzieć, że dawała nadzieję na przyszłość, bo zespół z ponad trzydziestoletnim stażem raczej wszystko co miał, to już zagrał, ale mimo dosyć kontrowersyjnych (hip-hopowych) fragmentów, prezentowała się bardzo przyjemnie.

Manfred Mann’s Earth Band to jednak kawał rockowej klasyki, też i prog-rockowej, jednak już trochę zapomnianej. Ale warto poznać przynajmniej kilka płyt z lat siedemdziesiątych, kiedy grupa święciła swoje największe triumfy i była u szczytu powodzenia.

Wojciech Kapała



..::TRACK-LIST::..

CD 9 - Angel Station (1979):
1. Don't Kill It Carol 6:17
2. You Angel You 4:02
3. Hollywood Town 5:11
4. 'Belle' Of The Earth 2:45
5. Platform End 1:33
6. Angels At My Gate 4:50
7. You Are - I Am 5:12
8. Waiting For The Rain 6:18
9. Resurrection 2:40



..::OBSADA::..

Chris Hamlet Thompson - vocals
Steve Waller - guitar, vocals
Manfred Mann - keyboards, vocals
Pat King - bass
Geoff Britton - drums, alto sax

With:
Anthony Moore - guitar, synthesizer, sequencer, producer
Jimmy O'Neill - rhythm guitar, arrangements
Jo Ann Kelly - guitar & vocals (7)
Graham Preskett - violin (8)
John Potter - choral arrangements (9)
Dyan Birch - backing vocals




https://www.youtube.com/watch?v=h3ZDBSC0r20



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
The Royal Philharmonic Orchestra - Hits Of Phil Collins
---------------------------------------------------------------------

Artist...............: The Royal Philharmonic Orchestra
Album................: Hits Of Phil Collins
Genre................: Classical
Source...............: CD
Year.................: 1990
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Nouveau

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. The Royal Philharmonic Orchestra - In The Air Tonight [05:06]
2. The Royal Philharmonic Orchestra - Groovy Kind Of Love [03:29]
3. The Royal Philharmonic Orchestra - Easy Lover [04:40]
4. The Royal Philharmonic Orchestra - Do You Remember [03:42]
5. The Royal Philharmonic Orchestra - I Wish It Would Rain Down[05:15]
6. The Royal Philharmonic Orchestra - Against All Odds [03:34]
7. The Royal Philharmonic Orchestra - Another Day In Paradise[05:27]
8. The Royal Philharmonic Orchestra - Two Hearts [03:37]
9. The Royal Philharmonic Orchestra - One More Night [04:06]
10. The Royal Philharmonic Orchestra - Take Me Home [05:36]

Playing Time.........: 44:36
Total Size...........: 273,98 MB

Conductor – Louis Clark
Guitar – Mitch Dalton
Harp – Skaila Kanga
Leader – David Towse
Piano – Simon Chamberlain
Saxophone – Christian Wilckens
Vocals – Lance Ellington (tracks: 10), Mark Williamson (tracks: 10)
Programmed By [Drums, Percussion] – Luis Rodriguez, Ralph Stemmann
Programmed By [Sequencers] – Brian Gascoigne, Luis Jardim

..::INFO::..

---------------------------------------------------------------------
Phil Collins - The Essential Going Back - (2 CD)
(Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Phil Collins
Album................: The Essential Going Back
Genre................: Pop
Source...............: CD
Year.................: 2016
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71-75 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Atlantic

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1 - The Essential Going Back
---------------------------------------------------------------------

1. Phil Collins - Going Back [04:38]
2. Phil Collins - Girl (Why You Wanna Make Me Blue) [02:32]
3. Phil Collins - (Love Is Like A) Heatwave [02:53]
4. Phil Collins - Some Of Your Lovin' [03:18]
5. Phil Collins - Going To A Go-Go [02:48]
6. Phil Collins - Papa Was A Rolling Stone [06:44]
7. Phil Collins - Loving You Is Sweeter Than Ever [02:47]
8. Phil Collins - Something About You [02:46]
9. Phil Collins - Talkin About My Baby [02:48]
10. Phil Collins - Do I Love You [02:50]
11. Phil Collins - Never Dreamed You'd Leave In Summer [03:00]
12. Phil Collins - Take Me In Your Arms (Rock Me For A Little While)[02:57]
13. Phil Collins - Too Many Fish In The Sea [02:30]
14. Phil Collins - Uptight (Everything's Alright) [03:03]

Playing Time.........: 45:41
Total Size...........: 323,24 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - Extra Live
---------------------------------------------------------------------

1. Phil Collins - Signed Sealed Delivered (I'm Yours) Intro (Live)[01:16]
2. Phil Collins - Ain't Too Proud To Beg (Live) [02:40]
3. Phil Collins - Girl (Why You Wanna Make Me Blue) (Live) [02:41]
4. Phil Collins - Dancing In The Street (Live) [02:43]
5. Phil Collins - (Love Is Like A) Heatwave (Live) [03:20]
6. Phil Collins - Papa Was A Rolling Stone (Live) [07:27]
7. Phil Collins - Never Dreamed That You'd Leave In Summer (Live)[02:57]
8. Phil Collins - Talkin About My Baby (Live) [03:11]
9. Phil Collins - Do I Love You (Live) [03:12]
10. Phil Collins - Ain't That Peculiar (Live) [03:30]
11. Phil Collins - Too Many Fish In The Sea (Live) [02:50]
12. Phil Collins - You Really Got A Hold On Me (Live) [03:45]
13. Phil Collins - Something About You (Live) [03:20]
14. Phil Collins - Uptight (Everything's Alright) (Live) [04:17]
15. Phil Collins - My Girl (Live) [03:44]
16. Phil Collins - Going Back (Live) [05:08]

Playing Time.........: 56:07
Total Size...........: 423,21 MB

..::INFO::..

---------------------------------------------------------------------
Phil Collins & Dire Straits – Live USA (2 CD)
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CD 1 - Phil Collins - Live USA
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Artist...............: Phil Collins
Album................: Live USA
Genre................: Pop, Rock
Source...............: CD
Year.................: 1983
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Imtrat - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting - CD 1
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1. Phil Collins - I Don't Care Anymore [04:51]
2. Phil Collins - I Can't Believe It's True [05:21]
3. Phil Collins - This Must Be Love [04:24]
4. Phil Collins - Through These Walls [04:59]
5. Phil Collins - I Missed Again [03:39]
6. Phil Collins - Behind The Lines [03:44]
7. Phil Collins - The Roof Is Leaking [03:18]
8. Phil Collins - Don't Let Him Steal Your Heart [05:41]
9. Phil Collins - The West Side [05:56]
10. Phil Collins - In The Air Tonight [05:19]
11. Phil Collins - You Can't Hurry Love [03:28]
12. Phil Collins - It Don't Matter To Me [04:19]
13. Phil Collins - Hand To Hand [08:11]
14. Phil Collins - And So To F [06:08]
15. Phil Collins - People Get Ready [03:10]

Playing Time.........: 01:12:35
Total Size...........: 475,76 MB


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CD 2 - Dire Straits - Live USA
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Artist...............: Dire Straits
Album................: Live USA
Genre................: Rock
Source...............: CD
Year.................: 1979
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Imtrat - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 2
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1. Dire Straits - Sultans Of Swing [06:29]
2. Dire Straits - Eastbound Train [04:23]
3. Dire Straits - Southbound Again [05:03]
4. Dire Straits - Water Of Love [07:10]
5. Dire Straits - What's The Matter With You Baby [03:27]
6. Dire Straits - Lions [06:02]
7. Dire Straits - Six Blade Knife [04:33]
8. Dire Straits - Down The Waterline [03:07]
9. Dire Straits - In The Gallery [05:50]
10. Dire Straits - Wild West End [05:43]

Playing Time.........: 51:52
Total Size...........: 314,47 MB

...( Info )...
Artist: Matt Taylor
Album: Straight As A Die
Label: Mushroom – L 34955
Format: Vinyl, LP, Album
Country: Australia
Released: 1973
Genre: Rock, Blues
Quality: FLAC (tracks+scans)

...( TrackList )...
A1. Mother Nature
A2. Brisbane To Beechworth
A3. Simple Decision
A4. We'll Never Do The Same Again
B1. Chickens
B2. Hall Of Fame
B3. Krishna Loves You Too
B4. Dance
09 - I Remember When I Was Young [Bonus]

Personnel:
Matt Taylor - Vocals, Harmonica
Phil Manning - Lead Guitar
Greg 'Sleepy' Lawrie - Guitar
Barry Harvey - Drums
Barry Sullivan - Bass
Ian Winter - Guitar
Jibon D.Mandall - Tabla

...( Info )...
Title: Dive Bar Debauchery
Artist: Winterkill
Year: 2025
Genre: Thrash Metal
Country: USA

Duration: 00:33:47
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Tainted Meat
02. Terrorform
03. Whiskey and Cigarettes
04. Deadliest Catch
05. Calling Into Work
06. Time To Pay The Bill
07. Warlock Warfare
08. Sebulba's Sex Palace
09. The Ballad of Beer Boy and Garbage Man

...( Info )...
Title: Lore
Artist: Cultic
Year: 2025
Genre: Death, Doom Metal
Country: USA

Duration: 00:52:45
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Nomad
02. Perilous Turn
03. Fool
04. Twilight
05. Night Grifter
06. Spellbound
07. Crone
08. Vast Horizons
09. Tyrant's Horde
10. Unyielding Might
11. Warlord's Quest
12. Imperial Procession
13. Ancient Kings
14. Mirror Punishment
15. Executioner's Tale
16. Breaking Wheel
17. Warden
18. Dungeon Wench

...( Info )...
Title: Tequila Songs & Desert Winds
Artist: Corruption
Year: 2025
Genre: Stoner Metal
Country: Poland

Duration: 00:33:54
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. The Trail
02. To Hell'n'Back
03. Red Demon
04. Tequila Favours the Brave
05. Tequila, Mezcal
06. Tumbleweed
07. The Devil Has a Name
08. The Boy with Sunshine Hair

...( Info )...
Title: Días Grises
Artist: Vertebra
Year: 2025
Genre: Thrash Metal
Country: Chile

Duration: 00:24:47
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Buen Día
02. Crisis Total
03. Arte
04. Días Grises
05. Apocalipsis
06. Desprecio
07. Trabaja Revienta
08. Vino y Cerveza
09. Celos (Alegría Maldita)

..::INFO::..

Ekseption to holenderski zespół grający progresywnego rocka. Został założony w 1967 przez kompozytora, aranżera i pianistę Ricka van der Lindena. Wcześniej działał pod nazwami Incrowd, oraz The Jokers. Zespół zasłynął przede wszystkim oryginalnymi transkrypcjami muzyki poważnej różnych epok. Byli to między innymi: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Piotr Czajkowski. Po rozpadzie zespołu Rick Van Linden założył zespół Trace, który wydał trzy płyty i później znów przekształcił się w Ekseption. Wstawka zawiera trzecią płytę zespołu.

Title: Ekspetion 3

Artist: Ekseption

Country: Holandia

Year: 1970

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Peace Planet
A2.B 612
A3.Morning Rose
A4.Piece For Symphonic- And Rockgroup In A Minor (Part 1: Passacaglia, Part 2: Painting)
B1.The Lamplighter
B2.Bottle Mind
B3.On Sunday They Will Kill The World
B4.Another History
B5.Rondo

..::INFO::..

Debiutancki album metalowego zespołu z Chicago.

Title: Abomination

Artist: Abomination

Country: USA

Year: 1990

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

A1.The Choice
A2.Murder, Rape, Pilage, And Burn
A3.Reformation
A4.Redeem Deny
A5.Possession
B1.Suicidal Dreams
B2.Life And Death
B3.Victim Of The Future
B4.Tunnel Of Damnation
B5.Follower
B6.Impending Doom

...( Info )...


Artist...............: Robert Plant
Album................: Lullaby And... The Ceaseless Roar
Genre................: Rock
Year.................: 2014
Codec................: Reference libFLAC 1.5


...( TrackList )...

001. Robert Plant - Little Maggie
002. Robert Plant - Rainbow
003. Robert Plant - Pocketful of Golden
004. Robert Plant - Embrace Another Fall
005. Robert Plant - Turn It Up
006. Robert Plant - A Stolen Kiss
007. Robert Plant - Somebody There
008. Robert Plant - Poor Howard
009. Robert Plant - Poor Howard
010. Robert Plant - Up on the Hollow Hill (Understanding Arthur)
011. Robert Plant - Arbaden (Maggie's Babby)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

13 listopada 2008 roku Gary Moore wystąpił na Baloise Session, wydarzeniu w Bazylei (Szwajcaria), w kameralnej atmosferze klubu.
Wielu uważa ten występ za jeden z najlepszych w jego karierze.

Trzy lata później, 6 lutego 2011 roku, zmarł w wieku 58 lat podczas wakacji w Hiszpanii...

To elektryzujący, choć dość krótki spektakl, ukazujący potężną, nieustępliwą i zaciekłą grę Moore'a.
PETARDA!!!



..::TRACK-LIST::..

1. Oh, Pretty Woman
2. Since I Met You Baby
3. Thirty Days (To Come Back Home)
4. I Love You More Than You'll Ever Know
5. Don't Believe a Word
6. Still Got the Blues
7. Walking by Myself
8. The Blues Is Alright



..::OBSADA::..

Gary Moore - guitar and vocals
Pete Rees - bass
Brian Downey - drums
Vic Martin - keyboards




https://www.youtube.com/watch?v=DoYfTTFA-0k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After I had purchased the (former Classic Rock Productions label) Inside editions of Yes, ELP, Genesis, Supertramp and Pink Floyd, I was desperately searching for the King Crimson Inside 1972-1975 DVD for years. It was so hard to get because shortly after the first edition was released, Robert Fripp hired a lawyer in order to prosecute the producers of the King Crimson Inside DVD. Then this DVD disappeared out of the records shops and was "officially no longer available". This week I was pleasantly surprised to discover the King Crimson Inside 1972-1975 DVD in one of my favorite record shops. On the back cover I read that it has been re-released in 2005 and former King Crimson member of the 'classic King Crimson 1972-1975 line-up' David Cross is involved in this project. This is a bit cynical because other King Crimson member of that classic line-up Robert Fripp is opposing against this DVD, you can read about that on Robert Fripp his website in his diary in July 2006.
While watching this DVD I got more and more excited because of the very good and inspired musical analysis (by journalists, musicians, record producers, band members, reviewers) and the amazing, sometimes very rare Seventies video footage. In this review I have created chapters that vary slightly from the DVD chapters, let's call it 'artistic freedom'.

THE BAND: It is mentioned that King Crimson "went through an awful lot of personal changes that clearly effected the band", "the new line-up made more experimental music, more based upon improvisation" and "This King Crimson is a fine example of British Art Rock" ...

THE MEMBERS: about Robert Fripp: "he is a bit like the Alec Guiness of the guitar, he has no single style", "Fripp can range from classical to soft jazz to heavy metal", "his distorted guitar sound was more close to Jeff Beck than Page or Hendrix but less bluesy" and "Fripp was not only a virtuosic guitarist but also somebody who thought what's best for the band". About Bill Bruford: "Bill was able to enhance the melodies around him" and "After Yes for Bill King Crimson was the perfect antidote, it was about art, music and expression and not about ego-mania". About John Wetton: "John was very versatile, reliable, he had a sense of power and funkyness", "his vocals were almost an instrument" and "John had an archetypical poprock vocal style". About Jamie Muir: "He was regarded as the secret weapon", "he could play everything and incorporate that in the band" and "It was beautiful organised chaos". And about David Cross: "his violinplay was great, it could be another improvised voice, from avant-garde and romantic to classical and jazz".

THE ALBUMS: the focus on this DVD is on three studio albums: Larks' Tongues In Aspic from 1973 ("King Crimson loved 5/4 and 7/4 signatures", the whole thing is very dark" and "it's never self-indulgent"), Starless And Bible Black from 1974 ("this album is more composed and less improvised than LTIA", "Wetton his singing is vastly superior than on LTIA" and "the song Fractured is Fripp at his best: jazzrock meets heavy metal meets alternative progressive!) and finally Red from 1974 ("the titletrack is the greatest ever King Crimson riff", "the song Red is heavier than Deep Purple and Black Sabbath in that time", "Starless is the finest piece of music King Crimson ever made"). I got goose bumps when an emotional and gently gesturing Robert Fripp told (1991 interview) about Starless as "a beautiful melodic line"!

THE VIDEO FOOTAGE: In comparison to the other legendary symphonic prog/Art-rock bands there is very little Seventies video footage and only the song Larks' Tongues In Aspic (on the Beatclub 1973 DVD compilation) is official. This video footage is extensively used on this Inside 1972-1975 DVD but the real excitement is delivered by the Atlantic Records Promotional Film from 1972 (unknown to me) featuring lots of great images (songs Easy Money and Improvisations On Easy Money) from all band members, especially Robert Fripp (playing fiery soli on his black Gibson Les Paul) and David Cross on his violin and on the white Mellotron M400 is breathtaking, THIS IS VISUAL PROGROCK HISTORY! Other video footage is from Yes with Bill Bruford (Beatclub 1971), Asia Live 1990 (with John Wetton on acosutic guitar), John Wetton Live 2003 (with Martin Offord on keyboards) playing captivating renditions of Starless and Red (the full versions are the two bonustracks on this DVD) and from David Cross (past and present like the song Terminal) who also gives some thrilling demonstrations on his violin and lots of interesting comments about his King Crimson period.

erik neuteboom



..::TRACK-LIST::..

Excerpts from:
Larks' Tongues In Aspic (Beatclub 1973 video footage)
Easy Money
Your's Is No Disgrace (Beatclub 1971 video footage)
Book Of Saturday (Asia Live In Moscow 1990 video footage)
Book Of Saturday
The Talking Drum
The Great Deceiver
We'll Let You Know
Lament
Fracture
Starless And Bible Black
Red (John Wetton Live 2003 video footage)
Providence
Starless
Starless (John Wetton Live 2003 video footage)



..::OBSADA::..

1973:
Bill Bruford - drums
David Cross - violin, viola, mellotron
Robert Fripp - guitar, mellotron, devices
Jamie Muir - percussion
John Wetton - bass, vocals

1974:
Bill Bruford - drums
David Cross - violin, viola, kbds
Robert Fripp - guitars
John Wetton - bass, vocals

1975:
Bill Bruford - drums
Robert Fripp - guitars
John Wetton - bass, vocals

WITH:
Mark Charig - cornet
Mel Collins - soprano saxophone
David Cross - violin
Ian McDonald - alto saxophone
Robin Miller - oboe



https://www.youtube.com/watch?v=8bFMrTCjFdc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



..::TRACK-LIST::..

CD 8 - Watch (1978):
1. Circles 4:50
2. Drowning On Dry Land / Fish Soup 6:00
3. Chicago Institute 5:47
4. California 5:33
5. Davy's On The Road Again 5:55
6. Martha's Madman 4:52
7. Mighty Quinn 6:18



..::OBSADA::..

Vocals, Guitar - Chris Hamlet Thompson
Keyboards - Manfred Mann
Lead Guitar, Acoustic Guitar - Dave Flett
Bass Guitar - Pat King
Drums, Percussion - Chris Slade

Backing Vocals - Doreen Chanter, Irene Chanter, Kim Goddy*, Manfred Mann, Pat King, Stevie Lange, Victy Silva



https://www.youtube.com/watch?v=5YWaIglbCak


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To wspaniałe wydawnictwo przygotowano dla uczczenia 40. rocznicy powstania zespołu. Pięknie wydany zestaw zawiera 21 CD (zremasterowanych i opakowanych jak LP), 36-stronicową książeczkę z historią zespołu i szczegółowymi opisami każdego albumu oraz 32-stronicową książkę ze wspomnieniami Manfreda, anegdotami i plakatem przedstawiającym aktualny skład zespołu.

Atrakcją jest bez wątpienia album 'Live In Ersingen' zarejestrowany 22 lipca 2011r. z nowym wokalistą Robertem Hartem oraz kompilacja 'Leftovers' zawierająca przebojowe single, nie publikowane wcześniej nagrania oraz rarytasy.
Nakład zestawu jest limitowany!



..::TRACK-LIST::..

CD 8 - Watch (1978):
1. Circles 4:50
2. Drowning On Dry Land / Fish Soup 6:00
3. Chicago Institute 5:47
4. California 5:33
5. Davy's On The Road Again 5:55
6. Martha's Madman 4:52
7. Mighty Quinn 6:18



..::OBSADA::..

Vocals, Guitar - Chris Hamlet Thompson
Keyboards - Manfred Mann
Lead Guitar, Acoustic Guitar - Dave Flett
Bass Guitar - Pat King
Drums, Percussion - Chris Slade

Backing Vocals - Doreen Chanter, Irene Chanter, Kim Goddy*, Manfred Mann, Pat King, Stevie Lange, Victy Silva



https://www.youtube.com/watch?v=5YWaIglbCak


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Zappa prowokuje humorem, improwizacją i zaskakującą formą. Album tryska energią i bezkompromisowym stylem. Każdy utwór burzy schematy muzyczne. Płyta zachwyca fanów eksperymentu i wolności dźwięku.



..::TRACK-LIST::..

1. Intro / Cheepnis - Percussion / "Cheaper Than Cheep"
2. Cosmik Debris
3. Band Introductions
4. RDNZL
5. Village Of The Sun
6. Montana
7. Duke Goes Out
8. A Visit To The Art Studio
9. Inca Roads
10. 'Get Down Simmons'
11. Penguin In Bondage
12. T'Mershi Duween
13. The Dog Breath Variations
14. Uncle Meat
15. How Could I Be Such A Fool
16. I'm Not Satisfied
17. Wowie Zowie
18. I Don't Even Care
19. Let's Make The Water Turn Black
20. Dupree's Paradise Introduction
21. Dupree's Paradise
22.Oh No
23. Son Of Orange County
24. More Trouble Every Day
25. Apostrophe'
26. Camarillo Brillo

Bonus Features:
1. Time Is Money (Excerpt)
2. Echidna's Arf (Of You) - Incomplete
3. Art Studio Outtakes
4. The Amazing Mr. Bickford (Excerpt)



..::OBSADA::..

Tenor Saxophone, Flute, Vocals - Napoleon M. Brock
Percussion - Ruth Underwood
Guitar, Vocals - Frank Zappa, Jeff Simmons
Keyboards, Vocals - George Duke
Bass - Tom Fowler
Drums - Chester Thompson



https://www.youtube.com/watch?v=2Gdw7lFYdCw


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

W całym projekcie jest dużo ciężkiego brzmienia, sporo eterycznego i ambientowego, trochę doomu i akurat tyle poweru i progresywnego metalu, ile potrzeba.
Muzyka jest fenomenalna, kompozycje precyzyjnie napisane z ogromną dbałością o szczegóły.
Muzyka jest spleciona z precyzją i polotem, które niewielu kompozytorów potrafi opanować, a niewielu muzyków potrafi grać z takim talentem.
STAR ONE absolutnie zmiażdżył wszystkich tym albumem.



..::TRACK-LIST::..

CD 1:
1. Fate Of Man 5:29
Guitar [Solo] – Michael Romeo
Lead Vocals, Backing Vocals – Brittney Slayes

2. 28 Days (Till The End Of Time) 7:21
Guitar [Solos] – Timo Somers
Lead Vocals – Sir Russell Allen

3. Prescient 6:34
Lead Vocals, Backing Vocals – Michael Mills, Ross Jennings

4. Back From The Past 4:50
Guitar [Solo] – Ron Bumblefoot Thal
Lead Vocals – Jeff Scott Soto

5. Revel In Time 4:38
Guitar [Solos] – Adrian Vandenberg
Lead Vocals – Brandon Yeagley

6. The Year Of '41 6:20
Guitar [Solo] – Joel Hoekstra
Lead Vocals – Joe Lynn Turner
Synthesizer [Solo] – Jens Johansson
Vocals [Vocalization] – Will Shaw

7. Bridge Of Life 5:14
Lead Vocals – Damian Wilson

8. Today Is Yesterday 5:46
Guitar [Solo] – Marcel Singor
Lead Vocals – Dan Swanö
Synthesizer [Moog] – Lisa Bella Donna

9. A Hand On The Clock 5:52
Lead Vocals, Backing Vocals – Floor Jansen
Organ [Hammond Solo] – Joost van den Broek

10. Beyond The Edge Of It All 4:52
Guitar [Solo] – Arjen Lucassen
Lead Vocals – John Jaycee Cuijpers

11. Lost Children Of The Universe 9:46
Choir – Hellscore Choir
Guitar [Solo] – Steve Vai
Lead Vocals – Roy Khan



CD 2 - Same Songs, Different Singers:
1. Fate Of Man 5:29
Lead Vocals, Backing Vocals – Marcela Bovio

2. 28 Days (Till The End Of Time) 7:21
Lead Vocals – John Jaycee Cuijpers

3. Prescient 6:34
Lead Vocals, Backing Vocals – Will Shaw

4. Back From The Past 4:50
Lead Vocals – John Jaycee Cuijpers

5. Revel In Time 4:38
Lead Vocals – John Jaycee Cuijpers

6. The Year Of '41 6:20
Lead Vocals, Synth [Solo] – Alessandro Del Vecchio

7. Bridge Of Life 5:14
Lead Vocals – Wilmer Waarbroek

8. Today Is Yesterday 5:46
Lead Vocals – Arjen Lucassen

9. A Hand On The Clock 5:52
Lead Vocals, Backing Vocals – Irene Jansen, Marcela Bovio

10. Beyond The Edge Of It All 4:52
Lead Vocals – Mike Andersson

11. Lost Children Of The Universe 9:46
Lead Vocals – Tony Martin



CD 3 - Instrumental Versions Of All Songs:
1. Fate Of Man 5:29
2. 28 Days (Till The End Of Time) 7:21
3. Prescient 6:34
4. Back From The Past 4:50
5. Revel In Time 4:38
6. The Year Of '41 6:20
7. Bridge Of Life 5:14
8. Today Is Yesterday 5:46
9. A Hand On The Clock 5:52
10. Beyond The Edge Of It All 4:52
11. Lost Children Of The Universe 9:46



..::OBSADA::..

Drums - Ed Warby
Guitar [Guitars], Bass, Keyboards - Arjen Lucassen
Backing Vocals - Irene Jansen, Marcela Bovio
Conductor [Hellscore Choir] - Noa Gruman




https://www.youtube.com/watch?v=-fHN4Qceip4



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Johnny Hallyday - Palais des Sports 76 - Vol. 1-2
(Super Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Johnny Hallyday
Album................: Palais des Sports 76
Genre................: Rock, Pop, French Chanson
Source...............: WEB
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 76 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Mercury Music Group

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting - Vol.1
---------------------------------------------------------------------

1. Johnny Hallyday - Introduction [02:14]
2. Johnny Hallyday - Da Dou Ron Ron [02:30]
3. Johnny Hallyday - Elle est terrible [02:44]
4. Johnny Hallyday - Medley: Tes tendres années / Retiens la nuit / L'idole des jeunes[05:40]
5. Johnny Hallyday - I Got A Woman [04:29]
6. Johnny Hallyday - Johnny reviens [03:40]
7. Johnny Hallyday - Si j'étais un charpentier [03:17]
8. Johnny Hallyday - Le pénitencier [03:59]
9. Johnny Hallyday - Hey Joe [04:44]
10. Johnny Hallyday - Medley: Pour moi la vie va commencer / Les coups / Jusqu'a minuit / Je suis seul / Noir c'est noir[16:19]
11. Johnny Hallyday - La bagarre (Instrumental) [03:35]
12. Johnny Hallyday - La bagarre [02:31]
13. Johnny Hallyday - La bagarre - Reprise [04:55]

Playing Time.........: 01:00:45
Total Size...........: 341,04 MB

---------------------------------------------------------------------
Tracklisting - Vol.2
---------------------------------------------------------------------

1. Johnny Hallyday - Introduction seconde partie [02:27]
2. Johnny Hallyday - Watermelon Man [04:27]
3. Johnny Hallyday - Rock'N'Roll Man [06:39]
4. Johnny Hallyday - 37eme étage [02:42]
5. Johnny Hallyday - Que je t'aime [03:35]
6. Johnny Hallyday - La fille de l'été dernier [03:13]
7. Johnny Hallyday - Requiem pour un fou [04:23]
8. Johnny Hallyday - Joue pas de Rock'N'Roll pour moi [04:59]
9. Johnny Hallyday - Présentation des musiciens [03:39]
10. Johnny Hallyday - Né pour vivre sans amour [02:44]
11. Johnny Hallyday - Rendez-vous en enfer [04:10]
12. Johnny Hallyday - Gabrielle [04:48]
13. Johnny Hallyday - Derriere l'amour [04:54]
14. Johnny Hallyday - Ma chérie, c'est moi [04:54]
15. Johnny Hallyday - La terre promise [08:26]
16. Johnny Hallyday - La musique que j'aime [12:36]

Playing Time.........: 01:18:45
Total Size...........: 550,59 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!