..::INFO::..

---------------------------------------------------------------------
Jimmy Page And John Paul Jones - The Masters
- No Introduction Necessary
---------------------------------------------------------------------

Artist...............: Jimmy Page And John Paul Jones
Album................: The Masters - No Introduction Necessary
Genre................: Blues
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eagle Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Jimmy Page And John Paul Jones - Lovin' Up A Storm [02:13]
2. Jimmy Page And John Paul Jones - Everything I Do Is Wrong[02:54]
3. Jimmy Page And John Paul Jones - Think It Over [02:33]
4. Jimmy Page And John Paul Jones - Boll Weevil Song [02:08]
5. Jimmy Page And John Paul Jones - Livin' Lovin' Wreck [02:13]
6. Jimmy Page And John Paul Jones - One Long Kiss [09:48]
7. Jimmy Page And John Paul Jones - Dixie Fried [02:25]
8. Jimmy Page And John Paul Jones - Down The Line [02:21]
9. Jimmy Page And John Paul Jones - Fabulous [02:25]
10. Jimmy Page And John Paul Jones - Breathless [02:41]
11. Jimmy Page And John Paul Jones - Rave On [02:08]
12. Jimmy Page And John Paul Jones - Lonely Weekend [02:25]
13. Jimmy Page And John Paul Jones - Burn Up [05:50]
14. Jimmy Page And John Paul Jones - Everyday [02:30]

Playing Time.........: 44:38
Total Size...........: 258,25 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Inspirująco, innowacyjnie - faustowsko: legenda krautrocka uwielbia brud, stąd też tytuł płyty.
Faust to niezaprzeczalnie jedno z najważniejszych w historii objawień muzycznych, obok Can uważani są za prekursorów krautrocka, dla fanów industrialu pozostają wciąż ikoną, na którą wciąż powołują się kolejne pokolenia muzyków.

Poprzez zawirowania personalne w ciągu ostatnich kilku lat mamy jednak do czynienia z dwoma, równolegle istniejącymi i równoważnymi Faustami - jeden dowodzony przez Jochena Irmlera, drugi przez Zappi W. Diermaiera i Jeana-Herve Perona, który wydaje się być bardziej aktywny.

Nowy album Faust, nagrany przez Zappiego, Jeana-Herve oraz Jamesa Johnstona (Gallon Drunk, Nick Cave & the Bad Seeds) i Geraldine Swayne jest niezwykle hipnotyczny, psychodeliczny, dadaistyczny, transowy i brudny...., czyli to, do czego Faust przyzwyczaił nas już od 40 lat! Udało im się także uchwycić na tej płycie nagranej w studio energię swoich energetycznych koncertów.



Of all the Krautrock pioneers, Faust have made the most unpredictable, contrarian, and sometimes just confounding music. Their biography is pretty complicated too. Disbanded in 1975, they reunited in the 1990s, only to split into two groups-- both called Faust-- a decade later. One, a rotating collective lead by founder Hans Joachim Irmler, released an album last year called Faust Is Last that was thought to be a swan song but never officially confirmed as one. The other, centered on founders Jean Hervé Peron (bass) and Werner Diermaier (drums), has also shuffled members but since 2007 has been a quartet with guitarist James Johnston and singer/keyboardist Geraldine Swayne.

Given that confusing history, the most surprising thing about Something Dirty, this lineup's first studio album, is how solid it is. Not to say it's predictable-- looping jams shift into subdued mediations, thick noises fall to near-silence, and loose sprawl morphs into accessible tunes. But there's a distinct cohesion to these songs and the way they move together. Nothing feels wilfully obscure or defiantly abrupt; each pause or shift in momentum serves a purpose. Something Dirty plays like a well-paced movie, with tonal arcs that dissolve into each other, cut back and forth, and build repetition into crescendo. It's often the kind of abstract mood-soundtrack that comrades Popol Vuh once mastered for the films of Werner Herzog-- but with Faust's sound-stories, pictures aren't really necessary.

If Something Dirty has a weakness, it's that Faust set their own bar too high. The first three tracks-- a grimy rocker, a Pink Floyd-ish psych-out, and a soaring symphonic jam-- are so well-crafted and timed, it's hard to imagine the band holding to that standard for another 30 minutes. But it's fascinating to watch them try. They revisit peaks more than a few times, winding through Swayne-led torch songs, ambient noise-scapes, and a pair of stunning guitar destructions called "Dampfauslass 1" and "Dampfauslass 2". All those moves show up in closer "La Sole Dorée", which melts Swayne's echoes into crunchy feedback, ending with a hard-cut to silence. That sudden stop is the only moment on Something Dirty that could be called a gimmick, but it feels oddly right. A fade-out would be too easy-- better to bluntly suggest that there's more music beyond that final frame, and encourage the rumor that this version of Faust is far from finished.

Marc Masters


Faust have been a part of my sonic diet for a decade now, and whilst I was rather reluctant to sample their later output, I did finally overcome my preservations - going slightly overboard buying a couple of albums from the 90s along with this one. My fave from these guys is their masterly futuresque, dirty and gritty 4th album. Something wonderful happened: Everything erupted. The tigers broke free, as Roger put it a long time ago, but in regards to this particular band: how long can these orange creatures keep roaming the streets without adapting some form of altered behaviour?

Something Dirty is what you would expect a Faust album to be: expressive, buzzing, twirling, mechanical and improvisational. Listening to any sort of Faust record after their famous 4th has become an almost predictable experience, and here I am treading lightly, because even with the improbable foresight of one Nostradamus - you'd be hard pressed to actually know beforehand what lies around the corner in Faust's music. Often jagged and boisterous - fiddling around with insect noises, beetle choirs, little tiny charades played by an electric ant army hammering away on metallic grasses and minuscule congas. -No it's not about being able to spot the coming twists in the music, but rather to do with being fed the same sort of dish throughout a period of nearly 40 years. I'm being pretty hard with Faust here, but that is only because I love them dearly. It's like a record with The Rolling Stones if you will - you know what to expect, and if you by some miraculous chance get surprised, feel overwhelmed by an altogether new listening experience, then damn! What a thrill! More power to them! Maybe I'm missing the point here, because I still listen to this album with a great deal of pleasure, and had it not been a 2011 release, I'd most likely award it with a full 4 star rating, but I still feel like they could do so much more had they tried something a little different.

The big question though is, how does one even begin to do something differently within the confines of Faust's music? The music is damn near as challenging and thrill seeking as it gets. Now having spent a good amount of time with this album, and listening to it on my way home from work this afternoon with bloodied skies and shaking trees in the side of the road, -something struck me: What really lets this album down is its production. One only needs to dig out the original IV album to hear where it came from. The tunnelling buzzing synths worming along in the music to the distorted harking coughing guitars - the overall sound quality is still deeply rooted in a moment in time where all of this was new, out on a ledge and dangerous. Personally I think this band doesn't need to change one iota of their material apart from the production, but again this is coming from a long time fan, and if you happen to be a Faust virgin and reading this, then you should forget everything I've just said and just go ahead and buy this, because it really is a formidable album and one that paves the way into this remarkable artist just as well as any other of their most recent efforts.

Imagine a post apocalyptic world - where human cyborgs form a band out of leftover musicians, blenders, smashed up televisions and every little insect in sight. They play odes to the industrial nature of our long lost society - taking their inspiration from the crackling surfaces of nuclear power plants, abandoned factory halls, scrapyards and ash grey burned down electronic stores that blink and twitch in stroboscopic neon cries. Apply each of these individual images with the appropriate instrument - be that screeching trash can synths, bare naked metallic rumbling drums or the heavy breathing ghost like bass lines - and voila: you've got Faust!

This is a fine way to start your voyage into the magic of Faust, and whilst still feeling a bit disappointed that they didn't try anything new, I happen to enjoy this record immensely. On a personal level I am giving Something Dirty 4 stars, but this isn't the 70s any more, and I honestly think the industrial production could be swept under the rug for a change - only to welcome something new, preposterous, out there, beautiful or whatever - instead of something dirty, which I've heard a hundred times before.

Guldbamsen



..::TRACK-LIST::..

1. Tell The Bitch To Go Home 5:53
2. Herbststimmung 5:37
3. Something Dirty 7:13
4. Thoughts Of The Dead 2:10
5. Lost The Signal 8:43
6. Je Bouffe 1:27
7. Whet 2:07
8. Invisible Mending 2:16
9. Dampfauslass 1 3:21
10. Dampfauslass 2 2:34
11. Pythagoras 2:11
12. Save The Last One 0:19
13. La Sole Dorée 5:16



..::OBSADA::..

Piano, Electric Piano, Synthesizer [Synthesizers], Percussion, Guitar, Organ, Vocals [Vocal], Psaltery [Psalterion] - Geraldine Swayne
Recorded By – Johann Scheerer
Voice, Bass [Basses], Acoustic Guitar [Concert Guitar], Cavaquinho [Cavaquiño], Performer [Flame-thrower, Goatshooves], Trumpet, Psaltery [Psalterion], Vibraphone [Toy-vibraphon], Drums [Marching Drums] - Jean-Hervé Péron
Drums, Percussion [Metal] - Zappi W. Diermaier
Electric Guitar, Synthesizer [BC8 And MS-10 Synthesizers], Electric Piano [Wurlitzer Electric Piano], Organ, Piano, Theremin [Theramin] - James Johnston




https://www.youtube.com/watch?v=ChGjJk0bXi0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Inspirująco, innowacyjnie - faustowsko: legenda krautrocka uwielbia brud, stąd też tytuł płyty.
Faust to niezaprzeczalnie jedno z najważniejszych w historii objawień muzycznych, obok Can uważani są za prekursorów krautrocka, dla fanów industrialu pozostają wciąż ikoną, na którą wciąż powołują się kolejne pokolenia muzyków.

Poprzez zawirowania personalne w ciągu ostatnich kilku lat mamy jednak do czynienia z dwoma, równolegle istniejącymi i równoważnymi Faustami - jeden dowodzony przez Jochena Irmlera, drugi przez Zappi W. Diermaiera i Jeana-Herve Perona, który wydaje się być bardziej aktywny.

Nowy album Faust, nagrany przez Zappiego, Jeana-Herve oraz Jamesa Johnstona (Gallon Drunk, Nick Cave & the Bad Seeds) i Geraldine Swayne jest niezwykle hipnotyczny, psychodeliczny, dadaistyczny, transowy i brudny...., czyli to, do czego Faust przyzwyczaił nas już od 40 lat! Udało im się także uchwycić na tej płycie nagranej w studio energię swoich energetycznych koncertów.



Of all the Krautrock pioneers, Faust have made the most unpredictable, contrarian, and sometimes just confounding music. Their biography is pretty complicated too. Disbanded in 1975, they reunited in the 1990s, only to split into two groups-- both called Faust-- a decade later. One, a rotating collective lead by founder Hans Joachim Irmler, released an album last year called Faust Is Last that was thought to be a swan song but never officially confirmed as one. The other, centered on founders Jean Hervé Peron (bass) and Werner Diermaier (drums), has also shuffled members but since 2007 has been a quartet with guitarist James Johnston and singer/keyboardist Geraldine Swayne.

Given that confusing history, the most surprising thing about Something Dirty, this lineup's first studio album, is how solid it is. Not to say it's predictable-- looping jams shift into subdued mediations, thick noises fall to near-silence, and loose sprawl morphs into accessible tunes. But there's a distinct cohesion to these songs and the way they move together. Nothing feels wilfully obscure or defiantly abrupt; each pause or shift in momentum serves a purpose. Something Dirty plays like a well-paced movie, with tonal arcs that dissolve into each other, cut back and forth, and build repetition into crescendo. It's often the kind of abstract mood-soundtrack that comrades Popol Vuh once mastered for the films of Werner Herzog-- but with Faust's sound-stories, pictures aren't really necessary.

If Something Dirty has a weakness, it's that Faust set their own bar too high. The first three tracks-- a grimy rocker, a Pink Floyd-ish psych-out, and a soaring symphonic jam-- are so well-crafted and timed, it's hard to imagine the band holding to that standard for another 30 minutes. But it's fascinating to watch them try. They revisit peaks more than a few times, winding through Swayne-led torch songs, ambient noise-scapes, and a pair of stunning guitar destructions called "Dampfauslass 1" and "Dampfauslass 2". All those moves show up in closer "La Sole Dorée", which melts Swayne's echoes into crunchy feedback, ending with a hard-cut to silence. That sudden stop is the only moment on Something Dirty that could be called a gimmick, but it feels oddly right. A fade-out would be too easy-- better to bluntly suggest that there's more music beyond that final frame, and encourage the rumor that this version of Faust is far from finished.

Marc Masters


Faust have been a part of my sonic diet for a decade now, and whilst I was rather reluctant to sample their later output, I did finally overcome my preservations - going slightly overboard buying a couple of albums from the 90s along with this one. My fave from these guys is their masterly futuresque, dirty and gritty 4th album. Something wonderful happened: Everything erupted. The tigers broke free, as Roger put it a long time ago, but in regards to this particular band: how long can these orange creatures keep roaming the streets without adapting some form of altered behaviour?

Something Dirty is what you would expect a Faust album to be: expressive, buzzing, twirling, mechanical and improvisational. Listening to any sort of Faust record after their famous 4th has become an almost predictable experience, and here I am treading lightly, because even with the improbable foresight of one Nostradamus - you'd be hard pressed to actually know beforehand what lies around the corner in Faust's music. Often jagged and boisterous - fiddling around with insect noises, beetle choirs, little tiny charades played by an electric ant army hammering away on metallic grasses and minuscule congas. -No it's not about being able to spot the coming twists in the music, but rather to do with being fed the same sort of dish throughout a period of nearly 40 years. I'm being pretty hard with Faust here, but that is only because I love them dearly. It's like a record with The Rolling Stones if you will - you know what to expect, and if you by some miraculous chance get surprised, feel overwhelmed by an altogether new listening experience, then damn! What a thrill! More power to them! Maybe I'm missing the point here, because I still listen to this album with a great deal of pleasure, and had it not been a 2011 release, I'd most likely award it with a full 4 star rating, but I still feel like they could do so much more had they tried something a little different.

The big question though is, how does one even begin to do something differently within the confines of Faust's music? The music is damn near as challenging and thrill seeking as it gets. Now having spent a good amount of time with this album, and listening to it on my way home from work this afternoon with bloodied skies and shaking trees in the side of the road, -something struck me: What really lets this album down is its production. One only needs to dig out the original IV album to hear where it came from. The tunnelling buzzing synths worming along in the music to the distorted harking coughing guitars - the overall sound quality is still deeply rooted in a moment in time where all of this was new, out on a ledge and dangerous. Personally I think this band doesn't need to change one iota of their material apart from the production, but again this is coming from a long time fan, and if you happen to be a Faust virgin and reading this, then you should forget everything I've just said and just go ahead and buy this, because it really is a formidable album and one that paves the way into this remarkable artist just as well as any other of their most recent efforts.

Imagine a post apocalyptic world - where human cyborgs form a band out of leftover musicians, blenders, smashed up televisions and every little insect in sight. They play odes to the industrial nature of our long lost society - taking their inspiration from the crackling surfaces of nuclear power plants, abandoned factory halls, scrapyards and ash grey burned down electronic stores that blink and twitch in stroboscopic neon cries. Apply each of these individual images with the appropriate instrument - be that screeching trash can synths, bare naked metallic rumbling drums or the heavy breathing ghost like bass lines - and voila: you've got Faust!

This is a fine way to start your voyage into the magic of Faust, and whilst still feeling a bit disappointed that they didn't try anything new, I happen to enjoy this record immensely. On a personal level I am giving Something Dirty 4 stars, but this isn't the 70s any more, and I honestly think the industrial production could be swept under the rug for a change - only to welcome something new, preposterous, out there, beautiful or whatever - instead of something dirty, which I've heard a hundred times before.

Guldbamsen



..::TRACK-LIST::..

1. Tell The Bitch To Go Home 5:53
2. Herbststimmung 5:37
3. Something Dirty 7:13
4. Thoughts Of The Dead 2:10
5. Lost The Signal 8:43
6. Je Bouffe 1:27
7. Whet 2:07
8. Invisible Mending 2:16
9. Dampfauslass 1 3:21
10. Dampfauslass 2 2:34
11. Pythagoras 2:11
12. Save The Last One 0:19
13. La Sole Dorée 5:16



..::OBSADA::..

Piano, Electric Piano, Synthesizer [Synthesizers], Percussion, Guitar, Organ, Vocals [Vocal], Psaltery [Psalterion] - Geraldine Swayne
Recorded By – Johann Scheerer
Voice, Bass [Basses], Acoustic Guitar [Concert Guitar], Cavaquinho [Cavaquiño], Performer [Flame-thrower, Goatshooves], Trumpet, Psaltery [Psalterion], Vibraphone [Toy-vibraphon], Drums [Marching Drums] - Jean-Hervé Péron
Drums, Percussion [Metal] - Zappi W. Diermaier
Electric Guitar, Synthesizer [BC8 And MS-10 Synthesizers], Electric Piano [Wurlitzer Electric Piano], Organ, Piano, Theremin [Theramin] - James Johnston




https://www.youtube.com/watch?v=ChGjJk0bXi0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Reedycja debiutanckiej płyty załogi z Ekwadoru. 12 utworów brutalnego i technicznego death metalu inspirowanego przez DEEDS OF FLESH, SUFFOCATION, GORGASM, PYAEMIA, DISAVOWED, SEVERE TORTURE!



..::TRACK-LIST::..

1. Consuming Bowels With Marihuana 03:26
2. Storm Of Asteroids 03:26
3. Vomiting The Souls 02:56
4. Suffering By A Body Cancerous 03:12
5. Abortion On Excrement 03:34
6. Mutilated With A Saw Oxidize 02:38
7. Slaugther, For A New Human Race 03:03
8. Bleeding By A Torture Genitals 03:31
9. Zoophile Addiction 03:33
10. Eating Corpse To Remove Evidence 03:27
11. Starving Humans Of Rotten Flesh 03:01
12. Patologías Necrosicóticas 03:28



..::OBSADA::..

Alex Pozo - Guitars, Vocals
Franklin Puga - Bass
Nico Mejía - Drums




https://www.youtube.com/watch?v=BJflvjWpBJw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Reedycja debiutanckiej płyty załogi z Ekwadoru. 12 utworów brutalnego i technicznego death metalu inspirowanego przez DEEDS OF FLESH, SUFFOCATION, GORGASM, PYAEMIA, DISAVOWED, SEVERE TORTURE!



..::TRACK-LIST::..

1. Consuming Bowels With Marihuana 03:26
2. Storm Of Asteroids 03:26
3. Vomiting The Souls 02:56
4. Suffering By A Body Cancerous 03:12
5. Abortion On Excrement 03:34
6. Mutilated With A Saw Oxidize 02:38
7. Slaugther, For A New Human Race 03:03
8. Bleeding By A Torture Genitals 03:31
9. Zoophile Addiction 03:33
10. Eating Corpse To Remove Evidence 03:27
11. Starving Humans Of Rotten Flesh 03:01
12. Patologías Necrosicóticas 03:28



..::OBSADA::..

Alex Pozo - Guitars, Vocals
Franklin Puga - Bass
Nico Mejía - Drums




https://www.youtube.com/watch?v=BJflvjWpBJw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Istnieją już parę ładnych lat, bowiem powstali w 2003 roku na włoskiej ziemi. Od tamtego czasu, łącznie z „Wyrd”, dorobili się trzech albumów. Ten ostatni ukaże się pod koniec marca i z pewnością zadowoli maniaków melodyjnego groovy-death metalu. Będzie to dziesięć numerów energetycznego i umiejętnie skonstruowanego deta, który łatwo wpada w ucho, ale potrafi też momentami spowić świat mrokiem. Włosi prezentują dość inteligentnie i z lekkością skomponowaną muzę, w której oprócz wkręcających się jak w masło chwytliwości i wirtuozerskich solówek usłyszeć można sporo agresywnego kostkowania. Zapodane na mięsistych gitarach i wspomagane przez sekcję rytmiczną, generuje żwawą śmierć-metalową zawieruchę, po brzegi wypełnioną wściekłymi blastami, gniotącymi i klimatycznymi zwolnieniami i szybkimi, świdrującymi tremolo. Wszystko okraszone nieoczekiwanie pojawiającymi się znikąd ciekawymi zagrywkami, które urozmaicają już i tak tutejsze, gęste struktury. Muzyka Crawling Chaos niesie ze sobą sporo nowoczesnego vibe’u, który niewątpliwie spodoba się współczesnemu odbiorcy, a ci, którzy gustują w lżejszym death metalu, okraszonym technicznymi smaczkami w klasycznym stylu, które nie silą się na awangardowe wygibasy również łykną „Wyrd” bez popitki. Poza harmonijnym, ale i całkiem brutalnym graniem kwartet ten wprowadza do swych aranżacji także pierwiastek mistycyzmu, który obecny jest w melodiach i okresowo przytłaczających riffach. Tak więc najnowsza płyta od Crawling Chaos to nie do końca tylko mainstreamowy decior choć przebojowości odmówić mu nie da rady. Do słuchaczy wielbiących surowe produkcje raczej nie trafi, ale wielbiciele takich „cudów” jak na przykład Fleshgod Apocalypse czy Allegaeon wręcz powinni sięgnąć po ten krążek.

shub niggurath


WYRD, the third full-length album by Crawling Chaos, is an anthology-based work built around a series of archetypes tied to the concept of destiny, fate, and becoming. In the Northern European culture these ideas are encapsulated in the term wyrd, as opposed to notions of free will and self-determination.
​
The main theme is expanded and explored across the album’s ten tracks following a narrative thread which unites some of the most fascinating female figures of classical mythology, European folklore, and history—from the Norse Norns to Macbeth’s witches serving Hecate, from the Greco-Roman Furies to the fearsome Thessalian necromancers.

As with Crawling Chaos’ previous works, WYRD is full of literary quotes and easter eggs, offering subtle nods to the most curious among the listeners.
Musically speaking, the album is uncompromising, heavy, and very dark.



..::TRACK-LIST::..

1. The Garden of the Earthly Delights (Part I) 01:24
2. Three Times Three 03:56
3. Nails of Fate 04:12
4. Veiled in Secrets 03:44
5. Torches Ablaze 04:20
6. Necromancer 03:44
7. Nomen Omen 06:00
8. To the Furies 03:42
9. Witch-Hunt 04:27
10. The Garden of the Earthly Delights (Part II) 01:57



..::OBSADA::..

Yog - Drums
Shub - Guitars, Vocals (backing)
MG - Vocals, Guitars
Will - Fretless Bass




https://www.youtube.com/watch?v=moEa4xlR7FM



SEED 15:00-22:00.
POLECAM!!!

...( Info )...


Artist: Marika Hackman
Album: Sugar Blind
Year: (2013)
Genre: Indie , Alternative , Folk
Format: [FLAC]

...( TrackList )...

1 Cinnamon 2:52
2 Itchy Teeth 3:37
3 Wolf 3:21
4 81 (Joanna Newsom Cover) 2:36

...( Info )...

Artist...............: Vince Gill
Album................: 50 Years From Home: Brown's Diner Bar
Genre................: Country , Folk
Year.................: 2026
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Vince Gill - Brown's Diner Bar
002. Vince Gill - Not Having You Around
003. Vince Gill - This Lonesome Old Cowboy
004. Vince Gill - Nobody Knows
005. Vince Gill - Young Again
006. Vince Gill - I'm Selling All My Memories
007. Vince Gill - When I Call Your Name

..::INFO::..

McCartney to pierwszy solowy studyjny album Paula McCartneya, wydany w 1970 roku przez Apple Records. Album nagrywany był podczas rozpadu The Beatles i kryzysu psychicznego McCartneya związanego z tym wydarzeniem. Muzyk zaszył się w swoim domu w Szkocji, gdzie nagrywał materiał na czterośladowym magnetofonie pożyczonym z wytwórni EMI. Był autorem wszystkich piosenek z albumu, przy czym część odgrzebał z dawnych lat. Zagrał na wszystkich instrumentach słyszanych na płycie, m.in. na gitarze basowej, gitarze akustycznej, pianinie, gitarze elektrycznej, organach i mellotronie.

Title: McCartney

Artist: Paul McCartney

Country: Wielka Brytania

Year: 1970

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.The Lovely Linda
A2.That Would Be Something
A3.Valentine Day
A4.Every Night
A5.Hot As Sun / Glasses
A6.Junk
A7.Man We Was Lonely
B1.Oo You
B2.Momma Miss America
B3.Teddy Boy
B4.Singalong Junk
B5.Maybe I'm Amazed
B6.Kreen - Akrore

...( Info )...
Genre: Progressive Metal/Rock
Country of artist (band): USA
Year of release: 2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 49:39

...( TrackList )...
01. Intake
02. The Concealment (Those Who Don't Want to Wake)
03. The Night River (Those Who Can't Rest)
04. Diagnosis 1
05. The Bed of Wasps (Those Consumed with Panic)
06. The Scorn (Those Who Don't Understand)
07. Diagnosis 2
08. The Riptide (Those Without Hope)
09. The Chance (Those Who Let Go)
10. Discharge

...( Info )...
Genre: Death/Thrash Metal
Country of Artist (Band): Brazil
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:21

...( TrackList )...
01. A Call for Annihilation
02. Tyranny
03. Perpetual Grind
04. Hatred
05. Lucifer FX
06. Dying Inside
07. Within the Woods
08. Void

...( Info )...
Genre: Experimental Brutal Death Metal
Country of Artist (Band): Sweden
Year of Release: 2025
Audio Codec: MP3
Rip Type: tracks
Audio Bitrate: 320 kbps
Duration: 32:22

...( TrackList )...
01. Altering The Earth
02. Serrated Caress (Ceaseless Being) (2025 Remastered Version)
03. Excoration Plague In The Cosmos
04. Decrepitation Of A Warped Stigma
05. Beckoning...
06. Omniversal Eater I: The Discernment
07. Omniversal Eater II: The Maceration
08. Omniversal Eater III: The Godeater
09. Omniversal Eater IV: The Obsidian
10. Omniversal Eater V: ...Requiem
11. Satiate The Embellished Disgorgement

...( Info )...
Genre: Black/Death/Progressive Metal
Country of Artist (Band): Taiwan
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:52

...( TrackList )...
01. The Sun Unseen
02. Millennials
03. Prometheus
04. Omen 1
05. Armageddon
06. Zarathustra
07. Nimrod
08. No One Is Your Fucking Slave
09. Azathoth - The Blind Idiot God

...( Info )...
Genre: Symphonic Progressive/Technical Death Metal
Country of Artist (Band): Colombia
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:36

...( TrackList )...
1. Plvs Vltra
2. Legio Æterna
3. Colossus Suprema
4. Relentless Rise
5. Cælvs Elixir
6. Interludium
7. Unchain Your Soul
8. Superior Entity
9. The Solemn Ethereal Realm
10. Armageddon

...( Info )...
Genre: Doom/Stoner Metal
Country of Artist (Band): Germany
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 01:04:55

...( TrackList )...
01. Nashörn
02. Fables
03. Battles
04. Crows and Ravens
05. Water
06. Treadmill
07. Revolve
08. Red Sabbath
09. Rider
10. Apocalypse
11. Commander

...( Info )...
Genre: Black/Groove/Stoner Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 33:36

...( TrackList )...
01. Possession of Immortality
02. Beyond Ancient
03. Field of Fire
04. Dimensional Drifter
05. Shard of the Division
06. The Darkening
07. Frostmourne Hungers
08. Beer Mage
09. The Essence

...( Info )...
Genre: Death Metal
Country of Artist (Band): Spain / Sweden
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 31:23

...( TrackList )...
01. No Mourning the Grace
02. Morbid Procession
03. Subterranean Paths to the Temples
04. Beneath These Graves
05. Mortal Ways of the Flesh
06. Unending Rotting Cycle
07. They Worship Disarray
08. Cult of the Tentacle
09. The Cradle Replaced by the Grave

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 30:16

...( TrackList )...
01. Manipulation
02. Anger
03. Open Her
04. System Overload
05. Seance
06. Butcher's Leavings
07. Gaslighted

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 37:39

...( TrackList )...
01. Untouched By The Light Of The Sun
02. Sundered, Kingless, And Bleeding
03. Gifted By The Dark Ones
04. Necrospectral Nexus
05. Naught But A Tenebrous Existence
06. Vault Of The Universe
07. O' Death, Be My Guide!

...( Info )...
Genre: Groove/Thrash Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 28:15

...( TrackList )...
1. Scarlet Rot
2. Empty Promises
3. Mr. Mayhem
4. Rougarou
5. Johnny B. Goode
6. Bureaucratic Butcher
7. Fall of Tyrants
8. Vortex

...( Info )...
Genre: Technical/Brutal Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:19

...( TrackList )...
1. Guidance
2. Synaptic Attachment
3. Piercing the Myelin Sheath
4. Intracellular Disconformity
5. Verses of Initiation
6. Conquest to Deformation
7. Elegy of Indifference
8. Recalibrating Axonic Mass
9. Limbic Consecration
10. Dismantling Neuroanatomy
11. Cessation

...( Info )...
Genre: Thrash Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 27:53

...( TrackList )...
01. Car Trouble
02. Attack
03. On The Run
04. Strike Back
05. Final Hour
06. Maniac
07. The Arsenal
08. Skin You Alive
09. Reckoning
10. The Evil Of Man

...( Info )...
Genre: Death Metal
Country of Artist (Band): Brazil
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:50

...( TrackList )...
1. Their Bloody Wars
2. World Downfall Witness
3. Always in Blasphemy
4. Devil and Evil Dwells
5. At Battles as Warriors
6. Emptiness, Sadness, Madness
7. Devil Legion Ancestral
8. Hellish Song
9. Alienation Creed

...( Info )...
Genre: Crossover Thrash/Groove Metal
Country of Artist (Band): Spain
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 44:55

...( TrackList )...
1. Miss Miserias
2. Fuera de lugar
3. Hijos de la calle
4. Que den la cara
5. #DameLikeMierda 2025
6. Replicate & Duplicate
7. Menú del día
8. Hablar sin saber
9. Sandwich mixto
10. El brazo de Buzz
11. Calçotada pudenta

...( Info )...
Genre: Death Metal
Country of Artist (Band): Poland
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 42:37

...( TrackList )...
01. Last Breath
02. Demyelination
03. Inflict the Pain
04. Chimera
05. Abyss of Irrationality
06. United with the Archetype
07. Tribal Crime
08. Loudless Scream
09. De-Evolution
10. Slave of Mine

...( Info )...
Genre: Folk/Black Metal
Country of Artist (Band): Netherlands
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 37:41

...( TrackList )...
01. A Gathering Of Blood
02. Marked By The God
03. The Cross Of Donar
04. Berserkgangr
05. Fallen Heroes

...( Info )...
Genre: Melodic Death/Groove Metal
Country of Artist (Band): Canada
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 59:13

...( TrackList )...
01. The Day The World Went Away
02. Abducted
03. Bullets
04. 888
05. Beyond The Switch
06. Don't Tread on Me
07. Cautionary Tale
08. 88i8
09. Six 6 Sicks
10. Real Eyes Realize
11. Raven's Call
12. Flames
13. My Time
14. Twisted Path Reimagined

...( Info )...
Genre: Thrash Metal/Hardcore
Country of Artist (Band): Greece
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 37:21

...( TrackList )...
01. The Seventh Circle
02. Join Us
03. Forces Of The Damned
04. Turn Your Cross
05. On Your Knees
06. Dark Majesty
07. Save Us
08. Destructor
09. Descent Into Violence
10. Crush Em Down
11. Trees Of Sorrow
12. Nothing Is Sacred
13. Nightmares, Pt. 3: Epilogue

...( Info )...
Genre: Melodic Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 48:37

...( TrackList )...
01. Charred Chasm of The Meadow
02. Resurrected Primordials
03. Conceiving Dreams to Quell Our Ruin
04. Bleeding Darkness Bound by Fire
05. You/I/Us
06. Cenotaph
07. Syzygy

...( Info )...
Genre: Sludge/Stoner Metal
Country of Artist (Band): New Zealand
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:30

...( TrackList )...
01. We Don't Say Fear
02. Guardian of Fire
03. Levitate
04. The Storm
05. Rust
06. Blood Will Flow
07. The Howling
08. You Know They're Burning the Land
09. The Devil
10. Light Leads the Way