...( Info )...


Artist: Pink Floyd
Album Pink Floyd at Pompeii - MCMLXXII
Year: (2025)
Genre: Progressive rock , psychedelic rock
Format: [Mp3 320kbps]

...( TrackList )...

Cd1

01. Pink Floyd - Pompeii Intro [8.73 MiB] [03:30]
02. Pink Floyd - Echoes - Part 1 [28.0 MiB] [11:55]
03. Pink Floyd - Careful with That Axe, Eugene [15.9 MiB] [06:37]
04. Pink Floyd - A Saucerful of Secrets [24.0 MiB] [10:10]
05. Pink Floyd - One of These Days [14.3 MiB] [05:55]
06. Pink Floyd - Set the Controls for the Heart of the Sun [24.7 MiB] [10:29]
07. Pink Floyd - Mademoiselle Nobs [4.88 MiB] [01:49]
08. Pink Floyd - Echoes - Part 2 [31.4 MiB] [13:23]

Cd2

01. Pink Floyd - Careful with That Axe, Eugene - Alternate T… [14.5 MiB] [06:02]
02. Pink Floyd - A Saucerful of Secrets - Unedited [29.9 MiB] [12:44]
03. Pink Floyd - Echoes - Part 1 - Edit [14.0 MiB] [05:50]

...( Info )...

Artist: Kim Wilde
Album: Closer
Year: (2025)
Genre: Pop , synth-pop
Format: [Mp3 320kbps]

...( TrackList )...

01. Kim Wilde - Trail Of Destruction [9.34 MiB] [04:03]
02. Kim Wilde - Sorrow Replaced [9.85 MiB] [04:16]
03. Kim Wilde - Lighthouse [13.3 MiB] [05:46]
04. Kim Wilde - Love Is Love [10.2 MiB] [04:25]
05. Kim Wilde - Rocket To The Moon [10.1 MiB] [04:22]
06. Kim Wilde - Hourglass Human [9.98 MiB] [04:20]
07. Kim Wilde - Stones And Bones [11.7 MiB] [05:06]
08. Kim Wilde - Savasana [11.2 MiB] [04:51]
09. Kim Wilde - Midnight Train [7.97 MiB] [03:27]
10. Kim Wilde - Scorpio [7.55 MiB] [03:16]

...( Info )...

Artist: Santana
Album: Sentient
Year: (2025)
Genre: Rock , Latin rock fusion
Format: [Mp3 320kbps]

...( TrackList )...

01. Santana - Let The Guitar Play [11.9 MiB] [04:55]
02. Santana - Stranger In Moscow [13.2 MiB] [05:30]
03. Michael Jackson - Whatever Happens [11.9 MiB] [04:56]
04. Santana - Please Don't Take Your Love [12.3 MiB] [05:05]
05. Santana - Get On [9.98 MiB] [04:05]
06. Santana - Vers Le Soleil [11.0 MiB] [04:30]
07. Santana - Rastafario [11.7 MiB] [04:49]
08. Santana - Full Moon [12.1 MiB] [05:00]
09. Santana - I'll Be Waiting [12.7 MiB] [05:16]
10. Santana - Coherence [11.9 MiB] [04:44]
11. Santana - Blues For Salvador [14.2 MiB] [05:57]

...( Info )...
Various - Cherry Pop Says
Album: Extended Stimulation (12" Pop Adventures On The Dancefloor 1983-1988)
Label: Cherry Pop
Released: 2025
Genre: Synth-pop, Dance-pop, Pop Rock
Audio codec: Mp3 320 kbps

...( TrackList )...
CD1
1. Thompson Twins – You Take Me Up (High Plains Mixer) (08:29)
2. Simply Red – Money's Too Tight (To Mention) (The Cutback Mix) (08:38)
3. When In Rome – The Promise (The Ollie North Mix) (06:27)
4. Scarlet Fantastic – No Memory (Deconstruction Mix) (06:04)
5. Nitzer Ebb – Join In The Chant (Burn!) (05:24)
6. Sigue Sigue Sputnik – Success (Extended) (06:45)
7. Princess – Say I'm Your Number One (Alternative Version) (09:11)
8. London Boys – Requiem (Continental Remix) (08:47)
9. Hazell Dean – E.S.P (Extra Sensual Persuasion) (Extended Dance Mix) (10:33)
10. Stock, Aitken & Waterman – Roadblock (Rare Groove Remix) (07:16)

CD2
1. Pet Shop Boys – Love Comes Quickly (Dance Mix) (06:46)
2. Electronic – Getting Away With It (Extended Version) (07:31)
3. New Order – The Kiss Of Death (07:01)
4. Freeez – I.O.U. (Megamix) (08:42)
5. Secession – Fire Island (Extended Mix) (No Fade) (07:44)
6. Belouis Some – Imagination (Dub Mix) (07:09)
7. Duran Duran – Notorious (Latin Rascals Mix) (06:22)
8. Arcadia – The Promise (Extended Remix) (07:05)
9. Talk Talk – It's My Life (12" Remix) (06:17)
10. Win – You've Got The Power (U.S. Dance Mix) (06:01)
11. Simple Minds – Speed Your Love To Me (Extended Mix) (07:22)

CD3
1. Fancy – Slice Me Nice (12" Version) (05:27)
2. Laid Back – White Horse (U.S. Edit) (05:45)
3. Limahl – Never Ending Story (12" Dance Mix) (05:20)
4. Re-Flex – The Politics Of Dancing (Extended Version) (06:35)
5. Nik Kershaw – Nobody Knows (Phil Harding Promo Remix) (05:35)
6. Jermaine Stewart – We Don't Have To Take Our Clothes Off (Dub) (06:59)
7. Blue Mercedes – I Want To Be Your Property (Daktari Mix) (06:49)
8. Brother Beyond – I Should Have Lied (Longer) (06:32)
9. Boogie Box High – Jive Talkin' (12" Version) (04:37)
10. Marilyn – Calling Your Name (12" Version) (06:53)
11. Culture Club – I'll Tumble 4 Ya (Special Extended Version Remix) (04:40)
12. Boy George – Everything I Own (Extended P.W. Botha Mix) (07:15)

CD4
1. a-ha – The Sun Always Shines On T.V. (Extended Version) (08:26)
2. Nick Kamen – Each Time You Break My Heart (Dub) (08:49)
3. Wet Wet Wet – Wishing I Was Lucky (Metal Mix) (05:43)
4. Vicious Pink – Cccan’t You See (French Extended Mix) (07:18)
5. Mandy Smith – I Just Can't Wait (12" Mix) (06:57)
6. The Human League – Love Is All That Matters (Extended Remix) (07:47)
7. ABC – The Night You Murdered Love (The Sheer-Chic Remix) (06:26)
8. Act – Snobbery & Decay (That's Entertainment) (09:49)
9. Propaganda – Das Testaments Des Mabuse (10:15)
10. Glenn Gregory & Claudia Brücken – When Your Heart Runs Out Of Time (6'20'' Mix) (06:36)

...( Opis )...
Jest coś cudownie rozkosznego w słuchaniu Extended Stimulation – 12” Pop Adventures on the Dancefloor 1983-1988. Na papierze to pudełko rozszerzonych miksów i electro-popowych momentów wyrwanych z serca kultury parkietowej lat osiemdziesiątych, ale słuchane od początku do końca staje się czymś więcej niż playlistą – to jak klubowa noc, która nigdy się nie kończy.

Ten zestaw wyróżnia się nie tylko znanymi nazwami, takimi jak Pet Shop Boys, New Order, ABC, Duran Duran, ale także tym, jak te rozszerzone wersje pozwalają rytmom i liniom syntezatorów swobodnie oddychać. To nie są radiowe edycje, to utwory, którym dano przestrzeń do rozciągania, pozwalając groove'om zadomowić się, dzięki czemu słyszysz ich faktury, a nie tylko ich chwytliwe melodie.

Sekwencjonowanie odgrywa dużą rolę. Każda płyta płynnie przechodzi między optymistycznymi, popowymi utworami a głębszymi, elektronicznymi eksploracjami, dzięki czemu słuchanie nigdy nie jest statyczne. Czuć ciągłość: rozszerzone miksy płynnie przechodzą w rzadsze wersje i z powrotem, a wkrótce jesteś… Zauważając, jak każdy wybór kształtuje tempo i nastrój.

Grany jako całość, to nie tylko nostalgia. Podkreśla, jak pop i muzyka taneczna flirtowały, zderzały się i remiksowały w czasie rzeczywistym przez te pięć lat. Puls dekady czujesz nie jako serię powtarzanych singli, ale jako żywą, ewoluującą rozmowę na parkiecie, która rezonuje długo po tym, jak ostatni utwór ucichnie. (B)

...( Info )...
Genre: Doom/Stoner Metal/Rock
Country of Artist (Band): Italy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 41:55
Availability of scans in the download: No

...( TrackList )...
01. Intro - Acida
02. Lucifer (Pt. 1)
03. Only Lucifer and Fuzz
04. The Acid Ritual
05. Malignant Sign Ov Evil
06. Bloody River
07. Make the Sludge Doom Great Again
08. Outro - Disperata

...( Info )...
Genre: Brutal Death Metal
Artist (band) Country: Spain
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 49:19
Contains scans in the download: No

...( TrackList )...
01. Taste Emptiness
02. My Wish Is to End Their Breath
03. Under Fire
04. In Eternal Hunger
05. All Shall Kneel to Chaos
06. The Stench Spreading to Your Progeny
07. Isolation Nation

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Druga duża płyta SUPREME PAIN - ogromnej niespodzianki na metalowej scenie. W składzie zespołu są byli oraz obecni muzycy SINISTER, HOUWITSER, INFINITED HATE, MONASTERY, FONDLECORPSE, BLASTKORPS.
Doskonała pozycja w wykonaniu holenderskich deathmetalowców.

Dla fanów KRISIUN, NILE, MORBID ANGEL, BEHEMOTH, SINISTER!



Cadaver Pleasures, Supreme Pain's first record, is really groundbreaking for numerous reasons which are repeated on their second record, Nemesis Enforcer, but with a little twist for good on general aspects. Here, we have the same dose of brutality and speed with the novelty of finding maturity on the songwriting.

The album is absolutely nothing more than a fest of riffs. Every single song has varied compositions, but leaving behind the simple and groovy riffs of their first record. The band focused on modern death metal songwriting having more technical riffs, one of the fastest drums to be heard and more complex song structures, being that the strongest point of the album. Basically, the songs are average six minutes and you do not get tired on any moment thanks to the fact that all parts of the songs are not overlong or overused. As I said before, the riffing is a lot more technical, but not getting into the "wankery" status, and the soloing is improved, not only doing the Slayer-ish shredding, but being the melody an important part of the leads.

There is no point on the record where the drummer is not a highlight, doing inhuman blast beats for minutes straight. Sadly, it becomes a bit repetitive on some tracks like "Threshold of Immortality" and "Nemesis Enforcer". Those two are perfect examples of how a varied and sometimes a slower drumming is missed. Another bad point is the bass guitar. The riffs and bridges are appropriate for a virtuous performance of the instrument, for example, the intro riff and melody of "The Unholy Throne" sounds empty for having a tedious bass lines and that usually repeats on a lot of points of the album; a better bass player would have been an amazing improve on the band general sound.

The vocals never cease to impress me, with all this brutal bands having this extremely low growls, this raspy talking of Aad Kloosterward is some refreshing change on the usual hearing, also, it fits perfectly with the sound and ideas of the band.

The band shows once more the amazing quality of their music, with speed, brutality and now some incorporation of melody, a factor more used on their third album, giving a record full of headbanging, catchy and epic moments. I gave this record a 9.5 out of 10 for the only reason I am an old school enthusiast and the change of the 90's sound to this is not my bread and butter, but the album is practically perfect and highly recommended for all kinds of metalheads from oldies to newbies.

satanhatta



..::TRACK-LIST::..

1. Darkening Age Rise 1:28
2. Vengeful Wrath 5:43
3. Legacy Of Chaos 4:45
4. The Unholy Throne 4:40
5. Threshold Of Immortality 5:25
6. To Serve In Slavery 6:50
7. Lobotomy Of The Soul 4:30
8. Goddess Of Divine Retribution 6:54
9. Nemesis Enforcer 5:56



..::OBSADA::..

Vocals - Aad Kloosterwaard
Bass - Tadej Cholewa
Drums - Toep Duin
Guitar - Bas Brussaard, Erwin Harreman



https://www.youtube.com/watch?v=Yx_IumuVjVs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Druga duża płyta SUPREME PAIN - ogromnej niespodzianki na metalowej scenie. W składzie zespołu są byli oraz obecni muzycy SINISTER, HOUWITSER, INFINITED HATE, MONASTERY, FONDLECORPSE, BLASTKORPS.
Doskonała pozycja w wykonaniu holenderskich deathmetalowców.

Dla fanów KRISIUN, NILE, MORBID ANGEL, BEHEMOTH, SINISTER!



Cadaver Pleasures, Supreme Pain's first record, is really groundbreaking for numerous reasons which are repeated on their second record, Nemesis Enforcer, but with a little twist for good on general aspects. Here, we have the same dose of brutality and speed with the novelty of finding maturity on the songwriting.

The album is absolutely nothing more than a fest of riffs. Every single song has varied compositions, but leaving behind the simple and groovy riffs of their first record. The band focused on modern death metal songwriting having more technical riffs, one of the fastest drums to be heard and more complex song structures, being that the strongest point of the album. Basically, the songs are average six minutes and you do not get tired on any moment thanks to the fact that all parts of the songs are not overlong or overused. As I said before, the riffing is a lot more technical, but not getting into the "wankery" status, and the soloing is improved, not only doing the Slayer-ish shredding, but being the melody an important part of the leads.

There is no point on the record where the drummer is not a highlight, doing inhuman blast beats for minutes straight. Sadly, it becomes a bit repetitive on some tracks like "Threshold of Immortality" and "Nemesis Enforcer". Those two are perfect examples of how a varied and sometimes a slower drumming is missed. Another bad point is the bass guitar. The riffs and bridges are appropriate for a virtuous performance of the instrument, for example, the intro riff and melody of "The Unholy Throne" sounds empty for having a tedious bass lines and that usually repeats on a lot of points of the album; a better bass player would have been an amazing improve on the band general sound.

The vocals never cease to impress me, with all this brutal bands having this extremely low growls, this raspy talking of Aad Kloosterward is some refreshing change on the usual hearing, also, it fits perfectly with the sound and ideas of the band.

The band shows once more the amazing quality of their music, with speed, brutality and now some incorporation of melody, a factor more used on their third album, giving a record full of headbanging, catchy and epic moments. I gave this record a 9.5 out of 10 for the only reason I am an old school enthusiast and the change of the 90's sound to this is not my bread and butter, but the album is practically perfect and highly recommended for all kinds of metalheads from oldies to newbies.

satanhatta



..::TRACK-LIST::..

1. Darkening Age Rise 1:28
2. Vengeful Wrath 5:43
3. Legacy Of Chaos 4:45
4. The Unholy Throne 4:40
5. Threshold Of Immortality 5:25
6. To Serve In Slavery 6:50
7. Lobotomy Of The Soul 4:30
8. Goddess Of Divine Retribution 6:54
9. Nemesis Enforcer 5:56



..::OBSADA::..

Vocals - Aad Kloosterwaard
Bass - Tadej Cholewa
Drums - Toep Duin
Guitar - Bas Brussaard, Erwin Harreman



https://www.youtube.com/watch?v=Yx_IumuVjVs



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Melodic Death/Black Metal
Country of Artist (Band): Canada
Year of Release: 2012-2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: Indicated in album descriptions
Availability of scans in distribution content: No

...( TrackList )...
2012 - Spellbook
2015 - Demonicon
2018 - Exomancer
2021 - Diabolica
2026 - Archdevil

...( Info )...
Genre: Thrash Metal
Country of Artist (Band): USA
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 17:23
Contains scans in the download: No

...( TrackList )...
01. Jekyll And Hyde (Remastered)
02. The End Is Near (Remastered)
03. In My Darkest Days
04. Enmity

...( Info )...
Genre: Symphonic Metal
Artist (band) Country: England
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 58:49
Availability of scans in the distribution content: no

...( TrackList )...
01. From The Ocean To The Stars
02. And They Were Never Seen Again
03. We Live In Difficult Times
04. What Becomes Of Our Children's Children
05. Flames And Ashes
06. Down To The Wire
07. Sea Shanties
08. There Is No End
09. Never Run
10. Weightless
11. Monday Never Looked So Good (For Brian)
12. The Emergence Of Consciousness

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dzieło niepodważalnego geniuszu.
Niejasne, tajemnicze, a momentami wręcz przerażające, a jednocześnie skrywane pod maską przewrotnego humoru.

Nowoczesne arcydzieło surrealistycznego bluźnierstwa i koszmarnego majestatu...



Goddamn, Negative Plane’s second record, Stained Glass Revelations, had me pulling myself in forty different directions looking for purchase on some pertinent perspective. This is one of those toughies to evaluate, because it will be considered golden by some and utter tripe by others. Which isn’t unordinary except that what will characterize the listening experience here is an array of qualities that define the album’s greatness as a function of its ostensible shortcomings and a band that, by all indications, doesn’t give a fuck about this review.

The most obvious place to begin seemed to be production, of all things. I don’t think I’ve ever begun a review with a discussion of production, but this one seemed to warrant it. The knob-sliding and -tweaking here is liable to be a love-it-or-hate-it kind of a deal. Some of you fine folks will love it for its allegiance to all things unfiltered, unclean, unholy. And everything here comes from far away. Not in the next room; maybe the next dimension. Some of you will hate it because you don’t give a shit about such aesthetic and maybe consider it a copout or even some sort of ironic sellout. Either way, Negative Plane doesn’t give a fuck what you think.

But then it also made sense to begin with a discussion of, well, just what the hell kind of music is this, anyway? Black metal seems to be the tag most often attached, but these are not your typical frostbitten riffs. In fact, they’re probably best cast as thrash riffs, though they’re pretty far outside those bounds, as well. The drum patterns are unorthodox and seem to be laid down with a calculated coarseness. Fuck precision. There is plenty of bass here and it will not be ignored, every bit as busy as the other instruments, sometimes in time with them, often breaking its own ground. Plenty of accompaniment, too, from tolling bells to ethereal chants to two-story pipe organ. And then there’s the lead guitar, gliding back and forth between weird, twisty riffs and classical motifs and virtuosity delivered with more mystique than conceit and weirdly awesome departures, like what seems to be a “surf guitar” effect that somehow works perfectly in this context. So what does all this add up to? I’m of a mind to just call it progressive and move on. Either way, Negative Plane doesn’t give a fuck what I call it.

Although, maybe I should begin with how it’s progressive, because it’s not progressive in the same way as the bands that come to mind when you hear the term “progressive.” So, progressive how? What makes progressive progressive? Sure it’s a sound, but it doesn’t have to be all clever harmonies and lilting melodies and synthesized keyboards and super-clean sheen. Moving past “prog” to “progressive,” then, the term more completely captures a structural approach that uses odd time signatures and long, intricate songs full of instrumental acrobatics and contrasting interludes. Progressive music simply moves beyond its purported boundaries. And Stained Glass Revelations does that. Thing is, this record works outside this constraint, as well, and either way, Negative Plane doesn’t give a fuck about boundaries.

But then, of course, why ought I not begin with the album’s evil air? Malevolence is a hot commodity, after all. But this is a different kind of evil. So unconcerned with the good, the light, the living that it renders the contrast necessary to define evil obsolete. It beautifies death. But isn’t revelry – even in death – a function of joy and, therefore, a concession to life? Well, this isn’t exactly celebration. More like an artist’s manic fugue, ablaze with an insatiable taste for creation via destruction. Either way, Negative Plane doesn’t give a fuck about common conceptions.

In the end, I decided it best to begin with what this record does for me. I’ve said many times (I understand if you haven’t been paying attention) that my favorite albums are those that take me some place mysterious and fantastic. I’ve said often, as well, that this demands something of me, the listener, in that I have to get myself right for the record. Get my context straight. Stained Glass Revelations is one of those special albums, to be sure, and it plays well in all levels of light, but it does its best work when I’ve taken the time to invite the darkness, both literally and figuratively.

Finding myself alone late at night, enraged at the traffic-jammed, Wal-Marted, credit report-scored banality of the daylit world, I open wide my windows, drawing closed the curtains behind them. Walls illumined with the gaunt glow of candlelight, I pull my wandering shadow to the center of the room and, anticipating metamorphosis , fear bleeds over my anger. Eyelids tight and aspect disquiet, I hunch, arms raised, palms up, wretched fingers stretched skyward and my space becomes deep, cavernous, the ancient cathedral once sanctuary for salvation seekers, now a place for the conjuring of souls whose salvation never came; long ago bathed in light now swallowed by blackened blue. And “The Fall” commences.

Fear succumbs to mania, reservation to revelation as I slip the mundane to become master of Hell’s symphony. My limbs extended to their trembling limits, distant bells beckon electric discharge to rise, expand in vast cacophony. Surging power reaches my arms to the netherworld, unlocking the door, unleashing the black from beyond the frame and sepulchral spectres engulf the room on electric waves born of bone-fretted instruments, forbidden notes cast backward, overturned, whirling upward. Great crazed flurries of my gnarled hands propel reverberant waves, careening the spirits between and against the walls in byzantine patterns, each note relinquishing its energy only as the next usurps its space.

Vast emptiness is now choked by a tortuous sonic web spanning the breadth and depth of this unholy place, its spaces pressed violently with the deadened drub of toms overstretched with the skin of innocents. Entangled scarves of sound coalesce to dark symbologic tapestries threaded with neoclassical strands, a terrible beauty against a backdrop of necrolust. From my blackened throat froths a voice not my own, the manifestation of centuries of death-staid spite and hatred loosed this night in an eclipse of righteous light. Purity blighted, bedlam relents and the deathly temple is drained to inanimate void, save towering calcite cylinders piping hymnal blasphemies, and I crumble, depleted, to the moss-ridden floor, sensations reduced to a vague awareness of being.

Stained Glass Revelations, primal in substance and grandiose in execution, is destined to be at once revered and reviled and the loudest voices on either side will cite identical criteria to support their positions. But the discussion is relevant only to those of us residing in the positive picture plane, all of it reduced to academic masturbation the moment the record was conceived because, outside of their creative sphere, Negative Plane just doesn’t give a fuck.

Lone Watie


Negative Plane are certainly not a new band. Having released their prior full length 5 years ago the band seemed to have disappeared for quite some time. Many times when this happens bands tend to forget their original purpose or just forget music altogether. Thankfully for us, the music consuming public, the band have returned to become something stronger.

The black scene itself has seen much more attention over the past few years. Whether this can be attributed to heightened media awareness of it in books (Lords Of Chaos, True Norwegian Black Metal) and movies (Until The Light Takes Us), or just more bands in general. Even some of this could be attributed by bands standing outside the guidelines (looking directly at Liturgy) whether the band is good or bad. Regardless of all of these factors Negative Plane find a way to stand above their peers while keeping one foot firmly in the first wave of black metal.

Having a mixture of both classic Hellhammer and the intelligent use of orchestration, that bands like Dimmu Borgir have long since failed to understand, NP manage to use both restraint and a love of extremes to their advantage. When the calming yet foreboding twanging clean guitar pieces ring out signaling the beginning to "Angels Of Veiled Bone," one can feel the cold air blowing against their bones. One can only assume that this is something truly planned out by the band. Little tricks like this make the band not only stick out from their peers but also make the devastating classicism of their first wave-styled parts not only more convincing, but that much more disturbing as well.

The recording itself is just clear enough. While maintaining the "Kvlt" sounds of the past the band chose not to rely solely on the hopes that this recording choice alone would suffice. The band instead loses a piece of that danger involved in going completely lo-fi and creates a compelling mix of clarity and kvlt. While this might not make sense entirely, the recording is high enough quality that it isn't all crashing cymbals and low-tone vocals bleeding into the mix. The band use the little bit of clarity to make the songs that much tougher.

Where do Negative Plane stand in the current morass of black metal? Who knows what the "scene" may think of them but I do have good news otherwise. The band have found the right dynamics to sound intelligent and simultaneously brutal. This trick rarely seems to work in black metal and, thus, helps the band truly stick out. Most of their "peers" that fancy themselves artistic (Liturgy) have no sense of the past, let alone the dynamics necessary to create a full album that can immerse the listener from start to finish. Negative Plane have skirted this issue by writing good songs that are played in a smart way.

Jon E.



..::TRACK-LIST::..

1. The Fall 2:25
2. Lamentations & Ashes 7:03
3. Angels Of Veiled Bone 8:05
4. The Third Hour 1:49
5. The One And The Many 8:30
6. Charnel Spirit 1:14
7. All Souls 9:49
8. The Number Of The Word 8:20
9. Stained Glass Reflections 2:47
10. Stained Glass Revelations 11:31



..::OBSADA::..

Vocals [Female Vocals] - Viveca Butler
Bass - DG
Drums, Backing Vocals - BD
Field Recording [Intro/Outro Field Recordings], Cello - BD
Guitar, Vocals - NV
Organ, Piano, Bells - NV
Performer [Outroductory Piece Fragment] - Hamlet Gonashvili



https://www.youtube.com/watch?v=VuIDr53Q52E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Dzieło niepodważalnego geniuszu.
Niejasne, tajemnicze, a momentami wręcz przerażające, a jednocześnie skrywane pod maską przewrotnego humoru.

Nowoczesne arcydzieło surrealistycznego bluźnierstwa i koszmarnego majestatu...



Goddamn, Negative Plane’s second record, Stained Glass Revelations, had me pulling myself in forty different directions looking for purchase on some pertinent perspective. This is one of those toughies to evaluate, because it will be considered golden by some and utter tripe by others. Which isn’t unordinary except that what will characterize the listening experience here is an array of qualities that define the album’s greatness as a function of its ostensible shortcomings and a band that, by all indications, doesn’t give a fuck about this review.

The most obvious place to begin seemed to be production, of all things. I don’t think I’ve ever begun a review with a discussion of production, but this one seemed to warrant it. The knob-sliding and -tweaking here is liable to be a love-it-or-hate-it kind of a deal. Some of you fine folks will love it for its allegiance to all things unfiltered, unclean, unholy. And everything here comes from far away. Not in the next room; maybe the next dimension. Some of you will hate it because you don’t give a shit about such aesthetic and maybe consider it a copout or even some sort of ironic sellout. Either way, Negative Plane doesn’t give a fuck what you think.

But then it also made sense to begin with a discussion of, well, just what the hell kind of music is this, anyway? Black metal seems to be the tag most often attached, but these are not your typical frostbitten riffs. In fact, they’re probably best cast as thrash riffs, though they’re pretty far outside those bounds, as well. The drum patterns are unorthodox and seem to be laid down with a calculated coarseness. Fuck precision. There is plenty of bass here and it will not be ignored, every bit as busy as the other instruments, sometimes in time with them, often breaking its own ground. Plenty of accompaniment, too, from tolling bells to ethereal chants to two-story pipe organ. And then there’s the lead guitar, gliding back and forth between weird, twisty riffs and classical motifs and virtuosity delivered with more mystique than conceit and weirdly awesome departures, like what seems to be a “surf guitar” effect that somehow works perfectly in this context. So what does all this add up to? I’m of a mind to just call it progressive and move on. Either way, Negative Plane doesn’t give a fuck what I call it.

Although, maybe I should begin with how it’s progressive, because it’s not progressive in the same way as the bands that come to mind when you hear the term “progressive.” So, progressive how? What makes progressive progressive? Sure it’s a sound, but it doesn’t have to be all clever harmonies and lilting melodies and synthesized keyboards and super-clean sheen. Moving past “prog” to “progressive,” then, the term more completely captures a structural approach that uses odd time signatures and long, intricate songs full of instrumental acrobatics and contrasting interludes. Progressive music simply moves beyond its purported boundaries. And Stained Glass Revelations does that. Thing is, this record works outside this constraint, as well, and either way, Negative Plane doesn’t give a fuck about boundaries.

But then, of course, why ought I not begin with the album’s evil air? Malevolence is a hot commodity, after all. But this is a different kind of evil. So unconcerned with the good, the light, the living that it renders the contrast necessary to define evil obsolete. It beautifies death. But isn’t revelry – even in death – a function of joy and, therefore, a concession to life? Well, this isn’t exactly celebration. More like an artist’s manic fugue, ablaze with an insatiable taste for creation via destruction. Either way, Negative Plane doesn’t give a fuck about common conceptions.

In the end, I decided it best to begin with what this record does for me. I’ve said many times (I understand if you haven’t been paying attention) that my favorite albums are those that take me some place mysterious and fantastic. I’ve said often, as well, that this demands something of me, the listener, in that I have to get myself right for the record. Get my context straight. Stained Glass Revelations is one of those special albums, to be sure, and it plays well in all levels of light, but it does its best work when I’ve taken the time to invite the darkness, both literally and figuratively.

Finding myself alone late at night, enraged at the traffic-jammed, Wal-Marted, credit report-scored banality of the daylit world, I open wide my windows, drawing closed the curtains behind them. Walls illumined with the gaunt glow of candlelight, I pull my wandering shadow to the center of the room and, anticipating metamorphosis , fear bleeds over my anger. Eyelids tight and aspect disquiet, I hunch, arms raised, palms up, wretched fingers stretched skyward and my space becomes deep, cavernous, the ancient cathedral once sanctuary for salvation seekers, now a place for the conjuring of souls whose salvation never came; long ago bathed in light now swallowed by blackened blue. And “The Fall” commences.

Fear succumbs to mania, reservation to revelation as I slip the mundane to become master of Hell’s symphony. My limbs extended to their trembling limits, distant bells beckon electric discharge to rise, expand in vast cacophony. Surging power reaches my arms to the netherworld, unlocking the door, unleashing the black from beyond the frame and sepulchral spectres engulf the room on electric waves born of bone-fretted instruments, forbidden notes cast backward, overturned, whirling upward. Great crazed flurries of my gnarled hands propel reverberant waves, careening the spirits between and against the walls in byzantine patterns, each note relinquishing its energy only as the next usurps its space.

Vast emptiness is now choked by a tortuous sonic web spanning the breadth and depth of this unholy place, its spaces pressed violently with the deadened drub of toms overstretched with the skin of innocents. Entangled scarves of sound coalesce to dark symbologic tapestries threaded with neoclassical strands, a terrible beauty against a backdrop of necrolust. From my blackened throat froths a voice not my own, the manifestation of centuries of death-staid spite and hatred loosed this night in an eclipse of righteous light. Purity blighted, bedlam relents and the deathly temple is drained to inanimate void, save towering calcite cylinders piping hymnal blasphemies, and I crumble, depleted, to the moss-ridden floor, sensations reduced to a vague awareness of being.

Stained Glass Revelations, primal in substance and grandiose in execution, is destined to be at once revered and reviled and the loudest voices on either side will cite identical criteria to support their positions. But the discussion is relevant only to those of us residing in the positive picture plane, all of it reduced to academic masturbation the moment the record was conceived because, outside of their creative sphere, Negative Plane just doesn’t give a fuck.

Lone Watie


Negative Plane are certainly not a new band. Having released their prior full length 5 years ago the band seemed to have disappeared for quite some time. Many times when this happens bands tend to forget their original purpose or just forget music altogether. Thankfully for us, the music consuming public, the band have returned to become something stronger.

The black scene itself has seen much more attention over the past few years. Whether this can be attributed to heightened media awareness of it in books (Lords Of Chaos, True Norwegian Black Metal) and movies (Until The Light Takes Us), or just more bands in general. Even some of this could be attributed by bands standing outside the guidelines (looking directly at Liturgy) whether the band is good or bad. Regardless of all of these factors Negative Plane find a way to stand above their peers while keeping one foot firmly in the first wave of black metal.

Having a mixture of both classic Hellhammer and the intelligent use of orchestration, that bands like Dimmu Borgir have long since failed to understand, NP manage to use both restraint and a love of extremes to their advantage. When the calming yet foreboding twanging clean guitar pieces ring out signaling the beginning to "Angels Of Veiled Bone," one can feel the cold air blowing against their bones. One can only assume that this is something truly planned out by the band. Little tricks like this make the band not only stick out from their peers but also make the devastating classicism of their first wave-styled parts not only more convincing, but that much more disturbing as well.

The recording itself is just clear enough. While maintaining the "Kvlt" sounds of the past the band chose not to rely solely on the hopes that this recording choice alone would suffice. The band instead loses a piece of that danger involved in going completely lo-fi and creates a compelling mix of clarity and kvlt. While this might not make sense entirely, the recording is high enough quality that it isn't all crashing cymbals and low-tone vocals bleeding into the mix. The band use the little bit of clarity to make the songs that much tougher.

Where do Negative Plane stand in the current morass of black metal? Who knows what the "scene" may think of them but I do have good news otherwise. The band have found the right dynamics to sound intelligent and simultaneously brutal. This trick rarely seems to work in black metal and, thus, helps the band truly stick out. Most of their "peers" that fancy themselves artistic (Liturgy) have no sense of the past, let alone the dynamics necessary to create a full album that can immerse the listener from start to finish. Negative Plane have skirted this issue by writing good songs that are played in a smart way.

Jon E.



..::TRACK-LIST::..

1. The Fall 2:25
2. Lamentations & Ashes 7:03
3. Angels Of Veiled Bone 8:05
4. The Third Hour 1:49
5. The One And The Many 8:30
6. Charnel Spirit 1:14
7. All Souls 9:49
8. The Number Of The Word 8:20
9. Stained Glass Reflections 2:47
10. Stained Glass Revelations 11:31



..::OBSADA::..

Vocals [Female Vocals] - Viveca Butler
Bass - DG
Drums, Backing Vocals - BD
Field Recording [Intro/Outro Field Recordings], Cello - BD
Guitar, Vocals - NV
Organ, Piano, Bells - NV
Performer [Outroductory Piece Fragment] - Hamlet Gonashvili



https://www.youtube.com/watch?v=VuIDr53Q52E



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Black/Heavy Metal
Country of Artist (Band): Japan
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 30:29
Availability of scans in the download: No

...( TrackList )...
01. Emptiness
02. Blizzard Of Despair
03. Sorrow And Confusion
04. Hymn Of The Extinction
05. Abuse
06. A Distressing Sunset
07. Piano Concerto In A Minor Op. 54

...( Info )...
Genre: Black Metal
Country of Artist (Band): Denmark
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 27:50
Contains scans in the download: No

...( TrackList )...
01. Et Liv Fuld Af Fejl
02. Ridderlig Lider
03. Sort Magi
04. Mit Billede Af Dig
05. Ædel Fetich
06. Madras
07. Ildtang
08. Her Er Mørkt

...( Info )...
Genre: Black Metal
Country of Artist (Band): Germany
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 46:08
Contains scans in the download: No

...( TrackList )...
01. Visionen
02. Firmament Verbrenn'
03. Serpentia
04. Die Tore Ferner Welten
05. Sternenlos
06. Eversor
07. Meere Des Wahnsinns
08. Banshee
09. Das Ende In Dunkelheit

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...




Kultowy japoński grindcore. Trudno dostępny materiał z 2004 roku!!!



..::TRACK-LIST::..

1. Full Blast Army 0:45
2. Classical War 0:44
3. Third Stone From Hell 1:00
4. Fearless Christian Killer 666 1:06
5. Destruction [Fanfare] 0:46
6. Final Blast Attack 1:05




https://www.youtube.com/watch?v=g7rOa1q2L48



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...




Kultowy japoński grindcore. Trudno dostępny materiał z 2004 roku!!!



..::TRACK-LIST::..

1. Full Blast Army 0:45
2. Classical War 0:44
3. Third Stone From Hell 1:00
4. Fearless Christian Killer 666 1:06
5. Destruction [Fanfare] 0:46
6. Final Blast Attack 1:05




https://www.youtube.com/watch?v=g7rOa1q2L48



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): Belgium
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 51:39
Availability of scans in the download: No

...( TrackList )...
01. Intro
02. The Black Chapel
03. Graveside Prayer
04. The Wild Hunt (Let Them Run)
05. Exulted Hearts
06. Outro
07. Cry-Shine-Die
08. The Mother of Darkness
09. Latrodectus Tela
10. Young Blood Ritual
11. Outro

...( Info )...
Genre: Black/Death Metal
Artist (band) Country: Australia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 49:07
Contains scans in the download: No

...( TrackList )...
01. Remembrance
02. Hope Dies Last
03. Bloody Nose Ridge
04. Faceless Behind the Mask
05. Messages for a Cult
06. Mirrors to Nowhere
07. Blessed Be, Misery
80. Let There Be Blight
09. One Twitch Away
10. Red Wings

...( Info )...
Genre: Melodic Death Metal
Country of Artist (Band): Japan
Year of Release: 2018-2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: Indicated in album descriptions
Availability of scans in distribution content: No

...( TrackList )...
2018 - Distant Light
2018 - Archetype (2 CDs)
2019 - Gods Of Slaughter (EP)
2023 - Chaosbringers
2026 - Ragnarok (EP)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Paradox was formed in Würzburg in 1986 by two young musicians, Charly Steinhauer and Axel Blaha. Both of them were founding members of German metal bands Overkill, Venom and Warhead since 1981. Early 1986 they finally changed the band name to PARADOX. In July 1986, the band recorded a demo, drawing the attention of Roadrunner Records. In 1987, PARADOX recorded their second demo "Mystery" which was a success for the band. The German press calling it the best demo of the year. In the same year, the band started recording their first album ‘Product of Imagination’ for Road Runner. The debut album was an enormous success in Germany, with Metal Hammer recognising it as the best German debut after ‘Walls of Jericho’ by Helloween. The album Demo 1986 Deluxe edition contains the pre Paradox demo from 1984, 17 tracks in total. Cover artwork by Thomas Pinheiro (Possessed, Hirax, Malevolent Creation). Extensive liner notes with founding member Charlie Steinhauer and tonns of pictures from the 1981 – 1987 era.



..::TRACK-LIST::..

Demo 86
1. Opening Theme (instrumental) 2:29
2. Pray To The Godz Of Wrath 4:56
3. Kill That Beast 4:53
4. Paradox 5:45
5. Execution (Instrumental) 3:16
6. Death, Screaming And Pain 5:49
7. No Place To Survive 3:44
8. Victims Of Hell (bonus track)
9. Beware The Darkness (bonus track)
10. At Night Ever Twice (bonus track)
11. The Fox (bonus track)
12. Tears Of Repentance (bonus track)
13. Outro (bonus track)

Pre-Paradox Rehearsal Demo 1984:
14. Sacrifice (version 1984)
15. Die By The Sword
16. Fight The Death
17. Ace Of Spades (Motörhead cover)



..::OBSADA::..

Roland Stahl - Bass
Axel Blaha (R.I.P. 2023) - Drums
Jochen Glöggler - Guitars
Charly Steinhauer - Vocals, Guitars




https://www.youtube.com/watch?v=gq28o3FlW6s



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Paradox was formed in Würzburg in 1986 by two young musicians, Charly Steinhauer and Axel Blaha. Both of them were founding members of German metal bands Overkill, Venom and Warhead since 1981. Early 1986 they finally changed the band name to PARADOX. In July 1986, the band recorded a demo, drawing the attention of Roadrunner Records. In 1987, PARADOX recorded their second demo "Mystery" which was a success for the band. The German press calling it the best demo of the year. In the same year, the band started recording their first album ‘Product of Imagination’ for Road Runner. The debut album was an enormous success in Germany, with Metal Hammer recognising it as the best German debut after ‘Walls of Jericho’ by Helloween. The album Demo 1986 Deluxe edition contains the pre Paradox demo from 1984, 17 tracks in total. Cover artwork by Thomas Pinheiro (Possessed, Hirax, Malevolent Creation). Extensive liner notes with founding member Charlie Steinhauer and tonns of pictures from the 1981 – 1987 era.



..::TRACK-LIST::..

Demo 86
1. Opening Theme (instrumental) 2:29
2. Pray To The Godz Of Wrath 4:56
3. Kill That Beast 4:53
4. Paradox 5:45
5. Execution (Instrumental) 3:16
6. Death, Screaming And Pain 5:49
7. No Place To Survive 3:44
8. Victims Of Hell (bonus track)
9. Beware The Darkness (bonus track)
10. At Night Ever Twice (bonus track)
11. The Fox (bonus track)
12. Tears Of Repentance (bonus track)
13. Outro (bonus track)

Pre-Paradox Rehearsal Demo 1984:
14. Sacrifice (version 1984)
15. Die By The Sword
16. Fight The Death
17. Ace Of Spades (Motörhead cover)



..::OBSADA::..

Roland Stahl - Bass
Axel Blaha (R.I.P. 2023) - Drums
Jochen Glöggler - Guitars
Charly Steinhauer - Vocals, Guitars




https://www.youtube.com/watch?v=gq28o3FlW6s



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Maciej Maleńczuk & Wojciech Waglewski - Koledzy
---------------------------------------------------------------------

Artist...............: Maciej Maleńczuk & Wojciech Waglewski
Album................: Koledzy
Genre................: Rock, Blues, Acoustic
Source...............: CD
Year.................: 2007
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Agora SA

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Maciej Maleńczuk & Wojciech Waglewski - Koledzy [02:41]
2. Maciej Maleńczuk & Wojciech Waglewski - Can't judge book[02:59]
3. Maciej Maleńczuk & Wojciech Waglewski - Diabeł w wiosce [03:10]
4. Maciej Maleńczuk & Wojciech Waglewski - Luty 89 [02:27]
5. Maciej Maleńczuk & Wojciech Waglewski - Niech żyje wojna[02:42]
6. Maciej Maleńczuk & Wojciech Waglewski - Bal na Gnojnej [02:42]
7. Maciej Maleńczuk & Wojciech Waglewski - Komu dzwonią [04:12]
8. Maciej Maleńczuk & Wojciech Waglewski - Piosenka męska z głosem ludzkim[02:52]
9. Maciej Maleńczuk & Wojciech Waglewski - Praca na saxach [03:10]
10. Maciej Maleńczuk & Wojciech Waglewski - Ring of fire [02:27]
11. Maciej Maleńczuk & Wojciech Waglewski - Antoni Radwan [07:00]
12. Maciej Maleńczuk & Wojciech Waglewski - Bo Bóg dokopie [03:59]
13. Maciej Maleńczuk & Wojciech Waglewski - Biust [03:20]
14. Maciej Maleńczuk & Wojciech Waglewski - Who do you love [02:11]
15. Maciej Maleńczuk & Wojciech Waglewski - Kaczory [03:14]
16. Maciej Maleńczuk & Wojciech Waglewski - Niedziela będzie dla nas[02:38]
17. Maciej Maleńczuk & Wojciech Waglewski - Adam [08:59]

Playing Time.........: 01:00:50
Total Size...........: 427,37 MB

...( Info )...
Genre: Thrash Metal
Artist (band) Country: USA
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 29:23
Contains scans in the download: No

...( TrackList )...
01. Modern Day Prophets
02. Long Grave
03. Zion
04. Quiet Wars
05. Pyramid
06. Call Of The Void
07. Solace
08. Symptomatic

...( Info )...
Genre: Melodic Death Metal
Country of Artist (Band): Finland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 43:50
Availability of scans in the download: No

...( TrackList )...
01. The Departure
02. Devastation from the Dark
03. The Final Gathering
04. Born in the Void
05. Forever Frozen
06. Separation
07. The Silence
08. The Fallen Empire

...( Info )...
Genre: Power Metal
Country of Artist (Band): Japan
Year of Release: 2018-2020
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: Indicated in album descriptions
Scans included in downloads: No

...( TrackList )...
Albums:
2018 - キマイラ
2019 - 夢幻大スリラー
2020 - 切Re 札 (EP)
2020 - Judgement (Single)

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): Russia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:20
Contains scans in the download: No

...( TrackList )...
01. Wastelands of Heaven Kingdom
02. Grand Hell
03. Book Full of Blood
04. Anno Satanas
05. Sacrum Satana
06. Golgotha
07. Salvation in Blasphemy
08. Basher of God
09. Confess Messiah
10. Dead I.n.r.i.
11. In Temple of Torn Souls
12. Eternal Path of Rex Satan

...( Info )...

Składanka mireczka-muza mix vol.11
Gatunek: Różne
Rok:2026
mp3@320kbps
CZAS:01:43:32

...( TrackList )...

1.Bomfunk MC's - Freestyler (Remix)
2.C.C. Catch - Cause You Are Young (Remix)
3.E.D. 90'S - Hearts On Fire
4.Jacek Stachursky - Ty (Extended Remix)
5.Solid Base - Excite U (Longer Mix)
6.Twenty 4 Seven - Slave To The Music (Remix) 2026
7.Mr. President - Coco Jambo (REMIX)
8.Boney M. - Ma Baker [Beave Edit]
9.BlastersBoyz - Electric Heartbeat (Original Mix)
10.EuroBlast - Blossom
11.Gordo, Reinier Zonneveld - Loco Loco (Remix Extended)
12.Niels Van Gogh - Lose Your Mind (Extended Mix)
13.SOUND BASS - I WANNA BE (Extended Mix)
14.Future Breeze - Smile (Club Radio Edit)
15.AndreySv - Chuck Norris. The Legend (Version 1)
16.Back 2 Back Feat. DV-116 - Everybody Dance (Cover Mix)
17.PanteRaX Feat. ParalaX - In Your Vision (2026)
18.ScaFra – Non mi fermerò
19.DJ Antoine - Ma Cherie (Extended Remix)
20.SHUPOV - Poker Face
21.Aden & Moreno - CÓRKA MECHANIKA (REMIX)
22.EDN Project - Music Takes Control
23.AndreySv - Light My Fire
24.MALOS - Let Me Think (About it) (Remix)
25.Funky Beatz - Johnny B
26.BVZA & Dan Korshunov - Religion
27.AndreySv - We’ll Be Together
28.Teknova - Lambada
29.Ace Of Base & Dj Yan - All That She Wants (Bootleg Edit)
30.Moliy vs. Los Del Rio - Shake It To The Mac

...( Info )...

Składanka mireczka-muza mix vol.10
Gatunek: Różne
Rok:2026
mp3@320kbps
CZAS:01:45:29

...( TrackList )...

1.2 Unlimited - No Limit (Remix)
2.Dj.Noz - Mother Fucker (Original Mix)
3.Kato Feat. Dr. Alban, Tony T & Carlprit - It's My Life (Speed Crazy Extended Mix)
4.Meloman Dance - Never Let Go
5.Shovel - Niebo patrzy na nią (Oryginał)
6.E.D. 90’s - Let Me Love
7.Imanbek - Do It Again
8.Lawton - Bad Potato (Extended Mix)
9.M-H-M - Love Takes Control
10.Rakurs - Taka Taka (Extended Mix)
11.Dj.Noz - Welcome To The Cyber World (Original Mix)
12.HBz - Drauf Gehn (Extended Mix)
13.Dj Monster - Oh-Oh Na-Na-Na (Remix ) 2026
14.I’VE GOT THE POWER (ScaFra Remix) – INSANE DROP
15.MIKACHI & Sofie Rune - Dreams On Fire
16.Paratone, Max + Johann - Wonderful Life
17.Bagauhom - Mortal Kombat 2 (Remix)
18.Maastricht Lions Feat. Kostn - Spirit Wall
19.Oraz - Echoes
20.Derky & Crite - Turn It Up
21.Lizot & Captain Curtis - Do You Believe (Extended Mix)
22.Nilsix - For The Donk (Extended Mix)
23.REDHEDII - VOZI ME NA RAVE (Extended Mix)
24.DJ Dean - Bad House Music (Remix)
25.Jemme - Butterfly (Remix)
26.Daniel Levak - Dance to the Beat
27.Flo Rida ft. T-Pain - Low (Remix)
28.DJ Zone - And The Beat Goes On (Infinity Remix)
29.E.D. 90'S - Rhythm Of Desire
30.Bomfunk Mcs & House Of Pain, Moonlght - Freestyler Jump