...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po dziewięciu latach wydawniczej posuchy z niebytu powrócił poważany niemiecki old school deathmetalowy kwartet ANASARCA prezentując najnowszy, długo wyczekiwany album "Achlys".

"Achlys" to najbardziej brutalne, intensywne i emocjonalne wydawnictwo zespołu w całej jego historii. Muzycznie album pozostaje osadzony w technicznym, melodyjnym i brutalnym death metalu, z charakterystycznym dla ANASARCA riffingiem, a jednocześnie jest kolejnym albumem koncepcyjnym — tym razem poświęconym żałobie. Teksty powstały na podstawie relacji osób, które straciły bliskich, odzwierciedlając zarówno osobiste doświadczenia członków zespołu, jak i straty w szeroko pojętej społeczności metalowej.

ANASARCA została założona w 1995 roku przez perkusistę Heinera oraz gitarzystę i wokalistę Mike’a (ex-Vomiting Corpses). Krótko po powstaniu zespół nagrał demo Condemned Truth, a następnie Godmachine (1996), co zaowocowało kontraktem z Repulse Records. Debiutancki album Godmachine ukazał się w 1998 roku i do dziś przez wielu fanów uznawany jest za klasykę niemieckiego death metalu.

Po kolejnych zmianach składu zespół wydał w 2001 roku drugi album Moribund nakładem Mighty Music. Wydawnictwo wyróżniało się unikalną koncepcją liryczną — wszystkie teksty pochodziły od osób oczekujących na wykonanie kary śmierci, co przyniosło zespołowi duże uznanie i zainteresowanie na scenie. W 2004 roku ukazał się kolejny, również koncepcyjny album Dying, ponownie wydany przez Mighty Music, którego teksty oparto na relacjach osób śmiertelnie chorych.

Po długim okresie ciszy i dalszych roszadach personalnych zespół powrócił z nową energią. Album Survival Mode, wydany w 2017 roku przez Sevared Records, zawierał gościnny udział Kam Lee (Massacre). Pod względem lirycznym płyta koncentrowała się na ludzkich zachowaniach w sytuacjach granicznych i walce o przetrwanie.

Piąty pełnowymiarowy album ANASARCA, ACHLYS, został nagrany między lutym a lipcem 2025 roku w Wretched Noise Studio w Oldenburgu (Niemcy). Materiał zmiksował Daniel Meinzer, a masteringiem zajął się Dennis Israel (Scour, Amon Amarth, Primordial, Asphyx, Legion Of The Damned). Autorem wszystkich grafik zamieszczonych na albumie oraz okładki jest nadworny grafik zespołu, Robert Sindermann (Havoc, Avulsed, Manticora, Beyond Twilight).

Dla fanów EDGE OF SANITY, SUFFOCATION, GOREFEST, OBITUARY, GRAVE



Renowed German death metal force ANASARCA are back with 5th full length album "ACHLYS".


ANASARCA was founded in 1995 by drummer Heiner and guitarist/vocalist Mike (ex-Vomiting Corpses). Shortly after forming, the band recorded the demo Condemned Truth, followed by Godmachine (1996), which led to a deal with Repulse Records. Their debut album Godmachine was released in 1998 and is still regarded by many fans as a classic of German death metal.

After several lineup changes, ANASARCA released their second album Moribund in 2001 via Mighty Music. The album stood out for its unique lyrical concept, featuring texts written by death-row inmates, earning strong recognition within the scene. The band continued with the concept-driven album Dying in 2004, again released by Mighty Music, with lyrics based on testimonies of terminally ill people.

Following a long period of inactivity and further lineup changes, ANASARCA returned with renewed energy. The album Survival Mode was released in 2017 via Sevared Records, featuring guest vocals by Kam Lee (Massacre). Lyrically, it explored human behavior in extreme survival situations.

Between February and July 2025, ANASARCA recorded their fifth full-length album ACHLYS at Wretched Noise Studio in Oldenburg, Germany. Mixed by Daniel Meinzer and mastered by Dennis Israel (Scour, Amon Amarth, Primordial, Asphyx, Legion Of The Damned). The album’s visual identity, including all graphics and artwork was created by Robert Sindermann, who has previously collaborated with bands such as Havoc, Avulsed, Manticora, and Beyond Twilight.

ACHLYS is the band’s most brutal, intense, and emotionally charged release to date. Musically rooted in melodic-brutal death metal, the album once again follows a concept — this time centered on grief, with lyrics written by people who have lost loved ones, reflecting both personal losses within the band and the wider metal community.

For fans of Suffocation, Gorefest, Obituary, Grave, Edge Of Sanity.




German Anasarca being active since 1995 are back with their fifth full-length album “Achlys” out via the very good Polish underground label Selfmadegod Records.

Three of the new songs, namely “Achlys”, “He Is Dead” and “In Memoriam” were already to find on the 2024 promo “Goddess Of The Somber Shape”, the rest was previously unreleased. So anybody who heard the promo or knows the previous albums knows what is to come for the next 40 minutes.

Kicking off with a short intro from “Funeral March” with some ghastly spoken words, the first songs breaks in like a sudden nuclear strike. If you aren´t prepared for this inferno, you might get a shock when you listen too relaxed to the song. The song, like the rest on the album, is full of blast beat attacks and super fast brutal death metal. Not the shitty brutal death metal bands with colored Bermuda shorts and pink sunglasses perform while the fans are going nuts in the fucking circle pit, no this is real old-school death metal as it was popular in the early 90s when Suffocation and co still were kicking ass and were some sort of new shit in town.

Apart from all the brutality you also can find some catchier parts in the songs that almost groove and what is also clearly to state is the technical quality of the songs. The instruments are performed very well and just take as a good example “Basket Of Burdens”. This all comes together here and delivers really high quality death metal. Another really good and catchy ones are “Pain Remains” and “Wish You Were Here”. Kicking off with a fast drum pattern “Pain Remains” stays more or less melodic and reminds (at least me) of newer Cannibal Corpse albums with all the arrangements, the tempo and also the vocals. “Wish You Were Here” (no, it´s not a Rednex cover song!) tends into the same direction but has some more breaks and twists in the middle of it.

This might be the biggest point of criticism on the album. The songs are often into the same direction and some surprising moments such as the one at the beginning of the album or in the mentioned tracks are missing here and there. To be fair, also the big role models aren´t too surprising on most of the albums and I can actually live with that kind of music pretty well, so let this just be a small footnote here.

What has also become quite well is the powerful production. Especially in that genre sometimes the drums sound too tinny or muffled but on “Achlys” they sound really good. Also the rest of the instruments and the vocals are executed very good so that the sound gives no reason to mourn in any way.

And also the lyrcis, that might be important for one or the other listener, are quite profound. They deal a lot with death and grief, a lot of the lyrics are based on traditional or modern poems (for example is "How Can They" based on "The Dying Child" by John Clare, written in the 18th century)

So if you are into some serious brutal death metal stuff you should check the Germans for sure, this is probably no disappointment or waste of time! There is only one thing to hope – that the next song isn´t called “Cotton Eye Joe”!

spookymicha666



..::TRACK-LIST::..

1. Beyond the Passing (Intro) 00:56
2. My Reality 04:23
3. Achlys 03:56
4. Basket of Burdens 03:08
5. In Memoriam 04:30
6. Pain Remains 04:02
7. Broken 03:21
8. He Is Dead 03:37
9. Wish You Were Here 04:23
10. How Can They 03:03
11. I Feel 04:40




https://www.youtube.com/watch?v=aU84R0xkubk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po dziewięciu latach wydawniczej posuchy z niebytu powrócił poważany niemiecki old school deathmetalowy kwartet ANASARCA prezentując najnowszy, długo wyczekiwany album "Achlys".

"Achlys" to najbardziej brutalne, intensywne i emocjonalne wydawnictwo zespołu w całej jego historii. Muzycznie album pozostaje osadzony w technicznym, melodyjnym i brutalnym death metalu, z charakterystycznym dla ANASARCA riffingiem, a jednocześnie jest kolejnym albumem koncepcyjnym — tym razem poświęconym żałobie. Teksty powstały na podstawie relacji osób, które straciły bliskich, odzwierciedlając zarówno osobiste doświadczenia członków zespołu, jak i straty w szeroko pojętej społeczności metalowej.

ANASARCA została założona w 1995 roku przez perkusistę Heinera oraz gitarzystę i wokalistę Mike’a (ex-Vomiting Corpses). Krótko po powstaniu zespół nagrał demo Condemned Truth, a następnie Godmachine (1996), co zaowocowało kontraktem z Repulse Records. Debiutancki album Godmachine ukazał się w 1998 roku i do dziś przez wielu fanów uznawany jest za klasykę niemieckiego death metalu.

Po kolejnych zmianach składu zespół wydał w 2001 roku drugi album Moribund nakładem Mighty Music. Wydawnictwo wyróżniało się unikalną koncepcją liryczną — wszystkie teksty pochodziły od osób oczekujących na wykonanie kary śmierci, co przyniosło zespołowi duże uznanie i zainteresowanie na scenie. W 2004 roku ukazał się kolejny, również koncepcyjny album Dying, ponownie wydany przez Mighty Music, którego teksty oparto na relacjach osób śmiertelnie chorych.

Po długim okresie ciszy i dalszych roszadach personalnych zespół powrócił z nową energią. Album Survival Mode, wydany w 2017 roku przez Sevared Records, zawierał gościnny udział Kam Lee (Massacre). Pod względem lirycznym płyta koncentrowała się na ludzkich zachowaniach w sytuacjach granicznych i walce o przetrwanie.

Piąty pełnowymiarowy album ANASARCA, ACHLYS, został nagrany między lutym a lipcem 2025 roku w Wretched Noise Studio w Oldenburgu (Niemcy). Materiał zmiksował Daniel Meinzer, a masteringiem zajął się Dennis Israel (Scour, Amon Amarth, Primordial, Asphyx, Legion Of The Damned). Autorem wszystkich grafik zamieszczonych na albumie oraz okładki jest nadworny grafik zespołu, Robert Sindermann (Havoc, Avulsed, Manticora, Beyond Twilight).

Dla fanów EDGE OF SANITY, SUFFOCATION, GOREFEST, OBITUARY, GRAVE



Renowed German death metal force ANASARCA are back with 5th full length album "ACHLYS".


ANASARCA was founded in 1995 by drummer Heiner and guitarist/vocalist Mike (ex-Vomiting Corpses). Shortly after forming, the band recorded the demo Condemned Truth, followed by Godmachine (1996), which led to a deal with Repulse Records. Their debut album Godmachine was released in 1998 and is still regarded by many fans as a classic of German death metal.

After several lineup changes, ANASARCA released their second album Moribund in 2001 via Mighty Music. The album stood out for its unique lyrical concept, featuring texts written by death-row inmates, earning strong recognition within the scene. The band continued with the concept-driven album Dying in 2004, again released by Mighty Music, with lyrics based on testimonies of terminally ill people.

Following a long period of inactivity and further lineup changes, ANASARCA returned with renewed energy. The album Survival Mode was released in 2017 via Sevared Records, featuring guest vocals by Kam Lee (Massacre). Lyrically, it explored human behavior in extreme survival situations.

Between February and July 2025, ANASARCA recorded their fifth full-length album ACHLYS at Wretched Noise Studio in Oldenburg, Germany. Mixed by Daniel Meinzer and mastered by Dennis Israel (Scour, Amon Amarth, Primordial, Asphyx, Legion Of The Damned). The album’s visual identity, including all graphics and artwork was created by Robert Sindermann, who has previously collaborated with bands such as Havoc, Avulsed, Manticora, and Beyond Twilight.

ACHLYS is the band’s most brutal, intense, and emotionally charged release to date. Musically rooted in melodic-brutal death metal, the album once again follows a concept — this time centered on grief, with lyrics written by people who have lost loved ones, reflecting both personal losses within the band and the wider metal community.

For fans of Suffocation, Gorefest, Obituary, Grave, Edge Of Sanity.




German Anasarca being active since 1995 are back with their fifth full-length album “Achlys” out via the very good Polish underground label Selfmadegod Records.

Three of the new songs, namely “Achlys”, “He Is Dead” and “In Memoriam” were already to find on the 2024 promo “Goddess Of The Somber Shape”, the rest was previously unreleased. So anybody who heard the promo or knows the previous albums knows what is to come for the next 40 minutes.

Kicking off with a short intro from “Funeral March” with some ghastly spoken words, the first songs breaks in like a sudden nuclear strike. If you aren´t prepared for this inferno, you might get a shock when you listen too relaxed to the song. The song, like the rest on the album, is full of blast beat attacks and super fast brutal death metal. Not the shitty brutal death metal bands with colored Bermuda shorts and pink sunglasses perform while the fans are going nuts in the fucking circle pit, no this is real old-school death metal as it was popular in the early 90s when Suffocation and co still were kicking ass and were some sort of new shit in town.

Apart from all the brutality you also can find some catchier parts in the songs that almost groove and what is also clearly to state is the technical quality of the songs. The instruments are performed very well and just take as a good example “Basket Of Burdens”. This all comes together here and delivers really high quality death metal. Another really good and catchy ones are “Pain Remains” and “Wish You Were Here”. Kicking off with a fast drum pattern “Pain Remains” stays more or less melodic and reminds (at least me) of newer Cannibal Corpse albums with all the arrangements, the tempo and also the vocals. “Wish You Were Here” (no, it´s not a Rednex cover song!) tends into the same direction but has some more breaks and twists in the middle of it.

This might be the biggest point of criticism on the album. The songs are often into the same direction and some surprising moments such as the one at the beginning of the album or in the mentioned tracks are missing here and there. To be fair, also the big role models aren´t too surprising on most of the albums and I can actually live with that kind of music pretty well, so let this just be a small footnote here.

What has also become quite well is the powerful production. Especially in that genre sometimes the drums sound too tinny or muffled but on “Achlys” they sound really good. Also the rest of the instruments and the vocals are executed very good so that the sound gives no reason to mourn in any way.

And also the lyrcis, that might be important for one or the other listener, are quite profound. They deal a lot with death and grief, a lot of the lyrics are based on traditional or modern poems (for example is "How Can They" based on "The Dying Child" by John Clare, written in the 18th century)

So if you are into some serious brutal death metal stuff you should check the Germans for sure, this is probably no disappointment or waste of time! There is only one thing to hope – that the next song isn´t called “Cotton Eye Joe”!

spookymicha666



..::TRACK-LIST::..

1. Beyond the Passing (Intro) 00:56
2. My Reality 04:23
3. Achlys 03:56
4. Basket of Burdens 03:08
5. In Memoriam 04:30
6. Pain Remains 04:02
7. Broken 03:21
8. He Is Dead 03:37
9. Wish You Were Here 04:23
10. How Can They 03:03
11. I Feel 04:40




https://www.youtube.com/watch?v=aU84R0xkubk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Reedycja drugiej dużej płyty z 2010 roku w wykonaniu kultowej black/deathmetalowej załogi z Rio De Janeiro!

Myślę, że Grave Desecrator sprawia, że dziedzictwo Sarcófago nie zostanie zapomniane. Oba zespoły tworzą historię brazylijskiej sceny,to wspaniałe,że zespołowi udało się przenieść do swojej muzyki tę iskrę rozpaloną niegdyś przez załogę Wagnera, wynosząc to przy tym na jeszcze wyższy poziom ekstremy, dodając przy tym szczyptę Diabła, który idealnie współgra z ich muzyką.



Shaking up the increasingly complacent bestial metal scene in 2008 with their "Sign of Doom" debut, Brazilian beasts GRAVE DESECRATOR return to bury the still-standing with their second and latest album, "Insult." Foregoing fifth-generation clones of newer hordes, GRAVE DESECRATOR drive deep into the roots of South American darkness with nuclear-powered blackgrind rife with psychotic solos and eldritch dread, all whilst never losing sight of "song" over "chaos." Full-moon rituals and alcoholic rites - GRAVE DESECRATOR spit the gravest "Insult"!



..::TRACK-LIST::..

1. Black Vengeance 04:51
2. Stared To Hell 02:44
3. Hellhound Breed 01:28
4. Insult 03:53
5. Stained By Blood 03:19
6. Dangerous Cult 04:21
7. Serpent Seedline 03:40
8. Decline Of Faith 05:16
9. Jesus Joint 01:08
10. Poisoned Purity 04:20
11. The Satanic Coven 02:49
12. Baphomet 06:47



..::OBSADA::..

Angeldust - Drums
Élson 'El' Necrogoat - Bass
Black Sin and Damnation - Guitars
Butcherazor - Guitars, Vocals




https://www.youtube.com/watch?v=OfCsUs-u0O8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Reedycja drugiej dużej płyty z 2010 roku w wykonaniu kultowej black/deathmetalowej załogi z Rio De Janeiro!

Myślę, że Grave Desecrator sprawia, że dziedzictwo Sarcófago nie zostanie zapomniane. Oba zespoły tworzą historię brazylijskiej sceny,to wspaniałe,że zespołowi udało się przenieść do swojej muzyki tę iskrę rozpaloną niegdyś przez załogę Wagnera, wynosząc to przy tym na jeszcze wyższy poziom ekstremy, dodając przy tym szczyptę Diabła, który idealnie współgra z ich muzyką.



Shaking up the increasingly complacent bestial metal scene in 2008 with their "Sign of Doom" debut, Brazilian beasts GRAVE DESECRATOR return to bury the still-standing with their second and latest album, "Insult." Foregoing fifth-generation clones of newer hordes, GRAVE DESECRATOR drive deep into the roots of South American darkness with nuclear-powered blackgrind rife with psychotic solos and eldritch dread, all whilst never losing sight of "song" over "chaos." Full-moon rituals and alcoholic rites - GRAVE DESECRATOR spit the gravest "Insult"!



..::TRACK-LIST::..

1. Black Vengeance 04:51
2. Stared To Hell 02:44
3. Hellhound Breed 01:28
4. Insult 03:53
5. Stained By Blood 03:19
6. Dangerous Cult 04:21
7. Serpent Seedline 03:40
8. Decline Of Faith 05:16
9. Jesus Joint 01:08
10. Poisoned Purity 04:20
11. The Satanic Coven 02:49
12. Baphomet 06:47



..::OBSADA::..

Angeldust - Drums
Élson 'El' Necrogoat - Bass
Black Sin and Damnation - Guitars
Butcherazor - Guitars, Vocals




https://www.youtube.com/watch?v=OfCsUs-u0O8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 24 - February 13, 1974 - The Forum, Inglewood, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:29
2. Lay, Lady, Lay 3:08
3. Just Like Tom Thumb's Blues 5:07
4. Rainy Day Women #12 & 35 3:15
5. It Ain't Me, Babe 3:35
6. Ballad Of A Thin Man 4:16
7. All Along The Watchtower 2:41
8. Ballad Of Hollis Brown 4:32
9. Knockin' On Heaven's Door 4:01
10. She Belongs To Me 3:03
11. The Times They Are A-Changin' 3:07
12. Love Minus Zero/No Limit 3:20
13. Don't Think Twice, It's All Right 3:42
14. Just Like A Woman 4:36
15. It's Alright, Ma (I'm Only Bleeding) 4:59
16. Forever Young 4:51
17. Highway 61 Revisited 3:57
18. Like A Rolling Stone 5:53
19. Most Likely You Go Your Way (And I'll Go Mine) 3:21
20. Blowin' In The Wind 4:02




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 24 - February 13, 1974 - The Forum, Inglewood, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:29
2. Lay, Lady, Lay 3:08
3. Just Like Tom Thumb's Blues 5:07
4. Rainy Day Women #12 & 35 3:15
5. It Ain't Me, Babe 3:35
6. Ballad Of A Thin Man 4:16
7. All Along The Watchtower 2:41
8. Ballad Of Hollis Brown 4:32
9. Knockin' On Heaven's Door 4:01
10. She Belongs To Me 3:03
11. The Times They Are A-Changin' 3:07
12. Love Minus Zero/No Limit 3:20
13. Don't Think Twice, It's All Right 3:42
14. Just Like A Woman 4:36
15. It's Alright, Ma (I'm Only Bleeding) 4:59
16. Forever Young 4:51
17. Highway 61 Revisited 3:57
18. Like A Rolling Stone 5:53
19. Most Likely You Go Your Way (And I'll Go Mine) 3:21
20. Blowin' In The Wind 4:02




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Neil Sedaka - Greatest Hits
(Edition 2000)
---------------------------------------------------------------------

Artist...............: Neil Sedaka
Album................: Greatest Hits
Genre................: Pop
Source...............: CD
Year.................: 2000
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Camden Deluxe

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Neil Sedaka - The Diary [02:18]
2. Neil Sedaka - I Go Ape [02:34]
3. Neil Sedaka - Oh! Carol [02:18]
4. Neil Sedaka - One Way Ticket [02:27]
5. Neil Sedaka - The Girl For Me [02:12]
6. Neil Sedaka - Goin' Home To Mary Lou [02:05]
7. Neil Sedaka - Stairway To Heaven [02:43]
8. Neil Sedaka - You Mean Everything To Me [02:40]
9. Neil Sedaka - Run Samson Run [02:54]
10. Neil Sedaka - Calender Girl [02:40]
11. Neil Sedaka - Little Devil [02:45]
12. Neil Sedaka - Sweet Little You [02:05]
13. Neil Sedaka - Happy Birthday, Sweet Sixteen [02:37]
14. Neil Sedaka - King Of Clowns [02:41]
15. Neil Sedaka - Breaking Up Is Hard To Do [02:18]
16. Neil Sedaka - Next Door To An Angel [02:27]
17. Neil Sedaka - Alice In Wonderland [02:35]
18. Neil Sedaka - Let's Go Steady Again [02:26]
19. Neil Sedaka - The Dreamer [03:10]
20. Neil Sedaka - Bad Girl [02:41]
21. Neil Sedaka - Sunny [02:36]
22. Neil Sedaka - The World Through A Year [03:25]
23. Neil Sedaka - The Answer To My Prayer [02:06]
24. Neil Sedaka - Beautiful You [03:22]
25. Neil Sedaka - That's When The Music Takes Me [03:33]

Playing Time.........: 01:05:49
Total Size...........: 444,44 MB

...( Info )...

Składanka mireczka-muza mix vol.18
Gatunek: Różne
Rok:2026
mp3@320kbps
CZAS:01:45:21

...( TrackList )...

1.Zonne - Never Needed You Anyway
2.MOTi - Last Train (Extended Mix)
3.CLIMO - BAILANDO
4.Beauz & Lupage x 1 World - Dura (Lambada)
5.Icona Pop - Dance To This (Extended Mix)
6.Obzkure - By Color
7.Survivor - Eye Of The Tiger (Extended Mix)
8.Taio Cruz & Flo Rida - Hangover (Remix)
9.Dj.Noz - Je Dis Oui (Original Mix)
10.Brennan Savage - Look At Me Now (Remix)
11.Pazoo - All That She Wants
12.Art Directors - Money On The Dash (Extended Mix)
13.COIKY - ON REPEAT (Original Mix) 2026
14.Forseco - Insane
15.Ely Oaks - Impossible (Extended Mix)
16.MATROSS - Afterparty
17.Rusky - BAMBELLA
18.Sqeezer - Blue Jeans (Mix)
19.Alle Farben, Tujamo - Know My Name
20.BLR & Amber Revival - Cause You're Mine (Extended Mix)
21.Hu Biss & Redlight - Way Get Wawey
22.Neckbreakaz & Agent Jack - Down To Earth (Extended Mix)
23.Prezioso - Drop Down
24.Cabay & Paul Andrew x Kubix x Taimen - Fidget Night v4 (Bootleg) 2026
25.Ariane & Taimen x Danil - Dragon Ball Z
26.Nicky Romero & DJ Bobo,Manu-L vs. Purple Project x Glam DeeJay - Somebody Dance With Me Toulouse
27.Timster, Ninth, Seaside Clubbers & Bo Derah - Einfach Abgehn! (Extended Mix)
28.Wac Toja - KOLEJNA NOC (Remix)
29.$AIYANBB - Rolling Purple (Original Mix)
30.Bassjackers - GO MF GO (Extended Mix)

...( Info )...

Składanka mireczka-muza mix vol.17
Gatunek: Różne
Rok:2026
mp3@320kbps
CZAS:01:35:28

...( TrackList )...

1.Tim Dian & Nefretle - Flames Of Hell
2.MRG - Dr.House
3.SOUND BASS - Albo Grubo Albo Wcale
4.CLIMO - EASY (Radio Edit)
5.CLIMO - EASY (Original Mix) (EXTENDED)
6.Daddy Yankee, Flowartifical - Bomba
7.Daklubberz - Hiroshima (Original Mix)
8.Tom Boxer & Morena ft. J Warner - Deep In Love (Remix)
9.Malos - W Moim Ogródeczku
10.Black Eyed Peas & DJ ZIOLO - My Humps (2026)
11.DJ Tobbe - Excitment (Radio Mix)
12.Margaret - Tańcz głupia (Soundrive Remix)
13.Oli.P & DJ Aaron - Flugzeuge Im Bauch (Party Edit)
14.Vengaboys - Boom, Boom, Boom, Boom! (Remix) 2026
15.MANIEKBOSS - VIXA ŻYCIEM (Extended Mix)
16.Haddaway & Sterbinszky x MYNEA x Lynx & Pico - What Is Love
17.Arthy Myst & Sandra - Maria Magdalena
18.CreepHeart - Wonderful (Original Mix)
19.Galezard Project - Shaka Oops
20.Inna - Hot (Bootleg)
21.Kyanu - All Night
22.STRIKZ & GEGE & PSYCHO - POLKADOTS
23.Real McCoy - It's On You '99 (Cover Mix)
24.Whoopa - Be My Lover
25.M.Hustler - Rhythm Future (Original Mix)
26.DERKY & Crite - Desire (Extended Mix)
27.NIVEK & Wlady - I Love It
28.Katty Perry - E.T (Remix)
29.GUZIOR & SZPAKU X DJ ŚLIWA - NINJA
30.Dr. Alban & NICK ROBERTS & Firebeat & GRAVI - Sing Hallelujah

...( Info )...

Składanka mireczka-muza mix vol.16
Gatunek: Różne
Rok:2026
mp3@320kbps
CZAS:01:40:16

...( TrackList )...

1.Benny Benassi & Chris Nasty - Superstar
2.Crazy Frog - Crazy Saxobeat
3.Daddy Yankee, Beauz, 1World, Lupage - Dura Lambada (Extended Mix)
4.Dr.Alban - Mr. DJ (Remix)
6.Erick E -The Beat is Rockin
7.Shovel - OFFLINE O TRZECIEJ
8.Air Lovers - Sing Hallelujah (Clubbmaster Edit)
9.Ace of Base - Never Gonna Say I'm Sorry (Singlewave Remix)
10.ATB - My Dream x Ecstasy (2026)
11.MODELKI - LUBIĘ CIĘ JAK LATO (VAYTO REMIX)
12.Sound Of Legend - San Francisco (Extended Mix)
13.Bovski - Do It Again (Original Mix)
14.DJ Danya Voronin - Crazy (Extended Mix)
15.Ekskluzywni - Deja Vu
16.Ilyaa, Dea Magna - Goodies (Extended Mix)
17.Joel Corry & RAHH - Devotion (VIP Mix)
18.Laback - Blue (Da Ba Dee)
19.Power Play - Wole Ole (Remix) 2026
20.Sleaford Mods - West End Girls (2026)
21.DJ Cargo - Forever Tonight (Extended Mix)
22.DJ Cargo - Forever Tonight
23.BEUNHAZEN & Sebastian Bronk - Down Under
24.Darya & Fabijański - nieIDEALNA (CLUB MIX)
25.Draugr Balled - North Wind Calls
26.MTRXO - Bad Girl
27.Majki & Major SPZ - Pach Pach (Remix)
28.Majki & Major SPZ - Pach Pach
29.Dżeju - No Salvation Left (Original Mix)
30.SKOLIM & Blanka - NIEWINNA (Remix)

...( Info )...

Składanka mireczka-Disco Polo vol.18
Gatunek: Disco Polo-Dance Polo
Rok:2026
mp3@320kbps
CZAS:01:37:37

...( TrackList )...

1.Boys - Bawmy Się (Remix)2026
2.Sebii - Czy kochać to za mało (Live Band)
3.Brylant - Luzik (Remix)
4.Jaros - Ta noc jest nasza
5.Sebii - Lili
6.Never - Dziękujemy za miłość
7.Krzysztof Stryjewski - Ona Tańczy Ja Wariuję
8.Dany - Tańczy blondynka
9.Mr. Max - Pojawiłaś się tu
10.Long & Junior - Powiedz Jedno Zdanie
11.Justyna Patyk & Wszebor - Zakochana
12.Bobi - Kochaj mnie (Radio)
13.Sami Swoi - Jesteś moim viralem
14.Blue Angels - Hej Wesele Wesele
15.Vexel - Zapomnij Mnie (Remix)
16.Vivat - Wszystko jest inaczej (2026)
17.Blochekipa - Niedostępna
18.Dj Dann - Miesiące na Parkiecie
19.GANG MARIANA - SZALONA MŁODA DZISIAJ ŻONA
20.Racisova - Chcę Mieć Męża (Remix)
21.DawidoLATINO - Dałaś całe swoje serce
22.Etna - Zabieraj Graty
23.Dr. SWAG - NA KONIEC ŚWIATA
24.Kacper Raduchowski - Ja to mam styl
25.Polo Vibes - Nie Dotykaj
26.Soleo - Balonowa Guma (Radio Edit)
27.Impress - Podaj Mi Dłonie
28.Sebii - Kalina Malina
29.Zakochana w Życiu - Dotknij Mnie
30.Toples - Gorące słońce

..::INFO::..

---------------------------------------------------------------------
'NSYNC - The Collection
---------------------------------------------------------------------

Artist...............: 'NSYNC
Album................: The Collection
Genre................: Pop
Source...............: CD
Year.................: 2010
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 75 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Camden

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. 'NSYNC - Girlfriend [04:16]
2. 'NSYNC - Tearin' Up My Heart [03:30]
3. 'NSYNC - This I Promise You [04:26]
4. 'NSYNC - Gone [04:53]
5. 'NSYNC - I Want You Back [03:21]
6. 'NSYNC - Bye Bye Bye [03:21]
7. 'NSYNC - It's Gonna Be Me [03:12]
8. 'NSYNC - Pop [03:59]
9. 'NSYNC - Celebrity [03:19]
10. 'NSYNC - Selfish [04:20]
11. 'NSYNC - U Drive Me Crazy [03:36]
12. 'NSYNC - I'll Never Stop [03:09]
13. 'NSYNC - You Got It [03:32]
14. 'NSYNC - Crazy For You [03:40]
15. 'NSYNC - Gone [Kurtis Mantronik Club Edit] [04:39]

Playing Time.........: 57:19
Total Size...........: 433,35 MB

..::INFO::..

---------------------------------------------------------------------
Various Artists - All Woman
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: All Woman
Genre................: Pop
Source...............: CD
Year.................: 1994
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Quality Television

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Lisa Stansfield - All Woman [04:50]
2. Beverley Craven - Holding On [03:51]
3. Cathy Dennis - Too Many Walls [04:30]
4. Anita Baker - Sweet Love [04:22]
5. Natalie Cole - Miss You Like Crazy [03:56]
6. Yazz - Fine Time [03:47]
7. Caran Wheeler - Don't Quit [03:39]
8. Basia - Time And Tide [04:06]
9. Whitney Houston - One Monemt In Time [04:45]
10. Maria Mckee - Show Me Heaven [03:57]
11. Gloria Estefan - Don't Wanna Lose You [04:05]
12. Nanci Griffith - Late Night Grande Hotel [03:37]
13. Brenda Russel - Piano In The Dark [05:21]
14. Joni Mitchel - Night Ride Home [03:22]
15. Joan Armatrading - The Weakness In Me [03:34]
16. Alison Moyet - This House [03:58]
17. Maria Wilson - My Funny Valentine [04:18]
18. Sinead O'Connor - My Special Child [04:46]

Playing Time.........: 01:14:50
Total Size...........: 444,43 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 23 - February 11, 1974 (Evening) - Alameda County Coliseum, Oakland, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:29
2. Lay, Lady, Lay 3:03
3. Just Like Tom Thumb's Blues 5:09
4. Rainy Day Women #12 & 35 3:14
5. It Ain't Me, Babe 3:31
6. Ballad Of A Thin Man 4:23
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 4:29
9. Knockin' On Heaven's Door 4:10
10. The Times They Are A-Changin' 3:17
11. Just Like A Woman 4:03
12. Gates Of Eden 4:51
13. Don't Think Twice, It's All Right (Incomplete) 2:56
14. It's Alright, Ma (I'm Only Bleeding) 5:08
15. Forever Young 4:49
16.Highway 61 Revisited (Incomplete) 4:06
17. Like A Rolling Stone 6:33
18. Maggie's Farm 4:08
19. Blowin' In The Wind 3:55




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

417 previously unreleased live performances! 'Very limited'

Sony are to release The 1974 Live Recordings a massive 27-disc box set that features all professionally recorded shows from Bob Dylan and The Band’s 1974 tour.

The box set offers fans 417 previously unreleased live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording.

In 1974 Dylan toured live for the first time in eight years and reunited with The Band, who since they last performed live together (in 1966) had released six albums and played Woodstock and recorded with Bob (The Basement Tapes, Planet Waves).

Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) and recordings were captured on a stereo soundboard mix, on both quarter-inch tape and cassette. By tour’s end, Asylum Records’ David Geffen had commissioned recordings on multi-track tape, for eventual release on Before the Flood. The 1974 Live Recordings includes it all of these and the shows that were recorded on 16-track tape are newly-mixed for this box set, which comes with with new sleeve notes by Elizabeth Nelson.



..::TRACK-LIST::..

CD 23 - February 11, 1974 (Evening) - Alameda County Coliseum, Oakland, CA
1. Most Likely You Go Your Way (And I'll Go Mine) 3:29
2. Lay, Lady, Lay 3:03
3. Just Like Tom Thumb's Blues 5:09
4. Rainy Day Women #12 & 35 3:14
5. It Ain't Me, Babe 3:31
6. Ballad Of A Thin Man 4:23
7. All Along The Watchtower 2:38
8. Ballad Of Hollis Brown 4:29
9. Knockin' On Heaven's Door 4:10
10. The Times They Are A-Changin' 3:17
11. Just Like A Woman 4:03
12. Gates Of Eden 4:51
13. Don't Think Twice, It's All Right (Incomplete) 2:56
14. It's Alright, Ma (I'm Only Bleeding) 5:08
15. Forever Young 4:49
16.Highway 61 Revisited (Incomplete) 4:06
17. Like A Rolling Stone 6:33
18. Maggie's Farm 4:08
19. Blowin' In The Wind 3:55




https://www.youtube.com/watch?v=9AD8zFrLuzc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Michael Jackson - Live At Yokohama Stadium
(Nippon TV Broadcast, Japan, 27th September 1987)
---------------------------------------------------------------------

Artist...............: Michael Jackson
Album................: Live At Yokohama Stadium
Genre................: Pop
Source...............: Web
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment

Included.............: NFO, M3U
Covers...............: Front

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Michael Jackson - Wanna Be Startin' Somethin' [05:43]
2. Michael Jackson - Human Nature [04:27]
3. Michael Jackson - Heartbreak Hotel [05:20]
4. Michael Jackson - Jackson 5 Medley: I Want You Back / The Love You Save / Can You Feel It[02:54]
5. Michael Jackson - She's Out Of My Life [04:19]
6. Michael Jackson - Things I Do For You [03:21]
7. Michael Jackson - Off The Wall [03:39]
8. Michael Jackson - Rock With You [04:01]
9. Michael Jackson - Lovely One [05:59]
10. Michael Jackson - Working Day And Night [07:12]
11. Michael Jackson - Beat It [06:24]
12. Michael Jackson - Billie Jean [06:09]
13. Michael Jackson - Shake Your Body (Down To The Ground) / Don't Stop 'Til You Get Enough (Tease) / Shake Your Body (Down To The Ground)[12:34]
14. Michael Jackson - Thriller [04:15]
15. Michael Jackson - I Just Can't Stop Loving You [06:35]
16. Michael Jackson - Bad [06:36]

Playing Time.........: 01:29:35
Total Size...........: 609,67 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rewelacja!
Wydany przez RCA w 1972 roku jedyny (niestety) album amerykańskiego trio grającego klasycznego, zeppelinowskiego, ciężkiego rocka z bardzo dobrym wokalem (Greg Arama z Amboy Dukes!) i kapitalnymi partiami gitarowymi legendarnego Dicka Wagnera (ex-Frost, potem Alice Cooper i Lou Reed). Na tej wyprodukowanej przez Boba Ezrina (Kiss, Pink Floyd) płycie zespół zaproponował dość mocno rozbudowane, momentami niemal progresywne, ciężkie kawałki w stylu najlepszych dokonań Grand Funk, Cactus, Tucky Buzzard i Highway Robbery. To jest najwyższa, amerykańska półka z ciężkim rockiem! Warto wiedzieć, że na płycie pojawił się gościnnie grający na melotronie Al Kooper!

JL



..::TRACK-LIST::..

1. Sinner 7:24
2. In My Darkest Hour 5:22
3. Silverspoon 6:17
4. Stage Door Queen 5:20
5. Back To The Land 6:47
6. Lay Me Down 4:32
7. Liberty And Justice 5:52



..::OBSADA::..

Percussion, Vocals - Ricky Mangone
Guitar, Lead Vocals - Dick Wagner
Bass, Vocals - Greg Arama

Mellotron - Al Cooper (track 5)



https://www.youtube.com/watch?v=xL1uONSLrr4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rewelacja!
Wydany przez RCA w 1972 roku jedyny (niestety) album amerykańskiego trio grającego klasycznego, zeppelinowskiego, ciężkiego rocka z bardzo dobrym wokalem (Greg Arama z Amboy Dukes!) i kapitalnymi partiami gitarowymi legendarnego Dicka Wagnera (ex-Frost, potem Alice Cooper i Lou Reed). Na tej wyprodukowanej przez Boba Ezrina (Kiss, Pink Floyd) płycie zespół zaproponował dość mocno rozbudowane, momentami niemal progresywne, ciężkie kawałki w stylu najlepszych dokonań Grand Funk, Cactus, Tucky Buzzard i Highway Robbery. To jest najwyższa, amerykańska półka z ciężkim rockiem! Warto wiedzieć, że na płycie pojawił się gościnnie grający na melotronie Al Kooper!

JL



..::TRACK-LIST::..

1. Sinner 7:24
2. In My Darkest Hour 5:22
3. Silverspoon 6:17
4. Stage Door Queen 5:20
5. Back To The Land 6:47
6. Lay Me Down 4:32
7. Liberty And Justice 5:52



..::OBSADA::..

Percussion, Vocals - Ricky Mangone
Guitar, Lead Vocals - Dick Wagner
Bass, Vocals - Greg Arama

Mellotron - Al Cooper (track 5)



https://www.youtube.com/watch?v=xL1uONSLrr4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'On Feral Darkness we are going deeper into the abyss, adding layer of expression that we've been working on over the last decade. The new album is the closest we have come to date with realizing our journey into the darker aspects of the cosmos with a healthy dose of personal introspection.'

Mike Hill


This is my first time reviewing Brooklyn’s Tombs, but it’s not my first time experiencing them. Each year that a new Tombs drops, I feel the hype machine churning from the community, which I love, disinterring my interest in the sludgy, blackened call Tombs is now known so well for. It’s been five years since the somewhat divisive Under Sullen Skies first graced my ears, and now I take over for Doom_et_Al to serve at the foot of Feral Darkness.

Tombs pushes forward with much of their confident, swaggering style intact. A boisterous mix of Black Royal groove, Oathbreaker vitriol, and a touch of that post-tinged Inter Arma nastiness, Feral Darkness makes a strong case for the style. A burbling, clanging bass tone and stomping drum kit drives this record with greater heft than I experienced on previous installments, evoking a deep-seated, monstrous rage that rattles my bones. Meanwhile, a frightening howl and a chanting croon ensorcells the spirit in much the same way as those who call upon eldritch forces maleficent and omnipotent, Sulphur Aeon. Filling the space between, a crunchy guitar tone lightly dusted with a moldy, post-metal fuzz envelops my senses and draws a sense of warmth into my flesh.

It’s a highly successful sound, one that is sometimes relegated to songwriting that doesn’t take full advantage of its power. Admittedly, Feral Darkness launches in fine form, with three muscular, riff-laden numbers that, while all falling somewhere inside the mid-paced category of speed, nonetheless propel with force. However, somewhere between the final third of the gloom-and-doom “Granite Sky” and the charred and post-y “Last Days,” monotony sets in. A lack of variation in pace wears on the mind, and a dearth of creative songwriting or exciting ideas siphons impact and memorability from the first half. As such, in moments where my time is precious, I struggle to commit to the rest of Feral Darkness’ bloated 50-minute runtime.

With time and some patience, I learned to remind myself that at this exact moment, a minor miracle occurs. “The Wintering” explodes in a burst of violent velocity capable of beheading those weak of upper spine, and Feral Darkness finds firm footing at last. The hits keep coming, too, as evil cuts like “Black Shapes” and the deathly “Wasps” double down on the blackened side of Tombs’ multifaceted personality. Layered tremolos and striking energy form a ashen shell that coats the final third of the record, as if to signify the final evolution of Feral Darkness’ story. Consequently, a new sense of scale builds a formidable presence that makes me forget my earlier quibbles, at least for a moment. Latecomer “Nightland” reprises those issues that plagued the first half, bloating the runtime with seven minutes of uninspired eeriness and a lack of compelling songwriting to go with it.

Tombs unearthed every tool they had in their long-established kit to craft Feral Darkness. I respect that level of versatility, and at the end of the day, the result is enjoyable, albeit a little choppy. Feral Darkness’ best material handily saves the record from falling down the pit of boredom, but it arrives almost too late. If they focused their efforts on their strongest ideas and left fluffy filler like “Nightland,” “Last Days,” or superfluous closing outro “Glaeken” on the cutting room floor, Tombs would’ve had an unstoppable, destructive monster to showcase to the world. As it stands, Feral Darkness will certainly please established fans of the band or the style, but might not convince skeptics or casual passers-by. It’s up to you to decide in which camp you belong.

By Kenstrosity



..::TRACK-LIST::..

1. Glass Eyes / Ghoul 04:04
2. Feral Darkness 04:14
3. Granite Sky 06:12
4. The Sun Sets 05:52
5. Last Days 05:43
6. The Wintering 05:08
7. Black Shapes 05:21
8. Nightland 07:07
9. Wasps 03:48
10. Glaeken 02:40



..::OBSADA::..

Mike Hill – Vocals, Guitar, Electronics

Andrew Murphy – Bass, Vocals, Guitar

Justin Spaeth – Drums, Guitar

Dan Higgins – Guitar

Additional Vocals on Nightland by Sera Beth Timms




https://www.youtube.com/watch?v=Mr2D7dDKwvc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'On Feral Darkness we are going deeper into the abyss, adding layer of expression that we've been working on over the last decade. The new album is the closest we have come to date with realizing our journey into the darker aspects of the cosmos with a healthy dose of personal introspection.'

Mike Hill


This is my first time reviewing Brooklyn’s Tombs, but it’s not my first time experiencing them. Each year that a new Tombs drops, I feel the hype machine churning from the community, which I love, disinterring my interest in the sludgy, blackened call Tombs is now known so well for. It’s been five years since the somewhat divisive Under Sullen Skies first graced my ears, and now I take over for Doom_et_Al to serve at the foot of Feral Darkness.

Tombs pushes forward with much of their confident, swaggering style intact. A boisterous mix of Black Royal groove, Oathbreaker vitriol, and a touch of that post-tinged Inter Arma nastiness, Feral Darkness makes a strong case for the style. A burbling, clanging bass tone and stomping drum kit drives this record with greater heft than I experienced on previous installments, evoking a deep-seated, monstrous rage that rattles my bones. Meanwhile, a frightening howl and a chanting croon ensorcells the spirit in much the same way as those who call upon eldritch forces maleficent and omnipotent, Sulphur Aeon. Filling the space between, a crunchy guitar tone lightly dusted with a moldy, post-metal fuzz envelops my senses and draws a sense of warmth into my flesh.

It’s a highly successful sound, one that is sometimes relegated to songwriting that doesn’t take full advantage of its power. Admittedly, Feral Darkness launches in fine form, with three muscular, riff-laden numbers that, while all falling somewhere inside the mid-paced category of speed, nonetheless propel with force. However, somewhere between the final third of the gloom-and-doom “Granite Sky” and the charred and post-y “Last Days,” monotony sets in. A lack of variation in pace wears on the mind, and a dearth of creative songwriting or exciting ideas siphons impact and memorability from the first half. As such, in moments where my time is precious, I struggle to commit to the rest of Feral Darkness’ bloated 50-minute runtime.

With time and some patience, I learned to remind myself that at this exact moment, a minor miracle occurs. “The Wintering” explodes in a burst of violent velocity capable of beheading those weak of upper spine, and Feral Darkness finds firm footing at last. The hits keep coming, too, as evil cuts like “Black Shapes” and the deathly “Wasps” double down on the blackened side of Tombs’ multifaceted personality. Layered tremolos and striking energy form a ashen shell that coats the final third of the record, as if to signify the final evolution of Feral Darkness’ story. Consequently, a new sense of scale builds a formidable presence that makes me forget my earlier quibbles, at least for a moment. Latecomer “Nightland” reprises those issues that plagued the first half, bloating the runtime with seven minutes of uninspired eeriness and a lack of compelling songwriting to go with it.

Tombs unearthed every tool they had in their long-established kit to craft Feral Darkness. I respect that level of versatility, and at the end of the day, the result is enjoyable, albeit a little choppy. Feral Darkness’ best material handily saves the record from falling down the pit of boredom, but it arrives almost too late. If they focused their efforts on their strongest ideas and left fluffy filler like “Nightland,” “Last Days,” or superfluous closing outro “Glaeken” on the cutting room floor, Tombs would’ve had an unstoppable, destructive monster to showcase to the world. As it stands, Feral Darkness will certainly please established fans of the band or the style, but might not convince skeptics or casual passers-by. It’s up to you to decide in which camp you belong.

By Kenstrosity



..::TRACK-LIST::..

1. Glass Eyes / Ghoul 04:04
2. Feral Darkness 04:14
3. Granite Sky 06:12
4. The Sun Sets 05:52
5. Last Days 05:43
6. The Wintering 05:08
7. Black Shapes 05:21
8. Nightland 07:07
9. Wasps 03:48
10. Glaeken 02:40



..::OBSADA::..

Mike Hill – Vocals, Guitar, Electronics

Andrew Murphy – Bass, Vocals, Guitar

Justin Spaeth – Drums, Guitar

Dan Higgins – Guitar

Additional Vocals on Nightland by Sera Beth Timms




https://www.youtube.com/watch?v=Mr2D7dDKwvc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Piekielne psy z Birmingham w Alabamie powróciły!!!



From the abyssal and blistering depths of Alabama and featuring members from Seraphic Entombment and Father Befouled, ECTOVOID return with their new album "In Unreality’s Coffin"! An exhumation of death metal’s spectral essence and a relentless pulse of putrefaction, summoning shadows into eternal decay and entombing listeners in cavernous pummeling riffs!

Formed in 2010 as a trio in the obscure southern US, Ectovoid embarked on a morbid quest to unite bizarre black/death metal songwriting with raw aggression and unsettling lyrical musings into a dismal musical exploration into the bleakest corners of the mind and soul. Driven by unusual and unsettling riffs, textured and intense drumming, and darkly memorable vocals and hooks, Ectovoid’s music pays homage to the respected bands of yore while forging ahead with an innovative sound and identity independent of the various trends flowing in and out of the larger scene. Across two full-length albums and various other releases, the band has fiercely honed their craft, carving out a distinct identity in the broader death metal landscape while continuing to pursue higher plateaus of dark death metal artistry.

For fans of Autopsy, Necrot, Incantation, Acephalix.



..::TRACK-LIST::..

1. Dissonance Corporeum 04:23
2. Collapsing Spiritual Nebula 05:41
3. Intrusive Illusions (Echoes From A Distant Plane) 03:55
4. Formless Seeking Form 6:02
5. Irradiated Self 03:55
6. In Unreality's Coffin 04:06
7. Erroneous Birth 05:42
8. It Is Without Shape... 03:22
9. In Anguished Levitation 07:25



..::OBSADA::..

C.B. - Rhythm Guitar/Lead Vocals
R.S. - Bass
C.M. - Drums
C.S. - Rhythm Guitar/Backing Vocals




https://www.youtube.com/watch?v=NXAvt5xKRTM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Piekielne psy z Birmingham w Alabamie powróciły!!!



From the abyssal and blistering depths of Alabama and featuring members from Seraphic Entombment and Father Befouled, ECTOVOID return with their new album "In Unreality’s Coffin"! An exhumation of death metal’s spectral essence and a relentless pulse of putrefaction, summoning shadows into eternal decay and entombing listeners in cavernous pummeling riffs!

Formed in 2010 as a trio in the obscure southern US, Ectovoid embarked on a morbid quest to unite bizarre black/death metal songwriting with raw aggression and unsettling lyrical musings into a dismal musical exploration into the bleakest corners of the mind and soul. Driven by unusual and unsettling riffs, textured and intense drumming, and darkly memorable vocals and hooks, Ectovoid’s music pays homage to the respected bands of yore while forging ahead with an innovative sound and identity independent of the various trends flowing in and out of the larger scene. Across two full-length albums and various other releases, the band has fiercely honed their craft, carving out a distinct identity in the broader death metal landscape while continuing to pursue higher plateaus of dark death metal artistry.

For fans of Autopsy, Necrot, Incantation, Acephalix.



..::TRACK-LIST::..

1. Dissonance Corporeum 04:23
2. Collapsing Spiritual Nebula 05:41
3. Intrusive Illusions (Echoes From A Distant Plane) 03:55
4. Formless Seeking Form 6:02
5. Irradiated Self 03:55
6. In Unreality's Coffin 04:06
7. Erroneous Birth 05:42
8. It Is Without Shape... 03:22
9. In Anguished Levitation 07:25



..::OBSADA::..

C.B. - Rhythm Guitar/Lead Vocals
R.S. - Bass
C.M. - Drums
C.S. - Rhythm Guitar/Backing Vocals




https://www.youtube.com/watch?v=NXAvt5xKRTM



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
VA - Love BOX - (3 CD)
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: Love BOX
Genre................: Pop
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 61-65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Columbia

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Love Affair - Everlasting Love [02:58]
2. Albert West - Sealed With A Kiss [02:34]
3. Champaign - How' Bout Us [04:34]
4. Bobby Vinton - Blue Velvet [02:48]
5. Gregory Abbott - Shake You Down [04:03]
6. Window Speaks - Something's Gotten Hold Of My Heart [04:59]
7. Mike Batt - Lady of The Dawn [04:03]
8. Gary Pucket & The Union Gap - Young Girl [03:11]
9. Marving Gaye - Sexual Healing [03:58]
10. Earth, Wind & Fire - After The Love Has Gone [04:17]
11. Harold Melvin & The Blue Notes - If You Don't Know Me By Now[03:21]
12. Regina Belle - Baby Come To Me [05:15]
13. Bonnie Bianco & Pierre Cosso - Stay [03:50]
14. Stan Bush - Forever [03:45]
15. Barbara Dickson - The Long And Winding Road [03:22]
16. Billy Paul - Me And Mrs. Jones [04:42]
17. Manhattans - Kiss And Say Goodbye [04:26]

Playing Time.........: 01:06:08
Total Size...........: 404,37 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. New Kids on the Block - Tonight [03:24]
2. Don Johnson - Tell it like it is [04:30]
3. Johnny Logan - Hold me now [03:01]
4. Gloria Estefan & The Miami Sound Machine - Anuthing for you[03:34]
5. Cindy Lauper - Time after time [03:58]
6. Celine Dion - Where does my heart beat now [04:27]
7. Terence Trent D'Arby - Sign your name [04:33]
8. Will To Power - Baby I love your way [04:05]
9. Alison Moyet - Wishing you were here [03:56]
10. Spandau Ballet - Through the barricades [05:36]
11. Ten Sharp - You [03:35]
12. Bros - Cat among the pigeons [04:05]
13. Paul Young - Softly whispering I love you [03:44]
14. P.M. Sampson & Double Key - We love to love [03:44]
15. Beverley Craven - Promise me [03:34]
16. Sade - Smooth operator [05:00]
17. Chimes - I still haven't found what i'm looking for [05:27]

Playing Time.........: 01:10:14
Total Size...........: 446,31 MB

---------------------------------------------------------------------
Tracklisting - CD 3
---------------------------------------------------------------------

1. Boston - More than a feeling [04:45]
2. The Bangles - Eternal flame [03:55]
3. Journey - Faithfully [04:25]
4. Berlin - Take my breath away [04:08]
5. Albert Hammond - When I need you [03:55]
6. Bad English - When I see your smile [04:18]
7. Cock Robin - When your heart is weak [04:38]
8. Reo Speedwagon - Keep on loving you [03:21]
9. Susanna Hoffs - My side of the bed [03:23]
10. Cheap Trick - The Flame [04:41]
11. Meat Loaf - Heaven can wait [04:38]
12. Bonnie Tyler - Total eclips of the heart [04:28]
13. Toto - I won't hold you back [04:51]
14. Dan Folgelberg - Rhythm of the rain [04:23]
15. Loverboy - Heaven in your eyes [04:01]
16. Europe - Carrie [04:31]
17. Don't let the sun go down on me - George Michael feat. Elton John[05:15]

Playing Time.........: 01:13:37
Total Size...........: 482,63 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nie sądziłem, że kiedykolwiek dane mi będzie usłyszeć nowe nagrania belgijskiego CYCLONE. W latach 80 zasłuchiwałem się bezgranicznie w dźwiękach wybrzmiewających z debiutanckiego albumu „Brutal Destruction” (Roadrunner Records 1986 r). Nie było to nic wybitnego, ot pół godzinki surowego i prostego thrash metalu. Niestety, po drugim, bardzo obiecującym albumie „Interior To None” (Justice Records 1990 r) poszli do piachu. Wielka to była szkoda, przynajmniej dla mnie, bo ten ich thrash metal strasznie mi siadł.

Mija 35 lat i jest nowy materiał. Zaskoczyli mnie, najzwyczajniej w świecie zrobili mi niespodziankę. A ja lubię takie niespodzianki. Nie jest to duży album, ale lepsze pięć utworów niż nic.

„Know Unto God” to zaledwie 20 minut muzyki z wypolerowanym brzmieniem i thrashową motoryką. Brzmi to bardzo nowocześnie, nie ma się tak naprawdę do czego przyczepić. Oczywiście można pomarudzić, że to wszystko było przerabiane miliony razy. Tutaj nie ma żadnego nowego riffu. Jest to thrash metal starej daty, grany dla takich, grzecznie mówiąc, niemłodych pierdzieli jak ja.

CYCLONE nie musi już nic udowadniać, oni wrócili z czystych i jasnych pobudek, chcą grać i dobrze się przy tym bawić. W ich muzyce czuć radość z grania, bez presji i napinania muskułów.

Z oryginalnego składu ostał się tylko niezmordowany Guido Gevels, reszta to młoda gwardia. I właśnie ta młoda gwardia tchnęła w trupa nowe życie. Wokalnie Guido radzi sobie bardzo dobrze, głos mu się nie zestarzał. Reszta też trzyma wysoki poziom.

Myślę, że ta EPka to tylko taka niewinna przystawka przed daniem głównym, które mam nadzieję w niedalekiej przyszłości zaserwują wygłodniałym fanom.

Materiał żre aż miło, sprawdzone patenty z lat 90 doskonale uzupełniają się z nowoczesnym soundem. Nie ukrywam, zaostrzyli mi apetyt tym krótkim materiałem. Nie pozostało mi nic innego, jak uzbroić się w cierpliwość i wyczekiwać nowej płyty.



Cyclone is a thrash metal band from Europe that returns with new material. “Known Unto God” is the title of an EP due to hit the shelves in early February.

Hailing from Belgium, Cyclone formed in 1981. Their debut album, released via Roadrunner Records, was their first statement as a band. This was in 1986, when thrash metal first reached a pinnacle. Cyclone released one more album before disbanding in 1993.

In 2019, founding member Guido Gevels revived the band with a new line-up. The aggressive thrash metal that defined the band’s debut album remains at the core of their sound. Cyclone’s approach in 2026 is straightforward. The band doesn’t lose direction by overloading their music with twists and gimmicks. Instead, “Known Unto God” features blistering thrash metal songs. “Eliminate”, the opener, is one such song that hits the bullseye. It’s a sonic slap in the face.

The title track, inspired by inscriptions at the Flanders Fields military cemetery, is a grooving thrash metal song with a massive riff and rough vocals. The vocalist’s style was already a strong factor on the “Brutal Destruction” debut, and this new release builds on that strength.

“Nothing Is Real” is a highlight of this release. It is a dark and sinister song that draws its intensity from a mesmerising riff. It is a vigorous, gloomy song that hits you with steamroller intensity. Cyclone demonstrate that heaviness is not a question of pace. This mid-tempo headbanger showcases the essence of thrash metal, maintaining a recurring motif throughout.

“The Truth Lies” is a fast and furious album closer that marks the return of one of Europe’s most influential thrash metal bands. A vintage vibe, massive density and powerful production define “Known Unto God”, and welcome back Cyclone.

Markus



..::TRACK-LIST::..

1. Eliminate 03:33
2. Known Unto God 04:12
3. I Fear Myself 04:30
4. Nothing is Real 05:20
5. The Truth Lies 02:48



..::OBSADA::..

Jesse Van den Bossche - Guitars (rhythm)
Vincent Heyman - Bass
Gabriel Deschamps - Drums
Guido Gevels - Vocals
Maxime Deschamps - Guitars (lead)



https://www.youtube.com/watch?v=DygCdOehntg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nie sądziłem, że kiedykolwiek dane mi będzie usłyszeć nowe nagrania belgijskiego CYCLONE. W latach 80 zasłuchiwałem się bezgranicznie w dźwiękach wybrzmiewających z debiutanckiego albumu „Brutal Destruction” (Roadrunner Records 1986 r). Nie było to nic wybitnego, ot pół godzinki surowego i prostego thrash metalu. Niestety, po drugim, bardzo obiecującym albumie „Interior To None” (Justice Records 1990 r) poszli do piachu. Wielka to była szkoda, przynajmniej dla mnie, bo ten ich thrash metal strasznie mi siadł.

Mija 35 lat i jest nowy materiał. Zaskoczyli mnie, najzwyczajniej w świecie zrobili mi niespodziankę. A ja lubię takie niespodzianki. Nie jest to duży album, ale lepsze pięć utworów niż nic.

„Know Unto God” to zaledwie 20 minut muzyki z wypolerowanym brzmieniem i thrashową motoryką. Brzmi to bardzo nowocześnie, nie ma się tak naprawdę do czego przyczepić. Oczywiście można pomarudzić, że to wszystko było przerabiane miliony razy. Tutaj nie ma żadnego nowego riffu. Jest to thrash metal starej daty, grany dla takich, grzecznie mówiąc, niemłodych pierdzieli jak ja.

CYCLONE nie musi już nic udowadniać, oni wrócili z czystych i jasnych pobudek, chcą grać i dobrze się przy tym bawić. W ich muzyce czuć radość z grania, bez presji i napinania muskułów.

Z oryginalnego składu ostał się tylko niezmordowany Guido Gevels, reszta to młoda gwardia. I właśnie ta młoda gwardia tchnęła w trupa nowe życie. Wokalnie Guido radzi sobie bardzo dobrze, głos mu się nie zestarzał. Reszta też trzyma wysoki poziom.

Myślę, że ta EPka to tylko taka niewinna przystawka przed daniem głównym, które mam nadzieję w niedalekiej przyszłości zaserwują wygłodniałym fanom.

Materiał żre aż miło, sprawdzone patenty z lat 90 doskonale uzupełniają się z nowoczesnym soundem. Nie ukrywam, zaostrzyli mi apetyt tym krótkim materiałem. Nie pozostało mi nic innego, jak uzbroić się w cierpliwość i wyczekiwać nowej płyty.



Cyclone is a thrash metal band from Europe that returns with new material. “Known Unto God” is the title of an EP due to hit the shelves in early February.

Hailing from Belgium, Cyclone formed in 1981. Their debut album, released via Roadrunner Records, was their first statement as a band. This was in 1986, when thrash metal first reached a pinnacle. Cyclone released one more album before disbanding in 1993.

In 2019, founding member Guido Gevels revived the band with a new line-up. The aggressive thrash metal that defined the band’s debut album remains at the core of their sound. Cyclone’s approach in 2026 is straightforward. The band doesn’t lose direction by overloading their music with twists and gimmicks. Instead, “Known Unto God” features blistering thrash metal songs. “Eliminate”, the opener, is one such song that hits the bullseye. It’s a sonic slap in the face.

The title track, inspired by inscriptions at the Flanders Fields military cemetery, is a grooving thrash metal song with a massive riff and rough vocals. The vocalist’s style was already a strong factor on the “Brutal Destruction” debut, and this new release builds on that strength.

“Nothing Is Real” is a highlight of this release. It is a dark and sinister song that draws its intensity from a mesmerising riff. It is a vigorous, gloomy song that hits you with steamroller intensity. Cyclone demonstrate that heaviness is not a question of pace. This mid-tempo headbanger showcases the essence of thrash metal, maintaining a recurring motif throughout.

“The Truth Lies” is a fast and furious album closer that marks the return of one of Europe’s most influential thrash metal bands. A vintage vibe, massive density and powerful production define “Known Unto God”, and welcome back Cyclone.

Markus



..::TRACK-LIST::..

1. Eliminate 03:33
2. Known Unto God 04:12
3. I Fear Myself 04:30
4. Nothing is Real 05:20
5. The Truth Lies 02:48



..::OBSADA::..

Jesse Van den Bossche - Guitars (rhythm)
Vincent Heyman - Bass
Gabriel Deschamps - Drums
Guido Gevels - Vocals
Maxime Deschamps - Guitars (lead)



https://www.youtube.com/watch?v=DygCdOehntg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Oj jak mocno i długo czekałem na nowy album Portal, to nawet nie zliczę. W zasadzie tylko 5 lat minęło od świetnego “Vexovoid” a mnie się zdawało, że to cała wieczność. Dlatego tym bardziej ciekaw byłem, czy uda się Australijczykom utrzymać poziom ostatniego albumu.

Nie oszukujmy się, okładka Zbigniewa Bielaka w swej pozornej prostocie to czysty majstersztyk, który jasno i konkretnie odzwierciedla zawartość “Ion”. Potężne generatory mocy wytwarzające niewyobrażalnie gigantyczną energię przynoszą na myśl samego Nikola Teslę. Geniusza i wizjonera, którego wynalazki zrewolucjonizowały i pchnęły rozwój ludzkości. Jednak Tesla to nie tylko prąd zmienny, ale także ciemna strona nauki ocierającej się o równoległe wymiary i eksplorację ludzkiego umysłu oraz badanie jego najciemniejszych i najbardziej mrocznych zakamarków. Tak właśnie “Ion” oddziaływuje na człowieka. Eksploruje jego umysł, wynajduje wszystko to, co złe i wypluwa na zewnątrz nadając temu przerażającą formę i kształt, tworząc przy tym psychiczny koszmar z którego nie można się wybudzić (“Crone”). Wszystko to zostało zapakowane w kakofoniczną ścianę dzwięku, która skrzętnie budowana jest przez Australijczyków na całym albumie. Paradoksalnie – w tym całym chaosie gdzie zderzające się neutrony riffów i blastów w jakiś sobie tylko znany sposób scalają się i budują harmoniczne drgania – dźwięki płynące z głośników wpadają do głowy słuchacza z niezwykłą lekkością (“ESP ION AGE”). Nie znaczy to jednak, że jest łatwo i przyjemnie (genialny “Spores”) . Nadal jest to muzyczny eksperyment sięgający daleko poza wyobrażenia słuchacza co do kształtu muzyki i sposobu jej grania (“Revault of Volts”). Miejscami Portal jest wręcz asłuchalny, ale nie tak jak chociażby na “Seepia” czy “Outre”, które to były połamane niemal jak Kubica po wypadku. Można by więc odczytać to jako ładunek ujemny na tej płycie, ale każdy kto miał styczność z Portal wie, że w tej muzyce nie wszystko jest tak oczywiste, jakby się zdawało (wieńczący album “Olde Guarde”) co można zaliczyć na plus.

“Ion” pozostaje nadal gdzieś w innym wymiarze muzycznego spektrum, nieosiągalnego dla pozostałych zespołów. Sieje kakofoniczny terror, budując przy tym aurę strachu i sennego koszmaru. Bezapelacyjnie, jeden z kandydatów do materiału roku.

Łysy


https://www.youtube.com/watch?v=tRBfzFO-aT0


Portal’s fifth full-length is an achievement in the realm of extreme metal guitar playing that pushes the limits of avant-garde expressionist tremolo-picked heavy music. ‘Ion’ is abrasive, dense and high-level technical wizardry that initially takes a concerted effort to follow. The intense speed and flurry of guitars are razor sharp black metal in style but backed by vocals seemingly whispered in a wind tunnel. Their tone is piercingly electric as it comes in waves of terror-inducing mid-range noise that inevitably shape themselves into remarkably structured and atmospheric death metal songs.

The riffs are on par with what avant-technical extreme metal bands like Thantifaxath and Pyrrhon explored more recently, though ‘Ion’ is more focused and in turn memorable than either record. If Gorguts‘ ‘Obscura’ was played at double speed it might have resembled this sort of well-shaped discordant stream-of-consciousness metal record. What I think Portal lacks in melody and memorability they make up for with compelling atmosphere and sheer skill. Much of that atmosphere comes from icily gasped wind-tunnel vocals that resemble the whispers of Satan himself in your ears. It is a challenging listen but it’s initially directionless composition lends itself incredibly to repeated listening.

The tautness of Portal’s song-writing seems impossible to top in terms of sheer complexity, speed and dynamic tension. If the band were to accelerate any further in speed or compositional diversity ‘Ion’ would resemble the sound of a giant cheese-grater rubbing hundreds of guitar strings at 200bpm. The avant-technical horror-occult death/black experience of ‘Ion’ transcends technical death metal song structure to the limit of over-complicated nightmare death metal music. My favorite track here “Phantom” manages to create a psychedelic electrical storm of guitar riffs and set it over war metal blasting and brilliant percussion in the middle of the track; followed by the nearly 10 minute roller coaster of “Olde Guarde” that fades out into chaos and rumbling atmospherics. For my taste this is a guaranteed top release for 2018.

GrizzlyButts


Portal is an experimental death metal band that places more emphasis on being experimental than on being death metal... and that works out flawlessly on ION. The album is primarily composed of traditional death metal instrumentation (drums, bass, and guitar) and what I would describe as a more breathy variant of a traditional death growl. The quick and winding compositions are supported perfectly by harsh and lively production that's just harsh enough to impart a serious sense of overwhelming chaos, but not so much so that things become unintelligible. The guitars feel appropriately sharp, and the drums appropriately thunderous in contrast. The Curator (as they call their vocalist) conveys a sense of dread that feels less energetic than other death metal vocalists out there, which actually compliments the excessive energy of the guitars and drums very well. These elements come together to create a haunting atmosphere that can only be described as perfection.

I first listened to ION upon its initial release and can't claim to have been in love with it, fascinated and intrigued, but not in love. It felt like it was so inaccessible that I couldn't even tell you what I did or didn't like about it... yet as the weeks went on I found myself giving it repeat listens almost impulsively. It felt more rewarding that I had to uncover it's many intricacies rather than the answers just being handed to me. With each consecutive listen I found myself slowly making sense (well, some sense at least) of the chaos and becoming quite familiar and comfortable with things that at first glance seemed impenetrable.

Many components of this album are quite catchy once you get to know them; the main grooves of "Husk" and "Olde Guarde" are extremely satisfying, and the eerie vocal refrain at the end of "Crone" gets lodged in my head for days at a time. Portal is very calculative with it's pacing in this regard, however, and no part is ever catchy for very long before you're dunked back into the swirling cacophony. This makes every moment feel significant and allows the album a great sense of dynamics without ever undergoing any major stylistic changes. I appreciate a band using techniques like this as as opposed to simply switching between clean and heavy parts to create motion. The latter is fine sometimes, but I feel that a lot of bands today use clean/ heavy juxtaposition as a crutch and don't explore other methods of creating dramatic transition as much as they could. Let me be clear, this album is heavy all the time (minus the ambient intro, outro, and occasional interlude) and is better for it.

The album's run-time of only 37 minutes is also a huge contributor to it's overall perfection. The short length means there's no messing around and every idea is used to it's full potential without being overused. Additionally, a work with this degree of abrasiveness could run the risk of growing tiresome if it overstayed it's welcome. But this also doesn't mean the album is lacking in ideas because of it's size, this is a dense 37 minutes we're talking about here, and the amount of variety contained within that time is astounding. From the dizzying lead lines toward the beginning of "Phathom" to the anthemic pounding of "Phreqs," there's a lot of diversity on display that one might not initially recognize. This is also helped by moments of intermission like the ambient outro of "Phreqs," and the gorgeous soundscapes that close out the album.

I can only make one small criticism of ION; even though I like vocal delivery and style, I feel that they could have benefited from having the same amount of variety as the instrumentation. That being said, I get the feeling the relative mundanity of the vocals was intentional, therefore I can't criticize them too heavily for this. All in all ION is a masterpiece, and any experimental or extreme metal fan owes it a listen. If you haven't totally clicked with it after a single time through (which you probably wont, I sure didn't) give it a second and a third listen... you'll come around. It's more rewarding for it's relative inaccessibility.

Old Man



..::TRACK-LIST::..

1. Nth 02:10
2. ESP ION AGE 03:26
3. Husk 03:43
4. Phreqs 04:54
5. Crone 03:28
6. Revault Of Volts 03:53
7. Spores 02:26
8. Phathom 03:12
9. Olde Guarde 09:44



..::OBSADA::..

Horror Illogium - Guitars (lead)
The Curator - Vocals
Aphotic Mote - Guitars (rhythm)
Ignis Fatuus - Drums




https://www.youtube.com/watch?v=R9GdlXnXkIA


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Oj jak mocno i długo czekałem na nowy album Portal, to nawet nie zliczę. W zasadzie tylko 5 lat minęło od świetnego “Vexovoid” a mnie się zdawało, że to cała wieczność. Dlatego tym bardziej ciekaw byłem, czy uda się Australijczykom utrzymać poziom ostatniego albumu.

Nie oszukujmy się, okładka Zbigniewa Bielaka w swej pozornej prostocie to czysty majstersztyk, który jasno i konkretnie odzwierciedla zawartość “Ion”. Potężne generatory mocy wytwarzające niewyobrażalnie gigantyczną energię przynoszą na myśl samego Nikola Teslę. Geniusza i wizjonera, którego wynalazki zrewolucjonizowały i pchnęły rozwój ludzkości. Jednak Tesla to nie tylko prąd zmienny, ale także ciemna strona nauki ocierającej się o równoległe wymiary i eksplorację ludzkiego umysłu oraz badanie jego najciemniejszych i najbardziej mrocznych zakamarków. Tak właśnie “Ion” oddziaływuje na człowieka. Eksploruje jego umysł, wynajduje wszystko to, co złe i wypluwa na zewnątrz nadając temu przerażającą formę i kształt, tworząc przy tym psychiczny koszmar z którego nie można się wybudzić (“Crone”). Wszystko to zostało zapakowane w kakofoniczną ścianę dzwięku, która skrzętnie budowana jest przez Australijczyków na całym albumie. Paradoksalnie – w tym całym chaosie gdzie zderzające się neutrony riffów i blastów w jakiś sobie tylko znany sposób scalają się i budują harmoniczne drgania – dźwięki płynące z głośników wpadają do głowy słuchacza z niezwykłą lekkością (“ESP ION AGE”). Nie znaczy to jednak, że jest łatwo i przyjemnie (genialny “Spores”) . Nadal jest to muzyczny eksperyment sięgający daleko poza wyobrażenia słuchacza co do kształtu muzyki i sposobu jej grania (“Revault of Volts”). Miejscami Portal jest wręcz asłuchalny, ale nie tak jak chociażby na “Seepia” czy “Outre”, które to były połamane niemal jak Kubica po wypadku. Można by więc odczytać to jako ładunek ujemny na tej płycie, ale każdy kto miał styczność z Portal wie, że w tej muzyce nie wszystko jest tak oczywiste, jakby się zdawało (wieńczący album “Olde Guarde”) co można zaliczyć na plus.

“Ion” pozostaje nadal gdzieś w innym wymiarze muzycznego spektrum, nieosiągalnego dla pozostałych zespołów. Sieje kakofoniczny terror, budując przy tym aurę strachu i sennego koszmaru. Bezapelacyjnie, jeden z kandydatów do materiału roku.

Łysy


https://www.youtube.com/watch?v=tRBfzFO-aT0


Portal’s fifth full-length is an achievement in the realm of extreme metal guitar playing that pushes the limits of avant-garde expressionist tremolo-picked heavy music. ‘Ion’ is abrasive, dense and high-level technical wizardry that initially takes a concerted effort to follow. The intense speed and flurry of guitars are razor sharp black metal in style but backed by vocals seemingly whispered in a wind tunnel. Their tone is piercingly electric as it comes in waves of terror-inducing mid-range noise that inevitably shape themselves into remarkably structured and atmospheric death metal songs.

The riffs are on par with what avant-technical extreme metal bands like Thantifaxath and Pyrrhon explored more recently, though ‘Ion’ is more focused and in turn memorable than either record. If Gorguts‘ ‘Obscura’ was played at double speed it might have resembled this sort of well-shaped discordant stream-of-consciousness metal record. What I think Portal lacks in melody and memorability they make up for with compelling atmosphere and sheer skill. Much of that atmosphere comes from icily gasped wind-tunnel vocals that resemble the whispers of Satan himself in your ears. It is a challenging listen but it’s initially directionless composition lends itself incredibly to repeated listening.

The tautness of Portal’s song-writing seems impossible to top in terms of sheer complexity, speed and dynamic tension. If the band were to accelerate any further in speed or compositional diversity ‘Ion’ would resemble the sound of a giant cheese-grater rubbing hundreds of guitar strings at 200bpm. The avant-technical horror-occult death/black experience of ‘Ion’ transcends technical death metal song structure to the limit of over-complicated nightmare death metal music. My favorite track here “Phantom” manages to create a psychedelic electrical storm of guitar riffs and set it over war metal blasting and brilliant percussion in the middle of the track; followed by the nearly 10 minute roller coaster of “Olde Guarde” that fades out into chaos and rumbling atmospherics. For my taste this is a guaranteed top release for 2018.

GrizzlyButts


Portal is an experimental death metal band that places more emphasis on being experimental than on being death metal... and that works out flawlessly on ION. The album is primarily composed of traditional death metal instrumentation (drums, bass, and guitar) and what I would describe as a more breathy variant of a traditional death growl. The quick and winding compositions are supported perfectly by harsh and lively production that's just harsh enough to impart a serious sense of overwhelming chaos, but not so much so that things become unintelligible. The guitars feel appropriately sharp, and the drums appropriately thunderous in contrast. The Curator (as they call their vocalist) conveys a sense of dread that feels less energetic than other death metal vocalists out there, which actually compliments the excessive energy of the guitars and drums very well. These elements come together to create a haunting atmosphere that can only be described as perfection.

I first listened to ION upon its initial release and can't claim to have been in love with it, fascinated and intrigued, but not in love. It felt like it was so inaccessible that I couldn't even tell you what I did or didn't like about it... yet as the weeks went on I found myself giving it repeat listens almost impulsively. It felt more rewarding that I had to uncover it's many intricacies rather than the answers just being handed to me. With each consecutive listen I found myself slowly making sense (well, some sense at least) of the chaos and becoming quite familiar and comfortable with things that at first glance seemed impenetrable.

Many components of this album are quite catchy once you get to know them; the main grooves of "Husk" and "Olde Guarde" are extremely satisfying, and the eerie vocal refrain at the end of "Crone" gets lodged in my head for days at a time. Portal is very calculative with it's pacing in this regard, however, and no part is ever catchy for very long before you're dunked back into the swirling cacophony. This makes every moment feel significant and allows the album a great sense of dynamics without ever undergoing any major stylistic changes. I appreciate a band using techniques like this as as opposed to simply switching between clean and heavy parts to create motion. The latter is fine sometimes, but I feel that a lot of bands today use clean/ heavy juxtaposition as a crutch and don't explore other methods of creating dramatic transition as much as they could. Let me be clear, this album is heavy all the time (minus the ambient intro, outro, and occasional interlude) and is better for it.

The album's run-time of only 37 minutes is also a huge contributor to it's overall perfection. The short length means there's no messing around and every idea is used to it's full potential without being overused. Additionally, a work with this degree of abrasiveness could run the risk of growing tiresome if it overstayed it's welcome. But this also doesn't mean the album is lacking in ideas because of it's size, this is a dense 37 minutes we're talking about here, and the amount of variety contained within that time is astounding. From the dizzying lead lines toward the beginning of "Phathom" to the anthemic pounding of "Phreqs," there's a lot of diversity on display that one might not initially recognize. This is also helped by moments of intermission like the ambient outro of "Phreqs," and the gorgeous soundscapes that close out the album.

I can only make one small criticism of ION; even though I like vocal delivery and style, I feel that they could have benefited from having the same amount of variety as the instrumentation. That being said, I get the feeling the relative mundanity of the vocals was intentional, therefore I can't criticize them too heavily for this. All in all ION is a masterpiece, and any experimental or extreme metal fan owes it a listen. If you haven't totally clicked with it after a single time through (which you probably wont, I sure didn't) give it a second and a third listen... you'll come around. It's more rewarding for it's relative inaccessibility.

Old Man



..::TRACK-LIST::..

1. Nth 02:10
2. ESP ION AGE 03:26
3. Husk 03:43
4. Phreqs 04:54
5. Crone 03:28
6. Revault Of Volts 03:53
7. Spores 02:26
8. Phathom 03:12
9. Olde Guarde 09:44



..::OBSADA::..

Horror Illogium - Guitars (lead)
The Curator - Vocals
Aphotic Mote - Guitars (rhythm)
Ignis Fatuus - Drums




https://www.youtube.com/watch?v=R9GdlXnXkIA


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Pentatonix - Pentatonix (Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Pentatonix
Album................: Pentatonix (Deluxe Edition)
Genre................: Vocal
Source...............: CD
Year.................: 2015
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: RCA

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Pentatonix - Na Na Na [02:35]
2. Pentatonix - Can't Sleep Love [02:53]
3. Pentatonix - Sing [02:57]
4. Pentatonix - Misbehavin' [03:42]
5. Pentatonix - Ref [03:14]
6. Pentatonix - First Things First [02:41]
7. Pentatonix - Rose Gold [03:43]
8. Pentatonix - If I Ever Fall In Love (feat. Jason Derulo)[03:14]
9. Pentatonix - Cracked [02:54]
10. Pentatonix - Water [03:11]
11. Pentatonix - Take Me Home [02:56]
12. Pentatonix - New Year's Day [03:37]
13. Pentatonix - Light In The Hallway [04:14]
Deluxe Edition Tracks
14. Pentatonix - Where Are U Now [02:51]
15. Pentatonix - Cheerleader [03:02]
16. Pentatonix - Lean On [02:40]
17. Pentatonix - Can't Sleep Love (feat. Tink) [03:33]

Playing Time.........: 54:04
Total Size...........: 368,97 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Drugi i bez wątpienia najlepszy album norweskiego zespołu Bazar, jednej z ważniejszych grup skandynawskiego rocka progresywnego lat 70. Muzyka łączy psychodeliczny hard rock z elementami prog rocka, z charakterystycznymi gitarami wah-wah, organami i melodyjnym śpiewem w języku norweskim.



..::TRACK-LIST::..

1. Drabantbyrock 4:15
2. Kjære, Lille Deg 4:16
3. Unset 2:20
4. Det Siste Stikk 4:00
5. Betong, Stål Og Glass 3:28
6. Om Du Var En Fisker 3:16
7. Du Og Jeg Og Sipo 4:45
8. Vi Blir Fler Og Fler 5:33
9. Olav Ål 5:15
10. Cm Jam 6:07



..::OBSADA::..

Vocals, Drums, Keyboards, Piano, Acoustic Guitar - Ole-Henrik Giørtz
Vocals, Guitar - Rolf Aakervik
Bass, Harmonica - Per Vestaby
Guitar, Piano, Flute, Vocals, Interviewee [By Klemen Breznikar 2015] - Bent Patey
Backing Vocals - Brask Og Bram (tracks: 3)




https://www.youtube.com/watch?v=4G67qEtzJpE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Drugi i bez wątpienia najlepszy album norweskiego zespołu Bazar, jednej z ważniejszych grup skandynawskiego rocka progresywnego lat 70. Muzyka łączy psychodeliczny hard rock z elementami prog rocka, z charakterystycznymi gitarami wah-wah, organami i melodyjnym śpiewem w języku norweskim.



..::TRACK-LIST::..

1. Drabantbyrock 4:15
2. Kjære, Lille Deg 4:16
3. Unset 2:20
4. Det Siste Stikk 4:00
5. Betong, Stål Og Glass 3:28
6. Om Du Var En Fisker 3:16
7. Du Og Jeg Og Sipo 4:45
8. Vi Blir Fler Og Fler 5:33
9. Olav Ål 5:15
10. Cm Jam 6:07



..::OBSADA::..

Vocals, Drums, Keyboards, Piano, Acoustic Guitar - Ole-Henrik Giørtz
Vocals, Guitar - Rolf Aakervik
Bass, Harmonica - Per Vestaby
Guitar, Piano, Flute, Vocals, Interviewee [By Klemen Breznikar 2015] - Bent Patey
Backing Vocals - Brask Og Bram (tracks: 3)




https://www.youtube.com/watch?v=4G67qEtzJpE



SEED 15:00-22:00.
POLECAM!!!