..::INFO::..

---------------------------------------------------------------------
Ozzy Osbourne - Platinum Collection 2003 - Dreamer
---------------------------------------------------------------------

Artist...............: Ozzy Osbourne
Album................: Platinum Collection 2003
Genre................: Hard Rock
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Ozzy Osbourne - Facing Hell [04:25]
2. Ozzy Osbourne - Mr. Crowley [04:56]
3. Ozzy Osbourne - Perry Mason [05:54]
4. Ozzy Osbourne - Creazy Train [04:51]
5. Ozzy Osbourne - Gets Me Through [05:01]
6. Ozzy Osbourne - Running Out if Time [05:02]
7. Ozzy Osbourne - No More Tears [05:54]
8. Ozzy Osbourne - Mama, I'm Coming Home [04:09]
9. Ozzy Osbourne - Creazy Babies [04:14]
10. Ozzy Osbourne - Over the Mountain [04:32]
11. Ozzy Osbourne - Breaking All the Rules [05:11]
12. Ozzy Osbourne - Goodbye to Romance [05:30]
13. Ozzy Osbourne - Bark at the Moon [04:15]
14. Ozzy Osbourne - Shot in the Dark [04:14]
15. Ozzy Osbourne - I don't Want to Change the World [03:52]
16. Ozzy Osbourne - Dreamer [04:44]
17. Ozzy Osbourne - Paranoid [02:47]

Playing Time.........: 01:19:40
Total Size...........: 562,18 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy krążek Mekongów z nowym wokalistą zapożyczonym z amerykańskiej formacji Siren – Dougiem Lee. Wspominam o tym nie bez powodu, bo na tym dwudziestokilkuletnim krążku zespół osiągnął swoje maksimum kadrowe, a sam Dances of Death to, moim skromnym zdaniem, szczytowe osiągnięcie Niemców. Co prawda nie miałem jeszcze okazji zapoznać się z ubiegłorocznym „Intersections”, ale przeglądając zaprzyjaźnione (a także niezaprzyjaźnione) obejścia widzę, że ataku na szczyt raczej nie przeprowadzono. Mimo swojej wrodzonej niewiary w słowa innych, skłonny jestem uwierzyć w taki stan rzeczy – nie mam bowiem (niestety) ani złudzeń, że stać chłopaków na coś równie wielkiego (choć „Wanderer On The Edge Of Time” bezsprzecznie pokazał klasę), ani wątpliwości co do faktu, że „kiedyś to było lepiej, wnusiu” (vide ostatnie dziecko Wolf Spider pt. „Feniks”, ale o tym następną razą). A było tak: wraz ze zmianą wokalisty i pojawieniem się Douga, zespół zboczył w nieco bardziej melodyjne klimaty. Swoistą szorstkość i pogmatwanie zajęły struktury bardziej user-friendly, ale także bardziej post-thrashowe (w dobrym tego terminu rozumieniu). W związku z tym, muzyka nabrała w wielu utworach bardzo repetywnego i transowego charakteru, a jeśli dodać do tego wysokie, śpiewano-skandowane wokale, wyjdzie miks dość niespotykany – jakże jednak zajebisty. Miks zakrzywiający czasoprzestrzeń; przekonać możecie się sami, gdy, ni stąd ni zowąd, słyszycie pierwszy na płycie kawałek, ponownie.

Muzyka ewoluowała w stronę większej przebojowości, nie tracąc nic ze swojego charakteru ani złożoności. Wszystko rozbija się o nieco inne rozmieszczenie akcentów, nowego wokalistę, który przemycił kilka charakterystycznych dla siebie patentów i większy udział melodii w dziele zniszczenia receptorów. Tym bardziej, że melodie te do słodkich nie należą i fanów poweru nie ucieszą. O warsztacie nie ma co pisać, bo że światowej klasy rozumie się samo przez się i, choćby, z poprzednich recenzji. Jest więc tak samo jak na „The Principle of Doubt” tylko lepiej. I tym sposobem mamy drugą „dychę” pod rząd.

ocena: 10/10
deaf


The Mekong Delta career can be split into three periods: 1987-1989; 1990-1994, and 2007-until the present day. Ralph Hubert has kept the level high all these years always finding capable musicians to realise his ultimately complex, classical-haunted schizophrenic visions. He teamed up with the Living Death guitarists during the first period, and their clinical surreal, hallucinogenic shreds made the band a name quickly as suppliers of elaborate, not very accessible at times, but ultimately intelligent progressive thrash. By 1990 the two axemen had to go, and were replaced by just one, the unknown at the time guitar wizard Uwe Baltrusch who brought a warmer, more flexible technical thrash template which worked better alongside the growing classical infatuations of Hubert. After the reformation in the new millennium the man hasn’t been able to keep a steady line-up having worked so far with musicians from Scanner, Helloween, Theory in Practice, Annihilator, etc., and consequently this is the most versatile period from the band’s history with a wider range of influences and styles. Please note that “Pictures at an Exhibition”, the 1997 instalment, hasn’t been included in any of the periods due to its non-metal, too classical-immersed nature.

Although my personal favourite from the band’s discography is “Kaleidoscope”, and I consider the second period the finest one, I haven’t been able to find too many metalheads to share my predilections. In 80% of the cases the preferences go towards the first period with “The Music of Erich Zann” and “The Principle of Doubt” splitting the fans’ opinions as to which the guys’ finest hour is. There’s a lot of greatness emitting from those two, there’s absolutely no doubt about that, but I have always found the Living Death lads’ pyrotechnics way too dry and sterile, making the more elaborate sections even more difficult to decipher, devoid of soul and empathy (who needs these on a metal album, man?! get a grip!). With the arrival of Baltrusch the guitar sound acquired a more volatile, easier to mould, character which made the “thrash vs. classical music” hybridization way more coherent and smoother, and needless to add more melodic. Actually, the guy was already a part of the line-up on “The Principle of Doubt”, but his role on that one was only restricted to providing the leads. On the album reviewed here he handles all the guitarisms, and his talent is on full display all over.

Another important new addition to the line-up was the singer Doug Lee, a former “siren” of the American progressive power metallers Siren. Hubert produced their only foray, and decided that Lee would do no wrong to replace Wolfgang Borgmann, the latter another debatable departure provided that his wailing eccentric, hygienically clean vocals were an indelible part of the band’s early exploits. Hubert was obviously doing a major renovation of the interior… but was all that hassle for the better?

After a short quiet introduction, with which the conceptual part, comprising eight movements, of the album commences the band erupt on “Eruption” with frantic, bouncy thrashing which becomes wilder with time reaching headbanging proportions with ease, with outlandish gallops taking over making this very short instrumental a most eventful riff-fest. “Beyond the Gates” follows suit, and Lee comes to the fore with his exemplary dramatic antics sounding way more proficient than Borgmann’s shaky falcetto. The intricate thrashorama is absolutely compelling with steel sharp riffage cutting deep burrows into the listener’s brain as the latter won’t have much time to absorb everything here despite the several more orthodox passages provided; a stupendous technical thrash stroke splits the song into two this particular passage a pivotal moment on the whole conceptual etude. “Outburst” is exactly that, an outburst, 1.5-min of hectic schizoid riffing which flows into “Days of Betrayal”, the definitive progressive thrashterpiece with frenetic fast-paced crescendos and eclectic dramatic build-ups during the supposed chorus the latter handled by Lee in the most quirky semi-dispassionate manner.

“Restless” is exactly that, one min or restless semi-lead driven thrash which gives way to “Sanctuary”, a brilliant surreal piece with creepy mid-paced hypnotic riffs, more ambitious progressive vortexes and a more dynamic exit all this contained within mere 3-min. “Finale” is naturally the end of the “Dances of Death” opera, a magnificent speed/thrashy tractate with busy jumpy interruptions and some truly memorable riff applications. “Transgressor” is minimalistic technical thrash with superb more laid-back atmospherics Lee outstanding behind the mike producing mesmerizing highly dramatic vocal pirouettes. “True Believers” is another delight for all technical and progressive metal lovers with Hubert taking the upper hand with great vociferous bass support, with twisted leads surrounding the engaging rifforamas which alternate hard-hitting dashes with pacifying “idylls” the meanly spat chorus (“I don’t believe you… parasite”) another highlight on this exemplary multi-faceted composition. But that’s not all as the centrepiece of the whole opus is yet to be savoured, “Night on a Bare Mountain”, an 11-min interpretation of the Modest Mussorgski’s symphony of the same title, a supreme blend of classical structuring and aggressive thrashing shreds, one of the ten best instrumentals in the annals of metal, the main motif alone deserving the price of admission with its infectious melodic roller-coaster vibe; Hubert makes himself heard with several authoritative bassy excursions which usually appear after a hyper-active riff-salad all the way to the meditative balladic finale.

Dancing with Death has never been a more tantalizing proposition the band sounding as convincing as ever after the considerable cosmetic alterations. On “The Principle of Doubt” they really found their stride, and apprehension was definitely up in the air the fanbase worried about future recordings with regards to the line-up changes made, also considering the transformational process that was starting worldwide with new sounds entering the audience’s consciousness. It didn’t take long for the latter to see that that it would be business as usual in the Mekong Delta camp, and that the classic progressive thrash panorama would proceed on full-throttle arguably even sounding more appealing with the new musicians involved. If music-wise the shift wasn’t that radical, Baltrusch’s shreds not drastically different from the ones of his colleagues, in the vocal department Lee definitely sounded more convincing than Borgmann, and not much less bizarre truth be told, especially on those high-strung dramatic, semi-quarrelsome tirades. A great new beginning for everyone involved this effort was which had a most worthy follow-up in the form of the mentioned “Kaleidoscope”, the climax in the band’s career. The seeds for that opus’ grandeur were planted by this album here Hubert dexterously conducting all the performers in one flawlessly arranged, thrashy/classical danse macabre.

Bayern


It is technical thrash metal combined with classical music, how could this be any bad?
After having a very positive experience with Mekong Delta on their fifth album, Kaleidoscope, I have decided to increase the ammount of albums by them that I own, acquiring at one time Dances of Death, Vision Fugitives, Lurking Fear and Wanderer at the Edge of Time and I must say that, with the exception of Lurking Fear, all those releases were nearly incredable, quality-wise, but Dances of Death (and Other Walking Shadows) had a really special quality: in spite of still having separate instances where they played (progressive) thrash metal and then metal arrangements for classical pieces (the second half of the album), they were able to step-up their business and come up with an epic that managed to merge those two parts of their music.

There is no denying that the epic is the center piece of Dances of Death. It accounts for about half of the album's length, it showcases the band full potential al both players and composers, it is able to take you through all sorts of places without straying from the main lines or ideas of the song (the song is really varied and eclectic) and also manages to do all that without wasting your tame with unecessary or unwanted wankery. As I mentioned in my previous Meking Delta review, the band's vocalist isn't very much likeble, but in the suite he does not gets in the way too much, so I can say that he at least does not gets in your way when listening to the song.

The next songs, Transgressor and True Believers, are two thrash songs with an approach that, although more straighforward than that of the suite, don't lag behind regarding the progressive factor. Furthermore, they are so well written that not only the vocalist does not get in the way, but his awkward voice actually fits in these compositions, to my utter surprise.

The final two tracks are instrumental thrash metal adaptations or arrangements of classical compositions, both being originally written by Modest Mussorgsky during the mid 19th century. The first of them is Night on a Bald (or Bare) Mountain and the second is the bonus track The Gnome, part of Modest's piece Pictures at an Exihibition. The adaptations the band does of both songs is very convincing and solid, showing indeed how skilled are these guys.

A comparison that I believe is appropriate to be made here is between them and Emerson, Lake and Palmer. Despite the fact that one of them played rock and the other plays heavy metal, both have similar approaches to their respective style of music, infusing considerable amounts of classical music (with a particular, if not exclusive, preference to the romantic period) in each band's style.

So far in my exploration of Mekong Delta's discography, Dances of Death (and Other Walking Shadows) has proved to be the band's most accomplished album. The compositional habilities of the band are on the top and the pieces they have chosen to cover in the end of the album also prove to be among the highest degree of quality. That is the biggest quality of this album, the compositions: it has very intelligently written and diversed or varied songs. Besides not having a single bad part, the album present us the best moment of a band that pushed the boundaries of thrash metal music, inventing yet another path beyond that initiated by acts like Watchtower and Voivod, what makes them deserving of the best rating.

CCVP



..::TRACK-LIST::..

I. Dances Of Death:
1. Introduction 01:11
2. Eruption 01:34
3. Beyond the Gates 04:52
4. Outburst 01:19
5. Days Of Betrayal 04:14
6. Restless 00:53
7. Sanctuary 03:00
8. Finale 02:06

II. Transgressor 03:17
III. True Believers 05:25
IV. Night On A Bare Mountain 10:24



..::OBSADA::..

Bass, Acoustic Guitar - Björn Eklund
Drums - Gordon Perkins
Guitar [Guitars] - Uwe B.
Vocals - Doug Lee



https://www.youtube.com/watch?v=a4IADCr5Cw4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy krążek Mekongów z nowym wokalistą zapożyczonym z amerykańskiej formacji Siren – Dougiem Lee. Wspominam o tym nie bez powodu, bo na tym dwudziestokilkuletnim krążku zespół osiągnął swoje maksimum kadrowe, a sam Dances of Death to, moim skromnym zdaniem, szczytowe osiągnięcie Niemców. Co prawda nie miałem jeszcze okazji zapoznać się z ubiegłorocznym „Intersections”, ale przeglądając zaprzyjaźnione (a także niezaprzyjaźnione) obejścia widzę, że ataku na szczyt raczej nie przeprowadzono. Mimo swojej wrodzonej niewiary w słowa innych, skłonny jestem uwierzyć w taki stan rzeczy – nie mam bowiem (niestety) ani złudzeń, że stać chłopaków na coś równie wielkiego (choć „Wanderer On The Edge Of Time” bezsprzecznie pokazał klasę), ani wątpliwości co do faktu, że „kiedyś to było lepiej, wnusiu” (vide ostatnie dziecko Wolf Spider pt. „Feniks”, ale o tym następną razą). A było tak: wraz ze zmianą wokalisty i pojawieniem się Douga, zespół zboczył w nieco bardziej melodyjne klimaty. Swoistą szorstkość i pogmatwanie zajęły struktury bardziej user-friendly, ale także bardziej post-thrashowe (w dobrym tego terminu rozumieniu). W związku z tym, muzyka nabrała w wielu utworach bardzo repetywnego i transowego charakteru, a jeśli dodać do tego wysokie, śpiewano-skandowane wokale, wyjdzie miks dość niespotykany – jakże jednak zajebisty. Miks zakrzywiający czasoprzestrzeń; przekonać możecie się sami, gdy, ni stąd ni zowąd, słyszycie pierwszy na płycie kawałek, ponownie.

Muzyka ewoluowała w stronę większej przebojowości, nie tracąc nic ze swojego charakteru ani złożoności. Wszystko rozbija się o nieco inne rozmieszczenie akcentów, nowego wokalistę, który przemycił kilka charakterystycznych dla siebie patentów i większy udział melodii w dziele zniszczenia receptorów. Tym bardziej, że melodie te do słodkich nie należą i fanów poweru nie ucieszą. O warsztacie nie ma co pisać, bo że światowej klasy rozumie się samo przez się i, choćby, z poprzednich recenzji. Jest więc tak samo jak na „The Principle of Doubt” tylko lepiej. I tym sposobem mamy drugą „dychę” pod rząd.

ocena: 10/10
deaf


The Mekong Delta career can be split into three periods: 1987-1989; 1990-1994, and 2007-until the present day. Ralph Hubert has kept the level high all these years always finding capable musicians to realise his ultimately complex, classical-haunted schizophrenic visions. He teamed up with the Living Death guitarists during the first period, and their clinical surreal, hallucinogenic shreds made the band a name quickly as suppliers of elaborate, not very accessible at times, but ultimately intelligent progressive thrash. By 1990 the two axemen had to go, and were replaced by just one, the unknown at the time guitar wizard Uwe Baltrusch who brought a warmer, more flexible technical thrash template which worked better alongside the growing classical infatuations of Hubert. After the reformation in the new millennium the man hasn’t been able to keep a steady line-up having worked so far with musicians from Scanner, Helloween, Theory in Practice, Annihilator, etc., and consequently this is the most versatile period from the band’s history with a wider range of influences and styles. Please note that “Pictures at an Exhibition”, the 1997 instalment, hasn’t been included in any of the periods due to its non-metal, too classical-immersed nature.

Although my personal favourite from the band’s discography is “Kaleidoscope”, and I consider the second period the finest one, I haven’t been able to find too many metalheads to share my predilections. In 80% of the cases the preferences go towards the first period with “The Music of Erich Zann” and “The Principle of Doubt” splitting the fans’ opinions as to which the guys’ finest hour is. There’s a lot of greatness emitting from those two, there’s absolutely no doubt about that, but I have always found the Living Death lads’ pyrotechnics way too dry and sterile, making the more elaborate sections even more difficult to decipher, devoid of soul and empathy (who needs these on a metal album, man?! get a grip!). With the arrival of Baltrusch the guitar sound acquired a more volatile, easier to mould, character which made the “thrash vs. classical music” hybridization way more coherent and smoother, and needless to add more melodic. Actually, the guy was already a part of the line-up on “The Principle of Doubt”, but his role on that one was only restricted to providing the leads. On the album reviewed here he handles all the guitarisms, and his talent is on full display all over.

Another important new addition to the line-up was the singer Doug Lee, a former “siren” of the American progressive power metallers Siren. Hubert produced their only foray, and decided that Lee would do no wrong to replace Wolfgang Borgmann, the latter another debatable departure provided that his wailing eccentric, hygienically clean vocals were an indelible part of the band’s early exploits. Hubert was obviously doing a major renovation of the interior… but was all that hassle for the better?

After a short quiet introduction, with which the conceptual part, comprising eight movements, of the album commences the band erupt on “Eruption” with frantic, bouncy thrashing which becomes wilder with time reaching headbanging proportions with ease, with outlandish gallops taking over making this very short instrumental a most eventful riff-fest. “Beyond the Gates” follows suit, and Lee comes to the fore with his exemplary dramatic antics sounding way more proficient than Borgmann’s shaky falcetto. The intricate thrashorama is absolutely compelling with steel sharp riffage cutting deep burrows into the listener’s brain as the latter won’t have much time to absorb everything here despite the several more orthodox passages provided; a stupendous technical thrash stroke splits the song into two this particular passage a pivotal moment on the whole conceptual etude. “Outburst” is exactly that, an outburst, 1.5-min of hectic schizoid riffing which flows into “Days of Betrayal”, the definitive progressive thrashterpiece with frenetic fast-paced crescendos and eclectic dramatic build-ups during the supposed chorus the latter handled by Lee in the most quirky semi-dispassionate manner.

“Restless” is exactly that, one min or restless semi-lead driven thrash which gives way to “Sanctuary”, a brilliant surreal piece with creepy mid-paced hypnotic riffs, more ambitious progressive vortexes and a more dynamic exit all this contained within mere 3-min. “Finale” is naturally the end of the “Dances of Death” opera, a magnificent speed/thrashy tractate with busy jumpy interruptions and some truly memorable riff applications. “Transgressor” is minimalistic technical thrash with superb more laid-back atmospherics Lee outstanding behind the mike producing mesmerizing highly dramatic vocal pirouettes. “True Believers” is another delight for all technical and progressive metal lovers with Hubert taking the upper hand with great vociferous bass support, with twisted leads surrounding the engaging rifforamas which alternate hard-hitting dashes with pacifying “idylls” the meanly spat chorus (“I don’t believe you… parasite”) another highlight on this exemplary multi-faceted composition. But that’s not all as the centrepiece of the whole opus is yet to be savoured, “Night on a Bare Mountain”, an 11-min interpretation of the Modest Mussorgski’s symphony of the same title, a supreme blend of classical structuring and aggressive thrashing shreds, one of the ten best instrumentals in the annals of metal, the main motif alone deserving the price of admission with its infectious melodic roller-coaster vibe; Hubert makes himself heard with several authoritative bassy excursions which usually appear after a hyper-active riff-salad all the way to the meditative balladic finale.

Dancing with Death has never been a more tantalizing proposition the band sounding as convincing as ever after the considerable cosmetic alterations. On “The Principle of Doubt” they really found their stride, and apprehension was definitely up in the air the fanbase worried about future recordings with regards to the line-up changes made, also considering the transformational process that was starting worldwide with new sounds entering the audience’s consciousness. It didn’t take long for the latter to see that that it would be business as usual in the Mekong Delta camp, and that the classic progressive thrash panorama would proceed on full-throttle arguably even sounding more appealing with the new musicians involved. If music-wise the shift wasn’t that radical, Baltrusch’s shreds not drastically different from the ones of his colleagues, in the vocal department Lee definitely sounded more convincing than Borgmann, and not much less bizarre truth be told, especially on those high-strung dramatic, semi-quarrelsome tirades. A great new beginning for everyone involved this effort was which had a most worthy follow-up in the form of the mentioned “Kaleidoscope”, the climax in the band’s career. The seeds for that opus’ grandeur were planted by this album here Hubert dexterously conducting all the performers in one flawlessly arranged, thrashy/classical danse macabre.

Bayern


It is technical thrash metal combined with classical music, how could this be any bad?
After having a very positive experience with Mekong Delta on their fifth album, Kaleidoscope, I have decided to increase the ammount of albums by them that I own, acquiring at one time Dances of Death, Vision Fugitives, Lurking Fear and Wanderer at the Edge of Time and I must say that, with the exception of Lurking Fear, all those releases were nearly incredable, quality-wise, but Dances of Death (and Other Walking Shadows) had a really special quality: in spite of still having separate instances where they played (progressive) thrash metal and then metal arrangements for classical pieces (the second half of the album), they were able to step-up their business and come up with an epic that managed to merge those two parts of their music.

There is no denying that the epic is the center piece of Dances of Death. It accounts for about half of the album's length, it showcases the band full potential al both players and composers, it is able to take you through all sorts of places without straying from the main lines or ideas of the song (the song is really varied and eclectic) and also manages to do all that without wasting your tame with unecessary or unwanted wankery. As I mentioned in my previous Meking Delta review, the band's vocalist isn't very much likeble, but in the suite he does not gets in the way too much, so I can say that he at least does not gets in your way when listening to the song.

The next songs, Transgressor and True Believers, are two thrash songs with an approach that, although more straighforward than that of the suite, don't lag behind regarding the progressive factor. Furthermore, they are so well written that not only the vocalist does not get in the way, but his awkward voice actually fits in these compositions, to my utter surprise.

The final two tracks are instrumental thrash metal adaptations or arrangements of classical compositions, both being originally written by Modest Mussorgsky during the mid 19th century. The first of them is Night on a Bald (or Bare) Mountain and the second is the bonus track The Gnome, part of Modest's piece Pictures at an Exihibition. The adaptations the band does of both songs is very convincing and solid, showing indeed how skilled are these guys.

A comparison that I believe is appropriate to be made here is between them and Emerson, Lake and Palmer. Despite the fact that one of them played rock and the other plays heavy metal, both have similar approaches to their respective style of music, infusing considerable amounts of classical music (with a particular, if not exclusive, preference to the romantic period) in each band's style.

So far in my exploration of Mekong Delta's discography, Dances of Death (and Other Walking Shadows) has proved to be the band's most accomplished album. The compositional habilities of the band are on the top and the pieces they have chosen to cover in the end of the album also prove to be among the highest degree of quality. That is the biggest quality of this album, the compositions: it has very intelligently written and diversed or varied songs. Besides not having a single bad part, the album present us the best moment of a band that pushed the boundaries of thrash metal music, inventing yet another path beyond that initiated by acts like Watchtower and Voivod, what makes them deserving of the best rating.

CCVP



..::TRACK-LIST::..

I. Dances Of Death:
1. Introduction 01:11
2. Eruption 01:34
3. Beyond the Gates 04:52
4. Outburst 01:19
5. Days Of Betrayal 04:14
6. Restless 00:53
7. Sanctuary 03:00
8. Finale 02:06

II. Transgressor 03:17
III. True Believers 05:25
IV. Night On A Bare Mountain 10:24



..::OBSADA::..

Bass, Acoustic Guitar - Björn Eklund
Drums - Gordon Perkins
Guitar [Guitars] - Uwe B.
Vocals - Doug Lee



https://www.youtube.com/watch?v=a4IADCr5Cw4


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: Barber Adagio for Strings
Year: 2025
Genre: Classic
Format: mp3 320 kbps

...( TrackList )...

01. David Parry - Adagio for Strings, Op. 11
02. Ralph Kirshbaum - Cello Sonata, Op. 6 I. Allegro ma non troppo
03. Ralph Kirshbaum - Cello Sonata, Op. 6 II. Adagio - Presto
04. Ralph Kirshbaum - Cello Sonata, Op. 6 III. Allegro appassionato
05. Leon McCawley - Nocturne, Op. 33 Homage to John Field
06. Jeanne Baxtresser - Summer Music, Op. 31 I. Slow and Indolent
07. Leon McCawley - Excursions, Op. 20 I. Un poco allegro
08. Leon McCawley - Excursions, Op. 20 II. In slow blues tempo
09. Leon McCawley - Excursions, Op. 20 III. Allegretto
10. Leon McCawley - Excursions, Op. 20 IV. Allegro molto

...( Info )...

Artist: The Chordettes
Album: The Greatest Hits (Remastered)
Year: 2025
Genre: Barbershop music, traditional pop, doo wop, pop rock
Quality: FLAC 24Bit-44.1kHz

...( TrackList )...

01. Runnin' Wild (Remastered)
02. Alice Blue Gown (Remastered)
03. Love Me and the World Is Mine (Remastered)
04. Lonesome That's All (Remastered)
05. Moonlight on the Ganges (Remastered)
06. Let the Rest of the World Go By (Remastered)
07. World Is Waiting for the Sunrise (Remastered)
08. Love's Old Sweet Song (Remastered)
09. True Love Goes on and On (Remastered)
10. It's You, It's You I Love (Remastered)
11. Mr. Sandman (Remastered)
12. I Don't Wanna See You Cryin' (Remastered)
13. Lonely Lips (Remastered)
14. The Dudelsack Song (Play to Me My Darling) (Remastered)
15. Humming Bird (Remastered)
16. I Told a Lie (Remastered)
17. The Wedding (Remastered)
18. I Don't Know, I Don't Care (Souvenir D'italie) (Remastered)
19. Eddie My Love (Remastered)
20. Whistling Willie (Our Melody) (Remastered)
21. Born to Be with You (Remastered)
22. Love Never Changes (Remastered)
23. Lay Down Your Arms (Remastered)
24. Teenage Goodnight (Remastered)
25. (Fifi's) Walking the Poodle (Remastered)
26. Come Home to My Arms (Remastered)
27. Echo of Love (Remastered)
28. Like a Baby (Remastered)
29. Just Between You and Me (Remastered)

...( Info )...

---------------------------------------------------------------------
           VA - This Is Soul - 1960's
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: This Is Soul - 1960's
Genre................: Soul, Funk, R&B
Source...............: CD
Year.................: 2007
Ripper...............: Exact Audio Copy (Secure mode) & PLEXTOR PX-891SAF
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Included.............: NFO, M3U
Covers...............: Front Back CD

...( TrackList )...

---------------------------------------------------------------------
            Tracklisting
---------------------------------------------------------------------

  1. The Temptations - Ain't Too Proud To Beg        [02:47]
  2. The Four Tops - Reach Out I'll Be There         [03:13]
  3. James Brown - I'ts A Man's Ma'ns Ma'ns World      [03:58]
  4. Mary Wells - My Guy                   [02:49]
  5. Martha Reeves And The Vandellas - Heatwave       [03:01]
  6. Sly And The Family Stone - I Ain't Nobody        [02:38]
  7. Jimmy Ruffin - What Becomes Of The Broken Hearted    [02:57]
  8. The Supremes - The Happening              [02:42]
  9. Ike And Tina Turner - River Deep Mountain High     [03:49]
 10. Eddie Floyd - Knock On Wood               [02:55]
 11. Sam And Dave - Soothe Me                [02:37]
 12. Bob And Earl - Harlem Shuffle              [02:49]
 13. Ben E King - Spanish Harlem               [02:53]
 14. Maxine Brown - Oh No Not My Baby            [02:31]
 15. Archie Bell And The Drells - Tighten Up         [02:44]
 16. Doris Troy - Just One Look               [02:36]
 17. Fontella Bass - Rescue Me                [02:45]
 18. Carla Thomas - Baby                   [02:43]

Playing Time.........: 52:36
Total Size...........: 122,51 MB

---------------------------------------------------------------------
          VA - Stacks Of Soul - 1970's
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: Stacks Of Soul - 1970's
Genre................: Soul
Source...............: CD
Year.................: 2007
Ripper...............: Exact Audio Copy  (Secure mode) & PLEXTOR PX-891SAF
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Included.............: NFO, M3U
Covers...............: Front Back CD

---------------------------------------------------------------------
            Tracklisting
---------------------------------------------------------------------

  1. The Temptations - Papa Was A Rolling Stone       [07:09]
  2. Clarence Carter - Patches                [02:55]
  3. The Four Tops - It's All In The Game          [02:33]
  4. Ike And Tina Turner - Nutbush City Limits        [02:41]
  5. The Three Degrees - When Will I See You Again      [02:51]
  6. Harold Melvin And The Blue Notes - The Love I Lost   [03:33]
  7. The Chi-Lites - Have You Seen Her            [04:44]
  8. The Tymes - You Little Trustmaker            [02:38]
  9. George McCrae - Rock Your Baby             [03:15]
 10. The Supremes - Stoned Love               [02:51]
 11. Ben E King - Supernatural Thing             [04:05]
 12. Al Jarreau - Lean On Me                 [04:18]
 13. Nina Simone - Here Comes The Sun            [03:35]
 14. Teddy Pendergrass - Love TKO              [04:48]
 15. Eddie Holman - Hurt                   [02:27]
 16. New York City - I'm Doin' Fine Now           [03:32]
 17. Candi Staton - Young Hearts Run Free          [03:41]
 18. Billy Paul - Me And Mrs Jones              [05:15]

Playing Time.........: 01:06:58
Total Size...........: 155,44 MB

---------------------------------------------------------------------
        VA - The Groups - Sweet Soul Harmonies
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: The Groups - Sweet Soul Harmonies
Genre................: Soul
Source...............: CD
Year.................: 2007
Ripper...............: Exact Audio Copy  (Secure mode) & PLEXTOR PX-891SAF
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Included.............: NFO, M3U
Covers...............: Front Back CD

---------------------------------------------------------------------
            Tracklisting
---------------------------------------------------------------------

  1. The Platters - Only You                 [02:35]
  2. The Tymes - My Babe                   [02:24]
  3. The Drifters - Money Honey               [02:55]
  4. The Shirelles - Will You Love Me Tomorrow        [02:35]
  5. Gladys Knight And The Pips - Come See About Me     [02:42]
  6. Sam And Dave - Soul Man                 [02:35]
  7. The Four Tops - I Can't Help Myself           [02:42]
  8. The Supremes - You Keep Me Hanging On          [02:48]
  9. The Temptations - Just My Imagination          [03:45]
 10. Martha Reeves And The Vandellas - Dancing In The Street [02:30]
 11. Archie Bell And The Drells - I Just Can't Stop Dancing [02:15]
 12. Harold Melvin And The Blue Notes - If You Don't Know Me By Now[03:29]
 13. The O'Jays - One Night Affair              [02:23]
 14. The Trammps - Hold Back The Night            [03:52]
 15. The Three Degrees - Take Good Care Of Yourself     [03:28]
 16. The Miracles - Love Machine               [03:28]
 17. The Chi-Lites - Homely Girl               [03:28]
 18. Detroit Emeralds - Feel The Need In Me         [03:18]

Playing Time.........: 53:20
Total Size...........: 124,19 MB

---------------------------------------------------------------------
        VA - Solo Singers - Sweet Soul Music
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: Solo Singers - Sweet Soul Music
Genre................: Soul
Source...............: CD
Year.................: 2007
Ripper...............: Exact Audio Copy  (Secure mode) & PLEXTOR PX-891SAF
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3.
Included.............: NFO, M3U
Covers...............: Front Back CD

---------------------------------------------------------------------
            Tracklisting
---------------------------------------------------------------------

  1. Ray Charles - I Got A Woman               [02:48]
  2. Ben E King - Stand By Me                [02:55]
  3. Betty Everett - It's In His Kiss            [02:09]
  4. Mary Wells - Two Lovers                 [03:39]
  5. Rufus Thomas - Walking The Dog             [02:26]
  6. Kim Weston - It's Too Late               [04:10]
  7. Aaron Neville - Tell It Like It Is           [02:39]
  8. Percy Sledge - When A Man Loves A Woman         [02:52]
  9. Wilson Pickett - If You Need Me             [02:16]
 10. Nina Simone - Ain't Got No               [02:59]
 11. Brook Benton - Rainy Night In Georgia          [03:46]
 12. James Brown - Gonna Have A Funky Good Time       [03:37]
 13. Al Jarreau - Ain't No Sunshine             [02:02]
 14. Al Wilson - Show And Tell                [03:19]
 15. Dobie Gray - Drift Away                 [03:47]
 16. Teddy Pendergrass - Turn Off The Lights         [04:43]
 17. Eddie Holman - Lonely Girl               [03:12]
 18. Freda Payne - Band Of Gold               [04:03]

Playing Time.........: 57:30
Total Size...........: 133,83 MB

..::INFO::..

---------------------------------------------------------------------
Bryan Adams - MTV Unplugged
---------------------------------------------------------------------

Artist...............: Bryan Adams
Album................: MTV Unplugged
Genre................: Rock
Source...............: CD
Year.................: 1997
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: A&M Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Bryan Adams - Summer Of '69 [04:02]
2. Bryan Adams - Back To You [04:30]
3. Bryan Adams - Cuts Like A Knife [05:03]
4. Bryan Adams - I'm Ready [04:28]
5. Bryan Adams - Fits Ya Good [03:01]
6. Bryan Adams - When You Love Someone [03:41]
7. Bryan Adams - 18 Till I Die [03:30]
8. Bryan Adams - I Think About You [02:36]
9. Bryan Adams - If Ya Wanna Be Bad - Ya Gotta Be Good / Let's Make A Night To Remember[04:35]
10. Bryan Adams - The Only Thing That Looks Good On Me Is You[04:34]
11. Bryan Adams - A Little Love [03:22]
12. Bryan Adams - Heaven [04:30]
13. Bryan Adams - I'll Always Be Right There [04:27]

Playing Time.........: 52:25
Total Size...........: 363,77 MB

Środowisko muzyczne właśnie straciło jedną ze swoich największych ikon. Ozzy – nieśmiertelny głos Black Sabbath, "Książę Ciemności", człowiek, który zdefiniował całe pokolenia fanów ciężkiego grania – odszedł po długiej walce z chorobą Parkinsona. Miał 76 lat.
R.I.P

...( Info )...
Title: Madness
Artist: Liliac
Year: 2023
Genre: Hard-Rock
Country: USA

Duration: 00:33:53
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Carousel 03:35
02. Rise Up 03:15
03. Rebel Girl 02:49
04. Somber Cry 03:22
05. Hypothermia 03:02
06. Buried Alive 02:57
07. Annabella 02:53
08. Monsters Are Dead 03:14
09. Hologram 02:58
10. Madness 03:18
11. Hey There Child 02:24

...( Info )...
Title: Delusion
Artist: Liliac
Year: 2025
Genre: Hard, Heavy-Metal
Country: USA

Duration: 00:37:46
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Human (05:47)
2. Breathe (03:03)
3. Delusion (03:07)
4. Holy Odyssey (07:05)
5. Anxiety Kills the Beautiful (03:29)
6. Cover Up (03:10)
7. Prisoner (03:01)
8. Me Myself and I (03:26)
9. Au Revoir (03:14)
10. Bad Boyz (02:20)

...( Info )...
Title: Born66
Artist: Thomas Borgebäck
Year: 2025
Genre: Hard-Rock

Duration: 00:57:13
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 – Disturbing the peace [00:04:09]
02 – Tired of it all [00:03:50]
03 – Stranger to life [00:04:20]
04 – Stand your ground [00:04:22]
05 – For eternity_ A letter to god [00:06:13]
06 – Im fine [00:04:09]
07 – Onlooker [00:05:02]
08 – I will know [00:04:03]
09 – Signs of a warning [00:04:26]
10 – Feel free [00:04:24]
11 – Years of lying [00:04:15]
12 – Hard time love [00:03:53]
13 – Stealing the show [00:04:02]

...( Info )...
Title: Second Round
Artist: Trigger
Year: 2025
Genre: Hard-Rock
Country: USA

Duration: 00:36:45
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 - Back Talk [00:03:15]
02 - Down To It [00:03:54]
03 - Wasting Away [00:03:49]
04 - Sore Loser [00:03:33]
05 - May [00:03:29]
06 - Jump Into It [00:03:38]
07 - She's My Girl [00:03:59]
08 - One In A Million [00:03:18]
09 - Bigger Than Both Of Us [00:04:10]
10 - I'm Only Dreaming [00:03:37]

...( Opis )...

Koncert Lady Gagi na festiwalu Coachella 2025 był widowiskiem pełnym muzyki, tańca i teatralnych stylizacji. Koncert, zatytułowany "Sztuka osobistego chaosu", odnosił się do sławy i jej wpływu na artystów i publiczność. Lady Gaga zaprezentowała utwory z najnowszego albumu "Mayhem", a także hity, takie jak "Bad Romance" i "Shallow". Występ, który trwał prawie dwie godziny, charakteryzował się dynamiczną choreografią, oszałamiającymi kostiumami i efektami wizualnymi.

...( Dane Techniczne )...

Video: MPEG4 Video (H264) 1920x1080 30fps [V: h264 high L4.0, yuv420p, 1920x1080]
Audio: AAC 44100Hz stereo [A: aac lc, 44100 Hz, stereo]

...( Opis )...

Never Ending Sorry – czwarty album studyjny polskiej piosenkarki Agnieszki Chylińskiej. Wydawnictwo ukazało się 28 października 2022 roku nakładem wytwórni muzycznej Sony Music Entertainment Poland.

...( TrackList )...

1 Jest Nas Więcej 3:09
2 Kiedyś Do Ciebie Wrócę 3:52
3 Drań 3:54
4 Po Tobie 3:54
5 Zapomnieć 3:47
6 Ja Ci Wszystko Dam 3:44
7 Zranione Dziecko 3:50
8 Kochaj Ją 3:57
9 Jesienny Spleen 3:51
10 Płyną Słowa 4:32
11 Bal 2:02
12 Synu 3:18
13 Głupi Jak But 2:21

...( Info )...

Artist: Various
Album: Billboard Japan Hot 100 Singles Chart -> 19 July 2025
Year: 2025
Genre: Pop, Rock
Format: mp3 320 kbps

...( TrackList )...

01. PLAVE - KAKURENBO (Hide and Seek)
02. Mrs. GREEN APPLE - breakfast
03. M!LK - Aonooto
04. Mrs. GREEN APPLE - KUSUSHIKI
05. BE_FIRST - 空
06. HANA - ROSE
07. THE YELLOW MONKEY - CAT CITY
08. Mrs. GREEN APPLE - Darling
09. BE_FIRST - 夢中
10. Mrs. GREEN APPLE - Lilac
11. Mrs. GREEN APPLE - Seeds of Delight
12. HANA - Burning Flower
13. SixTONES - Stargaze
14. aespa - Dirty Work
15. Sakanaction - Kaiju
16. back number - Blue Amber
17. Orange Range - Ikenai Taiyou
18. Kenshi Yonezu - Plazma
19. Mrs. GREEN APPLE - Carrying Happiness (Tokyo Disney Resort Version)
20. Mrs. GREEN APPLE - Heaven
21. AiNA THE END - 革命道中 - On The Way
22. TWS - Nice to see you again
23. Shota Shimizu - Puzzle
24. Mrs. GREEN APPLE - Bitter Vacances
25. Lilas Ikuta - 恋風
26. Nogizaka46 - Same numbers
27. CUTIE STREET - Can't we just be cute_ -Kawaii Dakejya Damedesuka_-
28. Mrs. GREEN APPLE - Que Sera Sera
29. CANDY TUNE - BAIBAI FIGHT!
30. Mrs. GREEN APPLE - familie
31. HANA - Drop
32. Mrs. GREEN APPLE - Ao To Natsu
33. HANA - Tiger
34. Chanmina - Sad Song
35. LE SSERAFIM - DIFFERENT
36. 超ときめき♡宣伝部 - 超最強
37. ROSÉ - APT
38. BLACKPINK - JUMP
39. StarLightPolaRis - Wanna be Baby
40. =LOVE - Tokubechu Shite
41. BABYMONSTER - HOT SAUCE
42. Yui - Summer Song
43. Mrs. GREEN APPLE - Soranji
44. King Gnu - TWILIGHT!!!
45. TWICE - THIS IS FOR
46. Fujii Kaze - Hachikō
47. Chanmina - SAD SONG - From THE FIRST TAKE
48. Mrs. GREEN APPLE - New My Normal
49. Vaundy - Kaiju no Hanauta
50. Mrs. GREEN APPLE - Antenna
51. Kenshi Yonezu - BOW AND ARROW
52. LE SSERAFIM - Kawaii (Prod. Gen Hoshino)
53. Mrs. GREEN APPLE - Dance Hall
54. Creepy Nuts - Mirage (OP Theme to Call of the Night Season 2)
55. ILLIT - Billyeoon Goyangi (Do the Dance)
56. Mrs. GREEN APPLE - Tenbyouno Uta
57. Mrs. Green Apple - Start
58. Mrs. GREEN APPLE - Bokuno Koto
59. Mrs. GREEN APPLE - Dear
60. Jin - Don’t Say You Love Me
61. Creepy Nuts - Otonoke
62. back number - Sincerely, from a Future
63. FRUITS ZIPPER - Watashi no Ichiban Kawaiitokoro
64. Chanmina - Harenchi
65. aespa - Whiplash
66. XG - IS THIS LOVE
67. AKASAKI - Bunny Girl
68. Ryokuoushoku Shakai - illusion
69. Vaundy - How do I know
70. back number - Takaneno Hanakosan
71. Chanmina - I hate this love song
72. Number_i - GOD_i
73. Kinki Kids - AI NO KATAMARI
74. Mrs. GREEN APPLE - Magic
75. SUPER BEAVER - Shujinko
76. M!LK - wan
77. JO1 - BE CLASSIC
78. Furui Riho - Hello
79. ONE OR EIGHT - 365
80. Mrs. GREEN APPLE - Nachtmusik
81. Mrs. GREEN APPLE - Inferno
82. Mrs. GREEN APPLE - Columbus
83. Omoinotake - Ikuokukonen
84. Aiko - Hanabi
85. Aimyon - Marigold
86. tuki. - 晩餐歌 - Bansanka
87. MONGOL800 - 小さな恋のうた
88. NEWS - Chankapana
89. Porno Graffitti - Saudade
90. Chanmina - B-list
91. ENHYPEN - Shine On Me
92. ONE N' ONLY - BLAST
93. back number - Suiheisen
94. 幾田りら - 百花繚乱
95. KID FRESINO - hikari
96. Creepy Nuts - Bling-Bang-Bang-Born
97. Phantom Siita - Love, Hate
98. Vaundy - Fujin
99. サザンオールスターズ - TSUNAMI
100. ILLIT - Almond Chocolate

...( Info )...

Artist: Various Artists
Album: Playing – The 60s
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. The Monkees - I'm a Believer
02. Frankie Valli - Can’t Take My Eyes off You
03. Buffalo Springfield - For What It's Worth
04. Otis Redding - (Sittin’ On) The Dock of the Bay
05. Sonny & Cher - I Got You Babe
06. Aretha Franklin - I Say a Little Prayer
07. The Doors - People Are Strange (2017 Remaster)
08. Ben E. King - Stand by Me
09. Arthur Conley - Sweet Soul Music
10. Joni Mitchell - Both Sides Now
11. The Rascals - Groovin'
12. Dionne Warwick - Walk On By
13. Cilla Black - Alfie
14. Sam & Dave - Hold On, I'm Coming
15. Carla Thomas - B-A-B-Y
16. The Regents - Barbara Ann
17. Wilson Pickett - In the Midnight Hour
18. The Rascals - A Beautiful Morning
19. The Drifters - Under the Boardwalk
20. James Taylor - Carolina in My Mind
21. Eddie Floyd - Knock on Wood
22. Bobby Darin - Beyond the Sea
23. Shirley Bassey - Goldfinger
24. Crosby, Stills & Nash - Helplessly Hoping
25. Solomon Burke - Cry to Me
26. Tommy James & The Shondells - Crimson and Clover
27. Percy Sledge - When a Man Loves a Woman
28. Chicago - Beginnings
29. Mel Tormé - Comin' Home Baby
30. The Bobby Fuller Four - I Fought the Law
31. Little Eva - The Locomotion
32. Cliff Richard & The Shadows - The Young Ones
33. Frankie Valli & The Four Seasons - Sherry
34. Bread - It Don't Matter to Me
35. The Everly Brothers - Crying in the Rain
36. Matt Monro - From Russia with Love (1995 Remaster)
37. The Association - Never My Love
38. Roberta Flack - The First Time Ever I Saw Your Face
39. Gerry & The Pacemakers - You’ll Never Walk Alone
40. Alma Cogan - Tennessee Waltz
41. Peter And Gordon - A World Without Love
42. Sammy Davis, Jr. - Feeling Good
43. The Seekers - Georgy Girl
44. The Bar-Kays - Soul Finger
45. The Marcels - Blue Moon
46. Peter, Paul and Mary - Leaving on a Jet Plane
47. The Capitols - Cool Jerk
48. Johnny Kidd & The Pirates - Shakin' All Over
49. Patti LaBelle - Groovy Kind of Love
50. Freddie & The Dreamers - I'm Telling You Now
51. Mitch Ryder - Jenny Take a Ride
52. Peter Sarstedt - Where Do You Go To (My Lovely)
53. Doris Troy - Just One Look
54. MC5 - Kick Out the Jams
55. Helen Shapiro - Walkin' Back to Happiness
56. Love - Alone Again Or
57. The Olympics - Good Lovin'
58. Billy J. Kramer & The Dakotas - Trains and Boats and Planes
59. The Mar-Keys - Last Night
60. Joey Dee & The Starliters - Peppermint Twist Pt. 1
61. The Vogues - My Special Angel
62. Tony Joe White - Polk Salad Annie
63. The Cascades - Rhythm of the Rain
64. Grateful Dead - The Golden Road (To Unlimited Devotion)
65. Booker T. & The M.G.'s - Green Onions
66. David McWilliams - The Days of Pearly Spencer
67. VANILLA FUDGE - You Keep Me Hangin' On
68. Ricky Valance - Tell Laura I Love Her
69. Archie Bell and The Drells - Tighten Up
70. The Beau Brummels - Laugh, Laugh
71. Noel Harrison - Windmills of Your Mind
72. Rufus Thomas - Walking the Dog
73. The Shadows - Apache
74. Tom Rush - No Regrets
75. The Honeycombs - Have I the Right
76. The Meters - Cissy Strut
77. Yes - Sweetness
78. Connie Stevens - Sixteen Reasons
79. Tom Paxton - The Last Thing on My Mind
80. Ides Of March - Vehicle
81. Clarence Carter - Slip Away
82. Jethro Tull - Living in the Past
83. Tim Buckley - Once I Was (2006 Remaster)
84. The Shadows Of Knight - Gloria
85. The Marketts - Out of Limits
86. The Electric Prunes - I Had Too Much to Dream (Last Night) [2007 Remaster]
87. Trini Lopez - If I Had a Hammer
88. The Four Seasons - Silence Is Golden
89. The Bonzo Dog Band - I'm the Urban Spaceman
90. Carla Thomas - Tramp
91. Lou Christie - A Teenager in Love
92. The Sweet Inspirations - Sweet Inspiration
93. The Yardbirds - Glimpses
94. Barbara Lewis - Baby, I'm Yours
95. Harpers Bizarre - 59th Street Bridge Song (Feelin' Groovy)
96. The Impressions - Seven Years
97. Iron Butterfly - In-A-Gadda-Da-Vida
98. Cliff Bennett & The Rebel Rousers - Got to Get You into My Life
99. The John Barry Seven & Orchestra - The James Bond Theme (1995 Remaster)
100. The Stooges - I Wanna Be Your Dog

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::TRACK-LIST::..

1. Beyond The Dark Sun (Handy Cam Sound) 5:01
2. Battle Against Time (Handy Cam Sound) 7:50
3. Sleeping Stars (Soundboard Sound) 7:18
4. Beautiful Death (Soundboard Sound) 8:46
5. Death And The Healing (Soundboard Sound) 8:21
6. Winter Madness (Soundboard Sound) 6:59




https://www.youtube.com/watch?v=ZtxrA6toDWY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To, co od razu przykuło moją uwagę w tym wydawnictwie, to produkcja. Gdybym usłyszał 'Dawn of Destruction' w ciemno, uwierzyłbym, że pochodzi prosto z '86 roku, i to nie tylko ze względu na muzyczne wpływy. Nie, sposób miksowania instrumentów i ogólny wydźwięk samych utworów... brzmią przekonująco 'retro' w sposób, jakiego nie słyszałem na żadnym thrash metalowym albumie od dawna. 'Dawn of Destruction' będzie szło łeb w łeb z 'Metal Death' Interceptora, jako najbardziej estetycznie brzmiący album retro z 2025 roku.
Gówniany posmak pozostawia tylko nazwa kapeli...



Formed in 2017, LUCILLE offer fresh blood to Poland’s ever-expanding thrash metal scene. Inspired by classics of the genre such as Slayer as early Megadeth as well as the German school of old Kreator, Destruction, and Living Death, they began spreading their evil through numerous gigs and shows in their native land. On this recording, LUCILLE paid sonic tribute to the golden days of thrash – years when this music was authentically strong and raw, and before the aforementioned bands set the limits of musical extremes.Soon after those recordings, the Covid madness began, and LUCILLE’s lineup changed rapidly. After a while, Jugen took over as a drummer, and the next year, they found the missing pieces: bassist M. Höllenhund and lead guitarist K. Dragunov. From then on, LUCILLE became a solid quartet. Powered by the atomic energy of a drum attack, quick-ripping riffs, wild solo duels, raw-throated vocals, and bone-crushing bass, they played countless shows and prepared to record their long-awaited debut album.

And, finally, it’s here! Titled Dawn of Destruction, LUCILLE make good on that titular promise with a total thrash explosion that takes the foundation of the first EP and then upratchets everything to an extreme – and authentic – degree. Influences from the elder American and Teutonic gods thankfully still in place, the quartet spit out eight screeds of THRASH METAL solely situated in the years 1985-1988 within a taut-yet-interesting 38 minutes. Just the guitar tone alone underlines that authenticity, but submit to their straightforward-but-never-simplistic songwriting and you’ll find four men fully immersed in what made those golden years of thrash work their mightiest magick. Just as thankfully here, you won't find any fillers, stylistic experiments, cloying ballads, or modern twists; LUCILLE are nothing if not obsessed with said years, and they thus sow destruction, break spines, and kill poseurs across Dawn of Destruction.

Don’t be fooled by their moniker: LUCILLE are 666% raw thrash attack with lyrics about doom, diseases, Satanic killers, and death in a post-apocalyptic world. This is their Dawn of Destruction!




..::TRACK-LIST::..

1. Desolate Winds 01:26
2. Brand New World 06:36
3. Genetic Curse 05:07
4. Prophets of Disease 05:39
5. Nightstalker 04:53
6. Dawn of Destruction 03:49
7. On Your Knees 04:43
8. Thrash Resurrection 03:38
9. Machine of Death 06:50



..::OBSADA::..

Jugen - Drums
Ramone - Guitars, Vocals
Matthew - Bass
K. Dragunov - Guitars



https://www.youtube.com/watch?v=ow-PXqTnxfk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To, co od razu przykuło moją uwagę w tym wydawnictwie, to produkcja. Gdybym usłyszał 'Dawn of Destruction' w ciemno, uwierzyłbym, że pochodzi prosto z '86 roku, i to nie tylko ze względu na muzyczne wpływy. Nie, sposób miksowania instrumentów i ogólny wydźwięk samych utworów... brzmią przekonująco 'retro' w sposób, jakiego nie słyszałem na żadnym thrash metalowym albumie od dawna. 'Dawn of Destruction' będzie szło łeb w łeb z 'Metal Death' Interceptora, jako najbardziej estetycznie brzmiący album retro z 2025 roku.
Gówniany posmak pozostawia tylko nazwa kapeli...



Formed in 2017, LUCILLE offer fresh blood to Poland’s ever-expanding thrash metal scene. Inspired by classics of the genre such as Slayer as early Megadeth as well as the German school of old Kreator, Destruction, and Living Death, they began spreading their evil through numerous gigs and shows in their native land. On this recording, LUCILLE paid sonic tribute to the golden days of thrash – years when this music was authentically strong and raw, and before the aforementioned bands set the limits of musical extremes.Soon after those recordings, the Covid madness began, and LUCILLE’s lineup changed rapidly. After a while, Jugen took over as a drummer, and the next year, they found the missing pieces: bassist M. Höllenhund and lead guitarist K. Dragunov. From then on, LUCILLE became a solid quartet. Powered by the atomic energy of a drum attack, quick-ripping riffs, wild solo duels, raw-throated vocals, and bone-crushing bass, they played countless shows and prepared to record their long-awaited debut album.

And, finally, it’s here! Titled Dawn of Destruction, LUCILLE make good on that titular promise with a total thrash explosion that takes the foundation of the first EP and then upratchets everything to an extreme – and authentic – degree. Influences from the elder American and Teutonic gods thankfully still in place, the quartet spit out eight screeds of THRASH METAL solely situated in the years 1985-1988 within a taut-yet-interesting 38 minutes. Just the guitar tone alone underlines that authenticity, but submit to their straightforward-but-never-simplistic songwriting and you’ll find four men fully immersed in what made those golden years of thrash work their mightiest magick. Just as thankfully here, you won't find any fillers, stylistic experiments, cloying ballads, or modern twists; LUCILLE are nothing if not obsessed with said years, and they thus sow destruction, break spines, and kill poseurs across Dawn of Destruction.

Don’t be fooled by their moniker: LUCILLE are 666% raw thrash attack with lyrics about doom, diseases, Satanic killers, and death in a post-apocalyptic world. This is their Dawn of Destruction!




..::TRACK-LIST::..

1. Desolate Winds 01:26
2. Brand New World 06:36
3. Genetic Curse 05:07
4. Prophets of Disease 05:39
5. Nightstalker 04:53
6. Dawn of Destruction 03:49
7. On Your Knees 04:43
8. Thrash Resurrection 03:38
9. Machine of Death 06:50



..::OBSADA::..

Jugen - Drums
Ramone - Guitars, Vocals
Matthew - Bass
K. Dragunov - Guitars



https://www.youtube.com/watch?v=ow-PXqTnxfk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Bez wątpienia 'Pillars of Salt' to bardzo przemyślane i świetnie wykonane dzieło. BALMOG doskonale wiedzą, co chcą osiągnąć swoją muzyką, tworząc tak potężny, rozległy, surrealistyczny i mroczny album, nie trzymając się żadnych reguł.
Dzięki takiemu nastawieniu osiągnęli coś całkowicie surrealistycznego, enigmatycznego i tajemniczego, co przyciągnie słuchaczy ze wszystkich kręgów metalowej społeczności.



The most ambitious recording of the band: an introspective journey into the darkest tradition of rock and extreme metal is hidden,
18 minutes of oppression and mysticism contained in a single track...



..::TRACK-LIST::..

1. Pillars of Salt 18:23



..::OBSADA::..

Morg - Bass
Virus - Drums
Balc - Vocals, Guitars



https://www.youtube.com/watch?v=Lq_ZYvU2v10



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Bez wątpienia 'Pillars of Salt' to bardzo przemyślane i świetnie wykonane dzieło. BALMOG doskonale wiedzą, co chcą osiągnąć swoją muzyką, tworząc tak potężny, rozległy, surrealistyczny i mroczny album, nie trzymając się żadnych reguł.
Dzięki takiemu nastawieniu osiągnęli coś całkowicie surrealistycznego, enigmatycznego i tajemniczego, co przyciągnie słuchaczy ze wszystkich kręgów metalowej społeczności.



The most ambitious recording of the band: an introspective journey into the darkest tradition of rock and extreme metal is hidden,
18 minutes of oppression and mysticism contained in a single track...



..::TRACK-LIST::..

1. Pillars of Salt 18:23



..::OBSADA::..

Morg - Bass
Virus - Drums
Balc - Vocals, Guitars



https://www.youtube.com/watch?v=Lq_ZYvU2v10



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Album, który łączy w sobie melodyjność i atmosferę, progresywność i technikę. Słychać progresywne riffy The Faceless, marzycielskie brzmienie gitary prowadzącej w najbardziej eterycznych fragmentach Fallujah i techniczną brutalność Archspire, bez popadania w ich złożoność ani szaleńczy styl.
Ale można też usłyszeć bardziej jazzowe instrumentalne wyrafinowanie à la Cynic, dyskretne, ale efektowne syntezatory à la Equipoise i kilka ukrytych nut, przeważnie nastrojowego, a zarazem kosmicznego BM... Chyba Strigae, ale szczerze mówiąc, nie wiem dlaczego...

Potencjał w ich twórczości jest absolutny, wystarczy znaleźć sposób, by przekształcić ją w coś bardzo wyjątkowego...



French technical death metal band The Scalar Process have put together a sublime full length album imbibing everything great about the style and keeping a human element to not render it too mechanical. This is a highly flamboyant excursion into the realm, brought about with gusto and fervour, exploring various sinuous pathways and atmospheric passages, and leaving a lasting impression at the end of it all. Few albums can pull off this kind of poise and execution, straddling myriad moods and also not meandering long enough to lose momentum; the album remains suitably aggressive without losing the emotive value. This is for fans of bands such as Coexistence on the label, along with genre stalwarts such as The Zenith Passage, Beyond Creation, Archspire and more, upholding the standards and bringing their own to the table. The future is bright for this promising young band whose debut should go down as one of the finest in the genre in recent times.



..::TRACK-LIST::..

1. Elevation 02:03
2. Cosmic Flow 04:21
3. Ink Shadow 04:28
4. Celestial Existence 05:37
5. Mirror Cognition 03:43
6. Poisoned Fruit 05:11
7. Azimuth 04:15
8. Beyond The Veil Of Consciousness 05:09
9. Ouroboros 01:36
10. Coagulative Matter 11:05
11. Somnambulation 02:24



..::OBSADA::..

Eloi Nicod - Guitars, Composition
Mathieu Lefevre - Vocals
Clement Denys - Drums

Guest:
Clement Denys (FRACTAL UNIVERSE) - Session drums for the album
Scott Carstairs (FALLUJAH) - Guest Solo on Ink Shadow
Mark Garrett (KARDASHEV, VIRAEMIA) - Guest vocals on Mirror Cognition
Enlia - Female choirs on Azimuth
Tommy Bonnevialle (VIRULENT DEPRAVITY, DEATHAWAITS) - Guest piano solo on Coagulative Matter




https://www.youtube.com/watch?v=p74KMX9ccp4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Album, który łączy w sobie melodyjność i atmosferę, progresywność i technikę. Słychać progresywne riffy The Faceless, marzycielskie brzmienie gitary prowadzącej w najbardziej eterycznych fragmentach Fallujah i techniczną brutalność Archspire, bez popadania w ich złożoność ani szaleńczy styl.
Ale można też usłyszeć bardziej jazzowe instrumentalne wyrafinowanie à la Cynic, dyskretne, ale efektowne syntezatory à la Equipoise i kilka ukrytych nut, przeważnie nastrojowego, a zarazem kosmicznego BM... Chyba Strigae, ale szczerze mówiąc, nie wiem dlaczego...

Potencjał w ich twórczości jest absolutny, wystarczy znaleźć sposób, by przekształcić ją w coś bardzo wyjątkowego...



French technical death metal band The Scalar Process have put together a sublime full length album imbibing everything great about the style and keeping a human element to not render it too mechanical. This is a highly flamboyant excursion into the realm, brought about with gusto and fervour, exploring various sinuous pathways and atmospheric passages, and leaving a lasting impression at the end of it all. Few albums can pull off this kind of poise and execution, straddling myriad moods and also not meandering long enough to lose momentum; the album remains suitably aggressive without losing the emotive value. This is for fans of bands such as Coexistence on the label, along with genre stalwarts such as The Zenith Passage, Beyond Creation, Archspire and more, upholding the standards and bringing their own to the table. The future is bright for this promising young band whose debut should go down as one of the finest in the genre in recent times.



..::TRACK-LIST::..

1. Elevation 02:03
2. Cosmic Flow 04:21
3. Ink Shadow 04:28
4. Celestial Existence 05:37
5. Mirror Cognition 03:43
6. Poisoned Fruit 05:11
7. Azimuth 04:15
8. Beyond The Veil Of Consciousness 05:09
9. Ouroboros 01:36
10. Coagulative Matter 11:05
11. Somnambulation 02:24



..::OBSADA::..

Eloi Nicod - Guitars, Composition
Mathieu Lefevre - Vocals
Clement Denys - Drums

Guest:
Clement Denys (FRACTAL UNIVERSE) - Session drums for the album
Scott Carstairs (FALLUJAH) - Guest Solo on Ink Shadow
Mark Garrett (KARDASHEV, VIRAEMIA) - Guest vocals on Mirror Cognition
Enlia - Female choirs on Azimuth
Tommy Bonnevialle (VIRULENT DEPRAVITY, DEATHAWAITS) - Guest piano solo on Coagulative Matter




https://www.youtube.com/watch?v=p74KMX9ccp4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Mini-album chilijskiego Apostasy!
Archaiczny i pełen 'uroku' thrash/speed metal z wpływem starszych rodaków z Sadism, Torturer czy Pentagram.



..::TRACK-LIST::..

1. The Great Damnation 01:23
2. Virgin Sacrifice 05:01
3. Strike of the Tormentor 06:25
4. Blackened by Lust 03:07



..::OBSADA::..

Cris Profaner - Vocals, Bass, Rythm Guitars, Keyboards
Skullfukk - Drums
Sebastarot - Guitar Solos
Felipe Steele - Guitar Solos




https://www.youtube.com/watch?v=QywlIZJkMqg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Mini-album chilijskiego Apostasy!
Archaiczny i pełen 'uroku' thrash/speed metal z wpływem starszych rodaków z Sadism, Torturer czy Pentagram.



..::TRACK-LIST::..

1. The Great Damnation 01:23
2. Virgin Sacrifice 05:01
3. Strike of the Tormentor 06:25
4. Blackened by Lust 03:07



..::OBSADA::..

Cris Profaner - Vocals, Bass, Rythm Guitars, Keyboards
Skullfukk - Drums
Sebastarot - Guitar Solos
Felipe Steele - Guitar Solos




https://www.youtube.com/watch?v=QywlIZJkMqg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Druga płyta w serii Jazz Legends "Friday Night at the Village Vanguard” to nagranie koncertu live. Został on zarejestrowany w styczniu 1985 roku w Village Vanguard, jednym z najbardziej znanych i prestiżowych klubów jazzowych Nowego Jorku.

W nagraniach udział wzięli wybitni muzycy: Ron Carter, Mike Gerber, Lenny White i Michał Urbaniak. Płyta zostały opatrzone niezwykle interesującym komentarzem znanego krytyka muzycznego – Mike’a Hennesseya.

Urbaniak wspomina te nagrania: 'Zagranie w Village Vanguard jest jednym z największych marzeń każdego muzyka jazzowego. Mnie udało się zagrać tam kilka razy, na dodatek z najlepszą sekcją rytmiczną na świecie. Mam nadzieję, że nagrania z piątkowej i sobotniej nocy w Village, przyniosą wszystkim słuchaczom wiele pozytywnych emocji, jakie mi towarzyszyły podczas tamtych koncertów. Życzę miłego odbioru!'.



..::TRACK-LIST::..

1. Softly As In Morning Sunrise (Oscar Hammerstein II/Sigmund Romberg) 7:27
2. In Your Own Sweet Way (Dave Brubeck) 12:21
3. A Child Is Born (Thad Jones) 7:06
4. Sister Sadie (Horace Silver) 9:04
5. Cafe Mirage (Michał Urbaniak) 7:49
6. Harvest (Michał Urbaniak) 7:29
7. Blues No Blues (Michał Urbaniak) 9:42
8. Outbound (Mi9chał Urbaniak) 7:50



..::OBSADA::..

Michał Urbaniak - violin
Ron Carter - bass
Mike Gerber - piano
Lenny White - drums




https://www.youtube.com/watch?v=mWgfA07iEfQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Druga płyta w serii Jazz Legends "Friday Night at the Village Vanguard” to nagranie koncertu live. Został on zarejestrowany w styczniu 1985 roku w Village Vanguard, jednym z najbardziej znanych i prestiżowych klubów jazzowych Nowego Jorku.

W nagraniach udział wzięli wybitni muzycy: Ron Carter, Mike Gerber, Lenny White i Michał Urbaniak. Płyta zostały opatrzone niezwykle interesującym komentarzem znanego krytyka muzycznego – Mike’a Hennesseya.

Urbaniak wspomina te nagrania: 'Zagranie w Village Vanguard jest jednym z największych marzeń każdego muzyka jazzowego. Mnie udało się zagrać tam kilka razy, na dodatek z najlepszą sekcją rytmiczną na świecie. Mam nadzieję, że nagrania z piątkowej i sobotniej nocy w Village, przyniosą wszystkim słuchaczom wiele pozytywnych emocji, jakie mi towarzyszyły podczas tamtych koncertów. Życzę miłego odbioru!'.



..::TRACK-LIST::..

1. Softly As In Morning Sunrise (Oscar Hammerstein II/Sigmund Romberg) 7:27
2. In Your Own Sweet Way (Dave Brubeck) 12:21
3. A Child Is Born (Thad Jones) 7:06
4. Sister Sadie (Horace Silver) 9:04
5. Cafe Mirage (Michał Urbaniak) 7:49
6. Harvest (Michał Urbaniak) 7:29
7. Blues No Blues (Michał Urbaniak) 9:42
8. Outbound (Mi9chał Urbaniak) 7:50



..::OBSADA::..

Michał Urbaniak - violin
Ron Carter - bass
Mike Gerber - piano
Lenny White - drums




https://www.youtube.com/watch?v=mWgfA07iEfQ



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Scorpions - MTV Unplugged in Athens
---------------------------------------------------------------------

Artist...............: Scorpions
Album................: MTV Unplugged in Athens
Genre................: Rock
Source...............: CD
Year.................: 2013
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Sony Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Scorpions - Send Me An Angel [03:56]
2. Scorpions - Where The River Flows [04:00]
3. Scorpions - Passion Rules The Game [05:45]
4. Scorpions - Rock You Like A Hurricane [04:57]
5. Scorpions - Hit Between The Eyes [04:45]
6. Scorpions - Rock 'N' Roll Band [04:32]
7. Scorpions - Blackout [04:49]
8. Scorpions - Still Loving You [03:50]
9. Scorpions - Big City Nights [04:38]
10. Scorpions - Wind Of Change [05:25]
11. Scorpions - No One Like You [04:37]
12. Scorpions - When The Smoke Is Going Down [03:47]

Playing Time.........: 55:05
Total Size...........: 342,73 MB

..::INFO::..

---------------------------------------------------------------------
Aerosmith - Unplugged 1990
---------------------------------------------------------------------

Artist...............: Aerosmith
Album................: Unplugged 1990
Genre................: Rock
Source...............: CD
Year.................: 2017
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Zip City

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Aerosmith - Hangman Jury [06:31]
2. Aerosmith - Monkey On My Back [04:46]
3. Aerosmith - Love Me Two Times [03:28]
4. Aerosmith - Seasons Of Wither [05:14]
5. Aerosmith - Big Ten Inch Record [03:55]
6. Aerosmith - One Way Street [05:32]
7. Aerosmith - Smokestack Lightning [03:12]
8. Aerosmith - Dream On [04:41]
9. Aerosmith - Milk Cow Blues [05:41]
10. Aerosmith - Toys In The Attic [04:09]
11. Aerosmith - Walkin' The Dog [04:07]
12. Aerosmith - Train Kept A-Rollin' [03:56]
13. Aerosmith - Train Kept A-Rollin' (Slow version) [03:09]
14. Aerosmith - Last Child [04:47]

Playing Time.........: 01:03:14
Total Size...........: 403,96 MB

...( Info )...
Artist: Various
Album: The Age Of Atlantic
Genre: Rock
Release: 1970
Format: Vinyl, LP, Album
Audio codec: Mp3 320 kbps

...( TrackList )...
A1. Delaney & Bonnie – Comin' Home
A2. MC5 – Tonight
A3. Allman Brothers Band – Black Hearted Woman
A4. Yes – Survival
A5. Cold Blood – I'm A Good Woman
A6. Led Zeppelin – Whole Lotta Love
B1. Iron Butterfly – Termination
B2. Dada – Last Time
B3. Led Zeppelin – Communication Breakdown
B4. Dr. John – Wash Mama Wash
B5. Vanilla Fudge – Need Love
B6. Buffalo Springfield – Broken Arrow

„The Age of Atlantic” to jedna z tych kompilacji, które doskonale oddają ducha rocka z początku lat 70. Wydana w 1970 roku przez Atlantic Records, była czymś więcej niż tylko zbiorem utworów – to była brama do świata rocka progresywnego i undergroundowego dla pokolenia słuchaczy. W czasach, gdy albumy były drogie, ten sampler był przystępnym cenowo sposobem dla fanów na odkrywanie nowych artystów i zapoznał wielu z zespołami, które miały zdefiniować tę erę.

W składzie albumu znajdują się zarówno uznane nazwiska, jak i wschodzące gwiazdy, łącząc hard rock, blues rock i psychodeliczne wpływy w spójne doświadczenie słuchowe. Utwory Led Zeppelin, Yes, Iron Butterfly i Buffalo Springfield dodają mu wiarygodności, a mniej znani artyści dodają mu elementu odkrywczego. Rozkładana okładka albumu, zaprojektowana w zabawnej plastelinowej estetyce, dodaje mu uroku, czyniąc go zarówno przedmiotem kolekcjonerskim, jak i muzycznym przeżyciem. Poza swoim historycznym znaczeniem, „The Age of Atlantic” pozostaje fascynującą lekturą. To migawka z czasów, gdy rock ewoluował, przekraczał granice i zdobywał nowych odbiorców. Niezależnie od tego, czy wracasz do niego z nostalgią, czy słuchasz go po raz pierwszy, przypomina Ci, jak takie kompilacje kształtowały gusta muzyczne i przybliżały słuchaczom legendy jutra. Jeśli kochasz klasycznego rocka, warto poznać tę kompilację.