...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

This shit is like fucking candy. Exxplorer's unknown classic "Symphonies Of Steel" is filled to the brim with metal goodness. Perhaps maybe a little bit "too full". This album is like those beakers in high school that you filled with water and then tossed a little weight in and watched as the water over flowed. This beaker must be filled with a bizarre liquid, because if my facial expression was the meniscus, I would be frowning at one moment and smiling the next. I go from loving every note that comes from Ed Lavolpe's twittering fingers to hanging my head in shame at other moments as Exxplorer try too hard, make amateur mistakes and/or mock the very song they are so intimately involved with.

While Ed Lavolpe's guitar playing is nothing to frown at, his tone could use a small kick in its bony ass. Fellow axeman Kevin Kennedy is in tow with talent and a general lack of heaviness. The guitars have a vintage sound to them that anyone could enjoy but a slight tonal adjustment would leave one to face a slightly angrier bear. Both rip through a scattering of dual leads and solos across the album. Lenny Rizzo's vocals are decent though varied throughout the album. His vocals in "Going To Hell" are prepubescent. He could be singing this song while having his braces adhered to his front teeth. He makes up for this in the "Objection Overruled" duo where he sounds like Paul DiAnno on the mellow songs on Iron Maiden's self titled. Rizzo's vocals have a natural reverb to them that fills in some of the space they lack. He has the range but the power isn't there at times. Jimmy Gardner's bass playing is fantastic throughout the album and really helps the album matter. He has that 80's bass style down pat. He has a really good tone and is tight throughout the album. Mike Moyer's drums are typical and nothing special but he lays a strong foundation and pounds out some noticeable fills.

The album's songs are generally awesome. Opener "City Streets" is a memorable and standard metal tune with a great solo and those old school riffs that no one can live without. It's got plenty of headbanging moments and will make you want to romp around your room while being careful not to make the phonograph skip. "Run For Tomorrow" is, for me, the album's highlight with a great flow after the intro, which, as far as I'm concerned, is a few measures too long, and a powerful essence which leaves me wishing the song was just slightly longer. The band's namesake track chugs and gallops though never amounts to much - a let down because the opportunities were there. Cool solo though. "Metal Detectors" is stuck in my mind as the finest example of metal's acknowledgment of its own image. It's a song we've all heard before, talking about all those things metal talks about. You know...metal, steel... With lines like these, Manowar can sit proudly and smile at their disciples. "I'm hungry for metal, I'm searchin' for steel" or "The power of metal, is driving you near" and "Our numbers are growing, like a metal storm" And my favorite... "Don't let them tell you that metal is dead, they listen to Springsteen, it's gone to their head." Eric Adams would be enthralled with this track.

The two tracks / segments which form the "Objection Overruled" section of the album are no lackluster pieces of crap. The the first part is mainly slow, raunchy and doomy until the last two minutes. Basically, I would compare this entire track to "Strange World" or "Remember Tomorrow." I also get a hint of Geddy Lee in the vocals along with DiAnno. Rizzo's vocals are on full display here and they are wearing a fucking full patch covered tuxedo (damn I want one of those!). While the track picks up pace in the second half, It still maintains a general mid paced tempo and has the albums best solo section as well. This is as good as any of Fates Warning's B-sides. It ain't "Fata Morgana" or "Guardian" but I like it just as much as "Giant's Lore" or "Orphan Gypsy."

The field has some stumps though. The only-piano second track "Prelusion" is placed terribly and really doesn't prelude anything. It shares a theme that returns at the end of "Run For Tomorrow" though I'm left wondering who had the idea that a four minute piano piece as the second track on the album would help pacing and move the album along. Granted, the piano piece is really good, it just doesn't belong there. Fourth track "World War III" is a ballad. Yeah, they were all the rage at the time and the lyrics really aren't entirely about people dying, machine guns and German bombers dropping their payload on England's Anderson shelters but the song just drags. "Going to Hell" is the album's weakest track by more than a longshot. Rizzo's vocals sound stolen from Jane's Addiction. The song's lacks much drive and though a generally good riff appears once or twice, it is lost amidst awkward chord choices. A skipper if I ever heard one.

Still, of all the traditional metal that came out of New Jersey or the USA in general, for 1985, this was out there and tried to stand apart from the pack of NWOBHM imitators. If you're still skeptical that this is really that good, take note that this was originally released by the same label putting out the classic Manilla Road albums. That should be word enough that this is a worthy forged piece of metal. And Exxplorer is still fucking exxploring! Check these guys out if you get a chance, I have a feeling you will feel like it was 1986 again. Don't forget your denim and leather though, or you won't be allowed to enter.

... or raise your fists in the air and shout "The metal detectors are losing control!!!!"

Orionmetalhead



..::TRACK-LIST::..

CD X - Album Remastered By Achim Koehler:
1. City Streets 3:45
Vocals - Lenny Rizzo

2. Prelusion 1:54
Piano - Jennifer Sakowski

3. Run For Tomorrow 4:55
Vocals - Lenny Rizzo

4. Exxplorer 4:19
Vocals - Armondo Diaz

5. World War III 4:26
Vocals - Armondo Diaz

6. Going To Hell 5:13
Vocals - Armondo Diaz

7. Objection Overruled : A) Guilty As Charged 7:11
Vocals - Lenny Rizzo

8. Objection Overruled : B) Phantasmagoria 4:50
Vocals - Lenny Rizzo

9. Metal Detectors 4:33
Vocals - Lenny Rizzo

10. X-Termination 3:33
Vocals - Armondo Diaz



CD XX - Symphonies Of Steel Bonus Tracks (2000) + The Flying Dutchman Demo (1985):
1. The Magic Hills (Demo 2000) 5:47
Vocals - Jim Abbiati

2. Man From Nowhere (Demo 2000) 5:49
Vocals - Jim Abbiati

3. The Cycle (Demo 2000) 4:59
Vocals - Jim Abbiati

4. You Made Me Live (Demo 2000) 6:11
Vocals - Jim Abbiati

5. The Flying Dutchman (The Flying Dutchman Demo) 6:05
Vocals - Lenny Rizzo

6. Forgotten Warrior (The Flying Dutchman Demo) 6:20
Vocals - Lenny Rizzo

7. One (The Flying Dutchman Demo) 3:32
Vocals - Lenny Rizzo



..::OBSADA::..

Mike Moyer - Drums
Ed LaVolpe - Guitars, Guitars (classical)
Kevin 'Koncrete' Kennedy - Guitars (12-string), Guitars
Jimmy G. - Vocals (additional), Bass
Lennie 'Big Daddy' Rizzo - Vocals




https://www.youtube.com/watch?v=lgg2FXe5ZQE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

This shit is like fucking candy. Exxplorer's unknown classic "Symphonies Of Steel" is filled to the brim with metal goodness. Perhaps maybe a little bit "too full". This album is like those beakers in high school that you filled with water and then tossed a little weight in and watched as the water over flowed. This beaker must be filled with a bizarre liquid, because if my facial expression was the meniscus, I would be frowning at one moment and smiling the next. I go from loving every note that comes from Ed Lavolpe's twittering fingers to hanging my head in shame at other moments as Exxplorer try too hard, make amateur mistakes and/or mock the very song they are so intimately involved with.

While Ed Lavolpe's guitar playing is nothing to frown at, his tone could use a small kick in its bony ass. Fellow axeman Kevin Kennedy is in tow with talent and a general lack of heaviness. The guitars have a vintage sound to them that anyone could enjoy but a slight tonal adjustment would leave one to face a slightly angrier bear. Both rip through a scattering of dual leads and solos across the album. Lenny Rizzo's vocals are decent though varied throughout the album. His vocals in "Going To Hell" are prepubescent. He could be singing this song while having his braces adhered to his front teeth. He makes up for this in the "Objection Overruled" duo where he sounds like Paul DiAnno on the mellow songs on Iron Maiden's self titled. Rizzo's vocals have a natural reverb to them that fills in some of the space they lack. He has the range but the power isn't there at times. Jimmy Gardner's bass playing is fantastic throughout the album and really helps the album matter. He has that 80's bass style down pat. He has a really good tone and is tight throughout the album. Mike Moyer's drums are typical and nothing special but he lays a strong foundation and pounds out some noticeable fills.

The album's songs are generally awesome. Opener "City Streets" is a memorable and standard metal tune with a great solo and those old school riffs that no one can live without. It's got plenty of headbanging moments and will make you want to romp around your room while being careful not to make the phonograph skip. "Run For Tomorrow" is, for me, the album's highlight with a great flow after the intro, which, as far as I'm concerned, is a few measures too long, and a powerful essence which leaves me wishing the song was just slightly longer. The band's namesake track chugs and gallops though never amounts to much - a let down because the opportunities were there. Cool solo though. "Metal Detectors" is stuck in my mind as the finest example of metal's acknowledgment of its own image. It's a song we've all heard before, talking about all those things metal talks about. You know...metal, steel... With lines like these, Manowar can sit proudly and smile at their disciples. "I'm hungry for metal, I'm searchin' for steel" or "The power of metal, is driving you near" and "Our numbers are growing, like a metal storm" And my favorite... "Don't let them tell you that metal is dead, they listen to Springsteen, it's gone to their head." Eric Adams would be enthralled with this track.

The two tracks / segments which form the "Objection Overruled" section of the album are no lackluster pieces of crap. The the first part is mainly slow, raunchy and doomy until the last two minutes. Basically, I would compare this entire track to "Strange World" or "Remember Tomorrow." I also get a hint of Geddy Lee in the vocals along with DiAnno. Rizzo's vocals are on full display here and they are wearing a fucking full patch covered tuxedo (damn I want one of those!). While the track picks up pace in the second half, It still maintains a general mid paced tempo and has the albums best solo section as well. This is as good as any of Fates Warning's B-sides. It ain't "Fata Morgana" or "Guardian" but I like it just as much as "Giant's Lore" or "Orphan Gypsy."

The field has some stumps though. The only-piano second track "Prelusion" is placed terribly and really doesn't prelude anything. It shares a theme that returns at the end of "Run For Tomorrow" though I'm left wondering who had the idea that a four minute piano piece as the second track on the album would help pacing and move the album along. Granted, the piano piece is really good, it just doesn't belong there. Fourth track "World War III" is a ballad. Yeah, they were all the rage at the time and the lyrics really aren't entirely about people dying, machine guns and German bombers dropping their payload on England's Anderson shelters but the song just drags. "Going to Hell" is the album's weakest track by more than a longshot. Rizzo's vocals sound stolen from Jane's Addiction. The song's lacks much drive and though a generally good riff appears once or twice, it is lost amidst awkward chord choices. A skipper if I ever heard one.

Still, of all the traditional metal that came out of New Jersey or the USA in general, for 1985, this was out there and tried to stand apart from the pack of NWOBHM imitators. If you're still skeptical that this is really that good, take note that this was originally released by the same label putting out the classic Manilla Road albums. That should be word enough that this is a worthy forged piece of metal. And Exxplorer is still fucking exxploring! Check these guys out if you get a chance, I have a feeling you will feel like it was 1986 again. Don't forget your denim and leather though, or you won't be allowed to enter.

... or raise your fists in the air and shout "The metal detectors are losing control!!!!"

Orionmetalhead



..::TRACK-LIST::..

CD X - Album Remastered By Achim Koehler:
1. City Streets 3:45
Vocals - Lenny Rizzo

2. Prelusion 1:54
Piano - Jennifer Sakowski

3. Run For Tomorrow 4:55
Vocals - Lenny Rizzo

4. Exxplorer 4:19
Vocals - Armondo Diaz

5. World War III 4:26
Vocals - Armondo Diaz

6. Going To Hell 5:13
Vocals - Armondo Diaz

7. Objection Overruled : A) Guilty As Charged 7:11
Vocals - Lenny Rizzo

8. Objection Overruled : B) Phantasmagoria 4:50
Vocals - Lenny Rizzo

9. Metal Detectors 4:33
Vocals - Lenny Rizzo

10. X-Termination 3:33
Vocals - Armondo Diaz



CD XX - Symphonies Of Steel Bonus Tracks (2000) + The Flying Dutchman Demo (1985):
1. The Magic Hills (Demo 2000) 5:47
Vocals - Jim Abbiati

2. Man From Nowhere (Demo 2000) 5:49
Vocals - Jim Abbiati

3. The Cycle (Demo 2000) 4:59
Vocals - Jim Abbiati

4. You Made Me Live (Demo 2000) 6:11
Vocals - Jim Abbiati

5. The Flying Dutchman (The Flying Dutchman Demo) 6:05
Vocals - Lenny Rizzo

6. Forgotten Warrior (The Flying Dutchman Demo) 6:20
Vocals - Lenny Rizzo

7. One (The Flying Dutchman Demo) 3:32
Vocals - Lenny Rizzo



..::OBSADA::..

Mike Moyer - Drums
Ed LaVolpe - Guitars, Guitars (classical)
Kevin 'Koncrete' Kennedy - Guitars (12-string), Guitars
Jimmy G. - Vocals (additional), Bass
Lennie 'Big Daddy' Rizzo - Vocals




https://www.youtube.com/watch?v=lgg2FXe5ZQE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Hell's Most Wanted Couple!

Meet BÖSE FUCHS, the extravagant metal project fueled by the undeniable chemistry of Valeria and Max Nash. The power couple is bringing fierce energy, relentless passion and a provocative sound that’s as bold as it is unforgettable.

BÖSE FUCHS delivers a rebellious sound that defies genre constraints. Their dynamic interplay of intense shouts, fierce riffs, and pounding drums creates a sonic experience that’s equally alluring and defiant. Leading the charge, Valeria and Max’s unbreakable partnership not only elevates their music but also cements them as a beacon of originality in the metal world, inspiring listeners who crave something raw and real.

Together, they’re taking the metal world by storm, proving that love and passion can create something truly unstoppable.



..::TRACK-LIST::..

1. Gaya (feat. Johnny Soulbound) 03:04
2. Lullaby 01:32
3. Lullaby Lake 03:21
4. Bloody Nose 02:28
5. Who's Your Purple? 03:54



https://www.youtube.com/watch?v=IgNAsWOoUr8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Everyone talked about our artiness and our unlikeableness, people completely ignored for decades me saying, ‘We’re a pop band’.' David Thomas

With ‘Pennsylvania,’ Pere Ubu welcome you to a barely recognisable secret country drawn out of its own spectral geography… This is much more than just music.

'[Pere Ubu] were still creating great works of abstract art, pushing the limits of rock ‘n’ roll to twist into avant-garde explorations of the darkest recesses of the human mind' Classic Rock

'From the beginning they obviously understood the nuts and bolts of popular music, and then loosened them.' Mojo



Pere Ubu…post punk merry pranksters hailing from the industrial wastelands of Columbus, Ohio, who released a series of classic singles and a clutch of essential albums before imploding under a cloud of bubbly enforced glee and the departure of genius guitarist Tom Herman to work on oil rigs, only to resurface and resurrect themselves, declaring themselves originators of the “Avant-Garage” sound, and worming their way into and out of the American heartlands, weaving tales as surreal as Don Van Vliet’s musings. It’s no surprise then to find them taking a road trip through this vast landscape in the form of a concept album. Taking inspiration from Conrad’s “Heart Of Darkness”, via their own tribute single when they were simply ‘looking into the heart of darkness’, back in 1998 they took the plunge, first journeying through Pennsylvania, then in 2002 Arkansas, releasing 2 conceptual albums reflecting the world like the mirrors on the front cover of 1982’s “Song of the Bailing Man”. After a 20 year absence Tom Herman returned to the fold for these 2 projects.

They really know how to do atmosphere. From 1978’s Dub Housing and “Sentimental Journey” right through to “Monday Morning” they capture the unease of a strange place easily as well as David Lynch. I’m surprised they haven’t crossed paths actually. After all, the industrial scapes of Eraserhead were meant to reflect the wastelands of Ohio and Pennsylvania, and the lead character and lead singer David Thomas had an uncanny likeness, especially when Pere Ubu first hit these shores, wearing a black suit with thin tie and crazy curly black hair, bashing away at bits of metal and wailing unintelligibly. He’s got less hair these days but he’s lost none of the presence. He’s no more intelligible than he ever was but sometimes words defeat the object, and detract rather than enhance the stories being told… and that’s the thing – they are all stories. Stories of the American hinterland – scraps of paper, scribbled notes in a well worn notebook, small creased blurred pictures of an unidentifiable landscape. The contents of a tramp’s pocket. The things left behind in an abandoned house. The songs curl like smoke from the greasy remains of a long used hot plate at the back of an American diner that last saw a lick of paint back when I Love Lucy was all the rage.

‘Art exists to at once reveal secrets and to preserve them’ said Pere Ubu front man David Thomas, and these stories reveal everything and nothing about the half forgotten back door swathes of middle America and its inhabitants, from map reading travelogues to overheard snippets of conversation along the way. ‘All across “Pennsylvania,” people turn off the main roads and find themselves in towns whose names they can’t remember’. A lot of these songs contain a dark menacing quality, probably exacerbated by the fact that the band themselves look a little like the extremely dysfunctional family in Texas Chainsaw Massacre where the local garage sells unspecified meat, and don’t stop for hitchhikers whatever you do. In other places you can feel the dust at the back of the throat as you step into a friendly roadside shack for a welcome break, Pennsylvania contains these juxtapositions, from the Beefheart/Cooder country knees-up of “Sad.txt” and “Fly’s Eye” to the Lynchian cinemascope of “Woolie Bullie” and the nightmarish film noir of “Perfume”, with its wobbly auto tune lending itself very well to the wobbliness of the vocal.

Four years later came the second instalment St. Arkansas which takes an even stranger turn as they head further in to the darklands. The autotune wobble makes further headway tipping the vocals into a strange mania, a fever dream of memory and unsavoury characters flitting by on the roadside, and strange laughter in the night from a neon lit motel room. If Pennsylvania was Lynch’s The Straight Story, a fairly normal, though eccentric journey by daylight, then this is Lost Highway… surreal and unsettling and mysterious. ‘I drove the route and wrote down what the Road was telling me’ says David Thomas, the routes being Interstate 40 which runs the breadth of the US, and Route 49, the road where Robert Johnson sold his soul to the devil at the crossroads. There’s even a song on here called “Hell” so the road seems to be keeping the same company.

These two classics have long deserved a vinyl release and finally it’s happening. The folks at Fire Records are re-issuing a lot of their back catalogue and these two records are a fine addition to their work, especially on lovely coloured vinyl, appropriately light and then dark blue. If you aren’t familiar with Pere Ubu then it’s really not a bad place to start. If however, like me, you’re a massive fan of their earlier work but don’t know the later stuff as well as you might then get these and play them to death. You will find they have lost none of their effervescence, their playfulness and their despair.

Andrew Wood



..::TRACK-LIST::..

Woolie Bullie
Hightwaterville
SAD.TXT
Urban Lifestyle
Silent Spring
Mr Wheeler
Muddy Waters
Slow
Drive
Indian Giver
Monday Morning
Perfume
Fly's Eye
The Duke's Saharan Ambitions
Wheelhouse

Fly's Eye (alt. mix)
My Name is ... (live)
SAD.TXT (live)
Dr Sax (outtake)



..::OBSADA::..

David Thomas - vocals, organ ('Woolie Bullie'), virtual voices ('My Name Is...')
Tom Herman - guitar, bass, tack piano, snare percussion
Jim Jones - guitar, bass, organ
Robert Wheeler - EML & digital synthesizers, theremin, organ
Michele Temple - bass, guitar, organ, piano
Steve Mehlman - drums, percussion




https://www.youtube.com/watch?v=VHcSVtykEos



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Everyone talked about our artiness and our unlikeableness, people completely ignored for decades me saying, ‘We’re a pop band’.' David Thomas

With ‘Pennsylvania,’ Pere Ubu welcome you to a barely recognisable secret country drawn out of its own spectral geography… This is much more than just music.

'[Pere Ubu] were still creating great works of abstract art, pushing the limits of rock ‘n’ roll to twist into avant-garde explorations of the darkest recesses of the human mind' Classic Rock

'From the beginning they obviously understood the nuts and bolts of popular music, and then loosened them.' Mojo



Pere Ubu…post punk merry pranksters hailing from the industrial wastelands of Columbus, Ohio, who released a series of classic singles and a clutch of essential albums before imploding under a cloud of bubbly enforced glee and the departure of genius guitarist Tom Herman to work on oil rigs, only to resurface and resurrect themselves, declaring themselves originators of the “Avant-Garage” sound, and worming their way into and out of the American heartlands, weaving tales as surreal as Don Van Vliet’s musings. It’s no surprise then to find them taking a road trip through this vast landscape in the form of a concept album. Taking inspiration from Conrad’s “Heart Of Darkness”, via their own tribute single when they were simply ‘looking into the heart of darkness’, back in 1998 they took the plunge, first journeying through Pennsylvania, then in 2002 Arkansas, releasing 2 conceptual albums reflecting the world like the mirrors on the front cover of 1982’s “Song of the Bailing Man”. After a 20 year absence Tom Herman returned to the fold for these 2 projects.

They really know how to do atmosphere. From 1978’s Dub Housing and “Sentimental Journey” right through to “Monday Morning” they capture the unease of a strange place easily as well as David Lynch. I’m surprised they haven’t crossed paths actually. After all, the industrial scapes of Eraserhead were meant to reflect the wastelands of Ohio and Pennsylvania, and the lead character and lead singer David Thomas had an uncanny likeness, especially when Pere Ubu first hit these shores, wearing a black suit with thin tie and crazy curly black hair, bashing away at bits of metal and wailing unintelligibly. He’s got less hair these days but he’s lost none of the presence. He’s no more intelligible than he ever was but sometimes words defeat the object, and detract rather than enhance the stories being told… and that’s the thing – they are all stories. Stories of the American hinterland – scraps of paper, scribbled notes in a well worn notebook, small creased blurred pictures of an unidentifiable landscape. The contents of a tramp’s pocket. The things left behind in an abandoned house. The songs curl like smoke from the greasy remains of a long used hot plate at the back of an American diner that last saw a lick of paint back when I Love Lucy was all the rage.

‘Art exists to at once reveal secrets and to preserve them’ said Pere Ubu front man David Thomas, and these stories reveal everything and nothing about the half forgotten back door swathes of middle America and its inhabitants, from map reading travelogues to overheard snippets of conversation along the way. ‘All across “Pennsylvania,” people turn off the main roads and find themselves in towns whose names they can’t remember’. A lot of these songs contain a dark menacing quality, probably exacerbated by the fact that the band themselves look a little like the extremely dysfunctional family in Texas Chainsaw Massacre where the local garage sells unspecified meat, and don’t stop for hitchhikers whatever you do. In other places you can feel the dust at the back of the throat as you step into a friendly roadside shack for a welcome break, Pennsylvania contains these juxtapositions, from the Beefheart/Cooder country knees-up of “Sad.txt” and “Fly’s Eye” to the Lynchian cinemascope of “Woolie Bullie” and the nightmarish film noir of “Perfume”, with its wobbly auto tune lending itself very well to the wobbliness of the vocal.

Four years later came the second instalment St. Arkansas which takes an even stranger turn as they head further in to the darklands. The autotune wobble makes further headway tipping the vocals into a strange mania, a fever dream of memory and unsavoury characters flitting by on the roadside, and strange laughter in the night from a neon lit motel room. If Pennsylvania was Lynch’s The Straight Story, a fairly normal, though eccentric journey by daylight, then this is Lost Highway… surreal and unsettling and mysterious. ‘I drove the route and wrote down what the Road was telling me’ says David Thomas, the routes being Interstate 40 which runs the breadth of the US, and Route 49, the road where Robert Johnson sold his soul to the devil at the crossroads. There’s even a song on here called “Hell” so the road seems to be keeping the same company.

These two classics have long deserved a vinyl release and finally it’s happening. The folks at Fire Records are re-issuing a lot of their back catalogue and these two records are a fine addition to their work, especially on lovely coloured vinyl, appropriately light and then dark blue. If you aren’t familiar with Pere Ubu then it’s really not a bad place to start. If however, like me, you’re a massive fan of their earlier work but don’t know the later stuff as well as you might then get these and play them to death. You will find they have lost none of their effervescence, their playfulness and their despair.

Andrew Wood



..::TRACK-LIST::..

Woolie Bullie
Hightwaterville
SAD.TXT
Urban Lifestyle
Silent Spring
Mr Wheeler
Muddy Waters
Slow
Drive
Indian Giver
Monday Morning
Perfume
Fly's Eye
The Duke's Saharan Ambitions
Wheelhouse

Fly's Eye (alt. mix)
My Name is ... (live)
SAD.TXT (live)
Dr Sax (outtake)



..::OBSADA::..

David Thomas - vocals, organ ('Woolie Bullie'), virtual voices ('My Name Is...')
Tom Herman - guitar, bass, tack piano, snare percussion
Jim Jones - guitar, bass, organ
Robert Wheeler - EML & digital synthesizers, theremin, organ
Michele Temple - bass, guitar, organ, piano
Steve Mehlman - drums, percussion




https://www.youtube.com/watch?v=VHcSVtykEos



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Various Artists
Album: BRAVO Hits 2024
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

1 - Linkin Park - The Emptiness Machine
2 - Gracie Abrams - That’s So True
3 - ROSÉ - APT
4 - Billie Eilish - BIRDS OF A FEATHER
5 - Nina Chuba - Fata Morgana
6 - Jazeek - Ma Baby
7 - Shirin David - It Girl
8 - Lady Gaga - Die With A Smile
9 - Teddy Swims - Bad Dreams
10 - Shirin David - Bauch Beine Po
11 - AYLIVA - Wunder
12 - Linkin Park - Heavy Is the Crown
13 - HUGEL - I Adore You
14 - Artemas - i like the way you kiss me
15 - Gigi Perez - Sailor Song
16 - Berq - Rote Flaggen
17 - Shaboozey - A Bar Song (Tipsy)
18 - Benson Boone - Beautiful Things
19 - Mark Ambor - Belong Together
20 - SANTOS - Geschlossene Augen
21 - badchieff - NÜCHTERN
22 - Adam Port - Move
23 - Dasha - Austin (Boots Stop Workin')
24 - Sabrina Carpenter - Espresso
25 - The Weeknd - Dancing In The Flames
26 - Bac - Rosaroter Tee
27 - Bonez MC - früher sterben
28 - Chappell Roan - Good Luck, Babe!
29 - Sabrina Carpenter - Taste
30 - Myles Smith - Stargazing
31 - FOURTY - VEMPA
32 - SDP - Mama hat gesagt
33 - Ufo361 - LIEBE (feat. Nina Chuba)
34 - The Weeknd - Timeless
35 - Billie Eilish - WILDFLOWER
36 - The Weeknd - São Paulo
37 - Apache 207 - Miami
38 - Teddy Swims - Lose Control
39 - Linkin Park - Over Each Other
40 - Hozier - Too Sweet
41 - Lost Frequencies - Black Friday (pretty like the sun)
42 - Cyril - Stumblin' In
43 - Bl3ss - Kisses (feat. bbyclose)
44 - cassö - Prada
45 - Eminem - Houdini
46 - GReeeN - Panama
47 - AYLIVA - Lilien
48 - Montez - mit dir ist es anders
49 - CIVO - Garten vorm Haus
50 - Coldplay - WE PRAY
51 - The Neighbourhood - Sweater Weather
52 - JEREMIAS - Sag mir was ich nicht weiß
53 - David Guetta - I Don't Wanna Wait
54 - Niklas Dee - Around The World
55 - David Guetta - Forever Young
56 - Shawn Mendes - Why Why Why
57 - ClockClock - Someday Soon
58 - KAMRAD - Friends
59 - Ava Max - Spot a Fake
60 - Coldplay - feelslikeimfallinginlove

...( Info )...

Artist: Various Artists
Album: Christmas Carols From St Paul's Cathedral
Year: 2024
Genre: Classic
Format: mp3 320 kbps

...( TrackList )...

01. Sir Charles Groves - The Hymn of Jesus, Op. 37 I. Prelude, Vexilla Regis proderunt
02. Christopher Dearnley - The Hymn of Jesus, Op. 37 II. Hymn No. 1, Glory to Thee, Father!
03. Christopher Dearnley - The Hymn of Jesus, Op. 37 II. Hymn No. 2, Fain would I be saved
04. Christopher Dearnley - The Hymn of Jesus, Op. 37 II. Hymn No. 3, Divine Grace is dancing
05. Christopher Dearnley - The Hymn of Jesus, Op. 37 II. Hymn No. 4, Give Ye Heed unto My Dancing
06. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 3, Var. II. Herod
07. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 1, Theme
08. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 2, Var. I. Lullaby, Jesu
09. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 4, Var. III. Jesu, as Thou Art Our Sa
10. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 5, Var. IV. The Three kings
11. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 6, Var. 5. In the Bleak Mid-Winter
12. Terry Edwards - A Boy Was Born, Op. 3 Choral Variations on Old Carols No. 7, Var. VI. Noël!
13. John Scott - O Come All Ye Faithful
14. John Scott - Away in a Manger
15. John Scott - The First Nowell
16. John Scott - Ding Dong Merrily on High
17. John Scott - The Holly and the Ivy
18. John Scott - O Little Town of Bethlehem
19. John Scott - Joy to the World
20. St. Paul's Cathedral Choir - In Dulci Jubilo
21. John Scott - Once in Royal David's City
22. John Scott - The Sussex Carol
23. St. Paul's Cathedral Choir - See Amid the Winters Snow
24. John Scott - In the Bleak Mid Winter
25. John Scott - Mary's Lullaby
26. John Scott - Silent Night
27. St. Paul's Cathedral Choir - Hark the Herald Angels Sing

...( Info )...

Artist: Various Artists
Album: NOW – Yearbook Extra 1977
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

CD1
01 - Queen - Good Old-Fashioned Lover Boy
02 - Electric Light Orchestra - Turn to Stone
03 - Donna Summer - Theme From The Deep (Down Deep Inside) (A Love Song)
04 - Boney M. - Sunny
05 - David Parton - Isn't She Lovely
06 - Leo Sayer - How Much Love
07 - Bryan Ferry - Tokyo Joe
08 - Boz Scaggs - What Can I Say
09 - Paul McCartney - Maybe I’m Amazed
10 - Elton John - Crazy Water
11 - Carole Bayer Sager - I'd Rather Leave While I'm in Love
12 - Elkie Brooks - Sunshine After The Rain
13 - Smokie - Needles and Pins
14 - Showaddywaddy - When
15 - Pratt & McClain - Happy Days (Theme from ''Happy Days'')
16 - Elvis Presley - Suspicion
17 - Billy Paul - Let 'Em In
18 - The Philadelphia International All-Stars - Let's Clean Up The Ghetto
19 - Barry White - It's Ecstasy When You Lay Down Next To Me
20 - Rose Royce - I Wanna Get Next To You
21 - George Benson - The Greatest Love Of All
CD2
01 - Iggy Pop - Lust For Life
02 - The Jam - In The City
03 - The Clash - Complete Control
04 - The Stranglers - Something Better Change
05 - The Boomtown Rats - Mary Of The 4th Form
06 - Blondie - Rip Her To Shreds
07 - Jonathan Richman & The Modern Lovers - Egyptian Reggae
08 - Iggy Pop - China Girl
09 - Elvis Costello - Alison
10 - Elvis Presley - Moody Blue
11 - Steve Gibbons Band - Tulane
12 - Status Quo - Wild Side Of Life
13 - Thin Lizzy - Don't Believe A Word
14 - Nazareth - Love Hurts
15 - Brendon - Gimme Some
16 - John Miles - Slow Down
17 - Elton John - Bite Your Lip (Get Up And Dance!)
18 - Cliff Richard - My Kinda Life
19 - Pussycat - Smile
20 - Glen Campbell - Southern Nights
21 - Linda Ronstadt - Blue Bayou
CD3
01 - Donna Summer - I Remember Yesterday
02 - Shalamar - Uptown Festival
03 - Diana Ross - Gettin' Ready For Love
04 - Harold Melvin & The Blue Notes - Don't Leave Me This Way
05 - Tavares - Whodunit
06 - Barry White - I'm Qualified To Satisfy You
07 - Van McCoy - Soul Cha Cha
08 - Tina Charles - Dr Love
09 - Deniece Williams - That's What Friends Are For
10 - Hot Chocolate - Put Your Love in Me
11 - Andrew Lloyd Webber & Barbara Dickson - Another Suitcase in Another Hall
12 - Mary Mason - Angel Of The Morning Any Way That You Want Me
13 - Boney M. - Belfast
14 - The Dooleys - Love of My LIfe
15 - Brotherhood Of Man - Oh Boy (The Mood I'm In)
16 - Bay City Rollers - It's a Game
17 - Showaddywaddy - You Got What It Takes
18 - The Rubettes - Baby I Know
19 - Noosha Fox - Georgina Bailey
20 - Smokie - It's Your Life

...( Info )...

Artist: Various Artists
Album: Christmas Piano Chill
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Matteo Myderwyk - Gloria
02. Matteo Myderwyk - Have Yourself a Merry Little Christmas
03. Piano Hands - In the Bleak Midwinter
04. RIOPY - Go with the Wind
05. Matteo Myderwyk - First Noel
06. RIOPY - Silent Night Reimagined
07. Matteo Myderwyk - Silent Night
08. Piano Hands - Fairytale of New York
09. RIOPY - Lily’s Lullaby
10. Matteo Myderwyk - Sanctus
11. Piano Hands - All I Want for Christmas Is You
12. Piano Hands - White Christmas
13. Matteo Myderwyk - Ave Maria, CG 89
14. Piano Hands - Jingle Bells
15. Piano Hands - I Saw Three Ships
16. RIOPY - Essence of Light
17. Piano Hands - We Three Kings
18. Matteo Myderwyk - Rest You
19. Matteo Myderwyk - Immanuel
20. Piano Hands - Once in Royal David's City
21. Piano Hands - O Come All Ye Faithful
22. Matteo Myderwyk - Longing
23. Matteo Myderwyk - Wintersleep
24. RIOPY - On a Starry Christmas Night
25. Piano Hands - God Rest Ye Merry Gentlemen
26. Matteo Myderwyk - Cantus
27. Piano Hands - We Wish You a Merry Christmas
28. Matteo Myderwyk - Pastorale
29. Matteo Myderwyk - Jesus
30. Piano Hands - It's the Most Wonderful Time of the Year (Piano Version)
31. RIOPY - Peace of Mind
32. Piano Hands - Away in a Manger
33. RIOPY - Blue Moon

...( Info )...

Artist: Various Artists
Album: Church Bells at Christmas
Year: 2024
Genre: Classic
Format: mp3 320 kbps

...( TrackList )...

01. John Scott - O Come All Ye Faithful
02. David Hill - Laetentur coeli
03. David Hill - Hark! The Herald Angels Sing
04. John Scott - Ding Dong Merrily on High
05. Diana Damrau - Bells
06. Riccardo Minasi - Joy to the World! (Arr. Bucher)
07. Sverre Valen - Carol of the Bells (Arr. Wilhousky)
08. Sir Simon Rattle - The Nutcracker, Op. 71, Act II No. 12d, Divertissement. Trepak (Russian Dance)
09. Sir Neville Marriner - Gloria in D Major, RV 589 No. 2, Et in terra pax hominibus
10. Stephen Cleobury - Zadok the Priest, HWV 258 I. Zadok the Priest
11. Stephen Cleobury - Zadok the Priest, HWV 258 II. And All the People Rejoic'd
12. Stephen Cleobury - Zadok the Priest, HWV 258 III. God Save the King
13. Sir David Willcocks - Ding Dong! Merrily on High (Arr. Sir David Willcocks)
14. Sir David Willcocks - Messiah, HWV 56, Pt. 2 No. 44, Hallelujah (Chorus)
15. Sir David Willcocks - Messiah, HWV 56, Pt. 3 No. 52, Amen (Chorus)
16. Sir David Willcocks - Messiah, HWV 56, Pt. 3 No. 50, Air. If God Is for Us (Soprano)
17. Sir David Willcocks - Messiah, HWV 56, Pt. 1 No. 12, For Unto Us a Child Is Born (Chorus)
18. Stephen Cleobury - Messiah, HWV 56, Pt. 1 No. 15, Glory to God (Chorus)
19. Stephen Cleobury - Messiah, HWV 56, Pt. 1 No. 16, Rejoice greatly, O daughter of Zion (Soprano)

...( Info )...

Artist: Various Artists
Album: Classical Christmas at Church
Year: 2024
Genre: Classic
Format: mp3 320 kbps

...( TrackList )...

01. Stephen Cleobury - Joy to the World (Arr. John Rutter)
02. Sir George Thalben-Ball - Christ Was Born on Christmas Day (Arr. Davies)
03. Stephen Cleobury - Unto us is born a Son
04. Sir Philip Ledger - The First Noel (Arr. Philip Ledger & John Stainer)
05. Morgan James - Good King Wenceslas (Arr. Morgan)
06. Robert Prizeman - O Holy Night (Arr. Prizeman)
07. Sir David Willcocks - O Come, O Come, Emmanuel (Arr. Sir David Willcocks)
08. Sir Philip Ledger - Away in a Manger (Arr. Philip Ledger)
09. Stephen Cleobury - What Child Is This (Arr. Stephen Cleobury)
10. John Rutter - Nativity Carol (Arr. Rutter)
11. Philip Ledger - O Little Town of Bethlehem (Arr. Philip Ledger)
12. Ian Hare - O Come, All Ye Faithful (Arr. Sir David Willcocks)
13. Barry Rose - O Come All Ye Faithful
14. Ian Hare - Hark! The Herald Angels Sing (Arr. Sir David Willcocks)
15. Scott Lawton - Silent Night (Arr. Tempel)
16. Isaac london - The Prayer (Live)
17. Morgan James - I Saw Three Ships
18. Eric Ericson - Go Tell It on the Mountain
19. John Rutter - Once in Royal David's City
20. Sir Neville Marriner - Herz und Mund und Tat und Leben, BWV. 147 X. Jesu, Joy of Man's Desiring
21. Sir David Willcocks - While shepherds watched (Arr. Sir David Willcocks)
22. Chanticleer - 114 Songs No. 100, A Christmas Carol (Arr. Echols)
23. Morgan James - Silent Night
24. Sir David Willcocks - It Came upon the Midnight Clear (Arr. Arthur Sullivan)
25. Stephen Cleobury - Away in a Manger (Arr. Cleobury)
26. Libera - Joyful, Joyful, We Adore Thee (Live)
27. Sir David Willcocks - Silent Night (Arr. Sir David Willcocks)
28. Sir Philip Ledger - In dulci jubilo (Arr. R. L. Pearsall)
29. Gerhard Schmidt-Gaden - Judas Maccabaeus, HWV 63 Tochter Zion, freue dich (Arr. Bickenbach)
30. Chanticleer - Motecta, RISM-AV 1421 No. 5, O magnum mysterium
31. Sir David Willcocks - Jesus Christ the Apple Tree (Arr. Sir David Willcocks)
32. Richard Hickox - Fantasia on Christmas Carols
33. Chanticleer - Quem pastores laudavere (Arr. Christophers)
34. Morgan James - In the Bleak Midwinter, H. 73 No. 1 (Arr. Morgan)
35. The King's Singers - Joy to the World (Arr. Overton)
36. Luca Pianca - Greensleeves

..::INFO::..

Debiutancki album długogrający amerykańskiego zespołu skapunkowego z Tennessee.

Artist: Demon Waffle

Title: Eat Your Breakfast

Country: USA

Year: 2012

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

1 Atilla
2 Joke's on You
3 Never Gonna Learn
4 Far Behind
5 Underdog
6 Too Fast
7 When I'm Gone
8 You Don't Know Me
9 Saints
10 More Than I Can Be
11 B.N.S.
12 So Well
13 S.B.R.
14 Too Slow

..::INFO::..

EPka kostarykańskiego zespołu skapunkowego

Title: La Vida Entera

Artist: Paramnesia

Country: Kostaryka

Year: 2011

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 128 Kbps

..::TRACK-LIST::..

1.Tu Y Yo
2.Idolod De Papel
3.Pensando En Ti
4.Levantate
5.Una Lagrima

..::INFO::..

Debiutancka EPka i pierwszy album studyjny portugalskiego zespołu skapunkowego.Oprócz tego wydali jeszcze jedną EPkę.

Title: Drunk, Broke But Happy / This Place Is A Zoo

Artist: Banshee And Something Else We Can't Remember

Country: Portugalia

Year: 2004/2007

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 128/192 Kbps

..::TRACK-LIST::..

1.Demented Song
2.I Dare You
3.To All Of Us
4.Drunk, Broke But Happy
5. Take Me Home (I Can't Drive)
6. Another Place Another Time

1.This Place Is A Zoo
2.Girl Vs Friends
3.Every Time You Go
4.Killing The Day
5.Dead Men Tell No Tales
6.Changing My Life
7.Flying Without Flying
8.Simple Sex (The Actress)
9.We Got To Fight And Stand Up
10.Every Second In Every Hour

..::INFO::..

Debiutancki album długogrający kolumbijskiego zespołu skapunkowego.

Artist: Batracios

Title: La Rebelion De Las Ranas

Country: Kolumbia

Year: 2000

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 128 Kbps

..::TRACK-LIST::..

1.Ule-Ule
2.Gracias Pero No
3.Fútbol
4.Ska-Man
5.Agente
6.No Quiero Ser Uno +
7.Guerra
8.11 Anos
9.Batracios
10.La Rebelion De Las Ranas

...( Info )...

Artist: Various Artists
Album: Best of 2024 - Jazz
Year: 2024
Genre: Jazz
Quality: FLAC 24Bit

...( TrackList )...

01. Charles Lloyd - Defiant, Tender Warrior
02. Kenny Barron - The Nearness of You
03. Nala Sinephro - Continuum 2
04. Bada-Bada - 100 Fuites
05. Ezra Collective - Palm Wine
06. Nubya Garcia - Odyssey
07. Samara Joy - Peace Of Mind - Dreams Come True
08. Avishai Cohen - Brightlight
09. Emile Parisien Quartet - Tiktik
10. Daniel Casimir - Balance
11. Pat Metheny - MoonDial
12. Mike Stern - Connections
13. Julian Lage - Omission
14. Shabaka - End Of Innocence
15. Melissa Aldana - The Solitary Seeker
16. Kamasi Washington - Dream State
17. Lakecia Benjamin - Phoenix Reimagined (Live)
18. Chris Potter - Cloud Message
19. Daniel García Trio - Wonderland
20. Tyshawn Sorey - Peresina
21. Amaro Freitas - Sonho Ancestral
22. AMG - All In
23. Abdullah Ibrahim - Ishmael
24. Bill Frisell - Throughout (Live-Brussels Philharmonic)
25. Al Di Meola - Fandango
26. Avishai Cohen - The Seventh
27. Chick Corea - Enut Nital
28. Christian McBride - Tennessee Blues
29. Colin Vallon - Lou
30. DoomCannon - This Too + Untouched
31. Aaron Parks - Flyways
32. Eliane Elias - Sempre
33. Emile Londonien - Early Days
34. Emmet Cohen - Lion Song
35. Laurent Coq - Around The Corner
36. Pianoforte - Poinciana
37. Keith Jarrett - The Old Country (Live)
38. Fred Hersch - Star-Crossed Lovers
39. Joachim Kühn - Homogeneous Emotions
40. Yonathan Avishai - Shapes and Sounds (A Song for Noa)
41. Ethan Iverson - Technically Acceptable
42. Nduduzo Makhathini - Libations: Uxolo
43. Immanuel Wilkins - MOTION
44. James Brandon Lewis Quartet - Transfiguration
45. Ibrahim Maalouf - The Proposal
46. Jasmine Myra - Still Waters
47. Jasper Somsen - Crossroads
48. Jérôme Sabbagh - Heart
49. Joel Ross - early
50. Keyon Harrold - The Intellectual
51. Terrace Martin - I Hate U
52. Norma Winstone - Fly The Wind
53. Madeleine Peyroux - How I Wish
54. Youn Sun Nah - I've Seen That Face Before (Libertango)
55. Norah Jones - Alone With My Thoughts
56. Meshell Ndegeocello - What Did I Do?
57. Walter Smith III - 24
58. Milton Nascimento - Earth Song
59. Roy Hargrove - Rumba Roy
60. Laurent Bardainne - Welcome
61. Lionel Loueke - Pure Thought
62. LORD$ - Speed It Up
63. Luke Stewart - Seek Whence
64. Myra Melford - 23 Januarys
65. Mark Guiliana - Question Mark
66. Mark Lockheart - Back And Forth
67. Matthieu Bordenave - Timbre
68. Melinda Sullivan - Bloom
69. Michael Wollny - Somewhere
70. Miguel Zenón - Sacred Land
71. Tigran Hamasyan - The Quest Begins
72. Monty Alexander - River Of Piece
73. Neil Cowley Trio - Father Daughter
74. Oded Tzur - Child You
75. Out Of-Into - Gabaldon’s Glide
76. Pierre de Bethmann Quartet - Greens
77. Pierrick Pédron - Lonely woman
78. QOW TRIO - High Noon
79. Rolf Kühn - Somewhere

...( Info )...

Artist: Various Artists
Album: Christmas Hidden Gems – Vol 1
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. Otis Redding - Merry Christmas, Baby
02. Joy Denalane - Someday At Christmas
03. Molly Bee - I Saw Mommy Kissing Santa Claus
04. The Staple Singers - Who Took The Merry Out Of Christmas
05. Stevie Wonder - The Miracles Of Christmas
06. Softlightes - The Last Christmas On Earth
07. The Platters - Rudolph, The Red Nosed Reindeer
08. Jack Jones - Sleigh Ride
09. Albert King - Santa Claus Wants Some Lovin'
10. Brenda Lee - Papa Noel
11. The Supremes - My Christmas Tree
12. Mack Rice - Santa Claus Wants Some Lovin'
13. Ray Anthony - Christmas Kisses
14. Johnny Mercer - Santa Claus Is Comin' To Town
15. Sugar Chile Robinson - Christmas Boogie
16. June Hutton - Song Of The Sleigh Bells
17. Augie Rios - ¿Dónde Está Santa Claus
18. The Harry Simeone Chorale - The Little Drummer Boy
19. Margaret Whiting - Silver Bells
20. Connie Francis - Have Yourself A Merry Little Christmas
21. Tennessee Ernie Ford - A Rootin' Tootin' Santa Claus
22. The Dinning Sisters - Blue Christmas
23. Al Martino - I'll Be Home For Christmas
24. June Christy - Love Turns Winter To Spring
25. Eddie Fisher - Mary Christmas
26. Tex Ritter - Ole Tex Kringle
27. The Mcguire Sisters - Be A Santa
28. Loretta Lynn - I Won't Decorate Your Christmas Tree
29. The Lettermen - White Christmas
30. Glen Campbell - The Christmas Song (Merry Christmas To You)
31. Dusty Springfield - O Holy Child

...( Info )...

Artist: Various Artists
Album: Upbeat Country
Year: 2024
Genre: Country
Format: mp3 320 kbps

...( TrackList )...

01. Kid Rock - Flyin' High (feat. Zac Brown)
02. Jessica Harp - Good Enough for Me
03. Charlie Worsham - Creekwater Clear (feat. Elle King)
04. Kenny Wayne Shepherd - Spank (feat. Kid Rock)
05. Ingrid Andress - Wishful Drinking (feat. Sam Hunt)
06. Zach Bryan - Younger Years
07. Uncle Kracker - In a Little While
08. Cole Swindell - Drinkaby
09. Randy Travis - Allergic to the Blues
10. Charlie Worsham - For the Love
11. Kenny Chesney - Here and Now
12. Jessica Harp - Boy like Me
13. Dan + Shay - Tequila
14. Bailey Zimmerman - Where It Ends
15. Hunter Hayes - More Than I Should
16. Ashley Monroe - On to Something Good
17. Blake Shelton - Good at Startin' Fires
18. RaeLynn - Tailgate
19. Mason Ramsey - Before I Knew It
20. Michael Ray - Workin’ on It
21. Cale Dodds - What We Gonna Do About It
22. Randy Travis - Is It Still Over (feat. Carrie Underwood)
23. Redferrin - Stuck
24. Cody Johnson - Let's Build a Fire

...( Info )...

Artist: Various Artists
Album: Winter Warmers
Year: 2024
Genre: Pop, Jazz
Format: mp3 320 kbps

...( TrackList )...

01. Bill Evans - Santa Claus Is Coming To Town
02. Dexter Gordon - The Christmas Song
03. Coleman Hawkins - Greensleeves
04. Gene Harris - I'll Be Home For Christmas
05. Toni Braxton - It's The Most Wonderful Time Of The Year
06. Chris Potter - O Come All Ye Faithful
07. Gerald Albright - O Tannenbaum
08. Dave Mckenna - Oh Little Town Of Bethlehem
09. Frank Vignola - Jingle Bells
10. The Stefan Scaggiari Trio - Angels We Have Heard On High
11. Manfredo Fest - Good King Wenceslaus
12. Rickey Woodard - Rudolph The Red-Nosed Reindeer
13. Rob McConnell Trio - Christmas Waltz
14. Marian McPartland - God Rest Ye Merry Gentlemen
15. Chet Baker - Winter Wonderland
16. Charlie Byrd - White Christmas
17. Hank Crawford - O Holy Night
18. Randy Sandke - It Came Upon A Midnight Clear
19. Mel Tormé - The Christmas SongAutumn Leaves

...( Info )...

Artist: vantablack
Title: Immersive Epic Series - Oforia (Album)
Type/Genre: Epic, Cinematic, Soundtrack, Film-score, Orchestral, Dramatic
Release date: 21.12.2024
Source: Zmiksowane ze stemów / Mixed from stems
Bit-depth / Sampling rate (3D Binaural): 24-bit/48kHz
Bit-depth / Sampling rate (E-AC3 JOC Atmos): 16-bit/48kHz
Channels (3D Binaural for Headphones): 2.0 Stereo (tylko słuchawki)
Channels (E-AC3 JOC Atmos): Core - 7.1 (up to Atmos 9.1.6 - 16ch) (kino domowe)
Format (3D Binaural): .FLAC
Format (E-AC3 JOC Atmos): .mp4
Size total: 1,18 GB
Tracks total: 11
Duration total: [00:37:56]

Następny album od vantablack zmiksowany w Dolby Atmos.

Wkrótce dostępny na wszystkich serwisach streamingowych!

https://open.spotify.com/artist/6zJcvccsdBFll4xQDrlpTB?si=099ea960c4264ef7

https://vantablackofficial.bandcamp.com/

Zapraszam również chętnych do wsparcia twórcy i kupna Albumu oraz innych utworów na IAA, gdzie można pozyskać m.in ich wersje z bezstratnym dźwiękiem TrueHD 7.1 Atmos oraz FLAC 5.1!

https://immersiveaudioalbum.com/shop/?search=vantablack#S_Albums

...( Dane Techniczne )...

(Example - TRACK 01 - Upcoming Void):

DDP7.1_Atmos:

Format             : MPEG-4
Format profile         : Base Media
Codec ID            : isom (isom/iso2/mp41)
File size           : 52.6 MiB
Duration            : 4 min 25 s
Overall bit rate mode     : Constant
Overall bit rate        : 1 664 kb/s
Writing application      : Lavf58.45.100

Audio
ID               : 1
Format             : E-AC-3 JOC
Format/Info          : Enhanced AC-3 with Joint Object Coding
Commercial name        : Dolby Digital Plus with Dolby Atmos
Format profile         : Blu-ray Disc
Codec ID            : ec-3
Duration            : 4 min 25 s
Bit rate mode         : Constant
Bit rate            : 1 664 kb/s
Channel(s)           : 8 channels
Channel layout         : L R C LFE Ls Rs Tfl Tfr
Sampling rate         : 48.0 kHz
Frame rate           : 31.250 FPS (1536 SPF)
Compression mode        : Lossy
Stream size          : 52.6 MiB (100%)
Service kind          : Complete Main
Default            : Yes
Alternate group        : 1
Complexity index        : Not present / 16
Number of dynamic objects   : 15
Bed channel count       : 1 channel
Bed channel configuration   : LFE

3D_Binaural_Headphones (Lossless):

Format             : FLAC
Format/Info          : Free Lossless Audio Codec
File size           : 46.2 MiB
Duration            : 4 min 25 s
Overall bit rate mode     : Variable
Overall bit rate        : 1 463 kb/s

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 4 min 25 s
Bit rate mode         : Variable
Bit rate            : 1 463 kb/s
Channel(s)           : 2 channels
Channel layout         : L R
Sampling rate         : 48.0 kHz
Bit depth           : 24 bits
Compression mode        : Lossless
Stream size          : 46.2 MiB (100%)
Writing library        : libFLAC 1.3.2 (UTC 2017-01-01)

Alternative Dolby Digital 5.1:

Format             : MPEG-4
Format profile         : Base Media / Version 2
Codec ID            : mp42 (mp42/dby1)
File size           : 20.3 MiB
Duration            : 4 min 25 s
Overall bit rate mode     : Constant
Overall bit rate        : 641 kb/s
Encoded date          : UTC 2024-12-08 23:20:46
Tagged date          : UTC 2024-12-08 23:20:46

Audio
ID               : 1
Format             : AC-3
Format/Info          : Audio Coding 3
Commercial name        : Dolby Digital
Codec ID            : ac-3
Duration            : 4 min 25 s
Bit rate mode         : Constant
Bit rate            : 640 kb/s
Channel(s)           : 6 channels
Channel layout         : L R C LFE Ls Rs
Sampling rate         : 48.0 kHz
Frame rate           : 31.250 FPS (1536 SPF)
Compression mode        : Lossy
Stream size          : 20.2 MiB (100%)
Service kind          : Complete Main
Default            : Yes
Alternate group        : 2
Encoded date          : UTC 2024-12-08 23:20:46
Tagged date          : UTC 2024-12-08 23:20:46

...( TrackList )...

01. Upcoming Void [04:25]
02. Asuran Prophecy [03:55]
03. Hell and Betrayal [02:29]
04. Kathan's Falling [04:08]
05. The Power of Sacred Fire [02:31]
06. Inferno Road [03:00]
07. Dark Crystal Quarry [03:21]
08. Incinerated Desert [04:55]
09. Oforia Awakens [02:21]
10. Fields of Whispers and Souls [03:16]
11. The Old Gods [03:35]

..::INFO::..

La Fete sauvage to ścieżka dźwiękowa do filmu Frederica Rossifa pod tym samym tytułem, autorstwa Vangelisa, wydana w 1976 r. W wersji kompaktowej płytę wypełnia jedna tytułowa suita. W wersji winylowej suitę podzielono na dwie części zatytułowane: La Fete sauvage I i La Fete sauvage II. Od roku 1976 muzykę wydawano i wznawiano wielokrotnie, nakładami różnych wytwórni, czasami z odmiennymi okładkami.

Title: La Fete Sauvage

Artist: Vangelis

Country: Grecja

Year: 1976

Genre: Elektroniczna

Format / Codec: MP3

Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.La Fete Sauvage

..::INFO::..

Mago de Oz został założony w połowie 1988 roku w Madrycie. Grupa jest hiszpańskim przedstawicielem power/folk metalu. Płyta została nagrana w składzie: Zeta (wokal), Txus di Fellatio (bębny), Mohamed (skrzypce), Tony Corral (saksofon), Carlitos (gitara rytmiczna), Chema (gitara) i Salva (bas). Zespół wydał piętnaście płyt studyjnych, pięć albumów koncertowych, dwie EPki, trzy demówki i osiem albumów kompilacyjnych. Wstawka zawiera czternasty album zespołu.

Title: Ira Dei

Artist: Mago De Oz

Country: Hiszpania

Year: 2019

Genre: Folk-Metal, Hard Rock

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

Jerusalen D.C.
In Eternum
El Amor Brujo
Tu Funeral
Ciudad Esmeralda
Tequila Tanto Por Vivir
Te Traere El Horizonte
Opera Mortis (O Mio Caro / Nessun Dorma)
La Cantiga De Las Brujas
Espera En El Cielo
Opus Tenebrae
Suspiria
Y Que Nunca Te Falte Un "Te Quiero"
Bajo Mi Piel
La Triste Historia De Jimmy "Tiro En El Pie"
Infinitum (Trine 2 Main Theme)
El Septimo Sello
Ira Dei

..::INFO::..

Dire Straits to pierwszy album grupy Dire Straits, wydany w 1978 roku. Został nagrany w studio Basil St. Studios w Londynie, w styczniu 1978 r. Singel promujący tę płytę, Sultans of Swing, stał się przebojem w Ameryce pięć miesięcy po debiucie tego albumu. Pierwszy album Dire Straits oferuje spokojny, niemal minimalistyczny rock, nagrany w klasycznym rockowym składzie dwóch gitar, gitary basowej i perkusji. W przeciwieństwie do punkowych zespołów które dominowały londyńską scenę muzyczną końca lat siedemdziesiątych, muzycy Dire Straits byli znakomitymi instrumentalistami, szczególnie wyróżniał się Mark Knopfler ze swoim charakterystycznym sposobem gry na gitarze. Piosenki napisane przez Knopflera i śpiewane przez niego w bardzo oszczędny, „dylanowski” sposób opowiadają o przeszłych miłościach, miłosnych zawodach, powszednich dniach normalnych ludzi. Największy przebój z tej płyty, Sultans of Swing opowiada historię amatorskiego zespołu muzycznego, grającego w pubie bardziej dla własnej przyjemności niż dla potrzeby, prawie ignorowanym przez słuchaczy.

Title: Dire Straits

Artist: Dire Straits

Country: Wielka Brytania

Year: 1978

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Down To The Waterline
02. Water Of Love
03. Setting Me Up
04. Six Blade Knife
05. Southbound Again
06. Sultans Of Swing
07. In The Gallery
08. Wild West End
09. Lions

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Diabolical Masquerade to solowy projekt Blakkheima z Katatonii. Powołał go do życia w 1993 roku, a pierwszy album „Ravendusk In My Heart” ukazał się w 1996. Jest to solidna dawka melodyjnego, ale też ostrego i intensywnego black metalu. Czuć tutaj wściekłość i bezkompromisowość, co odróżnia go od nawet pierwotnych poczynań jego macierzystego zespołu.

Mimo klawiszy i plastyczności gitar, przekaz jest więc cięty i elektryzujący. Riffy smagają niczym pejcz, a wokal jest bardzo wrzaskliwy i gardłowy. Tym bardziej więc trzeba docenić, że Blackheim umiał to poukładać w tak fascynującą harmonię. Cała płyta jest pełną niespodzianek podróżą w ciemny, magiczny świat. Nie uświadczymy tu przebojów, ale co i rusz napotykamy na jakiś powalający motyw, fantastyczny fragment prowadzony przez płynące gitary lub dominujący wokal. Oba te elementy się uzupełniają i są znakomite. Tak się drzeć zachowując melodykę i śpiewność tekstu to trzeba umieć. No i trzeba umieć odpowiednio to skomponować. Nawet te szybkie i nawalające gradem momenty mają swój muzyczny urok. Sprawdźcie choćby początek miażdżącego, zróżnicowanego i total zajebistego "The Sphere In Blackheim's Castle" albo „Blackheim’s Forest Kept The Season Forever”. Ten drugi też co to jest za numer. Tyle się w nim dzieje i przez cały czas trzyma w napięciu. Ale to tylko przykłady i nie powinienem tu nic wyróżniać. Poszczególne utwory to tylko kolejne epizody tej wędrówki przez te szkarłatno-czarne krajobrazy. Jest w tym taki tajemniczy urok, jakaś mroczna, lecz pełna wdzięku poezja oraz podniosła epickość budowana przez podkłady klawiszowe, teksty mówione i lżejsze zwolnienia. Diabolical Masquerade emanuje niesamowitą energią, ale też bogactwem form, treści i mistyczną otoczką. Dużo tu też dodatkowych smaczków jak heavy metalowe gitary w „Blackheim’s Hunt For Nocturnal Grace” i wokale w „Under The Banner Of Sentiel”. Te drugie autorstwa Dana Swanö z Edge Of Sanity, Pan-Thy-Monium i miliona innych kapel. Jest też krótki numer akustyczny „Beyond The Spirituals Moon”.

Patrząc na tytuły utworów można wywnioskować, że Blackheim stworzył płytę o sobie. Sam stał się bohaterem jakiejś złowrogiej intrygi, ale jakiej, tego niestety nie przytoczę. Okładka do kasety Mystic Production nie zawiera bowiem tekstów. Tak wiem, że można przeczytać w internecie, ale ja tego nie robię. Piszę o tym co zostało wydane. Po liryki można więc sięgnąć we własnym zakresie, a ja zachęcam do odkrycia muzyki. Doskonała, zatarta kurzem płyta, z duchem starych czasów.

Wujas


https://www.youtube.com/watch?v=VMYZ-ouPFRM



Dark debut album of atmospheric black metal from Katatonia’s Blackheim.

“A work of considerable depth and power” – Metal Archives

Diabolical Masquerade was the solo-project launched by Katatonia mastermind Anders Blackheim Nyström.

Ravendusk In My Heart was originally released in 1996 and stands as a startling debut of fantastic imagery, shaped by accomplished atmospherics mixed with cold black metal, bringing to mind the early works of Emperor, all brought to life with deeply imaginative tales of fantasy from Blackheim’s realm.

The album was recorded at Unisound Studio in September 1995. It was produced by Dan Swano & Blackheim, and mixed by Dan Swano (familiar for his work with Opeth, Dissection, Marduk, etc)



This debut album was the start of a long and successful career for Blackheim with Diabolical Masquerade. It certainly stirred great excitement within me for what was to come on subsequent albums. I’ve always enjoyed one-man projects greatly, as it’s always interesting to see the uniform influence of one person with singular ideas for each instrument. There is never conflict of composition, and often the musical result is organic and tight. Blackheim is no different, showing immense talent on “Ravendusk…” and proving his worth as a black metal composer, with some help from Dan Swano.

This album looks great on paper, being a debut from a one-man side project of Katatonia. I harbored great expectations for Diabolical Masquerade, and for “Ravendusk in my Heart” in particular, I was sure Blackheim would show his steel by writing some good music. He did not disappoint. This is an ice-cold chunk of black metal, showcasing much versatility in songwriting. Although it is a blueprint for all we know black metal to be, this album is very unique, and distinctive in its own style. Nothing else sounds like Diabolical Masquerade, which is quite an achievement considering the vast amount of BM artists out there.

“Ravendusk in my Heart” shows much experimentation. Clearly Blackheim was still crafting the sound of Diabolical Masquerade, still building on what would become DM as we know it today. That makes for a very curious listening experience here. All the songs are different, both in structure and in general feel. There is even a short instrumental interlude with melodic clean guitarwork. The songs never feel formulaic, each one is an idea all on its own, not merely a continuation or a filler.

The standout component of the excellent songwriting is the guitars, coldly channeling black metal elements from the immortal tremolo riff to clean, atmospheric interludes. At times, the guitar work is fast and aggressive, but mostly it leans in favor of atmospheric BM. The slower riffs are the memorable ones here, with decent melodies dark enough to feel at home with the cold production. The distortion is thin, and the cleans are rich and warm, distinctly black metal. However, Blackheim incorporated death, thrash and even doom metal elements when writing the guitars on “Ravendusk…”. The drums sound very thin and cold, somewhat distant from the other instruments. The drums weren’t written to stand out here, typical blastbeats and double-times drive most of the album.

The only instrument that really stands out is the guitaring, but this isn’t an album made to impress with musical prowess. All the instruments blend together instead of standing out, this album is all about atmosphere. It is very dark, and yet paradoxically melodic at times, rising and falling incessantly. The album never drags or becomes monotonous, the constant change of the innovative composition keeps you listening compulsively. This is, however, a very unique atmospheric album in terms of mood. The album as a whole feels very desolate, very solitary. I find myself enjoying “Ravendusk…” most when listening alone. The atmosphere is somewhat depressing at times, and without attentive listening, much of the depth is lost. The experience is different in solitude, for you are most receptive when you are alone, picking up all the nuances adding to the personal feel of the album, as Blackheim intended.

This is an album meant to be a private experience, just as creating it was for Blackheim. This is possibly Diabolical Masquerade’s best album, with diversity in all songs and incredible mood. A definite black metal classic that’s sure to rack up a formidable play count in your collection. “Ravendusk in my Heart” is fantastic.

XuL Excelsi



..::TRACK-LIST::..

1. The Castle Of Blackheim 07:15
2. Blackheim`s Quest To Bring Back The Stolen Autumn 06:18
3. Beyond The Spiritual Moon 00:57
4. The Sphere In Blackheim`s Shrine 03:33
5. Under The Banner Of The Sentinel ['Heavy Metal' Vocals] - Dan Swanö
03:15
6. Blackheim`s Forest Kept The Seasons Forever 06:10
7. The Darkblue Seajourneys Of The Sentinel 05:03
8. Blackheim`s Hunt For Nocturnal Grace 07:47
9. Ravendusk In My Heart 02:08



..::OBSADA::..

Electric Guitar, Acoustic Guitar, Bass, Drum Programming, Keyboards, Effects, Vocals – Blackheim
Illustration [Diabolical Masquerade Logo] - Blackheim

Drum Programming - Dan Swanö




https://www.youtube.com/watch?v=tVPvAFUt4WU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Diabolical Masquerade to solowy projekt Blakkheima z Katatonii. Powołał go do życia w 1993 roku, a pierwszy album „Ravendusk In My Heart” ukazał się w 1996. Jest to solidna dawka melodyjnego, ale też ostrego i intensywnego black metalu. Czuć tutaj wściekłość i bezkompromisowość, co odróżnia go od nawet pierwotnych poczynań jego macierzystego zespołu.

Mimo klawiszy i plastyczności gitar, przekaz jest więc cięty i elektryzujący. Riffy smagają niczym pejcz, a wokal jest bardzo wrzaskliwy i gardłowy. Tym bardziej więc trzeba docenić, że Blackheim umiał to poukładać w tak fascynującą harmonię. Cała płyta jest pełną niespodzianek podróżą w ciemny, magiczny świat. Nie uświadczymy tu przebojów, ale co i rusz napotykamy na jakiś powalający motyw, fantastyczny fragment prowadzony przez płynące gitary lub dominujący wokal. Oba te elementy się uzupełniają i są znakomite. Tak się drzeć zachowując melodykę i śpiewność tekstu to trzeba umieć. No i trzeba umieć odpowiednio to skomponować. Nawet te szybkie i nawalające gradem momenty mają swój muzyczny urok. Sprawdźcie choćby początek miażdżącego, zróżnicowanego i total zajebistego "The Sphere In Blackheim's Castle" albo „Blackheim’s Forest Kept The Season Forever”. Ten drugi też co to jest za numer. Tyle się w nim dzieje i przez cały czas trzyma w napięciu. Ale to tylko przykłady i nie powinienem tu nic wyróżniać. Poszczególne utwory to tylko kolejne epizody tej wędrówki przez te szkarłatno-czarne krajobrazy. Jest w tym taki tajemniczy urok, jakaś mroczna, lecz pełna wdzięku poezja oraz podniosła epickość budowana przez podkłady klawiszowe, teksty mówione i lżejsze zwolnienia. Diabolical Masquerade emanuje niesamowitą energią, ale też bogactwem form, treści i mistyczną otoczką. Dużo tu też dodatkowych smaczków jak heavy metalowe gitary w „Blackheim’s Hunt For Nocturnal Grace” i wokale w „Under The Banner Of Sentiel”. Te drugie autorstwa Dana Swanö z Edge Of Sanity, Pan-Thy-Monium i miliona innych kapel. Jest też krótki numer akustyczny „Beyond The Spirituals Moon”.

Patrząc na tytuły utworów można wywnioskować, że Blackheim stworzył płytę o sobie. Sam stał się bohaterem jakiejś złowrogiej intrygi, ale jakiej, tego niestety nie przytoczę. Okładka do kasety Mystic Production nie zawiera bowiem tekstów. Tak wiem, że można przeczytać w internecie, ale ja tego nie robię. Piszę o tym co zostało wydane. Po liryki można więc sięgnąć we własnym zakresie, a ja zachęcam do odkrycia muzyki. Doskonała, zatarta kurzem płyta, z duchem starych czasów.

Wujas


https://www.youtube.com/watch?v=VMYZ-ouPFRM



Dark debut album of atmospheric black metal from Katatonia’s Blackheim.

“A work of considerable depth and power” – Metal Archives

Diabolical Masquerade was the solo-project launched by Katatonia mastermind Anders Blackheim Nyström.

Ravendusk In My Heart was originally released in 1996 and stands as a startling debut of fantastic imagery, shaped by accomplished atmospherics mixed with cold black metal, bringing to mind the early works of Emperor, all brought to life with deeply imaginative tales of fantasy from Blackheim’s realm.

The album was recorded at Unisound Studio in September 1995. It was produced by Dan Swano & Blackheim, and mixed by Dan Swano (familiar for his work with Opeth, Dissection, Marduk, etc)



This debut album was the start of a long and successful career for Blackheim with Diabolical Masquerade. It certainly stirred great excitement within me for what was to come on subsequent albums. I’ve always enjoyed one-man projects greatly, as it’s always interesting to see the uniform influence of one person with singular ideas for each instrument. There is never conflict of composition, and often the musical result is organic and tight. Blackheim is no different, showing immense talent on “Ravendusk…” and proving his worth as a black metal composer, with some help from Dan Swano.

This album looks great on paper, being a debut from a one-man side project of Katatonia. I harbored great expectations for Diabolical Masquerade, and for “Ravendusk in my Heart” in particular, I was sure Blackheim would show his steel by writing some good music. He did not disappoint. This is an ice-cold chunk of black metal, showcasing much versatility in songwriting. Although it is a blueprint for all we know black metal to be, this album is very unique, and distinctive in its own style. Nothing else sounds like Diabolical Masquerade, which is quite an achievement considering the vast amount of BM artists out there.

“Ravendusk in my Heart” shows much experimentation. Clearly Blackheim was still crafting the sound of Diabolical Masquerade, still building on what would become DM as we know it today. That makes for a very curious listening experience here. All the songs are different, both in structure and in general feel. There is even a short instrumental interlude with melodic clean guitarwork. The songs never feel formulaic, each one is an idea all on its own, not merely a continuation or a filler.

The standout component of the excellent songwriting is the guitars, coldly channeling black metal elements from the immortal tremolo riff to clean, atmospheric interludes. At times, the guitar work is fast and aggressive, but mostly it leans in favor of atmospheric BM. The slower riffs are the memorable ones here, with decent melodies dark enough to feel at home with the cold production. The distortion is thin, and the cleans are rich and warm, distinctly black metal. However, Blackheim incorporated death, thrash and even doom metal elements when writing the guitars on “Ravendusk…”. The drums sound very thin and cold, somewhat distant from the other instruments. The drums weren’t written to stand out here, typical blastbeats and double-times drive most of the album.

The only instrument that really stands out is the guitaring, but this isn’t an album made to impress with musical prowess. All the instruments blend together instead of standing out, this album is all about atmosphere. It is very dark, and yet paradoxically melodic at times, rising and falling incessantly. The album never drags or becomes monotonous, the constant change of the innovative composition keeps you listening compulsively. This is, however, a very unique atmospheric album in terms of mood. The album as a whole feels very desolate, very solitary. I find myself enjoying “Ravendusk…” most when listening alone. The atmosphere is somewhat depressing at times, and without attentive listening, much of the depth is lost. The experience is different in solitude, for you are most receptive when you are alone, picking up all the nuances adding to the personal feel of the album, as Blackheim intended.

This is an album meant to be a private experience, just as creating it was for Blackheim. This is possibly Diabolical Masquerade’s best album, with diversity in all songs and incredible mood. A definite black metal classic that’s sure to rack up a formidable play count in your collection. “Ravendusk in my Heart” is fantastic.

XuL Excelsi



..::TRACK-LIST::..

1. The Castle Of Blackheim 07:15
2. Blackheim`s Quest To Bring Back The Stolen Autumn 06:18
3. Beyond The Spiritual Moon 00:57
4. The Sphere In Blackheim`s Shrine 03:33
5. Under The Banner Of The Sentinel ['Heavy Metal' Vocals] - Dan Swanö
03:15
6. Blackheim`s Forest Kept The Seasons Forever 06:10
7. The Darkblue Seajourneys Of The Sentinel 05:03
8. Blackheim`s Hunt For Nocturnal Grace 07:47
9. Ravendusk In My Heart 02:08



..::OBSADA::..

Electric Guitar, Acoustic Guitar, Bass, Drum Programming, Keyboards, Effects, Vocals – Blackheim
Illustration [Diabolical Masquerade Logo] - Blackheim

Drum Programming - Dan Swanö




https://www.youtube.com/watch?v=tVPvAFUt4WU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Trzecia duża płyta długodystansowców z Kanady.
16 morderczych grindcore'owych utworów w stylu wielkiego DAHMER!!!



..::TRACK-LIST::..

1. Intro 00:54
2. First Victim 02:45
3. Feed On Fear 02:21
4. Blind Fear 02:54
5. Wolfgang Priklopil 03:14
6. Best Selling Killer 01:45
7. Richard Blass 01:32
8. The Hunter 03:34
9. Sociopathic Worm 03:44
10. Mehmet Ali Agca 01:18
11. Colosse Plamondon 00:40
12. Random Killings 03:51
13. Clifford Orgy (Guest, Vocals Crocko) 01:19
14. Sy Tuan Tran (free) 01:16
15. Senseless Gorecrap 03:23
16. Outro 01:35



..::OBSADA::..

Steve - Vocals
Jack - Guitars
Fred - Guitars
Dan-Charge - Drums, Vocals



https://www.youtube.com/watch?v=WpnSjoH13eg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Trzecia duża płyta długodystansowców z Kanady.
16 morderczych grindcore'owych utworów w stylu wielkiego DAHMER!!!



..::TRACK-LIST::..

1. Intro 00:54
2. First Victim 02:45
3. Feed On Fear 02:21
4. Blind Fear 02:54
5. Wolfgang Priklopil 03:14
6. Best Selling Killer 01:45
7. Richard Blass 01:32
8. The Hunter 03:34
9. Sociopathic Worm 03:44
10. Mehmet Ali Agca 01:18
11. Colosse Plamondon 00:40
12. Random Killings 03:51
13. Clifford Orgy (Guest, Vocals Crocko) 01:19
14. Sy Tuan Tran (free) 01:16
15. Senseless Gorecrap 03:23
16. Outro 01:35



..::OBSADA::..

Steve - Vocals
Jack - Guitars
Fred - Guitars
Dan-Charge - Drums, Vocals



https://www.youtube.com/watch?v=WpnSjoH13eg


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Najnowszy album 'Podróż' to w zamierzeniu projekt scalający muzykę, obrazi słowa. A i sama podróż ma trzy wymiary. A wątków pobocznych jest jeszcze trzy razy tyle. Wnikliwi słuchacze dojdą, co i jak…Na płycie swoje talenty ujawniło kilkanaście osób, a wszystko po to, by zbliżyć się do absolutu, jakim jest

ściana dźwięku generowana przez przejeżdżający osobowy. To w końcu album, który zawiera w sobie wiele odniesień i przebogaty wachlarz inspiracji.
Album wydany we współpracy z Bat-Cave Production.
Edycja na CD w digipacku z załączoną mapą podróży i innymi niespodziankami.



The latest album “Podróż” is intended to be a project that brings together music and words. And the journey itself has three dimensions. And there are three times as many side plots. Attentive listeners will understand what and how…
A dozen or so people revealed their talents on the album, all in order to get closer to the absolute that it is
a wall of sound generated by a passing passenger car. After all, this is an album that contains many references and a wide range of inspirations.

OPOWIEŚĆ (A Story) is a group whose music is filled with noises, squeaks, clatters and other characteristic sounds for the trance motor skills of a moving train. On one website, the band’s work was described as NOISE RITUAL SPLEEN SONGS. And what’s not to understand?
The group has released two albums. The debut “Opowieść” (2021) is an album in the dreamlike manner radio play. The second album is not even so much a record as a handmade art zine with an attached a recording of the band’s concert during the 11th edition of the Zabobony festival. And the Tale performs not very well often, but in special places. The musicians could be heard both in the rooms of a Lower Silesian former German pigsty, as well as in the walls of a Czech one, neo-Gothic church. This is proof of skillful and graceful maneuvering between the sacred and profane areas. The band’s performances take the form of a musical ritualenriched with film projections and a visual performance in the form of live painting. Everything is there stories.
Album released in cooperation with Bat-Cave Production.



..::TRACK-LIST::..

1. Bezdroża 04:35
2. Ostatni Będą Następni 06:04
3. Ku Końcowi 05:29
4. NIkt 02:24
5. Przejście 04:18
6. Las Krzyży 07:24
7. M.W. 04:59
8. Granatowy Kolor Boga 07:12
9. + + + 02:13
10. Coś 06:10



https://www.youtube.com/watch?v=CXzo0J-PnEk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Najnowszy album 'Podróż' to w zamierzeniu projekt scalający muzykę, obrazi słowa. A i sama podróż ma trzy wymiary. A wątków pobocznych jest jeszcze trzy razy tyle. Wnikliwi słuchacze dojdą, co i jak…Na płycie swoje talenty ujawniło kilkanaście osób, a wszystko po to, by zbliżyć się do absolutu, jakim jest

ściana dźwięku generowana przez przejeżdżający osobowy. To w końcu album, który zawiera w sobie wiele odniesień i przebogaty wachlarz inspiracji.
Album wydany we współpracy z Bat-Cave Production.
Edycja na CD w digipacku z załączoną mapą podróży i innymi niespodziankami.



The latest album “Podróż” is intended to be a project that brings together music and words. And the journey itself has three dimensions. And there are three times as many side plots. Attentive listeners will understand what and how…
A dozen or so people revealed their talents on the album, all in order to get closer to the absolute that it is
a wall of sound generated by a passing passenger car. After all, this is an album that contains many references and a wide range of inspirations.

OPOWIEŚĆ (A Story) is a group whose music is filled with noises, squeaks, clatters and other characteristic sounds for the trance motor skills of a moving train. On one website, the band’s work was described as NOISE RITUAL SPLEEN SONGS. And what’s not to understand?
The group has released two albums. The debut “Opowieść” (2021) is an album in the dreamlike manner radio play. The second album is not even so much a record as a handmade art zine with an attached a recording of the band’s concert during the 11th edition of the Zabobony festival. And the Tale performs not very well often, but in special places. The musicians could be heard both in the rooms of a Lower Silesian former German pigsty, as well as in the walls of a Czech one, neo-Gothic church. This is proof of skillful and graceful maneuvering between the sacred and profane areas. The band’s performances take the form of a musical ritualenriched with film projections and a visual performance in the form of live painting. Everything is there stories.
Album released in cooperation with Bat-Cave Production.



..::TRACK-LIST::..

1. Bezdroża 04:35
2. Ostatni Będą Następni 06:04
3. Ku Końcowi 05:29
4. NIkt 02:24
5. Przejście 04:18
6. Las Krzyży 07:24
7. M.W. 04:59
8. Granatowy Kolor Boga 07:12
9. + + + 02:13
10. Coś 06:10



https://www.youtube.com/watch?v=CXzo0J-PnEk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Collaborative material from Bardoseneticcube's recording sessions with St. Petersburg-based saxophonist Igor V. Petrov. Definitely one of Bardoseneticcube's most singular and musical works, with a mixture of irradiated electronics, hazy lunar jazz, sedated drones and urban soundscapes. Think of a cross between Bohren & Der Club of Gore and Contagious Orgasm but set in Pripyat. Artwork by STPo.



..::TRACK-LIST::..

1. Songong 6:56
2. Patriot 5:18
3. Shkapina St. 11:11
4. Brownend 5:48
5. One 4:07
6. Logosax 9:00

Track durations do not appear on this release.



https://www.youtube.com/watch?v=GKaZhlO-qx4



SEED 15:00-22:00.
POLECAM!!!