...( Info )...

Artist: Various
Album: New Music Releases Week 04 of 2025
Genre: Pop, Rock, R&B, Hip-Hop/Rap, Dance
Released During: Week 04 of 2025
Format/Quality: Mp3 320 Kbps
Total Size: 1.94 GB

...( TrackList )...

01. Papa Roach - Even If It Kills Me
02. Tate McRae - Sports car
03. Sexyy Red, Bruno Mars - Fat Juicy & Wet
04. Teddy Swims - Guilty
05. Djo - Basic Being Basic
06. Central Cee, Lil Durk - Truth In The Lies
07. Travis Scott - 4X4
08. FKA twigs, North West - Childlike Things
09. Jordan Adetunji, Bryson Tiller - 305
10. J Balvin - Rio
11. Kygo, OneRepublic - Chasing Paradise
12. Lord Huron, Kristen Stewart - Who Laughs Last
13. Kane Brown, Jelly Roll - Haunted
14. Chloe Qisha - 21st Century Cool Girl
15. Neton Vega - Mi Vida Mi Muerte
16. Matt Maltese - Anytime, Anyplace, Anyhow
17. BigXthaPlug, Jessie Murph - Holy Ground
18. Shygirl, Club Shy, Isabella Lovestory, PinkPantheress - True Religion
19. JoJo - Ready To Love
20. Sophie Powers - Goals
21. Tamino, Mitski - Sanctuary
22. Ty Myers - Thought It Was Love
23. JP Saxe - Safe
24. Rise Against - Nod
25. Danny Ocean - VITAMINA
26. camoufly - llamando
27. DaBaby, Big Boogie - HIM
28. Hunxho, Lil Yachty - Big Body (feat. Lil Yachty)
29. Good Neighbours - Ripple
30. SIENNA SPIRO - BUTTERFLY EFFECT
31. Mereba - Phone Me
32. nimino - Shaking Things Up
33. Larry June, 2 Chainz, The Alchemist - Bad Choices
34. NLE Choppa - 444
35. Kevin Ross - Love In The Middle
36. Lauren Spencer Smith - Pray
37. Lauren Alaina - Those Kind Of Women
38. Flipturn - Burnout Days
39. Scowl - Not Hell, Not Heaven
40. Armenta, Manuel Turizo - Feliz Año Nuevo
41. Loe Shimmy, Trippie Redd - Coco Chanel
42. Topic, Daecolm - Control Of Me
43. Ke$ha - Dear Me (From The Original Documentary "Diane Warren: Relentless";)
44. Max McNown - Night Diving
45. Young Franco, General Levy, Tommy Villiers - Give Thanks, Give Praise
46. Hudson Westbrook - Mine Tomorrow
47. Quickly, Quickly - Enything
48. Tyga, Lil Wayne - Pop It Off
49. OHGEESY - Paid N Full
50. Kal Banx, SiR - MOB
51. Victor Mendivil, Óscar Maydon - El 3
52. JPEGMAFIA - PROTECT THE CROSS
53. Nova Twins - Monsters
54. horsegiirL - materiaL hor$e
55. No Guidnce - Different Ways
56. Alessia Cara - Slow Motion
57. Kacy Hill, 6LACK - Time's Up
58. The Castellows, Flatland Cavalry - Place They Call Home
59. Shinedown - Three Six Five
60. SAINt JHN - Poppin
61. Izaak, De La Rose - EX ASS
62. Lefty Gunplay, JasonMartin - Can't Get Right
63. Empire Of The Sun, Lindsey Buckingham - Somebody's Son
64. Aqyila - Focus
65. ratbag - look what you're doing to me
66. Kameron Marlowe - Here Lies the Fool
67. Madison Watkins - Spin
68. Drew Holcomb, Ellie Holcomb, Drew Holcomb & the Neighbors - Never Gonna Let You Go
69. Nessa Barrett - DOES GOD CRY?
70. Baby Nova - Killed For Sport
71. Larkin Poe - Easy Love, Pt. 1
72. Sam Fender - Arm's Length
73. DWLLRS - TTYLSOS
74. Rvfv, Morad, Rels B - Corazón Puro
75. HUGEL, Vidojean X Oliver Loenn, Mr Alameyo - SXY
76. Hannah Cohen - Earthstar
77. Reason, Bas - Not What You Think
78. BabyDrill - Scared Of The Pu**y
79. Viagra Boys - Man Made of Meat
80. Aitana - SEGUNDO INTENTO
81. Magixx - Winter & Summer
82. Whirr - Collect Sadness
83. Mike Posner - Is It Just Me?
84. Graham Barham - LIE TO ME
85. Forrest Frank - DROP!
86. Livingston - Brainstorm
87. Layton Giordani, Linney, Sarah de Warren - Act of God
88. Heidi Montag - Top
89. Nino Paid - Joey Story
90. Bathe - Here
91. Adriel Favela, Carin Leon - Un 2X3
92. MercyMe - Oh Death
93. Benjamin Booker - POMPEII STATUES
94. Chuckyy - FREE SMURK OFNG
95. Zillionaire Doe, BossMan Dlow - Pull Up
96. AJ Mitchell - Won't Be Long
97. Kashus Culpepper - Jenni
98. DoFlame - Drunk Talk
99. quannnic - Wrenches
100. Mou - my love
101. Central Cee, Dave - CRG
102. Joel Corry - Tears On My Piano
103. Esme Emerson - Too Far Gone
104. Self Esteem - Focus Is Power
105. Mabel, King Promise - All Over You
106. Central Cee - Limitless
107. ALT BLK ERA - Come Fight Me For It
108. Jadu Heart - You're Dead
109. M Huncho - Tuff Right?
110. Gorgon City - 5AM At Bagleys
111. RUBII - Twin Flame
112. Shura - Recognise
113. Nina Nesbitt - Enough
114. Laurence Guy, Surya Sen - The Morning
115. Tom Walker - You'll Get There in The End
116. cleopatrick - PLEASE
117. Sigma, Scrufizzer, Jamakabi - CHARGIE
118. AntsLive - Crew Love
119. Antony Szmierek - Angie's Wedding (Smez's Edit)
120. Lozeak - C'MON
121. Qing Madi - Ali Bomaye
122. Skepsis, Doktor - Arctic
123. Miso Extra - Certified
124. Hope Tala - Phoenix
125. Gavin James - Goldrush
126. O'Flynn - Banggg
127. Sasha GiGi, Jaded, Surya Sen - Coins
128. Vv Pete, UTILITY, Formation Boyz - WASSA
129. KhakiKid - AppleBottomCigarets
130. KeepVibesNear, Kojey Radical, Jords - REBEL 2.0
131. Eljé, Wilfy D - LOVER/LOSER
132. Jelisa - This body
133. LANDMVRKS, While She Sleeps, Mat Welsh - A Line in the Dust
134. Douvelle19 - Find a Way
135. TYDE - tell em
136. Finn Askew - Dive In
137. Rossi. - Don't Touch That Dial
138. Bury Tomorrow - Let Go
139. Mogwai - Hi Chaos
140. Louis Dunford - Queer
141. The Lathums - Heartbreaker
142. HIMALAYAS - Afterlife
143. Era7capone, Headie One - EXTENDO
144. Oscar Jerome - The Fork
145. Omar+, piri - Body Language
146. Gabrielle Aplin - Home To Me
147. Thandii - Past
148. VUKOVI - MY GOD HAS GOT A GUN
149. Asha Banks - Feel The Rush
150. Bleed From Within - A Hope in Hell
151. AJ Christou, A-Trak, Robert Owens - Escape
152. Alana Maria - Nobody Else
153. TATYANA - If I Only Knew
154. Prince Swanny, Stefflon Don - Drip
155. Zach Templar - desire
156. AC Slater, Redlight, SadBoi - Bitches Over Boys
157. Sandhouse - Circus
158. RYMAN - Lose
159. Aanya Martin - Rhythm For The Blues
160. Ellie Dixon - Guts
161. Tom Did It, Loski, Kirky - Dreams In Colour (feat. Loski & Kirky)
162. The Murder Capital - The Fall
163. Martin Luke Brown - to be a man
164. Courting - After You
165. Skengdo, AM, D Proffit - With The 4's
166. Ruthlss - Ascension
167. swim school - Heaven
168. Future Utopia - Don't Try This At Home
169. Mowgs - Veneers
170. Bianca Oblivion, Machinedrum - 'Til Tomorrow
171. Ten Fé, Ash Buggle - Everland
172. TS Graye - Flowers
173. DITZ - Four
174. Me & George, Boston Bun - u told me
175. Hayes Warner - Oh!
176. Clive From Accounts, Riko Dan - Heavier
177. Hybrid Minds, Lyvia - Tear Drops
178. Callum George - Way U Make Me Feel
179. Bobbi Arlo - POWERPLAY
180. Franc Moody - Space Between Us
181. L'objectif - Goth Kids
182. Elea Calvet - Something blue
183. Rohaan - guess i’ll call you back
184. Alejandro Sanz, Grupo Frontera - Hoy no me siento bien
185. Milo j, Martina Stoessel - LO QUE ME CAUSA
186. Gabito Ballesteros, EDDY - Que Pedo
187. ROBI, Sebastián Yatra, Ariza - Lienzo
188. Jombriel, Ryan Castro, Alex Krack - Parte & Choke (Remix)
189. Maisak, Jay Wheeler, Lenny Tavárez, Brytiago - Descaro 2.0
190. Cazzu - DOLCE
191. Brytiago, Kris R. - Ropita Europea
192. Luck Ra, Soledad - DEL BARRIO PA LA CANCHA
193. Tiago Iorc, Kany García - Quédate Otra Vez (Amei Te Ver)
194. SOG, Big Metra - Al Natural
195. Standly, L3tter - Santorini
196. Joaquina - desahogo
197. Micro TDH - Girasol
198. Emjay - boss
199. Deorro, Riot Ten, J. Cruze - 2 Da Floor
200. Soge Culebra, Abraham Mateo - RAYO DE LUZ
201. Leonel Garcia, Samantha Barrón - Solo Di Sí
202. Michelle Maciel - el versa (fulana d tal)
203. Moa Rivera - Princesa
204. Lasso, Ha*Ash - Cinco Minutos Más
205. Conep, CDobleta - Osea
206. Andry Kiddos, vatocholo - bofff
207. Mario Puglia, Dromedarios Mágicos - DE NUEVO
208. Chan, Paule - Irreversible
209. Sebas Barcenas, Bebo Dumont - Tú y Yo (¿Pa Cuándo?)
210. La Santa Cecilia - Los Años
211. Aleesha - qué hubiera pasado?
212. Sara Angel - ECHO
213. Chris Lebron - Contacto de Dios
214. Zacarias Ferreira - Sin Mi Quieres Volar
215. Vanesa Martín - Objetos Perdidos
216. Yaga & Mackie, Ken-Y - Instinto Animal
217. Kaly Y Kowa, El Micha, Roberto ferrante - Matador De Mujeres
218. maare, DJ Nelson - Aunque Sea
219. G.O.K.B, Remers - FCK LOVE
220. Quimico Ultra Mega - Pilonea Pilonea
221. Queralt Lahoz - La Fe
222. Ralphy Dreamz - Aquí No Es
223. Ana Mancebo - levitarrr
224. Erick Brian - Aniversario
225. ZUCO OMG, Nezzah - Balas de Fogueo
226. Chavi Leons - Elevador
227. Zehr Vibe, Intense - Possessive
228. Prem Dhillon - ASTARR
229. Nseeb - Akaal Extended
230. Pardeep Sran, Sukh Lotey - 31,10
231. Shooter Kahlon, Shevv - Addiction
232. Karan Aujla, Neha Kakkar, Jay Trak, Nora Fatehi - Aaye Haaye
233. HARNOOR - 80's
234. Anuv Jain, AP Dhillon - Afsos
235. Chandra Brar, Jasmeen Akhtar, Gaiphy - Akhiyan Chaar
236. Shubh Goraya - Raat Mukke Na
237. Khan Bhaini, Shipra Goyal - Andaaze
238. Amit Tandon, Sarrb - ATTACH
239. Pari Pandher - Asla
240. Sabba, Deepak Dhillon, MEAVIN - Aukhe Saukhe
241. Shyam Sidhawat, Rutvij Joshi, Karanvir Thakor - Aya Na Piya
242. Ranjit Bawa, Kaptaan, BLACK VIRUS - Barkat
243. Rashmeet Kaur, Dhrruv Yogi - Behja
244. Aabhas - Shreyas, Bulle Shah - Bas Kar Ji
245. Madhubanti Bagchi, Juno - Le Aayi
246. Arjun Kanungo, NEXA Music - Unspoken
247. Ravator, Aditya Rikhari - Sajna Ve
248. Salim-Sulaiman, Salim Merchant, Kumaar - Haareya
249. King - Stay
250. Tony Kakkar - Buri Aadat
251. Arslan Nizami, Faheem Abdullah - Fanna Fillah
252. Darshan Raval, Aditya Gadhvi, Hansika Pareek - Sajna
253. Sukriti Kakar, Prakriti Kakar, The Rish - Aa Zara
254. Gurnazar, Rahat Fateh Ali Khan - Taaza Taaza Khabrein
255. Papon - Room Khali Hai
256. Rochak Kohli, Gurpreet Saini - Huzoor Mera
257. Salim-Sulaiman, Salman Ali, Anmol Jaswal - Sajda Ve
258. Jonita Gandhi - Channa
259. Javed Ali, Rajesh Atibal, Shahabuddin Alvi, Reshmi Kumar - Naina Barse Re
260. Akhil Sachdeva, Kaushal Kishore   , Ishaan Arora - Saare Tumhare Hogaye
261. Jubin Nautiyal - Pashmina
262. Abhay Jodhpurkar, Mann - Guzaarish
263. Shashwat Singh, Suhit Abhyankar - Tujhpe Vaari Vaari
264. Andruss, Juos - Dame Más (Gasolina)
265. Annie-Dog - Please Forgive Me, David Gray
266. Nino Uptown - The World Is Yours

...( Info )...

Artist: Various
Album: New Music Releases Week 03 of 2025
Genre: Pop, Rock, R&B, Hip-Hop/Rap, Dance
Released During: Week 03 of 2025
Format/Quality: Mp3 320 Kbps
Total Size: 3.98 GB

...( TrackList )...

01. Marshmello, Jonas Brothers - Slow Motion
02. T-Pain, Yaeji, Girl Talk - Believe In Ya
03. NLE Choppa, Imagine Dragons - Dare U
04. Lucy Dacus - Ankles
05. John Summit, CLOVES - Focus
06. Perfume Genius - It's a Mirror
07. Oklou, Bladee - take me by the hand
08. chloe moriondo - shoreline
09. Luis R Conriquez, Peso Pluma - Bandida
10. grentperez, Ruel - Dandelion
11. Mumford & Sons - Rushmere
12. Jungle - Keep Me Satisfied
13. Hailey Whitters - Casseroles
14. Ela Minus - QQQQ
15. FloyyMenor, ATM Yamil - BAYAMÓN
16. IVE - REBEL HEART
17. Rose Gray - Everything Changes (But I Won't)
18. Central Cee, 21 Savage - GBP
19. Knock2, Naliya - shake!the!city!
20. Saya Gray - LIE DOWN..
21. Spacey Jane - All the Noise
22. Maz B, AveNoir - Crisis Evasion
23. Logic, Lucy Rose - Not A Game
24. Nao - Happy People
25. Samia - Bovine Excision
26. Mac Miller - Funny Papers
27. OMB Peezy, Skilla Baby - Bird Call
28. Architects - Blackhole
29. Eem Triplin - MISS ME?
30. Bryant Barnes - Why Can't You
31. Kane Brown - Gorgeous
32. Willow Avalon - Baby Blue
33. Sharon Van Etten - Trouble
34. Blond:ish, Black Circle - Higher
35. Yami Safdie, Camilo - Querida Yo
36. Jon Pardi - Honkytonk Hollywood
37. Ryan Ellis - Real Love
38. Vundabar - Spades
39. Tyler Braden - Me Or The Dawn
40. BANKS - Love Is Unkind
41. The Weather Station - Mirror
42. Finesse2Tymes, Skilla Baby - Outta My Mind
43. Odetari, ATEEZ - SMB (w/ Hongjoong of ATEEZ)
44. Benji Blue Bills, BNYX®, YourRage - Aye Rage
45. Aitch, Bou - Raving In The Studio
46. THEY. - Choosin'
47. John Glacier, Sampha - Ocean Steppin'
48. Michael Marcagi - Midwest Kid
49. Gavin Adcock - Loose Strings
50. Mia Wray - Not Enough
51. Belinda, Tito Double P - La Cuadrada
52. Aziya - i'm in love, believe it
53. Luhh Dyl, Tee Grizzley - F 12 (feat. Tee Grizzley)
54. Inhaler - A Question of You
55. MIKE - Bear Trap
56. Yukimi - Sad Makeup
57. Tobiahs - Angel of Mine
58. Jagged Edge - Just Might Get It
59. Sunny War, Valerie June - Cry Baby (feat. Valerie June)
60. Alessi Rose - IKYK
61. Jasper Tygner, Art School Girlfriend - Ready
62. Jason Isbell - Bury Me
63. Bartees Strange - Wants Needs
64. Coheed and Cambria - Someone Who Can
65. 21 Lil Harold, Rob49 - Word On The Street (feat. Rob49)
66. Cartel Bo, That Mexican OT - Tha Kitchen
67. Ryan Castro, Kris R. - NI X EL PUTXS
68. Matilda Mann - Just Because
69. Anxious - Some Girls
70. Porridge Radio - Don't Want To Dance
71. Thomas Day - Underwear
72. Bad Gyal, Trueno - Angelito
73. Waylon Wyatt, Bayker Blankenship - Sunday Supper
74. TAVE, Kenyon Dixon - Laid Back/Old Skool Chevy
75. Riordan - Gimme
76. Biig Piig - One Way Ticket
77. Common Hymnal, Tommy Sims, Praise Paige - Be Love
78. FourFive - 5/5
79. D. Savage, PlaqueBoyMax - inthej
80. KREAM, Jem Cooke - Blue Symphony
81. Keke Palmer, DivaGurl - Afford It
82. Conquer Divide, Of Virtue - Bad Dreams (feat. Of Virtue)
83. jasmine.4.t - Guy Fawkes Tesco Dissociation
84. Trousdale - Growing Pains
85. Jon Reddick - No Fear
86. DJ Koze, Ada - Unbelievable
87. 4Fargo, Eric Bellinger - Your Love Is Gold
88. Esha Tewari - you were mine
89. OK Go - A Stone Only Rolls Downhill
90. George Birge - It Won't Be Long
91. Tiago PZK - Señorita
92. Zeds Dead - One Of These Mornings
93. Victoria - WHISTLE
94. K Carbon - Murda
95. Dead Gowns - Wet Dog
96. Delivery - Deadlines
97. Chase Matthew - DRIVES MY TRUCK
98. Busta Rhymes, YG Marley - Treasure & Gold
99. Heembeezy, FiveStarDjay - Us In Here
100. My Morning Jacket - Time Waited
101. Kidwild, Nemzzz - Redemption (feat. Nemzzz)
102. Pola & Bryson, Jelani Blackman - Stampede
103. Rizzle Kicks - Vice
104. Cian Ducrot - Who’s Making You Feel It
105. Bradley Simpson - Carpet Burn
106. ONEFOUR, Abra Cadabra - MOVIE
107. Bicep, Eliza - CHROMA 008 TANGZ
108. The Wombats - Can't Say No
109. Chy Cartier - Not The One
110. James Arthur - Celebrate
111. Craig David - SOS
112. Arthur Hill - Late For The Reservation
113. Skunk Anansie - An Artist Is An Artist
114. Victoria Canal - Vauxhall
115. Zoe Wees - Traitor
116. Ahadadream, Champion, Logan_olm - Big Boy Tracks
117. KiLLOWEN, Frankie Stew and Harvey Gunn - cook & effy
118. Palace - Greyhound
119. Kamakaze, Maniscooler, Jayahadadream, Morgan Munroe - What You On
120. MAFRO, Icarus - Let Me Be
121. ALT BLK ERA - Run Rabbit
122. Krizbeatz, Ajebo Hustlers, Darkoo - Wicked Jazz
123. Badger, TFace, Mayday, DubzCo - Canva (How?)
124. Plested - No Place Like You
125. charlieeeee, Phoebe Hall - KNOW ME
126. Vybz Kartel - Tap
127. AR/CO, Punctual, NewEra - Generation Love
128. The Horrors - More Than Life
129. Cher Lloyd - Head Down
130. Maribou State, Andreya Triana - All I Need
131. Horsegirl - Switch Over
132. HotWax - One More Reason
133. Quiet Man - Bear Trap
134. Kali Claire - Whole New Wardrobe
135. ESSEL, Alex Mills - Give Me Desire
136. JP Cooper - Talking To Strangers
137. Sudley, Dux n Bass, Cameron Hayes - Uninvited
138. Swimming Paul, Alecc Crisostomo - Still Fading
139. Leah Guest - Love & War
140. Hannah Grace - Golden
141. Split Chain - I'm Not Dying To Be Here
142. Dan Whitlam, Tamzene - Blue (feat. Tamzene)
143. Queen Millz - Me?
144. Caldo - CAPITAL C
145. Deyyess - if i was ur boy
146. Jack Curley - Fly
147. Jeshi - SCUMBAG
148. Ward Thomas - This Is Gonna Hurt (Single)
149. Koven, ÆON:MODE, Blanke - Polarised
150. Marnz Malone, KayMuni - I Hate January
151. The Lottery Winners, Frank Turner - Dirt and Gold
152. p-rallel, Dom Valentino - Fooling Me Twice
153. Somebody's Child - Last Night I Held Your Hand
154. Kayla Grace - berlin
155. 5eb, YT - ROSTER
156. Tommy Lefroy - Disbelief
157. Will Sass, Catching Cairo - Deep Theory
158. Chalk - Afraid
159. NIJI - Mo ti délé
160. Calum Bowie - Dream Of My Own
161. Mollie Collins - Love Lift Me
162. Rae Morris, redridinghoodldn - Good Morning London
163. Krakota, Scrufizzer - Wicked & Bad
164. Tommy Ashby - Dangerous
165. Women In Jazz, Rosa Brunello - Uno Punto Uno
166. London Elektricity, Bcee, Ruth Royall - Diamonds in the Rain
167. Travis - Avalon
168. Gen Neo, H33RA, S.A.M - Tell The Truth (with H33RA & S.A.M)
169. Overpass - Take It Or Leave It
170. Niall T - Ellie Goulding
171. Peter Doherty - Felt Better Alive
172. Delights - Take A Picture
173. Lawrence Hart - Closer To You
174. Shaolin Cowboy - HeartBreak Theory
175. Essence Martins - Garden of Eden
176. Ellur - Mourning Song
177. Samantha Crain - Dart
178. cityboymoe - way back home
179. Sam Akpro - Evenfall
180. bilk - Go
181. Profiler - Depth Perception
182. Only Real - Blind
183. Otik - X-Dream
184. India Blue - Insecure in Love
185. Blessed, Ryan Castro, De La Ghetto - ACEITE DE COCO
186. Lola Indigo, Maria Becerra, Villano Antillano - LA REINA (REMIX)
187. Los Esquivel, Prince Royce, Brray - Bachata Bélica
188. Andy Rivera, El Jordan 23, El Malilla - Panty Chanel
189. Los Angeles Azules, Thalía - Yo Me Lo Busqué
190. Milo Bvgatti, Dalex, Maisak - Lo Siento (Remix)
191. Cobuz & Bustta, Beele - Una Noche Más
192. Ricardo Arjona - Mujer
193. Kevin Kaarl - búscame otra vez
194. Ed Maverick - arcoíris (extraído de LA NUBE EN EL JARDÍN)
195. Nino Freestyle, Nacho, Boy Wonder Cf - Dime
196. Marc Segui, paopao - DE NOTA EN NOTA
197. FMK, Estani - 8pm
198. Gente De Zona, El Metaliko - Almohada
199. Sasha, Fuego - Cancelo
200. Alex Favela - Mi Credo
201. Victor Valverde - YMVP
202. Dani Flow, Alu Mix - EL REY DEL MORBO
203. codiciado - Un Niño Buscando Un Sueño
204. La Garfield, Neto Peña - Déjame Conocerte
205. Leo Rizzi - julia
206. Ingratax - La Despedida
207. Nach, Micro TDH - Corazón
208. Juliana, Esteban Rojas - Maldito Reggaeton
209. Aldo Trujillo - Sano Juicio
210. GALE - Skittles
211. Kalimete, Chimbala - Hoy Quiero Bebe
212. Leanys - Amor Rosado
213. Los Del North Texas - Amor Lejano
214. KEVVO - MBMH
215. Fabio Capri - Verbo
216. Beangel, L kimii - Un No Sé Qué
217. El Chulo, El Dray, DJ Conds - Ando Suelto
218. Mackie, J Alvarez - ME FIJE EN TI
219. Mariangela - Primero De Enero
220. Immasoul - CONFIÉSALO
221. FE7O - nochecer
222. Franco Rey - Anestesia
223. Emefe - BREATHE AND GO
224. Andrea Bejar - Marigolds
225. Rigoazulado - LOOP
226. Triada - Sale La Luna
227. Sofia Lafuente - hawaii en invierno
228. ARTBAT, Vintage Culture - She The Last One
229. Reese - Where Have You Been
230. Lavern - Into The Lights
231. Westend, Dave Summer - Love Spell
232. NOME., Kris Kiss - Arsonist
233. Armin van Buuren, Omnia - Love
234. Caribou, Solomun - Climbing (Solomun Remix)
235. Malugi, Wolters - Want My Love
236. Hills - Coolin
237. Glockenbach, Switch Disco, Jem Cooke - 2 Hearts
238. AYYBO - Demon Time
239. Ruze, Robbie Doherty - Bigelectronic
240. Aname, Moyka - Colder
241. Alan Walker - Forever Young
242. Malaa - Nobody
243. Sofi Tukker, Troyboi - Hey Homie (Troyboi Remix)
244. W&W - OIIA OIIA (Spinning Cat)
245. Mondingo - You
246. DJ Planet Express - Next To Me
247. Maddix - Sound of the Underground
248. Morgin Madison - Pieces
249. Andrew Rayel - The Prophet
250. AG Swifty, KOV - Xplain
251. Ravenscoon, Kambii - GLASS ORCHID (feat. Kambii)
252. Innēr Sense (ofc) - Hope
253. Neddie - Strangers, the vision, isolation
254. Fabian Mazur, Golden Child, Robu - Prize
255. Subsonic, Ekko & Sidetrack - Pressure
256. KSHMR - Sun Goes Down
257. Alok, Reinier Zonneveld, K1LO, MadGuss - Just Wanna Dance
258. Whipped Cream, MEMBA - Redline
259. Qrion, Josie Man - Wayside
260. Two Friends, HRVY, YDG - All For Me (YDG Remix)
261. Slikback - Data
262. HotLap, Uvita - Shelter
263. Andrea Calabria - Have It All
264. Y U QT - You Know What I Want
265. Nihilism - FUCK EVERYONE (Original Mix)
266. Ali Bakgor, Marsias - Night After Night
267. Monocule, Nicky Romero, WHAT EVA - Don't Let Go
268. Nicole Moudaber, Risa Taniguchi - Gorgeous
269. Torsten Stenzel, York, Nazzereene - Fade
270. Shlømo, Zorza - I WANNA FEEL
271. Malaa, Malaa (Alter Ego) - Hustler
272. HUGEL, Diplo, Malou, Yuna - Forever (MORTEN Remix)
273. RIOT - Back To Back
274. OKAYVAL - Bass
275. Denham Audio, Jianbo - Fuel
276. Felix Leiter - Beats 4 Peace
277. Moore Kismet - BITTER! (for the lack of a better word)
278. Massano, TH;EN, Carlo Whale - Touch Me
279. Mha Iri - Neon Storm
280. Adventure Club, Kompany, Sara Benyo - Set Me Free
281. Boris Brejcha - Die Maschine auf Diskette 2
282. Blasterjaxx, Kickbait, CERES - Changes
283. STUCA - Hurt
284. HVME, Ilkay Sencan - Overtime
285. Sempa - Any Heads?
286. Illusionize, Fabi Hernandez, Anita Carmona - Lamento
287. Teddy Killerz - Skydiver
288. Lee Foss, Detlef, theconnecT, Spektrum - Pony feat. Spektrum
289. Kelbin - Always
290. Harvey Sutherland - Nobody Like U
291. Sinego B Side, Laguna - El Mar (parece roto)
292. Kolter - Come On Back With Your Love (Sunrise Mix)
293. Nico de Andrea, Hazel - Compromise
294. Braydon Terzo - Paula Abdul
295. ReMan, Iova - Sundown
296. Sammy Porter - Kicking You Out
297. Shermanology - São Paulo
298. Tom & Collins, Calussa, Augusto Yepes, Maitê Inaê - Bora Nessa
299. Martin Jensen, The Stickmen Project, Matt Steffanina - Deeper Love
300. DJ Carpenter, Elise Elvira - What's Next?
301. Jude & Frank, Pietro - Agua
302. Hidden Empire - Feel Free
303. Andrea Oliva, Tim Engelhardt - No Tears
304. Federico Scavo, Chrstphr - Duro
305. Tentendo, PPJ - Paquera
306. Charmes - Generation Connected
307. Alle Farben - The Rhythm
308. Supafly, Alex Adair, Bottom Lip - Da Luna
309. demotapes, Adam Turley - talk slow
310. DJ Kuba, Neitan - Cream
311. Riva Starr, Harry Stone - Chasing Thrills
312. CASSIMM, D´Vision - You Got It All
313. Marie Davidson - Demolition
314. Junior Simba - Ululations
315. Desmond - Back 2 Me
316. Wh0 - The Funk
317. Matisa - In My Head (Edit)
318. Kapote, GUINNY - Mystery
319. ROZET - Shadow Wurk
320. Kevin McKay, The Deepshakerz, Elliotte Williams-N'Dure - Blackwater
321. Party Pupils - Believe In Love
322. Ookay, Linney - Drive Away Slow
323. Alonzo, GIMS - Couteau dans le dos
324. Les Enfoirés - Le monde demain (Version radio)
325. Dr. Yaro - Simba
326. Miki - scorpion ascendant scorpion (상승궁 전갈자리)
327. Still Fresh - COMME NOBODY
328. Tarik Azzouz, La Fève, Hamza - BIG BODY
329. Heuss L'enfoiré, Genézio - 2, 3 shots
330. M. Pokora - Éclipse
331. Thundermother - Can't Put Out the Fire
332. Franglish - Flex
333. Lu City, Didi B - Petit Bonbon
334. Diva Faune, Adeline Lovo - Forever (French Edit)
335. Brown Joel - Lose My Mind - A COLORS SHOW
336. 1PLIKÉ140 - GASSAMA
337. Voyou - Syracuse
338. Vladimir Cauchemar, Apashe, Ruti - ORATORES
339. Oracle Sisters - Blue Left Hand
340. AMK - Loko
341. Sneazzy, Kaaris - CÔTÉ PASSAGER
342. Guiz, Tryo - Bye bye
343. CHARLES - silence
344. Oscar Anton - Brown Eyes
345. Benab - Paillettes
346. ISS - IA
347. Mathieu Boogaerts - Mélancolie
348. One-T, Charles B, Jerome, Clarees - Sunshine State Of Mind
349. LUCIE SUE - Battlestation
350. PLÜM - Routine
351. A2H, Dau - Elle qui commande
352. Mathieu Des Longchamps - Tout sera pardonné
353. Saint Levant - EXILE
354. Blow - HER WORLD
355. Grabbitz - Saint Maniac
356. GLK - ÇA VA
357. VINAI - All On Me
358. Chien Méchant - Qui Ne S'arrête Pas
359. Later. - The Edge of Light
360. Booska-P, Saïf - HITMAN
361. Ben L'Oncle Soul - I GØT HOME
362. Elena Copsi - Flou
363. Klingande, Shaun Farrugia - Feelings for You
364. Evergreen - Un Volontaire
365. Bianca Costa - Tout le quartier
366. Sherifflazone - MBELI
367. Joseph Chedid - Le Syndrome Du Mauvais Monde
368. Mallrat - Pavement
369. Remy - Libre-penseur
370. Coez - Mal di te
371. Papa V, Nerissima Serpe, Shiva, Night Skinny, Fritu - Wop Wop
372. Cosmo - Sconosciuti
373. M¥SS KETA - DIVORZIATA
374. STE - Lacrema
375. Paky, Simba La Rue - Gangsta Shit
376. Icy Subzero - VERDE BOTTEGA (Pray For Me)
377. La Nina - GUAPPARÌA
378. TrigNO - Maledetta Milano
379. Antonia - DOVE TI TROVI TU
380. Jacopo Sol - COMPLICI
381. chiamamifaro - O.M.G.
382. Ginevra - 30 anni
383. LUK3 - VALENTINE
384. Senza_Cri - TUTTO L’ODIO
385. Will - Walzer
386. Sidy - Brixia
387. faccianuvola - fulmine a ciel sereno
388. ELASI - ETC
389. Marianne Mirage - Cielo
390. Lucrezia - Abbaiare
391. Nesli - Oceani e tsunami
392. Dedde - PERIFERIA
393. Mia Wray - Fake A Smile
394. Taxi B, Sapobully, Baby Kirua, Almighty Brian - BIRKIN
395. En?gma, Salmo - IL BUIO NELLE MANI
396. Dani Faiv, Mattak, Kanesh, MadMan - GTA VI – Prod. Kanesh
397. Waze RRX, Glocky - Roccia Music (feat. Glocky)
398. Tokyo, Kermit - SCAPPA
399. Melons, Ddusi - Man Down 3!
400. Ethan - Puta
401. Albé - datti tempo
402. Tara, Livio Cori - Ana Bali
403. Enrico Ruggeri - Zona di guerra
404. Tancredi, Lil Busso - BELLADAMORIRE
405. Angela Baraldi - 3021
406. CIMINI - MYROMANTICA
407. VV - Che Vita Di
408. Dente - Favola
409. GIOIA - Ties
410. Vybes - Non mi passa
411. Arssalendo - Sole sulla pelle
412. Germo67 - LUNA
413. Nicolò Filippucci - Yin e Yang
414. ILAN - Sangue Blu
415. MARO, NASAYA - FOREVER & EVER
416. MOLLENBECK - MALE
417. Luciennn - drive safe
418. GELO, CoCo, Poison Beatz - + Attenzioni
419. El Chapo Junior, Emdi - TERRORIST
420. Neves17 - GAMBINO
421. Serendipity - Queste notti
422. Paul Giorgi - Fumo
423. Hal Quartièr - Chiara
424. 43.Nove - Lagna
425. Glazyhaze - FORGIVE ME
426. Vanarin - Memories
427. Alice Pisano - Logic
428. Amalia - Neanche lo sai
429. maniviola - la strada di casa
430. I Boschi Bruciano - UN MILIONE DI ANNI
431. teamcro, Deriansky - la Manina
432. Francesca Moretti - CREPUSCOLO
433. Möly - Questa città
434. Magenta Flora - sull'orlo di fallire
435. DINìCHE - NISIDA
436. PIÑACOLADA, Tomato Strafford, mezzocammello - Solitario
437. 4Calamano - All You Can Eat
438. Florinda - Ma Che Vuo'
439. MAJAN, Trettmann - 100.000
440. Apache 207, Luciano - Gesegnet
441. Kylie Minogue, YouNotUs - Someone For Me
442. Ritter Lean, Chapo102 - Verknallen
443. Apache 207, Luciano - Cold as Ice
444. Blumengarten - Supernova
445. Fabian Wegerer, Gregor Hägele - Zwischen den Stühlen
446. LIZOT, Lilly Ahlberg - Rubiks Cube
447. TOBIAS - fehlerlos
448. Apache 207, Luciano - Bei Nacht
449. SYML - Careful
450. JONA - Nur wenn ich bei dir bin
451. Gabry Ponte, DES3ETT - La Bohème
452. Anna Grey - tiefer
453. Nora Fatehi, Jason Derülo - Snake
454. Wankelmut, Emma Wells - Sun Goes Down
455. Luca-Dante Spadafora, Good Humans - Favorite Song
456. Joya Marleen - end of the world
457. Malou Lovis - Want It Back
458. Zak Abel - Home
459. Klaas - Crockett's Theme (Invincible)
460. Lostboi Lino - Roxanne
461. Marius Bear - Forever
462. HE/RO - Bluten
463. Wallners - Shadowplay
464. L'aupaire - Never Get To Heaven
465. Ella Stern - leider not
466. Tocotronic - Bleib am Leben
467. Tream, Mia Julia - HERZBLATT (AUA AUA)
468. Pietro Lombardi - Kapitel
469. Luana - Underdog
470. Eveline - rock n roll healing
471. Cosie - Heimweh
472. Dario Lessing, Jarvis Carter - Barely Floating
473. Esta - Sterne
474. Kina, Autrioly - Tonight
475. Philippa Kinsky - Haven
476. M.i.a. - Armour
477. Vella - All My Love
478. Takt32, Samra - PECHSCHWARZER RAUCH
479. Ela - ich würde dich nie bereuen
480. Idolinjo, Juh-Dee, Young Mesh - Hustle & Prayer
481. Oehl, Ami Warning - Weltenuntergang
482. Monet192 - Do You Love Me
483. S1RENA - Hin & Her ⋆｡˚?
484. Haiyti - Tagebuch
485. Christopher Annen, Francesco Wilking - Hundertmal Nichts (Gold)
486. Ledu - OMG
487. VICKY - aufwachen blaumachen
488. Sonus030, AK AUSSERKONTROLLE - QUALITÄT
489. Vaundy - RUN SAKAMOTO RUN Opening theme to SAKAMOTO DAYS
490. Yorushika - Snake
491. Nariaki - Zatto
492. Aiko - cinema
493. indigo la End, nishina - Night Calm (feat. nishina)
494. [Alexandros] - Kinjito
495. Conton Candy - FUTSUU - Ending Theme to SAKAMOTO DAYS
496. Spyair - Buddy
497. the shes gone - Sentimental Me
498. RIKON - Bye For Now
499. Yves - See you in hell
500. Gfriend - Always
501. ReoNa - Debris
502. FRUITS ZIPPER - Mirror
503. Logic - This Is The Way
504. miwa - Real
505. Knock2, MILLI - dance or dead
506. Ela Minus - BROKEN
507. Tokyo Community Radio, Licaxxx, ShowyRENZO - Too much
508. AKASAKI - Bunny Girl (maeshima soshi, Dateiga Remix)
509. Sou - Rest in peace.
510. Blue Mash - Kareshi 3
511. I Mean Us - In the End of the World (I Love You)
512. Peach Luffe - What’s On Your Mind
513. Hakubi - Another World (Alt. ver.)
514. The Weather Station - Neon Signs
515. Kei Owada, Kazooshi - A Map of Yourself
516. ELIONE - Empty
517. Tight a.k.a. Rekko, CHICO CARLITO - New Beginning
518. Miki, HANNYA, PAX - FALL FORWARD
519. Winston Surfshirt - Ice Cream
520. Ziggy Alberts - I'm With You
521. Dirty Blonde - Polly
522. Kim Wan-sun, 슬기 - Lucky
523. Lucy - Into The Day
524. ONEUS - IKUK
525. Cupnoodle - Happy Ending
526. Dept, Pretzelle - Tell Me
527. Green!Eyes, 洪佩瑜 - Shallow
528. BBGIRLS - LOVE 2
529. ZEROBASEONE - NOW OR NEVER
530. Cold Desires - Unreal
531. NIve - A Bitter Letter To Myself
532. Dynamicduo, GUMMY - Take Care
533. GIRIBOY - I Think It’s Love
534. Aleph - School Day Nostalgia
535. Richard Dawson - Gondola
536. YUJI, Kenny - ON MY MIND
537. YonYon, SIRUP, Shin Sakiura - Old Friends
538. The GE, Vrach - Embrace
539. Aaron Bunac, HOWE. - The Best
540. Icebox, Teem - NOVEMBER
541. Ishbel Warifa - Madly in Love
542. Zalelo - Investments

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album amerykańskiego zespołu grającego techniczny i progresywny death metal inspirowany przez GORGUTS, ATHEIST, DEMILICH. "ZEALOTRY - The Last Witness CD" to prawdziwa gratka dla miłośników death metalu. To prawdziwe dzieło sztuki, które wzbudza respekt nawet wśród najwybredniejszych fanów gatunku.

Album trwa niemal 54 minuty i to aż 54 minuty mistrzowsko zagranej muzyki. Zealotry to zespół, który kultywuje tradycyjne elementy gatunku, ale jednocześnie nie boi się eksperymentować, poszukując nowych dróg i inspiracji.
'The Last Witness' to doskonały przykład na to, jak profesjonalny zespół może przewrócić do góry nogami wszystko, co myśleliśmy o death metalu. Album jest niczym opowieść, która wprowadza nas w mroczny świat końca ludzkości. Teksty utworów, opowiadają historię znaną już z dzieł takich autorów jak Arthur C. Clarke, ale Zealotry potrafi to opowiedzieć w sposób zupełnie oryginalny i jedyny w swoim rodzaju.



'The Last Witness' presents almost 54 mins of material hitting on all fronts with a progressive, yet schooled brand of death metal mastery, The album is carved from the same flesh as some of the genre's most important releases. Zealotry is a band that walks its own path, one that's paved by a desire to push death metal to new levels, while staying true to the genre's traditional elements.
"The Last Witness" brings to life a series of massive and unparalleled musical movements dense and complex enough to require repeated listens.

Lyrically, the album tells the story of humanity's end, as imagined by Arthur C. Clarke (among others). It speaks of our species' forced ascension and assimilation, compelled by the unseen, unknowable mind that tends to the cosmic clockwork and has decided the fates of countless other races. It is also about choices, mistakes and their consequences.

Lavadome is proud to present such irreversible art which stands out above the norm instead of following it in hopes there are still ears out here, thirsty to listen on repeat and slowly uncovering the mesmerizing scales of the nature presented by The Last Witness.




The topic of progression in metal is a controversial one, doubly so in a time when it is as at once digging into its past and looking into a future. The question of what constitutes progression is a controversial one where you will only get quasi answers at best and even more questions branching out of them. Is it merely novelty; a fresh layer of paint on old rusted gears, giving us a temporary sense of awe before familiarity and boredom sets in again? The combination of a distinct style onto a normal one; the ordinary fused with the extraordinary, a showpiece for eclecticism at the cost of foundation-level integrity? Simply improving the technical skill involved; raising the bar for membership, yet changing little else? Personally, I believe that true progression, development, evolution or whathaveyou comes not from merely unusual influences or quantitative knowledge of technique, but rather a distinct perspective – one that can be composed of pieces that may be staples yet arranged and executed in a form that makes them something else in their entirety.

Where the new old school movement is caught between hollow worship and genuine attempts to re-interpret its origins, the brutal-technical modernists are busy wallowing in their own short-sighted excess, and the dissonant movement has become rather comfortable in its increasingly less alien tonalities, there have been those who stand apart from the three axes of death metal. Ghoulgotha, Blood Incantation, Kerasphorus, Pavor, Morbius, The Chasm, Diskord, Axis of Advance, Mitochondrion, and Boston’s Zealotry represent a movement that at once dwells on the fringes of death metal yet viciously expands that desolate frontier. While Zealotry are far from the first or the most well known of these, they are arguably the best example of a band that encapsulates not just the genre’s present but it’s rich, storied history. Taking inspiration from the genre’s 30+ year history, Zealotry’s ideas will not be unheard of to genre veterans yet it is how they have warped and adapted them for their own esoteric purposes and rendering it far from comfortingly familiar.

Compared to the gradually unfolding cycles of riffing that comprised their excellent 2013 debut, The Charnel Expanse, The Last Witness stands out immediately with the raw density of its layered instrumentation. While their technical capacities were far from lacking, now they have stolen the spotlight as the talents of all four musicians coalesce into a tapestry of writhing rhythms and coiling expanses of fluctuating tonalities. Make no mistake, Zealotry is not a band that has forgotten about the importance of well crafted riffage but how they ambiguously entwine consonance and dissonance leaves very little that would be considered even remotely catchy or immediately gut-wrenching as much as ominous and otherworldly. The meat of the songs revolves around the deadly duo of guitarists Roman Temin and Chthe’ilist cult leader Philippe Tougas whirling complex counterpoint patterns into luminous textures from which they draw out a variety of depth an elaboration upon central ideas and themes. A highly active drum performance from Inhumatus’ Alex Zalatan forms an undulating turbulent framework in which they can function, pulling out a variety of sharply timed accents and fills, and shadowing the swell and churn of the rhythm and yet not coming off as remotely showboating. While the bass was muffled on the last album, here Aodán Collins is equally prominent as both guitarists, their every movement answered by stalking, chunking basslines that flesh out the lower end and veer into additional layers of harmony and contrast, furthering the album’s unsettlingly alien mood.

All of this makes the album come off as more jazz-fusion esque than its predecessor yet not necessarily just by their rigorous playing which betrays an impressive range of influences (Allan Holdsworth, Timeghoul, Univers Zero, Adramelech, The Chasm, Gorguts, Immolation, Alf Svensson era At The Gates, Ved Buens Ende, Virus, Anata, Gorguts and numerous others). As previously stated, the emphasis on layered instrumentation is much stronger than on the debut and it affects how the composition of the songs as well. These eight tracks cycle through these intricate textural layers, orbiting around one another to build up familiarity and ambience, saving up momentum generated to surge through powerful diversions, often using solos to great effect as they capitalize on expectation and frenetic execution in a mixture of Roman’s fusion ambivalence and Phil’s incendiary shredding. The riffing that ensues adds a more direct narrative approach to resolve prior strains of flurried delivery. It is in these moments the band wisely streamlines their delivery to bring the numerous hydra-like threads of development to their conclusion. Longer phrases slither in, creeping like hunting centipedes, stretching out to grasp at and fulfill the development of the underlying threads woven beneath the watery line between melody and discordance. It sounds fairly complex and the actual playing will likely take repeated listening to follow. Structurally however this is fairly concise and contained if compared to groups like Obliteration and The Chasm. Repetition is used notably but rather than being an artistic crutch, it works quite well to help re-contextualize itself in the wake of a song’s progression and provide closure where there might otherwise be confusion and amorphousness.

I’ve described Zealotry elsewhere as being a kind of convergence point for various threads of death metal modern, classic, and dissonant in nature but the more I listen, the more there’s the sneaking suspicion this generalization works increasingly less. On both levels of its mystifying aesthetic and underlying content, The Last Witness is a masterwork of death metal and a testament to the possibilities still ripe for exploration in the genre. It’s a rare fusion of high-tech craftsmanship, morbidly esoteric science fiction lyricism, and meticulously crafted compositions that doesn’t come around very often. At the same time, in spite of its initial inaccessibility, there’s a lot it offers to a wide variety of extreme metal fans across the spectrum, assuming they can tolerate just how much it lets loose upon the listener right from its opening moments. I doubt Zealotry will come to be the model upon which future iterations of death metal oddballs will base themselves on (and for the better) yet they’re emblematic of the changing attitudes and mindsets within the genre. Not just concerning progression/evolution but also what lies at the heart of death metal; it multifaceted nature that continues to voice itself in unexpected ways that challenge conventional notions of what does and doesn’t constitute moving forward amongst the genre’s numerous factions. Having produced two albums amongst the elite of recent times, the future remains promising for Boston’s finest and the fractured movement of which they form the spearhead.

Stillborn Machine



..::TRACK-LIST::..

1. Arc of Eradication 04:53
2. Heralding the Black Apostle 06:32
3. Cybernetic Eucharist 05:06
4. Progeny Omega 09:10
5. Mutagenesis 04:41
6. Yliaster 06:34
7. The Last Witness 08:01
8. Silence 08:38



..::OBSADA::..

R. Temin - Guitars (rhythm), Vocals
P. Tougas - Guitars (rhythm, lead, acoustic), Vocals (backing)
Alex Zalatan - Drums




https://www.youtube.com/watch?v=2Fxof7EBrSc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album amerykańskiego zespołu grającego techniczny i progresywny death metal inspirowany przez GORGUTS, ATHEIST, DEMILICH. "ZEALOTRY - The Last Witness CD" to prawdziwa gratka dla miłośników death metalu. To prawdziwe dzieło sztuki, które wzbudza respekt nawet wśród najwybredniejszych fanów gatunku.

Album trwa niemal 54 minuty i to aż 54 minuty mistrzowsko zagranej muzyki. Zealotry to zespół, który kultywuje tradycyjne elementy gatunku, ale jednocześnie nie boi się eksperymentować, poszukując nowych dróg i inspiracji.
'The Last Witness' to doskonały przykład na to, jak profesjonalny zespół może przewrócić do góry nogami wszystko, co myśleliśmy o death metalu. Album jest niczym opowieść, która wprowadza nas w mroczny świat końca ludzkości. Teksty utworów, opowiadają historię znaną już z dzieł takich autorów jak Arthur C. Clarke, ale Zealotry potrafi to opowiedzieć w sposób zupełnie oryginalny i jedyny w swoim rodzaju.



'The Last Witness' presents almost 54 mins of material hitting on all fronts with a progressive, yet schooled brand of death metal mastery, The album is carved from the same flesh as some of the genre's most important releases. Zealotry is a band that walks its own path, one that's paved by a desire to push death metal to new levels, while staying true to the genre's traditional elements.
"The Last Witness" brings to life a series of massive and unparalleled musical movements dense and complex enough to require repeated listens.

Lyrically, the album tells the story of humanity's end, as imagined by Arthur C. Clarke (among others). It speaks of our species' forced ascension and assimilation, compelled by the unseen, unknowable mind that tends to the cosmic clockwork and has decided the fates of countless other races. It is also about choices, mistakes and their consequences.

Lavadome is proud to present such irreversible art which stands out above the norm instead of following it in hopes there are still ears out here, thirsty to listen on repeat and slowly uncovering the mesmerizing scales of the nature presented by The Last Witness.




The topic of progression in metal is a controversial one, doubly so in a time when it is as at once digging into its past and looking into a future. The question of what constitutes progression is a controversial one where you will only get quasi answers at best and even more questions branching out of them. Is it merely novelty; a fresh layer of paint on old rusted gears, giving us a temporary sense of awe before familiarity and boredom sets in again? The combination of a distinct style onto a normal one; the ordinary fused with the extraordinary, a showpiece for eclecticism at the cost of foundation-level integrity? Simply improving the technical skill involved; raising the bar for membership, yet changing little else? Personally, I believe that true progression, development, evolution or whathaveyou comes not from merely unusual influences or quantitative knowledge of technique, but rather a distinct perspective – one that can be composed of pieces that may be staples yet arranged and executed in a form that makes them something else in their entirety.

Where the new old school movement is caught between hollow worship and genuine attempts to re-interpret its origins, the brutal-technical modernists are busy wallowing in their own short-sighted excess, and the dissonant movement has become rather comfortable in its increasingly less alien tonalities, there have been those who stand apart from the three axes of death metal. Ghoulgotha, Blood Incantation, Kerasphorus, Pavor, Morbius, The Chasm, Diskord, Axis of Advance, Mitochondrion, and Boston’s Zealotry represent a movement that at once dwells on the fringes of death metal yet viciously expands that desolate frontier. While Zealotry are far from the first or the most well known of these, they are arguably the best example of a band that encapsulates not just the genre’s present but it’s rich, storied history. Taking inspiration from the genre’s 30+ year history, Zealotry’s ideas will not be unheard of to genre veterans yet it is how they have warped and adapted them for their own esoteric purposes and rendering it far from comfortingly familiar.

Compared to the gradually unfolding cycles of riffing that comprised their excellent 2013 debut, The Charnel Expanse, The Last Witness stands out immediately with the raw density of its layered instrumentation. While their technical capacities were far from lacking, now they have stolen the spotlight as the talents of all four musicians coalesce into a tapestry of writhing rhythms and coiling expanses of fluctuating tonalities. Make no mistake, Zealotry is not a band that has forgotten about the importance of well crafted riffage but how they ambiguously entwine consonance and dissonance leaves very little that would be considered even remotely catchy or immediately gut-wrenching as much as ominous and otherworldly. The meat of the songs revolves around the deadly duo of guitarists Roman Temin and Chthe’ilist cult leader Philippe Tougas whirling complex counterpoint patterns into luminous textures from which they draw out a variety of depth an elaboration upon central ideas and themes. A highly active drum performance from Inhumatus’ Alex Zalatan forms an undulating turbulent framework in which they can function, pulling out a variety of sharply timed accents and fills, and shadowing the swell and churn of the rhythm and yet not coming off as remotely showboating. While the bass was muffled on the last album, here Aodán Collins is equally prominent as both guitarists, their every movement answered by stalking, chunking basslines that flesh out the lower end and veer into additional layers of harmony and contrast, furthering the album’s unsettlingly alien mood.

All of this makes the album come off as more jazz-fusion esque than its predecessor yet not necessarily just by their rigorous playing which betrays an impressive range of influences (Allan Holdsworth, Timeghoul, Univers Zero, Adramelech, The Chasm, Gorguts, Immolation, Alf Svensson era At The Gates, Ved Buens Ende, Virus, Anata, Gorguts and numerous others). As previously stated, the emphasis on layered instrumentation is much stronger than on the debut and it affects how the composition of the songs as well. These eight tracks cycle through these intricate textural layers, orbiting around one another to build up familiarity and ambience, saving up momentum generated to surge through powerful diversions, often using solos to great effect as they capitalize on expectation and frenetic execution in a mixture of Roman’s fusion ambivalence and Phil’s incendiary shredding. The riffing that ensues adds a more direct narrative approach to resolve prior strains of flurried delivery. It is in these moments the band wisely streamlines their delivery to bring the numerous hydra-like threads of development to their conclusion. Longer phrases slither in, creeping like hunting centipedes, stretching out to grasp at and fulfill the development of the underlying threads woven beneath the watery line between melody and discordance. It sounds fairly complex and the actual playing will likely take repeated listening to follow. Structurally however this is fairly concise and contained if compared to groups like Obliteration and The Chasm. Repetition is used notably but rather than being an artistic crutch, it works quite well to help re-contextualize itself in the wake of a song’s progression and provide closure where there might otherwise be confusion and amorphousness.

I’ve described Zealotry elsewhere as being a kind of convergence point for various threads of death metal modern, classic, and dissonant in nature but the more I listen, the more there’s the sneaking suspicion this generalization works increasingly less. On both levels of its mystifying aesthetic and underlying content, The Last Witness is a masterwork of death metal and a testament to the possibilities still ripe for exploration in the genre. It’s a rare fusion of high-tech craftsmanship, morbidly esoteric science fiction lyricism, and meticulously crafted compositions that doesn’t come around very often. At the same time, in spite of its initial inaccessibility, there’s a lot it offers to a wide variety of extreme metal fans across the spectrum, assuming they can tolerate just how much it lets loose upon the listener right from its opening moments. I doubt Zealotry will come to be the model upon which future iterations of death metal oddballs will base themselves on (and for the better) yet they’re emblematic of the changing attitudes and mindsets within the genre. Not just concerning progression/evolution but also what lies at the heart of death metal; it multifaceted nature that continues to voice itself in unexpected ways that challenge conventional notions of what does and doesn’t constitute moving forward amongst the genre’s numerous factions. Having produced two albums amongst the elite of recent times, the future remains promising for Boston’s finest and the fractured movement of which they form the spearhead.

Stillborn Machine



..::TRACK-LIST::..

1. Arc of Eradication 04:53
2. Heralding the Black Apostle 06:32
3. Cybernetic Eucharist 05:06
4. Progeny Omega 09:10
5. Mutagenesis 04:41
6. Yliaster 06:34
7. The Last Witness 08:01
8. Silence 08:38



..::OBSADA::..

R. Temin - Guitars (rhythm), Vocals
P. Tougas - Guitars (rhythm, lead, acoustic), Vocals (backing)
Alex Zalatan - Drums




https://www.youtube.com/watch?v=2Fxof7EBrSc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Bardzo cacy death metale z Białorusi!

'Sychodžańnie' to drugi materiał w trzyletniej historii zespołu, wydany w rok po premierze debiutanckiej demówki „Starazytnaje Licha”. Nową EP-kę wypełniają 32 minuty intensywnego black/death metalu, urozmaiconego tajemniczymi interludiami i filmowymi monologami, które nadają całości unikatowego charakteru. W muzyce LSZB pobrzmiewają echa takich zespołów, jak Necros Christos, Archgoat, czy Mortuary Drape. Materiał został zmiksowany/zmasterowany przez Ghostalgy Productions. Autorem okładki jest VR.



After releasing Staražytnaje licha demo last year, Belarusian black/death metallers Ljosazabojstwa are back with a massive new EP Sychodžańnie, set for release on June 30 via Hellthrasher Productions (CD/digital). With Sychodžańnie, LSZB take their brand of ancient thrashing black death to a whole new level, balancing barbaric riffage with mysterious interludes and spoken word samples that make for a unique experience. Prepare yourself for a 32-minute descent to the bottomless pit..

"At six tracks in thirty two minutes, LSZB’s follow-up EP, Sychodžańnie, is a mind-rattling hellride through the darklands of humanity’s subconscious. One minute you’re headbanging, rejoicing in malicious riffs and howls of ancient rancor; the next you’re cowering in deeply-embedded, instinctual fear beneath the wailing sirens of doom." - DECIBEL MAGAZINE

"As good as Staražytnaje licha was, Sychodžańnie is better. While that first demo was a multifaceted affair, there are even more facets on this new gem, and the band have pushed the dynamism of their compositions to even greater heights. The result is a half hour of music that keeps the listener tightly bound in the chains of its attraction." - NO CLEAN SINGING



The occult horror of a certain type of black/death generally somewhat influenced by or otherwise in line with Mortuary Drape is one of my favorite things, and Ljosazabojstwa clearly agree, given the content on Sychodžańnie and on the demo that came before it. From the first bits of atmosphere created by a haunting organ introduction through the very last chords, everything about this EP is massive; monolithic doom-driven rhythms do combat with the vocalist’s echoing snarl, subtle keyboards occasionally provide an extra layer, and the whole package is complimented by the immense production that ties the entire package together. Ominous interludes, sometimes mid-track, build tension, and whenever appropriate buildup has been reached, well-timed eruptions launch trudging doom into ripping hellfire before spiraling back to a horrifying crawl.

Though I mentioned Mortuary Drape as a point of comparison (and a clear influence), Ljosazabojstwa are by no means a clone of anyone; chaotic tremolo melodies, pretty leads, fiery death metal, and blazing thrash merge seamlessly to form a package that fits the mood that Mortuary Drape, Necros Christos, or similar bands put me into without feeling like a pointless ripoff at any point. Though sometimes the non-metal interruptions get a bit much for me, the overall package is startlingly strong, and a welcome change of pace from the onslaught of more straightforward death metal releases that I’ve been hearing from this year so far; as a point to their credit, the interludes are well written (or well picked, for the samples), and my general distaste for lengthy and frequent interludes may well be more of a problem for me than the interludes themselves.

Ljosazabojstwa fundamentally call for a return to the occult, and I welcome it with open arms. Sychodžańnie is catchy, memorable, and excellently performed, with more than enough variety and strength of both songwriting and pacing to keep the EP interesting from listen to listen. Most great EP’s leave me wanting more from the band, and as much as I’m looking forward to hearing Ljosazabojstwa’s first full length, this is a rare EP powerful enough to merit the repeat listens and reflection to occupy me until whenever the band feels that another release is necessary.

HighwayCorsair



..::TRACK-LIST::..

1. Pozirk u biezdań 02:06
2. Zhuba 07:37
3. Piekła 06:56
4. Šliach na Miehida 07:00
5. Sychodžańnie 01:36
6. Zabojstwa ljosu 06:48




https://www.youtube.com/watch?v=3EVsw21ro6A



SEED 15:00-22:00.
POLECAM!!!

TRACKLISTA:

1. Tromso
2. Peron Drugi
3. Ale Ten
4. Gigachat Feat. Rów Babicze
5. Mayday
6. Kawa Czy Herbata?
7. Nóź Na Gardeł Feat. Oliwia Twa
8. Nikt
9. Otóż To
10. Dobrze by Bylo
11. Awaria Feat. Paluch
12. Myślałem, Że Będzie Gorzej
13. To Nie Jest Kraj Dla Kabriolet
14. Za Mną
15. Czarne Ciuchy Białe Koty


DANE TECHNICZNE:

Wielkość uploadu: 104,2 MB
Format/Kodek: Mp3

TRACKLISTA:

1. yokai
2. ptsd Feat. Kuba Hejz
3. chmury
4. muzyka końca lata
5. ​daleko stąd
6. Depresja (Acoustic)
7. Sandman
8. Vintage
9. psychomachia
10. slavic winter
11. vantablack
12. wakacje z duchami Feat. Karol Krupiak
13. kształt wody
14. Vintage (Acoustic)
15. tam, gdzie zawracają wrony


DANE TECHNICZNE:

Wielkość uploadu 106,8 MB
Format/Kodek: Mp3

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Bardzo cacy death metale z Białorusi!

'Sychodžańnie' to drugi materiał w trzyletniej historii zespołu, wydany w rok po premierze debiutanckiej demówki „Starazytnaje Licha”. Nową EP-kę wypełniają 32 minuty intensywnego black/death metalu, urozmaiconego tajemniczymi interludiami i filmowymi monologami, które nadają całości unikatowego charakteru. W muzyce LSZB pobrzmiewają echa takich zespołów, jak Necros Christos, Archgoat, czy Mortuary Drape. Materiał został zmiksowany/zmasterowany przez Ghostalgy Productions. Autorem okładki jest VR.



After releasing Staražytnaje licha demo last year, Belarusian black/death metallers Ljosazabojstwa are back with a massive new EP Sychodžańnie, set for release on June 30 via Hellthrasher Productions (CD/digital). With Sychodžańnie, LSZB take their brand of ancient thrashing black death to a whole new level, balancing barbaric riffage with mysterious interludes and spoken word samples that make for a unique experience. Prepare yourself for a 32-minute descent to the bottomless pit..

"At six tracks in thirty two minutes, LSZB’s follow-up EP, Sychodžańnie, is a mind-rattling hellride through the darklands of humanity’s subconscious. One minute you’re headbanging, rejoicing in malicious riffs and howls of ancient rancor; the next you’re cowering in deeply-embedded, instinctual fear beneath the wailing sirens of doom." - DECIBEL MAGAZINE

"As good as Staražytnaje licha was, Sychodžańnie is better. While that first demo was a multifaceted affair, there are even more facets on this new gem, and the band have pushed the dynamism of their compositions to even greater heights. The result is a half hour of music that keeps the listener tightly bound in the chains of its attraction." - NO CLEAN SINGING



The occult horror of a certain type of black/death generally somewhat influenced by or otherwise in line with Mortuary Drape is one of my favorite things, and Ljosazabojstwa clearly agree, given the content on Sychodžańnie and on the demo that came before it. From the first bits of atmosphere created by a haunting organ introduction through the very last chords, everything about this EP is massive; monolithic doom-driven rhythms do combat with the vocalist’s echoing snarl, subtle keyboards occasionally provide an extra layer, and the whole package is complimented by the immense production that ties the entire package together. Ominous interludes, sometimes mid-track, build tension, and whenever appropriate buildup has been reached, well-timed eruptions launch trudging doom into ripping hellfire before spiraling back to a horrifying crawl.

Though I mentioned Mortuary Drape as a point of comparison (and a clear influence), Ljosazabojstwa are by no means a clone of anyone; chaotic tremolo melodies, pretty leads, fiery death metal, and blazing thrash merge seamlessly to form a package that fits the mood that Mortuary Drape, Necros Christos, or similar bands put me into without feeling like a pointless ripoff at any point. Though sometimes the non-metal interruptions get a bit much for me, the overall package is startlingly strong, and a welcome change of pace from the onslaught of more straightforward death metal releases that I’ve been hearing from this year so far; as a point to their credit, the interludes are well written (or well picked, for the samples), and my general distaste for lengthy and frequent interludes may well be more of a problem for me than the interludes themselves.

Ljosazabojstwa fundamentally call for a return to the occult, and I welcome it with open arms. Sychodžańnie is catchy, memorable, and excellently performed, with more than enough variety and strength of both songwriting and pacing to keep the EP interesting from listen to listen. Most great EP’s leave me wanting more from the band, and as much as I’m looking forward to hearing Ljosazabojstwa’s first full length, this is a rare EP powerful enough to merit the repeat listens and reflection to occupy me until whenever the band feels that another release is necessary.

HighwayCorsair



..::TRACK-LIST::..

1. Pozirk u biezdań 02:06
2. Zhuba 07:37
3. Piekła 06:56
4. Šliach na Miehida 07:00
5. Sychodžańnie 01:36
6. Zabojstwa ljosu 06:48




https://www.youtube.com/watch?v=3EVsw21ro6A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Zremasterowana edycja wydanego w 1975 roku, rewelacyjnego debiutu amerykańskiej progresywnej formacji. To jest zdecydowanie jedna z najlepszych tego typu płyt nagranych poza Europą i prawdopodobnie najlepszy, progresywny album powstały w Stanach!

Na płycie znajdują się 4 nagrania (w tym zajmująca całą stronę B oryginalnego LP 19-minutowa suita) utrzymane w klimacie dokonań Genesis, Van Der Graaf Generator, Yes, King Crimson, ELP, Egg czy też Refugee! Mnóstwo Hammondów, melotrony oraz fajne brzmienia analogowych syntezatorów. To jest brytyjskie brzmienie circa 1973-74! Wydaje nam się, że każdy fan progresywnego rocka powinien posiadać ten album w swojej kolekcji i z całą pewnością będzie tą muzyką oczarowany! To jest granie z najwyższej półki!

Całość wyprodukował Ian McDonald z King Crimson. Doskonały dźwięk!



Superbly crafted 70's mellotron/moog laden progressive rock gem with great artistic expressionism and full instrumental interplay. "Night On Bald Mountain" was produced by KING CRIMSON's Ian McDonald who also contributes some sax on the album. Musicianship on this album is simply awesome with some of the most scrumptious interplay you have ever heard. Opening number 'Les Cathedrales' is absolutely in the same brilliance as early GENESIS with the most captivating and delicate of melodies. This five member band incorporate some wonderful musical instrumentation including xylophone, glockenspiel, chineese bell tree, gong, finger cymbals, tubular bells, triangle, hammond organ, pipe organ, celeste, mellotron, moog , Taurus pedals, and everyone's favourite... electronic devices. Vocals are quite well done with some great lyrics as well. "Night On Bald Mountain" contains 2 epic tracks and a couple of shorter but well pieced tracks. For those lucky enough to have snagged a copy of Setticlavio Record's (Italy) re-released CD pressing can also enjoy their second album as well... 7 extra bonus tracks from the album titled "Two Too" (1976)... although it is always nice to have this bonus material is ranks much lower IMHO than "Night On Bald Mountain" which is a great album and in my opinion an essential piece of Prog Land history !

Loserboy


Another one of those little-known American prog rock bands, I noticed this country's prog rock scene consisted of very few bands that actually made it big, only KANSAS did, because they included uniquely American elements in their European-influenced prog sound. Most of the other bands were unlucky, only having small, local or regional labels back them up (good examples go to acts like CATHEDRAL or BABYLON) or they had to privately issue the album themselves. There were a few that were lucky to get on major labels, giving them at least a small chance for national exposure like STARCASTLE (Epic Records), HAPPY THE MAN (Arista) or ETHOS (Capitol), but of course, you know how American radio was to prog in the second half of the '70s (not exactly the most friendly, and they'd prefer the most AOR stuff from KANSAS).
FIREBALLET at least had the decency to record for Passport Records, a small label that at least was able to distribute nationwide, and had quite a few great prog acts on its roster (ARTHUR BROWN'S KINGDOM COME, CAPABILITY BROWN, NEKTAR, SYNERGY, BRAND X, etc.). As for the rule of American prog (with a few exceptions, of course), most of these bands were either from the Midwest or the East Coast, and FIREBALLET was no exception, they hailed from New Jersey, which was also the home to Passport Records. "A Night On Bald Mountain" was their debut, and best known for being produced by Ian McDonald, who was previously a member of KING CRIMSON, and later a member of the multi-platinum selling AOR act FOREIGNER (a band that I don't need to explain to those who have even the slightest knowledge in FM rock).

The band consisted of drummer Jim Cuomo, keyboardist Bryan Howe, guitarist Ryche Chlanda, keyboardist Frank Petto, and bassist Martyn Biglin, all credited to vocal duties aside from the bassist, and Cuomo was the guy responsible for the lead vocals. His vocals tended to be on the dramatic side, and he had to try to imitate a European accent.

To me, I thought the album sounded like GENESIS or YES playing the Mussorgsky and Debussy songbook. In fact the title track, of course, is the band doing a version of Mussorgsky's famous work, but they also included some Debussy in there too. I kept hearing how this album is a Mellotron masterpiece. Don't buy in to that, the Mellotron is used nowhere as many claim, I mostly hear it on the short "Atmospheres", that's it, really. I more hear the RMI electric piano/harpsichord, ARP 2600, and Hammond organ. "Les Cathedrales" find the band borring a theme from George Martin's "Theme One" (the one VAN DER GRAAF GENERATOR covered as a single they released in 1972, and included on the American LP of "Pawn Hearts"). "Centurion (Tales of the Fireball Kids)" is a prime example of Jim Cuomo being dramatic in his vocals. Somewhere you hear a theme from Holst's "The Planets". Of course the band went and tackled on Mussorgsky's famous work, stretching around 18 minutes, the title track is a prog version of that work, but near the end, the band seemed to abandoned rock and put emphasis on pipe organ and more classical structures.

Around this time, Passport Records started promoting the Sansui QS quad-stereo unit (you can see this promo also on Synergy's Electronic Realizations For Rock Orchestra), from my understanding you can only get quad stereo from these titles if you owned a Sansui quad (and also my understanding was that reel-to-reels were better at quad than LPs).

Unfortunately the only way you can get this on CD is through a Brazilian label called Rock Symphony which they also paired their second album Two, Too (which is usually regarded as not so good as their debut, but I hadn't heard that album). Passport Records went belly-up around 1988, making many titles difficult to get reissued if they weren't on other labels (BRAND X was on Charisma in the UK and NEKTAR was on BELLAPHON in Germany, so that's why those titles ended up on CD reissues).

To me, I think "A Night on Bald Mountain" is a decent enough prog album, but I wouldn't call it essential. I think my problem is I preferred the band when the classical influences aren't as so obvious.

Proghead



..::TRACK-LIST::..

1. Les Cathèdrales 10:18
2. Centurion (Tales Of Fireball Kids) 4:47
3. The Fireballet 5:19
4. Atmospheres 3:40
5. Night On Bald Mountain (Suite)
a-Night On Bald Mountain 2:20
b-Night-Tale 6:28
c-The Engulfed Cathedral 4:38
d-Night-Tale (Reprise) 2:34
e-Night On Bald Mountain (Finale) 2:50



..::OBSADA::..

Vocals, Drums, Timpani, Xylophone, Vibraphone, Glockenspiel, Bell Tree, Gong, Finger Cymbals, Bells [Tubular], Triangle - Jim Como
Organ [Hammond], Organ [Pipe], Celesta, Vocals - Bryan Howe
Piano, Electric Piano, Synthesizer, Mellotron, Vocals - Frank Petto
Bass, Guitar - Martyn Biglin
Electric Guitar, Acoustic Guitar, Vocals - Ryche Chlanda




https://www.youtube.com/watch?v=uLF4iSrsB1o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Zremasterowana edycja wydanego w 1975 roku, rewelacyjnego debiutu amerykańskiej progresywnej formacji. To jest zdecydowanie jedna z najlepszych tego typu płyt nagranych poza Europą i prawdopodobnie najlepszy, progresywny album powstały w Stanach!

Na płycie znajdują się 4 nagrania (w tym zajmująca całą stronę B oryginalnego LP 19-minutowa suita) utrzymane w klimacie dokonań Genesis, Van Der Graaf Generator, Yes, King Crimson, ELP, Egg czy też Refugee! Mnóstwo Hammondów, melotrony oraz fajne brzmienia analogowych syntezatorów. To jest brytyjskie brzmienie circa 1973-74! Wydaje nam się, że każdy fan progresywnego rocka powinien posiadać ten album w swojej kolekcji i z całą pewnością będzie tą muzyką oczarowany! To jest granie z najwyższej półki!

Całość wyprodukował Ian McDonald z King Crimson. Doskonały dźwięk!



Superbly crafted 70's mellotron/moog laden progressive rock gem with great artistic expressionism and full instrumental interplay. "Night On Bald Mountain" was produced by KING CRIMSON's Ian McDonald who also contributes some sax on the album. Musicianship on this album is simply awesome with some of the most scrumptious interplay you have ever heard. Opening number 'Les Cathedrales' is absolutely in the same brilliance as early GENESIS with the most captivating and delicate of melodies. This five member band incorporate some wonderful musical instrumentation including xylophone, glockenspiel, chineese bell tree, gong, finger cymbals, tubular bells, triangle, hammond organ, pipe organ, celeste, mellotron, moog , Taurus pedals, and everyone's favourite... electronic devices. Vocals are quite well done with some great lyrics as well. "Night On Bald Mountain" contains 2 epic tracks and a couple of shorter but well pieced tracks. For those lucky enough to have snagged a copy of Setticlavio Record's (Italy) re-released CD pressing can also enjoy their second album as well... 7 extra bonus tracks from the album titled "Two Too" (1976)... although it is always nice to have this bonus material is ranks much lower IMHO than "Night On Bald Mountain" which is a great album and in my opinion an essential piece of Prog Land history !

Loserboy


Another one of those little-known American prog rock bands, I noticed this country's prog rock scene consisted of very few bands that actually made it big, only KANSAS did, because they included uniquely American elements in their European-influenced prog sound. Most of the other bands were unlucky, only having small, local or regional labels back them up (good examples go to acts like CATHEDRAL or BABYLON) or they had to privately issue the album themselves. There were a few that were lucky to get on major labels, giving them at least a small chance for national exposure like STARCASTLE (Epic Records), HAPPY THE MAN (Arista) or ETHOS (Capitol), but of course, you know how American radio was to prog in the second half of the '70s (not exactly the most friendly, and they'd prefer the most AOR stuff from KANSAS).
FIREBALLET at least had the decency to record for Passport Records, a small label that at least was able to distribute nationwide, and had quite a few great prog acts on its roster (ARTHUR BROWN'S KINGDOM COME, CAPABILITY BROWN, NEKTAR, SYNERGY, BRAND X, etc.). As for the rule of American prog (with a few exceptions, of course), most of these bands were either from the Midwest or the East Coast, and FIREBALLET was no exception, they hailed from New Jersey, which was also the home to Passport Records. "A Night On Bald Mountain" was their debut, and best known for being produced by Ian McDonald, who was previously a member of KING CRIMSON, and later a member of the multi-platinum selling AOR act FOREIGNER (a band that I don't need to explain to those who have even the slightest knowledge in FM rock).

The band consisted of drummer Jim Cuomo, keyboardist Bryan Howe, guitarist Ryche Chlanda, keyboardist Frank Petto, and bassist Martyn Biglin, all credited to vocal duties aside from the bassist, and Cuomo was the guy responsible for the lead vocals. His vocals tended to be on the dramatic side, and he had to try to imitate a European accent.

To me, I thought the album sounded like GENESIS or YES playing the Mussorgsky and Debussy songbook. In fact the title track, of course, is the band doing a version of Mussorgsky's famous work, but they also included some Debussy in there too. I kept hearing how this album is a Mellotron masterpiece. Don't buy in to that, the Mellotron is used nowhere as many claim, I mostly hear it on the short "Atmospheres", that's it, really. I more hear the RMI electric piano/harpsichord, ARP 2600, and Hammond organ. "Les Cathedrales" find the band borring a theme from George Martin's "Theme One" (the one VAN DER GRAAF GENERATOR covered as a single they released in 1972, and included on the American LP of "Pawn Hearts"). "Centurion (Tales of the Fireball Kids)" is a prime example of Jim Cuomo being dramatic in his vocals. Somewhere you hear a theme from Holst's "The Planets". Of course the band went and tackled on Mussorgsky's famous work, stretching around 18 minutes, the title track is a prog version of that work, but near the end, the band seemed to abandoned rock and put emphasis on pipe organ and more classical structures.

Around this time, Passport Records started promoting the Sansui QS quad-stereo unit (you can see this promo also on Synergy's Electronic Realizations For Rock Orchestra), from my understanding you can only get quad stereo from these titles if you owned a Sansui quad (and also my understanding was that reel-to-reels were better at quad than LPs).

Unfortunately the only way you can get this on CD is through a Brazilian label called Rock Symphony which they also paired their second album Two, Too (which is usually regarded as not so good as their debut, but I hadn't heard that album). Passport Records went belly-up around 1988, making many titles difficult to get reissued if they weren't on other labels (BRAND X was on Charisma in the UK and NEKTAR was on BELLAPHON in Germany, so that's why those titles ended up on CD reissues).

To me, I think "A Night on Bald Mountain" is a decent enough prog album, but I wouldn't call it essential. I think my problem is I preferred the band when the classical influences aren't as so obvious.

Proghead



..::TRACK-LIST::..

1. Les Cathèdrales 10:18
2. Centurion (Tales Of Fireball Kids) 4:47
3. The Fireballet 5:19
4. Atmospheres 3:40
5. Night On Bald Mountain (Suite)
a-Night On Bald Mountain 2:20
b-Night-Tale 6:28
c-The Engulfed Cathedral 4:38
d-Night-Tale (Reprise) 2:34
e-Night On Bald Mountain (Finale) 2:50



..::OBSADA::..

Vocals, Drums, Timpani, Xylophone, Vibraphone, Glockenspiel, Bell Tree, Gong, Finger Cymbals, Bells [Tubular], Triangle - Jim Como
Organ [Hammond], Organ [Pipe], Celesta, Vocals - Bryan Howe
Piano, Electric Piano, Synthesizer, Mellotron, Vocals - Frank Petto
Bass, Guitar - Martyn Biglin
Electric Guitar, Acoustic Guitar, Vocals - Ryche Chlanda




https://www.youtube.com/watch?v=uLF4iSrsB1o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album The Art Of Death!, na którym Atrocity idzie drogą wytyczoną przez debiut. Co prawda jest tutaj sporo death metalowych naleciałości, ale stary grindcore nie zaginął i ciągle jest słyszalny, zwłaszcza w charakterystycznej motoryce kawałków.



..::TRACK-LIST::..

1. Pol Pot 0:46
2. Unpure To Christ 0:56
3. Confined 1:13
4. Delerium Tremens 1:48
5. Let The Killing Begin 1:02
6. Waste The Good Suffering 0:25
7. Warped Progress 1:16
8. Maggot Feed 1:27
9. Blood Harvest 1:27
10. I Am God - I Am Death 1:21
11. Depression 4:31
12. Progress Of Suicide 2:34
13. Scarred 2:21
14. Collapsing In Seizure 0:31
15. A Tranquil Place 1:08
16. The Art Of Death 1:42
17. Parade Of The Morbid 1:46
18. Homicidal Cunt 2:10
19. Charred Remains 1:30
20. Suicidal 3:20

Mixed and recorded at the Media Arts Center Nickel Recording, Hartford, Ct, USA on the 18, 19 and 20 January 1991.



..::OBSADA::..

Vocals, Lyrics By - Rob Wedda
Guitar - Jesse Piechowski
Bass - Rich Flint
Drums - Jeff White



https://www.youtube.com/watch?v=GxFIrNDVshk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album The Art Of Death!, na którym Atrocity idzie drogą wytyczoną przez debiut. Co prawda jest tutaj sporo death metalowych naleciałości, ale stary grindcore nie zaginął i ciągle jest słyszalny, zwłaszcza w charakterystycznej motoryce kawałków.



..::TRACK-LIST::..

1. Pol Pot 0:46
2. Unpure To Christ 0:56
3. Confined 1:13
4. Delerium Tremens 1:48
5. Let The Killing Begin 1:02
6. Waste The Good Suffering 0:25
7. Warped Progress 1:16
8. Maggot Feed 1:27
9. Blood Harvest 1:27
10. I Am God - I Am Death 1:21
11. Depression 4:31
12. Progress Of Suicide 2:34
13. Scarred 2:21
14. Collapsing In Seizure 0:31
15. A Tranquil Place 1:08
16. The Art Of Death 1:42
17. Parade Of The Morbid 1:46
18. Homicidal Cunt 2:10
19. Charred Remains 1:30
20. Suicidal 3:20

Mixed and recorded at the Media Arts Center Nickel Recording, Hartford, Ct, USA on the 18, 19 and 20 January 1991.



..::OBSADA::..

Vocals, Lyrics By - Rob Wedda
Guitar - Jesse Piechowski
Bass - Rich Flint
Drums - Jeff White



https://www.youtube.com/watch?v=GxFIrNDVshk



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
VA - Nie zadzieraj nosa (1993)
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: Nie zadzieraj nosa
Genre................: Pop
Source...............: CD
Year.................: 1993
Codec................: (FLAC)
Information..........: Przeboje Marka Gaszyńskiego

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. (00:03:23) Czesław Niemen - Sen o Warszawie
2. (00:02:27) Czesław Niemen - Jaki kolor wybrać chcesz
3. (00:03:53) Czesław Niemen - Klęczac przed tobą
4. (00:02:49) Czesław Niemen - Allilah
5. (00:02:50) Czesław Niemen - Niepotrzebni
6. (00:02:47) Czerwone Gitary - Nie zadzieraj nosa
7. (00:02:23) Czerwone Gitary - Barwy jesieni
8. (00:03:08) Czerwone Gitary - Tuż przed zachodem słońca
9. (00:02:50) Czerwone Gitary - Śledztwo zakochanego
10. (00:02:12) Krzysztof Klenczon & Trzy Korony - Coś
11. (00:02:31) Czerwone Gitary - Szukam tamtej wiosny
12. (00:03:08) Czerwone Gitary - Jesień idzie przez park
13. (00:02:30) Breakout - Wołanie przez Dunajec
14. (00:02:26) Tadeusz Woźniak & Dzikusy - Kiedy mówisz coś
15. (00:02:47) Czerwone Gitary - Nikt nam nie weźmie tej młodości
16. (00:03:11) Maciej Kossowski - Nie mówie żegnaj
17. (00:03:07) Halina Frąckowiak & ABC - Ktoś
18. (00:03:01) Halina Frąckowiak & ABC - Za mną nie oglądaj się
19. (00:03:15) Wojciech Gąsowski - Gdzie się podziały tamte prywatki
20. (00:02:57) Budka Suflera - Samotny nocą
21. (00:03:08) Czerwone Gitary - Czy słyszysz co mówię
22. (00:02:33) Helena Majdaniec & Niebiesko - Czarni - Chciałeś wszystko zmienić
23. (00:02:50) Wojciech Korda & Niebiesko - Czarni - Raz ją spotkałem
24. (00:02:47) Respekt - Cały maj
25. (00:02:21) Gang Marcela - Ojciec żył tak jak chciał

Playing Time.........: 01:11:14
Total Size...........: 407,64 MB

..::INFO::..


---------------------------------------------------------------------
Tadeusz Nalepa & Dżem - Numero Uno [1988][reed:2008]
---------------------------------------------------------------------

Artist...............: Tadeusz Nalepa & Dżem
Album................: Numero Uno
Genre................: Blues
Source...............: CD
Year.................: [1988][reed:2008]
Codec................: (FLAC)

Included.............: NFO, M3U, CUE
Covers...............: Front, Back

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Tadeusz Nalepa & Dżem - Ten o tobie film [04:25]
2. Tadeusz Nalepa & Dżem - Noc jak owoc [06:15]
3. Tadeusz Nalepa & Dżem - Pójdziesz tylko z cieniem [05:21]
4. Tadeusz Nalepa & Dżem - Zostań w moim śnie [04:47]
5. Tadeusz Nalepa & Dżem - Naprzód czy w tył [05:20]
6. Tadeusz Nalepa & Dżem - Wstań i idź [04:55]
7. Tadeusz Nalepa & Dżem - Zły [03:15]
8. Tadeusz Nalepa & Dżem - Pięści ze stali [07:07]
9. Tadeusz Nalepa & Dżem - Hołd [05:56]

Playing Time.........: 47:25
Total Size...........: 293,49 MB

...( Info )...

Artist: Cheap Trick
Album: The Joint Las Vegas October 16th 1995 (Remastered Live On Broadcasting)
Year: 2024
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Intro (Live)
02. She's Tight (Live)
03. Girlfriends (Live)
04. I Want You to Want Me (Live)
05. Cold Turkey (Live)
06. 12 String Bass Solo (Live)
07. Heaven Tonight (Live)
08. Magical Mistery Tour (Live)
09. Don't Be Cruel (Live)
10. The Flame (Live)
11. Ain't That a Shame (Live)
12. Surrender (Live)
13. Voices (Live)
14. Need Your Love (Live)
15. Dream Police (Live)
16. Ad for the Show (Live)
17. Goodnight Now (Live)

...( Info )...

Artist: Bryan Adams
Album: Cleveland 1982 (Remastered Live On Broadcasting)
Year: 2024
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Remember (Live)
02. You Want It, You Got It (Live)
03. One Good Reason (Live)
04. Jealousy (Live)
05. Introduction (Live)
06. Tonight (Live)
07. Lonely Nights (Live)
08. Don't Look Now (Live)
09. Coming Home (Live)
10. Take Me Back (Live)
11. Fits Ya Good (Live)
12. I'm Ready (Live)
13. Hidin' from Love (Live)

...( Info )...
Genre: Vintage Hard Rock/Psychedelic/Blues Rock
Country: Scotland
Year of publication: 2014 - 2020
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps

...( TrackList )...
2014 - Hair of the Dog (00:29:15)
2015 - The Siren's Song (00:46:11)
2017 - This World Turns (00:41:31)
2018 - The Road to Roadburn (00:41:50)
2020 - It's Just a Ride (00:39:30)


https://hairofthedog.bandcamp.com/

Gatunek - EuroDisco
Rok produkcji - 1985 - 2015
Producenci dysku - Niemcy, Finlandia, USA,
Wielka Brytania, Austria, Polska, Republika Południowej Afryki, Rosja
Kodek audio - MP3
Szybkość transmisji dźwięku - 320 kbps



Międzynarodowy zespół śpiewający muzykę pop i euro disco, utworzony w Kolonii. W skład grupy wchodzili: Andrew Thomas, Trevor Taylor oraz John McInerney. Później także: Trevor Bannister, Kevin McCoy, Mo Russel, Rui Carlos Ferreira, Kenny „Krayzee” Lewis. Artyści nagrali wiele znanych hitów, jak np. „You’re a Woman”, „Pretty Young Girl”, „I Wanna Hear Your Heartbeat”, „Come Back And Stay”. Historia formacji rozpoczyna się w 1984r.




Singles:

1988.A World Without You (Michelle)
1988. Hungry For Love
1989.A Train To Nowhere
1989. Lady In Black
1989. Lady In Black (3 '')
1989.Mega-Mix
1990.How I Need You
1990.Queen Of Hearts
1991. House of Silence
1991.Jungle In My Heart
1992.I Totally Miss You
1992.I Totally Miss You (Promo) (US)
1992. Save Your Love
1993.A Love Like This
1993. Go Go (Love Overload)
1993.Kiss You All Over, Baby
1994.Dance Remixes
1994.Luv 4 U
1994.What is Else?
1995.Hold You In My Arms
1996.Anywhere
1998. From Heaven To Heartache
1998.Hold You In My Arms
1998.The Turbo Megamix
1998.The Turbo Megamix Vol.2
1998.You're A Woman '98
1998.Save Your Love `98 (Promo)
1999.The-Hit-Pack
1999. Never Never (Promo)
2000.I'll Be Good
2003.Lover On The Line
2008.Still In Love
2010.Come Back And Stay Re-Recorded 2010

Albumy i kompilacje:

1985.Hot Girls, Bad Boys
1986. Hearthbeat
1987.Love Is No Crime
1988.My Blue World
1989.Bad Boys Best
1989. Super 20
1989.The fifth
1990.Game Of Love
1991. House of Silence
1991.You're A Woman
1991.The Best Of
1992.More Bad Boys Best
1992.Totally
1993.Bad Boys Blue
1993.Dancing With The Bad Boys
1993. Kiss
1994.Completely Remixed
1994.To Blue Horizons
1994.You're A Woman
1996.Bang! Bang! Bang!
1998.Back
1998.With Love From ... The Best Of The Ballads
1999 .... Continued
1999.Follow The Light
1999.Portrait
1999.Pretty Young Girl
2000.Tonite
2001.The Very Best Of
2001.Bad Boys Best 2001
2002.In The Mix
2003.Around The World
2004.Hit Collection Vol. 1 (You're A Woman)
2004.Hit Collection Vol. 2 (The Best Of)
2005.Dancing With The Bad Boys
2005.Greatest Hits Remixed
2005.Hungry For Love
2005.The Biggest Hits Of (South Africa)
2005.Greatest Hits (2 CDs)
2006.Hit Collection (3 CDs)
2008.Heart & Soul
2008.The Single Hits
2009.Rarities Remixed
2009.Greatest Hits (2 CDs) (Bootleg)
2009.Unforgettable
2010.Bad Boys Essential (3 CDs)
2010.25 (2 CD + DVD)
2014.The Original Maxi-Singles Collection (2 CDs)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Nieszablonowa podróż w głąb wyobraźni i swego rodzaju odtrutka na ogłupiający muzyczny analfabetyzm zalewający nas zewsząd!
Dzieło o niezaprzeczalnej sile!



..::TRACK-LIST::..

Live At The Great American Music Hall
1. Introduction 0:44

Set 1
2. I: The 15 4:02
3. II: Dolorous Stroke 3:31
4. III: Bereshith 4:07
5. IV: The 7 7:24
6. V: Zulfikar 9:53

Set 2
7. VI: The End Times 6:00
8. VII: Personnae: Halloween 4:00
9. Untitled 1:36
10. VIII: The 3 (Afghan Song) 4:48
11. IX: The 4 (Great Ishraqi Sun) 3:45
12. X: Fast 6:18
13. XI: Ship Of Fools (Stone Of Exile) 4:54
14. Untitled 1:20
15. XIII: Brazen Serpent 9:02
16. XII: Renunciation 5:04

17. Credits 0:55


Aylaqruh:hurqalyA
18. Introduction 1:56

Act I: Act Of One Man's Employment
19. Scene 1: A Voyage To Have 5:54
20. Scene 2: Puzzled By The Cult 4:21
21. Scene 3: Memories Are To Diamonds As Loyalty Is To The Military 3:44
22. Scene 04: Counted Blessing 3:49

Act II: Act Of Love
23. Scene 5: Lovers Beyond Story 7:14
24. Scene 6: A Soul For A Sword 9:45
25. Scene 7: Underscored By A Knight Veneylla's Loss 4:55

Act III: Act Of He
26. Scene 8: The End Times Said The Cynic To The Lamb 5:11
27. Scene 9: Nothing 5:32

Act IV: Act Of Denial
28. Scene 10: A Single Being's Trinity 3:47
29. Scene 11: The Third Goat Is Humbled 4:51
30. Scene 12: Homecoming 4:39

Act V: Act Of Me
31. Scene 13: Recoil The Locks 8:31
32. Scene 14: The Locks 4:22

33. Credits 0:55



..::OBSADA::..

Violin - Timb Harris
Sarangi, Sitar [Esraj] - Rich Doucette
Baglama [Saz], Guitar - Trey Spruance
Bass - Shazad Ismaily
Keyboards - Jai Young Kim
Drums - Ches Smith, Peijman Kouretchian




https://www.youtube.com/watch?v=Aih51xy8rWo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Zremasterowana i gustownie wydana edycja doskonałego, drugiego albumu z 1970 roku - dodatkowo z inną, singlową wersją 'Circles'! To jest klasyczne progresywne granie z bardzo wysokiej półki, z mnogością partii instrumentalnych (Hammondy, dość ostra gitara, częste zmiany nastroju) plus natchniony wokal. Najprościej umiejscowić tę muzykę pomiędzy twórczością Wishbone Ash, Procol Harum i Gnidrolog (z okresu LP 'Lady Lake'), a Genesis z okresu 'Trespass'. Bez wątpienia jest to najlepsza jak dotąd edycja pod względem dźwięku!



BLONDE ON BLONDE niezbyt zadowoleni ze współpracy z Pye wypowiedzieli kontrakt i związali się z Ember Records – niezależną wytwórnią fonograficzną Jeffreya Krugera, właściciela słynnego klubu Flamingo Jazz Club. W listopadzie rozpoczęli nagrywanie nowego krążka. Płyta „Rebirth” ukazała się w maju 1970 roku. Do dziś przez wielu uważana za najlepsze osiągnięcie zespołu, chociaż ja jestem w kropce - debiut jest jak dla mnie naprawdę ekscytujący...

Co tu dużo mówić – drugi album był już typową progresywną pozycją z bardzo wysokiej półki. Zwraca uwagę mnogość partii instrumentalnych (Hammondy, dość ostra gitara, częste zmiany nastrojów) oraz natchniony wokal. Najprościej umiejscowić tę muzykę pomiędzy twórczością takich grup jak Wishbone Ash, Procol Harum, Gnidrolog i wczesny Genesis. Z ośmiu kompozycji aż pięć to krótkie, ale jakże czarujące utwory o bogatej i fascynującej melodyce. Choćby jak ten, otwierający całość bardzo chwytliwy, utrzymany nieco w stylu The Moody Blues „Castle In The Sky” pochodzący z repertuaru szkockiej grupy Simon Dupree And The Big Sound, czy też następny – atmosferyczny i zmienny „Broken Hours”. Mój podziw i zachwyt budzą także kolejne kawałki – a to utrzymany w szybkim klimacie „Heart Without A Home” z pulsującym basem i fajną solówką gitarową, a to balladowy, przypominający stylem amerykański zespół Gary Puckett And The Union Gap „Time Is Passing”, czy pełen wdzięku, rytmiczny „November”.

Jednak to co najlepsze zespół umieścił na drugiej stronie oryginalnego albumu. Wypełniały ją dwie kapitalne, rozbudowane kompozycje: siedmiominutowy „Circles” i trwający dwanaście minut „Colour Questions”. Obie pełne intensywnych, głównie gitarowych improwizacji i ciekawych rozwiązań rytmicznych. W pierwszej czuć tę specyficzną psychodeliczną atmosferę tkaną poprzez ciągłe zmiany tempa i melodii, z kapitalnie grającą ciężką, „ołowianą” gitarą i ukrytymi gdzieś w tle, na dalszym planie drobnymi muzycznymi smaczkami. Druga to potwór, który rusza na nas z prędkością światła, brzmiąca jak alternatywa dla „Sabre Dance” Love Sculpture i nawet na moment nie odpuszcza. Nie mogę oderwać się od tego energetycznego nagrania, a jest przecież jeszcze fantastyczne zakończenie całości w postaci bardziej już stonowanego, dwuczęściowego „You’ll Never Know Me/Realease”. Ujmujący, kapitalny kawałek nawiązujący do stylistyki Procol Harum i bardzo wczesnego Genesis z okresu „Trespass”. Świetnie się tego słucha, choć jako całość trudno tę muzykę logicznie zdefiniować, bądź porównać. Jeśli już, to może z wczesnym Barclay James Harvest w połączeniu z mało znaną grupą Gnidrolog z okresu jej drugiej płyty „Lady Lake”.

Zibi



..::TRACK-LIST::..

1. Castles In The Sky
2. Broken Hours
3. Heart Without A Home
4. Time Is Passing
5. Circles
6. November
7. Colours Questions
8. You'll Never Know Me / Release

Bonus Track:
9. Circles (Single Version, A-side 1970)



..::OBSADA::..

Bass Guitar - Richard John
Drums - Leslie Hicks
Guitar - Gareth Johnson
Vocals - David Thomas




https://www.youtube.com/watch?v=ndUKzwV4sew



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Zremasterowana i gustownie wydana edycja doskonałego, drugiego albumu z 1970 roku - dodatkowo z inną, singlową wersją 'Circles'! To jest klasyczne progresywne granie z bardzo wysokiej półki, z mnogością partii instrumentalnych (Hammondy, dość ostra gitara, częste zmiany nastroju) plus natchniony wokal. Najprościej umiejscowić tę muzykę pomiędzy twórczością Wishbone Ash, Procol Harum i Gnidrolog (z okresu LP 'Lady Lake'), a Genesis z okresu 'Trespass'. Bez wątpienia jest to najlepsza jak dotąd edycja pod względem dźwięku!



BLONDE ON BLONDE niezbyt zadowoleni ze współpracy z Pye wypowiedzieli kontrakt i związali się z Ember Records – niezależną wytwórnią fonograficzną Jeffreya Krugera, właściciela słynnego klubu Flamingo Jazz Club. W listopadzie rozpoczęli nagrywanie nowego krążka. Płyta „Rebirth” ukazała się w maju 1970 roku. Do dziś przez wielu uważana za najlepsze osiągnięcie zespołu, chociaż ja jestem w kropce - debiut jest jak dla mnie naprawdę ekscytujący...

Co tu dużo mówić – drugi album był już typową progresywną pozycją z bardzo wysokiej półki. Zwraca uwagę mnogość partii instrumentalnych (Hammondy, dość ostra gitara, częste zmiany nastrojów) oraz natchniony wokal. Najprościej umiejscowić tę muzykę pomiędzy twórczością takich grup jak Wishbone Ash, Procol Harum, Gnidrolog i wczesny Genesis. Z ośmiu kompozycji aż pięć to krótkie, ale jakże czarujące utwory o bogatej i fascynującej melodyce. Choćby jak ten, otwierający całość bardzo chwytliwy, utrzymany nieco w stylu The Moody Blues „Castle In The Sky” pochodzący z repertuaru szkockiej grupy Simon Dupree And The Big Sound, czy też następny – atmosferyczny i zmienny „Broken Hours”. Mój podziw i zachwyt budzą także kolejne kawałki – a to utrzymany w szybkim klimacie „Heart Without A Home” z pulsującym basem i fajną solówką gitarową, a to balladowy, przypominający stylem amerykański zespół Gary Puckett And The Union Gap „Time Is Passing”, czy pełen wdzięku, rytmiczny „November”.

Jednak to co najlepsze zespół umieścił na drugiej stronie oryginalnego albumu. Wypełniały ją dwie kapitalne, rozbudowane kompozycje: siedmiominutowy „Circles” i trwający dwanaście minut „Colour Questions”. Obie pełne intensywnych, głównie gitarowych improwizacji i ciekawych rozwiązań rytmicznych. W pierwszej czuć tę specyficzną psychodeliczną atmosferę tkaną poprzez ciągłe zmiany tempa i melodii, z kapitalnie grającą ciężką, „ołowianą” gitarą i ukrytymi gdzieś w tle, na dalszym planie drobnymi muzycznymi smaczkami. Druga to potwór, który rusza na nas z prędkością światła, brzmiąca jak alternatywa dla „Sabre Dance” Love Sculpture i nawet na moment nie odpuszcza. Nie mogę oderwać się od tego energetycznego nagrania, a jest przecież jeszcze fantastyczne zakończenie całości w postaci bardziej już stonowanego, dwuczęściowego „You’ll Never Know Me/Realease”. Ujmujący, kapitalny kawałek nawiązujący do stylistyki Procol Harum i bardzo wczesnego Genesis z okresu „Trespass”. Świetnie się tego słucha, choć jako całość trudno tę muzykę logicznie zdefiniować, bądź porównać. Jeśli już, to może z wczesnym Barclay James Harvest w połączeniu z mało znaną grupą Gnidrolog z okresu jej drugiej płyty „Lady Lake”.

Zibi



..::TRACK-LIST::..

1. Castles In The Sky
2. Broken Hours
3. Heart Without A Home
4. Time Is Passing
5. Circles
6. November
7. Colours Questions
8. You'll Never Know Me / Release

Bonus Track:
9. Circles (Single Version, A-side 1970)



..::OBSADA::..

Bass Guitar - Richard John
Drums - Leslie Hicks
Guitar - Gareth Johnson
Vocals - David Thomas




https://www.youtube.com/watch?v=ndUKzwV4sew



SEED 15:00-22:00.
POLECAM!!!

Wehikuł czasu – koncertowy album zespołu Dżem zarejestrowany 20 czerwca 1992
w hali widowiskowej Spodek w Katowicach.



---------------------------------------------------------------------
Dżem - Wehikuł Czasu Vol.1 (2003 Digital Remastered)
---------------------------------------------------------------------

Artist...............: Dżem
Album................: Wehikuł Czasu Vol.1 (2003 Digital Remastered)
Genre................: Blues
Source...............: CD
Year.................: 1992
Ripper...............: Exact Audio Copy (Secure mode) & Asus CD-S520
Codec................: (FLAC)

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Dżem - Powitanie [02:44]
2. Dżem - Zielony Piotruś [02:43]
3. Dżem - Złoty paw [06:14]
4. Dżem - Wehikuł czasu - to byłby cud [06:12]
5. Dżem - Detox [07:17]
6. Dżem - Sen o Victorii [06:21]
7. Dżem - Ostatnie widzenie [08:23]
8. Dżem - Człowieku co się z tobą dzieje [03:49]
9. Dżem - Mała aleja róż [05:32]
10. Dżem - Mamy forsę mamy czas [06:22]
11. Dżem - Poznałem go po czarnym kapeluszu [04:51]
12. Dżem - Whisky [09:52]

Playing Time.........: 01:10:24
Total Size...........: 466,97 MB



---------------------------------------------------------------------
Dżem - Wehikuł Czasu Vol.2 (2003 Digital Remastered)
---------------------------------------------------------------------

Artist...............: Dżem
Album................: Wehikuł Czasu Vol.2 (2003 Digital Remastered)
Genre................: Blues
Source...............: CD
Year.................: 1992
Ripper...............: Exact Audio Copy (Secure mode) & Asus CD-S520
Codec................: (FLAC)

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Dżem - Józa's Silesian Sound [04:09]
2. Dżem - Jak malowany ptak [04:35]
3. Dżem - List do M. [08:56]
4. Dżem - Śmiech czy łzy [02:48]
5. Dżem - Letni spacer z Agnieszką [02:11]
6. Dżem - Naiwne pytania [12:12]
7. Dżem - Jesiony [11:43]
8. Dżem - Kaczor, coś ty zrobił [03:04]
9. Dżem - Czerwony jak cegła [06:54]
10. Dżem - Czarny chleb [07:58]
11. Dżem - Pożegnanie [00:53]
12. Dżem - Harley mój [06:06]

Playing Time.........: 01:11:34
Total Size...........: 470,30 MB

Gatunek: Pop

...( Dane Techniczne )...


- 127.29 MB

- MPEG Audio (mp3)

- 320 Kbps (44.1 KHz)

- 2 kanały (stereo)


...( TrackList )...

Doda - Drinking.mp3 5.34 MB
Doda feat. Maria Sadowska - Girls to buy.mp3 5.42 MB
Doda - Do It Like I Want It.mp3 5.57 MB
Doda - Fake Love.mp3 5.62 MB
Doda - My Melody.mp3 5.73 MB
Doda - Zatańczę z aniołami.mp3 5.97 MB
Doda - Waterfalls.mp3 6.07 MB
Doda - Wodospady.mp3 6.08 MB
Doda - Bez Ciebie chcę żyć wiecznie.mp3 6.34 MB
Doda - Melodia Ta.mp3 6.61 MB
Doda - Pewnie już wiesz.mp3 6.72 MB
Doda - Riotka.mp3 7.06 MB
Doda - No Rush with Jhn McFly.mp3 7.14 MB
Doda - Wkręceni (High Life).mp3 7.21 MB
Doda - Don't wanna hide.mp3 7.51 MB
Doda - Just You And I.mp3 7.86 MB
Doda - Tylko Ty i ja.mp3 7.86 MB
Doda - Nie Pytaj Mnie.mp3 8.31 MB
Doda - Chcę Cię coraz więcej.mp3 8.85 MB

Gatunek: Techno, Club, Trance

...( TrackList )...

01 0:00:07 ID - ID
02 0:01:32 ARTBAT - Galaxy
03 0:05:58 KILL SCRIPT - On The Low
04 0:10:23 ARTBAT & Losless - Energy
05 0:14:34 The Age Of Love
06 0:19:36 The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix)
07 0:23:55 Kölsch - All That Matters (ARTBAT Remix)
08 0:30:34 MORTEN - No Good
09 0:33:34 MEDUZA - Friends (ARTBAT Remix)
10 0:37:49 ARTBAT & Armin van Buuren - Take Off
11 0:42:22 ARTBAT & MORTEN ft. Bonn - Hollow (ver.2)
12 0:47:28 Swedish House Mafia ft. Connie Constance - Heaven Takes You Home (ID Remix)
13 0:52:12 Argy & Omnya - Aria
14 0:56:07 Vintage Culture & ARTBAT - Last One w/ The Underground
15 1:01:09 ARTBAT - Eclipse
16 1:05:40 Pôngo - Rotowash
17 1:07:51 Chase The Sun (Danny Avila Remix)
18 1:12:41 ARTBAT - ID
19 1:17:47 Nicky Romero & Third ≡ Party - For The People
20 1:21:25 ARTBAT ft. Braev - We're Only Human
21 1:25:29 Empire Of The Sun - We Are The People (ARTBAT Remix)

...( Dane Techniczne )...

Rozmiar plików : 208 MB
Format : MPEG Audio (mp3)
Format version : Version 1
Format profile : Layer 3
Format settings : Joint stereo
Bit rate mode : Constant (CBR)
Bit rate : 320 kb/s
Channel(s) : 2 channels
Sampling rate : 48.0 kHz

...( Info )...

Artist: Guns N' Roses
Album: American Use Your Illusion Tour 1993 ((Remastered) [Live Fm Radio Broadcasting])
Year: 2024
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. It's So Easy (Live)
02. Mr. Brownstone (Live)
03. Live and Let Die (Live)
04. Welcome to the Jungle (Live)
05. Attitude (Live)
06. Double Talkin' Jive (Live)
07. Dead Flowers (Live)
08. You Ain't the First (Live)
09. You're Crazy (Live)
10. Used to Love Her (Live)
11. Patience (Live)
12. Knockin' on Heaven's Door (Live)
13. November Rain (Live)
14. Dead Horse (Live)
15. Drum Solo (Live)
16. You Could Be Mine (Live)
17. Guitar Solo Godfather Theme (Live)
18. Sweet Child O' Mine (Live)
19. Don't Cry (Live)
20. Mother (Live)
21. Paradise City (Live)

...( Info )...


Artist: Blue Öyster Cult
Album: 1972-04-03 – Blue Oyster Cult in New York (Remastered Live On Broadcasting)
Year: 2024
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. The Red and the Black (Live)
02. Buck's Boogie (Live)
03. Stairway to the Stars (Live)
04. Transmaniacon MC (Live)
05. Then Came the Last Days of May (Live)
06. Before the Kiss (A Redcap) (Live)
07. Workshop of the Telescopes (Live)
08. Cities on Flame with Rock and Roll (Live)
09. Born to Be Wild (Live)

...( Info )...
OldiesPart005⭐MP3@320kbps

...( TrackList )...
VA - A Box of Glam [1998-2021] (9 x CDs)
VA - Elements 1, 20 Glitter Associated Winners from the 70's (2023 Remastered Expanded Edition) (2005)
VA - Elements 2, 20 More Glitter Associated Winners from the 70's (2023 Remastered Expanded Edition) (2006)
VA - Glam Rock Goldmine CD1+CD2 (A Butterboy Compilation)
VA - Hot Tramps 220 Junk Shop Glam Ravers (Super Deluxe Edition) [2023] (9 x CDs)
VA - Oh! You Pretty Things, Glam Queens and Street Urchins 1970-76 [2021] (3 x CDs)
VA - Once Upon A Time In The West Midlands, The Bostin' Sounds Of Brumrock 1966-1974 [2021] (3 x CD's)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja debiutu VECTOM oryginalnie wydanego w 1985 roku. 35 minut old school speed metalu.
Limitowane do 500 sztuk wydanie slipcase CD z plakatem.


In the deep underground metal scene of Germany were hidden many great bands that no one knew of, especially outside the European territory. This was the case with the German speed metal band Vectom. Very little information is known about their background as well as the members of the band. They basically appeared in 1983, released two full-length records and then spit-up apparently in 1993. This is kind of unfortunate because they always lived in the obscurity and didn't benefit from great label support and promotion. Though, the amount of similar bands was absurd at this point, the band didn't innovate enough musically speaking. However, they still managed to release some material, despite dealing with those problems.

What we have here is the first album of Vectom titled "Speed Revolution". Some of you might tell yourself by looking at the cover art: "What the fuck is that?". Well this is understandable because no one really knows, but most people think that its some evil KKK guys dressed in black. I think these guys really tried to be offensive in their music, especially for a 1985 album, but this is what the shit was back then. Even though there are 10 songs on the record, it still only clocks at 35 minutes, and nearly all tracks average the 3 minutes of length. It tells a bit about the musical approach the band has taken.

The album begins with the self-titled track of the album, "Speed Revolution", with a creepy introduction until a guitar riff is unleashed accompanied by violent drumming blasts, which I really liked the sound. The chorus is pretty cool also, going simply, but efficiently by "Revolution!", it kind of feature the typical speed metal song structure. We also have the following "In Nomine Satanas" that doesn't bring much more to the table, but very intense drumming performance, and some sort of guitar solos, to say the least. I have a love/hate opinion about the third track "Damned Love" though, the main riff is killer, but the chorus doesn't sound that good for me at least, but still a good song whatsoever. The most memorable songs are definitely "Black Viper", "Satan's Colour" and "Open the Coffin" if you ask me. All three of these songs have a catchy as hell chorus, interesting melodic passages and nice solos as well as some unique vocals of Christian Bucher. He had a pretty nice voice tone and it fitted perfectly in this kind of raw speed metal with the semi-growling and high-pitched screams at times. One thing for sure, Vectom sounds exactly how German speed and thrash metal of the 80s is known for, their music can most likely be compared to other German bands such as Carrion, Necronomicon or Angel Dust. They also followed the evil and occult train of the mid-80s by adopting the satanic worship lyrics. However, they quickly changed their subjects in their second record and got better with their instruments too. Even though it's their first album, they still were talented musicians, they just didn't have the experience ... But one thing for sure, they had the will and ferocity. The "Speed Revolution" album production quality is really primitive, but still nice to listen too because we can actually hear all the instruments in the mix properly, the bass is especially interesting there, it will surely appeal to the people that are used to this kind of old school sound.

Overall, there's nothing really "original", but it doesn't mean that it's not great because in fact, this is a solid record and worthy of being among the great releases of German speed and thrash metal of the mid-80s. Maybe it's not as memorable or as good as the Sodom, Destruction and Kreator first records, but it definitely has it charm. I obviously recommend giving this album a chance, I am pretty sure that it can make some great headbanging moments, especially for fans of 80s old school metal that doesn't care about the sound quality, even if it's not bad in that particular case, for me at least.

DesecratorJ



..::TRACK-LIST::..

1. Speed Revolution
2. In Nomine Satanas
3. Damned Love
4. The Exterminator
5. Loudness And Speed
6. Black Viper
7. Day Of Execution
8. Open The Coffin
9. Satan's Colours
10. Too Fast For Hell



..::OBSADA::..

Wolfgang Sonhütter - Drums
Horst Götz - Guitars
Stefan Kroll - Guitars
Ralf Simon - Bass
Christian Bucher - Vocals




https://www.youtube.com/watch?v=6Lp0YS0NIx8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja debiutu VECTOM oryginalnie wydanego w 1985 roku. 35 minut old school speed metalu.
Limitowane do 500 sztuk wydanie slipcase CD z plakatem.


In the deep underground metal scene of Germany were hidden many great bands that no one knew of, especially outside the European territory. This was the case with the German speed metal band Vectom. Very little information is known about their background as well as the members of the band. They basically appeared in 1983, released two full-length records and then spit-up apparently in 1993. This is kind of unfortunate because they always lived in the obscurity and didn't benefit from great label support and promotion. Though, the amount of similar bands was absurd at this point, the band didn't innovate enough musically speaking. However, they still managed to release some material, despite dealing with those problems.

What we have here is the first album of Vectom titled "Speed Revolution". Some of you might tell yourself by looking at the cover art: "What the fuck is that?". Well this is understandable because no one really knows, but most people think that its some evil KKK guys dressed in black. I think these guys really tried to be offensive in their music, especially for a 1985 album, but this is what the shit was back then. Even though there are 10 songs on the record, it still only clocks at 35 minutes, and nearly all tracks average the 3 minutes of length. It tells a bit about the musical approach the band has taken.

The album begins with the self-titled track of the album, "Speed Revolution", with a creepy introduction until a guitar riff is unleashed accompanied by violent drumming blasts, which I really liked the sound. The chorus is pretty cool also, going simply, but efficiently by "Revolution!", it kind of feature the typical speed metal song structure. We also have the following "In Nomine Satanas" that doesn't bring much more to the table, but very intense drumming performance, and some sort of guitar solos, to say the least. I have a love/hate opinion about the third track "Damned Love" though, the main riff is killer, but the chorus doesn't sound that good for me at least, but still a good song whatsoever. The most memorable songs are definitely "Black Viper", "Satan's Colour" and "Open the Coffin" if you ask me. All three of these songs have a catchy as hell chorus, interesting melodic passages and nice solos as well as some unique vocals of Christian Bucher. He had a pretty nice voice tone and it fitted perfectly in this kind of raw speed metal with the semi-growling and high-pitched screams at times. One thing for sure, Vectom sounds exactly how German speed and thrash metal of the 80s is known for, their music can most likely be compared to other German bands such as Carrion, Necronomicon or Angel Dust. They also followed the evil and occult train of the mid-80s by adopting the satanic worship lyrics. However, they quickly changed their subjects in their second record and got better with their instruments too. Even though it's their first album, they still were talented musicians, they just didn't have the experience ... But one thing for sure, they had the will and ferocity. The "Speed Revolution" album production quality is really primitive, but still nice to listen too because we can actually hear all the instruments in the mix properly, the bass is especially interesting there, it will surely appeal to the people that are used to this kind of old school sound.

Overall, there's nothing really "original", but it doesn't mean that it's not great because in fact, this is a solid record and worthy of being among the great releases of German speed and thrash metal of the mid-80s. Maybe it's not as memorable or as good as the Sodom, Destruction and Kreator first records, but it definitely has it charm. I obviously recommend giving this album a chance, I am pretty sure that it can make some great headbanging moments, especially for fans of 80s old school metal that doesn't care about the sound quality, even if it's not bad in that particular case, for me at least.

DesecratorJ



..::TRACK-LIST::..

1. Speed Revolution
2. In Nomine Satanas
3. Damned Love
4. The Exterminator
5. Loudness And Speed
6. Black Viper
7. Day Of Execution
8. Open The Coffin
9. Satan's Colours
10. Too Fast For Hell



..::OBSADA::..

Wolfgang Sonhütter - Drums
Horst Götz - Guitars
Stefan Kroll - Guitars
Ralf Simon - Bass
Christian Bucher - Vocals




https://www.youtube.com/watch?v=6Lp0YS0NIx8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The Oppressed przez lata stali się synonimem antyfaszystowskiej kultury skinheadów i walki o duszę ruchu skinheadów. Wielu kojarzy ich ściśle ze Skinheads Against Racial Prejudice, a wkład Roddy'ego Moreno w rozwój tego ruchu jest powszechnie uznawany za elementarny, ponieważ przywiózł nowojorski fenomen do swojej rodzinnej Walii, a następnie zaraził nim całą Europę.
Zaprojektował nawet dobrze znane logo SHARP – oparte na wizerunku wytwórni Trojan Records. Nigdy nie wstydząca się tagu Oi!, który wielu krytykowało, wytwórnia Moreno w latach 80., Oi Records, była odpowiedzialna za wczesne wydawnictwa Oi Polloi i The Blaggers, a także za serię albumów split Skins'n'Punks.


Zestaw 4 płyt CD zawierający 113 utworów studyjnych nagranych przez Welsh Oi! legendy Uciskani w latach 1981–2018.

Zawiera albumy „Oi! Oj! Music”, „Fatal Blow”, „We Can Do Everything” i „Music For Hooligans” oraz single „Never Say Die”, „Victims”, „Anti Fascist Oi!”, „Fuck Fascism”, „Strength In Unity” , „Hałas”, „Powstanie”, „Przemoc w piłce nożnej” i „Przesłanie 2 pokoleń 1”.

Zawiera także utwory pochodzące z rzadkich podzielonych kompilacji, a wiele z nich zostało wydanych w Wielkiej Brytanii po raz pierwszy.

Broszura zawiera szczegółowe notatki, zdjęcia każdego wydawnictwa i przegląd autorstwa wokalisty Roddy’ego Moreno.



4CD clam shell box set containing the 113 studio tracks recorded by Welsh Oi! legends The Oppressed between 1981 and 2018.
Featuring the albums ‘Oi! Oi! Music’, ‘Fatal Blow’, ‘We Can Do Anything’ and ‘Music For Hooligans’ plus the singles ‘Never Say Die’, ‘Victims’, ‘Anti Fascist Oi!’, ‘Fuck Fascism’, ‘Strength In Unity’, ‘The Noise’, ‘The Insurgence’, ‘Football Violence’ and ‘2 Generations 1 Message’.

Also includes tracks culled from rare split compilation albums, many of the songs getting a UK release for the first time.

The booklet features detailed liner notes, pictures of every release and an overview by vocalist Roddy Moreno.



..::TRACK-LIST::..

Music For Hooligans LP
1. CF3
2. That's Alright
3. Living With Unemployment
4. Same Old Story
5. Skinhead Times
6. Garageland
7. When I Was Young
8. All Together Now
9. 5 4 3 2 1
10. No Justice
11. Pressure Drop
12. We're The Hooligans
13. Substitute
14. Nazi Nightmare
15. Sleeping With The Enemy
16. Fuck Fascism

Strength in Unity! EP
17. Madness
18. Boots Are Made For Stompin'
19. Skinhead Girl (New Version)
20. CF3

The Noise EP
21. Cum On Feel The Noize
22. Mama Weer All Crazee Now
23. Gudbuy T'Jane

Fat Skins EP
24. The AFA Song
25. Do Anything You Wanna Do

Angelic Upstarts Tribute
26. Solidarity




https://www.youtube.com/watch?v=Ymt9WO7S9wo



SEED 15:00-22:00.
POLECAM!!!