...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Enthral’s second album, “The Mirrors Opposite End”, was released in 1998 also on HOT records owned by Shagrath of Dimmu Borgir. The second album has some additions to the band's lineup. Espen Simonsen joined as 2nd guitar and Stian Aarstad (Dimmu Borgir) joined as keyboardist. The result is not a "pure black metal" album: the songs are atmospheric, Kjetil's screaming voice isn't evil but very particular. Kjetil does also a great drums job. It's important the work of Stian Aarstad (by many considered as the best keyboardist in the whole black metal metal scene, better also than Sverd and Mustis), that contributes with great keyboard passages. The result is an album that reminds the great Dimmu Borgir's Stormblast, but without being a copy of it, thanks to very original riffs and vocals. All artwork and booklet carefully restored.



..::TRACK-LIST::..

1. When The Sky Touched The Earth 07:52
2. In Passion Swept 11:00
3. Weltschmerz 09:39
4. The Sins of Man 07:53
5. Salvation Mother 02:34
6. Monochrome 10:18
7. The 9th Sphere 08:56
8. Call of The Horned Piper - The Sabbat Song 01:34
9. The Leper Play 13:57



..::OBSADA::..

Vocals, Drums - Kjetil Hektoen
Bass, Cello - Martin Rafoss
Guitar - Espen Simonsen, Gunnhild Bratset
Keyboards - Stian Aarstad

Guest
Vocals [Female] - Ingrid Skretting



https://www.youtube.com/watch?v=q8CO-5rKvdI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Enthral’s second album, “The Mirrors Opposite End”, was released in 1998 also on HOT records owned by Shagrath of Dimmu Borgir. The second album has some additions to the band's lineup. Espen Simonsen joined as 2nd guitar and Stian Aarstad (Dimmu Borgir) joined as keyboardist. The result is not a "pure black metal" album: the songs are atmospheric, Kjetil's screaming voice isn't evil but very particular. Kjetil does also a great drums job. It's important the work of Stian Aarstad (by many considered as the best keyboardist in the whole black metal metal scene, better also than Sverd and Mustis), that contributes with great keyboard passages. The result is an album that reminds the great Dimmu Borgir's Stormblast, but without being a copy of it, thanks to very original riffs and vocals. All artwork and booklet carefully restored.



..::TRACK-LIST::..

1. When The Sky Touched The Earth 07:52
2. In Passion Swept 11:00
3. Weltschmerz 09:39
4. The Sins of Man 07:53
5. Salvation Mother 02:34
6. Monochrome 10:18
7. The 9th Sphere 08:56
8. Call of The Horned Piper - The Sabbat Song 01:34
9. The Leper Play 13:57



..::OBSADA::..

Vocals, Drums - Kjetil Hektoen
Bass, Cello - Martin Rafoss
Guitar - Espen Simonsen, Gunnhild Bratset
Keyboards - Stian Aarstad

Guest
Vocals [Female] - Ingrid Skretting



https://www.youtube.com/watch?v=q8CO-5rKvdI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Kultowy debiutancki album Stormwitch z 1984 wznowiony na CD!



Album, który stał się jednym z filarów piorunującego heavy metalu z Niemiec. Trudno wskazać jakiegoś metalowca siedzącego w klasycznym heavy metalu, który nie kojarzyłby tej płyty. "Walpurgis Night" to klasyk. Ten album ma wszystko to, co powinien mieć. Melodie, riffy, wokale i wszystkie pozostałe składowe, które stanowią część dobrej muzyki są tutaj obecne.

Debiutancki krążek Stormwitch charakteryzuje bardzo twórcze podejście do pracy gitary oraz perkusji. Nie mamy tutaj stonowanej łupanki na jedno kopyto. Bębniarz urozmaica swoją grę nie tylko dobrze dobranymi przejściami, lecz także dość nietuzinkowymi patentami, które dopiero w najbliższych latach wpiszą się do kanonu metalowej gry perkusyjnej. Metalowe riffy, które wydobywają się z gitar są przedniego muzycznego sortu i w tym temacie nie ma się do czego przyczepić. Prawdziwe heavy metalowe mięso i tyle. Choć produkcja dźwięku może pozostawiać wiele do życzenia miękkim fajom, które są przyzwyczajone do nowoczesnego wypolerowanego brzmienia, to prawdziwy maniacy metalu powinni ją pokochać już od pierwszej nuty, nawet jeżeli nie są koneserami starych albumów.

Już od pierwszych sekund trwania tego albumu i głośnego "Are you ready?!" rozpoczynającego "Cave of Steenfoll" Stormwitch traktuje nas kunsztem swego brzmienia. Heavy metal spod znaku Stormwitch jest prosty i piękny. Każdy z dziewięciu utworów jest charakterystyczną kompozycją o silnie zarysowanych cechach. Aranżacje w każdej z nich są mistrzowskie. Postawiono w nich na mnogość doskonałych riffów i motywów. Mimo tego, że w utworach dużo się dzieje, to nie mamy przesytu gitarowych zagrywek. Wszystko jest bardzo dobrze przemyślane i poszczególne partie nie gryzą się ze sobą w utworach. Dzięki temu Stormwitch podało nam wyjątkowo smaczne i przejrzyste kompozycje, które stały się już praktycznie klasykami.

Wesoło gnający do przodu "Werewolves on the Hunt" stanowi jeden z szybszych i bardziej błyszczących momentów na płycie. Debiut Stormwitch zawiera raczej średnio-szybkie kawałki, idealne do headbangingu, jednak nawet przyspieszenie rytmu nie gubi czaru jaki roztacza muzyka Stormwitch. Jednak ten utwór nie jest jedynym przejawem mistrzostwa metalowej klasy. Niszczycielski "Warlord" z prężną i ostrą perkusją jest prawdziwym żeliwnym kanałem dla rozpalonego ognia wydobywającego się z gitar. Przebojowy utwór tytułowy to jeden z najbardziej charakterystycznych metalowych hymnów, który spokojnie może stać obok "Balls to the Wall", "The Troopera", "Medieval Steel" i "Come To The Sabbath". Melodyjny zakrzyk w refrenie dodaje mocy tej kompozycji i tak roziskrzonej dzięki płomiennym gitarom.

Metal na debiucie Stormwitch sypie iskrami nieprzerwanie już do samego końca. "Excalibur" osobiście należy do jednych z mych ulubionych instrumentalnych wałków. Świetne operowanie klimatem i przetykanie riffów odpowiednim tłumieniem dźwięków sprawia, że gitary zawarte w tym numerze są bardzo żywotne i elektryzujące. Na tej płycie po prostu nie ma słabego utworu. Od wyrazistego "Cave of Steenfoll" poprzez hiciarski "Skull and Crossbones" i owiany mglistym woalem tajemnicy "Flour in the Wind" po ostatnie wybrzmiewania "Thunderland".

Skoro tak już punktuję mocne strony tego wydawnictwa, warto też powiedzieć nieco o tekstach. "Walpurgis Night" jest albumem, który powinien stać się podręcznikiem do tego jak należy tworzyć warstwę liryczną w heavy metalu. Nie dość, że wszystkie utwory mają cudownie i kreatywnie napisane teksty, to ponadto idealnie pasują do melodyjnych partii wokalnych. Bardzo dobrze zostały rozłożone poszczególne akcenty i artykulacje. Wersy nie są sztywne, lecz swobodnie płyną w utworach, Dzięki tej swobodzie same kompozycje zyskują bardzo wiele i nawet po trzydziestu latach od momentu ich nagrania dalej wydają się świeże i interesujące. Tematyka tekstów też jest bardzo dobrze dobrana. Nie mamy tutaj plastikowego mordowania smoków ani utyskiwania na społeczne nierówności (thrash tak bardzo). Mamy dokładnie to, czego oczekuje się od heavy metalu. Tajemnicy, szczypty okultyzmu, dawnych legend, opowieści z przeszłości, garści mrocznych mitów i dużej ilości dobrej zabawy.

Sterviss


The country? Germany. The year? 1984. The same year when Running Wild released “Gates to Purgatory”, Warlock released “Burning the Witches” and Helloween participated in the split “Death Metal”. The sound? What would later be known as “German metal” or “Teutonic metal” and with time would evolve and split into power metal and speed metal. So, all these bands caught the tide and the influence of the NWoBHM but adjusted the British sound to the German characteristics, basically gave the sound a touch of death-cold, as all these bands back then came in the “spikes, leather and the occult” format.

What we’ve got here is a surge of raw NWoBHM, totally uncompromising and with very grim lyrics. In fact, throughout their next 4 releases their trademark would be precisely their gothic-themed lyrics, courtesy of Lee Tarot (Harald Spengler, RIP), which would win them the nickname of “Masters of the black romantic”.

Musically, they show a high degree of skill. Guitarists Lee Tarot and Steve ‘Snake’ Merchant (Stephan Kauffman) are capable of delivering Maidenesque riffs – in fact I tend to liken the instrumental “Excalibur” with Maiden’s Transylvania, they both share this kind of medieval metallic approach. Drummer Pete Lancer (Pete Langer) delivers a thundering load which you can best appreciate in “Werewolves on the Hunt” (that title pals, those lyrics…). And Andy Aldrian (Andy Mück) gives an aura of evil to the very wicked lyrics with his distinctive, raw voice; although he doesn’t focus on high notes, he’s also capable of delivering them (towards the end of “Werewolves on the Hunt”). From beginning to end, the album features elaborate soloing, constant and profuse riffing patterns (many times approaching Maiden-like gallops) and a stout and solid rhythm base. Some nice surprises for fans of progressive metal await as there’s some attempts at progression, or at least what constitutes a common feature to many progressive albums, that is, rhythm shifts; these can be seen, for example, towards the middle of “The Cave of Steenfoll”, with a couple of consecutive, all encompassing, intricate rhythm shifts which then give way to the solo. Most songs share a fast tempo, with the exception of “Priest of Evil”, which in turn has a more atmospheric, thick, dense approach.

Lyrically, this album is rather different from what their compatriots were doing at that time, feels closer to Mercyful Fate or even Venom, most songs revolve around different aspects of evil (Satanism on “Priest of Evil”, piracy on “Skull and Crossbones”, witches on “Walpurgis Night”) and anguish (“Werewolves on the Hunt”, “Flour in the Wind”). The songwriting was good in particular, no cheesy lyrics or dodgy rhyming, most of it is consonant and, without a blink of the eye, evokes very powerful, dark imagery. In one sentence, the listener will be thrown into an unpolished string of ruthless and visceral obscurity.

A few songs deserve special attention. I think the one that really outstands here is “Werewolves on the Hunt” both lyrically and musically. Very few other metal songs to that date succeeded in evoking such an overwhelming impression and mood. First with the title, think of a bunch of werewolves out for blood, chasing you in a forest (“Deep in the misty forest, In nights when wind stops blowing”). This song is very fast paced approaching speed metal (by 1984 standards), and has a very intricate, complex, Maidenesque, fast, 90 seconds solo accompanied by continuous hammering drumrolls. “Flour in the Wind” presents a wicked miller who goes on to steal the harvest of a village, leaving them no other choice but crude starvation, plain and simple; the song features reminiscences of Maiden’s gallops, complex guitar chords and continuous drumrolls in perfect harmony with Mück’s voice and dark lyrics (“death, pain, agony, famine is spread on through the air”). The other track that shines over the top for me is the instrumental Excalibur, which revolves around a riff pattern with some chord progression, a melancholic solo and a fast blast towards the end, with a whole load of drumrolling through and through.

To recap, this unique jewel combines power, speed, lyrics and technique, all into one; don’t expect any concessions here, this is crude, raw metal made in Germany with a high degree of musicianship and dark lyrics at its best, making this a rather unique creation.

paradisebeyond


At first look, Stormwitch were a pretty dark sounding and evil band, but as we follow their releases, they quickly goes into a more accessible direction. It actually took me quite a while to get to hear these guys and I did not have any regrets to finally give them a listen. Well, to be very precise, the title of this review fits perfectly with the overall sound of early Stormwitch's material, it's basically the sound of the NWOBHM bands, but with an interesting Germanic approach. Of course, back in 1984, the extreme metal scene started out and the classic heavy metal bands were not that "new" anymore. However, bands like Running Wild, Grave Digger, Attack or Atlain were doing similar stuff back in that particular year, but Stormwitch made it clear with their first full-length album that heavy metal was still rocking out awesome stuff in Germany.

Named "Walpurgis Night", released in 1984, is the first official release of the band. Just looking at this cover art shows the evil image that the band used in their early days. The first thing I liked about this album is its primitive sound while also sounding great, the instruments are mixed pretty well and everything is heard perfectly, even the badass bass. It definitely sounds like an early 80s NWOBHM record, which is an even better reason to make you want to listen to it! nine tracks are featured on this album with a running time of 40 minutes and basically no bad tracks at all, if you ask me. Let me say at first that Iron Maiden were probably their biggest influence on this album. As an Iron Maiden fan, I was quite happy to hear the famous instrumental track called "Excalibur". You can easily notice in that song some similarities with Maiden's instrumental tracks like "Transylvania" and "Genghis Khan". The guys of Stormwitch were already skilled musicians by their debut record, by delivering impressive guitar solos through all the album tracks. Let's not forget the front man "Andy Mück" who also impress with his intense vocals.

His vocals are unique and he is able to use a great variety of ranges, but his high-pitched voice made all the difference, songs like "Thunderland" and "Warlord" are great example of that and displays his talent. Well, this album also possess a great catalogue of memorable guitar riffs as the songs varies in term of structure. In fact, each songs are unique and very different from each other, no one can deny how great the track "Priest of Evil" is. Being the one of the most popular Stormwitch composition, it's also one of their catchiest song, with its memorable chorus. The same actually apply to the awesome pirate lyrics song inspired "Skull and Crossbones", but this one also caught my attention especially because of its great melodic parts, it is also my most played song of this album for those reasons. One interesting melodic track is the self-titled "Walpurgis Night", which has a very nice dual guitar melody part. Though, for people that like fast-pacing riffs and intensity, this album can make you happy as well with "Werewolves on the Hunt", this song has the classic speed metal formula and delivers pretty well.

The German approach to this NWOBHM-influenced album made it unique for that reason. Their lyrics are also interesting, writing about the occult and mostly tales and medieval stories. I obviously have to recommend such release to any old school heavy metal fan, it's a very accessible band and even more as you progress in their discography. However, I have to say that their most worthy material is definitely the first three albums, being the one reviewed here, "Tales of Terror" and "Stronger Than Heaven". German metal scene has always been one of the greatest, and Stormwitch is one of the first band to have been part of that scene. They are sometimes forgotten by some people, but albums like these really needs to have more auditors, as they are classic heavy metal records! Give "Walpurgis Night" a listen and I am pretty sure you won't be disappointed.

DesecratorJ



..::TRACK-LIST::..

1. Cave Of Steenfoll 4:24
2. Priest Of Evil 4:39
3.Skull And Crossbones 5:47
4. Werewolves On The Hunt 4:40
5. Walpurgis Night 3:04
6. Flour In The Wind 4:49
7. Warlord 4:30
8. Excalibur 3:48
9. Thunderland 4:30



..::OBSADA::..

Andy Mück - Vocals
Harald Spengler (R.I.P. 2013) - Guitars (lead)
Stefan Kauffmann - Guitars (rhythm)
Ronny Gleisberg - Bass
Peter Langer - Drums




https://www.youtube.com/watch?v=gV0mmgr5nKw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Kultowy debiutancki album Stormwitch z 1984 wznowiony na CD!



Album, który stał się jednym z filarów piorunującego heavy metalu z Niemiec. Trudno wskazać jakiegoś metalowca siedzącego w klasycznym heavy metalu, który nie kojarzyłby tej płyty. "Walpurgis Night" to klasyk. Ten album ma wszystko to, co powinien mieć. Melodie, riffy, wokale i wszystkie pozostałe składowe, które stanowią część dobrej muzyki są tutaj obecne.

Debiutancki krążek Stormwitch charakteryzuje bardzo twórcze podejście do pracy gitary oraz perkusji. Nie mamy tutaj stonowanej łupanki na jedno kopyto. Bębniarz urozmaica swoją grę nie tylko dobrze dobranymi przejściami, lecz także dość nietuzinkowymi patentami, które dopiero w najbliższych latach wpiszą się do kanonu metalowej gry perkusyjnej. Metalowe riffy, które wydobywają się z gitar są przedniego muzycznego sortu i w tym temacie nie ma się do czego przyczepić. Prawdziwe heavy metalowe mięso i tyle. Choć produkcja dźwięku może pozostawiać wiele do życzenia miękkim fajom, które są przyzwyczajone do nowoczesnego wypolerowanego brzmienia, to prawdziwy maniacy metalu powinni ją pokochać już od pierwszej nuty, nawet jeżeli nie są koneserami starych albumów.

Już od pierwszych sekund trwania tego albumu i głośnego "Are you ready?!" rozpoczynającego "Cave of Steenfoll" Stormwitch traktuje nas kunsztem swego brzmienia. Heavy metal spod znaku Stormwitch jest prosty i piękny. Każdy z dziewięciu utworów jest charakterystyczną kompozycją o silnie zarysowanych cechach. Aranżacje w każdej z nich są mistrzowskie. Postawiono w nich na mnogość doskonałych riffów i motywów. Mimo tego, że w utworach dużo się dzieje, to nie mamy przesytu gitarowych zagrywek. Wszystko jest bardzo dobrze przemyślane i poszczególne partie nie gryzą się ze sobą w utworach. Dzięki temu Stormwitch podało nam wyjątkowo smaczne i przejrzyste kompozycje, które stały się już praktycznie klasykami.

Wesoło gnający do przodu "Werewolves on the Hunt" stanowi jeden z szybszych i bardziej błyszczących momentów na płycie. Debiut Stormwitch zawiera raczej średnio-szybkie kawałki, idealne do headbangingu, jednak nawet przyspieszenie rytmu nie gubi czaru jaki roztacza muzyka Stormwitch. Jednak ten utwór nie jest jedynym przejawem mistrzostwa metalowej klasy. Niszczycielski "Warlord" z prężną i ostrą perkusją jest prawdziwym żeliwnym kanałem dla rozpalonego ognia wydobywającego się z gitar. Przebojowy utwór tytułowy to jeden z najbardziej charakterystycznych metalowych hymnów, który spokojnie może stać obok "Balls to the Wall", "The Troopera", "Medieval Steel" i "Come To The Sabbath". Melodyjny zakrzyk w refrenie dodaje mocy tej kompozycji i tak roziskrzonej dzięki płomiennym gitarom.

Metal na debiucie Stormwitch sypie iskrami nieprzerwanie już do samego końca. "Excalibur" osobiście należy do jednych z mych ulubionych instrumentalnych wałków. Świetne operowanie klimatem i przetykanie riffów odpowiednim tłumieniem dźwięków sprawia, że gitary zawarte w tym numerze są bardzo żywotne i elektryzujące. Na tej płycie po prostu nie ma słabego utworu. Od wyrazistego "Cave of Steenfoll" poprzez hiciarski "Skull and Crossbones" i owiany mglistym woalem tajemnicy "Flour in the Wind" po ostatnie wybrzmiewania "Thunderland".

Skoro tak już punktuję mocne strony tego wydawnictwa, warto też powiedzieć nieco o tekstach. "Walpurgis Night" jest albumem, który powinien stać się podręcznikiem do tego jak należy tworzyć warstwę liryczną w heavy metalu. Nie dość, że wszystkie utwory mają cudownie i kreatywnie napisane teksty, to ponadto idealnie pasują do melodyjnych partii wokalnych. Bardzo dobrze zostały rozłożone poszczególne akcenty i artykulacje. Wersy nie są sztywne, lecz swobodnie płyną w utworach, Dzięki tej swobodzie same kompozycje zyskują bardzo wiele i nawet po trzydziestu latach od momentu ich nagrania dalej wydają się świeże i interesujące. Tematyka tekstów też jest bardzo dobrze dobrana. Nie mamy tutaj plastikowego mordowania smoków ani utyskiwania na społeczne nierówności (thrash tak bardzo). Mamy dokładnie to, czego oczekuje się od heavy metalu. Tajemnicy, szczypty okultyzmu, dawnych legend, opowieści z przeszłości, garści mrocznych mitów i dużej ilości dobrej zabawy.

Sterviss


The country? Germany. The year? 1984. The same year when Running Wild released “Gates to Purgatory”, Warlock released “Burning the Witches” and Helloween participated in the split “Death Metal”. The sound? What would later be known as “German metal” or “Teutonic metal” and with time would evolve and split into power metal and speed metal. So, all these bands caught the tide and the influence of the NWoBHM but adjusted the British sound to the German characteristics, basically gave the sound a touch of death-cold, as all these bands back then came in the “spikes, leather and the occult” format.

What we’ve got here is a surge of raw NWoBHM, totally uncompromising and with very grim lyrics. In fact, throughout their next 4 releases their trademark would be precisely their gothic-themed lyrics, courtesy of Lee Tarot (Harald Spengler, RIP), which would win them the nickname of “Masters of the black romantic”.

Musically, they show a high degree of skill. Guitarists Lee Tarot and Steve ‘Snake’ Merchant (Stephan Kauffman) are capable of delivering Maidenesque riffs – in fact I tend to liken the instrumental “Excalibur” with Maiden’s Transylvania, they both share this kind of medieval metallic approach. Drummer Pete Lancer (Pete Langer) delivers a thundering load which you can best appreciate in “Werewolves on the Hunt” (that title pals, those lyrics…). And Andy Aldrian (Andy Mück) gives an aura of evil to the very wicked lyrics with his distinctive, raw voice; although he doesn’t focus on high notes, he’s also capable of delivering them (towards the end of “Werewolves on the Hunt”). From beginning to end, the album features elaborate soloing, constant and profuse riffing patterns (many times approaching Maiden-like gallops) and a stout and solid rhythm base. Some nice surprises for fans of progressive metal await as there’s some attempts at progression, or at least what constitutes a common feature to many progressive albums, that is, rhythm shifts; these can be seen, for example, towards the middle of “The Cave of Steenfoll”, with a couple of consecutive, all encompassing, intricate rhythm shifts which then give way to the solo. Most songs share a fast tempo, with the exception of “Priest of Evil”, which in turn has a more atmospheric, thick, dense approach.

Lyrically, this album is rather different from what their compatriots were doing at that time, feels closer to Mercyful Fate or even Venom, most songs revolve around different aspects of evil (Satanism on “Priest of Evil”, piracy on “Skull and Crossbones”, witches on “Walpurgis Night”) and anguish (“Werewolves on the Hunt”, “Flour in the Wind”). The songwriting was good in particular, no cheesy lyrics or dodgy rhyming, most of it is consonant and, without a blink of the eye, evokes very powerful, dark imagery. In one sentence, the listener will be thrown into an unpolished string of ruthless and visceral obscurity.

A few songs deserve special attention. I think the one that really outstands here is “Werewolves on the Hunt” both lyrically and musically. Very few other metal songs to that date succeeded in evoking such an overwhelming impression and mood. First with the title, think of a bunch of werewolves out for blood, chasing you in a forest (“Deep in the misty forest, In nights when wind stops blowing”). This song is very fast paced approaching speed metal (by 1984 standards), and has a very intricate, complex, Maidenesque, fast, 90 seconds solo accompanied by continuous hammering drumrolls. “Flour in the Wind” presents a wicked miller who goes on to steal the harvest of a village, leaving them no other choice but crude starvation, plain and simple; the song features reminiscences of Maiden’s gallops, complex guitar chords and continuous drumrolls in perfect harmony with Mück’s voice and dark lyrics (“death, pain, agony, famine is spread on through the air”). The other track that shines over the top for me is the instrumental Excalibur, which revolves around a riff pattern with some chord progression, a melancholic solo and a fast blast towards the end, with a whole load of drumrolling through and through.

To recap, this unique jewel combines power, speed, lyrics and technique, all into one; don’t expect any concessions here, this is crude, raw metal made in Germany with a high degree of musicianship and dark lyrics at its best, making this a rather unique creation.

paradisebeyond


At first look, Stormwitch were a pretty dark sounding and evil band, but as we follow their releases, they quickly goes into a more accessible direction. It actually took me quite a while to get to hear these guys and I did not have any regrets to finally give them a listen. Well, to be very precise, the title of this review fits perfectly with the overall sound of early Stormwitch's material, it's basically the sound of the NWOBHM bands, but with an interesting Germanic approach. Of course, back in 1984, the extreme metal scene started out and the classic heavy metal bands were not that "new" anymore. However, bands like Running Wild, Grave Digger, Attack or Atlain were doing similar stuff back in that particular year, but Stormwitch made it clear with their first full-length album that heavy metal was still rocking out awesome stuff in Germany.

Named "Walpurgis Night", released in 1984, is the first official release of the band. Just looking at this cover art shows the evil image that the band used in their early days. The first thing I liked about this album is its primitive sound while also sounding great, the instruments are mixed pretty well and everything is heard perfectly, even the badass bass. It definitely sounds like an early 80s NWOBHM record, which is an even better reason to make you want to listen to it! nine tracks are featured on this album with a running time of 40 minutes and basically no bad tracks at all, if you ask me. Let me say at first that Iron Maiden were probably their biggest influence on this album. As an Iron Maiden fan, I was quite happy to hear the famous instrumental track called "Excalibur". You can easily notice in that song some similarities with Maiden's instrumental tracks like "Transylvania" and "Genghis Khan". The guys of Stormwitch were already skilled musicians by their debut record, by delivering impressive guitar solos through all the album tracks. Let's not forget the front man "Andy Mück" who also impress with his intense vocals.

His vocals are unique and he is able to use a great variety of ranges, but his high-pitched voice made all the difference, songs like "Thunderland" and "Warlord" are great example of that and displays his talent. Well, this album also possess a great catalogue of memorable guitar riffs as the songs varies in term of structure. In fact, each songs are unique and very different from each other, no one can deny how great the track "Priest of Evil" is. Being the one of the most popular Stormwitch composition, it's also one of their catchiest song, with its memorable chorus. The same actually apply to the awesome pirate lyrics song inspired "Skull and Crossbones", but this one also caught my attention especially because of its great melodic parts, it is also my most played song of this album for those reasons. One interesting melodic track is the self-titled "Walpurgis Night", which has a very nice dual guitar melody part. Though, for people that like fast-pacing riffs and intensity, this album can make you happy as well with "Werewolves on the Hunt", this song has the classic speed metal formula and delivers pretty well.

The German approach to this NWOBHM-influenced album made it unique for that reason. Their lyrics are also interesting, writing about the occult and mostly tales and medieval stories. I obviously have to recommend such release to any old school heavy metal fan, it's a very accessible band and even more as you progress in their discography. However, I have to say that their most worthy material is definitely the first three albums, being the one reviewed here, "Tales of Terror" and "Stronger Than Heaven". German metal scene has always been one of the greatest, and Stormwitch is one of the first band to have been part of that scene. They are sometimes forgotten by some people, but albums like these really needs to have more auditors, as they are classic heavy metal records! Give "Walpurgis Night" a listen and I am pretty sure you won't be disappointed.

DesecratorJ



..::TRACK-LIST::..

1. Cave Of Steenfoll 4:24
2. Priest Of Evil 4:39
3.Skull And Crossbones 5:47
4. Werewolves On The Hunt 4:40
5. Walpurgis Night 3:04
6. Flour In The Wind 4:49
7. Warlord 4:30
8. Excalibur 3:48
9. Thunderland 4:30



..::OBSADA::..

Andy Mück - Vocals
Harald Spengler (R.I.P. 2013) - Guitars (lead)
Stefan Kauffmann - Guitars (rhythm)
Ronny Gleisberg - Bass
Peter Langer - Drums




https://www.youtube.com/watch?v=gV0mmgr5nKw



SEED 15:00-22:00.
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..::INFO::..

---------------------------------------------------------------------
The Royal Philharmonic Orchestra - Plays Hits Of Elton John – The Ballads
---------------------------------------------------------------------

Artist...............: The Royal Philharmonic Orchestra
Album................: Plays Hits Of Elton John – The Ballads
Genre................: Classical
Source...............: CD
Year.................: 1991
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Edelton

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. The Royal Philharmonic Orchestra - Nikita [05:55]
2. The Royal Philharmonic Orchestra - Your Song [04:14]
3. The Royal Philharmonic Orchestra - Goodbye Yellow Brick Road[03:19]
4. The Royal Philharmonic Orchestra - Easier To Walk Away [04:28]
5. The Royal Philharmonic Orchestra - Sad Songs [03:58]
6. The Royal Philharmonic Orchestra - Blue Eyes [03:45]
7. The Royal Philharmonic Orchestra - Candle In The Wind [02:40]
8. The Royal Philharmonic Orchestra - Rocket Man [04:45]
9. The Royal Philharmonic Orchestra - I Guess That's Why They Call It The Blues[03:32]
10. The Royal Philharmonic Orchestra - Song For Guy [06:04]

Playing Time.........: 42:45
Total Size...........: 288,30 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Doskonały debiutancki mini album wpisujący się w nurt szerokopojętego oraz zataczającego coraz szersze kręgi eksperymentalne POST BLACK METALU. Litewski AU-DESSUS znalazł swój sposób na wyrażenie tej enigmatycznej "szuflady" o nazwie POST BLACK METAL. Dużo psychodelii, zawiesiste zapętlone riffy, ciężki dekadencki klimat oraz przytłaczające brzmienie. AU-DESSUS to nie kolejny "followers" , oni mają to COŚ!



..::TRACK-LIST::..

1. I 02:12
2. I.II 01:11
3. II 09:15
4. II.II 01:00
5. III 06:35
6. III.II 01:55
7. IV 06:10
8. IV.II 01:02
9. V 06:36



https://www.youtube.com/watch?v=o8k5__47sxQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Doskonały debiutancki mini album wpisujący się w nurt szerokopojętego oraz zataczającego coraz szersze kręgi eksperymentalne POST BLACK METALU. Litewski AU-DESSUS znalazł swój sposób na wyrażenie tej enigmatycznej "szuflady" o nazwie POST BLACK METAL. Dużo psychodelii, zawiesiste zapętlone riffy, ciężki dekadencki klimat oraz przytłaczające brzmienie. AU-DESSUS to nie kolejny "followers" , oni mają to COŚ!



..::TRACK-LIST::..

1. I 02:12
2. I.II 01:11
3. II 09:15
4. II.II 01:00
5. III 06:35
6. III.II 01:55
7. IV 06:10
8. IV.II 01:02
9. V 06:36



https://www.youtube.com/watch?v=o8k5__47sxQ



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Sting - ...All This Time (live)
---------------------------------------------------------------------

Artist...............: Sting
Album................: ...All This Time (live)
Genre................: Rock
Source...............: CD
Year.................: 2001
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: A&M Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Sting - Fragile [04:35]
2. Sting - A Thousand Years [03:02]
3. Sting - Perfect Love...Gone Wrong [04:11]
4. Sting - All This Time [05:20]
5. Sting - The Hounds Of Winter [04:29]
6. Sting - Mad About You [03:37]
7. Sting - Don't Stand So Close To Me [02:16]
8. Sting - When We Dance [04:51]
9. Sting - Dienda [03:12]
10. Sting - Roxanne [03:38]
11. Sting - (If You Love Someone) Set Them Free [04:55]
12. Sting - Brand New Day [04:46]
13. Sting - Fields Of Gold [03:50]
14. Sting - Moon Over Bourbon Street [03:07]
15. Sting - Shape Of My Heart [02:06]
16. Sting - If I Ever Lose My Faith In You [04:30]
17. Sting - Every Breath You Take [05:04]

Playing Time.........: 01:07:37
Total Size...........: 436,20 MB

..::INFO::..

Czwarty, najnowszy album studyjny amerykańskiego zespołu skapunkowego z Bostonu.

Title: Partial Eclipse of The Pomps

Artist: The Pomps

Country: USA

Year: 2025

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Rubber Room
A2.World Full Of Traps
A3.That's Not A House
A4.New American Hotel
A5.Spy Application
B1.Stage Dad
B2.The Absence Of A Plan
B3.Mavericks
B4.I'm Not A Restaurant
B5.You're Gonna Be Useless

..::INFO::..

Ścieżka dźwiękowa z filmu Michaela Cimino: Łowca Jeleni.

Title: The Deer Hunter

Artist: Stanley Myers

Country: USA

Year: 1979

Genre: Soundtrack

Format / Codec: MP3

Audio bitrate: 320 kbps

..::TRACK-LIST::..

1 Cavatina
2 Praise The Name Of The Lord
3 Troika
4 Katyusha
5 Struggling Ahead
6 Sarabande
7 Waiting His Turn
8 Memory Eternal
9 God Bless America
10 Cavatina (Reprise)

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 39:20

...( TrackList )...
01. The Awdawm
02. Song of Mosheh
03. Eternal Elohim
04. Cursed Canaan
05. Mysteries of Melchizedek
06. Lest We Burn
07. Sons of Sodom
08. Pillar of Fire
09. Still
10. Revelation Transfigured

...( Info )...
Genre: Modern Metal
Country of Artist (Band): Germany
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 47:01

...( TrackList )...
01. Digital Dawn
02. Shadows Rise
03. No Gods Left
04. Blur
05. Ivory Keys
06. Materia Dreams
07. Digital Paradox
08. Carnivora
09. Dying World
10. Future Flesh

...( Info )...
Genre: Death Metal/Grindcore
Country of artist (band): Germany
Year of release: 2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 37:19

...( TrackList )...
01. Gupf
02. Chei Beiz Wit un Breit
03. De Pfarrer vo Haltige
04. De Herbscht
05. S Spengelt Dich im Seich Umme
06. Guetseli
07. Lдllekцnig
08. Waggis
09. In de Alte Schrynerei
10. De Goldeni Loeb vom Oberrhy
11. Lцrrach
12. Mдssmogge
13. De Strizi (Bodesuri Pt. 2)

...( Info )...
Genre: Death Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 31:27

...( TrackList )...
01. Horrible Manuscript
02. Thy Broken Apostle
03. Impudent Robberies
04. Prayers and Piss
05. Snake of Knowledge
06. Presbyter
07. Master's Perversity
08. Chaos and Old Night
09. Damned Fallen Angels
10. Dagger in My Heart

...( Info )...
Genre: Thrash Metal
Country of Artist (Band): USA
Year of Release: 2024
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 16:07

...( TrackList )...
1. Death Is An Illusion
2. New Eyes
3. Commotion (Creedence Clearwater Revival cover)
4. Eye Of The Beholder (Metallica cover)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w 1970 roku w mocno psychodelicznej okładce, jedyny album świetnej amerykańskiej formacji grającej ciężkiego, nieco bluesującego gitarowego rocka, zainspirowanego Jimi Hendrix Experience i utrzymanego w klimacie pierwszych dwóch albumów Grand Funk, debiutu Bloodrock czy płyt grup Josefus i Jamul. Oryginalny winyl wart jest 350-400 euro.



..::TRACK-LIST::..

1. Heart Full Of Rain 3:33
2. Wake Me Up In The Morning 6:40
3. E.S.P. 2:15
4. Heavy Load 6:39
5. We Gotta Live Together 4:05
6. L.L.A. (Lubricated Love Affair) 3:54
7. Saint James Infirmary 6:06
8. Gravis Delictum (Unforgivable Sin):
- Undercover Man 1:07
- Puck-A-Chick 0:51
- Bare Skin 2:44
- Roll In 2:07
- Roll Out 0:58
- Climax 0:58
- 403 Halkirk 3:35



..::OBSADA::..

Lead Guitar, Rhythm Guitar, Bass Guitar, Acoustic Guitar, Organ, Harmony Vocals [Harmonies] - Cory Colt
Leader [Of Group], Lead Vocals, Lead Guitar, Rhythm Guitar, Bass Guitar, Harmony Vocals [Harmonies] - Ernie Joseph
Bass Guitar, Rhythm Guitar, Drums, Vibraphone [Vibes], Saxophone, Harmony Vocals [Harmonies] - Ruben The Jet
Drums, Percussion [Mouth], Vocals - Stevie D




https://www.youtube.com/watch?v=MZGIcZWTPnw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany w 1970 roku w mocno psychodelicznej okładce, jedyny album świetnej amerykańskiej formacji grającej ciężkiego, nieco bluesującego gitarowego rocka, zainspirowanego Jimi Hendrix Experience i utrzymanego w klimacie pierwszych dwóch albumów Grand Funk, debiutu Bloodrock czy płyt grup Josefus i Jamul. Oryginalny winyl wart jest 350-400 euro.



..::TRACK-LIST::..

1. Heart Full Of Rain 3:33
2. Wake Me Up In The Morning 6:40
3. E.S.P. 2:15
4. Heavy Load 6:39
5. We Gotta Live Together 4:05
6. L.L.A. (Lubricated Love Affair) 3:54
7. Saint James Infirmary 6:06
8. Gravis Delictum (Unforgivable Sin):
- Undercover Man 1:07
- Puck-A-Chick 0:51
- Bare Skin 2:44
- Roll In 2:07
- Roll Out 0:58
- Climax 0:58
- 403 Halkirk 3:35



..::OBSADA::..

Lead Guitar, Rhythm Guitar, Bass Guitar, Acoustic Guitar, Organ, Harmony Vocals [Harmonies] - Cory Colt
Leader [Of Group], Lead Vocals, Lead Guitar, Rhythm Guitar, Bass Guitar, Harmony Vocals [Harmonies] - Ernie Joseph
Bass Guitar, Rhythm Guitar, Drums, Vibraphone [Vibes], Saxophone, Harmony Vocals [Harmonies] - Ruben The Jet
Drums, Percussion [Mouth], Vocals - Stevie D




https://www.youtube.com/watch?v=MZGIcZWTPnw



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Death Metal
Artist (band) Country: Mexico
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 59:56

...( TrackList )...
01. Intro
02. Tierra de Dioses
03. Aztec Cemetery
04. Axolotl
05. Aztlan
06. Imperio Azteca
07. The Shaman
08. Victoria Azteca
09. Chalchiuhtlicue
10. Tzitzimime
11. Ichpochtli
12. Estrella Negra
13. Guerreros Aztecas

...( Info )...
Genre: Speed/Thrash Metal
Country of artist (band): Netherlands
Year of release: 2020-2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps

...( TrackList )...
Albums:
2020 - Wrong Hands: 48:34
01. Orbit
02. Wrong Hands
03. Cry for Justice
04. Atomic Holocaust
05. The Pile
06. Threat to the Menace
07. Sleep
08. Black Fumes
09. Powerlords
10. Placebo

2025 - Post Extinction: 54:31
01. Grand Metropolis
02. The Duality Of The Machine
03. Geocentric
04. I.S.O.S.
05. Before You Became One With The Sun
06. Nomads I
07. Absence
08. Nomads II
09. The Bio Intervention
10. Armageddon
11. Extinction Overture
12. Post Extinction

...( Info )...
Genre: Power Metal
Country of Artist (Band): Slovakia
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 52:52

...( TrackList )...
1. The Struggle
2. Living in the Lies
3. Frozen Sun
4. Waiting for the Light
5. Sinners in Paradise
6. Be My Savior
7. Reborn from the Fire
8. Escape from the Past
9. The Renegade
10. Epitome (Orchestral Medley)
11. The Renegade (Piano Version)

...( Info )...
Genre: Gothic Metal
Country of Artist (Band): Greece
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:10

...( TrackList )...
01. Beauty
02. Insane
03. Loophole
04. Lie To Me
05. Decision
06. Prove Your Worth
07. Land Of Spirits (instrumental)
08. Golden Hills
09. Struggle

...( Info )...
Genre: Beat, Garage
Country: Canada
Year of publication: 1966 - 1996
Audio codec: MP3
Rip type: tracks
Audio bitrate: 192 kbps

...( TrackList )...
Les Sultans - 1966 - The Best Of Les Sultans [192]
01 - Tu Es Impossible
02 - Dis Lui
03 - Vivre Sa Vie
04 - C'est Promis
05 - Va T'en
06 - Sticks & Stones
07 - Non Non Non
08 - On Est Trop Jeune Huard
09 - Je T'aime Bien
10 - Par Amour Par Partie
11 - Les Filles
12 - Il N'y A Rien Au Monde Que Je Ne
13 - Pour Qui Pourquoi
14 - Le Douzième

Les Sultans - 1996 - Les Sultans [192]
01 - La poupée qui fait non
02 - Looking through you
03 - Tu es impossible
04 - Va t'en
05 - Dis-lui
06 - C'est promis
07 - Non Non Non
08 - On est trop jeune
09 - Pardonne-moi
10 - Vivre sa vie
11 - Les filles
12 - Il n'y a rien au monde que je ne
13 - Pour qui pourquoi
14 - Je t'aime bien
15 - Le douzieme
16 - À toi que je pense
17 - En fermant la porte
18 - Sticks & Stones
19 - L'amour s'en va
20 - Par amour par partie
21 - Toujours devant moi [I Saw Her Standing There]
22 - Angélique (Live)
23 - Je t'aime bien - (Live)
24 - Va t'en - (Live)

...( Info )...
Genre: Ambientpop, Vocal, Choral, Pop Rock
Label: Ear Music, Edel
Catalog number: 0220852EMU
Discogs: https://www.discogs.com/release/35546107
Country: Germany
Release year: 2025
Duration: 02:17:47

...( TrackList )...
01. Masters Of Chant
02. Speech I
03. Scarborough Fair
04. Hymn
05. One Of Us
06. Crying In The Rain
07. The Forest
08. Meadows Of Heaven
09. The Raven
10. Streets Of Philadelphia
11. World Without End
12. Fix You
13. Forever Young
14. Such A Shame
15. Speech II
16. Hallelujah
17. Dreamer
18. The Funeral
19. Faded
20. Speech III
21. Voyage Voyage
22. Children Of The Sea
23. Frozen World
24. Blinding Lights
25. Dancing In The Dark
26. If The World Was Ending
27. Speech IV
28. Sky And Sand
29. Gentle
39. Angels
31. Moment Of Peace
32. Gloria
33. Cups
34. Speech V
35. Viva La Vida
Exclusive Blu-Ray Specials
36. Blinding Lights (Music Video)
37. If The World Was Ending (Music Video)
38. Exclusive "Behind The Scenes" Video Gallery Of The 25th Anniversary Tour

...( Dane Techniczne )...
Source: BDRemux 1080p
Video Quality: BDRip
Video Format: AVI

Video: 720x400 (16:9), 30,000 fps, XviD 73 ~ 1313 kbps, 0.152 bits/pixel
Audio: 48 kHz, Dolby Digital AC3 2.0, 192 kbps

...( Info )...

Artist...............: Flaminia
Album................: Al Porto
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Flaminia - Falene
002. Flaminia - Al Porto
003. Flaminia - Ditoluna
004. Flaminia - Da sempre
005. Flaminia - Superficie
006. Flaminia - Nuvole distanti
007. Flaminia - E fa male
008. Flaminia - Penso resto

...( Info )...

Artist...............: Def Leppard
Album................: Diamond Star Heroes Live From Sheffield (Live)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Def Leppard - This Guitar (Live)
002. Def Leppard - When Love And Hate Collide (Live)
003. Def Leppard - Take What You Want (Live)
004. Def Leppard - Lets Get Rocked (Live)
005. Def Leppard - Animal (Live)
006. Def Leppard - Foolin' (Live)
007. Def Leppard - Armageddon It (Live)
008. Def Leppard - Kick (Live)
009. Def Leppard - Love Bites (Live)
010. Def Leppard - Promises (Live)
011. Def Leppard - Rocket (Live)
012. Def Leppard - Bringin' On The Heartbreak (Live)
013. Def Leppard - Switch 625 (Live)
014. Def Leppard - Hysteria (Live)
015. Def Leppard - Pour Some Sugar On Me (Live)
016. Def Leppard - Rock Of Ages (Live)
017. Def Leppard - Photograph (Live)

..::INFO::..

Dziewiąty, najnowszy album studyjny australijskiego zespołu skapunkowego założonego w 2005 roku w Melbourne.

Title: Sugar Kicks and Tributes

Artist: The Resignators

Country: Australia

Year: 2025

Genre: SkaPunk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Sugar High
2.Teenage Kicks
3.Shape I'm In
4.Now We're Getting Somewhere
5.Alone With You
6.Turning Japanese
7.Old Friend
8.Let Your Hair Hang Down (Evie Pt. 1)
9.I'm So In Love With Yoy (Evie Pt. 1)
10.I'm Losing You (Evie Pt. 3)
11.Fairytale Of New York
12.From Above
13.Night And Day
14.Lost In Translation
15.True Love
16.My Pal

..::INFO::..

Trzeci album studyjny amerykańskiego zespołu skapunkowego.

Title: Death of the Party

Artist: Space Monkey Mafia

Country: USA

Year: 2025

Genre: SkaPunk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Cult of Idiocracy
02. Malas Raíces
03. Death of the Party
04. Little Black Dots
05. Victory Lap
06. Gaslight Gary (feat. Runaway Ricochet)
07. Ghosting My Therapist
08. Going to Therapy
09. Salvage
10. Linear Time

...( Info )...
Genre: Melodic Death/Doom Metal
Country of Artist (Band): Czechy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:31

...( TrackList )...
01. Intro
02. Sleepwalker
03. The Last Note For a Dying Hope
04. Thieves of Time
05. The Downfall
06. The Madmann In The Dark
07. Heat of Winter
08. The Ivy
09. Heart's Oasis In The Ivy's Veil

...( Info )...
Genre: Stoner/Doom Metal
Country of Artist (Band): USA
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 43:29

...( TrackList )...
01. Hammer
02. Bloodfeather
03. Pot of Gold
04. Parasites
05. Dwelling
06. Perfect Organism
07. Bones
08. Waiting by the Gallows

...( Info )...
Genre: Doom/Death Metal
Country of Artist (Band): Italy
Year of Release: 2025
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 35:53

...( TrackList )...
1. Born Alone
2. Floating Leaves
3. In Shape of Beast
4. Remembrance
5. Hunter of Souls
6. Shining Moon
7. The Path of Life