...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

Recorded and filmed live in Dordrecht, Netherlands at Het Energiehuis on April 19 & 20, 2014

1. Sintra 3:36
2. Flight 6:02
Soloist [Organ] - Cory Henry
Soloist [Rhodes] - Justin Stanton
Soloist [Sax] - Chris Bullock

3. Atchafalaya 6:12
Soloist [Guitar] - Chris McQueen
Soloist [Trombone] - Vincent Veneman

4. The Curtain 15:02
Soloist [Bass] - Michael League
Soloist [Flugelhorn] - Jay Jennings
Soloist [Keyboards] - Cory Henry
Soloist [Piano] - Bill Laurance

5. Gretel 4:34
6. The Clearing 13:53
Soloist [Guitar] - Mark Lettier
Soloist [Trumpet] - Mike 'Maz' Maher

7. Credits 5:35

Special Features:
8. The Making Of Sylva 13:23
9. The Curtain (Alternate Take) 14:43
10. The Clearing (Reprise) 4:54
11. Trailer 2:17



..::OBSADA::..

Bass Trombone [Metropole Orkest] - Martin van den Berg
Cello [Metropole Orkest] - Annie Tangberg, Charles Watt, Emile Visser, Jascha Albracht, Maarten Jansen
Clarinet, Bass Clarinet, Contrabass Clarinet, Saxophone [Metropole Orkest] - Leo Janssen, Leo van Oostrom, Max Boeree, Paul van der Feen, Werner Janssen
Conductor - Jules Buckley
Double Bass [Metropole Orkest] - Arend Liefkes, Erik Winkelmann, Tjerk de Vos
Drums - Robert 'Sput' Searight
Electric Bass, Synthesizer [Moog Keybass] - Michael League
Electric Guitar - Bob Lanzetti, Chris McQueen, Mark Lettieri
Electric Piano [Fender Rhodes], Synthesizer [Moog], Clavinet, Piano, Trumpet - Justin Stanton
Flute [Metropole Orkest] - Janine Abbas, Mariël van den Bos, Nola Exel
Horn [Metropole Orkest] - Fons Verspaandonk, Elizabeth Hunfeld, Pieter Hunfeld, Rob Van De Laar
Organ, Clavinet, Synthesizer [Moog] - Cory Henry
Percussion - Nate Werth
Percussion [Metropole Orkest] - Frank Warndenier, Murk Jiskoot
Piano, Electric Piano [Wurlitzer], Synthesizer [Moog] - Bill Laurance
Tenor Saxophone, Clarinet, Bass Clarinet - Chris Bullock
Trombone [Metropole Orkest] - Jan Bastiani, Jan Oosting, Vincent Veneman
Trumpet, Flugelhorn - Jay Jennings, Mike 'Maz' Maher
Tuba [Metropole Orkest] - Ries Schellekens
Viola [Metropole Orkest] - Iris Schut, Isabella Petersen, Julia Jowett, Lex Luijenburg, Mieke Honingh, Norman Jansen
Violin [1st Violin Metropole Orkest] - Casper Donker, David Peijnenborgh, Denis Koenders, Ewa Zbyszynska, Pauline Terlouw, Ruben Margarita, Seijia Teeuwen, Tinka Regter, Vera Laporeva
Violin [1st Violin Metropole Orkest], Concertmaster - Arlia De Ruiter
Violin [2nd Violin Metropole Orkest] - Christina Knoll, Feyona Van Iersel, Herman Van Haaren, Merel Jonker, Merijn Rombout, Pauline Koning, Polina Cekov, Wim Kok




https://www.youtube.com/watch?v=kCGfDLeAc64



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: The Nightrain
Title: Last Drop Falls
Year: 2024
Genre: Hard-rock
Country: Spain
Duration: 00:22:15
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

1. First Drop Falls (00:55)
2. Unwind (03:18)
3. Vision of the Sand (04:57)
4. Blind (02:27)
5. In Vain (04:38)
6. Set to Fly (04:51)
7. The River Goes Down (01:06)

...( Info )...

Artist: VA
Title: Poolside Paradise - Compiled by CN Williams [in conjunction with Ibiza Radio One]
Year: 2024
Genre: Disco, Nu-Disco
Label: ReelHouse
Duration: 02:14:52
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01. Darren Giles - My Imagination (Remastered Version) (05:30)
02. CN Williams - You & I (05:44)
03. Jo Paciello - Outstanding Love (06:30)
04. Timmy Vegas; The Boogie Down Dee Jays - More Time (Original Mix) (05:09)
05. CN Williams - Back Together (06:35)
06. Andy Buchan - D2 (Original Mix) (06:22)
07. Kid Massive; Corey Andrew - People Of The World (04:13)
08. CN Williams; The Voice of House Music - What's That Called Again? (Vocal Mix) (06:11)
09. Ben Harris - Disco Drive (Original Club Mix) (07:01)
10. Antonello Ferrari; Aldo Bergamasco - Dancin' (F&B Mix) (06:56)
11. Stu Laurie; Jane Henderson - Jump To The Beat (Original Mix) (04:58)
12. CN Williams - Paradise (06:22)
13. Matt Knight - Can't Get Enough Of You (Original Mix) (06:01)
14. CN Williams - Sizzlin' Hot (05:53)
15. HP Vince - So In Love (Original Mix) (04:33)
16. Matt Harding - Don't Hold Back (Original Mix) (05:36)
17. KulaKingz; Leroy Burgess - Holdin' On (Kort & Elementary's Original Throwback Live Jam) (06:27)
18. Demarkus Lewis - Drive Time (06:42)
19. Matt Knight; Vinyl Rich Tea - Bring Me Up (Original Mix) (06:14)
20. Fabio Bacchini - Funk Is The Message (06:26)
21. Angelo Ferreri - Bad Kids (Original Mix) (05:39)
22. CN Williams - Only The Strong (09:40)

...( Info )...

Artist: VA
Title: Disco Down The Best of 2024
Year: 2025
Genre: Disco, Nu-Disco
Label: Disco Down
Duration: 05:02:11
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...


01. Hotmood - Disco Hot (05:22)
02. D.P.V. - Let Me Be The One (05:48)
03. Demarkus Lewis - Jive With Me (06:08)
04. Chemars - Secrets (05:11)
05. Corrado Alunni - Retro Groove (04:52)
06. Rick Marshall - I Got Love (07:13)
07. Shabi - Disco Treat (05:49)
08. Chocolate Dice - Sun Shinin' In (06:08)
09. N9ne Lives - Falling (06:51)
10. Save The Robots - Gumdrops (06:20)
11. Diskobar - Love (05:14)
12. Leg Warmers - When Ur Alone (06:05)
13. Funk Hunk - Woke Up One Morning (05:42)
14. Orter B - I Just Want Disco (05:46)
15. Harvey Ross - Give You Love (05:13)
16. MF Productions, Angie Bee - Got 2 Be Disco (04:59)
17. DJ TOTALEE, Marshall (UK) - Happy Moments (05:36)
18. Dave Kurtis - Feel For You Baby (05:13)
19. Bonetti - In The Middle Of The Night (05:18)
20. DJ Popinjay - Nippon Boogie (05:01)
21. Kaiz (BE) - It Moves On (06:42)
22. Paco Caniza - Brother (04:53)
23. B3RAO - She Was So Mad (06:02)
24. FLIP-DA-FUNK - Just Chill (05:58)
25. MF Productions, Garas, Maurizio Basilotta - Funky Nassau (Extended Mix) (05:22)
26. Disco Cartel, Henry Navarro - You And I (05:47)
27. Alexny - That Funky Place (05:17)
28. D.Rossini - I Got This Feeling (04:37)
29. Runkle & Moody - Solero (06:07)
30. Winkar - Starlight (06:42)
31. Ralphie Dee - The One (04:46)
32. Bargie - Get Down (06:19)
33. Harlem Dance Club - I Don't Depend On You (05:31)
34. Ben Banjo Field - Walk Away From Love (05:05)
35. Tokyo Cartel - Ooh LaLa (06:11)
36. Ezirk - Pure Disco (04:24)
37. GooDisco - You Again (05:14)
38. Both 91 - Fancy (04:36)
39. Henry Navarro - Foxy Lady (06:05)
40. Alexny - Dan Dance (05:41)
41. Harvey Ross - Magic (05:18)
42. Fabio Tosti - Sweet Dreams (06:26)
43. Ralph C - About Music (05:41)
44. D.P.V. - Love (06:19)
45. Chemars - Dust In The Wind (05:42)
46. DiscoGalactiX - D.A.N.C.E. (06:41)
47. Stewart Birch - Baby We Can Do It (05:35)
48. Both 91 - You've Got To Love Me (05:27)
49. Discoloverz - Disco Down (Extended Mix) (06:27)
50. The Move - Let's Go Disco (06:20)
51. Boogie Lights - VYBE (Extended Mix) (04:40)
52. FLIP-DA-FUNK - Boogie Nights (05:29)
53. Chocolate Dice - Dance Tonight (06:33)

...( Info )...

Artist: Various Artists
Title: Melon Top 100 K-Pop Singles Chart -> 04 January 2025
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. G-Dragon, Taeyang, Daesung - HOME SWEET HOME
02. ROSÉ, Bruno Mars - APT.
03. aespa - Whiplash
04. Hwang Karam - I`m Firefly
05. ROSÉ - toxic till the end
06. DAY6 - HAPPY
07. G-Dragon - POWER
08. JAESSBEE - Every Moment With You
09. aespa - UP (KARINA Solo)
10. Roy Kim - If You Ask Me What Love Is
11. DAY6 - Welcome to the Show
12. qwer - My Name is Malguem
13. WOODZ - Drowning
14. aespa - Supernova
15. ECLIPSE - Sudden Shower
16. DAY6 - Time of Our Life
17. 이창섭 - Heavenly fate
18. YOON JI HWAN - a sad invitation
19. Jennie - Mantra
20. AKMU - How can I love the heartbreak, you're the one I love
21. qwer - T.B.H
22. EXO - 첫 눈 The First Snow
23. IU - Love wins all
24. NewJeans - How Sweet
25. TWS - plot twist
26. (G)I-DLE - Fate
27. fromis_9 - Supersonic
28. BABYMONSTER - DRIP
29. Lee Young Ji, D.O. - Small girl (feat. D.O.)
30. Nerd Connection - If I have you only (My love X Nerd Connection)
31. Lim Jae Hyun - Rhapsody of Sadness
32. Lee Mujin - Episode
33. ILLIT - Magnetic
34. ROSÉ - number one girl
35. Crush - Love You With All My Heart
36. Lim Young Woong - Love Always Run Away
37. KISS OF LIFE - Igloo
38. NewJeans - Ditto
39. Parc Jae Jung - Let's Say Goodbye
40. Lee Mujin, Heize - When it snows(Feat.Heize)
41. DAY6 - Melt Down
42. Lee Mujin - Coming Of Age Story
43. BUMJIN - A Letter
44. (G)I-DLE - Klaxon
45. Paul Kim - 모든 날, 모든 순간 Every day, Every Moment
46. GyeongseoYeji, Jeon Gunho - If you lovingly call my name
47. IVE - I AM
48. KISS OF LIFE - Sticky
49. NewJeans - Hype Boy
50. Lee Mujin - Propose
51. IVE - 해야 (HEYA)
52. PLAVE - WAY 4 LUV
53. MeloMance - Love, Maybe
54. ZICO, JENNIE - SPOT!
55. soonsoonhee - To Live
56. G-Dragon - 무제(無題) (Untitled, 2014)
57. TAEYEON - To. X
58. Kim Min Seok - DrunKen Confession
59. Younha - Event Horizon
60. RIIZE - Love 119
61. DAY6 - Congratulations
62. PLAVE - Pump Up The Volume!
63. NewJeans - Bubble Gum
64. Woody - When you alone
65. Jung Kook, Latto - Seven (feat. Latto)
66. YENA - NEMONEMO
67. Lim Young Woong - Our Blues, Our Life
68. aespa - Drama
69. ILLIT - Cherish (My Love)
70. RIIZE - Boom Boom Bass
71. PLAVE - Our Movie
72. Lim Young Woong - Warmth
73. BTS - Spring Day
74. BTS - Dynamite
75. Lim Young Woong - Grain of Sand
76. Lim Young Woong - If We Ever Meet Again
77. PLAVE - From
78. Lim Young Woong - Trust in me
79. Park Hyo Shin - HERO (From the Film ″Firefighters″)
80. Lim Young Woong - Home
81. Car, The Garden - Closely Far Away
82. PLAVE - Watch Me Woo!
83. Lim Young Woong - Rainbow
84. Lim Young Woong - Do or Die
85. Sung Si Kyung, Park Hyo Shin, Lee Suk Hoon, Seo In Guk, VIXX - Because It's Christmas
86. Lim Young Woong - London Boy
87. Paul Kim - Always be with you (From "Love Scout" : Original Soundtrack)
88. Lim Young Woong - Polaroid
89. Maktub - 시작의 아이 ハジマリのコ (Starting With You)
90. Jung Seung Hwan - The Snowman
91. PLAVE - Virtual Idol
92. Lim Young Woong - A Psalm of Life
93. IU, Chundung - Merry Christmas ahead (feat.Chundung)
94. Bigbang - Still Life
95. PLAVE - Merry PLLIstmas
96. Sung Si Kyung - Go for a Walk
97. NewJeans - ETA
98. RIIZE - Combo
99. LE SSERAFIM - CRAZY
100. JAEHYUN - Smoke

...( Info )...

Artist: Fleetwood Mac
Album: Live From The Record Plant (December 15 1974)
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. The Green Manalishi (With the Two Prong Crown) (Live at the Record Plant, Sausalito, CA, 12_15_1974)
02. Angel (Live at the Record Plant, Sausalito, CA, 12_15_1974)
03. Spare Me a Little of Your Love (Live at the Record Plant, Sausalito, CA, 12_15_1974)
04. Sentimental Lady (Live at the Record Plant, Sausalito, CA, 12_15_1974)
05. Future Games (Live at the Record Plant, Sausalito, CA, 12_15_1974)
06. Bermuda Triangle (Live at the Record Plant, Sausalito, CA, 12_15_1974)
07. Why (Live at the Record Plant, Sausalito, CA, 12_15_1974)
08. Believe Me (Live at the Record Plant, Sausalito, CA, 12_15_1974)
09. Black Magic Woman _ Oh Well (Live at the Record Plant, Sausalito, CA, 12_15_1974)
10. Rattlesnake Shake (Live at the Record Plant, Sausalito, CA, 12_15_1974)
11. Hypnotized (Live at the Record Plant, Sausalito, CA, 12_15_1974)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::TRACK-LIST::..

Blue Monk (Thelonious Monk cover)
Mo Green (John Scofield song)
Lawns (Carla Bley cover)
Mr. Tambourine Man (Bob Dylan cover)
Confirmation (Charlie Parker cover)
Nothing Is Forever (John Scofield song)
Mask (John Scofield song)
I Don't Stand a Ghost of a Chance With You (Bing Crosby cover)



..::OBSADA::..

John Scofield - guitar
Vicente Archer - bass
Bill Stewart - drums



https://www.youtube.com/watch?v=EA5iCRFCnLg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kompletna dyskografia d-beat punków z Uppsali.

Materiał zawiera: "Another Victim" demo tape, "I Guds Namn?" EP, "Mordare" EP, split 10" z DISKONTO oraz numery z kompilacji. Jako bonus na CD znajduje się również niepublikowany wcześniej materiał nagrany z Jonasem Godske z DISKONTO za perkusją.

Monumentalny szwedzki crustcore!


The official discography collection from these d-beat maniacs from Uppsala, Sweden! This brutal slab of digital fury contains the complete "Another Victim" demo tape, "I Guds Namn?" EP, "Mordare" EP, split 10‚" with DISKONTO and assorted bursts of raging thrash from various compilation releases. In addition to compiling tracks from the band's early years, this disc also includes a previously unreleased reunion session recorded in 2004 with Jonas Godske from DISKONTO on drums. Although ABUSE never achieved the international superstar status that they so desperately desired during their active career, this discography serves as the perfect sonic monument to their distortion-laden struggle to claim the crustcore throne!



..::TRACK-LIST::..

Manifest Recording From 2004
1. Manifest 1:42
2. Media Marscherar 2:07
3. Osynlig 2:14
4. Pengar Ger Frihet 2:59
5. Skrik Nu 2:20
6. Skändad 1:55
7. Bomba För Frihet Eller Döda För Gud 2:05

Abuse/Diskonoto Split 10" From 1997
8. Total Carnage 1:53
9. A Burning World 1:42
10. Brittle Raft 1:28
11. With Me 0:56
12. Bring Out The Witch (In You) 1:26
13. Still In Misery 1:27
14. Back In The Nineties 1:15
15. Tomorrow 1:39
16. I'm Your Way 0:41

Mördare 7" From 1996
17. Makthavarnas Nya Innedrog 1:46
18. Belgian Blues 0:45
19. Fruktans Borg 0:42
20. Ond Dräkt 1:31
21. Massgrav 1:47
22. Mördare 0:57
23. Gamla Stövlar Går Igen 0:58
24. Mördad För Sin Åskit 1:29
25. Kärnvapenpakt 0:54
26. Bakom Spegeln 1:18

I Guds Namn? 7" From 1995
27. Hans Nedgång 0:44
28. Sjuka Behov 1:05
29. Vår Verklighet 1:06
30. Folkförtryck 0:30
31. Framtid I Lågor 0:59
32. Egen Kontroll 0:50
33. Slagen Av Lögner 1:08
34. Är Yttrande Ett Brott? 0:35
35. Flyt Med Strömmen 0:51
36. Kärnkraftsalarm 0:55

Another Victim Demo Cassette From 1994
37. No Escape 1:12
38. Corporation Jesus Christ 1:40
39. Police Bullies 1:04
40. Napalm Bombraid 1:42
41. System Breakdown 1:20
42. Trapped In A System 1:17
43. Another Victim 0:44
44. Facts Of War 1:18
45. Sick Violence 1:29
46. Live To See (But Not To Tell) 1:45
47. War Death And Despair 1:06
48. Mindreading 3:02

Uppsala Crust Compilation 7" From 1996
49. Så Fan Heller 1:03

Swedish HC Comp CD From 1997 Japan
50. Towards The End / Framtid I Lågor 2:47

Previously Unreleased From 1995-1996
51. Remix Of Makthavarnas Nya Innedrog 1:47
52. Radioactive Dust 1:37
53. Pengar Och Makt 1:29
54. Maktens Män 1:22
55. Vägen Mot Frihet 0:49




https://www.youtube.com/watch?v=l0ycxAykXjI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kompletna dyskografia d-beat punków z Uppsali.

Materiał zawiera: "Another Victim" demo tape, "I Guds Namn?" EP, "Mordare" EP, split 10" z DISKONTO oraz numery z kompilacji. Jako bonus na CD znajduje się również niepublikowany wcześniej materiał nagrany z Jonasem Godske z DISKONTO za perkusją.

Monumentalny szwedzki crustcore!


The official discography collection from these d-beat maniacs from Uppsala, Sweden! This brutal slab of digital fury contains the complete "Another Victim" demo tape, "I Guds Namn?" EP, "Mordare" EP, split 10‚" with DISKONTO and assorted bursts of raging thrash from various compilation releases. In addition to compiling tracks from the band's early years, this disc also includes a previously unreleased reunion session recorded in 2004 with Jonas Godske from DISKONTO on drums. Although ABUSE never achieved the international superstar status that they so desperately desired during their active career, this discography serves as the perfect sonic monument to their distortion-laden struggle to claim the crustcore throne!



..::TRACK-LIST::..

Manifest Recording From 2004
1. Manifest 1:42
2. Media Marscherar 2:07
3. Osynlig 2:14
4. Pengar Ger Frihet 2:59
5. Skrik Nu 2:20
6. Skändad 1:55
7. Bomba För Frihet Eller Döda För Gud 2:05

Abuse/Diskonoto Split 10" From 1997
8. Total Carnage 1:53
9. A Burning World 1:42
10. Brittle Raft 1:28
11. With Me 0:56
12. Bring Out The Witch (In You) 1:26
13. Still In Misery 1:27
14. Back In The Nineties 1:15
15. Tomorrow 1:39
16. I'm Your Way 0:41

Mördare 7" From 1996
17. Makthavarnas Nya Innedrog 1:46
18. Belgian Blues 0:45
19. Fruktans Borg 0:42
20. Ond Dräkt 1:31
21. Massgrav 1:47
22. Mördare 0:57
23. Gamla Stövlar Går Igen 0:58
24. Mördad För Sin Åskit 1:29
25. Kärnvapenpakt 0:54
26. Bakom Spegeln 1:18

I Guds Namn? 7" From 1995
27. Hans Nedgång 0:44
28. Sjuka Behov 1:05
29. Vår Verklighet 1:06
30. Folkförtryck 0:30
31. Framtid I Lågor 0:59
32. Egen Kontroll 0:50
33. Slagen Av Lögner 1:08
34. Är Yttrande Ett Brott? 0:35
35. Flyt Med Strömmen 0:51
36. Kärnkraftsalarm 0:55

Another Victim Demo Cassette From 1994
37. No Escape 1:12
38. Corporation Jesus Christ 1:40
39. Police Bullies 1:04
40. Napalm Bombraid 1:42
41. System Breakdown 1:20
42. Trapped In A System 1:17
43. Another Victim 0:44
44. Facts Of War 1:18
45. Sick Violence 1:29
46. Live To See (But Not To Tell) 1:45
47. War Death And Despair 1:06
48. Mindreading 3:02

Uppsala Crust Compilation 7" From 1996
49. Så Fan Heller 1:03

Swedish HC Comp CD From 1997 Japan
50. Towards The End / Framtid I Lågor 2:47

Previously Unreleased From 1995-1996
51. Remix Of Makthavarnas Nya Innedrog 1:47
52. Radioactive Dust 1:37
53. Pengar Och Makt 1:29
54. Maktens Män 1:22
55. Vägen Mot Frihet 0:49




https://www.youtube.com/watch?v=l0ycxAykXjI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Klasyka brutalnego amerykańskiego grania. Debiutancki album z 1997 roku doczekał się reedycji w SEVARED RECORDS. CD zawiera bonusy w postaci numerów live + nowy layout. Pozycja obowiązkowa dla każdego fana brutalnego death metalu!


To arcydzieło death metalu!
Ikoniczny kawał mięcha, przesiąknięty zgnilizną i rozkładem.


“Hymns of the Sick” is Chicago death metal band’s first full length album released in 1997, and while Deaden wasn’t exactly reinventing the wheel here by any means, I think this is some really good material presented in a really sick manner.

There’s something about Deaden’s sound that is so appealing to me, it’s really grimy mid tempo death metal, the guitar tone is sharp, most of the riffs are fun to listen to and the mixing sounds dense and bass-y. There are actually two different vocalists on this album, I think they both preform high screams and low gutturals so it’s kinda difficult to distinguish their vocals from each other on the record, their vocals sound great layered on top of each other though. There are plenty of gross samples describing scenes of murder, cannibalism, and necrophilia.

Even with how grimy this record is, it doesn’t stop some of these songs from being pretty damn catchy. Specifically the first half of this album, after the fourth or fifth song, this album starts to lose some memorability and replay-ability. My favorite songs on this album definitely have to be the first two, “Ejaculation to a Rotting Orifice” and “Sculpted in Flesh”. They both start off with gross samples and they both have catchy riffs. “Ejaculation to a Rotting Orifice has these parts where everything just halts so all you hear is either bass guitar or a reverb-y guitar and then it kicks right back up into heavy chugging riffs and screaming. “Sculpted in Flesh” has this part where one of the vocalists says “take a look, tell me what you see, there’s a bouquet of dicks” and that part always gets stuck in my head for some reason and gives me a good chuckle.

Overall I think this is a great album and a must listen for anyone who loves the grosser and more twisted acts in metal. This album reminds me a lot of other Illinois death metal bands that use repulsive sexual themes, so if you like this album I highly suggest bands like Lividity and Waco Jesus.

hastursrevenge



..::TRACK-LIST::..

1. Ejaculation of a Rotting Orifice 04:04
2. Sculpted in Flesh 03:52
3. John's List 03:14
4. Subconscious Holocaust 02:32
5. He Wore the Flesh 01:37
6. Butchered Whore 03:53
7. Genocide by Asphyxiation 03:28
8. Land of Larvae 04:01
9. Stretched 06:29

Bonus Tracks:
10. Butchered Whore (Live) 03:21
11. Stretched (Live) 04:18



..::OBSADA::..

Ethan Deppe - Drums
Danny Hughes - Bass, Vocals
Drew Stockman - Guitars
Von Young - Guitars, Vocals




https://www.youtube.com/watch?v=Bqp1PuwCt0A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Klasyka brutalnego amerykańskiego grania. Debiutancki album z 1997 roku doczekał się reedycji w SEVARED RECORDS. CD zawiera bonusy w postaci numerów live + nowy layout. Pozycja obowiązkowa dla każdego fana brutalnego death metalu!


To arcydzieło death metalu!
Ikoniczny kawał mięcha, przesiąknięty zgnilizną i rozkładem.


“Hymns of the Sick” is Chicago death metal band’s first full length album released in 1997, and while Deaden wasn’t exactly reinventing the wheel here by any means, I think this is some really good material presented in a really sick manner.

There’s something about Deaden’s sound that is so appealing to me, it’s really grimy mid tempo death metal, the guitar tone is sharp, most of the riffs are fun to listen to and the mixing sounds dense and bass-y. There are actually two different vocalists on this album, I think they both preform high screams and low gutturals so it’s kinda difficult to distinguish their vocals from each other on the record, their vocals sound great layered on top of each other though. There are plenty of gross samples describing scenes of murder, cannibalism, and necrophilia.

Even with how grimy this record is, it doesn’t stop some of these songs from being pretty damn catchy. Specifically the first half of this album, after the fourth or fifth song, this album starts to lose some memorability and replay-ability. My favorite songs on this album definitely have to be the first two, “Ejaculation to a Rotting Orifice” and “Sculpted in Flesh”. They both start off with gross samples and they both have catchy riffs. “Ejaculation to a Rotting Orifice has these parts where everything just halts so all you hear is either bass guitar or a reverb-y guitar and then it kicks right back up into heavy chugging riffs and screaming. “Sculpted in Flesh” has this part where one of the vocalists says “take a look, tell me what you see, there’s a bouquet of dicks” and that part always gets stuck in my head for some reason and gives me a good chuckle.

Overall I think this is a great album and a must listen for anyone who loves the grosser and more twisted acts in metal. This album reminds me a lot of other Illinois death metal bands that use repulsive sexual themes, so if you like this album I highly suggest bands like Lividity and Waco Jesus.

hastursrevenge



..::TRACK-LIST::..

1. Ejaculation of a Rotting Orifice 04:04
2. Sculpted in Flesh 03:52
3. John's List 03:14
4. Subconscious Holocaust 02:32
5. He Wore the Flesh 01:37
6. Butchered Whore 03:53
7. Genocide by Asphyxiation 03:28
8. Land of Larvae 04:01
9. Stretched 06:29

Bonus Tracks:
10. Butchered Whore (Live) 03:21
11. Stretched (Live) 04:18



..::OBSADA::..

Ethan Deppe - Drums
Danny Hughes - Bass, Vocals
Drew Stockman - Guitars
Von Young - Guitars, Vocals




https://www.youtube.com/watch?v=Bqp1PuwCt0A



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

składanka mireczka-a takie tam vol.30
Gatunek: Dance,Disco,Vixa/Pompa
Rok:2025
mp3@128-320kbps
CZAS:01:34:11

...( TrackList )...

1.KALOO & DJ GR33N WOLF - RYSZARD ODDAWAJ ROWER (4FUN EDITION MIX )
2.Discole - Starboy (Sped Up)
3.Dj Przemooo & KriZ Van Dee - Braveheart (Original Mix)
4.Fun & Dj Sequence - Technologic X TOPS - OBCY ( SYSTEM 3RROR MASHUP )
5.Wilki - Urke (M4CSON & FEZUX Bootleg)
6.Sevdaliza - ALIBI ft. Pabllo Vittar & Yseult (Funky Beatz Bootleg)
7.Gucci Mane & Sexyy Red - You Don't Love Me
8.Scooter & C-Bool feat. Stachula & Daniel V - Would you feel Maria (spacedj Mush Up)
9.Dr. SWAG - LUBIĘ Z TOBĄ (FLEYHM x BARTIX Bootleg)
10.Captain Jack & Fun Factory feat. Artelax vs. Aeproject & Dj Śliwa - Change crank it (spacedj Mush Up)
11.MAESTRO & ENDRIU - W KLAPKACH (DJ MAZIO BOOTLEG)
12.Las Chicas & Mc Chic - Hale, Hey Louise (Hyper Remix Extended)
13.DJ SKIBA & WAVYZIEN - ALKOMODE
14.DJ Belite & Kamro - 2Pac All Eyez on Me Pt 2 (Gangsta Remix)
15.Gigi D'Agostino - L' Amour Toujours (Explosive Duo Remix)
16.Kacper HTA & Fonos x Gibbs - Chłód (Luxons Bootleg)
17.Braaheim feat. ILYAA - I Was Made For Lovin You
18.HYPERKID - Lucky
19.DJ Antoine ft. The Beat Shakers - Ma Chérie (WANCHIZ Bootleg)
20.Młody Pit - Cuban Doll (Bootleg)
21.Lycos & Miras Survivor(DmN)- eye of the Tiger (Kleban Mashup)
22.VINAI - Get Ready Now (Crucian Bootleg)
23.Roxen & Groove Coverage - God is a UFO (spacedj Mush Up)
24.M.A.C. Machine - Polska (Waldis Remix)
25.Ferry Sander Feat. Eira G - Stay (Extended Remix)
26.KVRKNG - Mr. Roboto (Sped Up Version)
27.KRIGA & Laura L. feat. LYCOS vs. Black Due - One way NITRO ticket (spacedj Mush Up)
28.Mr. Polska & HU Biss x Rewi - Siekiera Night (Manieks MashUp)
29.Easytech & Mr. Cheez x Cabay x Kubix - I'm The Sexy Girl (Waldis x Deejay KUKI Edit)
30.SB Maffija & 2115 - Proste Fakty (Radius Sunny 'PUMP' Booty Mix)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rok temu zachodniopomorski Dominance skopał nam dupy debiutanckim albumem. I ledwo zabliźniły się rany, a tu już kolejna seria lep na ryj – tym razem w postaci EPki „In Ghoulish Cold”.

Ten niespełna piętnastominutowy materiał jest w zasadzie kontynuacją tego, co słyszeliśmy na „Slaughter of Human Offerings in the New Age of Pan”. Dostajemy więc klasyczny skandynawski black metal, utrzymany w szybkich tempach, którego podwaliny znalazły się na takich albumach jak „Heaven Shall Burn… When We Are Gathered”, „Pure Holocaust” bądź „The Secrets of the Black Arts”. Te wytyczne przypisuję szczególnie dwóm pierwszym kompozycjom, zaś w ostatnim numerze na tej EPce, czyli „Sorrow” najmocniejsze inspiracje płyną z takiej „The Somberlain”.

Należy wspomnieć też, że Dominance jest co prawda mocno pod wpływem wspomnianych krążków, ale dają też jednak sporo od siebie. No, może nie sporo, ale wystarczająco, by powiedzieć o nich – bardzo dobra kapela, nie zaś „kopiują Marduka i Dark Funeral”. To ważne, bo w moim przypadku decyduje o odbiorze tego materiału. W przypadku tego niecałego kwadransa muzyki jest on natomiast jak najbardziej pozytywny.

Jednym słowem, każdy kto wychował się na szwedzko – norweskiej klasyce drugiej fali black metalu, powinien przysposobić „In Ghoulish Cold” jak rodzone dziecię i kochać miłością równie prawdziwą i głęboką. Trio ze Szczecina wspaniale wskrzesza ducha tamtych nagrań. I fajnie, że nie daje o sobie zapomnieć, tylko skraca nam okres oczekiwania na kolejny pełnograj tym minialbumem. Na polskiej scenie dawno już nie słyszałem tak dobrego i prostego w zasadzie wskrzeszenia ducha lat dziewięćdziesiątych.

Oracle


W opinii wielu, także mojej, zeszłoroczny “Slaughter of Human Offerings In the New Age of Pan” był nie tylko jednym z najlepszych debiutów na krajowej scenie, ale i jednym z najlepszych krążków w gatunku black metal. Miło mi zatem poinformować, że zespół nie zwalnia tempa i idzie za ciosem, serwując „In Ghoulish Cold”, czternastominutową EP-kę na którą składają się trzy nowe utwory. No i od razu dopowiem, że te kompozycje to jest jeszcze większy wpierdol niż wspomniany debiut. W zasadzie przez cały czas zasypywani jesteśmy tutaj roznoszącymi wszystko w proch blastami. Ja wiem, że to już inne czasy i nikt nie będzie się nad tym faktem spuszczał jak przy debiucie Dark Funeral czy Mardukowym „Panzer Division”, nie mniej jednak fakt ten daje bezpośrednie pojęcie o intensywności, z jaką się tutaj zderzamy. Szaleńczym tempom towarzyszą z kolei równie szorstkie riffy tremolo, cholernie zimne i bezdusznie agresywne. Jednocześnie nie brak w nich tej zadziornej północnej melodii, chwilami mogącej kojarzyć się bezpośrednio z obydwoma wspomnianymi chwilę wcześniej zespołami. Naprawdę ciężko tutaj złapać choćby krótki oddech, tym bardziej, że wbrew temu, co moglibyście teraz pomyśleć, kompozycje Dominance wcale nie są jednostajne czy monotonne. Panowie potrafią niespodziewanie zmienić rytm, czy też przejść na chwilę w bardziej klasyczne kostkowanie, zarzucając kolejnymi, świetnymi riffami pod headbanging. Temperaturę „In Ghoulish Cold” (swoją drogą cóż za trafny tytuł) dodatkowo obniża wściekły wokal, wypluwający z siebie wersety w taki sposób, że od samego słuchania gardło krwawi. Oczywiście wszystko na tych nagraniach brzmi dokładnie tak, jak powinno, dzięki czemu materiał ten praktycznie nie ma słabych punktów. No chyba że za takowy uznać jego długość, bo, ja przepraszam, ale przy takiej jakości, chętnie bym posłuchał z dwa razy więcej. Jeśli jeszcze ktoś nie był do końca przekonany, że oto na scenie pojawił się kolejny zespół z najwyższej półki, to po tym krótkim materiale żadnych złudzeń już mieć nie powinien. Ja jestem, kurwa, rozłożony na łopatki. Dawać mnie tu czem prędzej drugą dużą płytę, bo jesteście, panowie, w wybornej formie.

jesusatan



https://www.youtube.com/watch?v=IetpZp5uMoA


https://www.youtube.com/watch?v=c1yV1Ofyv9M



..::TRACK-LIST::..

1. Corpse Rape 03:03
2. In Ghoulish Cold 04:53
3. Sorrow 06:26



..::OBSADA::..

Impaler - Bass, Vocals
Witchfucker - Drums
Hellcult - Guitars




https://www.youtube.com/watch?v=Sxs6AjIp3Mw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Rok temu zachodniopomorski Dominance skopał nam dupy debiutanckim albumem. I ledwo zabliźniły się rany, a tu już kolejna seria lep na ryj – tym razem w postaci EPki „In Ghoulish Cold”.

Ten niespełna piętnastominutowy materiał jest w zasadzie kontynuacją tego, co słyszeliśmy na „Slaughter of Human Offerings in the New Age of Pan”. Dostajemy więc klasyczny skandynawski black metal, utrzymany w szybkich tempach, którego podwaliny znalazły się na takich albumach jak „Heaven Shall Burn… When We Are Gathered”, „Pure Holocaust” bądź „The Secrets of the Black Arts”. Te wytyczne przypisuję szczególnie dwóm pierwszym kompozycjom, zaś w ostatnim numerze na tej EPce, czyli „Sorrow” najmocniejsze inspiracje płyną z takiej „The Somberlain”.

Należy wspomnieć też, że Dominance jest co prawda mocno pod wpływem wspomnianych krążków, ale dają też jednak sporo od siebie. No, może nie sporo, ale wystarczająco, by powiedzieć o nich – bardzo dobra kapela, nie zaś „kopiują Marduka i Dark Funeral”. To ważne, bo w moim przypadku decyduje o odbiorze tego materiału. W przypadku tego niecałego kwadransa muzyki jest on natomiast jak najbardziej pozytywny.

Jednym słowem, każdy kto wychował się na szwedzko – norweskiej klasyce drugiej fali black metalu, powinien przysposobić „In Ghoulish Cold” jak rodzone dziecię i kochać miłością równie prawdziwą i głęboką. Trio ze Szczecina wspaniale wskrzesza ducha tamtych nagrań. I fajnie, że nie daje o sobie zapomnieć, tylko skraca nam okres oczekiwania na kolejny pełnograj tym minialbumem. Na polskiej scenie dawno już nie słyszałem tak dobrego i prostego w zasadzie wskrzeszenia ducha lat dziewięćdziesiątych.

Oracle


W opinii wielu, także mojej, zeszłoroczny “Slaughter of Human Offerings In the New Age of Pan” był nie tylko jednym z najlepszych debiutów na krajowej scenie, ale i jednym z najlepszych krążków w gatunku black metal. Miło mi zatem poinformować, że zespół nie zwalnia tempa i idzie za ciosem, serwując „In Ghoulish Cold”, czternastominutową EP-kę na którą składają się trzy nowe utwory. No i od razu dopowiem, że te kompozycje to jest jeszcze większy wpierdol niż wspomniany debiut. W zasadzie przez cały czas zasypywani jesteśmy tutaj roznoszącymi wszystko w proch blastami. Ja wiem, że to już inne czasy i nikt nie będzie się nad tym faktem spuszczał jak przy debiucie Dark Funeral czy Mardukowym „Panzer Division”, nie mniej jednak fakt ten daje bezpośrednie pojęcie o intensywności, z jaką się tutaj zderzamy. Szaleńczym tempom towarzyszą z kolei równie szorstkie riffy tremolo, cholernie zimne i bezdusznie agresywne. Jednocześnie nie brak w nich tej zadziornej północnej melodii, chwilami mogącej kojarzyć się bezpośrednio z obydwoma wspomnianymi chwilę wcześniej zespołami. Naprawdę ciężko tutaj złapać choćby krótki oddech, tym bardziej, że wbrew temu, co moglibyście teraz pomyśleć, kompozycje Dominance wcale nie są jednostajne czy monotonne. Panowie potrafią niespodziewanie zmienić rytm, czy też przejść na chwilę w bardziej klasyczne kostkowanie, zarzucając kolejnymi, świetnymi riffami pod headbanging. Temperaturę „In Ghoulish Cold” (swoją drogą cóż za trafny tytuł) dodatkowo obniża wściekły wokal, wypluwający z siebie wersety w taki sposób, że od samego słuchania gardło krwawi. Oczywiście wszystko na tych nagraniach brzmi dokładnie tak, jak powinno, dzięki czemu materiał ten praktycznie nie ma słabych punktów. No chyba że za takowy uznać jego długość, bo, ja przepraszam, ale przy takiej jakości, chętnie bym posłuchał z dwa razy więcej. Jeśli jeszcze ktoś nie był do końca przekonany, że oto na scenie pojawił się kolejny zespół z najwyższej półki, to po tym krótkim materiale żadnych złudzeń już mieć nie powinien. Ja jestem, kurwa, rozłożony na łopatki. Dawać mnie tu czem prędzej drugą dużą płytę, bo jesteście, panowie, w wybornej formie.

jesusatan



https://www.youtube.com/watch?v=IetpZp5uMoA


https://www.youtube.com/watch?v=c1yV1Ofyv9M



..::TRACK-LIST::..

1. Corpse Rape 03:03
2. In Ghoulish Cold 04:53
3. Sorrow 06:26



..::OBSADA::..

Impaler - Bass, Vocals
Witchfucker - Drums
Hellcult - Guitars




https://www.youtube.com/watch?v=Sxs6AjIp3Mw



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

składanka mireczka-a takie tam vol.29
Gatunek: Dance,Disco,Vixa/Pompa
Rok:2025
mp3@128-320kbps
CZAS:01:52:34

...( TrackList )...

1.Barcode Brothers & Kickbait - Harmonica
2.Alex Megane & Vitalyon - I Wanna (Extended Mix)
3.Boski Heniek - Crazy (VAYTO REMIX)
4.Kalwi & Remi x Lady Gaga x MALOS x Mallanicia x Dj Pierce feat. Yessa x Lacros x Kamilos x Spacedj - Feel de Bloody Explosion (2025)
5.Madison Mars - Memories (ENYGMA BOOTLEG) 2025
6.Cleo - Łowcy Gwiazd (Ultimix by DJSW Productions) 2025
7.Maneskin - GOSSIP (SOUND BASS Bootleg)
8.Aycan & Shoun Baker - Power Lambada (KajmaN Edit)
9.LASGO - SOMETHING (BART BOOTLEG )
10.Natalia Kills - Mirrors (BOOTLEG)
11.Dwóch Niepozornych - Ty Ja On (LegoDJ Bootleg)
12.666 - Atención (Crucian Bootleg)
13.HEDEGAARD - GASOLINA & COCAINA (MATTY BOOTLEG)
14.Showtek, We Are Loud & Sonny Wilson - Booyah ( MIDNIGHT mashup )
15.TKM - Lambo (LAYRO REMIX)
16.Rema, Selena Gomez - Calm Down (BOOTLEG )
17.ZETWUDEZET - Pump It (Original Mix)
18.Ma.Bra - Clipper
19.Nils Van Zandt Feat. Mayra Veronica - Party Crasher (Crucian Bootleg)
20.Stromae - Alors On Danse (BALIXONN Remix)
21.WRZECION - PARĘ CHWIL (BARTIX x DJ PATRYK Bootleg)
22.Special D - You (Extended Mix) 2025
23.6IX9INE - GOOBA (bootleg)
24.Sylver - Lay All Your Love On Me (Dj Mularski x WANCHIZ Bootleg)
25.ZILITIK - Bad Boys Blue (Promo Mix) 2025
26.Topmodelz - Have you ever been Mellow ( BOOTLEG )
27.Paluch - Bez Strachu (Luxons & Dj Przemooo Bootleg)
28.MOROZOFF - Dance & Energy (Megamix)
29.Hinol Polska Wersja, Jano Polska Wersja, Gibbs, Polska Wersja - EXIT (Majki Bootleg)
30.Rocco - One,Two, Three (El Domino x Xano Bootleg) 2025

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany przez Elektrę w 1970 roku, pierwszy (z dwóch), naprawdę doskonały album amerykańskiego zespołu grającego melodyjnego, chwytliwego ale dynamicznego hard-rocka (z elementami ambitnego popu i wczesnego rocka progresywnego) z użyciem organów. Otwierający całość "Go Back" posiada fantastyczny wykop, a całość podoba się niemal każdemu kto ceni sobie granie z 1969-1970 roku! O dziwo album nie sprzedał się zbyt dobrze, zaś drugi LP był już znacznie słabszy. Wokalista/gitarzysta Michael Fennelly wystąpił wcześniej na płycie Millennium. Zremasterowana i co ważne doskonale brzmiąca edycja.



..::TRACK-LIST::..

1. Go Back! 3:04
2. Other Side 3:10
3. Catherine 2:35
4. Peace By Peace 5:27
5. To All My Friends 3:06
6. Try 3:42
7. Can't Live My Life 2:55
8. Some Madness 2:55
9. Hunger For Love 7:07
10. How Long Will It Take? 3:17



..::OBSADA::..

Keyboards - Casey Foutz
Lead Vocals, Guitar, Written By - Michael Fennelly
Bass Guitar - Hank Harvey
Drums - Phil Jones



https://www.youtube.com/watch?v=S_Mp_i81ltg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany przez Elektrę w 1970 roku, pierwszy (z dwóch), naprawdę doskonały album amerykańskiego zespołu grającego melodyjnego, chwytliwego ale dynamicznego hard-rocka (z elementami ambitnego popu i wczesnego rocka progresywnego) z użyciem organów. Otwierający całość "Go Back" posiada fantastyczny wykop, a całość podoba się niemal każdemu kto ceni sobie granie z 1969-1970 roku! O dziwo album nie sprzedał się zbyt dobrze, zaś drugi LP był już znacznie słabszy. Wokalista/gitarzysta Michael Fennelly wystąpił wcześniej na płycie Millennium. Zremasterowana i co ważne doskonale brzmiąca edycja.



..::TRACK-LIST::..

1. Go Back! 3:04
2. Other Side 3:10
3. Catherine 2:35
4. Peace By Peace 5:27
5. To All My Friends 3:06
6. Try 3:42
7. Can't Live My Life 2:55
8. Some Madness 2:55
9. Hunger For Love 7:07
10. How Long Will It Take? 3:17



..::OBSADA::..

Keyboards - Casey Foutz
Lead Vocals, Guitar, Written By - Michael Fennelly
Bass Guitar - Hank Harvey
Drums - Phil Jones



https://www.youtube.com/watch?v=S_Mp_i81ltg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Cudowne lata...


With debut albums you can never be too certain about what to expect. Some bands are at their best while starting out and go downhill from there. Others still need some time to refine their craft and at last, some are still searching for their sound and just ape their musical heroes instead. In Satan’s case, we’re talking about a band that created magic with their debut and while Court in the Act required some time to warm up to, I nowadays love every aspect of it.

While plenty of NWOBHM albums resemble a certain period in metal history with often specific musical elements that come with it, there’s something extremely futuristic about Court in the Act. With guitars often pushed to their limits, you can almost hear the early incantation of Metallica through a variety of near-thrashing songs, but there’s even more to behold. I can’t be the only one who’s convinced that ‘Into the Fire’ sounds like the prototype of Artillery’s ‘Khomaniac’ with those exotic, yet forceful guitar textures. On a related note, the instrumental speed metal assault of ‘The Ritual’ gets awfully close to the earlier instrumental powerhouse of Blind Guardian’s ‘Beyond the Ice’; you can bet that André Olbrich paid attention to this stuff while writing the aforementioned tune.

But regardless of the associations that one could make with Court in the Act, we’re speaking of an album that obviously stands on its own. Still, like I had mentioned, it took me some time to get used to and it shouldn’t be a surprise why. Just like plenty of NWOBHM vocalists, Brian Ross sounds bit out there; he doesn't attempt to sing melodic vocal lines and regardless of an occasional high note, he sticks to his mid-register for most of the time. Perhaps it's best to think of him as a stoic who accidentally ended up as Satan's singer and yet, I couldn't imagine the band without him.

Otherwise, Court in the Act should be easy to digest. The rhythm guitars sound extremely tight; launching riffs of different tempos and moods after another as if they were coded instead of regularly written, while leads find the ideal balance between soulful shredding and clever melodic phrasing. ‘Blades of Steel’ conjures a bunch of musical ideas and thematically ranges from proto-thrashing noise that cuts through the sung sections and an unexpected break of serene beauty with a smooth guitar solo in between. ‘The Ritual’ shows what the guitarists are capable of when Brian Ross isn’t around and while I'm in general not too enthusiastic about instrumental songs, this one's absolutely fantastic. Not only do the riffs build momentum here, the leads also sing an adventurous story that you surely won't forget. If you’re one of those guitar nerds that loves guitar solos more than their own mother, then you won’t be disappointed; but even ordinary folks like you and me will be carried away by this musical journey.

Obviously this doesn't just count for 'The Ritual'. With plenty of variation between these tunes, clever arrangements and riffs that scream metal as much as Brian Ross occasionally does, Court in the Act is one of those albums that features the most optimal pacing that I could think of. Kicking off with 'Trial by Fire' is a great idea and what's a better way to start the track with those guitars that come crashing down with fury? With a multitude of high flying riffs following up with another, you couldn't ask for a better opener and while most bands would end up sounding pretentious once they’d write something with a foreign twist, Satan's approach feels fresh and exciting. While a band like Blind Guardian (them again; probably no coincidence) would cover this track many years later with a more dominant vocal approach, I’m convinced that Brian Ross’ collected vocal approach makes a great contrast with these tense and busy guitars. Moving on, ‘Break Free’ is easily the most threatening offering that represents the album's intense peak. Like a rollercoaster of marvelous riffs thrashing in the wild with no signs of commercial barriers in sight, it’s hard to think of something this intense, fast and furious for 1983. It's extremely remarkable, absolutely and yet even when Court in the Act refrains from blowing the roofs off, the results remain superb. ‘Alone in the Dock’ is an atmospheric closer of evocative beauty that has it all. From the main riff sequence that keeps resurrecting, to the haunting and foggy verses, to the sinister chorus, it’s a wonderful track that works as an excellent album closer.

If you haven’t noticed already, Court in the Act is a personal favorite of mine. Coincidentally enough, it’s a favorite of many other people, too, so it can’t be just me who has a thing for it. I love this album and so do plenty of others; you will too, soon enough.

colin040


This is one of the very few albums that will receive a 100% score review from me. Back in 1983, most of the albums coming from Britain were either great or excellent, Ebony records released “Chained and desperate“, “Loose and lethal”, and “See you in hell” by such artists as Chateaux, Savage and Grim reaper respectively, and Neat did the same with great offerings from Raven, Jaguar and most notably, Satan.

After Blitzkrieg’s break up, singers were swapped between the newly formed Avenger and Satan, resulting in the arrival of Brian Ross as lead vocalist for the recording of what would become my favourite record of 80’s metal, “Court in the act”.

The association between Ross and Satan would be very short lived but gave us a flawless gem of an album that is perfect from start to finish. After an atmospheric intro that sets up the mood in eerie fashion, we are hit full frontal by what would be the trademark of “Court in the act”, fast paced, powerful, but incredibly melodic songs such as “Trial by fire”, a song about nuclear warfare, a topic often used by bands in those days as we were still with both feet firmly planted in the cold war between the Soviets and the Americans.
The twin guitar attack is reminiscent of Iron maiden of course but it is faster and somewhat heavier than that of Harry’s boys.

The production is rather raw and unpolished like all Neat releases, but in this case, this is what gives “Court in the act” it’s charm, and a cleaner production would have certainly taken away a lot of the energy and magic of this record. It’s underground feel is what attracts me the most towards listening and listening again to this album as much now as I was doing more than twenty years ago.

What stands out the most from that first song is the voice of their lead singer Brian Ross, mid range yet powerful and rather soothing in the tone, that guy has the most beautiful voice in metal, never strained, the guy respects his range and stays inside it giving us the most beautiful vocal melodies with maybe the ones from old Fates warning albums.

We are then treated to two very energetic songs, “Blades of steel”, a song about Vikings conquering the lands and “No turning back”, your usual song about sticking to your guns and believing in yourself, again with great vocal melodies, and very well written lyrics. “Blades of steel” has great beat changes and “No turning back” features an insane guitar solo that is probably the best on the album even though the soloing is awesome throughout the record.

Side one closes with the song about the mistreating of the american Indians in “Broken treaties” starting slowly with an Indian dance beat followed by the guitar melody, another intense song that is the most progressive with the last song on the album “Alone in the docks”.

Side two starts off the same way that side one started, with a fast paced stormer called “Break free” where the drumming and bass work are particularly prevalent as it is in the instrumental “The ritual”, a crazy wordless adventure that takes you through different moods, speeds and where your attention is not divided between the incredible musicianship of guitarists Steve Ramsey and Russ Tippins, bass man Graeme English and drummer Sean Taylor and the magical voice from Ross which we now have a break from in that song.

“Hunt you down” doesn’t leave out the energy and has a very original almost weird riff in the chorus.

After all is said and done none more than myself can recommend this perfect piece of metal art to the unsuspecting treasure hunter, unfortunately this record is hard to find and I was lucky enough to have it in vinyl but it cost me a bundle to have on cd.

Satan would later change it’s name to Blind fury because they didn’t want to be associated with the growing number of satanic bands coming mostly from the newly emerging thrash metal movement, they released an excellent album titled “Out of reach” featuring the same flawless musicianship and strong numbers but without the great Brian Ross and with a cleaner production than on “Court in the act” the magic seemed to have disappeared though “Out of reach” is still recommended.

Hail to that great year 1983 that gave us “Kill ‘em all”, “Show no mercy”, “All for one”, “Melissa”, “Sirens” and countless marvellous albums but most notably “Court in the act” by the great Satan.

metalpesant



..::TRACK-LIST::..

1. Into the Fire 01:46
2. Trial by Fire 04:18
3. Blades of Steel 05:16
4. No Turning Back 04:01
5. Broken Treaties 04:43
6. Hunt You Down 03:30
7. The Ritual 04:40
8. Dark Side of Innocence 00:56
9. Alone in the Dock 06:27
10. Break Free 05:24



..::OBSADA::..

Guitar - Russ Tippins, Steve Ramsey
Lead Vocals - Brian Ross
Bass, Classical Guitar - Graeme English
Drums - Sean Taylor




https://www.youtube.com/watch?v=MBBVzujDxzQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Cudowne lata...


With debut albums you can never be too certain about what to expect. Some bands are at their best while starting out and go downhill from there. Others still need some time to refine their craft and at last, some are still searching for their sound and just ape their musical heroes instead. In Satan’s case, we’re talking about a band that created magic with their debut and while Court in the Act required some time to warm up to, I nowadays love every aspect of it.

While plenty of NWOBHM albums resemble a certain period in metal history with often specific musical elements that come with it, there’s something extremely futuristic about Court in the Act. With guitars often pushed to their limits, you can almost hear the early incantation of Metallica through a variety of near-thrashing songs, but there’s even more to behold. I can’t be the only one who’s convinced that ‘Into the Fire’ sounds like the prototype of Artillery’s ‘Khomaniac’ with those exotic, yet forceful guitar textures. On a related note, the instrumental speed metal assault of ‘The Ritual’ gets awfully close to the earlier instrumental powerhouse of Blind Guardian’s ‘Beyond the Ice’; you can bet that André Olbrich paid attention to this stuff while writing the aforementioned tune.

But regardless of the associations that one could make with Court in the Act, we’re speaking of an album that obviously stands on its own. Still, like I had mentioned, it took me some time to get used to and it shouldn’t be a surprise why. Just like plenty of NWOBHM vocalists, Brian Ross sounds bit out there; he doesn't attempt to sing melodic vocal lines and regardless of an occasional high note, he sticks to his mid-register for most of the time. Perhaps it's best to think of him as a stoic who accidentally ended up as Satan's singer and yet, I couldn't imagine the band without him.

Otherwise, Court in the Act should be easy to digest. The rhythm guitars sound extremely tight; launching riffs of different tempos and moods after another as if they were coded instead of regularly written, while leads find the ideal balance between soulful shredding and clever melodic phrasing. ‘Blades of Steel’ conjures a bunch of musical ideas and thematically ranges from proto-thrashing noise that cuts through the sung sections and an unexpected break of serene beauty with a smooth guitar solo in between. ‘The Ritual’ shows what the guitarists are capable of when Brian Ross isn’t around and while I'm in general not too enthusiastic about instrumental songs, this one's absolutely fantastic. Not only do the riffs build momentum here, the leads also sing an adventurous story that you surely won't forget. If you’re one of those guitar nerds that loves guitar solos more than their own mother, then you won’t be disappointed; but even ordinary folks like you and me will be carried away by this musical journey.

Obviously this doesn't just count for 'The Ritual'. With plenty of variation between these tunes, clever arrangements and riffs that scream metal as much as Brian Ross occasionally does, Court in the Act is one of those albums that features the most optimal pacing that I could think of. Kicking off with 'Trial by Fire' is a great idea and what's a better way to start the track with those guitars that come crashing down with fury? With a multitude of high flying riffs following up with another, you couldn't ask for a better opener and while most bands would end up sounding pretentious once they’d write something with a foreign twist, Satan's approach feels fresh and exciting. While a band like Blind Guardian (them again; probably no coincidence) would cover this track many years later with a more dominant vocal approach, I’m convinced that Brian Ross’ collected vocal approach makes a great contrast with these tense and busy guitars. Moving on, ‘Break Free’ is easily the most threatening offering that represents the album's intense peak. Like a rollercoaster of marvelous riffs thrashing in the wild with no signs of commercial barriers in sight, it’s hard to think of something this intense, fast and furious for 1983. It's extremely remarkable, absolutely and yet even when Court in the Act refrains from blowing the roofs off, the results remain superb. ‘Alone in the Dock’ is an atmospheric closer of evocative beauty that has it all. From the main riff sequence that keeps resurrecting, to the haunting and foggy verses, to the sinister chorus, it’s a wonderful track that works as an excellent album closer.

If you haven’t noticed already, Court in the Act is a personal favorite of mine. Coincidentally enough, it’s a favorite of many other people, too, so it can’t be just me who has a thing for it. I love this album and so do plenty of others; you will too, soon enough.

colin040


This is one of the very few albums that will receive a 100% score review from me. Back in 1983, most of the albums coming from Britain were either great or excellent, Ebony records released “Chained and desperate“, “Loose and lethal”, and “See you in hell” by such artists as Chateaux, Savage and Grim reaper respectively, and Neat did the same with great offerings from Raven, Jaguar and most notably, Satan.

After Blitzkrieg’s break up, singers were swapped between the newly formed Avenger and Satan, resulting in the arrival of Brian Ross as lead vocalist for the recording of what would become my favourite record of 80’s metal, “Court in the act”.

The association between Ross and Satan would be very short lived but gave us a flawless gem of an album that is perfect from start to finish. After an atmospheric intro that sets up the mood in eerie fashion, we are hit full frontal by what would be the trademark of “Court in the act”, fast paced, powerful, but incredibly melodic songs such as “Trial by fire”, a song about nuclear warfare, a topic often used by bands in those days as we were still with both feet firmly planted in the cold war between the Soviets and the Americans.
The twin guitar attack is reminiscent of Iron maiden of course but it is faster and somewhat heavier than that of Harry’s boys.

The production is rather raw and unpolished like all Neat releases, but in this case, this is what gives “Court in the act” it’s charm, and a cleaner production would have certainly taken away a lot of the energy and magic of this record. It’s underground feel is what attracts me the most towards listening and listening again to this album as much now as I was doing more than twenty years ago.

What stands out the most from that first song is the voice of their lead singer Brian Ross, mid range yet powerful and rather soothing in the tone, that guy has the most beautiful voice in metal, never strained, the guy respects his range and stays inside it giving us the most beautiful vocal melodies with maybe the ones from old Fates warning albums.

We are then treated to two very energetic songs, “Blades of steel”, a song about Vikings conquering the lands and “No turning back”, your usual song about sticking to your guns and believing in yourself, again with great vocal melodies, and very well written lyrics. “Blades of steel” has great beat changes and “No turning back” features an insane guitar solo that is probably the best on the album even though the soloing is awesome throughout the record.

Side one closes with the song about the mistreating of the american Indians in “Broken treaties” starting slowly with an Indian dance beat followed by the guitar melody, another intense song that is the most progressive with the last song on the album “Alone in the docks”.

Side two starts off the same way that side one started, with a fast paced stormer called “Break free” where the drumming and bass work are particularly prevalent as it is in the instrumental “The ritual”, a crazy wordless adventure that takes you through different moods, speeds and where your attention is not divided between the incredible musicianship of guitarists Steve Ramsey and Russ Tippins, bass man Graeme English and drummer Sean Taylor and the magical voice from Ross which we now have a break from in that song.

“Hunt you down” doesn’t leave out the energy and has a very original almost weird riff in the chorus.

After all is said and done none more than myself can recommend this perfect piece of metal art to the unsuspecting treasure hunter, unfortunately this record is hard to find and I was lucky enough to have it in vinyl but it cost me a bundle to have on cd.

Satan would later change it’s name to Blind fury because they didn’t want to be associated with the growing number of satanic bands coming mostly from the newly emerging thrash metal movement, they released an excellent album titled “Out of reach” featuring the same flawless musicianship and strong numbers but without the great Brian Ross and with a cleaner production than on “Court in the act” the magic seemed to have disappeared though “Out of reach” is still recommended.

Hail to that great year 1983 that gave us “Kill ‘em all”, “Show no mercy”, “All for one”, “Melissa”, “Sirens” and countless marvellous albums but most notably “Court in the act” by the great Satan.

metalpesant



..::TRACK-LIST::..

1. Into the Fire 01:46
2. Trial by Fire 04:18
3. Blades of Steel 05:16
4. No Turning Back 04:01
5. Broken Treaties 04:43
6. Hunt You Down 03:30
7. The Ritual 04:40
8. Dark Side of Innocence 00:56
9. Alone in the Dock 06:27
10. Break Free 05:24



..::OBSADA::..

Guitar - Russ Tippins, Steve Ramsey
Lead Vocals - Brian Ross
Bass, Classical Guitar - Graeme English
Drums - Sean Taylor




https://www.youtube.com/watch?v=MBBVzujDxzQ



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Genre: Progressive rock
Country: Germany
Year of publication: 1975,76
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 78:28

...( TrackList )...
Between The Universes
1. Between The Universes (09:58)
2. Mars Detection (08:08)
Suburban Day Suite:
3. The Day Awakes (07:55)
4. The Day Works (05:53)
5. The Day Rests (03:56)
Tritonus
6. Escape And No Way Out (10:41)
7. Sunday Waltz (04:43)
8. Lady Madonna (02:21)
9. Far In The Sky (09:02)
10. Gliding (07:06)
11. Lady Turk (05:06)
Bonus Track:
12. The Trojan Horse Race (03:39)

...( Info )...
Genre: Progressive Heavy Rock
Year of publication: 1972 (2024)
Publisher (label): Seelie Court Digital-scd 060
Country of artist (band): UK
Audio codec: Mp3 @320 kbps
Duration: 25:12

...( TrackList )...
01. Satan's Daughter 5:10
02. Lose Control 6:48
03. The River 4:36
04. Falling 5:14
05. Broken Machine 3:25

"More obscure 70's psyche from Seelie Court, originally released in 1972. Kept secret for 50 years, no one except Seelie Court and Walter Geertsen (RIP) the legendary collector & dealer have heard this since the day it was recorded in 1972. Blistering, insane heavy prog with demented lead guitars and swirling organ, Writing On The Wall meets Bent Wind, with a large dash of prime “In Search of Space” era Hawkwind. Killer vocalist somewhere between Robert Plant and Jim Morrison, the tracks have the“verging on the edge of sanity” feel of Bent Wind, it opens with the killer title track."

Artist..........................: Various
Album.........................: Esta Loca Compilation-La Compile Latine
Genre.........................: Italo-House, Italo-Disco, New Beat
Year............................: 1989
Publisher.....................: 23235-2 Clever France
Total Time...................: 45:54
Codec.........................: Flac Highest Stereo Quality 44100Hz
Surce..........................: Audio CD



01. P.L.B. System - Esta Loca (dance mix) 4:18
02. P.L.B. System - Esta Loca (instrumental bass mix) 3:42
03. The Latin Rage - Esta Loca (remix) 3:09
04. Ritchie Paradise - Going Back To My Roots (remix) 5:02
05. Sandee - Notice Me (maxi edit) 6:41
06. Carolina Damas - Sueno Latino (the paradise version) 3:58
07. Latino Dance Machine - Latino Megamix (radio version) 4:24
- Kalimba De Luna
- Paris Latino
- Dr.Beat
- Conga
- Rhythm Is Gonna Get You
08. Mod N.4 - Zobi La Mouche (esta loca mix) 3:44
09. Lips Kiss - French Lambada Kiss (techno remix) 5:41
10. Spanish Beat - Loco Loco (loco mix) 5:15


...( Dodatkowo )...

Pacha Rebels - Esta Loca (maxi single '89)-(flac)

A1. Esta Loca (salsa attack mix) 6:01
A2. Esta Loca (rebel dub) 5:57
B1. Esta Loca (on the radio) 3:41
B2. Twilight Bass 5:10


Ritmo Latino - Esta Loca (web digital file)-(flac)

01. Está Loca (latin house version) 4:28
02. Está Loca (dee jay version) 4:44

..::INFO::..

The Alan Parsons Project to progresywna grupa rockowa założona przez Alana Parsonsa i Erica Woolfsona. Parsons był producentem i inżynierem dźwięku, a Woolfson kompozytorem 95% muzyki i autorem wszystkich tekstów utworów. Zespół był przedsięwzięciem typowo studyjnym, które opierało się na zatrudnianiu sesyjnych muzyków wykonujących muzykę stworzoną przez Woolfsona. Z tego też powodu grupa nie koncertowała (z jednym wyjątkiem w 1990 roku). Grupa zazwyczaj ogniskowała swoje albumy wokół jakiegoś tematu przewodniego lub postaci, stąd płyty poświęcone Edgarowi Allanowi Poe czy Isaacowi Asimovowi. W Polsce ogromną popularność zdobył charakterystyczny, animowany teledysk do utworu "Don't Answer Me" w reżyserii Michaela Kaluty z albumu Ammonia Avenue, który odnosił sukcesy w popularnym w latach osiemdziesiątych XX wieku programie "Przeboje Dwójki". W piosenkach śpiewał zazwyczaj sam Eric Woolfson, ale wokalistami byli także m.in. Lenny Zakatek, John Miles, Chris Rainbow, Colin Blunstone oraz sam Alan Parsons. Wstawka zawiera piąty album studyjny zespołu.

Title: The Turn Of A Friendly Card

Artist: The Alan Parsons Project

Country: Wielka Brytania

Year: 1980

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

May Be A Price To Pay
Games People Play
Time
I Don't Wanna Go Home
The Gold Bug
The Turn Of A Friendly Card
The Turn Of A Friendly Card (Pt. 1)
Snake Eyes
The Ace Of Swords
Nothing Left To Lose
The Turn Of A Friendly Card (Pt. 2)
May Be A Price To Pay (Intro - Demo)
Nothing Left To Lose (Basic Backing Track)
Nothing Left To Lose (Chris Rainbow Vocal Overdub Combilation)
Nothing Left To Lose (Early Studio Version With Eric's Guide Vocal)
Time (Early Studio Attempt)
Games People Play (Rough Mix)
The Gold Bug (Demo)

...( Info )...

Artist: VA
Title: Afro House: Deep Roots
Year: 2025
Genre: Deep-House
Duration: 01:21:01
Format/Codec: MP3
Audio bitrate: 320kbps


...( TrackList )...

01. M-Sol DEEP - Near (7:00)
02. Ivory Coats - Meridian (4:15)
03. M-Sol DEEP - Awakening in the Jungle (4:52)
04. Havjers - Milho (7:32)
05. Juantxo Munoz - Kenoppa (6:54)
06. Marga Sol - You Bring Me Back (5:20)
07. Thabza De Soul - Mawaku (4:52)
08. Inkwall - Mwaki (6:08)
09. M-Sol DEEP - Stay (6:26)
10. M-Sol DEEP - Fade Away (5:54)
11. M-Sol DEEP - Ton Ton (4:40)
12. Danmic's - Entranced (6:05)
13. Alex Lo Faro - Beautiful Life (Extended Mix) (5:08)
14. Danmic's - Let You Go (5:48)

...( Info )...

Artist: VA
Title: Distant Places Lounge Vol.1: Chillout Your Mind
Year: 2022
Genre: Chillout, Downtempo, Balearic
Duration: 01:26:37
Format/Codec: MP3
Audio bitrate: 320kbps


...( TrackList )...

01. Free Spirit Muse - Breath-Ful Moments (20:21)
02. Matt Sour - Like a Fairy Tale (Original Mix) (4:44)
03. Gary B - Afraid to Fall (Original Mix) (4:53)
04. Michael E - Wind Chime (Original Mix) (5:53)
05. La Estación Del Mar - Cantos Rodados (4:38)
06. Marga Sol - Calma (5:28)
07. Matt Sour - The Way to Freedom (4:15)
08. Florzinho - Oneness Meditation (Original Mix) (8:07)
09. Elmara - Mediterranean (Original Mix) (4:42)
10. Peter Pearson - Love Notes (Original Mix) (5:36)
11. Simon Le Grec - We Will Be Free (Radio Edit) (3:40)
12. Tigerforest - Sea Watch (David Helpling's A Thousand Missing Faces Remix) (5:32)
13. La Estación Del Mar - Una Espiga En Mi Boca (4:38)
14. Dharma Frequency - Consciousness Vibes (Original Mix) (4:03)

...( Info )...

Artist...............: Nada
Album................: Le Piu' Belle Canzoni Di Nada
Genre................: Pop Rock
Year.................: 1998
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. Nada - Pasticcio Universale
002. Nada - Ti Stringero
003. Nada - Dolce Piu' Dolce
004. Nada - Fandango
005. Nada - Candida Follia
006. Nada - Dimmi Che Mi Ami, Che Mi Ami, Che Tu Ami Solo Me
007. Nada - Rosa
008. Nada - Tentazioni
009. Nada - Febbre Senza Malattia
010. Nada - Noi

...( Info )...


Artist: Fleetwood Mac
Album: Live From The Record Plant Sausalito CA (December 15 1974)
Year: 2025
Quality: FLAC 24Bit-96kHz

...( TrackList )...

01. The Green Manalishi (With the Two Prong Crown) (Live at the Record Plant, Sausalito, CA, 12-15-1974)
02. Angel (Live at the Record Plant, Sausalito, CA, 12-15-1974)
03. Spare Me a Little of Your Love (Live at the Record Plant, Sausalito, CA, 12-15-1974)
04. Sentimental Lady (Live at the Record Plant, Sausalito, CA, 12-15-1974)
05. Future Games (Live at the Record Plant, Sausalito, CA, 12-15-1974)
06. Bermuda Triangle (Live at the Record Plant, Sausalito, CA, 12-15-1974)
07. Why (Live at the Record Plant, Sausalito, CA, 12-15-1974)
08. Believe Me (Live at the Record Plant, Sausalito, CA, 12-15-1974)
09. Black Magic Woman - Oh Well (Live at the Record Plant, Sausalito, CA, 12-15-1974)
10. Rattlesnake Shake (Live at the Record Plant, Sausalito, CA, 12-15-1974)
11. Hypnotized (Live at the Record Plant, Sausalito, CA, 12-15-1974)

..::INFO::..

Trivium to amerykański zespół założony w 1999 roku w Orlando na Florydzie. Wykonywana przez zespół muzyka określana jest jako thrash metal, heavy metal, melodic death metal, groove metal, metalcore oraz metal progresywny. Liderem formacji oraz autorem wszystkich tekstów jest Matthew Kiichi Heafy - Amerykanin pochodzenia japońskiego. Nazwa grupy wywodzi się z języka łacińskiego. Trivium w okresie późnej starożytności oraz średniowiecza było, obok quadrivium, podgrupą siedmiu sztuk wyzwolonych. Obejmowało trzy nauki: gramatykę, retorykę oraz logikę. Członkowie zespołu uznają, że obrazuje to ich zainteresowanie różnymi gatunkami muzycznymi. Trivium nagrało dziesięć albumów studyjnych. Zespół słynie z dużej liczby występów. 12 czerwca 2006 roku brytyjski magazyn „Metal Hammer” na gali Golden God Awards uznał grupę za najlepiej koncertujący zespół w bieżącym roku. Tego samego dnia Matt Heafy otrzymał tytuł „Golden God”, a Travis Smith wygrał w kategorii „najlepszy perkusista”. Wstawka zawiera dziewiąty album zespołu.

Title: What the Dead Men Say

Artist: Trivium

Country: USA

Year: 2020

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList ) ...

1.IX
2.What The Dead Men Say
3.Catastrophist
4.Amongst The Shadows & The Stones
5.Bleed Into Me
6.The Defiant
7.Sickness Unto You
8.Scattering The Ashes
9.Bending The Arc To Fear
10.The Ones We Leave Behind
11.Bleed Into Me (Acoustic)
12.Scattering The Ashes (Acoustic)
13.Drowning In The Sound
14.I Don’t Wanna Be Me
15.Kill The Poor
16.Coracao Nao Tem Idade (Vou Beijar)

..::INFO::..

Nina Simone, właśc. Eunice Kathleen Waymon (ur. 21 lutego 1933 w Tryon, zm. 21 kwietnia 2003 w Carry-le-Rouet) to amerykańska piosenkarka, autorka tekstów i pianistka. Klasyfikowana na ogół jako przedstawicielka jazzu, choć sama nie lubiła takiego szufladkowania. Jej twórczość to również muzyka z pogranicza bluesa, rhythm and bluesa i soulu. W 2018 wprowadzona do Rock and Roll Hall of Fame. To Love Somebody to album piosenkarki jazzowej, autorki tekstów i pianistki Niny Simone. Przede wszystkim album z coverami, został wydany tak szybko, jak to możliwe, aby przedłużyć nieoczekiwany sukces „Nuff Said!”.

Title: To Love Somebody

Artist: Nina Simone

Country: USA

Year: 1969

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Suzanne
2.Turn! Turn! Turn! (To Everything There Is A Season)
3.Revolution (Part I)
4.Revolution (Part II)
5.To Love Somebody
6.I Shall Be Released
7.I Can't See Nobody
8.Just Like Tom Thumb's Blues
9.The Times They Are A Changin'

...( Info )...

Artist: Various Artists
Album: Top Songs of 2024: Korea
Year: 2024
Format: mp3 320 kbps

...( TrackList )...

01. ILLIT - Magnetic
02. NewJeans - How Sweet
03. aespa - Drama
04. LE SSERAFIM - Perfect Night
05. TWS - plot twist
06. TAEYEON - To. X
07. NewJeans - ETA
08. Desperate Journalist - Armageddon
09. NewJeans - Supernatural
10. IU - Love wins all
11. qwer - T.B.H
12. NewJeans - Bubble Gum
13. RIIZE - Talk Saxy
14. NewJeans - Hype Boy
15. RIIZE - Love 119
16. NewJeans - Attention
17. Nerd Connection - If I have you only (My love X Nerd Connection)
18. NewJeans - Ditto
19. DAY6 - Welcome to the Show
20. Taylor Swift - Cruel Summer
21. (G)I-DLE - Fate
22. DAY6 - Time of Our Life
23. BUMJIN - A Letter
24. BABYMONSTER - SHEESH
25. LE SSERAFIM - EASY
26. Jung Kook - Seven (feat. Latto)
27. ECLIPSE - Sudden Shower
28. NewJeans - OMG
29. NewJeans - Super Shy
30. KISS OF LIFE - Sugarcoat (NATTY Solo)
31. Jimin - Who
32. Lee Young Ji - Small girl (feat. D.O.)
33. Bibi - Bam Yang Gang
34. RIIZE - Get A Guitar
35. ZICO - SPOT!
36. KISS OF LIFE - Midas Touch
37. KISS OF LIFE - Sticky
38. LE SSERAFIM - Smart
39. Crush - Love You With All My Heart
40. ILLIT - Lucky Girl Syndrome
41. IVE - 해야 (HEYA)
42. RIIZE - Boom Boom Bass
43. RIIZE - Siren
44. IVE - I AM
45. RIIZE - Impossible
46. Choi Yu Ree - Forest
47. TripleS - Girls Never Die
48. BOYNEXTDOOR - Earth, Wind & Fire (Japanese Version)
49. RIIZE - Memories
50. NewJeans - New Jeans
51. DAY6 - HAPPY
52. aespa - Spicy
53. VIVIZ - MANIAC
54. Nerd Connection - ‎Good Night Good Dream
55. Groovyroom - Yes or No (Feat. HUH YUNJIN of LE SSERAFIM, Crush)
56. IVE - Baddie
57. NewJeans - Cool With You
58. Big Naughty - Vancouver 2
59. Red Velvet - Chill Kill
60. NMIXX - DASH
61. Lim Jae Hyun - Rhapsody of Sadness
62. Yerin Baek - Bye Bye My Blue
63. KISS OF LIFE - Bad News
64. Jung Kook - Standing Next to You
65. qwer - Discord
66. 데이먼스 이어 Damons year - yours
67. Leellamarz - Trip
68. NewJeans - Cookie
69. NewJeans - Right Now
70. 검정치마 - EVERYTHING
71. Yerin Baek - Antifreeze
72. NewJeans - Hurt
73. Hyukoh - TOMBOY
74. JENNIE - You & Me
75. Yuuri - BETELGEUSE
76. Benson Boone - Beautiful Things
77. Roy Kim - Let's Stay Well (My love X Roy Kim)
78. Alaina Castillo - pocket locket
79. Dean - DIE 4 YOU
80. BOYNEXTDOOR - But Sometimes
81. AKMU - How can I love the heartbreak, you're the one I love
82. IVE - LOVE DIVE
83. Sung Si Kyung - 거리에서
84. Parc Jae Jung - Let's Say Goodbye
85. League Of Legends - GODS
86. Lauv - Steal The Show
87. Sabrina Carpenter - Espresso
88. IVE - After LIKE
89. IVE - Off The Record
90. SEVENTEEN - God of Music
91. fromis_9 - Supersonic
92. LE SSERAFIM - Eve, Psyche & The Bluebeard’s wife
93. 이창섭 - Heavenly fate
94. aespa - Next Level