...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons.

A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution.

Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!



..::TRACK-LIST::..

1. Perverse Termination (Bulb of Force) 04:12
2. AquaGenesis 03:52
3. Monrovia, LR 1990 04:08
4. Vipers at the Pony Keg 04:14
5. Огромный Кальмар (Ross Sea Trawler) 03:45
6. Bug Sounds II (Megascolides australis) 01:50
7. The Dover Demon 03:05
8. Rat Lung-Worm 01:49
9. Sacral Brain 11:34
10. The Ochopee Skunk Ape 01:42



..::OBSADA::..

Bass - Dayan
Drums - Bogstomper
Guitar - Dustin
Guitar, Synth - Sam
Vocals - Clarisa



https://www.youtube.com/watch?v=JoXGC1jSQeY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Elton John & Billy Joel - The Piano Men - Live in Tokyo
---------------------------------------------------------------------

Artist...............: Elton John & Billy Joel
Album................: The Piano Men - Live in Tokyo
Genre................: Pop
Source...............: CD
Year.................: 2009
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Immortal

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Elton John & Billy Joel - Your Song [04:14]
2. Elton John & Billy Joel - Don't Let the Sun Go Down On Me[05:58]
3. Billy Joel - Angry Young Man [05:31]
4. Billy Joel - The Stranger [04:43]
5. Billy Joel - Just The Way You Are [03:22]
6. Billy Joel - Allentown [04:13]
7. Billy Joel - I Go To Extremes [04:51]
8. Elton John & Billy Joel - My Life [06:03]
9. Billy Joel - The River Of Dreams [05:19]
10. Billy Joel - Candle In The Wind [04:12]
11. Billy Joel - It's Still Rock And Roll To Me [04:18]
12. Billy Joel - Big Shot [05:03]
13. Elton John & Billy Joel - The Bitch Is Back [04:07]
14. Elton John & Billy Joel - You May Be Right [04:52]
15. Elton John & Billy Joel - Piano Man [07:04]

Playing Time.........: 01:13:57
Total Size...........: 528,30 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trwający blisko 80 minut, kapitalny i bezcenny od strony historycznej album, zawierający unikalny występ The Beatles (z Ringo Starrem na perkusji) zarejestrowany w legendarnym hamburskim klubie w ostatnim tygodniu grudnia 1962 roku. Mający już na koncie wydany przez EMI singiel "Love Me Do" zespół musiał odegrać/odpracować zakontraktowane dużo wcześniej występy i jest to muzyczna rozkosz dla każdego fana Wspaniałej Czwórki!

Oprócz kilku kawałków znanych choćby z nagranego już miesiąc potem LP "Please Please Me", grupa wykonała sporo popowych i rockandrollowych standardów. Jakość dźwięku jest bardzo dobra (nieco lepsza niż na oryginalnych, wydanych po raz pierwszy w 1977 roku płytach), choć nie idealna, ale wszystko świetnie słychać! CD zawiera niepublikowany na płycie, niemal maniakalny "My Girl Is Red Hot", a także (jako bonus) "Money" w wykonaniu towarzyszącej Beatlesom grupy King Size Taylor And The Dominoes. Płyta chyba nigdy nie ukaże się oficjalnie, gdyż w wyniku wieloletnich działań The Beatles, wyrokiem sądu została wycofana z muzycznego rynku.



..::TRACK-LIST::..

1. I Saw Her Standing There (John Lennon, Paul McCartney)
2. Roll Over Beethoven (Chuck Berry)
3. Hippy Hippy Shake (Chan Romero)
4. Sweet Little Sixteen (Berry)
5. Lend Me Your Comb (Kay Twomey, Fred Wise, Ben Weisman)
6. Your Feet's Too Big (Ada Benson, Fred Fisher)
7. Twist and Shout (Phil Medley, Bert Russell)
8. Mr. Moonlight (Roy Lee Johnson)
9. A Taste of Honey (Bobby Scott, Ric Marlow)
10. Bésame Mucho (Consuelo Velázquez, Sunny Skylar)
11. Reminiscing (King Curtis)
12. Kansas City/Hey, Hey, Hey, Hey (Jerry Leiber, Mike Stoller, Richard Penniman)
13. Nothin' Shakin' (But the Leaves on the Trees) (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck)
14. To Know Her Is to Love Her (Phil Spector)
15. Little Queenie (Berry)
16. Falling in Love Again (Can't Help It) (Frederick Hollander, Sammy Lerner)
17. Ask Me Why (Lennon, McCartney)
18. Be-Bop-A-Lula (Gene Vincent, Bill Davis)-Guest lead vocal by Fred Fascher, Star-Club waiter
19. Hallelujah I Love Her So (Ray Charles)-Guest lead vocal by Horst Fascher, Star-Club manager
20. Red Sails in the Sunset (Jimmy Kennedy, Hugh Williams)
21. Everybody's Trying to Be My Baby (Carl Perkins)
22. Matchbox (Carl Perkins)
23. I'm Talking About You (Berry)
24. Shimmy Like Kate (Armand Piron, Fred Smith, Cliff Goldsmith)
Based on The Olympics' arrangement of I Wish I Could Shimmy Like My Sister Kate sometimes misidentified as Shimmy Shimmy or Shimmy Shake
25. Long Tall Sally (Enotris Johnson, Robert Blackwell, Penniman)
26. I Remember You (Johnny Mercer, Victor Schertzinger)

Bonus Tracks:
27. My Girl Is Red Hot (unreleashed)
28. I'm Gonna Sit Right Down and Cry Over You
29. 'Till There Was You
30. Shelia
31. Money

Recorded Live at the Star-Club, Hamburg, Germany on 21st, 25th and 28th December 1962.

Tracks 1-26 released as double albums in Germany (Bellaphon Records, April 1977) and UK (Lingasong Records, May 1977).

Tracks 28-31 released Exclusively on 2LP in USA (Lingasong Records, June 1977).

Track 27 previously unreleased.

Additional Track 32 performed by King Size Taylor and The Dominoes



..::OBSADA::..

John Lennon - rhythm guitar, harmony and backing vocals, harmonica on track 26, lead vocal on tracks 4, 5 (shared), 7, 8, 14, 17, 22, 23, 24

Paul McCartney - bass guitar, harmony and backing vocals, lead vocal on tracks 1, 3, 5 (shared), 6, 9, 10, 12, 15, 16, 20, 25, 26

George Harrison - lead guitar, harmony and backing vocals, lead vocal on tracks 2, 11, 13, 21

Ringo Starr - drums and percussion




https://www.youtube.com/watch?v=o2jxvqskLis



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Trwający blisko 80 minut, kapitalny i bezcenny od strony historycznej album, zawierający unikalny występ The Beatles (z Ringo Starrem na perkusji) zarejestrowany w legendarnym hamburskim klubie w ostatnim tygodniu grudnia 1962 roku. Mający już na koncie wydany przez EMI singiel "Love Me Do" zespół musiał odegrać/odpracować zakontraktowane dużo wcześniej występy i jest to muzyczna rozkosz dla każdego fana Wspaniałej Czwórki!

Oprócz kilku kawałków znanych choćby z nagranego już miesiąc potem LP "Please Please Me", grupa wykonała sporo popowych i rockandrollowych standardów. Jakość dźwięku jest bardzo dobra (nieco lepsza niż na oryginalnych, wydanych po raz pierwszy w 1977 roku płytach), choć nie idealna, ale wszystko świetnie słychać! CD zawiera niepublikowany na płycie, niemal maniakalny "My Girl Is Red Hot", a także (jako bonus) "Money" w wykonaniu towarzyszącej Beatlesom grupy King Size Taylor And The Dominoes. Płyta chyba nigdy nie ukaże się oficjalnie, gdyż w wyniku wieloletnich działań The Beatles, wyrokiem sądu została wycofana z muzycznego rynku.



..::TRACK-LIST::..

1. I Saw Her Standing There (John Lennon, Paul McCartney)
2. Roll Over Beethoven (Chuck Berry)
3. Hippy Hippy Shake (Chan Romero)
4. Sweet Little Sixteen (Berry)
5. Lend Me Your Comb (Kay Twomey, Fred Wise, Ben Weisman)
6. Your Feet's Too Big (Ada Benson, Fred Fisher)
7. Twist and Shout (Phil Medley, Bert Russell)
8. Mr. Moonlight (Roy Lee Johnson)
9. A Taste of Honey (Bobby Scott, Ric Marlow)
10. Bésame Mucho (Consuelo Velázquez, Sunny Skylar)
11. Reminiscing (King Curtis)
12. Kansas City/Hey, Hey, Hey, Hey (Jerry Leiber, Mike Stoller, Richard Penniman)
13. Nothin' Shakin' (But the Leaves on the Trees) (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck)
14. To Know Her Is to Love Her (Phil Spector)
15. Little Queenie (Berry)
16. Falling in Love Again (Can't Help It) (Frederick Hollander, Sammy Lerner)
17. Ask Me Why (Lennon, McCartney)
18. Be-Bop-A-Lula (Gene Vincent, Bill Davis)-Guest lead vocal by Fred Fascher, Star-Club waiter
19. Hallelujah I Love Her So (Ray Charles)-Guest lead vocal by Horst Fascher, Star-Club manager
20. Red Sails in the Sunset (Jimmy Kennedy, Hugh Williams)
21. Everybody's Trying to Be My Baby (Carl Perkins)
22. Matchbox (Carl Perkins)
23. I'm Talking About You (Berry)
24. Shimmy Like Kate (Armand Piron, Fred Smith, Cliff Goldsmith)
Based on The Olympics' arrangement of I Wish I Could Shimmy Like My Sister Kate sometimes misidentified as Shimmy Shimmy or Shimmy Shake
25. Long Tall Sally (Enotris Johnson, Robert Blackwell, Penniman)
26. I Remember You (Johnny Mercer, Victor Schertzinger)

Bonus Tracks:
27. My Girl Is Red Hot (unreleashed)
28. I'm Gonna Sit Right Down and Cry Over You
29. 'Till There Was You
30. Shelia
31. Money

Recorded Live at the Star-Club, Hamburg, Germany on 21st, 25th and 28th December 1962.

Tracks 1-26 released as double albums in Germany (Bellaphon Records, April 1977) and UK (Lingasong Records, May 1977).

Tracks 28-31 released Exclusively on 2LP in USA (Lingasong Records, June 1977).

Track 27 previously unreleased.

Additional Track 32 performed by King Size Taylor and The Dominoes



..::OBSADA::..

John Lennon - rhythm guitar, harmony and backing vocals, harmonica on track 26, lead vocal on tracks 4, 5 (shared), 7, 8, 14, 17, 22, 23, 24

Paul McCartney - bass guitar, harmony and backing vocals, lead vocal on tracks 1, 3, 5 (shared), 6, 9, 10, 12, 15, 16, 20, 25, 26

George Harrison - lead guitar, harmony and backing vocals, lead vocal on tracks 2, 11, 13, 21

Ringo Starr - drums and percussion




https://www.youtube.com/watch?v=o2jxvqskLis



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Billy Joel – Greatest Hits Volume I & Volume II (2 CD)
---------------------------------------------------------------------

Artist...............: Billy Joel
Album................: Greatest Hits
Genre................: Rock / Pop / Pop Rock / Ballad
Source...............: CD
Year.................: 1985 / 2017
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 53-57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Mobile Fidelity Sound Lab

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting Volume I
---------------------------------------------------------------------

1. Billy Joel - Piano Man [05:40]
2. Billy Joel - Captain Jack [07:01]
3. Billy Joel - The Entertainer [03:42]
4. Billy Joel - Say Goodbye To Hollywood [04:39]
5. Billy Joel - New York State Of Mind [06:06]
6. Billy Joel - The Stranger [05:10]
7. Billy Joel - Scenes From An Italian Restaurant [07:36]
8. Billy Joel - Just The Way You Are [04:52]
9. Billy Joel - Movin' Out (Anthony's Song) [03:31]
10. Billy Joel - Only The Good Die Young [03:55]
11. Billy Joel - She's Always A Woman [03:22]

Playing Time.........: 55:36
Total Size...........: 296,36 MB

---------------------------------------------------------------------
Tracklisting Volume II
---------------------------------------------------------------------

1. Billy Joel - My Life [04:45]
2. Billy Joel - Big Shot [04:03]
3. Billy Joel - Honesty [03:55]
4. Billy Joel - You May Be Right [04:14]
5. Billy Joel - It's Still Rock And Roll To Me [02:58]
6. Billy Joel - Don't Ask Me Why [03:00]
7. Billy Joel - She's Got A Way [03:02]
8. Billy Joel - Pressure [04:40]
9. Billy Joel - Allentown [03:52]
10. Billy Joel - Goodnight Saigon [07:00]
11. Billy Joel - Tell Her About It [03:53]
12. Billy Joel - Uptown Girl [03:17]
13. Billy Joel - The Longest Time [03:39]
14. Billy Joel - You're Only Human (Second Wind) [04:50]
15. Billy Joel - The Night Is Still Young [05:29]

Playing Time.........: 01:02:43
Total Size...........: 361,08 MB

...( Info )...

Artist: Bryan Adams
Album: Reckless (Live At The Royal Albert Hall 2024)
Year: 2025
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. One Night Love Affair (Live At The Royal Albert Hall 2024)
02. Somebody (Live At The Royal Albert Hall 2024)
03. Reckless (Live At The Royal Albert Hall 2024)
04. Run To You (Live At The Royal Albert Hall 2024)
05. Kids Wanna Rock (Live At The Royal Albert Hall 2024)
06. Heaven (Live At The Royal Albert Hall 2024)
07. Let Me Down Easy (Live At The Royal Albert Hall - 2024)
08. She's Only Happy When She's Dancin' (Live At The Royal Albert Hall 2024)
09. It's Only Love (Live At The Royal Albert Hall 2024)
10. Long Gone (Live At The Royal Albert Hall 2024)
11. Ain't Gonna Cry (Live At The Royal Albert Hall 2024)
12. Summer of 69 (Live At The Royal Albert Hall 2024)

...( Info )...


Artist: Bryan Adams
Album: 18 Til I Die (Live At The Royal Albert Hall 2024)
Year: 2025
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. 18 Til I Die (Live At The Royal Albert Hall 2024)
02. Do To You (Live At The Royal Albert Hall 2024)
03. Let's Make A Night To Remember (Live At The Royal Albert Hall 2024)
04. (I Wanna Be) Your Underwear (Live At The Royal Albert Hall 2024)
05. Star (Live At The Royal Albert Hall 2024)
06. It Ain't A Party… If You Can't Come 'Round (Live At The Royal Albert Hall 2024)
07. You're Still Beautiful To Me (Live At The Royal Albert Hall 2024)
08. I'll Always Be Right There (Live At The Royal Albert Hall 2024)
09. We're Gonna Win (Live At The Royal Albert Hall 2024)
10. I Think About You (Live At The Royal Albert Hall 2024)
11. The Only Thing That Looks Good On Me Is You (Live At The Royal Albert Hall 2024)
12. Have You Ever Really Loved A Woman? (Live At The Royal Albert Hall 2024)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Dziś dużo się dyskutuje o widoczności kobiet w punku, zwłaszcza na scenie, a nie tylko przed nią. W 1980 roku nie było chyba wątpliwości, że punk jest również tworzony przez kobiety i dla kobiet. Przynajmniej w Niemczech...

Jednym z najgorętszych i najbardziej utytułowanych zespołów punkowych był HANS-A-PLAST z Hanoweru. W ich składzie grali Annette Benjamin, potężna wokalistka o niesamowitej charyzmie scenicznej, Renate Baumgart na basie i Bettina Schröder na perkusji.
Jens Meyer i Klaus-Michael Polten grali na gitarach; oboje założyli wpływową wytwórnię No Fun, Hollow Skai, aby zapewnić zespołowi niezależność artystyczną.

2 lipca 1980 roku HANS-A-PLAST wystąpił w Studiu A stacji WDR w Kolonii, gdzie wykonał zestaw najlepszych utworów, zaczynając od „Rock'n Roll Freitag”, a kończąc na wszystkich quasi-przebojach, takich jak „Für 'ne Frau”, „Polizeiknüppel”, „Lederhosentyp”, „Spielfilm”, „Es brennt” i „Hau ab du stinkst”.
Dzięki drogiej technologii telewizyjnej powstało najwyższej jakości nagranie na żywo, a i materiał filmowy również został zachowany – niemal cud, ponieważ do lat 90. nadawcy często wyrzucali takie 'stare badziewie'.



..::TRACK-LIST::..

1. Rock'N Roll Freitag
2. Man Of Stone
3. Für, Ne Frau
4. Ich Zünd Mich An
5. Kaufhaus
6. Teenage Traum
7. Polizeiknüppel
8. Reicher Vati
9. Starfighter
10. Lederhosentyp
11. Spielfilm
12. Rank Xerox
13. Amerikaner
14. Hau Ab Du Stinkst
15. Es Brennt
16. O, O, O,

DVD Bonus Features:
Live @ Ruhrfestspiele, Recklinghausen / Germany, 1st May 1983
17. Medusa 5:36

Official Video Clip:
18. Monstertanz 5:35
Produced By The Band Themselves During Their Study Time - In German Language Only

19. Documentation 10:11



..::OBSADA::..

Vocals, Saxophone - Annette Benjamin
Guitar - Jens Meyer, Klaus-Michael Polten
Drums - Bettina Schroeder
Bass - Renate Baumgart



https://www.youtube.com/watch?v=Bu099uT3r84



SEED 15:00-22:00.
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..::INFO::..

---------------------------------------------------------------------
Rod Stewart - Unplugged ...And Seated
---------------------------------------------------------------------

Artist...............: Rod Stewart
Album................: Unplugged ...And Seated
Genre................: Rock
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Rod Stewart - Hot Legs [04:25]
2. Rod Stewart - Tonight's The Night [04:05]
3. Rod Stewart - Handbags And Gladrags [04:25]
4. Rod Stewart - Cut Across Shorty [04:58]
5. Rod Stewart - Every Picture Tells A Story [04:45]
6. Rod Stewart - Maggie May [06:01]
7. Rod Stewart - Reason To Believe [03:50]
8. Rod Stewart - People Get Ready [05:03]
9. Rod Stewart - Have I Told You Lately [04:03]
10. Rod Stewart - Tom Traubert's Blues (Waltzing Matilda) [04:40]
11. Rod Stewart - The First Cut Is The Deepest [04:12]
12. Rod Stewart - Mandolin Wind [05:23]
13. Rod Stewart - Highgate Shuffle [04:04]
14. Rod Stewart - Stay With Me [05:17]
15. Rod Stewart - Having A Party [04:45]

Playing Time.........: 01:10:03
Total Size...........: 442,53 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jedna z najlepszych 'lokalnych' płyt garażowych lat 60, obok Rising Storm , Savages , Bent Wind, Fantastic Dee-Jays, Contents Are i Mystery Meat .
Wytłoczono zaledwie 150 egzemplarzy tego albumu, a oryginały czasami sprzedają się na eBayu za tysiące dolarów.

Członkowie zespołu pochodzili z przedmieść Chicago, z Lake Forest i Lake Bluff. Zespół Bachs istniał przez 3 lata, występując na szkolnych potańcówkach, w klubach młodzieżowych i na prywatnych imprezach na północnym wybrzeżu Chicago i okolicznych przedmieściach (zazwyczaj zarabiając 150-200 dolarów za noc). Wszystkie utwory napisali Blake Allison i John Peterman, a płyta została wydana prywatnie w 1968 roku. Po wydaniu płyty członkowie zespołu postanowili zakończyć karierę muzyczną i postanowili skupić się na swoim życiu.



..::TRACK-LIST::..

1. You're Mine 2:11
2. Pleasure Of Your Company 3:52
3. Free Fall 2:40
4. I See Her 1:37
5. My Indipendence Day 3:21
6. Minister To A Mind Diseased 3:09
7. Tables Of Grass Fields 3:43
8. Show Me That You Want To Go Home 2:08
9. Sitting 3:34
10. Nevermore 3:36
11. Answer To Yesterday 3:47
12. I'm A Little Boy 3:50

Bonus Track: prev. unreleased live track from 1967.
13. That's The Way It Goes 3:10



..::OBSADA::..

Guitar - Mike DeHaven
Guitar, Vocals - John Peterman
Lead Guitar - Ben Harrison
Percussion - John Babicz
Bass, Vocals - Black Allison



https://www.youtube.com/watch?v=nJOPz_815cw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jedna z najlepszych 'lokalnych' płyt garażowych lat 60, obok Rising Storm , Savages , Bent Wind, Fantastic Dee-Jays, Contents Are i Mystery Meat .
Wytłoczono zaledwie 150 egzemplarzy tego albumu, a oryginały czasami sprzedają się na eBayu za tysiące dolarów.

Członkowie zespołu pochodzili z przedmieść Chicago, z Lake Forest i Lake Bluff. Zespół Bachs istniał przez 3 lata, występując na szkolnych potańcówkach, w klubach młodzieżowych i na prywatnych imprezach na północnym wybrzeżu Chicago i okolicznych przedmieściach (zazwyczaj zarabiając 150-200 dolarów za noc). Wszystkie utwory napisali Blake Allison i John Peterman, a płyta została wydana prywatnie w 1968 roku. Po wydaniu płyty członkowie zespołu postanowili zakończyć karierę muzyczną i postanowili skupić się na swoim życiu.



..::TRACK-LIST::..

1. You're Mine 2:11
2. Pleasure Of Your Company 3:52
3. Free Fall 2:40
4. I See Her 1:37
5. My Indipendence Day 3:21
6. Minister To A Mind Diseased 3:09
7. Tables Of Grass Fields 3:43
8. Show Me That You Want To Go Home 2:08
9. Sitting 3:34
10. Nevermore 3:36
11. Answer To Yesterday 3:47
12. I'm A Little Boy 3:50

Bonus Track: prev. unreleased live track from 1967.
13. That's The Way It Goes 3:10



..::OBSADA::..

Guitar - Mike DeHaven
Guitar, Vocals - John Peterman
Lead Guitar - Ben Harrison
Percussion - John Babicz
Bass, Vocals - Black Allison



https://www.youtube.com/watch?v=nJOPz_815cw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album zespołu z Taiwanu!
19 utworów szybkiego grindcore'a w stylu NASUM, BRUTAL TRUTH, ASSÜCK, TERRORIZER.



..::TRACK-LIST::..

1. Vision 00:58
2. Shadow Hearts 01:30
3. Dirty World 01:46
4. Species 01:18
5. Birth 01:03
6. Live a Lie 01:01
7. Peace is a Fragile Glass 01:33
8. Time to Die 01:22
9. Crying City 01:01
10. Sorrow Light House 00:47
11. Wealthy 01:22
12. Fall Apart 01:13
13. History of Sin 01:16
14. Lone Wolf 00:55
15. Every Day 00:28
16. Puppet 01:43
17. Stop 00:20
18. Sick System 01:00
19. Death Bell 06:09



..::OBSADA::..

A dai - Drums
Ash Huang - Bass
Bruce - Guitars, Vocals
Duan - Guitars



https://www.youtube.com/watch?v=xDhvjqDP8AE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Debiutancki album zespołu z Taiwanu!
19 utworów szybkiego grindcore'a w stylu NASUM, BRUTAL TRUTH, ASSÜCK, TERRORIZER.



..::TRACK-LIST::..

1. Vision 00:58
2. Shadow Hearts 01:30
3. Dirty World 01:46
4. Species 01:18
5. Birth 01:03
6. Live a Lie 01:01
7. Peace is a Fragile Glass 01:33
8. Time to Die 01:22
9. Crying City 01:01
10. Sorrow Light House 00:47
11. Wealthy 01:22
12. Fall Apart 01:13
13. History of Sin 01:16
14. Lone Wolf 00:55
15. Every Day 00:28
16. Puppet 01:43
17. Stop 00:20
18. Sick System 01:00
19. Death Bell 06:09



..::OBSADA::..

A dai - Drums
Ash Huang - Bass
Bruce - Guitars, Vocals
Duan - Guitars



https://www.youtube.com/watch?v=xDhvjqDP8AE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część niepublikowanego wcześniej materiału z serii "Lost Not Forgotten Archives". Na albumie "Distance Over Time Demos (2018)" znalazły się utwory z sesji nagraniowej do ich czternastego studyjnego krążka.


A brand-new, previously unreleased entry finds its way into the Lost Not Forgotten Archives. 'Distance Over Time Demos (2018)' documents the writing sessions for Dream Theater’s fourteenth studio album at Yonderbarn in New York, the secluded studio where the band convened for the creation of this much-acclaimed album. Presented here in the original order in which the tracks were written and recorded, this release gives a fascinating glimpse into how that record was constructed.



..::TRACK-LIST::..

1. Song 01 (At Wit's End) 09:12
2. Song 02 (Paralyzed) 04:24
3. Song 03 (Out Of Reach) 04:04
4. Song 04 (Untethered Angel) 06:19
5. Song 05 (Room 137) 04:10
6. Song 06 (Fall Into The Light) 07:05
7. Song 07 (Barstool Warrior) 06:40
8. Song 08 (Viper King) 04:01
9. Song 09 (Pale Blue Dot) 08:18
10. Song 10 (S2N) 06:21



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=2z8b0WBJQT0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Kolejna część niepublikowanego wcześniej materiału z serii "Lost Not Forgotten Archives". Na albumie "Distance Over Time Demos (2018)" znalazły się utwory z sesji nagraniowej do ich czternastego studyjnego krążka.


A brand-new, previously unreleased entry finds its way into the Lost Not Forgotten Archives. 'Distance Over Time Demos (2018)' documents the writing sessions for Dream Theater’s fourteenth studio album at Yonderbarn in New York, the secluded studio where the band convened for the creation of this much-acclaimed album. Presented here in the original order in which the tracks were written and recorded, this release gives a fascinating glimpse into how that record was constructed.



..::TRACK-LIST::..

1. Song 01 (At Wit's End) 09:12
2. Song 02 (Paralyzed) 04:24
3. Song 03 (Out Of Reach) 04:04
4. Song 04 (Untethered Angel) 06:19
5. Song 05 (Room 137) 04:10
6. Song 06 (Fall Into The Light) 07:05
7. Song 07 (Barstool Warrior) 06:40
8. Song 08 (Viper King) 04:01
9. Song 09 (Pale Blue Dot) 08:18
10. Song 10 (S2N) 06:21



..::OBSADA::..

James LaBrie - Vocals 
John Petrucci - Guitar 
Jordan Rudess - Keyboards 
John Myung - Bass 
Mike Mangini - Drums



https://www.youtube.com/watch?v=2z8b0WBJQT0


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



To jeden z najlepszych występów rockowych, jakie kiedykolwiek widziałem.



..::TRACK-LIST::..

Alchemy Live: 23rd July 1983, Hammersmith Odeon, London

1. Intro...Saturday Night At The Movies
2. Once Upon A Time In The West
3. Expresso Love
4. Romeo And Juliet
5. Private Investigations
6. Sultans Of Swing
7. Two Young Lovers
8. Tunnel Of Love
9. Telegraph Road
10. Solid Rock
11. Going Home - Theme From 'Local Hero'

Bonus Features:
Live TV Performances
12. Tunnel Of Love
13. Sultans Of Swing



..::OBSADA::..

Mark Knopfler - guitar, vocals
Alan Clark - keyboards
John Illsley - bass guitar, backing vocals
Hal Lindes - guitar, backing vocals
Terry Williams - drums

Additional musicians:
Mel Collins - saxophone
Tommy Mandel - keyboards
Joop de Korte - percussion



https://www.youtube.com/watch?v=8Pa9x9fZBtY



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Crowded House - Recurring Dream - The Very Best Of Crowded House
---------------------------------------------------------------------

Artist...............: Crowded House
Album................: Recurring Dream - The Very Best Of Crowded House
Genre................: Pop
Source...............: CD
Year.................: 1996
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Crowded House - Weather With You [03:44]
2. Crowded House - World Where You Live [03:05]
3. Crowded House - Fall At Your Feet [03:18]
4. Crowded House - Locked Out [03:18]
5. Crowded House - Don't Dream It's Over [03:55]
6. Crowded House - Into Temptation [04:34]
7. Crowded House - Pineapple Head [03:28]
8. Crowded House - When You Come [04:44]
9. Crowded House - Private Universe [05:36]
10. Crowded House - Not The Girl You Think You Are [04:08]
11. Crowded House - Instinct [03:08]
12. Crowded House - I Feel Possessed [03:48]
13. Crowded House - Four Seasons In One Day [02:48]
14. Crowded House - It's Only Natural [03:32]
15. Crowded House - Distant Sun [03:50]
16. Crowded House - Something So Strong [02:52]
17. Crowded House - Mean To Me [03:14]
18. Crowded House - Better Be Home Soon [03:10]
19. Crowded House - Everything Is Good For You [03:57]

Playing Time.........: 01:10:17
Total Size...........: 470,41 MB

..::INFO::..

---------------------------------------------------------------------
Pet Shop Boys - Pop Art - The Hits - (2 CD)
---------------------------------------------------------------------

Artist...............: Pet Shop Boys
Album................: Pop Art - The Hits
Genre................: Synthpop
Source...............: CD
Year.................: 2003
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 74 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Parlophone - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1 - Pop
---------------------------------------------------------------------

1. Pet Shop Boys - Go West [05:04]
2. Pet Shop Boys - Suburbia (Video Mix) [05:11]
3. Pet Shop Boys - Se A Vida E (That's The Way Life Is) [04:00]
4. Pet Shop Boys - What Have I Done To Deserve This [04:18]
5. Pet Shop Boys - Always On My Mind [04:01]
6. Pet Shop Boys - I Wouldn't Normally Do This Kind Of Thing[04:45]
7. Pet Shop Boys - Home And Dry [03:58]
8. Pet Shop Boys - Heart [03:58]
9. Pet Shop Boys - Miracles [03:55]
10. Pet Shop Boys - Love Comes Quickly [04:18]
11. Pet Shop Boys - It's A Sin [04:59]
12. Pet Shop Boys - Domino Dancing [04:17]
13. Pet Shop Boys - Before [04:06]
14. Pet Shop Boys - New York City Boy [03:20]
15. Pet Shop Boys - It's Alright [04:19]
16. Pet Shop Boys - Where The Streets Have No Name (I Can't Take My Eyes Off You)[04:30]
17. Pet Shop Boys - A Red Letter Day [04:32]

Playing Time.........: 01:13:37
Total Size...........: 552,37 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - Art
---------------------------------------------------------------------

1. Pet Shop Boys - Left To My Own Devices [04:47]
2. Pet Shop Boys - I Don't Know What You Want But I Can't Give It Any More[04:24]
3. Pet Shop Boys - Flamboyant [03:50]
4. Pet Shop Boys - Being Boring [04:50]
5. Pet Shop Boys - Can You Forgive Her? [03:52]
6. Pet Shop Boys - West End Girls [04:04]
7. Pet Shop Boys - I Get Along [04:11]
8. Pet Shop Boys - So Hard [03:58]
9. Pet Shop Boys - Rent [03:33]
10. Pet Shop Boys - Jealousy [04:15]
11. Pet Shop Boys - DJ Culture [04:20]
12. Pet Shop Boys - You Only Tell Me You Love Me When You're Drunk[03:13]
13. Pet Shop Boys - Liberation [04:06]
14. Pet Shop Boys - Paninaro '95 [04:10]
15. Pet Shop Boys - Opportunities (Let's Make Lots Of Money)[03:45]
16. Pet Shop Boys - Yesterday, When I Was Mad [04:00]
17. Pet Shop Boys - Single-Bilingual [03:30]
18. Pet Shop Boys - Somewhere [04:42]

Playing Time.........: 01:13:38
Total Size...........: 548,17 MB

...( Info )...
Title: The Tunnel
Artist: Esipthycide
Year: 2025
Genre: Melodic, Death, Thrash-Metal
Country: Colobia

Duration: 00:48:10
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Confined 05:10
02. Unknown 04:41
03. Obstinacy 05:02
04. Omen 04:14
05. Paranoia 05:08
06. Cognizance 04:56
07. Unstable 04:17
08. Demise 04:56
09. Tunnel 03:49
10. Death 05:54

...( Info )...

Artist: Martina Dasilva
Album: Just Friends
Year: 2025
Genre: Jazz
Quality: FLAC 24Bit-48kHz

...( TrackList )...

01. Just Friends
02. Candy
03. We Three
04. Nature Boy

...( Info )...

Artist: Clara Sverner
Album: 12 Waltzes
Year: 2025
Genre: Classic
Quality: FLAC 24Bit-192kHz

...( TrackList )...

01. Waltzes, Op. 64: No. 2 in C-Sharp Minor
02. Waltzes, Op. 64: No. 3 in A-Flat Major
03. Waltzes, Op. 69: No. 1 in A-Flat Major "L'Adieu Valse"
04. Waltzes, Op. 69: No. 2 in B Minor
05. Waltzes, Op. 70: No. 2 in F Minor
06. Valsa Só
07. Morena
08. 2 Pieces from Kuolema, Op. 44: No. 1, Valse Triste
09. La plus que lente, L. 121
10. 12 Choro Waltzes: Choro Waltz No. 3 in A Minor
11. 12 Choro Waltzes: Choro Waltz No. 5 in B Minor
12. 12 Choro Waltzes: Choro Waltz No. 6 in C-Sharp Minor

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Szósta płyta studyjna w dorobku kanadyjskiego kwartetu Panzerfaust to jednocześnie domknięcie serii albumów, nad którą zespół pracował w niezmienionym składzie od 2019 roku. 22 listopada 2024 roku nakładem niemieckiej wytwórni Eisenwald ukazało się wydawnictwo The Suns of Perdition – Chapter IV: To Shadow Zion. Album, który zagości w niejednym podsumowaniu najlepszych płyt tego roku.

Osoby, które po poprzednim, trzecim rozdziale The Astral Drain stawiały na Kanadyjczykach krzyżyk, mogą odetchnąć z ulgą, a przy tym bić się w pierś. Można powiedzieć, że wrócił stary dobry Panzerfaust, który nie uznaje kompromisów i nie pozostawia żadnych wątpliwości odnośnie do obranego przez siebie kierunku. Styl wytyczony na pierwszej i drugiej części The Suns of Perdiion, czyli War, Horrid War oraz Render unto Eden (nasza recenzja tutaj) znów wziął górę nad melodyjnymi i instrumentalnymi wstawkami, które na The Astral Drain nie spotkały się z najlepszym odbiorem fanów.

Panzerfaust i ich The Suns of Perdition – Chapter IV: To Shadow Zion to nieco ponad trzy kwadranse wypełnione po brzegi fantastyczną produkcją i świetnymi kompozycjami. Do kotła wrzucono black, death, blackened death, a nawet post metal. Są tu motywy, które zadowolą entuzjastów Mgły i Deathspell Omega, ale również zwolenników Marduka czy Ulcerate. Kanadyjczycy kroczą jednak ścieżką wytyczoną przez siebie, nie kopiując ślepo, lecz wyciągając z esencji różnych gatunków to, co najlepsze. W efekcie otrzymujemy pięć dłuższych kawałków, których odsłuch w całości przynosi sporo satysfakcji.

Muszę przyznać, że Panzerfaust w takim wydaniu „wchodzi” od pierwszego odsłuchu. Całość otwiera potężny The Hesychasm Unchained, który od pierwszych sekund dowodzi, że czwórka z Kanady odrobiła lekcję – nad kompozycją unoszą się bowiem echa Promethean Fire czy The Snare of the Fowler z drugiego rozdziału serii. Numer ten świetnie brzmi też w wykonaniu na żywo, czego świadkiem byłem podczas listopadowego koncertu grupy w krakowskim Hype Parku.

Rozpędzona machina nie zatrzymuje się – When Even the Ground Is Hostile to mój osobisty faworyt z nowego krążka Panzerfaust. Kwintesencja połączonych wokali Kaizera i Goliatha, z intrygującymi riffami i wpadającymi w ucho zmianami tempa. Do tego nihilistyczne przesłanie ”fuck hope”, które zdaje się perfekcyjnie spinać warstwę tekstową całego albumu.

Po dwóch potężnych ciosach, The Suns of Perdition – Chapter IV: To Shadow Zion nieco zwalnia. Niemniej jednak utwór The Damascene Conversions ma w sobie coś intrygującego, co przywodzi na myśl eksperymenty grupy z pierwszego rozdziału Słońc. Spora to zasługa Ahmeta İhvani, który odpowiedzialny był za nagranie partii akustycznych na bağlamie, instrumencie strunowym z Bliskiego Wschodu. Ten niewielki element dodaje utworowi mistycznego klimatu, perfekcyjnie kontrastując z potężnymi riffami, blastami, growlami.

Czwarty numer na najnowszym albumie Panzerfaust to kolejna solidna porcja metalu i dowód kunsztu muzycznego całego kwartetu. Occam’s Fucking Razor (ocenzurowany przez niektóre platformy streamingowe do tytułu Occam’s Razor – serio!?) bez wątpienia zostanie faworytem wielu osób, które na niego trafią. Znów gdzieś w tle unoszą się echa bliskowschodnich inspiracji, ale przy tym znów warstwa muzyczna nie bierze jeńców. Muzycy odnoszą się do zasady brzytwy Ockhama, podobnie jak średniowieczny filozof, dążąc do wyjaśnienia świata w możliwie najprostszy sposób. W tym sposobie jest jednak metoda, która urzeczywistnia się w każdej sekundzie nowego wydawnictwa Panzerfaust.

Na koniec zostaje najdłuższa kompozycja na płycie, czyli To Shadow Zion (No Sanctuary). Numer otwierają dźwięki niby trąb jerychońskich, które raz po raz tworzą ciekawy ambient dla tego utworu. We wstępie znalazł się też recytowany fragment wybitnej powieści Droga Cormaka McCarthy’ego (polecam lekturę). Tekst numeru naszpikowany odwołaniami do filozofii egzystencjalizmu, stanowi swoiste zamknięcie ostatniego rozdziału The Suns of Perdition. Dominuje tu wizja końca świata, choć gdzieś jeszcze tli się promyk nadziei, że natura się odrodzi. Ostatnią kropkę stawia fragment Somewhere, a new sun rises // But all our graves go unvisited in the end // At Shadow Zion.

Album Panzerfaust The Suns of Perdition – Chapter IV: To Shadow Zion można traktować dwójnasób. Z jednej strony, jest to idealne, wymarzone wręcz, zwieńczenie kwadrylogii. Z drugiej zaś, krążek świetnie radzi sobie na własną rękę, więc może być dobrym punktem wyjścia dla osób, które nie miały jeszcze styczności z dyskografią Kanadyjczyków. Wyjątkowość twórczości Panzerfaust bazuje na powtarzających się stałych elementach, a te zdają się przewodzić wszystkim rozdziałom The Suns of Perdition – Słońc Wiecznego Potępienia. Tylko tyle czeka ludzkość – całkowita zagłada, gdy wybrzmią ostatnie trąby, te same, które słychać na koniec płyty.

To Shadow Zion już od pierwszego odtworzenia zagościł na stałe w moim odtwarzaczu, gdyż jest to album niezwykle równy, dopracowany, świadomie skomponowany i precyzyjnie nagrany. Klasycznie, na wszelkie zachwyty zasługuje odpowiedzialny za zestaw perkusyjny Alexander Kartashov, przez niektórych porównywalny do Darkside’a, Mam jednak wrażenie, że nie tylko bębniarz, ale i cały zespół najnowszym krążkiem udowodnili, że pora oderwać niesłusznie przylepioną łatkę „worship bandu”.

Panzerfaust i ich The Suns of Perdition – Chapter IV: To Shadow Zion to pozycja obowiązkowa. Jedna z najmocniejszych kandydatur do płyty roku 2024.

Vlad


Most bands are lucky to have one breakout album that sticks in the minds of fans for years to come. Rarer still are bands that release an album that affects the genre itself in a positive way. These are the bands who are considered outliers; those who take the road less traveled at great risk for the potential of great reward. The tetralogy that is “The Suns of Perdition” is itself an outlier work created by outlier musicians; its intense conclusion will capture the hearts of long time fans and define a new standard for dissonant black metal records moving forward.

Panzerfaust are a four piece hailing from Mississauga, ON (Canada) that formed in 2005 with founding members Brock Van Dijk (Vocals/Guitar) & Goliath (Vocals). Once the concept of the “The Suns of Perdition” began to materialize in Brock’s mind, a critical line up change occurred which saw Thomas Gervais (Bass) and Alexander Kartashov (Drums) enter the fold. Together, these four outlier musicians have manifested their magnum opus that took over a decade to realize in full. In the spirit of this accomplishment, it is only fair that we take a look back at chapters I, II, & III before diving into the fourth and final chapter.

The lore surrounding Panzerfaust’s “The Suns of Perdition” revolves around exploring themes of war through the perspective of historical recounting of events, the philosophy of war, the horrors of death, and the inevitability of the destructive human condition. The work’s title seems to strongly connect to the Biblical verses referring to the “sons of perdition”, or said another way ‘men doomed to destruction’. Furthermore, the word perdition means “eternal damnation” or “utter destruction” and has been used as a synonym for ‘hell’. The complexity and layers that encompasses the work’s title is concentrated in four distinct albums (or chapters) that each have a distinct musical expression. “Chapter I: War, Horrid War” (2019) has an aggressive dissonant black metal sound with lyrics that highlight specific war events like The Day After Trinity, mass graves in Stalingrad during WW2, and the poems from Canadian WW1 author Lieutenant-Colonel John McCrae. “Chapter II: Render unto Eden” (2020) took a turn towards a more atmospheric sound that induces a trance-like state of mind. This chapter lyrically focused more on the philosophy of war such as entering into a Faustian bargain to prevail in war, John Milton’s philosophical case for the right to freedom of speech & expression, and Blaise Pascal’s famous wager on believing in God as a rational human. “Chapter III: The Astral Drain” (2022) increased the atmospheric elements in the music by adding more tribal style beats and four instrumental tracks dedicated to negative emotions. Both the music and lyrical content seem to point to a sense of dread; the crushing doom felt moments before your death. And now we have “Chapter IV: To Shadow Zion” (2024) which is the most angry sounding album of the tetralogy with a great sense of finality. Lyrically, the final chapter focuses on our apocalypse & how the cycling of civilizations through time is inevitable.

“Chapter IV: To Shadow Zion”, like in previous chapters, has deep meaning and symbolism in the song titles and lyrics. Dissecting the album title, Zion refers to “utopia” and the shadow is in reference to Carl Jung’s psychological concept of “The Shadow”; the part of our psyche that we repress because it is socially unacceptable, harmful to others, or detrimental to our own health. Song titles such as ‘The Hesychasm Unchained’ and ‘The Damascene Conversions’ have a Christian theology origin that is used to mirror the grandeur of the apocalypse and spiritual ramifications of warmongering itself. Within the lyrics, we continue to hear references to spiritual texts, but by no means is this a religious album. I believe the choice here is to highlight how when humans approach their end, even if it is by their own hand, this primordial desire to find solace in something cosmic is innate. The brutality of these topics are delivered by powerful dual vocals from Brock & Goliath and often sound like desperate pleas, angry cries of desperation, and guttural sorrow. The range of these emotive vocal stylings are best presented on the songs ‘The Damascene Conversions’ & ‘To Shadow Zion (No Sanctuary).’

Musically, the final chapter is an amalgamation of all previous musical styles explored in the tetralogy, yet the tone is by far the most angry and aggressive. The two main singles for the record ‘When Even The Ground is Hostile’ & ‘Occam's Fucking Razor’ are exemplary of the ferocity I keep referring to. Both songs have movements with incredibly fast pacing in the riffing and drumming that harken back to Marduk level intensity; a style of black metal not fully displayed on previous chapters. Panzerfaust’s signature dissonance is still present however, these riffs are used as a way to create a dizzying chaos rather than atmosphere. Simply put, these songs sound like you're stuck fighting for your life at ground zero of the battlefield. ‘The Damascene Conversions’ breaks up the album with its mid-tempo pacing and incorporates atmospheric elements most similar to “Chapter III”. The guest baglama performance by Ahmet lhvani blends perfectly into the percussive complexity of the track and adds a very welcomed mystical element to the work. Another interesting dimension added to this song (and a first for the tetralogy) is the doomy/sludgy outro that Panzerfaust executes exceptionally well. As incredible as the first four songs of “Chapter IV” are, the final track not only gives the album a great sense of finality but is a very effective conclusion to the work itself. ‘To Shadow Zion (No Sanctuary)’ opens with an ominous sample of sirens followed by a nuclear bomb explosion, which then opens up into a spoken word passage from the post-apocalyptic novel “The Road” by Cormac McCarthy. A combination of engaging jungle drum beats and evolving dissonant riffs are the backbone of this song and build steadily every three minutes until the crescendo at about minute six. Here, Panzerfaust approximates a beautiful flow state reminiscent of the iconic conclusion of ‘O Father, O Satan, O Sun’ by Behemoth.

“Chapter IV: To Shadow Zion” brilliantly ties the threads laid out in the previous three chapters while, once again, maintaining its own identity. Every musician’s contribution to this epic finale gloriously shines; all parts equally important to executing the master vision. By its own merit, this album is a fantastic listen for any fans of dissonant atmospheric black metal; and may even secure a spot on your 2024 Album of The Year lists. However, in context to the tetralogy, it falls just shy of first place with “Chapter II: Render unto Eden” securing the number one spot. The meticulous crafting of “The Suns of Perdition” tetralogy and its subsequent success globally, cement Panzerfaust as an outlier in the black metal world. Not only did they execute their magnum opus as a cohesive unit over the last six years, but they have also reached a level of prestige in the rich history of Canadian black metal.

GWN metal



..::TRACK-LIST::..

1. The Hesychasm Unchained 08:52
2. When Even The Ground is Hostile 06:28
3. The Damascene Conversions 09:21
4. Occam's Fucking Razor 10:11
5. To Shadow Zion (No Sanctuary) 11:00



..::OBSADA::..

Brock Van Dijk - Vocals, Guitar
Thomas Gervais - Bass
Goliath - Vocals
Alexander Kartashov - Drums




https://www.youtube.com/watch?v=WselW2dpy3s



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Szósta płyta studyjna w dorobku kanadyjskiego kwartetu Panzerfaust to jednocześnie domknięcie serii albumów, nad którą zespół pracował w niezmienionym składzie od 2019 roku. 22 listopada 2024 roku nakładem niemieckiej wytwórni Eisenwald ukazało się wydawnictwo The Suns of Perdition – Chapter IV: To Shadow Zion. Album, który zagości w niejednym podsumowaniu najlepszych płyt tego roku.

Osoby, które po poprzednim, trzecim rozdziale The Astral Drain stawiały na Kanadyjczykach krzyżyk, mogą odetchnąć z ulgą, a przy tym bić się w pierś. Można powiedzieć, że wrócił stary dobry Panzerfaust, który nie uznaje kompromisów i nie pozostawia żadnych wątpliwości odnośnie do obranego przez siebie kierunku. Styl wytyczony na pierwszej i drugiej części The Suns of Perdiion, czyli War, Horrid War oraz Render unto Eden (nasza recenzja tutaj) znów wziął górę nad melodyjnymi i instrumentalnymi wstawkami, które na The Astral Drain nie spotkały się z najlepszym odbiorem fanów.

Panzerfaust i ich The Suns of Perdition – Chapter IV: To Shadow Zion to nieco ponad trzy kwadranse wypełnione po brzegi fantastyczną produkcją i świetnymi kompozycjami. Do kotła wrzucono black, death, blackened death, a nawet post metal. Są tu motywy, które zadowolą entuzjastów Mgły i Deathspell Omega, ale również zwolenników Marduka czy Ulcerate. Kanadyjczycy kroczą jednak ścieżką wytyczoną przez siebie, nie kopiując ślepo, lecz wyciągając z esencji różnych gatunków to, co najlepsze. W efekcie otrzymujemy pięć dłuższych kawałków, których odsłuch w całości przynosi sporo satysfakcji.

Muszę przyznać, że Panzerfaust w takim wydaniu „wchodzi” od pierwszego odsłuchu. Całość otwiera potężny The Hesychasm Unchained, który od pierwszych sekund dowodzi, że czwórka z Kanady odrobiła lekcję – nad kompozycją unoszą się bowiem echa Promethean Fire czy The Snare of the Fowler z drugiego rozdziału serii. Numer ten świetnie brzmi też w wykonaniu na żywo, czego świadkiem byłem podczas listopadowego koncertu grupy w krakowskim Hype Parku.

Rozpędzona machina nie zatrzymuje się – When Even the Ground Is Hostile to mój osobisty faworyt z nowego krążka Panzerfaust. Kwintesencja połączonych wokali Kaizera i Goliatha, z intrygującymi riffami i wpadającymi w ucho zmianami tempa. Do tego nihilistyczne przesłanie ”fuck hope”, które zdaje się perfekcyjnie spinać warstwę tekstową całego albumu.

Po dwóch potężnych ciosach, The Suns of Perdition – Chapter IV: To Shadow Zion nieco zwalnia. Niemniej jednak utwór The Damascene Conversions ma w sobie coś intrygującego, co przywodzi na myśl eksperymenty grupy z pierwszego rozdziału Słońc. Spora to zasługa Ahmeta İhvani, który odpowiedzialny był za nagranie partii akustycznych na bağlamie, instrumencie strunowym z Bliskiego Wschodu. Ten niewielki element dodaje utworowi mistycznego klimatu, perfekcyjnie kontrastując z potężnymi riffami, blastami, growlami.

Czwarty numer na najnowszym albumie Panzerfaust to kolejna solidna porcja metalu i dowód kunsztu muzycznego całego kwartetu. Occam’s Fucking Razor (ocenzurowany przez niektóre platformy streamingowe do tytułu Occam’s Razor – serio!?) bez wątpienia zostanie faworytem wielu osób, które na niego trafią. Znów gdzieś w tle unoszą się echa bliskowschodnich inspiracji, ale przy tym znów warstwa muzyczna nie bierze jeńców. Muzycy odnoszą się do zasady brzytwy Ockhama, podobnie jak średniowieczny filozof, dążąc do wyjaśnienia świata w możliwie najprostszy sposób. W tym sposobie jest jednak metoda, która urzeczywistnia się w każdej sekundzie nowego wydawnictwa Panzerfaust.

Na koniec zostaje najdłuższa kompozycja na płycie, czyli To Shadow Zion (No Sanctuary). Numer otwierają dźwięki niby trąb jerychońskich, które raz po raz tworzą ciekawy ambient dla tego utworu. We wstępie znalazł się też recytowany fragment wybitnej powieści Droga Cormaka McCarthy’ego (polecam lekturę). Tekst numeru naszpikowany odwołaniami do filozofii egzystencjalizmu, stanowi swoiste zamknięcie ostatniego rozdziału The Suns of Perdition. Dominuje tu wizja końca świata, choć gdzieś jeszcze tli się promyk nadziei, że natura się odrodzi. Ostatnią kropkę stawia fragment Somewhere, a new sun rises // But all our graves go unvisited in the end // At Shadow Zion.

Album Panzerfaust The Suns of Perdition – Chapter IV: To Shadow Zion można traktować dwójnasób. Z jednej strony, jest to idealne, wymarzone wręcz, zwieńczenie kwadrylogii. Z drugiej zaś, krążek świetnie radzi sobie na własną rękę, więc może być dobrym punktem wyjścia dla osób, które nie miały jeszcze styczności z dyskografią Kanadyjczyków. Wyjątkowość twórczości Panzerfaust bazuje na powtarzających się stałych elementach, a te zdają się przewodzić wszystkim rozdziałom The Suns of Perdition – Słońc Wiecznego Potępienia. Tylko tyle czeka ludzkość – całkowita zagłada, gdy wybrzmią ostatnie trąby, te same, które słychać na koniec płyty.

To Shadow Zion już od pierwszego odtworzenia zagościł na stałe w moim odtwarzaczu, gdyż jest to album niezwykle równy, dopracowany, świadomie skomponowany i precyzyjnie nagrany. Klasycznie, na wszelkie zachwyty zasługuje odpowiedzialny za zestaw perkusyjny Alexander Kartashov, przez niektórych porównywalny do Darkside’a, Mam jednak wrażenie, że nie tylko bębniarz, ale i cały zespół najnowszym krążkiem udowodnili, że pora oderwać niesłusznie przylepioną łatkę „worship bandu”.

Panzerfaust i ich The Suns of Perdition – Chapter IV: To Shadow Zion to pozycja obowiązkowa. Jedna z najmocniejszych kandydatur do płyty roku 2024.

Vlad


Most bands are lucky to have one breakout album that sticks in the minds of fans for years to come. Rarer still are bands that release an album that affects the genre itself in a positive way. These are the bands who are considered outliers; those who take the road less traveled at great risk for the potential of great reward. The tetralogy that is “The Suns of Perdition” is itself an outlier work created by outlier musicians; its intense conclusion will capture the hearts of long time fans and define a new standard for dissonant black metal records moving forward.

Panzerfaust are a four piece hailing from Mississauga, ON (Canada) that formed in 2005 with founding members Brock Van Dijk (Vocals/Guitar) & Goliath (Vocals). Once the concept of the “The Suns of Perdition” began to materialize in Brock’s mind, a critical line up change occurred which saw Thomas Gervais (Bass) and Alexander Kartashov (Drums) enter the fold. Together, these four outlier musicians have manifested their magnum opus that took over a decade to realize in full. In the spirit of this accomplishment, it is only fair that we take a look back at chapters I, II, & III before diving into the fourth and final chapter.

The lore surrounding Panzerfaust’s “The Suns of Perdition” revolves around exploring themes of war through the perspective of historical recounting of events, the philosophy of war, the horrors of death, and the inevitability of the destructive human condition. The work’s title seems to strongly connect to the Biblical verses referring to the “sons of perdition”, or said another way ‘men doomed to destruction’. Furthermore, the word perdition means “eternal damnation” or “utter destruction” and has been used as a synonym for ‘hell’. The complexity and layers that encompasses the work’s title is concentrated in four distinct albums (or chapters) that each have a distinct musical expression. “Chapter I: War, Horrid War” (2019) has an aggressive dissonant black metal sound with lyrics that highlight specific war events like The Day After Trinity, mass graves in Stalingrad during WW2, and the poems from Canadian WW1 author Lieutenant-Colonel John McCrae. “Chapter II: Render unto Eden” (2020) took a turn towards a more atmospheric sound that induces a trance-like state of mind. This chapter lyrically focused more on the philosophy of war such as entering into a Faustian bargain to prevail in war, John Milton’s philosophical case for the right to freedom of speech & expression, and Blaise Pascal’s famous wager on believing in God as a rational human. “Chapter III: The Astral Drain” (2022) increased the atmospheric elements in the music by adding more tribal style beats and four instrumental tracks dedicated to negative emotions. Both the music and lyrical content seem to point to a sense of dread; the crushing doom felt moments before your death. And now we have “Chapter IV: To Shadow Zion” (2024) which is the most angry sounding album of the tetralogy with a great sense of finality. Lyrically, the final chapter focuses on our apocalypse & how the cycling of civilizations through time is inevitable.

“Chapter IV: To Shadow Zion”, like in previous chapters, has deep meaning and symbolism in the song titles and lyrics. Dissecting the album title, Zion refers to “utopia” and the shadow is in reference to Carl Jung’s psychological concept of “The Shadow”; the part of our psyche that we repress because it is socially unacceptable, harmful to others, or detrimental to our own health. Song titles such as ‘The Hesychasm Unchained’ and ‘The Damascene Conversions’ have a Christian theology origin that is used to mirror the grandeur of the apocalypse and spiritual ramifications of warmongering itself. Within the lyrics, we continue to hear references to spiritual texts, but by no means is this a religious album. I believe the choice here is to highlight how when humans approach their end, even if it is by their own hand, this primordial desire to find solace in something cosmic is innate. The brutality of these topics are delivered by powerful dual vocals from Brock & Goliath and often sound like desperate pleas, angry cries of desperation, and guttural sorrow. The range of these emotive vocal stylings are best presented on the songs ‘The Damascene Conversions’ & ‘To Shadow Zion (No Sanctuary).’

Musically, the final chapter is an amalgamation of all previous musical styles explored in the tetralogy, yet the tone is by far the most angry and aggressive. The two main singles for the record ‘When Even The Ground is Hostile’ & ‘Occam's Fucking Razor’ are exemplary of the ferocity I keep referring to. Both songs have movements with incredibly fast pacing in the riffing and drumming that harken back to Marduk level intensity; a style of black metal not fully displayed on previous chapters. Panzerfaust’s signature dissonance is still present however, these riffs are used as a way to create a dizzying chaos rather than atmosphere. Simply put, these songs sound like you're stuck fighting for your life at ground zero of the battlefield. ‘The Damascene Conversions’ breaks up the album with its mid-tempo pacing and incorporates atmospheric elements most similar to “Chapter III”. The guest baglama performance by Ahmet lhvani blends perfectly into the percussive complexity of the track and adds a very welcomed mystical element to the work. Another interesting dimension added to this song (and a first for the tetralogy) is the doomy/sludgy outro that Panzerfaust executes exceptionally well. As incredible as the first four songs of “Chapter IV” are, the final track not only gives the album a great sense of finality but is a very effective conclusion to the work itself. ‘To Shadow Zion (No Sanctuary)’ opens with an ominous sample of sirens followed by a nuclear bomb explosion, which then opens up into a spoken word passage from the post-apocalyptic novel “The Road” by Cormac McCarthy. A combination of engaging jungle drum beats and evolving dissonant riffs are the backbone of this song and build steadily every three minutes until the crescendo at about minute six. Here, Panzerfaust approximates a beautiful flow state reminiscent of the iconic conclusion of ‘O Father, O Satan, O Sun’ by Behemoth.

“Chapter IV: To Shadow Zion” brilliantly ties the threads laid out in the previous three chapters while, once again, maintaining its own identity. Every musician’s contribution to this epic finale gloriously shines; all parts equally important to executing the master vision. By its own merit, this album is a fantastic listen for any fans of dissonant atmospheric black metal; and may even secure a spot on your 2024 Album of The Year lists. However, in context to the tetralogy, it falls just shy of first place with “Chapter II: Render unto Eden” securing the number one spot. The meticulous crafting of “The Suns of Perdition” tetralogy and its subsequent success globally, cement Panzerfaust as an outlier in the black metal world. Not only did they execute their magnum opus as a cohesive unit over the last six years, but they have also reached a level of prestige in the rich history of Canadian black metal.

GWN metal



..::TRACK-LIST::..

1. The Hesychasm Unchained 08:52
2. When Even The Ground is Hostile 06:28
3. The Damascene Conversions 09:21
4. Occam's Fucking Razor 10:11
5. To Shadow Zion (No Sanctuary) 11:00



..::OBSADA::..

Brock Van Dijk - Vocals, Guitar
Thomas Gervais - Bass
Goliath - Vocals
Alexander Kartashov - Drums




https://www.youtube.com/watch?v=WselW2dpy3s



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Eksploracyjny, spójny i mistrzowski!
Nowy album Hexecutor'a to kolejny triumf ekspansywnego black/thrash/heavy metalu, który grzmi z podziemia, wznosząc się ku niebu z absolutną mocą i żądzą krwi.
Niezwykle zróżnicowany i urzekający kunszt muzyczny przywołuje prawdziwie magiczną esencję starego heavy metalu z domieszką ekstremy, gdzie melodie, blasty i wybuchy zła współgrają w idealnej harmonii...



Formed in 2011, French quartet HEXECUTOR started with a foundation of raw-and-fierce evil old-school speed/thrash metal, as exemplified by their debut demo and Hangman of Roazhon EP from 2012 and 2014, respectively. Thereafter, they slowly-yet-firmly evolved in various directions when they released Poison, Lust and Damnation debut album in 2016, which DYING VICTIMS released on vinyl a year later.

After proving themselves to be a very efficient live act, HEXECUTOR immersed themselves into Breton legends and history, intertwining their music with Breton lore for their second album, 2020’s Beyond Any Human Conception of Knowledge…. Along with being something of a modern classic – amazingly thorough in its conceptual background, boundlessly inventive in its execution – that album proved to be a turning point for the band: a concerted and confident elevation beyond the standard “blackthrash” tropes so prevalent in the modern underground.

As considerable as that accomplishment was, HEXECUTOR are eclipsing it with their third album, delving yet deeper into dark legends and impressive figures from Celtic-Breton lore. Titled …Where Spirit Withers in Its Flesh Constraint, LP#3 both sonically and elliptically continues where its momentous predecessor left off; not for nothing is the opening song the belated title track “Beyond Any Human Conception of Knowledge….” Ripping right out of the gates, HEXECUTOR continue their evolution unabated, adding once again to the richness of their music, and this time with songwriting from both their former and new lead guitarists. Their core is still thrash metal, but even just a cursory listen of …Where Spirit Withers in Its Flesh Constraint reveals that there’s few “thrash” records that will sound like this – this year, or the next, or the year after that. Seemingly effortlessly – or, at least, with some strange magick unique to them – HEXECUTOR lurk yonder into realms both black and more traditionally heavy metal, even venturing far afield into some progressives touches. And whereas Beyond Any Human Conception of Knowledge… carried a huge conceptual weight, the feeling across …Where Spirit Withers in Its Flesh Constraint is freer and almost airier, despite this still being DARK heavy metal at its core.

HEXECUTOR are HEXECUTOR, now more than ever: renewing the genre and trying to bring this opus as a new gem to the treasures of metal music…Where Spirit Withers in Its Flesh Constraint!



..::TRACK-LIST::..

1. Beyond Any Human Conception of Knowledge 07:16
2. Dogue Noir 02:47
3. Les Lavandières de la Nuit 05:59
4. Youdig (Perfides Frontières) 06:02
5. Paol Goz 07:12
6. Kerdis Bras 04:44
7. Conomor le maudit 07:19
8. Marion Tromel 06:37



..::OBSADA::..

S. Chainsaw-Maeströr - Bass
Putrid Vön Rötten - Drums
Jey Deflagratör - Vocals, Guitars
Ricky Malevolent - Guitars




https://www.youtube.com/watch?v=GI6UOiZ5Y-k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Eksploracyjny, spójny i mistrzowski!
Nowy album Hexecutor'a to kolejny triumf ekspansywnego black/thrash/heavy metalu, który grzmi z podziemia, wznosząc się ku niebu z absolutną mocą i żądzą krwi.
Niezwykle zróżnicowany i urzekający kunszt muzyczny przywołuje prawdziwie magiczną esencję starego heavy metalu z domieszką ekstremy, gdzie melodie, blasty i wybuchy zła współgrają w idealnej harmonii...



Formed in 2011, French quartet HEXECUTOR started with a foundation of raw-and-fierce evil old-school speed/thrash metal, as exemplified by their debut demo and Hangman of Roazhon EP from 2012 and 2014, respectively. Thereafter, they slowly-yet-firmly evolved in various directions when they released Poison, Lust and Damnation debut album in 2016, which DYING VICTIMS released on vinyl a year later.

After proving themselves to be a very efficient live act, HEXECUTOR immersed themselves into Breton legends and history, intertwining their music with Breton lore for their second album, 2020’s Beyond Any Human Conception of Knowledge…. Along with being something of a modern classic – amazingly thorough in its conceptual background, boundlessly inventive in its execution – that album proved to be a turning point for the band: a concerted and confident elevation beyond the standard “blackthrash” tropes so prevalent in the modern underground.

As considerable as that accomplishment was, HEXECUTOR are eclipsing it with their third album, delving yet deeper into dark legends and impressive figures from Celtic-Breton lore. Titled …Where Spirit Withers in Its Flesh Constraint, LP#3 both sonically and elliptically continues where its momentous predecessor left off; not for nothing is the opening song the belated title track “Beyond Any Human Conception of Knowledge….” Ripping right out of the gates, HEXECUTOR continue their evolution unabated, adding once again to the richness of their music, and this time with songwriting from both their former and new lead guitarists. Their core is still thrash metal, but even just a cursory listen of …Where Spirit Withers in Its Flesh Constraint reveals that there’s few “thrash” records that will sound like this – this year, or the next, or the year after that. Seemingly effortlessly – or, at least, with some strange magick unique to them – HEXECUTOR lurk yonder into realms both black and more traditionally heavy metal, even venturing far afield into some progressives touches. And whereas Beyond Any Human Conception of Knowledge… carried a huge conceptual weight, the feeling across …Where Spirit Withers in Its Flesh Constraint is freer and almost airier, despite this still being DARK heavy metal at its core.

HEXECUTOR are HEXECUTOR, now more than ever: renewing the genre and trying to bring this opus as a new gem to the treasures of metal music…Where Spirit Withers in Its Flesh Constraint!



..::TRACK-LIST::..

1. Beyond Any Human Conception of Knowledge 07:16
2. Dogue Noir 02:47
3. Les Lavandières de la Nuit 05:59
4. Youdig (Perfides Frontières) 06:02
5. Paol Goz 07:12
6. Kerdis Bras 04:44
7. Conomor le maudit 07:19
8. Marion Tromel 06:37



..::OBSADA::..

S. Chainsaw-Maeströr - Bass
Putrid Vön Rötten - Drums
Jey Deflagratör - Vocals, Guitars
Ricky Malevolent - Guitars




https://www.youtube.com/watch?v=GI6UOiZ5Y-k



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Cock Robin - The Best Of Cock Robin
---------------------------------------------------------------------

Artist...............: Cock Robin
Album................: The Best Of Cock Robin
Genre................: Pop
Source...............: CD
Year.................: 1991
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Columbia

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Cock Robin - When Your Heart Is Weak [04:40]
2. Cock Robin - El Norte [04:45]
3. Cock Robin - It's Only Make Believe [03:29]
4. Cock Robin - Just Around The Corner [04:15]
5. Cock Robin - The Promise You Made [03:55]
6. Cock Robin - The Biggest Fool Of All [04:23]
7. Cock Robin - Don't Think Twice, It's Alright [03:26]
8. Cock Robin - Worlds Apart [06:04]
9. Cock Robin - Thought You Were On My Side [04:17]
10. Cock Robin - Straighter Line [04:30]
11. Cock Robin - The Part That I Miss [04:03]
12. Cock Robin - Hunting Down A Killer [04:24]
13. Cock Robin - Cowards Courage [04:45]
14. Cock Robin - Have You Any Sympathy? [04:10]
15. Cock Robin - Any More Than I Could Understand [03:56]
16. Cock Robin - A Little Innocence [05:31]

Playing Time.........: 01:10:41
Total Size...........: 481,69 MB

...( Info )...
Artist: Various
Album: California Acid Folk
Label: Penguin Records – Egg Eleven/Twelve
Format: 2 x Vinyl, LP, Compilation, Unofficial Release, White Label
Country: US
Genre: Southern Rock, Psychedelic Rock, Classic Rock
Release: 1981
Audio codec: Mp3 320 kbps

...( TrackList )...
Swedish Radio Broadcast, 3.29.1967
01. The Byrds - Hey Joe, My Back Pages, Mr. Tambourine Man, He Was A Friend of Mine, So You Want to Be A Rock & Roll Star, Roll Over Beethoven 17:52
Unreleased Demos, Circa 1969
02. Country Weather - Time is Leaving Me Behind 3:26
03. Country Weather - New York City Blues 4:10
04. Country Weather - Carry A Spare 4:32
05. Country Weather - Fly to New York 6:06
Live At Berkely Folk Festival, 7.4.1967
06. Kaleidoscope - Oh Death 5:43
07. Kaleidoscope - Taxim 7:36
08. Kaleidoscope - Egyptian Gardens 4:45
09. Factory - No Place I'd Rather Be 2:31
10. Factory - Smile, Let Your Life Begin 2:26
11. Mystery Trend - Johnny Was A Good Boy 2:39
12Dino Valenti - Birdses 2:36
13. International Submarine Band - Sum Up Broke 2:16
14. Misfits - The Uncle Willie 2:15
15. Vibra-Sonics - Thunder Storm 2:55
16. American Four - Lucy Baines 2:35

...( Info )...
Title: Roger Waters This Is Not A Drill (Live From Prague May 2023)
Artist: Roger Waters
Year: 2025
Genre: Prog Rock
Publisher (label): Roger Waters Music Overseas Limited, Under Exclusive License to Columbia Records, a division of Sony Music Entertainment

Duration: 02:14:52
Format/Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList )...
01. Introduction (Live From Prague May 2023) (00:01:08)
02. Comfortably Numb (Live From Prague May 2023) (00:07:25)
03. The Happiest Days of Our Lives (Live From Prague May 2023) (00:01:35)
04. Another Brick in the Wall, Pt. 2 (Live From Prague May 2023) (00:02:14)
05. Another Brick in the Wall, Pt. 3 (Live From Prague May 2023) (00:01:50)
06. The Powers That Be (Live From Prague May 2023) (00:04:45)
07. The Bravery of Being Out of Range (Live From Prague May 2023) (00:09:58)
08. The Bar Part 1 (Live From Prague May 2023) (00:04:32)
09. Have a Cigar (Live From Prague May 2023) (00:05:14)
10. Wish You Were Here (Live From Prague May 2023) (00:05:08)
11. Shine On You Crazy Diamond (Live From Prague May 2023) (00:08:18)
12. Sheep (Live From Prague May 2023) (00:10:22)
13. In the Flesh (Live From Prague May 2023) (00:04:09)
14. Run Like Hell (Live From Prague May 2023) (00:06:37)
15. Déjà Vu (Live From Prague May 2023) (00:07:47)
16. Is This the Life We Really Want? (Live From Prague May 2023) (00:05:49)
17. Money (Live From Prague May 2023) (00:06:23)
18. Us and Them (Live From Prague May 2023) (00:07:33)
19. Any Colour You Like (Live From Prague May 2023) (00:03:25)
20. Brain Damage (Live From Prague May 2023) (00:03:51)
21. Eclipse (Live From Prague May 2023) (00:06:40)
22. Two Suns in the Sunset (Live From Prague May 2023) (00:10:38)
23. The Bar Part 2 (Live From Prague May 2023) (00:04:43)
24. Outside the Wall (Live From Prague May 2023) (00:04:48)