..::INFO::..

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Dire Straits - On Every Street
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Artist...............: Dire Straits
Album................: On Every Street
Genre................: Rock
Source...............: CD
Year.................: 1991
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Unofficial Release - China

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

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Tracklisting
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1. Dire Straits - Calling Elvis [06:27]
2. Dire Straits - On Every Street [05:04]
3. Dire Straits - When It Comes to You [05:01]
4. Dire Straits - Fade to Black [03:50]
5. Dire Straits - The Bug [04:16]
6. Dire Straits - You and Your Friend [05:59]
7. Dire Straits - Heavy Fuel [04:56]
8. Dire Straits - Iron Hand [03:09]
9. Dire Straits - Ticket to Heaven [04:25]
10. Dire Straits - My Parties [05:32]
11. Dire Straits - Planet of New Orleans [07:48]
12. Dire Straits - How Long [03:49]

Playing Time.........: 01:00:21
Total Size...........: 357,85 MB

https://i128.fastpic.org/big/2026/0907/21/5da44bef159c8299e36064796ece7321.jpg

...( Info )...

Artist: Lindsey Stirling
Title: Snow Waltz
Year: 2022
Genre: Electronic, Classical
Style: Modern Classical, Modern, Holiday
Label: Concord Records
Country: Europe
Duration: 00:45:05
Format/Codec: FLAC (tracks) + Artwork
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. Sleigh Ride (00:03:02)
02. God Rest Ye Merry Gentlemen (00:03:17)
03. Crazy For Christmas (00:03:45)
04. Feliz Navidad (00:03:23)
05. Joy To The World (00:03:28)
06. Snow Waltz (00:03:08)
07. Christmas Time With You (00:03:21)
08. Little Drummer Boy (00:03:52)
09. O Come, O Come Emmanuel (00:03:31)
10. O Holy Night (00:04:16)
11. Magic (00:03:29)
12. Deck The Halls (00:03:26)
13. Ice Storm (00:03:07)

...( Info )...

Artist: Natalie Imbruglia
Title: Algorithm
Year: 2026
Genre: Electronic, Rock, Pop
Style: Synth-pop, Pop Rock
Label: Landgirl Records
Duration: 00:36:13
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24 Bit/48 kHz

...( TrackList )...

01. Debbie (00:03:44)
02. Upside Down (00:03:28)
03. Catastrophe (00:02:20)
04. Algorithm (Interlude) (00:00:38)
05. Algorithm (00:03:52)
06. Sounds Like It Feels (00:03:20)
07. Jesus On Mars (00:02:09)
08. Who Dimmed the Lights (00:03:15)
09. Endgame (00:03:08)
10. Just Drive (00:03:48)
11. Breathe With the Fire Lola (00:03:01)
12. Beautiful Love (00:03:30)

...( Info )...

Artist: Céline Dion
Title: Taking Chances
Year: 2007
Genre: Electronic, Rock, Pop
Style: Pop Rock, Soft Rock, Synth-pop, Ballad, Vocal
Publisher (label): Epic
Country: Japan
Duration: 01:13:44
Format/Codec: FLAC (tracks)
Audio bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...

01. Taking Chances (00:04:03)
02. Alone (00:03:25)
03. Eyes On Me (00:03:54)
04. My Love (00:04:09)
05. Shadow Of Love (00:04:10)
06. Surprise Surprise (00:05:14)
07. This Time (00:03:48)
08. New Dawn (00:04:45)
09. A Song For You (00:03:27)
10. A World To Believe In (00:04:09)
11. Can't Fight The Feelin' (00:03:51)
12. I Got Nothin' Left (00:04:21)
13. Right Next To The Right One (00:04:10)
14. Fade Away (00:03:18)
15. That's Just The Woman In Me (00:04:35)
16. Skies Of L.A. (00:04:25)
17. Map To My Heart (Bonus Track) (00:04:17)
18. The Reason I Go On (Bonus Track) (00:03:43)

...( Info )...

Artist: Prince
Title: Planet Earth
Year: 2007
Genre: Funk, Soul, Pop
Style: Pop Rock, Soul, Funk
Label: NPG Records, Columbia
Country: US
Duration: 00:45:00
Format/Codec: FLAC (tracks)
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. Planet Earth (00:05:51)
02. Guitar (00:03:45)
03. Somewhere Here On Earth (00:05:46)
04. The One U Wanna C (00:04:29)
05. Future Baby Mama (00:04:47)
06. Mr. Goodnight (00:04:27)
07. All The Midnights In The World (00:02:22)
08. Chelsea Rodgers (00:05:41)
09. Lion Of Judah (00:04:11)
10. Resolution (00:03:41)

https://i128.fastpic.org/big/2026/0907/60/826ae11a909014b313d81c8293bd6460.jpg

...( Info )...

Artist: Within Temptation
Title: Mother Earth
Year: 2003
Genre: Rock
Style: Symphonic Metal
Label: Supersonic Records
Country: Europe
Duration: 01:13:28
Format/Codec: FLAC (tracks) + Artwork
Audio Bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...

01. Mother Earth (00:05:30)
02. Ice Queen (00:05:19)
03. Our Farewell (00:05:17)
04. Caged (00:05:47)
05. The Promise (00:08:00)
06. Never-Ending Story (00:04:03)
07. Deceiver Of Fools (00:07:36)
08. Intro (00:01:07)
09. Dark Wings (00:04:15)
10. In Perfect Harmony (00:06:58)
11. Restless (Bonus Track) (00:04:41)
12. Bittersweet (Bonus Track) (00:03:21)
13. Enter (Bonus Track) (Live At Utrecht 1998) (00:06:39)
14. The Dance (Bonus Track) (Live At Utrecht 1998) (00:04:55)

...( Info )...

Artist: ZZ Top
Title: Tres Hombres (2013 Remastered)
Year: 1973/2013
Genre: Rock
Style: Blues Rock, Classic Rock
Label: Warner Bros. Records
Country: US
Duration: 00:33:31
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/48 kHz

...( TrackList )...

01. Waitin' For The Bus (00:02:53)
02. Jesus Just Left Chicago (00:03:30)
03. Beer Drinkers & Hell Raisers (00:03:26)
04. Master Of Sparks (00:03:31)
05. Hot, Blue And Righteous (00:03:17)
06. Move Me On Down The Line (00:02:31)
07. Precious And Grace (00:03:10)
08. La Grange (00:03:53)
09. Sheik (00:04:06)
10. Have You Heard (00:03:14)

...( Info )...

Artist: VA
Title: Ibiza Autumn 2026 [Lounge Cocktails from the Heart]
Year: 2026
Genre: Balearic, Lounge, Chillout, Downtempo
Label: WMW
Duration: 01:47:20
Format/Codec: MP3
Audio Bitrate: 320 kbps


...( TrackList )...

01. Chris le Blanc, Wolfgang Filz, Karmaloft - Ses Illetes 5PM (Extended Version) (04:15)
02. Lemongrass - Bon Voyage (04:37)
03. Five Seasons - Feeling Fine (02:27)
04. Jaques Le Noir, Gorillag - Club (Gorillag Remix Edit) (03:31)
05. Ingo Herrmann - Dreamstate (03:31)
06. Calmabohain - Quiet Night (04:28)
07. Steen Thottrup - Seeking Theta, Pt. 1 (04:54)
08. Gian Delly - Lying To My Face (05:11)
09. Roberto Sol - Cozy Day (02:37)
10. Jason Silkquiet - Nowhere (02:25)
11. Castlebed, Aoka - Geisha Heart (02:56)
12. Marc Hartman - La Luna (04:21)
13. Aquadrop, Vanelitne - Synchronicité (02:49)
14. Portugea - Late and Free (02:31)
15. MoShang - The Universe Flickers (02:59)
16. Roberto Bronco - Back To Life (05:35)
17. Area Code 51 - One Two Three (03:36)
18. Bazille Noir - Top Spins (03:38)
19. Vellua, Mirage Of Deep - Mi Cariño (03:50)
20. Alejandro Fernandez Lecce, Andrea Miller, Mariana González - Corazón (04:41)
21. Lounge Groove Avenue - Keep It Real (02:58)
22. The Sunbreezers - Into The Night (02:40)
23. Neonsolar - New Starsystem (03:11)
24. Luis Hermandez - Midnight Serenade (02:43)
25. Silvio Morghan - Sunset Sailor (03:37)
26. Joe Le Blanc - Financial (02:10)
27. Weathertunes - Treehouse (03:50)
28. Frederic James Henry - Simply Best (03:09)
29. Wolky - Sunset Mirasole (Extended Mix) (04:54)
30. Jasmon - Love Field (03:03)

...( Info )...

Artist: Various Artists
Title: YouTube to MP3 by 33 Tracks (Vol. 1, 2, 3)
Year: 2026
Genre: Deep House, ...
Duration: 22:54:16
Format/Codec: MP3
Audio Bitrate: 320 kbps
Official Website: Unofficial compilation


...( TrackList )...

YouTube to MP3 by 33 Tracks (Vol. 1)


Продолжительность: 07:21:12
Размер: 1023,78 МБ
Трек-лист:
01. Dusty Strіngs - Dark Horizon (DJ N3M3ZIZ Remix) (5:08)
02. DJ.ILHAM - Big Boom (3:33)
03. Mari Blen - Midnight Tide (5:31)
04. Apelislin - Emerge (6:20)
05. Jerry Orezalby - Shake (3:48)
06. Apelislin - Dont Go (5:57)
07. JuNera Vision - Into The Light (4:31)
08. KODI - No Control (COKAINE Edit) (4:20)
09. Boney M. - Daddy Cool (2k26 Monster Mix) (4:15)
10. DavDeep - Accordion Love In Paris (3:33)
11. Dndm, Umar Keyn, Dova Music - Zero (Dova Music Remix) (3:21)
12. darpatika - Follow Me Downs (4:45)
13. Erones - Eternal glow (feat. Alex & Alexa) (2:50)
14. AtmoNeural - Chika Loca (4:44)
15. NOXISOG - Veil of Gold (Dark Techno Original Mix) (5:41)
16. Nyssia - Skyfall Sea (4:39)
17. So - Sandman (6:25)
18. Umideep - Rita Lambada (3:35)
19. Xezzo - Goodbye (3:33)
20. MN Beats - VANTA II (Deep Hypnotic Techno) (5:48)
21. SYNTHA - Mortal Kombat (Original Mix) (5:04)
22. Dj Dark & Arthy - Romale (2:37)
23. Nyra Noir - Ghost Signal (Original Mix) (5:20)
24. Neo - Sirens (Original Mix) (5:32)
25. Paul Oakenfold feat. Planet Perfecto Knights & BE - ResuRection (Call Me) (2:45)
26. DNDM & Davvi - Take Me (3:56)
27. R&L - My Signal to You (4:20)
28. Sy - Gravity (4:08)
29. A K I R A - Floating High (Original Mix) (6:27)
30. Nyra Noir - Closer Than Light (Darkwave Techno) (5:24)
31. Klaas - Oxygen (2:25)
32. Davvi - Leave Before (4:15)
33. SARDO - Morena De Sol (3:58)
34. DNDM - Forever Young (3:59)
35. Gladiator - Now We Are Free (LABACK feat. Alexis Carlier Remix 2025) (3:42)
36. Nyra Noir - Echoes Below (Darkwave Techno) (5:58)
38. Alkazareno - Little Black Flowers (3:40)
38. Adrian Vorn - One Promise (Original Mix) 2026 (7:04)
39. Yakhan - Our Last Dance (4:24)
40. ZEROMAX - Lost Tonight (3:14)
41. Alphaville - Big In Japan (Aggressive Peak Time Techno Edit) - Tune Nomad (4:22)
42. L.A. Style - James Brown Is Dead (2K26 Dj Monster) (3:33)
43. MarFluxMusic - The Sun Breaks Through (Golden Horizon Mix 2026) (5:03)
44. REYVI - Miss You My love (2:49)
45. VTbeats - Carry On (Original Mix) (4:45)
46. JuNera Vision - One More Dream (5:17)
47. DIAZZA - Back To You (Original Mix) (4:29)
48. Nyra Vale - Beautiful Hell (5:10)
49. Boney M. - Ma Baker (Peak Time Progressive Techno Remix 2026) - Tune Nomad (2:45)
50. MarFluxMusic - Awakening (Luminous Stream Mix 2026) (5:47)
51. Michael Ventura - Radio That Never Sleeps (1984) (3:48)
52. Eruption - One Way Ticket (Deep House Remix - Tune Nomad) (3:48)
53. Techno Void - Gothic Love (Dark Melodic Mix 2026) (6:47)
54. Dova Music - My Sky is Dark (3:15)
55. Yakhan - Inside Your Heart (4:46)
56. Mad World - Tears for Fears (Dark Techno) (4:01)
57. Yank? - Respira (Dark Melodic Techno) (7:31)
58. ZAYD - Love It (3:48)
59. BAKHADIROFF & FaraBeats - Non Ci Vedremo (2:44)
60. Desireless - Voyage Voyage (Tune Nomad) (4:06)
61. Deep Nyvum Edit - Billie Jean (Deep House Remix) (4:43)
62. Joy - Touch By Touch (Tune Nomad) (3:55)
63. F.R. David - Words (Dont Come Easy) [Melodic Tech House Edit] - Tune Nomad (3:53)
64. Maddox Chain - Lonesome No More (3:59)
65. KENZY - Nothing But Gold (3:33)
66. MARI BLEN - River Of Firе (5:00)
67. MarFluxMusic - Soft Gravity of Belonging (4:30)
68. Dj Bobojon - Beautiful You (4:06)
69. Sunlike Brothers & Mr. Stache - Infinite Money Glitch (2:11)
70. Nyra Noir - Endless Nights (6:20)
71. Davvi - My Red Flower (3:37)
72. ReteoX & Omar Yassin - Why Did You Leave Me (3:24)
73. Maddox Chain - Ride Me Through the Dark (4:34)
74. Afro House Galaxy - Moyo Milele (4:05)
75. DavDeep - Elif (2:55)
76. DJ Power - Dance, Dance, All Night (5:08)
77. PixSonic - Maximus (3:57)
78. Son!A feat. LCM Studio - Happy Melody (3:27)
79. VDJ Morgan Rosxan - Where My Heart Goes (6:03)
80. B1llionwaves - Your Eyes (Remake Mix) (3:27)
81. DJ N3M3ZIZ & Dusty Strіngs - Blackout Signal (5:15)
82. Patty Ryan - Stay With Me Tonight (2026 Remix by Steven Van Dom) (5:46)
83. Sia ft. David Guetta - Ride or Die (5:00)
84. Korgstyle Life - Fly To You (Original Mix) (3:57)
85. FeelBeats - Save My Heart (Original Mix) (4:35)
86. Techno Void - Hollow Drift (3:36)
87. DJ.ILHAM - Whats Up (3:56)
88. Fancy - Lady of Ice (Cover Remix) (4:11)
89. JuNera Vision - Say Yes (3:21)
90. DIAZZA - I Waited Too Long (4:10)
91. Son!A feat. LCM Studio - YA LILY (Night of Memories) (3:58)
92. Dj Bobojon - Love is Sweet (4:04)
93. NIKA - Touching Infinity (4:30)
94. Michael Ventura - Neon Goodbye (1984) (3:27)
95. Skyla Reeze - Out Of The Dark (6:53)
96. Gabriel & Dresden - Tracking Treasure Down (Miss Cyanna Remix) (5:23)
97. Dusty Strіngs - Rockabilly Gasoline (5:29)
98. MARI BLEN - Dare to Change (Version 2 - Shamanic Techno House) (5:31)
99. KorgStyle Life - Electric Love (Remastered - 2026) (3:56)
100. Techno Void - Dark Inside (3:11)

YouTube to MP3 by 33 Tracks (Vol. 2)
YouTube to MP3 by 33 Tracks (Vol. 3)

...( Info )...

Artist: Elton John
Title: Wonderful Crazy Night [Deluxe Edition]
Year: 2016
Genre: Rock, Pop
Style: Pop Rock
Label: EMI
Duration: 00:49:09
Format/Codec: FLAC (tracks) + Artwork
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. Wonderful Crazy Night (00:03:14)
02. In The Name Of You (00:04:34)
03. Claw Hammer (00:04:23)
04. Blue Wonderful (00:03:38)
05. I've Got 2 Wings (00:04:35)
06. A Good Heart (00:04:51)
07. Looking Up (00:04:07)
08. Guilty Pleasure (00:03:39)
09. Tambourine (00:04:17)
10. The Open Chord (00:04:04)
11. Free And Easy (00:03:56)
12. England And America (00:03:51)

...( Info )...

Title: AC/DC Live at Mercedes-Benz Stadium, Atlanta, GA
Date: 2026
Genre: Rock, Hard Rock
Country: USA

...( Opis )...

Get ready to rock! It had been ten years since AC/DC last performed in Atlanta, Georgia. The concert, part of the 2026 PWR UP tour, marked the band's tenth tour stop and their first-ever performance at Mercedes-Benz Stadium, where the musicians took an audience of all ages on a thrilling journey down the "Highway to Hell" from start to finish.
Duration: 02:13:04

...( TrackList )...

BAND LINEUP:
Lead Guitarist - Angus Young
Rhythm Guitarist - Stevie Young
Vocalist - Brian Johnston
Bass - Chris Chaney
Drums - Matt Laug
Intro
If You Want Blood (You've Got It)
Back In Black
Demon Fire
Shot Down In Flames
Thunderstruck
Have A Drink On Me
Hells Bells
Shot in The Dark
Stiff Upper Lip
Highway To Hell
Shoot To Thrill
Sin City
Jailbreak
Dirty Deeds Done Dirt Cheap
High Voltage
Riff Raff
You Shook Me All Night Long
Whole Lotta Rosie
Let There Be Rock w/ Angus Solo
TNT
For Those About To Rock (We Salute You)

...( Dane Techniczne )...

Quality: WEBRip 1080p
Format: MPEG-4
Video: AVC, 1920x1080 (16:9), 30.000 fps, 2725 kb/s
Audio: AAC, 44.10 kHz, 2 ch, 128 kbps...( TrackList )...

...( Info )...

Artist: Bob Sinclar
Title: Bob Sinclar - Disco Crash [Remixed]
Year: 2026
Genre: Dance, House
Country: France
Duration: 02:19:20
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

01 – Crazy (Bob Sinclar vs Dimitri Vegas & Like Mike)
02 – Far l’amore (Nari & Milani Remix)
03 – Rock the Boat (Martin Solveig Remix)
04 – Tik Tok (Dimitri Vegas & Like Mike Remix)
05 – Fuck With You (Fuzzy Hair Remix)
06 – Life (John Dahlbäck Remix)
07 – Wild Thing (Michael Calfan Remix)
08 – Rainbow of Love (Gregori Klosman & Danny Wild Remix)
09 – Far l’amore (Rudeejay Remix)
10 – Rock the Boat (Bassjackers & Yellow Team Remix)
11 – Tik Tok (Joachim Garraud Remix)
12 – Far l’amore (Stefano Pain vs. Marcel Booty Remix)
13 – Wild Thing (Matteo DiMarr Remix)
14 – Rainbow of Love (Sergio Flores Beach Symphony)
15 – Far l’amore (Michael Calfan Remix)
16 – Rock the Boat (Ilan Kahn Remix)
17 – Tik Tok (Michael Calfan Remix)
18 – Far l’amore (Federico Scavo & Ndkj Remix)
19 – Rock the Boat (Cutee B. Remix)
20 – Tik Tok (Ilan Kahn Remix)
21 – Far l’amore (Bryan Le Grand Ibiza Remix)
22 – Fuck With You (Fuzzy Hair Dub)
23 – Rainbow of Love (Sergio Flores Big Vocal Dub)

...( Info )...

Artist: Hansen
Title: Born with a Hammer
Year: 2026
Genre: Power Metal
Country: Germany
Duration: 00:45:42
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

1. Feeding the Beast (04:57)
2. Welcome to Life (04:17)
3. Don't Care (04:02)
4. Wait and See (03:31)
5. Born with a Hammer (08:04)
6. I.D.G.A.F (04:28)
7. End of the Road (03:37)
8. Triple Trouble (03:16)
9. Invaders (05:36)
10. Wonderland (03:51)

...( Info )...

Artist: Silizium
Title: Alles Was Blieb
Year: 2026
Genre: EBM, Electro
Country: Germany
Duration: 01:05:36
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...

1. Die Blaue Welt (Mastered) (3:49)
2. Frei (Mastered) (4:03)
3. Freunde (Mastered) (3:13)
4. Ich Denk An Dich (Mastered) (4:16)
5. Ich Hole Mich Zurück (Mastered) (3:03)
6. Love Also Means Forgiveness (Mastered) (4:00)
7. Stille (Mastered) (3:06)
8. Tanz Mit Mir (Mastered) (3:50)
9. Toleranz (2026 Remastered) (4:44)
10. Über Mich (Mastered) (4:01)
11. Wieder Ohne Dich (Mastered) (3:12)
12. Wir (Acoustic Version) (3:30)
13. An Dich (1:36)
14. Endlos (2:28)
15. Idee (2:56)
16. Kali (2:59)
17. Ein Letztes Mal (2:53)
18. Reise (1:33)
19. Warum Fühle Ich Mich So Einsam (3:28)
20. Auf Kurs (2:46)

...( Info )...

Artist: Beyoncé
Title: B'Day (20th Anniversary, Deluxe Edition)
Year: 2026
Genre: Pop
Label: Parkwood Entertainment/Columbia
Duration: 02:00:01
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/44.1 kHz


...( TrackList )...

01. Deja Vu (00:04:00)
02. Get Me Bodied (00:03:25)
03. Suga Mama (00:03:26)
04. Upgrade U (00:04:32)
05. Ring the Alarm (00:03:24)
06. Kitty Kat (00:03:56)
07. Freakum Dress (00:03:21)
08. Green Light (00:03:29)
09. Irreplaceable (00:03:48)
10. Check on It (00:03:30)
11. Beautiful Liar (00:03:20)
12. Flaws and All (00:04:09)
13. Resentment (00:04:42)
14. Listen (00:03:41)
15. Morning Dew (Donk) (00:03:57)
16. My First Time (00:03:39)
17. Can I Watch You (00:03:36)
18. Welcome to Hollywood (00:03:21)
19. Lost Yo Mind (00:03:47)
20. Creole (00:02:47)
21. Back Up (00:03:08)
22. Get Me Bodied (Extended Mix) (00:06:19)
23. Cuerpo (Tumbao) (00:03:08)
24. Irreemplazable (Como La Flor) (00:04:53)
25. Amor Gitano (00:03:44)
26. Listen (Oye) (00:03:40)
27. Beautiful Liar (Bello Embustero) (00:03:33)
28. Irreplaceable (Irreemplazable) (00:03:46)
29. Get Me Bodied (Timbaland Remix) (00:06:15)
30. Irreplaceable (Irreemplazable) (Norteña Remix) (00:03:50)
31. Get Me Bodied (Mueve El Cuerpo) (00:03:55)

...( Info )...

Artist: VA
Title: Billboard Top 100 - August 2026
Year: 2026
Genre: Pop, Dance, Euro
Duration: 05:37:25
Format/Codec: FLAC (tracks)
Audio Bitrate: Lossless [16-bit/44100Hz]


...( TrackList )...

001. Ella Langley - Choosin' Texas (00:03:52)
002. Taylor Swift - I Knew It, I Knew You (From _Toy Story 5_) (00:02:58)
003. STELLA LEFTY - Boston (00:02:51)
004. Ella Langley - I Can't Love You Anymore (00:03:49)
005. Ariana Grande - hate that i made you love me (00:03:18)
006. Tame Impala - Dracula (JENNIE Remix) (00:03:30)
007. Olivia Dean - So Easy (To Fall In Love) (00:02:49)
008. Ella Langley - Be Her (00:03:37)
009. Olivia Dean - Man I Need (00:03:04)
010. Bruno Mars - I Just Might (00:03:33)
011. Bruno Mars - Risk It All (00:03:24)
012. Olivia Rodrigo - drop dead (00:03:45)
013. Drake - Janice STFU (00:03:57)
014. Zara Larsson - Midnight Sun (00:03:10)
015. Olivia Rodrigo - stupid song (00:03:30)
016. Morgan Wallen - Don't We (00:03:11)
017. Shakira - Dai Dai (00:03:43)
018. Lil Baby - Dead Fresh (00:02:37)
019. Luke Combs - Be By You (00:03:18)
020. Yung Miami - Spend Dat (00:03:01)
021. PinkPantheress Ft. Zara Larsson - Stateside + Zara Larsson (00:03:05)
022. Malcolm Todd - Earrings (00:02:32)
023. Olivia Rodrigo - the cure (00:04:57)
024. Dominic Fike - Babydoll (00:01:38)
025. SIENNA SPIRO - Die On This Hill (00:03:37)
026. Gracie Abrams - Hit the Wall (00:03:14)
027. Drake - Shabang (00:03:09)
028. sombr - Homewrecker (00:03:29)
029. Oasis - Wonderwall (00:04:19)
030. Mac Miller Ft. Ty Dolla $ign - Cinderella (00:08:00)
031. Harry Styles - American Girls (00:03:33)
032. Tems - What You Need (00:03:54)
033. BTS - NORMAL (00:03:02)
034. Alex Warren - FEVER DREAM (00:02:33)
035. Jason Aldean - Don’t Tell On Me (00:03:05)
036. Ella Langley - Loving Life Again (00:03:46)
037. Noah Kahan - Orbiter (00:04:47)
038. Dexter and The Moonrocks - Freakin’ Out (00:03:38)
039. Don Toliver - E85 (00:02:33)
040. STELLA LEFTY - Something To Lose (00:02:55)
041. Temper City - Self Aware (00:03:01)
042. Beyoncé - MORNING DEW (DONK) (00:04:04)
043. DaBaby - POP DAT THANG (00:02:18)
044. Michael Jackson - Chicago (00:04:06)
045. Olivia Rodrigo - honeybee (00:03:43)
046. Noah Kahan - Doors (00:03:51)
047. Bella Kay - iloveitiloveitiloveit (00:03:03)
048. Kacey Musgraves - Mexico Honey (00:03:43)
049. BabyChiefDoit - Ghetto Love Story (00:02:58)
050. pupsies - misery (00:02:46)
051. Gracie Abrams - Good Reason (00:04:08)
052. Drake - 2 Hard 4 The Radio (00:03:04)
053. Dave - Raindance (00:03:40)
054. F3miii - NOBLE (00:03:06)
055. Gracie Abrams - Look at My Life (00:03:11)
056. SIENNA SPIRO - Great Expectation (00:02:54)
057. BossMan Dlow - Motion Party (00:01:36)
058. Fenix Flexin - RUBBERZ (00:02:54)
059. sombr - My Body Isn't Ready (00:03:37)
060. Bailey Zimmerman - Chevy Silverado (00:03:42)
061. Noah Kahan - Willing and Able (00:04:57)
062. Kane Brown - Woman (00:02:47)
063. Luke Combs - Rethink Some Things (00:02:45)
064. Josh Ross - Hate How You Look (00:03:14)
065. Drake - Ran To Atlanta (00:04:07)
066. Olivia Rodrigo - maggots for brains (00:04:00)
067. Alyssa Grace - bloodstream (00:02:57)
068. Lainey Wilson - Phone, Keys, Wallet (00:02:53)
069. Sam Fender - Rein Me In (00:05:39)
070. Teddy Swims - Mr. Know It All (00:03:18)
071. Olivia Rodrigo - expectations (00:03:42)
072. Sabrina Carpenter - House Tour (00:02:49)
073. HARDY - McArthur (00:03:52)
074. LE SSERAFIM - ICONIC BY MISTAKE (00:02:58)
075. Justin Bieber - SPEED DEMON (00:03:32)
076. Shaboozey - Cowgirl (00:02:56)
077. Steve Lacy - the feeling (00:04:36)
078. Drake - Whisper My Name (00:03:43)
079. Olivia Rodrigo - less (00:03:14)
080. Steve Lacy - is it cool_ (00:02:54)
081. Riley Green - Think As You Drunk (00:03:49)
082. Drake - National Treasures (00:03:21)
083. Olivia Rodrigo - what’s wrong with me (00:03:45)
084. Kenny Chesney - Carry On (00:03:01)
085. BTS - SWIM (00:02:39)
086. Cody Johnson - I Want You (00:03:11)
087. Vincent Mason - Damned If I Do (00:03:37)
088. Olivia Rodrigo - my way (00:03:01)
089. Fat Papi - FREAKED OUT (00:02:38)
090. Ella Langley - Bottom Of Your Boots (00:03:19)
091. Olivia Rodrigo - begged (00:03:38)
092. Future - California Girls (00:02:30)
093. Olivia Rodrigo - u + me = _3 (00:04:08)
094. Zach Top - South Of Sanity (00:03:41)
095. Future - Konnichiwa (00:02:34)
096. Julia Wolf - In My Room (00:02:44)
097. Corey Kent - Empty Words (00:02:32)
098. Kameron Marlowe - No Need For Leavin' (00:03:35)
099. Gracie Abrams - Minibar (00:02:00)
100. Cameron Whitcomb - Kingdom of Fear (00:02:41)

https://i128.fastpic.org/big/2026/0907/a7/cb2fc1ee69c9e34b17b7ad767c6a94a7.jpg

...( Info )...

Artist: Celine Dion
Title: D'elles
Year: 2007
Genre: Pop
Style: Vocal
Label: Columbia
Country: Europe
Duration: 00:47:51
Format/Codec: FLAC (tracks) + Artwork
Audio Bitrate: Lossless [16-bit/44100Hz]

...( TrackList )...

01. Et S'il N'en Restait Qu'une (Je Serais Celle-La) (00:03:30)
02. Immensité (00:03:35)
03. A Cause (00:03:14)
04. Je Cherche L'ombre (00:03:13)
05. Les Paradis (00:03:57)
06. La Diva (00:04:22)
07. Femme Comme Chacune (00:03:40)
08. Si J'étais Quelqu'un (00:03:58)
09. Je Ne Suis Pas Celle (00:04:12)
10. Le Temps Qui Compte (00:02:55)
11. Lettre De George Sand A Alfred De Musset (00:04:31)
12. On S'est Aimé A Cause (00:04:05)
13. Berceuse (00:02:39)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki i autentycznie świetny album Szwedów znanych niemal wszystkim z pompatycznego i zarazem przebojowego 'The Final Countdown'. Trzy lata wcześniej zespół należał do czołówki europejskiego tradycyjnego metalu - łącząc elementy Iron Maiden, Judas Priest, Rainbow i mało znanych (również pochodzących ze Szwecji) Silver Mountain. Soczyste riffowe granie z mnóstwem klasycyzujących partii gitar!
Jeszcze raz powtarzam - zapomnijcie o 'The Final Countdown' - tutaj zespół grał całkiem inaczej!



..::TRACK-LIST::..

1. In The Future To Come 5:01
2. Farewell 4:16
3. Seven Doors Hotel 5:17
4. The King Will Return 5:34
5. Boyazont 2:32
6. Children Of This Time 4:55
7. Words Of Wisdom 4:05
8. Paradize Bay 3:53
9. Memories 4:33



..::OBSADA::..

Vocals, Keyboards, Acoustic Guitar - Joey Tempest
Drums, Percussion - Tony Reno
Guitar - John Norum
Bass - John Levén



https://www.youtube.com/watch?v=ubXaoeM4mi8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki i autentycznie świetny album Szwedów znanych niemal wszystkim z pompatycznego i zarazem przebojowego 'The Final Countdown'. Trzy lata wcześniej zespół należał do czołówki europejskiego tradycyjnego metalu - łącząc elementy Iron Maiden, Judas Priest, Rainbow i mało znanych (również pochodzących ze Szwecji) Silver Mountain. Soczyste riffowe granie z mnóstwem klasycyzujących partii gitar!
Jeszcze raz powtarzam - zapomnijcie o 'The Final Countdown' - tutaj zespół grał całkiem inaczej!



..::TRACK-LIST::..

1. In The Future To Come 5:01
2. Farewell 4:16
3. Seven Doors Hotel 5:17
4. The King Will Return 5:34
5. Boyazont 2:32
6. Children Of This Time 4:55
7. Words Of Wisdom 4:05
8. Paradize Bay 3:53
9. Memories 4:33



..::OBSADA::..

Vocals, Keyboards, Acoustic Guitar - Joey Tempest
Drums, Percussion - Tony Reno
Guitar - John Norum
Bass - John Levén



https://www.youtube.com/watch?v=ubXaoeM4mi8


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



'MANY SOUNDS HAVE NEVER BEEN HEARD – BY HUMANS: SOME SOUND WAVES YOU DON’T HEAR – BUT THEY REACH YOU. ‘STORM STEREO’ TECHNIQUES COMBINE SINGERS, INSTRUMENTALISTS AND COMPLEX ELECTRONIC SOUND. THE EMOTIONAL INTENSITY IS AT A MAXIMUM'


..::OPIS::..

Brytyjski odpowiednik grupy United States Of America - tyle, że mniej rockowy, a nieco bardziej eksperymentalny. Album charakteryzuje się bardzo ponurym nastrojem i licznymi eksperymentami z dźwiękiem. Fascynująca, aczkolwiek dość trudna pozycja.

Jeden z najdziwniejszych, najbardziej przerażających, odległych i nowatorskich albumów, jakie kiedykolwiek usłyszycie. To nie jest zwykły album. An Electric Storm zabierze was w kosmos...

Gwarantuję, że gdy raz usłyszysz tę płytę, nigdy jej nie zapomnisz!!!

FA


In '68, three bands all coincidentally experimented with primitive, self constructed oscillators to create some of the same electronic sounds Stockhausen and friends had been working with since the '40's, and now to be done in the context of popular music. Because of this, only twenty years later we had the first techno. But, more pertinent to us here on PA, we had four great albums cut, and we got Tangerine Dream out of it two years later. And, the third, final, and British one of of the three bands, White Noise, had both the best of the four records of the first pop electronic groups, and perhaps the most influential. Not just EDM and prog electronic sprung from this, but industrial. Side One is Phase In, and features the more warm, gentle, psychedelic side of the band's sound. The music is fun and relaxing, with nice singing and voices of pleasure. The sound is also much smoother than that of the other two bands, Silver Apples and The United States of America. All this changes going to the other side, Phase Out. This is the first industrial, at least six years ahead of its time. The music turns dark, the vocalists start screaming and crying, terrifying sounds come out of nowhere. The two tracks on this side have their comparatively relieving sections, but they are still just off, and a creepy narrator haunts us. There are the chants of a black mass. A man's screams become the cries of a demonic machine. "The Visitation" and "Black Mass" still stand as two of the best pieces of industrial ever put to wax. "An Electric Storm" as a whole, then, is the spring of countless genres and more than a masterpiece in its own right. This makes for a heck of a listen.

LearsFool


WHITE NOISE was an interesting electronic band from London, UK that was started by the American David Vorhaus who was both classically trained as a bassist and had a connection to electronic engineering. After hooking up with a couple members of Unit Delta Plus which was one of the innovators of tape manipulations and experimental electronic music, they decided to create a couple tracks intended to be released only as a single but after Island Records caught wind of their goings-on, they were persuaded to release an entire album's worth of material. So meticulous were these guys that that request ended up taking them a full year to complete and only completed the last track in a day when Island insisted on releasing the album. Finally in the summer of 69, AN ELECTRIC STORM was released.
This is fun music and not nearly as freaky as i had anticipated. It is firmly placed in the 60s and will instantly bring The United States Of America to mind with its swingin' sexy bachelor pad type of loungy exotica. The music may not be freaky (all the time), but the electronic embellishments are fairly sophisticated for the day. The production is excellent considering the year and the inventiveness justifies the time allotted to its creation. The album is basically divided into Phase-In (tracks 1-5) and Phase-Out (tracks 6, 7). The first phase being basically an electronically doctored up version of a Herb Alpert or Tom Jones type of feel, while the second phase venturing into the extremities of psychedelic electronica that would totally feel at home next to Pink Floyd's "Saucerful Of Secrets" and the early Krautish psychedelia of Pärson Sound. However, even on phase two it doesn't always get to full-on freakout mode at least until the very end. There is usually a melodic insertion to remind you of the time period therefore this album does feel like a product of its time, but i hardly feel that it is a bad thing. Some music serves the purpose of bringing an era to mind and AN ELECTRIC STORM achieves that for sure.

Personally i'm not quite as taken by this as many others and i prefer the album by The United States Of America which was released the previous year for it had more memorable 60s melodies and offered a lot of the same kind of electronic explorations, but WHITE NOISE does up the ante in the psychedelic department on phase 2 with some truly innovative electronic wizardry that can take you to the moon like Apollo 11 and then back to the the more terrestrial swanky grooviliciousness of 60s pop culture. This is a brilliant album certainly and highly recommended to anyone who is interested in the continuation of early electronic pioneers of the 50s such as Stockhausen and also utilizing the algorithmic composition systems of Gottfried Michael Koenig but also as a proto-progresive electronic album that would eventually fuel the Berlin school sound. Definitely an innovative album for the time but unfortunately WHITE NOISE waited a full six years for a follow-up and in the fertile late 60s / early 70s they were quickly surpassed in their innovation. Still though, this one album keeps them relevant in the rich history that encompasses the progression of electronic music.

siLLy puPPy



..::TRACK-LIST::..

Phase-In
1. Love Without Sound 3:07
2. My Game Of Loving 4:10
3. Here Come The Fleas 2:15
4. Firebird 3:05
5. Your Hidden Dreams 4:58

Phase-Out
6. The Visitation 11:14
7. Black Mass: An Electric Storm In Hell 7:22



..::OBSADA::..

David Vorhaus - double bass (1), effects, production
Brian Hodgson - electronics, voice (3)
Delia Derbyshire - electronics

With:
Annie Bird - vocals (2)
John Whitman - vocals (1,4)
Val Sharpe - vocals (5)
Lisa Pollack - backing vocals (4)
Paul Lytton - drums (7)



https://www.youtube.com/watch?v=II6FUH6Izfc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



'MANY SOUNDS HAVE NEVER BEEN HEARD – BY HUMANS: SOME SOUND WAVES YOU DON’T HEAR – BUT THEY REACH YOU. ‘STORM STEREO’ TECHNIQUES COMBINE SINGERS, INSTRUMENTALISTS AND COMPLEX ELECTRONIC SOUND. THE EMOTIONAL INTENSITY IS AT A MAXIMUM'


..::OPIS::..

Brytyjski odpowiednik grupy United States Of America - tyle, że mniej rockowy, a nieco bardziej eksperymentalny. Album charakteryzuje się bardzo ponurym nastrojem i licznymi eksperymentami z dźwiękiem. Fascynująca, aczkolwiek dość trudna pozycja.

Jeden z najdziwniejszych, najbardziej przerażających, odległych i nowatorskich albumów, jakie kiedykolwiek usłyszycie. To nie jest zwykły album. An Electric Storm zabierze was w kosmos...

Gwarantuję, że gdy raz usłyszysz tę płytę, nigdy jej nie zapomnisz!!!

FA


In '68, three bands all coincidentally experimented with primitive, self constructed oscillators to create some of the same electronic sounds Stockhausen and friends had been working with since the '40's, and now to be done in the context of popular music. Because of this, only twenty years later we had the first techno. But, more pertinent to us here on PA, we had four great albums cut, and we got Tangerine Dream out of it two years later. And, the third, final, and British one of of the three bands, White Noise, had both the best of the four records of the first pop electronic groups, and perhaps the most influential. Not just EDM and prog electronic sprung from this, but industrial. Side One is Phase In, and features the more warm, gentle, psychedelic side of the band's sound. The music is fun and relaxing, with nice singing and voices of pleasure. The sound is also much smoother than that of the other two bands, Silver Apples and The United States of America. All this changes going to the other side, Phase Out. This is the first industrial, at least six years ahead of its time. The music turns dark, the vocalists start screaming and crying, terrifying sounds come out of nowhere. The two tracks on this side have their comparatively relieving sections, but they are still just off, and a creepy narrator haunts us. There are the chants of a black mass. A man's screams become the cries of a demonic machine. "The Visitation" and "Black Mass" still stand as two of the best pieces of industrial ever put to wax. "An Electric Storm" as a whole, then, is the spring of countless genres and more than a masterpiece in its own right. This makes for a heck of a listen.

LearsFool


WHITE NOISE was an interesting electronic band from London, UK that was started by the American David Vorhaus who was both classically trained as a bassist and had a connection to electronic engineering. After hooking up with a couple members of Unit Delta Plus which was one of the innovators of tape manipulations and experimental electronic music, they decided to create a couple tracks intended to be released only as a single but after Island Records caught wind of their goings-on, they were persuaded to release an entire album's worth of material. So meticulous were these guys that that request ended up taking them a full year to complete and only completed the last track in a day when Island insisted on releasing the album. Finally in the summer of 69, AN ELECTRIC STORM was released.
This is fun music and not nearly as freaky as i had anticipated. It is firmly placed in the 60s and will instantly bring The United States Of America to mind with its swingin' sexy bachelor pad type of loungy exotica. The music may not be freaky (all the time), but the electronic embellishments are fairly sophisticated for the day. The production is excellent considering the year and the inventiveness justifies the time allotted to its creation. The album is basically divided into Phase-In (tracks 1-5) and Phase-Out (tracks 6, 7). The first phase being basically an electronically doctored up version of a Herb Alpert or Tom Jones type of feel, while the second phase venturing into the extremities of psychedelic electronica that would totally feel at home next to Pink Floyd's "Saucerful Of Secrets" and the early Krautish psychedelia of Pärson Sound. However, even on phase two it doesn't always get to full-on freakout mode at least until the very end. There is usually a melodic insertion to remind you of the time period therefore this album does feel like a product of its time, but i hardly feel that it is a bad thing. Some music serves the purpose of bringing an era to mind and AN ELECTRIC STORM achieves that for sure.

Personally i'm not quite as taken by this as many others and i prefer the album by The United States Of America which was released the previous year for it had more memorable 60s melodies and offered a lot of the same kind of electronic explorations, but WHITE NOISE does up the ante in the psychedelic department on phase 2 with some truly innovative electronic wizardry that can take you to the moon like Apollo 11 and then back to the the more terrestrial swanky grooviliciousness of 60s pop culture. This is a brilliant album certainly and highly recommended to anyone who is interested in the continuation of early electronic pioneers of the 50s such as Stockhausen and also utilizing the algorithmic composition systems of Gottfried Michael Koenig but also as a proto-progresive electronic album that would eventually fuel the Berlin school sound. Definitely an innovative album for the time but unfortunately WHITE NOISE waited a full six years for a follow-up and in the fertile late 60s / early 70s they were quickly surpassed in their innovation. Still though, this one album keeps them relevant in the rich history that encompasses the progression of electronic music.

siLLy puPPy



..::TRACK-LIST::..

Phase-In
1. Love Without Sound 3:07
2. My Game Of Loving 4:10
3. Here Come The Fleas 2:15
4. Firebird 3:05
5. Your Hidden Dreams 4:58

Phase-Out
6. The Visitation 11:14
7. Black Mass: An Electric Storm In Hell 7:22



..::OBSADA::..

David Vorhaus - double bass (1), effects, production
Brian Hodgson - electronics, voice (3)
Delia Derbyshire - electronics

With:
Annie Bird - vocals (2)
John Whitman - vocals (1,4)
Val Sharpe - vocals (5)
Lisa Pollack - backing vocals (4)
Paul Lytton - drums (7)



https://www.youtube.com/watch?v=II6FUH6Izfc


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Założony w 1983 roku (!) niemiecki OUTRAGE nigdy nie otrzymał atencji, na którą zdecydowanie zasługuje! Połączenie wpływów HELLHAMMER/CELTIC FROST z surowym thrash/blackmetalem w stylu wczesnego SODOM! CD zawiera dwie demówki nagrane w 1985 roku: "Outrage I" oraz "Outrage II". Wkładka zawiera mnóstwo rzadkich zdjęć oraz wywiad z zespołem przeprowadzony przez Pima Blankensteijna (dziennikarz Lords of Metal i wokalista OFFICIUM TRISTE). 9 utworów kultowego i obskurnego blackującego thrash metalu.



Outrage was one of those German bands that got involved in black metal very early on. Perhaps they came in the slipstream of bands such as Sodom and Poison, but they were an undeniable part of the early black metal scene. Outrage was formed in 1983 and released four demos from 1985 up to 1987. On this release Demo(n)s 1985 you will find the demos ‘Outrage I’ and ‘Outrage II’, both recorded in 1985. The booklet contains many rare pics, flyers, old underground magazine scans and an extensive interview with the band by Pim Blankensteijn (Lords of Metal journalist, Officium Triste vocalist). In total nine tracks of cult and obscure extreme German blackenend thrash metal!



Last year, the German outfit OUTRAGE really bored me with their eighth and latest album “And The Bedlam Broke Loose”. This uninspired album really was a reason not to find out more about that band from Pforzheim, but karma sometimes strikes back. Without further checking out, I again applied to review an album from OUTRAGE, this time a re-release of their oldest stuff. This means I had to listen to a compilation of the first two, back then untitled demo tapes from 1985. And my greatest fears weren’t fulfilled, since OUTRAGE might not have been a real revolution when they started (and soon split up to have a long hiatus). But somehow the raw, blackened and thrashy stuff of these two demos got a grip on me. Especially the four songs from the first demo from September 1985 reminded me of the glorious days of extreme Black and Thrash Metal from Germany. You know, those times when bands like SODOM and KREATOR just started and released their nowadays classic first albums and EPs, derided back then, beloved today. In the case of OUTRAGE, the best possible comparison, or better description, is a mix of the first, blunt and rude SODOM recordings and the style of “Endless Pain” from KREATOR and even the TORMENTOR demo tapes. This means that OUTRAGE were rather limited in musical skills, but managed to create songs that still were charming. Just take the opener ‘Go To Hell’ as an example: the drums were as simple as possible, plain riffing, a break in the style of VENOM and that was enough to create a cool song back then. Or take the final song of that first demo, ‘Death From Behind’: modest playing skills dominate this more than eight minute long song, yet this one has its unique charme. Well, to be honest, it helps a lot if you’re an old geezer like me who grew up in those times to really get mesmerized by the stuff OUTRAGE delivered on their first demo. Younger Metalheads might only hear some dilletantes trying to play some Thrash Metal. Well, to return to “1985 Demo(n)s”, the second demo, released in December 1985, showed OUTRAGE maybe a little bit improved in concern of their skills, yet, they delivered a logical follow-up to the first demo. Still simplicity and rude blackness were the game of the four piece, maybe the acoustic intro piece of the opening ‘The King And The Beast’ was new to the sound of OUTRAGE, as the slightly improved sound of the recording. At least the drums sounded a little more decent here. And the gloomy ‘Warpaint’ is as much my personal highlight as the final ‘Name Your Poison’ with some VENOM vibes again. One thing I can say for sure: if I had heard those recordings back in the time they were recorded, I would have loved this simple, rude and brutal stuff. Even nowadays, 33 years later, it was a joy for me to listen to those “1985 Demo(n)s”. Yet it still is a justified question if there really will be more than a few old geezers like me who really dig this. If you’re my age, you might check...

Thomas Meyer



..::TRACK-LIST::..

Demo 1 September 1985
1. Go To Hell 5:33
2. Rigor Mortis 6:30
3. Into The Abyss Of Belial 3:01
4. Death From Behind 8:21

Demo II September 1985
5. The King And The Beast 4:14
6. D.E.L.O.S. (The Asylum Of The Vanished) 4:15
7. Warpaint 4:27
8. Pact Of The Wicked 4:48
9. Name Your Poison 4:29




https://www.youtube.com/watch?v=qUPt2izmT1U


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Założony w 1983 roku (!) niemiecki OUTRAGE nigdy nie otrzymał atencji, na którą zdecydowanie zasługuje! Połączenie wpływów HELLHAMMER/CELTIC FROST z surowym thrash/blackmetalem w stylu wczesnego SODOM! CD zawiera dwie demówki nagrane w 1985 roku: "Outrage I" oraz "Outrage II". Wkładka zawiera mnóstwo rzadkich zdjęć oraz wywiad z zespołem przeprowadzony przez Pima Blankensteijna (dziennikarz Lords of Metal i wokalista OFFICIUM TRISTE). 9 utworów kultowego i obskurnego blackującego thrash metalu.



Outrage was one of those German bands that got involved in black metal very early on. Perhaps they came in the slipstream of bands such as Sodom and Poison, but they were an undeniable part of the early black metal scene. Outrage was formed in 1983 and released four demos from 1985 up to 1987. On this release Demo(n)s 1985 you will find the demos ‘Outrage I’ and ‘Outrage II’, both recorded in 1985. The booklet contains many rare pics, flyers, old underground magazine scans and an extensive interview with the band by Pim Blankensteijn (Lords of Metal journalist, Officium Triste vocalist). In total nine tracks of cult and obscure extreme German blackenend thrash metal!



Last year, the German outfit OUTRAGE really bored me with their eighth and latest album “And The Bedlam Broke Loose”. This uninspired album really was a reason not to find out more about that band from Pforzheim, but karma sometimes strikes back. Without further checking out, I again applied to review an album from OUTRAGE, this time a re-release of their oldest stuff. This means I had to listen to a compilation of the first two, back then untitled demo tapes from 1985. And my greatest fears weren’t fulfilled, since OUTRAGE might not have been a real revolution when they started (and soon split up to have a long hiatus). But somehow the raw, blackened and thrashy stuff of these two demos got a grip on me. Especially the four songs from the first demo from September 1985 reminded me of the glorious days of extreme Black and Thrash Metal from Germany. You know, those times when bands like SODOM and KREATOR just started and released their nowadays classic first albums and EPs, derided back then, beloved today. In the case of OUTRAGE, the best possible comparison, or better description, is a mix of the first, blunt and rude SODOM recordings and the style of “Endless Pain” from KREATOR and even the TORMENTOR demo tapes. This means that OUTRAGE were rather limited in musical skills, but managed to create songs that still were charming. Just take the opener ‘Go To Hell’ as an example: the drums were as simple as possible, plain riffing, a break in the style of VENOM and that was enough to create a cool song back then. Or take the final song of that first demo, ‘Death From Behind’: modest playing skills dominate this more than eight minute long song, yet this one has its unique charme. Well, to be honest, it helps a lot if you’re an old geezer like me who grew up in those times to really get mesmerized by the stuff OUTRAGE delivered on their first demo. Younger Metalheads might only hear some dilletantes trying to play some Thrash Metal. Well, to return to “1985 Demo(n)s”, the second demo, released in December 1985, showed OUTRAGE maybe a little bit improved in concern of their skills, yet, they delivered a logical follow-up to the first demo. Still simplicity and rude blackness were the game of the four piece, maybe the acoustic intro piece of the opening ‘The King And The Beast’ was new to the sound of OUTRAGE, as the slightly improved sound of the recording. At least the drums sounded a little more decent here. And the gloomy ‘Warpaint’ is as much my personal highlight as the final ‘Name Your Poison’ with some VENOM vibes again. One thing I can say for sure: if I had heard those recordings back in the time they were recorded, I would have loved this simple, rude and brutal stuff. Even nowadays, 33 years later, it was a joy for me to listen to those “1985 Demo(n)s”. Yet it still is a justified question if there really will be more than a few old geezers like me who really dig this. If you’re my age, you might check...

Thomas Meyer



..::TRACK-LIST::..

Demo 1 September 1985
1. Go To Hell 5:33
2. Rigor Mortis 6:30
3. Into The Abyss Of Belial 3:01
4. Death From Behind 8:21

Demo II September 1985
5. The King And The Beast 4:14
6. D.E.L.O.S. (The Asylum Of The Vanished) 4:15
7. Warpaint 4:27
8. Pact Of The Wicked 4:48
9. Name Your Poison 4:29




https://www.youtube.com/watch?v=qUPt2izmT1U


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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Emerging from the modern Italian prog scene back in 2009, Il Tempio delle Clessidre initially came together due to the desire of female keyboard player Elisa Montaldo to perform the classic Italian progressive album `Zarathustra' alongside the original vocalist Stefano "Lupo" Galifi. With the addition of more players, writing sessions soon produced an album of original compositions which formed the basis for their self-titled debut release in 2010. To some (myself included), the album was a bit of a modern Italian classic, and as good word of mouth spread, the band were also able to commence live performances. `Live in Seoul' is a two DVD set from Black Widow Records, containing a complete two hour show featuring the band performing the bulk of their debut album, as well as a daring (and risky) interpreatation of a particular work that can only be considered one of the most important and defining vintage Italian progressive albums.
The first disc is devoted to a 2011 performance of the entire Museo Rosenbach classic from 1973 `Zarathustra', however, to call it a `cover version' would be hugely dismissive and somewhat insulting. Instead, the Il Tempio band take the arrangement of the original work and then completely reinvent it. All the familiar themes still show up, but they're woven between new and alternate passages, instrumental improvisations and fresh vocal arrangements. The following fifty minute performance is played with such a wild energy by a group of musicians utterly passionate about the revered vintage RPI work, and it stands completely on its own merits. Compared to the original, the drumming, bass and electric guitars have an added attacking heavy power (some older fans and prog-snobs will likely have a tough time with this part), and plenty of focus is placed on gothic priestess Elisa Montaldo's evocative and dazzling keyboard atmospheres. Stefano "Lupo" Galifi's lead vocals sound just as strong and commanding as they did on the original work, and the thirty-odd years since then have not weakened his voice even slightly. An element that immediately lifts the piece even higher are new duet vocal passages between Stefano and Elisa, and she even takes several solo spots herself, absolutely enchanting and hypnotic.

The second set from the band has them performing most of their debut album, a strongly theatrical performance dominated by dark queen Montaldo, but all the other members charging the material with a wilder force compared to the studio album versions. There's also footage from various progressive music related festivals such as 2 Days and Nearfest Apocalypse, their first live performance in Genova from 2009, various behind the scenes bonuses, reviews and a photo gallery.

Big changes would come for Il Tempio delle Clessidre soon after the Seoul performance. A proper reunion of the original Museo Rosenbach from the Seventies would see Lupo depart to rejoin his old band, resulting in them releasing a new album `Barbarica' in 2013. Il Tempio would (thankfully) carry on with a new vocalist Francesco Ciapica to release `Alienatura' in 2013, an exciting and varied album that proved they were not simply some group of imitators, and it builds even more on the talent that was instantly displayed right from their superb debut album, whilst also allowing them to forge their own identity without relying on high profile connections. But that's the next chapter currently being written...!

Museo Rosenbach and `Zarathustra' fans, please do not be alarmed by the decision of the band to play this beloved vintage Italian release. Personally speaking, `Zarathustra' is one of my absolute favourite RPI albums that I have listened to endlessly over the years, one that I also instantly think of to recommend to listeners wanting to investigate the vintage Italian prog era for the first time. I myself approached this part of the live DVD with apprehension and some suspicion, so to witness Il Telpio delle Clessidre perform it with utmost respect to the original, but also implementing their own skill, passion and clever musical ideas is hugely satisfying and frequently thrilling. I hope diehard Italian prog fans will give it a chance and hopefully be just as won over by it as I was.

Almost four hours of concert footage, powerful live performances from a talented group of charismatic musicians, and a colourful variety of theatrical flair, `Live in Seoul' is an essential live document of Il Tempio delle Clessidre, one of the most exciting and distinctive modern RPI bands, so take the opportunity to allow Lady Elisa Montaldo and her male guard to cast their spell on you.

Aussie-Byrd-Brother


Awesome! In this new century we have been lucky enough to witness a wave of new and great classic-inspired modern Italian progressive rock bands; the names of Il Bacio della Medusa, Egonon, La Conscienza di Zeno and of course Il Tempio delle Clessidre have been knocking hard in our ear-doors and have entered with solid offerings to this unique musical realm. Me, as an RPI lover am truly enthusiastic regarding these (and others) bands which have released excellent albums and now in this case, DVDs.

Il Tempio delle Clessidre released their first live DVD in 2014 through Black Widow Records, the title is "Live in Seoul" and is a 2-DVD set that shows amazing performances. This band was born thanks to keyboard player Elisa Montaldo whose love for Museo Rosenbach's Zarathustra made her start a band in which "Lupo" Galiffi (from Museo) was the main vocalist. Fabio Gremo on bass, Paolo Tixi on drums and Giulio Canepa on guitars complement this 5-piece outstanding band.

Well, though I must be honest, the video quality is not what I would call the best, but after all, it is not that important because the music and the performances are the main elements. The first DVD contains a two-hour concert from Seoul, recorded on October 8th, 2011. It is divided in two acts. The first one is called "Il Museo" and as you can imagine, a full performance of Zarathustra is given, and though the voice is from the original singer and that is a relevant point, the music and the performance are not the same, I mean, it is not a copycat, because Il Tempio introduces different arrangements, figures and performances, they also add some instrumental passages that made the version of their own, so it is Il Tempio's Zarathustra.

It is evident that this new band loves vintage prog and they really enjoy playing it, we can watch how passionate they perform, how they live the music and how they transmit it to the audience, in spite Japanese people do not show their emotions so easily. I remember when I see Museo Rosenbach at Baja Prog 2014, me and other friends were so excited singing, moving our bodies and becoming crazy, because how won't you go crazy with such a powerful music and performance? Elisa Montaldo is a terrific keyboard player, her dress, voice and sensuality adds even more cadence to the already exquisite music, while the other guys are equally important, each one doing their best with their instrument and acting like gods.

The second act is entitled "Il Tempio", and it shows a full performance of their first and self-titled album. So now the vintage becomes new, because they offer first class RPI with an amazing fresh sound that makes us feel alive and kicking. It excites me a lot because I really love Italian prog, so to know there are bands like this one doing extraordinary music is worth getting excited. In this second set there are moments where Lupo does not sing, there are amazing instrumental passages and curious symphonic, dark atmospheres that are wonderfully complemented by some performance details like in "Danza Esoterica di Datura", when Montaldo spread datura (like a perfume) to the audience. Later the musicians go out with masks, so it produces a drama scenario, like being in a literary play. There is an encore at the end, a bit repetitive, but enjoyable anyways, it is called Zarathustra Medley, so go figure.

That concert is just an example of how great this band is and how I would love to see them live sometime soon. The first DVD is enough to spend great time and to buy this release. However, there is also a second DVD! It might be repetitive, but I think it is a great additional feature, because we can see the band in different concerts, from their very first live show in 2009, to the one at NEARFest Apocalypse in 2012. I repeat, talking strictly about video recording, it is not superb, but when you listen to the music and see them performing, wow, you just have to love it.

Highly recommendable! Enjoy it!

memowakeman



..::TRACK-LIST::..

DVD 1: (Recorded live in Seoul at Sowol Art Hall - October 8th, 2011.)
Act I - Il Museo
Zarathustra
- L'Ultimo Uomo
- Il Re Di Ieri
- Al Di La' Del Bene E Del Male
- Superuomo
- Il Tempio Delle Clessidre
2. Degli Uomini
3. Della Natura
4. Dell`Eterno Ritorno

Act II - Il Tempo
5. Verso L'Alba
6. Insolita Parte Di Me
7. Boccadasse
8. Danza Esoterica Di Datura
9. Faldistorum
10. La Stanza Nascosta
11. L'Attesa
12. Il Centro Sottile
13. Le Due Meta` Di Una Notte

Encore
14. Zarathustra Medley

Seoul Extra Footage
Live Report By Henry Schneider
Photogallery


DVD 2:
Very First Live Appearance - Teatro Della Gioventù - Genova, Italy - Jan 23rd, 2009
1. Zarathustra
2. Insolita Parte Di Me
3. L'Attesa
4. Le Due Meta` Di Una Notte
5. Il Centro Sottile
6. La Stanza Nascosta

2 Days Prog + 1 Veruno (NO), Italy - Sept 2nd, 2011
7. Degli Uomini
8. Della Natura
9. Dell`Eterno Ritorno
10. Danza Esoterica Di Datura

ProG Liguria La Spezia, Italy - Jan 21st, 2012
11. L'Attesa

Music On The Road TV Show - Live Music Club - Trezzo Sull'Adda (Mi), Italy - Feb 4th, 2012
12. Insolita Parte Di Me
13. Interview

NEARfest Apocalypse Betlehem (PA), USA - Jun 24th, 2012
14. Il Passo
15. Onirica Possessione



..::OBSADA::..

Vocals - Stefano 'Lupo' Galifi
Guitar, Backing Vocals - Giulio Canepa
Keyboards, Backing Vocals - Elisa Montaldo
Bass, Backing Vocals - Fabio Gremo
Drums - Paolo Tixi



https://www.youtube.com/watch?v=gUn24tLqNVw


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..::INFO::..

Silesia punk rock. Najnowsza płyta tyskiego Pils. 17 lat od debiutu i po kilku latach przerwy zespół wraca w wielkim stylu. W składzie byli i obecni muzycy Nail To Coffin, Bulbulators, 5 Złotych Zębów, Plastelinowe Chełmy, Punk Rock Gang, Heavy End, Sleepwalker, Hosentregle, The End, Beton M3 itd. Obecnie ich muzyka jest bardziej melodyjna i przebojowa, a znakomite teksty (m.in. autorstwa Arka Bąka czy Jakuba Stańskiego) zapadają szybko w pamięć. Mieszanka nowocześnie brzmiącego old schoolowego punk rocka, punka 77 i power popu dla ludzi lubiących The Damned, Dickies, Bulbulators, 999, Lurkers, The Clash, Inhalators etc. Wśród nagrań cover mikołowskiej Kanady oraz dub'owa wersja jednego z utworów. Zespół powoli wraca do aktywności koncertowej by promować tę nagraną w oświęcimskim Waiting Room Studio płytę.

Title: Pils

Artist: Pils

Country: Polska

Year: 2025

Genre: Rock, Punk

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

Wyrok Konsumenta
Rozgrzeszenie
Z Cukrem, Czy Bez?
Współczesny Model Miłości (Kanada cover)
To Wiem
Nieprotestsong
Odwróceni Od Historii
Jurajski Punk
Najdłuższe Lato Świata
Najdłuższy Dub Świata
Outro

..::INFO::..

Najnowsze wydawnictwo amerykańskiego zespołu ska punkowego z Colorado Springs.

Title: What's So Important

Artist: Doc Turbo

Country: USA

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Lookin' Like A Hot Time (The Boys)
02. If It Ain't Broke
03. Lasso
04. Steal and Borrow
05. Criminal
06. Life's a Beach (feat. Reese Roper of Five Iron Frenzy)
07. Make Money
08. Solid Gold
09. Skeleton Bones
10. Summer's Over
11. Rome (feat. Angelo Moore of Fishbone)

..::INFO::..

---------------------------------------------------------------------
Ringo Starr - Beaucoups Of Blues
---------------------------------------------------------------------

Artist...............: Ringo Starr
Album................: Beaucoups Of Blues
Genre................: Rock, Pop, World, & Country
Source...............: CD
Year.................: 1970-2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Apple Records – Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Ringo Starr - Beaucoups Of Blues [02:34]
2. Ringo Starr - Love Don t Last Long [02:46]
3. Ringo Starr - Fastest Growing Heartache In The West [02:35]
4. Ringo Starr - Without He [02:37]
5. Ringo Starr - Woman Of The Nigh [02:23]
6. Ringo Starr - I d Be Talking All The Tim [02:11]
7. Ringo Starr - $15 Draw [03:30]
8. Ringo Starr - Wine Women And Loud Happy Song [02:19]
9. Ringo Starr - I Wouldn't Have You Any Other Way [02:58]
10. Ringo Starr - Loser's Lounge [02:24]
11. Ringo Starr - Waiting [02:55]
12. Ringo Starr - Silent Homecoming [03:56]
13. Ringo Starr - Coochy Coochy [04:46]
14. Ringo Starr - Nashville Jam [06:39]

Playing Time.........: 44:39
Total Size...........: 255,68 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


[Wstawiam jako 'KONCERTY']


..::OPIS::..

The legendary German band Einstürzende Neubauten, known since the '80s for their uncompromising approach to music has come up with yet another groundbreaking project far ahead of its times, enabling them to work on their endeavors without needing to bow to the music industry's rules and regulations.

What impact this cheeky use of modern technology has had on the band, their fans and the music industry is portrayed in this documentary Einstürzende Neubauten - On Tour With Neubauten.Org by Danielle De Picciotto. Danielle De Picciotto, an American artist living in Berlin since the fall of the wall, has influenced Berlin's cultural scene since 1985 in many ways as the co-innovator of the Love Parade, the Ocean Club with Gudrun Gut and Kunst oder König, the club-cultural exhibition series presenting Berlin's creative cross-culture internationally.

Also an active member of Berlin's music scene (former singer of the Space Cowboys) she has known Einstürzende Neubauten personally for almost twenty years, following their development with interest. After becoming a member of their new project Neubauten.org, in 2003 she was asked to document the ensuing tour in 2004 by Blixa Bargeld, singer of the band, to provide material for future concert documentaries. Besides filming every show, she interviewed countless "supporters" worldwide, ending up with this documentary -- a courageous example of how following an individual, courageous path can change people's lives worldwide.



..::TRACK-LIST::..

1. Introduction / Prelude
2. The Creation Of "www.neubauten.org"
3. What Is A Supporter?
4. The Tour
5. The Musicians
6. What Does Being A Supporter Mean?
7. Does "www.neubauten.org" Demystify?
8. Is "www.neubauten.org" A Reality Show?
9. The Music
10. Die Rampe
11. The Future
12. End Credits

Bonus Features:
1. Die Intonatore
2. Making Of
3. Profi Master On Stage
4. Slide Show



https://www.youtube.com/watch?v=Nh7Gn5X3mEc


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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza płyta Il Tempio Delle Clessidre wywołała spore poruszenie wśród fanów prog-rocka, głównie włoskiego. Nawet były głosy, szczerze mówiąc całkiem uzasadnione, że był to najlepszy prog-rockowy debiut od dobrych kliku lat. W każdym razie wydane trzy lata temu „Il Tempio delle Clessidre” było dużym wydarzeniem. Być może też dlatego, że śpiewał tu były wokalista najsłynniejszego składu Museo Rosenbach, Stefano „Lupo” Galifi (a na koncertach grali całego „Zarathustrę”!). Dlatego z tym większym zainteresowaniem zająłem się „alieNatura”.

Mówi się, że zwykle na pierwszą płytę pracuje się całe życie, a na drugą – to w tym czasie od pierwszej do drugiej. Albo się za bardzo pośpieszyli, albo po prostu nie ma co liczyć na więcej, bo „alieNatura” jednak debiutowi ustępuje. Niestety nie ma już Galifiego i może to też miało jakiś wpływ na efekt końcowy? Który wcale nie jest taki zły, bo to płyta zupełnie porządna – bardzo solidny, bardzo tradycyjny Italo-prog – dłuższe utwory, bardziej rozbudowane, dużo klawiszy i to tych raczej vintage – czyli syntezatory analogowe, mellotron, organy, moog. Oczywiście mocne odniesienia do muzyki klasycznej, ale też do klasycznych wykonawców włoskiego prog-rocka, a przede wszystkim Museo Rosenbach, Banco Delmutuo Soccorso i tym podobnych, a także porządny, dobrze wyszkolony technicznie wokalista o mocnym głosie. Trudno napisać coś więcej o płycie, która jest absolutnie typowa dla swojego gatunku, a jakościowo nie budzi specjalnych zastrzeżeń.

Jak widać po czasach utworów dominują rzeczy nieco bardziej rozbudowane i mamy też jedną suitę. Całkiem niezłą, ale w pewnym momencie zaczynała nieco nudzić. Dużo lepiej wypadają krótsze utwory z pierwszej części z najlepszym na płycie „Onirica Possessione”. Początek płyty też jest w jakimś sensie typowy, bo „Kaze” to spokojny instrumetal, łagodnie przechodzący w „Senza Colori”, a takie rozwiązanie możemy znaleźć na wielu progresywnych krążkach.

Jako, że mam sporą słabość do Italo-proga, trochę przez palce patrzę na mankamenty „alieNatura” (właściwie jeden podstawowy – muzycznie gorsze od debiutu), a skupiam się raczej na zaletach – rozmach, dobre wykonanie, niezłe melodie., oraz ogólnie dobre wrażenie. Wcale przyjemnie się tego słucha. Solidne siedem gwiazdek.

Wojciech Kapała


Il Tempio Delle Clessidre is an Italian band formed in 2006 in the Genoa city. The band initially had Stefano 'Lupo' Galifi (original vocalist from Museo Rosenbach), but after the departure of Stefano that went band to reunite with his former band they convened Francesco Ciapica for his place. The rest of the band is still the same, Elisa Montaldo (keyboards and vocals), Fabio Gremo (bass), Giulio Canepa (guitars) and Paolo Tixi (drums). The band have released their second album AlieNatura (2013) by Black Widow Records earlier this year.
Black Widow is a specialized label which pretty much focuses on what I like to call 'dark Prog'. If you have no idea what I'm talking about I'll make it easier for you: Gothic influenced Prog. This is their specialty.

I started my listening with the nice booklet in hands and when the opening track 'Kaze' begins one can hear strong and well recorded music out of the speakers. This makes you sit down and pay attention immediately. The Japanese sounds that come out of the track are quite hypnotic. The moment of truth comes with the following song 'Senza Colori', the first track of AlieNatura (2013) with vocals. As I mentioned, the Gothic and somber moments are all around here, but at the same time the band has a strong root on the Symphonic Italian style too.

The continuation, 'Il Passo', is even more atmospheric and full of little details. Its Symphonic apex lies on the double guitars and a number of great keyboards. Amazing track! The acoustic 'Fino Alla Vetta' is the next piece of music. It's basically a ballad with acoustic guitars till around the 3rd minute of the song. After that it gets a bit heavier, especially because of the organs of Elisa Montaldo. That's when it gets really interesting.

'Onirica Possessione' is a damn strong track! Classic Genesis meets Italian 70's Prog at its best moments. Powerful vocals melodies by Francesco Ciapica and the Symphonic side of Prog Rock speaking really loud. One of the best tracks of the AlieNatura (2013). Weird last part though! 'Notturna' is a smaller interlude with a nature kind of feeling to it, basically commanded by keyboards and Elisa vocals. Beautiful piece of music!

The last track on the album is an almost 15 minutes suite with 5 parts called 'Il Cacciatore'. This last song is full of heavy guitars riffs and grim keyboards, that's how it starts really. It's great how they used the vocals between the verses. It helps create a really powerful mood in their music. 'Il Cacciatore' is all about changes and beautiful yet melancholic music. You have to listen with attention but still, you will bang your head with the riffs!

Il Tempio Delle Clessidre came as a big surprise to me as I didn't listen their debut album and knew nothing about them. Now I can honestly say that AlieNatura (2013) is one of the most powerful releases of the year! Perfect musicianship, great production and songwriting with a fresh sound. The album is powerful and melodic at the same time as the great Prog albums should be!

ProgShine


Alienatura is the second album by Il Tempio delle Clessidre and was released in 2013 on the independent label Black Widow Records with a renewed line up featuring Elisa Montaldo (keyboards, vocals), Fabio Gremo (bass, classical guitar, backing vocals), Giulio Canepa (electric and acustic guitar, backing vocals), Paolo Tixi (dums, backing vocals) and Francesco Ciapica (vocals). After the excellent eponymous debut album, the old vocalist Lupo Galifi left the band to join the reformed Museo Rosenbach and Francesco Ciapica stepped in proving that in Italy there's no shortage of excellent singers. All the good qualities of the band's previous album are confirmed here, the overall sound is a wonderful mix of vintage sounds and new ideas and all the compositions are convincing and well performed. Somehow the beautiful art cover by Alessandro Sala depicts in a very effective way the content of the music and lyrics inviting you to wander under the moon, looking for the right balance between your every day life and an alien nature that the contemporary society can't understand.
The beautiful opener "Kaze" sets the atmosphere. It's an instrumental track with a touch of exotic mysticism where you can hear lost, distant sounds and voices still blowing in the wind. In fact, kaze is a Japanese word that means wind and the music flows away with many changes, carrying you from east to west, from Oriental waves to echoes of native American rites... By the way, on this track you can hear for a moment the voice of Yoshiko Kase, a Japanese friend of the band and a passionate prog fan.

Next comes "Senza colori" (Colourless) that depicts in music and words a man on the edge of a deep personal crises who reflects about his past errors. Slowly part of him gets lost in the spiral of time, his memories get blurred and his hopes melt, suffocated by an oppressive reality. The mood is dark, but never say never! Even when his world seems crumbling down his inner will is still pulsing and pushes him to find a balance to repair what's wrong and to look for that kind of madness that's called Truth...

"Il passo" (The step) is another great track that describes a man who's falling down, betrayed by his self confidence and his desire of adventures. He was walking in the mountains, now he can remember nothing but the sound of his steps in the void and the wind blowing around him. He's scared and the night is coming down. Nobody will find him, lost in a solitary ravine, injured, surrounded by the desperate roots of the trees and naked rocks. His rage burns inside his chest as he shouts for the last time... Oh, what a lucky man he was!

"Fino alla vetta" (Up to the mountain top) is about hiking in the Alps and tells in music and words about the spiritual experience of a day spent in touch with beautiful, breathtaking panoramas, far from the daily grind. At dawn you can walk to the top breathing fresh air and listening to the melodic sound of soft rain drops falling on the trees until you get lost under a spell, led by the moon, free from the chains of civilization, in harmony with Mother Nature...

On the dark, nightmarish "Onirica possessione" (Oneiric possession) the music and lyrics describe in a theatrical way a very troubled night. As the veil of darkness comes down you fall asleep in a vortex of obscure thoughts, then your mind begins to fly across scary, bleak landscapes. You're filled with a strong sense of fear and risk to get lost, eternal prisoner of your madness and of your ill dreams. Then you see a creek in a wood and clear water flowing. Maybe there's another reality, you try to go forward to touch the illusion of a life after death while your thoughts fall down like autumn leaves... But soon you realize that your feet are sinking in the quicksand, the burden of your pain makes you heavy, the curtain opens and a crazy, dramatic play begins... In the last section you can hear the suggestive call of a demon and his false promises interpreted by Elisa Montaldo.

"Notturna" (Nocturnal) is a short, dreamy piece where you can fully appreciate Elisa Montaldo lead vocals. Here the music and lyrics depict arcane rites of cosmic harmony under the moon and a myriad of dancing stars, an ethereal celebration in honour of a pagan goddess who speaks of mountains, trees, rocks and of a world where your soul is free to fly high...

The magnificent epic "Il cacciatore" (The Hunter) concludes this excellent work in a perfect way. It's divided into five parts and tells the story of a hunter who gets lost in the forest following the tracks of his pray. He's tired, stranded, injured. Who is the pray now? When he meets a wolf he's almost helpless, ha can't use his bow and arrow anymore. But the wolf is merciful and protects him. At last he repents, he understand that shooting down an innocent life is pointless and cruel. So, he becomes a new man who's finally aware of the importance of living in a perfect balance with Mother Nature... Well, a nice fable and another great track!

On the whole, this is really a wonderful album, full of passionate melodies, mellow symphonic passages and a pinch of melodramma. I think that this is a real must for every prog lover!

andrea



..::TRACK-LIST::..

1. Kaze (Ciò Che Il Vento Porta Con sé) 04:15
2. Senza Colori 08:30
3. Il Passo 09:25
4. Fino alla Vetta 07:42
5. Onirica Possessione 09:08
6. Notturna 02:40
7. Il Cacciatore 14:50
- La Vera Preda
- Volo di Rapace
- La Lince
- Il Lupo
- Il Cacciatore



..::OBSADA::..

Elisa Montaldo - Voice, Keyboards, Piano, Organ, Concertina
Giulio Canepa - Guitars
Francesco Ciapica - Voice
Paolo 'Paolo' Tixi -Drums
Fabio Gremo - Bass



https://www.youtube.com/watch?v=d_4aG32SfRs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pierwsza płyta Il Tempio Delle Clessidre wywołała spore poruszenie wśród fanów prog-rocka, głównie włoskiego. Nawet były głosy, szczerze mówiąc całkiem uzasadnione, że był to najlepszy prog-rockowy debiut od dobrych kliku lat. W każdym razie wydane trzy lata temu „Il Tempio delle Clessidre” było dużym wydarzeniem. Być może też dlatego, że śpiewał tu były wokalista najsłynniejszego składu Museo Rosenbach, Stefano „Lupo” Galifi (a na koncertach grali całego „Zarathustrę”!). Dlatego z tym większym zainteresowaniem zająłem się „alieNatura”.

Mówi się, że zwykle na pierwszą płytę pracuje się całe życie, a na drugą – to w tym czasie od pierwszej do drugiej. Albo się za bardzo pośpieszyli, albo po prostu nie ma co liczyć na więcej, bo „alieNatura” jednak debiutowi ustępuje. Niestety nie ma już Galifiego i może to też miało jakiś wpływ na efekt końcowy? Który wcale nie jest taki zły, bo to płyta zupełnie porządna – bardzo solidny, bardzo tradycyjny Italo-prog – dłuższe utwory, bardziej rozbudowane, dużo klawiszy i to tych raczej vintage – czyli syntezatory analogowe, mellotron, organy, moog. Oczywiście mocne odniesienia do muzyki klasycznej, ale też do klasycznych wykonawców włoskiego prog-rocka, a przede wszystkim Museo Rosenbach, Banco Delmutuo Soccorso i tym podobnych, a także porządny, dobrze wyszkolony technicznie wokalista o mocnym głosie. Trudno napisać coś więcej o płycie, która jest absolutnie typowa dla swojego gatunku, a jakościowo nie budzi specjalnych zastrzeżeń.

Jak widać po czasach utworów dominują rzeczy nieco bardziej rozbudowane i mamy też jedną suitę. Całkiem niezłą, ale w pewnym momencie zaczynała nieco nudzić. Dużo lepiej wypadają krótsze utwory z pierwszej części z najlepszym na płycie „Onirica Possessione”. Początek płyty też jest w jakimś sensie typowy, bo „Kaze” to spokojny instrumetal, łagodnie przechodzący w „Senza Colori”, a takie rozwiązanie możemy znaleźć na wielu progresywnych krążkach.

Jako, że mam sporą słabość do Italo-proga, trochę przez palce patrzę na mankamenty „alieNatura” (właściwie jeden podstawowy – muzycznie gorsze od debiutu), a skupiam się raczej na zaletach – rozmach, dobre wykonanie, niezłe melodie., oraz ogólnie dobre wrażenie. Wcale przyjemnie się tego słucha. Solidne siedem gwiazdek.

Wojciech Kapała


Il Tempio Delle Clessidre is an Italian band formed in 2006 in the Genoa city. The band initially had Stefano 'Lupo' Galifi (original vocalist from Museo Rosenbach), but after the departure of Stefano that went band to reunite with his former band they convened Francesco Ciapica for his place. The rest of the band is still the same, Elisa Montaldo (keyboards and vocals), Fabio Gremo (bass), Giulio Canepa (guitars) and Paolo Tixi (drums). The band have released their second album AlieNatura (2013) by Black Widow Records earlier this year.
Black Widow is a specialized label which pretty much focuses on what I like to call 'dark Prog'. If you have no idea what I'm talking about I'll make it easier for you: Gothic influenced Prog. This is their specialty.

I started my listening with the nice booklet in hands and when the opening track 'Kaze' begins one can hear strong and well recorded music out of the speakers. This makes you sit down and pay attention immediately. The Japanese sounds that come out of the track are quite hypnotic. The moment of truth comes with the following song 'Senza Colori', the first track of AlieNatura (2013) with vocals. As I mentioned, the Gothic and somber moments are all around here, but at the same time the band has a strong root on the Symphonic Italian style too.

The continuation, 'Il Passo', is even more atmospheric and full of little details. Its Symphonic apex lies on the double guitars and a number of great keyboards. Amazing track! The acoustic 'Fino Alla Vetta' is the next piece of music. It's basically a ballad with acoustic guitars till around the 3rd minute of the song. After that it gets a bit heavier, especially because of the organs of Elisa Montaldo. That's when it gets really interesting.

'Onirica Possessione' is a damn strong track! Classic Genesis meets Italian 70's Prog at its best moments. Powerful vocals melodies by Francesco Ciapica and the Symphonic side of Prog Rock speaking really loud. One of the best tracks of the AlieNatura (2013). Weird last part though! 'Notturna' is a smaller interlude with a nature kind of feeling to it, basically commanded by keyboards and Elisa vocals. Beautiful piece of music!

The last track on the album is an almost 15 minutes suite with 5 parts called 'Il Cacciatore'. This last song is full of heavy guitars riffs and grim keyboards, that's how it starts really. It's great how they used the vocals between the verses. It helps create a really powerful mood in their music. 'Il Cacciatore' is all about changes and beautiful yet melancholic music. You have to listen with attention but still, you will bang your head with the riffs!

Il Tempio Delle Clessidre came as a big surprise to me as I didn't listen their debut album and knew nothing about them. Now I can honestly say that AlieNatura (2013) is one of the most powerful releases of the year! Perfect musicianship, great production and songwriting with a fresh sound. The album is powerful and melodic at the same time as the great Prog albums should be!

ProgShine


Alienatura is the second album by Il Tempio delle Clessidre and was released in 2013 on the independent label Black Widow Records with a renewed line up featuring Elisa Montaldo (keyboards, vocals), Fabio Gremo (bass, classical guitar, backing vocals), Giulio Canepa (electric and acustic guitar, backing vocals), Paolo Tixi (dums, backing vocals) and Francesco Ciapica (vocals). After the excellent eponymous debut album, the old vocalist Lupo Galifi left the band to join the reformed Museo Rosenbach and Francesco Ciapica stepped in proving that in Italy there's no shortage of excellent singers. All the good qualities of the band's previous album are confirmed here, the overall sound is a wonderful mix of vintage sounds and new ideas and all the compositions are convincing and well performed. Somehow the beautiful art cover by Alessandro Sala depicts in a very effective way the content of the music and lyrics inviting you to wander under the moon, looking for the right balance between your every day life and an alien nature that the contemporary society can't understand.
The beautiful opener "Kaze" sets the atmosphere. It's an instrumental track with a touch of exotic mysticism where you can hear lost, distant sounds and voices still blowing in the wind. In fact, kaze is a Japanese word that means wind and the music flows away with many changes, carrying you from east to west, from Oriental waves to echoes of native American rites... By the way, on this track you can hear for a moment the voice of Yoshiko Kase, a Japanese friend of the band and a passionate prog fan.

Next comes "Senza colori" (Colourless) that depicts in music and words a man on the edge of a deep personal crises who reflects about his past errors. Slowly part of him gets lost in the spiral of time, his memories get blurred and his hopes melt, suffocated by an oppressive reality. The mood is dark, but never say never! Even when his world seems crumbling down his inner will is still pulsing and pushes him to find a balance to repair what's wrong and to look for that kind of madness that's called Truth...

"Il passo" (The step) is another great track that describes a man who's falling down, betrayed by his self confidence and his desire of adventures. He was walking in the mountains, now he can remember nothing but the sound of his steps in the void and the wind blowing around him. He's scared and the night is coming down. Nobody will find him, lost in a solitary ravine, injured, surrounded by the desperate roots of the trees and naked rocks. His rage burns inside his chest as he shouts for the last time... Oh, what a lucky man he was!

"Fino alla vetta" (Up to the mountain top) is about hiking in the Alps and tells in music and words about the spiritual experience of a day spent in touch with beautiful, breathtaking panoramas, far from the daily grind. At dawn you can walk to the top breathing fresh air and listening to the melodic sound of soft rain drops falling on the trees until you get lost under a spell, led by the moon, free from the chains of civilization, in harmony with Mother Nature...

On the dark, nightmarish "Onirica possessione" (Oneiric possession) the music and lyrics describe in a theatrical way a very troubled night. As the veil of darkness comes down you fall asleep in a vortex of obscure thoughts, then your mind begins to fly across scary, bleak landscapes. You're filled with a strong sense of fear and risk to get lost, eternal prisoner of your madness and of your ill dreams. Then you see a creek in a wood and clear water flowing. Maybe there's another reality, you try to go forward to touch the illusion of a life after death while your thoughts fall down like autumn leaves... But soon you realize that your feet are sinking in the quicksand, the burden of your pain makes you heavy, the curtain opens and a crazy, dramatic play begins... In the last section you can hear the suggestive call of a demon and his false promises interpreted by Elisa Montaldo.

"Notturna" (Nocturnal) is a short, dreamy piece where you can fully appreciate Elisa Montaldo lead vocals. Here the music and lyrics depict arcane rites of cosmic harmony under the moon and a myriad of dancing stars, an ethereal celebration in honour of a pagan goddess who speaks of mountains, trees, rocks and of a world where your soul is free to fly high...

The magnificent epic "Il cacciatore" (The Hunter) concludes this excellent work in a perfect way. It's divided into five parts and tells the story of a hunter who gets lost in the forest following the tracks of his pray. He's tired, stranded, injured. Who is the pray now? When he meets a wolf he's almost helpless, ha can't use his bow and arrow anymore. But the wolf is merciful and protects him. At last he repents, he understand that shooting down an innocent life is pointless and cruel. So, he becomes a new man who's finally aware of the importance of living in a perfect balance with Mother Nature... Well, a nice fable and another great track!

On the whole, this is really a wonderful album, full of passionate melodies, mellow symphonic passages and a pinch of melodramma. I think that this is a real must for every prog lover!

andrea



..::TRACK-LIST::..

1. Kaze (Ciò Che Il Vento Porta Con sé) 04:15
2. Senza Colori 08:30
3. Il Passo 09:25
4. Fino alla Vetta 07:42
5. Onirica Possessione 09:08
6. Notturna 02:40
7. Il Cacciatore 14:50
- La Vera Preda
- Volo di Rapace
- La Lince
- Il Lupo
- Il Cacciatore



..::OBSADA::..

Elisa Montaldo - Voice, Keyboards, Piano, Organ, Concertina
Giulio Canepa - Guitars
Francesco Ciapica - Voice
Paolo 'Paolo' Tixi -Drums
Fabio Gremo - Bass



https://www.youtube.com/watch?v=d_4aG32SfRs


SEED 15:00-22:00.
POLECAM!!!