...( Info )...

Artist...............: Cliff Richard & The Shadows
Album................: Listen to Cliff
Genre................: Pop
Year.................: 1961
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. Cliff Richard & The Shadows - What'd I Say (Mono, 1998 Remaster)
2. Cliff Richard - Blue Moon (Mono, 1998 Remaster)
3. Cliff Richard & The Shadows - True Love Will Come to You (Mono, 1998 Remaster)
4. Cliff Richard - Lover (Mono, 1998 Remaster)
5. Cliff Richard & The Shadows - Unchained Melody (Mono, 1998 Remaster)
6. Cliff Richard - Idle Gossip (Mono, 1998 Remaster)
7. Cliff Richard & The Shadows - First Lesson in Love (Mono, 1998 Remaster)
8. Cliff Richard - Almost Like Being in Love (Mono; 1998 Remaster)
9. Cliff Richard - Beat out Dat Rhythm on a Drum (Mono, 1998 Remaster)
10. Cliff Richard & The Shadows - Memories Linger On (Mono, 1998 Remaster)
11. Cliff Richard - Temptation (Mono, 1998 Remaster)
12. Cliff Richard & The Shadows - I Live for You (Mono, 1998 Remaster)
13. Cliff Richard - Sentimental Journey (Mono; 1998 Remaster)
14. Cliff Richard & The Shadows - I Want You to Know (Mono, 1998 Remaster)
15. Cliff Richard - We Kiss in a Shadow (Mono; 1998 Remaster)
16. Cliff Richard & The Shadows - It's You (Mono, 1998 Remaster)
17. Cliff Richard & The Shadows - True Love Will Come to You (Stereo, 1998 Remaster)
18. Cliff Richard & The Shadows - I Want You to Know (Stereo, 1998 Remaster)

...( Info )...

Artist...............: Zucchero & Salmo
Album................: Overdose D' Amore Tour
Genre................: Pop
Year.................: 2024
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. Zucchero & Salmo - Overdose D'Amore 2024
2. Zucchero - Spirito Nel Buio
3. Zucchero - Soul Mama
4. Zucchero - Il Mare Impetuoso Al Tramonto Salì Sulla Luna E Dietro Una Tendina Di Stelle... (Remastered 2019)
5. Zucchero - La Canzone Che Se Ne Va
6. Zucchero Feat. Mark Knopfler - Ci Si Arrende
7. Zucchero - Partigiano Reggiano
8. Zucchero - Vedo Nero
9. Zucchero - Pene
10. Zucchero - Il Volo (Remastered 2017)
11. Zucchero - Facile
12. Zucchero - Con Le Mani (Remastered 2017)
13. Zucchero - Solo Una Sana E Consapevole Libidine Salva Il Giovane Dallo Stress E Dall'Azione Cattolica (Remastered 2017)
14. Zucchero - Baila (Sexy Thing)
15. Zucchero - Iruben Me (Remastered 2019)
16. Zucchero - Dune Mosse (Remastered 2017)
17. Zucchero - Oltre Le Rive
18. Zucchero - Un Soffio Caldo
19. Zucchero - Senza Rimorso
20. Zucchero Feat. Luciano Pavarotti - Miserere (Remastered 2017)
21. Zucchero - Overdose (D'Amore) (Remastered 2019)
22. Zucchero - Madre Dolcissima (Remastered 2019)
23. Zucchero - Diamante (Original Italian Version)
24. Zucchero - X Colpa Di Chi? (Remastered 2017)
25. Zucchero - Diavolo In Me
26. Zucchero - Chocabeck
27. Zucchero - E' Delicato
28. Zucchero - Ahum
29. Zucchero - Dindondio (Remastered 2017)
30. Zucchero - 13 Buone Ragioni

...( Info )...
Artist: Various Artists
Title: Living In Oblivion: The 80's Greatest Hits Vol.1-5 [Complete Set]
Year Of Release: 1993-1995
Label: EMI Records
Genre: New Wave, Synth Pop, Rock
Quality: 320 kbps
Total Time: 6:05:08

5 CD set featuring new wave artists of the 80's. Artists featured in this collection are: Naked Eyes, Kim Wilde, Ultravox, When In Rome, Thomas Dolby, ABC, Go West, Bananarama, Toni Basil, Hipsway, Human League, Thompson Twins, Timbuk 3, The Polecats, Arcadia, Stray Cats, The Monroes, Tones On Tail, and many, many more.

...( TrackList )...
1993 - Volume 1
01. Kajagoogoo - Too Shy (3:45)
02. Naked Eyes - Always Something There To Remind Me (3:41)
03. Talk Talk - Talk Talk (3:16)
04. Kim Wilde - Kids In America (3:24)
05. The Vapors - Turning Japanese (3:43)
06. Re-Flex - The Politics Of Dancing (3:57)
07. Paul Hardcastle - 19 (3:38)
08. 999 - Homicide (3:43)
09. Combo Audio - Romanticide (3:10)
10. Classix Nouveaux - Guilty (3:13)
11. Stranglers - (Get A) Grip (On Yourself) (4:02)
12. Tom Robinson Band - 2-4-6-8 Motorway (3:19)
13. Bow Wow Wow - C30, C60, C90, Go (3:03)
14. Stray Cats - (She's) Sexy + 17 (3:31)
15. Thomas Dolby - She Blinded Me With Science (3:42)
16. Spandau Ballet - Chant No. 1 (I Don't Need This Pressure On) (4:04)
17. Total Coelo - I Eat Cannibals (Part One) (3:33)
18. Haysi Fantayzee - Shiny Shiny (3:42)

1993 - Volume 2
01. Toni Basil - Mickey (3:38)
02. The Power Station - Get It On (Bang A Gong) (3:45)
03. Thompson Twins - Lay Your Hands On Me (4:10)
04. Heaven 17 - Let Me Go (4:16)
05. Haircut One Hundred - Love Plus One (5:38)
06. T’Pau - Heart And Soul (4:17)
07. JoBoxers - Just Got Lucky (4:47)
08. Fun Boy Three & Bananarama - It Ain't What You Do (It's The Way That You Do It) (2:51)
09. Deborah Harry - The Jam Was Moving (3:00)
10. Sigue Sigue Sputnik - Love Missile F1-11 (3:49)
11. The Nails - 88 Lines About 44 Women (4:54)
12. The Motels - Only The Lonely (3:17)
13. Living In A Box - Living In A Box (3:05)
14. Katrina And The Waves - Walking On Sunshine (3:57)
15. Kate Bush - Running Up That Hill (4:58)
16. Culture Club - Church Of The Poison Mind (3:32)
17. Missing Persons - Destination Unknown (3:34)
18. Limahl - Never Ending Story (3:31)
19. Toni Basil - Mickey (Spanish Version) (3:38)

1994 - Volume 3
01. Human League - (Keep Feeling) Fascination (3:44)
02. Scritti Politti - Perfect Way (4:01)
03. Bananarama - Cruel Summer (3:29)
04. The Dream Academy - Life In A Northern Town (4:15)
05. Arcadia - Election Day (4:30)
06. Johnny Hates Jazz - Shattered Dreams (3:28)
07. Corey Hart - Sunglasses At Night (3:55)
08. Timbuk 3 - The Future's So Bright, I Gotta Wear Shades (3:22)
09. The Polecats - Make A Circuit With Me (2:44)
10. Stray Cats - Rock This Town (2:39)
11. Jellybean - Sidewalk Talk (3:59)
12. Talk Talk - It's My Life (3:54)
13. Cutting Crew - (I Just) Died In Your Arms (4:35)
14. Device - Hanging On A Heart Attack (4:01)
15. ABC - Poison Arrow (3:24)
16. Ebn-Ozn - AEIOU Sometimes Y (3:54)
17. So - Are You Sure (4:07)
18. Tears For Fears - The Way You Are (4:55)
19. The Monroes - What Do All The People Know (3:29)

1994 - Volume 4
01. Wang Chung - Dance Hall Days (3:58)
02. The Fixx - One Thing Leads To Another (3:17)
03. Spandau Ballet - True (5:36)
04. Dexy's Midnight Runners - Come On Eileen (4:13)
05. The Blow Monkeys - Digging Your Scene (4:43)
06. Thompson Twins - Sister Of Mercy (4:55)
07. The Church - Under The Milky Way (4:57)
08. Red Box - Lean On Me (Ah-Li-Ayo) (4:20)
09. Strawberry Switchblade - Since Yesterday (2:57)
10. Scarlett & Black - You Don't Know (3:40)
11. Belouis Some - Some People (3:58)
12. The Motels - Shock (4:11)
13. Burning Sensations - Belly Of The Whale (5:00)
14. General Public - Tenderness (3:38)
15. Intaferon - Get Out Of London (3:24)
16. Tones On Tail - Go! (2:33)
17. Wide Boy Awake - Slang Teacher (3:26)
18. Our Daughter's Wedding - Lawnchairs (3:21)
19. Wall Of Voodoo - Mexican Radio (4:08)

1995 - Volume 5
01. Peter Schilling - Major Tom (Coming Home) (4:59)
02. Thomas Dolby - Hyperactive (3:41)
03. Naked Eyes - Promises, Promises (4:00)
04. When In Rome - The Promise (3:40)
05. Ultravox - Vienna (4:39)
06. Orchestral Manoeuvres In The Dark - Enola Gay (3:30)
07. China Crisis - King In A Catholic Style (Wake Up) (3:54)
08. Jules Shear - Steady (3:33)
09. The Fun Boy Three - Our Lips Are Sealed (2:53)
10. Divinyls - Pleasure And Pain (3:52)
11. The Icicle Works - Birds Fly (Whisper To A Scream) (3:43)
12. Hipsway - The Honeythief (3:11)
13. Rubber Rodeo - Souvenir (3:48)
14. Boys Don't Cry - I Wanna Be A Cowboy (3:42)
15. Double - The Captain Of Her Heart (4:34)
16. Cock Robin - When Your Heart Is Weak (4:39)
17. Climie Fisher - Love Changes (Everything) (4:29)
18. Bananarama - More Than Physical (3:20)
19. ABC - Vanity Kills (3:33)
20. Go West - We Close Our Eyes (3:41)

..::INFO::..

The Joshua Tree to piąty album studyjny irlandzkiego zespołu rockowego U2 z marca 1987 roku. Producentami byli Brian Eno i Daniel Lanois. Płyta została nagrana w Windmill Lane Studios i STS w Dublinie. The Joshua Tree to pierwszy duży i jak do tej pory największy sukces komercyjny U2. Dotąd sprzedano ponad 16 mln egzemplarzy tej płyty, a takie utwory jak With or Without You czy I Still Haven't Found What I'm Looking For przez wiele miesięcy zajmowały pierwsze miejsca list przebojów na całym świecie. W przypadku tej płyty, obok sukcesu kasowego zespół odniósł ogromny sukces artystyczny. Wielu krytyków uważa Joshua Tree za największy album U2 w historii. Album ten w porównaniu z innymi płytami U2 zebrał najwięcej nagród i wyróżnień w różnych plebiscytach na najlepsze albumy wszech czasów itp. W 2003 album został sklasyfikowany na 26. miejscu listy 500 albumów wszech czasów dwutygodnika Rolling Stone.

Title: The Joshua Tree

Artist: U2

Country: Irlandia

Year: 1987

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

Where the Streets Have No Name
I Still Haven't Found What I'm Looking For
With or Without You
Bullet the Blue Sky
Running to Stand Still
Red Hill Mining Town
In God's Country
Trip Through Your Wires
One Tree Hill
Exit
Mothers of the Disappeared

...( Info )...
Oldies Part 3⭐MP3@320

...( TrackList )...
Albums:
cryan shames - a scratch in the sky (1968)
cryan shames - syntesis (1969)
Cuby & The Blizzards - 1966 - Desolation
Cuby & The Blizzards - 1967 - Groeten Uit Grollo
Cuby & The Blizzards - 1968 - Trippin Thru A Midnight Blues
Cuby & The Blizzards - 1971 - Simple Man
Cuby & The Blizzards - 1974 - Cuby's Blues The Best (1997)
Cuby & The Blizzards - 1976 - Kid Blue
Cuby & The Blizzards - 2002 - Singles As,Bs (2CD)
Cuby and the Blizzards & Eddy Boyd - Praise the blue (1967)
DA CAPO - Da Capo (1972)
dantalian's chariot - chariot rising (1967)
dark - round the edges (1971)
Dave Clark Five - The Complete History, Vols 1-7 (1964-1968) [1994] (7 x CD's)
David Kubinec's Mainhorse Airline - The Geneva Tapes (1969-70)
day of phoenix - wide open n-way (1970)
Death - ...For The Whole World To See (1975)
Deep Feeling - Pretty Colours (1966-68)
deja-vu - between the leaves (1976)
demian - demian (1971)
Demis Roussos - 1973 - Forever and Ever
Deuter - Aum (1972)
Dick Dale - Checkersd Flag (1964)
Dick Dale - King Of The Surf Guitar (1963)
Dick Dale - Mr.Eliminator (1964)
dirty blues band - same & stone dirt (1968)
doctor down trip - doctor down trip (1973)
dragonfly - dragonfly (1968)
drama - drama (1971-1972)
dust - hard attack (1972)
The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators (1966)
V.A. - Echoes In Time 1 & 2 (1965-72)

...( Info )...

Artist: Various Artists
Album: Acoustic Love
Year: 2024
Genre: Pop, Rock
Format: mp3 320 kbps

...( TrackList )...

01. Benson Boone - Beautiful Things (Acoustic)
02. Ed Sheeran - Perfect
03. Christina Perri - A Thousand Years
04. Zach Bryan - I Remember Everything (feat. Kacey Musgraves)
05. Charlie Puth - One Call Away (Acoustic)
06. Bruno Mars - When I Was Your Man
07. Bebe Rexha - Meant to Be (Acoustic)
08. Dan + Shay - 10,000 Hours
09. Rod Stewart - Have I Told You Lately
10. Teddy Swims - Some Things I'll Never Know (feat. Maren Morris)
11. James Blunt - You’re Beautiful
12. Jasmine Thompson - Ain’t Nobody (Loves Me Better) [Acoustic Version]
13. Bailey Zimmerman - Fall in Love (Acoustic)
14. Ed Sheeran - Hearts Don't Break Around Here
15. The Band CAMINO - Crying Over You
16. Alex Warren - Before You Leave Me
17. Ali Gatie - It’s You
18. Rachel Chinouriri - So My Darling (Acoustic)
19. Jaymes Young - Infinity
20. Forest Blakk - If You Love Her (Acoustic)
21. Coldplay - Everglow
22. Sara Kays - Remember That Night (Acoustic Version)
23. Zach Bryan - Dawns (feat. Maggie Rogers)
24. Catie Turner - God Must Hate Me
25. Jason Mraz - Lucky
26. Jess Glynne - I’ll Be There (Acoustic)
27. Birdy - Not About Angels (From The Fault in Our Stars)
28. Brandi Carlile - Party of One (feat. Sam Smith)
29. Canyon City - How Long Will I Love You
30. Anne-Marie - Perfect to Me (Acoustic)
31. Andra Day - Rise Up
32. Foy Vance - She Burns
33. Gabrielle Aplin - The Power of Love
34. Damien Rice - The Blower’s Daughter
35. Jason Mraz - Love Someone (Acoustic Version)
36. Løv Li - Glimpse of Us
37. Jenna Raine - see you later (ten years)
38. Adam Melchor - Light Year (feat. Lennon Stella)
39. Eliza Doolittle - You and Me
40. Joshua Bassett - would you love me now

...( Info )...

Artist: Various Artists
Album: quiet music easy hits
Year: 2024
Genre: Pop, Rock
Format: mp3 320 kbps

...( TrackList )...

01. Birdy - Skinny Love
02. Benson Boone - To Love Someone
03. Ed Sheeran - Perfect
04. Teddy Swims - Some Things I'll Never Know (feat. Maren Morris)
05. Bruno Mars - Just the Way You Are
06. Christopher - A Beautiful Life (From the Netflix film A Beautiful Life)
07. Bea and Her Business - Born to Be Alive
08. Michael Marcagi - Scared to Start
09. Coldplay - The Scientist
10. Zach Bryan - Pink Skies
11. Sam Ryder - SPACE MAN
12. Joshua Bassett - Lifeline
13. Alec Benjamin - Pick Me
14. Michael Marcagi - In the Light
15. Charlie Puth - Hero
16. Coldplay - Let Somebody Go
17. Rowan Drake - Youth
18. Rachel Chinouriri - Robbed
19. Andra Day - Chasing
20. Kaleo - Lonely Cowboy
21. Rainbow Kitten Surprise - Overtime (feat. Kacey Musgraves)
22. Alex Warren - Save You a Seat
23. Faouzia - Fur Elise
24. Nolan Taylor - Bluefoot
25. Yori - Night Sky
26. Max - EDIE CELINE
27. Tanner Usrey - Beautiful Lies
28. Emma Bale - lavender salt
29. Alex Warren - Yard Sale
30. Omar Apollo - Live for Me
31. Sara Kays - Show Me Off
32. Jaden Hossler - Elevated Heartbreak
33. Christopher - Hope This Song Is for You (From A Beautiful Life)
34. Genevieve Stokes - Book of Memories
35. Charlotte Lawrence - Bodybag
36. Ali Gatie - Seasonal Love
37. Maisie Peters - Good Enough
38. Omar Apollo - Evergreen (You Didn’t Deserve Me at All)
39. James Blunt - Monsters
40. Zach Bryan - Something in the Orange
41. Sabrina Claudio - Favorite Part
42. Jamie Miller - Last Call
43. Sara Kays - When You Look at Me
44. Benson Boone - GHOST TOWN
45. Ed Sheeran - The Joker and the Queen
46. Ali Gatie - Perfect
47. Forest Blakk - If You Love Her
48. Birdy - Wings
49. gnash - i hate u, i love u (feat. Olivia O'Brien)
50. Jason Mraz - I Won’t Give Up
51. Coldplay - Fix You
52. James Blunt - Goodbye My Lover
53. Bruno Mars - Grenade
54. Jason Mraz - I’m Yours

...( Info )...

Artist: Crowded House
Album: Gravity Stairs
Year: (2024)
Genre: Rock
Format: [FLAC]

...( TrackList )...

01. Magic Piano
02. Teenage Summer
03. The Howl
04. All That I Can Ever Own
05. Oh Hi
06. Some Greater Plan (For Claire)
07. Black Water, Blue Circle
08. Blurry Grass
09. I Can't Keep Up With You
10. Thirsty
11. Night Song

...( Info )...

Artist: Various Artists
Album: Summer Party Songs Hits Only
Year: 2024
Genre: Pop, Rock
Format: mp3 320 kbps

...( TrackList )...

01. Lilly wood and the prick - Prayer in C (Robin Schulz Radio Edit)
02. Flo rida - Wild Ones (feat. Sia)
03. Jack harlow - WHATS POPPIN
04. Yng lvcas & Peso pluma - La Bebe (Remix)
05. Flo rida - Low (feat. T-Pain)
06. Feder - Goodbye (feat. Lyse)
07. Rita ora - Your Song
08. Sofía reyes - 1, 2, 3 (feat. Jason Derulo & De La Ghetto)
09. Lennon stella - Summer Feelings (feat. Charlie Puth)
10. David guetta & Bebe rexha - I’m Good (Blue)
11. Jason derulo & Nicki minaj & Ty dolla $ign - Swalla
12. Nathan dawe - 21 Reasons (feat. Ella Henderson)
13. Ed sheeran - Bad Habits
14. Tiësto & Karol g - Don’t Be Shy
15. Dua lipa - Don’t Start Now
16. Robin s - Show Me Love
17. Jack harlow - First Class
18. Lizzo - Good as Hell
19. Bruno mars - That’s What I Like
20. Rita ora - Girls (feat. Cardi B, Bebe Rexha & Charli XCX)
21. Iyaz - Replay
22. Cardi b - Up
23. Gym class heroes - Stereo Hearts (feat. Adam Levine)
24. Don toliver - After Party
25. Tones and i - Dance Monkey
26. Flo rida - Good Feeling
27. David guetta - Titanium (feat. Sia)
28. Lupe fiasco - The Show Goes On
29. Ed sheeran - Shivers
30. Bebe rexha - Call On Me
31. Crash adams - Lucky
32. Saweetie - My Type
33. Joel corry - Head & Heart (feat. MNEK)
34. Rita ora - Anywhere
35. David guetta - Memories (feat. Kid Cudi)
36. Cardi b - Bodak Yellow
37. Snoop dogg & Wiz khalifa - Young, Wild & Free (feta. Bruno Mars) (feat. Bruno Mars)
38. Kaliii - Area Codes
39. Bruno mars - Locked Out of Heaven
40. B.o.b - Airplanes (feat. Hayley Williams)
41. Eliza rose & Interplanetary criminal - B.O.T.A. (Baddest of Them All) (Edit)
42. Galantis - No Money
43. Dua lipa - Levitating (feat. DaBaby)
44. Aespa - Spicy
45. Jaymes young - Infinity (PRETTY YOUNG Remix)
46. Ashnikko - Slumber Party (feat. Princess Nokia)
47. Maisie peters - Lost the Breakup
48. Robin schulz - Sun Goes Down (Radio Edit) [feat. Jasmine Thompson]
49. Young thug - Livin It Up (feat. Post Malone & A$AP Rocky)
50. Tiësto & Tate mcrae - 10:35
51. David guetta & Anne-marie & Coi leray - Baby Don’t Hurt Me
52. Ava max - Maybe You’re the Problem
53. Lil uzi vert - Just Wanna Rock
54. Jason derulo - Glad U Came
55. Illenium & Avril lavigne & Travis barker - Eyes Wide Shut
56. Meek mill - Going Bad (feat. Drake)
57. Gym class heroes - Cupid’s Chokehold - Breakfast in America

...( Info )...
VA - 101 Electronic 80's [2017] (5 x CDs)
Audio codec: Mp3 @320 kbps

...( TrackList )...
CD01
01. Soft Cell - Tainted Love 2:34
02. Human League - Love Action (I Believe In Love) 3:42
03. Orchestral Manoeuvres In The Dark - Enola Gay 3:26
04. Visage - Fade To Grey 3:42
05. Yello - I Love You 3:06
06. Tears For Fears - Pale Shelter 4:25
07. Cure - The Walk 3:22
08. Heaven 17 - Temptation 3:24
09. Devo - Whip It 2:36
10. ABC - How To Be A Millionaire 3:34
11. Simple Minds - Promised You A Miracle 3:51
12. Japan - The Art Of Parties 6:37
13. Swansway - Soul Train 3:10
14. Marc Almond - The Boy Who Came Back 4:43
15. Human League - Only After Dark 3:37
16. Bill Nelson - Flaming Desire 4:44
17. Ultravox - Slow Motion 3:20
18. Lover Speaks - No More I Love You's 3:56
19. Orchestral Manoeuvres In The Dark - Souvenir 3:29
20. China Crisis - Christian 5:40
21. Philip Lynott - Yellow Pearl 2:51
CD02
01. ABBA - The Visitors 5:41
02. B-52's - Give Me Back My Man 3:54
03. Pete Shelley - Homosapien 4:23
04. Donna Summer - Sunset People 3:49
05. Electribe - Tell Me When The Fever Ended 4:33
06. Soft Cell - Numbers 3:27
07. Men - I Don't Depend On You 4:33
08. Holly Johnson - Love Train 3:58
09. Paul Rutherford - I Want Your Love 3:49
10. Set The Tone - Dance Sucker 4:00
11. Cure - Let's Go To Bed 3:31
12. Japan - Visions Of China 3:38
13. Orchestral Manoeuvres In The Dark - Messages 4:42
14. Heaven 17 - Play To Win 3:22
15. Visage - Mind Of A Toy 3:32
16. Jon & Vangelis - State Of Independence 4:16
17. David Sylvian - Pulling Punches 3:02
18. Godley & Creme - Under Your Thumb 3:35
19. It's Immaterial - Driving Away From Home (Jim's Tune) 4:10
20. Devo - The Day My Baby Gave Me A Surprise 2:37
CD03
01. ABC - The Look Of Love 3:27
02. Soft Cell - Bedsitter 3:27
03. Tears For Fears - Mad World 3:27
04. Yello - Oh Yeah 2:58
05. Sharpe & Numan - Change Your Mind 3:50
06. Martha And The Muffins - Echo Beach 3:27
07. Heaven 17 - (We Don't Need This) Fascist Groove Thang 4:13
08. China Crisis - African And White 3:45
09. Frazier Chorus - Dream Kitchen 3:33
10. It's Immaterial - Ed's Funky Diner 3:04
11. Hipsway - The Honey Thief 4:25
12. Nik Kershaw - Wouldn't It Be Good 4:21
13. David Sylvian - Red Guitar 5:03
14. Human League - Empire State Human 3:05
15. Passions - I'm In Love With A German Film Star 3:56
16. Visage - The Damned Don't Cry 4:00
17. Soft Cell - Say Hello, Wave Goodbye 5:19
18. Black - Wonderful Life 4:44
19. Japan - Ghosts 4:24
20. Band Aid - Do They Know It's Christmas 3:43
CD04
01. Frankie Goes To Hollywood - Two Tribes 3:51
02. Simple Minds - Don't You (Forget About Me) 4:14
03. Orchestral Manoeuvres In The Dar - If You Leave 4:15
04. Nik Kershaw - I Won't Let The Sun Go Down On Me 3:12
05. Malcolm Mclaren - Madam Butterfly 6:21
06. Holly Johnson - Atomic City 6:07
07. Heaven 17 - Height Of The Fighting (He-La-Hu) 2:58
08. Human League - The Sound Of The Crowd 3:57
09. Yello - The Race 3:11
10. Tears For Fears - Change 3:50
11. Simple Minds - Glittering Prize 3:49
12. M - Pop Muzik 3:08
13. Comsat Angels - Independence Day 3:38
14. Heaven 17 - Geisha Boys And Temple Girls 4:28
15. B-52's - Song For A Future Generation 3:55
16. Neneh Cherry - Kisses On The Wind 3:50
17. Human League - Don't You Want Me 3:48
18. ABBA - Head Over Heels 3:39
19. Culture Club - Do You Really Want To Hurt Me 4:13
20. ABC - Poison Arrow 3:22
CD05
01. Yazz & The Plastic Population - The Only Way Is Up 3:48
02. Neneh Cherry - Buffalo Stance 3:59
03. Hot Streak - Body Work 4:13
04. Stephanie Mills - The Medicine Song 4:00
05. Ollie & Jerry - Breakin' There's No Stopping Us 3:39
06. Associates - Party Fears Two 4:06
07. Paul Rutherford - Get Real 3:36
08. Holly Johnson - Americanos 3:35
09. Visage - Night Train 4:30
10. Human League - (Keep Feeling) Fascination 3:43
11. Yello - Desire 3:39
12. Tears For Fears - Head Over Heels 4:14
13. Soft Cell - Torch 4:05
14. Godley & Creme - Cry 3:55
15. Nik Kershaw - The Riddle 3:51
16. Trio - Da Da Da (I Don't Love You, You Don't Love Me, Aha Aha Aha) 3:19
17. Culture Club - Karma Chameleon 4:04
18. China Crisis - Wishful Thinking 4:05
19. David Sylvian - Forbidden Colours (Featuring Ryuichi Sakamoto) 4:36
20. Philip Oakey & Giorgio Moroder - Together In Electric Dreams 3:50

Wierzcie lub nie, ale lata 80. rozpoczęły się 44 lata temu. Wkroczmy do wehikułu czasu, jakim jest box set „VA - 101 Electronic 80’s [2017]”. Znajdziesz się w sercu lat 80. – dekady, która była wylęgarnią innowacji i eksperymentów w świecie muzycznym, szczególnie w muzyce elektronicznej. Lata 80. to czas, kiedy na pierwszy plan wyszły nowe technologie i syntezatory, dając artystom narzędzia do tworzenia dźwięków świeżych i niespotykanych.

Scena muzyczna lat 80. była tyglem różnorodnych dźwięków i stylów, a muzycy nieustannie przesuwali granice, odkrywając nowe terytoria dźwiękowe. Ten zestaw pudełkowy przypomina muzyczną mapę epoki, prezentującą szeroką gamę modnych gatunków i stylów. Od ostrych beatów New Wave po chwytliwe rytmy synth-popu, od zrelaksowanych klimatów Lounge po energetyczne melodie Pop Rock – ta kompilacja daje panoramiczny obraz muzycznego krajobrazu dekady. Lata 80. to czas szybkich zmian i ewolucji, a muzyka tamtej epoki odzwierciedla tę dynamikę. Utwory znajdujące się w tym zestawie pudełkowym są świadectwem ducha innowacji i kreatywności, który był znakiem rozpoznawczym tamtych czasów. Przypominają okres, w którym artyści byli odważni i żądni przygód, nieustannie przesuwając granice tego, co było muzycznie możliwe.

Zestaw boxów „VA - 101 Electronic 80’s [2017]” to muzyczna podróż przez dekadę, która pozostawiła niezatarty ślad w muzycznym świecie. To pozytywka o ponadczasowym uroku dźwięków lat 80-tych. Zatem usiądź wygodnie, zrelaksuj się i pozwól muzyce przenieść się w niezapomnianą epokę!

.::INFO::.

Artist: Various Artists
Album: Now Yearbook Extra 80 – 84 Vol. 2 Extra
Year: 2024
Genre: Pop, Rock
Format: mp3 320 kbps

.::TRACKLIST::.

CD1
01 - Queen - Flash
02 - Diana Ross - My Old Piano
03 - The Gap Band - I Don't Believe You Want To Get Up And Dance (Oops, Up Side Your Head)
04 - Hot Chocolate - No Doubt About It
05 - Robert Palmer - Johnny And Mary
06 - Orchestral Manoeuvres In The Dark - Messages
07 - John Foxx - Underpass
08 - New Musik - Living by Numbers
09 - Paul McCartney - Waterfalls (DJ Edit)
10 - The Clash - Bankrobber
11 - Grace Jones - Private Life
12 - The Cure - A Forest
13 - Devo - Whip It
14 - Madness - Embarrassment
15 - The Regents - 7 Teen
16 - Bow Wow Wow - C30 C60 C90 Go
CD2
01 - The Police - Spirits In The Material World
02 - The Jam - Absolute Beginners
03 - The Teardrop Explodes - Treason (It's Just A Story)
04 - Siouxsie And The Banshees - Spellbound
05 - Godley & Creme - Under Your Thumb
06 - Dave Stewart & Barbara Gaskin - It's My Party
07 - Aneka - Japanese Boy
08 - Stars On 45 - Stars On 45
09 - The Human League - Love Action (I Believe In Love)
10 - Visage - Visage
11 - Soft Cell - Bedsitter
12 - Heaven 17 - Play To Win
13 - Spandau Ballet - The Freeze
14 - Randy Crawford - Rainy Night in Georgia
15 - Grover Washington, Jr. feat. Bill Withers - Just the Two of Us
16 - John Lennon - Watching The Wheels (Ultimate Mix)
CD3
01 - Roxy Music - More Than This
02 - ABC - Poison Arrow
03 - Dollar - Mirror Mirror
04 - Haircut 100 - Nobody's Fool
05 - The Associates - Club Country
06 - Dexys Midnight Runners & Kevin Rowland - Jackie Wilson Said (I'm In Heaven When You Smile)
07 - Monsoon - Ever So Lonely
08 - Toyah - Brave New World
09 - Gary Numan - Music for Chameleons (E
10 - Trio - Da Da Da I Don't Love You You Don't Love Me Aha Aha Aha
11 - Japan - I Second That Emotion
12 - The Maisonettes - Heartache Avenue
13 - Daryl Hall & John Oates - Maneater
14 - Shalamar - I Can Make You Feel Good
15 - Dionne Warwick - Heartbreaker
16 - Fat Larry's Band - Zoom
CD4
01 - Irene Cara - Flashdance... What A Feeling
02 - New Order - Confusion
03 - Altered Images - Don't Talk to Me About Love
04 - Echo and the Bunnymen - The Cutter
05 - Aztec Camera - Oblivious
06 - The Lotus Eaters - The First Picture of You
07 - The Belle Stars - Sign of the Times
08 - Tracey Ullman - They Don't Know
09 - Duran Duran - Union of the Snake
10 - Adam Ant - Puss 'n Boots
11 - Nick Heyward - Blue Hat for a Blue Day
12 - Paul Young - Come Back and Stay
13 - Marillion - Garden Party
14 - Tom Robinson - War Baby
15 - Pretenders - 2000 Miles
CD5
01 - Eurythmics - Sexcrime (Nineteen Eighty-Four)
02 - Ultravox - Dancing with Tears in My Eyes
03 - Nik Kershaw - Wouldn't It Be Good
04 - Culture Club - The War Song
05 - Thompson Twins - You Take Me Up
06 - Bananarama - Robert De Niro's Waiting
07 - Alison Moyet - Invisible
08 - Bronski Beat - Smalltown Boy
09 - Dead Or Alive - That's The Way (I Like It)
10 - Rockwell - Somebody's Watching Me
11 - Shannon - Let the Music Play
12 - Evelyn Thomas - High Energy
13 - Hazell Dean - Searchin' (I Gotta Find A Man)
14 - Divine - You Think You're a Man
15 - The Weather Girls - It's Raining Men
Orginalna kategoria:Muzyka » Składanki

.::INFO::.

Artist: Liana Flores
Album: Flower of the soul
Year: 2024
Genre: Pop, Folk
Quality: FLAC 24Bit-96kHz

.::TRACKLIST::.

01. Hello again
02. Orange-coloured day
03. Nightvisions
04. Crystalline
05. Now and then
06. Halfway heart
07. When the sun
08. I wish for the rain
09. Cuckoo
10. Butterflies
11. Slowly
Orginalna kategoria:Muzyka » Pop

.::INFO::.

Artist: Electric Light Orchestra
Album: Out Of The Blue
Year: (1977)
Genre: Rock
Format: [FLAC]

.::TRACKLIST::.

01. Turn To Stone
02. It's Over
03. Sweet Talkin' Woman
04. Across The Border
05. Night In The City
06. Starlight
07. Jungle
08. Believe Me Now
09. Steppin' Out
10. Standin' In The Rain
11. Big Wheels
12. Summer And Lightning
13. Mr. Blue Sky
14. Sweet Is The Night
15. The Whale
16. Birmingham Blues
17. Wild West Hero
Orginalna kategoria:Muzyka » Rock

.::INFO::.

Artist: Chris de Burgh
Album: Spark To A Flame (The Very Best Of)
Year: (1989)
Genre: Pop
Format: [FLAC]

.::TRACKLIST::.

01. This Waiting Heart
02. Don't Pay The Ferryman
03. Fire On The Water
04. Sailing Away
05. The Lady In Red
06. Borderline
07. Say Goodbye To It All
08. One Word (Straight To The Heart)
09. A Spaceman Came Travelling
10. Ship To Shore
11. Missing You
12. Diamond In The Dark
13. Tender Hands
14. The Getaway
15. Where Peaceful Waters Flow
16. High On Emotion
Orginalna kategoria:Muzyka » Pop

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

217 min.
Double DVD / 4:3
AC 3 Stereo / Dolby Digital 5.1 / 5.1 Surround
Region Code: 0 (Free) / PAL
Language: German / Subtitles: English



Well, this DVD is one hell of a pleasant surprise, even if it uses the terms Krautrock in a wider and more liberal sense of the word than our beloved site does. Of the six groups on this DVD, only two (Guru and Duul) fits in our description of Krautrock, while two more (Birth and Jane) are placed in the Art Rock/ Heavy Prog realm, while Epitaph's early album could easily match those last two groups. This double disc was recorded in the closing days of 04 at the famous Rockpalast in two days.
I will do a quick rundown of the groups as they appear on the two discs.

Epitaph developed a heavy prog rock (I'm only familiar with their first two albums), but some 30 years later, they sound like a fairly average guitar dominated riffy hard rock, much like what Wishbone Ash has developed since the mid-70's. Nothing groundbreaking or earth-shattering, not worth writing home about, it was pleasant to see them play with two original members in this reunion line-up.

Guru Guru was easily this double set's best moment as clearly these veterans have kept an incredible enthusiasm and delivered us an incredibly fresh set, where nostalgia had no place. With only drummer Neumeier left from their original line-up, obviously their music is quite different than on those groundbreaking and experimental early Guru vinyls, but it is no-less worthy then their glory days. The line-up has been together for ten years and the musicians develop a very entertaining funky-ethnic-psych-jazz rock, communicating us their certain joie de vivre and a fairly visual show. Neumeier holds the great shape and plays drums, sings and adds crazy wind instrument, while Schaeffer also blows some mean winds and wails and the bassist and guitarists remain largely rhythmic. One of the jewels in this crown.

Not an easy task to follow-up this combo, unless doing something completely different and this is exactly why Karthago was welcome. They play a very credible (and creditable ;-) blues rock with prog overtones and the quintet gets extra points for boasting an excellent Hammond player as well as good percussionist (congas mostly). While I may not familiar at all with this group's discography, I believe only the guitarist/singer is the only one remaining from their early days, but the KBman Ingo Bischof is a long-time veteran. Not really prog, but they could one day see their inclusion in prog-related.

Closing off the first disc is Jane, one of those group that have simply never stopped playing, recording and touring. And by the sound of it, this has kept their enthusiasm on a very high level and their Hammond-driven heavy prog still sounding fresh. And the amazing thing is that most of the line-up are historic members from their early albums (Panka is still singing and drumming up a storm), while their guitarist is from another band's (present on this DVD) glory days. They only play three tracks, but are they really hot, extended, very well played and downright exciting. The group still knows how to pull shivers from their audiences with their dramatic ambiances and instrumental heroics. Truly a surprise, as I was not really expecting that much from this group.

The second disc holds just as many superb moments, but in a more surprising mode. ADII was always a very loose and chaotic-sounding group on stage, and not that much has changed some 35 years later. This line-up is also loaded with the historic members from their early (and best) era. Not holding the same kind of shape and enthusiasm as their peers from Guru, they nevertheless play a credible set that reflects quite well their typical selves. Never a fan of Knaup's voice, they play two tracks from their Yeti album, but clearly once they go instrumental (the last and extended Kanaan track), ADII does show the sporadic brilliance that all Duulers wished them to consistent. Having seen them twice in the last decade, I knew what to expect, and I was not let down.

Last (but not least) is another long-time survivor that has apparently never stopped either (to my best of knowledge anyway), and like Jane, Birth Control is a superb Hammond-driven heavy prog that puts the emphasis on then instruments rather than the vocals. And like Jane, they are headed by a singing drummer (Noske), but unlike their rivals, BC is a bit short on historic members. Most of the group is newer members (with Foller coming in to sing on one track as a guest), but the superb BC spirit is kept as their three extended tracks are sizzling and frying your brains, much like Jane did on the other disc. And like Jane, they rely on instrumental heroics, but never splurge in the dramatics the same way their competition does. But nevertheless (and despite my original - and unfounded - fears that BC was only the shadow of their former selves), BC draws this double-disc affair to an exciting close.

So far, this is only the first release of this sort (that I am aware of), but hopefully not the last, because I know there are many classic 70's band still around waiting to get a chance for exposure. A real must even if two of the six-bands are not related to prog, the other four are simply outstanding.

Sean Trane



..::TRACK-LIST::..

DVD 1:
Epitaph
1. Woman
2. Big City
3. Fresh Air
4. Reflections
5. Tequila Shuffle

Guru Guru
6. Living In The Woods
7. Izmiz
8. Kleines Pyjama
9. Moshi Moshi
10. Der Elektrolurch

Karthago
11. The World Is Like A Burning Fire
12.Rock'n Roll Testament
13.In The Midnight
14.Queen Of The Night
15.We Gonna Keep It Together

Peter Panka's Jane
16. Daytime
17. Medley: Windows/Spain
18. Out In The Rain


DVD 2:
Amon Düül II
1. Archangels Thunderbird
2. Green Bubble Raincoated Man
3. Deutsch Nepal
4. Speed Inside My Shoes
5. All The Years 'Round
6. Kanaan

Birth Control
7. Just Before The Sun Will Rise
8. Back From Hell
9. Gamma Ray

Bonus material:
Band Biographies
Interviews
Slideshow



..::OBSADA::..

Bass, Backing Vocals - Chris Rodriguez (5) (tracks: 1-11 to 1-15), Hannes Vesper (tracks: 2-7 to 2-9)
Bass, Vocals - Bernd Kolbe (tracks: 1-1 to 1-5), Charly Maucher (tracks: 1-16 to 1-18), Lothar Meid (tracks: 2-1 to 2-6), Peter Kühnstedt (tracks: 1-6 to 1-10)
Drums - Peter Leopold (tracks: 2-1 to 2-6)
Drums, Backing Vocals - Rolo Rodriguez (tracks: 1-11 to 1-15)
Drums, Percussion, Backing Vocals - Achim Wielert-Poret (tracks: 1-1 to 1-5)
Drums, Percussion, Vocals - Jan Kahlert (tracks: 2-1 to 2-6)
Drums, Vocals - Peter Panka (tracks: 1-16 to 1-18)
Drums, Vocals, Percussion - Mani Neumeier (tracks: 1-6 to 1-10)
Guitar - John Weinzierl (tracks: 2-1 to 2-6)
Guitar, Backing Vocals - Heinz Glass (tracks: 1-1 to 1-5), Klaus Walz (tracks: 1-16 to 1-18), Peter Engelhardt (tracks: 2-8)
Guitar, Vocals - Cliff Jackson (tracks: 1-1 to 1-5), Luigi Archetti (tracks: 1-6 to 1-10)
Guitar, Vocals, Saxophone, Performer [Nadaswaram] - Roland Schaeffer (tracks: 1-6 to 1-10)
Keyboards - Sascha Kühn (tracks: 2-7 to 2-9)
Keyboards, Backing Vocals - Ingo Bischof (tracks: 1-11 to 1-15), Werner Nadolny (tracks: 1-16 to 1-18)
Percussion, Backing Vocals - Tommy Goldschmidt (tracks: 1-11 to 1-15)
Violin, Guitar, Vocals - Chris Karner (tracks: 2-1 to 2-6)
Vocals - Peter Föller (tracks: 2-7 to 2-9), Renate Knaup-Krötenschwanz (tracks: 2-1 to 2-6)
Vocals, Drums - Bernd Noske (tracks: 2-7 to 2-9)
Vocals, Guitar - Joey Albrecht (tracks: 1-11 to 1-15)





SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Pierwszy raz w oryginalnej okładce i ze znacznie poprawionym dźwiękiem! Klasyczny brytyjski album (wart na oryginalnym winylu ok. 3000 euro!!!) łączący ciężkawe, gitarowe brzmienia z nieco rozmarzonym, psychodelicznym folkiem (a także z bluesem) i nawiazujący do nagrań Fleetwood Mac (z okresu LP 'Then Play On'), wczesnych Wishbone Ash i Quicksilver. Cóż, okazało się przy okazji, że trzeci utwór z płyty nie nazywał się wcale 'Reprise' (jak widniało na starym i mało atrakcyjnym CD firmy Kissing Spell) ale 'Sad Story/Reprise'.
Dodatkowo cztery nagrania demo - również świetnej, studyjnej jakości!



Pochodzący z angielskiego Shrewsbury kwartet DOGFEET to jeden z bardzo wielu zespołów z lat 70-tych, który przemknął jak meteor przez rockowy nieboskłon pozostawiając na nim ślad w postaci jednej płyty (obecnie wartej 1200 euro) po czym zniknął w ciemnej otchłani zapomnienia. Co gorsze, wkrótce zaginęły też taśmy-matki, o które upomnieli się muzycy. Dwie dekady później firma Erebus wznowiła album posługując się oryginalną płytą winylową – całość została zremasterowana i udostępniona na czarnym krążku.

Trevor Povey (g, voc), Dave Nichols (bg), Alan Pears (g, voc) i Derek Perry (dr) po raz pierwszy spotkali się pod koniec 1968 roku grając blues rocka jako Chicago Max, Sopwith Camel, Armageddon… W 1970 roku występując na scenie jako Malibu podpisali kontrakt z małą londyńską wytwórnią Reflection Records, która już na samym wstępie zażądała zmiany nazwy. Ponoć DOGFEET (Stopy psa) wymyślili na złość szefowi firmy, który nad wyraz kochał… koty. Pod koniec roku wydali swój debiutancki longplay zrealizowany w stołecznym AIR Studios, którego producentem był Andrew Cameron Miller. Choć wszystkie kompozycje były dziełem Trevora Poveya album jest zróżnicowany i interesujący. Krążek zawiera typową dla tego okresu mieszankę progresywnych dźwięków opartych na ciężkim rocku, bluesie i odchodzącej już psychodelii. Nasuwają się tu podobieństwa do Fleetwood Mac z Peterem Greenem z okresu płyty „Then Play On” z 1969 roku, wczesnego Wishbone Ash (dwie gitary prowadzące), choć może bardziej do Quicksilver Messenger Service. Acid rockowe klimaty San Francisco i Wschodniego Wybrzeża czuć tu mocniej niż brzmienie ówczesnego brytyjskiego rocka. Większość lokalnych zespołów klubowych w tej części USA, mogła pisać i odtwarzać taką właśnie muzykę. Grupie udało się stworzyć namiastkę własnego stylu a wiemy, że nigdy nie jest to łatwe. Trudno wyróżnić tu jakiś utwór. Słuchanie płyty to przyjemność w każdym calu, do którego idealnie wpasował się niski, atrakcyjny głos Alana Pearsa. Jeśli powiem, że „On The Road” nawiązuje do bluesowych korzeni zespołu, „Sad Story/Reprise” to progresywny kawałek, tnąca gitara Poveya zaskakuje fajnymi efektami w „Evil Woman”, a „Since I Went Away” to cudowna ballada w westernowym klimacie nie oznacza, że pozostałe kompozycje są słabsze.

Album niestety nie przebił się na rynku i zniknął bez śladu, a wkrótce i sam zespół. Grupa reaktywowała się na moment w 1990 roku dając koncert z okazji 20-rocznicy wydania płyty, po czym muzycy wrócili do swoich zajęć. Sam krążek był kilkakrotnie wznawiany na winylu i kompakcie. Reedycja CD szwedzkiej firmy Flawed Gems z 2010 roku w oryginalnej okładce zwiera cztery bonusy – studyjne dema, w tym 2-minutowe „Theme”, które wcześniej nie znalazło się na longplayu. Cztery lata później ten sam materiał powtórzyli Brytyjczycy z Prog Temple. Kompakt wydany w alternatywnej (koszmarnej!) okładce zawiera dwa premierowe, trwające po 11 minut kawałki pochodzące z koncertu z 1990 roku: fantastyczny „Mr. Sunshine” i hendrixowskie „Voodoo Chile”. Nie mogłem odpuścić takiej okazji – obie wersje CD stoją na mojej półce...

Zibi



..::TRACK-LIST::..

1. For Mary 2:03
2. On The Road 5:58
3. Sad Story / Reprise 8:14
4. Now I Know 3:05
5. Since I Went Away 2:56
6. Clouds 5:06
7. Evil Women 5:00
8. Armageddon 4:14
9. For Mary And Child 5:39

Bonus Tracks:
10. Theme (Studio Demo 1970) 1:53
11. Armageddon (Studio Demo 1970) 4:33
12. On The Road (Studio Demo 1970) 4:56
13. Now I Know (Studio Demo 1970) 3:06

Originally recorded at Air Studios, London 1970



..::OBSADA::..

Guitar [Second], Vocals - Alan Pearse
Lead Guitar [First], Vocals - Trevor Povey
Bass - Dave Nichols
Drums - Derek Perry




https://www.youtube.com/watch?v=gaIgcNCD9W8



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Pierwszy raz w oryginalnej okładce i ze znacznie poprawionym dźwiękiem! Klasyczny brytyjski album (wart na oryginalnym winylu ok. 3000 euro!!!) łączący ciężkawe, gitarowe brzmienia z nieco rozmarzonym, psychodelicznym folkiem (a także z bluesem) i nawiazujący do nagrań Fleetwood Mac (z okresu LP 'Then Play On'), wczesnych Wishbone Ash i Quicksilver. Cóż, okazało się przy okazji, że trzeci utwór z płyty nie nazywał się wcale 'Reprise' (jak widniało na starym i mało atrakcyjnym CD firmy Kissing Spell) ale 'Sad Story/Reprise'.
Dodatkowo cztery nagrania demo - również świetnej, studyjnej jakości!



Pochodzący z angielskiego Shrewsbury kwartet DOGFEET to jeden z bardzo wielu zespołów z lat 70-tych, który przemknął jak meteor przez rockowy nieboskłon pozostawiając na nim ślad w postaci jednej płyty (obecnie wartej 1200 euro) po czym zniknął w ciemnej otchłani zapomnienia. Co gorsze, wkrótce zaginęły też taśmy-matki, o które upomnieli się muzycy. Dwie dekady później firma Erebus wznowiła album posługując się oryginalną płytą winylową – całość została zremasterowana i udostępniona na czarnym krążku.

Trevor Povey (g, voc), Dave Nichols (bg), Alan Pears (g, voc) i Derek Perry (dr) po raz pierwszy spotkali się pod koniec 1968 roku grając blues rocka jako Chicago Max, Sopwith Camel, Armageddon… W 1970 roku występując na scenie jako Malibu podpisali kontrakt z małą londyńską wytwórnią Reflection Records, która już na samym wstępie zażądała zmiany nazwy. Ponoć DOGFEET (Stopy psa) wymyślili na złość szefowi firmy, który nad wyraz kochał… koty. Pod koniec roku wydali swój debiutancki longplay zrealizowany w stołecznym AIR Studios, którego producentem był Andrew Cameron Miller. Choć wszystkie kompozycje były dziełem Trevora Poveya album jest zróżnicowany i interesujący. Krążek zawiera typową dla tego okresu mieszankę progresywnych dźwięków opartych na ciężkim rocku, bluesie i odchodzącej już psychodelii. Nasuwają się tu podobieństwa do Fleetwood Mac z Peterem Greenem z okresu płyty „Then Play On” z 1969 roku, wczesnego Wishbone Ash (dwie gitary prowadzące), choć może bardziej do Quicksilver Messenger Service. Acid rockowe klimaty San Francisco i Wschodniego Wybrzeża czuć tu mocniej niż brzmienie ówczesnego brytyjskiego rocka. Większość lokalnych zespołów klubowych w tej części USA, mogła pisać i odtwarzać taką właśnie muzykę. Grupie udało się stworzyć namiastkę własnego stylu a wiemy, że nigdy nie jest to łatwe. Trudno wyróżnić tu jakiś utwór. Słuchanie płyty to przyjemność w każdym calu, do którego idealnie wpasował się niski, atrakcyjny głos Alana Pearsa. Jeśli powiem, że „On The Road” nawiązuje do bluesowych korzeni zespołu, „Sad Story/Reprise” to progresywny kawałek, tnąca gitara Poveya zaskakuje fajnymi efektami w „Evil Woman”, a „Since I Went Away” to cudowna ballada w westernowym klimacie nie oznacza, że pozostałe kompozycje są słabsze.

Album niestety nie przebił się na rynku i zniknął bez śladu, a wkrótce i sam zespół. Grupa reaktywowała się na moment w 1990 roku dając koncert z okazji 20-rocznicy wydania płyty, po czym muzycy wrócili do swoich zajęć. Sam krążek był kilkakrotnie wznawiany na winylu i kompakcie. Reedycja CD szwedzkiej firmy Flawed Gems z 2010 roku w oryginalnej okładce zwiera cztery bonusy – studyjne dema, w tym 2-minutowe „Theme”, które wcześniej nie znalazło się na longplayu. Cztery lata później ten sam materiał powtórzyli Brytyjczycy z Prog Temple. Kompakt wydany w alternatywnej (koszmarnej!) okładce zawiera dwa premierowe, trwające po 11 minut kawałki pochodzące z koncertu z 1990 roku: fantastyczny „Mr. Sunshine” i hendrixowskie „Voodoo Chile”. Nie mogłem odpuścić takiej okazji – obie wersje CD stoją na mojej półce...

Zibi



..::TRACK-LIST::..

1. For Mary 2:03
2. On The Road 5:58
3. Sad Story / Reprise 8:14
4. Now I Know 3:05
5. Since I Went Away 2:56
6. Clouds 5:06
7. Evil Women 5:00
8. Armageddon 4:14
9. For Mary And Child 5:39

Bonus Tracks:
10. Theme (Studio Demo 1970) 1:53
11. Armageddon (Studio Demo 1970) 4:33
12. On The Road (Studio Demo 1970) 4:56
13. Now I Know (Studio Demo 1970) 3:06

Originally recorded at Air Studios, London 1970



..::OBSADA::..

Guitar [Second], Vocals - Alan Pearse
Lead Guitar [First], Vocals - Trevor Povey
Bass - Dave Nichols
Drums - Derek Perry




https://www.youtube.com/watch?v=gaIgcNCD9W8



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

W kwestii reparacji od Niemiec, których już nie nazywa się reparacjam, powiem tyle, że osobiście całkowicie zadowolę się możliwością obcowania z niemiecką powojenną kulturą. A do streamingu i fizycznej sprzedaży trafiła właśnie, po dziesięciomiesięcznej przerwie, trzecia odsłona archiwalnej serii koncertowej Can. Tym razem wybrano materiał z występu w niemieckiej miejscowości Cuxhaven, który odbył się 7 stycznia 1976 roku. W porównaniu z dwoma poprzednimi wydawnictwami, trwającymi po półtora godziny każde, "Live in Cuxhaven 1976" wypada mniej monumentalnie. To zaledwie 30-minutowy fragment koncertu. Muszę też przyznać, że trochę zaczęła mi doskwierać oprawa graficzna tych wydawnictw. O ile bardzo doceniam spójność i konsekwencję oprawy - na którą zawsze składa się podobny monochromatyczny rysunek oraz tytuł zapisany w innym kolorze - to te grafiki są po prostu mało atrakcyjne, eufemistycznie mówiąc.

Tyle jeśli chodzi o minusy, bo sama muzyka jest jak zawsze świetna, czego nie psuje nawet dość średniej jakości brzmienie - i tak całkiem niezłe, jak na nagrania sprzed blisko pięćdziesięciu lat, pochodzące z prywatnej kolekcji. W tamtym czasie tracący na popularności Can był zmuszony do coraz większej kapitulacji artystycznej. Smutnym tego świadectwem jest zarejestrowany zaledwie pół roku po tym występie album "Flow Motion", zdominowany przez średniej jakości piosenki w stylistyce funku lub reggae. Czy muzycy faktycznie chcieli grać w ten sposób? "Live in Cuxhaven 1976" zdaje się rozwiewać te wątpliwości. Na żywo Can pozostał jednym z najbardziej ekscytujących zespołów w dziejach rocka. Nawet jeśli pojawiają się tu wpływy bardziej komercyjnych stylów - a te dość często przewijają się zwłaszcza w warstwie rytmicznej, tu jednak bardziej motorycznej - to idealnie wtapiają się w porywające, mocno psychodeliczne popisy kwartetu. W przeciwieństwie do ówczesnych dokonań studyjnych, tu żaden z muzyków nie jest tłamszony. Sekcja rytmiczna Holger Czukay i Jaki Liebzeit jak za najlepszych lat łączy niesamowitą intensywność z iście imponującą precyzją, a klawiszowiec Irmin Smith i gitarzysta Michael Karoli na zmianę zachwycają swoimi błyskotliwymi, a przy tym raczej lekkimi popisami. Jednak to przede wszystkim fantastycznie zgrany zespół, który może pozwolić sobie na dużo swobody. Oczywiście, nie są to kompletne improwizacje - punkt wyjścia stanowią kompozycje ze starszych płyt - jednak ostateczny efekt zwykle w znikomym stopniu przypomina pierwowzór.

Krótszy czas trwania tej części serii jest zarówno wadą - pozostawia pewien niedosyt - jak i zaletą, np. w sytuacji, gdy długość poprzednich odsłon kogoś zniechęcała do odsłuchu - tym razem nie może już robić takich wymówek. I zdecydowanie nie powinien, bo Can na żywo to rewelacyjny zespół, jeden z najlepszych w całym rocku. Nie wiem, ile jeszcze koncertówek ma liczyć cykl, ale poproszę jak najwięcej takich reparacji od Niemców.

Paweł Pałasz


When it comes to getting down to business, you know something is about to crawl up your spine to dive into the world of those insane textures that aren’t just jam band quality. Think about it, do you want to hear the same quality that Umphrey’s McGee, Widespread Panic, and Gov’t. Mule might have been doing 30-minute improvisations of putting audiences to sleep at times? I don’t think so.

Not to put them down, but there comes a time where you need to take a bit of a break of cutting it down from 30 to 15 minutes of a jam session. But when it comes to a band like CAN, brother, you have no idea what you’re about to explore. This here is the next continuation of the live series from the band’s archive.

From Stuttgart, Brighton, and now in Cuxhaven, Germany in 1976 at the peak of the punk movement, these four tracks see the quartet (Karoli, Czukay, Liebezeit, and Schmidt) getting the jamming grooves in an attitude that is like a ball of energy, being unleashed to the public.

Cuxhaven is an independent town in the northernmost point of Lower Saxony. It is known for the gateway to the UNESCO World Heritage site, stunning landscapes of near-white sand beaches, mud flaps, and the gateway to the Wadden Sea National Park. The reason why the Cuxhaven sea is so beautiful, when those tides come out, you can walk up about 20 kilometres across the seabed.

For a band like CAN to perform there, they make the alternate score to the seas so beautiful, intense, and right in front of your very eyes to witness those beaches coming to shore. Now I can’t recall if the band were promoting either Landed or Flow Motion release, but listening to this recording, you can tell that the band are revisiting their time with the United Artists label during the peak of the Damo-era.

Karoli plays these extended versions on ‘Zwei’ as if he’s continuing where ‘Oh Yeah’ had left off from the Tago Mago album, giving Irmin and Jaki a chance to walk into the mid-fast tempos where Damo scatted and did these intense vocal lines to send shivers down the spine. You can imagine more of the pieces from their second album is like a semi-sequel to the grooves as the quartet have more carte blanche by taking a trip into the Egyptian desert, with some intense heat.

‘Eins’ opens the performance of CAN, walking into the territories of Sly and the Family Stone’s improvisation with some spaced out atmospheres that Irmin does on his keyboards to create that hypnotic effect for Michael to lay down some wah-wah grooves before Holger channels the sounds of Joseph “Lucky” Scott from his work with the late, great Curtis Mayfield’s sessions to the Super Fly soundtrack.

CAN really have some knowledge of their soul/R&B arrangements. And to have that brutal fuzztone effect with the funky chicken, you can just imagine how much both of those two had a huge impact on the band’s sound. They proved themselves that they’re more than just a krautrock band, more than alumni’s to controversial composer Karlheinz Stockhausen, but dancing to the music with a brutal attack on the senses.

Just as the first two revisit the Blaxploitation sounds and the Tago Mago period, ‘Drei’ is where the soup itself gets red hot. And you might just need to add a shit load of spices into the mix. The band go into this frenzy attack with Holger and Jaki adding more enough coal to the engine inside the train as they speed it up.

Now I can’t tell if it’s either Czukay or Karoli doing all these scatting effects. But Michael lays down some clean-cut textures, but adding the Lou Reed-sque vibes for a brief moment, channeling Metal Machine Music for a brief moment. The closing track ‘Vier’ is where the audience joins in on the fun to clap along to the beat from the rhythm section in a reggae-like tone with swirling, hay-wiring effects that Irmin comes up with on his instruments to swoosh back and forth to the beat.

When you put on a CAN album, you are in a world where your mind takes you into this whole other universe where it’s menacing, extreme, and right in front of your face. The continuation of the live recordings are a treat to hear more of the quartet’s mid-70s time period to see how much they were ahead of the ball game.

And can (no pun intended) we expect something from the archives of hopefully the Damo Suzuki years? Let’s just cross our fingers. The first three volumes of the recordings are like finding more diamonds in the rough.

Zachary Nathanson



..::TRACK-LIST::..

1. Cuxhaven 76 Eins 06:33
2. Cuxhaven 76 Zwei 08:07
3. Cuxhaven 76 Drei 08:25
4. Cuxhaven 76 Vier 06:38



..::OBSADA::..

Drums - Jaki Liebezeit
Guitar [Guitars] - Michael Karoli
Keyboards [Keyboard], Synth [Synths] - Irmin Schmidt
Bass - Holger Czukay




https://www.youtube.com/watch?v=ehC2jDWFQqE



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.


..::OPIS::..

W kwestii reparacji od Niemiec, których już nie nazywa się reparacjam, powiem tyle, że osobiście całkowicie zadowolę się możliwością obcowania z niemiecką powojenną kulturą. A do streamingu i fizycznej sprzedaży trafiła właśnie, po dziesięciomiesięcznej przerwie, trzecia odsłona archiwalnej serii koncertowej Can. Tym razem wybrano materiał z występu w niemieckiej miejscowości Cuxhaven, który odbył się 7 stycznia 1976 roku. W porównaniu z dwoma poprzednimi wydawnictwami, trwającymi po półtora godziny każde, "Live in Cuxhaven 1976" wypada mniej monumentalnie. To zaledwie 30-minutowy fragment koncertu. Muszę też przyznać, że trochę zaczęła mi doskwierać oprawa graficzna tych wydawnictw. O ile bardzo doceniam spójność i konsekwencję oprawy - na którą zawsze składa się podobny monochromatyczny rysunek oraz tytuł zapisany w innym kolorze - to te grafiki są po prostu mało atrakcyjne, eufemistycznie mówiąc.

Tyle jeśli chodzi o minusy, bo sama muzyka jest jak zawsze świetna, czego nie psuje nawet dość średniej jakości brzmienie - i tak całkiem niezłe, jak na nagrania sprzed blisko pięćdziesięciu lat, pochodzące z prywatnej kolekcji. W tamtym czasie tracący na popularności Can był zmuszony do coraz większej kapitulacji artystycznej. Smutnym tego świadectwem jest zarejestrowany zaledwie pół roku po tym występie album "Flow Motion", zdominowany przez średniej jakości piosenki w stylistyce funku lub reggae. Czy muzycy faktycznie chcieli grać w ten sposób? "Live in Cuxhaven 1976" zdaje się rozwiewać te wątpliwości. Na żywo Can pozostał jednym z najbardziej ekscytujących zespołów w dziejach rocka. Nawet jeśli pojawiają się tu wpływy bardziej komercyjnych stylów - a te dość często przewijają się zwłaszcza w warstwie rytmicznej, tu jednak bardziej motorycznej - to idealnie wtapiają się w porywające, mocno psychodeliczne popisy kwartetu. W przeciwieństwie do ówczesnych dokonań studyjnych, tu żaden z muzyków nie jest tłamszony. Sekcja rytmiczna Holger Czukay i Jaki Liebzeit jak za najlepszych lat łączy niesamowitą intensywność z iście imponującą precyzją, a klawiszowiec Irmin Smith i gitarzysta Michael Karoli na zmianę zachwycają swoimi błyskotliwymi, a przy tym raczej lekkimi popisami. Jednak to przede wszystkim fantastycznie zgrany zespół, który może pozwolić sobie na dużo swobody. Oczywiście, nie są to kompletne improwizacje - punkt wyjścia stanowią kompozycje ze starszych płyt - jednak ostateczny efekt zwykle w znikomym stopniu przypomina pierwowzór.

Krótszy czas trwania tej części serii jest zarówno wadą - pozostawia pewien niedosyt - jak i zaletą, np. w sytuacji, gdy długość poprzednich odsłon kogoś zniechęcała do odsłuchu - tym razem nie może już robić takich wymówek. I zdecydowanie nie powinien, bo Can na żywo to rewelacyjny zespół, jeden z najlepszych w całym rocku. Nie wiem, ile jeszcze koncertówek ma liczyć cykl, ale poproszę jak najwięcej takich reparacji od Niemców.

Paweł Pałasz


When it comes to getting down to business, you know something is about to crawl up your spine to dive into the world of those insane textures that aren’t just jam band quality. Think about it, do you want to hear the same quality that Umphrey’s McGee, Widespread Panic, and Gov’t. Mule might have been doing 30-minute improvisations of putting audiences to sleep at times? I don’t think so.

Not to put them down, but there comes a time where you need to take a bit of a break of cutting it down from 30 to 15 minutes of a jam session. But when it comes to a band like CAN, brother, you have no idea what you’re about to explore. This here is the next continuation of the live series from the band’s archive.

From Stuttgart, Brighton, and now in Cuxhaven, Germany in 1976 at the peak of the punk movement, these four tracks see the quartet (Karoli, Czukay, Liebezeit, and Schmidt) getting the jamming grooves in an attitude that is like a ball of energy, being unleashed to the public.

Cuxhaven is an independent town in the northernmost point of Lower Saxony. It is known for the gateway to the UNESCO World Heritage site, stunning landscapes of near-white sand beaches, mud flaps, and the gateway to the Wadden Sea National Park. The reason why the Cuxhaven sea is so beautiful, when those tides come out, you can walk up about 20 kilometres across the seabed.

For a band like CAN to perform there, they make the alternate score to the seas so beautiful, intense, and right in front of your very eyes to witness those beaches coming to shore. Now I can’t recall if the band were promoting either Landed or Flow Motion release, but listening to this recording, you can tell that the band are revisiting their time with the United Artists label during the peak of the Damo-era.

Karoli plays these extended versions on ‘Zwei’ as if he’s continuing where ‘Oh Yeah’ had left off from the Tago Mago album, giving Irmin and Jaki a chance to walk into the mid-fast tempos where Damo scatted and did these intense vocal lines to send shivers down the spine. You can imagine more of the pieces from their second album is like a semi-sequel to the grooves as the quartet have more carte blanche by taking a trip into the Egyptian desert, with some intense heat.

‘Eins’ opens the performance of CAN, walking into the territories of Sly and the Family Stone’s improvisation with some spaced out atmospheres that Irmin does on his keyboards to create that hypnotic effect for Michael to lay down some wah-wah grooves before Holger channels the sounds of Joseph “Lucky” Scott from his work with the late, great Curtis Mayfield’s sessions to the Super Fly soundtrack.

CAN really have some knowledge of their soul/R&B arrangements. And to have that brutal fuzztone effect with the funky chicken, you can just imagine how much both of those two had a huge impact on the band’s sound. They proved themselves that they’re more than just a krautrock band, more than alumni’s to controversial composer Karlheinz Stockhausen, but dancing to the music with a brutal attack on the senses.

Just as the first two revisit the Blaxploitation sounds and the Tago Mago period, ‘Drei’ is where the soup itself gets red hot. And you might just need to add a shit load of spices into the mix. The band go into this frenzy attack with Holger and Jaki adding more enough coal to the engine inside the train as they speed it up.

Now I can’t tell if it’s either Czukay or Karoli doing all these scatting effects. But Michael lays down some clean-cut textures, but adding the Lou Reed-sque vibes for a brief moment, channeling Metal Machine Music for a brief moment. The closing track ‘Vier’ is where the audience joins in on the fun to clap along to the beat from the rhythm section in a reggae-like tone with swirling, hay-wiring effects that Irmin comes up with on his instruments to swoosh back and forth to the beat.

When you put on a CAN album, you are in a world where your mind takes you into this whole other universe where it’s menacing, extreme, and right in front of your face. The continuation of the live recordings are a treat to hear more of the quartet’s mid-70s time period to see how much they were ahead of the ball game.

And can (no pun intended) we expect something from the archives of hopefully the Damo Suzuki years? Let’s just cross our fingers. The first three volumes of the recordings are like finding more diamonds in the rough.

Zachary Nathanson



..::TRACK-LIST::..

1. Cuxhaven 76 Eins 06:33
2. Cuxhaven 76 Zwei 08:07
3. Cuxhaven 76 Drei 08:25
4. Cuxhaven 76 Vier 06:38



..::OBSADA::..

Drums - Jaki Liebezeit
Guitar [Guitars] - Michael Karoli
Keyboards [Keyboard], Synth [Synths] - Irmin Schmidt
Bass - Holger Czukay




https://www.youtube.com/watch?v=ehC2jDWFQqE



SEED 14:30-23:00.
POLECAM!!!

Marillion - An Hour Before It's Dark: Live in Port Zelande 2023

.::DANE TECHNICZNE::.

Format: Free Lossless Audio Codec [24bit-96kHz]

.::OPIS::.

Gatunek: Progressive Rock/Neo-Prog
Kraj: UK
Okładki: Tak
Data wydania: 21.06.2024
Całkowity czas: 107:39

.::TRACKLIST::.

Songs / Tracks Listing

CD 1 - An Hour Before It's Dark (64:59) *
1. Be Hard on Yourself (2:46)
2. Reprogram the Gene (9:53)
3. Only a Kiss (8:11)
4. Murder Machines (7:32)
5. The Crow and the Nightingale (8:18)
6. Sierra Leone (11:20)
7. Care (16:59)

CD 2 - Encores (42:40) *
1. Estonia (8:28)
2. Afraid of Sunlight (7:12)
3. Go! (9:39)
4. The Space (9:01)
5. Zeparated Out (8:20)

.::OBSADA::.

Line-up / Musicians

- Steve Hogarth / lead & backing vocals, keyboards, percussion
- Steve Rothery / lead & rhythm guitars
- Mark Kelly / keyboards
- Pete Trewavas / bass, backing vocals
- Ian Mosley / drums
Orginalna kategoria:Muzyka » Rock

.::INFO::.

Grupa - Nothing More
Rok publikacji - 2024
Gatunek - Alternative Rock, hard rock, metal
Wydawca /wytwórnia - Better Noise Music

.::OPIS::.

Nothing More to amerykański zespół rockowy z San Antonio w Teksasie . Założony w 2003 roku zespół spędził większość pierwszej dekady XXI wieku na nagrywaniu niezależnych albumów i walczył o utrzymanie stałego składu lub zainteresowanie wytwórni płytowych . Pod koniec dekady wieloletni perkusista zespołu, Jonny Hawkins, zdecydował się zostać frontmanem i głównym wokalistą zespołu, stabilizując podstawowy skład zespołu wraz z innymi wieloletnimi członkami Markiem Vollelungą (gitara) i Danielem Oliverem ( bas).

.::OBSADA::.

Jonny Hawkins – lead vocals
Mark Vollelunga – guitar, backing vocals
Daniel Oliver – bass guitar, backing vocals
Ben Anderson – drums, percussion

.::DANE TECHNICZNE::.

Czas trwania - 00:45:57
Format - PCM ; Samplerate - 44,1 KHz
Codec - FLAC ; Bitrate - 1599 kbps
Channels - 2 ; Bits per sample - 24

.::TRACKLIST::.

01. CARNAL (1:16)
02. HOUSE ON SAND (feat. Eric V. of I Prevail) (4:23)
03. IF IT DOESN'T HURT (2:59)
04. ANGEL SONG (feat. David Draiman) (3:07)
05. FREEFALL (3:47)
06. BLAME IT ON THE DRUGS (3:21)
07. HEAD (1:10)
08. EXISTENTIAL DREAD (4:04)
09. HEART (3:45)
10. DOWN THE RIVER (3:06)
11. GIVE IT TIME (3:39)
12. SIGHT (1:10)
13. STUCK (feat. Sinizter) (3:30)
14. RUN FOR YOUR LIFE (4:52)
15. SOUND (1:48)
Orginalna kategoria:Muzyka » Hard Rock

Mono - Oath

.::DANE TECHNICZNE::.

Format: Free Lossless Audio Codec [24bit-96kHz]

.::OPIS::.

Gatunek: Post-Rock/Math-Rock
Kraj: Japan
Okładki: Tak
Data wydania: 14.06.2024
Całkowity czas: 71:18

.::TRACKLIST::.

Songs / Tracks Listing

1. Us, Then (2:02)
2. Oath (4:39)
3. Then, Us (1:54)
4. Run On (9.17)
5. Reflection (7:19)
6. Hear the Wind Sing (8.56)
7. Hourglass (4:49)
8. Moonlight Drawing (7.55)
9. Holy Winter (7:18)
10. We All Shine On (7:59)
11. Time Goes By (9:05)

.::OBSADA::.

Line-up / Musicians

Takaakira 'Taka' Goto - Guitar
Tamaki - Bass, Piano
Yoda - Guitar
Dahm - Drums

Featuring:
Susan Voelz - Violin & Orchestrator
Andra Kulans - Violin
Jennifer Dunne - Violin
Vannia Phillips - Violin
Melissa Bach - Cello
Nora Barton - Cello
Timothy Archbold - Cello
Molly Rife - Cello
Chad McCullough - Trumpet & Brass Co-Arrangement
Ryan Shultz - Bass Trumpet
Catie Hickey - Trombone & Bass Trombone
Matthew Oliphant - French Horn
Orginalna kategoria:Muzyka » Rock

.::INFO::.

Artist: Neil Young
Album: Early Daze
Year: 2024
Genre: Rock
Format: mp3 320 kbps

.::TRACKLIST::.

01. Dance Dance Dance
02. Come On Baby Let's Go Downtown
03. Winterlong
04. Everybody's Alone
05. Wonderin'
06. Cinnamon Girl
07. Look At All the Things
08. Helpless
09. Birds
10. Down By the River
Orginalna kategoria:Muzyka » Rock

.::INFO::.

Artist: Pearl Jam
Album: Vs.
Year: (2011 Expanded Edition)
Genre: Rock
Format: [MP3 320]

.::TRACKLIST::.

01. Go
02. Animal
03. Daughter
04. Glorified G
05. Dissident
06. W.M.A.
07. Blood
08. Rearviewmirror
09. Rats
10. Elderly Woman Behind The Counter In A Small Town...
11. Leash
12. Indifference
13. Hold On (Demo)
14. Cready Stomp (Studio Outtake)
15. Crazy Mary
Orginalna kategoria:Muzyka » Rock

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Ten album może powodować wyciek analny!!!


Malignancy's new album, …Discontinued, is a post-apocalyptic auditory assault on the listener from beginning to end, capturing all the ingredients of what makes a great, extreme metal album. It was a long wait for a new album, but well worth it, as …Discontinued is without a doubt the best Malignancy album to date.



..::TRACK-LIST::..

1. Existential Dread 04:13
2. Binary Paradigm 03:04
3. Irradiated Miscreation 03:18
4. Purity of Purpose 03:53
5. Ancillary Biorhythms 04:26
6. Haunted Symmetry 03:30
7. Decomposing Divinity 03:54
8. Oppositional Defiance 04:01
9. Biological Absurdity 02:56



..::OBSADA::..

Jacob Schmidt - session bass
Danny Nelson - vocals
Ron Kachnic - guitars
Mike Heller - drums



https://www.youtube.com/watch?v=Tg71kRKVwAU



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Ten album może powodować wyciek analny!!!


Malignancy's new album, …Discontinued, is a post-apocalyptic auditory assault on the listener from beginning to end, capturing all the ingredients of what makes a great, extreme metal album. It was a long wait for a new album, but well worth it, as …Discontinued is without a doubt the best Malignancy album to date.



..::TRACK-LIST::..

1. Existential Dread 04:13
2. Binary Paradigm 03:04
3. Irradiated Miscreation 03:18
4. Purity of Purpose 03:53
5. Ancillary Biorhythms 04:26
6. Haunted Symmetry 03:30
7. Decomposing Divinity 03:54
8. Oppositional Defiance 04:01
9. Biological Absurdity 02:56



..::OBSADA::..

Jacob Schmidt - session bass
Danny Nelson - vocals
Ron Kachnic - guitars
Mike Heller - drums



https://www.youtube.com/watch?v=Tg71kRKVwAU



SEED 14:30-23:00.
POLECAM!!!

Airbag - The Century of the Self

.::DANE TECHNICZNE::.

Format: Free Lossless Audio Codec

.::OPIS::.

Gatunek: Progressive Rock/Neo-Prog
Kraj: Norway
Okładki: Tak
Data wydania: 14.06.2024
Całkowity czas: 46:59

.::TRACKLIST::.

Songs / Tracks Listing

1. Dysphoria (10:38)
2. Tyrants and Kings (6:47)
3. Awakening (6:44)
4. Erase (7:50)
5. Tear It Down (15:00)

.::OBSADA::.

Line-up / Musicians

- Bjørn Riis / guitars
- Asle Tostrup / vocals
- Henrik Fossum / drums

With:
- Kristian Hultgren / bass
- Ole Michael Bjørndal / guitar
- Simen Valldal Johannessen / keyboards
Orginalna kategoria:Muzyka » Rock

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Alex Newport to nie byle kto bo mózg genialnego Fudge Tunnel i to on można nawet powiedzieć, że w 100% napisał i zaaranżował cały Point Blank.

Alex stwierdził zaraz po wydaniu płyty, że to ostatni album i zamknął projekt uzasadniając to, że to co chciał przekazać zostało powiedziane i nie ma nic więcej do dodania. Płyta ma mocny polityczno-wojenny przekaz.

Na okładce jest zdjęcie zatytułowane Point Blank Persuasion i przedstawia partyzantkę z Vietcongu prowadzoną na przesłuchanie. Alex lubił takie mocne przekazy i na okładce albumu live umieścił fotkę ze zbiorowego samobójstwa sekty Jamesa Jonesa.

Na koncie mają jeden jedyny pełniak studyjny i zapis pamiętnego koncertu w ramach Dynamo '95.

Niby projekt poboczny i zespół jednej płyty, ale moim zdaniem i tak zdecydowanie lepszy, niż wszystkie te chujowe 'conspiracje' i 'soulflajacje'...



..::TRACK-LIST::..

..::OBSADA::..

CD 1 - Point Blank (1994):
1. Wasting Away (Drums Igor Cavalera) 3:06
2. Vai Toma No Cú (Lead Guitar Andreas Kisser) 4:47
3. 24 Hour Bullshit (Guitar Dino Cazares) 3:54
4. Guerrillas 4:26
5. Blind And Lost (Drums Igor Cavalera) 1:55
6. Sum Of Your Achievements 2:42
7. Cockroaches (Drums Igor Cavalera) 5:10
8. For Fuck's Sake 5:44
9. World Of Shit (Lead Guitar Andreas Kisser) 4:13
10. Exploitation [Doom cover] (Drums Igor Cavalera) 2:28
11. Religious Cancer (Lead Guitar Andreas Kisser) 5:09
12. Shit Piñata (Drums Igor Cavalera) 1:09
13a. Sick Life (Drums Igor Cavalera) 6:30
13b. (silence) 10:00
13c. Untitled 1:21

Track 1-13 contains a hidden track (track 13c.). Track 13a. lasts for 6:30 before a period of silence.
There are no track durations printed on this release.


Producer, Mixed By, Vocals [Mouthful Of Hate], Guitar, Bass, Other [Negativity], Sampler - Alex Newport
Co-producer, Vocals [Insults], Guitar, Bass, Sampler, Design [Nailbomb Logo] - Max Cavalera
Guitar [Extra Guitar Noise] - Ritchie Bujnowski



CD 2 - Proud To Commit Commercial Suicide (1995):
1. Wasting Away (Live) 3:56
2. Guerrillas (Live) 3:27
3. Cockroaches (Live) 4:07
4. Vai Toma No Cú (Live) 4:10
5. Sum Of Your Achievements (Live) 2:52
6. Religious Cancer (Live) 4:34
7. Police Truck (Live) 3:11
8. Exploitation (Live) 2:09
9. World Of Shit (Live) 3:27
10. Blind And Lost (Live) 2:09
11. Sick Life (Live) 6:53
12. While You Sleep, I Destroy Your World 5:10
13. Zero Tolerance 6:34

Tracks 1 to 11 recorded live at the Dynamo Open Air Festival, Eindhoven, Holland, June 3, 1995
Tracks 12, 13 recorded at Chaton Studios, Scottsdale, Arizona, July 1995


https://www.discogs.com/release/448867-Nailbomb-Proud-To-Commit-Commercial-Suicide



https://www.youtube.com/watch?v=a4uI8jNY_hU



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

Alex Newport to nie byle kto bo mózg genialnego Fudge Tunnel i to on można nawet powiedzieć, że w 100% napisał i zaaranżował cały Point Blank.

Alex stwierdził zaraz po wydaniu płyty, że to ostatni album i zamknął projekt uzasadniając to, że to co chciał przekazać zostało powiedziane i nie ma nic więcej do dodania. Płyta ma mocny polityczno-wojenny przekaz.

Na okładce jest zdjęcie zatytułowane Point Blank Persuasion i przedstawia partyzantkę z Vietcongu prowadzoną na przesłuchanie. Alex lubił takie mocne przekazy i na okładce albumu live umieścił fotkę ze zbiorowego samobójstwa sekty Jamesa Jonesa.

Na koncie mają jeden jedyny pełniak studyjny i zapis pamiętnego koncertu w ramach Dynamo '95.

Niby projekt poboczny i zespół jednej płyty, ale moim zdaniem i tak zdecydowanie lepszy, niż wszystkie te chujowe 'conspiracje' i 'soulflajacje'...



..::TRACK-LIST::..

..::OBSADA::..

CD 1 - Point Blank (1994):
1. Wasting Away (Drums Igor Cavalera) 3:06
2. Vai Toma No Cú (Lead Guitar Andreas Kisser) 4:47
3. 24 Hour Bullshit (Guitar Dino Cazares) 3:54
4. Guerrillas 4:26
5. Blind And Lost (Drums Igor Cavalera) 1:55
6. Sum Of Your Achievements 2:42
7. Cockroaches (Drums Igor Cavalera) 5:10
8. For Fuck's Sake 5:44
9. World Of Shit (Lead Guitar Andreas Kisser) 4:13
10. Exploitation [Doom cover] (Drums Igor Cavalera) 2:28
11. Religious Cancer (Lead Guitar Andreas Kisser) 5:09
12. Shit Piñata (Drums Igor Cavalera) 1:09
13a. Sick Life (Drums Igor Cavalera) 6:30
13b. (silence) 10:00
13c. Untitled 1:21

Track 1-13 contains a hidden track (track 13c.). Track 13a. lasts for 6:30 before a period of silence.
There are no track durations printed on this release.


Producer, Mixed By, Vocals [Mouthful Of Hate], Guitar, Bass, Other [Negativity], Sampler - Alex Newport
Co-producer, Vocals [Insults], Guitar, Bass, Sampler, Design [Nailbomb Logo] - Max Cavalera
Guitar [Extra Guitar Noise] - Ritchie Bujnowski



CD 2 - Proud To Commit Commercial Suicide (1995):
1. Wasting Away (Live) 3:56
2. Guerrillas (Live) 3:27
3. Cockroaches (Live) 4:07
4. Vai Toma No Cú (Live) 4:10
5. Sum Of Your Achievements (Live) 2:52
6. Religious Cancer (Live) 4:34
7. Police Truck (Live) 3:11
8. Exploitation (Live) 2:09
9. World Of Shit (Live) 3:27
10. Blind And Lost (Live) 2:09
11. Sick Life (Live) 6:53
12. While You Sleep, I Destroy Your World 5:10
13. Zero Tolerance 6:34

Tracks 1 to 11 recorded live at the Dynamo Open Air Festival, Eindhoven, Holland, June 3, 1995
Tracks 12, 13 recorded at Chaton Studios, Scottsdale, Arizona, July 1995


https://www.discogs.com/release/448867-Nailbomb-Proud-To-Commit-Commercial-Suicide



https://www.youtube.com/watch?v=a4uI8jNY_hU



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI.



..::OPIS::..

New Wave Of British Heavy Metal act Apocalypse from London was formed by guitarist Steve Grainger around 1980.

The band emerged from two bands in North London. Phaze and Stone Lady. Originally Nick Brent Dave (MEX) Higgen (Stone Lady) and Marc and Steve Grainger.(Phaze) Mex left the band to move in a different direction and to set up the Octave Studio and PA Company in North London. Dave Robertson joined and Apocalypse were established. Ironicalyit was Dave (mex) higgen who named the band APOCALYPSE.

It took the band two years to release their one and only single called "Stormchild" for Gate Records. After minor personnel problems with another band of the same name the band changed their name to Omega and recorded the number “Blood Sacrifice” for Ebony's rather obscure “Metal Warriors” compilation (issued in 1983).

Steve Grainger explains that APOCALYPSE was more or less forced to look for a new name: “We were aware of one other band in the UK called APOCALYPSE, they were completely non-apocalyptic if you ask me. More of a pop band. But they were under the guidance of a major player in the UK music business so we felt that we would have to change our name. I was always against this. I thought they should change their name but I was overruled. We did get a fair bit of music press coverage during the argument though, so it was not all bad news."

“The Prophet” was originally released on Rock Machine (basically a subdivision of Punk label Razor Records) in 1985. The line up consisted of Dave Robertson (bass, vocals), Nick Brent (guitars, vocals), Steve Grainger (lead guitars, keyboards, vocals) and Graham Roberts (drums). The High Roller re-issue of the album comes with new, superior cover artwork. The CD edition contains unreleased demo recordings of “Summertime”, “Heat of the Night”, “Abandon Hope”, “Blood Sacrifice” and “The Child” as exclusive bonus material.

Steve Grainger explains how the original deal with Rock Machine came about in 1985: “There was a sniff of interest from one or two labels but nothing came of it, we weren't considered a big enough band. We would have tried to do it on our own again on Gate Records but then Rock Machine (aka Razor Records) got involved and we took it from there. Rock Machine kept sales figures pretty close to their chests but it was released worldwide on license. Nick and I regained the rights after five years [though, I think,delete this bit SG"> and that's how we are in a position to be re-releasing it again now on our own terms. I guess a few thousand must have been released, you can still pick up the original vinyl online, so they are about.” "The Prophet" was illegally re-issued on vinyl a couple of years back. Those counterfeit copies are annoying to any self-respecting rock band. “I have never traced exactly who was doing what”, states Steve Grainger. “It comes from Comet Records in Italy I believe, probably an original license holder to release the vinyl, but they took it further without permission to create a CD version and stick their logo on it. They are, I suspect, also behind a recent i-tunes/ e-music download. Apple have, to their credit, taken it off their site but I am still dealing with e-music who are less than quick in this matter. I have a copy of the i-tunes payment schedule but it doesn't say who the recipient of the money is.”

Somehow the band Omega was lumped in with a few other progressive-sounding N.W.O.B.H.M. bands like Shiva, Chemical Alice, Legend (Jersey) and Bleakhouse. “We were not bothered about that, really”, says Steve. “We were in our own little bubble, doing our own thing and consciously avoiding whatever was trendy at the time. If people liked what we did that was great, if they didn't, then ... so what? We were in many ways quite reclusive in our writing. I certainly went out of my way to not be influenced too much by other bands. We like to do things our way and that was that.”

The press was pretty kind to Omega in Britain as Steve explains: “The reviews were quite reassuring from the British music press. It was hardly front page stuff as far as they were concerned but they liked it on the whole, Europe was okay with it as I recall. Some French radio station did a show featuring it and from what I gather they loved it, they were particularly enthusiastic about my guitar work … hurrah! It was the American reviews that seemed to put a dampener on the album. I don't think that they got the idea of the prophet being metaphoric, taking it as a literal slur didn't go down too well. Also there was a feeling from them that they didn't want to be reminded about the 'doom and gloom' although funnily enough when the track 'The Final Countdown' was released by Europe, they were all over it like a rash. How wonderful it was to see young musicians with such foresight and wisdom etc., oh well ...”
Guitarist/vocalist Nick Brent explains the meaning behind “The Prophet” in more detail: “Blimey, you could write a thesis on this one! In brief, the song 'The Prophet' describes the persecution of anyone who dares to publicly highlight the injustices inherent in long established organisations, religious or otherwise, or society as a whole. We used the Christian metaphor as the 'Christ' figure is apparent in most religions going back through the ages, representing the need for change when stagnation and decay in society lead to the oppression of sections of the population by the 'Chosen Few'. The ending - 'But why do you still smile?' - echoes both the insecurity of the status quo and the optimism that change can happen.” Quite an intellectual and interesting concept, no doubt about that.

The original cover artwork implies that there might have been an anti-war message involved as well, which Nick confirms. “So the artwork is self explanatory now eh?”, he asks. And adds: “As children who grew up through the cold war with the threat of 'The Bomb', 'The Four Minute Warning', the Vietnam War, Trident etc., and the counter culture of the hippie movement, Greenham Common, Ban the Bomb marches et al, the threat of war was/is a constant in our lives. The human race's seemingly insatiable appetite for all things destructive is, fortunately, matched by a huge capacity for compassion, tolerance and understanding. The battle between good and evil is a constant in our lives.”

The most unusual number on “The Prophet” is without a doubt the cover of “Day Tripper” by the Beatles. “I can't remember whose idea it was”, reflects Steve Grainger. “Definitely not because we were running short of material, our biggest headache was what to leave off the album. With hindsight perhaps we wouild not have used the track on the album as it doesn’t seem to sit right amongst the other tracks, but at the time we decided to include it. It is a yardstick to judge us by if you like - a song that everyone knows given the Apocalypse/Omega treatment. We like doing stuff like that. To be honest, most of the actual guitar riff would never have come from McCartney but we wouldn't have written a song like that. But put together, I reckon we added to it.”

After the release of the album Omega were desperately looking for a tour as Steve remembers: “We had a few leads in that direction. But … in those days getting on tour as a support act to a bigger named band cost money … you know … the old handful of dosh in an envelope sort of thing. We even got given a price. 25 grand! That's £25,000, in those days a shed load of money. It only cost two or three grand to do the recording. Either way, Rock Machine wouldn't cough up the money so we were effectively stuffed. We were by then a bit too big for the smaller London pubs and clubs but not big enough for the bigger London venues, hence we did most of our London gigs at the Marquee, either as support to such bands as Pendragon, Rock Goddess, Clive Burr's Escape, (they were in effect Praying Mantis in all but name) or as a headline act ourselves.”

Unfortunately, “The Prophet” remained Omega's one and only album: “We still had loads of material but without reasonable record company backing we didn't have the means to go back into the studio again. It was only later on with the reforming of Apocalypse that we had our own studio set up and could muck about with all the ideas we'd had, but Nick had gone off to concentrate on other projects and I was working with other songwriters. Mind you, it has to be said that the talk of of new songs has often been bandied around between me and Nick. Sadly, the passing of Dave Robertson was a bitter blow to us and it seemed like that was the end of it all. Who knows, our original bass player Mex may well have the time to get involved in a new project, as you may know he played some stuff on the 'Abandon Hope' album. So there you go. Never say never … it might happen yet!”

Matthias Mader



The first question that arose in my mind after I had finished listening to this record for the first time was: "what kind of music is this?". It was undeniably metal, and it was undeniably good. But there is something about this album that simply eludes easy branding and labelling. Heavy? Epic? Prog? Doom? NWOBHM? AOR? None of the above really, yet all of them are present, to various extents, in this little forgotten gem.

The first track, The Dark, opens the album with a fittingly obscure, foreboding atmosphere: slow, barely audible drum and bass, supported by an evanescent keyboard line, which will make up for most of the musical backing for this song. The composition slowly builds up in volume, speed and power, and eventually erupts into a flaming guitar solo towards the third minute, only to fade back to being slow and haunting at 4:00. Another thirty seconds of atmosphere and eerie vocals, followed by an abrupt burst of power that leads the song to completion. Very dynamic and unpredictable track.

Shadows of The Past is again marked by a number of interesting, attention-catching tempo changes. Definately worthy of mention the guitar solo, where Steve Grainger offers a display of fine musicianship and feeling. Very interesting keyboard support at 4:15, where Grainger (also keyboardist) succeeds at implementing the keyboard line into the guitar frame, arranging the two elements in such a way to make the two enrich one another, rather than making them overlap (a rather unpleasant occurance which is heard disturbingly often these days).

Onto the title track, the nine minute epic The Prophet, presumably about Jesus (never actually mentioned in the lyrics, but the references seem to point towards that direction), starting off with an eerie (I'm aware I've used that adjective already, and it is no coincidence) acoustic intro. The song proceeds with alternating quiet, mellow parts, which tend to coincide with the singing, and louder, harsher sections, which are mainly instrumental. Very evocative, and very ahead of its time.

Yesterday's children is charachterized by a remarkably more upbeat rythm than the previous tracks. When not busy crunching out solid rocky riffs, the guitar almost seems to want to imitate Steve Harris' "galloping", which certainly marks a strong change from the doom laden melodies that had trademarked the previous twenty minutes of this record. An overall good song, let down perhaps by a guitar solo that sounds slightly less inspired than the ones heard before.

Drive Me Crazy is pure New Wave of British Heavy Metal: fast, short (clocking in at 3:40), energetic, this song is about a "high class woman" and her "long legs sprayed with silk". An easy melody, a catchy chorus and a perfectly fitting guitar solo, this is a song that is guaranteed to stay stuck in your head for a while. It would have made for an excellent single.

Day Tripper. Myself being a patented Beatles basher, I frowned when I read the song title. Regardless of my prejudice though, I have to admit this reinterpretation of the old Beatles song was a complete success. Much like Drive Me Crazy, this cover bleeds british metal from every pore, with its sparkling rythm and some excellent six string work that gives the song a pleasant "heavy but not too heavy" rock metal feeling.

Closing off the album after only six songs we find The Child. In this case the lyrics stand as the highlight of the song, short and simple, yet deep and meaningful, regarding the pain of growing up and losing one's innocence. If looking back on your childhood and youth awakens mixed or sad feelings in you, then this song is sure to touch you. The song itself does not differ significantly from the first three, though the long intro here leaves much more space to some very interesting bass and keyboard work. Differently from the other songs though, this one requires a bit of attention from the listener in order not to blend into the background.

Just finished listening to this album, and yet again, I find myself wondering: "how do you classify this?". The best answer I have come up with, several months after my first listen, is "You don't". You simply sit back and enjoy the atmospheres, the elaborate yet accessible song structures, the eerie vocals, the perfect production, the fine arrangement of five instruments that complement each other flawlessly. This being such a generic heavy metal release, I recommend it to just about any metal fan out there, unless your tastes are limited to extreme metal alone.

TwilightRider



..::TRACK-LIST::..

1. The Dark
2. Shadows of the Past
3. The Prophet
4. Yesterday’s Children
5. Drive Me Crazy
6. Day Tripper (Beatles cover)
7. The Child

Bonus Tracs:
8. Summertime (Demo)
9. Heat of the Night (Demo)
10. Abandon Hope (Demo)
11. Blood Sacrifice (Demo)
12. The Child (Demo)



..::OBSADA::..

Nick Brent - Vocals, Guitar
Steve Grainger - Lead Guitar, Keyboards, Vocals
Dave Robertson - Bass Guitar, Vocals
Graham Roberts - Drums




https://www.youtube.com/watch?v=B-6Dw9EjLe8



SEED 14:30-23:00.
POLECAM!!!