...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wielowarstwowa mieszanka potężnego i imponującego blackened DM!

FA

Like their label and country mates Serpent of Old, Shrine of Denial are blending styles and forging their own sound, and channelling it through narrative, superbly thought out structures that despite the twists and turns remain memorable. Perhaps it is a Turkish trait to have the songs this meticulously written, and to achieve that Shrine of Denial have used elements of both death and black metal in varying degrees, often blurring the boundaries between the two in the process. The result is exhilarating, as the band effortlessly switches from fast, blasting parts to slow melodic hooks and then quickly accelerates back to their high-speed mode, using whatever stylistic liberties available. It is an engaging, intense and stirring album that doesn’t get carried away and goes beyond what is necessary or appropriate; despite the vagaries, it remains solid, cohesive and impactful throughout. For what it does, 'I, Moloch' is one of the strongest albums not only to come out of that region in recent times but also in the blackened death metal style as a whole.

For fans of - Serpent of Old, Dead Congregation, Emperor, Behemoth, Burial Invocation, The Chasm



PRESS:
"top-shelf blackened death that gets me very excited for the band’s future career" - Angry Metal Guy 3.5/5
www.angrymetalguy.com/shrine-of-denial-i-moloch-review/


"a rock-solid album that will break necks" - Acta Infernalis 90/100
actainfernalis.com/2025/03/10/review-2632-shrine-of-denial-i-moloch-english/


"This is the kind of splendor that black-death metal is always in need of" - Head-banger Reviews
headbangerreviews.com/2025/01/23/shrine-of-denial-i-moloch/


"A bright new star has emerged in the murky death metal firmament!" - Sentinel Daily
sentineldaily.com.au/shrine-of-denial-i-moloch-transcending-obscurity-records/


"as elaborate, as magnificent, as sinister and otherworldly, and as dreadfully frightening as the visual" - No Clean Singing
www.nocleansinging.com/2025/02/14/an-ncs-premiere-shrine-of-denial-i-moloch/


"an engaging slab of considerable ferocity, tempered by an esoteric edge" - Wonderbox Metal
wonderboxmetal.com/2025/03/06/shrine-of-denial-i-moloch-review/


"Solid blackened death with a touch of disso" - Toilet ov Hell
toiletovhell.com/tmp-floating-shrine-of-denial-shrieking-demons-and-more/


"fans of varied death metal with a blackened touch should definitely check out" - Wings of Death
www.wingsofdeath.net/89646-Shrine-Of-Denial-I-Moloch



I’m starting to think there might be something in the water over in Turkey. Not two full years after Serpent of Old and their phenomenal debut Ensemble Under the Dark Sun blew my tiny mind, Shrine of Denial threaten to do the same. Sharing a home country and a label and implying a similar sound to Serpent of Old in their one-sheet, it was easy to go in expecting a carbon-copy of the former. While certain quirks suggest the idea of a native style, Shrine of Denial have more than enough personality of their own, forming I, Moloch with blackened death metal channeled through a sound that feels as old and trve as it does fresh and unique.

I, Moloch is gritty, fast, and technical. Punchily-delivered vocals and fast, off-beat tempos that almost recall The Black Dahlia Murder, meet with menacing riffwork that mimics a faster Morbid Angel, and is most closely akin to last years’ Keres, and throaty growls barked or roared, often in unison. Lurking about the compositions are tones and some pretensions to atmospheric dissonance that sound—yes—a bit like Serpent of Old (“Climbing Through Nothingness,” “The Mesmer”). But Shrine of Denial eschew eerie ambiguity in favour of straightforward meanness, delivering their discordant harmonies through spidery fretwork and the occasional twisting, piercing line. The low-DR, new-school-old-school production that wraps guitar solos in delicious echo, pushes the percussion to the front and into the golden zone of satisfyingly crisp crashy-bangyness, and emphasises the roughness of the vocals is the perfect packaging. This sounds bloody fantastic.

Shrine of Denial excel at elevating the elements of their music in a way that injects new vitality and intrigue into old styles, but doesn’t denigrate their unvarnished heaviness. There is much that feels vaguely familiar on I, Moloch, but it is reinterpreted and reinvigorated through impressive performances and idiosyncratic habits that give Shrine of Denial instant individuality. Guitar lines threading through compositions are immediate and hooky (“Oneiros,” “Headless Idol”), but subtly they spin a more complex web that gives the songs depth, and take you almost by surprise as thematic reprise bursts into a thrilling solo (“I, Moloch,” “Pillars of Ice”). The drumwork is far more complex than it needed to be, but the effort pays off in spades, with the compositions becoming exhilaratingly energetic; my jaw was frequently on the floor in appreciation of the flicky precision and kicky fills (especially “A Sanctuary In The Depths Of The Realms,” “Pillars of Ice,” and “Oneiros”). Further, the way Shrine of Denial use syncopation between percussion, vocal delivery, and on-off riff patterns gives them that much more impact, where otherwise they might have shrunken under their technicality (“I, Moloch,” “Temple of the Corpse Misuser”). What few truly melodious passages there are shine when they do appear in the aforementioned solos, or in the hints of grace to certain quite OSDM-sounding refrains; the beauty of their high, cavernous resonance makes it that much more heartbreaking that they are so rare.

There is precious little wastage on I, Moloch. With a runtime this swift, but songs this compelling, it’s clear that Shrine of Denial are smart songwriters, knowing that to win over their listener, it’s better to leave them a little hungry. These 31 minutes are bursting with slick, thrilling, downright gnarly musicianship, and a presence that belies this brevity. Everything exudes a fresh and snappy approach to disso-death, and blackened death, and whatever subgenres they incorporate, that makes them more approachable, but keeps just enough conventionality, and more than enough brutality and technicality, to satisfy. The main problems, therefore, with I, Moloch are: a) I would like more, and b) I would like them to let their extreme tendencies play out a little further; that is to say—there aren’t any real problems. In seriousness, I, Moloch’s abbreviation and slight camouflage of seeming more straightforward than it is does let Shrine of Denial down a tad; but it’s early days, and I’m more than happy to wait for them to really let loose.

Really, I, Moloch does everything you could ask it to. It’s punchy and slick, with clear signs of powerful promise waiting to be capitalised upon once Shrine of Denial fully lock in. It’s a bite-sized helping of top-shelf blackened death that gets me very excited for the band’s future career, and it’s another impressive debut to come from a country with a growing reputation of fostering extreme metal talent.

Thus Spoke



..::TRACK-LIST::..

1. Climbing Through Nothingness 04:31
2. A Sanctuary In The Depths Of The Realms 04:15
3. I, Moloch 03:36
4. Pillars Of Ice 04:18
5. The Mesmer 03:58
6. Oneiros 03:41
7. Headless Idol 02:54
8. Temple of the Corpse Misuser 03:43



..::OBSADA::..

Eray Nabi - Vocals
Onur Uslu - Lead guitar
Denizkaan Aracı - Rhythm guitar
Ahmet Ünveren - Bass
Berk Köktürk - Drums




https://www.youtube.com/watch?v=vBDKKGszVdQ



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Sinead O'Connor - I'm Not Bossy, I'm The Boss (Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Sinead O'Connor
Album................: I'm Not Bossy, I'm The Boss
Genre................: Pop, Rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Nettwerk

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Sinead O'Connor - How About I Be Me [03:25]
2. Sinead O'Connor - Dense Water Deeper Down [03:32]
3. Sinead O'Connor - Kisses Like Mine [02:28]
4. Sinead O'Connor - Your Green Jacket [03:23]
5. Sinead O'Connor - The Vishnu Room [02:47]
6. Sinead O'Connor - The Voice Of My Doctor [03:36]
7. Sinead O'Connor - Harbour [04:40]
8. Sinead O'Connor - James Brown (with Seun Kuti) [03:04]
9. Sinead O'Connor - 8 Good Reasons [03:26]
10. Sinead O'Connor - Take Me To Church [03:01]
11. Sinead O'Connor - Where Have You Been? [03:02]
12. Sinead O'Connor - Streetcars [04:28]
Bonus Tracks
13. Sinead O'Connor - How Nice A Woman Can Be [03:02]
14. Sinead O'Connor - Make A Fool Of Me All Night [03:35]
15. Sinead O'Connor - Little Story [03:06]

Playing Time.........: 50:45
Total Size...........: 327,01 MB

..::INFO::..

---------------------------------------------------------------------
Black - The Collection
---------------------------------------------------------------------

Artist...............: Black
Album................: The Collection
Genre................: Pop, New Wave
Source...............: CD
Year.................: 2000
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Spectrum Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Black - Wonderful Life [04:51]
2. Black - Paradise [04:54]
3. Black - The Big One [03:42]
4. Black - Now You're Gone [03:40]
5. Black - All We Need Is the Money [04:29]
6. Black - Let Me Watch You Make Love [03:11]
7. Black - She's My Best Friend [04:07]
8. Black - Sweetest Smile [05:17]
9. Black - Finder [04:16]
10. Black - It's Not Over Yet [05:09]
11. Black - Hey, I Was Right, You Were Wrong [03:43]
12. Black - Ravel in the Rain [03:52]
13. Black - Everything Is Coming Up Roses [04:09]
14. Black - You Don't Always Do What's Best for You [04:43]
15. Black - You're a Big Girl Now [04:19]
16. Black - Here It Comes Again [04:15]
17. Black - I Just Grew Tired [04:19]
18. Black - Just Making Memories [04:25]

Playing Time.........: 01:17:29
Total Size...........: 475,42 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po sześciu latah działalności Blackcircle wreszcie prezetuje swój debiutancki album. Sporo udziwnień, dużo progresji, dość inteligentna muzyka dla poszukujących.
Płyta 'duszna i ponura' ale nie stwarzająca wrażenia monotonnej.



..::TRACK-LIST::..

1. Ascension 08:19
2. Flowers 07:24
3. Echoes 08:57
4. In the Eye of Chaos 07:13
5. The Ghost Garden 07:42
6. Timeline 09:29
7. Mirrorhouse 04:44
8. Requiem in Silence 06:30



..::OBSADA::..

Bass - Jorge Drolett
Drum Programming - Raúl Drolett
Guitar - Raúl Drolett
Keyboards - Jorge Drolett
Synth - Raúl Drolett
Vocals - Jorge Drolett, Raúl Drolett




https://www.youtube.com/watch?v=cPw5fiVeXTQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po sześciu latah działalności Blackcircle wreszcie prezetuje swój debiutancki album. Sporo udziwnień, dużo progresji, dość inteligentna muzyka dla poszukujących.
Płyta 'duszna i ponura' ale nie stwarzająca wrażenia monotonnej.



..::TRACK-LIST::..

1. Ascension 08:19
2. Flowers 07:24
3. Echoes 08:57
4. In the Eye of Chaos 07:13
5. The Ghost Garden 07:42
6. Timeline 09:29
7. Mirrorhouse 04:44
8. Requiem in Silence 06:30



..::OBSADA::..

Bass - Jorge Drolett
Drum Programming - Raúl Drolett
Guitar - Raúl Drolett
Keyboards - Jorge Drolett
Synth - Raúl Drolett
Vocals - Jorge Drolett, Raúl Drolett




https://www.youtube.com/watch?v=cPw5fiVeXTQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jestem naprawdę szczęśliwy, że poznałem włoski zespół, wyprodukowany przez włoską wytwórnię (bardzo aktywną Punishment 18 ), który śpiewa po włosku opowiadając kawał włoskiej historii.
Generalnie nie jestem zagorzałym obrońcą włoskiej sceny, często prowincjonalnej i amatorskiej, i właśnie dlatego jestem naprawdę dumny, gdy pojawia się dzieło tego kalibru.
Fajnie jest rozmawiać o fiordach czy obskurnych ulicach South Central Los Angeles, ale w końcu każdy z nas może być gangsterem albo niedzielnym Wikingiem... więc raz jeszcze wielkie brawa dla zespołu, który postanowił nie iść na łatwiznę i nie podążać za trendami.



..::TRACK-LIST::..

1. I Was
2. Teveròn, The Sleeping Giant
3. The Legend Of Càzha Selvàrega
4. Artiglieria Alpina
5. The Guardian
6. 33 Days Of Pontificate (Vatican Inc.)
7. An Old Dusty Dream (Vajont 9 Ottobre 1963)
8. Life Before Nothing
9. Scream Of 2000 Screams
10. The Memory



..::OBSADA::..

Med - Guitars
Thomas - Drums
Ciardo - Guitars, Flute, Vocals
Pondro - Bass



https://www.youtube.com/watch?v=1QW_wq81kS4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jestem naprawdę szczęśliwy, że poznałem włoski zespół, wyprodukowany przez włoską wytwórnię (bardzo aktywną Punishment 18 ), który śpiewa po włosku opowiadając kawał włoskiej historii.
Generalnie nie jestem zagorzałym obrońcą włoskiej sceny, często prowincjonalnej i amatorskiej, i właśnie dlatego jestem naprawdę dumny, gdy pojawia się dzieło tego kalibru.
Fajnie jest rozmawiać o fiordach czy obskurnych ulicach South Central Los Angeles, ale w końcu każdy z nas może być gangsterem albo niedzielnym Wikingiem... więc raz jeszcze wielkie brawa dla zespołu, który postanowił nie iść na łatwiznę i nie podążać za trendami.



..::TRACK-LIST::..

1. I Was
2. Teveròn, The Sleeping Giant
3. The Legend Of Càzha Selvàrega
4. Artiglieria Alpina
5. The Guardian
6. 33 Days Of Pontificate (Vatican Inc.)
7. An Old Dusty Dream (Vajont 9 Ottobre 1963)
8. Life Before Nothing
9. Scream Of 2000 Screams
10. The Memory



..::OBSADA::..

Med - Guitars
Thomas - Drums
Ciardo - Guitars, Flute, Vocals
Pondro - Bass



https://www.youtube.com/watch?v=1QW_wq81kS4



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pionierzy brytyjskiego thrash/punka lat 80-tych. To ich debiut.

To co naprawdę wyróżnia 'Your Turn Next', jest całkowite zignorowanie muzycznych granic, co w 1986 roku było dla mnie dość nowym doświadczeniem!
To album, który mówi: 'Po chuj wybierać między hardcore punkiem a thrash metalem, skoro można mieć oba, a nawet więcej?'.



CONCRETE SOX hailed from Nottingham and were one of the pioneers of the whole UK Hardcore punk/thrash scene in the mid 80s. Now their debut album “Your Turn Next” is made available again in conjunction with the bands own Soxcore label and for the first time on CD in Europe. Featuring many unseen photos from the bands original collection, the CD version also contains 13 previously unreleased additional live and demo tracks from 1984-85.



..::TRACK-LIST::..

Your Turn Next LP (1985)
1. Intelligence Quest 3:45
2. Who Was The First? 4:11
3. Eminent Scum 3:18
4. Sustain The Orgy 6:08
5. Ten Steps To Oblivion 4:38
6. Each Day A New Low 2:13
7. New Breed 3:01
8. Salt Of The Earth 4:41
9. Civilised 3:32
10. Torn 2:34
11. Your Turn Next 1:45
12. Sadists 1:56

Demo Tracks (1985)
13. Senile Fools 3:14
14. Speak Siberian Or Die 3:49

Live At The Station Newcastle (1984)
15. Festering 3:24
16. Each Day A New Low 3:26
17. Sadists 2:25
18. Untitled 2:04
19. World Casino 1:59
20. Not That Blind 2:36
21. Deathwish 2:22
22. Tortured Minds 1:43

Demo Tracks (1984)
23. Senile Fools 3:11
24. Torn 2:37
25. Sadists 2:15



..::OBSADA::..

Guitar [All Guitars], Keyboards, Lead Vocals, Backing Vocals, Music By - Vic
Bass, Lead Vocals, Backing Vocals, Other [All Diseases], Music By - Les
Drums, Lead Vocals, Backing Vocals, Tambourine, Music By - John

Vocals [Additional] - Tracey




https://www.youtube.com/watch?v=vsTfb5vq7ks



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Pionierzy brytyjskiego thrash/punka lat 80-tych. To ich debiut.

To co naprawdę wyróżnia 'Your Turn Next', jest całkowite zignorowanie muzycznych granic, co w 1986 roku było dla mnie dość nowym doświadczeniem!
To album, który mówi: 'Po chuj wybierać między hardcore punkiem a thrash metalem, skoro można mieć oba, a nawet więcej?'.



CONCRETE SOX hailed from Nottingham and were one of the pioneers of the whole UK Hardcore punk/thrash scene in the mid 80s. Now their debut album “Your Turn Next” is made available again in conjunction with the bands own Soxcore label and for the first time on CD in Europe. Featuring many unseen photos from the bands original collection, the CD version also contains 13 previously unreleased additional live and demo tracks from 1984-85.



..::TRACK-LIST::..

Your Turn Next LP (1985)
1. Intelligence Quest 3:45
2. Who Was The First? 4:11
3. Eminent Scum 3:18
4. Sustain The Orgy 6:08
5. Ten Steps To Oblivion 4:38
6. Each Day A New Low 2:13
7. New Breed 3:01
8. Salt Of The Earth 4:41
9. Civilised 3:32
10. Torn 2:34
11. Your Turn Next 1:45
12. Sadists 1:56

Demo Tracks (1985)
13. Senile Fools 3:14
14. Speak Siberian Or Die 3:49

Live At The Station Newcastle (1984)
15. Festering 3:24
16. Each Day A New Low 3:26
17. Sadists 2:25
18. Untitled 2:04
19. World Casino 1:59
20. Not That Blind 2:36
21. Deathwish 2:22
22. Tortured Minds 1:43

Demo Tracks (1984)
23. Senile Fools 3:11
24. Torn 2:37
25. Sadists 2:15



..::OBSADA::..

Guitar [All Guitars], Keyboards, Lead Vocals, Backing Vocals, Music By - Vic
Bass, Lead Vocals, Backing Vocals, Other [All Diseases], Music By - Les
Drums, Lead Vocals, Backing Vocals, Tambourine, Music By - John

Vocals [Additional] - Tracey




https://www.youtube.com/watch?v=vsTfb5vq7ks



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Lenny Kravitz - Acoustic
---------------------------------------------------------------------

Artist...............: Lenny Kravitz
Album................: Acoustic
Genre................: Rock
Source...............: CD
Year.................: 1994
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Kiss The Stone - Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Lenny Kravitz - Are You Gonna Go My Way [06:26]
2. Lenny Kravitz - Believe [05:13]
3. Lenny Kravitz - Rosemary [05:36]
4. Lenny Kravitz - Just Be a Woman [04:06]
5. Lenny Kravitz - Sister [07:15]
6. Lenny Kravitz - Always On The Run [03:57]
7. Lenny Kravitz - My Precious Love [05:54]
8. Lenny Kravitz - Let Love Rule [06:43]
9. Lenny Kravitz - Are You Gonna Go My Way (Bonus Track) [03:26]
10. Lenny Kravitz - Always On The Run (Bonus Track) [05:57]

Playing Time.........: 54:37
Total Size...........: 368,35 MB

..::INFO::..

---------------------------------------------------------------------
Sting & Shaggy - 44.876
(SHM-CD Japan Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Sting & Shaggy
Album................: 44.876
Genre................: Pop
Source...............: CD
Year.................: 2018
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: A&M Records – UICA Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Sting & Shaggy - 44.876 [02:59]
2. Sting & Shaggy - Morning Is Comin [03:11]
3. Sting & Shaggy - Waiting For The Break Of Day [03:18]
4. Sting & Shaggy - Gotta Get Back My Bab [02:56]
5. Sting & Shaggy - Don't Make Me Wait [03:35]
6. Sting & Shaggy - Just One Lifetime [03:30]
7. Sting & Shaggy - 22nd Stree [04:00]
8. Sting & Shaggy - Dreaming In The U.S.A [03:08]
9. Sting & Shaggy - Crooked Tree [03:37]
10. Sting & Shaggy - To Love And Be Love [03:29]
11. Sting & Shaggy - Sad Trombon [05:43]
12. Sting & Shaggy - Night Shif [03:26]
13. Sting & Shaggy - If You Can't Find Love [03:34]
14. Sting & Shaggy - Love Changes Everythin [03:55]
15. Sting & Shaggy - 16 Fathom [03:19]
16. Sting & Shaggy - Don't Make Me Wait (Dave Aude Rhythmic Radio Remix[03:48]
17. Sting & Shaggy - Don't Make Me Wait (Live at Shaggy and Friends) (Bonus Track[06:34]
18. Sting & Shaggy - Message In A Bottle (Live at Shaggy and Friends) (Bonus Track[04:31]

Playing Time.........: 01:08:40
Total Size...........: 443,99 MB

...( Info )...

Artist...............: Thin Lizzy
Album................: Johnny The Fox
Genre................: Hard rock
Year.................: 1990
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Thin Lizzy - Johnny
002. Thin Lizzy - Rocky
003. Thin Lizzy - Borderline
004. Thin Lizzy - Don't Believe A Word (Album Version)
005. Thin Lizzy - Fools Gold
006. Thin Lizzy - Johnny The Fox Meets Jimmy The Weed (Album Version)
007. Thin Lizzy - Old Flame
008. Thin Lizzy - Massacre (Album Version)
009. Thin Lizzy - Sweet Marie
010. Thin Lizzy - Boogie Woogie Dance

...( Info )...


Artist...............: Nomadi
Album................: Live al Teatro Dal Verme (Live)
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Nomadi - Ricordati (Live)
002. Nomadi - Noi non ci saremo (Live)
003. Nomadi - Gli aironi neri (Live)
004. Nomadi - Cartoline da qui (Live)
005. Nomadi - Voglio ridere (Live)
006. Nomadi - Dove si va (Live)
007. Nomadi - Tutto a posto (Live)
008. Nomadi - Utopia (Live)
009. Nomadi - Fiore nero (Live)
010. Nomadi - Ti lascio una parola (Goodbye) (Live)
011. Nomadi - Suoni (Live)
012. Nomadi - Il paese - L'eredità - Né gioia né dolore (Live)
013. Nomadi - Un pugno di sabbia (Live)
014. Nomadi - Io voglio vivere (Live)
015. Nomadi - Auschwitz (Live)
016. Nomadi - Canzone per un'amica (Live)
017. Nomadi - Dio è morto (Live)
018. Nomadi - Io vagabondo (Live)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Poślady zerżnięte na maxa!


..::OPIS::..

Lelahell to bestia z Algierii, być może zespół jest znany części fanów z europejskich wojaży (Polskę też odwiedzili swego czasu). Zapewne część czytających to osób będzie zdziwiona, że w Algierii bawią się w granie metalu. Bawią się i to jak!

Słowacka Metal Age Productions wzięła pod swoje skrzydła tego potwora i oto trzymam w ręku drugi pełnowymiarowy krążek Lelahell. Kilka faktów… Płyta zmiksowana i zremasterowana w Hertz Studio, na bębnach rozpierdol (dosłownie) sieje niejaki Hannes Grossmann (m.in. Hate Eternal, a wcześniej Necrophagist, Obscura) a wśród kilku gości, którzy pojawili się na płycie jest m.in. sam Patrizio Marco Giovanni Mameli z Pestilence.
Głównym sprawcą całego zamieszania jest Redouane Aouameur, który pociąga za sznurki w Lelahell. Wspomniany muzyk od wielu już lat działa na scenie i to słychać w jego muzyce. Dziesięć utworów składających się na „Alif” to miażdżąca porcja piekielnie szybkiego i technicznego death metalu z pojawiającymi się od czasu do czasu elementami folku. Można rzec, że Amerykanie mają Nile, Algieria ma Lelahell. Co ciekawe, w chwili obecnej Lelahell przejeżdża niczym czołg po konkurencji i nie bierze jeńców. Ile tutaj się dzieje! Potężne, klarowne brzmienie, niesamowite partie bębnów i gitarowe „palcóweczki wywijańce” ze szczyptą arabskiego folku tworzą piekielną mieszankę. Co ważne całość brzmi niesamowicie świeżo, chyba nie bez znaczenia jest pochodzenie mózgu Lelahell. Jeżeli tak w Algierii gra się death metal, to czapki z głów proszę państwa.

Odnośnie technicznego grania, żeby była jasność. Termin techniczny death metal może być mylący, nie jestem zwolennikiem muzy, w której mamy zlepek przypadkowych dźwięków, gdzie nic do siebie nie pasuje i jest to niestrawne w słuchaniu. Na „Alif” jest dokładnie odwrotnie. Jest miażdżący ciężar (death metal to nie cukiereczki), nieziemskie partie bębnów, chore wokale (niesamowite i obłąkane „screamy”), kapitalne solówki gitarowe i umiejętne (kładę nacisk na to słowo!) pokazanie jak można bawić się grą na instrumentach. Dzięki temu materiał nic nie traci na brutalności, nie została przekroczona niebezpieczna granica oddzielająca death metal od popisów nie mających z nim nic wspólnego. Weźmy taki siódmy na płycie „Insiraf/Martyr” (pisząc te słowa po raz któryś z rzędu słucham „Alif” i akurat właśnie przytłacza mnie ten utwór ). Arabski język w death metalu sprawdza się doskonale, brzmi świeżo i złowieszczo. Arabski motyw na gitarze przechodzi we wściekły death metal z tekstem wyryczanym w trzech językach (arabski, francuski i angielski).
Obcując z Lelahell po raz kolejny potwierdza się teoria o bandach z egzotycznych dla metalu krajów.

Ta egzotyka jest niesamowitym atutem, w połączeniu z, że tak to ujmę, regionalnymi „motywami” i czystą głową (czego często brakuje muzykom z krajów gdzie ikony death metalu wymienia się przez wszystkie przypadki, a to powoduje zabieranie się za kopiowanie kopii, w efekcie czego otrzymujemy, przykładowo, tysięczną wersję którejś z ikon death metalu). Pochodzenie idące w parze z pomysłem na muzykę, daje utalentowanym muzykom, a do takich zdecydowanie należy Redouane Aouameur (kuźwa, jak to się wymawia? ;)) możliwość zaprezentowania szerszej publice swoich nieco innych pomysłów i innego spojrzenia na ekstremalny metal. Mówiąc wprost, dawno nie spotkałem się z tak druzgocącym materiałem w brutalnym death metalu, swoją drogą określenie brutalny death metal jest głupkowate, bo przecież death metal z założenia ma być muzyką brutalną.

Jeśli lubisz kiedy tynk sypie się ze ścian, jeśli jesteś w stanie stanąć do walki na ringu z przeciwnikiem, który dysponuje nieziemską siłą i z góry wiesz, że poniesiesz klęskę, jeśli lubisz kiedy muza Cię katuje i nie da spokoju do ostatniej kropli krwi to algierski Lelahell jest dla Ciebie. Warto poszukać tego albumu, Lelahell dokonał aktu zniszczenia totalnego! Nie ma innej opcji jak maksymalna nota. Długo jeszcze ta płyta nie opuści mojego odtwarzacza.

Robert Serpent


Wiedzieliście, że istnieje coś takiego, jak algierski metal? Dopóki Lelahell nie wysłał swojej promki na naszą skrzynkę, sam nie miałem o tym pojęcia. Zainteresowałem się tą płytą głównie z ciekawości, nie zaprzeczam. Przekonajmy się, czy arabski death metal jest halal, czy może raczej haram.

Alif to czterdzieści minut podzielone na dziesięć kawałków i wydane przez Metal Age Productions. Notka wspominała o śmierć metalu, jednak samo to jest niedomówieniem. Poza śmiertelnym łomotem, ekipa używa dużo motywów z ich lokalnej kultury. Nie na tyle, by dodawać im do gatunku słowo folk, raczej na poziomie Nile albo Melechesh. Do tego znajduje się tu mnóstwo groove’u przypominającego mi Dies Irae albo Vaderowe Litany. Suma sumarum, wychodzi płyta całkiem przyjemna, choć niespecjalnie wybijająca się ponad resztę. Clou programu są bujające motywy, bardziej do rytmicznego tańca niż zwierzęcych konwulsji, oraz spora ilość arabskich melodii. Przepis całkiem niezły, choć trochę zbyt ubogi: często brakowało mi w utworach dodatkowych motywów, które przebiłyby pojawiającą się w późniejszych częściach monotonię. Wyznaczmy tutaj The Fifth, które praktycznie składa się z dwóch motywów na krzyż, do tego wyjątkowo miernych. Czasami zespół chce rozwinąć formułę i tworzy bardziej rozbudowane kompozycje, ale na Adam the First ciągnie się to bez celu. Dla kontrastu, utrzymane w podobnym duchu Impunity of the Mutants jest już dużo przyjemniejsze, a Litham (The Reach of Kal Asuf)-naprawdę dobre.

Nie, żebym przyganiał chęć rozwoju i zaawansowanych utworów, niemniej Lelahell najlepiej sobie radzi w prostych, niespecjalnie melodycznych strzałach z początku płyty. Paramnesia i Ribat Essalem to w sumie też dwa-trzy motywy na krzyż, niemniej miast stawiać na arabeskowe wybiegi, koncentrują się na chwytliwych, breakdownowych riffach, udoskonalając je wcale technicznymi wybiegami i nieokazyjnymi blastami. W ogóle, muzycy często pokazują, że grać potrafią i się nie wstydzą. Czepiać się będę tylko do wokalisty: na moje ucho brzmi jakoś tak wątle, brakuje mu mocy i charyzmy. Natomiast brzmienie powstało w Hertz Studio, jak się pewnie domyślacie, nie ma się na co skarżyć.

Alif jest całkiem niezłym krążkiem. W swojej ignorancji stwierdzę, że pewnie jednym z najlepszych z ich lokalnej sceny. Czapki z głowy mi nie urwało, ale jeżeli ktoś lubi groove i Arabię, powinien być zadowolony.

Kapitan Bajeczny


LELAHELL are one of Algerian newer extreme metal groups. In 2010, Redouane Aouameur who is no stranger to the Algerian metal scene as he has already been in other bands including (Neanderthalia, Litham, Carnavage and Devast) founded it. In August 2012, “Goressimo Records” officially released the band’s debut EP.

The album Alif features one of the most admired players in the world of technical death metal - Hannes Grossmann (ex Necrophagist, ex Obscura, Alkaloid, Blotted Science, Hate Eternal) on drums. Recorded at Fermata Studio (Algiers), mixed and mastered at the famous Hertz Recording Studio (Bialystock, Poland) by Sławek and Wojtek Wieslawski (Behemoth, Vader,
Decapitated, Hate).

Each Lelahell release is conceptually linked to the character of Abderrahmane yet focusing on another evolutionary step—another chapter in his own book. The new album "Alif" is now focusing on Abderrahmane's first steps in his new life, just like a child learning to speak, walk, learning about the world around him. Yet this is full of foes and fears, that's why Abderrahmane needs to save himself from those dangers.

The album contains 10 tracks of intensive death metal riffs with an Algerian folklore accent, combined with fast blast beats and technical rhythms. Highly recommended for fans of Melechesch, Nile, Absu, Behemoth or Decapitated.



Active as a musician and tireless supporter of Arabic extreme metal worldwide since the mid-90’s Algerian guitarist, vocalist and composer Lelahel aka Redouane Aouameur (Litham, Neanderthalia) was there for many of the country’s earliest metal milestones be it concerts or extreme metal album releases. As he moved on from death metal project Litham, Aouameur chose the path of self-direction and built his own ideas in the shape of the brutal and distinct death metal style of Lelahell. The project’s second full-length is a point of readiness, a mark that sets out onto a more capable and serious beginning. ‘Alif’ is not only a ripping technical death metal album but also a grand survey providing a blueprint for things more philosophical, technical and violent to come.

Written, performed, and recorded entirely by Aouameur alone the band’s first EP ‘Al Intihar’ (2012) was brutal death metal not far from 2000’s era Vader but with it’s own groove. The incorporation of arabesque scales persist through Lelahell‘s discography but the influence of Arabic melody wouldn’t fully light aflame until ‘Al Insane… The (Re​)​birth of Abderrahmane’ (2014) where comparisons were more aptly made with Melechesh, Beheaded and Nile. A brutal and straightforward debut full-length in appearance, as it plays ‘Al Insane… The (Re​)​birth of Abderrahmane’ reveals depth beneath it’s loudly chugging brutality but now it is easily outmoded by the skillful crafting of ‘Alif’.

Elements of thrash, black metal, and a healthy dose of technical death metal skill meld into the body of ‘Alif’ creating a patiently rhythmic experience thanks to Aouameur‘s sharp guitar work and session drums from Hannes Grossman (Alkaloid, Hate Eternal) who is best known for his time in Necrophagist and Obscura. A glut of guest artists contribute guitar and bass spots including Tom Geldschläger (ex-Obscura), Yacine M. (Litham), Patrick Mameli (Pestilence), bassist Hafid Saidi and their contributions help give the album some exotic variety and some considerable progressive flair. Because the heart of Aouameur‘s riffs are a mix of old school/brutal death and blackened death metal ‘Alif’ manages a warm and technique driven feeling throughout thanks to a mix/master from the Wiesławski brothers at Hertz Studio (Azarath, Decapitated, Vader).

‘Alif’ provides some great promise for the future of Lelahell as the intentioned ‘standard bearer’ for future releases. As overused as Arabic folk melody and certain guitar scales may seem in extreme metal this implementation is rarely done with any authenticity, Arallu and AlNamrood have done great justice with these influences, and the same skillful weaving of personal and cultural importance is felt on ‘Alif’ as well. This also includes lyrical themes covering numerous topics, with the open wounds of post-occupational Algeria occasionally on display. There is a spirit of rebellion alongside a certain aging wisdom to discover within the thoughtful content of ‘Alif’ and this makes me even more excited to hear where the project will go next.

No doubt that a lot of listeners will show up looking for something hyper progressive and technical due to Grossman‘s inclusion but I would temper that with the more reasonable expectation of tight musicianship with songwriting that isn’t self-indulgent or focused on flair above feeling. The delivery is precise and brutal in every case but I was left carrying the intricate melody and rhythms of ‘Alif’ in my mind after many listens. I’d highly recommend this to folks who have some great love for groups like Melechesh and Arallu but also the brutality of post-millennium era death metal (Polish and USDM, especially) with touches of modern technical and progressive death metal.

terraasymmetry



..::TRACK-LIST::..

1. Paramnesia 04:33
2. Ignis Fatuus 03:04
3. Thou Shalt Not Kill 00:30
4. Ribat Essalem 04:27
5. Adam the First 04:26
6. The Fifth 04:01
7. Insiraf / Martyr 05:37
8. Litham (The Reach of Kal asuf) 05:54
9. Parasits 02:44
10. Impunity of the Mutants 05:16




https://www.youtube.com/watch?v=gnvHxAAbfQs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Poślady zerżnięte na maxa!


..::OPIS::..

Lelahell to bestia z Algierii, być może zespół jest znany części fanów z europejskich wojaży (Polskę też odwiedzili swego czasu). Zapewne część czytających to osób będzie zdziwiona, że w Algierii bawią się w granie metalu. Bawią się i to jak!

Słowacka Metal Age Productions wzięła pod swoje skrzydła tego potwora i oto trzymam w ręku drugi pełnowymiarowy krążek Lelahell. Kilka faktów… Płyta zmiksowana i zremasterowana w Hertz Studio, na bębnach rozpierdol (dosłownie) sieje niejaki Hannes Grossmann (m.in. Hate Eternal, a wcześniej Necrophagist, Obscura) a wśród kilku gości, którzy pojawili się na płycie jest m.in. sam Patrizio Marco Giovanni Mameli z Pestilence.
Głównym sprawcą całego zamieszania jest Redouane Aouameur, który pociąga za sznurki w Lelahell. Wspomniany muzyk od wielu już lat działa na scenie i to słychać w jego muzyce. Dziesięć utworów składających się na „Alif” to miażdżąca porcja piekielnie szybkiego i technicznego death metalu z pojawiającymi się od czasu do czasu elementami folku. Można rzec, że Amerykanie mają Nile, Algieria ma Lelahell. Co ciekawe, w chwili obecnej Lelahell przejeżdża niczym czołg po konkurencji i nie bierze jeńców. Ile tutaj się dzieje! Potężne, klarowne brzmienie, niesamowite partie bębnów i gitarowe „palcóweczki wywijańce” ze szczyptą arabskiego folku tworzą piekielną mieszankę. Co ważne całość brzmi niesamowicie świeżo, chyba nie bez znaczenia jest pochodzenie mózgu Lelahell. Jeżeli tak w Algierii gra się death metal, to czapki z głów proszę państwa.

Odnośnie technicznego grania, żeby była jasność. Termin techniczny death metal może być mylący, nie jestem zwolennikiem muzy, w której mamy zlepek przypadkowych dźwięków, gdzie nic do siebie nie pasuje i jest to niestrawne w słuchaniu. Na „Alif” jest dokładnie odwrotnie. Jest miażdżący ciężar (death metal to nie cukiereczki), nieziemskie partie bębnów, chore wokale (niesamowite i obłąkane „screamy”), kapitalne solówki gitarowe i umiejętne (kładę nacisk na to słowo!) pokazanie jak można bawić się grą na instrumentach. Dzięki temu materiał nic nie traci na brutalności, nie została przekroczona niebezpieczna granica oddzielająca death metal od popisów nie mających z nim nic wspólnego. Weźmy taki siódmy na płycie „Insiraf/Martyr” (pisząc te słowa po raz któryś z rzędu słucham „Alif” i akurat właśnie przytłacza mnie ten utwór ). Arabski język w death metalu sprawdza się doskonale, brzmi świeżo i złowieszczo. Arabski motyw na gitarze przechodzi we wściekły death metal z tekstem wyryczanym w trzech językach (arabski, francuski i angielski).
Obcując z Lelahell po raz kolejny potwierdza się teoria o bandach z egzotycznych dla metalu krajów.

Ta egzotyka jest niesamowitym atutem, w połączeniu z, że tak to ujmę, regionalnymi „motywami” i czystą głową (czego często brakuje muzykom z krajów gdzie ikony death metalu wymienia się przez wszystkie przypadki, a to powoduje zabieranie się za kopiowanie kopii, w efekcie czego otrzymujemy, przykładowo, tysięczną wersję którejś z ikon death metalu). Pochodzenie idące w parze z pomysłem na muzykę, daje utalentowanym muzykom, a do takich zdecydowanie należy Redouane Aouameur (kuźwa, jak to się wymawia? ;)) możliwość zaprezentowania szerszej publice swoich nieco innych pomysłów i innego spojrzenia na ekstremalny metal. Mówiąc wprost, dawno nie spotkałem się z tak druzgocącym materiałem w brutalnym death metalu, swoją drogą określenie brutalny death metal jest głupkowate, bo przecież death metal z założenia ma być muzyką brutalną.

Jeśli lubisz kiedy tynk sypie się ze ścian, jeśli jesteś w stanie stanąć do walki na ringu z przeciwnikiem, który dysponuje nieziemską siłą i z góry wiesz, że poniesiesz klęskę, jeśli lubisz kiedy muza Cię katuje i nie da spokoju do ostatniej kropli krwi to algierski Lelahell jest dla Ciebie. Warto poszukać tego albumu, Lelahell dokonał aktu zniszczenia totalnego! Nie ma innej opcji jak maksymalna nota. Długo jeszcze ta płyta nie opuści mojego odtwarzacza.

Robert Serpent


Wiedzieliście, że istnieje coś takiego, jak algierski metal? Dopóki Lelahell nie wysłał swojej promki na naszą skrzynkę, sam nie miałem o tym pojęcia. Zainteresowałem się tą płytą głównie z ciekawości, nie zaprzeczam. Przekonajmy się, czy arabski death metal jest halal, czy może raczej haram.

Alif to czterdzieści minut podzielone na dziesięć kawałków i wydane przez Metal Age Productions. Notka wspominała o śmierć metalu, jednak samo to jest niedomówieniem. Poza śmiertelnym łomotem, ekipa używa dużo motywów z ich lokalnej kultury. Nie na tyle, by dodawać im do gatunku słowo folk, raczej na poziomie Nile albo Melechesh. Do tego znajduje się tu mnóstwo groove’u przypominającego mi Dies Irae albo Vaderowe Litany. Suma sumarum, wychodzi płyta całkiem przyjemna, choć niespecjalnie wybijająca się ponad resztę. Clou programu są bujające motywy, bardziej do rytmicznego tańca niż zwierzęcych konwulsji, oraz spora ilość arabskich melodii. Przepis całkiem niezły, choć trochę zbyt ubogi: często brakowało mi w utworach dodatkowych motywów, które przebiłyby pojawiającą się w późniejszych częściach monotonię. Wyznaczmy tutaj The Fifth, które praktycznie składa się z dwóch motywów na krzyż, do tego wyjątkowo miernych. Czasami zespół chce rozwinąć formułę i tworzy bardziej rozbudowane kompozycje, ale na Adam the First ciągnie się to bez celu. Dla kontrastu, utrzymane w podobnym duchu Impunity of the Mutants jest już dużo przyjemniejsze, a Litham (The Reach of Kal Asuf)-naprawdę dobre.

Nie, żebym przyganiał chęć rozwoju i zaawansowanych utworów, niemniej Lelahell najlepiej sobie radzi w prostych, niespecjalnie melodycznych strzałach z początku płyty. Paramnesia i Ribat Essalem to w sumie też dwa-trzy motywy na krzyż, niemniej miast stawiać na arabeskowe wybiegi, koncentrują się na chwytliwych, breakdownowych riffach, udoskonalając je wcale technicznymi wybiegami i nieokazyjnymi blastami. W ogóle, muzycy często pokazują, że grać potrafią i się nie wstydzą. Czepiać się będę tylko do wokalisty: na moje ucho brzmi jakoś tak wątle, brakuje mu mocy i charyzmy. Natomiast brzmienie powstało w Hertz Studio, jak się pewnie domyślacie, nie ma się na co skarżyć.

Alif jest całkiem niezłym krążkiem. W swojej ignorancji stwierdzę, że pewnie jednym z najlepszych z ich lokalnej sceny. Czapki z głowy mi nie urwało, ale jeżeli ktoś lubi groove i Arabię, powinien być zadowolony.

Kapitan Bajeczny


LELAHELL are one of Algerian newer extreme metal groups. In 2010, Redouane Aouameur who is no stranger to the Algerian metal scene as he has already been in other bands including (Neanderthalia, Litham, Carnavage and Devast) founded it. In August 2012, “Goressimo Records” officially released the band’s debut EP.

The album Alif features one of the most admired players in the world of technical death metal - Hannes Grossmann (ex Necrophagist, ex Obscura, Alkaloid, Blotted Science, Hate Eternal) on drums. Recorded at Fermata Studio (Algiers), mixed and mastered at the famous Hertz Recording Studio (Bialystock, Poland) by Sławek and Wojtek Wieslawski (Behemoth, Vader,
Decapitated, Hate).

Each Lelahell release is conceptually linked to the character of Abderrahmane yet focusing on another evolutionary step—another chapter in his own book. The new album "Alif" is now focusing on Abderrahmane's first steps in his new life, just like a child learning to speak, walk, learning about the world around him. Yet this is full of foes and fears, that's why Abderrahmane needs to save himself from those dangers.

The album contains 10 tracks of intensive death metal riffs with an Algerian folklore accent, combined with fast blast beats and technical rhythms. Highly recommended for fans of Melechesch, Nile, Absu, Behemoth or Decapitated.



Active as a musician and tireless supporter of Arabic extreme metal worldwide since the mid-90’s Algerian guitarist, vocalist and composer Lelahel aka Redouane Aouameur (Litham, Neanderthalia) was there for many of the country’s earliest metal milestones be it concerts or extreme metal album releases. As he moved on from death metal project Litham, Aouameur chose the path of self-direction and built his own ideas in the shape of the brutal and distinct death metal style of Lelahell. The project’s second full-length is a point of readiness, a mark that sets out onto a more capable and serious beginning. ‘Alif’ is not only a ripping technical death metal album but also a grand survey providing a blueprint for things more philosophical, technical and violent to come.

Written, performed, and recorded entirely by Aouameur alone the band’s first EP ‘Al Intihar’ (2012) was brutal death metal not far from 2000’s era Vader but with it’s own groove. The incorporation of arabesque scales persist through Lelahell‘s discography but the influence of Arabic melody wouldn’t fully light aflame until ‘Al Insane… The (Re​)​birth of Abderrahmane’ (2014) where comparisons were more aptly made with Melechesh, Beheaded and Nile. A brutal and straightforward debut full-length in appearance, as it plays ‘Al Insane… The (Re​)​birth of Abderrahmane’ reveals depth beneath it’s loudly chugging brutality but now it is easily outmoded by the skillful crafting of ‘Alif’.

Elements of thrash, black metal, and a healthy dose of technical death metal skill meld into the body of ‘Alif’ creating a patiently rhythmic experience thanks to Aouameur‘s sharp guitar work and session drums from Hannes Grossman (Alkaloid, Hate Eternal) who is best known for his time in Necrophagist and Obscura. A glut of guest artists contribute guitar and bass spots including Tom Geldschläger (ex-Obscura), Yacine M. (Litham), Patrick Mameli (Pestilence), bassist Hafid Saidi and their contributions help give the album some exotic variety and some considerable progressive flair. Because the heart of Aouameur‘s riffs are a mix of old school/brutal death and blackened death metal ‘Alif’ manages a warm and technique driven feeling throughout thanks to a mix/master from the Wiesławski brothers at Hertz Studio (Azarath, Decapitated, Vader).

‘Alif’ provides some great promise for the future of Lelahell as the intentioned ‘standard bearer’ for future releases. As overused as Arabic folk melody and certain guitar scales may seem in extreme metal this implementation is rarely done with any authenticity, Arallu and AlNamrood have done great justice with these influences, and the same skillful weaving of personal and cultural importance is felt on ‘Alif’ as well. This also includes lyrical themes covering numerous topics, with the open wounds of post-occupational Algeria occasionally on display. There is a spirit of rebellion alongside a certain aging wisdom to discover within the thoughtful content of ‘Alif’ and this makes me even more excited to hear where the project will go next.

No doubt that a lot of listeners will show up looking for something hyper progressive and technical due to Grossman‘s inclusion but I would temper that with the more reasonable expectation of tight musicianship with songwriting that isn’t self-indulgent or focused on flair above feeling. The delivery is precise and brutal in every case but I was left carrying the intricate melody and rhythms of ‘Alif’ in my mind after many listens. I’d highly recommend this to folks who have some great love for groups like Melechesh and Arallu but also the brutality of post-millennium era death metal (Polish and USDM, especially) with touches of modern technical and progressive death metal.

terraasymmetry



..::TRACK-LIST::..

1. Paramnesia 04:33
2. Ignis Fatuus 03:04
3. Thou Shalt Not Kill 00:30
4. Ribat Essalem 04:27
5. Adam the First 04:26
6. The Fifth 04:01
7. Insiraf / Martyr 05:37
8. Litham (The Reach of Kal asuf) 05:54
9. Parasits 02:44
10. Impunity of the Mutants 05:16




https://www.youtube.com/watch?v=gnvHxAAbfQs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Post-punk to za mało, kiedy się mówi o muzyce Tasiemki. Nowy, trzeci już, materiał warszawskiego zespołu to dźwiękowa podróż, w której surowość garażowego brzmienia spotyka się z nieoczekiwanymi zwrotami akcji i zaskakującą energią. Utwory balansują między przemyślaną autorską kompozycją i psychodeliczną improwizacją. Każdy z nich jest jak rozmowa, w której nagłe zmiany tempa czy intensywne riffy wprowadzają element zaskoczenia, oddając jednocześnie autentyczność i prawdziwe emocje.



..::TRACK-LIST::..

1. Długa Przerywana Linia
2. ABAB
3. Dwa
4. Operacja Patelnia
5. Pływam
6. Nadmarionety
7. Kumpelka
8. Lot Alka
9. Parcie Na Szkło, Parcie Na Żaluzje



..::OBSADA::..

Robert Kossak - guitar
Łukasz Aterib - vocals
Staszek Wysocki - drums
Krzysztof Pankiewicz - bass, vocals



https://www.youtube.com/watch?v=DzNjCVlpdn0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Post-punk to za mało, kiedy się mówi o muzyce Tasiemki. Nowy, trzeci już, materiał warszawskiego zespołu to dźwiękowa podróż, w której surowość garażowego brzmienia spotyka się z nieoczekiwanymi zwrotami akcji i zaskakującą energią. Utwory balansują między przemyślaną autorską kompozycją i psychodeliczną improwizacją. Każdy z nich jest jak rozmowa, w której nagłe zmiany tempa czy intensywne riffy wprowadzają element zaskoczenia, oddając jednocześnie autentyczność i prawdziwe emocje.



..::TRACK-LIST::..

1. Długa Przerywana Linia
2. ABAB
3. Dwa
4. Operacja Patelnia
5. Pływam
6. Nadmarionety
7. Kumpelka
8. Lot Alka
9. Parcie Na Szkło, Parcie Na Żaluzje



..::OBSADA::..

Robert Kossak - guitar
Łukasz Aterib - vocals
Staszek Wysocki - drums
Krzysztof Pankiewicz - bass, vocals



https://www.youtube.com/watch?v=DzNjCVlpdn0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

BEAT: Former King Crimson members ADRIAN BELEW and TONY LEVIN band together with guitar virtuoso STEVE VAI and explosive Tool drummer DANNY CAREY for the first time to create BEAT, a creative reinterpretation of the three iconic 80s KING CRIMSON albums – Discipline, Beat, and Three Of A Perfect Pair.

ADRIAN BELEW
“The 1981 through 1984 King Crimson created a music all its own. Timeless. Beautiful. Complex. Fierce. For the fans who lived through it then, and the ones who never got to witness it, our aim is to bring it to life again. A monumental task but we’re going for it! There are not enough exclamation points to express my excitement!”

STEVE VAI
“Being a part of this ensemble is an extraordinary privilege and opportunity to perform some of the most beloved, timeless, and monumental music of the 80’s (and beyond) with truly inspired musicians. This music resonates deeply with me. Adrian, Tony and Danny are unique musicians with an otherworldly insight into presenting rich musical complexities in a very accessible way, and I am looking forward to searching each other’s musical minds in real time on stage. I’m sure sparks will fly.” He continues, “Father Robert Fripp is one of our historical geniuses. His highly specific and exceptionally brilliant guitar technique is studied and revered. His contribution to the quality of my musical life, and so many others is supreme. I can assure the fans of KC that I will be putting my best foot forward to respect this great music with the care and intensity it deserves. Did I say ‘sparks will fly?’”

TONY LEVIN
“This is going to be quite a tour. Revisiting some of my favorite music is a treat in itself, but in company of this stellar lineup, I expect to have my musical butt kicked! And it’s also great that we’re not just playing a few shows, we’re hitting it hard. So, Road Dogs are coming to your area soon.”

DANNY CAREY
“I am very excited to share the stage with three of my favorite musicians on the planet. Tony, Steve and Adrian have always been a source of inspiration for me since the beginning of my career, and now to be able to share a bit of my musical journey with them is a dream come true. There’s nothing better to make some sparks fly and light a fire under your ass than getting out of your musical comfort zone, and I can’t think of any other three guys I’d rather do this with. I think I can speak for all of us when I say I hope all of our fans are as excited as we are about this tour.”

“A truly virtuosic and deeply musical homage to King Crimson’s legacy – hugely entertaining”: BEAT LIVE captures the joy of Adrian Belew, Steve Vai, Tony Levin and Danny Carey reviving and evolving the 80s"

In 2017, as they were working on the live production of Celebrating David Bowie, Adrian Belew and the show’s producer Angelo Bundini got chatting. Wouldn’t it be great, Bundini enthused, if Belew could put together a live band performing songs from Discipline, Beat and Three Of A Perfect Pair, the celebrated King Crimson triptych of the 1980s?

Founding member Robert Fripp was consulted. He eventually declined involvement, but gave Belew his blessing to proceed. The pandemic and the conflicting tour schedules of eminent in-demand musicians further stalled proceedings, but by 2024 Belew’s dream line-up was good to go.

Tony Levin would revive his position on Chapman stick, Tool’s resident Bill Bruford aficionado Danny Carey would handle drums, and Steve Vai – a big fan of Fripp’s 1979 solo LP Exposure – would step up on second guitar alongside frontman Belew.

“Crimson’s music has a complexity that scratches an itch I have,” Vai said in 2024, chatting about the challenges of nailing Fripp’s “relentless” riffage on Discipline and other releases.

Documenting the band’s September 2024 show at The Theater On Broadway, Los Angeles, BEAT LIVE is a truly virtuosic and deeply musical homage to Crimson’s legacy. The deluxe Blu-ray version has beautifully filmed footage of the entire show – hugely entertaining from the moment a grinning Belew appears in a salmon-pink suit and pork pie hat.

Buzzing on the live resurrection of such deliciously tricksy tunes as Neal And Jack And Me – not to mention Three Of A Perfect Pair material that was never played live back in the day – BEAT also sound supremely relaxed here, as can be garnered from Belew’s banter with the crowd.

He and Vai coax alien love secrets from their guitars, while Carey pounds on Bruford’s old rototoms, given to him by Belew. There’s an audible joy in their live performance, which, together with their ability to segue from pachyderm-impersonating dissonance (Elephant Talk) to languorous ambience (Matte Kudasai), ensures they never sound remotely indulgent.

The quartet’s combined chops are next level, but it’s all done in the service of some wonderfully daring and unique music that Belew’s articulate, stream-of- consciousness lyrics pull in a more art-rock direction. And Vai, we’re reminded, is often at his very best while serving the music of others.

Belew is clearly in his element here, thrilled that he and Levin’s work with Crimson is alive, kicking and evolving.



..::TRACK-LIST::..

CD 1:
1. Neurotica
2. Neal And Jack And Me
3. Heartbeat
4. Sartori In Tangier
5. Model Man
6. Dig Me
7. Man With An Open Heart
8. Industry
9. Larks' Tongues In Aspic Part III


CD 2:
1. Waiting Man
2. The Sheltering Sky
3. Sleepless
4. Frame By Frame
5. Matte Kudasai
6. Elephant Talk
7. Three Of A Perfect Pair
8. Indiscipline
9. Red
10. Thela Hun Ginjeet



..::OBSADA::..

Adrian Belew - guitar & vocals
Tony Levin - bass, chapman stick, keyboards, backing vocals
Steve Vai - guitar
Danny Carey - drums




https://www.youtube.com/watch?v=Z3A0HtMbq1A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

BEAT: Former King Crimson members ADRIAN BELEW and TONY LEVIN band together with guitar virtuoso STEVE VAI and explosive Tool drummer DANNY CAREY for the first time to create BEAT, a creative reinterpretation of the three iconic 80s KING CRIMSON albums – Discipline, Beat, and Three Of A Perfect Pair.

ADRIAN BELEW
“The 1981 through 1984 King Crimson created a music all its own. Timeless. Beautiful. Complex. Fierce. For the fans who lived through it then, and the ones who never got to witness it, our aim is to bring it to life again. A monumental task but we’re going for it! There are not enough exclamation points to express my excitement!”

STEVE VAI
“Being a part of this ensemble is an extraordinary privilege and opportunity to perform some of the most beloved, timeless, and monumental music of the 80’s (and beyond) with truly inspired musicians. This music resonates deeply with me. Adrian, Tony and Danny are unique musicians with an otherworldly insight into presenting rich musical complexities in a very accessible way, and I am looking forward to searching each other’s musical minds in real time on stage. I’m sure sparks will fly.” He continues, “Father Robert Fripp is one of our historical geniuses. His highly specific and exceptionally brilliant guitar technique is studied and revered. His contribution to the quality of my musical life, and so many others is supreme. I can assure the fans of KC that I will be putting my best foot forward to respect this great music with the care and intensity it deserves. Did I say ‘sparks will fly?’”

TONY LEVIN
“This is going to be quite a tour. Revisiting some of my favorite music is a treat in itself, but in company of this stellar lineup, I expect to have my musical butt kicked! And it’s also great that we’re not just playing a few shows, we’re hitting it hard. So, Road Dogs are coming to your area soon.”

DANNY CAREY
“I am very excited to share the stage with three of my favorite musicians on the planet. Tony, Steve and Adrian have always been a source of inspiration for me since the beginning of my career, and now to be able to share a bit of my musical journey with them is a dream come true. There’s nothing better to make some sparks fly and light a fire under your ass than getting out of your musical comfort zone, and I can’t think of any other three guys I’d rather do this with. I think I can speak for all of us when I say I hope all of our fans are as excited as we are about this tour.”

“A truly virtuosic and deeply musical homage to King Crimson’s legacy – hugely entertaining”: BEAT LIVE captures the joy of Adrian Belew, Steve Vai, Tony Levin and Danny Carey reviving and evolving the 80s"

In 2017, as they were working on the live production of Celebrating David Bowie, Adrian Belew and the show’s producer Angelo Bundini got chatting. Wouldn’t it be great, Bundini enthused, if Belew could put together a live band performing songs from Discipline, Beat and Three Of A Perfect Pair, the celebrated King Crimson triptych of the 1980s?

Founding member Robert Fripp was consulted. He eventually declined involvement, but gave Belew his blessing to proceed. The pandemic and the conflicting tour schedules of eminent in-demand musicians further stalled proceedings, but by 2024 Belew’s dream line-up was good to go.

Tony Levin would revive his position on Chapman stick, Tool’s resident Bill Bruford aficionado Danny Carey would handle drums, and Steve Vai – a big fan of Fripp’s 1979 solo LP Exposure – would step up on second guitar alongside frontman Belew.

“Crimson’s music has a complexity that scratches an itch I have,” Vai said in 2024, chatting about the challenges of nailing Fripp’s “relentless” riffage on Discipline and other releases.

Documenting the band’s September 2024 show at The Theater On Broadway, Los Angeles, BEAT LIVE is a truly virtuosic and deeply musical homage to Crimson’s legacy. The deluxe Blu-ray version has beautifully filmed footage of the entire show – hugely entertaining from the moment a grinning Belew appears in a salmon-pink suit and pork pie hat.

Buzzing on the live resurrection of such deliciously tricksy tunes as Neal And Jack And Me – not to mention Three Of A Perfect Pair material that was never played live back in the day – BEAT also sound supremely relaxed here, as can be garnered from Belew’s banter with the crowd.

He and Vai coax alien love secrets from their guitars, while Carey pounds on Bruford’s old rototoms, given to him by Belew. There’s an audible joy in their live performance, which, together with their ability to segue from pachyderm-impersonating dissonance (Elephant Talk) to languorous ambience (Matte Kudasai), ensures they never sound remotely indulgent.

The quartet’s combined chops are next level, but it’s all done in the service of some wonderfully daring and unique music that Belew’s articulate, stream-of- consciousness lyrics pull in a more art-rock direction. And Vai, we’re reminded, is often at his very best while serving the music of others.

Belew is clearly in his element here, thrilled that he and Levin’s work with Crimson is alive, kicking and evolving.



..::TRACK-LIST::..

CD 1:
1. Neurotica
2. Neal And Jack And Me
3. Heartbeat
4. Sartori In Tangier
5. Model Man
6. Dig Me
7. Man With An Open Heart
8. Industry
9. Larks' Tongues In Aspic Part III


CD 2:
1. Waiting Man
2. The Sheltering Sky
3. Sleepless
4. Frame By Frame
5. Matte Kudasai
6. Elephant Talk
7. Three Of A Perfect Pair
8. Indiscipline
9. Red
10. Thela Hun Ginjeet



..::OBSADA::..

Adrian Belew - guitar & vocals
Tony Levin - bass, chapman stick, keyboards, backing vocals
Steve Vai - guitar
Danny Carey - drums




https://www.youtube.com/watch?v=Z3A0HtMbq1A



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Annie Lennox - Songs of Mass Destruction
(Deluxe Edition)
---------------------------------------------------------------------

Artist...............: Annie Lennox
Album................: Songs of Mass Destruction
Genre................: Rock, Pop
Source...............: CD
Year.................: 2007
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Arista

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Annie Lennox - Dark Road [03:47]
2. Annie Lennox - Love is Blind [04:18]
3. Annie Lennox - Smithereens [05:17]
4. Annie Lennox - Ghosts in My Machine [03:30]
5. Annie Lennox - Womankind [04:28]
6. Annie Lennox - Through the Glass Darkly [03:29]
7. Annie Lennox - Lost [03:41]
8. Annie Lennox - Coloured Bedspread [04:31]
9. Annie Lennox - Sing [04:48]
10. Annie Lennox - Big Sky [04:02]
11. Annie Lennox - Fingernail Moon [05:03]
12. Annie Lennox - Dark Road (acoustic) [03:33]
13. Annie Lennox - Don't Take Me Down [03:52]

Playing Time.........: 54:25
Total Size...........: 358,19 MB

..::INFO::..

---------------------------------------------------------------------
The Corrs - VH1 Presents - The Corrs - Live in Dublin
---------------------------------------------------------------------

Artist...............: The Corrs
Album................: VH1 Presents - The Corrs - Live in Dublin
Genre................: Celtic
Source...............: CD
Year.................: 2002
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 73 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Atlantic

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. The Corrs - Would You Be Happier? [03:24]
2. The Corrs - Breathless [03:27]
3. The Corrs - When The Stars Go Blue (Featuring Bono) [04:19]
4. The Corrs - Little Wing (Featuring Bon Wood) [05:14]
5. The Corrs - Joy Of Life - Trout In The Bath [04:05]
6. The Corrs - Runaway [04:38]
7. The Corrs - Only Love Can Break Your Heart [03:03]
8. The Corrs - Radio [04:50]
9. The Corrs - Summer Wine (Featuring Bono) [03:54]
10. The Corrs - So Young [04:52]
11. The Corrs - Ruby Tuesday (Featuring Ron Wood) [03:39]

Playing Time.........: 45:29
Total Size...........: 334,13 MB

...( Info )...
Title: Simple Minds - Acoustic in Concert
Release Year: 2017
Genre: Rock
Director: No Data
Cast: Simple Minds

Country: England
Studio: Eagle Rock Entertainment
Duration: 01:28:08
Translation: Not required

About the Film:
On the eve of the release of their acclaimed album "Acoustic," Simple Minds took to the stage at London's famed Hackney Empire for a special show for BBC Radio 2's acclaimed In Concert series. The band performed reimagined acoustic versions of some of their greatest hits and most beloved tracks, as well as covers of some of their influences, including the stunning finale "Make Me Smile (Come Up And See Me)."

...( TrackList )...
01. New Gold Dream (81-82-83-84)
02. See The Lights
03. Glittering Prize
04. Stand By Love
05.Waterfront
06. Andy Warhol
07. Chelsea Girl
08. Someone Somewhere In Summertime
09. Dancing Barefoot
10. Speed ​​Your Love To Me
11. Promised You A Miracle
12. Don't You (Forget About Me)
13. Sanctify Yourself
14. Long Black Train
15. Alive And Kicking
16. Make Me Smile (Come Up And See Me)

...( Dane Techniczne )...
Codec: H.264
Quality: BDRip 720p
Video: 1280x720 at 29,970 fps 4500 kbps
Sound:
Audio 1: English 48 kHz, DTS, 3/2 (L, C, R, L, R) + LFE ch, ~1509.00 kbps avg
Audio 2: English 48 kHz, FLAC, 2 ch, ~915.00 kbps avg

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

BEAT: Former King Crimson members ADRIAN BELEW and TONY LEVIN band together with guitar virtuoso STEVE VAI and explosive Tool drummer DANNY CAREY for the first time to create BEAT, a creative reinterpretation of the three iconic 80s KING CRIMSON albums – Discipline, Beat, and Three Of A Perfect Pair.

ADRIAN BELEW
“The 1981 through 1984 King Crimson created a music all its own. Timeless. Beautiful. Complex. Fierce. For the fans who lived through it then, and the ones who never got to witness it, our aim is to bring it to life again. A monumental task but we’re going for it! There are not enough exclamation points to express my excitement!”

STEVE VAI
“Being a part of this ensemble is an extraordinary privilege and opportunity to perform some of the most beloved, timeless, and monumental music of the 80’s (and beyond) with truly inspired musicians. This music resonates deeply with me. Adrian, Tony and Danny are unique musicians with an otherworldly insight into presenting rich musical complexities in a very accessible way, and I am looking forward to searching each other’s musical minds in real time on stage. I’m sure sparks will fly.” He continues, “Father Robert Fripp is one of our historical geniuses. His highly specific and exceptionally brilliant guitar technique is studied and revered. His contribution to the quality of my musical life, and so many others is supreme. I can assure the fans of KC that I will be putting my best foot forward to respect this great music with the care and intensity it deserves. Did I say ‘sparks will fly?’”

TONY LEVIN
“This is going to be quite a tour. Revisiting some of my favorite music is a treat in itself, but in company of this stellar lineup, I expect to have my musical butt kicked! And it’s also great that we’re not just playing a few shows, we’re hitting it hard. So, Road Dogs are coming to your area soon.”

DANNY CAREY
“I am very excited to share the stage with three of my favorite musicians on the planet. Tony, Steve and Adrian have always been a source of inspiration for me since the beginning of my career, and now to be able to share a bit of my musical journey with them is a dream come true. There’s nothing better to make some sparks fly and light a fire under your ass than getting out of your musical comfort zone, and I can’t think of any other three guys I’d rather do this with. I think I can speak for all of us when I say I hope all of our fans are as excited as we are about this tour.”

“A truly virtuosic and deeply musical homage to King Crimson’s legacy – hugely entertaining”: BEAT LIVE captures the joy of Adrian Belew, Steve Vai, Tony Levin and Danny Carey reviving and evolving the 80s"

In 2017, as they were working on the live production of Celebrating David Bowie, Adrian Belew and the show’s producer Angelo Bundini got chatting. Wouldn’t it be great, Bundini enthused, if Belew could put together a live band performing songs from Discipline, Beat and Three Of A Perfect Pair, the celebrated King Crimson triptych of the 1980s?

Founding member Robert Fripp was consulted. He eventually declined involvement, but gave Belew his blessing to proceed. The pandemic and the conflicting tour schedules of eminent in-demand musicians further stalled proceedings, but by 2024 Belew’s dream line-up was good to go.

Tony Levin would revive his position on Chapman stick, Tool’s resident Bill Bruford aficionado Danny Carey would handle drums, and Steve Vai – a big fan of Fripp’s 1979 solo LP Exposure – would step up on second guitar alongside frontman Belew.

“Crimson’s music has a complexity that scratches an itch I have,” Vai said in 2024, chatting about the challenges of nailing Fripp’s “relentless” riffage on Discipline and other releases.

Documenting the band’s September 2024 show at The Theater On Broadway, Los Angeles, BEAT LIVE is a truly virtuosic and deeply musical homage to Crimson’s legacy. The deluxe Blu-ray version has beautifully filmed footage of the entire show – hugely entertaining from the moment a grinning Belew appears in a salmon-pink suit and pork pie hat.

Buzzing on the live resurrection of such deliciously tricksy tunes as Neal And Jack And Me – not to mention Three Of A Perfect Pair material that was never played live back in the day – BEAT also sound supremely relaxed here, as can be garnered from Belew’s banter with the crowd.

He and Vai coax alien love secrets from their guitars, while Carey pounds on Bruford’s old rototoms, given to him by Belew. There’s an audible joy in their live performance, which, together with their ability to segue from pachyderm-impersonating dissonance (Elephant Talk) to languorous ambience (Matte Kudasai), ensures they never sound remotely indulgent.

The quartet’s combined chops are next level, but it’s all done in the service of some wonderfully daring and unique music that Belew’s articulate, stream-of- consciousness lyrics pull in a more art-rock direction. And Vai, we’re reminded, is often at his very best while serving the music of others.

Belew is clearly in his element here, thrilled that he and Levin’s work with Crimson is alive, kicking and evolving.



..::TRACK-LIST::..

1. Neurotica
2. Neal And Jack And Me
3. Heartbeat
4. Sartori In Tangier
5. Model Man
6. Dig Me
7. Man With An Open Heart
8. Industry
9. Larks' Tongues In Aspic Part III
10. Waiting Man
11. Sheltering Sky
12. Sleepless
13. Frame By Frame
14. Matte Kudasai
15. Elephant Talk
16. Three Of A Perfect Pair
17. Indiscipline
18. Red
19. Thela Hun Ginjeet

Bonus Video Material:
20. Crew Arrives
21. Beginning Tour Interview
22. Mid Tour Interview
23. End Tour Interview



..::OBSADA::..

Adrian Belew - guitar & vocals
Tony Levin - bass, chapman stick, keyboards, backing vocals
Steve Vai - guitar
Danny Carey - drums



https://www.youtube.com/watch?v=Z3A0HtMbq1A


SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: The Farewell Tour [Live]
Artist: Cher
Year: 2025
Genre: Pop
Country: USA

Duration: 01:21:04
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. I Still Haven't Found What I'm Looking For (Live) (2025 Remaster) (04:34)
02. Song For The Lonely (Live) (2025 Remaster) (06:47)
03. All Or Nothing (Live) (2025 Remaster) (03:58)
04. I Found Someone (Intro) [Live] (2025 Remaster) (00:17)
05. I Found Someone (Live) (2025 Remaster) (03:19)
06. Bang Bang (My Baby) Shot Me Down) [Live] (2025 Remaster) (03:38)
07. Sonny & Cher Medley (The Beat Goes On / Baby Don't Go / I Got You Babe) [Live] (2025 Remaster) (02:54)
08. All I Really Want To Do (Live) (2025 Remaster) (02:01)
09. Half-breed (Live) (2025 Remaster) (01:34)
10. Gypsies, Tramps & Thieves (Live) (2025 Remaster) (01:31)
11. Dark Lady (Live) (2025 Remaster) (01:13)
12. Take Me Home (Live) (2025 Remaster) (03:48)
13. The Way Of Love (Live) (2025 Remaster) (02:34)
14. After All (Love Theme From Chances Are) [Live] (2025 Remaster) (03:54)
15. Just Like Jesse James (Live) (2025 Remaster) (04:17)
16. Heart Of Stone (Intro) [Live] (2025 Remaster) (01:28)
17. Heart Of Stone (Live) (2025 Remaster) (04:02)
18. The Shoop Shoop Song (It's In His Kiss) [Live] (2025 Remaster) (02:30)
19. Strong Enough (Live) (2025 Remaster) (03:01)
20. If I Could Turn Back Time (Intro) [Live] (2025 Remaster) (00:54)
21. If I Could Turn Back Time (Live) (2025 Remaster) (05:23)
22. Believe (Live) (2025 Remaster) (06:17)
23. Save Up All Your Tears (Live) (2025 Remaster) (03:42)
24. We All Sleep Alone (Live) (2025 Remaster) (03:30)
25. Different Kind Of Love Song (Live) (2025 Remaster) (03:58)

...( Info )...
Title: The Sound of the 70s
Artist: VA
Year: 2025
Genre: Pop

Duration: 04:44:51
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Fleetwood Mac - Go Your Own Way (2018 Remaster) (00:03:39)
02. Blue Swede - Hooked on a Feeling (00:02:53)
03. Carly Simon - You're So Vain (2023 Remaster) (00:04:18)
04. The Trammps - Disco Inferno (Single Edit) (00:03:12)
05. Gerry Rafferty - Right down the Line (00:04:28)
06. Maxine Nightingale - Right Back Where We Started From (00:03:12)
07. The Doobie Brothers - What a Fool Believes (00:03:40)
08. Frankie Valli & The Four Seasons - December, 1963 (Oh What a Night!) (00:03:21)
09. ROD STEWART - Da Ya Think I’m Sexy (00:05:31)
10. Al Stewart - Year of the Cat (2020 Remaster) (00:06:43)
11. Chic - Le Freak (Single Edit) (00:03:36)
12. England Dan & John Ford Coley - I’d Really Love to See You Tonight (00:02:39)
13. KC & The Sunshine Band - That’s the Way (I Like It) (00:03:05)
14. America - A Horse with No Name (00:04:09)
15. Roberta Flack - Killing Me Softly with His Song (00:04:47)
16. Pilot - Magic (00:03:06)
17. The Spinners - The Rubberband Man (Edit) (00:03:33)
18. Daryl Hall & John Oates - She's Gone (00:05:15)
19. Foreigner - Cold as Ice (2006 Remaster) (00:03:20)
20. War - Low Rider (00:03:11)
21. Curtis Mayfield - Move On Up (00:02:46)
22. Chicago - If You Leave Me Now (00:03:54)
23. Aretha Franklin - Day Dreaming (Single Version) (00:04:01)
24. Alan O'Day - Undercover Angel (00:03:31)
25. The Cars - Just What I Needed (00:03:46)
26. CHAKA KHAN - I’m Every Woman (00:04:07)
27. Bread - Everything I Own (00:03:07)
28. George McCrae - Rock Your Baby (00:03:20)
29. Frankie Valli - Grease (2006 Remaster) (00:03:23)
30. Talking Heads - Psycho Killer (2005 Remaster) (00:04:21)
31. Hot Chocolate - You Sexy Thing (7'' Version) (00:04:02)
32. Faces - Ooh La La (00:03:34)
33. Sister Sledge - Thinking of You (00:04:27)
34. Seals and Crofts - Summer Breeze (00:03:26)
35. Joni Mitchell - Big Yellow Taxi (00:02:15)
36. Lobo - I’d Love You to Want Me (00:04:04)
37. Candi Staton - Young Hearts Run Free (00:04:09)
38. Bad Company - Feel like Makin’ Love (2015 Remaster) (00:05:15)
39. Donny Hathaway - Jealous Guy (00:03:08)
40. Stevie Nicks, Lindsey Buckingham & Buckingham Nicks - Crying in the Night (00:02:59)
41. George Benson - Breezin’ (00:05:42)
42. Pretenders - Brass in Pocket (2006 Remaster) (00:03:06)
43. Randy Crawford - Street Life (Edit) (00:04:49)
44. The Doors - Riders on the Storm (2017 Remaster) (00:04:55)
45. Cliff Richard - We Don't Talk Anymore (00:04:12)
46. Warren Zevon - Werewolves of London (2007 Remaster) (00:03:29)
47. JAMES TAYLOR - You’ve Got a Friend (00:04:29)
48. Dionne Warwick - Then Came You (00:04:00)
49. Gary Wright - Dream Weaver (00:04:16)
50. Andrew Gold - Lonely Boy (00:04:25)
51. Orleans - Dance with Me (00:03:01)
52. Todd Rundgren - I Saw the Light (2006 Remaster) (00:02:59)
53. Marshall Hain - Dancing in the City (00:03:47)
54. Alice Cooper - I'm Always Chasing Rainbows (00:02:08)
55. Harry Chapin - Cat's in the Cradle (00:03:46)
56. Betty Wright - Clean Up Woman (00:02:47)
57. Foghat - Slow Ride (Single Version) (00:03:57)
58. Nicolette Larson - Lotta Love (00:03:07)
59. Bloodstone - Natural High (00:04:09)
60. Sanford Townsend Band - Smoke from a Distant Fire (00:03:34)
61. Rose Royce - Wishing on a Star (Edit) (00:03:59)
62. DAVID GATES - Goodbye Girl (00:02:49)
63. Jay Ferguson - Thunder Island (00:03:59)
64. Carole Bayer Sager Feat. MICHAEL MCDONALD - It’s the Falling in Love (feat. Michael McDonald) (00:03:56)
65. Gordon Lightfoot - Sundown (00:03:37)
66. Tower Of Power - So Very Hard to Go (00:03:37)
67. Olivia Newton-John - Have You Never Been Mellow (00:03:33)
68. Brook Benton - Rainy Night in Georgia (00:03:54)
69. Chris Rea - Fool (If You Think It’s Over) (00:04:07)
70. Blue Magic - Sideshow (00:04:12)
71. Leblanc and Carr - Falling (2013 Remaster) (00:03:12)
72. Timmy Thomas - Why Can’t We Live Together (00:04:38)
73. Tina Turner - Sometimes When We Touch (00:03:59)
74. The Persuaders - Thin Line Between Love and Hate (00:03:22)
75. The Velvet Underground - Sweet Jane (00:04:06)

...( Info )...
Title: 70s 100 Hits
Artist: VA
Year: 2010
Genre: Pop, Rock
Publisher (label): Sony Music Entertainment

Duration: 05:49:22
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
001. Blame It on the Boogie (Album Version) (00:03:34)
002. Rivers of Babylon (Single Version) (00:04:00)
003. Burning Love (Live at The Honolulu International Center, Hawaii January 14, 1973) (00:02:57)
004. I Can Help (Album Version) (00:03:58)
005. Mandy (00:02:51)
006. Livin' Thing (Album Version) (00:03:32)
007. Blockbuster (00:03:12)
008. More Than a Feeling (00:03:21)
009. Bat Out of Hell (Album Version) (00:04:53)
010. Lady Marmalade (Single Version) (00:03:15)
011. Amazing Grace (00:03:20)
012. Bye Bye Baby (00:02:50)
013. Chirpy Chirpy Cheep Cheep (00:02:58)
014. Rose Garden (Single Version) (00:02:54)
015. Walk on the Wild Side (00:04:14)
016. Surrender (Single Version) (00:04:12)
017. Love Train (00:02:57)
018. Family Affair (Single Version) (00:03:04)
019. Best of My Love (Single Version) (00:03:39)
020. Summer Breeze, Pt. 1 (00:03:09)
021. Bridge over Troubled Water (Album Version) (00:04:55)
022. Seasons in the Sun (00:03:26)
023. Living Next Door to Alice (00:03:28)
024. September (Album Version) (00:03:35)
025. Rich Girl (00:02:24)
026. Without You (00:03:20)
027. Lover Lover Lover (Album Version) (00:03:18)
028. Annie's Song (00:03:00)
029. Tears On My Pillow (Album Version) (00:03:15)
030. I Love to Love (00:03:04)
031. Speak Softly Love (Love Theme from "The Godfather") (Album Version) (00:03:02)
032. Gonna Make You a Star (00:03:34)
033. Boogie Nights (Single Version) (00:03:35)
034. It's in His Kiss (00:03:19)
035. Free (Single Version) (00:02:51)
036. She's Not There (Single Version) (00:03:13)
037. (Don't Fear) The Reaper (Single Version) (00:03:48)
038. Hold the Line (Single Version) (00:03:31)
039. Forever Autumn (Album Version featuring Justin Hayward from Jeff Wayne's Musical Version Of "The War Of The Worlds") (00:04:07)
040. Once Bitten, Twice Shy (Album Version) (00:04:44)
041. Ain't No Sunshine (00:02:04)
042. Play That Funky Music (Single Version) (00:03:11)
043. Native New Yorker (00:03:27)
044. Tie a Yellow Ribbon Round the Ole Oak Tree (00:03:28)
045. It Never Rains in Southern California (Album Version) (00:03:52)
046. Jolene (00:02:41)
047. I Only Have Eyes for You (Album Version) (00:03:36)
048. If You Don't Know Me by Now (Album Version) (00:03:27)
049. Me and Mrs. Jones (Album Version) (00:04:46)
050. Arms of Mary (Single Version) (00:02:37)
051. Black Betty (Original Version) (00:03:57)
052. Cat Scratch Fever (Album Version) (00:03:40)
053. Take on the World (Album Version) (00:03:02)
054. Chestnut Mare (Album Version) (00:05:07)
055. I Wouldn't Want to Be Like You (00:03:22)
056. Every Day Hurts (00:04:05)
057. The Most Beautiful Girl (Album Version) (00:02:42)
058. Fire (00:03:28)
059. This Is It (00:03:29)
060. Turn the Beat Around (7" Single Edit) (00:03:23)
061. Love Really Hurts Without You (00:03:00)
062. All the Young Dudes (Single Version) (00:03:34)
063. When Will I See You Again (Single Version) (00:02:58)
064. Yes Sir, I Can Boogie (00:04:35)
065. Yellow River (00:02:46)
066. Stand By Your Man (Album Version) (00:02:40)
067. A Thing Called Love (00:02:32)
068. Sylvia's Mother (Album Version) (00:03:50)
069. Because the Night (00:03:22)
070. What Can I Say (Album Version) (00:03:00)
071. Frankenstein (Single Version) (00:03:26)
072. I Don't Want to Go Home (Album Version) (00:03:41)
073. Kissin' in the Back Row of the Movies (00:03:31)
074. T.S.O.P. (The Sound of Philadelphia) (Album Version) (00:03:40)
075. I'm in the Mood for Dancing (Album Version) (00:03:17)
076. Shame (Single Version) (00:02:58)
077. Follow Me (00:03:53)
078. The Last Farewell (00:03:57)
079. There Goes Another Love Song (00:03:04)
080. Hold Your Head Up (Album Version) (00:06:17)
081. Suicide Is Painless (from the 20th Century-Fox film, M*A*S*H) (00:02:52)
082. Rock the Boat (00:03:07)
083. More, More, More (Single Version) (00:03:00)
084. Midnight Train to Georgia (00:04:37)
085. All by Myself (00:04:56)
086. Brand New Key (00:02:24)
087. American Woman (7" Single Version) (00:03:52)
088. Barracuda (Single Version) (00:04:22)
089. Carry On Wayward Son (Single Version) (00:03:25)
090. The Witch Queen of New Orleans (00:02:56)
091. We Just Disagree (Album Version) (00:03:00)
092. Part of the Plan (00:03:18)
093. Silver Moon (00:03:10)
094. Too Much, Too Little, Too Late (Album Version) (00:02:59)
095. Kiss and Say Goodbye (Single Version) (00:04:27)
096. I Lost My Heart to a Starship Trooper (00:04:19)
097. Instant Replay (00:05:18)
098. One Way Ticket (00:03:33)
099. Girls, Girls, Girls (00:03:01)
100. Baby Don't Get Hooked on Me (Album Version) (00:03:02)

..::INFO::..

Fun Lovin’ Criminals, często skrótowo nazywani FLC to nowojorska grupa muzyczna grająca alternatywny hip-hop oraz alternatywnego rocka. Styl muzyczny zespołu jest eklektyczny - składają się nań takie gatunki, jak hip-hop, rock, blues i jazz. Ich piosenki często traktują o życiu w mieście, nierzadko wyraźnie o Nowym Jorku i opowiadają o przestępczości, narkotykach, przemocy, biedzie oraz polityce. Wśród ich utworów znajdują się pozycje zarówno poważne, jak i humorystyczne czy satyryczne. Grupa jest znana prawdopodobnie przede wszystkim za ich hit Scooby Snacks. W ojczyźnie FLC wytworzył się specyficzny rodzaj kultu zespołu, jednakże pozyskał on także wielu fanów w pozostałych częściach świata, głównie w północno-zachodniej Europie w czasie wydania dwóch pierwszych albumów w późnych latach dziewięćdziesiątych. Wstawka zawiera siódmy, najnowszy album FLC.

Title: A Matter Of Time

Artist: Fun Lovin' Criminals

Country: USA

Year: 2025

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.The Face Of Giants
A2.What It Is
A3.Out Of Darkness Come The Light
A4.Full Stop
A5.All Across The Lands
B1.Little Bit Further
B2.Make It Nice
B3.1972
B4.A Trick On A Dime
B5.Lovers Rock

..::INFO::..

Debiutancki album francuskiego zespołu punkowego z Brestu.

Artist: Coupe-gorge

Title: Troubles

Country: Francja

Year: 2018

Genre: HC Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Precipice
A2.Entre Deux Feux
A3.Envie Destructrice
A4.Stupide Trahison
A5.Addiction
A6.100%
A7.Mise A Mort
A8.J'avance Seul

..::INFO::..

Expulsados to argentyński zespół punkrockowy założony w 1993 roku w miejscowości Banfield, w partii Lomas de Zamora, w prowincji Buenos Aires. Początkowy skład tworzyli: Sebastian (wokal), Miguel Montiel (gitara), Juan Novoa (bas) i Guillermo Beatriche (perkusja). Ich debiut sceniczny odbył się 25 maja 1993 roku w szkole Paideia w Temperley. Na ich twórczość wpływ miały m.in. amerykański zespół punkowy Ramones, którego utwory wykonywali w wersjach własnych, a także inne grupy z lat 60. i 70., takie jak Buzzcocks, The Kinks, The Who, The Damned, Gary Lewis & the Playboys, Beach Boys i inne. Wydali osiem albumów studyjnych i dwie EPki. Wstawka zawiera drugi album zespołu.

Title: Carrretera Nocturna

Artist: Expulsados

Country: Argentyna

Year: 2000

Genre: Punk

Format / Codec: MP3
Audio bitrate: 128 kbps

..::TRACK-LIST::..

Fiebre De Rock n' Roll
Por Que No Puedo Salir Asi
Te Recuerdo (Ariel Expusado)
Mi Novia Es Una Zombie
Invasores En Mi Casa
Ella Lo Sabe
Hay Un Cretino En Mi Casa (Guillermo Expulsado)
Buenas Noches
Extranandonos
Termino Mi Tiempo
Cero En Conducta
Nena De Mama
Lisa (Piso 22)
La Cuerda Cedio

...( Info )...

Artist...............: Thin Lizzy
Album................: Shades Of A Blue Orphanage (Deluxe)
Genre................: Hard rock
Year.................: 1972
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Thin Lizzy - The Rise And Dear Demise Of The Funky Nomadic Tribes
002. Thin Lizzy - Buffalo Gal
003. Thin Lizzy - I Don't Want To Forget How To Jive
004. Thin Lizzy - Sarah (Version 1)
005. Thin Lizzy - Brought Down
006. Thin Lizzy - Baby Face
007. Thin Lizzy - Chatting Today
008. Thin Lizzy - Call The Police
009. Thin Lizzy - Shades Of A Blue Orphanage
010. Thin Lizzy - Whiskey In The Jar (Full Length Version)
011. Thin Lizzy - Black Boys On The Corner
012. Thin Lizzy - Buffalo Gal (1977 Overdubbed & Remixed Version)
013. Thin Lizzy - Sarah (1977 Overdubbed & Remixed Version)
014. Thin Lizzy - Brought Down (1977 Overdubbed & Remixed Version)
015. Thin Lizzy - Suicide (BBC Radio 1 John Peel Session)
016. Thin Lizzy - Black Boys On The Corner (BBC Radio 1 John Peel Session)
017. Thin Lizzy - Saga Of The Ageing Orphan (BBC Radio 1 John Peel Session)
018. Thin Lizzy - Whiskey In The Jar (BBC Radio 1 John Peel Session)