...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Mają intuicję, która jest w nich zakorzeniona - wiedza, by wykonywać rozkazy swojego Mrocznego Pana - a jej moc jest namacalna... jej mrok jest nikczemny... jej niegodziwość rozpustna!!!



Those in the know need no introduction to Italian occult metal titans Mortuary Drape, but for those not in the know, they’re cult legends within extreme metal and are often seen as a missing link between the first and second wave of black metal. Regardless, these guys are legends, and despite some considerable time gaps between albums in the span of two decades, the band have finally released their long awaited sixth studio album 'Black Mirror' through the extreme metal powerhouse that is Peaceville Records.

The main thing to expect from Mortuary Drape is a vintage style of black/death metal that’s very steeply rooted in classic 80’s metal akin to Mercyful Fate, and early death metal, but what makes Mortuary Drape unique is their distinct Italian musicality. Their music is of course very brutal and raw, but they have a sense of psychedelic melody and some subtle progressive leanings that evoke the music of the prog band and horror composers Goblin, and more importantly a very distinct funeral like atmosphere that’s the result of all those other elements, though Mortuary Drape don’t make frequent or extensive use of synths and keyboards beyond their 2000’s output.

All that to say that they have a sound that’s pretty much unique to them, and have gone on to inspire countless of bands that want to break away from the second wave Scandinavian black metal mold, and even after almost three decades and with frontman and founder Wildness Perversion being the only remaining original member with a long list of collaborators that have come and gone, is this new album more of the same quality Italian occult black metal, or has the band done something else?

The best thing about Mortuary Drape’s distinct sound and aesthetic is how you can easily identify it once you get into them and as such aside from hearing the improvement in production quality and the music becoming more dynamic, and for 'Black Mirror' while the band still do what they do best, funereal black/death metal, this is also their most straightforward and refined, and their most progressive record yet, in terms of production this album is crisp and impactful, the bass and drums in particular are a major highlight, as long time member S.C. gets to shine with his meaty and complex bass lines that add to the band’s proggy and psychedelic leanings, while drummer M.T. also adds to the musical complexity, and does a damn good job at adding a dynamic rhythm to the music and without over relying on blast beats, and considering he played with prog metal band Aleph, to say he is skilled and talented would be to grossly undersell how good he is on the album.

The guitar work of D.C. and S.R. is also a major highlight, while the bass and drums do the more muscular complexity on the music, the guitars don’t slouch at all, as D.C. and S.R. get to shine with their riffs and especially their soloing, anyone who enjoys good riffs must listen to this album because D.C. and S.R. Not only satisfied, they excelled, and this is without a doubt their best guitar work in the band since they joined in 2010. And last but not least, that leaves the band’s mastermind Wildness Perversion, the man of course has unmistakable vocals, his guttural growling is as good as it ever was, and remains consistent after so long, the biggest praise I can give him is not just how he has manage to keep his vocals as intense and feral as they are, but they successfully fit with the band’s new found refinement, and he even gets to branch with some demonic chanting sprinkled throughout the album.

To conclude the best aspect of the album as a whole and what’s the biggest display of the band’s development is their more doomy and psychedelic flourishes, which is particularly strong in the second half of the album, be they bridge sections with the aforementioned demonic chanting of Wildness Perversion as heard on ‘Rattle Breath’ and ‘Nocturnal Coven’ which is also the band at their most melodic and proggy, or the dark psychedelic intros of ‘Mistress of Sorcerer’ and ‘Fading Flowers Spell’, and best showcased in the haunting closing title track, the band truly display a knack to make dark, entrancing metal without sounding cheesy or disjointed.

Overall, Mortuary Drape continue to be an exemplary band in terms of both their legacy and their willingness to continue expanding and tinkering with their unique sound and style, which is commendable in it of itself considering that if Mortuary Drape wanted, they could stop recording music altogether since their standing is pretty much secured, but because they continue writing and recording, and taking their time doing so yields some excellent music worth listening.

TheSlayFer


Italian black / death metal ghouls Mortuary Drape return with their long-awaited sixth album. My hopes are high…

Haunting piano begins our journey into the darkness with a chilling introduction. Eerie vocals and mesmerising guitar riffs pound into a diabolic assault with those extremely strong bass lines that Mortuary Drape have always utilised, harnessing all of the evil spirits that lurk within their soundscapes. Blistering lead work complements the rhythm guitars and battering drums with tight shreds, showing their musicianship as a band is stronger than ever while still feeling occult and vicious as ever. Dancing with the radiant elements of traditional metallic craftsmanship, that timeless feeling at the heart of their music burns bright while the dark flame remains hostile and mysterious. To hear a band quite as highly regarded by myself as Mortuary Drape still putting out mystical and enchanting music of this calibre is magnificent and the opening moments of this record are testimony to this being just as strong as their EP had teased at.

Scathing melodics and bestial artillery intertwine to give us a most majestic and yet visceral listen, continuing to seethe with resplendent oddities. With a production that allows the hard-hitting percussion and absolutely mind-blowing guitar work to enshroud those pounding and vibrant bass lines, there is no escaping the fact Mortuary Drape are sounding more massive than ever, especially with Wildness Perversion’s recognisably inhuman vocals piercing through like a dagger to an exposed chest cavity. The blending of rattling low end and warm mids is gorgeous to listen to, mummifying the mind with their charnel extreme metal delights. As well as the superb musicianship, the songwriting and feel of the record is just so perfectly crafted, casting a shadow over all with their bewildering essence. The heart of this thing is just as punishing and untamed yet blissfully melodious, continuing to unpredictably yet reliably gratify the maniacal urge for occult black metal played properly.

Of course with a band such as Mortuary Drape, a certain magical essence must be present in their music. It is here with abundant clarity, as every moment lurks in a terrifying blend of fantastical horror and sepulchral realism. Earthly and yet with a presence so distant, only this band could make sounds like this and they continue to marvellously. With more dynamics than one could conceive, going from thrashing rage to doomed despair, their sound fills the entire range of tempos, sonics and aesthetics while the consistency of playing real black metal to perfection is always there. Whether primitive or embracing their technical abilities and allowing them to flourish, everything feels sincere and genuinely impassioned with not a second of the running time wasted. A pounding opus of furiously enchanting musical prowess that deserves your undivided attention and adoration if you care for the darker side of extremity. But of course with the name Mortuary Drape on the cover; you already knew that didn’t you?

Combining the continuity of their signature sound with rejuvenated creativity and production advancements, this album is one hundred percent Mortuary Drape without rehashing a singular element, the past is alive and the future still has room for the real masters… A truly triumphant and epic work from one of black metal’s most important artists.

Nattskog7



..::TRACK-LIST::..

1. Restless Death 06:20
2. The Secret Lost 03:35
3. Ritual Unction 04:21
4. Drowned in Silence 04:43
5. Into the Oblivion 03:31
6. Rattle Breath 04:31
7. Nocturnal Coven 04:08
8. Mistress of Sorcerer 05:13
9. The Unburied 04:17
10. Fading Flowers Spell 04:42
11. Black Mirror 03:07



..::OBSADA::..

Wildness Perversion - Vocals
D.C. - Guitars
S.R. - Guitars
S.C. - Bass
M.T. - Drums



https://www.youtube.com/watch?v=AGt0T9B36wM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Mają intuicję, która jest w nich zakorzeniona - wiedza, by wykonywać rozkazy swojego Mrocznego Pana - a jej moc jest namacalna... jej mrok jest nikczemny... jej niegodziwość rozpustna!!!



Those in the know need no introduction to Italian occult metal titans Mortuary Drape, but for those not in the know, they’re cult legends within extreme metal and are often seen as a missing link between the first and second wave of black metal. Regardless, these guys are legends, and despite some considerable time gaps between albums in the span of two decades, the band have finally released their long awaited sixth studio album 'Black Mirror' through the extreme metal powerhouse that is Peaceville Records.

The main thing to expect from Mortuary Drape is a vintage style of black/death metal that’s very steeply rooted in classic 80’s metal akin to Mercyful Fate, and early death metal, but what makes Mortuary Drape unique is their distinct Italian musicality. Their music is of course very brutal and raw, but they have a sense of psychedelic melody and some subtle progressive leanings that evoke the music of the prog band and horror composers Goblin, and more importantly a very distinct funeral like atmosphere that’s the result of all those other elements, though Mortuary Drape don’t make frequent or extensive use of synths and keyboards beyond their 2000’s output.

All that to say that they have a sound that’s pretty much unique to them, and have gone on to inspire countless of bands that want to break away from the second wave Scandinavian black metal mold, and even after almost three decades and with frontman and founder Wildness Perversion being the only remaining original member with a long list of collaborators that have come and gone, is this new album more of the same quality Italian occult black metal, or has the band done something else?

The best thing about Mortuary Drape’s distinct sound and aesthetic is how you can easily identify it once you get into them and as such aside from hearing the improvement in production quality and the music becoming more dynamic, and for 'Black Mirror' while the band still do what they do best, funereal black/death metal, this is also their most straightforward and refined, and their most progressive record yet, in terms of production this album is crisp and impactful, the bass and drums in particular are a major highlight, as long time member S.C. gets to shine with his meaty and complex bass lines that add to the band’s proggy and psychedelic leanings, while drummer M.T. also adds to the musical complexity, and does a damn good job at adding a dynamic rhythm to the music and without over relying on blast beats, and considering he played with prog metal band Aleph, to say he is skilled and talented would be to grossly undersell how good he is on the album.

The guitar work of D.C. and S.R. is also a major highlight, while the bass and drums do the more muscular complexity on the music, the guitars don’t slouch at all, as D.C. and S.R. get to shine with their riffs and especially their soloing, anyone who enjoys good riffs must listen to this album because D.C. and S.R. Not only satisfied, they excelled, and this is without a doubt their best guitar work in the band since they joined in 2010. And last but not least, that leaves the band’s mastermind Wildness Perversion, the man of course has unmistakable vocals, his guttural growling is as good as it ever was, and remains consistent after so long, the biggest praise I can give him is not just how he has manage to keep his vocals as intense and feral as they are, but they successfully fit with the band’s new found refinement, and he even gets to branch with some demonic chanting sprinkled throughout the album.

To conclude the best aspect of the album as a whole and what’s the biggest display of the band’s development is their more doomy and psychedelic flourishes, which is particularly strong in the second half of the album, be they bridge sections with the aforementioned demonic chanting of Wildness Perversion as heard on ‘Rattle Breath’ and ‘Nocturnal Coven’ which is also the band at their most melodic and proggy, or the dark psychedelic intros of ‘Mistress of Sorcerer’ and ‘Fading Flowers Spell’, and best showcased in the haunting closing title track, the band truly display a knack to make dark, entrancing metal without sounding cheesy or disjointed.

Overall, Mortuary Drape continue to be an exemplary band in terms of both their legacy and their willingness to continue expanding and tinkering with their unique sound and style, which is commendable in it of itself considering that if Mortuary Drape wanted, they could stop recording music altogether since their standing is pretty much secured, but because they continue writing and recording, and taking their time doing so yields some excellent music worth listening.

TheSlayFer


Italian black / death metal ghouls Mortuary Drape return with their long-awaited sixth album. My hopes are high…

Haunting piano begins our journey into the darkness with a chilling introduction. Eerie vocals and mesmerising guitar riffs pound into a diabolic assault with those extremely strong bass lines that Mortuary Drape have always utilised, harnessing all of the evil spirits that lurk within their soundscapes. Blistering lead work complements the rhythm guitars and battering drums with tight shreds, showing their musicianship as a band is stronger than ever while still feeling occult and vicious as ever. Dancing with the radiant elements of traditional metallic craftsmanship, that timeless feeling at the heart of their music burns bright while the dark flame remains hostile and mysterious. To hear a band quite as highly regarded by myself as Mortuary Drape still putting out mystical and enchanting music of this calibre is magnificent and the opening moments of this record are testimony to this being just as strong as their EP had teased at.

Scathing melodics and bestial artillery intertwine to give us a most majestic and yet visceral listen, continuing to seethe with resplendent oddities. With a production that allows the hard-hitting percussion and absolutely mind-blowing guitar work to enshroud those pounding and vibrant bass lines, there is no escaping the fact Mortuary Drape are sounding more massive than ever, especially with Wildness Perversion’s recognisably inhuman vocals piercing through like a dagger to an exposed chest cavity. The blending of rattling low end and warm mids is gorgeous to listen to, mummifying the mind with their charnel extreme metal delights. As well as the superb musicianship, the songwriting and feel of the record is just so perfectly crafted, casting a shadow over all with their bewildering essence. The heart of this thing is just as punishing and untamed yet blissfully melodious, continuing to unpredictably yet reliably gratify the maniacal urge for occult black metal played properly.

Of course with a band such as Mortuary Drape, a certain magical essence must be present in their music. It is here with abundant clarity, as every moment lurks in a terrifying blend of fantastical horror and sepulchral realism. Earthly and yet with a presence so distant, only this band could make sounds like this and they continue to marvellously. With more dynamics than one could conceive, going from thrashing rage to doomed despair, their sound fills the entire range of tempos, sonics and aesthetics while the consistency of playing real black metal to perfection is always there. Whether primitive or embracing their technical abilities and allowing them to flourish, everything feels sincere and genuinely impassioned with not a second of the running time wasted. A pounding opus of furiously enchanting musical prowess that deserves your undivided attention and adoration if you care for the darker side of extremity. But of course with the name Mortuary Drape on the cover; you already knew that didn’t you?

Combining the continuity of their signature sound with rejuvenated creativity and production advancements, this album is one hundred percent Mortuary Drape without rehashing a singular element, the past is alive and the future still has room for the real masters… A truly triumphant and epic work from one of black metal’s most important artists.

Nattskog7



..::TRACK-LIST::..

1. Restless Death 06:20
2. The Secret Lost 03:35
3. Ritual Unction 04:21
4. Drowned in Silence 04:43
5. Into the Oblivion 03:31
6. Rattle Breath 04:31
7. Nocturnal Coven 04:08
8. Mistress of Sorcerer 05:13
9. The Unburied 04:17
10. Fading Flowers Spell 04:42
11. Black Mirror 03:07



..::OBSADA::..

Wildness Perversion - Vocals
D.C. - Guitars
S.R. - Guitars
S.C. - Bass
M.T. - Drums



https://www.youtube.com/watch?v=AGt0T9B36wM


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: VA
Title: Suanda Music 550 (The Official Album)
Year: 2026
Genre: Trance, VocalTrance
Publisher (label): Suanda Music
Duration: 04:07:43
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01. Roman Messer - Here & Now (Suanda 550 Anthem) (Extended Mix) [5:50]
02. JOSEPH JAMES (IRL) - The Universe (Extended Mix) [6:19]
03. Roman Messer & Joe Jury - The River (Extended Mix) [6:20]
04. Photographer - Infinity (Extended Mix) [6:27]
05. Roman Messer & Cari - Serenity (Extended Mix) [6:27]
06. Attila Syah & LTN - Padma (Extended Mix) [7:19]
07. Feel & Rimsky & Diana Leah - One Last Time (Daniel Kandi Extended Dark Mix) [6:24]
08. Roman Messer - Message In A Bottle (Extended Mix) [6:20]
09. Davey Asprey - Catch (Extended Mix) [6:34]
10. E.T Project - Infinite Galaxy (Darren Porter Extended Remix) [5:49]
11. Roman Messer & Christina Novelli - Frozen (Alex M.O.R.P.H. Extended Remix) [6:58]
12. Steve Dekay & Jan Miller - Melodrama (Abstract Vision Extended Remix) [7:34]
13. ThoBa & Gid Sedgwick - Wolf Cry (Talla 2XLC Extended Remix) [5:37]
14. Roman Messer & Simon O'Shine - Euphoria (Extended Mix) [5:55]
15. Eximinds & Natalie Gioia - Keep Me Safe (Extended Mix) [5:06]
16. Frainbreeze - #DVRK5IDE (Extended Mix) [5:14]
17. Rospy - Endless Dream (Extended Mix) [6:52]
18. Ahmed Helmy - The King's Groove (Extended Mix) [6:20]
19. Roman Messer & Betsie Larkin - Unite (Omnia Extended Remix) [4:46]
20. Ayda - Per Aspera Ad Astra (Extended Mix) [6:51]
21. Feel & Alexandra Badoi - Did We Feel (ReOrder Extended Remix) [5:28]
22. FAWZY - Enchanting Colors (A.R.D.I. Extended Remix) [4:58]
23. Roman Messer - Make It Real (XiJaro & Pitch Extended Remix) [5:19]
24. Mariano Mancini - Where I Belong (Extended Mix) [6:11]
25. NoMosk & Tiff Lacey - The Promise (Extended Open Air Mix) [6:05]
26. Roman Messer & Philippe El Sisi - The Castle (Extended Mix) [6:54]
27. Frainbreeze & Cari - Stronger (Steve Allen & Enzo Extended Remix) [5:47]
28. Claas Inc. - Love, Peace & Unity (Extended Mix) [7:07]
29. Roman Messer & Richard Bedford - Breathe (Alex M.O.R.P.H. Extended Remix) [7:47]
30. Sergey Salekhov & Andrew Mirt - Diamond (Extended Mix) [6:58]
31. SMR LVE & Caitlin Potter - Love Story (JOSEPH JAMES (IRL) Extended Remix) [6:42]
32. H4lo & Michael Milov & ThoBa - You Know Better (Extended Mix) [3:16]
33. Adip Kiyoi - You Love Me (Extended Mix) [6:04]
34. Alex Drane & Linara - Vanished (Extended Mix) [7:21]
35. Roman Messer & Alex M.O.R.P.H. - CYBERIA (Extended Mix) [5:32]
36. Kayat & Clare Stagg - The Calling (Denis Kenzo Extended Remix) [8:20]
37. Soulprism - Do You Wanna Go (Extended Mix) [6:05]
38. Liam Bailey (UK) - More Than Enough (Extended Mix) [6:41]
39. CubeTonic & Dilara Gadel - So Strong (Mark W. Extended Remix) [5:12]
40. Somnia - Shadows (Extended Mix) [5:19]

...( Info )...

Artist: Whitney Houston
Title: WH1TNEY
Year: 2026
Genre: Pop, Rhythm-n-Blues, Ballad, Vocal, Funk-n-Soul
Country: USA
Duration: 02:02:09
Format/Codec: FLAC
Audio Bitrate: Lossless
Rip Type: Tracks
Bit Depth: 16 Bit/44.1 kHz
Media: WEB Qobuz


...( TrackList )...

01 - I Wanna Dance With Somebody (Who Loves Me) (Single Version)
02 - Greatest Love of All
03 - I'm Your Baby Tonight
04 - Didn't We Almost Have It All (7_ Mix)
05 - Where Do Broken Hearts Go
06 - I Will Always Love You
07 - All the Man That I Need
08 - So Emotional (Single Version)
09 - How Will I Know (Remastered)
10 - Saving All My Love for You (Ultimate Collection Edit)
11 - Exhale (Shoop Shoop) (from _Waiting to Exhale_ - Original Soundtrack)
12 - One Moment in Time
13 - I Believe in You and Me (Record Version)
14 - How Will I Know (Dance Remix)
15 - Love Will Save The Day (Extended Remix)
16 - I'm Your Baby Tonight (Yvonne Turner Remix)
17 - My Name Is Not Susan (L.A. Reid & Babyface Remix)
18 - Queen Of The Night (CJ Mackintosh Mix)
19 - Step by Step (Junior's Arena Anthem Radio Mix)
20 - It's Not Right but It's Okay (Thunderpuss Mix_Remastered_ 2000)
21 - Heartbreak Hotel (Hex Hector Radio Mix)
22 - My Love Is Your Love (Jonathan Peters Radio Mix)
23 - I Learned from the Best (HQ2 Radio Mix)
24 - Love That Man (Peter Rauhofer Mix)
25 - Million Dollar Bill (Frankie Knuckles Radio Mix)
26 - I Look to You (Johnny Vicious Warehouse Radio Mix)

https://i128.fastpic.org/big/2026/0807/2b/7f2ae88259af0bcab0dc2294143b482b.jpg

...( Info )...

Artist: Whitney Houston
Title: Whitney Houston
Year: 1985/2010
Genre: Pop, Rhythm-n-Blues, Ballad, Vocal, Funk-n-Soul
Country: USA
Duration: 01:19:09
Format/Codec: FLAC
Audio Bitrate: Lossless
Rip Type: tracks
Bit Depth: 16 Bit/ 44.1 kHz
Media: WEB Qobuz

...( TrackList )...

01 - You Give Good Love
02 - Thinking About You
03 - Someone For Me
04 - Saving All My Love for You
05 - Nobody Loves Me Like You Do
06 - How Will I Know
07 - All at Once
08 - Take Good Care of My Heart
09 - Greatest Love of All
10 - Hold Me
11 - Thinking About You (Bruce Forest Dance) Remix)
12 - Someone For Me (Alan The Judge Coulthard Remix)
13 - How Will I Know (Acappella)
14 - How Will I Know (John Jellybean Benitez Remix)
15 - Greatest Love of All (Live at Radio City Music Hall)

...( Info )...

Composer: Robert Schumann
Performer: Los Angeles Philharmonic, conductor Gustavo Dudamel
Title: Complete Symphonies
Year: 2018/2026
Genre: Classical
Country: USA
Duration: 02:12:49
Format/Codec: FLAC
Audio Bitrate: Lossless
Rip Type: Tracks
Bit Depth: 24 Bit/96 kHz
Media: WEB Qobuz

...( TrackList )...


Symphony No. 1 in B-Flat Major, Op. 38, "Spring"

01. I. Andante un poco maestoso - Allegro molto vivace (11:14)
02. II. Larghetto (7:08)
03. III. Scherzo: Molto vivace - Trio (5:31)
04. IV. Allegro animato e grazioso (7:57)

Symphony No. 2 in C Major, Op. 61

05. I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo (12:05)
06. II. Scherzo: Allegro vivace (6:53)
07. III. Adagio espressivo (9:57)
08. IV. Allegro molto vivace (8:09)

Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish"

09. I. Lebhaft (9:12)
10. II. Scherzo: Sehr mäßig (6:34)
11. III. Nicht schnell (5:46)
12. IV. Feierlich (6:19)
13. V. Lebhaft (5:23)

Symphony No. 4 in D Minor, Op. 120

14. I. Ziemlich langsam - Lebhaft (11:10)
15. II. Romanze: Ziemlich langsam (4:13)
16. III. Scherzo: Lebhaft (6:00)
17. IV. Langsam - Lebhaft (9:18)

...( Info )...

Artist: Sellsword
Album: ...With Might and Vengeance
Release Date: 2026
Genre: Symphonic Power, Heavy Metal
Format: MP3
Bitrate: 320 kbps
Duration: 01:00:55
York, UK
https://sellsword.bandcamp.com/


...( TrackList )...


01. With Might and Vengeance [00:01:31]
02. The Bringers of War [00:06:36]
03. Saxon Steel [00:05:04]
04. Warwolf [00:05:12]
05. Mighty Mercenaries [00:04:39]
06. Reignite the Flame [00:05:50]
07. Boadicea, Rise! [00:05:04]
08. New Gods [00:06:15]
09. Hall of the Heroes [00:06:19]
10. The Age of Night [00:14:21]

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Violence' to 7 zupełnie nowych kawałków ekipy z Namysłowa wspartych desantem wokalnym Wandy z … Czeskiej Pragi.

Jako bonus 5 kawałków z pierwszego wydawnictwa z Hansem na wokalu. Muzycznie to powerviolence/hardcore naładowany emocjami, energią i metalowymi riffami. !



..::TRACK-LIST::..

1. Chase the time 02:01
2. Redemption 01:40
3. Feed my soul 01:48
4. Nigthmares 01:48
5. No fear is rational 01:33
6. Get the gun 01:40
7. Violence 01:54

Bonus Tracks From Ep ,'Canis Homine'
8. Canis Homine 1:48
9. House Of Ice 2:26
10. Sever The Thread 1:07
11. Drink From The Poison Well 1:24
12. Scorn And Suffer 1:47

Songs 1-7 from 'Violence'
Songs 8-12 from 'Canis Homine' EP



..::OBSADA::..

wokal - Wanda
gitara - Krzywy
bass - Teciu
perkusja - Andrew



https://www.youtube.com/watch?v=SI-TfKBV4Iw


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Violence' to 7 zupełnie nowych kawałków ekipy z Namysłowa wspartych desantem wokalnym Wandy z … Czeskiej Pragi.

Jako bonus 5 kawałków z pierwszego wydawnictwa z Hansem na wokalu. Muzycznie to powerviolence/hardcore naładowany emocjami, energią i metalowymi riffami. !



..::TRACK-LIST::..

1. Chase the time 02:01
2. Redemption 01:40
3. Feed my soul 01:48
4. Nigthmares 01:48
5. No fear is rational 01:33
6. Get the gun 01:40
7. Violence 01:54

Bonus Tracks From Ep ,'Canis Homine'
8. Canis Homine 1:48
9. House Of Ice 2:26
10. Sever The Thread 1:07
11. Drink From The Poison Well 1:24
12. Scorn And Suffer 1:47

Songs 1-7 from 'Violence'
Songs 8-12 from 'Canis Homine' EP



..::OBSADA::..

wokal - Wanda
gitara - Krzywy
bass - Teciu
perkusja - Andrew



https://www.youtube.com/watch?v=SI-TfKBV4Iw


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

The Strokes to amerykański zespół rockowy założony w Nowym Jorku w 1998 roku. W skład zespołu wchodzą: wokalista i główny autor tekstów Julian Casablancas, gitarzyści Nick Valensi i Albert Hammond Jr., basista Nikolai Fraiture oraz perkusista Fabrizio Moretti. Byli czołową grupą nurtu garage rock revival i post-punk revival z początku lat 2000.Wstawka zwiera siódmy, najnowszy album studyjny zespołu.

Title: Reality Awaits

Artist: The Strokes

Country: USA

Year: 2026

Genre: Rock

Format / Codec: MP3

Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Psycho Shit
2.Dine N'Dash
3.Lonely in the Future
4.Falling Out of Love
5.Going to Babble On
6.Going Shopping
7.Liar's Remorse
8.The Fruits of Conquest
9.Tyrants of the Mellow Moon

..::INFO::..

Supertramp to angielski zespół rockowy prezentujący w swej twórczości elementy progresywnego rocka, hard rocka i soft rocka. Grupa powstała w 1969 roku w Londynie. Formacja nadal nagrywa i koncertuje. Zespół wypracował unikatowe, „eleganckie” brzmienie oparte na rozbudowanym instrumentarium: bardzo czystej i precyzyjnej grze akustycznych i elektrycznych instrumentów klawiszowych w połączeniu z instrumentami dętymi drewnianymi, melodyjnie grającej gitary elektrycznej i męskich wokali falsetem. Zespół zyskał przychylność krytyków, tworząc łatwą w odbiorze odmianę rocka progresywnego[2][3], oraz komercyjny sukces, tworząc przyjazne radiu utwory i sprzedając ponad 60 milionów płyt na całym świecie. Szczytem ich komercyjnego sukcesu był wydany w 1979 roku album Breakfast in America, który rozszedł się w ponad 20 milionach kopii, co czyni go jednym z najlepiej sprzedających się albumów na świecie. Wstawka zawiera debiutancki album Supertramp.

Title: Supertramp

Artist: Supertramp

Country: USA

Year: 1970

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Surely
2. It's a Long Road
3. Aubade / And I Am Not Like Other Birds of Prey
4. Words Unspoken
5. Maybe I’m a Beggar
6. Home Again
1. Nothing to Show
2. Shadow Song
3. Try Agai
4. Surely

..::INFO::..

---------------------------------------------------------------------
Deep Purple - This Time Around - Live in Tokyo 75 - (2 CD)
---------------------------------------------------------------------

Artist...............: Deep Purple
Album................: This Time Around - Live in Tokyo 75
Genre................: Hard Rock
Source...............: CD
Year.................: 2007
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63-70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Purple Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Deep Purple - Burn [08:38]
2. Deep Purple - Lady Luck [03:31]
3. Deep Purple - Love Child [05:00]
4. Deep Purple - Gettin’ Tighter [16:52]
5. Deep Purple - Smoke on the Water - Georgia [10:14]
6. Deep Purple - Wild Dogs [06:05]

Playing Time.........: 50:22
Total Size...........: 352,73 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Deep Purple - I Need Love [05:47]
2. Deep Purple - Soldier of Fortune [01:47]
3. Deep Purple - John Lord Solo [09:43]
4. Deep Purple - Lazy & Drum Solo [13:34]
5. Deep Purple - This Time Around [03:38]
6. Deep Purple - Owed to G [03:29]
7. Deep Purple - Tommy Bolin Guitar Solo [07:09]
8. Deep Purple - Drifter [05:55]
9. Deep Purple - You Keep On Moving [06:38]
10. Deep Purple - Stormbringer [10:08]
11. Deep Purple - (Encore) Highway Star [07:29]

Playing Time.........: 01:15:22
Total Size...........: 481,00 MB

Live album by Deep Purple featuring the complete show performed at the Budokan, Tokyo, Japan on Dec. 15th of 1975 - previously released as Last Concert In Japan.

Bass, Vocals – Glenn Hughes
Drums – Ian Paice
Guitar, Vocals – Tommy Bolin
Keyboards – Jon Lord
Lead Vocals – David Coverdale

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Drugi album amerykańskiego zespołu grającego grindcore/crust. Dla fanów TERRORIZER, NAUSEA, DISRUPT, NAPALM DEATH.



..::TRACK-LIST::..

1. Hang On To Nothing 3:03
2. Ecocide 2:36
3. It's Not Too Late 1:53
4. Misery 1:44
5. The Struggle Continues 1:53
6. Sentient Predator 2:37
7. Elder Wisdom 2:04
8. Forced Conformity 1:35
9. Obey 1:35
10. Victims 1:38
11. Unknown Embrace 1:03
12. Corruption 1:45
13. Civilized Aggression 1:33
14. Sticks And Stones 1:12
15. Hear Nothing, See Nothing, Say Nothing (Discharge cover) 1:27
16. The Gathering 2:53
17. Land Keeper 3:29



..::OBSADA::..

Ben - Drums
Anthony - Vocals
Rafa - Bass
Jesse (R.I.P. 2006) - Guitars
Katina - Guitars



https://www.youtube.com/watch?v=8NOm6pJdvII


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Drugi album amerykańskiego zespołu grającego grindcore/crust. Dla fanów TERRORIZER, NAUSEA, DISRUPT, NAPALM DEATH.



..::TRACK-LIST::..

1. Hang On To Nothing 3:03
2. Ecocide 2:36
3. It's Not Too Late 1:53
4. Misery 1:44
5. The Struggle Continues 1:53
6. Sentient Predator 2:37
7. Elder Wisdom 2:04
8. Forced Conformity 1:35
9. Obey 1:35
10. Victims 1:38
11. Unknown Embrace 1:03
12. Corruption 1:45
13. Civilized Aggression 1:33
14. Sticks And Stones 1:12
15. Hear Nothing, See Nothing, Say Nothing (Discharge cover) 1:27
16. The Gathering 2:53
17. Land Keeper 3:29



..::OBSADA::..

Ben - Drums
Anthony - Vocals
Rafa - Bass
Jesse (R.I.P. 2006) - Guitars
Katina - Guitars



https://www.youtube.com/watch?v=8NOm6pJdvII


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Scorpions - Born To Touch Your Feelings - Best of Rock Ballads
---------------------------------------------------------------------

Artist...............: Scorpions
Album................: Born To Touch Your Feelings - Best of Rock Ballads
Genre................: Hard-Rock, Classic-Rock
Source...............: CD
Year.................: 2017
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Sony Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Scorpions - Born to Touch Your Feelings (Studio Edit) [04:01]
2. Scorpions - Still Loving You [06:42]
3. Scorpions - Wind of Change [05:08]
4. Scorpions - Always Somewhere [04:55]
5. Scorpions - Send Me an Angel (Acoustic Version 2017) [04:21]
6. Scorpions - Holiday [06:31]
7. Scorpions - Eye of the Storm (Radio Edit) [03:21]
8. Scorpions - When the Smoke is Going Down [03:51]
9. Scorpions - Lonely Nights [04:49]
10. Scorpions - Gypsy Life [04:50]
11. Scorpions - House of Cards (Single Edit) [04:27]
12. Scorpions - The Best is Yet to Come [04:31]
13. Scorpions - When You Came Into My Life (Studio Edit) [03:29]
14. Scorpions - Lady Starlight [06:16]
15. Scorpions - Follow Your Heart (Version 2017) [04:05]
16. Scorpions - Melrose Avenue [03:30]
17. Scorpions - Always Be with You [03:29]

Playing Time.........: 01:18:25
Total Size...........: 541,15 MB

Acoustic Guitar – Matthias Jabs
Backing Vocals – Klaus Meine, Rudolf Schenker
Bass Guitar – Paweł Mąciwoda Jastrzębski
Drums – Mikkey Dee
Lead Guitar – Matthias Jabs, Rudolf Schenker
Lead Vocals – Klaus Meine

..::INFO::..

---------------------------------------------------------------------
Mark Knopfler - Royal Privateer 2013 - (2 CD)
(Live In Royal Albert Hall, London, 27th May 2013)
---------------------------------------------------------------------

Artist...............: Mark Knopfler
Album................: Royal Privateer 2013
Genre................: Rock
Source...............: CD
Year.................: 2013
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 54-56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Uxbridge

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Mark Knopfler - What it Is [06:38]
2. Mark Knopfler - Corned Beef City [06:01]
3. Mark Knopfler - Privateeting [07:20]
4. Mark Knopfler - Father and Son [03:49]
5. Mark Knopfler - Hill Farmer's Blues [06:28]
6. Mark Knopfler - I Dug up a Diamond (With Ruth Moody) [04:47]
7. Mark Knopfler - Seattle (with Ruth Moody) [05:48]
8. Mark Knopfler - Used to Could (With Nigel Hitchcock) [04:23]
9. Mark Knopfler - Romeo and Juliet [09:26]

Playing Time.........: 54:43
Total Size...........: 298,40 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Mark Knopfler - Sultans Of Swing [08:43]
2. Mark Knopfler - Haul Away [04:35]
3. Mark Knopfler - Postcards From Paraguay [08:11]
4. Mark Knopfler - Marbletown [14:33]
5. Mark Knopfler - Speedway at Nazareth [06:50]
6. Mark Knopfler - Telegraph Road [15:48]
7. Mark Knopfler - So Far Away [05:48]
8. Mark Knopfler - Shangri La [08:38]
9. Mark Knopfler - Going Home [06:22]

Playing Time.........: 01:19:32
Total Size...........: 446,14 MB

Recorded At – Royal Albert Hall, London, 27th May 2013

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

UWAGA!! Pod żadnym pozorem nie sugerujcie się tą koszmarną okładką!! Nie wiem dlaczego Ci muzycy postanowili zdobić swoje albumy takimi koszmarkami do tego z logiem rodem w stylu kapel gore.

Pierwsze odsłuchanie „The Devil’s Resolve” było dla mnie niezwykle miłym zaskoczeniem, a to z kilku powodów:
1. Album brzmi niczym Amorphis z czasów „Tales From the 1000 Lakes”,
2. Melodie wręcz powalają
3. Jest wiele smaczków. w postaci akustycznych gitar czy folkowych motywów (znów kłania się wspominany Amorphis)
4. Pojawiające się growle nie przeszkadzają a w połączeniu z czystymi wokalizami dają ciekawy efekt przywodzący na myśl…. zgadliście Amorphis

Po wypisaniu tych czterech punktów postanowiłem zajrzeć do bio i… wiele się wyjaśniło. Okazuje się, że w Barren Earth udziela się dwóch muzyków, którzy udzielali się w wymienianej tu już kilkukrotnie kapeli. Olli-Pekka Laine oraz Kasper Martenson wnieśli do zespołu wyraźnie odczuwalny pierwiastek twórców „Tales… czy „Elegy”. Okazuje się, że w składzie zespołu jest też niejaki Sami Yli-Sirniö znany ze swych występów z Waltari czy Kratorem.

„The Devil’s Resolve” to osiem niezwykle melodyjnych acz nie odartych z brutalności epickich utworów. Ogromną rolę odgrywają tu instrumenty klawiszowe, które budują atmosferę i nadają muzyce posmaku fińskiego folku. Tu obok siebie występują delikatne zaśpiewane na tle pianina czyste partie wokalne jak i grobowe, bulgoczące growle. Taki „The Rains Begin” to klasyczny przedstawiciel tego albumu. Jest tu wszystko – dobra melodia, ciekawe dodatki a do tego fragmenty utrzymane w duchu rocka z lat 70-tych z Hammondami na czele.

Jestem niesamowicie pozytywnie zaskoczony i prawdę mówiąc nie przypuszczałem, że w tym gatunku jest jeszcze w stanie mnie zaskoczyć i porwać swą zawartością jakakolwiek płyta!

Piotr Michalski


Barren Earth should require little introduction, this Finnish supergroup have been kicking it since 2007 and this is their second full-length release “The Devil’s Resolve”. Welding Melodic Death Metal with 70’s style Progressive Rock, Barren Earth are the sonic equivalent of a winning lottery ticket for a prog-nut like me.

Take “Elegy” period Amorphis, add healthy doses of mid-period Opeth and Edge of Sanity roll up and smoke said concoction to the sounds of Riverside or Porcupine Tree and once the haze clears you’ll be facing Barren Earth. If you enjoyed the latest In Mourning album I reviewed then this one will be right up your street, and is certainly of a similar quality. A good base of comparison from the get-go, and as far as production goes is if you did hear the latest In Mourning, “The Devil’s Resolve” is a much warmer sounding album, and definitely feels a little more natural.

The proceedings kick off in style on “The Devil’s Resolve”. From the push of the play button a volume swell paves the way for a dark and dirty theme, with a slight Doom Metal edge. The articulation and build is superb; “Passing of the Crimson Shadows” is the ideal opener, with excellent dynamic it really works its magic in introducing the listener to the album, and the band. The vocal approach is that of a balance between clean and harsh, and I honestly believe Mikko Kotamäki is at his best with Barren Earth, his clean vocals are particularly well done here, reminding of the British Progressive Rock acts from the 70’s. “The Rains Begins” absolutely reeks of Amorphis, featuring lush melodies, excellent layered vocals, and a tremendous prog section in the middle. “Vintage Warlords” is a song which shows exactly what Barren Earth are about and would be a good one for new listeners to check out. Rounding off the first half of “The Devil’s Resolve” is “As It Is Written” which almost ends up being the weakest on the album, if not for some great guitar melodies and a breathtaking piano segment in the middle.

The prog elements are very well played on “The Devil’s Resolve” and I feel as though the band put forth a fairly interesting take on the genre, especially when taking into account the Progressive Death Metal side. Of course the Metal scene is no stranger to Progressive Metal bands lending from the 70’s glory days, however Barren Earth succeed in flawlessly incorporating that style into their sound, and save a few Dan Swanö related acts and select Opeth I’d say this was some of the finest material in the Progressive Death Metal niche.

The second half of the album crawls along with the dirge of “The Dead Exiles” which is a bonafide highlight. The first half of the track is dark and oppressive with Doom Metal pacing, which slowly builds into an absolutely stomping riff that demands a nodding head at the very least. The flame ignited in “The Dead Exiles” burns right through the superb “Oriental Pyre”. “White Fields” takes us on to the final stretch of the album, and probably stands as the weakest on “The Devil’s Resolve”, although some strong riffage keeps it from totally missing the mark. Closing the show is the haunting “Where All Stories End” which rounds off the album in great form, giving the listener a sense of finality. One of the more melodic numbers, with some of the finer vocal lines served up on the album.

Admittedly “The Devil’s Resolve” did require a few listens for it to fully gel. It wasn’t until I sat down and truly focused on the album and each of its aspects that I fully appreciated what Barren Earth had done. A dynamic, progressive album; “The Devil’s Resolve” should be high priority for any Progressive Metal fan. There is a suitable level of depth here that will keep the listener coming back for more which is one of the many reasons why “The Devil’s Resolve” is a such a special release.

Andromeda Unchained


The Devil's Resolve" is the 2nd full-length studio album by Finnish death/doom metal act Barren Earth. The album was released through Peaceville Records in March 2012. Barren Earth features quite a few prolific Finnish musicians like former Amorphis bassist Olli-Pekka Laine, guitarist Sami Yli-Sirniö (Kreator, Waltari) and drummer Marko Tarvonen (Moonsorrow) and that arguably qualifies them to be called a Finnish metal supergroup.
The fact that the band are made up of very seasoned musicians is audible, as everything is delivered with conviction and professionalism. In addition to the "core" death/doom metal sound on the album, there are also a couple of progressive tendencies featured in the music. It´s especially audible in the longer tracks like album opener "Passing of the Crimson Shadows" and "As it is Written". The addition of ethnic folk elements makes me think of Amorphis more than one time during the playing time. A reference which is further enhanced by the clean/growling vocal delivery and the use of 70s influenced organs/keyboards. You can add an Opeth influence to the equation, but that´s only when Barren Earth are most progressive. The tracks are made up of epic heavy riffing and lead themes (both from the guitars and the keyboards) and more atmospheric sections. There is good variation on the album and that provides "The Devil's Resolve" with a longivity factor that not all releases possess.

"The Devil's Resolve" is a heavy and quite intriguing album and the fact that it´s well produced (in the more polished end of the style) and very well performed, are not exactly negatives either. To fans of the style this should be a real treat (just think early- to mid 90s Amorphis meets late 90s/early 00s Opeth and you´re halfway there). A 4 star (80%) rating is deserved.

UMUR



..::TRACK-LIST::..

1. Passing Of The Crimson Shadows 07:17
2. The Rains Begin 04:55
3. Vintage Warlords 04:31
4. As It Is Written (Bagpipes-Hittavainen) 07:29
5. The Dead Exiles (Guitar-Markus Vanhala) 06:21
6. Oriental Pyre 05:18
7. White Fields (Vocals-Mathias Lillmåns) 04:59
8. Where All Stories End 05:55



..::OBSADA::..

Mikko Kotamäki - Vocals
Sami Yli-Sirniö - Guitars, Vocals (backing)
Janne Perttilä - Guitars, Vocals (backing)
Olli-Pekka Laine - Bass, Vocals (backing)
Kasper Mårtenson - Keyboards, Vocals (backing)
Marko Tarvonen - Drums, Vocals (backing)



https://www.youtube.com/watch?v=0uWBoOu32J4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

UWAGA!! Pod żadnym pozorem nie sugerujcie się tą koszmarną okładką!! Nie wiem dlaczego Ci muzycy postanowili zdobić swoje albumy takimi koszmarkami do tego z logiem rodem w stylu kapel gore.

Pierwsze odsłuchanie „The Devil’s Resolve” było dla mnie niezwykle miłym zaskoczeniem, a to z kilku powodów:
1. Album brzmi niczym Amorphis z czasów „Tales From the 1000 Lakes”,
2. Melodie wręcz powalają
3. Jest wiele smaczków. w postaci akustycznych gitar czy folkowych motywów (znów kłania się wspominany Amorphis)
4. Pojawiające się growle nie przeszkadzają a w połączeniu z czystymi wokalizami dają ciekawy efekt przywodzący na myśl…. zgadliście Amorphis

Po wypisaniu tych czterech punktów postanowiłem zajrzeć do bio i… wiele się wyjaśniło. Okazuje się, że w Barren Earth udziela się dwóch muzyków, którzy udzielali się w wymienianej tu już kilkukrotnie kapeli. Olli-Pekka Laine oraz Kasper Martenson wnieśli do zespołu wyraźnie odczuwalny pierwiastek twórców „Tales… czy „Elegy”. Okazuje się, że w składzie zespołu jest też niejaki Sami Yli-Sirniö znany ze swych występów z Waltari czy Kratorem.

„The Devil’s Resolve” to osiem niezwykle melodyjnych acz nie odartych z brutalności epickich utworów. Ogromną rolę odgrywają tu instrumenty klawiszowe, które budują atmosferę i nadają muzyce posmaku fińskiego folku. Tu obok siebie występują delikatne zaśpiewane na tle pianina czyste partie wokalne jak i grobowe, bulgoczące growle. Taki „The Rains Begin” to klasyczny przedstawiciel tego albumu. Jest tu wszystko – dobra melodia, ciekawe dodatki a do tego fragmenty utrzymane w duchu rocka z lat 70-tych z Hammondami na czele.

Jestem niesamowicie pozytywnie zaskoczony i prawdę mówiąc nie przypuszczałem, że w tym gatunku jest jeszcze w stanie mnie zaskoczyć i porwać swą zawartością jakakolwiek płyta!

Piotr Michalski


Barren Earth should require little introduction, this Finnish supergroup have been kicking it since 2007 and this is their second full-length release “The Devil’s Resolve”. Welding Melodic Death Metal with 70’s style Progressive Rock, Barren Earth are the sonic equivalent of a winning lottery ticket for a prog-nut like me.

Take “Elegy” period Amorphis, add healthy doses of mid-period Opeth and Edge of Sanity roll up and smoke said concoction to the sounds of Riverside or Porcupine Tree and once the haze clears you’ll be facing Barren Earth. If you enjoyed the latest In Mourning album I reviewed then this one will be right up your street, and is certainly of a similar quality. A good base of comparison from the get-go, and as far as production goes is if you did hear the latest In Mourning, “The Devil’s Resolve” is a much warmer sounding album, and definitely feels a little more natural.

The proceedings kick off in style on “The Devil’s Resolve”. From the push of the play button a volume swell paves the way for a dark and dirty theme, with a slight Doom Metal edge. The articulation and build is superb; “Passing of the Crimson Shadows” is the ideal opener, with excellent dynamic it really works its magic in introducing the listener to the album, and the band. The vocal approach is that of a balance between clean and harsh, and I honestly believe Mikko Kotamäki is at his best with Barren Earth, his clean vocals are particularly well done here, reminding of the British Progressive Rock acts from the 70’s. “The Rains Begins” absolutely reeks of Amorphis, featuring lush melodies, excellent layered vocals, and a tremendous prog section in the middle. “Vintage Warlords” is a song which shows exactly what Barren Earth are about and would be a good one for new listeners to check out. Rounding off the first half of “The Devil’s Resolve” is “As It Is Written” which almost ends up being the weakest on the album, if not for some great guitar melodies and a breathtaking piano segment in the middle.

The prog elements are very well played on “The Devil’s Resolve” and I feel as though the band put forth a fairly interesting take on the genre, especially when taking into account the Progressive Death Metal side. Of course the Metal scene is no stranger to Progressive Metal bands lending from the 70’s glory days, however Barren Earth succeed in flawlessly incorporating that style into their sound, and save a few Dan Swanö related acts and select Opeth I’d say this was some of the finest material in the Progressive Death Metal niche.

The second half of the album crawls along with the dirge of “The Dead Exiles” which is a bonafide highlight. The first half of the track is dark and oppressive with Doom Metal pacing, which slowly builds into an absolutely stomping riff that demands a nodding head at the very least. The flame ignited in “The Dead Exiles” burns right through the superb “Oriental Pyre”. “White Fields” takes us on to the final stretch of the album, and probably stands as the weakest on “The Devil’s Resolve”, although some strong riffage keeps it from totally missing the mark. Closing the show is the haunting “Where All Stories End” which rounds off the album in great form, giving the listener a sense of finality. One of the more melodic numbers, with some of the finer vocal lines served up on the album.

Admittedly “The Devil’s Resolve” did require a few listens for it to fully gel. It wasn’t until I sat down and truly focused on the album and each of its aspects that I fully appreciated what Barren Earth had done. A dynamic, progressive album; “The Devil’s Resolve” should be high priority for any Progressive Metal fan. There is a suitable level of depth here that will keep the listener coming back for more which is one of the many reasons why “The Devil’s Resolve” is a such a special release.

Andromeda Unchained


The Devil's Resolve" is the 2nd full-length studio album by Finnish death/doom metal act Barren Earth. The album was released through Peaceville Records in March 2012. Barren Earth features quite a few prolific Finnish musicians like former Amorphis bassist Olli-Pekka Laine, guitarist Sami Yli-Sirniö (Kreator, Waltari) and drummer Marko Tarvonen (Moonsorrow) and that arguably qualifies them to be called a Finnish metal supergroup.
The fact that the band are made up of very seasoned musicians is audible, as everything is delivered with conviction and professionalism. In addition to the "core" death/doom metal sound on the album, there are also a couple of progressive tendencies featured in the music. It´s especially audible in the longer tracks like album opener "Passing of the Crimson Shadows" and "As it is Written". The addition of ethnic folk elements makes me think of Amorphis more than one time during the playing time. A reference which is further enhanced by the clean/growling vocal delivery and the use of 70s influenced organs/keyboards. You can add an Opeth influence to the equation, but that´s only when Barren Earth are most progressive. The tracks are made up of epic heavy riffing and lead themes (both from the guitars and the keyboards) and more atmospheric sections. There is good variation on the album and that provides "The Devil's Resolve" with a longivity factor that not all releases possess.

"The Devil's Resolve" is a heavy and quite intriguing album and the fact that it´s well produced (in the more polished end of the style) and very well performed, are not exactly negatives either. To fans of the style this should be a real treat (just think early- to mid 90s Amorphis meets late 90s/early 00s Opeth and you´re halfway there). A 4 star (80%) rating is deserved.

UMUR



..::TRACK-LIST::..

1. Passing Of The Crimson Shadows 07:17
2. The Rains Begin 04:55
3. Vintage Warlords 04:31
4. As It Is Written 07:29
5. The Dead Exiles 06:21
6. Oriental Pyre 05:18
7. White Fields 04:59
8. Where All Stories End 05:55



..::OBSADA::..

Mikko Kotamäki - Vocals
Sami Yli-Sirniö - Guitars, Vocals (backing)
Janne Perttilä - Guitars, Vocals (backing)
Olli-Pekka Laine - Bass, Vocals (backing)
Kasper Mårtenson - Keyboards, Vocals (backing)
Marko Tarvonen - Drums, Vocals (backing)



https://www.youtube.com/watch?v=0uWBoOu32J4


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Mark Knopfler - Booth Bay 2006 - (2 CD)
Live at The Opera House, Boothbay Harbor, ME, USA 20th September 2006
---------------------------------------------------------------------

Artist...............: Mark Knopfler
Album................: Booth Bay 2006
Genre................: Rock
Source...............: CD
Year.................: 2019
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 50 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Uxbridge – Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Mark Knopfler - Intro [00:49]
2. Mark Knopfler - Done With Bonaparte [06:40]
3. Mark Knopfler - Sailing to Philadelphia [08:02]
4. Mark Knopfler - Donegan's Gone [04:10]
5. Mark Knopfler - Intro band [03:21]
6. Mark Knopfler - Rudiger [06:34]
7. Mark Knopfler - The Trawlerman's Song [04:31]
8. Mark Knopfler - Romeo and Juliet [08:14]
9. Mark Knopfler - Song for Sonny Liston [07:57]
10. Mark Knopfler - Marbletown [03:55]

Playing Time.........: 54:17
Total Size...........: 271,18 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Mark Knopfler - Devil Baby [06:05]
2. Mark Knopfler - Baloney Again [06:18]
3. Mark Knopfler - Postcards from Paraguay [05:18]
4. Mark Knopfler - Whoop De Doo [05:00]
5. Mark Knopfler - All That Matters [03:25]
6. Mark Knopfler - A Place Where We Used to Live [06:51]
7. Mark Knopfler - Wild Theme (Local Hero) [04:45]
8. Mark Knopfler - If This Is Goodbye [05:25]

Playing Time.........: 43:11
Total Size...........: 217,67 MB

..::INFO::..

Cypress Hill to amerykańska grupa wykonująca szeroko pojętą muzykę hiphopową, powstała w Los Angeles wiosną 1988 roku. Jej członkowie z pochodzenia są Latynosami. Skład zespołu: B-Real – wokal, Sen Dog – wokal, DJ Muggs – DJ i Eric Bobo – perkusja. Twórczość Cypress Hill łączy hip-hop z elementami muzyki alternatywnej. Podkłady muzyczne, tworzone głównie przez DJ-a Muggsa, charakteryzują się wpływami funku i hardcore’u. Wokalnie utwory opierają się na kontraście między wysokim, nosowym rymowaniem B-Reala a niskim glosem Sen Doga. Wstawka zawiera najnowszy, jedenasty album zespołu.

Title: Dios Bendiga

Artist: Cypress Hill

Country: USA

Year: 2026

Genre: Hip Hop

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

01. Wacha Trucha feat. Aleman
02. Campeones feat. Mellow Man Ace
03. Rosas Verdes
04. Run feat. Poe Leos
05. Sueños feat. Coyote
06. Estamos Listos
07. Volo feat. Sick Jacken
08. Saca La Bolsita feat. Trueno
09. No Tengo Miedo feat. Sick Jacken
10. Barrios Prendidos feat. La Santa Grifa
11. El Perro Y El Coyote feat. Guapo
12. Otra

..::INFO::..

The King Blues to brytyjski zespół punkrockowy z Londynu, który łączy punk i hip hop z wpływami ska i słowa mówionego. Tariq Ali określił brzmienia zespołu jako „surową, radykalną muzykę, która powinna zaniepokoić władców tego kraju. Nowe pokolenie muzyków rzuca wyzwanie politykom wojennym i ich dworzanom”. Wstawka zawiera ósmy, najnowszy album studyjny zespołu.

Title: A Monkey Could Do That

Artist: The King Blues

Country: Wielka Brytania

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Now Is the Time of Monsters
02. The Stupidest Animal in the Zoo
03. We'd Turn It into a Bomb
04. Ten Gallon Alan
05. Walking with Orpheus
06. Emergency, EMERGENCY!!!
07. Stuck in Samsara
08. Gimme My Pills
09. What a Shit Hole
10. Arthur & Deirdre
11. Be Ordinary
12. Dream Blunt Rotation
13. Freedom
14. Dropping out of the Human Race
15. The Fight
16. Journey to the End of the East End
17. Constable Cunt
18. A Whole Three Minutes Work
19. Turn off the Big Light
20. Giving a Massage to Nigel Farage
21. Losing a Friend to the Right
22. Self Portrait with Head as a Monkey
23. Old Age Punks
24. One Day

..::INFO::..

---------------------------------------------------------------------
Suzi Quatro - A's, B's & Rarities
---------------------------------------------------------------------

Artist...............: Suzi Quatro
Album................: A's, B's & Rarities
Genre................: Glamrock
Source...............: CD
Year.................: 2004
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI Gold

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Suzi Quatro - Rolling Stone [02:49]
2. Suzi Quatro - Brain Confusion (For All The Lonely People)[03:12]
3. Suzi Quatro - Ain't Got No Home [02:19]
4. Suzi Quatro - Can The Can [03:37]
5. Suzi Quatro - Ain't Ya Somethin' Honey [04:08]
6. Suzi Quatro - 48 Crash [03:57]
7. Suzi Quatro - Little Bitch Blues [03:28]
8. Suzi Quatro - Daytona Demon [04:02]
9. Suzi Quatro - Roman Fingers [03:49]
10. Suzi Quatro - Devil Gate Drive [03:49]
11. Suzi Quatro - In The Morning [02:38]
12. Suzi Quatro - Too Big [03:23]
13. Suzi Quatro - I Wanna Be Free [03:12]
14. Suzi Quatro - The Wild One [02:54]
15. Suzi Quatro - Shake My Sugar [03:59]
16. Suzi Quatro - Your Mamma Won't Like Me [03:25]
17. Suzi Quatro - Peter, Peter [02:52]
18. Suzi Quatro - Tear Me Apart (Alternate Version) [03:08]
19. Suzi Quatro - Kids Of Tragedy [03:28]
20. Suzi Quatro - Angel Flight [10:44]

Playing Time.........: 01:15:04
Total Size...........: 487,22 MB

Includes 11 tracks available on CD for the first time.
4 of which are previously unreleased.

Drums, Backing Vocals – Dave Neal
Featuring, Backing Vocals – Errol Brown (tracks: 1)
Featuring, Drums – Alan White (tracks: 2), Keith Hodge (tracks: 3), Mick Waller (tracks: 1)
Featuring, Guitar – 'Big' Jim Sullivan* (tracks: 2), Peter Frampton (tracks: 1)
Featuring, Keyboards – John 'Rabbit' Bundrick* (tracks: 2)
Guitar, Backing Vocals – Len Tuckey
Keyboards, Backing Vocals – Alistair McKenzie
Lead Vocals, Bass Guitar – Suzi Quatro

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. Bless ’em With the Blade
2. Armata Strigoi
3. Sinners of the Seven Seas
4. Amen & Attack
5. Army of the Night
6. Dancing With the Dead
7. Incense & Iron
8. 1589
9. Demons Are a Girl's Best Friend
10. Stossgebet
11. Fire and Forgive
12. Heretic Hunters
13. Joan of Arc
14. We Drink Your Blood
15. Where the Wild Wolves Have Gone
16. Sanctified With Dynamite
17. Blood for Blood (Faoladh)
18. Werewolves of Armenia



https://www.youtube.com/watch?v=UYJrL8_Yh0Y


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. All Night Long
2. Pictured Life
3. Catch Your Train
4. In Your Park
5. Virgin Killer
6. Hell-Cat
7. Polar Nights
8. Sun in My Hand
9. We'll Burn the Sky
10. In Trance
11. The Sails of Charon
12. All Along the Watchtower



https://www.youtube.com/watch?v=lHz9B1cxZJM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Wstawiam na szybko bez tracklisty...






https://www.youtube.com/watch?v=7p12Jsqjx4E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rivers of Nihil uchwycił piorun w butelce dwa razy z rzędu.
Płyta 'The Work' jest ekscytująca, ale i poruszająca. Poza technicznym kunsztem, który prezentuje zespół, 'The Work' to zdumiewająca eksploracja wytrwałości.
Życie potrafi być dewastujące, niezależnie od tego, czy zmagamy się z demotywującą pracą, uzależnieniem, żałobą czy chorobą psychiczną, życie wymaga pracy, aby istnieć. Na 'The Work' zespół nie tylko ukazuje tę brutalną rzeczywistość, ale także daje promyk nadziei – że wytrwałość jest niezbędna, a coś lepszego jest w zasięgu ręki...



There’s no doubt that the music of Pennsylvanian outfit Rivers of Nihil transcends genres. Whilst the band sit mainly in the technical death metal camp, the cerebral challenges, and dramatic sonic soundscapes that the band create make listening to their music intoxicating, as well as challenging and at times even a little uncomfortable.

Following on from 2018’s ‘Where Owls Know My Name’, this 64-minute opus once more incorporates as wide a range of instruments as previous albums. Within the first three songs we’ve been coerced by the piano led intro to ‘The Tower (Theme from ‘The Work’)’ with subtle layered saxophone (courtesy of friend Zach Strouse) and semi-choral backing vocals that relay with explosive and aggressive extremities. There are raging blastbeats and thrashing chaos as well as extreme abstract and diverse passages during ‘Dreaming Black Clockwork’. It’s uncompromising, relentless, and harrowing. It’s also beautifully counterbalanced with songs such as the emotionally charged ‘Wait’, with a softer tempo and the versatility of vocalist Jake Dieffenbach to the fore. There is an almost shoegaze feel at times.

Much of this record is pleasantly mellow in temperament and whilst I wasn’t hugely familiar with the band’s back catalogue I know of ‘Owls’ and the band’s reputation for driving outside of the lines. They certainly bring that to this record. ‘Focus’ sees Lyricist and bassist Adam Biggs consider a relationship with medication and drugs, diving back to his early ADHD prescriptions. It’s a massive track, with a huge sound and irregular time changes, despite its relatively short length in comparison to other tracks.

Rivers of Nihil began writing on the ‘Owls’ tour back in 2018, so although it’s taken some time to come to fruition, the upside is a carefully crafted and sensibly approached record that demonstrates the band’s desire to avoid pigeon holing. They do that with ease, the gorgeous delicacy of ‘Maybe One Day’ demonstrating that if there is a band who can avoid a label, it is Rivers of Nihil. There are metal moments a plenty, but this is a band who defy the rule book.

‘The Work’ is a record that takes time to absorb. I will need to spend longer with it to get deeply acquainted – something that I will be doing. It’s difficult to appreciate the intensity of ‘Episode’, the darkness of ‘The Void from Which No Sound Escape’s or the mastery of the 11 minute plus closing song, ‘Terrestria IV: Work’ in a mere couple of sittings. There’s a complexity which demands your undivided attention to appreciate the sublime musicality. An album that is likely to hit my top five of the year, this is something that every music lover needs to listen to.

Paul Hutchings



..::TRACK-LIST::..

1. The Tower (Theme From "The Work") 4:31
2. Dreaming Black Clockwork 6:39
3. Wait 4:06
4. Focus 4:54
5. Clean 6:08
6. The Void From Which No Sound Escapes 6:43
7. MORE? 3:25
8. Tower 2 1:58
9. Episode 7:30
10. Maybe One Day 7:04
11. Terrestria IV: Work 11:30

Bonus Track:
12. Final Tower 4:35



..::OBSADA::..

Acoustic Guitar, Electric Guitar, Synth [Synthetics], Programmed By [Programming], Keyboards [Keys], Field Recording - Brody J. Uttley
Bass Guitar, Vocals - Adam K. Biggs
Electric Guitar - Jonathan N. Topore
Percussion, Vocals - Jared S. Klein
Vocals - Jacob D. Dieffenbach

The Hands:
Alto Saxophone [Alto Saxophones], Tenor Saxophone [Tenor Saxophones], Baritone Saxophone [Baritone Saxophones] - Zach Strouse (tracks: 1, 2, 6, 9, 11)
Cello - Grant McFarland (tracks: 6)
Vocals - James M. Dorton III (tracks: 9, 11)
Vocals [Whispers In The Void] - Stephan Lopez




https://www.youtube.com/watch?v=2NYuLb5gLmM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rivers of Nihil uchwycił piorun w butelce dwa razy z rzędu.
Płyta 'The Work' jest ekscytująca, ale i poruszająca. Poza technicznym kunsztem, który prezentuje zespół, 'The Work' to zdumiewająca eksploracja wytrwałości.
Życie potrafi być dewastujące, niezależnie od tego, czy zmagamy się z demotywującą pracą, uzależnieniem, żałobą czy chorobą psychiczną, życie wymaga pracy, aby istnieć. Na 'The Work' zespół nie tylko ukazuje tę brutalną rzeczywistość, ale także daje promyk nadziei – że wytrwałość jest niezbędna, a coś lepszego jest w zasięgu ręki...



There’s no doubt that the music of Pennsylvanian outfit Rivers of Nihil transcends genres. Whilst the band sit mainly in the technical death metal camp, the cerebral challenges, and dramatic sonic soundscapes that the band create make listening to their music intoxicating, as well as challenging and at times even a little uncomfortable.

Following on from 2018’s ‘Where Owls Know My Name’, this 64-minute opus once more incorporates as wide a range of instruments as previous albums. Within the first three songs we’ve been coerced by the piano led intro to ‘The Tower (Theme from ‘The Work’)’ with subtle layered saxophone (courtesy of friend Zach Strouse) and semi-choral backing vocals that relay with explosive and aggressive extremities. There are raging blastbeats and thrashing chaos as well as extreme abstract and diverse passages during ‘Dreaming Black Clockwork’. It’s uncompromising, relentless, and harrowing. It’s also beautifully counterbalanced with songs such as the emotionally charged ‘Wait’, with a softer tempo and the versatility of vocalist Jake Dieffenbach to the fore. There is an almost shoegaze feel at times.

Much of this record is pleasantly mellow in temperament and whilst I wasn’t hugely familiar with the band’s back catalogue I know of ‘Owls’ and the band’s reputation for driving outside of the lines. They certainly bring that to this record. ‘Focus’ sees Lyricist and bassist Adam Biggs consider a relationship with medication and drugs, diving back to his early ADHD prescriptions. It’s a massive track, with a huge sound and irregular time changes, despite its relatively short length in comparison to other tracks.

Rivers of Nihil began writing on the ‘Owls’ tour back in 2018, so although it’s taken some time to come to fruition, the upside is a carefully crafted and sensibly approached record that demonstrates the band’s desire to avoid pigeon holing. They do that with ease, the gorgeous delicacy of ‘Maybe One Day’ demonstrating that if there is a band who can avoid a label, it is Rivers of Nihil. There are metal moments a plenty, but this is a band who defy the rule book.

‘The Work’ is a record that takes time to absorb. I will need to spend longer with it to get deeply acquainted – something that I will be doing. It’s difficult to appreciate the intensity of ‘Episode’, the darkness of ‘The Void from Which No Sound Escape’s or the mastery of the 11 minute plus closing song, ‘Terrestria IV: Work’ in a mere couple of sittings. There’s a complexity which demands your undivided attention to appreciate the sublime musicality. An album that is likely to hit my top five of the year, this is something that every music lover needs to listen to.

Paul Hutchings



..::TRACK-LIST::..

1. The Tower (Theme From "The Work") 4:31
2. Dreaming Black Clockwork 6:39
3. Wait 4:06
4. Focus 4:54
5. Clean 6:08
6. The Void From Which No Sound Escapes 6:43
7. MORE? 3:25
8. Tower 2 1:58
9. Episode 7:30
10. Maybe One Day 7:04
11. Terrestria IV: Work 11:30

Bonus Track:
12. Final Tower 4:35



..::OBSADA::..

Acoustic Guitar, Electric Guitar, Synth [Synthetics], Programmed By [Programming], Keyboards [Keys], Field Recording - Brody J. Uttley
Bass Guitar, Vocals - Adam K. Biggs
Electric Guitar - Jonathan N. Topore
Percussion, Vocals - Jared S. Klein
Vocals - Jacob D. Dieffenbach

The Hands:
Alto Saxophone [Alto Saxophones], Tenor Saxophone [Tenor Saxophones], Baritone Saxophone [Baritone Saxophones] - Zach Strouse (tracks: 1, 2, 6, 9, 11)
Cello - Grant McFarland (tracks: 6)
Vocals - James M. Dorton III (tracks: 9, 11)
Vocals [Whispers In The Void] - Stephan Lopez




https://www.youtube.com/watch?v=2NYuLb5gLmM


SEED 15:00-22:00.
POLECAM!!!★★★★★★★★★★

..::INFO::..

---------------------------------------------------------------------
Peter Frampton - Thank You Mr Churchill
---------------------------------------------------------------------

Artist...............: Peter Frampton
Album................: Thank You Mr Churchill
Genre................: Rock, Pop
Source...............: CD
Year.................: 2010
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eagle Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Peter Frampton - Thank You Mr Churchill [04:52]
2. Peter Frampton - Solution [03:49]
3. Peter Frampton - Road To He Sun [05:10]
4. Peter Frampton - I'm Due A You [05:00]
5. Peter Frampton - Vaudeville Nanna And The Banjolele [04:35]
6. Peter Frampton - Asleep At The Wheel [06:50]
7. Peter Frampton - Suite Liberte [07:28]
8. Peter Frampton - Restraint [03:42]
9. Peter Frampton - I Want It Back [04:40]
10. Peter Frampton - Invisible Man [04:49]
11. Peter Frampton - Black Ice [04:48]
12. Peter Frampton - I Understand - Bonus [03:29]
13. Peter Frampton - A Thousand Dreams - Bonus [05:17]

Playing Time.........: 01:04:35
Total Size...........: 442,72 MB

..::INFO::..

Debiutancki album studyjny hiszpańskiego zespołu z Barcelony grającego ska i reggae.

Title: Ai, Mare!

Artist: Les Testarudes

Country: Hiszpania

Year: 2026

Genre: Ska, Reggae

Format / Codec: MP3

Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Taracea
2.Soc el Foc (Baby)
3.Relleu Sincopat (feat. Xeriff Monlleo de Dr. Calypso)
4.Nostalgia Dolça
5.Con Cadenas
6.Un Mamut
7.Beware of the Police
8.Deliri
9.Where's My Car?
10.Mati de Maig
11.Plu i Fa Soul (El nostre humil homenatge a les reines del soul)
12.Fill de la Fortuna

..::INFO::..

Trzecia, najnowsza płyta studyjna brytyjskiego zespołu metalowego. Album Rituals of Shame brytyjskiej legendy doom metalu Warning to genialny, niezwykle bolesny i wyczekiwany przez dwie dekady powrót grupy, który idealnie kontynuuje emocjonalne dziedzictwo ich kultowego arcydzieła Watching from a Distance. Wydany w czerwcu 2026 roku nakładem Relapse Records, krążek zbiera znakomite oceny od krytyków muzycznych na całym świecie.

Title: Rituals Of Shame

Artist: Warning

Country: Wielka Brytania

Year: 2026

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Rituals of Shame
2. Stations
3. Night Comes Down
4. Landing Lights
5. Teacher