...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Old schoolowy black thrash metal w wykonaniu jednego z najdłużej działających zespołów z Portugalii, miłe dla ucha dźwięki przeznaczone dla fanów starego brzmienia - Piledriver, Bathory, Whiplash, Celtic Frost...



This is the not so long nevertheless extremely-awaited “Fellatrix” which was humbly announced by a prior 2005 demo album. Now in a 666% re-recorded and definitive version, it features 8 absolutely renewed songs of pure tormented Metal power sadomasochistic nihilistic optipessimism of death. In vicious reclusion in the vicinity of Sodom & Gomorrah, the band put their blood in The Pentagon's hands, the legendary occult studio hidden in Portugal's wild fields, under the sign of producer F. Matias, to deliver the true 'Fellatrix'.



..::TRACK-LIST::..

1. Calypso 04:41
2. Bordel Vaticanal no Éden de Deus 05:22
3. Eixos do Caos 03:28
4. Moïra 05:50
5. Não Há Futuro 04:04
6. Vermes de Guerra: Cona Nuclear 04:21
7. A Forca 06:56
8. Sacra Morte 04:37



..::OBSADA::..

Belathauzer - Vocals, Guitars (rhythm)
Arrno Maalm - Drums
Iron Fist - Guitars
Helregni - Bass



https://www.youtube.com/watch?v=JLNcHbuP00w


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Old schoolowy black thrash metal w wykonaniu jednego z najdłużej działających zespołów z Portugalii, miłe dla ucha dźwięki przeznaczone dla fanów starego brzmienia - Piledriver, Bathory, Whiplash, Celtic Frost...



This is the not so long nevertheless extremely-awaited “Fellatrix” which was humbly announced by a prior 2005 demo album. Now in a 666% re-recorded and definitive version, it features 8 absolutely renewed songs of pure tormented Metal power sadomasochistic nihilistic optipessimism of death. In vicious reclusion in the vicinity of Sodom & Gomorrah, the band put their blood in The Pentagon's hands, the legendary occult studio hidden in Portugal's wild fields, under the sign of producer F. Matias, to deliver the true 'Fellatrix'.



..::TRACK-LIST::..

1. Calypso 04:41
2. Bordel Vaticanal no Éden de Deus 05:22
3. Eixos do Caos 03:28
4. Moïra 05:50
5. Não Há Futuro 04:04
6. Vermes de Guerra: Cona Nuclear 04:21
7. A Forca 06:56
8. Sacra Morte 04:37



..::OBSADA::..

Belathauzer - Vocals, Guitars (rhythm)
Arrno Maalm - Drums
Iron Fist - Guitars
Helregni - Bass



https://www.youtube.com/watch?v=JLNcHbuP00w


SEED 15:00-22:00.
POLECAM!!!

Genre: Hard Rock
Country of Artist (Band): UK
Year of Release: 1975/1976/2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 7:25:53

Tracks:
CD 1 – Ritchie Blackmore's Rainbow 1975
CD 2 – Rainbow Rising 1976
CD 3 – Live in Köln 1976
CD 4 – Live in Köln 1976
CD 5 – Live in Düsseldorf 1976
CD 6 – Live in Düsseldorf 1976
CD 7 – Live in Nürnberg 1976
CD 8 – Live in Nürnberg 1976
CD 9 – Rarities

Tracklist:
CD1 [37:07]
1 Man on the Silver Mountain
2 Self Portrait
3 Black Sheep of the Family
4 Catch the Rainbow
5 Snake Charmer
6 Temple of the King
7 If You Don’t Like Rock ‘N’ Roll
8 Sixteenth Century Greensleeves
9 Still I’m Sad

CD2 [33:35]
1 Tarot Woman
2 Run with the Wolf
3 Starstruck
4 Do You Close Your Eyes
5 Stargazer
6 A Light in the Black

CD3 [55:41]
1 Kill the King
2 Mistreated
3 Sixteenth Century Greensleeves
4 Catch the Rainbow
5 Man on the Silver Mountain

CD4 [43:09]
1 Stargazer
2 Still I’m Sad
3 Do You Close Your Eyes

CD5 [42:04.]
1 Kill the King
2 Mistreated
3 Sixteenth Century Greensleeves
4 Catch the Rainbow

CD6 [45:45]
1 Man on the Silver Mountain
2 Stargazer
3 Still I’m Sad

CD7 [53:35]
1 Kill the King
2 Mistreated
3 Sixteenth Century Greensleeves
4 Catch the Rainbow
5 Man on the Silver Mountain

CD8 [38:15]
1 Stargazer
2 Still I’m Sad
3 Do You Close Your Eyes

CD9 [1:36:38]
1 Getaway (Kill the King) – Studio Rehearsals for 1976 World Tour
2 Mistreated – Studio Rehearsals for 1976 World Tour
3 Sixteenth Century Greensleeves – Rehearsals for 1976 World Tour
4 Catch the Rainbow – Studio Rehearsals for 1976 World Tour
5 Temple of the King – Bolivian Mono Mix
6 Man on the Silver Mountain – Mono Edit
7 Man on the Silver Mountain – Stereo Edit
8 Tarot Woman – Rough Mix
9 Run with the Wolf – Rough Mix
10 Starstruck – Rough Mix
11 Do You Close Your Eyes – Rough Mix
12 Stargazer – Rough Mix
13 A Light in the Black – Rough Mix
14 Stargazer – Pirate Sound Tour Rehearsal
15 Starstruck – Mono Edit
16 Starstruck – Stereo Edit

OldiesPart081⭐
MP3@320 kbps
MIXED BAG 20

Albums:
Pink Floyd - Nocturnal Submission, Robot Love [1968]
Pink Floyd - The Great Gig In The Sky, An Alternate Take Of The Dark Side Of The Moon, For Rick 1943-2008 [2009]
PJ Harvey - I Inside The Old Year Dying [2023]
PJ Harvey - The Peel Sessions [1991-2004]
Plainsong - New Place Now [1999]
Player - Best Of Player [1990]
Player - Spies Of Life [1981]
Plimsouls - Everywhere At Once [1983]
Plum Nelly - Deceptive Lines [1973]
Police - Synchronicity [1983]
Popa Chubby - The Hungry Years [2003]
Popal Vuh - Hosianna Mantra [1972]
Powderfinger - Fingerprints The Best Of 1994-2004 [2006]
Pretenders - Hate for Sale [2020]
Prince - C-Note [2003]
Prince - Piano & A Microphone 1983 [2018]
Project Tyme - Clockwyze [1985]
Prosper - Broken Door [1975]
Pugwash - Jollity [2005]
Pugwash - The Olympus Sound [2011]
Pulp - Hits [2003]
Pulse - Pulse [1969]
Python Lee Jackson - In A Broken Dream [1972]
Quicksilver Messenger Service - Sons Of Mercury, The Best Of [1991] 2CD
Rachael Leahcar - Romantique [2013]
Radiohead - Amnesiac [2001] 2CD
Raincoats - Moving [1983]
Randy Meisner, Billy Swan & Allan Rich - Meisner, Swan & Rich [2001]
Ray Manzarek - The Whole Thing Started With Rock & Roll Now It's out of Control [1974]
Reg King - Reg King [1971]
Renaissance - Live At Carnegie Hall [1976]
Rhiannon Giddens - You're the One [2023]
Richard Wright - Wet Dream [1978]
Rick Roberts - The Best Of Rick Roberts [1979]
Rickie Lee Jones - Balm In Gilead [2009]
Right Away, Great Captain! - The Church of The Good Thief [2012]
Rita Coolidge - Nice Feelin' [1971]
Rival Sons - Feral Roots [2019]
Riverside - Wasteland [2018]
Robbie Robertson - Robbie Robertson [1987]
Robert Cray Band - This Time [2009]
Robert Wyatt - Comicopera [2007]
Robert Wyatt - Shleep [1997]
Robin Rogers - Back In The Fire [2010]
Rodriguez - Coming From Reality [1971]
Roger Hatcher - R & Better [1977]
Roger Klug - Toxic And 15 Other Love Songs [2000]
Rolling Stones - Desert Island Survival Kit [1994]
Rolling Stones - No Stone Unturned [2022]
Rooks - The Rooks [1993]
Rory Block - I Belong To The Band - A Tribute To Rev. Gary Davis [2012]
Rory Gallagher - Live! In Europe [1972]
Roxy Music - Flesh + Blood [1980]
Roy Buchanan - Roy Buchanan [1972]
Roy Harper - An Introduction to [1994]
Roy Wood - Singles [1993]
Ruby Free - Introducing Ruby Free [2012]
Rufus Thomas - Do the Funky Chicken [2011]
Rufus With Chaka Khan - The Best Of [1982]
Rumer - Boys Don't Cry [2012]
Rutles - Sgt. Rutter's Only Darts Club Band [1998]
Ry Cooder - Election Special [2012]
Ryan Star - 11 59 [2010]
Sabicas - Rock Encounter with Joe Beck [1966]
Sade - Soldier of Love [2010]
Saffron Summertime - Salisbury Plain [1974]
Sandy Edmonds - The Sound of Sandy [1967]
Savage Rose - Travelin' [1969]
Scooters - I Can See Your House from Here [2002]
Seals & Crofts - Greatest Hits [1990]
Seatrain - Sea Train [1969]
Sedmina - 2 Dejanje [1982]
Semisonic - Great Divide [1996]
Sensational Alex Harvey Band - Rock Drill [1978]
Serge Gainsbourg - Serge Gainsbourg & The Revolutionairies [2015] CD1 Aux armes et caetera
Serge Gainsbourg - Serge Gainsbourg & The Revolutionairies [2015] CD2 En Public au théâtre Le Palace
Serge Gainsbourg - Serge Gainsbourg & The Revolutionairies [2015] CD3 Mauvaises nouvelles des étoiles
Shag - Shag [1969]
Shake - Trippin' the Whole Colourful World [2007]
Shelly Manne - 2 3 4 [1962]
Shoes - Ignition [2012]
VA - Psychedelic Moods Part 2 [2010]
VA - Psychedelic Space Lounge [2013]
VA - Radio Ready (Lost Power Pop Hits 1978-1983) Texas, Vol. 1 [2013]
VA - Radio Ready (Lost Power Pop Hits 1979-1982) Wisconsin [2014]
VA - Songs From Satan's Jukebox, Vol. 1 & 2 [2019]
VA - Songs Inspired By The Film The Beatles And India [2021]
VA - Stax Uncovered!, Written In Soul, The Stax Songwriter Demos [2023]
VA - Stereo Spectacular Vol. 3 [1974]

..::INFO::..

---------------------------------------------------------------------
Status Quo - Pictures - 40 Years Of Hits - (2 CD)
---------------------------------------------------------------------

Artist...............: Status Quo
Album................: Pictures - 40 Years Of Hits
Genre................: Rock
Source...............: CD
Year.................: 2008
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71-74 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Universal

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Status Quo - Pictures Of Matchstick Men [03:10]
2. Status Quo - Ice In The Sun [02:11]
3. Status Quo - Down The Dustpipe [02:04]
4. Status Quo - In My Chair [03:14]
5. Status Quo - Paper Plane [02:59]
6. Status Quo - Mean Girl [03:58]
7. Status Quo - Caroline [03:48]
8. Status Quo - Break The Rules [03:40]
9. Status Quo - Down Down [03:53]
10. Status Quo - Roll Over Lay Down (Live) [05:42]
11. Status Quo - Rain [04:35]
12. Status Quo - Mystery Song [04:00]
13. Status Quo - Wild Side Of Life [03:17]
14. Status Quo - Rockin' All Over The World [03:35]
15. Status Quo - Again And Again [03:42]
16. Status Quo - Whatever You Want [03:50]
17. Status Quo - Living On An Island [03:49]
18. Status Quo - What You're Proposing [03:53]
19. Status Quo - Lies [03:55]
20. Status Quo - Don't Drive My Car [04:12]

Playing Time.........: 01:13:39
Total Size...........: 529,47 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Status Quo - Something 'Bout You Baby I Like [02:41]
2. Status Quo - Rock 'N' Roll [03:52]
3. Status Quo - Dear John [03:12]
4. Status Quo - A Mess Of Blues [03:22]
5. Status Quo - Marguerita Time [03:21]
6. Status Quo - The Wanderer [03:22]
7. Status Quo - Rollin' Home [03:59]
8. Status Quo - Red Sky [04:12]
9. Status Quo - In The Army Now [03:42]
10. Status Quo - Ain't Complaining [04:00]
11. Status Quo - Burning Bridges [03:52]
12. Status Quo - The Anniversary Waltz (Part 1) [05:33]
12.1 Let's Dance
12.2 Red River Rock
12.3 No Particular Place To Go
12.4 The Wanderer
12.5 I Hear You Knocking
12.6 Lucille
13. Status Quo - I Didn't Mean It [03:24]
14. Status Quo - Fun, Fun, Fun (feat.The Beach Boys) [03:05]
15. Status Quo - Jam Side Down [03:29]
16. Status Quo - You'll Come 'Round [03:26]
17. Status Quo - The Party Ain't Over Yet [03:53]
18. Status Quo - Beginning Of The End [03:18]
19. Status Quo - It's Christmas Time [04:12]
20. Status Quo - Jump That Rock! (Whatever You Want) vs Scooter[03:23]

Playing Time.........: 01:13:27
Total Size...........: 548,99 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Piaty duży album 2025 hiszpańskiego Balmog. Eksperymentalny black metal odlatujący momentami w obszary psychodelicznego rocka, post-punka i tradycyjnego metalu. Od Bathory, Ved Buens Ende aż po Pink Floyd.



Laio means lament in Galizian a title that perfectly defines the intention behind Balmog's fifth studio album. We are facing what is probably the most mature and elaborate album of the band's career, a work made from spontaneousness and viscerally but also from the experience acquired over years, in Laio you can feel the beating of a heart spitting blood and a scream from the depths of Balmog's soul, the virginity and violence of the first albums with the personality and eclecticism of EVE.

From a conceptual point of view, Laio is about how we can be content with being simple pieces of molded mud or how we can shine like the explosion of a dying star, about how we can escape the ways of divinity, ways that can be dark and manipulative. Laio is a cry for independence and rebellion against the divine.

Musically, we are faced with a work that walks between the entire tradition of rock and metal under the unstoppable blade of black metal. A path that wanders between Pink Floyd, Ved Buens Ende or Bathory and Mayhem, a path that will be familiar to many listeners but always with the unmistakable sign of Balmog marked with fire.

This fifth album is an album based on a balance between maturity and impetuousness, this fifth album is the quintessence of Balmog in its purest.



Apart from being a generally well-conceived idea, black metal is also an excellently executed idea, evidenced by thousands if not tens of thousands of bands in existence. Bands coming from all four corners of the world, bringing their own cultural identities to the table and letting them shine through their music. Obviously, black metal being the subject, “shine” is maybe a bit misleading, but you get the idea.

All this makes life much easier for us reviewers, because you can pick any place on Earth, and you’ll find something interesting. Like our guests today, for example. Coming from the town of Soutomaior in the Spanish province of Galicia, Balmog is an undoubtedly interesting band, and also a very experienced one. With a career pushing on two decades, the band has been constantly releasing quality stuff and in good quantity too.

Admittedly, I’ve been a fan of the band ever since I discovered them around the release of their second album Svmma Fide some ten years ago. Trying to avoid here the old circular logic of “I love them because they’re great, and they’re great because I love them”, the feeling is that Balmog showed constant growth with every subsequent release, culminating with their fourth album Eve from 2021 and the Pillars of Salt/Covenants of Salt EPs.

So imagine my complete lack of surprise that the band would surpass the ridiculously high expectations by releasing an absolute gem with their fifth album Laio, out now on War Anthem Records, a German label seemingly so specialized in releasing gems they should consider opening a jewelry store also.

Anyway, Laio. Incidentally and purely accidentally, laio means lament in Galician, so after last week’s Lament from the Polish band Martwa Aura, we find ourselves on the opposite side of Europe, perambulating again on the path of laments.

Thematically, the album continues with the band’s exploration of the esoteric nature of the philosophy of religion and the endless conflict of faith and reason, or in the words of the band themselves:

“From a conceptual point of view, Laio is about how we can be content with being simple pieces of molded mud or how we can shine like the explosion of a dying star, about how we can escape the ways of divinity, ways that can be dark and manipulative. Laio is a cry for independence and rebellion against the divine. ”

This translates very well into the album’s overall sound, which is as varied as they come. Using black metal only as a starting point, the band effortlessly apply different approaches in songwriting, thus creating something that will surely stand out in this year’s slew of great releases.

In practice, the two main strains permeating Laio that we should mention are, firstly, the subtle psychedelic touches, and the other being the gothic rock leanings, all strewn across the album’s slim thirty-nine minutes. Funnily enough, the one band that springs to mind with these variables is the unsurpassable Blue Öyster Cult, and we wouldn’t be far off with that comparison.

Naturally, Balmog’s approach is considerably heavier, prime example being the first single “Mud to Gold” which opens in a familiar way with a smotheringly fast riff, but as it progresses the song opens up to all of the aforementioned influences achieving the sonic divinity, while fighting the religious one.

The album becomes more and more off-beat as songs like “Tongue in Pieces” and “Like God Who Knows” establish themselves by allowing new growth upon the old stones. Roots sprouting through the cracks bring Balc’s vocals to the forefront, and his emotional delivery really brings home the band’s message of rebellion and independence.

Short atmospheric interlude “Ortus Umbra” leads us into the second part of the album, with “Mashalam” being the catchiest of the bunch. Turning the eye of the void towards us, the band light up the fire of unknown origin and outright rock for five minutes straight, really bringing home those BÖC comparisons.

And just when we thought we were out, they pull us back in the clutches of black metal with the majestic “The Silence of the Trumpets”, which picks up the pace even further, true to the genre’s traits. While keeping some of the rocking aspects of the preceding song, this rough beast stalks us from the deep shadows, its hour come round at last, slouching toward Bethlehem to be born.

“Getsemaní”, pushing on almost nine minutes, is one of those slow-burning monsters of a song, and what we would colloquially call a perfect closer. A steady, menacing intro accentuated by heavy bass draws us under the olive trees, burning with treachery and false promises of a kingdom come.

The song never picks up any real speed, but keeps grinding our bones to the ground as the snakes of god slither over them, a paradise lost in tragedy. Again the tortured vocals make for the main driver behind the song, but really the whole band just burns through for us in what is one of the best songs in recent memory.

In the end, this world really needs more ideas, and fewer ideologies. Balmog is here to help us with that transition by releasing an album that is brimming with musical ideas, but also has a strong lyrical message attached to it. The diversity of styles and talent on display are a recommendation in itself, and as the band roams freely between the genres, limiting themselves was never an option. A true work of art.

Islander



..::TRACK-LIST::..

1. Falling 00:46
2. Mud To Gold 06:19
3. Tongue In Pieces 05:29
4. Like God Who Knows 06:10
5. Ortus Umbra 02:08
6. Mashalam 05:05
7. The Silence Of The Trumpets 04:37
8. Getsemaní 08:48



..::OBSADA::..

Morg - bass
Virus - drums
Balc - voices, guitars and keyboards.



https://www.youtube.com/watch?v=cfEcQPF8eb4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Piaty duży album 2025 hiszpańskiego Balmog. Eksperymentalny black metal odlatujący momentami w obszary psychodelicznego rocka, post-punka i tradycyjnego metalu. Od Bathory, Ved Buens Ende aż po Pink Floyd.



Laio means lament in Galizian a title that perfectly defines the intention behind Balmog's fifth studio album. We are facing what is probably the most mature and elaborate album of the band's career, a work made from spontaneousness and viscerally but also from the experience acquired over years, in Laio you can feel the beating of a heart spitting blood and a scream from the depths of Balmog's soul, the virginity and violence of the first albums with the personality and eclecticism of EVE.

From a conceptual point of view, Laio is about how we can be content with being simple pieces of molded mud or how we can shine like the explosion of a dying star, about how we can escape the ways of divinity, ways that can be dark and manipulative. Laio is a cry for independence and rebellion against the divine.

Musically, we are faced with a work that walks between the entire tradition of rock and metal under the unstoppable blade of black metal. A path that wanders between Pink Floyd, Ved Buens Ende or Bathory and Mayhem, a path that will be familiar to many listeners but always with the unmistakable sign of Balmog marked with fire.

This fifth album is an album based on a balance between maturity and impetuousness, this fifth album is the quintessence of Balmog in its purest.



Apart from being a generally well-conceived idea, black metal is also an excellently executed idea, evidenced by thousands if not tens of thousands of bands in existence. Bands coming from all four corners of the world, bringing their own cultural identities to the table and letting them shine through their music. Obviously, black metal being the subject, “shine” is maybe a bit misleading, but you get the idea.

All this makes life much easier for us reviewers, because you can pick any place on Earth, and you’ll find something interesting. Like our guests today, for example. Coming from the town of Soutomaior in the Spanish province of Galicia, Balmog is an undoubtedly interesting band, and also a very experienced one. With a career pushing on two decades, the band has been constantly releasing quality stuff and in good quantity too.

Admittedly, I’ve been a fan of the band ever since I discovered them around the release of their second album Svmma Fide some ten years ago. Trying to avoid here the old circular logic of “I love them because they’re great, and they’re great because I love them”, the feeling is that Balmog showed constant growth with every subsequent release, culminating with their fourth album Eve from 2021 and the Pillars of Salt/Covenants of Salt EPs.

So imagine my complete lack of surprise that the band would surpass the ridiculously high expectations by releasing an absolute gem with their fifth album Laio, out now on War Anthem Records, a German label seemingly so specialized in releasing gems they should consider opening a jewelry store also.

Anyway, Laio. Incidentally and purely accidentally, laio means lament in Galician, so after last week’s Lament from the Polish band Martwa Aura, we find ourselves on the opposite side of Europe, perambulating again on the path of laments.

Thematically, the album continues with the band’s exploration of the esoteric nature of the philosophy of religion and the endless conflict of faith and reason, or in the words of the band themselves:

“From a conceptual point of view, Laio is about how we can be content with being simple pieces of molded mud or how we can shine like the explosion of a dying star, about how we can escape the ways of divinity, ways that can be dark and manipulative. Laio is a cry for independence and rebellion against the divine. ”

This translates very well into the album’s overall sound, which is as varied as they come. Using black metal only as a starting point, the band effortlessly apply different approaches in songwriting, thus creating something that will surely stand out in this year’s slew of great releases.

In practice, the two main strains permeating Laio that we should mention are, firstly, the subtle psychedelic touches, and the other being the gothic rock leanings, all strewn across the album’s slim thirty-nine minutes. Funnily enough, the one band that springs to mind with these variables is the unsurpassable Blue Öyster Cult, and we wouldn’t be far off with that comparison.

Naturally, Balmog’s approach is considerably heavier, prime example being the first single “Mud to Gold” which opens in a familiar way with a smotheringly fast riff, but as it progresses the song opens up to all of the aforementioned influences achieving the sonic divinity, while fighting the religious one.

The album becomes more and more off-beat as songs like “Tongue in Pieces” and “Like God Who Knows” establish themselves by allowing new growth upon the old stones. Roots sprouting through the cracks bring Balc’s vocals to the forefront, and his emotional delivery really brings home the band’s message of rebellion and independence.

Short atmospheric interlude “Ortus Umbra” leads us into the second part of the album, with “Mashalam” being the catchiest of the bunch. Turning the eye of the void towards us, the band light up the fire of unknown origin and outright rock for five minutes straight, really bringing home those BÖC comparisons.

And just when we thought we were out, they pull us back in the clutches of black metal with the majestic “The Silence of the Trumpets”, which picks up the pace even further, true to the genre’s traits. While keeping some of the rocking aspects of the preceding song, this rough beast stalks us from the deep shadows, its hour come round at last, slouching toward Bethlehem to be born.

“Getsemaní”, pushing on almost nine minutes, is one of those slow-burning monsters of a song, and what we would colloquially call a perfect closer. A steady, menacing intro accentuated by heavy bass draws us under the olive trees, burning with treachery and false promises of a kingdom come.

The song never picks up any real speed, but keeps grinding our bones to the ground as the snakes of god slither over them, a paradise lost in tragedy. Again the tortured vocals make for the main driver behind the song, but really the whole band just burns through for us in what is one of the best songs in recent memory.

In the end, this world really needs more ideas, and fewer ideologies. Balmog is here to help us with that transition by releasing an album that is brimming with musical ideas, but also has a strong lyrical message attached to it. The diversity of styles and talent on display are a recommendation in itself, and as the band roams freely between the genres, limiting themselves was never an option. A true work of art.

Islander



..::TRACK-LIST::..

1. Falling 00:46
2. Mud To Gold 06:19
3. Tongue In Pieces 05:29
4. Like God Who Knows 06:10
5. Ortus Umbra 02:08
6. Mashalam 05:05
7. The Silence Of The Trumpets 04:37
8. Getsemaní 08:48



..::OBSADA::..

Morg - bass
Virus - drums
Balc - voices, guitars and keyboards.



https://www.youtube.com/watch?v=cfEcQPF8eb4


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Sandały Mariana to czysty punk rock w najprawdziwszej polskiej formie. To styl życia, wizja siebie i najbardziej undergroundowa historia punk rockowego stylu życia, o której moglibyście nigdy nie słyszeć. Aby ten zespół mógł powstać już w latach 90, wszystko co musiało zostać odwalone, zostało odwalone. Każda krzywa akcja, która miała zostać zaliczona – została zaliczona, a rzeczywiste miejsca i zdarzenia, latami będą inspirować do epickich historii filmowych o dragach, alkoholu, seksie, upadku i wyniszczeniu. Historia Sandałów Mariana jako takich, sięga zamierzchłych czasów 2007 roku, gdzie po latach rock’n’rolla i „wolnego” stylu życia, odnajdujemy Pajęczynę w Ośrodku Monar w Milejowicach, który mimo ciemnej, szarej i smutnej strony życia, nadal ma w sobie pasję do muzyki, tworząc pierwszy skład zespołu, z którym komponuje pierwsze piosenki i gra pierwsze koncerty. Od tego czasu, przez następne 7 lat, Pajęczyna zamienił nałóg na muzykę, nieustannie walcząc o Sandały Mariana. Sierpień 2023 i sierpień 2024 to dwa nowe wcielenia Sandałów, które zaowocowały latami sumiennej i mozolnej prac związanej z organizacją zespołu. Wspólny vibe, jak i doświadczenia obecnego składu, dają ten indywidualny i szczery charakter liryki i brzmienie muzyki.

Title: Droga Nowych Dni

Artist: Sandały Mariana

Country: Polska

Year: 2025

Genre: Punk

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

Róża
Polska
Jeśli chcesz
Koszmar
Komu bije dzwon
Z miłości
Dla Moniki
Ludzi serca
Droga nowych dni
Tęcza (feat. Jacek “Magilla” Kosiński)
Nadzieja życia

..::INFO::..

Debiutancki album studyjny argentyńskiego zespołu punkowego założonego w 1993 roku w Buenos Aires.

Title: Cuestion De Sentimientos

Artist: Vamos Perdiendo

Country: Argentyna

Year: 2012

Genre: Punk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

1.Cuestion de sentimientos
2.Ella siempre esta feliz
3.Todo mi querer
4.Nena de 14
5.Delincuente
6.La odisea de Belen
7.Lo que fuiste
8.Nunca tan mal
9.Ya no podes volver
10.Con las ganas
11.Gabriela escapa
12.Chica Dink C
13.El pibe mastellone
14.Nuestra luna gris "naci para ti"
15.Dieguito
16.Vos ya sabes

...( Info )...

Artist: VA
Title: Euro Hits 2015 Vol. 1 by Zhuravlik
Year: 2015
Genre: pop, dance, electronic
Duration: 7:33:02
Format/Codec: MP3
Audio Bitrate: 320


...( TrackList )...


[6:01]. 001-Armin Van Buuren & Rock Mafia - Hands To Heaven
[3:19]. 002-Broiler & Tish Hyman - Fly By Night
[2:58]. 003-Fly Project - So High
[3:50]. 004-Selena Gomez - Same Old Love
[3:49]. 005-Nico Pellerin & Laura Newman - Dont Go
[2:57]. 006-Major Lazer & Mo & Dj Snake - Lean On
[4:02]. 007-Raving George & Oscar & The Wolf - You're Mine
[3:16]. 008-Flo Rida & Brandy & Monica - The Girls Mine
[2:39]. 009-Lost Frequencies & Janieck Devy - Reality
[4:41]. 010-The First Station - Bdsm
[3:51]. 011-Zhu & Alunageorge - Automatic
[3:03]. 012-Andrea & Otilia & Shaggy & Costi - Passion
[4:57]. 013-Eminem & Gwen Stefani - Kings Never Die
[3:56]. 014-Havana - Vita Bella
[4:20]. 015-The Avener & Rodriguez - Hate Street Dialogue
[3:02]. 016-Tom Boxer & Allwayz24 - Give Me A Kiss
[3:23]. 017-Akcent & Meriem - Dilemma
[3:00]. 018-Levi & Tom Villon - Hero
[3:53]. 019-Wiz Khalifa & Iggy Azalea - Go Hard Or Go Home
[3:00]. 020-Alvaro Soler - El Mismo Sol
[3:18]. 021-Andrew Britton & Jesse O'mahoney - White Cliffs
[3:21]. 022-Dj Roshka & Farid Aq A - Onun O
[4:05]. 023-Inna - Yalla
[2:52]. 024-Fly Project - Like A Star
[3:32]. 025-The Avener & Kadebostany - Castle In The Snow
[5:28]. 026-Cubic Nomad & Frank Van Gils - Ordinary Man
[5:15]. 027-Yelawolf - Disappear
[3:16]. 028-Dr.Alban - Hurricane
[3:57]. 029-Kygo & Will Heard - Nothing Left
[3:47]. 030-Fat Cat Cinema - Nothing At All
[4:34]. 031-Madonna & Chance The Rapper & Mike Tyson - Iconic
[3:17]. 032-Event Horizon & Chaotix - Lies
[3:19]. 033-Mike Posner - I Took A Pill In Ibiza
[6:10]. 034-The Acid - Ghost
[2:46]. 035-New Center - Blaming You
[3:18]. 036-Iro - Sun
[3:11]. 037-Kshmr - Jammu
[4:16]. 038-Fetty Wap & Azealia Banks & Quavo & Gucci Mane - Trap Queen
[4:09]. 039-Zhu & Bone Thugs-n-harmony & Trombone Shorty - Hold Up, Wait A Minute
[3:38]. 040-Selena Gomez - Kill Em With Kindness
[3:23]. 041-Morten Hampenberg & Yepha - Vi Helt Vak
[2:32]. 042-Adora & Maestrosax 7 Kirill Prez - You
[3:34]. 043-Chris Brown & Tyga - Girl You Loud
[3:11]. 044-R.I.O. - Thinking Of You
[4:13]. 045-Action Bronson & Joey Badass & Rico Love - What About The Rest Of Us
[3:00]. 046-Tiesto & Kshmr & Vassy - Secrets
[3:27]. 047-Major Lazer & Ellie Goulding & Tarrus Riley - Powerful
[5:50]. 048-John Rous & Alfie Rhodes - Oasis
[4:12]. 049-G-Eazy & Bebe Rexha - Me, Myself & I
[4:42]. 050-Bolier & Redondo & Bitter's Kiss - Lost & Found
[3:26]. 051-Inna - Bop Bop
[4:05]. 052-Kygo & Ella Henderson - Here For You
[5:15]. 053-Yelawolf & Eminem - Best Friend
[3:19]. 054-Felix Jaehn & Polina - Book Of Love
[3:41]. 055-Melanie Martinez - Pacify Her
[3:40]. 056-DNCE - Cake By The Ocean
[3:37]. 057-Connect-R & Pacha Man - Mare Caldura
[3:32]. 058-Kid Ink & Tyga & Wale & Yg & Rich Homie Quan - Ride Out
[3:40]. 059-Rihanna - Bitch Better Have My Money
[5:13]. 060-Lou Van & Vijay & Sofia Zlatko - Call Me Baby
[2:53]. 061-Dj Nil & Anton Mayer - I Will
[3:54]. 062-Denaun - This Corner
[2:47]. 063-Inna - Bad Boys
[5:05]. 064-Zhu & Vancouver Sleep Clinic & Daniel Johns - Modern Conversation
[5:09]. 065-Two & Kaya - Angel
[3:31]. 066-Victoria Monet & T.I. - Mad Generation
[2:55]. 067-Clement Bcx - Miracle In The Middle Of My Heart
[4:01]. 068-Josef Salvat - Open Season
[3:43]. 069-Rock City & Akon - Live By The Gun
[3:42]. 070-Selena Gomez & Asap Rocky - Good For You
[4:15]. 071-The Avener & Ane Brun - To Let Myself Go
[3:16]. 072-Arpy - You Are
[6:16]. 073-Re Dupre - Slamming 'n Thang
[6:52]. 074-Cogaustn Family Affair - The Distance
[3:02]. 075-Prhyme & Logic - Mode
[7:10]. 076-Worakls - Toi
[3:29]. 077-Elizaveta - Trap
[3:21]. 078-Yamira & Mattyas - Waterfalls
[3:08]. 079-Robin Schulz & Akon - Heatwave
[6:24]. 080-Nicolas Hanning - Glow
[3:35]. 081-Vicetone & Kat Nestel - Angels
[3:28]. 082-Khaotic & Rampage - Hood Lovers
[3:09]. 083-Raphael Lake & Girls Love Djs - Big Boy
[3:45]. 084-Kygo & Parson James - Stole The Show
[3:21]. 085-Osaka & Optimum & Brianna - Love Me
[3:46]. 086-Norda - Dance For Me
[4:06]. 087-Demi Lovato & Iggy Azalea - Kingdom Come
[3:58]. 088-Miguel & Chris Brown & Future - Simpe Things
[5:09]. 089-Dj Free & Purebeat - All I Wanna Be
[2:50]. 090-Icona Pop - Emergency
[3:34]. 091-Madonna - Best Night
[3:54]. 092-Major Lazer & Travis Scott & 2 Chainz & Pusha T & Mad Cobra - Night Riders
[3:18]. 093-Sergey Lipach - Twilight Magic
[3:45]. 094-Flo Rida & Robin Thicke & Verdine White - I Don't Like It, I Love It
[3:09]. 095-Inna - Rendez Vous
[4:28]. 096-Boy Epic - Scars
[3:15]. 097-Dj Rynno & Sylvia - Mandella
[4:22]. 098-Vanic & Major Lazer & Wildbelle - Be Together
[3:31]. 099-Dj Antoine & Akon - Holiday
[3:36]. 100-Chris Parker - Memories (All Over)
[4:38]. 101-Lea Rue - I Cant Say No
[5:29]. 102-Ahmet Kilic & Stoto - Swept Away
[4:11]. 103-Bolier & Natalie Peris - Forever And A Day
[4:23]. 104-Asap Rocky & Miguel & Rod Stewart - Everyday
[3:34]. 105-Franques & Sean Flight - Don't Stop
[5:23]. 106-Fadi & Klinko - The Truth
[3:18]. 107-Marina Kaye - Only The Very Best (cover Daniel Balavoine)
[3:07]. 108-Major Lazer & Moti & Ty Dolla Sigh & Wizkid & Kranium - Boom
[3:22]. 109-Imaginne Dragon - Friction
[4:36]. 110-Puff Daddy & Jadakiss & Styles P & Pusha T & Tish Hyman - Everyday
[3:21]. 111-Lea Rue - Sleep, For The Weak!
[6:33]. 112-Discover - Vogue
[4:38]. 113-Dairus & Davide Alpino - Wtfunk
[4:43]. 114-Eminem - Phenomenal
[4:56]. 115-Adele - Hello

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki album niemieckiego Paradox z 1987 roku w reedycji High Roller Records. Klasyka europejskiego thrashu!


Since 1981, singer/guitarist CHARLY STEINHAUER and drummer AXEL BLAHA have been active in various formations in Würzburg, Lower Franconia. In the beginning, however, the group names and other members are constantly changing, so it is only in February 1986 that you can speak of a real band and rename yourself to PARADOX.

In May 1987 they went into the studio with producer KALLE TRAPP (BLIND GUARDIAN/SAXON) to record their debut album. "PRODUCT OF IMAGINATION" was released in October 1987 and quickly earned the band an excellent reputation as the best metal newcomer from Germany. Even the British press gave the record excellent reviews. The big KERRANG magazine wrote: "Here they are ... the new METALLICA!"



..::TRACK-LIST::..

1. Opening Theme 01:23
2. Paradox 04:15
3. Death, Screaming and Pain 05:09
4. Product of Imagination 07:15
5. Continuation of Invasion 02:12
6. Mystery 05:04
7. Kill That Beast 04:26
8. Pray to the Godz of Wrath 04:43
9. Beyond Space 04:48
10. Wotan II 00:17



..::OBSADA::..

Charly Steinhauer - Vocals, Guitars
Markus Spyth - Guitars
Roland Stahl - Bass
Axel Blaha (R.I.P. 2023) - Drums



https://www.youtube.com/watch?v=VsyV0SA1lq0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Debiutancki album niemieckiego Paradox z 1987 roku w reedycji High Roller Records. Klasyka europejskiego thrashu!


Since 1981, singer/guitarist CHARLY STEINHAUER and drummer AXEL BLAHA have been active in various formations in Würzburg, Lower Franconia. In the beginning, however, the group names and other members are constantly changing, so it is only in February 1986 that you can speak of a real band and rename yourself to PARADOX.

In May 1987 they went into the studio with producer KALLE TRAPP (BLIND GUARDIAN/SAXON) to record their debut album. "PRODUCT OF IMAGINATION" was released in October 1987 and quickly earned the band an excellent reputation as the best metal newcomer from Germany. Even the British press gave the record excellent reviews. The big KERRANG magazine wrote: "Here they are ... the new METALLICA!"



..::TRACK-LIST::..

1. Opening Theme 01:23
2. Paradox 04:15
3. Death, Screaming and Pain 05:09
4. Product of Imagination 07:15
5. Continuation of Invasion 02:12
6. Mystery 05:04
7. Kill That Beast 04:26
8. Pray to the Godz of Wrath 04:43
9. Beyond Space 04:48
10. Wotan II 00:17



..::OBSADA::..

Charly Steinhauer - Vocals, Guitars
Markus Spyth - Guitars
Roland Stahl - Bass
Axel Blaha (R.I.P. 2023) - Drums



https://www.youtube.com/watch?v=VsyV0SA1lq0



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Los Jaivas to legendarny chilijski zespół rockowy założony w 1963 roku w Vina del Mar. Grupa jest uznawana za jednego z pionierów łączenia rocka progresywnego z tradycyjną muzyką Ameryki Łacińskiej, zwłaszcza brzmieniami andyjskimi. Ich twórczość wyróżnia się wykorzystaniem instrumentów takich jak charango, quena czy zampona obok klasycznych gitar, fortepianu i perkusji. Zespół zdobył międzynarodowe uznanie dzięki unikalnemu stylowi oraz ambitnym projektom muzycznym, takim jak album Alturas de Machu Picchu, inspirowany poezją Pablo Neruda. Trzon grupy stanowili m.in. Eduardo Parra, Claudio Parra, Gabriel Parra oraz Eduardo Gato Alquinta. Pomimo zmian personalnych i trudnych momentów, w tym emigracji podczas dyktatury w Chile, Los Jaivas pozostali aktywni i wpływowi przez dekady. Dziś są uznawani za ikonę kultury latynoamerykańskiej, a ich muzyka stanowi pomost między tradycją a nowoczesnością. Wstawka zawiera piąty album studyjny Los Jaivas.

Title: El Indio

Artist: Los Jaivas

Country: Chile

Year: 1975

Genre: Rock

Format / Codec: MP3

Audio bitrate: 320 kbps

..::TRACK-LIST::..

1. Pregon Para Iluminarse
2. Guajira Cosmica
3. La Conquistada
4. Un Mar De Gente
5. Un Dia De Tus Dias
6. Tarka Y Ocarina
- a. Diablada
- b. Trote
- c. Kotaiki

..::INFO::..

Finntroll to fiński zespół folkmetalowy, założony w Helsinkach w 1997. Zespół wykonuje skoczną, dynamiczną muzykę, łączącą elementy black metalu i fińskiej polki zwanej humppa. Mimo iż jest to fiński zespół, to teksty utworów są w języku szwedzkim, ponieważ ten język brzmi "cholernie trollowato" według Jamsena, założyciela zespołu, którego ojczystym językiem jest właśnie szwedzki. Finntroll został założony w 1997 roku przez Teemu Raimoranta (Somnium), gitarzystę zespołu Impaled Nazarene oraz Jana Jamsena (Katla). Ich pierwsze demo, Rivfader, zostało nagrane rok później, w 1998 r. Po nagraniu dema do zespołu dołączyli Samu Ruotsalainen (z Barathrum i Rapture), Samuli Ponsimaa, Henri Sorvali (z Moonsorrow) i Sami Uusitalo. Podpisany kontrakt z wytwórnią Spikefarm zaowocowało pierwszą płytą Midnattens Widunder wydaną w 1999 roku. Wstawka zawiera trzecie wydawnictwo zespołu - EPkę z 2003 roku. Płyta jest eksperymentem akustycznym. Została wydana w 2003 roku przez Spinefarm Records. Visor om Slutet był wydany po pasmie nieszczęść jakie spotkały zespół. Album jest dedykowany zmarłemu Teemu Raimorancie. Płyta jest akustycznym eksperymentem, została nagrana w lesie niedaleko Helsinek. Na płycie tej zostały użyte przez zespół instrumenty nietypowe dla muzyki metalowej np. mirliton. Choć płyta nie przypominała dotychczasowej twórczości Finntroll, cieszyła się powodzeniem.

Title: Visor Om Slutet

Artist: Finntroll

Country: Finlandia

Year: 2003

Genre: Folk Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Suohengen Sija
2.Asfagelns Dod
3.Forsvinn Du Som Lyser
4.Veripuu
5.Under Varje Rot och Sten
6.Nar Allt Blir Is
7.Den Sista Runans Dans
8.Rov
9.Madon Laulu
10.Svart Djup
11.Avgrunden Oppnas

..::INFO::..

Talk Talk to brytyjski zespół, aktywny od 1981 do 1991 roku. Zespół początkowo eksperymentował z synth popem, new wave oraz new romantic, zmierzając później do takich gatunków jak m.in. art pop, art rock i post-rock. Zespół powstał w 1981 roku z inicjatywy Marka Hollisa. W pierwszym składzie znaleźli się: Mark Hollis (wokal), Paul Webb (gitara basowa), Lee Harris (perkusja) oraz Simon Brenner (instrumenty klawiszowe). Duży wkład w rozwój zespołu miał brat Marka, Ed, który znalazł muzyków chcących z Markiem współpracować[3]. Początkowo muzycy spotkali się tylko w celu nagrania utworów studyjnych, lecz po kilku dniach doszło do utworzenia zespołu. Wstawka zawiera drugi album studyjny zespołu.

Title: It's My Life

Artist: Talk Talk

Country: Wielka Brytania

Year: 1984

Genre: Synth Pop

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

Dum Dum Girl
Such A Shame
Renee
It's My Life
Tomorrow Started
The Last Time
Call In The Night Boy
Does Caroline Know?
It's You

..::INFO::..

---------------------------------------------------------------------
Aerosmith - The Very Best of Aerosmith - Broadcasting Live - Vol.2 - (2 CD)
(Rare Gems from the Vaults) - (Re-Mastered Radio Recording)
---------------------------------------------------------------------
CD 1 - Wbcn Massachusettes
CD 2 - Woodstock 13th August 1994
---------------------------------------------------------------------

Artist...............: Aerosmith
Album................: The Very Best of Aerosmith - Broadcasting Live - Vol.2
Genre................: Rock
Source...............: WEB
Year.................: 2016-01-01
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 70-71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Anglo Atlantic

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting - CD 1 - Wbcn Massachusettes
---------------------------------------------------------------------

1. Aerosmith - Back in the Saddle [04:34]
2. Aerosmith - Same Old Song and Dance [05:11]
3. Aerosmith - Big Ten Inch Record [03:32]
4. Aerosmith - My Fist Your Face [04:25]
5. Aerosmith - Last Child [03:45]
6. Aerosmith - No Surprize [05:02]
7. Aerosmith - She's on Fire [06:12]
8. Aerosmith - The Hop [05:38]
9. Aerosmith - Shela [04:49]
10. Aerosmith - Walk This Way [03:43]
11. Aerosmith - Let the Music Do the Talking [05:40]
12. Aerosmith - Sweet Emotion [06:20]
13. Aerosmith - Kramer Solo [00:47]
14. Aerosmith - Toys in the Attic [04:14]
15. Aerosmith - Dream On [05:06]
16. Aerosmith - Train Kept a Rollin' [05:02]

Playing Time.........: 01:14:05
Total Size...........: 523,16 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - Woodstock 13th August 1994
---------------------------------------------------------------------

1. Aerosmith - Eat the Rich [05:06]
2. Aerosmith - Toys in the Attic [04:08]
3. Aerosmith - Rag Doll [04:42]
4. Aerosmith - Cryin' [05:24]
5. Aerosmith - Crazy [05:23]
6. Aerosmith - Mama Kin [04:02]
7. Aerosmith - Love in an Elevator [06:09]
8. Aerosmith - Dude (Looks Like a Lady) [04:39]
9. Aerosmith - Sweet Emotion [09:33]
10. Aerosmith - Come Together [04:45]
11. Aerosmith - Dream On [05:51]
12. Aerosmith - Livin' on the Edge [08:02]
13. Aerosmith - Walk This Way [05:05]

Playing Time.........: 01:12:54
Total Size...........: 517,48 MB

..::INFO::..

---------------------------------------------------------------------
Aerosmith - The Very Best of Aerosmith - Broadcasting Live - Vol.1 - (2 CD)
(Rare Gems from the Vaults) - (Re-Mastered Radio Recording)
---------------------------------------------------------------------
CD 1 - Counterpart Studios, Ohio
CD 2 - Music Hall, Boston
---------------------------------------------------------------------

Artist...............: Aerosmith
Album................: The Very Best of Aerosmith - Broadcasting Live - Vol.1
Genre................: Rock
Source...............: WEB
Year.................: 2016-01-01
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67-72 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Anglo Atlantic

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting - CD 1 - Counterpart Studios, Ohio
---------------------------------------------------------------------

1. Aerosmith - Make It [04:19]
2. Aerosmith - Somebody [04:29]
3. Aerosmith - Write Me [04:43]
4. Aerosmith - Dream On [04:34]
5. Aerosmith - One Way Street [07:39]
6. Aerosmith - Walkin' the Dog [04:14]
7. Aerosmith - Pandora's Box [07:58]
8. Aerosmith - Rattlesnake Snake [10:31]
9. Aerosmith - Train Kept a Rollin' [05:52]
10. Aerosmith - Mama Kin [04:40]

Playing Time.........: 59:04
Total Size...........: 402,14 MB

---------------------------------------------------------------------
Tracklisting - CD 2 - Music Hall, Boston
---------------------------------------------------------------------

1. Aerosmith - Walk This Way [03:29]
2. Aerosmith - Rats in the Cellar [03:40]
3. Aerosmith - Big Ten Inch Record [03:41]
4. Aerosmith - I Wanna Know Why [02:59]
5. Aerosmith - Sight for Sore Eyes [03:14]
6. Aerosmith - Seasons of Whither [04:49]
7. Aerosmith - Sweet Emotion [05:22]
8. Aerosmith - Lord of the Thighs [06:57]
9. Aerosmith - Kings and Queens [04:58]
10. Aerosmith - Chip Away the Stone [04:08]
11. Aerosmith - Get the Lead Out [03:16]
12. Aerosmith - Get It Up [04:17]
13. Aerosmith - Same Old Song and Dance [05:34]
14. Aerosmith - Milk Cow Blues [05:02]
15. Aerosmith - Train Kept a Rollin' [04:22]
16. Aerosmith - Draw the Line [04:38]
17. Aerosmith - Toys in the Attic [03:57]

Playing Time.........: 01:14:29
Total Size...........: 539,83 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany we jesienią 1972 roku trzeci, dwupłytowy na winylu album tej wspaniałej, niemieckiej formacji był kwintesencją tego co najlepsze w jazzującym rocku progresywnym! Kiedyś uważałem, że 'trójka' jest słabsza od nieco bardziej przystępnych (zwięzłych) poprzedników, jednak byłem w błędzie! Co prawda na 'Four Letter' jest więcej trąbienia, więcej improwizacji (zwłaszcza w wypełniającej dwie strony winylu... 50-minutowej suicie) a trochę mniej gitary, jednakże narastających stopniowo emocji nie brakuje a muzyka częstokroć autentycznie zapierała dech w piersiach! To wciąż był ten sam zespół, ale grający trudniejszy materiał na nieco większym luzie. W porównaniu z Out Of Focus działające wówczas i opętane stylistyką 'fusion' bardziej uznane formacje, jak Soft Machine, Nucleus czy większośc grup z Canterbury po prostu nie miały startu!
Niestety, to był ostatni, katalogowy album grupy. Niemal cały, drugi dysk wypełniony został niepublikowanym materiałem z tej samej sesji nagraniowej a wydanej w 2002 na CD 'Rat Roads' a także dołączono ostatni, 10-minutowy, koncertowy kawałek z Palermo z 1972 roku. Doskonały dźwięk - nieco klarowniejszy niż na dawnych edycjach CD, no i płyta zawiera fajniejszy booklet ponownie gromadzący kilka rzadkich zdjęć tego kapitalnego zespołu! Ten podwójny CD trwa aż 156 minut!

JL

The peak of achievement from this uber-talented band from München, Bundesrepublik Deutschland: a 94-minute of finely polished music. Just remember that there was at least another 94 minutes of excess music from these recording sessions that was left on the cutting room floor or studio shelves gathering dust until someone saw fit to dust them off and publish them on two albums, released in 1999 and 2002, respectively.
LP 1 (46:07): 1. "L.S.B." (17:37) very much like some evolved Big Band jazz--taking Don Ellis a bit further in terms of incorporating elements of avant/free jazz and electronics, but also quite a bit more reigned in in terms of the use of odd time signatures. Still, the song is quite entertaining for its multiple sax-connected multiple motifs covering a range of styles and tempos. There are a lot of elements of blues-rock at the core of a lot of this music (one can still hear the band that did Wake Up! just two years before). I really like the KINGSTON WALL-like vocal motif in the last third of the song. (31.75/35)

2. "When I'm Sleeping" (4:04) sounds like THE ROLLING STONES if they tried covering PETER HAMMILL song as well as a smooth Motown tune for the chorus and instrumental section. Hennse Hering's old-time saloon-like piano play in the background is a delight, as is Stephen Wishen's bass JAMES JAMERSON-like play and the sax work. I don't know why, but the recording of the drums is rather poor. This may be my favorite vocal performance from Moran. (9/10)

3. "Tsajama" (9:23) a great guitar and flute intro leads into an awesome motif with heavy organ and low bass notes weighing things down beneath the flute, guitars, and smoothly-drawn lines coming from the full horn section. Awesome in a Brian Auger/Eumir Deodato kind of way. Remigius Drechsler leads the way with his searing guitar play in the second and third minutes before Hennse's Hammond and the orgasmically-smooth horn section join in to double and back him. Such a great groove! In the second half of the sixth minute the horns, Hammond, and guitars back off and Moran enters in a singing capacity, using Japanese as his language. Interesting. Then he runs off into some poorly-synched scatting in the seventh minute before returning to leading the smoother, multi-channel melody in Japanese in the eighth. But then the band ramps up the pace and breadth of sound dynamics with a return of the horn section, inspiring Moran to gallop off with some more interesting horse-like vocalese scatting(?). (19/20)

4. "Black Cards" (9:38) a gentle weave of organ and electric guitar arpeggi opens this before flute, hand drums, and a second guitar join in. At the one-minute mark the bass jumps on board, ushering the band into a full blues-rock sound palette over which Moran turns back to his Mick Jagger voice for another vocal performance that reminds me of Mick singing his Slow Horses theme song. A return to the opening theme at the end of the third minute allows for a kind of 30-second reset from which they emerge with a VAN MORRISON "Moondance"-like motif over which Hennse solos on his Wurlitzer-sounding organ. This is a great, extended instrumental section with some gorgeous and dynamic flute soloing throughout. At the end we return to the blues swing theme for Moran to finish things off with his Moves Like Jagger. (18/20)

5. "Where Have You Been" (5:35) a gorgeous folk-rock song with one of Moran's most moving and melodic vocal performances. Powerful. Incredible flute solo in the "C" part: heart-wrenching. I know that Moran (and maybe his bandmates) had a very strong moral compass. We are so blessed to have the legacy of their passion and courage. (9.5/10)

Disc One earns itself a five star rating.

LP 2 (48:09): 6. "A Huchen 55" (9:19) opens with mutliple flutes winding and wending their way through a rondo weave for two minutes before giving way to a faded in psychedelic blues-rock jam (that was already in progress). Hammond organ takes the first solo over the bass, drums, and guitar support. At the three-minute mark, a panoply of horns join in, each playing their own melody line but securing their comraderie through mutually-respective pauses and breaks. The music coming from the rhythm section beneath kind of hits a "I'm a Man" pulse-and-let-off pattern as the horns continue their fascinating and almost humorous interplay. In the seventh minute, electric guitar and Hammond start to inject their own flourishes and melodic ideas. By the eighth minute the horn players are starting to tire--and eventually peter out for a full minute or more while the Hammond and sassy electric guitar share a quirky little conversation of quips and epithets. At the end of the ninth minute, then, the bluesy jazz music is fadeout (the same way it came in) replaced by the flute weave that opened the song. (18/20)

7. "Huchen 55, B" (14:32) opening with the flute weave from the previous song bleeding over, a new already-in- progress R&B jam is faded in. The James Jamerson-like bass play that drives the music is once again emitting waves of groovy Motown sound, but this soon fades out to be replaced by Moran's solo flute play. He sounds so much as if he's trying to imitate the breathy play of maestro Jean-Pierre Rampal. Jazz guitars, trumpet, Hammond, each take their turn joining in beneath Moran's increasingly-avat garde flute stylings. In the seventh minute trumpeter Jimmy Polivka tries usurping the lead from Moran, but it is not that easy: Moran is riding along on pure inspiration. So Jimmy gives up. Hennse and Remigius each take their own turns, trying to nudge Moran out, but Herr Hering only seems to get stronger--until the 9:00 mark: then he gives way, sits back and lets the music unfold without him. The band seem to rise to the occasion with a JEFFERSON AIRPLANE-like creativity: slowly, carefully, deliberately. Hennse's excited Hammond is kept at bay via repressed volume, which allows the horns to have their time. In the twelfth minute Remigius steps to the fore and lays out one awesome blues-rock solo. The band is really into the jam here: fully entrained with everyone clicking--expelling their full creative juices. Awesome! Despite its looseness and lack of plan or developmental structure, this song plays out with some infectious power. Moran's multi-flute weave is once again used to bridge this song with the next one. (27/30)

8. "Huchen 55, C" (24:18) What a jam! Wild and crazy: from Moran's lyrics and vocal performance (sounding like a reckless/uninhibited Mick Jagger channeling PETER HAMMILL through DAMO SUZUKI) to the reckless abandon with which everyone blasts and grooves out their passion. I mean, it feels as if everyone, all at once, is given the total green light to play whatever they feel inspired to play. This makes for some very creative and memorable solos--especially from the horn players (the multitude of saxes are of special note), percussionist, and Hennse's Hammond organ. Definitely Krautrock. Definitely hypnotic in a "Low Spark of High-Heeled Boys"-kind of way--a sound that would also seem to indicate the use of mind altering substances. The song's final three minutes are particularly entertaining for the frenetic yet-respectful free-for-all that gradually peters out, making way for yet another reprise of Moran's multi-flute weave. (45.5/50)

Disc Two earns itself a 4.5/5 star rating.

Total Time: 94:16

A-/five stars; a minor masterpiece of wonderfully-creative First Wave Jazz-Rock Fusion. One can definitely trace the influences and inspirations for each song on several levels but in the end the boys have achieved a mastery of their instruments and goals, enabling them to merge admirably their Krautrock influences with the Blues-Rock and Jazz- Rock Fusion trends they've been hearing. As with every other reviewer I've read, it's too bad this band didn't stay together.

With regards to the controversy of whether or not this album (or band) deserves to belong to the Jazz-Rock Fusion sub-genre, I will only say that over the course of the band's three album evolution it has definitely flowed toward Jazz-Rock (though it has also picked up a strong Krautrock foundation as well). This is 1972! Jazz-Rock Fusion was still in it's childhood! The dominant styles and sounds were still as-yet undecided. Herbie Hancock and Mahavishnu John McLaughlin were still evolving! Rapidly! Many bands like Out Of Focus were offering up a wide range of their own personal interpretations--which is one of the most exciting and refreshing aspects of J-R F's "First Wave."

BrufordFreak



..::TRACK-LIST::..

CD 1:
1. L.S.B. 17:36
2. Tsajama 9:24
3. Huchen 55 A, B, C, D 48:12

CD 2:
1. Black Cards 9:37
2. Where Have You Been 5:35

Bonus Tracks:
3. When I'm Sleeping 4:06
4. I'd Like To Be Free 7:16
5. Table Talk 12:05
6. Rat Roads 5:18
7. Fallen Apples 2:20
8. Straight Ahead 4:41
9. Climax 12:49
10. Kitchen Blues 0:32
11. Goodbye Honey 0:58
Tracks 3-11 on taken from the album recording sessions

12. I'm Kissing Right 10:37
Track 12 recorded live in Palermo, Italy on 26th May 1972



..::OBSADA::..

Remigius Drechsler - guitars, Tenor saxophone, flutes, stylophone, voice
Hennse Hering - organ, piano
Moran Neumüller - Soprano saxophone, vocals
Klaus Spöri - drums
Stephen Wishen - bass
+
Hermann Breuer - trombone
Peter Dechant - acoustic guitar, vocals
Grand Roman Langhaus - bongos
Jimmy Polivka - trumpet
Ingo Schmid-Neuhaus - Alto & Bariton saxes
Michael Thatcher - organ



https://www.youtube.com/watch?v=aucWpjAv_7M


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wydany we jesienią 1972 roku trzeci, dwupłytowy na winylu album tej wspaniałej, niemieckiej formacji był kwintesencją tego co najlepsze w jazzującym rocku progresywnym! Kiedyś uważałem, że 'trójka' jest słabsza od nieco bardziej przystępnych (zwięzłych) poprzedników, jednak byłem w błędzie! Co prawda na 'Four Letter' jest więcej trąbienia, więcej improwizacji (zwłaszcza w wypełniającej dwie strony winylu... 50-minutowej suicie) a trochę mniej gitary, jednakże narastających stopniowo emocji nie brakuje a muzyka częstokroć autentycznie zapierała dech w piersiach! To wciąż był ten sam zespół, ale grający trudniejszy materiał na nieco większym luzie. W porównaniu z Out Of Focus działające wówczas i opętane stylistyką 'fusion' bardziej uznane formacje, jak Soft Machine, Nucleus czy większośc grup z Canterbury po prostu nie miały startu!
Niestety, to był ostatni, katalogowy album grupy. Niemal cały, drugi dysk wypełniony został niepublikowanym materiałem z tej samej sesji nagraniowej a wydanej w 2002 na CD 'Rat Roads' a także dołączono ostatni, 10-minutowy, koncertowy kawałek z Palermo z 1972 roku. Doskonały dźwięk - nieco klarowniejszy niż na dawnych edycjach CD, no i płyta zawiera fajniejszy booklet ponownie gromadzący kilka rzadkich zdjęć tego kapitalnego zespołu! Ten podwójny CD trwa aż 156 minut!

JL

The peak of achievement from this uber-talented band from München, Bundesrepublik Deutschland: a 94-minute of finely polished music. Just remember that there was at least another 94 minutes of excess music from these recording sessions that was left on the cutting room floor or studio shelves gathering dust until someone saw fit to dust them off and publish them on two albums, released in 1999 and 2002, respectively.
LP 1 (46:07): 1. "L.S.B." (17:37) very much like some evolved Big Band jazz--taking Don Ellis a bit further in terms of incorporating elements of avant/free jazz and electronics, but also quite a bit more reigned in in terms of the use of odd time signatures. Still, the song is quite entertaining for its multiple sax-connected multiple motifs covering a range of styles and tempos. There are a lot of elements of blues-rock at the core of a lot of this music (one can still hear the band that did Wake Up! just two years before). I really like the KINGSTON WALL-like vocal motif in the last third of the song. (31.75/35)

2. "When I'm Sleeping" (4:04) sounds like THE ROLLING STONES if they tried covering PETER HAMMILL song as well as a smooth Motown tune for the chorus and instrumental section. Hennse Hering's old-time saloon-like piano play in the background is a delight, as is Stephen Wishen's bass JAMES JAMERSON-like play and the sax work. I don't know why, but the recording of the drums is rather poor. This may be my favorite vocal performance from Moran. (9/10)

3. "Tsajama" (9:23) a great guitar and flute intro leads into an awesome motif with heavy organ and low bass notes weighing things down beneath the flute, guitars, and smoothly-drawn lines coming from the full horn section. Awesome in a Brian Auger/Eumir Deodato kind of way. Remigius Drechsler leads the way with his searing guitar play in the second and third minutes before Hennse's Hammond and the orgasmically-smooth horn section join in to double and back him. Such a great groove! In the second half of the sixth minute the horns, Hammond, and guitars back off and Moran enters in a singing capacity, using Japanese as his language. Interesting. Then he runs off into some poorly-synched scatting in the seventh minute before returning to leading the smoother, multi-channel melody in Japanese in the eighth. But then the band ramps up the pace and breadth of sound dynamics with a return of the horn section, inspiring Moran to gallop off with some more interesting horse-like vocalese scatting(?). (19/20)

4. "Black Cards" (9:38) a gentle weave of organ and electric guitar arpeggi opens this before flute, hand drums, and a second guitar join in. At the one-minute mark the bass jumps on board, ushering the band into a full blues-rock sound palette over which Moran turns back to his Mick Jagger voice for another vocal performance that reminds me of Mick singing his Slow Horses theme song. A return to the opening theme at the end of the third minute allows for a kind of 30-second reset from which they emerge with a VAN MORRISON "Moondance"-like motif over which Hennse solos on his Wurlitzer-sounding organ. This is a great, extended instrumental section with some gorgeous and dynamic flute soloing throughout. At the end we return to the blues swing theme for Moran to finish things off with his Moves Like Jagger. (18/20)

5. "Where Have You Been" (5:35) a gorgeous folk-rock song with one of Moran's most moving and melodic vocal performances. Powerful. Incredible flute solo in the "C" part: heart-wrenching. I know that Moran (and maybe his bandmates) had a very strong moral compass. We are so blessed to have the legacy of their passion and courage. (9.5/10)

Disc One earns itself a five star rating.

LP 2 (48:09): 6. "A Huchen 55" (9:19) opens with mutliple flutes winding and wending their way through a rondo weave for two minutes before giving way to a faded in psychedelic blues-rock jam (that was already in progress). Hammond organ takes the first solo over the bass, drums, and guitar support. At the three-minute mark, a panoply of horns join in, each playing their own melody line but securing their comraderie through mutually-respective pauses and breaks. The music coming from the rhythm section beneath kind of hits a "I'm a Man" pulse-and-let-off pattern as the horns continue their fascinating and almost humorous interplay. In the seventh minute, electric guitar and Hammond start to inject their own flourishes and melodic ideas. By the eighth minute the horn players are starting to tire--and eventually peter out for a full minute or more while the Hammond and sassy electric guitar share a quirky little conversation of quips and epithets. At the end of the ninth minute, then, the bluesy jazz music is fadeout (the same way it came in) replaced by the flute weave that opened the song. (18/20)

7. "Huchen 55, B" (14:32) opening with the flute weave from the previous song bleeding over, a new already-in- progress R&B jam is faded in. The James Jamerson-like bass play that drives the music is once again emitting waves of groovy Motown sound, but this soon fades out to be replaced by Moran's solo flute play. He sounds so much as if he's trying to imitate the breathy play of maestro Jean-Pierre Rampal. Jazz guitars, trumpet, Hammond, each take their turn joining in beneath Moran's increasingly-avat garde flute stylings. In the seventh minute trumpeter Jimmy Polivka tries usurping the lead from Moran, but it is not that easy: Moran is riding along on pure inspiration. So Jimmy gives up. Hennse and Remigius each take their own turns, trying to nudge Moran out, but Herr Hering only seems to get stronger--until the 9:00 mark: then he gives way, sits back and lets the music unfold without him. The band seem to rise to the occasion with a JEFFERSON AIRPLANE-like creativity: slowly, carefully, deliberately. Hennse's excited Hammond is kept at bay via repressed volume, which allows the horns to have their time. In the twelfth minute Remigius steps to the fore and lays out one awesome blues-rock solo. The band is really into the jam here: fully entrained with everyone clicking--expelling their full creative juices. Awesome! Despite its looseness and lack of plan or developmental structure, this song plays out with some infectious power. Moran's multi-flute weave is once again used to bridge this song with the next one. (27/30)

8. "Huchen 55, C" (24:18) What a jam! Wild and crazy: from Moran's lyrics and vocal performance (sounding like a reckless/uninhibited Mick Jagger channeling PETER HAMMILL through DAMO SUZUKI) to the reckless abandon with which everyone blasts and grooves out their passion. I mean, it feels as if everyone, all at once, is given the total green light to play whatever they feel inspired to play. This makes for some very creative and memorable solos--especially from the horn players (the multitude of saxes are of special note), percussionist, and Hennse's Hammond organ. Definitely Krautrock. Definitely hypnotic in a "Low Spark of High-Heeled Boys"-kind of way--a sound that would also seem to indicate the use of mind altering substances. The song's final three minutes are particularly entertaining for the frenetic yet-respectful free-for-all that gradually peters out, making way for yet another reprise of Moran's multi-flute weave. (45.5/50)

Disc Two earns itself a 4.5/5 star rating.

Total Time: 94:16

A-/five stars; a minor masterpiece of wonderfully-creative First Wave Jazz-Rock Fusion. One can definitely trace the influences and inspirations for each song on several levels but in the end the boys have achieved a mastery of their instruments and goals, enabling them to merge admirably their Krautrock influences with the Blues-Rock and Jazz- Rock Fusion trends they've been hearing. As with every other reviewer I've read, it's too bad this band didn't stay together.

With regards to the controversy of whether or not this album (or band) deserves to belong to the Jazz-Rock Fusion sub-genre, I will only say that over the course of the band's three album evolution it has definitely flowed toward Jazz-Rock (though it has also picked up a strong Krautrock foundation as well). This is 1972! Jazz-Rock Fusion was still in it's childhood! The dominant styles and sounds were still as-yet undecided. Herbie Hancock and Mahavishnu John McLaughlin were still evolving! Rapidly! Many bands like Out Of Focus were offering up a wide range of their own personal interpretations--which is one of the most exciting and refreshing aspects of J-R F's "First Wave."

BrufordFreak



..::TRACK-LIST::..

CD 1:
1. L.S.B. 17:36
2. Tsajama 9:24
3. Huchen 55 A, B, C, D 48:12

CD 2:
1. Black Cards 9:37
2. Where Have You Been 5:35

Bonus Tracks:
3. When I'm Sleeping 4:06
4. I'd Like To Be Free 7:16
5. Table Talk 12:05
6. Rat Roads 5:18
7. Fallen Apples 2:20
8. Straight Ahead 4:41
9. Climax 12:49
10. Kitchen Blues 0:32
11. Goodbye Honey 0:58
Tracks 3-11 on taken from the album recording sessions

12. I'm Kissing Right 10:37
Track 12 recorded live in Palermo, Italy on 26th May 1972



..::OBSADA::..

Remigius Drechsler - guitars, Tenor saxophone, flutes, stylophone, voice
Hennse Hering - organ, piano
Moran Neumüller - Soprano saxophone, vocals
Klaus Spöri - drums
Stephen Wishen - bass
+
Hermann Breuer - trombone
Peter Dechant - acoustic guitar, vocals
Grand Roman Langhaus - bongos
Jimmy Polivka - trumpet
Ingo Schmid-Neuhaus - Alto & Bariton saxes
Michael Thatcher - organ



https://www.youtube.com/watch?v=aucWpjAv_7M


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Adam Mitchel Lambert (ur. 29 stycznia 1982 w Indianapolis) to amerykański piosenkarz, autor tekstów i aktor teatralny. Zaistniał w maju 2009 dzięki udziale w programie American Idol (VIII edycja), gdzie zajął drugie miejsce. Debiutancki solowy album Lamberta For Your Entertainment, ukazał się 23 listopada 2009, plasując się na 3. miejscu listy Billboard 200. Od 2011 współpracuje z brytyjskim zespołem Queen jako formacja Queen + Adam Lambert. Wstawka zawiera najnowszy, szósty album studyjny Adama Lamberta.

Artist: Adam Lambert

Title: Adam

Country: USA

Year: 2026

Genre: Pop

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Rat City (Featuring Isaac Dunbar)
2.Necklace (Explicit)
3.Eat U Alive (Explicit)
4.Porcelain (Featuring Lexie Liu)
5.Sanity
6.Cloud 9
7.Am I Ok
8.Under The Rhythm
9.Rage
10.Real Luv
11.Don't Stop Driving
12.Do Ya See Me Now

..::INFO::..

Szósty album studyjny amerykańskiego zespołu metalowego z Salem.

Artist: Haunt

Title: Beautiful Distraction

Country: USA

Year: 2021

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

A1.Beautiful Distraction
A2.In Our Dreams
A3.Fortune's Wheel
A4.Face Of Danger
A5.Sea Of Dreams
B1.Keeping Watch
B2.Imaginary Borders
B3.A Fool's Paradise
B4.Hearts On Fire
B5.It's In My Hands

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::TRACK-LIST::..

BD 1:
1. Intro
2. Do It All Again
3. Bird on a Wire
4. Revelation
5. Your Place in the Sun
6. Another Story to Tell
7. The Way It Had to Be
8. Waterfall
9. Not Afraid Pt. 1
10. The Way Home
11. The Distance to the Sun
12. Bridge over Troubled Water
13. City of Destruction
14. So Far Gone
15. The Ways of a Fool
16. Welcome to the World
17. The Great Adventure
18. A Love That Never Dies

BD 2:
1. Intro
2. Not Afraid Pt. 2
3. The Separated Man
4. Flow
5. World Without End
6. Beyond the Years
7. Alive Again



..::OBSADA::..

Neal Morse - vocals, keyboards, guitar
Eric Gillette - guitar, vocals
Bill Hubauer - keyboards, vocals
Randy George - bass, bass pedals, vocals
Mike Portnoy - drums, vocals

With:
Amy Pippin - backing vocals
Debbie Bresee - backing vocals
Julie Harrison - backing vocals
April Zachary - backing vocals
Philip Martin - percussion
Josee Weigand - violin 1
Jacob Tudor - violin 2
Carl Larson - viola
Gideon Klein - cello



https://www.youtube.com/watch?v=VCIW5Ej8txo


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

This is the companion to the East Village Sessions CD. After I started with the live album released in 2001, it's really nice to actually see the band in action. They've gone as analog as possible in this digital age and the results are excellent. I love all the digital frills that can occur these days in progressive music, but they have really dug down to the acoustic roots. The guitar and bass are electric, of course, but with minimal effects and the basic top quality musicianship really shines through.

Being such a synthesizer fan, I can say those forms of keyboard electronics are not missed thanks to the vibe work of Benoit Moerlin. I really like the way Bon Lozaga often does licks sounding like Allan Holdsworth, who was actually a guest on their first album, still has his own style though. The bassist, Hansford Rowe also has worked with Gong in the past, and is bassically pretty cool. Even more incredible is seeing that Gary Husband, who's worked with Holdsworth, has hooked up with Gongzilla and does the drums on this one (great drum solo). Excellent backup also by the percussionist Phil Kester, and the guest guitarist Chuck Garvey, too.

Slartibartfast



..::TRACK-LIST::..

Recorded live at the Regent Theatre, Boston, June 27, 2003

1. Sinister Minister 6:18
2. Haniface 4:28
3. Aquila 6:31
4. Thrive 5:08
5. Lilly 6:34
6. Bad Habits 4:16
7. Drum Solo 4:19
8. Gongzilla 2:30
9. Soli W/ Bass Solo 11:34
10. Image 9:09

Special Features:
11. A Day In The Studio 36:36
12. Theatrical Trailer 4:40



..::OBSADA::..

Percussion - Phil Kester
Xylophone - Benoit Moerlen
Guitar - Bon Lozaga, Chuck Garvey
Drums - Gary Husband
Bass - Hansford Rowe



https://www.youtube.com/watch?v=q1sd9LRn93c


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Jimmy Page, John Paul Jones, John Bonham - Rock And Roll Highway
---------------------------------------------------------------------

Artist...............: Jimmy Page, John Paul Jones, John Bonham
Album................: Rock And Roll Highway
Genre................: Rock
Source...............: CD
Year.................: 2000
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Thunderbolt - UK

Included.............: NFO, M3U, CUE
Covers...............: Front Back

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Jimmy Page, John Paul Jones, John Bonham - Everything I Do Is Wrong[02:49]
2. Jimmy Page, John Paul Jones, John Bonham - Think It Over[02:29]
3. Jimmy Page, John Paul Jones, John Bonham - Dixie Fried [02:23]
4. Jimmy Page, John Paul Jones, John Bonham - Fabulous [02:22]
5. Jimmy Page, John Paul Jones, John Bonham - Lonely Weekend[02:21]
6. Jimmy Page, John Paul Jones, John Bonham - Burn Up [04:28]
7. Jimmy Page, John Paul Jones, John Bonham - Wailing Sounds[02:37]
8. Jimmy Page, John Paul Jones, John Bonham - 'Cause I Love You[02:46]
9. Jimmy Page, John Paul Jones, John Bonham - Flashing Lights[03:14]
10. Jimmy Page, John Paul Jones, John Bonham - Thumping Beat[03:07]
11. Jimmy Page, John Paul Jones, John Bonham - Union Jack Car[03:03]
12. Jimmy Page, John Paul Jones, John Bonham - Baby Come Back[02:31]

Playing Time.........: 34:15
Total Size...........: 211,04 MB

Bass – Daniel Edwards (tracks: 7 to 12), John Paul Jones (tracks: 1 to 6)
Drums – Clem Cattini (tracks: 1 to 6), John Bonham (tracks: 7 to 12)
Guitar – Jimmy Page
Piano – Nicky Hopkins (tracks: 1 to 6)
Tenor Saxophone – Chris Hughes (2) (tracks: 1 to 6)
Vocals – David Sutch (tracks: 7 to 12), Keith De Groot (tracks: 1 to 6)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czwarty studyjny album AGx nagrany w legendarnym belgijskim Soundshape Studio w 1996 roku oraz oryginalnie wydany w kultowej niemieckiej wytwórni MORBID RECORDS doczekał się wydania na swoje 30. urodziny. "Thanks For Your Hostility" to doskonała mieszanka klasycznego grind'owego brzmienia AGATHOCLES znanego z "Razor Sharp Daggers" czy "Theatric Symbolization Of Life" połączona z surowym crustpunkiem w klimacie ANTI-CIMEX, MOB 47, DOOM. Absolutna pozycja obowiązkowa dla wszystkich mincecore'owych maniaków!


The fourth AGx studio album recorded in legendary Soundshape Studios back in 1996 and originally released on cult German label MORBID RECORDS. Reissued 30 years later on SELFMADEGOD RECORDS, "Thanks For Your Hostility" is perfect mixture of classic grind sound known from "Razor Sharp Daggers" and "Theatric Symbolization Of Life" albums and raw crustpunk in the vein of ANTI-CIMEX, MOB 47, DOOM. A must have!



..::TRACK-LIST::..

1. Criminalisation of a Strange Behaviour
2. Life Control 01:11
3. Until It Bleeds
4. End of the Line
5. Doctors Wished Me
6. Knock Back
7. Thanks for Your Hostility
8. Hatred Is the Cure
9. Be Your Own God
10. Distraction
11. Remember
12. Cheers Mankind Cheers
13. Strangulation
14. Foul
15. No Use... Hatred
16. My Reason
17. No One's Right
18. Sheer Neglect
19. Is There a Place?
20. Go Fucking Nihilist
21. Progress or Stupidity?
22. Try!
23. He Cared
24. Mankind's Not Kind
25. Reduced to an Object
26. Ego-Generosity



..::OBSADA::..

Burt - Drums, Vocals
Jan - Bass, Vocals
Matty - Guitars, Vocals



https://www.youtube.com/watch?v=pb_2hY9jEoA


SEED 15:00-22:00.
POLECAM!!!

Genre: Black/Death Metal
Country of Artist (Band): Poland
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 28:17
Availability of scans in the download: No

Tracklist:
01. The Elegy
02. Suicide Martyr
03. Catalepsy
04. I, Divine
05. Katharsis (Ease of Pain)
06. Redemption

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czwarty studyjny album AGx nagrany w legendarnym belgijskim Soundshape Studio w 1996 roku oraz oryginalnie wydany w kultowej niemieckiej wytwórni MORBID RECORDS doczekał się wydania na swoje 30. urodziny. "Thanks For Your Hostility" to doskonała mieszanka klasycznego grind'owego brzmienia AGATHOCLES znanego z "Razor Sharp Daggers" czy "Theatric Symbolization Of Life" połączona z surowym crustpunkiem w klimacie ANTI-CIMEX, MOB 47, DOOM. Absolutna pozycja obowiązkowa dla wszystkich mincecore'owych maniaków!


The fourth AGx studio album recorded in legendary Soundshape Studios back in 1996 and originally released on cult German label MORBID RECORDS. Reissued 30 years later on SELFMADEGOD RECORDS, "Thanks For Your Hostility" is perfect mixture of classic grind sound known from "Razor Sharp Daggers" and "Theatric Symbolization Of Life" albums and raw crustpunk in the vein of ANTI-CIMEX, MOB 47, DOOM. A must have!



..::TRACK-LIST::..

1. Criminalisation of a Strange Behaviour
2. Life Control 01:11
3. Until It Bleeds
4. End of the Line
5. Doctors Wished Me
6. Knock Back
7. Thanks for Your Hostility
8. Hatred Is the Cure
9. Be Your Own God
10. Distraction
11. Remember
12. Cheers Mankind Cheers
13. Strangulation
14. Foul
15. No Use... Hatred
16. My Reason
17. No One's Right
18. Sheer Neglect
19. Is There a Place?
20. Go Fucking Nihilist
21. Progress or Stupidity?
22. Try!
23. He Cared
24. Mankind's Not Kind
25. Reduced to an Object
26. Ego-Generosity



..::OBSADA::..

Burt - Drums, Vocals
Jan - Bass, Vocals
Matty - Guitars, Vocals



https://www.youtube.com/watch?v=pb_2hY9jEoA


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowy, duży album Azels Mountain to dalsza eksploracja mrocznych sfer, skupionych wokół wewnętrznych przeżyć i duchowych poszukiwań. Zespół dotyka tematów pamięci, krwi, poświęcenia oraz transcendencji, ubierając je w zimniejsze, bardziej przestrzenne formy muzyczne. Całość kształtują zarówno mistyczne refleksje, jak i niepokojące cienie historii najnowszej. Czerpiąc inspiracje ze słowiańskiego dziedzictwa, mistycyzmu, śmierci oraz antyreligijnych kontemplacji, zespół tworzy muzykę przesiąkniętą zimną atmosferą, hipnotycznymi melodiami i nieskrępowaną agresją. Ich brzmienie balansuje między duchem klasycznej fali gatunku a rytualnymi kompozycjami.

W porównaniu z poprzednimi dokonaniami „Echa Krwi” przynoszą wizję dojrzalszą i mocniej zakorzenioną w rodzimej kulturze. Wychodząc poza ramy podziemnego black metalu, album czerpie inspiracje z polskiej muzyki klasycznej, literatury oraz duchowego klimatu wpisanego w narodowe dziedzictwo artystyczne. Kompozycje przepełniają echa melancholii, tęsknoty, dumy i egzystencjalnej walki, co nadaje płycie jednoznacznie polski charakter. W efekcie otrzymujemy materiał, który przywołuje ducha zapomnianych krajobrazów, pamięć przodków oraz niespokojną duszę zakorzenioną w polskiej kulturze, czyniąc z „Echa Krwi” dzieło głęboko osobiste, a zarazem ponadczasowe.

Za oprawę graficzną nowego wydawnictwa odpowiada Sirkis, natomiast sesję fotograficzną zrealizowało Zaćma Visual Studio. Odświeżone logo zespołu to dzieło cenionego na całym świecie projektanta, Christophe'a Szpajdela. Materiał został zarejestrowany w M23 Studio, a jego miksem i masteringiem zajęło się Satanic Audio.

Wydawca


Powstały w 2013 roku, wrocławski Azels Mountain pod koniec czerwca powróci ze swoją trzecią płytą. Tym razem wyda ją Pagan Records, a znajdziecie na niej, oprócz introsa, dziewięć numerów, które są oczywiście utrzymane w black metalowym tonie. To rzecz jasna tradycyjna diabelszczyzna, oparta o wzorce lat dziewięćdziesiątych z pokaźnym pierwiastkiem naszych rodzimych naleciałości, które to połączenie już chyba bardzo dawno zdefiniowało polskie, czarcie granie. „Echa krwi” to mieszanka posępnych i zadzierżystych riffów, i tremolo z nastrojowymi, momentami dość rytualnymi rytmami. W tych wolniejszych i atmosferycznych chwilach czuć, że Wrocławianie stawiają na polską kulturę, bo emanuje z nich nasza, słowiańska dusza, wynikająca nie tylko z historii, lecz również z mistycyzmu naszych przodków. To niezwykle podniosłe i uduchowione formy, które nadają charakter całemu wydawnictwu, wzbudzając w słuchaczu znajome, wręcz patriotyczne uniesienia. Black metalowa martyrologia, ale nie tylko, ponieważ z tych dźwięków snują się również duma, nostalgia, walka z potencjalnym wrogiem i samym sobą. Wszystko co polskie i to, co zostało wyznaczone przez polski romantyzm jest tutaj obecne oczywiście wraz z pogańskimi praojcami i ich wierzeniami. Oprócz tych klimatycznych części składowych panowie potrafią również zdrowo przysolić, przechodząc w ostre ataki, które schładzają powietrze oraz zmieniają usposobienie muzyki z kontemplacyjnego na wrogo nastawione, bojowe kostkowanie. Azels Mountain sprawnie poruszają się po ścieżkach rodzimego black metalu i idealnie w między zimne akordy, wplatają słowiański mistycyzm, tworząc przy tym mroczną i zróżnicowaną gędźbę. Pełno w niej zmiany tempa, riffów i melodyki o różnym natężeniu, ale nigdy zbyt cukierkowej czy jarmarcznej. Sporo także tutaj partii solowych, gitar akustycznych jak i obok szorstkich wokali, czystych zaśpiewów i gniewnych okrzyków. Na wskroś polski materiał wysmażył ten kwintet, ponury, lodowaty i przesiąknięty narodowym etosem i rządzą krwi.

shub niggurath


On this new release Azels Mountain continues its descent into darker and more reflective territories, channelling themes of memory, blood, sacrifice and transcendence through a colder, more expansive musical expression shaped by both mystic reflection and the lingering shadows of more recent historical experience.

Compared to previous releases, “Echa Krwi” is a more mature and culturally rooted vision. Beyond the foundations of underground black metal, the album draws inspiration from classical Polish music, literature and the spiritual atmosphere woven through the nation’s artistic heritage. Echoes of melancholy, longing, pride, and existential struggle permeate the compositions, giving the record a distinctly Polish character. The result is an album that channels the spirit of forgotten landscapes, ancestral memory, and the restless soul embedded within Polish culture itself, transforming “Echa Krwi” into something both deeply personal and timeless.



..::TRACK-LIST::..

1. Intro 01:15
2. Wschód 04:21
3. Bezdroża jałowe 05:44
4. Ku szczytom i cieniom 05:54
5. Pieśń wrony 06:03
6. Pomrok czasów 05:45
7. Rytuał zapomniany 05:13
8. Sen o polach bezkresnych 05:39
9. Nikt nie woła 01:05
10. Pustka 05:57



https://www.youtube.com/watch?v=bePqxZwDGOc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowy, duży album Azels Mountain to dalsza eksploracja mrocznych sfer, skupionych wokół wewnętrznych przeżyć i duchowych poszukiwań. Zespół dotyka tematów pamięci, krwi, poświęcenia oraz transcendencji, ubierając je w zimniejsze, bardziej przestrzenne formy muzyczne. Całość kształtują zarówno mistyczne refleksje, jak i niepokojące cienie historii najnowszej. Czerpiąc inspiracje ze słowiańskiego dziedzictwa, mistycyzmu, śmierci oraz antyreligijnych kontemplacji, zespół tworzy muzykę przesiąkniętą zimną atmosferą, hipnotycznymi melodiami i nieskrępowaną agresją. Ich brzmienie balansuje między duchem klasycznej fali gatunku a rytualnymi kompozycjami.

W porównaniu z poprzednimi dokonaniami „Echa Krwi” przynoszą wizję dojrzalszą i mocniej zakorzenioną w rodzimej kulturze. Wychodząc poza ramy podziemnego black metalu, album czerpie inspiracje z polskiej muzyki klasycznej, literatury oraz duchowego klimatu wpisanego w narodowe dziedzictwo artystyczne. Kompozycje przepełniają echa melancholii, tęsknoty, dumy i egzystencjalnej walki, co nadaje płycie jednoznacznie polski charakter. W efekcie otrzymujemy materiał, który przywołuje ducha zapomnianych krajobrazów, pamięć przodków oraz niespokojną duszę zakorzenioną w polskiej kulturze, czyniąc z „Echa Krwi” dzieło głęboko osobiste, a zarazem ponadczasowe.

Za oprawę graficzną nowego wydawnictwa odpowiada Sirkis, natomiast sesję fotograficzną zrealizowało Zaćma Visual Studio. Odświeżone logo zespołu to dzieło cenionego na całym świecie projektanta, Christophe'a Szpajdela. Materiał został zarejestrowany w M23 Studio, a jego miksem i masteringiem zajęło się Satanic Audio.

Wydawca


Powstały w 2013 roku, wrocławski Azels Mountain pod koniec czerwca powróci ze swoją trzecią płytą. Tym razem wyda ją Pagan Records, a znajdziecie na niej, oprócz introsa, dziewięć numerów, które są oczywiście utrzymane w black metalowym tonie. To rzecz jasna tradycyjna diabelszczyzna, oparta o wzorce lat dziewięćdziesiątych z pokaźnym pierwiastkiem naszych rodzimych naleciałości, które to połączenie już chyba bardzo dawno zdefiniowało polskie, czarcie granie. „Echa krwi” to mieszanka posępnych i zadzierżystych riffów, i tremolo z nastrojowymi, momentami dość rytualnymi rytmami. W tych wolniejszych i atmosferycznych chwilach czuć, że Wrocławianie stawiają na polską kulturę, bo emanuje z nich nasza, słowiańska dusza, wynikająca nie tylko z historii, lecz również z mistycyzmu naszych przodków. To niezwykle podniosłe i uduchowione formy, które nadają charakter całemu wydawnictwu, wzbudzając w słuchaczu znajome, wręcz patriotyczne uniesienia. Black metalowa martyrologia, ale nie tylko, ponieważ z tych dźwięków snują się również duma, nostalgia, walka z potencjalnym wrogiem i samym sobą. Wszystko co polskie i to, co zostało wyznaczone przez polski romantyzm jest tutaj obecne oczywiście wraz z pogańskimi praojcami i ich wierzeniami. Oprócz tych klimatycznych części składowych panowie potrafią również zdrowo przysolić, przechodząc w ostre ataki, które schładzają powietrze oraz zmieniają usposobienie muzyki z kontemplacyjnego na wrogo nastawione, bojowe kostkowanie. Azels Mountain sprawnie poruszają się po ścieżkach rodzimego black metalu i idealnie w między zimne akordy, wplatają słowiański mistycyzm, tworząc przy tym mroczną i zróżnicowaną gędźbę. Pełno w niej zmiany tempa, riffów i melodyki o różnym natężeniu, ale nigdy zbyt cukierkowej czy jarmarcznej. Sporo także tutaj partii solowych, gitar akustycznych jak i obok szorstkich wokali, czystych zaśpiewów i gniewnych okrzyków. Na wskroś polski materiał wysmażył ten kwintet, ponury, lodowaty i przesiąknięty narodowym etosem i rządzą krwi.

shub niggurath


On this new release Azels Mountain continues its descent into darker and more reflective territories, channelling themes of memory, blood, sacrifice and transcendence through a colder, more expansive musical expression shaped by both mystic reflection and the lingering shadows of more recent historical experience.

Compared to previous releases, “Echa Krwi” is a more mature and culturally rooted vision. Beyond the foundations of underground black metal, the album draws inspiration from classical Polish music, literature and the spiritual atmosphere woven through the nation’s artistic heritage. Echoes of melancholy, longing, pride, and existential struggle permeate the compositions, giving the record a distinctly Polish character. The result is an album that channels the spirit of forgotten landscapes, ancestral memory, and the restless soul embedded within Polish culture itself, transforming “Echa Krwi” into something both deeply personal and timeless.



..::TRACK-LIST::..

1. Intro 01:15
2. Wschód 04:21
3. Bezdroża jałowe 05:44
4. Ku szczytom i cieniom 05:54
5. Pieśń wrony 06:03
6. Pomrok czasów 05:45
7. Rytuał zapomniany 05:13
8. Sen o polach bezkresnych 05:39
9. Nikt nie woła 01:05
10. Pustka 05:57



https://www.youtube.com/watch?v=bePqxZwDGOc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Guns N' Roses - Under The Covers
(The Songs They Didn't Write)
---------------------------------------------------------------------

Artist...............: Guns N' Roses
Album................: Under The Covers
Genre................: Rock
Source...............: WEB
Year.................: 2024-05-09
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Leftfield Media

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Guns N' Roses - Dead Flowers [04:08]
2. Guns N' Roses - Live And Let Die [03:29]
3. Guns N' Roses - Come Together (feat. Bruce Springsteen)[04:18]
4. Guns N' Roses - Jumpin' Jack Flash [03:57]
5. Guns N' Roses - Down On The Farm [04:01]
6. Guns N' Roses - Always On The Run (feat. Lenny Kravitz) [04:36]
7. Guns N' Roses - Mama Kin [03:52]
8. Guns N' Roses - Attitude [02:03]
9. Guns N' Roses - Speak Softly, Love (Love Theme From The Godfather)[03:27]
10. Guns N' Roses - Mother [00:52]
11. Guns N' Roses - Free Fallin' (feat. Tom Petty) [04:17]
12. Guns N' Roses - Heartbreak Hotel (feat. Tom Petty) [02:37]
13. Guns N' Roses - Wild Horses [02:51]
14. Guns N' Roses - Tie Your Mother Down (feat. Brian May) [04:40]
15. Guns N' Roses - We Will Rock You (feat. Brian May) [05:33]
16. Guns N' Roses - Only Women Bleed [02:18]
17. Guns N' Roses - Knockin' On Heaven's Door [08:22]

Playing Time.........: 01:05:29
Total Size...........: 420,02 MB

Compilation of live recordings.