...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

UWAGA!! Pod żadnym pozorem nie sugerujcie się tą koszmarną okładką!! Nie wiem dlaczego Ci muzycy postanowili zdobić swoje albumy takimi koszmarkami do tego z logiem rodem w stylu kapel gore.

Pierwsze odsłuchanie „The Devil’s Resolve” było dla mnie niezwykle miłym zaskoczeniem, a to z kilku powodów:
1. Album brzmi niczym Amorphis z czasów „Tales From the 1000 Lakes”,
2. Melodie wręcz powalają
3. Jest wiele smaczków. w postaci akustycznych gitar czy folkowych motywów (znów kłania się wspominany Amorphis)
4. Pojawiające się growle nie przeszkadzają a w połączeniu z czystymi wokalizami dają ciekawy efekt przywodzący na myśl…. zgadliście Amorphis

Po wypisaniu tych czterech punktów postanowiłem zajrzeć do bio i… wiele się wyjaśniło. Okazuje się, że w Barren Earth udziela się dwóch muzyków, którzy udzielali się w wymienianej tu już kilkukrotnie kapeli. Olli-Pekka Laine oraz Kasper Martenson wnieśli do zespołu wyraźnie odczuwalny pierwiastek twórców „Tales… czy „Elegy”. Okazuje się, że w składzie zespołu jest też niejaki Sami Yli-Sirniö znany ze swych występów z Waltari czy Kratorem.

„The Devil’s Resolve” to osiem niezwykle melodyjnych acz nie odartych z brutalności epickich utworów. Ogromną rolę odgrywają tu instrumenty klawiszowe, które budują atmosferę i nadają muzyce posmaku fińskiego folku. Tu obok siebie występują delikatne zaśpiewane na tle pianina czyste partie wokalne jak i grobowe, bulgoczące growle. Taki „The Rains Begin” to klasyczny przedstawiciel tego albumu. Jest tu wszystko – dobra melodia, ciekawe dodatki a do tego fragmenty utrzymane w duchu rocka z lat 70-tych z Hammondami na czele.

Jestem niesamowicie pozytywnie zaskoczony i prawdę mówiąc nie przypuszczałem, że w tym gatunku jest jeszcze w stanie mnie zaskoczyć i porwać swą zawartością jakakolwiek płyta!

Piotr Michalski


Barren Earth should require little introduction, this Finnish supergroup have been kicking it since 2007 and this is their second full-length release “The Devil’s Resolve”. Welding Melodic Death Metal with 70’s style Progressive Rock, Barren Earth are the sonic equivalent of a winning lottery ticket for a prog-nut like me.

Take “Elegy” period Amorphis, add healthy doses of mid-period Opeth and Edge of Sanity roll up and smoke said concoction to the sounds of Riverside or Porcupine Tree and once the haze clears you’ll be facing Barren Earth. If you enjoyed the latest In Mourning album I reviewed then this one will be right up your street, and is certainly of a similar quality. A good base of comparison from the get-go, and as far as production goes is if you did hear the latest In Mourning, “The Devil’s Resolve” is a much warmer sounding album, and definitely feels a little more natural.

The proceedings kick off in style on “The Devil’s Resolve”. From the push of the play button a volume swell paves the way for a dark and dirty theme, with a slight Doom Metal edge. The articulation and build is superb; “Passing of the Crimson Shadows” is the ideal opener, with excellent dynamic it really works its magic in introducing the listener to the album, and the band. The vocal approach is that of a balance between clean and harsh, and I honestly believe Mikko Kotamäki is at his best with Barren Earth, his clean vocals are particularly well done here, reminding of the British Progressive Rock acts from the 70’s. “The Rains Begins” absolutely reeks of Amorphis, featuring lush melodies, excellent layered vocals, and a tremendous prog section in the middle. “Vintage Warlords” is a song which shows exactly what Barren Earth are about and would be a good one for new listeners to check out. Rounding off the first half of “The Devil’s Resolve” is “As It Is Written” which almost ends up being the weakest on the album, if not for some great guitar melodies and a breathtaking piano segment in the middle.

The prog elements are very well played on “The Devil’s Resolve” and I feel as though the band put forth a fairly interesting take on the genre, especially when taking into account the Progressive Death Metal side. Of course the Metal scene is no stranger to Progressive Metal bands lending from the 70’s glory days, however Barren Earth succeed in flawlessly incorporating that style into their sound, and save a few Dan Swanö related acts and select Opeth I’d say this was some of the finest material in the Progressive Death Metal niche.

The second half of the album crawls along with the dirge of “The Dead Exiles” which is a bonafide highlight. The first half of the track is dark and oppressive with Doom Metal pacing, which slowly builds into an absolutely stomping riff that demands a nodding head at the very least. The flame ignited in “The Dead Exiles” burns right through the superb “Oriental Pyre”. “White Fields” takes us on to the final stretch of the album, and probably stands as the weakest on “The Devil’s Resolve”, although some strong riffage keeps it from totally missing the mark. Closing the show is the haunting “Where All Stories End” which rounds off the album in great form, giving the listener a sense of finality. One of the more melodic numbers, with some of the finer vocal lines served up on the album.

Admittedly “The Devil’s Resolve” did require a few listens for it to fully gel. It wasn’t until I sat down and truly focused on the album and each of its aspects that I fully appreciated what Barren Earth had done. A dynamic, progressive album; “The Devil’s Resolve” should be high priority for any Progressive Metal fan. There is a suitable level of depth here that will keep the listener coming back for more which is one of the many reasons why “The Devil’s Resolve” is a such a special release.

Andromeda Unchained


The Devil's Resolve" is the 2nd full-length studio album by Finnish death/doom metal act Barren Earth. The album was released through Peaceville Records in March 2012. Barren Earth features quite a few prolific Finnish musicians like former Amorphis bassist Olli-Pekka Laine, guitarist Sami Yli-Sirniö (Kreator, Waltari) and drummer Marko Tarvonen (Moonsorrow) and that arguably qualifies them to be called a Finnish metal supergroup.
The fact that the band are made up of very seasoned musicians is audible, as everything is delivered with conviction and professionalism. In addition to the "core" death/doom metal sound on the album, there are also a couple of progressive tendencies featured in the music. It´s especially audible in the longer tracks like album opener "Passing of the Crimson Shadows" and "As it is Written". The addition of ethnic folk elements makes me think of Amorphis more than one time during the playing time. A reference which is further enhanced by the clean/growling vocal delivery and the use of 70s influenced organs/keyboards. You can add an Opeth influence to the equation, but that´s only when Barren Earth are most progressive. The tracks are made up of epic heavy riffing and lead themes (both from the guitars and the keyboards) and more atmospheric sections. There is good variation on the album and that provides "The Devil's Resolve" with a longivity factor that not all releases possess.

"The Devil's Resolve" is a heavy and quite intriguing album and the fact that it´s well produced (in the more polished end of the style) and very well performed, are not exactly negatives either. To fans of the style this should be a real treat (just think early- to mid 90s Amorphis meets late 90s/early 00s Opeth and you´re halfway there). A 4 star (80%) rating is deserved.

UMUR



..::TRACK-LIST::..

1. Passing Of The Crimson Shadows 07:17
2. The Rains Begin 04:55
3. Vintage Warlords 04:31
4. As It Is Written (Bagpipes-Hittavainen) 07:29
5. The Dead Exiles (Guitar-Markus Vanhala) 06:21
6. Oriental Pyre 05:18
7. White Fields (Vocals-Mathias Lillmåns) 04:59
8. Where All Stories End 05:55



..::OBSADA::..

Mikko Kotamäki - Vocals
Sami Yli-Sirniö - Guitars, Vocals (backing)
Janne Perttilä - Guitars, Vocals (backing)
Olli-Pekka Laine - Bass, Vocals (backing)
Kasper Mårtenson - Keyboards, Vocals (backing)
Marko Tarvonen - Drums, Vocals (backing)



https://www.youtube.com/watch?v=0uWBoOu32J4


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

UWAGA!! Pod żadnym pozorem nie sugerujcie się tą koszmarną okładką!! Nie wiem dlaczego Ci muzycy postanowili zdobić swoje albumy takimi koszmarkami do tego z logiem rodem w stylu kapel gore.

Pierwsze odsłuchanie „The Devil’s Resolve” było dla mnie niezwykle miłym zaskoczeniem, a to z kilku powodów:
1. Album brzmi niczym Amorphis z czasów „Tales From the 1000 Lakes”,
2. Melodie wręcz powalają
3. Jest wiele smaczków. w postaci akustycznych gitar czy folkowych motywów (znów kłania się wspominany Amorphis)
4. Pojawiające się growle nie przeszkadzają a w połączeniu z czystymi wokalizami dają ciekawy efekt przywodzący na myśl…. zgadliście Amorphis

Po wypisaniu tych czterech punktów postanowiłem zajrzeć do bio i… wiele się wyjaśniło. Okazuje się, że w Barren Earth udziela się dwóch muzyków, którzy udzielali się w wymienianej tu już kilkukrotnie kapeli. Olli-Pekka Laine oraz Kasper Martenson wnieśli do zespołu wyraźnie odczuwalny pierwiastek twórców „Tales… czy „Elegy”. Okazuje się, że w składzie zespołu jest też niejaki Sami Yli-Sirniö znany ze swych występów z Waltari czy Kratorem.

„The Devil’s Resolve” to osiem niezwykle melodyjnych acz nie odartych z brutalności epickich utworów. Ogromną rolę odgrywają tu instrumenty klawiszowe, które budują atmosferę i nadają muzyce posmaku fińskiego folku. Tu obok siebie występują delikatne zaśpiewane na tle pianina czyste partie wokalne jak i grobowe, bulgoczące growle. Taki „The Rains Begin” to klasyczny przedstawiciel tego albumu. Jest tu wszystko – dobra melodia, ciekawe dodatki a do tego fragmenty utrzymane w duchu rocka z lat 70-tych z Hammondami na czele.

Jestem niesamowicie pozytywnie zaskoczony i prawdę mówiąc nie przypuszczałem, że w tym gatunku jest jeszcze w stanie mnie zaskoczyć i porwać swą zawartością jakakolwiek płyta!

Piotr Michalski


Barren Earth should require little introduction, this Finnish supergroup have been kicking it since 2007 and this is their second full-length release “The Devil’s Resolve”. Welding Melodic Death Metal with 70’s style Progressive Rock, Barren Earth are the sonic equivalent of a winning lottery ticket for a prog-nut like me.

Take “Elegy” period Amorphis, add healthy doses of mid-period Opeth and Edge of Sanity roll up and smoke said concoction to the sounds of Riverside or Porcupine Tree and once the haze clears you’ll be facing Barren Earth. If you enjoyed the latest In Mourning album I reviewed then this one will be right up your street, and is certainly of a similar quality. A good base of comparison from the get-go, and as far as production goes is if you did hear the latest In Mourning, “The Devil’s Resolve” is a much warmer sounding album, and definitely feels a little more natural.

The proceedings kick off in style on “The Devil’s Resolve”. From the push of the play button a volume swell paves the way for a dark and dirty theme, with a slight Doom Metal edge. The articulation and build is superb; “Passing of the Crimson Shadows” is the ideal opener, with excellent dynamic it really works its magic in introducing the listener to the album, and the band. The vocal approach is that of a balance between clean and harsh, and I honestly believe Mikko Kotamäki is at his best with Barren Earth, his clean vocals are particularly well done here, reminding of the British Progressive Rock acts from the 70’s. “The Rains Begins” absolutely reeks of Amorphis, featuring lush melodies, excellent layered vocals, and a tremendous prog section in the middle. “Vintage Warlords” is a song which shows exactly what Barren Earth are about and would be a good one for new listeners to check out. Rounding off the first half of “The Devil’s Resolve” is “As It Is Written” which almost ends up being the weakest on the album, if not for some great guitar melodies and a breathtaking piano segment in the middle.

The prog elements are very well played on “The Devil’s Resolve” and I feel as though the band put forth a fairly interesting take on the genre, especially when taking into account the Progressive Death Metal side. Of course the Metal scene is no stranger to Progressive Metal bands lending from the 70’s glory days, however Barren Earth succeed in flawlessly incorporating that style into their sound, and save a few Dan Swanö related acts and select Opeth I’d say this was some of the finest material in the Progressive Death Metal niche.

The second half of the album crawls along with the dirge of “The Dead Exiles” which is a bonafide highlight. The first half of the track is dark and oppressive with Doom Metal pacing, which slowly builds into an absolutely stomping riff that demands a nodding head at the very least. The flame ignited in “The Dead Exiles” burns right through the superb “Oriental Pyre”. “White Fields” takes us on to the final stretch of the album, and probably stands as the weakest on “The Devil’s Resolve”, although some strong riffage keeps it from totally missing the mark. Closing the show is the haunting “Where All Stories End” which rounds off the album in great form, giving the listener a sense of finality. One of the more melodic numbers, with some of the finer vocal lines served up on the album.

Admittedly “The Devil’s Resolve” did require a few listens for it to fully gel. It wasn’t until I sat down and truly focused on the album and each of its aspects that I fully appreciated what Barren Earth had done. A dynamic, progressive album; “The Devil’s Resolve” should be high priority for any Progressive Metal fan. There is a suitable level of depth here that will keep the listener coming back for more which is one of the many reasons why “The Devil’s Resolve” is a such a special release.

Andromeda Unchained


The Devil's Resolve" is the 2nd full-length studio album by Finnish death/doom metal act Barren Earth. The album was released through Peaceville Records in March 2012. Barren Earth features quite a few prolific Finnish musicians like former Amorphis bassist Olli-Pekka Laine, guitarist Sami Yli-Sirniö (Kreator, Waltari) and drummer Marko Tarvonen (Moonsorrow) and that arguably qualifies them to be called a Finnish metal supergroup.
The fact that the band are made up of very seasoned musicians is audible, as everything is delivered with conviction and professionalism. In addition to the "core" death/doom metal sound on the album, there are also a couple of progressive tendencies featured in the music. It´s especially audible in the longer tracks like album opener "Passing of the Crimson Shadows" and "As it is Written". The addition of ethnic folk elements makes me think of Amorphis more than one time during the playing time. A reference which is further enhanced by the clean/growling vocal delivery and the use of 70s influenced organs/keyboards. You can add an Opeth influence to the equation, but that´s only when Barren Earth are most progressive. The tracks are made up of epic heavy riffing and lead themes (both from the guitars and the keyboards) and more atmospheric sections. There is good variation on the album and that provides "The Devil's Resolve" with a longivity factor that not all releases possess.

"The Devil's Resolve" is a heavy and quite intriguing album and the fact that it´s well produced (in the more polished end of the style) and very well performed, are not exactly negatives either. To fans of the style this should be a real treat (just think early- to mid 90s Amorphis meets late 90s/early 00s Opeth and you´re halfway there). A 4 star (80%) rating is deserved.

UMUR



..::TRACK-LIST::..

1. Passing Of The Crimson Shadows 07:17
2. The Rains Begin 04:55
3. Vintage Warlords 04:31
4. As It Is Written 07:29
5. The Dead Exiles 06:21
6. Oriental Pyre 05:18
7. White Fields 04:59
8. Where All Stories End 05:55



..::OBSADA::..

Mikko Kotamäki - Vocals
Sami Yli-Sirniö - Guitars, Vocals (backing)
Janne Perttilä - Guitars, Vocals (backing)
Olli-Pekka Laine - Bass, Vocals (backing)
Kasper Mårtenson - Keyboards, Vocals (backing)
Marko Tarvonen - Drums, Vocals (backing)



https://www.youtube.com/watch?v=0uWBoOu32J4


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Mark Knopfler - Booth Bay 2006 - (2 CD)
Live at The Opera House, Boothbay Harbor, ME, USA 20th September 2006
---------------------------------------------------------------------

Artist...............: Mark Knopfler
Album................: Booth Bay 2006
Genre................: Rock
Source...............: CD
Year.................: 2019
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 50 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Uxbridge – Unofficial Release

Included.............: NFO, M3U, CUE
Covers...............: Front Back

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Mark Knopfler - Intro [00:49]
2. Mark Knopfler - Done With Bonaparte [06:40]
3. Mark Knopfler - Sailing to Philadelphia [08:02]
4. Mark Knopfler - Donegan's Gone [04:10]
5. Mark Knopfler - Intro band [03:21]
6. Mark Knopfler - Rudiger [06:34]
7. Mark Knopfler - The Trawlerman's Song [04:31]
8. Mark Knopfler - Romeo and Juliet [08:14]
9. Mark Knopfler - Song for Sonny Liston [07:57]
10. Mark Knopfler - Marbletown [03:55]

Playing Time.........: 54:17
Total Size...........: 271,18 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Mark Knopfler - Devil Baby [06:05]
2. Mark Knopfler - Baloney Again [06:18]
3. Mark Knopfler - Postcards from Paraguay [05:18]
4. Mark Knopfler - Whoop De Doo [05:00]
5. Mark Knopfler - All That Matters [03:25]
6. Mark Knopfler - A Place Where We Used to Live [06:51]
7. Mark Knopfler - Wild Theme (Local Hero) [04:45]
8. Mark Knopfler - If This Is Goodbye [05:25]

Playing Time.........: 43:11
Total Size...........: 217,67 MB

..::INFO::..

Cypress Hill to amerykańska grupa wykonująca szeroko pojętą muzykę hiphopową, powstała w Los Angeles wiosną 1988 roku. Jej członkowie z pochodzenia są Latynosami. Skład zespołu: B-Real – wokal, Sen Dog – wokal, DJ Muggs – DJ i Eric Bobo – perkusja. Twórczość Cypress Hill łączy hip-hop z elementami muzyki alternatywnej. Podkłady muzyczne, tworzone głównie przez DJ-a Muggsa, charakteryzują się wpływami funku i hardcore’u. Wokalnie utwory opierają się na kontraście między wysokim, nosowym rymowaniem B-Reala a niskim glosem Sen Doga. Wstawka zawiera najnowszy, jedenasty album zespołu.

Title: Dios Bendiga

Artist: Cypress Hill

Country: USA

Year: 2026

Genre: Hip Hop

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

01. Wacha Trucha feat. Aleman
02. Campeones feat. Mellow Man Ace
03. Rosas Verdes
04. Run feat. Poe Leos
05. Sueños feat. Coyote
06. Estamos Listos
07. Volo feat. Sick Jacken
08. Saca La Bolsita feat. Trueno
09. No Tengo Miedo feat. Sick Jacken
10. Barrios Prendidos feat. La Santa Grifa
11. El Perro Y El Coyote feat. Guapo
12. Otra

..::INFO::..

The King Blues to brytyjski zespół punkrockowy z Londynu, który łączy punk i hip hop z wpływami ska i słowa mówionego. Tariq Ali określił brzmienia zespołu jako „surową, radykalną muzykę, która powinna zaniepokoić władców tego kraju. Nowe pokolenie muzyków rzuca wyzwanie politykom wojennym i ich dworzanom”. Wstawka zawiera ósmy, najnowszy album studyjny zespołu.

Title: A Monkey Could Do That

Artist: The King Blues

Country: Wielka Brytania

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Now Is the Time of Monsters
02. The Stupidest Animal in the Zoo
03. We'd Turn It into a Bomb
04. Ten Gallon Alan
05. Walking with Orpheus
06. Emergency, EMERGENCY!!!
07. Stuck in Samsara
08. Gimme My Pills
09. What a Shit Hole
10. Arthur & Deirdre
11. Be Ordinary
12. Dream Blunt Rotation
13. Freedom
14. Dropping out of the Human Race
15. The Fight
16. Journey to the End of the East End
17. Constable Cunt
18. A Whole Three Minutes Work
19. Turn off the Big Light
20. Giving a Massage to Nigel Farage
21. Losing a Friend to the Right
22. Self Portrait with Head as a Monkey
23. Old Age Punks
24. One Day

..::INFO::..

---------------------------------------------------------------------
Suzi Quatro - A's, B's & Rarities
---------------------------------------------------------------------

Artist...............: Suzi Quatro
Album................: A's, B's & Rarities
Genre................: Glamrock
Source...............: CD
Year.................: 2004
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI Gold

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Suzi Quatro - Rolling Stone [02:49]
2. Suzi Quatro - Brain Confusion (For All The Lonely People)[03:12]
3. Suzi Quatro - Ain't Got No Home [02:19]
4. Suzi Quatro - Can The Can [03:37]
5. Suzi Quatro - Ain't Ya Somethin' Honey [04:08]
6. Suzi Quatro - 48 Crash [03:57]
7. Suzi Quatro - Little Bitch Blues [03:28]
8. Suzi Quatro - Daytona Demon [04:02]
9. Suzi Quatro - Roman Fingers [03:49]
10. Suzi Quatro - Devil Gate Drive [03:49]
11. Suzi Quatro - In The Morning [02:38]
12. Suzi Quatro - Too Big [03:23]
13. Suzi Quatro - I Wanna Be Free [03:12]
14. Suzi Quatro - The Wild One [02:54]
15. Suzi Quatro - Shake My Sugar [03:59]
16. Suzi Quatro - Your Mamma Won't Like Me [03:25]
17. Suzi Quatro - Peter, Peter [02:52]
18. Suzi Quatro - Tear Me Apart (Alternate Version) [03:08]
19. Suzi Quatro - Kids Of Tragedy [03:28]
20. Suzi Quatro - Angel Flight [10:44]

Playing Time.........: 01:15:04
Total Size...........: 487,22 MB

Includes 11 tracks available on CD for the first time.
4 of which are previously unreleased.

Drums, Backing Vocals – Dave Neal
Featuring, Backing Vocals – Errol Brown (tracks: 1)
Featuring, Drums – Alan White (tracks: 2), Keith Hodge (tracks: 3), Mick Waller (tracks: 1)
Featuring, Guitar – 'Big' Jim Sullivan* (tracks: 2), Peter Frampton (tracks: 1)
Featuring, Keyboards – John 'Rabbit' Bundrick* (tracks: 2)
Guitar, Backing Vocals – Len Tuckey
Keyboards, Backing Vocals – Alistair McKenzie
Lead Vocals, Bass Guitar – Suzi Quatro

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. Bless ’em With the Blade
2. Armata Strigoi
3. Sinners of the Seven Seas
4. Amen & Attack
5. Army of the Night
6. Dancing With the Dead
7. Incense & Iron
8. 1589
9. Demons Are a Girl's Best Friend
10. Stossgebet
11. Fire and Forgive
12. Heretic Hunters
13. Joan of Arc
14. We Drink Your Blood
15. Where the Wild Wolves Have Gone
16. Sanctified With Dynamite
17. Blood for Blood (Faoladh)
18. Werewolves of Armenia



https://www.youtube.com/watch?v=UYJrL8_Yh0Y


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. All Night Long
2. Pictured Life
3. Catch Your Train
4. In Your Park
5. Virgin Killer
6. Hell-Cat
7. Polar Nights
8. Sun in My Hand
9. We'll Burn the Sky
10. In Trance
11. The Sails of Charon
12. All Along the Watchtower



https://www.youtube.com/watch?v=lHz9B1cxZJM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Wstawiam na szybko bez tracklisty...






https://www.youtube.com/watch?v=7p12Jsqjx4E



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rivers of Nihil uchwycił piorun w butelce dwa razy z rzędu.
Płyta 'The Work' jest ekscytująca, ale i poruszająca. Poza technicznym kunsztem, który prezentuje zespół, 'The Work' to zdumiewająca eksploracja wytrwałości.
Życie potrafi być dewastujące, niezależnie od tego, czy zmagamy się z demotywującą pracą, uzależnieniem, żałobą czy chorobą psychiczną, życie wymaga pracy, aby istnieć. Na 'The Work' zespół nie tylko ukazuje tę brutalną rzeczywistość, ale także daje promyk nadziei – że wytrwałość jest niezbędna, a coś lepszego jest w zasięgu ręki...



There’s no doubt that the music of Pennsylvanian outfit Rivers of Nihil transcends genres. Whilst the band sit mainly in the technical death metal camp, the cerebral challenges, and dramatic sonic soundscapes that the band create make listening to their music intoxicating, as well as challenging and at times even a little uncomfortable.

Following on from 2018’s ‘Where Owls Know My Name’, this 64-minute opus once more incorporates as wide a range of instruments as previous albums. Within the first three songs we’ve been coerced by the piano led intro to ‘The Tower (Theme from ‘The Work’)’ with subtle layered saxophone (courtesy of friend Zach Strouse) and semi-choral backing vocals that relay with explosive and aggressive extremities. There are raging blastbeats and thrashing chaos as well as extreme abstract and diverse passages during ‘Dreaming Black Clockwork’. It’s uncompromising, relentless, and harrowing. It’s also beautifully counterbalanced with songs such as the emotionally charged ‘Wait’, with a softer tempo and the versatility of vocalist Jake Dieffenbach to the fore. There is an almost shoegaze feel at times.

Much of this record is pleasantly mellow in temperament and whilst I wasn’t hugely familiar with the band’s back catalogue I know of ‘Owls’ and the band’s reputation for driving outside of the lines. They certainly bring that to this record. ‘Focus’ sees Lyricist and bassist Adam Biggs consider a relationship with medication and drugs, diving back to his early ADHD prescriptions. It’s a massive track, with a huge sound and irregular time changes, despite its relatively short length in comparison to other tracks.

Rivers of Nihil began writing on the ‘Owls’ tour back in 2018, so although it’s taken some time to come to fruition, the upside is a carefully crafted and sensibly approached record that demonstrates the band’s desire to avoid pigeon holing. They do that with ease, the gorgeous delicacy of ‘Maybe One Day’ demonstrating that if there is a band who can avoid a label, it is Rivers of Nihil. There are metal moments a plenty, but this is a band who defy the rule book.

‘The Work’ is a record that takes time to absorb. I will need to spend longer with it to get deeply acquainted – something that I will be doing. It’s difficult to appreciate the intensity of ‘Episode’, the darkness of ‘The Void from Which No Sound Escape’s or the mastery of the 11 minute plus closing song, ‘Terrestria IV: Work’ in a mere couple of sittings. There’s a complexity which demands your undivided attention to appreciate the sublime musicality. An album that is likely to hit my top five of the year, this is something that every music lover needs to listen to.

Paul Hutchings



..::TRACK-LIST::..

1. The Tower (Theme From "The Work") 4:31
2. Dreaming Black Clockwork 6:39
3. Wait 4:06
4. Focus 4:54
5. Clean 6:08
6. The Void From Which No Sound Escapes 6:43
7. MORE? 3:25
8. Tower 2 1:58
9. Episode 7:30
10. Maybe One Day 7:04
11. Terrestria IV: Work 11:30

Bonus Track:
12. Final Tower 4:35



..::OBSADA::..

Acoustic Guitar, Electric Guitar, Synth [Synthetics], Programmed By [Programming], Keyboards [Keys], Field Recording - Brody J. Uttley
Bass Guitar, Vocals - Adam K. Biggs
Electric Guitar - Jonathan N. Topore
Percussion, Vocals - Jared S. Klein
Vocals - Jacob D. Dieffenbach

The Hands:
Alto Saxophone [Alto Saxophones], Tenor Saxophone [Tenor Saxophones], Baritone Saxophone [Baritone Saxophones] - Zach Strouse (tracks: 1, 2, 6, 9, 11)
Cello - Grant McFarland (tracks: 6)
Vocals - James M. Dorton III (tracks: 9, 11)
Vocals [Whispers In The Void] - Stephan Lopez




https://www.youtube.com/watch?v=2NYuLb5gLmM


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rivers of Nihil uchwycił piorun w butelce dwa razy z rzędu.
Płyta 'The Work' jest ekscytująca, ale i poruszająca. Poza technicznym kunsztem, który prezentuje zespół, 'The Work' to zdumiewająca eksploracja wytrwałości.
Życie potrafi być dewastujące, niezależnie od tego, czy zmagamy się z demotywującą pracą, uzależnieniem, żałobą czy chorobą psychiczną, życie wymaga pracy, aby istnieć. Na 'The Work' zespół nie tylko ukazuje tę brutalną rzeczywistość, ale także daje promyk nadziei – że wytrwałość jest niezbędna, a coś lepszego jest w zasięgu ręki...



There’s no doubt that the music of Pennsylvanian outfit Rivers of Nihil transcends genres. Whilst the band sit mainly in the technical death metal camp, the cerebral challenges, and dramatic sonic soundscapes that the band create make listening to their music intoxicating, as well as challenging and at times even a little uncomfortable.

Following on from 2018’s ‘Where Owls Know My Name’, this 64-minute opus once more incorporates as wide a range of instruments as previous albums. Within the first three songs we’ve been coerced by the piano led intro to ‘The Tower (Theme from ‘The Work’)’ with subtle layered saxophone (courtesy of friend Zach Strouse) and semi-choral backing vocals that relay with explosive and aggressive extremities. There are raging blastbeats and thrashing chaos as well as extreme abstract and diverse passages during ‘Dreaming Black Clockwork’. It’s uncompromising, relentless, and harrowing. It’s also beautifully counterbalanced with songs such as the emotionally charged ‘Wait’, with a softer tempo and the versatility of vocalist Jake Dieffenbach to the fore. There is an almost shoegaze feel at times.

Much of this record is pleasantly mellow in temperament and whilst I wasn’t hugely familiar with the band’s back catalogue I know of ‘Owls’ and the band’s reputation for driving outside of the lines. They certainly bring that to this record. ‘Focus’ sees Lyricist and bassist Adam Biggs consider a relationship with medication and drugs, diving back to his early ADHD prescriptions. It’s a massive track, with a huge sound and irregular time changes, despite its relatively short length in comparison to other tracks.

Rivers of Nihil began writing on the ‘Owls’ tour back in 2018, so although it’s taken some time to come to fruition, the upside is a carefully crafted and sensibly approached record that demonstrates the band’s desire to avoid pigeon holing. They do that with ease, the gorgeous delicacy of ‘Maybe One Day’ demonstrating that if there is a band who can avoid a label, it is Rivers of Nihil. There are metal moments a plenty, but this is a band who defy the rule book.

‘The Work’ is a record that takes time to absorb. I will need to spend longer with it to get deeply acquainted – something that I will be doing. It’s difficult to appreciate the intensity of ‘Episode’, the darkness of ‘The Void from Which No Sound Escape’s or the mastery of the 11 minute plus closing song, ‘Terrestria IV: Work’ in a mere couple of sittings. There’s a complexity which demands your undivided attention to appreciate the sublime musicality. An album that is likely to hit my top five of the year, this is something that every music lover needs to listen to.

Paul Hutchings



..::TRACK-LIST::..

1. The Tower (Theme From "The Work") 4:31
2. Dreaming Black Clockwork 6:39
3. Wait 4:06
4. Focus 4:54
5. Clean 6:08
6. The Void From Which No Sound Escapes 6:43
7. MORE? 3:25
8. Tower 2 1:58
9. Episode 7:30
10. Maybe One Day 7:04
11. Terrestria IV: Work 11:30

Bonus Track:
12. Final Tower 4:35



..::OBSADA::..

Acoustic Guitar, Electric Guitar, Synth [Synthetics], Programmed By [Programming], Keyboards [Keys], Field Recording - Brody J. Uttley
Bass Guitar, Vocals - Adam K. Biggs
Electric Guitar - Jonathan N. Topore
Percussion, Vocals - Jared S. Klein
Vocals - Jacob D. Dieffenbach

The Hands:
Alto Saxophone [Alto Saxophones], Tenor Saxophone [Tenor Saxophones], Baritone Saxophone [Baritone Saxophones] - Zach Strouse (tracks: 1, 2, 6, 9, 11)
Cello - Grant McFarland (tracks: 6)
Vocals - James M. Dorton III (tracks: 9, 11)
Vocals [Whispers In The Void] - Stephan Lopez




https://www.youtube.com/watch?v=2NYuLb5gLmM


SEED 15:00-22:00.
POLECAM!!!★★★★★★★★★★

..::INFO::..

---------------------------------------------------------------------
Peter Frampton - Thank You Mr Churchill
---------------------------------------------------------------------

Artist...............: Peter Frampton
Album................: Thank You Mr Churchill
Genre................: Rock, Pop
Source...............: CD
Year.................: 2010
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 68 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eagle Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Peter Frampton - Thank You Mr Churchill [04:52]
2. Peter Frampton - Solution [03:49]
3. Peter Frampton - Road To He Sun [05:10]
4. Peter Frampton - I'm Due A You [05:00]
5. Peter Frampton - Vaudeville Nanna And The Banjolele [04:35]
6. Peter Frampton - Asleep At The Wheel [06:50]
7. Peter Frampton - Suite Liberte [07:28]
8. Peter Frampton - Restraint [03:42]
9. Peter Frampton - I Want It Back [04:40]
10. Peter Frampton - Invisible Man [04:49]
11. Peter Frampton - Black Ice [04:48]
12. Peter Frampton - I Understand - Bonus [03:29]
13. Peter Frampton - A Thousand Dreams - Bonus [05:17]

Playing Time.........: 01:04:35
Total Size...........: 442,72 MB

..::INFO::..

Debiutancki album studyjny hiszpańskiego zespołu z Barcelony grającego ska i reggae.

Title: Ai, Mare!

Artist: Les Testarudes

Country: Hiszpania

Year: 2026

Genre: Ska, Reggae

Format / Codec: MP3

Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Taracea
2.Soc el Foc (Baby)
3.Relleu Sincopat (feat. Xeriff Monlleo de Dr. Calypso)
4.Nostalgia Dolça
5.Con Cadenas
6.Un Mamut
7.Beware of the Police
8.Deliri
9.Where's My Car?
10.Mati de Maig
11.Plu i Fa Soul (El nostre humil homenatge a les reines del soul)
12.Fill de la Fortuna

..::INFO::..

Trzecia, najnowsza płyta studyjna brytyjskiego zespołu metalowego. Album Rituals of Shame brytyjskiej legendy doom metalu Warning to genialny, niezwykle bolesny i wyczekiwany przez dwie dekady powrót grupy, który idealnie kontynuuje emocjonalne dziedzictwo ich kultowego arcydzieła Watching from a Distance. Wydany w czerwcu 2026 roku nakładem Relapse Records, krążek zbiera znakomite oceny od krytyków muzycznych na całym świecie.

Title: Rituals Of Shame

Artist: Warning

Country: Wielka Brytania

Year: 2026

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Rituals of Shame
2. Stations
3. Night Comes Down
4. Landing Lights
5. Teacher

..::INFO::..

---------------------------------------------------------------------
Maggie Reilly - Save It For A Rainy Day
---------------------------------------------------------------------

Artist...............: Maggie Reilly
Album................: Save It For A Rainy Day
Genre................: Pop, Soft Rock, Ballad, Vocal
Source...............: CD
Year.................: 2002
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: RecArt Music

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Maggie Reilly - Do You Really Want To Leave Me This Way [04:25]
2. Maggie Reilly - Forget About It [03:23]
3. Maggie Reilly - These Dreams [05:38]
4. Maggie Reilly - Goin' Back [03:58]
5. Maggie Reilly - Birds [02:09]
6. Maggie Reilly - True Colours [03:02]
7. Maggie Reilly - Save It For A Rainy Day [02:51]
8. Maggie Reilly - If You Leave Me Now [03:48]
9. Maggie Reilly - For One Kiss [03:59]
10. Maggie Reilly - Close Your Eyes [02:24]
11. Maggie Reilly - So Far Away [03:28]
12. Maggie Reilly - Angel Of The Morning [03:52]

Playing Time.........: 43:02
Total Size...........: 290,23 MB

All tracks recorded at Puk Recording Studios, Denmark, except vocals on 4: recorded at Twinkling Star Studio, London.

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. Beyond Within
2. Inside Four Walls
3. Engines of Hate
4. My Acid Words
5. Born
6. Believe in Nothing
7. Narcosynthesis
8. Moonrise (Through Mirrors of Death)
9. Enemies of Reality
10. The River Dragon Has Come



https://www.youtube.com/watch?v=s8DJtatj-38


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. Assmeralda
2. Nosím místo ponožky kousek svojí předkožky
3. Poopcorn
4. Buttman
5. We Are What We Shit
6. Diarrhero
7. Vaginapocalypse
8. Fart and Furious
9. Rokec – Rectál
10. Shitbusters
11. Strejda Donald



https://www.youtube.com/watch?v=VyEtq9-N5WE


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. A Fine Day To Die
2. Enter the Eternal Fire
3. Call From the Grave
4. Born for Burning
5. Under the Runes
6. Raise the Dead
7. The Return of Darkness and Evil
8. Sacrifice
9. Woman of Dark Desires
10. Blood Fire Death



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

1. Chant of the Eastern Lands
2. The Touch of Nya
3. From the Pagan Vastlands
4. Hidden in a Fog
5. Ancient
6. Entering the Faustian Soul
7. Forgotten Cult of Aldaron
8. Wolves Guard My Coffin
9. Hell Dwells in Ice
10. Transylvanian Forest



https://www.youtube.com/watch?v=7ZrYXv7SIrc


SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Maggie Reilly - Echoes
---------------------------------------------------------------------

Artist...............: Maggie Reilly
Album................: Echoes
Genre................: Folk Rock, Acoustic, Ballad
Source...............: CD
Year.................: 1992
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Electrola

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Maggie Reilly - Everytime We Touch [04:04]
2. Maggie Reilly - Tears In The Rain [03:44]
3. Maggie Reilly - Echoes [03:31]
4. Maggie Reilly - You'll Never Lose [03:29]
5. Maggie Reilly - Gaia [02:37]
6. Maggie Reilly - Real World [03:20]
7. Maggie Reilly - I'm Sorry [04:15]
8. Maggie Reilly - Wait [04:22]
9. Maggie Reilly - What About Tomorrows Children [04:13]
10. Maggie Reilly - Only A Fool [03:57]
11. Maggie Reilly - I Know That I Need You [04:15]
12. Maggie Reilly - Everytime We Touch (Long Version) [07:18]

Playing Time.........: 49:11
Total Size...........: 344,64 MB

..::INFO::..

---------------------------------------------------------------------
Aerosmith - Pump (SHM-CD)
---------------------------------------------------------------------

Artist...............: Aerosmith
Album................: Pump
Genre................: Rock
Source...............: CD
Year.................: 1989
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 78 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Geffen Records – Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Aerosmith - Young Lust [04:19]
2. Aerosmith - F.I.N.E. [04:09]
3. Aerosmith - Love In An Elevator [05:39]
4. Aerosmith - Monkey On My Back [03:57]
5. Aerosmith - Janie's Got A Gun [05:33]
6. Aerosmith - The Other Side [04:56]
7. Aerosmith - My Girl [03:10]
8. Aerosmith - Don't Get Mad, Get Even [04:48]
9. Aerosmith - Voodoo Medicine Man [04:40]
10. Aerosmith - What It Takes [06:29]
11. Aerosmith - Ain't Enough [05:01]

Playing Time.........: 52:45
Total Size...........: 411,74 MB

Genre: Post-Black Metal
Country of artist (band): Poland
Year of release: 2026
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 35:04
Contains scans in the distribution content: no

Tracklist:
01. Ścieżka Bez Tytułu
02. Skit #01
03. E46 Akt I
04. E46 Akt Ii
05. Skit #02
06. Koronka Do Niemiłosierdzia
07. Skreślony
08. Skit #03
09. Braci Się Traci
10. Droga Krajowa
11. Suspiratio Finalis

...( Info )...

Artist: Nancy Sinatra
Album: Movin' With Nancy
Genre: Funk, Soul, Pop, Folk, World, & Country, Stage & Screen, Vocal, Country, Musical
Published by: Boots Enterprises, Inc.
Source: amazon
Duration: 00:42:49
Audio: FLAC 24/96, Lossless|WEB-DL
Rip type: tracks

...( TrackList )...

01. I Gotta Get Out of This Town [00:02:01]
02. Who Will Buy [00:04:56]
03. Wait Till You See Him [00:02:08]
04. Younger Than Springtime [00:02:44]
05. Things [00:02:50]
06. Some Velvet Morning [00:03:41]
07. See the Little Children [00:03:03]
08. Up, Up and Away [00:02:29]
09. Friday's Child [00:02:27]
10. Jackson [00:02:49]
11. This Town [00:03:01]
12. What'd I Say [00:04:27]
13. It's Such A Pretty World (Movin') [00:03:22]
14. Let's Get Movin [00:00:48]
15. This Town (film intro) [00:00:53]
16. RC Cola (It's A Mad Mad Cola) [00:01:02]

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

For fans of: Deep Purple, Gillan.

Four studio albums and a live set from Mick Underwood’s Strapps.

Mick Underwood had already enjoyed a lengthy career, building up an impressive musical resume since joining Ritchie Blackmore in The Outlaws in 1964, before forming Strapps in 1975. With Underwood’s impressive rock pedigree, including Quatermass, Harvest Records, home of Deep Purple and Pink Floyd, was a perfect fit for the new band. Joined by Australian singer and guitarist Ross Stagg, Joe Reed on bass and Noel Scott on keyboards.

Strapps set out their stall with their self-titled debut in 1976. The album was produced by Deep Purple’s Roger Glover at Kingsway Recorders studio, which was owned by Ian Gillan. With LP jackets enough to make Spinal Tap blush, and lyrics to match, despite the permissive era, Strapps found themselves on the wrong end of the feminists, primarily down to an-judged marketing campaign. Regardless, the band turned in four studio albums of solid, bluesy raunch and roll.

Their second album for Harvest Records, ‘Secret Damage’, was released in 1977. Produced by Chris Kinsey (Rolling Stones, Marillion), the album featured the single ‘Child Of The City’. Produced by Pip Williams (Status Quo), their third album ‘Prisoner Of Your Love' was released by Harvest in Japan, where the band had built a loyal following. Strapps’ fourth and final record was 1979’s ‘Ball Of Fire’. Strapps were a solid live proposition, so it makes sense that this set is completed by their 1977 live set at the Rainbow Theatre in London’s Finsbury Park. Strapps called it a day in 1979 when Underwood accepted an offer from Ian Gillan to join the newly formed band Gillan.



..::TRACK-LIST::..

CD 3 - Ball Of Fire (1979)
1. Bring On The Thunder
2. Silent Slaughter
3. One Way Love
4. Evil
5. Power In Her Soul
6. Angry
7. Storm Of Love
8. Ball Of Fire
9. The Heat's On



..::OBSADA::..

Bass - Joe Read
Drums - Mick Underwood
Guitar, Backing Vocals - Ray McRiner
Guitar, Soloist - Ray McRiner, Ross Stagg
Lead Vocals, Guitar - Ross Stagg



https://www.youtube.com/watch?v=4cAXol_z3KQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

For fans of: Deep Purple, Gillan.

Four studio albums and a live set from Mick Underwood’s Strapps.

Mick Underwood had already enjoyed a lengthy career, building up an impressive musical resume since joining Ritchie Blackmore in The Outlaws in 1964, before forming Strapps in 1975. With Underwood’s impressive rock pedigree, including Quatermass, Harvest Records, home of Deep Purple and Pink Floyd, was a perfect fit for the new band. Joined by Australian singer and guitarist Ross Stagg, Joe Reed on bass and Noel Scott on keyboards.

Strapps set out their stall with their self-titled debut in 1976. The album was produced by Deep Purple’s Roger Glover at Kingsway Recorders studio, which was owned by Ian Gillan. With LP jackets enough to make Spinal Tap blush, and lyrics to match, despite the permissive era, Strapps found themselves on the wrong end of the feminists, primarily down to an-judged marketing campaign. Regardless, the band turned in four studio albums of solid, bluesy raunch and roll.

Their second album for Harvest Records, ‘Secret Damage’, was released in 1977. Produced by Chris Kinsey (Rolling Stones, Marillion), the album featured the single ‘Child Of The City’. Produced by Pip Williams (Status Quo), their third album ‘Prisoner Of Your Love' was released by Harvest in Japan, where the band had built a loyal following. Strapps’ fourth and final record was 1979’s ‘Ball Of Fire’. Strapps were a solid live proposition, so it makes sense that this set is completed by their 1977 live set at the Rainbow Theatre in London’s Finsbury Park. Strapps called it a day in 1979 when Underwood accepted an offer from Ian Gillan to join the newly formed band Gillan.



..::TRACK-LIST::..

CD 3 - Ball Of Fire (1979)
1. Bring On The Thunder
2. Silent Slaughter
3. One Way Love
4. Evil
5. Power In Her Soul
6. Angry
7. Storm Of Love
8. Ball Of Fire
9. The Heat's On



..::OBSADA::..

Bass - Joe Read
Drums - Mick Underwood
Guitar, Backing Vocals - Ray McRiner
Guitar, Soloist - Ray McRiner, Ross Stagg
Lead Vocals, Guitar - Ross Stagg



https://www.youtube.com/watch?v=4cAXol_z3KQ


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Varios Artists
Title: The Singers The Songs
Year: 2026
Genre: Pop, Jazz, Vocal, Ballad, Disco
Country: International
Duration: 03:54:19
Format/Codec: FLAC
Audio Bitrate: Lossless
Rip Type: image+.cue
Bit Depth: 16 Bit/44.1 kHz
Media: CD


...( TrackList )...

CD 1

01. I Will Always Love You - Whitney Houston (1992) 4:32
02. Angels - Robbie Williams (1997) 4:25
03. Torn - Natalie Imbruglia (1997) 4:05
04. Why - Annie Lennox (1992) 4:54
05. White Flag - Dido (2003) 3:59
06. Leave Right Now - Will Young (2003) 3:33
07. Kiss from a Rose - Seal (1994) 4:48
08. Someone You Loved - Lewis Capaldi (2018) 3:02
09. Rehab - Amy Winehouse (2006) 3:35
10. Suspicious Minds - Elvis Presley (1969) 4:31
11. Handbags & Gladrags - Rod Stewart (1969) 4:27
12. Without You - Harry Nilsson (1971) 3:21
13. Wherever I Lay My Hat (That's My Home) - Paul Young (1983) 4:11
14. All Cried Out - Alison Moyet (1984) 3:41
15. Alfie - Cilla Black (1966) 2:40
16. Son Of A Preacher Man - Dusty Springfield (1968) 2:28
17. Ain't No Mountain High Enough - Diana Ross (1970) 3:29
18. One Day In Your Life - Michael Jackson (1975) 4:12
19. My Cherie Amour - Stevie Wonder (1969) 2:54
20. Unforgettable - Nat King Cole (1990) 3:12
21. What A Wonderful World - Louis Armstrong (1967) 2:20

CD 2

01. Respect - Aretha Franklin (1967) 2:23
02. I Heard It Through The Grapevine - Marvin Gaye (1968) 3:16
03. Walk on By - Dionne Warwick (1964) 2:53
04. What Becomes Of The Brokenhearted - Jimmy Ruffin (1967) 2:57
05. Long Live Love - Sandie Shaw (2005) 2:38
06. Can't Take My Eyes Off You - Andy Williams (1967) 3:12
07. Slave To Love - Bryan Ferry (2009) 3:53
08. Arthur's Theme (Best That You Can Do) - Christopher Cross (1981) 3:50
09. Bette Davis Eyes - Radio Edit - Kim Carnes (1997) 3:40
10. Because the Night - Patti Smith Group (1978) 3:20
11. Bat Out of Hell - Meat Loaf (1977) 4:42
12. Total Eclipse of the Heart - Bonnie Tyler (1983) 4:25
13. Fool (If You Think It's Over) - Chris Rea (1978) 4:02
14. Love And Affection - Joan Armatrading (1976) 4:25
15. Lilac Wine - Elkie Brooks (1978) 3:55
16. Could It Be Magic - Barry Manilow (1973) 4:15
17. Can't Stay Away from You - Gloria Estefan & The Miami Sound Machine (1987) 3:55
18. Marlene On The Wall - Suzanne Vega (1987) 3:39
19. Twist in My Sobriety - Tanita Tikaram (1988) 4:50
20. Falling - Julee Cruise (1989) 4:10
21. Because of You - Kelly Clarkson (2004) 3:41

CD 3

01. I Will Survive - Gloria Gaynor (1978) 3:10
02. MacArthur Park - Donna Summer (1978) 3:55
03. Young Hearts Run Free - Candi Staton (1978) 3:49
04. I'm Every Woman - Chaka Khan (1978) 4:03
05. Don't Leave Me This Way - Thelma Houston (1976) 3:36
06. Self Control - Laura Branigan (1984) 4:02
07. Believe - Cher (1998) 3:55
08. Can't Get You out of My Head - Kylie Minogue (2002) 3:49
09. All Around the World - Lisa Stansfield (1989) 4:25
10. All I Wanna Do - Sheryl Crow (1993) 4:32
11. You Can Call Me Al - Paul Simon (1986) 4:39
12. Budapest - George Ezra (2013) 3:21
13. Bleeding Love - Leona Lewis (2007) 4:01
14. Warwick Avenue - Duffy (2007) 3:50
15. Beautiful - Christina Aguilera (2002) 4:00
16. Diamonds Are Forever - Shirley Bassey (1971) 2:41
17. Feeling Good - Nina Simone (1965) 2:52
18. It's A Man's Man's Man's World - James Brown (1966) 2:46
19. Try a Little Tenderness - Otis Redding (1967) 3:18
20. Stand By Me - Ben E. King (1980) 2:53
21. One Day I'll Fly Away - Randy Crawford (1980) 4:22

...( Info )...

Artist: VA
Album: A Tribute To Metallica
Genre: Metal, Industrial, Instrumental, Classical
Year of publication: 1994-2025
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 55:08:23

...( TrackList )...

2004 - The Angry String Orchestra - Say Your Prayers, Little One (The String Quartet Tribute To Metallica) (01:09:51)
2006 - Michael Armstrong - Rockabye Baby! Lullaby Renditions Of Metallica (42:13)
2007 - Harptallica - A Tribute (50:21)
2007 - Scott D. Davis - Pianotarium - Piano Tribute To Metallica (01:00:44)
2008 - The Boys Of Country Nashville - The Celtic Tribute To Metallica (01:02:37)
2009 - Rose Drucker, Nadine Megill, Katherine M. Jensik, Daniel Dona, Keith Cornella - The String Tribute To Metallica (01:00:45)
2010 - Giampiero Scuderi - The Flamenco Tribute To Metallica (15:01)
2010 - Rocketclover - Some Kind Of Clover (A Quirky Acoustic Tribute To Metallica) (40:23)
2011-2012 - Chords Of Chaos (02:06:58)
2012 - Piano Tribute Players - Piano Tribute To Metallica (43:07)
2013 - Damage Inc - Southern California's Tribute To Metallica (01:10:44)
2013 - Rick Mims Band - A Tribute To Metallica (Vol. 1-4) (02:49:19)
2014 - The Greatest Bits - Master Of Pixels (8-Bit Tribute To Metallica) (01:00:49)
2025 - David Davidson & Rock Me Classical - Classical Covers Metallica (19:24)
VA - 1994-2000 - Metal Militia (Vol. 1-3) (03:12:53)
VA - 1997 - Am I Metallica (A Tribute To Metallica) (South Korea) (01:00:00)
VA - 1998-2001 - Total Overload - A Tribute To Metallica (Vol. 1 & 2) (02:07:47)
VA - 1998-2004 - The Blackest Album (An Industrial Tribute To Metallica) (Vol. 1-4) (03:52:13)
VA - 1999 - Phantom Lords - A Tribute To Metallica (2 CD) (02:06:55)
VA - 2000 - Москваллика ...A Russian Tribute To Metallica (01:11:26)
VA - 2000 (2022) - Metallic Assault - A Tribute To Metallica (01:03:57)
VA - 2001 - A Punk Tribute To Metallica (Scans, 51:38)
VA - 2002 - A Tribute To The Four Horsemen (Irond) (01:05:03)
VA - 2003 - A Tribute To... Metallica (01:19:15)
VA - 2003 (2011) - Matenlos A Todos - Tributo Argentino A Metallica (Scans, 01:17:29)
VA - 2004 - Metallica Metallic Attack The Ultimate Tribute (Scans, 52:07)
VA - 2006 - Kerrang Presents - Remastered Metallica's Master Of Puppets Revisited (53:25)
VA - 2008 - Metal-Ikka (Japanese Tribute To Metallica) (48:52)
VA - 2009 - The World's Greatest Metallica Tribute (58:30)
VA - 2011 - Metallica - A Tribute To The Black Album (Metal Hammer) (48:52)
VA - 2012 - Blackened - Persian Tribute Album To Metallica (01:48:27)
VA - 2012 - Kerrang Presents Metallica The Black Album Cоvered (Scans, 59:49)
VA - 2013 - A Tribute To Kill 'Em All (Metal Hammer) (46:20)
VA - 2014 - A Tribute To Ride The Lightning (Metal Hammer) (44:47)
VA - 2016 - Greek Masters Of Puppets (30th Year Anniversary Tribute Album) (54:14)
VA - 2019 - Jump Into The Fire - A Tribute To Metallica's Greatest Hits - The 1980s (01:35:40)
VA - 2019 - The Many Faces Of Metallica - A Journey Through The Inner World Of Metallica (3 CD) (03:29:53)
VA - 2020 - A Tribute To Metallica (Metal Hammer) (Scans, 44:46)
VA - 2021 - A Maximum Tribute To The Black Album (Metal Hammer) (Scans, 39:25)
VA - 2021 - The Metallica Blacklist (4 CD) (04:05:30)
VA - 2025 - No Life 'Til Leather - A Tribute To Metallica's Kill 'Em All (48:38)

...( Info )...

Artist: Sanah
Title: Pianinkowe Kaprysy
Genre: Pop, Piano
Media: Web
Country: Poland pic
Publisher (label): Magic Records
Year of publication: 2024
Audio codec: FLAC (*.flac)
Rip type: tracks
Duration: 00:49:14


...( TrackList )...

01. Miłość jest ślepa (pianinkowe)
02. Talenty i mankamenty (pianinkowe)
03. było, minęło (pianinkowe)
04. Mleczna droga (pianinkowe)
05. Nimbostratus (pianinkowe)
06. Wiśta wio! (pianinkowe)
07. Śrubka (pianinkowe)
08. Pańskie łzy to woda (pianinkowe)
09. Do kiedy jestem (pianinkowe)
10. Miałam taki kaprys!!! (pianinkowe)
11. hip hip hura! (pianinkowe)
12. Spietruszam (pianinkowe)
13. Słodkiego miłego życzę (pianinkowe)
14. Aha (kwiecień 2020) (pianinkowe)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Crust punk z Jeleniej Góry, w składzie ekipa Non President / Out Side Fest. Ich drugi album z 2022 roku.


'Uważaj, uważaj już idą po ciebie. Zbrojne ramię kościoła, brunatni rycerze. Zapytaj siebie o to już dziś, czy umiesz dobrze kopać i gryźć?

Klatka coraz mniejsza, pętla tuż nad głową. Możesz zrobić tylko tyle na ile ci pozwolą. Założyli nam kagańce, przepisami, ustawami. Przecież dają nam pieniądze byśmy na nich głosowali. To nie prawda, że chcą dobrze! To nie prawda, że pomogą! Oni zawsze są bezkarni, oni zawsze wszystko mogą! Popatrz tylko na nich, znowu modlą się w kościele. Znów wyczuli nowy biznes, znów zwietrzyli w tym interes.

Uważaj, uważaj znają twoje imię. Wiedzą gdzie chodzisz, o której godzinie. Zapytaj siebie o to już dziś, czy umiesz dobrze kopać i gryźć? Zapytaj o to siebie czy ty ich czy oni ciebie?

Zobacz jak nas szczują uchodźcami i gejami. Wymyślili sobie wroga, żeby łatwiej nas omamić. A na Jasnej Górze kościół błogosławi bohaterów. Ostatnich brunatnych rycerzy kleru.
To jest kurwa dno !'



..::TRACK-LIST::..

1. UWAŻAJ
2. NAJLEPSZE
3. PROSTE
4. GRANICE
5. JAROCIN
6. SPALONE MOSTY
7. LEWAK
8. KARMA
9. NA POZÓR


..::OBSADA::..

Dąbal - wokal
Kostek - wokal, gitara
Krzychu - gitara
Blacha - bas
Szymon - bębny



https://www.youtube.com/watch?v=0G1OC1cYrPQ


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Crust punk z Jeleniej Góry, w składzie ekipa Non President / Out Side Fest. Ich drugi album z 2022 roku.


'Uważaj, uważaj już idą po ciebie. Zbrojne ramię kościoła, brunatni rycerze. Zapytaj siebie o to już dziś, czy umiesz dobrze kopać i gryźć?

Klatka coraz mniejsza, pętla tuż nad głową. Możesz zrobić tylko tyle na ile ci pozwolą. Założyli nam kagańce, przepisami, ustawami. Przecież dają nam pieniądze byśmy na nich głosowali. To nie prawda, że chcą dobrze! To nie prawda, że pomogą! Oni zawsze są bezkarni, oni zawsze wszystko mogą! Popatrz tylko na nich, znowu modlą się w kościele. Znów wyczuli nowy biznes, znów zwietrzyli w tym interes.

Uważaj, uważaj znają twoje imię. Wiedzą gdzie chodzisz, o której godzinie. Zapytaj siebie o to już dziś, czy umiesz dobrze kopać i gryźć? Zapytaj o to siebie czy ty ich czy oni ciebie?

Zobacz jak nas szczują uchodźcami i gejami. Wymyślili sobie wroga, żeby łatwiej nas omamić. A na Jasnej Górze kościół błogosławi bohaterów. Ostatnich brunatnych rycerzy kleru.
To jest kurwa dno !'



..::TRACK-LIST::..

1. UWAŻAJ
2. NAJLEPSZE
3. PROSTE
4. GRANICE
5. JAROCIN
6. SPALONE MOSTY
7. LEWAK
8. KARMA
9. NA POZÓR


..::OBSADA::..

Dąbal - wokal
Kostek - wokal, gitara
Krzychu - gitara
Blacha - bas
Szymon - bębny



https://www.youtube.com/watch?v=0G1OC1cYrPQ


SEED 15:00-22:00.
POLECAM!!!