..::(Info)::..
Around The Fire - Celestial Keepers (2021)
Stoner, Sludge-Metal
Greece
00:39:05
FLAC
..::(TrackList)::..
01. Kau Ano Meha
02. Astral Edifier
03. Awakening
04. Ubdi
05. Lights In The Sky
06. Echoes Of Oblivion

• Жанр: Folk Metal
• Носитель: STREAM
• Год издания: 2021
• Страна: Finland
• Аудиокодек: mp3 (*.mp3)
• Тип рипа: tracks
• Продолжительность: 01:00:33
• Источник: deezer
• Наличие сканов: front

Tracklist:

✧ 01 - Verikoira (00:06:19)
✧ 02 - Niemi (00:03:42)
✧ 03 - Levaluhta (00:03:49)
✧ 04 - Mylly (00:04:42)
✧ 05 - Tuuleton (00:05:50)
✧ 06 - Sanaton maa (00:04:28)
✧ 07 - Kiuru (00:05:25)
✧ 08 - Miero (00:04:20)
✧ 09 - Pohja (00:04:28)
✧ 10 - Huolettomat (00:04:16)
✧ 11 - Anolan aukeat (00:03:04)
✧ 12 - Pidot (00:03:46)
✧ 13 - Juuret (00:06:18)

..::(Info)::..
Accept - Kolekcja (1979-2021)
Heavy Metal
CMC Records
Germany
32:31:55
FLAC
..::(TrackList)::..
1979 - Accept [1986, Polystar, P33X-20001, Japan]
1979 - Accept [2005, Steamhammer, SPV-076-69762 CD, Germany]
1980 - I'm A Rebel [1992, Castle, CLACD 244, Italy]
1980 - I'm A Rebel [2005, SPV, 076-69772 CD, Germany]
1981 - Breaker [1986, Polystar, P33X-20002, Japan]
1981 - Breaker [1992, Brain, 815 622-2, Germany]
1981 - Breaker [2005, SPV, 076-69782 CD, Germany]
1982 - Restless And Wild [1992, Brain, 810 987-2, Germany]
1982 - Restless And Wild [1996, Heavy Metal, HMI XD 6, UK]
1982 - Restless And Wild [2005, SPV, 076-69792 CD, Germany]
1983 - Balls To The Wall [1989, CBS~Sony, 25.8P-5240, Japan]
1983 - Balls To The Wall [1994, Portrait, EK 39241, USA]
1983 - Balls To The Wall [2002, BMG, 74321 93214 2, Germany]
1985 - Kaizoku-Ban [1989, CBS~Sony, 20.8P-5243, Japan]
1985 - Metal Heart [1985, Epic~Sony, 32·8P-73, Japan]
1985 - Metal Heart [2002, BMG, 74321 93213 2, Germany]
1986 - Russian Roulette [1986, Epic~Sony, 32·8P-137, Japan]
1986 - Russian Roulette [2002, BMG, 74321 93212 2, Germany]
1987 - Hungry Years [1987, Metronome, 831077-2, Germany]
1987 - Hungry Years [1992, Victoria, PDI 80.1154, Spain]
1989 - Eat The Heat [1989, CBS~Sony, 25-8P-5227, Japan]
1989 - Eat The Heat [2005, Sony Music, MHCP-790, Japan]
1990 - Staying A Life [CBS~Sony, ESCA-5169~70, 2CD, Japan]
1993 - Objection Overruled [Victor, VICP-5210, Japan]
1994 - Death Row [Victor, VICP-8134, Japan]
1996 - Predator [Victor, VICP 5673, Japan]
1997 - All Areas - Worldwide [Victor, VICP 60190, Japan]
1998 - The Final Chapter [CMC, 06076 86232-2, 2CD, USA]
2010 - Blood Of The Nations [Universal, UICE-1167, Japan]
2012 - Stalingrad [Universal, UICN-9005, Japan]
2014 - Blind Rage [Ward Rec., VQCD-10387, Japan]
2017 - Restless And Live [Nuclear Blast, NB 3167-4, 2CD, Germany]
2017 - The Rise Of Chaos [Nuclear Blast, NB 4012-0, Germany]
2018 - Symphonic Terror [Nuclear Blast, NB 4499-0, 2CD, Germany]
2021 - Too Mean To Die [Nuclear Blast, NB 5541-2, Germany]
..::(Opis)::..
https://pl.wikipedia.org/wiki/Accept
https://www.acceptworldwide.com/
https://www.discogs.com/artist/271475-Accept
https://www.metal-archives.com/bands/accept/198

...( Info )...

Title: Guns Don't Cry
Artist: Storm Seeker
Year: 2021
Genre: Folk Metal
Country: Germany

Duration: 00:35:35
Format / Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...

01 - How to be a Pirate (00:03:23)
02 - Naval Hitchhike (00:02:55)
03 - Shoot This Ship Down (00:04:19)
04 - Guns Don't Cry (00:03:38)
05 - One More Day (00:03:27)
06 - Compass (00:01:55)
07 - row row row (00:04:03)
08 - Deathwatch Beetle Party (00:02:59)
09 - Maelstrom (00:03:27)
10 - Sextant (00:03:26)
11 - Itsy Bitsy Teenie Weenie Honolulu Strand Bikini (00:01:58)

...( Info )...

Title: Stella 1 and Stella 2 [Double EP]
Artist: Belushi Speed Ball
Year: 2021
Genre: Crossover Thrash Metal
Country: Louisville, Kentucky

Duration: 00:23:05
Format / Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList )...

01 Captain Planet Can't Stop Us [00:03:20]
02 We Aren’t Thrashers We Are Hipster Posers [00:03:33]
03 Dirty Dan and Pinhead Larry [00:02:31]
04 I’m Already Halfway There [00:03:36]
05 Daniel Neel Is the Best Drummer Alive [00:02:23]
06 Glass Bones and Paper Skin [00:02:58]
07 Shut the Snarf up Mortal [00:01:29]
08 Wumbology (Belushi Speed Ball Cover) [00:03:11]

..::(Info)::..
Accept - Too Mean to Die (2021)
Heavy-Metal
Germany
00:52:11
Mp3-320 kbps
..::(TrackList)::..
01. Zombie Apocalypse (5:35)
02. Too Mean To Die (4:21)
03. Overnight Sensation (4:24)
04. No Ones Master (4:10)
05. The Undertaker (5:38)
06. Sucks To Be You (4:05)
07. Symphony Of Pain (4:39)
08. The Best Is Yet To Come (4:47)
09. How Do We Sleep (5:41)
10. Not My Problem (4:22)
11. Samson And Delilah (4:31)
..::(Opis)::..
https://www.empik.com/too-mean-to-die-accept,p1256614016,muzyka-p
https://www.amazon.co.uk/Too-Mean-Die-Accept/dp/B08MSHBYBP
https://www.acceptworldwide.com/

..::(Info)::..
Phantom Elite - Titanium (2021)
Brazilian metal
Brazilia
00:48:19
Mp3-320kb/s

..::(TrackList)::..
01. Conjure Rains [00:04:32]
02. The Race [00:03:50]
03. Diamonds and Dark [00:04:49]
04. Worst Part of Me [00:04:42]
05. Glass Crown [00:04:45]
06. Titanium [00:07:26]
07. Bravado [00:04:03]
08. Silver Lining [00:04:08]
09. Haven [00:01:21]
10. Deliverance [00:04:57]
11. Eyes Wide Open [00:03:39]

...( Info )...

Artist: Labyrinth
Title: Welcome to the Absurd Circus
Year Of Release: 2021
Label: Frontiers Records
Genre: Power Metal
Quality: MP3 320kbps (m3u,cover)
Total Time: 01:00:17
Total Size: 149.38 MB
Album Info

Italian metallers Labÿrinth will return with another great album in 2021, "Welcome To The Absurd Circus". Once again, speedy power metal songs with unforgettable hooks, epic prog infused metal songs and some great melodic tracks constitute a record that is going to become another milestone for the Italian metal masters! "Welcome To The Absurd Circus" follows the band's well-received 2017 comeback album, "Architecture Of A God".

...( TrackList )...

1. The Absurd Circus
2. Live Today
3. One Last More Chance
4. As Long As It Last
5. Den Of Snakes
6. Word's Minefield
7. The Unexpected
8. Dancing With Tears In My Eyes
9. Sleepwalker
10. A Reason To Survive
11. Finally Free

..::(Info)::..
Therion - Leviathan (2021)
Symphonic Operatic Metal
Sweden
00:45:37
Mp3-320 kb/s
..::(TrackList)::..
01. The Leaf on the Oak of Far [00:03:38]
02. Tuonela [00:04:37]
03. Leviathan [00:04:01]
04. Die Wellen der Zeit [00:03:46]
05. Aži Dahāka [00:03:06]
06. Eye of Algol [00:04:03]
07. Nocturnal Light [00:05:37]
08. Great Marquis of Hell [00:02:36]
09. Psalm of Retribution [00:05:03]
10. El Primer Sol [00:03:37]
11. Ten Courts of Diyu [00:05:29]

..::(Info)::..
Human Fortress - Epic Tales & Untold Stories [Compilation] (2021)
Epic Power Metal
Napalm Records
Germany
01:42:45
FLAC
..::(TrackList)::..

01. The Grimoire (Remastered) [00:04:49]
02. Disappear in Dark Shadows (Remastered) [00:03:37]
03. Vain Endeavour (Remastered) [00:04:11]
04. Free (Remastered) [00:03:32]
05. Fernweh (Remastered) [00:05:32]
06. We Are Legion (Remastered, Gus Version) [00:05:36]
07. Cruel Fantasy (Remastered) [00:03:04]
08. Pray for Salvation (Remastered, Orchestral Version) [00:03:35]
09. Lord of Earth and Heavens Heir (Remastered, Edit Version) [00:04:06]
10. The Dragons Lair (Remastered) [00:03:47]
11. Defenders of the Crown (Remastered) [00:04:18]
12. Border Raid in Lions March (Remastered) [00:05:11]
13. Gladiator of Rome (Part 1) (Remastered) [00:04:41]
14. Gladiator of Rome (Part 2) (Remastered) [00:04:29]
15. Wasted Years (Remastered) [00:04:50]
16. The Chosen One (Remastered) [00:03:54]
17. Dark Knight (Remastered) [00:05:04]
18. Thieves of the Night (Remastered) [00:04:40]
19. Rise or Fall (Remastered) [00:04:10]
20. Thrice Blessed (Remastered) [00:04:50]
21. Lucifer's Waltz (Remastered) [00:05:39]
22. Surrender (Remastered) [00:04:33]
23. Thunder (Remastered) [00:04:29]

...( Info )...

Y & T
Earthshaker (1981)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

1981's Earthshaker is the only unanimous moment of Y&T's lengthy career. The only studio album that came close to capturing the power and energy of the San Francisco quartet's legendary concerts onto disc, the band's third L.P. was their first for new label A&M, and the first to see their original moniker Yesterday & Today shortened to its better-known incarnation. Vein-busting metal anthems like "Hurricane" and "Knock You Out" boast a menacing swagger not seen before or since, and, even though they slow things down just a bit, melodic hard rockers like "Let Me Go" and the classic "Rescue Me" never waver in intensity or purpose. Admittedly, a few of the mid-paced rockers ("Hungry for Rock," "Young and Tough") have not aged all that well, but in the manic "Squeeze," bassist Phil Kennemore takes over lead vocals so that regular frontman Dave Meniketti can deliver one of the most passionate, over-the-top lead guitar performances of his career. And Y&T save the best for last, climaxing with their signature power ballad, the dramatic "I Believe in You" -- easily one of the decade's best examples of the style, bar none. Simply put, Earthshaker is a virtual force of nature, and its no wonder Y&T found it an impossible act to follow.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-11-22 17:46:24

--------------------------------------------------------------------------------
Analyzed: Y & T / Earthshaker
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR13 -1.32 dB -16.18 dB 3:47 01-Hungry For Rock
DR14 -0.70 dB -16.54 dB 5:06 02-Dirty Girl
DR12 -1.54 dB -16.46 dB 2:55 03-Shake It Loose
DR12 -0.93 dB -15.29 dB 4:04 04-Squeeze
DR13 -0.91 dB -16.89 dB 4:45 05-Rescue Me
DR13 -0.70 dB -15.86 dB 3:44 06-Young And Tough
DR12 -1.63 dB -15.07 dB 3:23 07-Hurricane
DR13 -1.92 dB -17.73 dB 3:12 08-Let Me Go
DR12 -1.28 dB -15.76 dB 3:00 09-Knock You Out
DR12 -2.79 dB -17.46 dB 7:15 10-I Believe In You

Number of tracks: 10
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2862 kbps
Codec: FLAC

...( Info )...

Rainbow
Rising (1976)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

On their second release, Rainbow not only avoid the sophomore jinx; they hit a home run. After replacing the entire band (except Ronnie James Dio) immediately following the recording of the first album, Ritchie Blackmore and the Rising lineup (Blackmore; Dio; Tony Carey, keys; Jimmy Bain, bass; and the late, great Cozy Powell, drums) had plenty of time on the road touring the first album to get the chops and material together for their second. In particular, "Stargazer" really came together on the 1975 tour and featured stunning keyboard work from Carey. The material is uniformly strong, with "Starstruck" and "A Light in the Black" standing out in particular. Ronnie Dio turns in a great vocal on the stunningly direct (under three minutes!) "Do You Close Your Eyes." All six songs on the album are up there with anything the band has done, before or since. The playing has a very tight, colorful feel to it, which was lacking a bit on the first record. This album can legitimately be mentioned in the same breath as classic Deep Purple.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-11-29 10:55:30

--------------------------------------------------------------------------------
Analyzed: Rainbow / Rising
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR12   -1.34 dB  -15.87 dB   6:03 01-Tarot Woman
DR12   -0.70 dB  -15.89 dB   3:43 02-Run With The Wolf
DR12   -1.74 dB  -15.69 dB   4:09 03-Starstruck
DR12   -2.18 dB  -15.28 dB   3:02 04-Do You Close Your Eyes
DR11   -0.70 dB  -13.93 dB   8:32 05-Stargazer
DR11   -1.37 dB  -15.47 dB   8:16 06-A Light In The Black

Number of tracks: 6
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3098 kbps
Codec:       FLAC

...( Info )...

Cinderella
Heartbreak Station (1990)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

After successful albums that effectively followed contemporary hard rock trends, Cinderella reached back into the Stones and Aerosmith songbooks and created a sneering, raunchy hard rock album that was artistically their finest moment, even if it didn't reach the same commercial heights as its predecessors. But the sales figures don't matter (it only sold a million copies); Heartbreak Station shows that Cinderella has more genuine rock & roll grit than most of the metal bands of the late '80s.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-01-01 19:07:14

--------------------------------------------------------------------------------
Analyzed: Cinderella / Heartbreak Station
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -1.41 dB  -14.70 dB   4:22 01-The More Things Change
DR13   -1.34 dB  -15.92 dB   5:20 02-Love's Got Me Doing' Time
DR12   -2.44 dB  -16.47 dB   4:47 03-Shelter Me
DR14   -0.70 dB  -19.08 dB   4:29 04-Heartbreak Station
DR12   -3.41 dB  -17.82 dB   4:00 05-Sick For The Cure
DR13   -4.38 dB  -21.13 dB   4:29 06-One For Rock And Roll
DR13   -1.59 dB  -17.80 dB   6:38 07-Dead Man's Road
DR12   -1.57 dB  -16.17 dB   4:15 08-Make Your Own Way
DR13   -1.39 dB  -17.49 dB   5:23 09-Electric Love
DR12   -2.75 dB  -17.61 dB   4:21 10-Love Gone Bad
DR13   -3.31 dB  -19.70 dB   5:34 11-Winds Of Change

Number of tracks: 11
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      2795 kbps
Codec:       FLAC

...( Info )...

Motörhead
No Sleep 'Til Hammersmith (1981)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

Released in 1981, the live album No Sleep 'Til Hammersmith recaps the highlights from the legendary run of albums Motörhead released during the prior few years, namely Overkill, Bomber, and Ace of Spades. The band's lesser self-titled debut album is also accounted for here with two inclusions ("Motörhead" and "Iron Horse"), but by and large, the focus is on the standout songs from the aforementioned trio of classics. This alone makes No Sleep 'Til Hammersmith noteworthy, for it plays like a greatest-hits set, opening perfectly with "Ace of Spades." But what makes it all the more noteworthy -- and more than simply a run-of-the-mill, gap-filling live album -- is the performance: in a word, it's breakneck. The trio of Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) absolutely rips loose through this 11-song set, upping the intensity and speed of the already intense and speedy studio recordings. Yes, believe it or not, these performances are even more crazed than their studio-recorded counterparts. Of course, the fidelity isn't as clear and the instruments aren't nearly as in relief, since this is a live recording (and while it's of high quality for live recordings of its day, it's relatively lo-fi by today's standards). Still, the breakneck nature of this performance distinguishes No Sleep 'Til Hammersmith from its studio predecessors, making it an excellent, recommended complement to those essentials. Moreover, it's an important release because it captures Motörhead live during the peak of the classic lineup's rise to fame. Motörhead could do no wrong at this point in time, as they were laying the foundation for the coming thrash movement, in a way, and their winning streak continues here on No Sleep 'Til Hammersmith, one of the best live metal albums of all time.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-01-09 23:25:13

--------------------------------------------------------------------------------
Analyzed: Motörhead / No Sleep 'Til Hammersmith
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -3.73 dB  -16.06 dB   2:54 01-Ace Of Spades
DR12   -1.54 dB  -15.47 dB   2:44 02-Stay Clean
DR12   -0.70 dB  -16.12 dB   3:30 03-Metropolis
DR11   -3.42 dB  -16.11 dB   3:14 04-The Hammer
DR12   -2.39 dB  -16.02 dB   3:53 05-Iron Horse
DR11   -3.29 dB  -16.73 dB   2:52 06-No Class
DR11   -3.03 dB  -15.65 dB   4:45 07-Overkill
DR11   -2.71 dB  -15.90 dB   3:55 08-(We Are) The Road Crew
DR12   -3.23 dB  -16.39 dB   4:51 09-Capricorn
DR11   -2.41 dB  -15.27 dB   3:21 10-Bomber
DR13   -0.95 dB  -16.48 dB   4:48 11-Motörhead

Number of tracks: 11
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3067 kbps
Codec:       FLAC

...( Info )...

Motörhead
Ace Of Spades (1980)
FLAC LOSSLESS 24bit-96kHz
UK PBTHAL Vinyl Rip


allmusic.com...

With the 1980 release of Ace of Spades, Motörhead had their anthem of anthems -- that is, the title track -- the one trademark song that would summarize everything that made this early incarnation of the band so legendary, a song that would be blasted by legions of metalheads for generations on end. It's a legendary song, for sure, all two minutes and 49 bracing seconds of it. And the album of the same name is legendary as well, among Motörhead's all-time best, often considered their single best, in fact, along with Overkill. Ace of Spades was Motörhead's third great album in a row, following the 1979 releases of Overkill and Bomber, respectively. Those two albums have a lot in common with Ace of Spaces. The classic lineup -- Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) -- is still in place and sounding as alive and crazed as ever. The album is still rock-solid, boasting several superlative standouts. Actually, besides the especially high number of standouts on Ace of Spades -- at least relative to Bomber, which wasn't quite as strong overall as Overkill had been -- the only key difference between this 1980 album and its two 1979 predecessors is the producer, in this case Vic Maile. The result of his work isn't all that different from that of Jimmy Miller, the longtime Rolling Stones producer who had worked on Overkill and Bomber, but it's enough to give Ace of Spades a feeling distinct from its two very similar-sounding predecessors. This singular sound (still loud and in your face, rest assured), along with the exceptionally strong songwriting and the legendary stature of the title track, makes Ace of Spades the ideal Motörhead album if one were to choose one and only one studio album. It's highly debatable whether Ace of Spades is tops over the breakthrough Overkill, as the latter is more landmark because of its earlier release, and is somewhat rougher around the edges, too. Either way, Ace of Spades rightly deserves its legacy as a classic. There's no debating that.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-01-09 22:35:37

--------------------------------------------------------------------------------
Analyzed: Motörhead / Ace Of Spades
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR10   -1.71 dB  -13.64 dB   2:46 01-Ace Of Spades
DR11   -2.78 dB  -14.51 dB   3:21 02-Love Me Like A Reptile
DR10   -2.93 dB  -14.60 dB   2:39 03-Shoot You In The Back
DR10   -1.37 dB  -13.71 dB   3:35 04-Live To Win
DR11   -1.57 dB  -14.51 dB   3:23 05-Fast And Loose
DR11   -1.74 dB  -15.07 dB   3:10 06-(We Are) The Road Crew
DR11   -0.70 dB  -13.96 dB   2:41 07-Fire, Fire
DR11   -2.50 dB  -14.56 dB   3:31 08-Jailbait
DR11   -2.39 dB  -14.43 dB   2:37 09-Dance
DR11   -2.48 dB  -14.40 dB   1:38 10-Bite The Bullet
DR11   -1.88 dB  -14.22 dB   4:14 11-The Chase Is Better Than The Catch
DR11   -2.41 dB  -14.84 dB   2:46 12-The Hammer

Number of tracks: 12
Official DR value: DR11

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3283 kbps
Codec:       FLAC

...( Info )...

Motörhead
Overkill (1979)
FLAC LOSSLESS 24bit-96kHz
UK PBTHAL Vinyl Rip


allmusic.com...

Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band's self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn't all that impressive, at least not relative to what would follow. Overkill is what followed, recorded in December 1978 and January 1979, and released not long thereafter. The band's sound is fully formed here, and it totally explodes right off the bat on the five-minute title track. A number of Motörhead standards follow, among them "Stay Clean" and "No Class." Produced by Jimmy Miller, who had helmed a number of classic Rolling Stones albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., Goats Head Soup), Overkill sounds wonderful, especially on the numerous remastered editions of this album. The band's classic lineup -- Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) -- is well in place here, and they seem eager to rip loose wildly on every single song. This, in addition to the solid track listing and Miller's production, makes Overkill a perfect Motörhead album. Several great ones would follow, of course, but Overkill was the first of the great ones, and quite possibly the greatest of all.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-01-09 22:45:00

--------------------------------------------------------------------------------
Analyzed: Motörhead / Overkill
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -2.59 dB  -15.32 dB   5:12 01-Overkill
DR11   -1.86 dB  -14.65 dB   2:41 02-Stay Clean
DR12   -1.86 dB  -15.59 dB   2:57 03-(I Won't) Pay Your Price
DR13   -0.82 dB  -15.20 dB   2:57 04-I'll Be Your Sister
DR11   -3.54 dB  -15.88 dB   4:12 05-Capricorn
DR11   -0.70 dB  -13.80 dB   2:40 06-No Class
DR13   -0.96 dB  -15.14 dB   3:03 07-Damage Case
DR11   -1.39 dB  -14.71 dB   2:39 08-Tear Ya Down
DR11   -1.62 dB  -15.06 dB   3:35 09-Metropolis
DR11   -2.06 dB  -14.07 dB   4:55 10-Limb From Limb

Number of tracks: 10
Official DR value: DR11

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3228 kbps
Codec:       FLAC

...( Info )...

Danzig
Danzig II - Lucifuge (1990)
FLAC LOSSLESS 24bit-96kHz
UK PBTHAL Vinyl Rip


allmusic.com...

After becoming a cult hero as the lead singer of the Misfits and Samhain, Glenn Danzig finally stepped into the mainstream with his group Danzig, who took the horror-themed lyrical imagery of his earlier groups into darker and more devilish directions while draping his rough but melodic tunes in heavy metal garb. Featuring former Samhain members John Christ (guitar) and Eerie Von (bass) along with powerhouse hardcore drummer Chuck Biscuits (formerly of Black Flag, D.O.A., and the Circle Jerks), Danzig was an ideal vehicle for the frontman's booming, theatrical vocal style.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-01-03 09:39:22

--------------------------------------------------------------------------------
Analyzed: Danzig / II - Lucifuge
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -2.58 dB  -16.29 dB   4:24 01-Long Way Back From Hell
DR12   -1.90 dB  -16.60 dB   4:34 02-Snakes Of Christ
DR12   -1.75 dB  -16.22 dB   3:59 03-Killer Wolf
DR13   -0.70 dB  -15.66 dB   4:03 04-Tired Of Being Alive
DR13   -4.52 dB  -20.69 dB   3:21 05-I'm The One
DR12   -1.81 dB  -17.06 dB   4:48 06-Her Black Wings
DR13   -1.44 dB  -17.43 dB   4:14 07-Devil's Plaything
DR13   -2.07 dB  -18.63 dB   5:40 08-777
DR13   -2.25 dB  -18.96 dB   4:20 09-Blood And Tears
DR13   -2.63 dB  -17.55 dB   4:12 10-Girl
DR11   -3.35 dB  -17.78 dB   5:54 11-Pain In The World

Number of tracks: 11
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      2821 kbps
Codec:       FLAC

...( Info )...

Title: 200 Greatest Metal Guitar Solos (Part 1)
Artist: Collection
Year: 2021
Genre: Rock, Metal

Duration: 10:11:11
Format / Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...


001. Mr. Crowley - Randy Rhoads (Ozzy Osbourne)
002. Black Star - Yngwie J. Malmsteen (Yngwie Malmsteen)
003. Eruption - Eddie Van Halen (Van Halen)
004. Tornado of Souls - Marty Friedman (Megadeth)
005. Rock Bottom - Michael Schenker (UFO)
006. Fade to Black - Kirk Hammett (Metallica)
007. Powerslave - Dave Murray & Adrian Smith (Iron Maiden)
008. Floods - Dimebag Darrell (Pantera)
009. Painkiller - Glenn Tipton & K.K. Downing (Judas Priest)
010. Stargazer - Ritchie Blackmore (Rainbow)
011. Kill in the Spirit World - Tony Iommi (Black Sabbath)
012. Technical Difficulties - Paul Gilbert (Racer X)
013. Crazy Train - Randy Rhoads (Ozzy Osbourne)
014. Stranger in a Strange Land - Adrian Smith (Iron Maiden)
015. Under a Glass Moon - John Petrucci (Dream Theater)
016. The Sleep - Dimebag Darrell (Pantera)
017. Kill the King - Ritchie Blackmore (Rainbow)
018. Beyond the Realms of Death - Glenn Tipton & K.K. Downing (Judas Priest)
019. Hangar 18 - Marty Friedman & Dave Mustaine (Megadeth)
020. Working Man - Alex Lifeson (Rush)
021. Seventh Son of a Seventh Son - Dave Murray & Adrian Smith (Iron Maiden)
022. Master of Puppets - James Hetfield & Kirk Hammett (Metallica)
023. Lines in the Sand - John Petrucci (Dream Theater)
024. Alexander the Great - Dave Murray & Adrian Smith (Iron Maiden)
025. War Pigs - Tony Iommi (Black Sabbath)
026. Orion - Kirk Hammett (Metallica)
027. Holy Wars... The Punishment Due - Marty Friedman & Dave Mustaine (Megadeth)
028. No More Tears - Zakk Wylde (Ozzy Osbourne)
029. One Shot at Glory - Glenn Tipton & K.K. Downing (Judas Priest)
030. Somewhere Over the Rainbow - Chris Impellitteri (Impellitteri)
031. Flight of the Wounded Bumblebee - Nuno Bettencourt (Extreme)
032. Rainbow in the Dark - Vivian Campbell (Dio)
033. Cemetery Gates - Dimebag Darrell (Pantera)
034. Wicked World - Tony Iommi (Black Sabbath)
035. Far Beyond the Sun - Yngwie J. Malmsteen (Yngwie Malmsteen)
036. 2 Minutes to Midnight - Dave Murray & Adrian Smith (Iron Maiden)
037. Gargoyles, Angels of Darkness - Luca Turilli (Rhapsody)
038. A Moment of Clarity - Chuck Schuldiner (Death)
039. Awakenings - Michael Romeo (Symphony X)
040. Róisín Dubh (Black Rose) - Gary Moore & Scott Gorham (Thin Lizzy)
041. Gates of Babylon - Ritchie Blackmore (Rainbow)
042. Practice What You Preach - Alex Skolnick & Eric Peterson (Testament)
043. Blitzkrieg - Yngwie J. Malmsteen (Yngwie Malmsteen)
044. Ride the Lightning - Kirk Hammett (Metallica)
045. Rime of the Ancient Mariner - Dave Murray & Adrian Smith (Iron Maiden)
046. Return to Serenity - Alex Skolnick (Testament)
047. Laughing Gas - Randy Rhoads (Quiet Riot)
048. Lucretia - Marty Friedman & Dave Mustaine (Megadeth)
049. Mr. Scary - George Lynch (Dokken)
050. Civil War - Slash (Guns n\' Roses)
051. One - Kirk Hammett (Metallica)
052. Lady of the Valley - Vito Bratta (White Lion)
053. Fatal Tragedy - John Petrucci (Dream Theater)
054. The Ninja - Jason Becker & Marty Friedman (Cacophony)
055. Caught Somewhere in Time - Adrian Smith (Iron Maiden)
056. Sea of Lies - Michael Romeo (Symphony X)
057. Omega - Adrian Smith & Roy Z (Bruce Dickinson)
058. Ashes in the Sky - Akira Takasaki (Loudness)
059. Sleepless Nights - Andy LaRocque (King Diamond)
060. Head Over Heels - Wolf Hoffmann (Accept)
061. The River Dragon Has Come - Jeff Loomis (Nevermore)
062. Ram It Down - Glenn Tipton & K.K. Downing (Judas Priest)
063. Mean Street - Eddie Van Halen (Van Halen)
064. Walk - Dimebag Darrell (Pantera)
065. Play With Me - Nuno Bettencourt (Extreme)
066. Cosmic Sea - Chuck Schuldiner (Death)
067. Wasted Years - Adrian Smith (Iron Maiden)
068. Watch the Children Pray - Kurdt Vanderhoof (Metal Church)
069. Into the Arena - Michael Schenker (The Michael Schenker Group)
070. Gutter Ballet - Criss Oliva (Savatage)
071. The Sails of Charon - Uli Jon Roth (Scorpions)
072. Kissing the Shadows - Alexi Laiho (Children of Bodom)
073. Buried Dreams - Bill Steer (Carcass)
074. Dream - Arie Itman (Quo Vadis)
075. Without Judgement - Chuck Schuldiner (Death)
076. A Touch of Evil - Glenn Tipton (Judas Priest)
077. Accolade II - Michael Romeo (Symphony X)
078. Mutha (Don\'t Wanna Go to School Today) - Nuno Bettencourt (Extreme)
079. Of Sins and Shadows - Michael Romeo (Symphony X)
080. Forbidden City - Marty Friedman (Marty Friedman)
081. Elimination - Bobby Gustafson (Overkill)
082. Blackout - Matthias Jabs (Scorpions)
083. Hail and Kill - Ross the Boss (Manowar)
084. Perfect Crime - Chris Impellitteri (Impellitteri)
085. Trail of Tears - James Murphy & Eric Peterson (Testament)
086. Black Sheep - Jani Liimatainen (Sonata Arctica)
087. The Oath - Michael Denner (Mercyful Fate)
088. Holy Diver - Vivian Campbell (Dio)
089. Rock You Like a Hurricane - Matthias Jabs (Scorpions)
090. Speed of Light - Timo Tolkki (Stratovarius)
091. Gods of Wrath - Kurdt Vanderhoof (Metal Church)
092. The Hunter - George Lynch (Dokken)
093. Heaven and Hell - Tony Iommi (Black Sabbath)
094. Suburban Me - Jesper Strömblad (In Flames)
095. Hell\'s Kitchen - John Petrucci (Dream Theater)
096. Paschendale - Adrian Smith, Janick Gers & Dave Murray (Iron Maiden)
097. Thunder and Lightning - Scott Gorham (Thin Lizzy)
098. Snakebite - Paul Gilbert (Racer X)
099. The Shadow Hunter - Kiko Loureiro (Angra)
100. Concerto - Jason Becker & Marty Friedman (Cacophony)

..::(Info)::..
Lucynine - Amor Venenat (2020)
Black-Metal
Italy
FLAC
..::(TrackList)::..
01 - Family (feat. Grazia Migneco)
02 - Nine Eleven
03 - Vetyver 717 (feat. Gianna Coletti)
04 - Charlie's Got Blue Eyes
05 - Things I'll Never Know
06 - Apostasia
07 - White Roses
08 - Anthony Hopkins (feat. Dario Penne)
09 - Roma Blue
10 - Tutto il Male del Mondo (feat. Gianna Coletti)
11 - Everyone I Love Is Dead
12 - Heartectomy
13 - 200335310818 (feat. Claudia Lawrence)

..::(Info)::..
Dark Tranquillity - The Gallery (2021)
Rock / Hard Rock / Metal
Mp3 -320 kbps

..::(TrackList)::..
01. Punish My Heaven
02. Silence, and the Firmament Withdrew
03. Edenspring
04. The Dividing Line
05. The Gallery
06. The One Brooding Warning
07. Midway through Infinity
08. Lethe
09. The Emptiness from Which I Fed
10. Mine Is the Grandeur...
11. ...of Melancholy Burning

...( Info )...

Metallica
Garage Inc. (1998)
FLAC LOSSLESS 24bit-96kHz
3 LP Vinyl
2011 Warner EU



allmusic.com...

For many years, Metallica's 1987 EP Garage Days Re-Revisited was the most sought-after item in their catalog; it was constantly bootlegged in the '90s, and often supplemented by a host of covers Metallica had released on singles and compilations throughout the years. By 1998, the band had understandably grown frustrated with this situation and decided to confront the problem head-on by reissuing all these rarities. Savvy businessmen that they are, they also realized they needed to give hardcore fans who already owned all the covers a reason to purchase the new set -- hence, the expansion of the Garage Days EP to the double-disc blowout Garage, Inc. The second disc's rarities are balanced by the first disc's new covers, the bulk of which were recorded following the Reload tour. It shouldn't come as a surprise that these covers recall the blooze 'n' boogie heavy rock of the Loads, but what is a surprise is that Metallica seems to have found their footing in this style through other people's songs. Whether it's Bob Seger, Blue Öyster Cult, Thin Lizzy, Nick Cave, or the all-star jam on Lynyrd Skynyrd's "Tuesday's Gone," the band effortlessly makes the songs seem like their own, through a bizarre mix of respect and ballsy irreverence. Sure, it may not be nearly as raw as early Metallica, but it is a better listen than either of the Load records. And if raw is what you want, the equally diverse disc two provides all the thrills you could hope for. At one time, it might have seemed a little odd that Metallica would cover Budgie, Diamond Head, the Misfits, and Queen, but if Garage, Inc. proves anything, it's that the group's musical instincts, risks, and sense of humor have made them the greatest metal band of the '80s and '90s.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-29 14:35:26

--------------------------------------------------------------------------------
Analyzed: Metallica / Garage Inc.
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -2.34 dB  -14.40 dB   2:35 01-Free Speech For The Dumb
DR10   -1.15 dB  -12.69 dB   3:33 02-It's Electric
DR11   -0.83 dB  -13.78 dB   6:19 03-Sabbra Cadabra
DR11   -0.48 dB  -13.37 dB   6:06 04-Turn The Page
DR10   -0.86 dB  -12.63 dB   2:29 05-Die, Die My Darling
DR11   -0.27 dB  -15.49 dB   7:51 06-Loverman
DR11   -0.44 dB  -13.57 dB   11:08 07-Mercyful Fate
DR11   -1.47 dB  -16.21 dB   6:36 08-Astronomy
DR11   -1.25 dB  -14.18 dB   5:04 09-Whiskey In The Jar
DR13   -1.05 dB  -16.14 dB   9:03 10-Tuesday's Gone
DR11   -1.76 dB  -14.65 dB   3:27 11-The More I See
DR12   -1.17 dB  -15.08 dB   6:32 12-Helpless
DR12   -0.71 dB  -14.93 dB   6:41 13-The Small Hours
DR11   -1.48 dB  -14.61 dB   4:54 14-The Wait
DR12   -1.20 dB  -15.38 dB   3:10 15-Crash Course In Brain Surgery
DR12   -2.09 dB  -15.65 dB   3:29 16-Last Caress/Green Hell
DR11   -1.87 dB  -15.19 dB   7:48 17-Am I Evil?
DR12   -1.84 dB  -15.42 dB   3:36 18-Blitzkrieg
DR11   -1.62 dB  -16.21 dB   5:36 19-Breadfan
DR11   -1.77 dB  -15.32 dB   4:29 20-The Prince
DR11   -1.00 dB  -15.26 dB   2:18 21-Stone Cold Crazy
DR11   -1.57 dB  -14.02 dB   3:13 22-So What
DR12   -1.14 dB  -14.99 dB   2:58 23-Killing Time
DR12   -0.50 dB  -13.90 dB   4:04 24-Overkill
DR12   -0.28 dB  -14.57 dB   3:38 25-Damage Case
DR11   -1.43 dB  -14.55 dB   4:52 26-Stone Dead Forever
DR12   -1.73 dB  -14.68 dB   3:14 27-Too Late Too Late

Number of tracks: 27
Official DR value: DR11

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3104 kbps
Codec:       FLAC

...( Info )...

Ozzy Osbourne
Blizzard Of Ozz (1980)
FLAC LOSSLESS 24bit-96kHz
UK PBTHAL Vinyl Rip


allmusic.com...

Ozzy Osbourne's 1981 solo debut Blizzard of Ozz was a masterpiece of neo-classical metal that, along with Van Halen's first album, became a cornerstone of '80s metal guitar. Upon its release, there was considerable doubt that Ozzy could become a viable solo attraction. Blizzard of Ozz demonstrated not only his ear for melody, but also an unfailing instinct for assembling top-notch backing bands. Onetime Quiet Riot guitarist Randy Rhoads was a startling discovery, arriving here as a unique, fully formed talent. Rhoads was just as responsible as Osbourne -- perhaps even more so -- for the album's musical direction, and his application of classical guitar techniques and scales rewrote the rulebook just as radically as Eddie Van Halen had. Rhoads could hold his own as a flashy soloist, but his detailed, ambitious compositions and arrangements revealed his true depth, as well as creating a sense of doomy, sinister elegance built on Ritchie Blackmore's minor-key innovations. All of this may seem to downplay the importance of Ozzy himself, which shouldn't be the case at all. The music is a thoroughly convincing match for his lyrical obsession with the dark side (which was never an embrace, as many conservative watchdogs assumed); so, despite its collaborative nature, it's unequivocally stamped with Ozzy's personality. What's more, the band is far more versatile and subtle than Sabbath, freeing Ozzy from his habit of singing in unison with the guitar (and proving that he had an excellent grasp of how to frame his limited voice). Nothing short of revelatory, Blizzard of Ozz deservedly made Ozzy a star, and it set new standards for musical virtuosity in the realm of heavy metal.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-27 11:00:12

--------------------------------------------------------------------------------
Analyzed: Ozzy Osbourne / Blizzard Of Ozz
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -1.37 dB  -14.95 dB   5:17 01-I Don't Know
DR12   -0.31 dB  -14.42 dB   4:51 02-Crazy Train
DR13    0.00 dB  -15.86 dB   5:37 03-Goodbye To Romance
DR13   -7.98 dB  -24.38 dB   0:51 04-Dee
DR13   -1.45 dB  -16.63 dB   4:19 05-Suicide Solution
DR12   -1.49 dB  -15.84 dB   4:59 06-Mr. Crowley
DR13   -0.70 dB  -15.49 dB   4:00 07-No Bone Movies
DR11   -1.08 dB  -15.98 dB   6:11 08-Revelation (Mother Earth)
DR11   -0.70 dB  -14.73 dB   3:30 09-Steal Away (The Night)

Number of tracks: 9
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3376 kbps
Codec:       FLAC

...( TrackList )...

01. Body Count - Point the Finger (feat. Riley Gale)
02. Lamb of God - Poison Dream
03. In This Moment - As Above, So Below
04. Deftones - Genesis
05. Killer Be Killed - Comfort from Nothing
06. Machine Head - Bulletproof
07. Testament - Children of the Next Level
08. Paradise Lost - Fall from Grace
09. Amaranthe - BOOM!1
10. Avatar - Wormhole
11. Poppy - Bite Your Teeth
12. Bring Me the Horizon - Dear Diary,
13. Ocean Grove - NEO
14. Rob Zombie - The Triumph of King Freak (A Crypt of Preservation and Superstition)
15. Trivium - Catastrophist
16. Breaking Benjamin - Never Again (Aurora Version)
17. Pig Destroyer - Cameraman
18. Venom Prison - Babylon the Whore
19. Behemoth - A Forest (feat. Niklas Kvarforth)
20. Tombs - Mordum
21. DevilDriver - Vengeance is Clear
22. Napalm Death - Contagion
23. Concrete - Parasites
24. Plague Years - Evil One
25. Marilyn Manson - INFINITE DARKNESS
26. Carach Angren - The Necromancer
27. Carcass - Slaughtered in Soho
28. Gojira - Another World
29. Kill the Lights - Watch You Fall
30. Hatebreed - Weight of the False Self
31. The Ghost Inside - Phoenix Rise
32. Love And Death - Down
33. Delain - Let's Dance
34. Black Orchid Empire - Death from Above
35. Tallah - We, the Sad
36. Ghostemane - Hydrochloride
37. Code Orange - The Easy Way
38. Chamber - Cost of Sacrifice
39. Emmure - Trash Folder
40. Make Them Suffer - How To Survive A Funeral
41. Architects - Animals
42. A Day to Remember - Brick Wall
43. Saul - Sticks And Stones
44. Warbringer - Crushed Beneath the Tracks
45. Havok - Betrayed by Technology
46. Mutually Assured Destruction - Exhale
47. Katatonia - Behind the Blood
48. My Dying Bride - A Secret Kiss
49. Crippled Black Phoenix - Lost
50. Imperial Triumphant - Alphaville

...( Info )...

Metallica
Death Magnetic (2008)
FLAC LOSSLESS 24bit-96kHz
Vinyl Rip


allmusic.com...

Call Death Magnetic Kirk Hammett's revenge. Famously browbeaten into accepting Lars Ulrich and producers Bob Rock's dictum that guitar solos were "dated" and thereby verboten for 2003's St. Anger -- a fraught recording chronicled on the 2004 documentary Some Kind of Monster -- Metallica's lead guitarist dominates this 2008 sequel, playing with an euphoric fury not heard in years, if not decades. This aesthetic shift isn't because Hammett suddenly rules the band: powerless to add solos to St. Anger, he couldn't reinstate them without the blessing of Ulrich and James Hetfield, the politburo of Metallica. The duo suffered some combination of shame and humility in the wake of the muddled St. Anger and Monster, convincing these two unmovable forces to change direction. They ditched longtime producer Rock -- who'd helmed every album since 1991's breakthrough blockbuster Metallica -- in favor of Rick Rubin, patron saint of all veteran rockers looking to reconnect with their early spark. Rubin may be the go-to producer for wayward superstars but as the producer of Slayer, he's also rooted in thrash, so he understands the core of Metallica's greatness and gently steers them back to basics on Death Magnetic.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-29 18:40:25

--------------------------------------------------------------------------------
Analyzed: Metallica / Death Magnetic
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR12   -1.28 dB  -14.46 dB   7:11 01-That Was Just Your Life
DR12   -1.22 dB  -15.11 dB   7:53 02-The End Of The Line
DR12   -1.35 dB  -14.39 dB   6:24 03-Broken, Beat & Scarred
DR12   -1.78 dB  -15.72 dB   7:55 04-The Day That Never Comes
DR12   -1.53 dB  -14.81 dB   7:55 05-All Nightmare Long
DR11   -1.40 dB  -13.89 dB   6:37 06-Cyanide
DR12   -1.41 dB  -16.06 dB   7:48 07-The Unforgiven III
DR11   -1.35 dB  -13.55 dB   8:02 08-The Judas Kiss
DR11   -1.49 dB  -13.68 dB   10:04 09-Suicide & Redemption
DR11   -1.51 dB  -13.26 dB   4:57 10-My Apocalypse

Number of tracks: 10
Official DR value: DR11

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      2943 kbps
Codec:       FLAC

...( Info )...

Slayer
Reign In Blood (1986)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

Widely considered the pinnacle of speed metal, Reign in Blood is Slayer's undisputed masterpiece, a brief (under half an hour) but relentless onslaught that instantly obliterates anything in its path and clears out just as quickly. Producer Rick Rubin gives the band a clear, punchy sound for the first time in its career, and they largely discard the extended pieces of Hell Awaits in favor of lean assaults somewhat reminiscent of hardcore punk (though distinctly metallic and much more technically demanding).


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-26 18:03:43

--------------------------------------------------------------------------------
Analyzed: Slayer / Reign In Blood
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR13   -1.69 dB  -16.58 dB   4:51 01-Angel Of Death
DR14   -1.06 dB  -16.30 dB   2:03 02-Piece By Piece
DR13   -2.75 dB  -16.57 dB   1:40 03-Necrophobic
DR13   -0.85 dB  -15.63 dB   2:50 04-Altar Of Sacrifice
DR14   -0.22 dB  -16.35 dB   2:55 05-Jesus Saves
DR14   -1.51 dB  -17.61 dB   2:24 06-Criminally Insane
DR13   -2.64 dB  -16.76 dB   2:11 07-Reborn
DR13   -2.16 dB  -16.73 dB   2:23 08-Epidemic
DR14   -0.22 dB  -16.58 dB   2:45 09-Postmortem
DR14   -1.17 dB  -16.82 dB   4:26 10-Raining Blood

Number of tracks: 10
Official DR value: DR14

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3243 kbps
Codec:       FLAC

...( Info )...

Metallica
... And Justice For All (1988)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

...And Justice for All is Metallica's most complex, ambitious work; every song is an expanded suite, with only two of the nine tracks clocking in at under six minutes. It takes a while to sink in, but given time, ...And Justice for All reveals some of Metallica's best material. It also reveals the band's determination to pull out all the compositional stops, throwing in extra sections, odd-numbered time signatures, and dense webs of guitar arpeggios and harmonized leads.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-25 20:24:59

--------------------------------------------------------------------------------
Analyzed: Metallica / ... And Justice For All
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR12   -0.70 dB  -15.12 dB   6:44 01-Blackened
DR12   -1.43 dB  -15.66 dB   9:47 02-... And Justice For All
DR12   -0.70 dB  -14.78 dB   6:25 03-Eye Of The Beholder
DR12   -2.49 dB  -17.12 dB   7:24 04-One
DR12   -0.70 dB  -14.74 dB   6:36 05-The Shortest Straw
DR12   -1.35 dB  -14.92 dB   5:45 06-Harvester Of Sorrow
DR13   -1.83 dB  -16.59 dB   7:44 07-The Frayed Ends Of Sanity
DR12   -0.70 dB  -16.18 dB   9:48 08-To Live Is To Die
DR12   -1.84 dB  -15.01 dB   5:14 09-Dyers Eve

Number of tracks: 9
Official DR value: DR12

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3128 kbps
Codec:       FLAC

...( Info )...

Metallica
Metallica (1991)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


allmusic.com...

After the muddled production and ultracomplicated song structures of ...And Justice for All, Metallica decided that they had taken the progressive elements of their music as far as they could and that a simplification and streamlining of their sound was in order. While the assessment made sense from a musical standpoint, it also presented an opportunity to commercialize their music, and Metallica accomplishes both goals. The best songs are more melodic and immediate, the crushing, stripped-down grooves of "Enter Sandman," "Sad but True," and "Wherever I May Roam" sticking to traditional structures and using the same main riffs throughout; the crisp, professional production by Bob Rock adds to their accessibility. "The Unforgiven" and "Nothing Else Matters" avoid the slash-and-burn guitar riffs that had always punctuated the band's ballads; the latter is a full-fledged love song complete with string section, which works much better than might be imagined. The song- and riff-writing slips here and there, a rare occurrence for Metallica, which some longtime fans interpreted as filler next to a batch of singles calculated for commercial success. The objections were often more to the idea that Metallica was doing anything explicitly commercial, but millions more disagreed. In fact, the band's popularity exploded so much that most of their back catalog found mainstream acceptance in its own right, while other progressively inclined speed metal bands copied the move toward simplification. In retrospect, Metallica is a good, but not quite great, album, one whose best moments deservedly captured the heavy metal crown, but whose approach also foreshadowed a creative decline.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-25 22:12:11

--------------------------------------------------------------------------------
Analyzed: Metallica / Metallica
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR14   -1.85 dB  -17.75 dB   5:32 01-Enter Sandman
DR14   -0.70 dB  -17.28 dB   5:24 02-Sad But True
DR14   -0.81 dB  -16.86 dB   3:49 03-Holier Than Thou
DR14   -1.30 dB  -17.29 dB   6:27 04-The Unforgiven
DR13   -1.06 dB  -16.16 dB   6:45 05-Wherever I May Roam
DR14   -0.70 dB  -16.36 dB   4:01 06-Don't Tread On Me
DR13   -0.70 dB  -15.54 dB   4:05 07-Through The Never
DR14   -2.59 dB  -19.86 dB   6:29 08-Nothing Else Matters
DR15   -1.14 dB  -17.31 dB   4:21 09-Of Wolf And Man
DR14   -1.31 dB  -16.27 dB   5:08 10-The God That Failed
DR13   -1.65 dB  -17.60 dB   6:49 11-My Friend Of Misery
DR15   -0.70 dB  -17.66 dB   3:59 12-The Struggle Within

Number of tracks: 12
Official DR value: DR14

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      3366 kbps
Codec:       FLAC

...( Info )...

Metallica
Ride The Lightning (1984)
FLAC LOSSLESS 24bit-96kHz
UK PBTHAL Vinyl Rip


allmusic.com...

Kill 'Em All may have revitalized heavy metal's underground, but Ride the Lightning was even more stunning, exhibiting staggering musical growth and boldly charting new directions that would affect heavy metal for years to come. Incredibly ambitious for a one-year-later sophomore effort, Ride the Lightning finds Metallica aggressively expanding their compositional technique and range of expression. Every track tries something new, and every musical experiment succeeds mightily. The lyrics push into new territory as well -- more personal, more socially conscious, less metal posturing. But the true heart of Ride the Lightning lies in its rich musical imagination. There are extended, progressive epics; tight, concise groove-rockers; thrashers that blow anything on Kill 'Em All out of the water, both in their urgency and the barest hints of melody that have been added to the choruses. Some innovations are flourishes that add important bits of color, like the lilting, pseudo-classical intro to the furious "Fight Fire with Fire," or the harmonized leads that pop up on several tracks. Others are major reinventions of Metallica's sound, like the nine-minute, album-closing instrumental "The Call of Ktulu," or the haunting suicide lament "Fade to Black." The latter is an all-time metal classic; it begins as an acoustic-driven, minor-key ballad, then gets slashed open by electric guitars playing a wordless chorus, and ends in a wrenching guitar solo over a thrashy yet lyrical rhythm figure. Basically, in a nutshell, Metallica sounded like they could do anything. Heavy metal hadn't seen this kind of ambition since Judas Priest's late-'70s classics, and Ride the Lightning effectively rewrote the rule book for a generation of thrashers. If Kill 'Em All was the manifesto, Ride the Lightning was the revolution itself.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-12-25 20:25:46

--------------------------------------------------------------------------------
Analyzed: Metallica / Ride The Lightning
--------------------------------------------------------------------------------

DR     Peak     RMS   Duration Track
--------------------------------------------------------------------------------

...( TrackList )...

DR11   -1.01 dB  -13.68 dB   4:46 01-Fight Fire With Fire
DR12   -0.70 dB  -13.92 dB   6:37 02-Ride The Lightning
DR11   -1.39 dB  -14.13 dB   5:10 03-For Whom The Bell Tolls
DR11   -2.01 dB  -15.59 dB   6:59 04-Fade To Black
DR11   -1.77 dB  -13.42 dB   4:06 05-Trapped Under Ice
DR11   -1.99 dB  -14.71 dB   4:24 06-Escape
DR11   -0.70 dB  -13.82 dB   6:36 07-Creeping Death
DR12   -1.34 dB  -15.56 dB   8:56 08-The Call Of Ktulu

Number of tracks: 8
Official DR value: DR11

Samplerate:    96000 Hz
Channels:     2
Bits per sample:  24
Bitrate:      2957 kbps
Codec:       FLAC

...( Info )...

Title: Tree City Sessions 2
Artist: Dance Gavin Dance
Year: 2020
Genre: Post-Hardcore
Country: USA

Duration: 01:07:03
Format / Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList )...

01. The Backwards Pumpkin Song [00:04:47]
02. Uneasy Hearts Weigh The Most [00:04:14]
03. NASA [00:03:33]
04. Blue Dream [00:05:11]
05. Strawberry Swisher, Pt. 3 [00:04:06]
06. Jesus H. Macy [00:03:20]
07. Stroke God, Millionaire [00:03:21]
08. Awkward [00:04:05]
09. Summertime Gladness [00:03:57]
10. Inspire The Liars [00:05:10]
11. Man Of The Year [00:06:24]
12. Son of Robot [00:04:31]
13. Evaporate [00:05:44]
14. Strawberry's Wake [00:04:08]
15. Nothing Shameful [00:04:25]

..::(Info)::..
Royal Hunt - Dystopia (2020)
Melodic-Progressive-Metal
00:55:49
FLAC
..::(TrackList)::..
01 - Inception F451 (00:02:55)
02 - Burn (00:06:31)
03 - The Art of Dying (00:08:50)
04 - I Used to Walk Alone (00:06:06)
05 - The Eye of Oblivion (00:06:48)
06 - Hound of the Damned (00:06:21)
07 - The Missing Page (Intermission 1) (00:02:39)
08 - Black Butterflies (00:08:17)
09 - Snake Eyes (00:05:59)
10 - Midway (Intermission 2) (00:01:20)