...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Reedycja jednej z najważniejszych płyt w dyskografii Mike’a Oldfielda. Ten wyjątkowy album pierwotnie ukazał się w 1978r. i został uznany za mistrzostwo minimalizmu. Zawarty na nim materiał jest podzielony na 4 części i został zremasterowany pod okiem samego Oldfielda. Płyta zawiera też singiel ‘Guilty’ – kultowe nagranie z 1979r., które okazało się przebojem nowojorskich parkietów u szczytu rozkwitu ery disco. Album jest dostępny jest również w wersji 2CD/DVD, na której znalazły się rzadko publikowane nagrania, a także materiał z trasy koncertowej z 1979r.



..::TRACK-LIST::..

5.1 Surround Sound Mixes:
1. Diana 6:35
2. Northumbrian 2:56
3. Piano Improvisation 5:38
4. Hiawatha 9:01
5Canon For Two Vibraphones 2:49
6. Guilty 6:41

1977 Promotional Video:
7. William Tell Overture 3:56

Incantations (Recorded Live In April 1979 At Wembley Conference Centre):
8. Parts One & Two 30:12
9. Parts Three & Four 21:12

1979 Promotional Video:
10. Guilty 4:09



https://www.youtube.com/watch?v=15a4xFuYbqw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



ABSOLUTNA PETARDA!!!


..::OPIS::..

What’s the nerdiest influence on a metal band you’ve ever heard of? I always thought that Slough Feg had got the winner there, what with their album based on the classic pen and paper RPG, “Traveller”. Achelous have ripped the throne from their trad-metal hands with this album, based on the Icewind Dale trilogy by R.A.Salvatore, a (fantastic) set of fantasy novels based on the pen and paper RPG Dungeons and Dragons.

Achelous are a Greek band, having released one previous album and a couple of Eps before. I have to say, upon listening to record opener “Northern Winds” (which is not actually a song about waking up the morning after a curry in Bradford), I was really pleased and surprised with what I had heard. I was expecting some more like the power metal that tends to be en vogue when fantasy metal is produced, but actually what I heard was much more like the slightly doomy traditional metal like that heard from classic act Doomsword.

Chris Kappas (vocals) has a fine clean singing voice, which has plenty of power and clean diction. While he may sound a little more Blaze Bailey than Bruce Dickinson, there’s a fair amount of range in his voice. Second song on the album, “Flames of War” has an infectious gallop to it, with some nifty axe duelling, while the powerful production and aggressive approach of the band perhaps make this a little closer to the more muscular moments of Iced Earth than to many power metal bands. “Savage King” is a jaunty stomper, with some effective chugging moments.

For me though, highlight of the album is the almost absurdly enjoyable sonic adventure that is “Halfling’s Gem”. Is it cheesy? Yeah, it is. Is it great? Yeah, it is. You must make a saving throw against Axe, Bass and Drum on D20 or else this track is going to bury itself deep into your skull. I can imagine this being played with lots of dry ice and one-foot-on-the-monitor gurning bass work.

In terms of criticisms, I don’t have that many. I’d like the synth to be a little lower in the mix from time to time but overall the production is mostly spot on. At just eight tracks long, it doesn’t outweigh its welcome either. The final track “Outcast” is the longest, weighing over 7 minutes in length, but even then it feels epic rather than merely long. If you fancy a tasty melding of orcs, elves, halflings and pure nerd metal, then this is one for your collection.

Chris Davison



..::TRACK-LIST::..

1. Northern Winds 06:06
2. Flames Of War 04:07
3. Savage King 04:52
4. Mithril Hall 04:19
5. The Crystal Shard 05:18
6. Halfling's Gem 04:12
7. Face The Storm 04:17
8. Outcast 07:32



..::OBSADA::..

Chris Kappas - Vocals
George Mavrommatis - Guitars
Vicky Demertzi - Guitars, Piano
Chris Achelous - Bass
Giannis Roussis - Drums

Guest vocals by Christina Petrogianni
Guest bass by Johnny Litinakis
Guest guitars by Haris Dinos



https://www.youtube.com/watch?v=RXQeOwRhSXk


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



ABSOLUTNA PETARDA!!!


..::OPIS::..

What’s the nerdiest influence on a metal band you’ve ever heard of? I always thought that Slough Feg had got the winner there, what with their album based on the classic pen and paper RPG, “Traveller”. Achelous have ripped the throne from their trad-metal hands with this album, based on the Icewind Dale trilogy by R.A.Salvatore, a (fantastic) set of fantasy novels based on the pen and paper RPG Dungeons and Dragons.

Achelous are a Greek band, having released one previous album and a couple of Eps before. I have to say, upon listening to record opener “Northern Winds” (which is not actually a song about waking up the morning after a curry in Bradford), I was really pleased and surprised with what I had heard. I was expecting some more like the power metal that tends to be en vogue when fantasy metal is produced, but actually what I heard was much more like the slightly doomy traditional metal like that heard from classic act Doomsword.

Chris Kappas (vocals) has a fine clean singing voice, which has plenty of power and clean diction. While he may sound a little more Blaze Bailey than Bruce Dickinson, there’s a fair amount of range in his voice. Second song on the album, “Flames of War” has an infectious gallop to it, with some nifty axe duelling, while the powerful production and aggressive approach of the band perhaps make this a little closer to the more muscular moments of Iced Earth than to many power metal bands. “Savage King” is a jaunty stomper, with some effective chugging moments.

For me though, highlight of the album is the almost absurdly enjoyable sonic adventure that is “Halfling’s Gem”. Is it cheesy? Yeah, it is. Is it great? Yeah, it is. You must make a saving throw against Axe, Bass and Drum on D20 or else this track is going to bury itself deep into your skull. I can imagine this being played with lots of dry ice and one-foot-on-the-monitor gurning bass work.

In terms of criticisms, I don’t have that many. I’d like the synth to be a little lower in the mix from time to time but overall the production is mostly spot on. At just eight tracks long, it doesn’t outweigh its welcome either. The final track “Outcast” is the longest, weighing over 7 minutes in length, but even then it feels epic rather than merely long. If you fancy a tasty melding of orcs, elves, halflings and pure nerd metal, then this is one for your collection.

Chris Davison



..::TRACK-LIST::..

1. Northern Winds 06:06
2. Flames Of War 04:07
3. Savage King 04:52
4. Mithril Hall 04:19
5. The Crystal Shard 05:18
6. Halfling's Gem 04:12
7. Face The Storm 04:17
8. Outcast 07:32



..::OBSADA::..

Chris Kappas - Vocals
George Mavrommatis - Guitars
Vicky Demertzi - Guitars, Piano
Chris Achelous - Bass
Giannis Roussis - Drums

Guest vocals by Christina Petrogianni
Guest bass by Johnny Litinakis
Guest guitars by Haris Dinos



https://www.youtube.com/watch?v=RXQeOwRhSXk


SEED 15:00-22:00.
POLECAM!!!

TRACKLISTA:

1. Kał I Szkło Intro
2. Gry I Przemoc
3. Sierp 2
4. A-10 THUNDERBOLT
5. Zlote Maski Feat. Paluch
6. O Kurczę
7. Inni
8. Święta W Piekle '87
9. Świąteczny VHS


DANE TECHNICZNE:

Wielkość uploadu: 84,5 MB
Format/Kodek: Mp3

TRACKLISTA:

1. POLA ŚMIERCI (INITIUM MESSIS)
2. MIEJSKI REPORTER FEAT. BRAHU
3. EGZEKUTOR (KRYMINALNA GORACZKA)
4. STRATEGIA DILERA
5. TRZYMAJ ZĘBY PRZED JĘZYKIEM
6. KOŁO FORTUNY
7. WŁADCA MUCH (KIEDY MÓWI DO MNIE WIATR)
8. ŻNIWA
9. CO PRZYNIESIE WIATR. FEAT. FENOMEN


DANE TECHNICZNE:

Wielkość uploadu: 77,5 MB
Format/Kodek: Mp3

..::INFO::..

Drugi album kanadyjskiego zespołu grającego reggae i ska. Łącznie wydali cztery płyty.

Title: Soul Control

Artist: Random Order

Country: Kanada

Year: 1993

Genre: Ska, Reggae

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Resistance
2.Joie De Vivre
3.Fashion
4.Things Fall Apart
5.Soul Controller
6.Tables Turn
7.Serious Distraction
8.Things Fall Apart (Re-Mix)

..::INFO::..

Jedyne nagrania australijskiego zespołu grającego ska.

Title: Steps in the Alley

Artist: Backdoor Stomp

Country: Australia

Year: 1999

Genre: Ska

Format / Codec: MP3

Audio bitrate: 128 Kbps

..::TRACK-LIST::..

1.Steps In The Alley
2.Inspector Martens
3.Trouble
4.Breakin' Up
5.What's Goin' On
6.Hey Yo!
7.Tequila!
8.Lorraine
9.Just A Feeling
10.Nite Klub

...( Info )...

Artist: Frank Zappa
Album: Greatest Hits Broadcast Collection
Year: 2024
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. Call Any Vegetable (Live)
02. King Kong (Live)
03. A Pound for Brown (Live)
04. The Dog Breath Variations - Uncle Meat (Live)
05. Son of Mr. Green Genes (Live)
06. Chunga's Revenge, Pt. 2 (Live)
07. Camarillo Brillo (Live)
08. Cosmik Debris (Live)
09. Yellow Snow Suite (Live)
10. Apostrophe (Live)
11. Stink-Foot (Live)
12. Who Are the Brain Police (Live)
13. Florentine Pogen (Live)
14. The Torture Never Stops (Live)
15. Black Napkins (Live)
16. City of Tiny Lights (Live)
17. Outside Now (Live)
18. Black Page #2 (Live)

...( Info )...


Artist: Emma Pask
Album: This Madness Called Love
Year: 2025
Genre: Jazz
Quality: FLAC 16Bit-44.1kHz

...( TrackList )...

01. This Madness Called Love
02. Under A Blanket Of Blue
03. Evidence
04. It's All A Game
05. Short People
06. No Regret
07. Wouldn't It Be Loverly
08. Shadow Of Your Smile
09. Let There Be Love
10. Introduce Me To Your Friend
11. Imagination

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To jeden z tych utworów, do których trzeba usiąść wygodnie w fotelu, założyć słuchawki i po prostu dać się ponieść.

Mnogość tematów zmieniających się jak w kalejdoskopie, naturalna kompozycja, w której jeden motyw wyrasta z drugiego, czasem subtelnie przypominając coś, co już przed chwilą słyszeliśmy, na pewno nie pozwoli się przez te dwadzieścia minut nudzić. To porywająca i jedyna w swoim rodzaju wędrówka, którą nie sposób się nie zachwycić.

Druga część jest już bardziej stonowana, miejscami psychodeliczna. Więcej tu akustycznych, folkowych brzmień, mniej aranżacyjnego bogactwa. Jest jeszcze miniatura „On Horseback”, doklejona do drugiej części głównej suity, zaśpiewana przez Oldfielda i Williama Murray’a – szkockiego perkusistę, który potem przerzucił się na fotografię. To z kolei wspomnienie ich własnych dziecięcych radości.
Niesamowita płyta!



..::TRACK-LIST::..

Ommadawn (2010 5.1 Surround Mixes)
Mixed By Mike Oldfield
1. Part One 19:06
2. Part Two / On Horseback 17:21
Uilleann Pipes - Paddy Moloney
Words To The Horse Song - Mike Oldfield, William Murray

Original Promotional Videos:
3. In Dulce Jubilo 3:04
Arranged By, Engineer [At The Beacon] - Mike Oldfield
Engineer [At The Manor] - Phil Newell
Written By - Robert Lucas de Pearsall

4. Portsmouth 2:03
Acoustic Guitar, Accordion, Mandolin, Synthesizer [String], Drum [Kettle], Bodhrán, Body Percussion [Feet] - Mike Oldfield
Body Percussion [Feet] - Leslie Penning
Engineer - Paul Lindsay




https://www.youtube.com/watch?v=W2HeFIW4E7k



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Gdybym w zorganizowany sposób prowadził muzyczne notatki jakieś 30 lat temu, z myślą o szerszej publikacji, szybko znalazłyby się tam wszystkie na bieżąco wydawane płyty Mike Oldfielda. Mój zachwyt nad jego talentem nie miał chyba granic i graniczył z uwielbieniem. No cóż, od tamtej pory minęło jednak wiele lat. Z wiekiem człowiek dojrzewa, rozumie pewne mechanizmy inaczej i nabiera dystansu. Oczywiście, Mike dalej jest jednym z moich ulubionych muzyków, a płyta "Hergest Ridge" jedną z tych, które szczególnie lubię. Dlatego z radością przyjąłem informację o specjalnym wydaniu w 2010 roku edycji deluxe, zawierającej rożne wersje tej wspaniałej muzyki. Słuchając Hergest Ridge {Part One and Two} 2010 Stereo Mixes, rejestrując uszami zmiany detali, przypomniałem sobie narzekania krytyków z końca lat 70., którzy przed laty deprecjonowali wartość "Wrzosowisk". Twierdzili oni niejednokrotnie, iż są to popłuczyny wspaniałych "Dzwonów Rurowych" i że Oldfield jest po prostu auto plagiatorem, kopistą jednego dzieła. Uznałem, że jest to krzywdząca opinia i traktowałem HR jako wspaniałe tło do moich kilku premierowych wydarzeń w życiu np. pierwszego spotkania z morzem. Czego by nie mówić - jest to muzyka patetyczna i pełna swoistej poezji, więc jest takich rzeczy nadaje się idealnie. Warto tu wspomnieć, że był czas, że Mike w pewnym momencie "zepsuł" swoje dzieło. W 1976 roku Virgin wydał kilku płytowy album 'Boxed", na którym zremiksowana wersja "Wrzosowisk" po prostu mi się nie podoba. Niektórzy twierdzą, że podobnych zmian jest więcej w kolejnych wydaniach. No cóż, może i tak... Ale co można powiedzieć o najnowszej emisji? Na Deluxe Edition w wersji audio podarowano słuchaczom aż trzy wersje Stereo Mixes 2010, Original 1974 Stereo Mixes, i Previously Unreleased 1974 Demo Recordings. Zapis z DVD niesie jeszcze jedną opcję: "2010 5.1 Surround Mixes". Różnią się one między sobą szczegółami, jednak nie w taki spektakularny sposób jak dawna wersja z Boxed. Oczywiście, "Previously Unreleased 1974 Demo Recordings" jest pozbawiony wielu ścieżek, lub zawiera alternatywne, momentami brzmi inaczej, nie sposób temu zaprzeczyć Ale... żadna z tych wersji nie wzbudza już we mnie większych emocji. Zastanawiałem się dlaczego. Czy to wina osłuchania, zbyt częstego odtwarzania? Chyba nie. Analizując dokonania tego utalentowanego multi instrumentalisty, doszedłem do wniosku że modyfikacje suit o ekstatycznym zakończeniu, dużej dynamice, jak "Tubular Bells" i "Ommadawn" dają możliwość zbudowania atrakcyjnego klona (np. TB II, czy koncertowe wykonanie "Ommadawn"). Natomiast budowa Wrzosowisk być może jest sama w sobie pewnym ograniczeniem? Oczywiście, to tylko moja teoria. Jakby nie patrzył, ta muzyka powinna się podobać przynajmniej przez pierwsze 30 lat. To całkiem dobry wynik.

Electronic music



..::OBSADA::..

1. Hergest Ridge [Part 01] 2010 5.1 Surround Mix
2. Hergest Ridge [Part 02] 2010 5.1 Surround Mix



https://www.youtube.com/watch?v=6MTXTYZpgXo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Przyznam szczerze, że kiedy po wydaniu usłyszałem ten krążek byłem załamany...
Po takim debiucie? Jak? Dlaczego?

Dzisiaj... Człowiek się jednak starzeje...



Although the reason why I decided to revisit Iron Angel’s back catalogue some ten years ago was the release of the awful “Back from Hell” demo, about which the guys should forget faster than Destruction did about their mid-90’s period (yeah, it’s that bad), I was quite glad that I did since it reminded me of how jubilant I was listening to this happy-go-lucky speed metal barrage on the album reviewed here in my teenage years, feeling also content with the fact that I had found “Walls of Jericho”’s little brother, only served with a more mainstream flavour. Although the guys were the first German victims of the mid-80’s transformation campaign (Motley Crue, Judas Priest, Iron Maiden, etc.) towards a mellower poppier sound, they still managed to retain quite a bit of their aggressive swagger that made their debut such a compulsive headbanging fest.

The debut was a compelling speed/thrash affair with audible attempts at more individual ways of expression. However, the sophomore here shows an obvious fascination with the mentioned Helloween magnum opus, and it remains its most faithful companion all these years including with the more commercial radio-friendly additives, and not only because of Dick Shroder’s “Kai Hansen meets Udo”-like vocals. The stomping officiant intro that is the title-track abruptly turns into a ball of speed metal fury on “Metalstorm” which couldn’t have been titled more appropriately, a short bursting speedster that almost exemplifies the German speed metal scene in its entirety. “Son of a Bitch” is not an Accept cover, contrary to the expectations, but is a great uplifting power metal anthem with a nearly stadium-filling potential with the rousing shouty chorus and the brisk bouncy rhythms. “Vicious” has a smattering pounding beginning, but after it it’s business as usual the band unleashing a whirlwind of fast lashing guitars turning this number into another shining example of pure speed metal carnage done right. “Born to Rock” has a very clear message from the very title, and this is indeed a fist-pumping heavy rocker worthy of Accept and Scorpions with a staged live setting echoing Bruce Springsteen’s “Born to Run”.

Far from embarrassment, this number remains the only full-fledged probe into the growing pop-metalish aesthetics on the field, and is totally cancelled by “Fight for Your Life”, a vigorous speed/thrash with biting cutting guitars, arguably the band’s finest achievement, offering myriad time and tempo-changes, a shredding fest of epic proportions nearly matched by “Stronger than Steel” which stomping intro reminds of Exciter’s “Scream in the Night” from “Violence & Force”; furious speed metal is thrown at the expectant audience later, a soaring “eagle fly free” cavalcade with the next in line sing-along chorus embedded into the hyper-active melee. “Sea of Flames” serves a tasteful portion of melodic leads as an appetizer which precedes another fast-paced carnival mixed with more laid-back power metal, the melodic hooks appearing later again to wrap it on. “Creatures of Destruction” is a brilliant angry speed metaller the guys raising hell as a logical conclusion to this impressive slab of old school metal which actual finale is the cool short balladic “Back to the Silence” with Schroder showing his more lyrical, more passionate vocal arsenal to a really positive effect.

German speed metal couldn’t have come much better than here, and apart from the early Helloween exploits and Living Death’s “Metal Revolution” it’s probably only the first two Scanner instalments that managed to capture the movement’s invigorating charm as profoundly, not siding that readily with the more aggressive thrash-prone debuts of Angel Dust, Exumer and Paradox, and Blind Guardian’s first two. The mentioned friendlier ingredients boded danger for eventual future recordings as one never knew how far the guys would be willing to reach exploring their more tender side. In this train of thought their very early disappearance, one of the earliest in metal history as a matter of fact, may have been for the better cause no one wanted to see prime German speed metallers releasing “Cold Lake” or “Eat the Heat” before those albums were even conceived on the mental plane.

The old school resurrection wave brought the Iron Angels back into the game, and although the first showing (the mentioned demo) after the reformation had better be forgotten, the more recent weather forecasts hint at potential strong winds (of war) stirring somewhere in the distance.

Bayern



..::TRACK-LIST::..

1. Winds Of War
2. Metalstorm
3. Son Of A Bitch
4. Vicious
5. Born To Rock
6. Fight For Your Life
7. Stronger Than Steel
8. Sea Of Flames [First Solo And Melodic Guitar] - Jürgen Blackmore
9. Creatures Of Destruction
10. Back To The Silence



..::OBSADA::..

Dirk Schröder - Vocals
Mike Matthes - Drums
Thorsten Lohman- Bass
Sven Strüven (R.I.P. 2008) - Guitars
Peter Wittke (R.I.P. 2000) - Guitars




https://www.youtube.com/watch?v=LJ5ERWrXF5A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Przyznam szczerze, że kiedy po wydaniu usłyszałem ten krążek byłem załamany...
Po takim debiucie? Jak? Dlaczego?

Dzisiaj... Człowiek się jednak starzeje...



Although the reason why I decided to revisit Iron Angel’s back catalogue some ten years ago was the release of the awful “Back from Hell” demo, about which the guys should forget faster than Destruction did about their mid-90’s period (yeah, it’s that bad), I was quite glad that I did since it reminded me of how jubilant I was listening to this happy-go-lucky speed metal barrage on the album reviewed here in my teenage years, feeling also content with the fact that I had found “Walls of Jericho”’s little brother, only served with a more mainstream flavour. Although the guys were the first German victims of the mid-80’s transformation campaign (Motley Crue, Judas Priest, Iron Maiden, etc.) towards a mellower poppier sound, they still managed to retain quite a bit of their aggressive swagger that made their debut such a compulsive headbanging fest.

The debut was a compelling speed/thrash affair with audible attempts at more individual ways of expression. However, the sophomore here shows an obvious fascination with the mentioned Helloween magnum opus, and it remains its most faithful companion all these years including with the more commercial radio-friendly additives, and not only because of Dick Shroder’s “Kai Hansen meets Udo”-like vocals. The stomping officiant intro that is the title-track abruptly turns into a ball of speed metal fury on “Metalstorm” which couldn’t have been titled more appropriately, a short bursting speedster that almost exemplifies the German speed metal scene in its entirety. “Son of a Bitch” is not an Accept cover, contrary to the expectations, but is a great uplifting power metal anthem with a nearly stadium-filling potential with the rousing shouty chorus and the brisk bouncy rhythms. “Vicious” has a smattering pounding beginning, but after it it’s business as usual the band unleashing a whirlwind of fast lashing guitars turning this number into another shining example of pure speed metal carnage done right. “Born to Rock” has a very clear message from the very title, and this is indeed a fist-pumping heavy rocker worthy of Accept and Scorpions with a staged live setting echoing Bruce Springsteen’s “Born to Run”.

Far from embarrassment, this number remains the only full-fledged probe into the growing pop-metalish aesthetics on the field, and is totally cancelled by “Fight for Your Life”, a vigorous speed/thrash with biting cutting guitars, arguably the band’s finest achievement, offering myriad time and tempo-changes, a shredding fest of epic proportions nearly matched by “Stronger than Steel” which stomping intro reminds of Exciter’s “Scream in the Night” from “Violence & Force”; furious speed metal is thrown at the expectant audience later, a soaring “eagle fly free” cavalcade with the next in line sing-along chorus embedded into the hyper-active melee. “Sea of Flames” serves a tasteful portion of melodic leads as an appetizer which precedes another fast-paced carnival mixed with more laid-back power metal, the melodic hooks appearing later again to wrap it on. “Creatures of Destruction” is a brilliant angry speed metaller the guys raising hell as a logical conclusion to this impressive slab of old school metal which actual finale is the cool short balladic “Back to the Silence” with Schroder showing his more lyrical, more passionate vocal arsenal to a really positive effect.

German speed metal couldn’t have come much better than here, and apart from the early Helloween exploits and Living Death’s “Metal Revolution” it’s probably only the first two Scanner instalments that managed to capture the movement’s invigorating charm as profoundly, not siding that readily with the more aggressive thrash-prone debuts of Angel Dust, Exumer and Paradox, and Blind Guardian’s first two. The mentioned friendlier ingredients boded danger for eventual future recordings as one never knew how far the guys would be willing to reach exploring their more tender side. In this train of thought their very early disappearance, one of the earliest in metal history as a matter of fact, may have been for the better cause no one wanted to see prime German speed metallers releasing “Cold Lake” or “Eat the Heat” before those albums were even conceived on the mental plane.

The old school resurrection wave brought the Iron Angels back into the game, and although the first showing (the mentioned demo) after the reformation had better be forgotten, the more recent weather forecasts hint at potential strong winds (of war) stirring somewhere in the distance.

Bayern



..::TRACK-LIST::..

1. Winds Of War
2. Metalstorm
3. Son Of A Bitch
4. Vicious
5. Born To Rock
6. Fight For Your Life
7. Stronger Than Steel
8. Sea Of Flames [First Solo And Melodic Guitar] - Jürgen Blackmore
9. Creatures Of Destruction
10. Back To The Silence



..::OBSADA::..

Dirk Schröder - Vocals
Mike Matthes - Drums
Thorsten Lohman- Bass
Sven Strüven (R.I.P. 2008) - Guitars
Peter Wittke (R.I.P. 2000) - Guitars




https://www.youtube.com/watch?v=LJ5ERWrXF5A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Krótka, szybka i wściekła dawka tradycyjnego heavy metalu, która trzyma w napięciu od początku do końca.



The Swedes have never been strangers to heavy metal. And even though many of their heavy metal releases from the eighties ended up buried in obscurity, anybody who has taken any time at all to plough through a cursory sampling of albums from that scene will tell you how exceptional it truly was. Pound-for-pound, Sweden could arguably be the most consistent exporter of quality heavy metal in the world. So it should come as no surprise to see that Lethal Steel is continuing the tradition with their latest release, a feisty four-track EP that encapsulates what so many of us love about Swedish heavy metal.

Running from the Dawn is a natural follow up from their last release. At its most basic level, it's just a continuation the paths opened up in Legion of the Night, albeit with a bit more speed and some interesting change-ups along the way. Taken as a whole, this EP plays like a miniature tribute to Iron Maiden. The first track opens up with a slow acoustic intro that ultimately breaks out into the fast galloping riffs that characterise the remainder of the album. The bass playing is inventive and flashy, and the guitar solos are melodic and captivating. But that isn't all. "Weekday Refugee" builds suspense throughout the song only to deliver a couple absolutely splendid tempo changes that are strongly reminiscent of Iron Maiden's Seventh Son. And though the vocalist doesn't really sound much like the epic Dickinson, his delivery is still charged with all the oomph and grandiose vibrato you need.

I've never been a rabid collector of EPs as I generally prefer the listening time of a full-length album, but I'll always take an EP with no filler over a half-baked LP. And Lethal Steel have delivered exactly that with this release: four well-balanced songs with a few obvious hat-tips to one of the greatest heavy metal bands of all time. It may not be the best EP you've ever heard, but it's good enough to warrant a listen from any true heavy metal fan.

raoulduke25



..::TRACK-LIST::..

1. Weekday Refugee 4:50
2. Stay Away 5:38
3. Ge Allt 3:07
4. City Of Sin 4:48



..::OBSADA::..

Lead Guitar - Isak Koskinen Rosemarin
Lead Vocals - Viktor Gustafsson
Rhythm Guitar - Valentin Papp
Bass - Totte Thyrhaug
Drums - Leo Ekström




https://www.youtube.com/watch?v=9XQiqlmr_Ps



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Krótka, szybka i wściekła dawka tradycyjnego heavy metalu, która trzyma w napięciu od początku do końca.



The Swedes have never been strangers to heavy metal. And even though many of their heavy metal releases from the eighties ended up buried in obscurity, anybody who has taken any time at all to plough through a cursory sampling of albums from that scene will tell you how exceptional it truly was. Pound-for-pound, Sweden could arguably be the most consistent exporter of quality heavy metal in the world. So it should come as no surprise to see that Lethal Steel is continuing the tradition with their latest release, a feisty four-track EP that encapsulates what so many of us love about Swedish heavy metal.

Running from the Dawn is a natural follow up from their last release. At its most basic level, it's just a continuation the paths opened up in Legion of the Night, albeit with a bit more speed and some interesting change-ups along the way. Taken as a whole, this EP plays like a miniature tribute to Iron Maiden. The first track opens up with a slow acoustic intro that ultimately breaks out into the fast galloping riffs that characterise the remainder of the album. The bass playing is inventive and flashy, and the guitar solos are melodic and captivating. But that isn't all. "Weekday Refugee" builds suspense throughout the song only to deliver a couple absolutely splendid tempo changes that are strongly reminiscent of Iron Maiden's Seventh Son. And though the vocalist doesn't really sound much like the epic Dickinson, his delivery is still charged with all the oomph and grandiose vibrato you need.

I've never been a rabid collector of EPs as I generally prefer the listening time of a full-length album, but I'll always take an EP with no filler over a half-baked LP. And Lethal Steel have delivered exactly that with this release: four well-balanced songs with a few obvious hat-tips to one of the greatest heavy metal bands of all time. It may not be the best EP you've ever heard, but it's good enough to warrant a listen from any true heavy metal fan.

raoulduke25



..::TRACK-LIST::..

1. Weekday Refugee 4:50
2. Stay Away 5:38
3. Ge Allt 3:07
4. City Of Sin 4:48



..::OBSADA::..

Lead Guitar - Isak Koskinen Rosemarin
Lead Vocals - Viktor Gustafsson
Rhythm Guitar - Valentin Papp
Bass - Totte Thyrhaug
Drums - Leo Ekström




https://www.youtube.com/watch?v=9XQiqlmr_Ps



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Aphrodite's Child to grecka grupa rockowa założona w 1967 przez wokalistę Demisa Roussosa, instrumentalistę Vangelisa Papatanasiu i perkusistę Lucasa Siderasa. Po pierwszej próbie w Anglii zespół pojawił się w Paryżu z gitarzystą Anargyrosem „Silver” Koulourisem (chociaż przez pewien czas zespół występował bez niego). Pierwsze dwa albumy End of the World oraz It’s Five O’Clock łączyły rock lat 60. z grecką muzyką folklorystyczną. Piosenka Rain and Tears z albumu End of the World, oparta na kanonie Johanna Pachelbela, została przebojem we Francji i miała też swoich zwolenników w Anglii. W 1970 roku zespół zaczął nagranie swojego największego dzieła, muzycznej adaptacji biblijnej Apokalipsy świętego Jana, zatytułowanej „666 - The Apocalypse of St. John”. W tym czasie relacje pomiędzy Roussosem, Vangelisem i Siderasem nie były najlepsze, ale zespół miał kontrakt na nagranie trzeciego albumu i w 1970 roku nagrali 666. 666 był jedynym albumem, który miał jakiekolwiek powodzenie w Stanach Zjednoczonych.

Title: End Of The World

Artist: Aphrodite's Child

Country: Grecja

Year: 1968

Genre: Rock

Format / Codec: FLAC
Audio bitrate: 927 Kbps

..::TRACK-LIST::..

1. End Of The World
2. Don't Try To Catch A River
3. Mister Thomas
4. Rain And Tears
5. The Grass Is No Green
6. Valley Of Sadness
7. You Always Stand In My Way
8. The Shepherd And The Moon
9. Day Of The Fool

..::INFO::..

Drugi i ostatni jak na razie album studyjny brytyjskiego zespołu streetpunkowego z Londynu. Oprócz tego wydali jeszcze dwie koncertówki i split z The Exploited.

Title: Old & Angry

Artist: Infa-Riot

Country: Wielka Brytania

Year: 2017

Genre: Street Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Over My Dead Body
2.Kiss My Arse
3.Attack
4.Brick Wall
5.Punk And Oi!
6.I'm So Angry
7.Whoever You Are
8.I Always Come Back To Blighty
9.Who The Fuck Are You
10.Proud
11.I'm More Punk Than You?
12.Awkward Bastard
13.What Goes Around

..::INFO::..

Płyta amerykańskiego zespołu ska z Waszyngtonu.

Title: Bend Over and Say Ska

Artist: Ratchet Boys

Country: USA

Year: 1999

Genre: Ska

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1 This Life
2 Montoya
3 Shipwrecked
4 Satan Express - Ten Items or Less
5 Newcastle
6 Brave New World
7 Before I Die

...( Info )...

Artist...............: Don Henley
Album................: Building The Perfect Beast (Remastered 2024)
Genre................: Rock
Year.................: 1984
Codec................: reference libFLAC 1.4.3

...( TrackList )...

001. DON HENLEY - The Boys Of Summer
002. DON HENLEY - You Can't Make Love
003. DON HENLEY - Man With A Mission
004. DON HENLEY - You're Not Drinking Enough
005. DON HENLEY - Not Enough Love In The World
006. DON HENLEY - Building The Perfect Beast
007. DON HENLEY - All She Wants To Do Is Dance
008. DON HENLEY - A Month Of Sundays
009. DON HENLEY - Sunset Grill
010. DON HENLEY - Drivin' With Your Eyes Closed
011. DON HENLEY - Land Of The Living

...( Info )...

Artist: Alana Springsteen
Album: Alana Springsteen_ Live from the Ryman
Year: 2025
Genre: Country
Format: mp3 320 kbps

...( TrackList )...

01. you don't deserve a country song (Live from the Ryman)
02. ghost in my guitar (Live from the Ryman)
03. chameleon (Live from the Ryman)
04. cowboys and tequila (Live from the Ryman)
05. hold my beer (Live from the Ryman)
06. cowboy (Live from the Ryman)
07. goodbye looks good on you (Live from the Ryman)

...( Info )...
OldiesPart002⭐MP3@320kbps

...( TrackList )...
VA - All God's Children (Songs From The British Jesus Rock Revolution 1967-1974) (2023) (3CD)
VA - Baby, Please Don't Go (A Butterboy Compilation) - Blues (2CD), Rock (4CD), Live (1CD)
VA - Mastermix Classic Cuts presents, The 12 Inch Box Disco [2005] (4CD)
VA - Money + Money (That's What I Want) (A Butterboy Compilation) (9CD)
VA - Psychedelic 60's 160 Iconic Tracks that Defined the Psychedelic Era (Super Deluxe Edition) [2023] (8CD)
VA - The Many Faces Of Fleetwood Mac [2019] (3CD)

..::INFO::..

Debiutancki album brytyjskiego zespołu indierockowego.

Title: You Are The Morning

Artist: Jasmine.4.t

Country: Wielka Brytania

Year: 2025

Genre: Indie Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Kitchen
2.Skin On Skin
3.Highfield
4.Breaking In Reverse
5.You Are The Morning
6.Best Friend’s House
7.Guy Fawkes Tesco Dissociation
8.Tall Girl
9.New Shoes
10.Roan
11.Elephant
12.Transition
13.Woman

..::INFO::..

Czwarty i ostatni album studyjny francuskiej grupy skapunkowej z Orleanu.

Artist: BeeLESKA

Title: Controle Positif

Country: Francja

Year: 2008

Genre: SkaPunk

Format / Codec: MP3
Audio bitrate: 208 Kbps

..::TRACK-LIST::..

1.Beeleskintro
2.Hospice
3.Le Contrepetreur
4.Skyzo Freine
5.Des Brocs & Des Brics
6.La Papayou
7.Ethnicolor
8.L'Agence De Location
9.Riches Et Celebres
10.Aspirine
11.Caraibos
12.La Crise De Volonte
13.Beeleskoutro
14.Drole D'atmosp'hair

..::INFO::..

Jedyne nagrania amerykańskiego zespołu skapunkowego z Detroit.

Artist: Your Inlaws

Title: $716.07

Country: USA

Year: 1996

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1 Trendy Bitch
2 Dee's Revenge
3 Instrumental
4 Your Inlaws
5 Be Like Me!
6 Yeah Right

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Niemieccy piewcy okultystycznej degeneracji i apokaliptycznego horroru. Mistrzowski odjazd po progresywnej bandzie przy stricte ekstremalnym, death/blackmetalowym obliczu muzyki.
Techniczne zawijasy wplątane w kurewsko nośne riffy, inteligenckie zło przekute na język potężnego, metalowego grzania.
Zastanawiasz się co ci tak rozpierdoliło ryj?
Już wiesz...



Dosłownie kilkanaście dni temu miałem tak z pełnym wydawnictwem Triumvir Foul a teraz pastwi się nad moimi uszami znakomity debiut Khthoniik Cerviiks zatytułowany „SeroLogiikal Scars (Vertex of Dementiia)”. Na tym wydawnictwie widnieje stempel Necroshrine Records, co jest wyznacznikiem wysokiego poziomu hałasu. I tak właśnie jest. Debiut do dalsza część ścieżki wytyczonej na „Heptaëdrone”. Gęste, mięsiste riffy krążące jak sępy wokół death/black metalowego truchła to właśnie siła tej muzyki. Muzyki prostej i nieskomplikowanej, ale pochodzącej z najgłębszego wnętrza czarnego jak heban metalowego serduszka (znowu mnie naszło na poezje spod budki z piwem hehe). Jest to kawał naprawdę porządnego grania. Mimo że takiej muzyki ostatnio powstaje na pęczki, to jestem zdania, że każdemu prawdziwemu maniakowi takiego muzykowania te nuty nigdy się nie znudzą. Według mnie rozbijanie tej płyty na poszczególne elementy nie ma sensu. Silenie się też na jakieś wzniosłe porównania również mija się celem. Tu sprawa jest prosta jak kij od szczotki: podobało Wam się demo, będziecie zachwyceni debiutem.

Lubicie porządne napierdalanie w death/black metalowym stylu, ta płyta jest stworzona dla Was. Ja mam zamiar ruszyć portfelem w momencie kiedy „SeroLogiikal Scars (Vertex of Dementiia)” będzie u nas dostępne.

Pathologist


My first encounter with "SeroLogiikal Scars (Vertex of Dementiia)" and Khthoniik Cerviiks in general was quite accidental, I never had a chance to hear "Heptaëdrone", which is previous Khthoniik Cerviiks recording. So, I didn’t even think about giving their debut full length a chance. But one song has been randomly played on YouTube and it clicked with me immediately. And well, I have now vinyl in my collection and without a doubt, "SeroLogiikal Scars (Vertex of Dementiia)" is a fantastic and truly exceptional album, which stands above the mediocrity and crushes most of the new albums due to its quality and originality.

Yes, originality is one of the keys for my appreciation of "SeroLogiikal Scars (Vertex of Dementiia)". Khthoniik Cerviiks, like no other band, brilliantly combines old, classic death / black metal formulas, with all their aggression, viciousness and intensity with something fresh and unique. The base of the music is deeply rooted in the traditional means, but with song structures, arrangements, technique and ideas, especially for the melodic riffs, it’s something absolutely exceptional. And is also a reason, why I think Khthoniik Cerviiks is such a worthy band. Give a listen to any song from "SeroLogiikal Scars"; each will catch your attention immediately. Especially the instrumentation is fantastic, because these guys do know how to play. And somehow with their technicality, they managed to keep the bestial, malicious side of death / black metal intact. Tempo wise this album is quite fast paced, which is also something I like a lot. This way there's nothing lame about it, but powerful, intense sound, which strikes the listener with no second wasted.

Sometimes it almost feels like vocals were only an addition to the music, if you notice that the first proper vocal line appears in the sixth minute of music. Death / black metal riffs are often quite progressive, twisted, with almost weird melodic lines, tempo variations, technique. With the obscure atmosphere, it gives you sort of a cosmic feeling, it’s a fascinating journey through far dimensions. This music may not be an easy to listen and "SeroLogiikal Scars" definitely requires attention, several spins, before it all hits you well. But this won't be a wasted time, I can guarantee, and the album is just worth to listen to. I've seen somewhere Voivod mentioned as an important influence for Khthoniik Cerviiks and I can agree with it, even though Khthoniik Cerviiks music is much more brutal and intense. Also Nocturnus, Deathspell Omega, Blood Incantation, Portal, Bolzer, Demilich... all these bands have something in common with this German kommando. But they all stand as individuals, so does Khthoniik Cerviiks, who are absolutely recommended entity in the current underground extreme metal scene.

dismember marcin



..::TRACK-LIST::..

1. Schizophradio (KC Exhalement 2.0: Technocide Inertiia) 4:28
2. SeroLogiikal Scars (Sequence 1.0: Vertex Of Dementiia) 5:55
3. Miindwrecked (Project Eigengalaxy) 7:57
4. Biinary Epitome (Spyder’s Web) 8:27
5. SeroLogiikal Scars (Sequence 2.0: Veiled Viiral Vektor) 6:55
6. Cranial Leftoverture (Angel’s Pyramiid) 9:28
7. Voiidwarp (KC Inhalement 2.0: Meta Material Monoliith) 1:06



..::OBSADA::..

Okkhulus Siirs - Bass, Vocals
Ohourobohortiik Ssphäross - Drums
Khraâl Vri*ïl - Guitars, Vocals (additional)



https://www.youtube.com/watch?v=3PaIPT8I_iU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Niemieccy piewcy okultystycznej degeneracji i apokaliptycznego horroru. Mistrzowski odjazd po progresywnej bandzie przy stricte ekstremalnym, death/blackmetalowym obliczu muzyki.
Techniczne zawijasy wplątane w kurewsko nośne riffy, inteligenckie zło przekute na język potężnego, metalowego grzania.
Zastanawiasz się co ci tak rozpierdoliło ryj?
Już wiesz...



Dosłownie kilkanaście dni temu miałem tak z pełnym wydawnictwem Triumvir Foul a teraz pastwi się nad moimi uszami znakomity debiut Khthoniik Cerviiks zatytułowany „SeroLogiikal Scars (Vertex of Dementiia)”. Na tym wydawnictwie widnieje stempel Necroshrine Records, co jest wyznacznikiem wysokiego poziomu hałasu. I tak właśnie jest. Debiut do dalsza część ścieżki wytyczonej na „Heptaëdrone”. Gęste, mięsiste riffy krążące jak sępy wokół death/black metalowego truchła to właśnie siła tej muzyki. Muzyki prostej i nieskomplikowanej, ale pochodzącej z najgłębszego wnętrza czarnego jak heban metalowego serduszka (znowu mnie naszło na poezje spod budki z piwem hehe). Jest to kawał naprawdę porządnego grania. Mimo że takiej muzyki ostatnio powstaje na pęczki, to jestem zdania, że każdemu prawdziwemu maniakowi takiego muzykowania te nuty nigdy się nie znudzą. Według mnie rozbijanie tej płyty na poszczególne elementy nie ma sensu. Silenie się też na jakieś wzniosłe porównania również mija się celem. Tu sprawa jest prosta jak kij od szczotki: podobało Wam się demo, będziecie zachwyceni debiutem.

Lubicie porządne napierdalanie w death/black metalowym stylu, ta płyta jest stworzona dla Was. Ja mam zamiar ruszyć portfelem w momencie kiedy „SeroLogiikal Scars (Vertex of Dementiia)” będzie u nas dostępne.

Pathologist


My first encounter with "SeroLogiikal Scars (Vertex of Dementiia)" and Khthoniik Cerviiks in general was quite accidental, I never had a chance to hear "Heptaëdrone", which is previous Khthoniik Cerviiks recording. So, I didn’t even think about giving their debut full length a chance. But one song has been randomly played on YouTube and it clicked with me immediately. And well, I have now vinyl in my collection and without a doubt, "SeroLogiikal Scars (Vertex of Dementiia)" is a fantastic and truly exceptional album, which stands above the mediocrity and crushes most of the new albums due to its quality and originality.

Yes, originality is one of the keys for my appreciation of "SeroLogiikal Scars (Vertex of Dementiia)". Khthoniik Cerviiks, like no other band, brilliantly combines old, classic death / black metal formulas, with all their aggression, viciousness and intensity with something fresh and unique. The base of the music is deeply rooted in the traditional means, but with song structures, arrangements, technique and ideas, especially for the melodic riffs, it’s something absolutely exceptional. And is also a reason, why I think Khthoniik Cerviiks is such a worthy band. Give a listen to any song from "SeroLogiikal Scars"; each will catch your attention immediately. Especially the instrumentation is fantastic, because these guys do know how to play. And somehow with their technicality, they managed to keep the bestial, malicious side of death / black metal intact. Tempo wise this album is quite fast paced, which is also something I like a lot. This way there's nothing lame about it, but powerful, intense sound, which strikes the listener with no second wasted.

Sometimes it almost feels like vocals were only an addition to the music, if you notice that the first proper vocal line appears in the sixth minute of music. Death / black metal riffs are often quite progressive, twisted, with almost weird melodic lines, tempo variations, technique. With the obscure atmosphere, it gives you sort of a cosmic feeling, it’s a fascinating journey through far dimensions. This music may not be an easy to listen and "SeroLogiikal Scars" definitely requires attention, several spins, before it all hits you well. But this won't be a wasted time, I can guarantee, and the album is just worth to listen to. I've seen somewhere Voivod mentioned as an important influence for Khthoniik Cerviiks and I can agree with it, even though Khthoniik Cerviiks music is much more brutal and intense. Also Nocturnus, Deathspell Omega, Blood Incantation, Portal, Bolzer, Demilich... all these bands have something in common with this German kommando. But they all stand as individuals, so does Khthoniik Cerviiks, who are absolutely recommended entity in the current underground extreme metal scene.

dismember marcin



..::TRACK-LIST::..

1. Schizophradio (KC Exhalement 2.0: Technocide Inertiia) 4:28
2. SeroLogiikal Scars (Sequence 1.0: Vertex Of Dementiia) 5:55
3. Miindwrecked (Project Eigengalaxy) 7:57
4. Biinary Epitome (Spyder’s Web) 8:27
5. SeroLogiikal Scars (Sequence 2.0: Veiled Viiral Vektor) 6:55
6. Cranial Leftoverture (Angel’s Pyramiid) 9:28
7. Voiidwarp (KC Inhalement 2.0: Meta Material Monoliith) 1:06



..::OBSADA::..

Okkhulus Siirs - Bass, Vocals
Ohourobohortiik Ssphäross - Drums
Khraâl Vri*ïl - Guitars, Vocals (additional)



https://www.youtube.com/watch?v=3PaIPT8I_iU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Film Franka Zappy, składający się z zapisu koncertu zespołu Zappy w nowojorskim Palladium Theater w 1977 roku, z okazji Halloween.
Wybryki członków zespołu zarówno na scenie, jak i za kulisami przeplatają się z sekwencjami zrobionymi metodą animacji poklatkowej.



The concert film from my favorite era of Frank Zappa's career is definitely a spectacle of the eyes and ears. With precision versions of some of Zappa's best material, some trippy claymation sequences and some all around nonsense, this movie is easily one of the best concert films available. From the introduction rehearsal of Baby Snakes to the exciting Camarillo Brillo/Muffin Man medley, there is gold dispersed throughout this monumental spectacle.
Shot during a Halloween stint in New York, and with plenty of new material to play, Frank Zappa wows the audience with sheer audacity and musicality. From the soaring Adrian Belew vocals of City of Tiny Lites (which includes a monster Frank Zappa solo) to the "adorable" Terry Bozzio performance of Punky's Whips (again with another great Frank Zappa solo), the concert portions of this film are flawless. My only real complaint is that the claymation scenes tend to go on and on and do the same thing over and over again (which is shapeshifting objects and psychedelic sounds). With fan interviews dispersed around, some wacky Roy Estrada backstage scenes, and some band member interviews in between, every aspect of the Zappa live show was included flawlessly.

By far the best songs are Titties 'N Beer, Punky's Whips, Broken Hearts are for Assholes, and the Camarillo Brillo/Muffin medley. Three of these songs feature Terry Bozzio on vocals, one as a love-struck man confused with his sexuality, one as a very discerned devil, and the last as an overly agressive screamer. In any sense, these songs are excellent representations of their studio counterparts (apart from Titties 'N Beer and Punky's Whips, which were never released as studio tracks). The line-up of Adrian Belew (later of King Crimson fame), Patrick O'Hearn, Terry Bozzio, Tommy Mars, Pete Wolf, and FZ himself are cohesive and play the material flawlessly.

Overall, there is much to like about this film, if you can get past the overly boring claymation sequences. I cannot fault this film except for that, which is only about 20 minutes of an almost 3 hour movie. For Frank Zappa fans, this is a must own. But let it be known, this will be an excellent collection into any prog fans collection. But read the subtitle before making any moves, "A movie about people who do stuff that is not normal".

Cygnus X-2



..::TRACK-LIST::..

Baby Snakes:
1. Baby Snakes Rehearsal 2:11
2. "This Is The Show They Never See" 5:52
3. Baby Snakes 2:05
4. Bruce Bickford/ "Disco Outfreakage" 6:16
5. The Poodle Lecture 5:03
6. "She Said"/ City Of Tiny Lites 10:28
7. New York's Finest Crazy Persons 1:55
8. "The Way The Air Smells..." 4:01
9. Pound - Bass & Kybds Solo 6:37
10. "In You" Rap/ Dedication 6:44
11. Managua/ Police Car/ Drum Solo 9:51
12. Disco Boy 4:00
13. "Give People Somewhere To Xscape Thru" 6:27
14. King Kong/Roy's Halloween Gas Mask 9:01
15. Bobby Brown Goes Down 3:44
16. Conehead/"All You Need To Know" 5:32
17. I'm So Cute/"Entertainment All The Way" 5:15
18. Titties 'N' Beer/"Audience Participation"/ The Black Page #2 & "The Dance Contest" 5:47
19. Jones Crusher 2:58
20. Broken Hearts Are For Assholes 3:48
21. Punky's Whips 12:05
22. "Thank You"/ Dinah-Moe Humm 7:26
23. Camarillo Brillo/Muffin Man 8:25
24. San Ber'dino 5:02
25. Black Napkins 8:02
26. New York's Finest #2 & Credits 4:00
27. "Good Night" 1:27

28. Eyes Only

More Stuff:
29. Baby Snakes Trailer
30. Commercial Spot #1
31. Commercial Spot #2
32. Roxy Trailer



..::OBSADA::..

Featuring [Themselves] - Adrian Belew, Angel, Bill Harrington, Brian Rivera, Bruce Bickford, Chris Martin, Dale Bozzio, David Ditkowich, Dick Pearce, Diva, Donna U Wanna, Ed Mann, Frank Zappa, Janet The Planet, Joey Psychotic, John Smothers, Kerry McNabb, Klaus Hundsbichler, Patrick O'Hearn, Peter Wolf, Phil Kaufman, Phil Parmet, Tex Abel, Rob Leacock, Ron Delsener, Roy Estrada, Terry Bozzio, Tommy Mars, Warren Cuccurullo




https://www.youtube.com/watch?v=76Y_qNwQMHQ



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Elvis Presley
Album: Live in Memphis 1976
Year: 2025
Genre: Pop, Rock
Format: FLAC 16Bit-44.1kHz

...( TrackList )...

01. 2001 a Space Odyssey (Live)
02. CC Rider (Live)
03. I've Got a Woman (Live)
04. Love Me (Live)
05. Fairytale (Live)
06. You Gave Me a Mountain (Live)
07. All Shook Up - (Let Me Be Your) Teddy Bear (Live)
08. And I Love You So (Live)
09. Jailhouse Rock (Live)
10. Fever (Live)
11. America the Beautiful (Live)
12. One Night (Live)
13. That's All Right (Live)
14. Blue Christmas _ Band Intros (Live)
15. Early Morning Rain (Live)
16. Band Intro - What'd I Say (Live)
17. Johnny B. Goode - Band Intro (Live)
18. Love Letters - Band Intro (Live)
19. Hail Hail Rock 'N' Roll (Live)
20. Hurt (Live)
21. Hound Dog (Live)
22. Funny How Time Slips Away (Live)
23. Help Me (Live)
24. How Great Thou Art (Live)
25. Softly, as I Leave You (Live)
26. Polk Salad Annie (Live)
27. It's Now or Never (Live)
28. Can't Help Falling in Love (Live)
29. Outro - CC Rider (Live)

...( Info )...


Artist: Ryoko Moriyama
Album: Life Is Beautiful
Year: 2025
Genre: Folk
Quality: FLAC 24Bit-96kHz

...( TrackList )...

01. MORIYAMA
02. LOST AND FOUND
03. Oshaberi Bossa Nova
04. Togetherness For Just Two Of Us
05. TONIGHT'S SPECIAL
06. Life Is Beautiful
07. Gloria
08. NADA SOUSOU
09. Soramimi Datte

...( Info )...

Artist: Various Artists
Album: Hits de Navidad en Inglés
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Michael Bublé - It’s Beginning to Look a Lot Like Christmas
02. Chris Rea - Driving Home for Christmas
03. Ed Sheeran - Merry Christmas
04. Wizzard - I Wish It Could Be Christmas Everyday (2006 Remaster)
05. The Pogues - Fairytale of New York (feat. Kristy MacColl)
06. Brenda Lee - Rockin' Around the Christmas Tree (Re-Recorded Version)
07. Kylie Minogue - Santa Claus Is Coming to Town (feat. Frank Sinatra)
08. Brett Eldredge - Baby, It’s Cold Outside (feat. Meghan Trainor)
09. Michael Bublé - Holly Jolly Christmas
10. Kelly Clarkson - Santa, Can’t You Hear Me
11. Sia - Snowman
12. The Drifters - White Christmas
13. Coldplay - Christmas Lights
14. Straight No Chaser - Wonderful Christmastime (feat. Paul McCartney)
15. Mud - Lonely This Christmas
16. Michael Bublé - Let It Snow!
17. Kylie Minogue - Santa Baby
18. Otis Redding - Merry Christmas Baby
19. Sia - Santa’s Coming for Us
20. Kylie Minogue - At Christmas
21. Acoustic Christmas Music Band - Do They Know It's Christmas
22. Ava Max - Christmas Without You
23. Bebe Rexha - Count on Christmas
24. Carla Thomas - Gee Whiz, It's Christmas
25. Cliff Richard - Mistletoe and Wine
26. Blake Shelton - Winter Wonderland
27. Kelly Clarkson - Christmas Eve
28. Cee-Lo - What Christmas Means to Me
29. Brett Eldredge - Mr. Christmas
30. The Pretenders - 2000 Miles
31. The Darkness - Christmas Time (Don't Let the Bells End)
32. Donny Hathaway - This Christmas
33. Clarence Carter - Back Door Santa
34. The Pretenders - Have Yourself a Merry Little Christmas
35. Christina Perri - Merry Christmas Darling
36. Brett Eldredge - Under the Mistletoe
37. Blake Shelton - Jingle Bell Rock
38. Lily Allen - Somewhere Only We Know
39. Kelly Clarkson - Christmas Isn’t Canceled (Just You)
40. Alma Cogan - Must Be Santa
41. Matt Monro - Mary's Boy Child
42. Percy Sledge - Christmas Wish (Aka My Christmas Wish for You)
43. Cliff Richard - Saviour's Day
44. Gabrielle Aplin - The Power of Love