...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



DVD 9
PAL
16:9
DD 2.00



..::TRACK-LIST::..

1. Intro
2. Aurora
3. Forgotten
4. Through the Non-Time
5. Pulkovo Meridian
6. Motherland
7. Curtains
8. Heart Of Leningrad
9. Varen'ka
10. Cold Embrace
11. Stalingrad
12. Fall
13. Dolls
14. Credits
15. Teotihuacan (Video)
16. Autographs (Video)
17. Backstage (Video)
18. Sto Festival Obscuro (30.08.2003)
19. Eyescream Metal Fest IV (03.03.2012)
20. Autographs
21. Teotihuacan 2012



..::OBSADA::..

Bass - Andy
Drums - Alex
Guitar - Clode, Dan J. E.
Vocals - Mike Lunacy




https://www.youtube.com/watch?v=pK-8817fnTQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Absolutny KULT!


GUTWRENCH was of one of the early Dutch death metal bands. The band recorded two demos in 1993 and ’94. Gutwrench members also played in Goddess of Desire, Consolation and Pentacle. Their debut demo ‘Wither Without You’ was recorded at Beaufort Studios (Sear Bliss, The Gathering, Delirium). Second demo ‘Beneath Skin’ from 1994 was recorded with Paul van Rijswijk (Destroyer 666, Severe Torture). All tracks are remastered by Pieter Bas Borger. Besides the two demos this release also contains a compilation album track and four studio outtakes, 15 tracks in total. Interview and liner notes by Pim Blankenstein (Lords of Metal journalist), additional liner notes by Arjan van Exter (Inside The Coffin death metal ‘zine). Booklet design by Arjan Janssen (Dead End, Infernal Majesty, Sinister).



..::TRACK-LIST::..

Demo 1 Wither Without You 1993
1. Meatlocker 4:59
2. Necrosis 4:19
3. Crawl 3:28
4. Wither Without You 4:38
5. The Art Of Mutilation 4:36

Displeased Compilation 'Antichrist Superstar' 1994
6. Asphyxia 3:56

Demo 2 Beneath Skin 1994
7. Beneath Skin 4:00
8. Pest Controller 4:24
9. The God Complex 3:36
10. Scarred & Hollow 3:12
11. The Seedling 3:54
12. Cain 5:02

Outtakes Demo 2 Beneath Skin 1994
13. Deadlock Policy 4:10
14. Sixth Sense Visuals 4:44
15. Frostbite 3:44



..::OBSADA::..

Vocals, Guitar - Robert Van Der Mijle (tracks: 1 to 15)
Keyboards - Robert Van Der Mijle (tracks: 7 to 15)
Guitar - Edwin Fölsche (tracks: 1 to 15)
Bass - Harm Noort (tracks: 7 to 15), Olaf Hijne (tracks: 1 to 5)
Drums - Niels Kloosterman (tracks: 1 to 15)



https://www.youtube.com/watch?v=_MrzrhaJ45o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Absolutny KULT!


GUTWRENCH was of one of the early Dutch death metal bands. The band recorded two demos in 1993 and ’94. Gutwrench members also played in Goddess of Desire, Consolation and Pentacle. Their debut demo ‘Wither Without You’ was recorded at Beaufort Studios (Sear Bliss, The Gathering, Delirium). Second demo ‘Beneath Skin’ from 1994 was recorded with Paul van Rijswijk (Destroyer 666, Severe Torture). All tracks are remastered by Pieter Bas Borger. Besides the two demos this release also contains a compilation album track and four studio outtakes, 15 tracks in total. Interview and liner notes by Pim Blankenstein (Lords of Metal journalist), additional liner notes by Arjan van Exter (Inside The Coffin death metal ‘zine). Booklet design by Arjan Janssen (Dead End, Infernal Majesty, Sinister).



..::TRACK-LIST::..

Demo 1 Wither Without You 1993
1. Meatlocker 4:59
2. Necrosis 4:19
3. Crawl 3:28
4. Wither Without You 4:38
5. The Art Of Mutilation 4:36

Displeased Compilation 'Antichrist Superstar' 1994
6. Asphyxia 3:56

Demo 2 Beneath Skin 1994
7. Beneath Skin 4:00
8. Pest Controller 4:24
9. The God Complex 3:36
10. Scarred & Hollow 3:12
11. The Seedling 3:54
12. Cain 5:02

Outtakes Demo 2 Beneath Skin 1994
13. Deadlock Policy 4:10
14. Sixth Sense Visuals 4:44
15. Frostbite 3:44



..::OBSADA::..

Vocals, Guitar - Robert Van Der Mijle (tracks: 1 to 15)
Keyboards - Robert Van Der Mijle (tracks: 7 to 15)
Guitar - Edwin Fölsche (tracks: 1 to 15)
Bass - Harm Noort (tracks: 7 to 15), Olaf Hijne (tracks: 1 to 5)
Drums - Niels Kloosterman (tracks: 1 to 15)



https://www.youtube.com/watch?v=_MrzrhaJ45o



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Produkt najwyższej jakości!
Miażdżące riffy przeplatane wspaniałymi melodiami, a całość opakowana technicznym kunsztem!
Jeden z najlepszych w 2021 roku!

FA


Six years is a long time to wait. When a band takes this long in between records, sometimes they spend it slowly honing their sound and improving everything they can. Sometimes they simply lose interest and are never the same. Based on last year’s EP, Alustrium still have plenty of interest in their music. The six year wait paid off, and now I have the task of putting how good their new release sounds into words.

Alustrium are a US-based technical death metal band currently signed to Unique Leader Records. Of major technical death metal influences, their sound leans towards the clean virtuosic end of the genre, similar to The Faceless or Obscura. Alustrium’s specific brand of technical death metal involves stuffing everything they can into a record, and then cramming two more full tracks complete with excessive solos on top. Even though this description raises every red flag of “soulless technical death metal” that can be found, Alustrium cram emotional earnestness and breathing room in their records along with everything else, so concerned potential listeners should safely proceed without anxiety.

A Monument To Silence improves on A Tunnel To Eden (The band’s excellent 2015 release) in two large ways. First, A Monument To Silence flows as well as any technical death metal album I’ve ever heard. A Tunnel To Eden didn’t exactly fail in this regard, but Alustrium obviously used the six years between albums to great benefit. Everything feels completely natural. Verses and solos transition seamlessly to rather insane choruses and to each other, and I found it easy to lose myself in the ambience of this record.

Let’s talk about those choruses more. Another improvement from A Tunnel To Eden that Alustrium offer the listener is simple, pure catchiness. I have now had one moment from “The Hollow Ache” stuck in my head for over a month now. Again, A Tunnel To Eden was a great record and did extremely well in this regard. With A Monument To Silence, Alustrium have only improved.

Against the rest of the technical death metal field, Alustrium don’t challenge the genre’s greats by creating an enticing atmosphere (although they do that as well), or by drowning the listener in dissonance, or by pushing the boundaries of what people conceive as death metal. Instead, they simply write and perform death metal as well as anyone. This is evident in the amazing choruses and flow of A Monument To Silence, but also in the little things. In the slight pauses before the chorus hits in “Join the Dead.” In the wavering tone of some of the slower guitar solos. A Monument To Silence does nothing new or unique, instead Alustrium crafted every moment to near perfection.

My issues with this record feel like they could be someone else’s favorite part. The production feels overly harsh at times, but that only highlights Alustrium’s heaviness and technicality. This record is over an hour long, but I would miss any song that got cut and appreciate how much of a good thing Alustrium are giving their audience here. There is a bizarre drum solo moment at the end of “Join the Dead” that almost went very poorly, but instead creates a nice diversion. “Dreamless Sleep” is an unnecessary interlude, but I find it quite pleasant and a good leadup to the next track. Nothing I could throw at A Monument To Silence lessens how good this record sounds.

I haven’t even mentioned how well this works as a concept album, or the return of previous moments in the amazing final track. I could go on for a long time, but words can’t do this album justice. With A Monument To Silence, Alustrium are no longer in the realm of bands like Beyond Creation or Inferi (both of whom I highly recommend as well). Their new peers are bands like Necrophagist and Death. A Monument To Silence is the best album of the year so far, and the best new release I’ve ever reviewed. I hope to listen to it for a long time.

Nathan


Philadelphia’s progressive tech death architects Alustrium smashed out an album for the ages with their 2015 opus A Tunnel to Eden. The sophomore LP presented a kaleidoscopic, grand in scale masterwork of progressive and technical death metal, featuring serious instrumental and compositional chops, while possessing tons of heart and style. Despite being a little too bloated and ambitious for its own good, the pros far outweighed the miniscule cons to deliver a knockout punch. Punctuated by 2020’s strong Insurmountable EP, it has been a long time between drinks on the full-length recording front. Curiously slipping under the radar, Alustrium’s third album, A Monument to Silence is now upon us.

“The Hollow Ache” sets the bar high from the get-go, mutating from gently hypnotic beginnings and whispered vocals into a beastly tune, immediately showcasing Alustrium’s firm grasp of smart songwriting dynamics and brain melting technicality, underpinned by dexterous melodic currents, insidious hooks, and proggy twists. All the trademark Alustrium ingredients are in place, yet A Monument to Silence shows a band not content to coast or create a half-baked sequel to a blockbuster original. A Monument to Silence maintains the band’s ambitious streak, while carving out its own chunk of character. It has a notably darker, edgier tone than its predecessor, almost blackened at times, while the relentless barrage of scattershot percussion, lightning fretwork, jacked speed, and dueling vocals, leaning heavily on the high and low trade-off variants, courses energy, fury, and aggression into the album’s veins.

Deft arrangements and progressive tints do not detract from the fact these cats bring the heaviness tenfold. The album has serious fucking teeth, counteracting the complexity and prog foundations. Take the frenetic tradeoffs and rugged grooves at the midpoint of “Hunted,” or the damaging breakdown rearing up on “Join the Dead” for examples of Alustrium’s heavier capabilities. Alustrium balance each component expertly into a cohesive whole. The proggified tech is never used as a crutch, while creating memorable songs full of unpredictable twists, character and emotional pull is the band’s bread and butter. Cranking the momentum beyond the high quality early throes, back to back bangers, “The Accuser” and “The Plea,” are like two sinister peas conspiring in a pod, flexing Alustrium’s progressive muscle and multifaceted dynamics; tinkering with tricky rhythmic patterns, experimental vocal interplay, and complex structures, while dispensing power packed riffs, flashy solos, and seething grooves. The former even sets off some Tool vibes during its early passages.

“Deliverance of the Damned” recalls flashes of Necrophagist and a beefed up The Black Dahlia Murder during its thrashy, tech-death passages. Album pacing is solid, culminating in the epic title track, containing nifty links to the album opener. I often bitch about metal albums that drag past their welcome, or marble otherwise strong material with unnecessary fat and gristle. However A Monument to Silence does not fall into the category of overcooked ideas stuffed into a too small casing. Yeah if I was being a bastard I could scrape the barrel for reasons and shave a couple of minutes, but it would be like separating layers of skin with a scalpel. Alustrium’s willingness to push the envelope and incorporate surprising turns maintains intrigue. Performances are expectedly outstanding, especially from livewire guitar combo of Mike DeMaria and Chris Kelly (also on shared vocals). The axe wielding duo’s playing is at once adventurous, intricate, extravagant, and still metal as fuck, while Kevin Corkran is phenomenal on the skins, propelling each song with his flowing style and creative, high energy chops. The material screams for a richer, more dynamic master, while the second half of the album ever so slightly dips in quality, but these are relatively minor gripes in the big scheme of things

Alustrium is a class act and A Monument to Silence consolidates their position at the forefront of the modern prog and tech death scenes. A Tunnel to Eden took a while to fully absorb and appreciate, growing in stature over time, so I can see A Monument to Silence following a similar path. Some may miss the overly hyperactive, playful qualities and flair of its predecessor, but I can not imagine most fans of Alustrium’s prior works being disappointed with what they have served up here. Intelligent, regal, blistering, brutal, and superbly composed, A Monument to Silence is must listen stuff for fans of prog and tech infused death.

Saunders



..::TRACK-LIST::..

1. This Hollow Ache 06:42
2. Join the Dead 06:09
3. Hunted 03:58
4. The Accuser 08:47
5. The Plea 07:26
6. Dreamless Sleep 01:05
7. Blood for Blood 04:32
8. Deliverance for the Damned 06:25
9. Worthless Offers 06:53
10. A Monument to Silence 10:39



..::OBSADA::..

Mike DeMaria - Guitars, Songwriting
Kevin Corkran - Drums
Kevin Penny - Bass, Songwriting (track 8)
Jerry Martin - Vocals (lead), Lyrics
Chris Kelly - Vocals, Songwriting (tracks 1-5, 7-10), Guitars



https://www.youtube.com/watch?v=A1rnM5zqEwY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Produkt najwyższej jakości!
Miażdżące riffy przeplatane wspaniałymi melodiami, a całość opakowana technicznym kunsztem!
Jeden z najlepszych w 2021 roku!

FA


Six years is a long time to wait. When a band takes this long in between records, sometimes they spend it slowly honing their sound and improving everything they can. Sometimes they simply lose interest and are never the same. Based on last year’s EP, Alustrium still have plenty of interest in their music. The six year wait paid off, and now I have the task of putting how good their new release sounds into words.

Alustrium are a US-based technical death metal band currently signed to Unique Leader Records. Of major technical death metal influences, their sound leans towards the clean virtuosic end of the genre, similar to The Faceless or Obscura. Alustrium’s specific brand of technical death metal involves stuffing everything they can into a record, and then cramming two more full tracks complete with excessive solos on top. Even though this description raises every red flag of “soulless technical death metal” that can be found, Alustrium cram emotional earnestness and breathing room in their records along with everything else, so concerned potential listeners should safely proceed without anxiety.

A Monument To Silence improves on A Tunnel To Eden (The band’s excellent 2015 release) in two large ways. First, A Monument To Silence flows as well as any technical death metal album I’ve ever heard. A Tunnel To Eden didn’t exactly fail in this regard, but Alustrium obviously used the six years between albums to great benefit. Everything feels completely natural. Verses and solos transition seamlessly to rather insane choruses and to each other, and I found it easy to lose myself in the ambience of this record.

Let’s talk about those choruses more. Another improvement from A Tunnel To Eden that Alustrium offer the listener is simple, pure catchiness. I have now had one moment from “The Hollow Ache” stuck in my head for over a month now. Again, A Tunnel To Eden was a great record and did extremely well in this regard. With A Monument To Silence, Alustrium have only improved.

Against the rest of the technical death metal field, Alustrium don’t challenge the genre’s greats by creating an enticing atmosphere (although they do that as well), or by drowning the listener in dissonance, or by pushing the boundaries of what people conceive as death metal. Instead, they simply write and perform death metal as well as anyone. This is evident in the amazing choruses and flow of A Monument To Silence, but also in the little things. In the slight pauses before the chorus hits in “Join the Dead.” In the wavering tone of some of the slower guitar solos. A Monument To Silence does nothing new or unique, instead Alustrium crafted every moment to near perfection.

My issues with this record feel like they could be someone else’s favorite part. The production feels overly harsh at times, but that only highlights Alustrium’s heaviness and technicality. This record is over an hour long, but I would miss any song that got cut and appreciate how much of a good thing Alustrium are giving their audience here. There is a bizarre drum solo moment at the end of “Join the Dead” that almost went very poorly, but instead creates a nice diversion. “Dreamless Sleep” is an unnecessary interlude, but I find it quite pleasant and a good leadup to the next track. Nothing I could throw at A Monument To Silence lessens how good this record sounds.

I haven’t even mentioned how well this works as a concept album, or the return of previous moments in the amazing final track. I could go on for a long time, but words can’t do this album justice. With A Monument To Silence, Alustrium are no longer in the realm of bands like Beyond Creation or Inferi (both of whom I highly recommend as well). Their new peers are bands like Necrophagist and Death. A Monument To Silence is the best album of the year so far, and the best new release I’ve ever reviewed. I hope to listen to it for a long time.

Nathan


Philadelphia’s progressive tech death architects Alustrium smashed out an album for the ages with their 2015 opus A Tunnel to Eden. The sophomore LP presented a kaleidoscopic, grand in scale masterwork of progressive and technical death metal, featuring serious instrumental and compositional chops, while possessing tons of heart and style. Despite being a little too bloated and ambitious for its own good, the pros far outweighed the miniscule cons to deliver a knockout punch. Punctuated by 2020’s strong Insurmountable EP, it has been a long time between drinks on the full-length recording front. Curiously slipping under the radar, Alustrium’s third album, A Monument to Silence is now upon us.

“The Hollow Ache” sets the bar high from the get-go, mutating from gently hypnotic beginnings and whispered vocals into a beastly tune, immediately showcasing Alustrium’s firm grasp of smart songwriting dynamics and brain melting technicality, underpinned by dexterous melodic currents, insidious hooks, and proggy twists. All the trademark Alustrium ingredients are in place, yet A Monument to Silence shows a band not content to coast or create a half-baked sequel to a blockbuster original. A Monument to Silence maintains the band’s ambitious streak, while carving out its own chunk of character. It has a notably darker, edgier tone than its predecessor, almost blackened at times, while the relentless barrage of scattershot percussion, lightning fretwork, jacked speed, and dueling vocals, leaning heavily on the high and low trade-off variants, courses energy, fury, and aggression into the album’s veins.

Deft arrangements and progressive tints do not detract from the fact these cats bring the heaviness tenfold. The album has serious fucking teeth, counteracting the complexity and prog foundations. Take the frenetic tradeoffs and rugged grooves at the midpoint of “Hunted,” or the damaging breakdown rearing up on “Join the Dead” for examples of Alustrium’s heavier capabilities. Alustrium balance each component expertly into a cohesive whole. The proggified tech is never used as a crutch, while creating memorable songs full of unpredictable twists, character and emotional pull is the band’s bread and butter. Cranking the momentum beyond the high quality early throes, back to back bangers, “The Accuser” and “The Plea,” are like two sinister peas conspiring in a pod, flexing Alustrium’s progressive muscle and multifaceted dynamics; tinkering with tricky rhythmic patterns, experimental vocal interplay, and complex structures, while dispensing power packed riffs, flashy solos, and seething grooves. The former even sets off some Tool vibes during its early passages.

“Deliverance of the Damned” recalls flashes of Necrophagist and a beefed up The Black Dahlia Murder during its thrashy, tech-death passages. Album pacing is solid, culminating in the epic title track, containing nifty links to the album opener. I often bitch about metal albums that drag past their welcome, or marble otherwise strong material with unnecessary fat and gristle. However A Monument to Silence does not fall into the category of overcooked ideas stuffed into a too small casing. Yeah if I was being a bastard I could scrape the barrel for reasons and shave a couple of minutes, but it would be like separating layers of skin with a scalpel. Alustrium’s willingness to push the envelope and incorporate surprising turns maintains intrigue. Performances are expectedly outstanding, especially from livewire guitar combo of Mike DeMaria and Chris Kelly (also on shared vocals). The axe wielding duo’s playing is at once adventurous, intricate, extravagant, and still metal as fuck, while Kevin Corkran is phenomenal on the skins, propelling each song with his flowing style and creative, high energy chops. The material screams for a richer, more dynamic master, while the second half of the album ever so slightly dips in quality, but these are relatively minor gripes in the big scheme of things

Alustrium is a class act and A Monument to Silence consolidates their position at the forefront of the modern prog and tech death scenes. A Tunnel to Eden took a while to fully absorb and appreciate, growing in stature over time, so I can see A Monument to Silence following a similar path. Some may miss the overly hyperactive, playful qualities and flair of its predecessor, but I can not imagine most fans of Alustrium’s prior works being disappointed with what they have served up here. Intelligent, regal, blistering, brutal, and superbly composed, A Monument to Silence is must listen stuff for fans of prog and tech infused death.

Saunders



..::TRACK-LIST::..

1. This Hollow Ache 06:42
2. Join the Dead 06:09
3. Hunted 03:58
4. The Accuser 08:47
5. The Plea 07:26
6. Dreamless Sleep 01:05
7. Blood for Blood 04:32
8. Deliverance for the Damned 06:25
9. Worthless Offers 06:53
10. A Monument to Silence 10:39



..::OBSADA::..

Mike DeMaria - Guitars, Songwriting
Kevin Corkran - Drums
Kevin Penny - Bass, Songwriting (track 8)
Jerry Martin - Vocals (lead), Lyrics
Chris Kelly - Vocals, Songwriting (tracks 1-5, 7-10), Guitars



https://www.youtube.com/watch?v=A1rnM5zqEwY



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

Siódmy, najnowszy solowy album studyjny Ezry Furman. Piosenkarka i songwriterka, której muzyka stała się ścieżką dźwiękową do serialu Netflixa Sex Education, od lat snuje opowieści o queerowym rozgoryczeniu i nieprawdopodobnych, kruchych intymnych doświadczeniach. All of Us Flames to trzecia odsłona trylogii, poczynając od inspirowanej Springsteenem sagi drogi Transangelic Exodus z 2018 r., a kończąc na punkrockowej furii Twelve Nudes z 2019 r.

Artist: Ezra Furman

Title: Goodbye Small Head

Country: USA

Year: 2025

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Grand Mal
2.Sudden Storm
3.Jump Out
4.Power of the Moon
5.You Mustn't Show Weakness
6.Submission
7.Veil Song
8.Slow Burn
9.You Hurt Me, I Hate You
10.Strange Girl
11.A World of Love and Care
12.I Need the Angel

..::INFO::..

R.P.A. czyli Róże Pani Ani - punkowa kapela z Opola, która powstała jesienią 1986 roku, założona przez Stopę i Zbawiciela. Skład kapeli w pewnym momencie był powiązany z inną opolską grupą Nigdy Nie Trzeźwieć. R.P.A. w maju 1989 w składzie Marek - git, Stopa - perkusja, Agrest - voc i Rosjan - bas weszło do studia "Radio-Sygnały" w Opolu i nagrało 11 numerów na swoje demo.

Title: Demo 89

Artist: R.P.A.

Country: Polska

Year: 1989

Genre: Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

Obraz Świata
Zagubieni
Marzenia
Dyskryinacja
Taki Sam Jak Ty
Rewolucja
Umiera Jeden Bóg
Księżyc Świeci
To Takie Proste
Komercja

...( Info )...

Artist: Various Artists
Album: Soft Latin Vibes
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Compay Segundo - Chan chan
02. Manuel Medrano - La distancia
03. Álex Ubago - A gritos de esperanza
04. Rosana - Si tu no estas
05. Carlos Baute - Colgando en tus manos (feat. Marta Sánchez)
06. Alexander Acha - Te amo
07. Leandro & Leonardo - Piensa en mi
08. Compay Segundo - Guajira guantanamera
09. Luiz Melodia - O menino
10. Marquess - La histeria (Acoustic Version)
11. Reinaldo - Frágil coração
12. Laura Pausini - Entre tú y mil mares
13. Simone Moreno - Eterno salvador
14. Mana - Manda una señal
15. Reinaldo - Porque não amar
16. Marquess - Puerta de la noche
17. Mariachi Gama 1000 - Tequila (Versión Mariachi)
18. Mana - Amor clandestino
19. Novos Baianos - Vagabundo não é fácil
20. Celia - O Beato
21. Laura Pausini - Víveme
22. Oswaldo Montenegro - Faça Música Incidental Um dia de domingo
23. Reinaldo - Onde está Volta de vez pra mim
24. Marquess - La radio vieja

...( Info )...

Artist: Various Artists
Album: Summer Beach Hits 2025
Year: 2025
Format: mp3 320 kbps

...( TrackList )...

01. Wallows - Remember When
02. Ed Sheeran - Azizam
03. Coldplay - feelslikeimfallinginlove
04. Blur - Girls and Boys
05. twenty one pilots - Tear in My Heart
06. The Walters - Black Moon
07. Grouplove - Tongue Tied
08. Coldplay - Yellow
09. Gym Class Heroes - Cupid’s Chokehold Breakfast in America
10. Paramore - Hard Times
11. Saint Motel - Sweet Talk
12. Liam Gallagher - Wall of Glass
13. Green Day - Good Riddance (Time of Your Life)
14. Wallows - Are You Bored Yet (feat. Clairo)
15. Coldplay - Life in Technicolor II
16. Blur - Parklife
17. Ed Sheeran - Castle on the Hill
18. The Smiths - This Charming Man (2011 Remaster)
19. Red Hot Chili Peppers - Black Summer
20. Absofacto - Someone Else’s Dream
21. Foals - My Number
22. The Wombats - Let’s Dance to Joy Division
23. Ed Sheeran - Barcelona
24. Fitz and The Tantrums - Out of My League
25. Wallows - Pleaser

...( Info )...
Title: The Final Strife
Artist: Ulfhednar
Year: 2025
Genre: Black, Death-Metal
Country: Canada

Duration: 00:29:06
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Bellum Intra Mundos II
2. Gleïpnir
3. Call Ov Jormungandr
4. Tales Ov Aeons Past
5. The Final Strife
6. Omnia Infinitum

...( Info )...
Title: From The Abyss
Artist: Hell Priest
Year: 2025
Genre: Speed-Metal
Country: USA

Duration: 00:48:37
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. Something Wicked
2. Speed Demon
3. Omen of the Black Conjurer
4. The Bleeding
5. Know My Name
6. Death Machine
7. Angels Have Fallen
8. From The Abyss
9. Infernal Church Blaze
10. Hell Priest

..::INFO::..

Legendarny zespół Morcheeba, jeden z pionierów trip-hopu, powraca z nowym albumem studyjnym zatytułowanym „Escape The Chaos”. Za jej wydanie odpowiada brytyjska wytwórnia 100% Records.
„Escape The Chaos” to jedenasty album w dorobku zespołu i zarazem świadectwo jego konsekwentnej ewolucji. Choć Morcheeba od lat znana jest z łączenia nastrojowego soulu, leniwej elektroniki i subtelnych brzmień akustycznych, na nowej płycie Skye Edwards i Ross Godfrey sięgają po jeszcze bardziej intymną formę ekspresji. Nagrania powstawały m.in. w Dublinie, gdzie artyści skupili się na prostocie, przestrzeni i emocjonalnej szczerości. Jak wskazuje sam tytuł, „Escape The Chaos” to próba odcięcia się od nadmiaru bodźców, hałasu i niepokoju współczesności – i znalezienia ukojenia w dźwiękach.

Title: Escape The Chaos

Artist: Morcheeba

Country: Wielka Brytania

Year: 2025

Genre: Pop

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Call for Love
2.Elephant Clouds
3.Peace of Me (with Oscar #Worldpeace)
4.We Live and Die
5.Far We Come
6.Molten
7.Bleeding Out
8.Cooler Heads
9.Hold It Down
10.Dead To Me
11.Pareidolia (with Amanda Zamolo)
12.Escape the Chaos

.::INFO::..

Big D and the Kids Table to zespół ska punkowy założony w październiku 1995 roku w Bostonie w stanie Massachusetts, składający się z kolegów ze studiów. Ich pierwsze wydawnictwo ukazało się w ich własnej wytwórni Fork in Hand Records, ale od tego czasu współpracowali ze Springman Records i SideOneDummy. Wydali 11 albumów studyjnych, pięć EPek i kilka splitów z innymi wykonawcami. Wstawka zawiera dwa splity zespołu - jeden z Melt Banana i drugi z Five Knuckle.

Title: Look What You've Done

Artist: Big D and the Kids Table

Country: USA

Year: 2003

Genre: Ska-Punk

Format / Codec: MP3
Audio bitrate: 192 Kbps

..::TRACK-LIST::..

Monkey Man
Opertion: 3rd Attack
Apologies
Thieves


L.A.X.
President
Thieves
Feel The Force
Please Ignore
Sit Down And Shut Up

...( Info )...

Artist: Dire Straits
Album: Brothers In Arms (40th Anniversary)
Year: 2025
Quality: FLAC 24Bit-44.1kHz

...( TrackList )...

01. So Far Away (Full Version)
02. Money For Nothing
03. Walk Of Life
04. Your Latest Trick
05. Why Worry
06. Ride Across The River
07. The Man's Too Strong
08. One World
09. Brothers In Arms
10. Ride Across The River (San Antonio Live In 85)
11. Expresso Love (San Antonio Live In 85)
12. One World (San Antonio Live In 85)
13. Romeo And Juliet (San Antonio Live In 85)
14. Private Investigations (San Antonio Live In 85)
15. Sultans Of Swing (San Antonio Live In 85)
16. Why Worry (San Antonio Live In 85)
17. Walk Of Life (San Antonio Live In 85)
18. Two Young Lovers (San Antonio Live In 85)
19. Money For Nothing (San Antonio Live In 85)
20. Wild West End (San Antonio Live In 85)
21. Tunnel Of Love (San Antonio Live In 85)
22. Brothers In Arms (San Antonio Live In 85)
23. Solid Rock (San Antonio Live In 85)
24. Going Home (San Antonio Live In 85)

...( Info )...


Artist...............: Dire Straits
Album................: On Every Street LP (Bob Ludwig)
Genre................: Rock
Year.................: 1991
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Dire Straits - Calling Elvis
002. Dire Straits - On Every Street
003. Dire Straits - When It Comes To You
004. Dire Straits - Fade To Black
005. Dire Straits - The Bug
006. Dire Straits - You And Your Friend
007. Dire Straits - Heavy Fuel
008. Dire Straits - Iron Hand
009. Dire Straits - Ticket To Heaven
010. Dire Straits - My Parties
011. Dire Straits - Planet Of New Orleans
012. Dire Straits - How Long

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Uwielbiam CONFLICT odkąd jako piękny i młody kilkunastoletni kawaler (metalowiec) grałem z punkami i nasz wokalista zapodał na próbie jakąś 'chujowatą' kopię 'It's Time to See Who's Who'...
Teraz mam ponad pięćdziesiąt lat i wiecie co? Nadal, kurwa, uwielbiam CONFLICT!

FA


..::TRACK-LIST::..

1. Against All Odds 14:09
2. Slaughter Of Innocence 04:30
3. Assured Mutual Destruction 02:39
4. Greatest Show on Earth 03:19
5. A Message to Who 03:32
6. A State of Mind 04:56

7. The Final Conflict - Remix (Bonus Track) 05:45




https://www.youtube.com/watch?v=FB2eDDT7WCg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



Uwielbiam CONFLICT odkąd jako piękny i młody kilkunastoletni kawaler (metalowiec) grałem z punkami i nasz wokalista zapodał na próbie jakąś 'chujowatą' kopię 'It's Time to See Who's Who'...
Teraz mam ponad pięćdziesiąt lat i wiecie co? Nadal, kurwa, uwielbiam CONFLICT!

FA


..::TRACK-LIST::..

1. Against All Odds 14:09
2. Slaughter Of Innocence 04:30
3. Assured Mutual Destruction 02:39
4. Greatest Show on Earth 03:19
5. A Message to Who 03:32
6. A State of Mind 04:56

7. The Final Conflict - Remix (Bonus Track) 05:45




https://www.youtube.com/watch?v=FB2eDDT7WCg



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Jethro Tull - This Was (2 CD)
(40th Anniversary Collector's Edition)
---------------------------------------------------------------------

Artist...............: Jethro Tull
Album................: This Was
Genre................: Progressive Rock
Source...............: CD
Year.................: 1968 - (Remastered 2008)
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 42 - 49 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Chrysalis

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1 (Remaster)
---------------------------------------------------------------------

1. Jethro Tull - My Sunday Feeling [03:43]
2. Jethro Tull - Some Day The Sun Won't Shine [02:49]
3. Jethro Tull - Beggars' Farm [04:23]
4. Jethro Tull - Move On Alone [02:00]
5. Jethro Tull - Serenade To A Cuckoo [06:07]
6. Jethro Tull - Dharma For One [04:13]
7. Jethro Tull - It's Breaking Me Up [05:01]
8. Jethro Tull - Cat's Squirrel [05:40]
9. Jethro Tull - A Song For Jeffrey [03:26]
10. Jethro Tull - Round [00:59]
11. Jethro Tull - So Much Trouble [03:19]
12. Jethro Tull - My Sunday Feeling [03:49]
13. Jethro Tull - Serenade To A Cuckoo [03:37]
14. Jethro Tull - Cat's Squirrel [04:38]
15. Jethro Tull - A Song For Jeffrey [03:13]
16. Jethro Tull - Love Story [03:04]
17. Jethro Tull - Stormy Monday [04:09]
18. Jethro Tull - Beggars' Farm [03:22]
19. Jethro Tull - Dharma For One [03:46]

Playing Time.........: 01:11:26
Total Size...........: 306,79 MB

---------------------------------------------------------------------
Tracklisting CD 2 (New Stereo Album Mix)
---------------------------------------------------------------------

1. Jethro Tull - My Sunday Feeling [03:42]
2. Jethro Tull - Some Day The Sun Won´t Shine [02:47]
3. Jethro Tull - Beggars Farm [04:21]
4. Jethro Tull - Move On Alone [01:57]
5. Jethro Tull - Serenade To A Cuckoo [06:05]
6. Jethro Tull - Dharma For One [04:13]
7. Jethro Tull - It´s Breaking Me Up [05:03]
8. Jethro Tull - Cat´s Squirrel [05:39]
9. Jethro Tull - A Song For Jeffrey [03:23]
10. Jethro Tull - Round [01:00]
11. Jethro Tull - Love Story [03:05]
12. Jethro Tull - Christmas Song [03:13]
13. Jethro Tull - Sunshine Day [02:26]
14. Jethro Tull - One For John Gee [02:05]
15. Jethro Tull - Love Story [03:05]
16. Jethro Tull - Christmas Song [03:05]

Playing Time.........: 55:16
Total Size...........: 284,76 MB

..::INFO::..

---------------------------------------------------------------------
ZZ Top - Greatest Hits
---------------------------------------------------------------------

Artist...............: ZZ Top
Album................: Greatest Hits
Genre................: Rock
Source...............: CD
Year.................: 1992
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. ZZ Top - Gimme All Your Lovin' [03:58]
2. ZZ Top - Sharp Dressed Man [04:14]
3. ZZ Top - Rough Boy [04:52]
4. ZZ Top - Tush [02:15]
5. ZZ Top - My Head's In Mississippi [04:19]
6. ZZ Top - Pearl Necklace [04:05]
7. ZZ Top - I'm Bad, I'm Nationwide [04:46]
8. ZZ Top - Viva Las Vegas [04:48]
9. ZZ Top - Doubleback [03:56]
10. ZZ Top - Gun Love [03:39]
11. ZZ Top - Got Me Under Pressure [04:00]
12. ZZ Top - Give It Up [03:29]
13. ZZ Top - Cheap Sunglasses [04:47]
14. ZZ Top - Sleeping Bag [04:03]
15. ZZ Top - Planet Of Women [04:05]
16. ZZ Top - La Grange [03:52]
17. ZZ Top - Tube Snake Boogie [03:04]
18. ZZ Top - Legs (Remix) [04:31]

Playing Time.........: 01:12:51
Total Size...........: 481,73 MB

...( TrackList )...

01. This Little Light of Mine.flac FLAC 11.31 MB
02. Flames of Fortune.flac FLAC 23.56 MB
03. Wang Dang Doodle.flac FLAC 15.33 MB
04. Travelin'.flac FLAC 5.76 MB
05. Juke.flac FLAC 5.41 MB
06. Seance.flac FLAC 20.82 MB
07. Dangerous.flac FLAC 21.52 MB
08. I Lied to You.flac FLAC 28.98 MB
09. Pick Poor Robin Clean.flac FLAC 9.97 MB
10. Can't Win for Losin'.flac FLAC 9.64 MB
11. Old Corn Liquor.flac FLAC 20.48 MB
12. Will Ye Go, Lassie Go.flac FLAC 22.83 MB
13. Pale, Pale Moon.flac FLAC 29.39 MB
14. Rocky Road to Dublin.flac FLAC 21.7 MB
15. In Moonlight.flac FLAC 26.24 MB
16. Travelin'.flac FLAC 4.6 MB
17. Last Time (I Seen the Sun).flac FLAC 19.96 MB
19. Troubled Waters Homesick.flac FLAC 22.9 MB
20. Pale, Pale Moon.flac FLAC 28.52 MB
21. I Lied to You (Radio Edit).flac FLAC 14.8 MB
22. Pick Poor Robin Clean.flac FLAC 12.22 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Ten album to kolejka górska zbudowana w czasach, gdy prosta linia była najszybszym sposobem łączenia dwóch punktów podczas komponowania utworu death metalowego.
To awangarda w wykonaniu pioniera, nie było czegoś takiego w tamtym czasie i ten album do dziś pozostaje niezrównany! Moim skromnym zdaniem.

FA


For the first time in almost 20 years after the audaciously innovative “World Of Myths” was released, the old Swedish Prog-Death Metallers CRYPT OF KERBEROS will celebrate the band's glorious return with this piece of criminally underrated 1993 re-issue masterwork!

Defying all odds and intently oblivious to any form of musical trend, “World Of Myths” focuses on powerful passages that are so cleverly interweaved with avant-garde arrangements, but never for a moment losing the core aspects of Death Metal integrity. Two decades have almost passed since the debut release of “World Of Myths” and the formidable mind-boggling musicanship on this album still sounds fresh and exciting even today!

Packaged in an exclusive Digipak CD format with a brand new artwork and layout, the CD booklet also includes live and studio images from the band's active years and with a special liner note recollecting the events that took place during the “World Of Myths” sessions written by CRYPT OF KERBEROS drummer Mattias Borgh. Digitally re-mastered by Peter Bjärgö at Erebus Odora Studio, Sweden (Interment, Regurgitate, Arcana, etc), this re-issue edition also includes never-before-released rehearsal demos of the entire “World Of Myths” session recorded in 1992.



..::TRACK-LIST::..

1. The Canticle 04:59
2. Cyclone Of Insanity 04:48
3. Dream... 03:36
4. Stormbringer 03:12
5. Ancient War 03:15
6. Nocturnal Grasp 03:55
7. Sleeping God 05:17
8. World Of Myths 03:47

Bonus Tracks:
9. The Canticle (Rehearsal) 05:37
10. World Of Myths (Rehearsal) 04:17
11. Nocturnal Grasp (Rehearsal) 04:06
12. Stormbringer (Rehearsal) 03:06
13. Cyclone Of Insanity (Rehearsal) 05:06
14. Ancient War (Rehearsal) 03:37
15. Dream... (Rehearsal) 04:18



..::OBSADA::..

Stefan Källarsson - Bass
Mattias Borgh - Drums
Jonas Strandell - Guitars
Peter Pettersson - Guitars
Christian Eriksson - Vocals
Jessica Strandell - Keyboards



https://www.youtube.com/watch?v=hWPwcRVzgzo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Ten album to kolejka górska zbudowana w czasach, gdy prosta linia była najszybszym sposobem łączenia dwóch punktów podczas komponowania utworu death metalowego.
To awangarda w wykonaniu pioniera, nie było czegoś takiego w tamtym czasie i ten album do dziś pozostaje niezrównany! Moim skromnym zdaniem.

FA


For the first time in almost 20 years after the audaciously innovative “World Of Myths” was released, the old Swedish Prog-Death Metallers CRYPT OF KERBEROS will celebrate the band's glorious return with this piece of criminally underrated 1993 re-issue masterwork!

Defying all odds and intently oblivious to any form of musical trend, “World Of Myths” focuses on powerful passages that are so cleverly interweaved with avant-garde arrangements, but never for a moment losing the core aspects of Death Metal integrity. Two decades have almost passed since the debut release of “World Of Myths” and the formidable mind-boggling musicanship on this album still sounds fresh and exciting even today!

Packaged in an exclusive Digipak CD format with a brand new artwork and layout, the CD booklet also includes live and studio images from the band's active years and with a special liner note recollecting the events that took place during the “World Of Myths” sessions written by CRYPT OF KERBEROS drummer Mattias Borgh. Digitally re-mastered by Peter Bjärgö at Erebus Odora Studio, Sweden (Interment, Regurgitate, Arcana, etc), this re-issue edition also includes never-before-released rehearsal demos of the entire “World Of Myths” session recorded in 1992.



..::TRACK-LIST::..

1. The Canticle 04:59
2. Cyclone Of Insanity 04:48
3. Dream... 03:36
4. Stormbringer 03:12
5. Ancient War 03:15
6. Nocturnal Grasp 03:55
7. Sleeping God 05:17
8. World Of Myths 03:47

Bonus Tracks:
9. The Canticle (Rehearsal) 05:37
10. World Of Myths (Rehearsal) 04:17
11. Nocturnal Grasp (Rehearsal) 04:06
12. Stormbringer (Rehearsal) 03:06
13. Cyclone Of Insanity (Rehearsal) 05:06
14. Ancient War (Rehearsal) 03:37
15. Dream... (Rehearsal) 04:18



..::OBSADA::..

Stefan Källarsson - Bass
Mattias Borgh - Drums
Jonas Strandell - Guitars
Peter Pettersson - Guitars
Christian Eriksson - Vocals
Jessica Strandell - Keyboards



https://www.youtube.com/watch?v=hWPwcRVzgzo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany w 1969 roku, rewelacyjny psychodeliczny album o ciężkim gitarowym brzmieniu i świetnych, nośnych kompozycjach. Jedna z 2-3 najbardziej niedocenionych amerykańskich płyt końca lat 60-tych. Niemal każdy utwór (z siedmiu) to dynamit! Amerykańska reedycja z 2021 roku, rozszerzona o dwa CD - na pierwszym z nich znalazły się alternatywne, a na drugim instrumentalne wersje utworów z albumu.



One of the best things i got into as the result of scouring Acid Archives back in 2021 during lockdown boredom. The difference maker for me is that while this is genuinely pretty "psych-y", the band rocks very hard, there are almost no extraneous elements and the songwriting is uniformly very strong. In particular, it might sound kind of like damning with faint praise, but the total lack of any chintzy keyboard or "period" sound FX really makes this feel remarkably contemporary in a way that I wish many more bands (not all!) would have pursued--and you have to add into that Murray Shiffrin's beautiful fuzz, with plenty of bumblebee G-string playing, and Mike Ratti'c cavernous drums.

It's not just the sound, though; the band is admirably punky, tribal, and frat rockin' as the situation demands, with the titular singer Morgen's ultra-delicate vocals adding what there is of a "psych" aspect. It's hard to imagine this record coming out much earlier or later than it did; it has some thunderous aspects, sounding very "hard rock", but these are masterfully integrated into some rave-up sections that I gather bands soon came to think of as a dated "garage rock" sound. To my ears, this adds a very welcome diversity to the proceedings.

Well worth checking out if, like me, you like the piercing fuzz of "psych rock" but aren't sold on some of the dodgier studio gimmicks--but you also enjoy the somewhat jammy, purposefully messy and wild psych sound at its best.

dictateursanguinaire



..::TRACK-LIST::..

CD 1 - Morgen:
1. Welcome To The Void 4:49
2. Of Dreams 5:39
3. Beggin' Your Pardon (Miss Joan) 4:53
4. Eternity In Between 4:30
5. Purple 4:14
6. She's The Nitetime 3:33
7. Love 10:54


CD 2 - Morgen (Unreleased & Alternate Takes):
1. Purple (Alternate Take) 4:14
2. She's The Nitetime (Alternate Take) 4:00
3. Love (Alternate Take/Mix) 10:39
4. Begging Your Pardon (Ms. Joan) (Alternate Take) 4:52
5. Purple (Alternate Take) 3:53
6. She's The Nitetime 3:27
7. Welcome To The Void (Alternate Mix) 4:48
8. All I Know 2:43
9. Everything's Gone 3:15
10. Woke Up This Morning 3:35
11. She's The Nitetime (Chorus Vocal) (Alternate Take 2) 3:25


CD 3 - Morgen (Instrumentals):
1. Welcome To The Void (Alternate Mix) [Instrumental] 3:25
2. Begging Your Pardon (Miss Joan) (Alternate Take) [Instrumental] 4:49
3. She's The Nitetime (Alternate Take) [Instrumental] 4:52
4. She's The Nitetime (Alternate Take 2) [Instrumental] 4:00
5. Purple (Alternate Take) [Instrumental] 3:31
6. Purple (Alternate Take 2) [Instrumental] 4:17
7. Eternity 3:52
8. Love (Alternate Take) 10:40
9. Woke Up This Morning [Instrumental] 3:35
10. All I Know [Instrumental] 2:41
11. Everything's Gone [Instrumental] 3:13



..::OBSADA::..

Rhythm Guitar - Barry Stock
Bass - Bobby Rizzo
Drums - Michael Ratti
Lead Guitar - Murray Shiffrin
Lead Vocals - Murray Shiffrin (tracks: B4), Steve Morgen (tracks: A1 to A7, B1 to B3, B5 to B11)



https://www.youtube.com/watch?v=Mo3JRH3hcOM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wydany w 1969 roku, rewelacyjny psychodeliczny album o ciężkim gitarowym brzmieniu i świetnych, nośnych kompozycjach. Jedna z 2-3 najbardziej niedocenionych amerykańskich płyt końca lat 60-tych. Niemal każdy utwór (z siedmiu) to dynamit! Amerykańska reedycja z 2021 roku, rozszerzona o dwa CD - na pierwszym z nich znalazły się alternatywne, a na drugim instrumentalne wersje utworów z albumu.



One of the best things i got into as the result of scouring Acid Archives back in 2021 during lockdown boredom. The difference maker for me is that while this is genuinely pretty "psych-y", the band rocks very hard, there are almost no extraneous elements and the songwriting is uniformly very strong. In particular, it might sound kind of like damning with faint praise, but the total lack of any chintzy keyboard or "period" sound FX really makes this feel remarkably contemporary in a way that I wish many more bands (not all!) would have pursued--and you have to add into that Murray Shiffrin's beautiful fuzz, with plenty of bumblebee G-string playing, and Mike Ratti'c cavernous drums.

It's not just the sound, though; the band is admirably punky, tribal, and frat rockin' as the situation demands, with the titular singer Morgen's ultra-delicate vocals adding what there is of a "psych" aspect. It's hard to imagine this record coming out much earlier or later than it did; it has some thunderous aspects, sounding very "hard rock", but these are masterfully integrated into some rave-up sections that I gather bands soon came to think of as a dated "garage rock" sound. To my ears, this adds a very welcome diversity to the proceedings.

Well worth checking out if, like me, you like the piercing fuzz of "psych rock" but aren't sold on some of the dodgier studio gimmicks--but you also enjoy the somewhat jammy, purposefully messy and wild psych sound at its best.

dictateursanguinaire



..::TRACK-LIST::..

CD 1 - Morgen:
1. Welcome To The Void 4:49
2. Of Dreams 5:39
3. Beggin' Your Pardon (Miss Joan) 4:53
4. Eternity In Between 4:30
5. Purple 4:14
6. She's The Nitetime 3:33
7. Love 10:54


CD 2 - Morgen (Unreleased & Alternate Takes):
1. Purple (Alternate Take) 4:14
2. She's The Nitetime (Alternate Take) 4:00
3. Love (Alternate Take/Mix) 10:39
4. Begging Your Pardon (Ms. Joan) (Alternate Take) 4:52
5. Purple (Alternate Take) 3:53
6. She's The Nitetime 3:27
7. Welcome To The Void (Alternate Mix) 4:48
8. All I Know 2:43
9. Everything's Gone 3:15
10. Woke Up This Morning 3:35
11. She's The Nitetime (Chorus Vocal) (Alternate Take 2) 3:25


CD 3 - Morgen (Instrumentals):
1. Welcome To The Void (Alternate Mix) [Instrumental] 3:25
2. Begging Your Pardon (Miss Joan) (Alternate Take) [Instrumental] 4:49
3. She's The Nitetime (Alternate Take) [Instrumental] 4:52
4. She's The Nitetime (Alternate Take 2) [Instrumental] 4:00
5. Purple (Alternate Take) [Instrumental] 3:31
6. Purple (Alternate Take 2) [Instrumental] 4:17
7. Eternity 3:52
8. Love (Alternate Take) 10:40
9. Woke Up This Morning [Instrumental] 3:35
10. All I Know [Instrumental] 2:41
11. Everything's Gone [Instrumental] 3:13



..::OBSADA::..

Rhythm Guitar - Barry Stock
Bass - Bobby Rizzo
Drums - Michael Ratti
Lead Guitar - Murray Shiffrin
Lead Vocals - Murray Shiffrin (tracks: B4), Steve Morgen (tracks: A1 to A7, B1 to B3, B5 to B11)



https://www.youtube.com/watch?v=Mo3JRH3hcOM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI

..::OPIS::..


Budka Suflera „Za ostatni grosz” jest piątym studyjnym albumem wydanym oryginalnie w 1982 roku przez wytwornię Tonpress. Jet to także drugi album, na którym śpiewa Romuald Czystaw. Wybijającą się postacią na płycie jest młody i zdolny gitarzysta Jan Borysewicz.

Album Budka Suflera „Za ostatni grosz” ukazał się w szczególnym dla PRL-owskiej Polski momencie. Niezamierzenie stał się symbolem następujących w kraju przemian. Tytułowy utwór „Za ostatni grosz” szybko uzyskał status wielkiego przeboju. Album ten doczekał się jedenastu oficjalnych wydań.



Przebojowy krążek sprawił, że grupa – po komercyjnej porażce poprzedniego longplaya „Ona przyszła prosto z chmur” – znowu powróciła do łask publiczności. „Za ostatni grosz” to najpopularniejsza płyta wydana przez firmę Tonpress w 1982 r. z imponującym nakładem 160 000 egzemplarzy. Tak, lata 80. to czas, kiedy winyle świetnie się sprzedawały. Do tego promowano je nie trzema singlami, jak to ma miejsce obecnie, ale dajmy na to… siedmioma. Tak było w przypadku tego albumu.

„Teraz rób, co chcesz” dotarł do 1. miejsca listy przebojów pr. I Polskiego Radia. Utwór „Za ostatni grosz” uplasował się na 2. pozycji na liście przebojów miesięcznika „Non Stop”. „Nie taki znów wolny” zajął 3. lokatę na liście przebojów radiowego Studia Gama. „Rok dwóch żywiołów” był 5. w „Non Stopie”, a „Memu miastu na do widzenia” oraz „Rock’n’Roll na dobry oczątek” dotarły do 6. miejsc w (odpowiednio) Studiu Gama i w głosowaniu czytelników tygodnika „Panorama”. „Kto zrobił mi ten żart” zajął 10. pozycję w pr. I Polskiego Radia.

To oznacza, że 7 z 8 utworów zamieszczonych na płycie było notowanych na listach przebojów! Niezłe osiągnięcie, prawda?

Album otwiera utwór tytułowy, w którym niewesołą melodię doskonale uzupełnia dosyć przygnębiający tekst, mówiący o zatraceniu siebie i dawnych ideałów. „Wczoraj niewinni tak,/dzisiaj pionki w grze”. No ta solówka Jana Borysewicza na gitarze basowej, która trwa ok. 1,5 minuty! Coś takiego by nie przeszło w dzisiejszym mainstreamie zdefiniowanym 3 – minutowymi ramami piosenki… Podobnie gorzkie refleksje odnajdujemy w piosence „Kto zrobił mi ten żart”. „Co ja tutaj robię, skąd pomysł, by tu żyć,/czego tutaj szukam skoro tu nie ma nic?”.

„Wszystko to widział świat” nawiązuje do zmieniającego się ówcześnie krajobrazu społeczno – politycznego Polski (m.in. powstanie „Solidarności”). Jest to w zasadzie ostrzeżenie (aktualne wczoraj i dziś), aby nie ufać „zbytnio nowym modom,/które dziejowy niesie wiatr”. „Rock’n’Roll na dobry początek” to pozornie triumfalny hymn zwycięstwa rocka nad muzyką disco, która była mocno lansowana – kosztem tej pierwszej – w Polskim Radiu pod koniec lat 70. „Wielkie lody ruszyły,/disco wreszcie trafił szlag”. Tyle że gdyby znów czytać między wierszami, biorąc poprawkę na czas, kiedy nagrywano materiał na płytę (1981 r.), trudno nie odnieść wrażenia, że chodzi o chwilową „odwilż”, jaka nastąpiła w kraju w związku z tzw. „karnawałem Solidarności”.

„Teraz rób, co chcesz” i „Rok dwóch żywiołów” przynoszą lżejsze, acz nie bardziej optymistyczne treści, mówiące o zakończonych relacjach.

Krążek zamyka „Memu miastu na do widzenia” – „odkurzony” kawałek z 1974 r., tu w wersji niemalże hard rockowej. Niestety, Romualdowi Czystawowi brakuje tu energii i dynamizmu, piosenka ujawnia też jego skromne warunki wokalne, zwłaszcza jeśli porówna się go z Krzysztofem Cugowskim -pierwotnym wykonawcą tego utworu.

W każdym razie płyta „Za ostatni grosz” świetnie oddaje niespokojnego ducha (nie tylko muzycznego) początku dekady lat 80. I sądzę, że należy wracać do niej, rozpatrując ją w kontekście zachodzących wówczas zmian na krajowej scenie politycznej. W ramach ciekawostek – pamiętam, że jako dziecko przyglądałem się wykonanej z niskiej jakości papieru okładce albumu. To też znak tamtych czasów. Cyfrowa reedycja nie jest w stanie tego oddać…

Przemysław Sobolewski



..::TRACK-LIST::..

1. Za Ostatni Grosz 5:10
2. Wszystko To Widział Świat 4:20
3. Rock'N'Roll Na Dobry Początek 4:00
4. Kto Zrobił Mi Ten Żart 4:25
5. Nie Taki Znów Wolny 5:20
6. Teraz Rób Co Chcesz 4:25
7. Rok Dwóch Żywiołów 4:30
8. Memu Miastu Na Do Widzenia 3:05



..::OBSADA::..

Vocals - Romuald Czystaw
Percussion - Tomasz Zeliszewski
Guitar - Jan Borysewicz, Zdzisław Janiak
Keyboards - Romuald Lipko
Bass Guitar - Andrzej Ziółkowski




https://www.youtube.com/watch?v=PYpg4BypJoA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Budka Suflera „Za ostatni grosz” jest piątym studyjnym albumem wydanym oryginalnie w 1982 roku przez wytwornię Tonpress. Jet to także drugi album, na którym śpiewa Romuald Czystaw. Wybijającą się postacią na płycie jest młody i zdolny gitarzysta Jan Borysewicz.

Album Budka Suflera „Za ostatni grosz” ukazał się w szczególnym dla PRL-owskiej Polski momencie. Niezamierzenie stał się symbolem następujących w kraju przemian. Tytułowy utwór „Za ostatni grosz” szybko uzyskał status wielkiego przeboju. Album ten doczekał się jedenastu oficjalnych wydań.



Przebojowy krążek sprawił, że grupa – po komercyjnej porażce poprzedniego longplaya „Ona przyszła prosto z chmur” – znowu powróciła do łask publiczności. „Za ostatni grosz” to najpopularniejsza płyta wydana przez firmę Tonpress w 1982 r. z imponującym nakładem 160 000 egzemplarzy. Tak, lata 80. to czas, kiedy winyle świetnie się sprzedawały. Do tego promowano je nie trzema singlami, jak to ma miejsce obecnie, ale dajmy na to… siedmioma. Tak było w przypadku tego albumu.

„Teraz rób, co chcesz” dotarł do 1. miejsca listy przebojów pr. I Polskiego Radia. Utwór „Za ostatni grosz” uplasował się na 2. pozycji na liście przebojów miesięcznika „Non Stop”. „Nie taki znów wolny” zajął 3. lokatę na liście przebojów radiowego Studia Gama. „Rok dwóch żywiołów” był 5. w „Non Stopie”, a „Memu miastu na do widzenia” oraz „Rock’n’Roll na dobry oczątek” dotarły do 6. miejsc w (odpowiednio) Studiu Gama i w głosowaniu czytelników tygodnika „Panorama”. „Kto zrobił mi ten żart” zajął 10. pozycję w pr. I Polskiego Radia.

To oznacza, że 7 z 8 utworów zamieszczonych na płycie było notowanych na listach przebojów! Niezłe osiągnięcie, prawda?

Album otwiera utwór tytułowy, w którym niewesołą melodię doskonale uzupełnia dosyć przygnębiający tekst, mówiący o zatraceniu siebie i dawnych ideałów. „Wczoraj niewinni tak,/dzisiaj pionki w grze”. No ta solówka Jana Borysewicza na gitarze basowej, która trwa ok. 1,5 minuty! Coś takiego by nie przeszło w dzisiejszym mainstreamie zdefiniowanym 3 – minutowymi ramami piosenki… Podobnie gorzkie refleksje odnajdujemy w piosence „Kto zrobił mi ten żart”. „Co ja tutaj robię, skąd pomysł, by tu żyć,/czego tutaj szukam skoro tu nie ma nic?”.

„Wszystko to widział świat” nawiązuje do zmieniającego się ówcześnie krajobrazu społeczno – politycznego Polski (m.in. powstanie „Solidarności”). Jest to w zasadzie ostrzeżenie (aktualne wczoraj i dziś), aby nie ufać „zbytnio nowym modom,/które dziejowy niesie wiatr”. „Rock’n’Roll na dobry początek” to pozornie triumfalny hymn zwycięstwa rocka nad muzyką disco, która była mocno lansowana – kosztem tej pierwszej – w Polskim Radiu pod koniec lat 70. „Wielkie lody ruszyły,/disco wreszcie trafił szlag”. Tyle że gdyby znów czytać między wierszami, biorąc poprawkę na czas, kiedy nagrywano materiał na płytę (1981 r.), trudno nie odnieść wrażenia, że chodzi o chwilową „odwilż”, jaka nastąpiła w kraju w związku z tzw. „karnawałem Solidarności”.

„Teraz rób, co chcesz” i „Rok dwóch żywiołów” przynoszą lżejsze, acz nie bardziej optymistyczne treści, mówiące o zakończonych relacjach.

Krążek zamyka „Memu miastu na do widzenia” – „odkurzony” kawałek z 1974 r., tu w wersji niemalże hard rockowej. Niestety, Romualdowi Czystawowi brakuje tu energii i dynamizmu, piosenka ujawnia też jego skromne warunki wokalne, zwłaszcza jeśli porówna się go z Krzysztofem Cugowskim -pierwotnym wykonawcą tego utworu.

W każdym razie płyta „Za ostatni grosz” świetnie oddaje niespokojnego ducha (nie tylko muzycznego) początku dekady lat 80. I sądzę, że należy wracać do niej, rozpatrując ją w kontekście zachodzących wówczas zmian na krajowej scenie politycznej. W ramach ciekawostek – pamiętam, że jako dziecko przyglądałem się wykonanej z niskiej jakości papieru okładce albumu. To też znak tamtych czasów. Cyfrowa reedycja nie jest w stanie tego oddać…

Przemysław Sobolewski



..::TRACK-LIST::..

1. Za Ostatni Grosz 5:10
2. Wszystko To Widział Świat 4:20
3. Rock'N'Roll Na Dobry Początek 4:00
4. Kto Zrobił Mi Ten Żart 4:25
5. Nie Taki Znów Wolny 5:20
6. Teraz Rób Co Chcesz 4:25
7. Rok Dwóch Żywiołów 4:30
8. Memu Miastu Na Do Widzenia 3:05



..::OBSADA::..

Vocals - Romuald Czystaw
Percussion - Tomasz Zeliszewski
Guitar - Jan Borysewicz, Zdzisław Janiak
Keyboards - Romuald Lipko
Bass Guitar - Andrzej Ziółkowski




https://www.youtube.com/watch?v=PYpg4BypJoA



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Rod Stewart - Time (Deluxe Edition) (2 CD)
---------------------------------------------------------------------

Artist...............: Rod Stewart
Album................: Time (Deluxe Edition)
Genre................: Classic Rock
Source...............: CD
Year.................: 2013
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Capitol Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting CD 1
---------------------------------------------------------------------

1. Rod Stewart - She Makes Me Happy [03:44]
2. Rod Stewart - Can't Stop Me Now [04:26]
3. Rod Stewart - It's Over [04:19]
4. Rod Stewart - Brighton Beach [04:25]
5. Rod Stewart - Beautiful Morning [03:59]
6. Rod Stewart - Live The Life [04:26]
7. Rod Stewart - Finest Woman [03:54]
8. Rod Stewart - Time [04:27]
9. Rod Stewart - Picture In A Frame [02:53]
10. Rod Stewart - Sexual Religion [04:45]
11. Rod Stewart - Make Love To Me Tonight [03:45]
12. Rod Stewart - Pure Love [05:11]
13. Rod Stewart - Corrina Corrina (Bonus Track) [03:28]
14. Rod Stewart - Legless (Bonus Track) [03:53]
15. Rod Stewart - Love Has No Pride (Bonus Track) [04:04]

Playing Time.........: 01:01:46
Total Size...........: 429,61 MB

---------------------------------------------------------------------
Tracklisting CD 2
---------------------------------------------------------------------

1. Rod Stewart - Here Comes The Night (Bonus Track) [03:29]
2. Rod Stewart - Cold Water (Bonus Track) [03:59]
3. Rod Stewart - Shake Your Money Maker (Bonus Track) [02:42]
4. Rod Stewart - Can't Stop Me Now (Live From The Troubadour, West Hollywood 2013)[04:15]
5. Rod Stewart - Forever Young (Live From The Troubadour, West Hollywood 2013)[04:36]
6. Rod Stewart - It's Over (Live From The Troubadour, West Hollywood 2013)[04:44]
7. Rod Stewart - Rhythm Of My Heart (Live From The Troubadour, West Hollywood 2013)[06:12]
8. Rod Stewart - Finest Woman (Live From The Troubadour, West Hollywood 2013)[04:20]
9. Rod Stewart - You Wear It Well (Live From The Troubadour, West Hollywood 2013)[03:42]
10. Rod Stewart - She Makes Me Happy (Live From The Troubadour, West Hollywood 2013)[03:56]
11. Rod Stewart - Have I Told You Lately (Live From The Troubadour, West Hollywood 2013)[04:49]
12. Rod Stewart - Brighton Beach (Live From The Troubadour, West Hollywood 2013)[04:48]
13. Rod Stewart - Sexual Religion (Live From The Troubadour, West Hollywood 2013)[05:17]

Playing Time.........: 56:54
Total Size...........: 396,74 MB

...( Info )...

Artist...............: Rino Gaetano
Album................: Ma il cielo è sempre più blu 50th
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Rino Gaetano - Ma il cielo è sempre più blu
002. Rino Gaetano - Ma il cielo è sempre più blu (Extended Version)
003. Rino Gaetano - Ma il cielo è sempre più blu (Molella Edit Remix)
004. Rino Gaetano - Ma Il Cielo E' Sempre Più Blu (Seconda Parte)
005. Rino Gaetano - Ma il cielo è sempre più blu (Live)
006. Rino Gaetano - Ma Il Cielo E' Sempre Più Blu (Molella Remix)

...( Info )...

Artist...............: Dire Straits
Album................: Love Over Gold LP (Bob Ludwig)
Genre................: Rock
Year.................: 1982
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Dire Straits - Telegraph Road
002. Dire Straits - Private Investigations
003. Dire Straits - Industrial Disease
004. Dire Straits - Love Over Gold
005. Dire Straits - It Never Rains

...( Info )...

Pierwsza (nieoficjalna) kompilacja Psytrance mojego autorstwa - vantablack.

Artists: Various Artists / Playlist / vantablack
Title: Quantum Mindscape - Psytrance Mix 2025 Top 50
Type/Genre: Compilation / Psytrance, Progressive Psytrance, Goa Trance, Psychedelic Trance, Night Psytrance, Forest Psytrance
Release date: -
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 2,72 GB
Tracks total: 51
Duration total: [06:30:42]

...( Dane Techniczne )...

Audio
Format             : FLAC
Format/Info          : Free Lossless Audio Codec
Duration            : 9 min 24 s
Bit rate mode         : Variable
Bit rate            : 994 kb/s
Channel(s)           : 2 channels
Channel layout         : L R
Sampling rate         : 44.1 kHz
Bit depth           : 16 bits
Compression mode        : Lossless
Stream size          : 66.9 MiB (99%)

...( TrackList )...

Alurian - Soul of the World (Original Mix)
Alurian - The Phantom (Original Mix)
Alurian, Illuzio - Fabric of the Cosmos (Original Mix)
Alurian, Introspect - Cosmic Mirror
Biological (BR), Br1sa - Secret Blue Bird
Biological (BR), Odara - Earth Signal
Chronosphere - Strong Purpose (Original Mix)
Chronosphere - Visitors from the Sky (original)
Chronosphere, Hyperscript - Deep Breath (Original Mix)
Chronosphere, Hyperscript - Rewiring Your Brain (Original Mix)
Chronosphere, Neo Shaman - Principles of Vibration (Original Mix)
Djantrix, Lunatica - Calling Your Future (Original)
FADERS - Aura (Technology Remix)
FnX, Audiosonic - Turn On (Original Mix)
FnX, Skore (BR) - New Era
FnX, Spectra Minds - Cosmic Power
Hyde, Biological (BR) - Cosmic Matter
Hypnoise, Reversed Logic - Logic Noise
Mental Control - Natural Time (Original Mix)
Mental Control, Mono Sapiens - Space Review (Original Mix)
Mono Sapiens, Mental Control - Cosmic Snippers (Original Mix)
Mono Sapiens, Mental Control - Science & Technology (Original Mix)
MoRsei - Mind over Matter (Original Mix)
MoRsei - Portals (Original Mix)
MoRsei - Sacred Planet
MoRsei - Souls on Earth (Original Mix)
MoRsei - Transformation
MoRsei - Voodoo (Original Mix)
MoRsei, Main Ape - World out There (Original Mix)
MoRsei, West Galaxy - Fear (Original Mix)
MoRsei, X-side - Medicina Sagrada
Ovnimoon - Galactic Mantra (Morsei Remix)
Relativ - Out of My Mind (Original Mix)
Relativ - The End of Time
Relativ, i-460 - Bambre (Original Mix)
Relativ, Makida - Panthers
Relativ, MoRsei - Waves of Emotion (Original Mix)
Relativ, Reversed Logic - Portal (Original)
Relativ, Yestermorrow - Galactic Riders (Original)
Reversed Logic - Hocus Pocus (Original Mix)
Reversed Logic - We Are Looking for Something (ORIGINAL MIX)
Reversed Logic - Who We Are (ORIGINAL MIX)
Reversed Logic, Inner Lux - Inwardly (Original Mix)
Reversed Logic, Lunatica - Unlimited Space (Original)
Starlab (IN), Ital - Sacred Medicine (Original)
Starlab (IN), Out of Range - Alignment (Original Mix)
Technology - Natural Diversity
Technology - Symbiosis
Technology - Waterfall Insights (Original Mix)
Technology, Biological (BR) - Existences (Original Mix)
Zyce, Relativ - Story of DMT