...( Info )...

Artist: Krud
Title: Krud II
Year: 2024
Genre: Groove-Metal
Country: Germany
Duration: 00:40:11
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01. We Are Legion 04:18
02. Mankind 04:56
03. Dead To Me 02:58
04. Lies Rise 04:39
05. Unbound 02:51
06. Breeding Terror 04:32
07. Cell 666 04:07
08. Rust 03:51
09. All Or Nothing 03:35
10. Pit Of Snakes 04:21

..::INFO::..

Trivium to amerykański zespół założony w 1999 roku w Orlando na Florydzie. Wykonywana przez zespół muzyka określana jest jako thrash metal, heavy metal, melodic death metal, groove metal, metalcore oraz metal progresywny. Liderem formacji oraz autorem wszystkich tekstów jest Matthew Kiichi Heafy - Amerykanin pochodzenia japońskiego. Nazwa grupy wywodzi się z języka łacińskiego. Trivium w okresie późnej starożytności oraz średniowiecza było, obok quadrivium, podgrupą siedmiu sztuk wyzwolonych. Obejmowało trzy nauki: gramatykę, retorykę oraz logikę. Członkowie zespołu uznają, że obrazuje to ich zainteresowanie różnymi gatunkami muzycznymi. Trivium nagrało dziesięć albumów studyjnych. Zespół słynie z dużej liczby występów. 12 czerwca 2006 roku brytyjski magazyn „Metal Hammer” na gali Golden God Awards uznał grupę za najlepiej koncertujący zespół w bieżącym roku. Tego samego dnia Matt Heafy otrzymał tytuł „Golden God”, a Travis Smith wygrał w kategorii „najlepszy perkusista”. Wstawka zawiera album zawierający nowe aranżacje utworów z pierwszej płyty zespołu plus kilka nowych utworów.

Title: Ember to Inferno Ab Initio

Artist: Trivium

Country: USA

Year: 2016

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList ) ...
1-1.Inception: The Bleeding Skies
1-2.Pillars Of Serpents
1-3.If I Could Collapse The Masses
1-4.Fugue (A Revelation)
1-5.Requiem
1-6.Ember To Inferno
1-7.Ashes
1-8.To Burn The Eye
1-9.Falling To Grey
1-10.My Hatred
1-11.When All Light Dies
1-12.A View Of Burning Empires
2-1.Pain
2-2.Thrust
2-3.Lake Of Fire
2-4.To Burn The Eye
2-5.Requiem
2-6.Fugue
2-7.My Hatred
2-8.The Storm
2-9.Sworn
2-10.Demon
2-11.Like Light To The Flies
2-12.Blinding Tears Will Break The Skies
2-13.The Deceived

...( Info )...

Artist: Tactic
Title: Tools Of The Trade
Year: 2024
Genre: Heavy, Speed-Metal
Country: USA
Duration: 00:54:15
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

1. Coward 04:31
2. Tactic 06:39
3. The Devil's Inception 03:14
4. Tools of the Trade 06:10
5. August, 1958 09:18
6. Survivor 04:42
7. Awakening 07:45
8. World of Chaos 11:56

...( Info )...

Artist: Tinnitus Attack
Title: Six Sick Sins
Year: 2024
Genre: Heavy, Thrash-Metal
Country: Germany
Duration: 00:39:15
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

1. Arrival 01:05
2. The Arbitrator 02:34
3. Insane from Suffering 04:57
4. Kristallnacht 04:43
5. Baby Division 05:58
6. Toxic Toybox 04:27
7. Terrarism 04:50
8. Perpetual Perpetrator 04:17
9. Sonic Annihilator 05:53
10. Judgement 00:57

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Unleash the Archers wyprodukowali kolejny świetny album, który płynie sobie bez wkurwienia od początku do końca. Udało im się to osiągnąć dzięki wyjściu poza swoją strefę komfortu i stworzeniu czegoś, co wyróżnia się na rynku.
Takie jest moje zdanie...



..::TRACK-LIST::..

1. Human Era 05:40
2. Ph4/NT0mA 06:30
3. Buried In Code 03:39
4. The Collective 05:53
5. Green & Glass 05:30
6. Gods In Decay 05:02
7. Give It Up Or Give It All 07:35
8. Ghosts In The Mist 05:46
9. Seeking Vengeance 05:22
10. Blood Empress 05:10



..::OBSADA::..

Drums - Scott Buchanan
Vocals - Brittney Slayes
Guitars, Vocals - Grant Truesdell
Guitars, Vocals - Andrew Saunders
Bass - Nicholas Miller



https://www.youtube.com/watch?v=Xx5Le0L7rOs



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Unleash the Archers wyprodukowali kolejny świetny album, który płynie sobie bez wkurwienia od początku do końca. Udało im się to osiągnąć dzięki wyjściu poza swoją strefę komfortu i stworzeniu czegoś, co wyróżnia się na rynku.
Takie jest moje zdanie...



..::TRACK-LIST::..

1. Human Era 05:40
2. Ph4/NT0mA 06:30
3. Buried In Code 03:39
4. The Collective 05:53
5. Green & Glass 05:30
6. Gods In Decay 05:02
7. Give It Up Or Give It All 07:35
8. Ghosts In The Mist 05:46
9. Seeking Vengeance 05:22
10. Blood Empress 05:10



..::OBSADA::..

Drums - Scott Buchanan
Vocals - Brittney Slayes
Guitars, Vocals - Grant Truesdell
Guitars, Vocals - Andrew Saunders
Bass - Nicholas Miller



https://www.youtube.com/watch?v=Xx5Le0L7rOs



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Hellias
Album: Closed In The Fate Coffin & Noc Potępienia
Genre: Thrash Metal
Media: CD
Country of disc (release): Poland
Year of publication: 2015
Publisher (label): Thrashing Madness
Catalog number: 2015
Country of artist (band): Poland
Audio codec: FLAC (*.flac)
Rip type: image+.cue
Duration: 01:16:37
Source: own rip


...( TrackList )...

Closed In The Fate Coffin

01 Closed In The Fate Coffin
02 Dark Exile
03 The Pray II
04 Empty Cry
05 Beat The Flame
06 The Pray I
07 Mind Deformity
08 The Pray III
09 Golgotha
10 Sentence Of...
11 Queen Of Death

Noc Potępienia E.P.

12 Intro
13 Wojownik Zla
14 Kona Bog
15 Noc Potępienia
16 Piekielna Czerń
17 Cień Płomienia
18 Modlitwa I

Bonus:demo & live recordings from 1988

19 Potępiony II
20 Królowa Śmierci
21 Wilcze Kły
22 Ognisty Demon

...( Info )...

Artist: Hellias
Album: Eight Cardinal Sins
Genre: Thrash Metal
Media: CD
Country of disc (release): Poland
Year of publication: 2017
Publisher (label): Thrashing Madness
Catalog number: 2017
Country of artist (band): Poland
Audio codec: FLAC (*.flac)
Rip type: image+.cue
Duration: 54:54
Source: own rip

...( TrackList )...

01 Intro
02 Devilish Circle
03 Eight Cardinal Sins
04 Ant Democracy
05 Mental Violence
06 Angels Make War
07 Deliverance
08 Pair Of Sparks
09 Twelve Angry Man
10 Baader Meinhof
11 Sin City (AC/DC Cover)
12 Judas The King

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Potężna energia, chwytliwe power metalowe melodie , gustowny growl i potężne cleany.
Mnóstwo mocy!



Incredible.

It’s the only word that can describe this new Unleash the Archers album. I’ve been a fan of theirs since first hearing “General of the Dark Army” way back when, and they’ve been steadily getting better and more refined. Even knowing that, I wasn’t prepared for Abyss to blow me away like it did. This is hands-down one of the best albums I’ve heard all year, and I’d argue it’s the best in the band’s catalog by a long shot.

Abyss picks up thousands of years after the end of Apex with The Immortal awakening to a changed world under the control of The Matriarch, the previous album’s antagonist. Finding himself removed from his Apex- his mountain sanctuary- and aboard a starship or space station of some sort, he sets off to explore and eventually face down his old foe. In keeping with this new sci-fi setting, the band has massively updated their sound and in doing so have crafted their most powerful and compelling album to date.

Elements of science fantasy has always been present in the band’s lyrics (seriously, just take a look at their album covers), but Abyss marks the first time they’re truly reflected in the music itself. This is most obvious with the addition of retrowave synths, but moreover, there’s a sense of wonder and breathless anticipation in the music that’s inherent to idea of adventuring into the unknown. I can already hear some of you groaning at the prospect of facing Gloryhammer levels of power metal cheese, but trust me when I say Unleash the Archers sells it in a way that few bands can. The Immortal’s journey is played straight and serious, and for all its starry-eyed adventurous trappings, they instill each song with the gravity that’s needed to make such a concept work. There’s a melancholy undercurrent throughout that reflects the protagonist’s sense of isolation and loneliness that’s masterfully interwoven with upbeat melodies and soaring choruses. Abyss is an inversion of Apex in that regard (as well as in name and story progression), and the generally more positive tone and lack of a total downer ending makes it much easier to get into in my opinion.

This very particular atmosphere, combined with some exploration of musical ideas well outside the band’s comfort zone and general smarter songwriting, elevate this album to heights even its predecessor didn’t achieve. The title track shows off the band’s newfound penchant for the unexpected, going down when you expect them to go up, taking a major turn when you expect them to go somewhere darker, perfectly reflected in that opening synth melody. Their fondness for big arena anthems is ever intact, but “Through Stars” is the first time they’ve done it where I’ve felt it wasn’t at all clunky or shoehorned in; it always felt a little hamfisted on their older albums (even the better uses of it like on “Tonight We Ride“), but it feels natural this time. Their metalcore-tinged roots still show as well, and they’re also better integrated than ever, as the one real breakdown comes partway through “Faster Than Light” to make room for a stellar guitar melody. Perhaps the biggest departure comes in “Legacy,” which is built around a massive, bright, blackgazey chord progression and features some beautiful call and response vocals. It’s not until six tracks in with to-the-point headbanger “Soulbound” that the band truly feels like they’re back in familiar territory, and even then it’s much stronger than anything from their preceding output.

On top of the album’s flawless pacing and song-to-song variety, the performances are nigh-flawless. Brittney Slayes may not engage in as many piercing wails as she once did, but this allows for a much more nuanced and dynamic delivery that can’t be done when belting everything. The screams, previously a weak point in the band’s music, are much more robust than ever before, a far cry from the thin and frail rasp on older albums. The instrumental work is all incredibly tight, and the guitar solos in particular are clean and flashy as all hell; compare it to 2015’s Time Stands Still, and the difference is night and day. These guys have leveled up so much in the past five years it’s unreal.

At risk of sounding like I’m just jerking the band off at this point, Abyss also has some of the best production I’ve ever heard on a metal album. I’m talking less about the mix and master here (though that’s also excellent) than the actual production elements, the icing on the musical cake so to speak. The subtle touches of synth in certain places gives it a lot of texture, and that aforementioned call and response vocal line in “Legacy” was truly inspired. Everything, every additional layer of vocal harmonies or guitar leads, lend itself to making this album feel huge and cinematic, to drawing you into the world and tale that the band has created.

Every listen of Abyss has brought me goosebumps; whenever the final notes of “Afterlife” roll around, I have to sit back and bask in what I just witnessed. Unleash the Archers have crafted something truly special with this album- it is a masterpiece through and through, and one of the finest metal albums I’ve had the pleasure of experiencing.

shiningspear


Unleash The Archers have been solidifying a remarkable reputation over the last couple of years, since the release of their majestic previous output “Apex”. The new record “Abyss” is not only a musical follow up but also a sequel to the story line of its predecessor, and hence it had to live up to the same prestigious standard. The Canadians show no difficulty tackling this mission, delivering yet another captivating album full of memorable tracks, while also renewing and staying diverse in their delivery. So far, the band hasn’t offered any detailed explanations of the story as was the case for “Apex”, but if you know the events of that record, you can put together by yourself a lot of what happens on “Abyss”. What’s certain is that the bitter end of the last chapter in the tale is now followed by a turn of events that will see the protagonist known as The Immortal shed his curse and defeat the evil Matriarch. It’s still unclear to me exactly how the narrative evolves, but it is a bit more abstract and focuses more on the inner conflict of the protagonist and his connection with a new character who is key in turning around the course of events. If you’re a geek about metal stories look into the Apex - Abyss lore because it’s a really cool piece of fiction. But on to the music.

The positive shift of the narrative dictates for a different sound and vibe compared to the previous record. “Abyss” sounds more glorious, adventurous and hopeful as opposed to the martial and somewhat bitter tone of its baby brother. The sound isn’t quite as raw and gritty offering instead a more polished and clean approach with a sci-fi retro aesthetic (see the cover art) and what I felt were even some Japanese flavors (Soulbound, Afterlife). This means that the guitar tones are less harsh, there is a little bit less screaming, and there are tons of optimistic sounding melodies both in guitars and vocals. The mix is brilliant, offering a penetrating depth to the bass and drums, and well refined textures to the guitars and surrounding samples. The actual composition keeps a structural identity very similar to what UtA have been doing to date, relying on songs with straightforward structures and memorable choruses and themes, this time pushing their penchant for hooks and anthemic melodies as far as it’s ever been. The band excels at creating an immersive and captivating almost movie like atmosphere, further feeding you songs that will become glued to you and haunt you through the day with a sweet long lasting aftertaste.

One thing I always liked about UtA that I don’t often find in power metal is just how well executed their drum section is. Scott has fast driven double kicks and snare patterns used frequently, but they are efficiently spiced up with cool transitions and a sense of groove that breaks the dynamic, not allowing the songs to become stale, and giving us a bunch of tasty hammering headbang parts in return. The two guitars work together with great effect, riffing eloquently and consistently through both faster galloped muted sections and the aforementioned bangers that allow for a more meaty sound. However it’s the stellar quality of the leads that allows the guitars to shine as Grant Truesdell and Andrew Kingsley love dueling with two part solos that seem to always build up to either a climax or a break in the songs. The bass is more of a functional instrument, delivering the low end alongside the guitars not flashing out much. Since the departure of Nikko Whitworth, the band doesn’t currently have a bassist in the line-up which probably led to this simpler approach. And on top of the instrumental, Brittney Slayes slayes the vocal lines, with her patented consistent belting of lengthy notes and smooth vibratos. You can also expect a couple of high notes reminiscent of Tonight We Ride at some points in the record. Yet it’s the clever structure of the lyrics, offering a cohesive flow to the vocal lines as well as great wordplay that really makes her performance shine.

With all this in mind, you may find that hurtling through space at hyperspeed, and listening to UtA are somewhat similar experiences, and since hurtling through space seems to actually occur in the story (see “Faster than Light”), that stands as a testament to how successful the band was with this record. But with the overall vibe of the music working wonders, they actually still kept focus on making different songs that will stand out on their own. After a gradual build-up in “Waking Dream”, you have the classic power metal runners like the title track, “Soulbound” or “Faster than Light”, a couple of classic rock tinged slower tracks in “Through Stars” and “Carry The Flame” and an epic anthem in closing track “Afterlife” that reminds a bit of the band’s 2019 cover of “Northwest Passage”. The epic multifaceted “The Wind That Shapes the Land” is a stand-out among stand-outs and, the angry “Return to Me” is more similar to “Apex” tracks, depicting The Matriarch throwing a hissy fit, and probably the most special track on the record is “Legacy”. This one is a total tribute to Devin Townsend with the blasting drums, the choir effect of layered vocals and a general massive wall of sound, offering the best surprise for yours truly and his prog affinity. It’s safe to say that this album has exceeded my expectations and probably did the same for many others so if you feel like diving into the “Abyss”, check it out at Napalm Records and Bandcamp.

Enjoy!

Livingwave17



..::TRACK-LIST::..

1. Waking Dream 03:45
2. Abyss 06:44
3. Through Stars 05:34
4. Legacy 05:26
5. Return to Me 05:34
6. Soulbound 03:54
7. Faster Than Light 05:11
8. The Wind that Shapes the Land 08:36
9. Carry the Flame 04:42
10. Afterlife 07:30



..::OBSADA::..

Brittney Slayes - clean vocals
Andrew Kingsley - guitars, clean vocals on 'Carry the Flame', synthesizer, production
Grant Truesdell - guitars, unclean vocals
Scott Buchanan - drums

Session members and guests:
Benjamin Arscott - bass
Francesco Ferrini (Fleshgod Apocalypse) - orchestrations on 'Afterlife'




https://www.youtube.com/watch?v=1bGmjnkDTTI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI



..::OPIS::..

Potężna energia, chwytliwe power metalowe melodie , gustowny growl i potężne cleany.
Mnóstwo mocy!



Incredible.

It’s the only word that can describe this new Unleash the Archers album. I’ve been a fan of theirs since first hearing “General of the Dark Army” way back when, and they’ve been steadily getting better and more refined. Even knowing that, I wasn’t prepared for Abyss to blow me away like it did. This is hands-down one of the best albums I’ve heard all year, and I’d argue it’s the best in the band’s catalog by a long shot.

Abyss picks up thousands of years after the end of Apex with The Immortal awakening to a changed world under the control of The Matriarch, the previous album’s antagonist. Finding himself removed from his Apex- his mountain sanctuary- and aboard a starship or space station of some sort, he sets off to explore and eventually face down his old foe. In keeping with this new sci-fi setting, the band has massively updated their sound and in doing so have crafted their most powerful and compelling album to date.

Elements of science fantasy has always been present in the band’s lyrics (seriously, just take a look at their album covers), but Abyss marks the first time they’re truly reflected in the music itself. This is most obvious with the addition of retrowave synths, but moreover, there’s a sense of wonder and breathless anticipation in the music that’s inherent to idea of adventuring into the unknown. I can already hear some of you groaning at the prospect of facing Gloryhammer levels of power metal cheese, but trust me when I say Unleash the Archers sells it in a way that few bands can. The Immortal’s journey is played straight and serious, and for all its starry-eyed adventurous trappings, they instill each song with the gravity that’s needed to make such a concept work. There’s a melancholy undercurrent throughout that reflects the protagonist’s sense of isolation and loneliness that’s masterfully interwoven with upbeat melodies and soaring choruses. Abyss is an inversion of Apex in that regard (as well as in name and story progression), and the generally more positive tone and lack of a total downer ending makes it much easier to get into in my opinion.

This very particular atmosphere, combined with some exploration of musical ideas well outside the band’s comfort zone and general smarter songwriting, elevate this album to heights even its predecessor didn’t achieve. The title track shows off the band’s newfound penchant for the unexpected, going down when you expect them to go up, taking a major turn when you expect them to go somewhere darker, perfectly reflected in that opening synth melody. Their fondness for big arena anthems is ever intact, but “Through Stars” is the first time they’ve done it where I’ve felt it wasn’t at all clunky or shoehorned in; it always felt a little hamfisted on their older albums (even the better uses of it like on “Tonight We Ride“), but it feels natural this time. Their metalcore-tinged roots still show as well, and they’re also better integrated than ever, as the one real breakdown comes partway through “Faster Than Light” to make room for a stellar guitar melody. Perhaps the biggest departure comes in “Legacy,” which is built around a massive, bright, blackgazey chord progression and features some beautiful call and response vocals. It’s not until six tracks in with to-the-point headbanger “Soulbound” that the band truly feels like they’re back in familiar territory, and even then it’s much stronger than anything from their preceding output.

On top of the album’s flawless pacing and song-to-song variety, the performances are nigh-flawless. Brittney Slayes may not engage in as many piercing wails as she once did, but this allows for a much more nuanced and dynamic delivery that can’t be done when belting everything. The screams, previously a weak point in the band’s music, are much more robust than ever before, a far cry from the thin and frail rasp on older albums. The instrumental work is all incredibly tight, and the guitar solos in particular are clean and flashy as all hell; compare it to 2015’s Time Stands Still, and the difference is night and day. These guys have leveled up so much in the past five years it’s unreal.

At risk of sounding like I’m just jerking the band off at this point, Abyss also has some of the best production I’ve ever heard on a metal album. I’m talking less about the mix and master here (though that’s also excellent) than the actual production elements, the icing on the musical cake so to speak. The subtle touches of synth in certain places gives it a lot of texture, and that aforementioned call and response vocal line in “Legacy” was truly inspired. Everything, every additional layer of vocal harmonies or guitar leads, lend itself to making this album feel huge and cinematic, to drawing you into the world and tale that the band has created.

Every listen of Abyss has brought me goosebumps; whenever the final notes of “Afterlife” roll around, I have to sit back and bask in what I just witnessed. Unleash the Archers have crafted something truly special with this album- it is a masterpiece through and through, and one of the finest metal albums I’ve had the pleasure of experiencing.

shiningspear


Unleash The Archers have been solidifying a remarkable reputation over the last couple of years, since the release of their majestic previous output “Apex”. The new record “Abyss” is not only a musical follow up but also a sequel to the story line of its predecessor, and hence it had to live up to the same prestigious standard. The Canadians show no difficulty tackling this mission, delivering yet another captivating album full of memorable tracks, while also renewing and staying diverse in their delivery. So far, the band hasn’t offered any detailed explanations of the story as was the case for “Apex”, but if you know the events of that record, you can put together by yourself a lot of what happens on “Abyss”. What’s certain is that the bitter end of the last chapter in the tale is now followed by a turn of events that will see the protagonist known as The Immortal shed his curse and defeat the evil Matriarch. It’s still unclear to me exactly how the narrative evolves, but it is a bit more abstract and focuses more on the inner conflict of the protagonist and his connection with a new character who is key in turning around the course of events. If you’re a geek about metal stories look into the Apex - Abyss lore because it’s a really cool piece of fiction. But on to the music.

The positive shift of the narrative dictates for a different sound and vibe compared to the previous record. “Abyss” sounds more glorious, adventurous and hopeful as opposed to the martial and somewhat bitter tone of its baby brother. The sound isn’t quite as raw and gritty offering instead a more polished and clean approach with a sci-fi retro aesthetic (see the cover art) and what I felt were even some Japanese flavors (Soulbound, Afterlife). This means that the guitar tones are less harsh, there is a little bit less screaming, and there are tons of optimistic sounding melodies both in guitars and vocals. The mix is brilliant, offering a penetrating depth to the bass and drums, and well refined textures to the guitars and surrounding samples. The actual composition keeps a structural identity very similar to what UtA have been doing to date, relying on songs with straightforward structures and memorable choruses and themes, this time pushing their penchant for hooks and anthemic melodies as far as it’s ever been. The band excels at creating an immersive and captivating almost movie like atmosphere, further feeding you songs that will become glued to you and haunt you through the day with a sweet long lasting aftertaste.

One thing I always liked about UtA that I don’t often find in power metal is just how well executed their drum section is. Scott has fast driven double kicks and snare patterns used frequently, but they are efficiently spiced up with cool transitions and a sense of groove that breaks the dynamic, not allowing the songs to become stale, and giving us a bunch of tasty hammering headbang parts in return. The two guitars work together with great effect, riffing eloquently and consistently through both faster galloped muted sections and the aforementioned bangers that allow for a more meaty sound. However it’s the stellar quality of the leads that allows the guitars to shine as Grant Truesdell and Andrew Kingsley love dueling with two part solos that seem to always build up to either a climax or a break in the songs. The bass is more of a functional instrument, delivering the low end alongside the guitars not flashing out much. Since the departure of Nikko Whitworth, the band doesn’t currently have a bassist in the line-up which probably led to this simpler approach. And on top of the instrumental, Brittney Slayes slayes the vocal lines, with her patented consistent belting of lengthy notes and smooth vibratos. You can also expect a couple of high notes reminiscent of Tonight We Ride at some points in the record. Yet it’s the clever structure of the lyrics, offering a cohesive flow to the vocal lines as well as great wordplay that really makes her performance shine.

With all this in mind, you may find that hurtling through space at hyperspeed, and listening to UtA are somewhat similar experiences, and since hurtling through space seems to actually occur in the story (see “Faster than Light”), that stands as a testament to how successful the band was with this record. But with the overall vibe of the music working wonders, they actually still kept focus on making different songs that will stand out on their own. After a gradual build-up in “Waking Dream”, you have the classic power metal runners like the title track, “Soulbound” or “Faster than Light”, a couple of classic rock tinged slower tracks in “Through Stars” and “Carry The Flame” and an epic anthem in closing track “Afterlife” that reminds a bit of the band’s 2019 cover of “Northwest Passage”. The epic multifaceted “The Wind That Shapes the Land” is a stand-out among stand-outs and, the angry “Return to Me” is more similar to “Apex” tracks, depicting The Matriarch throwing a hissy fit, and probably the most special track on the record is “Legacy”. This one is a total tribute to Devin Townsend with the blasting drums, the choir effect of layered vocals and a general massive wall of sound, offering the best surprise for yours truly and his prog affinity. It’s safe to say that this album has exceeded my expectations and probably did the same for many others so if you feel like diving into the “Abyss”, check it out at Napalm Records and Bandcamp.

Enjoy!

Livingwave17



..::TRACK-LIST::..

1. Waking Dream 03:45
2. Abyss 06:44
3. Through Stars 05:34
4. Legacy 05:26
5. Return to Me 05:34
6. Soulbound 03:54
7. Faster Than Light 05:11
8. The Wind that Shapes the Land 08:36
9. Carry the Flame 04:42
10. Afterlife 07:30



..::OBSADA::..

Brittney Slayes - clean vocals
Andrew Kingsley - guitars, clean vocals on 'Carry the Flame', synthesizer, production
Grant Truesdell - guitars, unclean vocals
Scott Buchanan - drums

Session members and guests:
Benjamin Arscott - bass
Francesco Ferrini (Fleshgod Apocalypse) - orchestrations on 'Afterlife'




https://www.youtube.com/watch?v=1bGmjnkDTTI



SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist: Hellias
Album: Twenty Fifth Year in the Abyss
Genre: Thrash Metal
Media: CD
Country of disc (release): Poland
Year of publication: 2013
Publisher (label): Mavoy Music
Catalog number: MM 01
Country of artist (band): Poland
Audio codec: FLAC (*.flac)
Rip type: image+.cue
Duration: 01:15:57
Source: own rip

...( TrackList )...

01. Intro - Twenty Fifth Year in the Abyss
02. Beat of Flame
03. Mind Deformity
04. Renegades of Fortune
05. Golgotha
06. Facts
07. A. D. Darkness
08. The Damned
09. Descent from the Cross
10. The Pray Pt. I
11. Hellish Black
12. The Rain
13. A. D. Martyrology
14. Jackal
15. Written to Loss
16. Vampire
17. Sentence of...
18. No Devotion

...( Info )...

Artist: Undertakker
Title: Welcome
Year: 2024
Genre: Heavy-Metal
Country: International
Duration: 00:49:29
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01. Ready to Kill
02. Welcome
03. Rest in Peace
04. Justice
05. Protected by Odin
06. Viper
07. Damned Time
08. Evil Portrait
09. The God of Heavy Metal

...( Info )...

Artist: Helloween
Title: Live At Budokan
Year: 2024
Genre: Speed, Heavy, Power-Metal
Country: Germany
Duration: 02:00:58
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01 – Orbit (Live at Budokan 2023)
02 – Skyfall (Live at Budokan 2023)
03 – Eagle Fly Free (Live at Budokan 2023)
04 – Mass Pollution (Live at Budokan 2023)
05 – Future World (Live at Budokan 2023)
06 – Power (Live at Budokan 2023)
07 – Save Us (Live at Budokan 2023)
08 – Kai’s MedleyWalls Of Jericho Metal Invaders Victim Of Fate Gorgar Ride The Sky Heavy Metal (Is The Law) (Live at Budokan 2023)
09 – Forever And One (Neverland) (Live at Budokan 2023)
10 – Best Time (Live at Budokan 2023)
11 – Dr. Stein (Live at Budokan 2023)
12 – How Many Tears (Live at Budokan 2023)
13 – Perfect Gentleman (Live at Budokan 2023)
14 – Keeper Of The Seven Keys (Live at Budokan 2023)
15 – I Want Out (Live at Budokan 2023)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Początki białostockiego zespołu HERMH sięgają 1993 roku.
W 1994 roku formacja nagrała i wydała swoje pierwsze demo „Oremus Peccatum (Refaim)„, a rok później ukazała się kolejna demówka – „Crying Crowns Of Trees” (gościnnie Adam „Nergal” Darski). Obydwa dema znalazły się na kompilacji „Echo” (1995). W 1996 roku ukazuje się „Taran„, czyli pierwszy studyjny album Białostoczan. W tym samym roku kapela podpisała kontrakt płytowy z renomowaną polską wytwórnią Pagan Records i 1997 wydała album „Angeldemon„, który był dużym krokiem naprzód w stosunku do poprzednich produkcji. Niestety w 1998 roku zespół rozpadł się, a wokalista Bart w 2003 roku wznowił działalność, którego skład uzupełnili muzycy takich grup jak Abused Majesty i Asgaard.

Po reaktywacji zespół dowodzony przez Bartka Krysiuka wydał EPki „Before the Eden – Awaiting the Fire” (2004) i „After the Fire – Ashes” (200), DVD „The Spiritual Nation Born” (2008) oraz albumy: „Eden’s Fire” (2006) oraz „Cold Blood Messiah” pod banderą renomowanej Mystic Production. W swej twórczości grupa nawiązuje do mitologii oraz historii wampiryzmu i mistycyzmu. Podczas działalności, zespół HERMH zagrał mnóstwo koncertów, między innymi z Vader, Behemoth, Asgaard, Closterkeller, Artrosis czy też Virgin Snatch i Blindead. W 2005 roku grupa wystąpiła na małej scenie prestiżowego festiwalu Metalmania. Po ostatnich koncertowych występach w 2013 roku, białostocka grupa przeszła w stan hibernacji.

Po 30 latach, Via Nocturna wydała kultowe demo podlaskich black metalowców z HERMH. „Oremus Peccatum (Refaim)” i ukazało się jako 6-panelowy digipak CD oraz ściśle limitowana do 44 sztuk biała kaseta. Muzyka na to wydawnictwo została ponownie poddana masteringowi w Hertz Studio przez braci Wiesławskich w 2006 roku. Za nową oprawę graficzną reedycji odpowiada Diana Sawicka z What the Moon Brings. Do sprzedaży trafiła również okolicznościowa koszulka. Premiera reedycji - 13 grudnia 2024 roku.



..::TRACK-LIST::..

1. Fallen Ancient Babiloon
2. Neverending War (Intro by Cemetary of Scream)
3. The Burning Bush
4. Troubled Outlines



..::OBSADA::..

Bart - wokal
Tom - gitara prowadząca, gitara akustyczna
Mark - klawisze
Bartek - gitara rytmiczna
Maciek - perkusja
Pieczara - bas (sesyjnie)



https://www.youtube.com/watch?v=SgXC6pSWYso



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Początki białostockiego zespołu HERMH sięgają 1993 roku.
W 1994 roku formacja nagrała i wydała swoje pierwsze demo „Oremus Peccatum (Refaim)„, a rok później ukazała się kolejna demówka – „Crying Crowns Of Trees” (gościnnie Adam „Nergal” Darski). Obydwa dema znalazły się na kompilacji „Echo” (1995). W 1996 roku ukazuje się „Taran„, czyli pierwszy studyjny album Białostoczan. W tym samym roku kapela podpisała kontrakt płytowy z renomowaną polską wytwórnią Pagan Records i 1997 wydała album „Angeldemon„, który był dużym krokiem naprzód w stosunku do poprzednich produkcji. Niestety w 1998 roku zespół rozpadł się, a wokalista Bart w 2003 roku wznowił działalność, którego skład uzupełnili muzycy takich grup jak Abused Majesty i Asgaard.

Po reaktywacji zespół dowodzony przez Bartka Krysiuka wydał EPki „Before the Eden – Awaiting the Fire” (2004) i „After the Fire – Ashes” (200), DVD „The Spiritual Nation Born” (2008) oraz albumy: „Eden’s Fire” (2006) oraz „Cold Blood Messiah” pod banderą renomowanej Mystic Production. W swej twórczości grupa nawiązuje do mitologii oraz historii wampiryzmu i mistycyzmu. Podczas działalności, zespół HERMH zagrał mnóstwo koncertów, między innymi z Vader, Behemoth, Asgaard, Closterkeller, Artrosis czy też Virgin Snatch i Blindead. W 2005 roku grupa wystąpiła na małej scenie prestiżowego festiwalu Metalmania. Po ostatnich koncertowych występach w 2013 roku, białostocka grupa przeszła w stan hibernacji.

Po 30 latach, Via Nocturna wydała kultowe demo podlaskich black metalowców z HERMH. „Oremus Peccatum (Refaim)” i ukazało się jako 6-panelowy digipak CD oraz ściśle limitowana do 44 sztuk biała kaseta. Muzyka na to wydawnictwo została ponownie poddana masteringowi w Hertz Studio przez braci Wiesławskich w 2006 roku. Za nową oprawę graficzną reedycji odpowiada Diana Sawicka z What the Moon Brings. Do sprzedaży trafiła również okolicznościowa koszulka. Premiera reedycji - 13 grudnia 2024 roku.



..::TRACK-LIST::..

1. Fallen Ancient Babiloon
2. Neverending War (Intro by Cemetary of Scream)
3. The Burning Bush
4. Troubled Outlines



..::OBSADA::..

Bart - wokal
Tom - gitara prowadząca, gitara akustyczna
Mark - klawisze
Bartek - gitara rytmiczna
Maciek - perkusja
Pieczara - bas (sesyjnie)



https://www.youtube.com/watch?v=SgXC6pSWYso



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: The Dawning Of The Son
Artist: Desert Near The End
Year: 2022
Genre: Power, Thrash-Metal
Country: Greece
Label: Boersma Records

Duration: 00:42:43
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01 - Break The Chains [00:04:56]
02 - Rise For Dominion [00:04:02]
03 - A Wolf Amongst Lions [00:04:23]
04 - Iron Rain [00:04:10]
05 - I Am Hell And Hell Is Me [00:06:48]
06 - Wound My Way [00:05:03]
07 - Obsidian Angel [00:06:33]
08 - Beyond The Gates [00:06:44]

...( Info )...
Title: Tides of Time
Artist: Desert Near The End
Year: 2024
Genre: Power, Thrash-Metal
Country: Greece

Duration: 00:56:17
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
1. City of Eternal Flame 07:44
2. Ascension 05:23
3. Oceans of Time 05:50
4. Children of Lethe 06:52
5. Half-Learned and Long Forgotten 05:59
6. Sunset Fields 05:13
7. Burn Like the Sun, Shine Like the Dawn 07:04
8. Damnation 07:46
9. In the North of Every Man's Heart.. 04:22

Lineup:
Alexandros Papandreou – Vocals
Spyros Vasilakis – Guitars
Jason Ioakeim – Guitars
Akis Prasinikas – Bass
Stelios Pepinidis – Drums

...( Info )...
Title: Profane
Artist: Klatter
Year: 2024
Genre: Thrash-Metal
Country: Portugal

Duration: 00:37:22
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Truth 03:44
02. Profane 04:09
03. Uncertainty 04:30
04. Utopia 05:21
05. The Run 06:06
06. Submerso 01:17
07. Dark Tear 05:26
08. Deadweight 06:46

...( Info )...
Title: Awaken The Chaos
Artist: Chainmorder
Year: 2024
Genre: Death, Thrash-Metal
Country: Finland

Duration: 00:43:34
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intro 00:42
02. Awaken Sundown 04:11
03. Bite The Hand 03:23
04. Life Vs. Hate 04:17
05. I Will Not Fall 05:02
06. Insaned 03:26
07. Us The Forcefed 05:14
08. I Have Seen 05:30
09. Burn It Down 03:20
10. Forever Dying 03:38
11. Embrace The Chaos 04:46

...( Info )...

Artist: Helloween
Album: Live At Budokan
Genre: Heavy Power Metal
Publishing: Reigning Phoenix Music
Source: qobuz
Duration: 02:00:58
Codec: FLAC 24/44.1
Bitrate: Lossless|WEB-DL
Rip type: tracks


...( TrackList )...

01. Orbit (Live) (1:59)
02. Skyfall (Live) (12:52)
03. Eagle Fly Free (Live) (8:04)
04. Mass Pollution (Live) (4:58)
05. Future World (Live) (5:05)
06. Power (Live) (4:26)
07. Save Us (Live) (5:17)
08. Kai's Medley (Live) (16:07)
09. Forever And One (Neverland) (Live) (4:46)
10. Best Time (Live) (5:04)
11.Dr. Stein (Live) (5:55)
12. How Many Tears (Live) (12:21)
13. Perfect Gentleman (Live) (4:54)
14. Keeper Of The Seven Keys (Live) (20:46)
15. I Want Out (Live) (8:24)

...( TrackList )......( Info )...

Artist: Akronya
Title: Hara
Year: 2024
Genre: Post-Metal
Country: Italy
Duration: 00:55:33
Format/Codec: MP3
Audio bitrate: 320 kbps


...( TrackList )...

01. Bound By Chains 02:41
02. When The Big Sun 08:33
03. Bios & Zoe 07:42
04. Inward Eye 07:12
05. Forgetful 08:22
06. The Cruelest Age 05:25
07. Shantih 07:20
08. Before My Helpless Sight 08:18

...( Info )...

Artist: Dark Lightning
Album: The Demons We Create
Germany
Release date: 2024-12-06
Genre: Symphonic Metal
Format: FLAC (tracks)
Bitrate: 823-1016 kbps
Duration: 00:54:13


...( TrackList )...
01. Glimpse of Freedom [00:01:09]
02. Trapped Forever [00:04:31]
03. The Unknown Mind [00:04:33]
04. Into the Night Sky [00:03:10]
05. Hall of Tears [00:05:00]
06. Take Off [00:04:01]
07. The Lonely Ruler [00:05:38]
08. Solace in My Solitude [00:04:48]
09. Born Without a Heart [00:04:38]
10. Beautiful Beast [00:04:17]
11. Quest for Light [00:03:11]
12. The Demons We Create [00:09:12]

...( Info )...

Artist: Faded Remembrance
Genre: Gothic, Doom, Death-Metal
Release date: 2023-2023-09 : - 2024-2024-12 :
Country: Győr, Hungary
Format: MP3 (tracks)
Bitrate: 320 kbps
Duration: 2 CD, 01:42:31


...( TrackList )...

01 - Delusion of Silence

01. Daydreaming of Salvation [00:06:09]
02. Sentiment of Decadence [00:06:52]
03. Remembrance Faded [00:07:04]
04. Delusion of Silence [00:07:04]
05. Far Away [00:06:43]
06. As the Rain Falls [00:07:14]
07. Anathema [00:09:03]


02 - Dying Age

01. Vanquished Dreams [00:01:52]
02. Dying Age [00:05:14]
03. We Are Here [00:06:49]
04. Tragic Journey [00:05:27]
05. Shroud Of Mourn [00:06:10]
06. The Colour Of Innocence [00:06:40]
07. Sublime In Agony [00:06:33]
08. Hollowed Soul [00:09:11]
09. A Silent Embrace [00:04:23]

..::INFO::..

Trivium to amerykański zespół założony w 1999 roku w Orlando na Florydzie. Wykonywana przez zespół muzyka określana jest jako thrash metal, heavy metal, melodic death metal, groove metal, metalcore oraz metal progresywny. Liderem formacji oraz autorem wszystkich tekstów jest Matthew Kiichi Heafy - Amerykanin pochodzenia japońskiego. Nazwa grupy wywodzi się z języka łacińskiego. Trivium w okresie późnej starożytności oraz średniowiecza było, obok quadrivium, podgrupą siedmiu sztuk wyzwolonych. Obejmowało trzy nauki: gramatykę, retorykę oraz logikę. Członkowie zespołu uznają, że obrazuje to ich zainteresowanie różnymi gatunkami muzycznymi. Trivium nagrało dziesięć albumów studyjnych. Zespół słynie z dużej liczby występów. 12 czerwca 2006 roku brytyjski magazyn „Metal Hammer” na gali Golden God Awards uznał grupę za najlepiej koncertujący zespół w bieżącym roku. Tego samego dnia Matt Heafy otrzymał tytuł „Golden God”, a Travis Smith wygrał w kategorii „najlepszy perkusista”. Wstawka zawiera szósty album studyjny Trivium.

Title: Vengeance Falls

Artist: Trivium

Country: USA

Year: 2013

Genre: Metal

Format / Codec: MP3
Audio bitrate: 320 Kbps

...( TrackList ) ...

1.Brave This Storm
2.Vengeance Falls
3.Strife
4.No Way To Heal
5.To Believe
6.At The End Of This War
7.Through Blood And Dirt And Bone
8.Villainy Thrives
9.Incineration: The Broken World
10.Wake (The End Is Nigh)
11.Losing My Religion (Bonus)

...( Info )...

Artist: VA
Title: Metal Heroes Vol. 01
Year: 2024
Genre: Metal, Hard-Rock
Duration: 10:12:57
Format/Codec: MP3
Audio bitrate: 320 Kbps


...( TrackList )...


001. Arma - Believe In Nothing (00:04:24)
002. Imperia - Better Place (00:04:15)
003. Lyran Lions - Born For Metal (00:03:14)
004. Spacecorpse - Celestial Gateway (00:01:48)
005. Dreadsight - Conspiracy (00:04:30)
006. Jeris Johnson - Dragonborn (00:03:34)
007. F.O.R. - Entwine (00:03:24)
008. Golgotha - For Every Tear (00:06:04)
009. Veil Of Eternity - Genesis (00:04:46)
010. Galneryus - Go Towards The Utopia (00:02:37)
011. Riot V - Hail To The Warriors (00:04:26)
012. Anciients - In The Absence Of Wisdom (00:06:35)
013. Quantifier - Lapse (00:03:13)
014. Lord Of The Lost - Lighting The Way (00:03:00)
015. Jfan - Lioness Of War (00:05:25)
016. Diamantide - Madness (00:06:20)
017. Carro Bomba - Migalhas (00:05:02)
018. Aeonblack - New Reality (00:05:05)
019. Whisky Of Blood - Nothing More (00:04:03)
020. Nino Helfrich - Our Remedy (00:04:16)
021. April Art - Rodeo (00:03:22)
022. Powerdong - The Calling (00:02:30)
023. Inverted Ascension - Thine Greatest Enemy Mine (00:07:34)
024. Drakkar - Thunderhead (00:04:21)
025. Malodorous - Transmissions From Gehenna (00:01:23)
026. Kodama - Weight Of Attrition (00:03:42)
027. Fostermother - Wraith (00:04:39)
028. Marilyn Manson - As Sick As The Secrets Within (00:05:36)
029. Unto Others - Butterfly (00:03:09)
030. Within The Ruins - Castle In The Sky (00:05:05)
031. The Black Dahlia Murder - Evening Ephemeral (00:03:55)
032. Saint - Immortalizer (00:04:18)
033. Kingcrow - Kintsugi (00:03:54)
034. Ad Infinitum - My Halo (00:03:45)
035. Dampf - No Angels Alive (00:03:35)
036. Fleshgod Apocalypse - Ode To Art (00:02:18)
037. Judas Priest - One For The Road (00:04:44)
038. Grand Magus - Skybound (00:03:28)
039. Nile - Stelae Of Vultures (00:06:20)
040. Skyeye - The Descenders (00:04:37)
041. Orange Goblin - The Fire At The Centre (00:05:20)
042. Funeral - Too Young To Die (00:08:39)
043. Electric Assault - Total Maniac (00:04:07)
044. Schwarzer Engel - 100 Jahre (00:04:23)
045. Neaera - Antidote To Faith (00:04:31)
046. Kingdom Of Giants - Asphalt (00:04:11)
047. Eradicator - Beyond The Shadow's Void (00:05:35)
048. Teeth - Blight (00:03:23)
049. Breaklight - Break Your Neck (00:04:49)
050. Avernus - Calling The Void (00:02:16)
051. Undeath - Dead From Beyond (00:04:10)
052. Dreamless Veil - Dim Golden Rave (00:04:08)
053. Hidrommel - Drunken Sally (00:06:31)
054. High Parasite - Forever We Burn (00:03:58)
055. Witchunters - Forever Young (00:04:23)
056. Wormwitch - Fugitive Serpent (00:05:14)
057. Nova Polaris - Futura (00:03:06)
058. Excruciation - God (00:05:35)
059. Stab Wounds - Hands Of Eternity (00:04:44)
060. Doedsmaghird - Heart Of Hell (00:07:56)
061. Crimson Veil - Hex (00:05:28)
062. Mork - I Tåkens Virvel (00:07:14)
063. Nails - Imposing Will (00:01:22)
064. Krypticy - Infected Pharaoh (00:05:24)
065. Helloween - Irritation (00:01:15)
066. Winter - Keeping The Flame Alive (00:04:22)
067. Fierce Crisis - Roadkill (00:05:43)
068. Earth Lux - Shine On Me (00:03:50)
069. Coffin Rot - Slaughtered Like Swine (00:02:59)
070. Slipknot - Duality (00:04:13)
071. Defiled - Smoke And Mirrors (00:02:35)
072. Glacial Tomb - Stygian Abattoir (00:03:49)
073. Iron Echo - The Blacksmith Tales (00:01:21)
074. Diamortal - The Fall (00:01:31)
075. A Wake In Providence - The Maddening (00:05:37)
076. Sonic Hustle - Thunder & Lightning (00:04:11)
077. Soulbound - Burn (00:03:08)
078. Ministry - Goddamn White Trash (00:04:43)
079. Dregg - In Search Of (00:02:50)
080. Stahlmann - Phosphor (00:03:01)
081. Virgin Steele - Burn The Sun (00:04:30)
082. Anciients - Despoiled (00:05:15)
083. All For Metal - Gods Of Metal (00:04:01)
084. Simone Simons - In Love We Rust (00:04:46)
085. Paralydium - Sands Of Time (00:05:54)
086. Demiser - Slave To The Scythe (00:04:37)
087. Swallow The Sun - What I Have Become (00:04:07)
088. Nightwish - An Ocean Of Strange Islands (00:09:26)
089. Battle Lost - Ascension's Call (00:04:40)
090. The Crown - Churchburner (00:04:15)
091. Vended - Paint The Skin (00:03:28)
092. Saint - Repent (00:03:53)
093. Reverber - The Satan Creation (00:04:09)
094. Rampant Beast - Bestial Torment (00:04:18)
095. Luna Falling - The Return (00:03:30)
096. Rhino Bucket - Burn The World (00:03:56)
097. King's X - Human Behaviour (00:04:28)
098. Manowar - Kings Of Metal (00:03:44)
099. Scolopendra - Mental Torture (00:05:47)
100. Esclavitud - Stronger Than A God (00:05:09)
101. Night Laser - Laser Train (00:03:32)
102. Monolithic Architecture - Bloody Minded (00:08:10)
103. Couch Slut - Downhill Racer (00:03:29)
104. Reverie - More Than Life Itself (00:05:56)
105. Sonic Universe - Life (00:04:13)
106. Severed Angel - Tyrant On The Throne (00:05:26)
107. Ataraxia - Torn Away (00:06:18)
108. Hellburst - Criminal Justice Through The Ages (00:03:31)
109. Eregion - Far My Land (00:05:13)
110. Vhäldemar - Journey To The Unkwon (00:04:11)
111. Savage Wizdom - Who's Laughing Now (00:05:51)
112. Elvellon - A Legacy Divine (00:04:28)
113. Marty Friedman - A Prayer (00:03:53)
114. Dvne - Abode Of The Perfect Soul (00:07:29)
115. Bloodsimple - Blood In Blood Out (00:02:20)
116. Vale Of Pnath - Echoes Of The Past (00:01:29)
117. Sebastian Bach - F. U. (00:04:39)
118. Ruststained - Drowning In Sorrow (00:07:35)
119. Soziedad Alkohólika - Infiltrados (00:03:02)
120. Take Offense - No Mans Land (00:02:21)
121. Sleeper's Keep - Sailing The Sea Of Time (00:05:37)
122. Desolus - The Sigilite (00:04:07)
123. Clarion Void - The Top (00:04:18)
124. Wind Rose - No More Sorrow (00:07:37)
125. Kickin Valentina - Ride Or Die (00:03:38)
126. Amalgama - Final Line (00:03:43)
127. High On Fire - Lightning Beard (00:03:33)
128. Kreator - One Evil Comes (00:03:20)
129. Kerry King - Toxic (00:03:54)
130. Hypersonic - Revelation (00:05:09)
131. Kill The Lights - Sleep With The Devil (00:04:12)
132. Rage - Life Among The Ruins (00:04:06)
133. Tygers Of Pan Tang - Do It Good (00:05:08)
134. Lofofora - Laisse Pas Faire (00:04:26)
135. Judas Priest - Fight Of Your Life (00:04:20)
136. Amaranthe - Find Life (00:03:04)
137. Legacy Of Light - Microcosmic Journey (00:04:04)
138. Testament - Sails Of Charon (00:04:41)
139. 36 Crazyfists - With Nothing Underneath (00:03:29)
140. Mother Mother - Devil Town (00:03:41)

...( Info )...
Title: Two Worlds
Artist: Asterise
Year: 2022
Genre: Symphonic, Power-Metal
Country: International

Duration: 00:50:28
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intro 02:07
02. High Above The Horizon 04:13
03. Eternal Flame 07:52
04. Frozen Lake 05:29
05. Promised Land 06:05
06. Falling Stars 08:16
07. Masked Parade 07:49
08. Top Of The World 05:44
09. Funeral Of Souls 02:47

Personnel:
Drums – Sławomir Siwak
Guest, Acoustic Guitar – Łukasz Wątroba
Guest, Choir – Aleksandra Mężyńska, Lea Diekmann
Guest, Guitar – Andi Kravljaca, Jimmy Hedlund, Mateusz Karmelita
Guest, Vocals – Arnaud Ménard, Katharina Stahl, Tristan Harders
Guitar, Bass, Composed By, Lyrics By – Bartłomiej Mężyński

...( Info )...
Title: Tale Of A Wandering Soul
Artist: Asterise
Year: 2024
Genre: Symphonic, Power-Metal
Country: Poland

Duration: 00:54:02
Format/Codec: MP3
Audio bitrate: 320 kbps

...( TrackList )...
01. Intro (instrumental)
02. Twisted Ferryman
03. Into Fantasy
04. Raven
05. Wicked Dream
06. Drifting Into Darkness
07. Tale Of A Wandering Soul
08. Golden Land
09. Call Of Whispers
10. Awaken
11. Farewell

...( Info )...

Artist: Saltatio Mortis
Album: Finsterwacht
Genre: Metal, Power Metal, Heavy Metal
Edition: Prometheus Records
Source: link
Duration: 01:32:14
Codec: FLAC
Bitrate: Lossless|WEB-DL
Rip type: tracks

...( TrackList )...

CD 1

01 - Finsterwacht [9:21]
02 - Schwarzer Strand [3:45]
03 - Vogelfrei [3:10]
04 - Grimwulf (Interlude) [1:44]
05 - Der Himmel muss warten [2:24]
06 - Aurelia [3:05]
07 - We Might Be Giants [3:40]
08 - Feuer und Erz [3:54]
09 - Genug getrunken [3:48]
10 - Carry Me [3:52]
11 - Oh treues Herz [3:25]

Duration: 00:42:03


CD 2
Tracklist:
01 - Finsterwacht (Orchester Version) [6:39]
02 - Feuer und Erz (Orchester Version) [3:58]
03 - Oh trees Herz (Orchester Version) [2:42]
04 - Darkenguard [8:32]
05 - Fire & Ore [3:55]
06 - Finsterwacht (Live) [9:12]
07 - Schwarzer Strand (Live) [4:00]
08 - Der Himmel muss warten (Live) [2:39]
09 - We Might Be Giants (Live) [4:06]
10 - Vogelfrei (Live) [4:33]

Duration: 00:50:11

...( Info )...

Artist: Tarja
Album: Rocking Heels: Live at Hellfest
Genre: Symphonic Metal
Edition: Label: earMUSIC
Source: link
Duration: 00:45:17
Codec: FLAC
Bitrate: Lossless|WEB-DL
Rip type: tracks

...( TrackList )...


01. No Bitter End (Live at Hellfest) [00:04:30]
02. Never Enough (Live at Hellfest) [00:05:26]
03. Ciaran's Well (Live at Hellfest) [00:03:34]
04. Calling from the Wild (Live at Hellfest) [00:05:21]
05. Supremacy (Live at Hellfest) [00:05:00]
06. Victim of Ritual (Live at Hellfest) [00:05:59]
07. Tutankhamen / Ever Dream / The Riddler / Slaying the Dreamer (Live at Hellfest) [00:06:18]
08. Die Alive (Live at Hellfest) [00:04:04]
09. Until My Last Breath (Live at Hellfest) [00:05:01]

...( Info )...

Artist: VA
Title: Best of 2024 Metal
Year: 2024
Genre: Rock, Metal
Duration: 06:34:56
Format/Codec: MP3
Audio bitrate: 320 Kbps


...( TrackList )...

001. Knocked Loose, Poppy - Suffocate (feat. Poppy) (00:02:45)
002. Falling in Reverse, Tech N9ne, Alex Terrible - Ronald (00:03:17)
003. Bring Me The Horizon - Kool-Aid (00:03:49)
004. Linkin Park - Heavy Is the Crown (00:02:47)
005. Gojira, Marina Viotti, Victor Le Masne - Mea Culpa (Ah! Ça ira!) (00:02:53)
006. Jinjer - Someone's Daughter (00:04:17)
007. Slaughter To Prevail - Kid Of Darkness (00:04:25)
008. Kerry King - Idle Hands (00:03:44)
009. Mastodon, Lamb Of God - Floods of Triton (00:04:30)
010. Judas Priest - The Serpent and the King (00:04:20)
011. Bruce Dickinson - Afterglow of Ragnarok (00:05:45)
012. In Flames - Become the Sky (00:04:02)
013. Nightwish - Perfume Of The Timeless (00:08:12)
014. Powerwolf - 1589 (00:04:05)
015. Arch Enemy - Dream Stealer (00:04:30)
016. Spiritbox - Soft Spine (00:03:04)
017. Poppy - new way out (00:03:23)
018. BABYMETAL, Electric Callboy - RATATATA (00:03:36)
019. Bloodywood - Nu Delhi (00:04:28)
020. Architects - Curse (00:03:01)
021. Five Finger Death Punch, DMX - This Is The Way (feat. DMX) (00:02:47)
022. P.O.D - I WON'T BOW DOWN (00:02:41)
023. FEVER 333 - READY ROCK (00:02:46)
024. Alpha Wolf, Ice-T - Sucks 2 Suck (00:03:53)
025. Body Count, Joe Bad - Psychopath (feat. Joe Bad) (00:03:20)
026. Bad Omens, Poppy - V.A.N (00:04:34)
027. Candy, Justice Tripp - You Will Never Get Me (00:02:19)
028. Make Them Suffer - Mana God (00:03:41)
029. The Ghost Inside - Light Years (00:03:24)
030. Black Veil Brides - Bleeders (00:04:34)
031. Delain - Dance with the Devil (00:03:55)
032. Halestorm, I Prevail - can u see me in the dark? (00:03:59)
033. Smash Into Pieces - Hurricane (00:03:29)
034. Sleep Theory - Stuck In My Head (00:03:18)
035. Erra - Cure (00:03:46)
036. Kittie - Eyes Wide Open (00:03:53)
037. The HU - The Trooper (00:04:11)
038. Saxon - Hell, Fire And Damnation (00:05:33)
039. Blood Incantation - The Stargate [Tablet III] (00:06:51)
040. Chat Pile - Camcorder (00:06:24)
041. High On Fire - Lambsbread (00:05:45)
042. Ministry - New Religion (00:05:05)
043. Alcest - Komorebi (00:06:39)
044. Hangman's Chair - Kowloon Lights (00:03:59)
045. Darkthrone - Howling Primitive Colonies (00:06:31)
046. Tribulation - Tainted Skies (00:03:51)
047. Seth - Initials B.B. (00:03:49)
048. Vildhjarta - + kristallfågel + (00:04:05)
049. The Black Dahlia Murder - Aftermath (00:03:02)
050. Gatecreeper - Caught in the Treads (00:03:35)
051. Nails - No More Rivers To Cross (00:03:14)
052. Kublai Khan TX - Low Tech (00:02:20)
053. SPEED - REAL LIFE LOVE (00:03:02)
054. Stick To Your Guns - Permanent Dark (00:02:14)
055. While She Sleeps, STONE - DOPESICK (Feat. STONE) (00:04:29)
056. Wage War - MAGNETIC (00:03:13)
057. Windwaker - Tabula Rasa (00:03:04)
058. I See Stars - SPLIT (00:03:42)
059. Jeris Johnson - Eat, Drink, War, Repeat! (00:04:17)
060. Cassyette - Ipecac (00:02:19)
061. WARGASM (UK), Corey Taylor - 70% Dead (00:03:42)
062. Seven Hours After Violet - Paradise (00:03:00)
063. Will Haven - KIRE (00:04:17)
064. Dark Tranquillity - Unforgivable (00:03:44)
065. Deicide - Banished By Sin (00:03:05)
066. 200 Stab Wounds - Manual Manic Procedures (00:02:43)
067. Terminal Nation, Jesse Leach, Killswitch Engage - Merchants Of Bloodshed (00:04:54)
068. Vestige - Océan (00:05:27)
069. Theraphosa - Wrath (00:04:13)
070. Devin Townsend - PowerNerd (00:03:28)
071. God Is An Astronaut - Odyssey (00:07:39)
072. zetra - Holy Malice (Annabel) (00:03:35)
073. Four Stroke Baron - The Witch (00:03:13)
074. Gost - Prophecy (00:03:58)
075. Ulcerate - The Dawn is Hollow (00:07:33)
076. Wolfbrigade - Ways to Die (00:01:59)
077. Spectral Wound - Twelve Moons in Hell (00:06:47)
078. Nile - Under the Curse of the One God (00:04:45)
079. Paleface Swiss - Hatred (00:03:04)
080. PeelingFlesh - Shoot 2 Kill (00:02:47)
081. Cavalera Conspiracy - From the Past Comes the Storms (Re-Recorded) (00:04:54)
082. Enforced - A Leap into the Dark (00:04:16)
083. Extinction A.D. - Escape From New York (00:03:34)
084. Heriot - At the Fortress Gate (00:03:46)
085. Kordhell, DJ Paul, Chris Motionless, KIL KROOK, Stitches - HALLUCINATIONS (00:02:45)
086. Scarlxrd - Rustin Cxhle (00:04:09)
087. thrown - bitter friend (00:01:55)
088. Paledusk - PALEHELL (00:03:41)
089. Gore. - Pray (00:04:08)
090. The Home Team - Turn You Off (00:03:19)
091. Silly Goose - Everything Is Over Now (00:02:33)
092. mirabelle. - Winners Never Quit (00:02:50)
093. Split Chain - I Don't Wanna Be Me (00:03:50)
094. Thornhill - Obsession (00:03:18)
095. Graywave - Dark Spell (00:04:23)
096. Mirar - Rachma (00:04:52)
097. Sorcerer, Glassbone - Fortress (00:04:54)
098. Calcine - 23:11 (00:02:40)
099. Worst Doubt - Ruination (00:02:40)
100. Integrity - Bark At The Moon (00:04:10)