...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Japoński zespół The Mops jest pamiętany głównie ze względu na legendarny album "Psychedelic Sound In Japan" (1968), a także świetny utwór "I'm Just A Mops" - umieszczony na kapitalnym, czteropłytowym boksie "Nuggets II". Jednak fani ciężkiego grania muszą koniecznie zainteresować się trzecim w dyskografii LP, "Iijanaika" (maj 1971) - w 80% utrzymanym w heavyrockowej stylistyce znanej z kapitalnych płyt grup Blues Creation, Flower Travellin' Band, Speed Glue & Shinki i Strawberry Path.

Moim zdaniem pierwsze 30 sekund tego albumu to absolutny szczyt ciężkiego rocka z lat 70-tych i tak mogli zagrać wyłącznie Japończycy! Przyznam się, że te pierwsze dźwięki po prostu mnie zabiły! Na tej zaśpiewanej po angielsku płycie znalazły się również dwie krótkie ballady oraz jeden bluesowy żart, jednak pozostałe 30 minut czystego rocka powinno zadowolić nawet najbardziej wybrednych miłośników grania 'nie tylko anglosaskiego'.

JL


The Mops are one of Japan's best know "group sounds" bands, particularly noted for their psychedelic period. The group was founded in 1966 by high school friends Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (lead guitar) and Kaoru Murakami (bass), playing mostly instrumental rock ala the fabulously popular Ventures.

Suzuki's older brother Hiromitsu joined in later and became the group's main vocalist, sharing the job with Hoshi. The Mops started playing clubs and discos early on, but did not immediately distinguish themselves.

In the summer of 1967 their manager visited San Francisco, and was very excited about the hippie movement that was booming there. He brought a copy of a Jefferson Airplane album back with him to Japan, which he impressed the Mops with. The band became enthusiastic about the new sounds, and singer Hiromitsu Suzuki especially became a big fan of Animals singer Eric Burdon.

In what seems a fairly commercially driven decision, the Mops, prodded by their manager, became a "psychedelic band", and signed with JVC Records. In November 1967 they released "Asamade Matenai", which went to #38. The Mops album of April 1968 "Psychedelic Sound in Japan", was full of flower power flourishes, including cosmic artwork, ethnic clothing, fuzz guitars and sitar playing.

It included covers of the Airplane's hits "Someone To Love" and "White Rabbit", the Doors' "Light My Fire", the Animals' "San Franciscan Nights" and "Inside Looking Out", as well as the Mops theme song "I Am Just A Mops" (which later became a cult favorite after being included on the obscurities album Nuggets 2).

To complete the band's hippie vibe, at their album release party they passed out banana peels to journalists. Much was made of the band being Japan's first psychedelic band, and they are sometimes credited as pioneering new studio effects, or at least introducing them to Japan. The band also performed with lighting effects, and sometimes blindfolded, supposedly to simulate the influence of drugs.

Despite being widely considered a psychedelic band, their original songs were more garage band sounding. Also while most GS bands were playing love songs, the Mops had a song called "Blind Bird", which contained the lyrics "please kill me", which led to the song being left off some re-issues (but included on the obscurities collection Boulders #7).

In 1969 Murakami quit the band and Miyuki took over bass duties. After just one album with JVC, the group switched to Toshiba/EMI, where they changed their sound to more of a blues rock sound, it seems trying to change with the times.

While not as warmly recalled, the band did moderately well after their psychedelic period. Their biggest hit was in 1971, "Gekko Kamen (Moonlight Mask)", which they recorded as a joke, but which became a novelty hit. Their hard rock number "Goiken Muyo (No Excuse)" charted in 1971, and the following year they did well with "Tadoritsuitara Itsumo Amefuri", which was written for them by popular folk singer Takuro Yoshida.

Before finally breaking up in May 1974, the Mops released a total of eight albums on Toshiba/EMI, a long career compared to most of the GS bands. Hoshi continued in the music business as an arranger, and Hiromitsu Suzuki became a TV "talento". Mikiharu Suzuki today runs a major artist management company. The Mops, however remain best remembered for their landmark psychedelic first album.

Often overlooked, The Mops were a band that obviously emulated the U.S. hippie scene (Jefferson Airplane) as well as the UK heavy rock scene (Black Sabbath) but did it with their own charismatic personality.

At times acidic, epic and gritty; and at other times over the top with its campy heartwarming tenderness, Iijanaika was 3rd and heaviest album from 1971 where they turned more hard rock and less psychedelic. They still mix in bits of psych, prog, garage and their own weirdness, but the guitar sound is killer. It's more in the vein of Strawberry Path, Flower Travellin Band, Blues Creation and the like than their previous albums. 9 tracks.



..::TRACK-LIST::..

1. Lijanaika 3:49
2. Town Where I Was Born 8:56
3. Good Morning, Good Afternoon, Good Night 1:49
4. Nobody Cares 4:49
5. Gekko Kamen 3:20
6. Traces Of Love 5:50
7. To My Sons 3:25
8. No One Knows What They Were 3:23
9. Alone 3:26



..::OBSADA::..

Hiromitsu Suzuki - vocals
Masaru Hoshi - guitar
Taro Miyuki - bass
Mikkiharu Suzuki - drums




https://www.youtube.com/watch?v=H9phOgqwXCc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Japoński zespół The Mops jest pamiętany głównie ze względu na legendarny album "Psychedelic Sound In Japan" (1968), a także świetny utwór "I'm Just A Mops" - umieszczony na kapitalnym, czteropłytowym boksie "Nuggets II". Jednak fani ciężkiego grania muszą koniecznie zainteresować się trzecim w dyskografii LP, "Iijanaika" (maj 1971) - w 80% utrzymanym w heavyrockowej stylistyce znanej z kapitalnych płyt grup Blues Creation, Flower Travellin' Band, Speed Glue & Shinki i Strawberry Path.

Moim zdaniem pierwsze 30 sekund tego albumu to absolutny szczyt ciężkiego rocka z lat 70-tych i tak mogli zagrać wyłącznie Japończycy! Przyznam się, że te pierwsze dźwięki po prostu mnie zabiły! Na tej zaśpiewanej po angielsku płycie znalazły się również dwie krótkie ballady oraz jeden bluesowy żart, jednak pozostałe 30 minut czystego rocka powinno zadowolić nawet najbardziej wybrednych miłośników grania 'nie tylko anglosaskiego'.

JL


The Mops are one of Japan's best know "group sounds" bands, particularly noted for their psychedelic period. The group was founded in 1966 by high school friends Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (lead guitar) and Kaoru Murakami (bass), playing mostly instrumental rock ala the fabulously popular Ventures.

Suzuki's older brother Hiromitsu joined in later and became the group's main vocalist, sharing the job with Hoshi. The Mops started playing clubs and discos early on, but did not immediately distinguish themselves.

In the summer of 1967 their manager visited San Francisco, and was very excited about the hippie movement that was booming there. He brought a copy of a Jefferson Airplane album back with him to Japan, which he impressed the Mops with. The band became enthusiastic about the new sounds, and singer Hiromitsu Suzuki especially became a big fan of Animals singer Eric Burdon.

In what seems a fairly commercially driven decision, the Mops, prodded by their manager, became a "psychedelic band", and signed with JVC Records. In November 1967 they released "Asamade Matenai", which went to #38. The Mops album of April 1968 "Psychedelic Sound in Japan", was full of flower power flourishes, including cosmic artwork, ethnic clothing, fuzz guitars and sitar playing.

It included covers of the Airplane's hits "Someone To Love" and "White Rabbit", the Doors' "Light My Fire", the Animals' "San Franciscan Nights" and "Inside Looking Out", as well as the Mops theme song "I Am Just A Mops" (which later became a cult favorite after being included on the obscurities album Nuggets 2).

To complete the band's hippie vibe, at their album release party they passed out banana peels to journalists. Much was made of the band being Japan's first psychedelic band, and they are sometimes credited as pioneering new studio effects, or at least introducing them to Japan. The band also performed with lighting effects, and sometimes blindfolded, supposedly to simulate the influence of drugs.

Despite being widely considered a psychedelic band, their original songs were more garage band sounding. Also while most GS bands were playing love songs, the Mops had a song called "Blind Bird", which contained the lyrics "please kill me", which led to the song being left off some re-issues (but included on the obscurities collection Boulders #7).

In 1969 Murakami quit the band and Miyuki took over bass duties. After just one album with JVC, the group switched to Toshiba/EMI, where they changed their sound to more of a blues rock sound, it seems trying to change with the times.

While not as warmly recalled, the band did moderately well after their psychedelic period. Their biggest hit was in 1971, "Gekko Kamen (Moonlight Mask)", which they recorded as a joke, but which became a novelty hit. Their hard rock number "Goiken Muyo (No Excuse)" charted in 1971, and the following year they did well with "Tadoritsuitara Itsumo Amefuri", which was written for them by popular folk singer Takuro Yoshida.

Before finally breaking up in May 1974, the Mops released a total of eight albums on Toshiba/EMI, a long career compared to most of the GS bands. Hoshi continued in the music business as an arranger, and Hiromitsu Suzuki became a TV "talento". Mikiharu Suzuki today runs a major artist management company. The Mops, however remain best remembered for their landmark psychedelic first album.

Often overlooked, The Mops were a band that obviously emulated the U.S. hippie scene (Jefferson Airplane) as well as the UK heavy rock scene (Black Sabbath) but did it with their own charismatic personality.

At times acidic, epic and gritty; and at other times over the top with its campy heartwarming tenderness, Iijanaika was 3rd and heaviest album from 1971 where they turned more hard rock and less psychedelic. They still mix in bits of psych, prog, garage and their own weirdness, but the guitar sound is killer. It's more in the vein of Strawberry Path, Flower Travellin Band, Blues Creation and the like than their previous albums. 9 tracks.



..::TRACK-LIST::..

1. Lijanaika 3:49
2. Town Where I Was Born 8:56
3. Good Morning, Good Afternoon, Good Night 1:49
4. Nobody Cares 4:49
5. Gekko Kamen 3:20
6. Traces Of Love 5:50
7. To My Sons 3:25
8. No One Knows What They Were 3:23
9. Alone 3:26



..::OBSADA::..

Hiromitsu Suzuki - vocals
Masaru Hoshi - guitar
Taro Miyuki - bass
Mikkiharu Suzuki - drums




https://www.youtube.com/watch?v=H9phOgqwXCc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

W roku 2015 po sześciu latach nieobecności na scenie Zbeer wznowił działalność i powoli zaczął o sobie przypominać starym fanom a także zdobywać nowych, którzy nie mieli wcześniej okazji poznać jego dokonań. Po okresie szlifowania formy odnowionego składu na koncertach nadszedł czas aby dać znać o sobie kolejną płytą.... I właśnie koncertowy krążek wydaje się tutaj najcelniejszym strzałem bo jak najlepiej oddać atmosferę występów a jednocześnie odkurzyć największe hity z wszystkich trzech studyjnych płyt wydanych przed zawieszeniem działalności.
"Live And Loud" to zestaw 27 koncertowych tracków zarejestrowanych w 2016 roku na koncertach ZBEER'a podczas festiwalu "Rock na Bagnie" oraz "MEBP Fest" w Maniowach. 27 odsłon bezkompromisowego Oi!/punka bezkompromisowej kapeli, która swoją, zawartą we wkładce płyty historię zamyka stwierdzeniem..."Więc oto jesteśmy znów.... nadchodzą kłopoty".



..::TRACK-LIST::..

Rock Na Bagnie 2016:
1. Taki Właśnie Jestem 2:17
2. Bootboy 2:36
3. Kumple 1:23
4. Tylko Ja 2:42
5. Czekam 2:32
6. Rock'N'Roll 2:53
7. Skinhead Girl 3:05
8. Co Mi Zrobisz? 2:55
9. Natalka 3:32
10. United 2:47

MEBP Fest - Maniowy 2016:
11. Taki Właśnie Jestem 2:16
12. Bootboy 2:38
13. Kumple 1:39
14. Tylko Ja 2:49
15. Czekam 2:47
16. Rock'N'Roll 3:03
17. Skinhead Girl 3:27
18. Co Mi Zrobisz? 3:01
19. Bistro 3:24
20. Alex / Skinhead Rules 3:46
21. Wojtek 3:48
22. United 2:17
23. Streets Of London 2:54
24. Natalka 3:34
25. Janek 4:05
26. Taki Właśnie Jestem 2:39



..::OBSADA::..

Vocals - Sidney
Drums - Pacior
Guitar - Paweł, Zizol
Bass - Bartek




https://www.youtube.com/watch?v=eNwscEIQFVc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

W roku 2015 po sześciu latach nieobecności na scenie Zbeer wznowił działalność i powoli zaczął o sobie przypominać starym fanom a także zdobywać nowych, którzy nie mieli wcześniej okazji poznać jego dokonań. Po okresie szlifowania formy odnowionego składu na koncertach nadszedł czas aby dać znać o sobie kolejną płytą.... I właśnie koncertowy krążek wydaje się tutaj najcelniejszym strzałem bo jak najlepiej oddać atmosferę występów a jednocześnie odkurzyć największe hity z wszystkich trzech studyjnych płyt wydanych przed zawieszeniem działalności.
"Live And Loud" to zestaw 27 koncertowych tracków zarejestrowanych w 2016 roku na koncertach ZBEER'a podczas festiwalu "Rock na Bagnie" oraz "MEBP Fest" w Maniowach. 27 odsłon bezkompromisowego Oi!/punka bezkompromisowej kapeli, która swoją, zawartą we wkładce płyty historię zamyka stwierdzeniem..."Więc oto jesteśmy znów.... nadchodzą kłopoty".



..::TRACK-LIST::..

Rock Na Bagnie 2016:
1. Taki Właśnie Jestem 2:17
2. Bootboy 2:36
3. Kumple 1:23
4. Tylko Ja 2:42
5. Czekam 2:32
6. Rock'N'Roll 2:53
7. Skinhead Girl 3:05
8. Co Mi Zrobisz? 2:55
9. Natalka 3:32
10. United 2:47

MEBP Fest - Maniowy 2016:
11. Taki Właśnie Jestem 2:16
12. Bootboy 2:38
13. Kumple 1:39
14. Tylko Ja 2:49
15. Czekam 2:47
16. Rock'N'Roll 3:03
17. Skinhead Girl 3:27
18. Co Mi Zrobisz? 3:01
19. Bistro 3:24
20. Alex / Skinhead Rules 3:46
21. Wojtek 3:48
22. United 2:17
23. Streets Of London 2:54
24. Natalka 3:34
25. Janek 4:05
26. Taki Właśnie Jestem 2:39



..::OBSADA::..

Vocals - Sidney
Drums - Pacior
Guitar - Paweł, Zizol
Bass - Bartek




https://www.youtube.com/watch?v=eNwscEIQFVc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Od lat oczekiwana edycja wydanego przez Decca w styczniu 1970 roku jedynego, za to świetnego albumu brytyjskiej progresywnej formacji, grającej typowy dla 1969 roku, ambitny blues-jazz-psych rock z saksofonem, fletem i organami Hammonda, w klimacie wczesnych Jethro Tull (z okresu debitanckiego LP "This Was"), Procol Harum, a nawet The Moody Blues - z wokalem przypominającym Davida Clayton-Thomasa z Blood Sweat And Tears. Na gitarze grał niedoceniony Andy Scott - już rok później atakujący riffami w Sweet. Dodatkowo cztery przyzwoite nagrania z rhythm'n'bluesowych/pop-psychodelicznych singli z 1968 roku.

JL


The opening gambit for future Sweet axeman Andy Scott, The Elastic Band were born from the embers of The Silverstone Set, a mid-decade Welsh soul band of some note, who had their minds expanded when they supported some of the emerging underground acts whenever they strayed across the border. When they finally made it to the studio in 1969, their music was a long way from the highly-collectable mod pop of their two early singles, incorporating psych with an amateur proggishness, which remains very endearing, if not very well recorded.



..::TRACK-LIST::..

1. Mother Goose 4:57
2. Last Person In The Bar 5:59
3. Crabtree Farm 4:11
4. Has Anybody Seen Her 4:50
5. Dear John 5:00
6. Room Full Of Room 4:22
7. That's Nice 3:55
8. Life Still Goes On 5:02
9. Sad Jazz 4:36
10. Sunrise Work Till Sunset 6:08

Bonus Tracks From Rare Singles:
11. 8,5 Hours From Paradise (B-side, 1968)
12. Do Unto Others (A-side, 1968)
13. Think Of You Baby (A-side, 1968)
14. It's Been A Long Time Baby (B-side, 1968)



..::OBSADA::..

Bass, Tenor Saxophone - Mike Scott
Drums, Percussion [Cloves] - Sean Jenkins
Guitar - Andy Scott
Organ, Piano, Flute, Harmonica, Congas, Lead Vocals - Ted Yeadon




https://www.youtube.com/watch?v=RvX3iEZyVjI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Od lat oczekiwana edycja wydanego przez Decca w styczniu 1970 roku jedynego, za to świetnego albumu brytyjskiej progresywnej formacji, grającej typowy dla 1969 roku, ambitny blues-jazz-psych rock z saksofonem, fletem i organami Hammonda, w klimacie wczesnych Jethro Tull (z okresu debitanckiego LP "This Was"), Procol Harum, a nawet The Moody Blues - z wokalem przypominającym Davida Clayton-Thomasa z Blood Sweat And Tears. Na gitarze grał niedoceniony Andy Scott - już rok później atakujący riffami w Sweet. Dodatkowo cztery przyzwoite nagrania z rhythm'n'bluesowych/pop-psychodelicznych singli z 1968 roku.

JL


The opening gambit for future Sweet axeman Andy Scott, The Elastic Band were born from the embers of The Silverstone Set, a mid-decade Welsh soul band of some note, who had their minds expanded when they supported some of the emerging underground acts whenever they strayed across the border. When they finally made it to the studio in 1969, their music was a long way from the highly-collectable mod pop of their two early singles, incorporating psych with an amateur proggishness, which remains very endearing, if not very well recorded.



..::TRACK-LIST::..

1. Mother Goose 4:57
2. Last Person In The Bar 5:59
3. Crabtree Farm 4:11
4. Has Anybody Seen Her 4:50
5. Dear John 5:00
6. Room Full Of Room 4:22
7. That's Nice 3:55
8. Life Still Goes On 5:02
9. Sad Jazz 4:36
10. Sunrise Work Till Sunset 6:08

Bonus Tracks From Rare Singles:
11. 8,5 Hours From Paradise (B-side, 1968)
12. Do Unto Others (A-side, 1968)
13. Think Of You Baby (A-side, 1968)
14. It's Been A Long Time Baby (B-side, 1968)



..::OBSADA::..

Bass, Tenor Saxophone - Mike Scott
Drums, Percussion [Cloves] - Sean Jenkins
Guitar - Andy Scott
Organ, Piano, Flute, Harmonica, Congas, Lead Vocals - Ted Yeadon




https://www.youtube.com/watch?v=RvX3iEZyVjI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Inverted Matter is a death metal entity born as an evolution of Inverted, a band born in 2007 in the upper Treviso area, in North-eastern Italy. At the end of 2015, parting ways with Alessandro and Enrico Scriminich (guitarist and drummer who went on to form black metal band Gorrch), former Suffocation drummer Mike Smith was recruited to write a new album. At the beginning of 2016 the lineup was completed with the addition of Jason Nealy (Bleeding Eyes) as guitarist and Leonardo “Livio” Langaro (Kani) as studio bassist.

Harbinger is a concept album which focuses entirely on the oldest arthropod ever to exist on Earth, the trilobite. The eight songs Inverted Matter crafted deal with a scientific research that goes from the still unknown origins of the species to their extinction, in a mix of old school and progressive death metal influences.



..::TRACK-LIST::..

1. RAD 04:22
2. Scenario 04:48
3. Limulus Amebocite Lysate 03:37
4. Enrollment 03:07
5. Hopeless 03:53
6. Ecdisys 05:26
7. Void 03:19
8. P-Tr 05:21



..::OBSADA::..

Vocals - Paolo 'Crawl' Forner
Bass - Francesco 'Ba' Barioli
Drums - Marco 'Bestia' Dal Pastro
Guitar - Andrea 'Grind' Tocchetto, Jason 'J' Nealy




https://www.youtube.com/watch?v=Hgl7lYWJRpc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Inverted Matter is a death metal entity born as an evolution of Inverted, a band born in 2007 in the upper Treviso area, in North-eastern Italy. At the end of 2015, parting ways with Alessandro and Enrico Scriminich (guitarist and drummer who went on to form black metal band Gorrch), former Suffocation drummer Mike Smith was recruited to write a new album. At the beginning of 2016 the lineup was completed with the addition of Jason Nealy (Bleeding Eyes) as guitarist and Leonardo “Livio” Langaro (Kani) as studio bassist.

Harbinger is a concept album which focuses entirely on the oldest arthropod ever to exist on Earth, the trilobite. The eight songs Inverted Matter crafted deal with a scientific research that goes from the still unknown origins of the species to their extinction, in a mix of old school and progressive death metal influences.



..::TRACK-LIST::..

1. RAD 04:22
2. Scenario 04:48
3. Limulus Amebocite Lysate 03:37
4. Enrollment 03:07
5. Hopeless 03:53
6. Ecdisys 05:26
7. Void 03:19
8. P-Tr 05:21



..::OBSADA::..

Vocals Paolo 'Crawl' Forner
Bass - Francesco 'Ba' Barioli
Drums - Marco 'Bestia' Dal Pastro
Guitar - Andrea 'Grind' Tocchetto, Jason 'J' Nealy




https://www.youtube.com/watch?v=Hgl7lYWJRpc



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Queen - Forever - (2 CD) Deluxe Edition
---------------------------------------------------------------------

Artist...............: Queen
Album................: Forever
Genre................: Rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 67-69 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Hollywood Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting - CD 1
---------------------------------------------------------------------

1. Queen - Let Me In Your Heart Again [04:35]
2. Queen - Love Kills (The Ballad) [04:12]
3. Queen & Michael Jackson - There Must Be More To Life Than This (William Orbit Mix)[03:27]
4. Queen - Play The Game [03:14]
5. Queen - Dear Friends [01:08]
6. Queen - You're My Best Friend [02:52]
7. Queen - Love Of My Life [03:33]
8. Queen - Drowse [03:38]
9. Queen - You Take My Breath Away [04:38]
10. Queen - Spread Your Wings [04:30]
11. Queen - Long Away [03:32]
12. Queen - Lily Of The Valley [01:39]
13. Queen - Don't Try So Hard [03:39]
14. Queen - Bijou [03:36]
15. Queen - These Are The Days Of Our Lives [04:14]
16. Queen - Nevermore [01:18]
17. Queen - Las Palabras De Amor (The Words Of Love) [04:31]
18. Queen - Who Wants To Live Forever [05:15]

Playing Time.........: 01:03:39
Total Size...........: 434,36 MB

---------------------------------------------------------------------
Tracklisting - CD 2
---------------------------------------------------------------------

1. Queen - I Was Born To Love You [04:50]
2. Queen - Somebody To Love [04:52]
3. Queen - Crazy Little Thing Called Love [02:43]
4. Queen - Friends Will Be Friends [04:06]
5. Queen - Jealousy [03:13]
6. Queen - One Year Of Love [04:27]
7. Queen - A Winter's Tale [03:48]
8. Queen - '39 [03:30]
9. Queen - Mother Love [04:47]
10. Queen - It's A Hard Life [04:06]
11. Queen - Save Me [03:46]
12. Queen - Made In Heaven [05:25]
13. Queen - Too Much Love Will Kill You [04:20]
14. Queen - Sail Away Sweet Sister [03:33]
15. Queen - The Miracle [04:57]
16. Queen - Is This The World We Created...? [02:12]
17. Queen - In The Lap Of The Gods...Revisited [03:46]
18. Queen - Forever [03:21]

Playing Time.........: 01:11:50
Total Size...........: 502,48 MB

..::INFO::..

---------------------------------------------------------------------
Queen - Live Magic (1996)
(Hollywood Records)
---------------------------------------------------------------------

Artist...............: Queen
Album................: Live Magic
Genre................: Rock
Source...............: CD
Year.................: 1986-1996
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Hollywood Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Queen - One Vision [05:08]
2. Queen - Tie Your Mother Down [02:59]
3. Queen - Seven Seas Of Rhye [01:19]
4. Queen - A Kind Of Magic [05:31]
5. Queen - Under Pressure [03:48]
6. Queen - Another One Bites The Dust [05:50]
7. Queen - I Want To Break Free [02:40]
8. Queen - Is This The World We Created...? [01:31]
9. Queen - Bohemian Rhapsody [04:40]
10. Queen - Hammer To Fall [05:20]
11. Queen - Radio Ga Ga [04:27]
12. Queen - We Will Rock You [01:31]
13. Queen - Friends Will Be Friends [01:09]
14. Queen - We Are The Champions [02:02]
15. Queen - God Save The Queen [01:18]

Playing Time.........: 49:19
Total Size...........: 329,20 MB

Recording Date
January, 1986 - November, 1986

Recording Location
Knebworth Park, England
Nepstadion, Budapest, Hungary
Wembley Stadium And Knebworth Park, England
And Nepstadion, Budapest, Hungry Hill

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Lamentations' to kolejny świetny przykład onirycznego, lirycznego heavy rocka. Doskonałe wydawnictwo!
O dziwo 'pani bozia' mnie tutaj nie razi...



Lancastrian rock apostles Wytch Hazel have been building their citadel since 2011, when debut single Surrender introduced this boldly wholesome new voice to the British metal underground. Since then the quartet have continually underscored and bolstered a signature sound rooted in heroic days of yore, but finessed to an elegant apex by long-time producer Ed Turner. That sonic alchemy coalesces all over V: Lamentations, bubbling with even more febrile creativity than previous masterworks Prelude, II: Sojourn, III: Pentecost and IV: Sacrament. The latter, bizarrely, reached number seven on the UK 'Christian & Gospel' chart - despite selling enough to clinch the number one rock album. "Ed is a huge part of what we're doing," affirms Wytch Hazel's guiding mastermind Colin Hendra. "He's added so many more details, there's more to pick up on multiple listens. Ed's been key in bringing these songs to life; what he brings to the table is fantastic and unique and exactly what we need. Ed finishes my musical sentences with his production."

However, working remotely with this enigmatic taskmaster ("The epitome of eccentric," laughs Colin) - and the obsessive perfectionism that both Colin and Ed bring to their work - made for an even more painfully fraught recording process than last time. Colin reveals he had nearly all of this album written when Sacrament emerged in 2023: "So why has it taken so long?!" he groans, with a frustrated despair that he can only now start to laugh at. "I basically am just physically and mentally broken by the whole thing. I actually have health issues now; I have chronic exhaustion that I'm working through. I've been having significant vocal issues, a lot of it down to my own technique and habits. I got to the stage where I couldn't keep up singing in that way, so I had to unlearn and relearn some things. I'm in a much better place now, so vocals have probably been easier this time. But there is that question: is this worth it? The endless pursuit of perfection is never finished. It's a very painful process, but now it's past the finish line I feel such relief, like a massive weight has been lifted."

Happily, accumulating material is never a problem. From heartfelt, shimmering headbangers like I Lament, Run The Race and Elements, to the richly textured, pensive atmospheres of The Citadel, Woven and Heavy Load, great songs come to Colin naturally and abundantly, as if divinely bestowed from some otherworldly wellspring. "I'll sit there and think, 'Where did that come from?!' It's the best feeling in the world," enthuses Colin. "This thing was just born - what did I do? I didn't try, it just happened, like I'm a conduit for this spiritual, magical thing. I'm sure there is some skill involved, but I can't put my finger on what! I'm sitting there moving my fingers around and then a song appears, it's so weird and magical and special. I can't stop doing it either, the songwriting is compulsive. I can't get enough of it, I love it!"
As ever, Colin's songwriting resounds with open-hearted emotional force, evoking joy and sorrow often in the same melody. A metal frontman of rare sensitivity, Colin has pushed himself to breaking point for his art. Opener I Lament was the last song to be written, and despite its Maidenesque jubilance, the lyrics came at a low point: "I was in a place where I was like, if I continue with these patterns of behaviour, where does this actually lead me? It's a lot more honest songwriting, very reflective of where I've been for the last few years: a more introspective, doubting, darker place. But I feel like I've had a very significant spiritual shift over the past few weeks. I was still dealing with chronic exhaustion and depression, but I feel I've made a lot of progress physically, spiritually and mentally, so I'm viewing the album in a different way now."

Wytch Hazel's beguiling juxtaposition of sorrow and joy is most profoundly evident on the closing partnership of Heavy Load and Healing Power, the world-weary, Sabbath-like dejection of the former giving way to the latter's heavenly uplift. "I wanted it to have a happy ending, that just felt very Wytch Hazel," affirms Colin. "I do believe music can heal. For me particularly songwriting is very therapeutic, I don't think I'd be here if there wasn't that outlet. I believe things have meanings and significance, I want my life to have that, and Healing Power is like, this actually means something. Music isn't just a self-indulgent, entertainment thing, for me it's a huge part of my life, very special, very magical and very meaningful. I want Wytch Hazel to be a force for good, a healing power."
Helping in that regard is the new line-up, welcoming back original drummer Aaron Hay, who was there on Wytch Hazel's debut single in 2011 and 2012's The Truth EP, alongside well-established oppos Alex Haslam and Andy Shackleton. "The band we've got at the moment is just the best bunch of lads," beams Colin, "we're having the best time touring together, we get on so well. The gigs have been a real highlight these last few years, and experiencing that as best mates together has been fantastic." It'll get even better in May, as Wytch Hazel are supporting Michael Schenker on the guitar legend's My Years With UFO UK tour. "I can't think about it for too long, he's like a childhood hero," confesses Colin. "I am incredibly privileged. Against all this painful stuff, I do have to hold in equal measure the wonderful adventure that it is to be in this band. There's so much to be grateful for, too many things to count."



Wytch Hazel is a band I've followed since they released their first LP. They're a unique band, with a clear spirit of 70s English rock, especially heirs of Jethro Tull, Uriah Heep, and Thin Lizzy, of course. This makes them something like Pagan Altar's younger siblings, as they convey that same essence of medieval mysticism.

But if Pagan Altar sometimes shows a occult side, Wytch Hazel is pure light. Their songs are joyful, emotional, full of love and heroism, with truly honest lyrics and perennial wisdom. The lead vocals are beautiful and convey a sense of serenity. These musicians are true virtuosos, although I still have the feeling they can create longer, more epic songs, something I hope they will achieve one day. Even so, their riffs are inspiring and warm, and they even introduce nostalgic acoustic arrangements.

Lamentations is another gem of this medieval hard rock genre. There aren't many differences from their predecessors, which demonstrates the great mastery they possess in their unique style. The album cover, however, evokes a certain Templar secret, something that was already known from the beginning, but here they seem to make it clear: this band is proudly Christian, not a run-of-the-mill Christianity, but an esoteric-gnostic inner Christianity.

The first song, "I Lament," is an energetic opening, as if on a mission or trying to convey an important message that tells you: pay attention to what we have to say! The next great track is "Elixir," a captivating instrumental that will inevitably grab your subconscious. Immediately after comes what, for me, is the best song on the album: "Woven," it's a special piece, with an esoteric message and musically orgasmic. Heavy Load brings to mind the name of that essential Swedish band, surely a tribute to them. In short, the entire album is a demonstration of faith; it's solid and consistent, which is why it could undoubtedly be placed alongside the best NWOBHM albums.

Wytch Hazel is a special band that puts most metal bands in general to shame. From a psychological perspective, this genre is full of people with many unhealed wounds who hide all that pain behind a black shirt. But behold, the cure has been given to them, and the cure is called Wytch Hazel.

GreatSpirit



..::TRACK-LIST::..

1. I Lament 04:11
2. Run The Race 04:58
3. The Citadel 05:09
4. Elements 04:33
5. The Demon Within 04:26
6. Racing Forwards 04:13
7. Elixir 01:41
8. Woven 04:50
9. Heavy Load 04:42
10. Healing Power 06:22



..::OBSADA::..

Colin Hendra - guitar, vocals
Alex Haslam - guitar
Andy Shackleton - bass
Aaron Hay - drums



https://www.youtube.com/watch?v=QZFXxW9yTK8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

'Lamentations' to kolejny świetny przykład onirycznego, lirycznego heavy rocka. Doskonałe wydawnictwo!
O dziwo 'pani bozia' mnie tutaj nie razi...



Lancastrian rock apostles Wytch Hazel have been building their citadel since 2011, when debut single Surrender introduced this boldly wholesome new voice to the British metal underground. Since then the quartet have continually underscored and bolstered a signature sound rooted in heroic days of yore, but finessed to an elegant apex by long-time producer Ed Turner. That sonic alchemy coalesces all over V: Lamentations, bubbling with even more febrile creativity than previous masterworks Prelude, II: Sojourn, III: Pentecost and IV: Sacrament. The latter, bizarrely, reached number seven on the UK 'Christian & Gospel' chart - despite selling enough to clinch the number one rock album. "Ed is a huge part of what we're doing," affirms Wytch Hazel's guiding mastermind Colin Hendra. "He's added so many more details, there's more to pick up on multiple listens. Ed's been key in bringing these songs to life; what he brings to the table is fantastic and unique and exactly what we need. Ed finishes my musical sentences with his production."

However, working remotely with this enigmatic taskmaster ("The epitome of eccentric," laughs Colin) - and the obsessive perfectionism that both Colin and Ed bring to their work - made for an even more painfully fraught recording process than last time. Colin reveals he had nearly all of this album written when Sacrament emerged in 2023: "So why has it taken so long?!" he groans, with a frustrated despair that he can only now start to laugh at. "I basically am just physically and mentally broken by the whole thing. I actually have health issues now; I have chronic exhaustion that I'm working through. I've been having significant vocal issues, a lot of it down to my own technique and habits. I got to the stage where I couldn't keep up singing in that way, so I had to unlearn and relearn some things. I'm in a much better place now, so vocals have probably been easier this time. But there is that question: is this worth it? The endless pursuit of perfection is never finished. It's a very painful process, but now it's past the finish line I feel such relief, like a massive weight has been lifted."

Happily, accumulating material is never a problem. From heartfelt, shimmering headbangers like I Lament, Run The Race and Elements, to the richly textured, pensive atmospheres of The Citadel, Woven and Heavy Load, great songs come to Colin naturally and abundantly, as if divinely bestowed from some otherworldly wellspring. "I'll sit there and think, 'Where did that come from?!' It's the best feeling in the world," enthuses Colin. "This thing was just born - what did I do? I didn't try, it just happened, like I'm a conduit for this spiritual, magical thing. I'm sure there is some skill involved, but I can't put my finger on what! I'm sitting there moving my fingers around and then a song appears, it's so weird and magical and special. I can't stop doing it either, the songwriting is compulsive. I can't get enough of it, I love it!"
As ever, Colin's songwriting resounds with open-hearted emotional force, evoking joy and sorrow often in the same melody. A metal frontman of rare sensitivity, Colin has pushed himself to breaking point for his art. Opener I Lament was the last song to be written, and despite its Maidenesque jubilance, the lyrics came at a low point: "I was in a place where I was like, if I continue with these patterns of behaviour, where does this actually lead me? It's a lot more honest songwriting, very reflective of where I've been for the last few years: a more introspective, doubting, darker place. But I feel like I've had a very significant spiritual shift over the past few weeks. I was still dealing with chronic exhaustion and depression, but I feel I've made a lot of progress physically, spiritually and mentally, so I'm viewing the album in a different way now."

Wytch Hazel's beguiling juxtaposition of sorrow and joy is most profoundly evident on the closing partnership of Heavy Load and Healing Power, the world-weary, Sabbath-like dejection of the former giving way to the latter's heavenly uplift. "I wanted it to have a happy ending, that just felt very Wytch Hazel," affirms Colin. "I do believe music can heal. For me particularly songwriting is very therapeutic, I don't think I'd be here if there wasn't that outlet. I believe things have meanings and significance, I want my life to have that, and Healing Power is like, this actually means something. Music isn't just a self-indulgent, entertainment thing, for me it's a huge part of my life, very special, very magical and very meaningful. I want Wytch Hazel to be a force for good, a healing power."
Helping in that regard is the new line-up, welcoming back original drummer Aaron Hay, who was there on Wytch Hazel's debut single in 2011 and 2012's The Truth EP, alongside well-established oppos Alex Haslam and Andy Shackleton. "The band we've got at the moment is just the best bunch of lads," beams Colin, "we're having the best time touring together, we get on so well. The gigs have been a real highlight these last few years, and experiencing that as best mates together has been fantastic." It'll get even better in May, as Wytch Hazel are supporting Michael Schenker on the guitar legend's My Years With UFO UK tour. "I can't think about it for too long, he's like a childhood hero," confesses Colin. "I am incredibly privileged. Against all this painful stuff, I do have to hold in equal measure the wonderful adventure that it is to be in this band. There's so much to be grateful for, too many things to count."



Wytch Hazel is a band I've followed since they released their first LP. They're a unique band, with a clear spirit of 70s English rock, especially heirs of Jethro Tull, Uriah Heep, and Thin Lizzy, of course. This makes them something like Pagan Altar's younger siblings, as they convey that same essence of medieval mysticism.

But if Pagan Altar sometimes shows a occult side, Wytch Hazel is pure light. Their songs are joyful, emotional, full of love and heroism, with truly honest lyrics and perennial wisdom. The lead vocals are beautiful and convey a sense of serenity. These musicians are true virtuosos, although I still have the feeling they can create longer, more epic songs, something I hope they will achieve one day. Even so, their riffs are inspiring and warm, and they even introduce nostalgic acoustic arrangements.

Lamentations is another gem of this medieval hard rock genre. There aren't many differences from their predecessors, which demonstrates the great mastery they possess in their unique style. The album cover, however, evokes a certain Templar secret, something that was already known from the beginning, but here they seem to make it clear: this band is proudly Christian, not a run-of-the-mill Christianity, but an esoteric-gnostic inner Christianity.

The first song, "I Lament," is an energetic opening, as if on a mission or trying to convey an important message that tells you: pay attention to what we have to say! The next great track is "Elixir," a captivating instrumental that will inevitably grab your subconscious. Immediately after comes what, for me, is the best song on the album: "Woven," it's a special piece, with an esoteric message and musically orgasmic. Heavy Load brings to mind the name of that essential Swedish band, surely a tribute to them. In short, the entire album is a demonstration of faith; it's solid and consistent, which is why it could undoubtedly be placed alongside the best NWOBHM albums.

Wytch Hazel is a special band that puts most metal bands in general to shame. From a psychological perspective, this genre is full of people with many unhealed wounds who hide all that pain behind a black shirt. But behold, the cure has been given to them, and the cure is called Wytch Hazel.

GreatSpirit



..::TRACK-LIST::..

1. I Lament 04:11
2. Run The Race 04:58
3. The Citadel 05:09
4. Elements 04:33
5. The Demon Within 04:26
6. Racing Forwards 04:13
7. Elixir 01:41
8. Woven 04:50
9. Heavy Load 04:42
10. Healing Power 06:22



..::OBSADA::..

Colin Hendra - guitar, vocals
Alex Haslam - guitar
Andy Shackleton - bass
Aaron Hay - drums



https://www.youtube.com/watch?v=QZFXxW9yTK8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Choć pilska Qulturka jest zespołem z 20-letnią historią to dopiero obecnie zespół zdecydował się na wydanie swojego albumu we współpracy z wytwórnią fonograficzną.

20 letnie istnienie Qulturki to przede wszystkim doświadczenie nabyte podczas szeregu małych i dużych koncertów, obecności na festiwalach oraz dzielenia sceny m.in. z takimi wykonawcami jak U.K. SUBS, Kult, Armia, Pidżama Porno, Strachy na Lachy, The Vibrators, Farben Lehre, KSU, Moskwa, Habakuk, Alians…
Nie bez znaczenia jest także fakt, że wokalistów Qulturki usłyszeć można na płycie Strachów na Lachy, wokalistka grupy występowała m.in. z takimi zespołami jak KSU, Farben Lehre czy Ga-Ga Zielone Żabki, a w składzie zespołu odnajdujemy muzyków znanych z innej pilskiej grupy Alians.

Płyta o tytule „EKG” wydana przez Jimmy Jazz Records, jest kolejną muzyczną odsłoną dokonań grupy mocno zakorzenionych w punk rocku, ale czerpiących także inspiracje z pozytywnych i skocznych dźwięków ska i reggae. Album przynosi 11 kompozycji, przy których nie sposób oprzeć się wrażeniu, że Qulturka z doskonałym skutkiem podąża droga muzycznych dokonań najlepszych przedstawicieli polskiej sceny punk lat 80 i 90 ub. wieku, podkreślając na co dzień i w tekstach swoje zaangażowanie i wsparcie dla działań antyrasistowskich i ekologicznych.
Obecność doskonale uzupełniających się wokali damskiego i męskiego stanowi specyficzną i rozpoznawalną wizytówkę zespołu, a soczyste gitary, bas oraz akordeon i perkusja budują charakterystyczny styl tworząc mocny ale przyjemny w odbiorze klimat podróży po obszarach, na których dominuje punk oraz jamajska pulsacja.

Po dwudziestu latach działalności Qulturka dołącza z przytupem do grona wykonawców, którzy przez lata budowali doskonała opinię o niezależnym, muzycznym środowisku swojego miasta kojarzonym dotychczas z takimi wykonawcami jak Pidżama Porno, Świat Czarownic, INRI czy Alians.
Album „EKG” dotrze do fanów niemal dokładnie w 20 rocznicę powstania zespołu, podczas specjalnego koncertu który odbędzie się z tej okazji na festiwalu Przystanek Woodstock 31 lipca 2015 roku.

Utwór „M.K.” poświęcony jest pamięci zmarłego Marcina Kornaka (1968-2014), założyciela Stowarzyszenia „NIGDY WIĘCEJ” i inicjatora kampanii „Muzyka Przeciwko Rasizmowi”.



..::TRACK-LIST::..

1. Światłocień
2. Ciemno i zimno
3. Dziadoski
4. Mezalians
5. Najważniejsze
6. Peace
7. Skrim
8. EKG
9. Czy warto?
10. M.K.

Bonus:
11. War Is Upon Us



https://www.youtube.com/watch?v=4jEBvrutTD4


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist...............: Blondie
Album................: No Exit (Remastered & Expanded)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5

...( TrackList )...


001. Blondie - Screaming Skin (2025 Remaster)
002. Blondie - Forgive and Forget (Pull Down the Night) (2025 Remaster)
003. Blondie - Maria (2025 Remaster)
004. Blondie Feat. Coolio & The Loud Allstars - No Exit (feat. Coolio & The Loud Allstars) (2025 Remaster)
005. Blondie Feat. Candy Dulfer - Double Take (feat. Candy Dulfer) (2025 Remaster)
006. Blondie - Nothing Is Real but the Girl (2025 Remaster)
007. Blondie - Boom Boom in the Zoom Zoom Room (2025 Remaster)
008. Blondie - Night Wind Sent (2025 Remaster)
009. Blondie - Under the Gun (For Jeffrey Lee Pierce) (2025 Remaster)
010. Blondie - Out in the Streets (2025 Remaster)
011. Blondie - Happy Dog (For Caggy) (2025 Remaster)
012. Blondie - The Dream's Lost On Me (2025 Remaster)
013. Blondie - Divine (2025 Remaster)
014. Blondie - Dig Up the Conjo (2025 Remaster)
015. Blondie - Hot Shot (David Wrench 2025 Mix)
016. Blondie - Maria (Ether Dub Mix)
017. Blondie - Nothing Is Real but the Girl (Boilerhouse Lounge Mix)
018. Blondie Feat. Coolio & The Loud Allstars - No Exit (feat. Coolio & The Loud Allstars) (Urban Version Main Mix)
019. Blondie - Maria (Talvin Singh Rhythmic Remix) (Edit)
020. Blondie - Nothing Is Real but the Girl (Danny Tenaglia Heart of Trance Mix)
021. Blondie - Forgive and Forget (Pull Down the Night) (Ben's Mix)
022. Blondie - Maria (White Trash Mix)

...( Info )...

Artist...............: The Who
Album................: Who Are You (Super Deluxe Edition)
Genre................: Rock
Year.................: 2025
Codec................: Reference libFLAC 1.5


...( TrackList )...

001. The Who - New Song
002. The Who - Had Enough
003. The Who - 905
004. The Who - Sister Disco
005. The Who - Music Must Change
006. The Who - Trick Of The Light
007. The Who - Guitar And Pen
008. The Who - Love Is Coming Down
009. The Who - Who Are You
010. The Who - New Song (Glyn Johns Mix)
011. The Who - Had Enough (Glyn Johns Mix)
012. The Who - 905 (Glyn Johns Mix)
013. The Who - Sister Disco (Glyn Johns Mix)
014. The Who - Trick Of The Light (Glyn Johns Mix)
015. The Who - Guitar And Pen (Glyn Johns Mix)
016. The Who - Who Are You (Glyn Johns Mix)
017. The Who - Trick Of The Light (Single Edit - Glyn Johns Mix)
018. The Who - Guitar And Pen (Glyn Johns Alternative Mix)
019. The Who - Who Are You (Glyn Johns Single Edit)
020. The Who - New Song (Pete Vocal Version)
021. The Who - Sister Disco (Lost Guitar Mix)
022. The Who - Had Enough (No Orchestra)
023. The Who - Guitar And Pen (Pete Townshend Guide Vocal)
024. The Who - Love Is Coming Down (No Orchestra)
025. The Who - Who Are You (Early Run Through - Pete Townshend Vocal)
026. The Who - Who Are You (Lost Verse Mix)
027. The Who - Guitar And Pen (Olympic '78 Mix)
028. The Who - Love Is Coming Down (Work-In-Progress Mix)
029. The Who - Empty Glass (Group Version)
030. The Who - No Road Romance (1996 Who Are You Version)
031. The Who - Trick Of The Light (Unused Olympic Edit)
032. The Who - Who Are You (Edit)
033. John Entwistle - 905 (John Entwistle Demo)
034. John Entwistle - Had Enough (John Entwistle Demo)
035. John Entwistle - Back On The Road (John Entwistle Demo)
036. John Entwistle - Wild Horses (John Entwistle Demo)
037. John Entwistle - Trick Of The Light (John Entwistle Demo)
038. John Entwistle - Good Time Coming (John Entwistle Demo)
039. The Who - Who Are You (John & Cyrano Mix)
040. The Who - Who Are You (Live with Keith In 1976 - Toronto Bootleg)
041. The Who - The Kids Are Alright (Shepperton Tour Rehearsal - 1978)
042. The Who - Run Run Run (Shepperton Tour Rehearsal - 1978)
043. The Who - Spoonful - Smokestack Lightning (Shepperton Tour Rehearsal - 1978)
044. The Who - I Saw Her Standing There (Shepperton Tour Rehearsal - 1978)
045. The Who - Jam (Shepperton Tour Rehearsal - 1978)
046. The Who - Knocking It Into Shape 1 (Shepperton Tour Rehearsal - 1978)
047. The Who - Knocking It Into Shape 2 (Shepperton Tour Rehearsal - 1978)
048. The Who - Baba O’Riley (Shepperton Tour Rehearsal - 1978)
049. The Who - Shaking All Over (Shepperton Tour Rehearsal - 1978)
050. The Who - Bell Boy (Shepperton Tour Rehearsal - 1978)
051. The Who - Won't Get Fooled Again (Shepperton Tour Rehearsal - 1978)
052. The Who - Barbara Ann (Shepperton Tour Rehearsal - 1978)
053. The Who - I Saw Her Standing There 2 (Shepperton Tour Rehearsal - 1978)
054. The Who - Drowned (Shepperton Tour Rehearsal - 1978)
055. The Who - Baba O’Riley (Shepperton For Kids Are Alright)
056. The Who - My Wife (Shepperton For Kids Are Alright)
057. The Who - My Generation (Shepperton For Kids Are Alright)
058. The Who - Join Together (Shepperton For Kids Are Alright)
059. The Who - Who Are You (Shepperton For Kids Are Alright)
060. The Who - Won't Get Fooled Again (Shepperton For Kids Are Alright)
061. The Who - Sister Disco (Shepperton Tour Rehearsal - 1978)
062. The Who - Music Must Change (Shepperton Tour Rehearsal - 1978)
063. The Who - Won't Get Fooled Again (Long Version - Shepperton Tour Rehearsal - 1978)
064. The Who - Who Are You (Shepperton Tour Rehearsal - 1978)
065. The Who - Substitute (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
066. The Who - I Can't Explain (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
067. The Who - Baba O'Riley (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
068. The Who - The Punk And The Godfather (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
069. The Who - Boris The Spider (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
070. The Who - Sister Disco (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
071. The Who - Behind Blue Eyes (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
072. The Who - Music Must Change (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
073. The Who - Drowned (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
074. The Who - Who Are You (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
075. The Who - 5.15 (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
076. The Who - Pinball Wizard (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
077. The Who - See Me, Feel Me (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
078. The Who - Long Live Rock (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
079. The Who - My Generation (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
080. The Who - I Can See for Miles (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
081. The Who - Trick Of The Light (Live At The Spectrum Philadelphia, USA - 10th December 1979)
082. The Who - Sparks (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
083. The Who - Won't Get Fooled Again (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
084. The Who - Jam - Take A Fool Like You (Live At The Spectrum Philadelphia, USA - 10th December 1979)
085. The Who - How Can You Do It Alone (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
086. The Who - Magic Bus (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
087. The Who - Summertime Blues (Live At The Pontiac Silverdome, Pontiac, MI, USA - 7th December 1979)
088. The Who - Dancing In The Street - Dancing Away (Live At The Spectrum Philadelphia, USA - 10th December 1979)
089. The Who - Real Me (Live At The Spectrum Philadelphia, USA - 10th December 1979)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Choć pilska Qulturka jest zespołem z 20-letnią historią to dopiero obecnie zespół zdecydował się na wydanie swojego albumu we współpracy z wytwórnią fonograficzną.

20 letnie istnienie Qulturki to przede wszystkim doświadczenie nabyte podczas szeregu małych i dużych koncertów, obecności na festiwalach oraz dzielenia sceny m.in. z takimi wykonawcami jak U.K. SUBS, Kult, Armia, Pidżama Porno, Strachy na Lachy, The Vibrators, Farben Lehre, KSU, Moskwa, Habakuk, Alians…
Nie bez znaczenia jest także fakt, że wokalistów Qulturki usłyszeć można na płycie Strachów na Lachy, wokalistka grupy występowała m.in. z takimi zespołami jak KSU, Farben Lehre czy Ga-Ga Zielone Żabki, a w składzie zespołu odnajdujemy muzyków znanych z innej pilskiej grupy Alians.

Płyta o tytule „EKG” wydana przez Jimmy Jazz Records, jest kolejną muzyczną odsłoną dokonań grupy mocno zakorzenionych w punk rocku, ale czerpiących także inspiracje z pozytywnych i skocznych dźwięków ska i reggae. Album przynosi 11 kompozycji, przy których nie sposób oprzeć się wrażeniu, że Qulturka z doskonałym skutkiem podąża droga muzycznych dokonań najlepszych przedstawicieli polskiej sceny punk lat 80 i 90 ub. wieku, podkreślając na co dzień i w tekstach swoje zaangażowanie i wsparcie dla działań antyrasistowskich i ekologicznych.
Obecność doskonale uzupełniających się wokali damskiego i męskiego stanowi specyficzną i rozpoznawalną wizytówkę zespołu, a soczyste gitary, bas oraz akordeon i perkusja budują charakterystyczny styl tworząc mocny ale przyjemny w odbiorze klimat podróży po obszarach, na których dominuje punk oraz jamajska pulsacja.

Po dwudziestu latach działalności Qulturka dołącza z przytupem do grona wykonawców, którzy przez lata budowali doskonała opinię o niezależnym, muzycznym środowisku swojego miasta kojarzonym dotychczas z takimi wykonawcami jak Pidżama Porno, Świat Czarownic, INRI czy Alians.
Album „EKG” dotrze do fanów niemal dokładnie w 20 rocznicę powstania zespołu, podczas specjalnego koncertu który odbędzie się z tej okazji na festiwalu Przystanek Woodstock 31 lipca 2015 roku.

Utwór „M.K.” poświęcony jest pamięci zmarłego Marcina Kornaka (1968-2014), założyciela Stowarzyszenia „NIGDY WIĘCEJ” i inicjatora kampanii „Muzyka Przeciwko Rasizmowi”.



..::TRACK-LIST::..

1. Światłocień
2. Ciemno i zimno
3. Dziadoski
4. Mezalians
5. Najważniejsze
6. Peace
7. Skrim
8. EKG
9. Czy warto?
10. M.K.

Bonus:
11. War Is Upon Us



https://www.youtube.com/watch?v=4jEBvrutTD4


SEED 15:00-22:00.
POLECAM!!!

...( Info )...

Artist...............: Giorgia
Album................: Stonata
Genre................: Pop
Year.................: 2007
Codec................: Reference libFLAC 1.5

...( TrackList )...

001. Giorgia - Parlo Con Te (album version)
002. Giorgia feat. Beppe Grillo - Libera La Mente
003. Giorgia - Ora Basta
004. Giorgia - Anime Sole
005. Giorgia - Chiaraluce
006. Giorgia - Mal Di Terra
007. Giorgia - Poche Parole
008. Giorgia - La La Song (Non Credo Di Essere Al Sicuro)
009. Giorgia - Libertango Interludio
010. Giorgia - Stonata
011. Giorgia - Invisibile Traccia
012. Giorgia - Vieni Fuori
013. Giorgia - Come Sei
014. Giorgia - Gli Amanti
015. Giorgia - Adesso Lo Sai

...( Info )...

Artist...............: Gracenoteduo
Album................: Tiaré E Monoi
Genre................: Pop
Year.................: 2025
Codec................: Reference libFLAC 1.5


...( TrackList )...

001. Gracenoteduo - Tango Stress
002. Gracenoteduo - Acquarello
003. Gracenoteduo - Stamattina
004. Gracenoteduo - Jean Boulogne
005. Gracenoteduo - Vista Da Qui
006. Gracenoteduo - Io E Il Mare
007. Gracenoteduo - Samba Di Due Note
008. Gracenoteduo - Stasera A Cena
009. Gracenoteduo - Melodia Disthorta
010. Gracenoteduo - Rosalina

..::INFO::..

---------------------------------------------------------------------
George Harrison - Best Of Dark Horse 1976-1989
---------------------------------------------------------------------

Artist...............: George Harrison
Album................: Best Of Dark Horse 1976-1989
Genre................: Rock, Pop
Source...............: CD
Year.................: 1989
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Warner Bros. Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. George Harrison - Poor Little Girl [04:33]
2. George Harrison - Blow Away [03:59]
3. George Harrison - That's The Way It Goes [03:33]
4. George Harrison - Cockamamie Business [05:16]
5. George Harrison - Wake Up My Love [03:32]
6. George Harrison - Life Itself [04:24]
7. George Harrison - Got My Mind Set On You [03:51]
8. George Harrison - Crackerbox Palace [03:56]
9. George Harrison - Cloud 9 [03:15]
10. George Harrison - Here Comes The Moon [04:07]
11. George Harrison - Gone Troppo [04:24]
12. George Harrison - When We Was Fab [03:56]
13. George Harrison - Love Comes To Everyone [03:41]
14. George Harrison - All Those Years Ago [03:44]
15. George Harrison - Cheer Down [04:08]

Playing Time.........: 01:00:27
Total Size...........: 384,16 MB

..::INFO::..

---------------------------------------------------------------------
Freddie Mercury & Montserrat Caballe - Barcelona (3 CD)
(Special Edition – Deluxe)

Disc 1 (New Orchestrated Album)
Disc 2 (The Best Of The Rarities & Session Out-Takes)
Disc 3 (Album Orchestral Version)
---------------------------------------------------------------------
----------------------------------------------------------------------
Disc 1 - Barcelona - (New Orchestrated Album)
---------------------------------------------------------------------

Artist...............: Freddie Mercury & Montserrat Caballe
Album................: Barcelona - (New Orchestrated Album)
Genre................: Symphonic Rock
Source...............: WEB
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 60 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI Records

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Disc 1
---------------------------------------------------------------------

1. Freddie Mercury & Montserrat Caballe - Barcelona [05:44]
2. Freddie Mercury & Montserrat Caballe - La Japonaise [04:52]
3. Freddie Mercury & Montserrat Caballe - The Fallen Priest[05:46]
4. Freddie Mercury & Montserrat Caballe - Ensueno [04:22]
5. Freddie Mercury & Montserrat Caballe - The Golden Boy [06:03]
6. Freddie Mercury & Montserrat Caballe - Guide Me Home [02:50]
7. Freddie Mercury & Montserrat Caballe - How Can I Go On [03:49]
8. Freddie Mercury & Montserrat Caballe - Exercises In Free Love[03:57]
9. Freddie Mercury & Montserrat Caballe - Overture Piccante[06:47]
10. Freddie Mercury & Montserrat Caballe - How Can I Go On [03:59]

Playing Time.........: 48:15
Total Size...........: 293,33 MB

---------------------------------------------------------------------
Disc 2 - The Best Of The Rarities & Session Out-Takes
---------------------------------------------------------------------

Artist...............: Freddie Mercury & Montserrat Caballe
Album................: The Best Of The Rarities & Session Out-Takes
Genre................: Symphonic Rock
Source...............: WEB
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 56 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI Records

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Disc 2
---------------------------------------------------------------------

1. Freddie Mercury & Montserrat Caballe - Exercises In Free Love[04:28]
2. Freddie Mercury & Montserrat Caballe - Barcelona - Early Version: Freddie's Demo Vocal[04:21]
3. Freddie Mercury & Montserrat Caballe - La Japonaise - Early Version: Freddie's Demo Vocal[04:41]
4. Freddie Mercury & Montserrat Caballe - Rachmaninov's Revenge (The Fallen Priest) - Later Version[05:51]
5. Freddie Mercury & Montserrat Caballe - Ensueno - Monsterrat's Live Takes[05:36]
6. Freddie Mercury & Montserrat Caballe - The Golden Boy - Early Version: Freddie's Demo Vocal[03:54]
7. Freddie Mercury & Montserrat Caballe - Guide Me Home - Alternative Version[02:50]
8. Freddie Mercury & Montserrat Caballe - How Can I Go On - Alternative Version[04:04]
9. Freddie Mercury & Montserrat Caballe - How Can I Go On - Alternative Piano Version[03:47]

Playing Time.........: 39:35
Total Size...........: 225,31 MB

---------------------------------------------------------------------
Disc 3 - Barcelona - Orchestral Version
---------------------------------------------------------------------

Artist...............: Freddie Mercury & Montserrat Caballe
Album................: Barcelona - Orchestral Version
Genre................: Symphonic Rock
Source...............: WEB
Year.................: 2016
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 55 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI Records

Included.............: NFO, M3U, CUE
Covers...............: Front

---------------------------------------------------------------------
Tracklisting Disc 3
---------------------------------------------------------------------

1. Freddie Mercury & Montserrat Caballe - Barcelona [05:40]
2. Freddie Mercury & Montserrat Caballe - La Japonaise [04:51]
3. Freddie Mercury & Montserrat Caballe - The Fallen Priest[05:47]
4. Freddie Mercury & Montserrat Caballe - Ensueno [04:01]
5. Freddie Mercury & Montserrat Caballe - The Golden Boy [06:04]
6. Freddie Mercury & Montserrat Caballe - Guide Me Home [02:50]
7. Freddie Mercury & Montserrat Caballe - How Can I Go On [03:37]
8. Freddie Mercury & Montserrat Caballe - Exercises In Free Love[03:57]
9. Freddie Mercury & Montserrat Caballe - Overture Piccante[06:45]

Playing Time.........: 43:36
Total Size...........: 243,26 MB

..::INFO::..

---------------------------------------------------------------------
Van Morrison - Three Chords And The Truth
---------------------------------------------------------------------

Artist...............: Van Morrison
Album................: Three Chords And The Truth
Genre................: Classic Rock, Blues
Source...............: CD
Year.................: 2019
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Exile, Caroline International

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Van Morrison - March Winds In February [04:36]
2. Van Morrison - Fame Will Eat The Soul [04:53]
3. Van Morrison - Dark Night Of The Soul [05:58]
4. Van Morrison - In Search Of Grace [03:43]
5. Van Morrison - Nobody In Charge [04:13]
6. Van Morrison - You Don't Understand [06:18]
7. Van Morrison - Read Between The Lines [03:42]
8. Van Morrison - Does Love Conquer All? [04:43]
9. Van Morrison - Early Days [03:42]
10. Van Morrison - If We Wait For Mountains [02:43]
11. Van Morrison - Up On Broadway [06:24]
12. Van Morrison - Three Chords And The Truth [05:01]
13. Van Morrison - Bags Under My Eyes [04:07]
14. Van Morrison - Days Gone By [07:43]

Playing Time.........: 01:07:54
Total Size...........: 450,64 MB

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Moc, przestrzeń, potęga!



..::TRACK-LIST::..

Ωvertura
1. Alpha - Anteludium
2. Abyss Of Time - Countdown To Singularity
3. The Skeleton Key
4. Unchain Utopia

Magnituda
5. The Obsessive Devotion
6. In All Conscience
7. Victims Of Contingency

Elysia
8. Kingdom Of Heaven - Pt. 1 - A New Age Dawns Part V
9. Kingdom Of Heaven - Pt. 3 - The Antediluvian Universe

Gravita
10. Rivers - A Capella
11. Once Upon A Nightmare

Alpha ∞ Ωmega
12. Freedom - The Wolves Within
13. Cry For The Moon
14. Beyond The Matrix
15. Omega - Sovereign Of The Sun Spheres



..::OBSADA::..

Simone Simons
Mark Jansen
Coen Janssen
Ariën van Weesenbeek
Isaac Delahaye
Rob van der Loo



https://www.youtube.com/watch?v=zIZkvhiOUU8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

7 utworów Eye For An Eye, łaczących punkową melodyjność z hardcore’ową agresywnością i ze zmuszającymi do myślenia tekstami, plus kolegami z Włochatego na chórach. Wśród nich także cover Chain Of Strenght. Ta płyta to split ze szczecińskim, nieistniejącym już Hunkies - hardcorowym projektem lidera Analogs.
Szczecińska załoga HUNKIES. Kapela złożona z członkow Analogs (bas) oraz Włochatego (gitara), dała sie poznac swietnym krażkiem „Sprawiedliwosc” wydanym nie tak dawno przez Jimmy Jazz Records. Nowe nagrania to gratka dla miłosnikow melodyjnego hard core/punka. Uliczne teksty, melodyjne gitary, energia, dojrzałe brzmienie, precyzja wykonania.
Płyta wydana jako kooperacja wytworni Pasażer i Jimmy Jazz Records.



..::TRACK-LIST::..

THE HUNKIES:
1. Introduction
2. Teraz czy później
3. Nadczłowiek
4. Nie wierzę z całych sił
5. Twarda dyscyplina (wersja Skodix)
6. Strach
7. Hunkies?
8. Jaki mam być?
9. Czy starczy sił?

EYE FOR AN EYE:
10. Bramy
11. Manekin
12. Własny ląd
13. Hardcore (?) łączy nas
14. True till death (cover Chain of Strenght)
15. To!
16. Wyjście z cienia



https://www.youtube.com/watch?v=NdTB5RyFjFY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

7 utworów Eye For An Eye, łaczących punkową melodyjność z hardcore’ową agresywnością i ze zmuszającymi do myślenia tekstami, plus kolegami z Włochatego na chórach. Wśród nich także cover Chain Of Strenght. Ta płyta to split ze szczecińskim, nieistniejącym już Hunkies - hardcorowym projektem lidera Analogs.
Szczecińska załoga HUNKIES. Kapela złożona z członkow Analogs (bas) oraz Włochatego (gitara), dała sie poznac swietnym krażkiem „Sprawiedliwosc” wydanym nie tak dawno przez Jimmy Jazz Records. Nowe nagrania to gratka dla miłosnikow melodyjnego hard core/punka. Uliczne teksty, melodyjne gitary, energia, dojrzałe brzmienie, precyzja wykonania.
Płyta wydana jako kooperacja wytworni Pasażer i Jimmy Jazz Records.



..::TRACK-LIST::..

THE HUNKIES:
1. Introduction
2. Teraz czy później
3. Nadczłowiek
4. Nie wierzę z całych sił
5. Twarda dyscyplina (wersja Skodix)
6. Strach
7. Hunkies?
8. Jaki mam być?
9. Czy starczy sił?

EYE FOR AN EYE:
10. Bramy
11. Manekin
12. Własny ląd
13. Hardcore (?) łączy nas
14. True till death (cover Chain of Strenght)
15. To!
16. Wyjście z cienia



https://www.youtube.com/watch?v=NdTB5RyFjFY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rzadki, limitowany, dwupłytowy CD zawierający trwający 127 minut, kapitalny występ z Bostonu, z 7 czerwca 1977 roku - obok występu z Oakland (maj 1977) najlepiej brzmiący koncert z trasy promującej LP "Animals". Podobnie jak podczas poprzedniej trasy ("Wish You Were Here" z 1975) nikt związany z Pink Floyd nie zarejestrował wówczas profesjonalnie żadnego koncertu. I znów kilka występów zostało nagranych jakimś cudem 'znienacka' z publiczności, a koncert z Bostonu jest naprawdę wyjątkowy! Zawartość muzyczna również jest po prostu powalająca! Grający z towarzyszeniem drugiego gitarzysty Snowy'ego White'a (potem w Thin Lizzy, znanego również z solowego przeboju "Bird Of Paradise"), zespół wykonał całe LP "Wish You Were Here" (mocno rozszerzony, m.in. o drugą część suity "Shine On", trwającą ponad 21 minut!), całe "Animals" (również zmieniony/rozszerzony w porównaniu z wersją studyjną) + dwa fragmenty z "Dark Side Of The Moon". Zarejestrowany wśród publiczności, na 'prawie' profesjonalnym sprzęcie koncert brzmi lepiej niż część oficjalnych nagrań ze stołu mikserskiego.

JL


..::TRACK-LIST::..

CD 1:
1. Sheep
2. Pigs On The Wing 1
3. Dogs
4. Pigs On The Wing 2
5. Pigs (Three Different Ones)
6. Shine On You Crazy Diamond Part 1-5
7. Welcome To The Machine

CD 2:
1. Have A Cigar
2. Wish You Were Here
3. Shine On You Crazy Diamond Part 6-9
4. Money
5. Us And Them

Live at Boston Gardens, Boston, Massachusetts, USA 27th June 1977



..::OBSADA::..

David Gilmour - guitars, vocals
Roger Waters - bass, vocals, guitars
Richard Wright - keyboards, vocals
Nick Mason -drums

Additional musicians:
Snowy White - guitar, bass, backing vocals
Dick Parry - saxophone




https://www.youtube.com/watch?v=DTYqvA-sEmY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Rzadki, limitowany, dwupłytowy CD zawierający trwający 127 minut, kapitalny występ z Bostonu, z 7 czerwca 1977 roku - obok występu z Oakland (maj 1977) najlepiej brzmiący koncert z trasy promującej LP "Animals". Podobnie jak podczas poprzedniej trasy ("Wish You Were Here" z 1975) nikt związany z Pink Floyd nie zarejestrował wówczas profesjonalnie żadnego koncertu. I znów kilka występów zostało nagranych jakimś cudem 'znienacka' z publiczności, a koncert z Bostonu jest naprawdę wyjątkowy! Zawartość muzyczna również jest po prostu powalająca! Grający z towarzyszeniem drugiego gitarzysty Snowy'ego White'a (potem w Thin Lizzy, znanego również z solowego przeboju "Bird Of Paradise"), zespół wykonał całe LP "Wish You Were Here" (mocno rozszerzony, m.in. o drugą część suity "Shine On", trwającą ponad 21 minut!), całe "Animals" (również zmieniony/rozszerzony w porównaniu z wersją studyjną) + dwa fragmenty z "Dark Side Of The Moon". Zarejestrowany wśród publiczności, na 'prawie' profesjonalnym sprzęcie koncert brzmi lepiej niż część oficjalnych nagrań ze stołu mikserskiego.

JL


..::TRACK-LIST::..

CD 1:
1. Sheep
2. Pigs On The Wing 1
3. Dogs
4. Pigs On The Wing 2
5. Pigs (Three Different Ones)
6. Shine On You Crazy Diamond Part 1-5
7. Welcome To The Machine

CD 2:
1. Have A Cigar
2. Wish You Were Here
3. Shine On You Crazy Diamond Part 6-9
4. Money
5. Us And Them

Live at Boston Gardens, Boston, Massachusetts, USA 27th June 1977



..::OBSADA::..

David Gilmour - guitars, vocals
Roger Waters - bass, vocals, guitars
Richard Wright - keyboards, vocals
Nick Mason -drums

Additional musicians:
Snowy White - guitar, bass, backing vocals
Dick Parry - saxophone




https://www.youtube.com/watch?v=DTYqvA-sEmY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Energiczne i monumentalne 56 minut, kryjące w sobie niezliczoną ilość szaleństwa. Genialne!

FA

Formed in 2013, Pennsylvania musical duo Veilburner have been honing a very special and unique sound, as well as crafting a deeply nuanced storybook universe which has evolved over a span of five full-length releases in an eight year time frame. Drawing from musical elements covering everything from death and black metal to industrial, classical and their trademark blend of bizarre experimental FX and sound layers, Veilburner have somehow managed to corral and refine a seemingly unwieldy assortment of influence and experimentation into an explosive but cohesive musical entity which is distinctly theirs, owing to a discipline of strong songwriting and their insistence on natural flowing rhythm, song and album structures. To complement their otherworldly but digestible musical offering, the thematic side of the project has been crafted from a wide variety of theological, science fiction and occult sources to spin tales about such things as quests for immortality and interdimensional beings communicating and manipulating humanity across time and space.

In 2022, Veilburner present their sixth evolution to the world in the form of a self-titled musical juggernaut, a statement piece simply titled VLBRNR. As usual, Veilburner have composed a complete and addictingly engaging musical experience which can be absorbed in an equally satisfying manner as either a whole or by its individual chapters. Veilburner have reached across their entire back-catalog of experience and thematic lore with one hand, and into a future of untapped potential and unexplored realms with the other, and pulled both into the present to deliver everything you have come to expect from them when their method meets their madness, and more. Expect a plethora of dizzying musical passages and arrangements, a cornucopia of crushing, dense and maniacal progressions. Expect aural oddities from nightmares undreamt and tales of arcane world-building. But most of all, expect this alien thing to not alienate you. These are earworms from another world. Let them burrow and wriggle into your consciousness, and be a host for their propagation.


PRESS:
- "a force to be reckoned with" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/veilburner-vlbrnr-review/

- "another pillar in their deification as extreme gods" - The Killchain (UK)
thoseonceloyal.wordpress.com/2022/11/24/review-veilburner-vlbrnr/

- "one of the genre's premier purveyors" - Distorted Sound (UK) 9/10
distortedsoundmag.com/album-review-vlbnr-veilburner/

- "a demanding listen that mocks preconceived notions, musical conventions, and the definition of what is extreme art" - Metal Roos (Australia) 4/5
metal-roos.com.au/veilburner-vlbrnr-album-review/

- "an essential listen" - Wonderbox Metal (UK)
wonderboxmetal.com/2022/11/27/veilburner-vlbrnr-review/

- "one of the most striking performances of the year" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2022/10/02/veilburner-vlbrnr/

- "Veilburner have followed up last year’s career highlight with something darker, louder, and more dyspeptic"- No Clean Singing (US)
www.nocleansinging.com/2022/09/30/veilburner-a-review-of-vlbrnr-and-the-premiere-of-repulsed-by-the-light/

- "This one feels off-kilter, like it’s always about to tip over and crush the listener" - Moshpit Nation (US)
www.moshpitnation.com/exclusive-track-premiere-veilburner-ruin/

- "celebrate the most extreme of extreme metal with an experimental approach" - Musik Reviews (Germany) 13/15
www.musikreviews.de/reviews/2022/Veilburner/VLBRNR/

- "you'll be hard pressed to find a more accomplished ride operator than Veilburner" - Stormbringer (Austria) 4/5
www.stormbringer.at/reviews/18427/veilburner-vlbrnr.html

- "a true experiment in chaos" - Acta Infernalis (France) 85/100
actainfernalis.com/2022/11/29/review-1473-veilburner-vlbrnr-english/

- "A delightfully weird near-sixty-minute descent into the mouth of madness" - Blessed Altar (Netherlands) 8.5/10
www.blessedaltarzine.com/2022/11/24/veilburner-vlbrnr/

- "knocks your block off" - Flying Fiddlesticks (UK)
flyingfiddlesticks.com/2022/11/30/veilburner-vlbrnr-transcending-obscurity-2022/

- "extreme and impassioned" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/v_2/veilburner-vlbrnr.htm

- "Veilburner goes a step further, offering a truly absorbing atmosphere" - Black Metal Spirit (Spain)
www.blackmetalspirit.net/2022/11/veilburner.html

- "the duo’s nightmarish, conceptual, universe allows them to explore the furthest reaches of extreme music" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2022/12/reviews-obvurt-isafjrd-amberian-dawn.html

- "you’re in for a trip" - Sputnik Music (US)
www.sputnikmusic.com/review/86032/Veilburner-VLBRNR/

- "VLBRNR makes for a dynamite, high-intensity listen" - Metal Epidemic (UK) 3.5/5
www.metalepidemic.com/veilburner-vlbrnr/

- "The different faces of Veilburner really come to light as you listen further into the record" - Ghost Cult Mag (UK)
www.ghostcultmag.com/album-review-veilburner-vlbrnr-transcending-obscurity/

- "A bloody, dark black death metal imprint of a mad mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2022/12/recenzereview-veilburner-vlbrnr-2022.html



..::TRACK-LIST::..

1. VI (Vulgar Incantations) 6:17
2. Envexomous Hex 5:34
3. Interim Oblivion 6:02
4. Lo! Heirs To The Serpent 5:18
5. Burning The Veil 5:25
6. Unorthodoxagon 5:26
7. Repulsed By The Light 6:41
8. None So Hideous 5:27
9. Exhibitionism In Limbo 2:48
10. Ruin 7:19



..::OBSADA::..

Mephisto Deleterio - All music and production
Chrisom Infernium - All vocals, lyrics and visual art




https://www.youtube.com/watch?v=BBMBgB2vwUE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Energiczne i monumentalne 56 minut, kryjące w sobie niezliczoną ilość szaleństwa. Genialne!

FA

Formed in 2013, Pennsylvania musical duo Veilburner have been honing a very special and unique sound, as well as crafting a deeply nuanced storybook universe which has evolved over a span of five full-length releases in an eight year time frame. Drawing from musical elements covering everything from death and black metal to industrial, classical and their trademark blend of bizarre experimental FX and sound layers, Veilburner have somehow managed to corral and refine a seemingly unwieldy assortment of influence and experimentation into an explosive but cohesive musical entity which is distinctly theirs, owing to a discipline of strong songwriting and their insistence on natural flowing rhythm, song and album structures. To complement their otherworldly but digestible musical offering, the thematic side of the project has been crafted from a wide variety of theological, science fiction and occult sources to spin tales about such things as quests for immortality and interdimensional beings communicating and manipulating humanity across time and space.

In 2022, Veilburner present their sixth evolution to the world in the form of a self-titled musical juggernaut, a statement piece simply titled VLBRNR. As usual, Veilburner have composed a complete and addictingly engaging musical experience which can be absorbed in an equally satisfying manner as either a whole or by its individual chapters. Veilburner have reached across their entire back-catalog of experience and thematic lore with one hand, and into a future of untapped potential and unexplored realms with the other, and pulled both into the present to deliver everything you have come to expect from them when their method meets their madness, and more. Expect a plethora of dizzying musical passages and arrangements, a cornucopia of crushing, dense and maniacal progressions. Expect aural oddities from nightmares undreamt and tales of arcane world-building. But most of all, expect this alien thing to not alienate you. These are earworms from another world. Let them burrow and wriggle into your consciousness, and be a host for their propagation.


PRESS:
- "a force to be reckoned with" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/veilburner-vlbrnr-review/

- "another pillar in their deification as extreme gods" - The Killchain (UK)
thoseonceloyal.wordpress.com/2022/11/24/review-veilburner-vlbrnr/

- "one of the genre's premier purveyors" - Distorted Sound (UK) 9/10
distortedsoundmag.com/album-review-vlbnr-veilburner/

- "a demanding listen that mocks preconceived notions, musical conventions, and the definition of what is extreme art" - Metal Roos (Australia) 4/5
metal-roos.com.au/veilburner-vlbrnr-album-review/

- "an essential listen" - Wonderbox Metal (UK)
wonderboxmetal.com/2022/11/27/veilburner-vlbrnr-review/

- "one of the most striking performances of the year" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2022/10/02/veilburner-vlbrnr/

- "Veilburner have followed up last year’s career highlight with something darker, louder, and more dyspeptic"- No Clean Singing (US)
www.nocleansinging.com/2022/09/30/veilburner-a-review-of-vlbrnr-and-the-premiere-of-repulsed-by-the-light/

- "This one feels off-kilter, like it’s always about to tip over and crush the listener" - Moshpit Nation (US)
www.moshpitnation.com/exclusive-track-premiere-veilburner-ruin/

- "celebrate the most extreme of extreme metal with an experimental approach" - Musik Reviews (Germany) 13/15
www.musikreviews.de/reviews/2022/Veilburner/VLBRNR/

- "you'll be hard pressed to find a more accomplished ride operator than Veilburner" - Stormbringer (Austria) 4/5
www.stormbringer.at/reviews/18427/veilburner-vlbrnr.html

- "a true experiment in chaos" - Acta Infernalis (France) 85/100
actainfernalis.com/2022/11/29/review-1473-veilburner-vlbrnr-english/

- "A delightfully weird near-sixty-minute descent into the mouth of madness" - Blessed Altar (Netherlands) 8.5/10
www.blessedaltarzine.com/2022/11/24/veilburner-vlbrnr/

- "knocks your block off" - Flying Fiddlesticks (UK)
flyingfiddlesticks.com/2022/11/30/veilburner-vlbrnr-transcending-obscurity-2022/

- "extreme and impassioned" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/v_2/veilburner-vlbrnr.htm

- "Veilburner goes a step further, offering a truly absorbing atmosphere" - Black Metal Spirit (Spain)
www.blackmetalspirit.net/2022/11/veilburner.html

- "the duo’s nightmarish, conceptual, universe allows them to explore the furthest reaches of extreme music" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2022/12/reviews-obvurt-isafjrd-amberian-dawn.html

- "you’re in for a trip" - Sputnik Music (US)
www.sputnikmusic.com/review/86032/Veilburner-VLBRNR/

- "VLBRNR makes for a dynamite, high-intensity listen" - Metal Epidemic (UK) 3.5/5
www.metalepidemic.com/veilburner-vlbrnr/

- "The different faces of Veilburner really come to light as you listen further into the record" - Ghost Cult Mag (UK)
www.ghostcultmag.com/album-review-veilburner-vlbrnr-transcending-obscurity/

- "A bloody, dark black death metal imprint of a mad mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2022/12/recenzereview-veilburner-vlbrnr-2022.html



..::TRACK-LIST::..

1. VI (Vulgar Incantations) 6:17
2. Envexomous Hex 5:34
3. Interim Oblivion 6:02
4. Lo! Heirs To The Serpent 5:18
5. Burning The Veil 5:25
6. Unorthodoxagon 5:26
7. Repulsed By The Light 6:41
8. None So Hideous 5:27
9. Exhibitionism In Limbo 2:48
10. Ruin 7:19



..::OBSADA::..

Mephisto Deleterio - All music and production
Chrisom Infernium - All vocals, lyrics and visual art




https://www.youtube.com/watch?v=BBMBgB2vwUE



SEED 15:00-22:00.
POLECAM!!!

..::INFO::..

---------------------------------------------------------------------
Steve Miller Band - Greatest Hits
---------------------------------------------------------------------

Artist...............: Steve Miller Band
Album................: Greatest Hits
Genre................: Classic Rock
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 66 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: PolyGram TV

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. Steve Miller Band - The Joker [03:38]
2. Steve Miller Band - Space Intro [01:14]
3. Steve Miller Band - Fly Like An Eagle [04:45]
4. Steve Miller Band - Jet Airliner [04:26]
5. Steve Miller Band - Dance Dance Dance [02:18]
6. Steve Miller Band - Give It Up [03:39]
7. Steve Miller Band - Keeps Me Wondering Why [03:44]
8. Steve Miller Band - Abracadabra [05:09]
9. Steve Miller Band - Swingtown [03:58]
10. Steve Miller Band - Jungle Love [03:10]
11. Steve Miller Band - Take The Money And Run [02:50]
12. Steve Miller Band - Rock'n Me [03:07]
13. Steve Miller Band - The Stake [04:00]
14. Steve Miller Band - Heart Like A Wheel [04:02]
15. Steve Miller Band - Wide River [03:59]
16. Steve Miller Band - True Fine Love [02:41]
17. Steve Miller Band - Cry Cry Cry [04:19]
18. Steve Miller Band - Serenade [03:11]
19. Steve Miller Band - Winter Time [03:15]
20. Steve Miller Band - Wild Mountain Honey [04:49]

Playing Time.........: 01:12:22
Total Size...........: 485,48 MB

...( Info )...

Artist...............: The Velvet Underground & Nico
Album................: The Velvet Underground & Nico
Genre................: Experimental Rock
Year.................: 1967
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. The Velvet Underground & Nico - Sunday Morning [02:56]
2. The Velvet Underground - I'm Waiting For The Man [04:40]
3. The Velvet Underground & Nico - Femme Fatale [02:39]
4. The Velvet Underground - Venus In Furs [05:11]
5. The Velvet Underground - Run Run Run [04:21]
6. The Velvet Underground & Nico - All Tomorrow's Parties [05:59]
7. The Velvet Underground - Heroin [07:12]
8. The Velvet Underground - There She Goes Again [02:41]
9. The Velvet Underground & Nico - I'll Be Your Mirror (Mono)[02:14]
10. The Velvet Underground - The Black Angel's Death Song [03:13]
11. The Velvet Underground - European Son [07:49]
12. The Velvet Underground & Nico - All Tomorrow's Parties (Alternate Mix)[05:57]