...( Info )...
Genre: Thrash/Death Metal
Country of Artist (Band): Russia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 25:11
Contains scans in the download: No

...( TrackList )...
01. Intro
02. Going For A Beer
03. Greatest Hangover
04. Suck My Beer
05. Get Up And Drink
06. Devil Drinker
07. Only Beer Is Real
08. I Love Beer And Megadeth
09. Speed ​​Drinking
10. Experiment
11. Beerhammer
12. Beer Killing Machine

...( Info )...
Genre: Black Metal
Country of Artist (Band): Australia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 48:30
Availability of scans in the download: No

...( TrackList )...
01. The Forest Does Not Look Back
02. Where Certainty Breaks
03. The Long Undoing
04. No Distance Left
05. Residue
06. After The Question

...( Info )...
Genre: Death/Black Metal
Country of Artist (Band): Slovenia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:41
Availability of scans in the download: No

...( TrackList )...
01. Silent Sanctuary
02. Hollow
03. Hope in Despair
04. Dispel the Mist
05. Comfort in Silence
06. Blood Fall
07. To Ease the Mind
08. Perception

...( Info )...
Genre: Death/Thrash Metal
Country of artist (band): Poland
Year of release: 2026
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 43:02
Contains scans in the download: no

...( TrackList )...
01. Thrash Metal Fuckers
02. Noc oczyszczenia
03. Piątek 13
04. Martwe zło
05. Arktyczna jatka
06. Imperium Sabaziosa
07. Elektroniczny morderca
08. Czarnoksiężnik
09. Gniew wampira

...( Info )...
Genre: Atmospheric Black/Doom Metal
Country of Artist (Band): Italy
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 25:03
Contains scans in the download: No

...( TrackList )...
01. Oracle's Awakening
02. Birth Of The Pearl
03. Arcane Call
04. Abysm Of Time

...( Info )...
Genre: Sludge/Stoner Metal
Country of Artist (Band): Puerto Rico
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 32:09
Contains scans in the download: No

...( TrackList )...
01. Opías
02. Gárgola
03. Providencia
04. Derrumbe
05. Monte Oscuro

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czwarta duża płyta niemieckiego DISCREATION grającego brutalny, melodyjny i chwytliwy death metal inspirowany IMMOLATION, VADER, AMON AMARTH.

Okładkę ponownie narysował Juanjo Castellano



I can usually tell of I am going to like or dislike an album after a few moments. A few skips from track to track, hear the vocals, the production etc. I can get a general idea pretty quick. Sure, there are anomalies, growers, late bloomers and stuff I’m just not feeling at that time in my life I might appreciate later.

Thus was the case of Germany’s veteran death metal act Discreation, whom I was not familiar with despite existing since 2001 and having three previous albums under their belt. It’s a classic example of a band that left a pretty ‘meh’ initial impression from the album’s first few tracks, but as other tracks from the album’s second half randomly popped up on my ipod, the band warranted further investigation and in the end I ended up really enjoying the band’s no frills take on death metal.

Immediate comparisons are clearly Vader, largely due to the vocals of Kai Müller-Lenz, which have a authoritative gruff, but clear bellow akin to Piotr Wiwczarek. The music has some similarities as well being thrashy, burly and percussively dominant but with just a shade of clever melody and restraint, which imbues a bit of Hypocrisy. One could also look to label mates Weak Aside for similar delivery, though not as war mongering or simplistic.

Either way, there’s a handful of tracks on Procreation of the Wretched that bring the pain, especially in the later two thirds of the material, where things seem to get in to more of a stern groove and march, as opposed to sheer blasting. After the album’s first two rather forgetful tracks, “Planetary Punishment” and “Descending to Abysmal Darkness”, things start to pick up about halfway through “Megacorpse”, signalling the improvement in the album. Then the fucking beefy trundle of the title track really gets things going and it’s ON for the rest of the album as each of the following 6 tracks just seems more confident, destructive and memorable, and thusly the whole album becomes so as well.

Don’t get me wrong, like the bands I’ve mentioned as comparisons, this isn’t changing death metal , but it sure does everything pretty well perfectly within the paradigms so staunchly championed in the 90s. No techy noodling, no sweeps, no intellectual prose, just bludgeoning double bass backed beefy riffs and lyrics about war, fire, skulls and destruction and all that other negative shit that death metal extolled in its formative years. The likes of “To Cosmic Shores”, steam train chug of “Decapitation Marathon” and the moody pummeling of closer “Dead Certainties” is just the very epitome of what death metal was and should be. No frills, no gimmicks. Just… Death. Fucking. Metal.

Lustmord56



..::TRACK-LIST::..

1. Planetary Punishment 03:59
2. Descending To Abysmal Darkness 04:46
3. Megacorpse 04:59
4. Procreation Of The Wretched 03:38
5. The Hunter 04:47
6. To Cosmic Shores 05:37
7. Corporate Hatred 04:25
8. Decapitation Marathon 04:27
9. Your Good Shelter 04:04
10. Dead Certainties 05:33



..::OBSADA::..

Bass - Peter Frick
Drums - Martin Engels
Guitar - Dave Hübsch, Sebastian Schilling
Vocals - Kai Müller-Lenz




https://www.youtube.com/watch?v=5ya0OnIDu9A



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czwarta duża płyta niemieckiego DISCREATION grającego brutalny, melodyjny i chwytliwy death metal inspirowany IMMOLATION, VADER, AMON AMARTH.

Okładkę ponownie narysował Juanjo Castellano



I can usually tell of I am going to like or dislike an album after a few moments. A few skips from track to track, hear the vocals, the production etc. I can get a general idea pretty quick. Sure, there are anomalies, growers, late bloomers and stuff I’m just not feeling at that time in my life I might appreciate later.

Thus was the case of Germany’s veteran death metal act Discreation, whom I was not familiar with despite existing since 2001 and having three previous albums under their belt. It’s a classic example of a band that left a pretty ‘meh’ initial impression from the album’s first few tracks, but as other tracks from the album’s second half randomly popped up on my ipod, the band warranted further investigation and in the end I ended up really enjoying the band’s no frills take on death metal.

Immediate comparisons are clearly Vader, largely due to the vocals of Kai Müller-Lenz, which have a authoritative gruff, but clear bellow akin to Piotr Wiwczarek. The music has some similarities as well being thrashy, burly and percussively dominant but with just a shade of clever melody and restraint, which imbues a bit of Hypocrisy. One could also look to label mates Weak Aside for similar delivery, though not as war mongering or simplistic.

Either way, there’s a handful of tracks on Procreation of the Wretched that bring the pain, especially in the later two thirds of the material, where things seem to get in to more of a stern groove and march, as opposed to sheer blasting. After the album’s first two rather forgetful tracks, “Planetary Punishment” and “Descending to Abysmal Darkness”, things start to pick up about halfway through “Megacorpse”, signalling the improvement in the album. Then the fucking beefy trundle of the title track really gets things going and it’s ON for the rest of the album as each of the following 6 tracks just seems more confident, destructive and memorable, and thusly the whole album becomes so as well.

Don’t get me wrong, like the bands I’ve mentioned as comparisons, this isn’t changing death metal , but it sure does everything pretty well perfectly within the paradigms so staunchly championed in the 90s. No techy noodling, no sweeps, no intellectual prose, just bludgeoning double bass backed beefy riffs and lyrics about war, fire, skulls and destruction and all that other negative shit that death metal extolled in its formative years. The likes of “To Cosmic Shores”, steam train chug of “Decapitation Marathon” and the moody pummeling of closer “Dead Certainties” is just the very epitome of what death metal was and should be. No frills, no gimmicks. Just… Death. Fucking. Metal.

Lustmord56



..::TRACK-LIST::..

1. Planetary Punishment 03:59
2. Descending To Abysmal Darkness 04:46
3. Megacorpse 04:59
4. Procreation Of The Wretched 03:38
5. The Hunter 04:47
6. To Cosmic Shores 05:37
7. Corporate Hatred 04:25
8. Decapitation Marathon 04:27
9. Your Good Shelter 04:04
10. Dead Certainties 05:33



..::OBSADA::..

Bass - Peter Frick
Drums - Martin Engels
Guitar - Dave Hübsch, Sebastian Schilling
Vocals - Kai Müller-Lenz




https://www.youtube.com/watch?v=5ya0OnIDu9A



SEED 15:00-22:00.
POLECAM!!!

...( Info )...
Title: Trying Times
Artist: Dezereko
Year: 2026
Genre: Heavy, Psychedelic, Stoner Rock
Country: Canada

Duration: 00:51:32
Format/Codec: MP3
Audio Bitrate: 320 kbps

...( TrackList )...
01. Blade 06:19
02. Further Nowhere 04:17
03. Trying Times 04:12
04. Awoken One 05:38
05. Moment 03:26
06. Sunday Night 06:42
07. Morning Star 04:47
08. Siddartha 04:33
09. Midnight Sky 05:05
10. New Duke 06:30

...( Info )...

Artist - Gordon Lightfoot
Album - Complete Greatest Hits
Year - 2002
Genre - Folk , soft rock , singer-songwriter
Format - Flac 16/44kHz

...( TrackList )...

01. Early Morning Rain
02. For Lovin’ Me
03. Go-Go Round
04. Canadian Railroad Trilogy
05. Pussywillows, Cat-Tails
06. Bitter Green
07. If You Could Read My Mind
08. Summer Side of Life
09. Cotton Jenny
10. Beautiful
11. Sundown
12. Carefree Highway
13. Rainy Day People
14. The Wreck of the Edmund Fitzgerald
15. Race Among the Ruins
16. Daylight Katy
17. The Circle Is Small
18. Baby Step Back
19. Stay Loose
20. Restless

...( Info )...
Genre: Doom/Death Metal
Artist (band) Country: International
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 26:36
Contains scans in the download: No

...( TrackList )...
01. I
02. Ii
03. Iii
04. Iv
05. V
06. Vi
07. Vii

...( Info )...
Genre: Atmospheric Black Metal
Country of Artist (Band): USA
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 44:21
Contains scans in the download: No

...( TrackList )...
01. Path of Shadows
02. Trapped From Within
03. Where Nothing Belongs
04. The Dying Vine
05. Among the Unseen
06. Awakened in Dacay

...( Info )...

Artist: Rush
Album: Grace Under Pressure
Year: (1981)
Genre: Progressive rock , synth rock
Format: [Flac]

...( TrackList )...

01. Distant Early Warning.flac (63.8 MB)
02. Afterimage.flac (66.5 MB)
03. Red Sector A.flac (67.8 MB)
04. The Enemy Within.flac (59.2 MB)
05. The Body Electric.flac (63.6 MB)
06. Kid Gloves.flac (55.6 MB)
07. Red Lenses.flac (60.6 MB)
08. Between The Wheels.flac (75.6 MB)

...( Info )...
Genre: Brutal Death Metal
Artist (band) Country: Indonesia
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 33:32
Contains scans in the download: No

...( TrackList )...
01. The Undead
02. Mass Dormancy
03. Divine Heretic
04. Crown of Hypocrisy
05. Timeless Enmity
06. Perished Sun
07. The Scorched Path of Oblivion
08. Apocryphal Plague
09. Entangled Death
10. Left to Abominations

..::INFO::..

---------------------------------------------------------------------
UFO - Champions of Rock
---------------------------------------------------------------------

Artist...............: UFO
Album................: Champions of Rock
Genre................: Hard Rock
Source...............: CD
Year.................: 1996
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Disky – Netherlands

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. UFO - Let It Roll [04:57]
2. UFO - Shoot Shoot [03:51]
3. UFO - Let It Rain [04:01]
4. UFO - When It's Time To Rock [05:22]
5. UFO - Rock Bottom [06:33]
6. UFO - Built For Comfort [03:02]
7. UFO - Love To Love [07:39]
8. UFO - High Flyer [04:17]
9. UFO - Can You Roll Her [03:09]
10. UFO - Pack It Up And Go [03:15]
11. UFO - Hot And Ready [03:17]
12. UFO - This Time [04:37]
13. UFO - Long Gone [05:39]
14. UFO - Profession Of Violence [04:36]
15. UFO - Blinded By A Lie [04:01]
16. UFO - She Said, She Said [03:47]

Playing Time.........: 01:12:07
Total Size...........: 446,57 MB

...( Info )...
Genre: Black Metal
Artist (band) Country: USA
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 31:48
Contains scans in the download: No

...( TrackList )...
01. Awaken The Conquerors
02. Break Them Against The Mountains
03. Siege Of Eternity
04. Imperishable Flame
05. Shadows On The Storm
06. Leave Me Where I Fall
07. Memories Of Fire

...( Info )...

Artist: Rush
Album: 2009 Grace Under Pressure (Tour )
Year: (1984)
Genre: Progressive rock , hard rock
Format: [Flac]

...( TrackList )...

01 - Intro.flac (12.0 MB)
02 - The Spirit Of Radio.flac (64.9 MB)
03 - The Enemy Within.flac (64.1 MB)
04 - The Weapon.flac (104.2 MB)
05 - Witch Hunt.flac (61.8 MB)
06 - New World Man.flac (53.5 MB)
07 - Distant Early Warning.flac (82.6 MB)
08 - Red Sector 'A'.flac (71.3 MB)
09 - Closer To The Heart.flac (47.0 MB)
10 - Medley: YYZ _ The Temples Of Syrinx _ Tom Sawyer.flac (130.3 MB)
11 - Vital Signs.flac (67.0 MB)
12 - Medley: Finding My Way _ In The Mood.flac (47.9 MB)

...( Info )...
Genre: Death Metal
Artist (band) country: Poland
Year of release: 2026
Audio codec: MP3
Rip type: tracks
Audio bitrate: 320 kbps
Duration: 41:39
Contains scans in the download: no

...( TrackList )...
01. Mglisty Wschód
02. Kurhan/Kaduk
03. W Zgniłej Północy Blask
04. Mroczny Świat
05. Przebudzenie Leszego
06. Pogański Chłód
07. Pani Śmierci
08. Jaźń Bytu Pradawnych Prawd
09. Twój Król, Mój Wróg

...( Info )...
Genre: Black Metal
Artist (band) Country: Argentina
Year of Release: 2023
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 36:23
Contains scans in the download: No

...( TrackList )...
01. The Howling of the Mad God
02. The Burning Microcosm
03. Swords Shall Bring Peace
04. With Open Wings Towards Nothingness
05. Of Light and Tunnels
06. Footprints of a Forgotten Deity

...( Info )...
Genre: Black/Death Metal
Country of Artist (Band): France
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 48:13
Availability of scans in the download: No

...( TrackList )...
01. The Judgement
02. Venus Fog
03. Castle Of Dust
04. Blood Of The Soul
05. The Crown
06. Horizon
07. Bury Me

...( Info )...

Artist: Led Zeppelin
Album: Live At Royal Albert Hall
Year: (1970)
Genre: Hard rock , early heavy metal
Format: [x264 1080p mkv]

...( TrackList )...

We’re Gonna Groove

I Can’t Quit You Baby

Dazed and Confused

White Summer / Black Mountain Side

What Is and What Should Never Be

How Many More Times

Moby Dick

Whole Lotta Love

Communication Breakdown

C’mon Everybody

Something Else

Bring It On Home

...( Dane Techniczne )...

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : Main@L4
Format settings : CABAC / 4 Ref Frames
Format settings, CABAC : Yes
Format settings, Reference frames : 4 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 1 h 36 min
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 1.291
Frame rate mode : Constant
Frame rate : 25.000 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Writing library : x264 core 165 r3222 b35605ac

Audio
ID : 2
Format : FLAC
Format/Info : Free Lossless Audio Codec
Codec ID : A_FLAC
Duration : 1 h 36 min
Bit rate mode : Variable
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Bit depth : 16 bits
Compression mode : Lossless
Title : Stereo
Default : Yes
Forced : No
DURATION : 01:36:06,432000000

...( Info )...
Genre: Heavy Metal
Country of Artist (Band): Germany
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 27:11
Contains scans in the download: No


01. The Exhibition
02. Point of No Return
03. Head Full of Bullets
04. Circles
05. Equilibrium

...( Info )...
Genre: Heavy Metal
Artist (band) Country: USA
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 40:30
Contains scans in the download: No

...( TrackList )...
01. Axe Dragger
02. Give You The Rope
03. Fight Another Day
04. Iron Rider
05. Eat Me From The Inside
06. Shock 'Em Dead
07. El Toro
08. The Damned Will Cry
09. Fire In The Madhouse
10. Death Is Calling My Name

...( Info )...
Genre: Heavy Metal
Artist (band) Country: Greece
Year of Release: 2026
Audio Codec: MP3
Rip Type: Tracks
Audio Bitrate: 320 kbps
Duration: 55:12
Contains scans in the download: No

...( TrackList )...
01. Curse of Midas
02. Forged Faith (feat. Mark Minoa)
03. Omen of Emptiness
04. Prisoners in Disguise
05. Winter Tales
06. Desire over Dignity
07. Forlorn
08. Manifestor
09. Descend Decay (feat. Stu Block)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

BLOOD są prawdziwym ucieleśnieniem śmierci, a ich brzmienie wryje się w twój mózg...


One of the darkest albums of the German Death Metal Underground is finally being repressed: ‘O Agios Pethane’ by BLOOD, which is THE reference value from 1993. This hybrid of Death Metal and Grind, combined with a little Thrash Metal and Punk is a benchmark of brutal music: a twisted mood, neck-twisting blast passages, sick bass-solos and bellowing vocals are mixed into one single dark brew – an album that deserves its credit as a legend.

BLOOD is the oldest German Grind band (since 1986!), and amongst acts such as NAPALM DEATH, EXTREME NOISE TERROR and AGATHOCLES one of the oldest bands still in the game! BLOOD never sold their ideals and their soul – this you can experience listening to ‘O Agios Pethane’!



Somewhere beyond the disgusting lyrical content of Carcass and the punk extremity of Napalm Death lies Blood. Blood spew out grindcore that lies firmly on the death metal styled side of the genre which plays down the punk influences as much as possible. The result is an album of what are essentially short, simple death metal songs, which surprisingly enough ooze atmosphere. The production is heavy on the bass, but the guitars and drums come through perfectly clearly as do the vocals. What we have here is the right amount of dirt and grit chucked into the mixer for it to satisfy grind fanatics but enough quality to cover all the basses so that all the layers of the music still come through.

A typical song is made up of three or four riffs that are arranged and delivered in such as way as to create an epic in the space of two minutes or so. Occasionally the music collapses into what seems like total chaos only to be brought out into a more structured and ordered passage; a trick that many older grindcore bands use. When one listens to more traditional grindcore one is very much aware that the song length is often times less than a minute, this is not the case with Blood; they manage to accomplish in these micro songs what most could not do with five minutes of music. Tempo changes interact so well with the riffcraft that even the anti-minimalist listener will not be alienated by this sound. Riffs are mostly of the death metal variety, but there are some that could be found on a thrash album, if thrash were played by the cast of The Texas Chainsaw Massacre. Guitar solos are simple and have the same contorted quality found on Carcass’ debut that made them sound like they were being turned inside out and serve to add or detract from the chaos when needed.

Vocals vary from a unique low end death growl from the very back of the throat to the occasional demonic high end scream to add emphasis and variation saving the music from monotony. One cannot talk about this album with mentioning the lyrics however. This is certainly an occasion when being at least aware of the themes explored here really does add to the horror of the listening experience. The lyrics are twisted beyond belief. This is not done through the use of the same pornographic ejaculations to be found on every dime a dozen gore grind band ever since Carcass however. The lyrics tell tales of twisted horror and human decay but in a less literal sense than most of Blood’s peers, playing on our darkest fantasies and horrors.

From all this one is presented with an album where all the elements are simple but the end result is more than the sum of these parts. In short this is a no thrills affair; the album is switched on and for half an hour Blood show you the depraved horrors of humanity’s underbelly where most fear to tread and then the album ends. I highly recommend this to all who are as yet unconverted to grindcore as I believe that this release is unique and powerful enough to hold your attention.


we hope you die



..::TRACK-LIST::..

1. Intro 01:28
2. Kadath 02:16
3. Kannibal Ritual 01:44
4. Profanity 00:47
5. Submission 02:52
6. Sodomize the weak 01:17
7. Punishment 02:50
8. Christbait 01:15
9. Dread 01:49
10. Wings of declaration 00:35
11. By the way of grace 02:12
12. God left the world 00:39
13. Afsta ta malakja sou 00:29
14. Revelation 00:57
15. Divine seed 02:46
16. Spasmo paralytic dreams 01:55
17. Lamentation 03:01
18. Stream of anguish 01:20
19. Blood for Blood 01:40
20. Outro 00:34



..::OBSADA::..

Taki - Bass
Eisen - Guitars
Ventilator - Drums
Martin - Vocals




https://www.youtube.com/watch?v=PpYEJFfD0nc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

BLOOD są prawdziwym ucieleśnieniem śmierci, a ich brzmienie wryje się w twój mózg...


One of the darkest albums of the German Death Metal Underground is finally being repressed: ‘O Agios Pethane’ by BLOOD, which is THE reference value from 1993. This hybrid of Death Metal and Grind, combined with a little Thrash Metal and Punk is a benchmark of brutal music: a twisted mood, neck-twisting blast passages, sick bass-solos and bellowing vocals are mixed into one single dark brew – an album that deserves its credit as a legend.

BLOOD is the oldest German Grind band (since 1986!), and amongst acts such as NAPALM DEATH, EXTREME NOISE TERROR and AGATHOCLES one of the oldest bands still in the game! BLOOD never sold their ideals and their soul – this you can experience listening to ‘O Agios Pethane’!



Somewhere beyond the disgusting lyrical content of Carcass and the punk extremity of Napalm Death lies Blood. Blood spew out grindcore that lies firmly on the death metal styled side of the genre which plays down the punk influences as much as possible. The result is an album of what are essentially short, simple death metal songs, which surprisingly enough ooze atmosphere. The production is heavy on the bass, but the guitars and drums come through perfectly clearly as do the vocals. What we have here is the right amount of dirt and grit chucked into the mixer for it to satisfy grind fanatics but enough quality to cover all the basses so that all the layers of the music still come through.

A typical song is made up of three or four riffs that are arranged and delivered in such as way as to create an epic in the space of two minutes or so. Occasionally the music collapses into what seems like total chaos only to be brought out into a more structured and ordered passage; a trick that many older grindcore bands use. When one listens to more traditional grindcore one is very much aware that the song length is often times less than a minute, this is not the case with Blood; they manage to accomplish in these micro songs what most could not do with five minutes of music. Tempo changes interact so well with the riffcraft that even the anti-minimalist listener will not be alienated by this sound. Riffs are mostly of the death metal variety, but there are some that could be found on a thrash album, if thrash were played by the cast of The Texas Chainsaw Massacre. Guitar solos are simple and have the same contorted quality found on Carcass’ debut that made them sound like they were being turned inside out and serve to add or detract from the chaos when needed.

Vocals vary from a unique low end death growl from the very back of the throat to the occasional demonic high end scream to add emphasis and variation saving the music from monotony. One cannot talk about this album with mentioning the lyrics however. This is certainly an occasion when being at least aware of the themes explored here really does add to the horror of the listening experience. The lyrics are twisted beyond belief. This is not done through the use of the same pornographic ejaculations to be found on every dime a dozen gore grind band ever since Carcass however. The lyrics tell tales of twisted horror and human decay but in a less literal sense than most of Blood’s peers, playing on our darkest fantasies and horrors.

From all this one is presented with an album where all the elements are simple but the end result is more than the sum of these parts. In short this is a no thrills affair; the album is switched on and for half an hour Blood show you the depraved horrors of humanity’s underbelly where most fear to tread and then the album ends. I highly recommend this to all who are as yet unconverted to grindcore as I believe that this release is unique and powerful enough to hold your attention.


we hope you die



..::TRACK-LIST::..

1. Intro 01:28
2. Kadath 02:16
3. Kannibal Ritual 01:44
4. Profanity 00:47
5. Submission 02:52
6. Sodomize the weak 01:17
7. Punishment 02:50
8. Christbait 01:15
9. Dread 01:49
10. Wings of declaration 00:35
11. By the way of grace 02:12
12. God left the world 00:39
13. Afsta ta malakja sou 00:29
14. Revelation 00:57
15. Divine seed 02:46
16. Spasmo paralytic dreams 01:55
17. Lamentation 03:01
18. Stream of anguish 01:20
19. Blood for Blood 01:40
20. Outro 00:34



..::OBSADA::..

Taki - Bass
Eisen - Guitars
Ventilator - Drums
Martin - Vocals




https://www.youtube.com/watch?v=PpYEJFfD0nc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Spoglądając na front płyty Lord of Demise, w pierwszej chwili pomyślałem, że trafił w moje ręce album jakichś metalcore’owych/deathcore’owych pogrobowców, którzy swoimi protest songami postanowili wyrazić sprzeciw wobec systemu światowego ucisku.

Old Mother Hell to stosunkowo młoda, niemiecka ekipa heavy metalowa, która po 3 latach od wydania debiutu postanowiła uraczyć słuchaczy swoim drugim długograjem. Na nim 8 premierowych kompozycji, stanowiących zbiór poprawnych, bardzo chwytliwych kawałków, do potupania kończyną i pomachania odcinkiem szyjnym kręgosłupa.

Istotne w przypadku Lord of Demise jest odpowiednie wyważenie składowych, z których wszystkie (epic heavy, doom oraz power metal) odgrywają istotną, choć nie dominującą rolę. Dzięki temu album Old Mother Hell cechuje się różnorodnością, a każdy z utworów prezentuje nieco odmienną twarz zespołu. I tak np. w Betrayal at the Sea, Edge of Time i Shadows Within Niemcy serwują podszyte epickim klimatem, heavy metalowe galopady. W Avenging Angel przechodzą płynnie do heavy/power metalu, by po chwili, w Lord of Demise i Another Fallen Saviour, pokłonić się w pas ojcom doom metalu z Candlemass. Zapytacie, a co z balladami? Proszę bardzo, z pomocą zdążają Estranged i Finally Free. Przyznać trzeba, że to sporo, jak na niespełna 39 minut materiału.

Co nie mniej ważne, zespół na każdym ze wspomnianych gruntów porusza się dość zgrabnie i swobodnie. Wprawdzie zdarzają się Niemcom potknięcia (niskie wokale nie są mocną stroną Bernda Wenera, miejscami nieco pozbawione tła są też partie gitary, wyraźnie proszące się o wsparcie wiosła rytmicznego), jednak wspomniane mankamenty nie determinują odbioru Lord of Demise. Ratują tę płytę ciekawe i bardzo przyjemne numery oraz lekkość i naturalność, która w muzyce Old Mother Hell jest wyraźnie wyczuwalna.

Dobra propozycja na nadchodzącą wiosnę.

Synu


I checked this band out a few years back because they were on Cruz del Sur and got compared to Tad Morose in the press release I read, and those two things were enough for me. Now we have their second album Lord of Demise. This is heavy metal with a definite stripe of doom in the songwriting, and the band just sort of plays this shit with gusto and heart, without really any gimmicks like other bands have.

I’m not even sure who to compare this to. It’s the sort of heavy/doom blend of bands like Argus or Doomsword, but this is much more pugilistic than either of those bands, tending toward shorter, punchier tunes. Like Tad Morose they have a base of crunchy riffs and an arcane mood with sonorous, soaring vocals overtop. And some sections when they do more upbeat parts have a Maiden vibe. But really Old Mother Hell is its own thing, powering out with bold, brassy riffs, marching tempos and the killer vocals of Bernd Wener, who just bellows these vocal lines out with a fuckload of conviction.

This stuff is relentlessly straightforward and just focuses on rocking the fuck out, so there’s not a whole lot to really analyze except the quality of the songs within. They just write cool songs – the opener “Betrayal at the Sea” comes at you hard, and “Avenging Angel” is an album standout with a monster hook and a barrage of rocking riffs. Wener knows how to belt out a great chorus line and just sells it well, giving you exactly what you need. The title track, too, likely won’t leave your head once that chorus kicks in. And “Edge of Time” is probably the album’s best tune with a haunting melody and a giant epic chorus. These kinds of songs show how goddamn good this band can be, and even if the others aren’t quite as strong, there are no weak points.

The production is very rustic sounding, very organic. I wonder how they’d sound with a more polished production, but maybe that would ruin the vibe. As is, it sounds like they’re playing live right in front of you, so that’s cool. I do wish they’d lean more on the crunchy trad metal side of the sound rather than the doomy parts, but at the same time tracks like the crushing “Another Fallen Savior” and somber closer “Finally Free” do have enough gravitas to keep you interested. It’s just that when you have a song like “Avenging Angel” you end up wanting more in that mode.

Even the lyrics are good – they’re simple but well-written and spin tales of violence and bloodlust and revenge and shit. Just solid. This album feels like a band that is about to break big and release something truly first rate. But Lord of Demise is already very cool. If you’re into badass, no bullshit heavy metal then give this a shot.

Empyreal



..::TRACK-LIST::..

1. Betrayal at the Sea 05:23
2. Avenging Angel 03:59
3. Lord of Demise 04:46
4. Estranged 04:59
5. Edge of Time 05:26
6. Shadows Within 03:38
7. Another Fallen Saviour 04:57
8. Finally Free 05:17



..::OBSADA::..

Bernd Wener - Vocals and Guitar
Ronald Senft - Bass
Michael Frölich - Drums



https://www.youtube.com/watch?v=gM019SoAtPA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Spoglądając na front płyty Lord of Demise, w pierwszej chwili pomyślałem, że trafił w moje ręce album jakichś metalcore’owych/deathcore’owych pogrobowców, którzy swoimi protest songami postanowili wyrazić sprzeciw wobec systemu światowego ucisku.

Old Mother Hell to stosunkowo młoda, niemiecka ekipa heavy metalowa, która po 3 latach od wydania debiutu postanowiła uraczyć słuchaczy swoim drugim długograjem. Na nim 8 premierowych kompozycji, stanowiących zbiór poprawnych, bardzo chwytliwych kawałków, do potupania kończyną i pomachania odcinkiem szyjnym kręgosłupa.

Istotne w przypadku Lord of Demise jest odpowiednie wyważenie składowych, z których wszystkie (epic heavy, doom oraz power metal) odgrywają istotną, choć nie dominującą rolę. Dzięki temu album Old Mother Hell cechuje się różnorodnością, a każdy z utworów prezentuje nieco odmienną twarz zespołu. I tak np. w Betrayal at the Sea, Edge of Time i Shadows Within Niemcy serwują podszyte epickim klimatem, heavy metalowe galopady. W Avenging Angel przechodzą płynnie do heavy/power metalu, by po chwili, w Lord of Demise i Another Fallen Saviour, pokłonić się w pas ojcom doom metalu z Candlemass. Zapytacie, a co z balladami? Proszę bardzo, z pomocą zdążają Estranged i Finally Free. Przyznać trzeba, że to sporo, jak na niespełna 39 minut materiału.

Co nie mniej ważne, zespół na każdym ze wspomnianych gruntów porusza się dość zgrabnie i swobodnie. Wprawdzie zdarzają się Niemcom potknięcia (niskie wokale nie są mocną stroną Bernda Wenera, miejscami nieco pozbawione tła są też partie gitary, wyraźnie proszące się o wsparcie wiosła rytmicznego), jednak wspomniane mankamenty nie determinują odbioru Lord of Demise. Ratują tę płytę ciekawe i bardzo przyjemne numery oraz lekkość i naturalność, która w muzyce Old Mother Hell jest wyraźnie wyczuwalna.

Dobra propozycja na nadchodzącą wiosnę.

Synu


I checked this band out a few years back because they were on Cruz del Sur and got compared to Tad Morose in the press release I read, and those two things were enough for me. Now we have their second album Lord of Demise. This is heavy metal with a definite stripe of doom in the songwriting, and the band just sort of plays this shit with gusto and heart, without really any gimmicks like other bands have.

I’m not even sure who to compare this to. It’s the sort of heavy/doom blend of bands like Argus or Doomsword, but this is much more pugilistic than either of those bands, tending toward shorter, punchier tunes. Like Tad Morose they have a base of crunchy riffs and an arcane mood with sonorous, soaring vocals overtop. And some sections when they do more upbeat parts have a Maiden vibe. But really Old Mother Hell is its own thing, powering out with bold, brassy riffs, marching tempos and the killer vocals of Bernd Wener, who just bellows these vocal lines out with a fuckload of conviction.

This stuff is relentlessly straightforward and just focuses on rocking the fuck out, so there’s not a whole lot to really analyze except the quality of the songs within. They just write cool songs – the opener “Betrayal at the Sea” comes at you hard, and “Avenging Angel” is an album standout with a monster hook and a barrage of rocking riffs. Wener knows how to belt out a great chorus line and just sells it well, giving you exactly what you need. The title track, too, likely won’t leave your head once that chorus kicks in. And “Edge of Time” is probably the album’s best tune with a haunting melody and a giant epic chorus. These kinds of songs show how goddamn good this band can be, and even if the others aren’t quite as strong, there are no weak points.

The production is very rustic sounding, very organic. I wonder how they’d sound with a more polished production, but maybe that would ruin the vibe. As is, it sounds like they’re playing live right in front of you, so that’s cool. I do wish they’d lean more on the crunchy trad metal side of the sound rather than the doomy parts, but at the same time tracks like the crushing “Another Fallen Savior” and somber closer “Finally Free” do have enough gravitas to keep you interested. It’s just that when you have a song like “Avenging Angel” you end up wanting more in that mode.

Even the lyrics are good – they’re simple but well-written and spin tales of violence and bloodlust and revenge and shit. Just solid. This album feels like a band that is about to break big and release something truly first rate. But Lord of Demise is already very cool. If you’re into badass, no bullshit heavy metal then give this a shot.

Empyreal



..::TRACK-LIST::..

1. Betrayal at the Sea 05:23
2. Avenging Angel 03:59
3. Lord of Demise 04:46
4. Estranged 04:59
5. Edge of Time 05:26
6. Shadows Within 03:38
7. Another Fallen Saviour 04:57
8. Finally Free 05:17



..::OBSADA::..

Bernd Wener - Vocals and Guitar
Ronald Senft - Bass
Michael Frölich - Drums



https://www.youtube.com/watch?v=gM019SoAtPA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Każdy, kto ceni sobie intensywną, wyrafinowaną i niezwykłą muzykę, po prostu nie może zignorować tego występu!

Wyjątkowa muzyka zasługuje na odpowiednią oprawę, a post-rockerzy dokonali doskonałego wyboru. Tym, czym Red Rocks czy Loreley są dla plenerowych sal, tym Lichtburg w Essen jest dla zamkniętych sal. Największe kino w Niemczech, otwarte w 1928 roku, bastion propagandy w czasach III Rzeszy, a od 1998 roku wpisane na listę zabytków, mieści 1200 widzów, a dzięki zintegrowanej scenie może być również wykorzystywane do spektakli teatralnych i koncertów...



..::TRACK-LIST::..

1. Enter: Death Box 2:01
2. Blades 4:45
3. Kamilah 7:10
4. Giants Leaving 3:29
5. Hazard 6:21
6. Immunity 6:40
7. 500 Years 7:24
8. Eraser 9:50
9. Apparitions 11:35
10. Black Paper Planes 7:43
11. Out There 9:39
12. Metulsky Curse Revisited 10:33



..::OBSADA::..

Bass - Jan Hoffmann
Drums - Janosch Rathmer
Guitar - David Jordan, Florian Füntmann

Cello - Tobias Köhler
Trombone - Matthias Fleige
Trumpet - Nico Wellers
Violin - Felix Köhler




https://www.youtube.com/watch?v=d6x6EkICbPM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Każdy, kto ceni sobie intensywną, wyrafinowaną i niezwykłą muzykę, po prostu nie może zignorować tego występu!

Wyjątkowa muzyka zasługuje na odpowiednią oprawę, a post-rockerzy dokonali doskonałego wyboru. Tym, czym Red Rocks czy Loreley są dla plenerowych sal, tym Lichtburg w Essen jest dla zamkniętych sal. Największe kino w Niemczech, otwarte w 1928 roku, bastion propagandy w czasach III Rzeszy, a od 1998 roku wpisane na listę zabytków, mieści 1200 widzów, a dzięki zintegrowanej scenie może być również wykorzystywane do spektakli teatralnych i koncertów...



..::TRACK-LIST::..

1. Enter: Death Box 2:01
2. Blades 4:45
3. Kamilah 7:10
4. Giants Leaving 3:29
5. Hazard 6:21
6. Immunity 6:40
7. 500 Years 7:24
8. Eraser 9:50
9. Apparitions 11:35
10. Black Paper Planes 7:43
11. Out There 9:39
12. Metulsky Curse Revisited 10:33



..::OBSADA::..

Bass - Jan Hoffmann
Drums - Janosch Rathmer
Guitar - David Jordan, Florian Füntmann

Cello - Tobias Köhler
Trombone - Matthias Fleige
Trumpet - Nico Wellers
Violin - Felix Köhler




https://www.youtube.com/watch?v=d6x6EkICbPM



SEED 15:00-22:00.
POLECAM!!!