...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 6:
BBC Radio 2 Sounds Of Jazz, 26 June 1977
1. In Flagrante Delicto 7:31

Soprano, Tenor Saxophone - Brian Smith
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Ian Carr
Keyboards - Geoff Castle
Bass - Billy Kristian
Drums - Roger Sellers


BBC Radio 3 Jazz In Britain, 17 March 1980
2. Introduction: Charles Fox 2:50
3. Sassy (American Girl) 10:00
4. Black Ballad (Ecce Domina) 7:40
5. Simply This (The Human Condition) 9:19
6. Outro: Charles Fox 0:35

Saxophones, Flute - Brian Smith
Trumpet - Ian Carr
Electric Piano - Ian Carr
Keyboards - Geoff Castle
Bass - Paul Carmichael
Drums - Roger Sellers
Percussion - Chris Fletcher


BBC Radio 3 Jazz In Britain, 16 February 1981
7. Conversation With The Blues Part 1 9:10
8. Conversation With The Blues Part 2 9:14
9. Sidewalk 7:34

Saxophones, Flutes - Brian Smith & Tim Whitehead
Trumpet - Ian Carr
Keyboards - Geoff Castle
Guitar - Allan Holdsworth
Bass - Chucho Merchan
Drums - Nic France
Percussion - Chris Fletcher


BBC Radio 3 Jazz In Britain, 8 November 1982
10. Introduction: Charles Fox 1:30
11. Easy Does It Now 9:32

Soprano, Tenor Saxophone - Tim Whitehead
Trumpet, Flugelhorn - Ian Carr
Guitar - Mark Wood
Bass - Joe Hubbard
Drums, Percussion - John Marshall



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 5:
BBC Radio 3 Jazz In Britain, Part Of A Concert Recorded On St. David’s Day, 11 March 1974
1. New Life 6:30
2. Introduction: Peter Clayton 0:50
3. Sarsaparilla 7:16
4. Introduction: Peter Clayton 0:38
5. Pastoral Graffiti 7:05
6. Introduction: Peter Clayton 0:39
7. Theme 3: Rites Of Man 7:03

Alto Saxophone, Flue - Bob Bertles
Trumpet, Flugelhorn - Ian Carr
Electric Piano, Synthesizer - Geoff Castle
Guitar - Kenny Shaw
Bass - Roger Sutton
Drums - Roger Sellers


BBC Radio 3 Jazz In Britain, 28 August 1975
8. Snakehips Etcetera 11:06
9. Introduction: Charles Alexander 0:21
10. Alive and Kicking 9:11
11. Rat’s Bag 5:58
12. Outro: Charles Alexander 0:16

Saxophones - Bob Bertles
Trumpet, Flugelhorn - Ian Carr
Electric Piano, Synthesizer - Geoff Castle
Guitar - Kenny Shaw
Bass - Roger Sutton
Drums - Roger Sellers


BBC Radio 2 Sounds Of Jazz, 26 June 1977
13. Introduction: Peter Clayton 0:17
14. Splat 9:39
15. Introduction: Peter Clayton 1:02
16. Brain Child 6:53
17. Introduction: Peter Clayton 1:06

Soprano, Tenor Saxophone - Brian Smith
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Ian Carr
Keyboards - Geoff Castle
Bass - Billy Kristian
Drums - Roger Sellers




SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 5:
BBC Radio 3 Jazz In Britain, Part Of A Concert Recorded On St. David’s Day, 11 March 1974
1. New Life 6:30
2. Introduction: Peter Clayton 0:50
3. Sarsaparilla 7:16
4. Introduction: Peter Clayton 0:38
5. Pastoral Graffiti 7:05
6. Introduction: Peter Clayton 0:39
7. Theme 3: Rites Of Man 7:03

Alto Saxophone, Flue - Bob Bertles
Trumpet, Flugelhorn - Ian Carr
Electric Piano, Synthesizer - Geoff Castle
Guitar - Kenny Shaw
Bass - Roger Sutton
Drums - Roger Sellers


BBC Radio 3 Jazz In Britain, 28 August 1975
8. Snakehips Etcetera 11:06
9. Introduction: Charles Alexander 0:21
10. Alive and Kicking 9:11
11. Rat’s Bag 5:58
12. Outro: Charles Alexander 0:16

Saxophones - Bob Bertles
Trumpet, Flugelhorn - Ian Carr
Electric Piano, Synthesizer - Geoff Castle
Guitar - Kenny Shaw
Bass - Roger Sutton
Drums - Roger Sellers


BBC Radio 2 Sounds Of Jazz, 26 June 1977
13. Introduction: Peter Clayton 0:17
14. Splat 9:39
15. Introduction: Peter Clayton 1:02
16. Brain Child 6:53
17. Introduction: Peter Clayton 1:06

Soprano, Tenor Saxophone - Brian Smith
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Ian Carr
Keyboards - Geoff Castle
Bass - Billy Kristian
Drums - Roger Sellers




SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..


CD 4:
BBC Radio 3 Jazz In Britain, 19 April 1971
1. Introduction: Don Locke 2:58
2. The Dream 26:45

Vocals - Norma Winstone
Soprano, Tenor Saxophone - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Melodica - Gordon Beck
Electric Piano - Karl Jenkins
Piano - John Taylor
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 1 Top Gear, 10 October 1972
3. Mayday 5:30
4. Belladonna 10:36
5. Suspension 6:08

Soprano, Tenor Saxophone, Alto, Bamboo Flute - Brian Smith
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Dave Macrae
Guitar - Allan Holdsworth
Bass - Roy Babbington
Drums - Clive Thacker
Percussion - Trevor Tomkins




https://www.youtube.com/watch?v=UbVFDGpURH0



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 4:
BBC Radio 3 Jazz In Britain, 19 April 1971
1. Introduction: Don Locke 2:58
2. The Dream 26:45

Vocals - Norma Winstone
Soprano, Tenor Saxophone - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Melodica - Gordon Beck
Electric Piano - Karl Jenkins
Piano - John Taylor
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 1 Top Gear, 10 October 1972
3. Mayday 5:30
4. Belladonna 10:36
5. Suspension 6:08

Soprano, Tenor Saxophone, Alto, Bamboo Flute - Brian Smith
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Dave Macrae
Guitar - Allan Holdsworth
Bass - Roy Babbington
Drums - Clive Thacker
Percussion - Trevor Tomkins




https://www.youtube.com/watch?v=UbVFDGpURH0



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet




..::TRACK-LIST::..

..::OBSADA::..

CD 3 - BBC Radio 1 Top Gear, 27 March 1971
1. Snakehips’ Dream 8:30
2. Introduction: John Peel
3. Song For The Bearded Lady 9:45
4. Morning Call 4:42

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano, Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall



BBC Radio 1 John Peel Sunday Concert, 18 April 1971
5. Introduction: John Peel
6. Song For The Bearded Lady 13:36
7. Snakehips’ Dream 15:32
8. Crude Blues Part Two 4:08

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano, Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall



https://www.youtube.com/watch?v=AlegxlVIUig



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 3 - BBC Radio 1 Top Gear, 27 March 1971
1. Snakehips’ Dream 8:30
2. Introduction: John Peel
3. Song For The Bearded Lady 9:45
4. Morning Call 4:42

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano, Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall



BBC Radio 1 John Peel Sunday Concert, 18 April 1971
5. Introduction: John Peel
6. Song For The Bearded Lady 13:36
7. Snakehips’ Dream 15:32
8. Crude Blues Part Two 4:08

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano, Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall



https://www.youtube.com/watch?v=AlegxlVIUig



SEED 14:30-23:00.
POLECAM!!!

...( Info )...

Artist: Maciej Obara Quartet
Album: Frozen Silence
Year: 2023
Genre: Jazz
Format: FLAC 24 bit/96000Hz

...( TrackList )...

01. Dry Mountain
02. Black Cauldron
03. Frozen Silence
04. High Stone
05. Rainbow Leaves
06. Twilight
07. Waves of Glyma
08. Flying Pixies

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...




Gorąco polecam!
Jan 'Ptaszyn' Wróblewski



..::TRACK-LIST::..

1. Barwy Deszczu 5:38
2. Mr Wes 2:41
3. Piotrek Bój Się Boga Nareszcie Jesteś 3:51
4. Lekcja Taty 4:42
5. Kawa 8:12
6. Schody Do Windy 6:34
7. Git Majonez 4:36
8. Kołysanka 5:11




..::OBSADA::..

Double Bass - Janusz Mackiewicz
Drums - Adam Czerwiński
Guitar - Marcin Wądołowski
Piano, Keyboards - Piotr Mania
Saxophone - Darek Herbasz




https://www.youtube.com/watch?v=AJ2T58Sp28I



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...




Gorąco polecam!
Jan 'Ptaszyn' Wróblewski



..::TRACK-LIST::..

1. Barwy Deszczu 5:38
2. Mr Wes 2:41
3. Piotrek Bój Się Boga Nareszcie Jesteś 3:51
4. Lekcja Taty 4:42
5. Kawa 8:12
6. Schody Do Windy 6:34
7. Git Majonez 4:36
8. Kołysanka 5:11




..::OBSADA::..

Double Bass - Janusz Mackiewicz
Drums - Adam Czerwiński
Guitar - Marcin Wądołowski
Piano, Keyboards - Piotr Mania
Saxophone - Darek Herbasz




https://www.youtube.com/watch?v=AJ2T58Sp28I



SEED 14:30-23:00.
POLECAM!!!

...( Info )...

Artist: Various
Album: Fusion & Jazz
Year: 2023
Genre: Jazz
Format/Quality: .mp3 320 kbps

...( TrackList )...

01. George Benson - Breezin?
02. Jaco Pastorius - Blackbird
03. Joshua Redman - Tears In Heaven
04. Billy Cobham - Red Baron
05. John Scofield - Cissy Strut
06. Hiram Bullock - Window Shoppin'
07. Kinga Glyk - Freedom
08. Passport - Piece for Rock Orchestra
09. Donald Fagen - New Frontier
10. Phish - Stash
11. Larry Carlton - Sleepwalk
12. Marcus Miller - Lovin' You
13. Chris Minh Doky - Where R U?
14. Joshua Redman - Soul Dance
15. Jay McShann - Ain't Misbehavin'
16. Hiram Bullock - Too Hip 2 Be Needy
17. Kinga Glyk - Teen Town
18. Billy Cobham - Stratus
19. John Scofield - True Love
20. Solar Plexus - Mercy Mercy Mercy
21. Maynard Ferguson - Oleo (Malcolm Addey Remix)
22. Passport - In a Melancholy Way
23. Rick Braun - One Love
24. Billy Cobham - Some Skunk Funk (Jimmy Douglass Remix)
25. Avenue Blue, Jeff Golub - A Woman's Touch
26. Scott Henderson - Continuum
27. George Benson - This Masquerade
28. Ahn Trio - This Is Not America
29. Larry Carlton - Room 335 (Long Version)
30. Miles Davis - Maze
31. Airto Moreira - Nativity
32. Tribal Tech - The Big Wave
33. Jaco Pastorius - Mood Swings
34. Joshua Redman - Blues for Pat (Live)
35. Marcus Miller - Just What I Needed
36. Hiram Bullock - Dear Prudence
37. Rick Braun - Long Tall Judy
38. Jeff Golub - Wanna Funk?
39. Tribal Tech - Root Food
40. Kinga Glyk - Tears in Heaven
41. Miles Davis - Rubberband
42. Jan Akkerman - House of the King
43. Klaus Doldinger's Passport - Zidane
44. John Scofield - Loud Jazz
45. Klaus Doldinger's Passport - Infusion Rag
46. Billy Cobham - Ivory Tattoo
47. Miles Davis - Theme from "Jack Johnson" / Speak / That's What Happened (Live from Nice Festival, France, July 1986)
48. Jaco Pastorius - Donna Lee
49. Buika, Pat Metheny - No lo sé (feat. Pat Metheny)
50. Enrique Morente - Donde habite el olvido
51. Tribal Tech - Stoopid
52. Larry Carlton - Rio Samba
53. Jeff Golub, Avenue Blue - Seventh Heaven
54. Chris Minh Doky - Last Call
55. Passport - Homunculuc

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 2:
BBC Radio 3 Jazz In Britain, 27 July 1970, Part 2
Presented by Brian Priestley
1. Oasis
2. Introduction: Brian Priestley
3. Jam

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet,Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 11 October 1970
Presented by Humphrey Lyttelton
4. 1916 (Battle Of Boogaloo)

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 11 October 1970
Presented by Humphrey Lyttelton
5. Song For The Bearded Lady
6. We'll Talk About It Later
7. Snakehips' Dream

Vocals - Chris Spedding
Saxophone,Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Transcription Service Jazz London, 9 March 1971
8. Song For The Bearded Lady
9. Elastic
10. Snakehips' Dream

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano/Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall




https://www.youtube.com/watch?v=9IPtkycX2So



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

CD 2:
BBC Radio 3 Jazz In Britain, 27 July 1970, Part 2
Presented by Brian Priestley
1. Oasis
2. Introduction: Brian Priestley
3. Jam

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet,Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 11 October 1970
Presented by Humphrey Lyttelton
4. 1916 (Battle Of Boogaloo)

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 11 October 1970
Presented by Humphrey Lyttelton
5. Song For The Bearded Lady
6. We'll Talk About It Later
7. Snakehips' Dream

Vocals - Chris Spedding
Saxophone,Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Transcription Service Jazz London, 9 March 1971
8. Song For The Bearded Lady
9. Elastic
10. Snakehips' Dream

Soprano, Tenor Saxophone, Flute - Brian Smith
Baritone Saxophone, Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Piano/Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall




https://www.youtube.com/watch?v=9IPtkycX2So



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Live At The BBC
Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

BBC Radio 1 Top Gear, 7 March 1970:
1. Introduction: John Peel 0:29
2. Elastic Rock 4:07
3. 1916 (The Battle Of Boogaloo) 3:41
4. Orpheus 4:24
5. Persephone’s Jive 2:41
6. Twisted Track 5:08

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet & Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 6 May 1970:
7. Song For The Bearded Lady 4:27
8. Elastic Rock 5:07
9. Stonescape 1:40
10. Single Line 1:03
11. Twisted Track 5:25
12. 1916 (The Battle Of Boogaloo) 6:02
13. Persephone’s Jive 1:12

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 1 Sounds Of The 70s, 24 July 1970:
14. Never Carry Any More Than You Can Eat 2:04
15. Ballad Of Joe Pimp 4:55
16. 1916 (The Battle Of Boogaloo) 5:53

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 3 Jazz In Britain, 27 July 1970, Pt. 1:
17. Sun Child 8:46
18. Introduction: Brian Priestley 0:47
19. Freudian Saturday 5:04
20. Outro: Brian Priestley 0:35

Presented by Brian Priestley




https://www.youtube.com/watch?v=4-OylDxO50A



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Live At The BBC
Formed by trumpeter and future Miles Davis biographer Ian Carr, Nucleus were a distinctly British jazz-rock group forged in the musical village-like cauldron of London at the end of the 60s. Within its first year alone (1970), Nucleus had caused a sensation at both the Montreux and Newport jazz festivals, and had recorded two albums (the first of nine for progressive-rock label Vertigo) and a torrent of sessions and concerts for the BBC, from John Peel’s Top Gear and Sounds of the 70s on Radio 1 to Jazz in Britain on Radio 3. Curated by John McLaughlin biographer Colin Harper and mastered by the mighty Eroc – the same team responsible for Repertoire’s acclaimed Colosseum and Pretty Things BBC sets – Nucleus Live At The BBC boasts nearly 15 hours of material spanning 1970-91. Almost four hours of that content documents the legendary founding line-up, featuring Chris Spedding (guitar), Karl Jenkins (keys, oboe), Brian Smith (saxes), Jeff Clyne (bass) and John Marshall (drums). The set is annotated by Ian Carr discographer/Jazz Journal contributor Roger Farbey. Aside from The Pretty Redhead (Hux, 2003), this is the first collection of BBC Nucleus and is assembled from numerous private collections and the BBC itself.

Over 14 hours of music expertly remastered and restored by Eroc, collated from such seminal shows as Top Gear, Sounds of the 70s and Jazz in Britain

A decades’ spanning 13CD set comprising music and interviews drawn from BBC radio programmes broadcast between 1970 and 1991

Disc 10 comprises an exciting collection of entirely improvised works, never before released on CD

Liner notes by Roger Farbey, author of Elastic Dream: The Music of Ian Carr - A Critical Discography

Box set comprises 13CDs presented in attractive double digipaks, with a fully annotated booklet



..::TRACK-LIST::..

..::OBSADA::..

BBC Radio 1 Top Gear, 7 March 1970:
1. Introduction: John Peel 0:29
2. Elastic Rock 4:07
3. 1916 (The Battle Of Boogaloo) 3:41
4. Orpheus 4:24
5. Persephone’s Jive 2:41
6. Twisted Track 5:08

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet & Flugelhorn - Ian Carr
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 2 Jazz Club, 6 May 1970:
7. Song For The Bearded Lady 4:27
8. Elastic Rock 5:07
9. Stonescape 1:40
10. Single Line 1:03
11. Twisted Track 5:25
12. 1916 (The Battle Of Boogaloo) 6:02
13. Persephone’s Jive 1:12

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 1 Sounds Of The 70s, 24 July 1970:
14. Never Carry Any More Than You Can Eat 2:04
15. Ballad Of Joe Pimp 4:55
16. 1916 (The Battle Of Boogaloo) 5:53

Vocals - Chris Spedding
Saxophone, Flute - Brian Smith
Oboe - Karl Jenkins
Trumpet, Flugelhorn - Ian Carr
Electric Piano - Karl Jenkins
Guitar - Chris Spedding
Bass - Jeff Clyne
Drums - John Marshall


BBC Radio 3 Jazz In Britain, 27 July 1970, Pt. 1:
17. Sun Child 8:46
18. Introduction: Brian Priestley 0:47
19. Freudian Saturday 5:04
20. Outro: Brian Priestley 0:35

Presented by Brian Priestley




https://www.youtube.com/watch?v=4-OylDxO50A



SEED 14:30-23:00.
POLECAM!!!

...( Info )...

Artist: Various
Album: Dinner Jazz 2023
Year: 2023
Genre: Jazz
Format: mp3 320 kbps

...( TrackList )...

01. Nancy Wilson - I Wish You Love (2004 Remastered/Remixed)
02. Frank Sinatra - When You're Smiling (The Whole World Smiles With You) (1999 Remastered)
03. Nat King Cole - Straighten Up And Fly Right
04. Stan Getz, Bill Evans - But Beautiful
05. Dean Martin - On The Street Where You Live (1998 Remaster)
06. John Coltrane Quartet - Nancy (With The Laughing Face)
07. Ella Fitzgerald - All Of You
08. Benny Carter, Oscar Peterson - A Foggy Day
09. Louis Armstrong - C'est si bon
10. John Coltrane Quartet - It's Easy To Remember
11. Etta Jones - Don't Go To Strangers (Album Version)
12. Oscar Peterson Trio - All Of Me
13. Ben Webster - Tenderly
14. Sammy Davis Jr., Carmen McRae - Cheek To Cheek
15. June Christy - Give Me The Simple Life (Remastered 1998)
16. Nat King Cole - Blame It On My Youth (Remastered 1999)
17. Bill Evans - Waltz For Debby (Live At The Village Vanguard, New York / 1961 / Take 2)
18. Ella Fitzgerald - A-Tisket, A-Tasket
19. Stan Getz, Charlie Byrd - O Pato
20. Frank Sinatra, Count Basie - I Only Have Eyes For You
21. Margaret Whiting - They Can't Take That Away From Me
22. Benny Golson - I Remember Clifford
23. Oscar Peterson Trio - Easy Does It
24. John Coltrane, Johnny Hartman - You Are Too Beautiful
25. Chet Baker - The Touch Of Your Lips
26. Peggy Lee - Hallelujah, I Love Him So
27. Clifford Brown, Max Roach Quintet - Joy Spring
28. Ella Fitzgerald, Count Basie - On The Sunny Side Of The Street
29. Bill Evans - Little Lulu (Master Take)
30. Nat King Cole, George Shearing - I'm Lost
31. Jamie Cullum - I Get A Kick Out Of You
32. Chet Baker - Autumn In New York
33. Wynton Kelly Trio - It's All Right
34. Oscar Peterson - Love Is Here To Stay
35. Count Basie, Joe Williams - Alright, Okay, You Win
36. Oscar Peterson - John Hardy's Wife
37. Ella Fitzgerald, Louis Armstrong - Oops!
38. Chet Baker - I'm Old Fashioned
39. Bud Powell - Polka Dots And Moonbeams (1994 Remaster)
40. Dinah Washington - I Get A Kick Out Of You
41. Ella Fitzgerald - Sophisticated Lady
42. Sarah Vaughan - Words Can't Describe
43. The Ben Webster Quintet - Makin' Whoopee (Album Version)
44. Cannonball Adderley - Cannonball
45. Ernestine Anderson - It Don't Mean A Thing (If It Ain't Got That Swing)
46. Sarah McKenzie - Tea For Two
47. Anita O'Day, The Oscar Peterson Quartet - We'll Be Together Again
48. Lester Young, Oscar Peterson Trio - On The Sunny Side Of The Street
49. Billie Holiday - Easy To Love
50. Count Basie And His Orchestra - Hay Burner
51. Lou Donaldson - Green Eyes
52. Betty Carter - Jazz (Ain't Nothin' But Soul) (Album Version)
53. Dinah Washington - I Could Write A Book
54. Hank Mobley - Recado Bossa Nova (Remastered 2005)
55. Billie Holiday - Do Nothin' Till You Hear From Me (1956 Version)
56. Ella Fitzgerald - Soon
57. Ben Webster - Time After Time (Album Version)
58. Coleman Hawkins - Sunday Mornin'
59. Ernestine Anderson - See See Rider
60. Peggy Lee - Ridin' High
61. Dinah Washington - All Of Me
62. Stan Getz, Gerry Mulligan - Anything Goes
63. Donald Byrd - Hello Bright Sunflower (Rudy Van Gelder Edition/2006 Digital Remaster)
64. Coleman Hawkins - Under A Blanket Of Blue
65. Sarah Vaughan, Clifford Brown - It's Crazy
66. Count Basie, Joe Williams - I'm Beginning To See The Light (Mono Version)
67. Ahmad Jamal - Pavanne
68. Cannonball Adderley, Bill Evans - Who Cares?
69. Stan Getz, Gerry Mulligan - I Didn't Know What Time It Was
70. Chet Baker - Dancing on the Ceiling (Album Version)
71. Hank Mobley - A Dab Of This And That
72. Jo Stafford - The Best Things In Life Are Free
73. Art Pepper - Holiday Flight
74. Mildred Bailey - Can't We Be Friends
75. Miles Davis - When I Fall In Love (Rudy Van Gelder Remaster)
76. Morgana King - Everything I Love
77. Ella Fitzgerald - Satin Doll (1956 Version)
78. Miles Davis, Stan Getz - Intoit (Album Version)
79. Lorez Alexandria - I'm Through With Love
80. Dinah Washington - A Bad Case Of The Blues
81. Carmen McRae - I'm Putting All My Eggs In One Basket
82. Ella Fitzgerald, Paul Weston & His Orchestra - You Can Have Him
83. Benny Carter And His Orchestra - Honeysuckle Rose
84. Billie Holiday - I Must Have That Man!
85. Duke Ellington, Coleman Hawkins - Wanderlust
86. Johnny Hodges - Central Park Swing
87. Cannonball Adderley, Bill Evans - Nancy (With The Laughing Face)
88. Lee Morgan - Uncle Rough
89. Cannonball Adderley - Jeannie
90. Benny Carter - Doozy (1966 Album Version)
91. Dinah Washington - If I Had You
92. Blossom Dearie - Surrey With The Fringe On Top
93. Carmell Jones - Hip Trolley
94. Cannonball Adderley - Hurricane Connie
95. Johnny Hartman - These Foolish Things

...( Info )...

Artist: Various
Album: Jazz & Fusion Guitar - The Greatest Hits
Year: 2023
Genre: Jazz
Format: mp3 320 kbps

...( TrackList )...

01. George Benson - Breezin?
02. Hiram Bullock - Way Kool
03. John Scofield - Cissy Strut
04. Steely Dan - Kid Charlemagne (Live)
05. Jeff Golub - Wanna Funk?
06. Chris Minh Doky - Last Call
07. Donald Fagen - I.G.Y.
08. Rick Braun, Jeff Golub - Philadelphia (feat. Jeff Golub)
09. Jaco Pastorius - Mood Swings
10. Marcus Miller - Chaney's Theme (David Isaac Remix)
11. Avenue Blue, Jeff Golub - Stockholm (Prelude) [feat. Jeff Golub]
12. George Benson - Soulful Strut
13. Steely Dan - Josie (Live)
14. Hiram Bullock - Pretzel Logic
15. Rick Braun - The Doctor
16. Donald Fagen - Ruby Baby
17. John Scofield - All the Things You Are
18. Jeff Golub - My Everything
19. Brian Culbertson - At The Backroom
20. Miles Davis, Marcus Miller - Siesta - Kitt's Kiss - Lost In Madrid Part II (2015 Remastered)
21. George Benson - This Masquerade (Nightmares On Wax JJP Mix)
22. Miles Davis - Rubberband
23. Avenue Blue, Jeff Golub - West Side Serenade (feat. Jeff Golub)
24. Steely Dan - Everything Must Go
25. Donald Fagen - Maxine
26. Hiram Bullock - Window Shoppin'
27. Jeff Golub - Come On Home
28. Chris Minh Doky - Where R U?
29. Miles Davis - Maze
30. Larry Carlton - Strikes Twice (Live)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Jedno z najbardziej niedocenionych arcydzieł jazz rocka!!!

FA



- THE FIRST EVER BOXED SET CELEBRATING THE WORK OF STOMU YAMASHTA FOR ISLAND RECORDS BETWEEN 1972 and 1976.

- REMASTERED SET INCLUDING THE ALBUMS ‘FLOATING MUSIC’, ‘THE MAN FROM THE EAST’, ‘FREEDOM IS FRIGHTENING’, ‘ONE BY ONE’, ‘RAINDOG’, ‘GO’ AND ‘GO… LIVE FROM PARIS’.

- FEATURING STEVE WINWOOD, KLAUS SCHULZE, MICHAEL SHRIEVE, AL DI MEOLA, HUGH HOPPER, GARY BOYLE, MORRIS PERT AND MORE.


Born in Kyoto, Japan, Yamashta studied music at Kyoto University and Berklee College of Music. His athletic and virtuoso percussion style came to prominence in the early 1970s when his work with the Red Buddha Theatre brought him to Europe. He teamed up with percussionist Morris Pert and members of his band Come To The Edge to record the album ‘Floating Music’ for Island Records in 1972. This was followed in 1973 by the release of the soundtrack album ‘The Man From The East’, which also featured Morris Pert and keyboard player Peter Robinson.

Later the same year Yamashta formed the band East Wind with Gary Boyle (guitar), Hugh Hopper (bass) and Brian Gascoigne (keyboards) and recorded the excellent jazz rock album ‘Freedom Is Frightening’. This was followed in 1974 by another soundtrack work, ‘One By One’, also featuring a fine ensemble of acclaimed jazz and rock musicians. The 1975 album ‘Raindog’was met with critical acclaim and featured vocal contributions from singer Murray Head.

1976 would see Yamashta’s work reach an ever wider public thanks to his contribution to the soundtrack of the film The Man Who Fell To Earth (starring David Bowie) and the release of his concept album ‘Go’. The outstanding record saw him assemble a cast of outstanding musicians such as Steve Winwood (vocals, keyboards), Michael Shrieve (drums), Al Di Meola (guitar), Pat Thrall (guitar), Klaus Schulze (synthesisers) and Rosko Gee (bass). Featuring stunning arrangements by Paul Buckmaster, the album’s fusion of rock, jazz and electronics was greeted with much acclaim. The success of ‘Go’, led to a series of live concerts in Europe featuring the musicians who had appeared on the album. A concert at the Palais des Sports in Paris in June 1976 was recorded and released later that year.



Second Stomu album under the East Wind group name, with almost the same line-up, this album has a striking artwork photo of Stomu shot by future famous Mick Rock. The m album is actually the soundtrack of a movie (I've never seen it) of the movie of the same name, which appears to be about motor racing. Most of the music comes in a continuous flow, but it can't avoid the pitfall of soundtracks: like so many of those, the music serves the image and without the images, the music seems at times completely directionless, although One By One is not catastrophic in this regard.

The album starts (purposely?) on the 200 MPH title track suite (lasting almost 11 mins), which is a fast- driving jazz-rock, while the middle movement Hey Man is sung by percussionist/flutist Sami Abu, talking a sweet funk overtone, and the suite-closing Reprise sees Boyle's guitar solo soaring like an eagle over Hopper's superb bass work, which is quite different than what he had gotten used to on Soft Machine albums. The cosmic eerie opening Black Flame contrast with the solemnity of the rest of the track, a dramatic classical theme, played partly with classic instruments than with synthesizers. Rain race is is probably the best moment of the album with a superb Fender Rhodes over a string section, too bad its so short and followed by a fairly cheesy classical string closing Tangerine Beach, even if it had started well enough with a gloomy Moog trick.

The flipside attacks on a funk guitar over a square rhythm, and Yamashta's brother's violin and Abu's vocals and congas. While the 12-mins+ Superstar/Loxycycle (the only track played by other musicians than East Wind) goes through many changes, the track veers towards a jazz-funk that had by now overtaken the previous jazz-rock in most of the international JR/F scene. Nurburgring (it was at the time the longest circuit in the world measuring some 23 km long) is a quite interesting track, probably the proggiest of the album, but it's followed by a pointless Four Seasons passage (then again without the images of the movie, who says pointless) from Vivaldi. Accident is a wild musical free-for-all completely chaotic and followed by a cheesy mock chamber quartet piece to close the debate, echoing the other Tangerine track of the other side.

Yet another interesting album like Freedom, Floating Music and the Go project, OBO is certainly in Stomu's best five albums, although for a better enjoyment of this album, I think it would certainly gain seeing the movie for which the music was composed.

Sean Trane



The first time I heard something about this musical project was in 1976 in a radio station in my country. When I listened to it, for the first time, I must confess that I was very impressed with it. It seemed to me that it was a very different musical proposal. So, soon I tried to buy their first album 'Go', but unfortunately, I couldn't find it. It was only some years ago that I returned to search for it. After some difficulty, I had the luck of buying an expensive Japanese edition.

The Go Project was a very ambitious and innovative musical project, lead by an extraordinary Japanese percussionist, keyboardist and composer Stomu Yamash'ta, which finally brought for him, the international recognition that he so deserved. He had already released, until that date, six solo studio albums. The Go Project consists in three albums, two studio albums 'Go' and 'Go Too' released in 1976 and 1977 respectively and this live album 'Go Live From Paris' which was also released in 1976.

Stomu Yamash'ta was born in Kyoto, Japan and he studied music at Kyoto University in Japan, at Juilliard School of Music in New York City and at Berkeley College of Music in Boston, Massachusetts, and has also lectured in music. He was the director, producer and composer of the Red Buddha Theatre Company, and in 1972 he brought the Company from Japan to Europe. He worked briefly in France, writing and performing on theatrical multi-media projects, before moving to England. It was from England where he met so many artists and musicians, that he had the idea of creating this so ambitious musical project.

Beyond Stomu Yamash'ta, there are some other musicians in this project that deserve to be mentioned. Steve Winwood is a famous English singer, songwriter and a multi-instrumentalist that was member of The Spencer Davis Group, Traffic and Blind Faith, apart from his brilliant solo musical career. Michael Shrieve is an American drummer and percussionist that is best known as the Santana's first drummer. Klaus Schulze is a musical composer and a pioneer musician of the German electronic music who briefly was a member of Tangerine Dream and Ash Ra Tempel, and he has also a long and very solid solo musical career. Al Di Meola is an American guitarist with a long musical career and is one of the best and the most influential guitarists in the jazz fusion category, who collaborates frequently with other great musicians like Jean-Luc Ponty, John McLaughlin and Paco de Lucia.

'Go Live From Paris' was the second album to be released of Stomu Yamash'ta's project and was recorded live on 12th June 1976 at the Palais Des Sports in Paris, France. As with its studio version 'Go', this live version has also fourteen tracks and all the tracks flow together as a continuous piece of music. So, there's not much in the way of additional material, aside from the greatly extended 'Man Of Leo' which has lashings of superb guitar from Di Meola, and some slightly elongated bridges between the different themes. The whole double album is only a little over 20 minutes longer than the original album. The performances are remarkable though, as you might expect from these players, with one or two tracks perhaps even bettering their studio counterparts, and it does make for an interesting alternative to the studio album for fanatics like me. The recording quality is excellent, unlike some vintage live albums, but I'm sure that some of you won't see the need to have both, the live and the studio albums. However, 'Go Live From Paris' is, in my humble opinion, a more balanced album. I don't know sincerely if the main reason is because the alignment of the songs was totally changed, but the final result is that this new live version turned it in a better album.

Conclusion: 'Go Live From Paris' is a fantastic and beautiful live album, which isn't inferior to the most of the live albums released in the 70's. Especially, the second part of the album is truly remarkable and unforgettable, mainly because the great show of guitar of Di Meola on 'Crossing The Line' and also because 'Man Of Leo', which is, to my taste, the highest point on the album. The music doesn't lose a bit of its atmosphere in this setting, but it does naturally sound a bit earthier, especially the guitar sound. It's really fascinating listen to these extraordinary but at the same time so different musicians, working so well together. But nevertheless and unfortunately, we are in presence of an underrated project on Progarchives. 'Go Live From Paris' is one of the best live albums of the progressive music and is perhaps one of the less known. It's a pity that an album with so incredible musical moments and so finest playing being almost forgotten, as well this fantastic super group. Anyway, the true is that we are in presence of a lost gem that urgently needs to be discovered and appreciated as it really deserves. This new Yamash'ta's live seminal concept opus is more than sufficient to make me feel that this is really very well spent money for who want to buy it.

Prog is my Ferrari. Jem Godfrey (Frost)

VianaProghead



Here we are having a supergroup on the stage in Paris. Very relaxed and inspired performance with a special mixture of styles from Soul (Steve Winwood) to Electronic (Klaus Schulze, Stomu Yamash'ta) and Fusion (Al DiMeola). Michael Shrieve, who also played with SANTANA, acts as the wellknown proficient and accentuated drummer. Remarkable are also the brilliant vocals exchanges of Winwood and Karen Friedman. It's a little bit tricky - only Friedman is pointed out for additional vocals but you can hear also some other female backing voices.
The band is presenting the studio album 'Go' live with nearly the same line-up, but extended, with more improvisations. The release consists of 6 longer tracks - some of them have jam character - which take turns with spacy electronic breaks and piano interludes. Don't know why but the chronological order of the songs has been changed (the same with the 'The Complete Go Sessions').

So correctly it starts with LP 2 and the electric intro Solitude and Winner Loser closes finally with the band introduction. The beginning of Nature is guided by a piano and further on the song developes wonderful atmospheric and melodic. Crossing the Line follows with excellent vocals. And not to forget the splendid guitar work by Al DiMeola.

Man of Leo is the longest track, grooving and against with DiMeola's intense soloing. Wind Spin is an instrumental jam pressed ahead with a funky/fusion bass and then fades into the uptempo Ghost Machine with a Jazz/Rock attitude. Time Is Here is midtempo, more soul/funk, especially highlighted by Karen Friedman's expressive interaction with Winwood. Winner Loser in the end is written by Winwood and remembers much at his times with TRAFFIC.

A great performance from this band which units some extraordinary musicians. Stomu Yamashta restrains himself to allow some other members to reap the fruits of their work. This release was later (2005) added to the compilation 'The Complete Go Sessions'.

Rivertree



..::TRACK-LIST::..

1. Space Song (2:29)
2. Carnival (1:18)
3. Windspin (8:17)
4. Ghost Machine (3:51)
5. Surfspin (2:12)
6. Time Is Here (6:58)
7. Winner Loser (5:26)
8. Solitude (2:01)
9. Nature (4:27)
10. Air Voice (2:19)
11. Crossing The Line (5:33)
12. Man Of Leo (14:22)
13. Stellar (1:22)
14. Space Requiem (3:14)



..::OBSADA::..

Synthesizer - Klaus Schulze
Vocals - Karen Friedman
Vocals, Keyboards - Steve Winwood
Percussion, Piano - Stomu Yamashta
Bass - Jerome Rimson
Congas - Brother James
Drums - Michael Shrieve
Engineer – Robert Ash
Guitar - Pat Thrall
Lead Guitar [Solo] - Al Di Meola




https://www.youtube.com/watch?v=RuCC21mFMzk



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



..::OPIS::..

Jedno z najbardziej niedocenionych arcydzieł jazz rocka!!!

FA



- THE FIRST EVER BOXED SET CELEBRATING THE WORK OF STOMU YAMASHTA FOR ISLAND RECORDS BETWEEN 1972 and 1976.

- REMASTERED SET INCLUDING THE ALBUMS ‘FLOATING MUSIC’, ‘THE MAN FROM THE EAST’, ‘FREEDOM IS FRIGHTENING’, ‘ONE BY ONE’, ‘RAINDOG’, ‘GO’ AND ‘GO… LIVE FROM PARIS’.

- FEATURING STEVE WINWOOD, KLAUS SCHULZE, MICHAEL SHRIEVE, AL DI MEOLA, HUGH HOPPER, GARY BOYLE, MORRIS PERT AND MORE.


Born in Kyoto, Japan, Yamashta studied music at Kyoto University and Berklee College of Music. His athletic and virtuoso percussion style came to prominence in the early 1970s when his work with the Red Buddha Theatre brought him to Europe. He teamed up with percussionist Morris Pert and members of his band Come To The Edge to record the album ‘Floating Music’ for Island Records in 1972. This was followed in 1973 by the release of the soundtrack album ‘The Man From The East’, which also featured Morris Pert and keyboard player Peter Robinson.

Later the same year Yamashta formed the band East Wind with Gary Boyle (guitar), Hugh Hopper (bass) and Brian Gascoigne (keyboards) and recorded the excellent jazz rock album ‘Freedom Is Frightening’. This was followed in 1974 by another soundtrack work, ‘One By One’, also featuring a fine ensemble of acclaimed jazz and rock musicians. The 1975 album ‘Raindog’was met with critical acclaim and featured vocal contributions from singer Murray Head.

1976 would see Yamashta’s work reach an ever wider public thanks to his contribution to the soundtrack of the film The Man Who Fell To Earth (starring David Bowie) and the release of his concept album ‘Go’. The outstanding record saw him assemble a cast of outstanding musicians such as Steve Winwood (vocals, keyboards), Michael Shrieve (drums), Al Di Meola (guitar), Pat Thrall (guitar), Klaus Schulze (synthesisers) and Rosko Gee (bass). Featuring stunning arrangements by Paul Buckmaster, the album’s fusion of rock, jazz and electronics was greeted with much acclaim. The success of ‘Go’, led to a series of live concerts in Europe featuring the musicians who had appeared on the album. A concert at the Palais des Sports in Paris in June 1976 was recorded and released later that year.



Second Stomu album under the East Wind group name, with almost the same line-up, this album has a striking artwork photo of Stomu shot by future famous Mick Rock. The m album is actually the soundtrack of a movie (I've never seen it) of the movie of the same name, which appears to be about motor racing. Most of the music comes in a continuous flow, but it can't avoid the pitfall of soundtracks: like so many of those, the music serves the image and without the images, the music seems at times completely directionless, although One By One is not catastrophic in this regard.

The album starts (purposely?) on the 200 MPH title track suite (lasting almost 11 mins), which is a fast- driving jazz-rock, while the middle movement Hey Man is sung by percussionist/flutist Sami Abu, talking a sweet funk overtone, and the suite-closing Reprise sees Boyle's guitar solo soaring like an eagle over Hopper's superb bass work, which is quite different than what he had gotten used to on Soft Machine albums. The cosmic eerie opening Black Flame contrast with the solemnity of the rest of the track, a dramatic classical theme, played partly with classic instruments than with synthesizers. Rain race is is probably the best moment of the album with a superb Fender Rhodes over a string section, too bad its so short and followed by a fairly cheesy classical string closing Tangerine Beach, even if it had started well enough with a gloomy Moog trick.

The flipside attacks on a funk guitar over a square rhythm, and Yamashta's brother's violin and Abu's vocals and congas. While the 12-mins+ Superstar/Loxycycle (the only track played by other musicians than East Wind) goes through many changes, the track veers towards a jazz-funk that had by now overtaken the previous jazz-rock in most of the international JR/F scene. Nurburgring (it was at the time the longest circuit in the world measuring some 23 km long) is a quite interesting track, probably the proggiest of the album, but it's followed by a pointless Four Seasons passage (then again without the images of the movie, who says pointless) from Vivaldi. Accident is a wild musical free-for-all completely chaotic and followed by a cheesy mock chamber quartet piece to close the debate, echoing the other Tangerine track of the other side.

Yet another interesting album like Freedom, Floating Music and the Go project, OBO is certainly in Stomu's best five albums, although for a better enjoyment of this album, I think it would certainly gain seeing the movie for which the music was composed.

Sean Trane



The first time I heard something about this musical project was in 1976 in a radio station in my country. When I listened to it, for the first time, I must confess that I was very impressed with it. It seemed to me that it was a very different musical proposal. So, soon I tried to buy their first album 'Go', but unfortunately, I couldn't find it. It was only some years ago that I returned to search for it. After some difficulty, I had the luck of buying an expensive Japanese edition.

The Go Project was a very ambitious and innovative musical project, lead by an extraordinary Japanese percussionist, keyboardist and composer Stomu Yamash'ta, which finally brought for him, the international recognition that he so deserved. He had already released, until that date, six solo studio albums. The Go Project consists in three albums, two studio albums 'Go' and 'Go Too' released in 1976 and 1977 respectively and this live album 'Go Live From Paris' which was also released in 1976.

Stomu Yamash'ta was born in Kyoto, Japan and he studied music at Kyoto University in Japan, at Juilliard School of Music in New York City and at Berkeley College of Music in Boston, Massachusetts, and has also lectured in music. He was the director, producer and composer of the Red Buddha Theatre Company, and in 1972 he brought the Company from Japan to Europe. He worked briefly in France, writing and performing on theatrical multi-media projects, before moving to England. It was from England where he met so many artists and musicians, that he had the idea of creating this so ambitious musical project.

Beyond Stomu Yamash'ta, there are some other musicians in this project that deserve to be mentioned. Steve Winwood is a famous English singer, songwriter and a multi-instrumentalist that was member of The Spencer Davis Group, Traffic and Blind Faith, apart from his brilliant solo musical career. Michael Shrieve is an American drummer and percussionist that is best known as the Santana's first drummer. Klaus Schulze is a musical composer and a pioneer musician of the German electronic music who briefly was a member of Tangerine Dream and Ash Ra Tempel, and he has also a long and very solid solo musical career. Al Di Meola is an American guitarist with a long musical career and is one of the best and the most influential guitarists in the jazz fusion category, who collaborates frequently with other great musicians like Jean-Luc Ponty, John McLaughlin and Paco de Lucia.

'Go Live From Paris' was the second album to be released of Stomu Yamash'ta's project and was recorded live on 12th June 1976 at the Palais Des Sports in Paris, France. As with its studio version 'Go', this live version has also fourteen tracks and all the tracks flow together as a continuous piece of music. So, there's not much in the way of additional material, aside from the greatly extended 'Man Of Leo' which has lashings of superb guitar from Di Meola, and some slightly elongated bridges between the different themes. The whole double album is only a little over 20 minutes longer than the original album. The performances are remarkable though, as you might expect from these players, with one or two tracks perhaps even bettering their studio counterparts, and it does make for an interesting alternative to the studio album for fanatics like me. The recording quality is excellent, unlike some vintage live albums, but I'm sure that some of you won't see the need to have both, the live and the studio albums. However, 'Go Live From Paris' is, in my humble opinion, a more balanced album. I don't know sincerely if the main reason is because the alignment of the songs was totally changed, but the final result is that this new live version turned it in a better album.

Conclusion: 'Go Live From Paris' is a fantastic and beautiful live album, which isn't inferior to the most of the live albums released in the 70's. Especially, the second part of the album is truly remarkable and unforgettable, mainly because the great show of guitar of Di Meola on 'Crossing The Line' and also because 'Man Of Leo', which is, to my taste, the highest point on the album. The music doesn't lose a bit of its atmosphere in this setting, but it does naturally sound a bit earthier, especially the guitar sound. It's really fascinating listen to these extraordinary but at the same time so different musicians, working so well together. But nevertheless and unfortunately, we are in presence of an underrated project on Progarchives. 'Go Live From Paris' is one of the best live albums of the progressive music and is perhaps one of the less known. It's a pity that an album with so incredible musical moments and so finest playing being almost forgotten, as well this fantastic super group. Anyway, the true is that we are in presence of a lost gem that urgently needs to be discovered and appreciated as it really deserves. This new Yamash'ta's live seminal concept opus is more than sufficient to make me feel that this is really very well spent money for who want to buy it.

Prog is my Ferrari. Jem Godfrey (Frost)

VianaProghead



Here we are having a supergroup on the stage in Paris. Very relaxed and inspired performance with a special mixture of styles from Soul (Steve Winwood) to Electronic (Klaus Schulze, Stomu Yamash'ta) and Fusion (Al DiMeola). Michael Shrieve, who also played with SANTANA, acts as the wellknown proficient and accentuated drummer. Remarkable are also the brilliant vocals exchanges of Winwood and Karen Friedman. It's a little bit tricky - only Friedman is pointed out for additional vocals but you can hear also some other female backing voices.
The band is presenting the studio album 'Go' live with nearly the same line-up, but extended, with more improvisations. The release consists of 6 longer tracks - some of them have jam character - which take turns with spacy electronic breaks and piano interludes. Don't know why but the chronological order of the songs has been changed (the same with the 'The Complete Go Sessions').

So correctly it starts with LP 2 and the electric intro Solitude and Winner Loser closes finally with the band introduction. The beginning of Nature is guided by a piano and further on the song developes wonderful atmospheric and melodic. Crossing the Line follows with excellent vocals. And not to forget the splendid guitar work by Al DiMeola.

Man of Leo is the longest track, grooving and against with DiMeola's intense soloing. Wind Spin is an instrumental jam pressed ahead with a funky/fusion bass and then fades into the uptempo Ghost Machine with a Jazz/Rock attitude. Time Is Here is midtempo, more soul/funk, especially highlighted by Karen Friedman's expressive interaction with Winwood. Winner Loser in the end is written by Winwood and remembers much at his times with TRAFFIC.

A great performance from this band which units some extraordinary musicians. Stomu Yamashta restrains himself to allow some other members to reap the fruits of their work. This release was later (2005) added to the compilation 'The Complete Go Sessions'.

Rivertree



..::TRACK-LIST::..

1. Space Song (2:29)
2. Carnival (1:18)
3. Windspin (8:17)
4. Ghost Machine (3:51)
5. Surfspin (2:12)
6. Time Is Here (6:58)
7. Winner Loser (5:26)
8. Solitude (2:01)
9. Nature (4:27)
10. Air Voice (2:19)
11. Crossing The Line (5:33)
12. Man Of Leo (14:22)
13. Stellar (1:22)
14. Space Requiem (3:14)



..::OBSADA::..

Synthesizer - Klaus Schulze
Vocals - Karen Friedman
Vocals, Keyboards - Steve Winwood
Percussion, Piano - Stomu Yamashta
Bass - Jerome Rimson
Congas - Brother James
Drums - Michael Shrieve
Engineer – Robert Ash
Guitar - Pat Thrall
Lead Guitar [Solo] - Al Di Meola




https://www.youtube.com/watch?v=RuCC21mFMzk



SEED 14:30-23:00.
POLECAM!!!

...( Info )...

Artist...............: Rickie Lee Jones
Album................: Pieces of Treasure
Genre................: Jazz, Folk
Year.................: 2023
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. Rickie Lee Jones - Just in Time
2. Rickie Lee Jones - There Will Never Be Another You
3. Rickie Lee Jones - Nature Boy
4. Rickie Lee Jones - One for My Baby
5. Rickie Lee Jones - They Can't Take That Away from Me
6. Rickie Lee Jones - All the Way
7. Rickie Lee Jones - Here's That Rainy Day
8. Rickie Lee Jones - September Song
9. Rickie Lee Jones - On the Sunny Side of the Street
10. Rickie Lee Jones - It's All in the Game

..::INFO::..

Artist: John Zorn
Album: 444
Year: 2023
Genre: Jazz
Format: FLAC 16 bit/44100Hz

..::TRACK-LIST::..

01. Splendour Solis
02. Retort
03. In Sulphur And In Flame
04. Astral Projection
05. Civil Disobedience
06. With Blood I Summon Thee
07. Salt And Mercury
08. Tayy Al-Ard

Pat Metheny - Dream Box

...( Dane Techniczne )...

Format: Free Lossless Audio Codec 24bit-96kHz

...( Opis )...

Gatunek: Jazz
Kraj: UK
Okładki: Tak
Data wydania: 16.06.2023
Całkowity czas: 56:04

...( TrackList )...

Songs / Tracks Listing

01. The Waves Are Not The Ocean (5:39)
02. From The Mountains (8:20)
03. Ole & Gard (6:33)
04. Trust Your Angels (5:29)
05. Never Was Love (5:57)
06. I Fall In Love Too Easily (5:08)
07. P.C. of Belgium (5:01)
08. Morning Of The Carnival (6:43)
09. Clouds Can't Change the Sky (7:15)

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



...( Opis )...

After the dissolution of KING CRIMSON (80's edition), Bill BRUFORD recruited sax player Iaian Ballamy, keyboardist, horn and trumpet player Django Bates and acoustic bass player Mick Hutton to form EARTHWORKS - a perfect platform to showcase his true passion: jazz. Apart from BRUFORD, EARTHWORKS's latest incarnation featured Tim Garland on sax, flute and bass clarinet, Steve Hamilton on piano and Mark Hodgson on bass. The band is credited with six studio albums, two live cd's and one compilation disk.

BRUFORD himself considers their first album (the eponymous 1987 "Earthworks") one of the highlights of his career and perhaps rightly so. Even though it is very much a product of the jazz genre, the eclecticism of influences including world music elements, the varied structures and moods of the compositions, and the dynamic musicianship make this as progressive an album as one can get. With "The Sound of Surprise" released in 2001, however, the band seems to have ditched electronic sound sculptures in favour of a more traditional jazz kit; as a result, the music reaches an almost cool, hard-bop and old-school fusion, not unlike what post-boppers were doing before BRUFORD joined YES in 1968. This album, along with the subsequent studio release "The Sound of Surprise" in 2001, isn't exactly cutting edge or innovative but still quite likeable.

If you don't like jazz, stay away from this band. If you do, their first studio album comes highly recommended. If you want to hear BRUFORD and the boys hit on all cylinders, you can't go wrong with their 1994 "Stamping Ground - Live" album.



...( TrackList )...

Earthworks Underground Orchestra:
1. Libreville  8:09
Baritone Saxophone - Chris Karlic
Flute - Steve Wilson
Tenor Saxophone - Tim Garland
Trumpet - Alex Sipiagin

2. Up North  7:56
Alto Saxophone - Steve Wilson
Trombone - Rock Ciccarone

3. Pigalle  5:35
Piano - Henry Hey
Soprano Saxophone - Steve Wilson

4. Speaking In Wooden Tongues  8:45
Bass - Mike Pope
Soprano Saxophone - Steve Wilson
Trumpet - Alex Sipiagin

5. Footloose And Fancy Free  10:31
Drums - Bill Bruford
Piano - Henry Hey
Tenor Saxophone - Tim Garland
Trombone - Robin Eubanks

6. Bajo Del Sol  9:29
Bass Clarinet, Soprano Saxophone - Tim Garland
Drums - Bill Bruford
Piano - Henry Hey

7. It Needn't End In Tears  8:43
Bass - Mike Pope
Flute - Chris Karlic
Tenor Saxophone - Tim Garland

8. The Wooden Man Sings And The Stone Woman Dances  13:30
Drums - Bill Bruford
Piano - Henry Hey
Trombone - Rock Ciccarone
Trumpet - Alex Sipiagin

Recorded live at Iridium Jazz Club NYC.



...( Obsada )...

Alto Saxophone, Soprano Saxophone, Flute - Steve Wilson
Arranged By - Iain Ballamy (tracks: 1-7, 2-1), Tim Garland (tracks: 1-1 to 1-6, 1-8, 2-2)
Baritone Saxophone, Flute - Chris Karlic
Drums, Percussion, Producer - Bill Bruford
Electric Bass, Acoustic Bass - Mike Pope
Engineer [Mix & Mastering] - Andrew Tulloch
Engineer [Recording] - Robert Frazza
Piano - Henry Hey
Tenor Saxophone, Soprano Saxophone, Flute, Bass Clarinet - Tim Garland
Trombone - Robin Eubanks (tracks: 1-4, 1-5, 2-1), Rock Ciccarone
Trumpet - Alex 'Sasha' Sipiagin, Jon Owens




https://www.youtube.com/watch?v=z5_5i2MWGoc



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



...( Opis )...

After the dissolution of KING CRIMSON (80's edition), Bill BRUFORD recruited sax player Iaian Ballamy, keyboardist, horn and trumpet player Django Bates and acoustic bass player Mick Hutton to form EARTHWORKS - a perfect platform to showcase his true passion: jazz. Apart from BRUFORD, EARTHWORKS's latest incarnation featured Tim Garland on sax, flute and bass clarinet, Steve Hamilton on piano and Mark Hodgson on bass. The band is credited with six studio albums, two live cd's and one compilation disk.

BRUFORD himself considers their first album (the eponymous 1987 "Earthworks") one of the highlights of his career and perhaps rightly so. Even though it is very much a product of the jazz genre, the eclecticism of influences including world music elements, the varied structures and moods of the compositions, and the dynamic musicianship make this as progressive an album as one can get. With "The Sound of Surprise" released in 2001, however, the band seems to have ditched electronic sound sculptures in favour of a more traditional jazz kit; as a result, the music reaches an almost cool, hard-bop and old-school fusion, not unlike what post-boppers were doing before BRUFORD joined YES in 1968. This album, along with the subsequent studio release "The Sound of Surprise" in 2001, isn't exactly cutting edge or innovative but still quite likeable.

If you don't like jazz, stay away from this band. If you do, their first studio album comes highly recommended. If you want to hear BRUFORD and the boys hit on all cylinders, you can't go wrong with their 1994 "Stamping Ground - Live" album.



...( TrackList )...

Earthworks Underground Orchestra:
1. Libreville  8:09
Baritone Saxophone - Chris Karlic
Flute - Steve Wilson
Tenor Saxophone - Tim Garland
Trumpet - Alex Sipiagin

2. Up North  7:56
Alto Saxophone - Steve Wilson
Trombone - Rock Ciccarone

3. Pigalle  5:35
Piano - Henry Hey
Soprano Saxophone - Steve Wilson

4. Speaking In Wooden Tongues  8:45
Bass - Mike Pope
Soprano Saxophone - Steve Wilson
Trumpet - Alex Sipiagin

5. Footloose And Fancy Free  10:31
Drums - Bill Bruford
Piano - Henry Hey
Tenor Saxophone - Tim Garland
Trombone - Robin Eubanks

6. Bajo Del Sol  9:29
Bass Clarinet, Soprano Saxophone - Tim Garland
Drums - Bill Bruford
Piano - Henry Hey

7. It Needn't End In Tears  8:43
Bass - Mike Pope
Flute - Chris Karlic
Tenor Saxophone - Tim Garland

8. The Wooden Man Sings And The Stone Woman Dances  13:30
Drums - Bill Bruford
Piano - Henry Hey
Trombone - Rock Ciccarone
Trumpet - Alex Sipiagin

Recorded live at Iridium Jazz Club NYC.



...( Obsada )...

Alto Saxophone, Soprano Saxophone, Flute - Steve Wilson
Arranged By - Iain Ballamy (tracks: 1-7, 2-1), Tim Garland (tracks: 1-1 to 1-6, 1-8, 2-2)
Baritone Saxophone, Flute - Chris Karlic
Drums, Percussion, Producer - Bill Bruford
Electric Bass, Acoustic Bass - Mike Pope
Engineer [Mix & Mastering] - Andrew Tulloch
Engineer [Recording] - Robert Frazza
Piano - Henry Hey
Tenor Saxophone, Soprano Saxophone, Flute, Bass Clarinet - Tim Garland
Trombone - Robin Eubanks (tracks: 1-4, 1-5, 2-1), Rock Ciccarone
Trumpet - Alex 'Sasha' Sipiagin, Jon Owens




https://www.youtube.com/watch?v=z5_5i2MWGoc



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



...( Opis )...

After the dissolution of KING CRIMSON (80's edition), Bill BRUFORD recruited sax player Iaian Ballamy, keyboardist, horn and trumpet player Django Bates and acoustic bass player Mick Hutton to form EARTHWORKS - a perfect platform to showcase his true passion: jazz. Apart from BRUFORD, EARTHWORKS's latest incarnation featured Tim Garland on sax, flute and bass clarinet, Steve Hamilton on piano and Mark Hodgson on bass. The band is credited with six studio albums, two live cd's and one compilation disk.

BRUFORD himself considers their first album (the eponymous 1987 "Earthworks") one of the highlights of his career and perhaps rightly so. Even though it is very much a product of the jazz genre, the eclecticism of influences including world music elements, the varied structures and moods of the compositions, and the dynamic musicianship make this as progressive an album as one can get. With "The Sound of Surprise" released in 2001, however, the band seems to have ditched electronic sound sculptures in favour of a more traditional jazz kit; as a result, the music reaches an almost cool, hard-bop and old-school fusion, not unlike what post-boppers were doing before BRUFORD joined YES in 1968. This album, along with the subsequent studio release "The Sound of Surprise" in 2001, isn't exactly cutting edge or innovative but still quite likeable.

If you don't like jazz, stay away from this band. If you do, their first studio album comes highly recommended. If you want to hear BRUFORD and the boys hit on all cylinders, you can't go wrong with their 1994 "Stamping Ground - Live" album.



...( TrackList )...

CD 1:
1. Up North
2. All Heaven Broke Loose
3. Stromboli Kicks
4. Bridge Of Inhibition
5. Emotional Shirt
6. Candles Still Flicker In Romania's Dark

CD 2:
7. Nerve
8. Pigalle
9. Never The Same Way Once
10. Some Shiver While He Cavorts
11. Bridge Of Inhibition (Alternative Version)



...( Obsada )...

Acoustic Bass - Mark Hodgson (tracks: 9 to 11)
Acoustic Bass, Electric Bass - Tim Harries (tracks: 1 to 8)
Alto Saxophone, Tenor Saxophone, Soprano Saxophone - Iain Ballamy (tracks: 1 to 8)
Drums [Acoustic], Electronic Drums - Bill Bruford
Horn [Eb Peck], Keyboards - Django Bates (tracks: 1 to 8)
Piano - Steve Hamilton (tracks: 9 to 11)
Tenor Saxophone, Soprano Saxophone - Patrick Clahar (tracks: 9 to 11)




https://www.youtube.com/watch?v=eVZexDINBPM



SEED 14:30-23:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



...( Opis )...

After the dissolution of KING CRIMSON (80's edition), Bill BRUFORD recruited sax player Iaian Ballamy, keyboardist, horn and trumpet player Django Bates and acoustic bass player Mick Hutton to form EARTHWORKS - a perfect platform to showcase his true passion: jazz. Apart from BRUFORD, EARTHWORKS's latest incarnation featured Tim Garland on sax, flute and bass clarinet, Steve Hamilton on piano and Mark Hodgson on bass. The band is credited with six studio albums, two live cd's and one compilation disk.

BRUFORD himself considers their first album (the eponymous 1987 "Earthworks") one of the highlights of his career and perhaps rightly so. Even though it is very much a product of the jazz genre, the eclecticism of influences including world music elements, the varied structures and moods of the compositions, and the dynamic musicianship make this as progressive an album as one can get. With "The Sound of Surprise" released in 2001, however, the band seems to have ditched electronic sound sculptures in favour of a more traditional jazz kit; as a result, the music reaches an almost cool, hard-bop and old-school fusion, not unlike what post-boppers were doing before BRUFORD joined YES in 1968. This album, along with the subsequent studio release "The Sound of Surprise" in 2001, isn't exactly cutting edge or innovative but still quite likeable.

If you don't like jazz, stay away from this band. If you do, their first studio album comes highly recommended. If you want to hear BRUFORD and the boys hit on all cylinders, you can't go wrong with their 1994 "Stamping Ground - Live" album.



...( TrackList )...

CD 1:
1. Up North
2. All Heaven Broke Loose
3. Stromboli Kicks
4. Bridge Of Inhibition
5. Emotional Shirt
6. Candles Still Flicker In Romania's Dark

CD 2:
7. Nerve
8. Pigalle
9. Never The Same Way Once
10. Some Shiver While He Cavorts
11. Bridge Of Inhibition (Alternative Version)



...( Obsada )...

Acoustic Bass - Mark Hodgson (tracks: 9 to 11)
Acoustic Bass, Electric Bass - Tim Harries (tracks: 1 to 8)
Alto Saxophone, Tenor Saxophone, Soprano Saxophone - Iain Ballamy (tracks: 1 to 8)
Drums [Acoustic], Electronic Drums - Bill Bruford
Horn [Eb Peck], Keyboards - Django Bates (tracks: 1 to 8)
Piano - Steve Hamilton (tracks: 9 to 11)
Tenor Saxophone, Soprano Saxophone - Patrick Clahar (tracks: 9 to 11)




https://www.youtube.com/watch?v=eVZexDINBPM



SEED 14:30-23:00.
POLECAM!!!

...( Info )...

Artist...............: Holly Cole
Album................: Blame It On My Youth
Genre................: Jazz
Year.................: 1991
Codec................: Free Lossless Audio Codec (FLAC)

...( TrackList )...

1. Holly Cole - Trust in Me
2. Holly Cole - I'm Gonna Laugh You Right Out Of My Life
3. Holly Cole - If I Were A Bell
4. Holly Cole - Smile
5. Holly Cole - Purple Avenue
6. Holly Cole - Calling You
7. Holly Cole - God Will
8. Holly Cole - On The Street Where You Live
9. Holly Cole - Honeysuckle Rose
10. Holly Cole - I'll Be Seeing You

...( Info )...

Artist: Jan Garbarek
Album: Triptykon
Year: 2023
Genre: Jazz
Format: FLAC 24 bit/96000Hz

...( TrackList )...

01. Rim
02. Selje
03. J.E.V.
04. Sang
05. Triptykon
06. Etu Hei!
07. Bruremarsj

...( Info )...

Artist: Tomasz Stańko
Album: Balladyna
Year: 2023
Genre: Jazz
Format: FLAC 24 bit/96000Hz

...( TrackList )...

01. First Song
02. Tale
03. Num
04. Duet
05. Balladyna
06. Last Song
07. Nenaliina

...( Info )...

Artist: Chick Corea
Album: A.R.C. (Remastered)
Year: 2023
Genre: Jazz
Format: FLAC 24 bit/96000Hz

...( TrackList )...

01. Nefertitti
02. Ballad For Tillie
03. A.R.C.
04. Vadana
05. Thanatos
06. Games