...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Techniczny brutalny death metal z Ukrainy. W składzie byli muzycy BREDOR i DATURA!
Dla fanów GORGUTS itp.

Technical brutal death metal from the Ukraine! Featuring ex-members of Bredor and Datura!! A must for fans of Gorguts, etc...



..::TRACK-LIST::..

1. Bitter Poison 03:33
2. Multifaced 04:53
3. Cared by Prejudices 02:50
4. Feeding the Carnivorous 04:23
5. Collector of Psychological Traumas 04:38

Recorded and mixed in 'Beasts Studio' June 2010



..::OBSADA::..

Vocals - Eugene Grachyov
Drums - Alexey Tsipchenko
Guitar - Vadim Bugayov
Bass - Yulick



https://www.youtube.com/watch?v=H4c80bheq3w



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Powiem, że krążek zrobił na mnie ogromne wrażenie!
Nie miałem pojęcia o istnieniu tej kapeli. Prawie 30 lat od wydania tego materiału... Zupełna nowość... Zaskoczenie...

FA


The label continues to release albums of bands 90s, whose work is worthy of being embodied in physical form. Perm city musicians recorded the album "The Realms Of Fancy" on their own in 1996. Prog Death Metal, non-standard melody coupled with traditional growling. Exemplary analogies are Nocturnus, Opeth, Edge of Sanity. First time at cd! Sound that has been adjusted and remastered in Deathrawsound. New cover art - Armaada Art.



..::TRACK-LIST::..

1. Saint Hate 03:38
2. The Prayer Of The Vampire 03:33
3. Warhead 05:13
4. The Place 03:06
5. The Beginning 03:19
6. Disease 03:50
7. Son Of The Nature 03:08
8. Machines 03:20
9. Energy 04:15
10. Difference 04:00



..::OBSADA::..

Evgeny 'Mike' Makeev - Vocals, Bass, Lyrics
Eduard 'Dick' Yuzhakov (R.I.P. 2000) - Guitars
Dmitry 'Ben' Bersenev - Drums
Mikhail 'Misha' Toburdanovskiy - Guitars




https://www.youtube.com/watch?v=ZWP66ENAxmo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Powiem, że krążek zrobił na mnie ogromne wrażenie!
Nie miałem pojęcia o istnieniu tej kapeli. Prawie 30 lat od wydania tego materiału... Zupełna nowość... Zaskoczenie...

FA


The label continues to release albums of bands 90s, whose work is worthy of being embodied in physical form. Perm city musicians recorded the album "The Realms Of Fancy" on their own in 1996. Prog Death Metal, non-standard melody coupled with traditional growling. Exemplary analogies are Nocturnus, Opeth, Edge of Sanity. First time at cd! Sound that has been adjusted and remastered in Deathrawsound. New cover art - Armaada Art.



..::TRACK-LIST::..

1. Saint Hate 03:38
2. The Prayer Of The Vampire 03:33
3. Warhead 05:13
4. The Place 03:06
5. The Beginning 03:19
6. Disease 03:50
7. Son Of The Nature 03:08
8. Machines 03:20
9. Energy 04:15
10. Difference 04:00



..::OBSADA::..

Evgeny 'Mike' Makeev - Vocals, Bass, Lyrics
Eduard 'Dick' Yuzhakov (R.I.P. 2000) - Guitars
Dmitry 'Ben' Bersenev - Drums
Mikhail 'Misha' Toburdanovskiy - Guitars




https://www.youtube.com/watch?v=ZWP66ENAxmo



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Fantasmagoryczny wir wielobarwnej perwersji!

FA


With manic glee, Fathomless Ritual recreate the maddening, unhinged kind of death metal created by the likes of Demilich and give their own ugly, grime-ridden twist to it. The music has a darker, murkier, cavernous sound but all the same has a denser quality and a sense of modern urgency about it which livens up the proceedings. There's nary a dull moment on the album with there being a constant barrage of riffs all wriggling their way into your brain but it's done in such a boisterous manner that it doesn't feel at all life-threatening. Having the experience of bands such as Gutvoid, Fumes, Pukewraith, the sole mastermind behind the band, B. Dean, knows his way around death metal and how best to compound this particular style without destroying its essence or appeal for that matter. Without attempting to dethrone the gods, he's made a conscientious effort to make the sound more extreme and relevant in his own way and to that extent it works amazingly well. This is an album that should delight any fan of underground death metal music.

For fans of: Demilich, Chthe'ilist, Dead and Dripping, Mortiferum, Dead, Adramelech, Cryptworm



This truly fathomless, strictly ritualistic stuff has been concocted by just one musician, the name Brendan Dean, a young aspiring deathster form Toronto town who has already accumulated a sizeable resume with his participation in a voluminous number of outfits, all operating within the death metal circles, like Gutvoid, Body Asphyxiation Science, Fumes, Alucard, etc.

In other words, we may as well have the sworn death metal guru of the entire province of Ontario, another strife at this admirable designation being the album reviewed here. Dean jumps head-over-heels here into Lovecraftian folklore with dark, dissonant twisted riffs and extrapolations that would bring to mind (thousand)lake dwellers like Demilich and Nomicon, the surreal Russian “beauticians” Beheaded Zombie, and another enigmatic formation shredding much closer to home, the near-neighbours from Ottawa Exlimitir.

The man wastes no precious second and catapults the listener into his tenebrous sinister art with the non-fussy dissonant wonder “Hecatomb for an Unending Madness”; madness guaranteed within mere 3-min, with swirling crooked riffs and angular rhythmic jolts popping up at every nook and corner, Dean providing a not very decipherable but suitable guttural deathly baritone behind the mike. Crazy compelling stuff that will satisfy all gods, either lesser or major, including with the marvelously chaotic “Exiled to the Lower Catacombs”, the denizens of said catacombs reveling in constant time and tempo shifts, with sudden slowdowns brusquely swept aside by the next-in-line stylized spasm of brutality. Although “Gorge of the Nameless” may seem like a respite with its dense heavy mid-tempo riff-patterns, Dean is conscious of not serving two similar anti-climactisms in a row, and throws in the lengthy, pleasantly meandering saga “Grafted to the Chambers of Mirth”, the perfect summation of his lofty exploits heretofore, his repertoire later enriched with nods at the highbrow Floridian branch from the movement (the miasmic Morbid Angel-esque “Wielding the Bone Wand”), surprisingly melodious variations on the Demilich lakeside tales (“Cosmic Reflections from the Basin of Blood”), and successful attempts at summarizing the Australians Portal’s hyper-active dissonant formulas (“Gelatinous Being of Countless Forms”) but in a decidedly more digestible, less overwhelming manner.

There are also shades of Mekong Delta’s unorthodox, left-hand-path heritage (the spastic schizoid shredder “Gifts for Aranaktu”), only served with a hefty deathly sniff, the latter the guiding light on this really appetizing recording that sees Dean rising above the more formulaic histrionics of the other acts that he’s been involved with, further consolidating his homeland’s reputation as a reliable, near-constant provided of offbeat, less ordinary music. This is almost as compelling as another admirable addition to the DDD (dark dissonant deathliness) Department from last year, their southern neighbours Fabricant’s debut (“Drudge to the Thicket”), the Canadians bending it in a marginally more aggressive, speedier fashion. Re-inventing the wheel this isn’t, but is a thoroughly satisfying interpretation of canons within the death metal circle that have always evoked awe and respect amongst the more adventurous music lovers…

and one for which Dean doesn’t need too many helping hands if any at all. He walks alone, with his head held high, bracing himself for whatever dangerous encounters may befall him… music of the kind begets monstrosities, hey! Not to mention the constant concern as to how those capricious elder deities would react to it.

Bayern



..::TRACK-LIST::..

1. Hecatomb for an Unending Madness 02:31
2. Exiled to the Lower Catacombs 04:54
3. Gorge of the Nameless 04:15
4. Grafted to the Chambers of Mirth 06:11
5. Wielding the Bone Wand 04:44
6. Cosmic Reflections from the Basin of Blood 04:00
7. Gelatinous Being of Countless Forms 04:57
8. Gifts for Aranaktu 06:54



..::OBSADA::..

B. Dean (Gutvoid, Fumes, Pukewraith) - Vocals, Guitars, Bass, Drum Programming



https://www.youtube.com/watch?v=wFae0UvqlVA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Fantasmagoryczny wir wielobarwnej perwersji!

FA


With manic glee, Fathomless Ritual recreate the maddening, unhinged kind of death metal created by the likes of Demilich and give their own ugly, grime-ridden twist to it. The music has a darker, murkier, cavernous sound but all the same has a denser quality and a sense of modern urgency about it which livens up the proceedings. There's nary a dull moment on the album with there being a constant barrage of riffs all wriggling their way into your brain but it's done in such a boisterous manner that it doesn't feel at all life-threatening. Having the experience of bands such as Gutvoid, Fumes, Pukewraith, the sole mastermind behind the band, B. Dean, knows his way around death metal and how best to compound this particular style without destroying its essence or appeal for that matter. Without attempting to dethrone the gods, he's made a conscientious effort to make the sound more extreme and relevant in his own way and to that extent it works amazingly well. This is an album that should delight any fan of underground death metal music.

For fans of: Demilich, Chthe'ilist, Dead and Dripping, Mortiferum, Dead, Adramelech, Cryptworm



This truly fathomless, strictly ritualistic stuff has been concocted by just one musician, the name Brendan Dean, a young aspiring deathster form Toronto town who has already accumulated a sizeable resume with his participation in a voluminous number of outfits, all operating within the death metal circles, like Gutvoid, Body Asphyxiation Science, Fumes, Alucard, etc.

In other words, we may as well have the sworn death metal guru of the entire province of Ontario, another strife at this admirable designation being the album reviewed here. Dean jumps head-over-heels here into Lovecraftian folklore with dark, dissonant twisted riffs and extrapolations that would bring to mind (thousand)lake dwellers like Demilich and Nomicon, the surreal Russian “beauticians” Beheaded Zombie, and another enigmatic formation shredding much closer to home, the near-neighbours from Ottawa Exlimitir.

The man wastes no precious second and catapults the listener into his tenebrous sinister art with the non-fussy dissonant wonder “Hecatomb for an Unending Madness”; madness guaranteed within mere 3-min, with swirling crooked riffs and angular rhythmic jolts popping up at every nook and corner, Dean providing a not very decipherable but suitable guttural deathly baritone behind the mike. Crazy compelling stuff that will satisfy all gods, either lesser or major, including with the marvelously chaotic “Exiled to the Lower Catacombs”, the denizens of said catacombs reveling in constant time and tempo shifts, with sudden slowdowns brusquely swept aside by the next-in-line stylized spasm of brutality. Although “Gorge of the Nameless” may seem like a respite with its dense heavy mid-tempo riff-patterns, Dean is conscious of not serving two similar anti-climactisms in a row, and throws in the lengthy, pleasantly meandering saga “Grafted to the Chambers of Mirth”, the perfect summation of his lofty exploits heretofore, his repertoire later enriched with nods at the highbrow Floridian branch from the movement (the miasmic Morbid Angel-esque “Wielding the Bone Wand”), surprisingly melodious variations on the Demilich lakeside tales (“Cosmic Reflections from the Basin of Blood”), and successful attempts at summarizing the Australians Portal’s hyper-active dissonant formulas (“Gelatinous Being of Countless Forms”) but in a decidedly more digestible, less overwhelming manner.

There are also shades of Mekong Delta’s unorthodox, left-hand-path heritage (the spastic schizoid shredder “Gifts for Aranaktu”), only served with a hefty deathly sniff, the latter the guiding light on this really appetizing recording that sees Dean rising above the more formulaic histrionics of the other acts that he’s been involved with, further consolidating his homeland’s reputation as a reliable, near-constant provided of offbeat, less ordinary music. This is almost as compelling as another admirable addition to the DDD (dark dissonant deathliness) Department from last year, their southern neighbours Fabricant’s debut (“Drudge to the Thicket”), the Canadians bending it in a marginally more aggressive, speedier fashion. Re-inventing the wheel this isn’t, but is a thoroughly satisfying interpretation of canons within the death metal circle that have always evoked awe and respect amongst the more adventurous music lovers…

and one for which Dean doesn’t need too many helping hands if any at all. He walks alone, with his head held high, bracing himself for whatever dangerous encounters may befall him… music of the kind begets monstrosities, hey! Not to mention the constant concern as to how those capricious elder deities would react to it.

Bayern



..::TRACK-LIST::..

1. Hecatomb for an Unending Madness 02:31
2. Exiled to the Lower Catacombs 04:54
3. Gorge of the Nameless 04:15
4. Grafted to the Chambers of Mirth 06:11
5. Wielding the Bone Wand 04:44
6. Cosmic Reflections from the Basin of Blood 04:00
7. Gelatinous Being of Countless Forms 04:57
8. Gifts for Aranaktu 06:54



..::OBSADA::..

B. Dean (Gutvoid, Fumes, Pukewraith) - Vocals, Guitars, Bass, Drum Programming



https://www.youtube.com/watch?v=wFae0UvqlVA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Malezyjski OBSCURIAL trafia w sedno!
Jest dokładnie tym, czego szukam w nowych krążkach, obrzydliwy w każdym calu, a jego zgniły, ton narasta wraz z bestialską agresją. Brawo!


Obscurial returns with their sophomore album entitled 'Heretic'. Expect faster, darker atmosphere and more brutality!



..::TRACK-LIST::..

1. Hexed (Instrumental) 01:20
2. Blasphemous Cult 04:13
3. Circle of Heretics 04:07
4. Maggot Incubation 06:06
5. Locust Plague 03:47
6. Serpentspawn 04:22
7. Carrion Disease 05:05
8. A Cure for Sickness 08:54
9. Endless Trauma (Instrumental) 02:58



..::OBSADA::..

Dee - vocals
Afiq - guitar, backing vocal
Naim - guitar
Arap - bass
Adam - drums



https://www.youtube.com/watch?v=VlqxMY1t6Ko



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Malezyjski OBSCURIAL trafia w sedno!
Jest dokładnie tym, czego szukam w nowych krążkach, obrzydliwy w każdym calu, a jego zgniły, ton narasta wraz z bestialską agresją. Brawo!



Obscurial returns with their sophomore album entitled 'Heretic'. Expect faster, darker atmosphere and more brutality!



..::TRACK-LIST::..

1. Hexed (Instrumental) 01:20
2. Blasphemous Cult 04:13
3. Circle of Heretics 04:07
4. Maggot Incubation 06:06
5. Locust Plague 03:47
6. Serpentspawn 04:22
7. Carrion Disease 05:05
8. A Cure for Sickness 08:54
9. Endless Trauma (Instrumental) 02:58



..::OBSADA::..

Dee - vocals
Afiq - guitar, backing vocal
Naim - guitar
Arap - bass
Adam - drums



https://www.youtube.com/watch?v=VlqxMY1t6Ko



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nieprzerwana kanonada niszczycielskich blastów, zabójczych riffów, oleistego groove’u i okropnych growli, a wszystko to okraszone potężnym, mięsistym brzmieniem.
Absolutnie wyśmienita!
Od początku do końca Chaos Catharsis demonstruje absolutne mistrzostwo, dając prawdziwą lekcję brutalnego death metalu, taką, jaką chciałbym słyszeć częściej.
Tak to zawsze powinno brzmieć.


Amazing french - speaking brutal death metal from Canada. Cover art by Kumislizer Design.



..::TRACK-LIST::..

1. Oppression De Masse 05:02
2. Extase Dans La Violence 05:14
3. Le Râle De L'Agonie 04:58
4. Cataclysme Cosmique 04:17
5. Un Océan De Vide 07:45
6. Craniectomie 04:53
7. Mandala Cadavérique 05:22
8. Torturé À Perpétuité 06:19



..::OBSADA::..

Christopher Watt - Guitars, Vocals
Rodolphe Bernier - Bass, Vocals (backing)
Charléli Arsenault - Drums, Vocals (backing)




https://www.youtube.com/watch?v=H6UWrJs48XM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nieprzerwana kanonada niszczycielskich blastów, zabójczych riffów, oleistego groove’u i okropnych growli, a wszystko to okraszone potężnym, mięsistym brzmieniem.
Absolutnie wyśmienita!
Od początku do końca Chaos Catharsis demonstruje absolutne mistrzostwo, dając prawdziwą lekcję brutalnego death metalu, taką, jaką chciałbym słyszeć częściej.
Tak to zawsze powinno brzmieć.


Amazing french - speaking brutal death metal from Canada. Cover art by Kumislizer Design.



..::TRACK-LIST::..

1. Oppression De Masse 05:02
2. Extase Dans La Violence 05:14
3. Le Râle De L'Agonie 04:58
4. Cataclysme Cosmique 04:17
5. Un Océan De Vide 07:45
6. Craniectomie 04:53
7. Mandala Cadavérique 05:22
8. Torturé À Perpétuité 06:19



..::OBSADA::..

Christopher Watt - Guitars, Vocals
Rodolphe Bernier - Bass, Vocals (backing)
Charléli Arsenault - Drums, Vocals (backing)




https://www.youtube.com/watch?v=H6UWrJs48XM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To najwyższej klasy blackened death metal.
Po prostu absolutnie miażdżący krążek!


Debiutancki album czeskiego black/deathmetalowego zespołu złożonego z muzyków FEEBLE MINDED, IMPERIAL FOETICIDE, HEAVING EARTH, CULT OF FIRE, ELYSIUM, BRUTE, GARBAGE DISPOSAL, INTERVALLE BIZZARE, FLESHLESS, SUPREME CONCEPTION, BRUTALLY DECEASED.

Na płycie znajdziecie aż osiem kawałków pełnych mocy death black metalu, gdzie każdy z nich został przemyślany pod kątem detali. Artyści z zespołu ALTARS ABLAZE postawili na oryginalne rozwiązania, dzięki czemu ich muzyka urzeka różnorodnością. Słuchając produkcji "ALTARS ABLAZE - Life Desecration CD" można wyróżnić wiele elementów, które z powodzeniem łączą ze sobą intensywne riffy, oryginalne motywy oraz zmienne rytmy. Album ten to propozycja dla prawdziwych twardzieli, którzy nie boją się wyzwań oraz niespodziewanych momentów. Zespół ALTARS ABLAZE wprowadza słuchacza w ekstremalny, ciemny świat muzyki.

Dlatego, jeżeli jesteś gotowy na mocne brzmienia, które wprowadzą Cię w zupełnie inny wymiar - to właśnie ta propozycja jest dla Ciebie! Dla fanów złowieszczego death metali w klimacie ANGELCORPSE, HATE ETERNAL oiraz DIABOLIC) połączonego z agresynwością black metalu w klimacie 1349 i SETHERIAL.



Life Desecration by ALTARS ABLAZE consists of eight songs of cutting edge death black metal which propel the genre's history into the chaotic madness of our current day and the future.
Another, so needed, defining chapter of this extraordinary and special sub-genre, which merges the most extreme elements from the black and death metal worlds, is upon us.

When it comes to extreme metal, words like “brutal” or “bestial” are often tossed around as euphemisms for “low-effort.” Many releases promise an uncompromising degree of sonic destruction, but rarely follow through with ideas interesting and well-crafted enough to deliver on that promise. Life Desecration, the debut offering from Czechia’s ALTARS ABLAZE takes a nuclear sledgehammer to that trend. Forged by seasoned veterans of the Czech extreme metal scene, Life Desecration unleashes a flurry of blackened death carnage that concentrates enough concussive force to rival the most vicious of their more primitive antecedents. But this quintet sets itself apart by refusing to sacrifice compelling artistry in the pursuit of sonic savagery.

ALTARS ABLAZE’s mode of attack hearkens back to the finest moments of the infernal blasting death metal of the late 90s (embodied by the likes of ANGELCORPSE, HATE ETERNAL and DIABOLIC), blended with the most aggressive specimens of Nordic black metal, such as 1349 and SETHERIAL. But these are merely convenient points of reference. ALTARS ABLAZE are consummately unique in their interpretation of their style, with nuanced riffing and a command of dynamics, far exceeding those of any superficially comparable act.

ALTARS ABLAZE’s rare creativity shines through in a variety of unexpected moments throughout this record, too many to mention individually. Put simply, the band is unafraid to throw listeners off-balance by introducing dense layering of guitar polyphony, riffs that cycle through multiple divergent paths, and the introduction of asymmetrical shuffling drums amidst the blasting. In just over half an hour, ALTARS ABLAZE assert themselves as a distinctive and fearsome entity, and prove that, even in a style known for relentless aggression, there is ample room for subtlety and compelling songwriting.



..::TRACK-LIST::..

1. For The Lifeless Love Of A Crucified Corpse 03:40
2. Life Desecration 05:06
3. Shrine Destroyer 02:21
4. Across The Empires Of Death 03:19
5. Drenched In Wrath And Blood 04:17
6. With Bone Crowns And Iron Scepters 03:23
7. Beneath The Smouldering Ruins 02:51
8. Glorification Of Rats 05:55



..::OBSADA::..

Michal Kusak - vocals
Tomas Halama - guitars
Frank Serak - guitars
Pavel Satra - bass
Peter Hetes - drums




https://www.youtube.com/watch?v=N3SzVtcWnho



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To najwyższej klasy blackened death metal.
Po prostu absolutnie miażdżący krążek!


Debiutancki album czeskiego black/deathmetalowego zespołu złożonego z muzyków FEEBLE MINDED, IMPERIAL FOETICIDE, HEAVING EARTH, CULT OF FIRE, ELYSIUM, BRUTE, GARBAGE DISPOSAL, INTERVALLE BIZZARE, FLESHLESS, SUPREME CONCEPTION, BRUTALLY DECEASED.

Na płycie znajdziecie aż osiem kawałków pełnych mocy death black metalu, gdzie każdy z nich został przemyślany pod kątem detali. Artyści z zespołu ALTARS ABLAZE postawili na oryginalne rozwiązania, dzięki czemu ich muzyka urzeka różnorodnością. Słuchając produkcji "ALTARS ABLAZE - Life Desecration CD" można wyróżnić wiele elementów, które z powodzeniem łączą ze sobą intensywne riffy, oryginalne motywy oraz zmienne rytmy. Album ten to propozycja dla prawdziwych twardzieli, którzy nie boją się wyzwań oraz niespodziewanych momentów. Zespół ALTARS ABLAZE wprowadza słuchacza w ekstremalny, ciemny świat muzyki.

Dlatego, jeżeli jesteś gotowy na mocne brzmienia, które wprowadzą Cię w zupełnie inny wymiar - to właśnie ta propozycja jest dla Ciebie! Dla fanów złowieszczego death metali w klimacie ANGELCORPSE, HATE ETERNAL oiraz DIABOLIC) połączonego z agresynwością black metalu w klimacie 1349 i SETHERIAL.



Life Desecration by ALTARS ABLAZE consists of eight songs of cutting edge death black metal which propel the genre's history into the chaotic madness of our current day and the future.
Another, so needed, defining chapter of this extraordinary and special sub-genre, which merges the most extreme elements from the black and death metal worlds, is upon us.

When it comes to extreme metal, words like “brutal” or “bestial” are often tossed around as euphemisms for “low-effort.” Many releases promise an uncompromising degree of sonic destruction, but rarely follow through with ideas interesting and well-crafted enough to deliver on that promise. Life Desecration, the debut offering from Czechia’s ALTARS ABLAZE takes a nuclear sledgehammer to that trend. Forged by seasoned veterans of the Czech extreme metal scene, Life Desecration unleashes a flurry of blackened death carnage that concentrates enough concussive force to rival the most vicious of their more primitive antecedents. But this quintet sets itself apart by refusing to sacrifice compelling artistry in the pursuit of sonic savagery.

ALTARS ABLAZE’s mode of attack hearkens back to the finest moments of the infernal blasting death metal of the late 90s (embodied by the likes of ANGELCORPSE, HATE ETERNAL and DIABOLIC), blended with the most aggressive specimens of Nordic black metal, such as 1349 and SETHERIAL. But these are merely convenient points of reference. ALTARS ABLAZE are consummately unique in their interpretation of their style, with nuanced riffing and a command of dynamics, far exceeding those of any superficially comparable act.

ALTARS ABLAZE’s rare creativity shines through in a variety of unexpected moments throughout this record, too many to mention individually. Put simply, the band is unafraid to throw listeners off-balance by introducing dense layering of guitar polyphony, riffs that cycle through multiple divergent paths, and the introduction of asymmetrical shuffling drums amidst the blasting. In just over half an hour, ALTARS ABLAZE assert themselves as a distinctive and fearsome entity, and prove that, even in a style known for relentless aggression, there is ample room for subtlety and compelling songwriting.



..::TRACK-LIST::..

1. For The Lifeless Love Of A Crucified Corpse 03:40
2. Life Desecration 05:06
3. Shrine Destroyer 02:21
4. Across The Empires Of Death 03:19
5. Drenched In Wrath And Blood 04:17
6. With Bone Crowns And Iron Scepters 03:23
7. Beneath The Smouldering Ruins 02:51
8. Glorification Of Rats 05:55



..::OBSADA::..

Michal Kusak - vocals
Tomas Halama - guitars
Frank Serak - guitars
Pavel Satra - bass
Peter Hetes - drums




https://www.youtube.com/watch?v=N3SzVtcWnho



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Descendants ov Nibiru ' zabierze nas w podróż przez nastrojowe pasaże i potężny brutalny death metal o tematyce sumeryjsko-babilońskiej...


Ecuadorian band since 2009 featuring members of Gastrorrexis. New EP "Descendants ov Nibiru" - 6 tracks of Atmospheric Brutal Death Metal with Sumerian / Babylonian mysticism themed. Cover art - Armaada ART.



..::TRACK-LIST::..

1. Enûma Elish 01:31
2. Temple ov Marduk 03:25
3. Sumeria 01:15
4. Nisroch 04:48
5. Descendants ov Nibiru 05:02
6. Code ov Hammurabi 03:36



..::OBSADA::..

Goro - Guitars
Seymour - Vocals, Guitars
Diegore - Bass, Vocals (additional)
Carlos de la Vega - Drums



https://www.youtube.com/watch?v=v4eorg4wRjA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'Descendants ov Nibiru ' zabierze nas w podróż przez nastrojowe pasaże i potężny brutalny death metal o tematyce sumeryjsko-babilońskiej...


Ecuadorian band since 2009 featuring members of Gastrorrexis. New EP "Descendants ov Nibiru" - 6 tracks of Atmospheric Brutal Death Metal with Sumerian / Babylonian mysticism themed. Cover art - Armaada ART.



..::TRACK-LIST::..

1. Enûma Elish 01:31
2. Temple ov Marduk 03:25
3. Sumeria 01:15
4. Nisroch 04:48
5. Descendants ov Nibiru 05:02
6. Code ov Hammurabi 03:36



..::OBSADA::..

Goro - Guitars
Seymour - Vocals, Guitars
Diegore - Bass, Vocals (additional)
Carlos de la Vega - Drums



https://www.youtube.com/watch?v=v4eorg4wRjA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wznowienie jedynej dużej płyty z 2004 roku (12 lat do drugiego krążka) amerykańskiego DEMONSEED.
Jako bonus dodano również 'Sick As Fuck Texas Death' demo 1999 i jeden dodatkowy utwór.
12 utworów brutalnego Texas Death Metalu!!! TXDM!!!


From the blood soaked soil the blasphemous spirit of the Southern States awakes again and growls: re-edition of the album "Anatomy Of Atrocity" (2004) including Demo "Sick As Fuck Texas Death" (1999), plus bonus-track. 100% natural sound and drums. Artwork - Alex Tartsus.



..::TRACK-LIST::..

1. Gore Grind 03:50
2. Liar 04:21
3. Chainsaw Sodomy 05:02
4. Toe Tag 02:27
5. Centuries 02:57
6. Trophied Limbs 01:50
7. Scenario 03:55
8. Death Day Comes 03:35

Bonus Tracks:
9. Minnesota 03:33
10. Scenario #1 (Demo 1999) 03:57
11. Death Day Comes (Demo 1999) 03:44
12. Centuries (Demo 1999) 03:09



..::OBSADA::..

Carlos Casillas - Guitars, Vocals
Bobby Tillitson - Guitars
Richard L. Diaz - Drums
Eric Croson - Bass, Vocals
Jamie Moore - Lead Vocals

Joey 'Blue' Gonzales - Drums (On the track 'Minnesota')
Harold Moose - Vocals (On the 1999 demo 'Sick as Fuck Texas Death'




https://www.youtube.com/watch?v=1l0DAmdQLRU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Wznowienie jedynej dużej płyty z 2004 roku (12 lat do drugiego krążka) amerykańskiego DEMONSEED.
Jako bonus dodano również 'Sick As Fuck Texas Death' demo 1999 i jeden dodatkowy utwór.
12 utworów brutalnego Texas Death Metalu!!! TXDM!!!


From the blood soaked soil the blasphemous spirit of the Southern States awakes again and growls: re-edition of the album "Anatomy Of Atrocity" (2004) including Demo "Sick As Fuck Texas Death" (1999), plus bonus-track. 100% natural sound and drums. Artwork - Alex Tartsus.



..::TRACK-LIST::..

1. Gore Grind 03:50
2. Liar 04:21
3. Chainsaw Sodomy 05:02
4. Toe Tag 02:27
5. Centuries 02:57
6. Trophied Limbs 01:50
7. Scenario 03:55
8. Death Day Comes 03:35

Bonus Tracks:
9. Minnesota 03:33
10. Scenario #1 (Demo 1999) 03:57
11. Death Day Comes (Demo 1999) 03:44
12. Centuries (Demo 1999) 03:09



..::OBSADA::..

Carlos Casillas - Guitars, Vocals
Bobby Tillitson - Guitars
Richard L. Diaz - Drums
Eric Croson - Bass, Vocals
Jamie Moore - Lead Vocals

Joey 'Blue' Gonzales - Drums (On the track 'Minnesota')
Harold Moose - Vocals (On the 1999 demo 'Sick as Fuck Texas Death'




https://www.youtube.com/watch?v=1l0DAmdQLRU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi pełny krążek młodej załogi z Rosji grającej mocny amerykański death metal w stylu DYSCARNATE, MISERY INDEX, DYING FETUS.


Second «Symbols That Disappeared» of band from Tatarstan. These barbarians do one step forward on the path of music progress and now walk a way of Dyscarnate, Misery Index, Dying Fetus. Sound was create in TsunTsun Prod. Post-apocalyptic landscapes by feather of Rudart Studio.



..::TRACK-LIST::..

1. −218,79 °C 02:10
2. Limiting_Factor 03:26
3. One Second After 03:27
4. Source Of Death 04:02
5. Marauder 04:55
6. Symbols That Disappeared 04:10
7. Viscous Swamp 02:54
8. Last Passengers 04:22
9. 1063°C 03:36



..::OBSADA::..

Artyom Frolov - Bass
Pavel Kolody - Guitars
Ruslan Nasybullin - Drums
Denis Semyonov - Vocals



https://www.youtube.com/watch?v=7jQhlCCfg4w



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi pełny krążek młodej załogi z Rosji grającej mocny amerykański death metal w stylu DYSCARNATE, MISERY INDEX, DYING FETUS.


Second «Symbols That Disappeared» of band from Tatarstan. These barbarians do one step forward on the path of music progress and now walk a way of Dyscarnate, Misery Index, Dying Fetus. Sound was create in TsunTsun Prod. Post-apocalyptic landscapes by feather of Rudart Studio.



..::TRACK-LIST::..

1. −218,79 °C 02:10
2. Limiting_Factor 03:26
3. One Second After 03:27
4. Source Of Death 04:02
5. Marauder 04:55
6. Symbols That Disappeared 04:10
7. Viscous Swamp 02:54
8. Last Passengers 04:22
9. 1063°C 03:36



..::OBSADA::..

Artyom Frolov - Bass
Pavel Kolody - Guitars
Ruslan Nasybullin - Drums
Denis Semyonov - Vocals



https://www.youtube.com/watch?v=7jQhlCCfg4w



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

PANDEMIA (Rosja) gra klasyczny death metal w stylu ATROCITY, INSATANITY i zespołów z początku lat 90. „Rhapsody of Sickness” z 1995 roku jest dostępny po raz pierwszy na płycie CD.


First time cd edition of legendary band from Arkhangelsk city. Album "Rhapsody Of Sickness" (1995) is Death Metal in way of old Atrocity, Insatanity and bands of early 90s. Remastered sound. Artwork - Rudart.



..::TRACK-LIST::..

1. Pain 03:00
2. Can You Hear... 03:18
3. Sacrificial Cross 01:42
4. No More 03:10
5. The Dead 04:28
6. Sickness 03:38
7. Misdeed 00:56



..::OBSADA::..

Goitre - Bass
Jim Pain - Guitars, Vocals
PillMan - Drums
Delirious - Guitars



https://www.youtube.com/watch?v=0sed8bZF7gs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

PANDEMIA (Rosja) gra klasyczny death metal w stylu ATROCITY, INSATANITY i zespołów z początku lat 90. „Rhapsody of Sickness” z 1995 roku jest dostępny po raz pierwszy na płycie CD.


First time cd edition of legendary band from Arkhangelsk city. Album "Rhapsody Of Sickness" (1995) is Death Metal in way of old Atrocity, Insatanity and bands of early 90s. Remastered sound. Artwork - Rudart.



..::TRACK-LIST::..

1. Pain 03:00
2. Can You Hear... 03:18
3. Sacrificial Cross 01:42
4. No More 03:10
5. The Dead 04:28
6. Sickness 03:38
7. Misdeed 00:56



..::OBSADA::..

Goitre - Bass
Jim Pain - Guitars, Vocals
PillMan - Drums
Delirious - Guitars



https://www.youtube.com/watch?v=0sed8bZF7gs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy album francuskiego zespołu grającego kompleksowy progresywny death metal dla fanów GORGUTS, TRIPTYKON, ULCERATE, EMPTINESS, MESHUGGAH, PORTAL, DISKORD, AKERCOCKE, GOJIRA, SUMAC, DEATHSPELL OMEGA, ALTARS, CHAOS ECHOES.

Niezwykle ciężki album. Niesamowity, atmosferyczny death metal, który brzmi, jakby miał nas wszystkich ZMIAŻDŻYĆ...


So many easily shattered doorways beyond surface level heavy and/or extreme music exist that it would seem they all gnash for the crumbs of a smaller, but admittedly more lucrative, fleeting space in the minds of the uninitiated. A half-dead planet full of frustrated phone-gripping mutants represent a huge pile of potential recipients for the deeply shaded gradient that grows between accessible alt-metal innovation and popular modern heavy metal. As I grow older a darker blurred cynicism grows within me with every passing year as the bands that survive through mass influence continue to twinkle in the eyes of new waves of musicians. I didn’t contribute to the success of Gojira nor Meshuggah and even they show some marked embarrassment for the clones spawned from their detritus. To wear these influences outwardly typically riles up a spitting frenzy of limbs and curses from my side of the room yet the self-titled debut EP from Grenoble, France progressive death metal band Barús in 2015 appeared entirely inoffensive and solidly entertaining at the time. In many ways that EP was a way back through to the other side, an angle giving nods to a more accessible style but with a damned seriousness that appeared to avoid populist intentions.

In piecing together the ambitions of their experimental death metal sound within a full-length format Barús offer a structurally complex death metal album that bridges the adventurous spirit of earlier (pre-‘From Mars to Sirius’) Gojira with Gorguts‘ ‘Obscura’ using the atmospheric ripples of turn of the century Immolation to fill in the gaps. It is a curious piece to dive into because there is as much ‘The Link’ as there is influence from Arkhon Infaustus (or even DeathSpell Omega‘s least orthodox momentum) and I haven’t yet mentioned the nigh post-rock feeling atmospheric elements (see: “Engorge”, “Amass”) that actually works remarkably well in terms of providing variety and fluidity. How can this possibly be palatable? By virtue of a heavy attraction to discordant and unique progressive death metal, admittedly.

There is a remarkable middle ground struck on ‘Drowned’ that favors the darker side of things. It isn’t relentlessly slapped like an Ulcerate record nor is it outwardly complex and unhinged as anything by Diskord or Portal but if ‘Obscura’ was a high watermark for you, this provides a distant rhythmic cousin that just slightly extends the concept and trades the early 90’s death metal climate for a warmed over modernity. In fact the production sound and guitar tone are almost too illustriously captured on ‘Drowned’ without the noxious clangor of any of the bands that influenced Barús to fill a sort of ‘abrasion quota’ expected from this type of technicality. It is both refreshing in tone and only slightly disappointing in terms of ‘riffs versus compelling rhythms’.

To say that ‘Drowned’ was a grower only suggests that my expectations were set low at the mention of certain bands I’ve already mentioned. Once I had immersed myself within Barús‘ darkness-bearing tones the effect was not unlike my early experiences with ‘Unholy Cult’ where closer listening revealed complexity and worthwhile dynamic but never completely outdid those opening moments. It would appear that the band are cognizant of the need to lean towards death metal yet they repeatedly rely on dry (bland) riffing for transitions within several tracks (see: “Vitiate”) and this flattens a few very intense moments that would have otherwise been true peaks of interest for the full listen. “Perpetrate” was compelling in that it begins sounding like a stronger track from Sepultura‘s ‘Against’ were it performed by early 2000’s Ulcerate, this sort of moment fluctuated in value with successive listens and made it somewhat difficult to decide how I felt about the bigger picture of Barús‘ debut.

Ultimately I found my horizons slightly expanded by ‘Drowned’ as the rhythmic flow of the record had more to offer once I shut off the part of my brain that is programmed to be repulsed but the esoteric downtuned chug-tone that characterized the early 2000’s popular metal landscape. Between the soggy, crawling riffs and gasped vocals is a worthwhile listen but at no point does it offer more than its influences despite how incredibly polished the overall curation of elements and atmospherically sensitive arrangements is. As an impossibly heavy and twisted chugging beast Barús‘ debut is admirably focused and intense and I can recommend it with a reasonable amount of enthusiasm. I don’t believe it is varied or compelling enough to transcend influences but the ride from Point A to Point B is captivating and takes quite a few unexpected turns despite feeling linear as an experience. If you are fairly orthodox within your death metal tastes and approach this sort of thing with trepidation I would suggest previewing “Dissever” as it is (more or less) the most outside-the-box composition to test your boundaries with. Despite some personal vacillation with interest to the simpler guitar work, I can highly recommend this album.

GrizzlyButts



..::TRACK-LIST::..

1. Descry 05:51
2. Graze 07:31
3. Engorge 05:58
4. Amass 03:05
5. Dissever 06:11
6. Vitiate 03:51
7. Benumb 04:44
8. Perpetrate 08:46
9. Forsake 08:11



..::OBSADA::..

A - Drums
M - Guitars
J - Guitars, Bass
K - Vocals

Track 7 (Benumb) created by Labna.
Guitar solo on track 9 (Forsake) by Grey.



https://www.youtube.com/watch?v=0jGkZNgOfRw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Pierwszy album francuskiego zespołu grającego kompleksowy progresywny death metal dla fanów GORGUTS, TRIPTYKON, ULCERATE, EMPTINESS, MESHUGGAH, PORTAL, DISKORD, AKERCOCKE, GOJIRA, SUMAC, DEATHSPELL OMEGA, ALTARS, CHAOS ECHOES.

Niezwykle ciężki album. Niesamowity, atmosferyczny death metal, który brzmi, jakby miał nas wszystkich ZMIAŻDŻYĆ...


So many easily shattered doorways beyond surface level heavy and/or extreme music exist that it would seem they all gnash for the crumbs of a smaller, but admittedly more lucrative, fleeting space in the minds of the uninitiated. A half-dead planet full of frustrated phone-gripping mutants represent a huge pile of potential recipients for the deeply shaded gradient that grows between accessible alt-metal innovation and popular modern heavy metal. As I grow older a darker blurred cynicism grows within me with every passing year as the bands that survive through mass influence continue to twinkle in the eyes of new waves of musicians. I didn’t contribute to the success of Gojira nor Meshuggah and even they show some marked embarrassment for the clones spawned from their detritus. To wear these influences outwardly typically riles up a spitting frenzy of limbs and curses from my side of the room yet the self-titled debut EP from Grenoble, France progressive death metal band Barús in 2015 appeared entirely inoffensive and solidly entertaining at the time. In many ways that EP was a way back through to the other side, an angle giving nods to a more accessible style but with a damned seriousness that appeared to avoid populist intentions.

In piecing together the ambitions of their experimental death metal sound within a full-length format Barús offer a structurally complex death metal album that bridges the adventurous spirit of earlier (pre-‘From Mars to Sirius’) Gojira with Gorguts‘ ‘Obscura’ using the atmospheric ripples of turn of the century Immolation to fill in the gaps. It is a curious piece to dive into because there is as much ‘The Link’ as there is influence from Arkhon Infaustus (or even DeathSpell Omega‘s least orthodox momentum) and I haven’t yet mentioned the nigh post-rock feeling atmospheric elements (see: “Engorge”, “Amass”) that actually works remarkably well in terms of providing variety and fluidity. How can this possibly be palatable? By virtue of a heavy attraction to discordant and unique progressive death metal, admittedly.

There is a remarkable middle ground struck on ‘Drowned’ that favors the darker side of things. It isn’t relentlessly slapped like an Ulcerate record nor is it outwardly complex and unhinged as anything by Diskord or Portal but if ‘Obscura’ was a high watermark for you, this provides a distant rhythmic cousin that just slightly extends the concept and trades the early 90’s death metal climate for a warmed over modernity. In fact the production sound and guitar tone are almost too illustriously captured on ‘Drowned’ without the noxious clangor of any of the bands that influenced Barús to fill a sort of ‘abrasion quota’ expected from this type of technicality. It is both refreshing in tone and only slightly disappointing in terms of ‘riffs versus compelling rhythms’.

To say that ‘Drowned’ was a grower only suggests that my expectations were set low at the mention of certain bands I’ve already mentioned. Once I had immersed myself within Barús‘ darkness-bearing tones the effect was not unlike my early experiences with ‘Unholy Cult’ where closer listening revealed complexity and worthwhile dynamic but never completely outdid those opening moments. It would appear that the band are cognizant of the need to lean towards death metal yet they repeatedly rely on dry (bland) riffing for transitions within several tracks (see: “Vitiate”) and this flattens a few very intense moments that would have otherwise been true peaks of interest for the full listen. “Perpetrate” was compelling in that it begins sounding like a stronger track from Sepultura‘s ‘Against’ were it performed by early 2000’s Ulcerate, this sort of moment fluctuated in value with successive listens and made it somewhat difficult to decide how I felt about the bigger picture of Barús‘ debut.

Ultimately I found my horizons slightly expanded by ‘Drowned’ as the rhythmic flow of the record had more to offer once I shut off the part of my brain that is programmed to be repulsed but the esoteric downtuned chug-tone that characterized the early 2000’s popular metal landscape. Between the soggy, crawling riffs and gasped vocals is a worthwhile listen but at no point does it offer more than its influences despite how incredibly polished the overall curation of elements and atmospherically sensitive arrangements is. As an impossibly heavy and twisted chugging beast Barús‘ debut is admirably focused and intense and I can recommend it with a reasonable amount of enthusiasm. I don’t believe it is varied or compelling enough to transcend influences but the ride from Point A to Point B is captivating and takes quite a few unexpected turns despite feeling linear as an experience. If you are fairly orthodox within your death metal tastes and approach this sort of thing with trepidation I would suggest previewing “Dissever” as it is (more or less) the most outside-the-box composition to test your boundaries with. Despite some personal vacillation with interest to the simpler guitar work, I can highly recommend this album.

GrizzlyButts



..::TRACK-LIST::..

1. Descry 05:51
2. Graze 07:31
3. Engorge 05:58
4. Amass 03:05
5. Dissever 06:11
6. Vitiate 03:51
7. Benumb 04:44
8. Perpetrate 08:46
9. Forsake 08:11



..::OBSADA::..

A - Drums
M - Guitars
J - Guitars, Bass
K - Vocals

Track 7 (Benumb) created by Labna.
Guitar solo on track 9 (Forsake) by Grey.



https://www.youtube.com/watch?v=0jGkZNgOfRw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons.

A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution.

Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!



..::TRACK-LIST::..

1. Perverse Termination (Bulb of Force) 04:12
2. AquaGenesis 03:52
3. Monrovia, LR 1990 04:08
4. Vipers at the Pony Keg 04:14
5. Огромный Кальмар (Ross Sea Trawler) 03:45
6. Bug Sounds II (Megascolides australis) 01:50
7. The Dover Demon 03:05
8. Rat Lung-Worm 01:49
9. Sacral Brain 11:34
10. The Ochopee Skunk Ape 01:42



..::OBSADA::..

Bass - Dayan
Drums - Bogstomper
Guitar - Dustin
Guitar, Synth - Sam
Vocals - Clarisa



https://www.youtube.com/watch?v=JoXGC1jSQeY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons.

A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution.

Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!



..::TRACK-LIST::..

1. Perverse Termination (Bulb of Force) 04:12
2. AquaGenesis 03:52
3. Monrovia, LR 1990 04:08
4. Vipers at the Pony Keg 04:14
5. Огромный Кальмар (Ross Sea Trawler) 03:45
6. Bug Sounds II (Megascolides australis) 01:50
7. The Dover Demon 03:05
8. Rat Lung-Worm 01:49
9. Sacral Brain 11:34
10. The Ochopee Skunk Ape 01:42



..::OBSADA::..

Bass - Dayan
Drums - Bogstomper
Guitar - Dustin
Guitar, Synth - Sam
Vocals - Clarisa



https://www.youtube.com/watch?v=JoXGC1jSQeY



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

'As the Ashes Settle' to wszystko, czego oczekiwałem od Orphalis, i jeszcze więcej!!!
Godna kontynuacja znakomitego 'The Approaching Darkness', ale i znakomite dzieło, które go przewyższa. Jest imponujący od początku do końca, świetnie napisany i jeszcze lepiej wykonany...

FA

Counterbalancing technical death metal with brutal death elements, Orphalis may have found the perfect stylistic balance for the kind of music they are playing on their fourth full length which is astonishingly fluid given its dynamic and multifaceted nature. Their structuring is intuitive and yet unpredictable which keeps things both engaging and exciting. Moreover, with their knack of providing standout parts in each of the songs when you least expect it, it's impossible not to remain awestruck. In addition to the myriad music patterns that are equally matched by phenomenally diverse vocals, they are able to inject melodic bits and even searing solos into the music for added emphasis, all of which only enhances the auditory experience each time. 'As The Ashes Settle' is a beautifully tempered, vibrant and energetic album that is bound to leave an indelible mark in the style.

For fans of: Psycroptic, Benighted, Cutterred Flesh, Aborted, Monument of Misanthropy, Enragement


PRESS:

- "one of the best death metal albums I’ve heard in this first half of 2023" - Metal Temple (Greece) 9/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/o_2/orphalis-as-the-ashes.htm

- "stakes a claim for inclusion in the year’s best-of list" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/orphalis-as-the-ashes-settle

- "the best work of their career" - Angry Metal Guy (US) 3.5/5
www.angrymetalguy.com/orphalis-as-the-ashes-settle-review/

- "Orphalis certainly inspire with a very successful new album" - Zephyr's Odem (Germany) 9.2/10
www.zephyrs-odem.de/reviews/detail/orphalis-as-the-ashes-settle-2023-12936

- "an astonishing piece of modern and technical death metal" - Arrows Lord of Metal (Netherlands) 9/10
arrowlordsofmetal.nl/orphalis-as-the-ashes-settle/

- "As The Ashes Settle is sure to make its mark on the scene!" - Acta Infernalis (France) 85/100
actainfernalis.com/2023/08/21/review-1849-orphalis-as-the-ashes-settle-english/

- "full of every little thing you could hope for in a modern tech death record" - The Killchain (UK)
thoseonceloyal.wordpress.com/2023/06/02/review-orphalis-as-the-ashes-settle

- "an exceptional and deserving act" - Noob Heavy (Australia)
noobheavy.com/album-review-orphalis-as-the-ashes-settle/

- "taking it all to a new level" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/06/25/orphalis-as-the-ashes-settle/

- "a great album with great music choices" - Metal Addicts (US)
metaladdicts.com/orphalis-as-the-ashes-settle-review/

- "memorable melodies and gargantuan riffs, with a multi-faceted vocal attack" - Dead Rhetoric (US)
deadrhetoric.com/randomness/song-premier-orphalis-watch-them-descend/

- "Powerful, massive technical brutal death metal that gets into your mind!" - Deadly Storm (Czech Republic)
www.deadlystormzine.com/2023/08/recenzereview-orphalis-as-ashes-settle.html

- "undeniable range" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-orphalis-the-wolves-draw-near/

- "a beast of an album" - The Headbanging Moose (Canada) 3.5/5
theheadbangingmoose.com/2023/06/29/album-review-orphalis-as-the-ashes-settle-2023

- "a lot of tight arrangements and some very precise playing" - Metal Crypt (Canada) 3.5/5
www.metalcrypt.com/pages/review.php?revid=14588

- "you will probably enjoy this album a lot" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2023/aug.html#orp-as



..::TRACK-LIST::..

1. As the Ashes Settle 04:34
2. Ritual of Conflagration 03:58
3. Watch them Descend 03:35
4. The Wolves Draw Near 04:21
5. An Effigy to Humanity 04:01
6. Staring into Ruin 04:33
7. Moon Supremacy 00:57
8. From Shadows Arisen 03:34
9. Labyrinth Configuration 03:46
10. To Embrace Defeat 04:58
11. Crowned in Hatred 04:48



..::OBSADA::..

Thomas Szczecina - Vocals
Jens Dürholt - Guitars and Backing Vocals
Morten Formeseyn - Guitars
Thomas Köhler - Bass
Phillip Hatcher - Drums



https://www.youtube.com/watch?v=srM6k-Dlee0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album fińskiego zespołu grającego szybki, brutalny death metal inspirowany zarówno przez starą jak i nową szkołę grania (AUTOPSY, BLOODBATH, CANNIBAL CORPSE, CRYPTOPSY, DEVOURMENT, DYING FETUS, FLESHGOD APOCALYPSE, NILE, SEVERE TORTURE, SIX FEET UNDER, SUFFOCATION, TORTURE KILLER, VOMITORY)


The second full length album from the Finnish death metal maniacs is an insane mix of old school, fast, brutal & technical death metal!
For fans Autopsy, Bloodbath, Cannibal Corpse, Cryptopsy, Devourment, Dying Fetus, Fleshgod Apocalypse, Nile, Severe Torture, Six Feet Under, Suffocation, Torture Killer, Vomitory



..::TRACK-LIST::..

1. Antitheist Warfare 03:52
2. Forced Proctectomy 04:12
3. Ballad Of The Broken Bones 04:09
4. Vortex Of Misanthropy 03:18
5. Multiple Stabwound Infection 03:23
6. Reverse Puzzle 03:32
7. From Within 03:58
8. Vomiting On God’s Remains 10:17



..::OBSADA::..

Iiro Kosonen - Vocals, Bass
Sami Ruohonen - Guitars
Jussi Salminen - Guitars
Tomi Ruohonen - Drums




https://www.youtube.com/watch?v=5BZ0nzF0KI0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album fińskiego zespołu grającego szybki, brutalny death metal inspirowany zarówno przez starą jak i nową szkołę grania (AUTOPSY, BLOODBATH, CANNIBAL CORPSE, CRYPTOPSY, DEVOURMENT, DYING FETUS, FLESHGOD APOCALYPSE, NILE, SEVERE TORTURE, SIX FEET UNDER, SUFFOCATION, TORTURE KILLER, VOMITORY)


The second full length album from the Finnish death metal maniacs is an insane mix of old school, fast, brutal & technical death metal!
For fans Autopsy, Bloodbath, Cannibal Corpse, Cryptopsy, Devourment, Dying Fetus, Fleshgod Apocalypse, Nile, Severe Torture, Six Feet Under, Suffocation, Torture Killer, Vomitory



..::TRACK-LIST::..

1. Antitheist Warfare 03:52
2. Forced Proctectomy 04:12
3. Ballad Of The Broken Bones 04:09
4. Vortex Of Misanthropy 03:18
5. Multiple Stabwound Infection 03:23
6. Reverse Puzzle 03:32
7. From Within 03:58
8. Vomiting On God’s Remains 10:17



..::OBSADA::..

Iiro Kosonen - Vocals, Bass
Sami Ruohonen - Guitars
Jussi Salminen - Guitars
Tomi Ruohonen - Drums




https://www.youtube.com/watch?v=5BZ0nzF0KI0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album death metalowego Hetzer z Katowic.
Nie-święta ofensywa utrzymana w stylistyce Angelcorpse, nieustające blasty, przerzynające riffy i opętane wokale to wszystko uzbrojone w iście smoliste brzmienie.



– Niech będzie pochwalony Jezus Chrystus.

– Na wieki wieków amen.

– Ostatni raz byłem do spowiedzi dwa miesiące temu, a obraziłem pana Boga następującymi grzechami: doniosłem na sąsiada do Urzędu Skarbowego, głosowałem na Platformę, śmiałem się z prezydenta, nie ustąpiłem miejsca staruszce w tramwaju, cudzołożyłem, ukradłem puszkę Wielkiej Orkiestry Świątecznej Pomocy…

– Synu, nie chwal się tylko spowiadaj, Bóg Cię słucha…

– Tak, przepraszam… otrułem psa sąsiada, bo za głośno szczekał, w niedzielę zamiast do kościoła poszedłem na zakupy do hipermarketu…

– Jezus cierpi, gdy tego słucha ale mów dalej…

– … z zawiści porysowałem szefowi nowe auto, czytałem „Gazetę Wyborczą”, kupiłem nową płytę Hetzer…

– Co kurwa?! O, przepraszam, co Ty synu powiedziałeś?

– Zakupiłem „Fall Of The Holy Cult” katowickiego Hetzer…

– Synu, czy Ty myślisz, że tak zachowuje się prawdziwy Polak i katolik? Czy kupując tą płytę pomyślałeś, czy tak zachowałby się nasz wieli rodak, Jan Paweł II?

– Kiedy ja proszę księdza nie mogłem się powstrzymać. Przede wszystkim, ta płyta jest lepsza od debiutu! Liczba osób w kapeli się zmniejszyła, za to siła rażenia muzyki – paradoksalnie wzrosła! Może przez to, że Hetzer nie bawi się w żadne pierdolone introny, pierdy i tak dalej, a od razu nakurwia z grubej rury black/death’ową nawałnicą…

– Synu, jesteś w domu bożym, Jezus słucha…

– No ale ja kurwa nie umiem inaczej, kiedy słyszę takie granie jak na „Fall Of The Holy Cult”! Katowiczanie jakby odeszli od wpływów Infernal War, ale wie ksiądz, inspiracje takim Angelcorpse sa jak najbardziej słyszalne. Myśli ksiądz, że Hetzer jest coraz bliżej odnalezienie własnej niszy w krajowym undergroundzie?

– Eee, synu, przecież to obraża uczucia religijne Polaków i jest symptomem tego, co Papież – Polak nazwał „cywilizacją śmierci”, agresywnym przejawem walki z Kościołem…

– Kurwa, nie mów do mnie synu bo Ci ten kiosk rozpierdolę! Tak, Hetzer kontynuuje bezkompromisowy metalowy atak na wszelkie świętości…

– Synu, czy Ty się w ogóle słyszysz?! Nie będzie rozgrzeszenia!

– Kurwa, ostrzegałem Cię z tym „synem”…

– Hej, co robisz, to jest konfesjonał, to jest dom boży, ja jestem kapłanem!!! Zabieraj te ręce!!! Aaaaa!!!

Z akt sprawy: Wacław J. doprowadził do zgonu ks. Eustachego Wikaroposuwskiego poprzez uduszenie. Rozpoznanie wśród najbliższych oskarżonego wykazało, iż był uważany za miłego i uprzejmego młodzieńca. Najbliżsi wskazywali jednak na niepokojące zmiany, jakie nastąpiły w jego zachowaniu na jesień 2009 roku. Zbieżność z datą premiery drugiego albumu Hetzer wydaje się nie być przypadkowa.

Oracle


Hailing from Polands metropolis Katowice, Hetzer (German for “Agitator” and also known as a tank destroyer in WW II) are back to open the gates of hell once again. Founded in 2005, the band released 2 demos and a full length album entitled “The Rise Of Abaddon” so far. “Fall Of The Holy Cult” is Herzers next step to reclaim the crown of the Polish underground scene. Proclaiming themselves as an old school satanic Death Metal outfit, these guys from eastern Europe could be easily compared with relentless bands like Angelcorpse. Whereas the term “old school” simply doesn´t fit Hetzers style of music.

The tracks on “Fall Of The Holy Cult” are bursting of high speed blasting, precise riffing in the vein of Exmortem or the already mentioned Angelcorpse and hate-filled lyrics about Anti-Christianity, death and war. But there are also huge blackened elements in Hetzers sound, which boost the blasphemous prevailing mood up to the limit. No intros or unnecessary gimmicks - this one´s brutal to the core and will shred its way though your skull right from the beginning. This is an impressive demonstration of how non-trendy Black / Death Metal should be played and it´s furthermore an interesting snapshot of the Polish scene, which is far too often reduced to its biggest export articles Vader and Behemoth. Hetzer is the living proof - Poland is one of the leading territories when it comes to extreme Metal acts. The sound quality reminds me of real underground productions. Don´t get me wrong: this isn´t a crappy cellar recording, but an adequate quality, which is gruff, yet perfect for this kind of music. 8 Songs with a total playing time of about 32 minutes are enough to leave a lasting impact and an excellent general impression.

Overall, “Fall Of The Holy Cult” surprised me pretty much and I´m sure every true underground Death and Black Metal supporter will agree. Horns up!

twan666



..::TRACK-LIST::..

1. Black Flame of the Antichrist 03:59
2. Holy Execution 04:16
3. SIRS 04:18
4. Inquisition 04:20
5. The Towers of Hate Have Fallen 03:50
6. Antichrist's Devastation 02:32
7. The Eternal Glory of Satan 04:38
8. Lethal Injection 04:35



..::OBSADA::..

Vincent - Bass, Vocals
Executioner - Drums
Vandal - Guitars



https://www.youtube.com/watch?v=QtMSjbU3RSQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

Drugi album death metalowego Hetzer z Katowic.
Nie-święta ofensywa utrzymana w stylistyce Angelcorpse, nieustające blasty, przerzynające riffy i opętane wokale to wszystko uzbrojone w iście smoliste brzmienie.



– Niech będzie pochwalony Jezus Chrystus.

– Na wieki wieków amen.

– Ostatni raz byłem do spowiedzi dwa miesiące temu, a obraziłem pana Boga następującymi grzechami: doniosłem na sąsiada do Urzędu Skarbowego, głosowałem na Platformę, śmiałem się z prezydenta, nie ustąpiłem miejsca staruszce w tramwaju, cudzołożyłem, ukradłem puszkę Wielkiej Orkiestry Świątecznej Pomocy…

– Synu, nie chwal się tylko spowiadaj, Bóg Cię słucha…

– Tak, przepraszam… otrułem psa sąsiada, bo za głośno szczekał, w niedzielę zamiast do kościoła poszedłem na zakupy do hipermarketu…

– Jezus cierpi, gdy tego słucha ale mów dalej…

– … z zawiści porysowałem szefowi nowe auto, czytałem „Gazetę Wyborczą”, kupiłem nową płytę Hetzer…

– Co kurwa?! O, przepraszam, co Ty synu powiedziałeś?

– Zakupiłem „Fall Of The Holy Cult” katowickiego Hetzer…

– Synu, czy Ty myślisz, że tak zachowuje się prawdziwy Polak i katolik? Czy kupując tą płytę pomyślałeś, czy tak zachowałby się nasz wieli rodak, Jan Paweł II?

– Kiedy ja proszę księdza nie mogłem się powstrzymać. Przede wszystkim, ta płyta jest lepsza od debiutu! Liczba osób w kapeli się zmniejszyła, za to siła rażenia muzyki – paradoksalnie wzrosła! Może przez to, że Hetzer nie bawi się w żadne pierdolone introny, pierdy i tak dalej, a od razu nakurwia z grubej rury black/death’ową nawałnicą…

– Synu, jesteś w domu bożym, Jezus słucha…

– No ale ja kurwa nie umiem inaczej, kiedy słyszę takie granie jak na „Fall Of The Holy Cult”! Katowiczanie jakby odeszli od wpływów Infernal War, ale wie ksiądz, inspiracje takim Angelcorpse sa jak najbardziej słyszalne. Myśli ksiądz, że Hetzer jest coraz bliżej odnalezienie własnej niszy w krajowym undergroundzie?

– Eee, synu, przecież to obraża uczucia religijne Polaków i jest symptomem tego, co Papież – Polak nazwał „cywilizacją śmierci”, agresywnym przejawem walki z Kościołem…

– Kurwa, nie mów do mnie synu bo Ci ten kiosk rozpierdolę! Tak, Hetzer kontynuuje bezkompromisowy metalowy atak na wszelkie świętości…

– Synu, czy Ty się w ogóle słyszysz?! Nie będzie rozgrzeszenia!

– Kurwa, ostrzegałem Cię z tym „synem”…

– Hej, co robisz, to jest konfesjonał, to jest dom boży, ja jestem kapłanem!!! Zabieraj te ręce!!! Aaaaa!!!

Z akt sprawy: Wacław J. doprowadził do zgonu ks. Eustachego Wikaroposuwskiego poprzez uduszenie. Rozpoznanie wśród najbliższych oskarżonego wykazało, iż był uważany za miłego i uprzejmego młodzieńca. Najbliżsi wskazywali jednak na niepokojące zmiany, jakie nastąpiły w jego zachowaniu na jesień 2009 roku. Zbieżność z datą premiery drugiego albumu Hetzer wydaje się nie być przypadkowa.

Oracle


Hailing from Polands metropolis Katowice, Hetzer (German for “Agitator” and also known as a tank destroyer in WW II) are back to open the gates of hell once again. Founded in 2005, the band released 2 demos and a full length album entitled “The Rise Of Abaddon” so far. “Fall Of The Holy Cult” is Herzers next step to reclaim the crown of the Polish underground scene. Proclaiming themselves as an old school satanic Death Metal outfit, these guys from eastern Europe could be easily compared with relentless bands like Angelcorpse. Whereas the term “old school” simply doesn´t fit Hetzers style of music.

The tracks on “Fall Of The Holy Cult” are bursting of high speed blasting, precise riffing in the vein of Exmortem or the already mentioned Angelcorpse and hate-filled lyrics about Anti-Christianity, death and war. But there are also huge blackened elements in Hetzers sound, which boost the blasphemous prevailing mood up to the limit. No intros or unnecessary gimmicks - this one´s brutal to the core and will shred its way though your skull right from the beginning. This is an impressive demonstration of how non-trendy Black / Death Metal should be played and it´s furthermore an interesting snapshot of the Polish scene, which is far too often reduced to its biggest export articles Vader and Behemoth. Hetzer is the living proof - Poland is one of the leading territories when it comes to extreme Metal acts. The sound quality reminds me of real underground productions. Don´t get me wrong: this isn´t a crappy cellar recording, but an adequate quality, which is gruff, yet perfect for this kind of music. 8 Songs with a total playing time of about 32 minutes are enough to leave a lasting impact and an excellent general impression.

Overall, “Fall Of The Holy Cult” surprised me pretty much and I´m sure every true underground Death and Black Metal supporter will agree. Horns up!

twan666



..::TRACK-LIST::..

1. Black Flame of the Antichrist 03:59
2. Holy Execution 04:16
3. SIRS 04:18
4. Inquisition 04:20
5. The Towers of Hate Have Fallen 03:50
6. Antichrist's Devastation 02:32
7. The Eternal Glory of Satan 04:38
8. Lethal Injection 04:35



..::OBSADA::..

Vincent - Bass, Vocals
Executioner - Drums
Vandal - Guitars



https://www.youtube.com/watch?v=QtMSjbU3RSQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI


..::OPIS::..

To prawdziwy hołd dla Obituary z domieszką blast beatów. Wokalista opanował Johna Tardy'ego do perfekcji.
Kawał historii...


Forgotten early 90’s Death Metal classic back in the spotlight!

Viogression’s debut is one of the great early 90’s Death Metal albums but it never got any bigger attention. This was because the band signed to one of the most notorious rip-off labels at the time, and this wasn’t the only bad thing that happened. Viogression’s American label folded during the first week of the band’s tour with Death, a tour was meant to promote “Expound & Exhort”, and to add insult to injury, their label could not pay for the Euro leg of said tour and so the band had to withdraw.
This resulted in very little attention to their debut which just happens to be a Death Metal masterpiece.

“Expound and Exhort” is an album full of great Death Metal that brings Obituary and earlier Death to mind. Vocalist Brian DeNeffe is in league with John Tardy, but occasionally he uses a vicious screamy style of singing. Mostly the music varies between mid-tempo and slow ’n doomy but there are also some sudden blastbeats. This little factor sets Viogression apart from for example Obituary because they never used blastbeats. The production is good and surprisingly heavy, which is a great thing since some of the more underground Death Metal albums have quite a weak production (and it is fully remastered and restored for this re-issue). Another thing that sets Viogression apart is the use of weird effects and ambient parts in the songs. Viogression definitely gets the job done in the quality department, exuding a level of enthusiasm and intensity that is difficult to miss.

“Expound and Exhort”is one of those albums that doesn’t really get old, it keeps moving and changing things up, and does not fall shy of matching what was coming out of the bigger names in the early 90’s. To sum it all up, “Expound and Exhort” is essential for all fans of early 90’s Death Metal. Despite being heavily Obituary influenced it’s by no means a clone. They don’t make ‘em like this anymore.



..::TRACK-LIST::..

CD 1 - Expound And Exhort:
1. Maggot Synod 03:54
2. Nothing (Psychosamatic Insanity) 04:10
3. Puritan Flames 00:47
4. Winds Of Death 04:57
5. Fragmented Carcass 03:46
6. Cross Spells 05:10
7. As You Die 04:08
8. Limb From Limb 02:59
9. Transmigration 04:34
10. Choir Of Loudun 00:57
11. Circle Of The Divine 05:18
12. Choir Of Loudun - The Chanting 00:15

CD 2 - Bonus
13. Execution (Execution Demo) 02:41
14. Fleshlords (Execution Demo) 02:50
15. Nothing (Psychosomatic Insanity) (Execution Demo) 03:29
16. Survival Denial (Execution Demo) 02:23

17. Perception Blur (Perception Blur Demo) 04:26
18. Thirst For Blood (Perception Blur Demo) 05:04
19. Bare Wounds (Perception Blur Demo) 05:38
20. Cryonic Death (Perception Blur Demo) 03:52
21. Xglbits (Perception Blur Demo) 01:32



..::OBSADA::..

Vocals - Brian DeNeffe
Guitar - Bryan Jaeger (tracks: 1-1, 1-2, 1-4 to 1-9, 1-11), Leon Schendel
Bass, Acoustic Guitar - Eric Johnston (tracks: 1-1 to 1-9, 1-11)
Bass, Backing Vocals - Bryan Jaeger (tracks: 2-1 to 2-9)
Drums - Barry Jaeger

Performer [Various Aural Creations] - Griffy And His Demonic Pals




https://www.youtube.com/watch?v=JyJF1MC8it8



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