...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To kolejny zespół w Great Dane Records, który wzbudza we mnie wspomnienia zamierzchłych czasów. Słyszałem Perversity już z początków ich działalności, z jakiegoś demo, którego tytułu teraz nie pamiętam… Zapamiętałem tylko, że w tamtych czasach grali czysty death metal, i to całkiem dobry, pewnie dlatego też nazwa zespołu nigdy nie uciekła mi z pamięci. Wraz z nowym albumem odkrywam, że Perversity nie zmienili swojego podejścia do ekstremalnej muzyki i wciąż grają old schoolowy death metal, taki szczery, surowy, brutalny i bluźnierczy, ale i jeszcze lepszy niz to pamiętam.

Ten album posiada jakby 2 główne oblicza. Pierwsze, to proste death metalowe riffy, sporo szybkich balastów perkusyjnych, i rasowo brzmiące death metalowe wokale czyli standard, ale zbudowany na solidnych death metalowych podwalinach i wpływach. Album mocno przypomina mi Hate z ich death metalowej ery. Druga twarz tej płyty to super brzmiące dysonanse gitarowe w stylu Immolation, co daje gdzie czysty death metal zderza się z nieco udziwniony riffami co daje czasami dość mroczny efekt. Jak napisałem Perversity wsadzam na piłkę wraz z Hate I Immolation, ale myślę że ich muzyka broni się sama swoją pomysłowością, linczujaca umysł brutalnością i szorstkością. Płyta wyprodukowana jest dość surowe, ale podchodzi mi brzmienie tej płyty, bez wątpienia. Oprócz death metalowych masakr i kakofonicznych nawalanek, zespół potrafi zagrać kilka ciężkich jak młot Thora kawałków, które brzmią soczyście i całkiem miażdżąca.

Cieszy mnie że death metal w roku 2024 ciągle brzmi interesująco, co udowodnił na swoim albumie słowacki Perversity.

Slawek Migacz


This is another band on Great Dane Records that brings back memories of past times. I heard the music of Perversity in the beginning of their activity, from some demo, the title of which I don't remember now... I only memorized that at the time they played pure death metal, and they have been quite good at that, which is probably why the name of the band has never escaped my memory. With the new album, I discover that Perversity have not changed their approach to extreme music and they still into old school death metal,which sounds honest, raw, brutal and blasphemous, but even better than before.

This album has two main faces. The first one is based on simple death metal riffs, plenty of drum beats, and really great-sounding death metal vocals. Everything is built on solid death metal foundations and influences but the band delivers pretty standard death metal, which is good in their case. The album strongly reminds me of Hate from their death metal era. The second face of this album are superbly interwined guitar dissonances, in the style of Immolation, where pure death metal collides with slightly weird death metal riffs, which brings a quite dark effects at times. As I wrote, I like Perversity along with Hate and Immolation, but I think that their music defends itself with its ingenuity, lynching the mind brutality and roughness of sound. The production of the album is quite raw, but I just like it as it is, without a doubt. In addition to death metal massacres and cacophonous tempos, the band recorded several songs as heavy as Thor's hammer, which sounds really crushing and brutal and it`s very accurate that Perversity also has slower songs in their tracklist.

I'm glad that death metal still sounds interesting in 2024, as the Slovak Perversity proved on this very album.

Slawek Migacz


"Negation Spirituel" is the 6th album of the band, composed of 10 tracks with a total duration of 38 minutes. You can expect pure death metal marked by darkness and brutality.

-The lyrical concept of the album is spiritual negation is a form of negative theology and is as old as philosophy itself. It is a form of theological thinking and religious practise which attempts to approach the negative belief that there is no salvation in the end of the world. That your soul will not be saved by the light of heaven. And everything will be swallowed by the darkness and chaos itself.

- This stunning artwork was created by the very talented Janka Varadyova of "JanaVe Art". The design and layout were made by Hans from "Dis-Art Design".

- The album was recorded, mixed and mastered by Martin Barla in his "MF Studios" in Poprad between June and October 2023.

For fans of: Immolation, Sinister or Morbid Angel



..::TRACK-LIST::..

1. Feasting (intro) 01:41
2. The mouth of abyzou 03:17
3. Patron of hate 03:43
4. Your flesh is my temple 03:26
5. Spiritual negation 02:27
6. Venom divine 03:04
7. Wrath manifest 05:01
8. Exaltation of the morningstar 05:54
9. Fate weaver 03:07
10. Epitome of diabolization 06:33



..::OBSADA::..

Jozef 'Dodi' Košč - guitar, backVox
Marek Baran - drums
Juraj 'Kazateľ' Handzuš - vocals
Radoslav Smrek - bass
Martin 'Fetus' Calko - guitar

Guests:
Lenka 'Ena' Serafinova - female vocals in the track 'Epitome of Diabolization'
Rene Blahusiak - lead guitar (solo) in the track 'Epitome of Diabolization'



https://www.youtube.com/watch?v=FE1v9NrItTE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To kolejny zespół w Great Dane Records, który wzbudza we mnie wspomnienia zamierzchłych czasów. Słyszałem Perversity już z początków ich działalności, z jakiegoś demo, którego tytułu teraz nie pamiętam… Zapamiętałem tylko, że w tamtych czasach grali czysty death metal, i to całkiem dobry, pewnie dlatego też nazwa zespołu nigdy nie uciekła mi z pamięci. Wraz z nowym albumem odkrywam, że Perversity nie zmienili swojego podejścia do ekstremalnej muzyki i wciąż grają old schoolowy death metal, taki szczery, surowy, brutalny i bluźnierczy, ale i jeszcze lepszy niz to pamiętam.

Ten album posiada jakby 2 główne oblicza. Pierwsze, to proste death metalowe riffy, sporo szybkich balastów perkusyjnych, i rasowo brzmiące death metalowe wokale czyli standard, ale zbudowany na solidnych death metalowych podwalinach i wpływach. Album mocno przypomina mi Hate z ich death metalowej ery. Druga twarz tej płyty to super brzmiące dysonanse gitarowe w stylu Immolation, co daje gdzie czysty death metal zderza się z nieco udziwniony riffami co daje czasami dość mroczny efekt. Jak napisałem Perversity wsadzam na piłkę wraz z Hate I Immolation, ale myślę że ich muzyka broni się sama swoją pomysłowością, linczujaca umysł brutalnością i szorstkością. Płyta wyprodukowana jest dość surowe, ale podchodzi mi brzmienie tej płyty, bez wątpienia. Oprócz death metalowych masakr i kakofonicznych nawalanek, zespół potrafi zagrać kilka ciężkich jak młot Thora kawałków, które brzmią soczyście i całkiem miażdżąca.

Cieszy mnie że death metal w roku 2024 ciągle brzmi interesująco, co udowodnił na swoim albumie słowacki Perversity.

Slawek Migacz


This is another band on Great Dane Records that brings back memories of past times. I heard the music of Perversity in the beginning of their activity, from some demo, the title of which I don't remember now... I only memorized that at the time they played pure death metal, and they have been quite good at that, which is probably why the name of the band has never escaped my memory. With the new album, I discover that Perversity have not changed their approach to extreme music and they still into old school death metal,which sounds honest, raw, brutal and blasphemous, but even better than before.

This album has two main faces. The first one is based on simple death metal riffs, plenty of drum beats, and really great-sounding death metal vocals. Everything is built on solid death metal foundations and influences but the band delivers pretty standard death metal, which is good in their case. The album strongly reminds me of Hate from their death metal era. The second face of this album are superbly interwined guitar dissonances, in the style of Immolation, where pure death metal collides with slightly weird death metal riffs, which brings a quite dark effects at times. As I wrote, I like Perversity along with Hate and Immolation, but I think that their music defends itself with its ingenuity, lynching the mind brutality and roughness of sound. The production of the album is quite raw, but I just like it as it is, without a doubt. In addition to death metal massacres and cacophonous tempos, the band recorded several songs as heavy as Thor's hammer, which sounds really crushing and brutal and it`s very accurate that Perversity also has slower songs in their tracklist.

I'm glad that death metal still sounds interesting in 2024, as the Slovak Perversity proved on this very album.

Slawek Migacz


"Negation Spirituel" is the 6th album of the band, composed of 10 tracks with a total duration of 38 minutes. You can expect pure death metal marked by darkness and brutality.

-The lyrical concept of the album is spiritual negation is a form of negative theology and is as old as philosophy itself. It is a form of theological thinking and religious practise which attempts to approach the negative belief that there is no salvation in the end of the world. That your soul will not be saved by the light of heaven. And everything will be swallowed by the darkness and chaos itself.

- This stunning artwork was created by the very talented Janka Varadyova of "JanaVe Art". The design and layout were made by Hans from "Dis-Art Design".

- The album was recorded, mixed and mastered by Martin Barla in his "MF Studios" in Poprad between June and October 2023.

For fans of: Immolation, Sinister or Morbid Angel



..::TRACK-LIST::..

1. Feasting (intro) 01:41
2. The mouth of abyzou 03:17
3. Patron of hate 03:43
4. Your flesh is my temple 03:26
5. Spiritual negation 02:27
6. Venom divine 03:04
7. Wrath manifest 05:01
8. Exaltation of the morningstar 05:54
9. Fate weaver 03:07
10. Epitome of diabolization 06:33



..::OBSADA::..

Jozef 'Dodi' Košč - guitar, backVox
Marek Baran - drums
Juraj 'Kazateľ' Handzuš - vocals
Radoslav Smrek - bass
Martin 'Fetus' Calko - guitar

Guests:
Lenka 'Ena' Serafinova - female vocals in the track 'Epitome of Diabolization'
Rene Blahusiak - lead guitar (solo) in the track 'Epitome of Diabolization'



https://www.youtube.com/watch?v=FE1v9NrItTE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzeci album niemieckiego zespołu grającego brutalny oldschoolowy death metal w klimacie EXHUMED!

Pokryty rdzą i brudem walec, który rozgniata wszystko na swojej drodze!
Zombie, kanibale i wszelkiej maści humanoidy, a także inne zboczone, złe i brutalne istoty, są miażdżone...
Pozostaje ropa, krew i mnóstwo mięsa w oczywiście w gnijącej postaci!



..::TRACK-LIST::..

1. Intro
2. Bloodshed Begins
3. Death Metal
4. Flesh Cult Apocalypse
5. Black Blood
6. Tales Of The Undead
7. Time To Bleed
8. First Sign Of Cannibalism
9. Bloodpath
10. Outro



..::OBSADA::..

(CockRock) Rocky Schuster - Drum
(Sadistic Petus) Peter 'Goos' Schöndube - Guitars, Growls and Screams
(Pennytration) Andre 'Penny' Pennewitz - Bass, Growls




https://www.youtube.com/watch?v=LVKUYPMv2Hk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzeci album niemieckiego zespołu grającego brutalny oldschoolowy death metal w klimacie EXHUMED!

Pokryty rdzą i brudem walec, który rozgniata wszystko na swojej drodze!
Zombie, kanibale i wszelkiej maści humanoidy, a także inne zboczone, złe i brutalne istoty, są miażdżone...
Pozostaje ropa, krew i mnóstwo mięsa w oczywiście w gnijącej postaci!



..::TRACK-LIST::..

1. Intro
2. Bloodshed Begins
3. Death Metal
4. Flesh Cult Apocalypse
5. Black Blood
6. Tales Of The Undead
7. Time To Bleed
8. First Sign Of Cannibalism
9. Bloodpath
10. Outro



..::OBSADA::..

(CockRock) Rocky Schuster - Drum
(Sadistic Petus) Peter 'Goos' Schöndube - Guitars, Growls and Screams
(Pennytration) Andre 'Penny' Pennewitz - Bass, Growls




https://www.youtube.com/watch?v=LVKUYPMv2Hk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Obsesja na punkcie grozy przenika szerokie pasma ekstremalnej muzyki niczym kosa Wielkiego Niwelatora. Najbardziej pierwotne i nieuleczalne lęki ludzkości przybierały mnogość przerażających kształtów, zarówno potwornych, jak i widmowych, w rozmaitych muzycznych formach od najdawniejszych czasów najcięższej muzyki.
Ta fascynacja śmiercią i tym, co może czaić się za tym straszliwym horyzontem zdarzeń, lub tym, co może czaić się nawet teraz na poszarpanej krawędzi między naszym wymiarem a innym, wciąż ożywia twórcze impulsy wielu zespołów, ale niewiele jest albumów tak skutecznie oddających makabryczne lęki.

Mówiąc najogólniej, album jest niezwykle ciężki i potrafi zarówno zmrozić krew w żyłach, jak i podpalić nerwy. Tworzy głęboką, nadprzyrodzoną atmosferę, przesiąkniętą upiornością i mrokiem, ale także nieustannie wyzwala przypływy adrenaliny poprzez niszczycielskie napady pulsującego, wręcz nieodpartego, barbarzyństwa.



..::TRACK-LIST::..

1. Phobia In Excelsis 01:06
2. The Silent Static 12:06
3. Mind Tap 02:56
4. Dream Paralysis 05:13
5. Waves of Defacement 02:41
6. Transmissions From Beneath 05:42
7. Consuming Repulse 03:23
8. Exit Daze 06:10
9. Bleaching 07:46
10. Serum 01:07



..::OBSADA::..

Aort - electric lead, rhythm and bass guitars, synths
I.R.G. - singing, electric lead guitars, synths
A. Carrier - drums and percussion



https://www.youtube.com/watch?v=0d5UhWa7WJc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Obsesja na punkcie grozy przenika szerokie pasma ekstremalnej muzyki niczym kosa Wielkiego Niwelatora. Najbardziej pierwotne i nieuleczalne lęki ludzkości przybierały mnogość przerażających kształtów, zarówno potwornych, jak i widmowych, w rozmaitych muzycznych formach od najdawniejszych czasów najcięższej muzyki.
Ta fascynacja śmiercią i tym, co może czaić się za tym straszliwym horyzontem zdarzeń, lub tym, co może czaić się nawet teraz na poszarpanej krawędzi między naszym wymiarem a innym, wciąż ożywia twórcze impulsy wielu zespołów, ale niewiele jest albumów tak skutecznie oddających makabryczne lęki.

Mówiąc najogólniej, album jest niezwykle ciężki i potrafi zarówno zmrozić krew w żyłach, jak i podpalić nerwy. Tworzy głęboką, nadprzyrodzoną atmosferę, przesiąkniętą upiornością i mrokiem, ale także nieustannie wyzwala przypływy adrenaliny poprzez niszczycielskie napady pulsującego, wręcz nieodpartego, barbarzyństwa.



..::TRACK-LIST::..

1. Phobia In Excelsis 01:06
2. The Silent Static 12:06
3. Mind Tap 02:56
4. Dream Paralysis 05:13
5. Waves of Defacement 02:41
6. Transmissions From Beneath 05:42
7. Consuming Repulse 03:23
8. Exit Daze 06:10
9. Bleaching 07:46
10. Serum 01:07



..::OBSADA::..

Aort - electric lead, rhythm and bass guitars, synths
I.R.G. - singing, electric lead guitars, synths
A. Carrier - drums and percussion



https://www.youtube.com/watch?v=0d5UhWa7WJc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Konkretna, solidna debiutancka 'pizda prosto w ryj' tego duetu, łącząca brzmienie HM2 Stockholm z Entombed i szybką, bardziej 'chrupiącą' stroną hardcore'u, tworząc wściekłego bękarta, który bardzo dobrze wróży na przyszłość.



Death metal/crust maniacs GOREGӒNG have worked hard on their first full length album after causing a bit of a stir with their short debut. With members of reputed bands like VENOM INC., RIBSPREADER, SOILWORK (live), etc. in their lineup, everything is top-notch and well-thought right down to the Mark Riddick logo, the jaw-dropping Juanjo Castellano artwork, not to mention the impeccable production and execution of the music that can be summed up as a perfect amalgamation of death metal with a lethal dose of crust/grind. There's added menace in the vocal delivery, with Kling mixing it all up and pacing it beautifully to the undulating music. There's an undeniable charm to the proceedings as the songs chug along with maniacal glee, breaking into faster punkish parts and rampaging till the end. It's an album littered with so many variations that you'll need to get back to it to keep track of it all. It's a rare album that eschews the standard template and does things its own way to keep it entertaining and yes, brutal.


- "one of the best death metal releases of the year, if not the best" - Angry Metal Guy (US) 4/5
www.angrymetalguy.com/goregang-neon-graves-review/

- "a battering ram of crusty death metal" - Decibel Magazine (US)
www.decibelmagazine.com/2019/04/08/track-premiere-goregang-silence-is-consent/

- "this album might just be the tightest and nastiest death metal I’ve heard so far this year" - Nine Circles (US)
ninecircles.co/2019/05/23/embracing-the-descent-may-19-25-2019/

- "a thrilling listen" - Metal Injection (US)
metalinjection.net/reviews/goregang-neon-graves

- "a monumental album" - Head-banger Reviews (US)
headbangerreviews.wordpress.com/2019/03/17/goregӓng-neon-graves

- "startlingly good" - GBHBL (US) 9/10
www.gbhbl.com/album-review-goregӓng-neon-graves-transcending-obscurity-records/

- "simply a fantastic record" - Cadaver Garden (US)
cadavergarden.com/2019/04/19/goregang-neon-graves/

- "checks all the essential boxes for a certified, headbang-worthy good time" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave/

- "beast of an album" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/g_2/goregang-neon-graves.htm

- "A jewel from the underground" - Heavy Hardes (Germany)
www.heavyhardes.de/review-10136.html

- "full of energy, riffs, and violence!" - The Metal Wanderlust (US)
themetalwanderlust.com/2019/05/09/track-premier-this-era-of-human-goregang/

- "a solid consistent offering" - Metal Talk (UK) 8/10
metaltalk.net/abyss/goregang-neon-graves.php

- "addictive" - Two Guys Metal Reviews (US)
www.twoguysmetalreviews.com/2019/05/goregang-neon-graves.html

- "fantastic" - Nattskog (UK) 8/10
nattskog.wordpress.com/2019/02/28/album-review-goregang-neon-graves/

- "checks all the essential boxes" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave

- "monstrous riffs" - Music In Belgium (Belgium) 4/5
www.musicinbelgium.net/reviews/goregang-neon-graves/

- "fantastic and memorable" - Distorted Sound Magazine (Belgium)
distortedsoundmag.com/album-review-neon-graves-goregӓng/

- "excellent" - All Round Metal (Italy)
allaroundmetal.com/component/content/article/26-releases/6196-un-approccio-diretto-ed-un-attitudine-sfrontata-sono-la-ricetta-perfetta-dei-goregang

- "imminently headbangable" - Toilet ov Hell (US)
toiletovhell.com/premiere-goregang-false-flags/

- "truly inspiring" - Ave Noctum (UK) 8/10
www.avenoctum.com/2019/05/goregang-neon-graves-transcending-obscurity/

- "ingeniously written" - Blessed Altar (Netherlands)
www.blessedaltarzine.com/2019/05/28/goregang-neon-graves/

- "it’s a winner" - Dead Rhetoric (US)
deadrhetoric.com/reviews/goregang-neon-graves-transcending-obscurity/

- "Goregäng cannot do much wrong for the fans of this old school deathcrust" - Wings of Death (Netherlands)
www.wingsofdeath.net/Goregang-Neon-Graves

- "massively enjoyable and fun" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2019/06/reviews-goregang-destroyer-of-light.html

- "something new" - Glacially Musical (UK)
glaciallymusical.blogspot.com/2019/04/lp-review-neon-graves-by-goregng.html

- "Great stuff!" - Worship Metal (UK)
www.worshipmetal.com/reviews/goregӓng-neon-graves-album-review/

- "very skillfully done" - Live Reviewer (Netherlands)
wp.livereviewer.com/review-goregang-neon-graves-transcending-obscurity-records-20-mei-2019/

- "appealing" - Musik Reviews (Germany)
musikreviews.de/reviews/2019/Goregaeng/Neon-Graves/

- "unique" - Dissecting the Euphony (Malaysia)
dissectingtheeuphony.blogspot.com/2019/03/goregng-neon-graves-2019.html

- "cool and memorable" - Scumfeast (US)
scumfeastzineblog.blogspot.com/2019/04/goregang-neon-graves-review.html



..::TRACK-LIST::..

1. A Cavity in Reality 01:36
2. False Flags 02:03
3. Cathedral of Chemicals 02:23
4. Silence is Consent 01:38
5. Spray of Teeth 02:22
6. Feeble-minded Rash 03:41
7. Neon Graves 03:26
8. Plague of Hammers 03:34
9. Goregӓng 02:47
10. Weightless Sentinels 02:11
11. Putrid Judgement 03:54
12. This Era of Human 04:33



..::OBSADA::..

Jeramie Kling - Vocals, Guitars (VENOM INC., RIBSPREADER, ex-WOMBBATH)
Taylor Nordberg - Drums, Guitars (RIBSPREADER, ex-SOILWORK [live], ex-WOMBBATH)




https://www.youtube.com/watch?v=OLbZ38QpXgA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Konkretna, solidna debiutancka 'pizda prosto w ryj' tego duetu, łącząca brzmienie HM2 Stockholm z Entombed i szybką, bardziej 'chrupiącą' stroną hardcore'u, tworząc wściekłego bękarta, który bardzo dobrze wróży na przyszłość.



Death metal/crust maniacs GOREGӒNG have worked hard on their first full length album after causing a bit of a stir with their short debut. With members of reputed bands like VENOM INC., RIBSPREADER, SOILWORK (live), etc. in their lineup, everything is top-notch and well-thought right down to the Mark Riddick logo, the jaw-dropping Juanjo Castellano artwork, not to mention the impeccable production and execution of the music that can be summed up as a perfect amalgamation of death metal with a lethal dose of crust/grind. There's added menace in the vocal delivery, with Kling mixing it all up and pacing it beautifully to the undulating music. There's an undeniable charm to the proceedings as the songs chug along with maniacal glee, breaking into faster punkish parts and rampaging till the end. It's an album littered with so many variations that you'll need to get back to it to keep track of it all. It's a rare album that eschews the standard template and does things its own way to keep it entertaining and yes, brutal.


- "one of the best death metal releases of the year, if not the best" - Angry Metal Guy (US) 4/5
www.angrymetalguy.com/goregang-neon-graves-review/

- "a battering ram of crusty death metal" - Decibel Magazine (US)
www.decibelmagazine.com/2019/04/08/track-premiere-goregang-silence-is-consent/

- "this album might just be the tightest and nastiest death metal I’ve heard so far this year" - Nine Circles (US)
ninecircles.co/2019/05/23/embracing-the-descent-may-19-25-2019/

- "a thrilling listen" - Metal Injection (US)
metalinjection.net/reviews/goregang-neon-graves

- "a monumental album" - Head-banger Reviews (US)
headbangerreviews.wordpress.com/2019/03/17/goregӓng-neon-graves

- "startlingly good" - GBHBL (US) 9/10
www.gbhbl.com/album-review-goregӓng-neon-graves-transcending-obscurity-records/

- "simply a fantastic record" - Cadaver Garden (US)
cadavergarden.com/2019/04/19/goregang-neon-graves/

- "checks all the essential boxes for a certified, headbang-worthy good time" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave/

- "beast of an album" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/g_2/goregang-neon-graves.htm

- "A jewel from the underground" - Heavy Hardes (Germany)
www.heavyhardes.de/review-10136.html

- "full of energy, riffs, and violence!" - The Metal Wanderlust (US)
themetalwanderlust.com/2019/05/09/track-premier-this-era-of-human-goregang/

- "a solid consistent offering" - Metal Talk (UK) 8/10
metaltalk.net/abyss/goregang-neon-graves.php

- "addictive" - Two Guys Metal Reviews (US)
www.twoguysmetalreviews.com/2019/05/goregang-neon-graves.html

- "fantastic" - Nattskog (UK) 8/10
nattskog.wordpress.com/2019/02/28/album-review-goregang-neon-graves/

- "checks all the essential boxes" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave

- "monstrous riffs" - Music In Belgium (Belgium) 4/5
www.musicinbelgium.net/reviews/goregang-neon-graves/

- "fantastic and memorable" - Distorted Sound Magazine (Belgium)
distortedsoundmag.com/album-review-neon-graves-goregӓng/

- "excellent" - All Round Metal (Italy)
allaroundmetal.com/component/content/article/26-releases/6196-un-approccio-diretto-ed-un-attitudine-sfrontata-sono-la-ricetta-perfetta-dei-goregang

- "imminently headbangable" - Toilet ov Hell (US)
toiletovhell.com/premiere-goregang-false-flags/

- "truly inspiring" - Ave Noctum (UK) 8/10
www.avenoctum.com/2019/05/goregang-neon-graves-transcending-obscurity/

- "ingeniously written" - Blessed Altar (Netherlands)
www.blessedaltarzine.com/2019/05/28/goregang-neon-graves/

- "it’s a winner" - Dead Rhetoric (US)
deadrhetoric.com/reviews/goregang-neon-graves-transcending-obscurity/

- "Goregäng cannot do much wrong for the fans of this old school deathcrust" - Wings of Death (Netherlands)
www.wingsofdeath.net/Goregang-Neon-Graves

- "massively enjoyable and fun" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2019/06/reviews-goregang-destroyer-of-light.html

- "something new" - Glacially Musical (UK)
glaciallymusical.blogspot.com/2019/04/lp-review-neon-graves-by-goregng.html

- "Great stuff!" - Worship Metal (UK)
www.worshipmetal.com/reviews/goregӓng-neon-graves-album-review/

- "very skillfully done" - Live Reviewer (Netherlands)
wp.livereviewer.com/review-goregang-neon-graves-transcending-obscurity-records-20-mei-2019/

- "appealing" - Musik Reviews (Germany)
musikreviews.de/reviews/2019/Goregaeng/Neon-Graves/

- "unique" - Dissecting the Euphony (Malaysia)
dissectingtheeuphony.blogspot.com/2019/03/goregng-neon-graves-2019.html

- "cool and memorable" - Scumfeast (US)
scumfeastzineblog.blogspot.com/2019/04/goregang-neon-graves-review.html



..::TRACK-LIST::..

1. A Cavity in Reality 01:36
2. False Flags 02:03
3. Cathedral of Chemicals 02:23
4. Silence is Consent 01:38
5. Spray of Teeth 02:22
6. Feeble-minded Rash 03:41
7. Neon Graves 03:26
8. Plague of Hammers 03:34
9. Goregӓng 02:47
10. Weightless Sentinels 02:11
11. Putrid Judgement 03:54
12. This Era of Human 04:33



..::OBSADA::..

Jeramie Kling - Vocals, Guitars (VENOM INC., RIBSPREADER, ex-WOMBBATH)
Taylor Nordberg - Drums, Guitars (RIBSPREADER, ex-SOILWORK [live], ex-WOMBBATH)




https://www.youtube.com/watch?v=OLbZ38QpXgA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Miażdżący ultra szybki i brutalny super techniczny grinding death metal z Północnej Karoliny w klimatach wczesnego DEEDS OF FLESH, DYING FETUS, DISAVOWED, DISGORGE (USA).

Czym takim charakteryzuje się death metal za oceanu? A tym, że wciąga jak bagno hehe!!! Tak, właśnie to jest to czego pragnę! Mam przed sobą wyjątkowo ciekawą pozycje, cechującą się niczym innym jak tylko ultra szybkim death metalem znanym pod szyldem Debodified. Nie ukrywam, że Debodified nic nowego nie odkrywa, w rzeczy samej gra bez wątpienia mega brutalny death metal, powodujący pożądaną rozkosz ciała i umysłu. Więc co więcej jest w nim takiego ciekawego? Otóż mili państwo przede wszystkim niczym nie okiełznana zwierzęcość. Tak się teraz gra na amerykańskich ziemiach, brutalnie, ciężko, bez ograniczeń!

Na „Utopia In The Eyes Of A Beast” rządzi zwierzęca agresja, bogata szorstka stylistyka zmieniająca się jak w kalejdoskopie. W sumie to szczególny nacisk przeszywa szarżująca brutalność z gdzie niegdzie wyczuwalnymi momentami słabości, która cechuje się mało znaczącymi zwolnieniami. Jednak cały krążek to istny huragan, ciężki, do bólu masywny, rozrywający sond miażdżący, sieka i rozpruwa. Nawet momentami jest bardzo melodyjnie, ale to jednak zasłona dymana dla rozkręcających się za chwilę chropowatych, ultra szybkich dźwięków. Jeszcze ten wokal wgniatający w podłogę wylewający z siebie świńskie charczenia, okrzyki zwierzęcia prowadzonego na rzęź. Debodified to pozycja bezapelacyjnie dla wytrwałych maniaków lubiących ból i cierpienie.

Kultura Industrialna


Kick-ass death metal from the tobacco-infested lands of the Carolinas! Boy, oh boy, after hearing Lust of Decay, I thought they were the best that the Carolinas had to offer, but I was wrong, folks. Lust of Decay is a pretty similar band to in sound, especially when you look at the fact that the two bands share drummer Jordan Varela. And my goodness is he a beast behind the kit, with tons of excellent fills, and they don't get monotonous at times like they do on LoD's Infesting The Exhumed.

This band has some heavy-ass riffs, a nice slam here and there (at around 1:58 on "Instinct For Malevolence" = Intimidatingly heavy/brutal), but the riffs wouldn't sound nearly as good if it weren't for the fills. The band has an intro with Adolf Hitler speaking at the beginning of "Terminated With Extreme Prejudice", and while I normally would look down upon this, I suck it up and again the music in all of its aggressiveness.

All in all, this a kick-ass brutal DM album with fast brutal drumming, some good breakdowns, a few leads, and above average vox. Highly recommended!

KD



..::TRACK-LIST::..

1. Reprieves for My Enemies 05:47
2. Instinct for Malevolence 04:20
3. Mass Extinction Agenda 03:10
4. Emission of Adrenaline 03:33
5. Uncompromised Extinction 02:59
6. Terminated with Prejudice 03:17
7. Embludgeoned Between Crunches 04:52
8. On This Killing Field 05:34



..::OBSADA::..

Jordan Varela - Vocals, Drums
Jarrod Starnes - Bass, Vocals (backing)
Chris Braunstein - Guitars




https://www.youtube.com/watch?v=Fy7JMepGYDU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Miażdżący ultra szybki i brutalny super techniczny grinding death metal z Północnej Karoliny w klimatach wczesnego DEEDS OF FLESH, DYING FETUS, DISAVOWED, DISGORGE (USA).

Czym takim charakteryzuje się death metal za oceanu? A tym, że wciąga jak bagno hehe!!! Tak, właśnie to jest to czego pragnę! Mam przed sobą wyjątkowo ciekawą pozycje, cechującą się niczym innym jak tylko ultra szybkim death metalem znanym pod szyldem Debodified. Nie ukrywam, że Debodified nic nowego nie odkrywa, w rzeczy samej gra bez wątpienia mega brutalny death metal, powodujący pożądaną rozkosz ciała i umysłu. Więc co więcej jest w nim takiego ciekawego? Otóż mili państwo przede wszystkim niczym nie okiełznana zwierzęcość. Tak się teraz gra na amerykańskich ziemiach, brutalnie, ciężko, bez ograniczeń!

Na „Utopia In The Eyes Of A Beast” rządzi zwierzęca agresja, bogata szorstka stylistyka zmieniająca się jak w kalejdoskopie. W sumie to szczególny nacisk przeszywa szarżująca brutalność z gdzie niegdzie wyczuwalnymi momentami słabości, która cechuje się mało znaczącymi zwolnieniami. Jednak cały krążek to istny huragan, ciężki, do bólu masywny, rozrywający sond miażdżący, sieka i rozpruwa. Nawet momentami jest bardzo melodyjnie, ale to jednak zasłona dymana dla rozkręcających się za chwilę chropowatych, ultra szybkich dźwięków. Jeszcze ten wokal wgniatający w podłogę wylewający z siebie świńskie charczenia, okrzyki zwierzęcia prowadzonego na rzęź. Debodified to pozycja bezapelacyjnie dla wytrwałych maniaków lubiących ból i cierpienie.

Kultura Industrialna


Kick-ass death metal from the tobacco-infested lands of the Carolinas! Boy, oh boy, after hearing Lust of Decay, I thought they were the best that the Carolinas had to offer, but I was wrong, folks. Lust of Decay is a pretty similar band to in sound, especially when you look at the fact that the two bands share drummer Jordan Varela. And my goodness is he a beast behind the kit, with tons of excellent fills, and they don't get monotonous at times like they do on LoD's Infesting The Exhumed.

This band has some heavy-ass riffs, a nice slam here and there (at around 1:58 on "Instinct For Malevolence" = Intimidatingly heavy/brutal), but the riffs wouldn't sound nearly as good if it weren't for the fills. The band has an intro with Adolf Hitler speaking at the beginning of "Terminated With Extreme Prejudice", and while I normally would look down upon this, I suck it up and again the music in all of its aggressiveness.

All in all, this a kick-ass brutal DM album with fast brutal drumming, some good breakdowns, a few leads, and above average vox. Highly recommended!

KD



..::TRACK-LIST::..

1. Reprieves for My Enemies 05:47
2. Instinct for Malevolence 04:20
3. Mass Extinction Agenda 03:10
4. Emission of Adrenaline 03:33
5. Uncompromised Extinction 02:59
6. Terminated with Prejudice 03:17
7. Embludgeoned Between Crunches 04:52
8. On This Killing Field 05:34



..::OBSADA::..

Jordan Varela - Vocals, Drums
Jarrod Starnes - Bass, Vocals (backing)
Chris Braunstein - Guitars




https://www.youtube.com/watch?v=Fy7JMepGYDU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...

..::OPIS::..


Nowe numery death/grindowego FAM oraz nowy deathmetalowy zespoł muzyków PARRICIDE!


This split CD is a true treat for fans of brutal riffs, uncompromising vocals, and destructive drumming. FAM and DEATH ENDORSER join forces to deliver an unforgettable musical experience that will obliterate your speakers.



..::TRACK-LIST::..

FAM:
1. Feral Assault Manifest
2. Faceless Army Of Murder
3. Behind The Scenes (Parricide cover)
4. Boneyard (Impetigo cover)
5. Fleeting Animose Malady (live)
6. Fractal Assymetric Motion (live)

DEATH ENDORSER:
7. Human
8. Historical Justice
9. Prophecy
10. Legal Terrorism



https://www.youtube.com/watch?v=dtg3FdkgMxI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowe numery death/grindowego FAM oraz nowy deathmetalowy zespoł muzyków PARRICIDE!


This split CD is a true treat for fans of brutal riffs, uncompromising vocals, and destructive drumming. FAM and DEATH ENDORSER join forces to deliver an unforgettable musical experience that will obliterate your speakers.



..::TRACK-LIST::..

FAM:
1. Feral Assault Manifest
2. Faceless Army Of Murder
3. Behind The Scenes (Parricide cover)
4. Boneyard (Impetigo cover)
5. Fleeting Animose Malady (live)
6. Fractal Assymetric Motion (live)

DEATH ENDORSER:
7. Human
8. Historical Justice
9. Prophecy
10. Legal Terrorism



https://www.youtube.com/watch?v=dtg3FdkgMxI



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Prawdę mówiąc, tym, co przyciągnęło mnie do 'Kopár hant…az alvilág felé', była okładka z czterema wiktoriańskimi tragarzami niosącymi trumnę do oświetlonej od wewnątrz krypty pośród szarej (jak sobie wyobrażam), deszczowej nocy.
Nie ma tutaj niczego wybijającego się. Absolutnie niczego!
To dzieło zaprojektowane tak, by brzmieć spójnie i z klasą.

Jeśli lubisz death/doom metal grany w całkowicie złowieszczym, ciężkim i mrocznym stylu, ten album jest dla Ciebie.

FA


ROTHADÁS's highly anticipated debut album “Kopár hant... az alvilág felél”.

Hailing from Hungary and proudly performing in their mother tongue, ROTHADÁS made their public debut in 2019 with a self-titled demo tape for ME SACO UN OJO. A two-song work totaling 16 minutes, Rothadás suggested - and strongly - that the selfsame band had a staunchly ancient-minded vision of death metal but by no means were blinkered by the past. Perhaps this unique dichotomy is down to ROTHADÁS being a self-contained duo of vocalist/drummer Lambert Lédeczy and guitarist/bassist Tibor Hanyi - both men equally prolific veterans of the underground, and both concurrently playing in labelmates CRYPTWORM among others.

Now, at last do the duo unveil their debut album, Kopár hant... az alvilág felé. Here, ROTHADÁS erect an eerily shimmering monument of slimy, oft-doomy DEATH METAL: for maniacs, by maniacs, young and old and everyone in between. Armed with an absolutely crushing production, the band's first full-length betrays an eternal wisdom by maximizing the basics as well as nodding to various eras and locales of death metal but only subtly - immersion rather than extraction, and addition by subtraction, tastefully so in both regards. As each of these five lumbering/lunging hulks of dread-inducing sound effortlessly morph into myriad shapes, each one as ghastly and grotesque as the last, it slowly begins to dawn on the listener than Kopár hant... az alvilág felé retains a runtime of 44 minutes: truly, an experience that is EPIC - as ever, tastefully and subtly so - rather "epic" in shameless overstatement. Further, ROTHADÁS' native Hungarian helps lend another sublime layer of the unique to what is arguably the year's best dark-horse death metal recording...recognize or regret!



Wasting no time on a vapid introduction, the gloomy riffs and cavernous boom of drums drops us head-first into a dismal and dreary cacophony of doom-death metal magnificence. The malicious and spectral atmospherics are suffocating and certainly easy to become intoxicated by. The crestfallen sound of charnel guitars soon gives way to an onslaught of blast beat insanity and cascading riffs that launch into a venomous aggression that is equally as gratifying as the slower moments, it is in these early moments that a revelation occurs, this album will truly stand out among the crowd. Marching into oblivion with a glorious mix of transcendent eeriness and outright brutality, the blend here is perfect. Immediately bands like Spectral Voice and Krypts come to mind, but that is not to say Rothadás necessarily sound like either, for they have a darkness of their own that is equally intense and foreboding. Eldritch soundscapes are certainly coming out in full display on this wonderful opus, but what lies ahead is shrouded in mystique.

A swirling tide of murky and creepy guitars ebbs and flows atop crashing waves of cymbals to give us this sense of almost meditative reflection. These moments give the album a morbidly resplendent feeling before launching death metal artillery of epic proportions that destroys any feelings of tranquility with sheer savagery and expansive riffing that liquefies the brain without remorse. The reverberate vocals echo in a monstrous manner, rolling atop the instrumentals with unmistakable power and fantastic delivery that suits the extensive, sweeping production that comprehensively showcases all of the nuance and musical abilities of the duo while not relying on anything but high quality songwriting and atmospheric conjurations of abyssal unearthliness. With a development between the songs that works to grandiose effect over the course of the album, these 5 pieces make a whole, indeed one of cataclysmic scope while being very enjoyable in their segments. The entire piece is a monumental affair that must be examined and heard with tentative ears and an open mind to receive a transporting experience of death metal totality.

Daunting and malevolent, this album is a near-perfect example of death-doom metal that does not fall to their trappings of either genre, allowing the fusion to enhance their sound rather than becoming too reliant on repetition. Expansive riffing and diverse drums meet cavernously snarled vocals to deliver a crushing, monolithic and unrelenting storm of death metal with inarguably powerful atmospherics. A potent concoction of unforgettable and haunting music that brings spectral sorrow and warped visions into thunderous death metal without sacrificing any of the heaviness. Funereal, brutal and impactful in equal measure.

Nattskog7



..::TRACK-LIST::..

1. Utolsó kenet 07:15
2. Koporsószeg 06:46
3. Sírkő 08:22
4. Kripta 08:40
5. Temető 12:27



..::OBSADA::..

Tibor Hanyi - Bass, Guitars
Lambert Lédeczy - Drums, Vocals



https://www.youtube.com/watch?v=2jygAMvULEw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Prawdę mówiąc, tym, co przyciągnęło mnie do 'Kopár hant…az alvilág felé', była okładka z czterema wiktoriańskimi tragarzami niosącymi trumnę do oświetlonej od wewnątrz krypty pośród szarej (jak sobie wyobrażam), deszczowej nocy.
Nie ma tutaj niczego wybijającego się. Absolutnie niczego!
To dzieło zaprojektowane tak, by brzmieć spójnie i z klasą.

Jeśli lubisz death/doom metal grany w całkowicie złowieszczym, ciężkim i mrocznym stylu, ten album jest dla Ciebie.

FA


ROTHADÁS's highly anticipated debut album “Kopár hant... az alvilág felél”.

Hailing from Hungary and proudly performing in their mother tongue, ROTHADÁS made their public debut in 2019 with a self-titled demo tape for ME SACO UN OJO. A two-song work totaling 16 minutes, Rothadás suggested - and strongly - that the selfsame band had a staunchly ancient-minded vision of death metal but by no means were blinkered by the past. Perhaps this unique dichotomy is down to ROTHADÁS being a self-contained duo of vocalist/drummer Lambert Lédeczy and guitarist/bassist Tibor Hanyi - both men equally prolific veterans of the underground, and both concurrently playing in labelmates CRYPTWORM among others.

Now, at last do the duo unveil their debut album, Kopár hant... az alvilág felé. Here, ROTHADÁS erect an eerily shimmering monument of slimy, oft-doomy DEATH METAL: for maniacs, by maniacs, young and old and everyone in between. Armed with an absolutely crushing production, the band's first full-length betrays an eternal wisdom by maximizing the basics as well as nodding to various eras and locales of death metal but only subtly - immersion rather than extraction, and addition by subtraction, tastefully so in both regards. As each of these five lumbering/lunging hulks of dread-inducing sound effortlessly morph into myriad shapes, each one as ghastly and grotesque as the last, it slowly begins to dawn on the listener than Kopár hant... az alvilág felé retains a runtime of 44 minutes: truly, an experience that is EPIC - as ever, tastefully and subtly so - rather "epic" in shameless overstatement. Further, ROTHADÁS' native Hungarian helps lend another sublime layer of the unique to what is arguably the year's best dark-horse death metal recording...recognize or regret!



Wasting no time on a vapid introduction, the gloomy riffs and cavernous boom of drums drops us head-first into a dismal and dreary cacophony of doom-death metal magnificence. The malicious and spectral atmospherics are suffocating and certainly easy to become intoxicated by. The crestfallen sound of charnel guitars soon gives way to an onslaught of blast beat insanity and cascading riffs that launch into a venomous aggression that is equally as gratifying as the slower moments, it is in these early moments that a revelation occurs, this album will truly stand out among the crowd. Marching into oblivion with a glorious mix of transcendent eeriness and outright brutality, the blend here is perfect. Immediately bands like Spectral Voice and Krypts come to mind, but that is not to say Rothadás necessarily sound like either, for they have a darkness of their own that is equally intense and foreboding. Eldritch soundscapes are certainly coming out in full display on this wonderful opus, but what lies ahead is shrouded in mystique.

A swirling tide of murky and creepy guitars ebbs and flows atop crashing waves of cymbals to give us this sense of almost meditative reflection. These moments give the album a morbidly resplendent feeling before launching death metal artillery of epic proportions that destroys any feelings of tranquility with sheer savagery and expansive riffing that liquefies the brain without remorse. The reverberate vocals echo in a monstrous manner, rolling atop the instrumentals with unmistakable power and fantastic delivery that suits the extensive, sweeping production that comprehensively showcases all of the nuance and musical abilities of the duo while not relying on anything but high quality songwriting and atmospheric conjurations of abyssal unearthliness. With a development between the songs that works to grandiose effect over the course of the album, these 5 pieces make a whole, indeed one of cataclysmic scope while being very enjoyable in their segments. The entire piece is a monumental affair that must be examined and heard with tentative ears and an open mind to receive a transporting experience of death metal totality.

Daunting and malevolent, this album is a near-perfect example of death-doom metal that does not fall to their trappings of either genre, allowing the fusion to enhance their sound rather than becoming too reliant on repetition. Expansive riffing and diverse drums meet cavernously snarled vocals to deliver a crushing, monolithic and unrelenting storm of death metal with inarguably powerful atmospherics. A potent concoction of unforgettable and haunting music that brings spectral sorrow and warped visions into thunderous death metal without sacrificing any of the heaviness. Funereal, brutal and impactful in equal measure.

Nattskog7



..::TRACK-LIST::..

1. Utolsó kenet 07:15
2. Koporsószeg 06:46
3. Sírkő 08:22
4. Kripta 08:40
5. Temető 12:27



..::OBSADA::..

Tibor Hanyi - Bass, Guitars
Lambert Lédeczy - Drums, Vocals



https://www.youtube.com/watch?v=2jygAMvULEw



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To bez wątpienia jedna z najlepszych undergroundowych płyt z 2010 roku.

To około 36 minut bezkompromisowego, miażdżącego uderzenia, bezmyślnego łomotu i porywających, trzaskających partii, ekstremalnego tempa, ekstremalnego spowolnienia, ekstremalnego 'wokalu', generalnie ekstremalnej muzyki - nie wspominając o ekstremalnych tekstach. Oczywiście nie jest to płyta dla elit!


Brutal Death Metal / Grincore feat. members and ex-members of ASPHYX, SINISTER, GOD DETHRONED, CLITEATER...Don’t expect anything else than more than 30 minutes of pure perdition!!!!

Inhume makes Brutal Death Metal in combination with Grind Core elements.
Deep, low grunting vocals over a hyperactive drum section with screaming vocals to keep it all in balance.
Guitars are there to sharpen and fasten it, but it is to say that in some points they disappear quite a bit. Mainly when vocals come to the foreground the rest of it seems to be gone.
The music that the band brings comes raw and cold, full of filth and a true listener of this band had not expected any difference.
Some tempo changes here and there bring some variation and this speaks for the band.
Inhume ain’t pussies and after all these years the band shows that it knows how to make a serious album and stick to what they do, not modernize it too much.
If you can stand the 14-track lasting brutality depends how much you can handle extremes.

Don’t expect anything else than more than 30 minutes of pure perdition.



..::TRACK-LIST::..

1. Deadbeat 02:09
2. Pandemic 02:14
3. Virus 02:44
4. Cure For Life 04:12
5. Compulsory Infected 03:51
6. Wretched Worm 03:01
7. Cadaverous Abortion 02:02
8. Zombie Grinder 02:42
9. Prophet 01:43
10. Moulding The Deformed 02:35
11. Phobia 01:41
12. Premeditated 02:52
13. Sea Of Limbs 01:57
14. Violent Overkill 02:49



..::OBSADA::..

Joost Silvrants - Vocals
Dorus van Ooij - Vocals
Ben Janssen - Guitars
Loek Peeters - Bass
Roel Sanders - Drums



https://www.youtube.com/watch?v=w63l41EV8fM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To bez wątpienia jedna z najlepszych undergroundowych płyt z 2010 roku.

To około 36 minut bezkompromisowego, miażdżącego uderzenia, bezmyślnego łomotu i porywających, trzaskających partii, ekstremalnego tempa, ekstremalnego spowolnienia, ekstremalnego 'wokalu', generalnie ekstremalnej muzyki - nie wspominając o ekstremalnych tekstach. Oczywiście nie jest to płyta dla elit!


Brutal Death Metal / Grincore feat. members and ex-members of ASPHYX, SINISTER, GOD DETHRONED, CLITEATER...Don’t expect anything else than more than 30 minutes of pure perdition!!!!

Inhume makes Brutal Death Metal in combination with Grind Core elements.
Deep, low grunting vocals over a hyperactive drum section with screaming vocals to keep it all in balance.
Guitars are there to sharpen and fasten it, but it is to say that in some points they disappear quite a bit. Mainly when vocals come to the foreground the rest of it seems to be gone.
The music that the band brings comes raw and cold, full of filth and a true listener of this band had not expected any difference.
Some tempo changes here and there bring some variation and this speaks for the band.
Inhume ain’t pussies and after all these years the band shows that it knows how to make a serious album and stick to what they do, not modernize it too much.
If you can stand the 14-track lasting brutality depends how much you can handle extremes.

Don’t expect anything else than more than 30 minutes of pure perdition.



..::TRACK-LIST::..

1. Deadbeat 02:09
2. Pandemic 02:14
3. Virus 02:44
4. Cure For Life 04:12
5. Compulsory Infected 03:51
6. Wretched Worm 03:01
7. Cadaverous Abortion 02:02
8. Zombie Grinder 02:42
9. Prophet 01:43
10. Moulding The Deformed 02:35
11. Phobia 01:41
12. Premeditated 02:52
13. Sea Of Limbs 01:57
14. Violent Overkill 02:49



..::OBSADA::..

Joost Silvrants - Vocals
Dorus van Ooij - Vocals
Ben Janssen - Guitars
Loek Peeters - Bass
Roel Sanders - Drums



https://www.youtube.com/watch?v=w63l41EV8fM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Myślałem, że ten twór z Pensylwanii już dawno poszedł w piach. Ritual Mass na przestrzeni ostatniej dekady dał się poznać deathmetalowemu undergroundowi kilkoma mniejszymi wydawnictwami, które odbiły się niemałym echem. Część tych nagrań ukazała się w formie kompilacji „It Ever Turns” wydanej przed trzema laty przez Memento Mori Records.

Teraz ekipa z Pittsburgha atakuje dość niespodziewanie debiutanckim pełniakiem w barwach 20 Buck Spin i od razu trzeba przyznać, że jest to wydawnictwo, z którym warto się poznać. „Cascading Misery” to krok naprzód w muzycznym rozwoju Ritual Mass, zwłaszcza pod kątem kompozytorskim. To już nie jest podziemna, jaskiniowa, kipiąca wściekłością masa dźwięku. Tutaj są riffy, są świetne zwolnienia, jadowite przyspieszenia i zwarte, acz szalone sola przywodzące na myśl braci Hoffman. W dalszym ciągu punktem wyjścia wydaje się tutaj być twórczość Incantation, ale ekipa z północnego wschodu USA wykazuje na swym premierowym długograju więcej niż dotychczas odwołań do bardziej klasycznego, deathmetalowego grania. Słuchając tego materiału kilkukrotnie miałem skojarzenia z Ingivomous, które także w prostej linii gdzieś inspiruje się ekipą Johna McEntee, ale z każdym kolejnym wydawnictwem odchodziło od gęstej smolistości wplatając coraz więcej morbidangelowych motywów. I tak też odbieram „Cascading Misery” od strony instrumentalnej – to kawał bardzo dobre zagranego i napisanego metalu śmierci, opakowanego w naprawdę mocne brzmienie. Schody z tym materiałem zaczynają się dla mnie w momencie, gdy pojawiają się wokale. W tej materii nie zmieniło się nic i mamy jaskinię z toną najebanego pogłosu. Nazywając rzecz po imieniu – kompletnie one nie pasują do wygrywanych tutaj dźwięków i najzwyczajniej w świecie nie podobają mi się. Ritual Mass w każdym innym aspekcie poszedł za mocno do przodu, aby zostawić partie wokale takie jakimi były. Traci na tym całe „Cascading Misery”, które z innymi wokalami mogłoby być jeszcze bardziej dynamiczne, szalone, miałoby w ręku kolejny atrybut podkreślający błysk, który niewątpliwie w tym zespole tkwi.

Wierzę, że póki co jest to etap przejściowy i na kolejnym wydawnictwie Ci kolesie pójdą na całego i dojebią do pieca na całego nie zostawiając jednej nogi w bagnie. Tak czy owak polecam.
Harlequin

The debut full length album from Pittsburgh’s Ritual Mass is more than a collection of songs, it’s a series of calculated assaults on the virtue of the holy. Evolving beyond earlier EP and demo releases, ‘Cascading Misery’, encapsulates the bludgeoning infliction of pain and the slow peel of skin by flame, rife with both sonic chaos and extinguished hope.

From the outset of album opener ‘Obsidian Mirror’ the atmosphere is oppressive, thick with a suffocating malaise. There is a sense of something ceremonial at work but not in a way that seeks communion. Rather it’s ordeal as sacrament. Riffs strangle and churn into convulsive submission, oscillating from slow agony to psychotic break, over which a guttural lament so savage it freezes the blood is wrenched through dungeon stone. Each track unfolds like time spent in isolation, bound by chains, the mind slowly unraveling and surrounded by memories of torment both real and imagined.

By the time the epic 14-minute album closer ‘Disquiet’ dissipates into a mass of formless static Ritual Mass have dragged you into a world where suffering is not an end but a condition of existence. ‘Cascading Misery’ is music for the dissolution of hope, the terror of being, and the long march toward death.



..::TRACK-LIST::..

1. Obsidian Mirror 6:40
2. Immeasurable Hell 4:15
3. Looming Shapeless Entity 5:23
4. Cascading Misery 3:41
5. Frozen Marrow 6:21
6. Disquiet 14:32



..::OBSADA::..

G. Austin - Drums
N. Dudash - Vocals, Bass, Synths
R. Mauck - Guitars
P. Trona - Guitars, Vocals (backing)




https://www.youtube.com/watch?v=10yhciDPwD0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Myślałem, że ten twór z Pensylwanii już dawno poszedł w piach. Ritual Mass na przestrzeni ostatniej dekady dał się poznać deathmetalowemu undergroundowi kilkoma mniejszymi wydawnictwami, które odbiły się niemałym echem. Część tych nagrań ukazała się w formie kompilacji „It Ever Turns” wydanej przed trzema laty przez Memento Mori Records.

Teraz ekipa z Pittsburgha atakuje dość niespodziewanie debiutanckim pełniakiem w barwach 20 Buck Spin i od razu trzeba przyznać, że jest to wydawnictwo, z którym warto się poznać. „Cascading Misery” to krok naprzód w muzycznym rozwoju Ritual Mass, zwłaszcza pod kątem kompozytorskim. To już nie jest podziemna, jaskiniowa, kipiąca wściekłością masa dźwięku. Tutaj są riffy, są świetne zwolnienia, jadowite przyspieszenia i zwarte, acz szalone sola przywodzące na myśl braci Hoffman. W dalszym ciągu punktem wyjścia wydaje się tutaj być twórczość Incantation, ale ekipa z północnego wschodu USA wykazuje na swym premierowym długograju więcej niż dotychczas odwołań do bardziej klasycznego, deathmetalowego grania. Słuchając tego materiału kilkukrotnie miałem skojarzenia z Ingivomous, które także w prostej linii gdzieś inspiruje się ekipą Johna McEntee, ale z każdym kolejnym wydawnictwem odchodziło od gęstej smolistości wplatając coraz więcej morbidangelowych motywów. I tak też odbieram „Cascading Misery” od strony instrumentalnej – to kawał bardzo dobre zagranego i napisanego metalu śmierci, opakowanego w naprawdę mocne brzmienie. Schody z tym materiałem zaczynają się dla mnie w momencie, gdy pojawiają się wokale. W tej materii nie zmieniło się nic i mamy jaskinię z toną najebanego pogłosu. Nazywając rzecz po imieniu – kompletnie one nie pasują do wygrywanych tutaj dźwięków i najzwyczajniej w świecie nie podobają mi się. Ritual Mass w każdym innym aspekcie poszedł za mocno do przodu, aby zostawić partie wokale takie jakimi były. Traci na tym całe „Cascading Misery”, które z innymi wokalami mogłoby być jeszcze bardziej dynamiczne, szalone, miałoby w ręku kolejny atrybut podkreślający błysk, który niewątpliwie w tym zespole tkwi.

Wierzę, że póki co jest to etap przejściowy i na kolejnym wydawnictwie Ci kolesie pójdą na całego i dojebią do pieca na całego nie zostawiając jednej nogi w bagnie. Tak czy owak polecam.
Harlequin

The debut full length album from Pittsburgh’s Ritual Mass is more than a collection of songs, it’s a series of calculated assaults on the virtue of the holy. Evolving beyond earlier EP and demo releases, ‘Cascading Misery’, encapsulates the bludgeoning infliction of pain and the slow peel of skin by flame, rife with both sonic chaos and extinguished hope.

From the outset of album opener ‘Obsidian Mirror’ the atmosphere is oppressive, thick with a suffocating malaise. There is a sense of something ceremonial at work but not in a way that seeks communion. Rather it’s ordeal as sacrament. Riffs strangle and churn into convulsive submission, oscillating from slow agony to psychotic break, over which a guttural lament so savage it freezes the blood is wrenched through dungeon stone. Each track unfolds like time spent in isolation, bound by chains, the mind slowly unraveling and surrounded by memories of torment both real and imagined.

By the time the epic 14-minute album closer ‘Disquiet’ dissipates into a mass of formless static Ritual Mass have dragged you into a world where suffering is not an end but a condition of existence. ‘Cascading Misery’ is music for the dissolution of hope, the terror of being, and the long march toward death.



..::TRACK-LIST::..

1. Obsidian Mirror 6:40
2. Immeasurable Hell 4:15
3. Looming Shapeless Entity 5:23
4. Cascading Misery 3:41
5. Frozen Marrow 6:21
6. Disquiet 14:32



..::OBSADA::..

G. Austin - Drums
N. Dudash - Vocals, Bass, Synths
R. Mauck - Guitars
P. Trona - Guitars, Vocals (backing)




https://www.youtube.com/watch?v=10yhciDPwD0



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Obrzydliwy, brutalny... idealny!!!


..::OPIS::..

Emanating as if from the foul-smelling, poisoned swamps, the music of debutants Viande will make you claw at your throat, enveloping you in suffocating darkness, and before you know it, it will have on your knees gasping for air, with a blood-stained bag on your head. Soon enough the clobbering begins in pitch black darkness and amidst the mind-numbing cacophony, with eerie sounds ringing about, one thing becomes clear - there are stranger, darker forces involved here. More than just another dark death metal band, Viande are conjuring up different sounds and atmospheric elements to create a truly terrifying form of death metal, one that doesn't wallow in misery for too long and is more content bashing skulls in. The full length remains an amorphous exercise in darkness, be it with the use of bestial-sounding primordial catharsis, harrowing doom-laden passages, or just their own kind of unsettling industrial ambience, they're on to something and it transcends mere Incantation-worship. L'abime dévore les âmes is an accomplished debut with soul-scarring qualities.

For fans of - Incantation, Cruciamentum, Portal, Dead Congregation, Vacivus, Teitanblood, Fossilization, Gateway




Many of us know, I guess, that moment of extreme disappointment when you unwrap a prime steak you’ve been looking forward to, only to be greeted by the putrid smell of gone-off meat. “It makes no sense, I only bought the fucking thing yesterday,” you mutter darkly to yourself. That steak should have been good for another couple of days at least. “How could this have happened? Why did it have to happen to me and why today?” I can’t answer any of those questions—quite frankly, I have my own problems—but that foul whiff of putrefaction reminds of the rancid filth that emanates from the debut record of French four-piece Viande. Is that whiff the reason these blackened, atmospheric death dealers all seem to delight in draping sacks over their heads?

It’s not for me to say. But their brand of heavily Incantation-influenced, doom-laden death metal practically oozes out the speakers, much as a sludgy sewage leak might. Nasty, distorted guitars, oozing oil-slick noise samples, pounding drums and guttural roars and growls straight from some hellish underworld make up Viande’s butcher’s kit. A pastiche of early Incantation and more recent Cruciamentum, L’abime dévore les âmes (The Abyss that Devours Souls) is no picnic. Insistent, urgent and brutal, Viande modulate the tempo across their debut but, whether it’s the frantic pace of opener “Les Dent du Gouffre” or the tortured tones of closer “Langues de Brume,” which gets dangerously close to drone, these Frenchmen are never less than intensely unsettling.

There’s more than a hint of sludge in the mix on L’abime dévore les âmes but also, in a somewhat unexpected addition to the mix, dollops of Portal’s Avow in the grimy riffage and eerie soundscapes of tracks like “La Tombe Avide” and “Le Souffle des Os.” Across the album, vocalist J is a man possessed, turning himself inside out as he screams completely unintelligible but no doubt portentous predictions of the world ending in a storm of blood and other bodily fluids. Probably. These grim tales are set to the apocalyptic samples and feedback-laden riffs of B, which oscillate between distended doom and static-laced technicality. It is drummer M, however, that is the glue holding together this unholy union. Sometimes metronomically ominous (“Lueurs de Cendres”), at others deftly progressive (“Traitre a la Vie”) but undoubtedly able to step up the intensity whenever needed (“Miroir Decharne” or “Le Souffle des Os”), M carries Viande along on a tide of blasts and pounding energy. This allows the other members extra leash to generate an atmosphere of bilious threat.

If there is an issue with L’abime dévore les âmes it’s that that atmosphere is all-consuming. Not in the way that people complain about atmoblack being driven by too many lengthy ambient passages—although these do surface briefly in a couple of places—but rather that the overall feel Viande generates somehow contrives to make the record a little one-note. This is curious because, in fact, the band plays delicately with tempos and modulates the black, death and doom edges of their sound with some skill. Yet, after many listens, I find myself unable to identify individual songs with any confidence or point to standout or really distinct moments on L’abime dévore les âmes, something heightened by the vocals in particular. These, as monstrous as they are, need a little more variation. Thus, while the album flows well, with everything seemingly in its rightful place, the sepulchral, primordial feel of Viande, which put me in mind of Arkhaaik, is a tiring sound after a while. This is amplified to a degree by the production, which is huge, rumbling, and cavernous but lacks subtlety.

Viande’s brand of death metal is drenched in exactly the sort of abyssal doomy atmosphere that an album entitled L’abime dévore les âmes ought to be. The more time I spent with the album, the more conflicted I became about how to score it, however. On the one hand, there is much to like about Viande’s brutal, deathly sound and the band are undoubtedly skilled. On the other, the songwriting holds them back slightly. That is not to say that Viande’s craft is poor, it is not and, doubtless mileage will vary. For me, however, L’abime dévore les âmes is a flawed but hugely promising debut that leaves Viande plenty of room to grow.

Carcharodon



..::TRACK-LIST::..

1. Les Dents Du Gouffre 06:36
2. Le Ventre Monde 03:35
3. La Tombe Avide 04:44
4. Miroir Decharne 04:33
5. Le Souffle Des Os 06:50
6. Traitre A La Vie 05:05
7. Lueurs De Cendres 06:44
8. Langues De Brume 04:12



..::OBSADA::..

J - vocals + visuals
B - guitars + noise
M - drums
G - live bass




https://www.youtube.com/watch?v=l6RMsXsHTLM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Obrzydliwy, brutalny... idealny!!!



..::OPIS::..

Emanating as if from the foul-smelling, poisoned swamps, the music of debutants Viande will make you claw at your throat, enveloping you in suffocating darkness, and before you know it, it will have on your knees gasping for air, with a blood-stained bag on your head. Soon enough the clobbering begins in pitch black darkness and amidst the mind-numbing cacophony, with eerie sounds ringing about, one thing becomes clear - there are stranger, darker forces involved here. More than just another dark death metal band, Viande are conjuring up different sounds and atmospheric elements to create a truly terrifying form of death metal, one that doesn't wallow in misery for too long and is more content bashing skulls in. The full length remains an amorphous exercise in darkness, be it with the use of bestial-sounding primordial catharsis, harrowing doom-laden passages, or just their own kind of unsettling industrial ambience, they're on to something and it transcends mere Incantation-worship. L'abime dévore les âmes is an accomplished debut with soul-scarring qualities.

For fans of - Incantation, Cruciamentum, Portal, Dead Congregation, Vacivus, Teitanblood, Fossilization, Gateway




Many of us know, I guess, that moment of extreme disappointment when you unwrap a prime steak you’ve been looking forward to, only to be greeted by the putrid smell of gone-off meat. “It makes no sense, I only bought the fucking thing yesterday,” you mutter darkly to yourself. That steak should have been good for another couple of days at least. “How could this have happened? Why did it have to happen to me and why today?” I can’t answer any of those questions—quite frankly, I have my own problems—but that foul whiff of putrefaction reminds of the rancid filth that emanates from the debut record of French four-piece Viande. Is that whiff the reason these blackened, atmospheric death dealers all seem to delight in draping sacks over their heads?

It’s not for me to say. But their brand of heavily Incantation-influenced, doom-laden death metal practically oozes out the speakers, much as a sludgy sewage leak might. Nasty, distorted guitars, oozing oil-slick noise samples, pounding drums and guttural roars and growls straight from some hellish underworld make up Viande’s butcher’s kit. A pastiche of early Incantation and more recent Cruciamentum, L’abime dévore les âmes (The Abyss that Devours Souls) is no picnic. Insistent, urgent and brutal, Viande modulate the tempo across their debut but, whether it’s the frantic pace of opener “Les Dent du Gouffre” or the tortured tones of closer “Langues de Brume,” which gets dangerously close to drone, these Frenchmen are never less than intensely unsettling.

There’s more than a hint of sludge in the mix on L’abime dévore les âmes but also, in a somewhat unexpected addition to the mix, dollops of Portal’s Avow in the grimy riffage and eerie soundscapes of tracks like “La Tombe Avide” and “Le Souffle des Os.” Across the album, vocalist J is a man possessed, turning himself inside out as he screams completely unintelligible but no doubt portentous predictions of the world ending in a storm of blood and other bodily fluids. Probably. These grim tales are set to the apocalyptic samples and feedback-laden riffs of B, which oscillate between distended doom and static-laced technicality. It is drummer M, however, that is the glue holding together this unholy union. Sometimes metronomically ominous (“Lueurs de Cendres”), at others deftly progressive (“Traitre a la Vie”) but undoubtedly able to step up the intensity whenever needed (“Miroir Decharne” or “Le Souffle des Os”), M carries Viande along on a tide of blasts and pounding energy. This allows the other members extra leash to generate an atmosphere of bilious threat.

If there is an issue with L’abime dévore les âmes it’s that that atmosphere is all-consuming. Not in the way that people complain about atmoblack being driven by too many lengthy ambient passages—although these do surface briefly in a couple of places—but rather that the overall feel Viande generates somehow contrives to make the record a little one-note. This is curious because, in fact, the band plays delicately with tempos and modulates the black, death and doom edges of their sound with some skill. Yet, after many listens, I find myself unable to identify individual songs with any confidence or point to standout or really distinct moments on L’abime dévore les âmes, something heightened by the vocals in particular. These, as monstrous as they are, need a little more variation. Thus, while the album flows well, with everything seemingly in its rightful place, the sepulchral, primordial feel of Viande, which put me in mind of Arkhaaik, is a tiring sound after a while. This is amplified to a degree by the production, which is huge, rumbling, and cavernous but lacks subtlety.

Viande’s brand of death metal is drenched in exactly the sort of abyssal doomy atmosphere that an album entitled L’abime dévore les âmes ought to be. The more time I spent with the album, the more conflicted I became about how to score it, however. On the one hand, there is much to like about Viande’s brutal, deathly sound and the band are undoubtedly skilled. On the other, the songwriting holds them back slightly. That is not to say that Viande’s craft is poor, it is not and, doubtless mileage will vary. For me, however, L’abime dévore les âmes is a flawed but hugely promising debut that leaves Viande plenty of room to grow.

Carcharodon



..::TRACK-LIST::..

1. Les Dents Du Gouffre 06:36
2. Le Ventre Monde 03:35
3. La Tombe Avide 04:44
4. Miroir Decharne 04:33
5. Le Souffle Des Os 06:50
6. Traitre A La Vie 05:05
7. Lueurs De Cendres 06:44
8. Langues De Brume 04:12



..::OBSADA::..

J - vocals + visuals
B - guitars + noise
M - drums
G - live bass




https://www.youtube.com/watch?v=l6RMsXsHTLM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wielowarstwowa mieszanka potężnego i imponującego blackened DM!

FA

Like their label and country mates Serpent of Old, Shrine of Denial are blending styles and forging their own sound, and channelling it through narrative, superbly thought out structures that despite the twists and turns remain memorable. Perhaps it is a Turkish trait to have the songs this meticulously written, and to achieve that Shrine of Denial have used elements of both death and black metal in varying degrees, often blurring the boundaries between the two in the process. The result is exhilarating, as the band effortlessly switches from fast, blasting parts to slow melodic hooks and then quickly accelerates back to their high-speed mode, using whatever stylistic liberties available. It is an engaging, intense and stirring album that doesn’t get carried away and goes beyond what is necessary or appropriate; despite the vagaries, it remains solid, cohesive and impactful throughout. For what it does, 'I, Moloch' is one of the strongest albums not only to come out of that region in recent times but also in the blackened death metal style as a whole.

For fans of - Serpent of Old, Dead Congregation, Emperor, Behemoth, Burial Invocation, The Chasm



PRESS:
"top-shelf blackened death that gets me very excited for the band’s future career" - Angry Metal Guy 3.5/5
www.angrymetalguy.com/shrine-of-denial-i-moloch-review/


"a rock-solid album that will break necks" - Acta Infernalis 90/100
actainfernalis.com/2025/03/10/review-2632-shrine-of-denial-i-moloch-english/


"This is the kind of splendor that black-death metal is always in need of" - Head-banger Reviews
headbangerreviews.com/2025/01/23/shrine-of-denial-i-moloch/


"A bright new star has emerged in the murky death metal firmament!" - Sentinel Daily
sentineldaily.com.au/shrine-of-denial-i-moloch-transcending-obscurity-records/


"as elaborate, as magnificent, as sinister and otherworldly, and as dreadfully frightening as the visual" - No Clean Singing
www.nocleansinging.com/2025/02/14/an-ncs-premiere-shrine-of-denial-i-moloch/


"an engaging slab of considerable ferocity, tempered by an esoteric edge" - Wonderbox Metal
wonderboxmetal.com/2025/03/06/shrine-of-denial-i-moloch-review/


"Solid blackened death with a touch of disso" - Toilet ov Hell
toiletovhell.com/tmp-floating-shrine-of-denial-shrieking-demons-and-more/


"fans of varied death metal with a blackened touch should definitely check out" - Wings of Death
www.wingsofdeath.net/89646-Shrine-Of-Denial-I-Moloch



I’m starting to think there might be something in the water over in Turkey. Not two full years after Serpent of Old and their phenomenal debut Ensemble Under the Dark Sun blew my tiny mind, Shrine of Denial threaten to do the same. Sharing a home country and a label and implying a similar sound to Serpent of Old in their one-sheet, it was easy to go in expecting a carbon-copy of the former. While certain quirks suggest the idea of a native style, Shrine of Denial have more than enough personality of their own, forming I, Moloch with blackened death metal channeled through a sound that feels as old and trve as it does fresh and unique.

I, Moloch is gritty, fast, and technical. Punchily-delivered vocals and fast, off-beat tempos that almost recall The Black Dahlia Murder, meet with menacing riffwork that mimics a faster Morbid Angel, and is most closely akin to last years’ Keres, and throaty growls barked or roared, often in unison. Lurking about the compositions are tones and some pretensions to atmospheric dissonance that sound—yes—a bit like Serpent of Old (“Climbing Through Nothingness,” “The Mesmer”). But Shrine of Denial eschew eerie ambiguity in favour of straightforward meanness, delivering their discordant harmonies through spidery fretwork and the occasional twisting, piercing line. The low-DR, new-school-old-school production that wraps guitar solos in delicious echo, pushes the percussion to the front and into the golden zone of satisfyingly crisp crashy-bangyness, and emphasises the roughness of the vocals is the perfect packaging. This sounds bloody fantastic.

Shrine of Denial excel at elevating the elements of their music in a way that injects new vitality and intrigue into old styles, but doesn’t denigrate their unvarnished heaviness. There is much that feels vaguely familiar on I, Moloch, but it is reinterpreted and reinvigorated through impressive performances and idiosyncratic habits that give Shrine of Denial instant individuality. Guitar lines threading through compositions are immediate and hooky (“Oneiros,” “Headless Idol”), but subtly they spin a more complex web that gives the songs depth, and take you almost by surprise as thematic reprise bursts into a thrilling solo (“I, Moloch,” “Pillars of Ice”). The drumwork is far more complex than it needed to be, but the effort pays off in spades, with the compositions becoming exhilaratingly energetic; my jaw was frequently on the floor in appreciation of the flicky precision and kicky fills (especially “A Sanctuary In The Depths Of The Realms,” “Pillars of Ice,” and “Oneiros”). Further, the way Shrine of Denial use syncopation between percussion, vocal delivery, and on-off riff patterns gives them that much more impact, where otherwise they might have shrunken under their technicality (“I, Moloch,” “Temple of the Corpse Misuser”). What few truly melodious passages there are shine when they do appear in the aforementioned solos, or in the hints of grace to certain quite OSDM-sounding refrains; the beauty of their high, cavernous resonance makes it that much more heartbreaking that they are so rare.

There is precious little wastage on I, Moloch. With a runtime this swift, but songs this compelling, it’s clear that Shrine of Denial are smart songwriters, knowing that to win over their listener, it’s better to leave them a little hungry. These 31 minutes are bursting with slick, thrilling, downright gnarly musicianship, and a presence that belies this brevity. Everything exudes a fresh and snappy approach to disso-death, and blackened death, and whatever subgenres they incorporate, that makes them more approachable, but keeps just enough conventionality, and more than enough brutality and technicality, to satisfy. The main problems, therefore, with I, Moloch are: a) I would like more, and b) I would like them to let their extreme tendencies play out a little further; that is to say—there aren’t any real problems. In seriousness, I, Moloch’s abbreviation and slight camouflage of seeming more straightforward than it is does let Shrine of Denial down a tad; but it’s early days, and I’m more than happy to wait for them to really let loose.

Really, I, Moloch does everything you could ask it to. It’s punchy and slick, with clear signs of powerful promise waiting to be capitalised upon once Shrine of Denial fully lock in. It’s a bite-sized helping of top-shelf blackened death that gets me very excited for the band’s future career, and it’s another impressive debut to come from a country with a growing reputation of fostering extreme metal talent.

Thus Spoke



..::TRACK-LIST::..

1. Climbing Through Nothingness 04:31
2. A Sanctuary In The Depths Of The Realms 04:15
3. I, Moloch 03:36
4. Pillars Of Ice 04:18
5. The Mesmer 03:58
6. Oneiros 03:41
7. Headless Idol 02:54
8. Temple of the Corpse Misuser 03:43



..::OBSADA::..

Eray Nabi - Vocals
Onur Uslu - Lead guitar
Denizkaan Aracı - Rhythm guitar
Ahmet Ünveren - Bass
Berk Köktürk - Drums




https://www.youtube.com/watch?v=vBDKKGszVdQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wielowarstwowa mieszanka potężnego i imponującego blackened DM!

FA

Like their label and country mates Serpent of Old, Shrine of Denial are blending styles and forging their own sound, and channelling it through narrative, superbly thought out structures that despite the twists and turns remain memorable. Perhaps it is a Turkish trait to have the songs this meticulously written, and to achieve that Shrine of Denial have used elements of both death and black metal in varying degrees, often blurring the boundaries between the two in the process. The result is exhilarating, as the band effortlessly switches from fast, blasting parts to slow melodic hooks and then quickly accelerates back to their high-speed mode, using whatever stylistic liberties available. It is an engaging, intense and stirring album that doesn’t get carried away and goes beyond what is necessary or appropriate; despite the vagaries, it remains solid, cohesive and impactful throughout. For what it does, 'I, Moloch' is one of the strongest albums not only to come out of that region in recent times but also in the blackened death metal style as a whole.

For fans of - Serpent of Old, Dead Congregation, Emperor, Behemoth, Burial Invocation, The Chasm



PRESS:
"top-shelf blackened death that gets me very excited for the band’s future career" - Angry Metal Guy 3.5/5
www.angrymetalguy.com/shrine-of-denial-i-moloch-review/


"a rock-solid album that will break necks" - Acta Infernalis 90/100
actainfernalis.com/2025/03/10/review-2632-shrine-of-denial-i-moloch-english/


"This is the kind of splendor that black-death metal is always in need of" - Head-banger Reviews
headbangerreviews.com/2025/01/23/shrine-of-denial-i-moloch/


"A bright new star has emerged in the murky death metal firmament!" - Sentinel Daily
sentineldaily.com.au/shrine-of-denial-i-moloch-transcending-obscurity-records/


"as elaborate, as magnificent, as sinister and otherworldly, and as dreadfully frightening as the visual" - No Clean Singing
www.nocleansinging.com/2025/02/14/an-ncs-premiere-shrine-of-denial-i-moloch/


"an engaging slab of considerable ferocity, tempered by an esoteric edge" - Wonderbox Metal
wonderboxmetal.com/2025/03/06/shrine-of-denial-i-moloch-review/


"Solid blackened death with a touch of disso" - Toilet ov Hell
toiletovhell.com/tmp-floating-shrine-of-denial-shrieking-demons-and-more/


"fans of varied death metal with a blackened touch should definitely check out" - Wings of Death
www.wingsofdeath.net/89646-Shrine-Of-Denial-I-Moloch



I’m starting to think there might be something in the water over in Turkey. Not two full years after Serpent of Old and their phenomenal debut Ensemble Under the Dark Sun blew my tiny mind, Shrine of Denial threaten to do the same. Sharing a home country and a label and implying a similar sound to Serpent of Old in their one-sheet, it was easy to go in expecting a carbon-copy of the former. While certain quirks suggest the idea of a native style, Shrine of Denial have more than enough personality of their own, forming I, Moloch with blackened death metal channeled through a sound that feels as old and trve as it does fresh and unique.

I, Moloch is gritty, fast, and technical. Punchily-delivered vocals and fast, off-beat tempos that almost recall The Black Dahlia Murder, meet with menacing riffwork that mimics a faster Morbid Angel, and is most closely akin to last years’ Keres, and throaty growls barked or roared, often in unison. Lurking about the compositions are tones and some pretensions to atmospheric dissonance that sound—yes—a bit like Serpent of Old (“Climbing Through Nothingness,” “The Mesmer”). But Shrine of Denial eschew eerie ambiguity in favour of straightforward meanness, delivering their discordant harmonies through spidery fretwork and the occasional twisting, piercing line. The low-DR, new-school-old-school production that wraps guitar solos in delicious echo, pushes the percussion to the front and into the golden zone of satisfyingly crisp crashy-bangyness, and emphasises the roughness of the vocals is the perfect packaging. This sounds bloody fantastic.

Shrine of Denial excel at elevating the elements of their music in a way that injects new vitality and intrigue into old styles, but doesn’t denigrate their unvarnished heaviness. There is much that feels vaguely familiar on I, Moloch, but it is reinterpreted and reinvigorated through impressive performances and idiosyncratic habits that give Shrine of Denial instant individuality. Guitar lines threading through compositions are immediate and hooky (“Oneiros,” “Headless Idol”), but subtly they spin a more complex web that gives the songs depth, and take you almost by surprise as thematic reprise bursts into a thrilling solo (“I, Moloch,” “Pillars of Ice”). The drumwork is far more complex than it needed to be, but the effort pays off in spades, with the compositions becoming exhilaratingly energetic; my jaw was frequently on the floor in appreciation of the flicky precision and kicky fills (especially “A Sanctuary In The Depths Of The Realms,” “Pillars of Ice,” and “Oneiros”). Further, the way Shrine of Denial use syncopation between percussion, vocal delivery, and on-off riff patterns gives them that much more impact, where otherwise they might have shrunken under their technicality (“I, Moloch,” “Temple of the Corpse Misuser”). What few truly melodious passages there are shine when they do appear in the aforementioned solos, or in the hints of grace to certain quite OSDM-sounding refrains; the beauty of their high, cavernous resonance makes it that much more heartbreaking that they are so rare.

There is precious little wastage on I, Moloch. With a runtime this swift, but songs this compelling, it’s clear that Shrine of Denial are smart songwriters, knowing that to win over their listener, it’s better to leave them a little hungry. These 31 minutes are bursting with slick, thrilling, downright gnarly musicianship, and a presence that belies this brevity. Everything exudes a fresh and snappy approach to disso-death, and blackened death, and whatever subgenres they incorporate, that makes them more approachable, but keeps just enough conventionality, and more than enough brutality and technicality, to satisfy. The main problems, therefore, with I, Moloch are: a) I would like more, and b) I would like them to let their extreme tendencies play out a little further; that is to say—there aren’t any real problems. In seriousness, I, Moloch’s abbreviation and slight camouflage of seeming more straightforward than it is does let Shrine of Denial down a tad; but it’s early days, and I’m more than happy to wait for them to really let loose.

Really, I, Moloch does everything you could ask it to. It’s punchy and slick, with clear signs of powerful promise waiting to be capitalised upon once Shrine of Denial fully lock in. It’s a bite-sized helping of top-shelf blackened death that gets me very excited for the band’s future career, and it’s another impressive debut to come from a country with a growing reputation of fostering extreme metal talent.

Thus Spoke



..::TRACK-LIST::..

1. Climbing Through Nothingness 04:31
2. A Sanctuary In The Depths Of The Realms 04:15
3. I, Moloch 03:36
4. Pillars Of Ice 04:18
5. The Mesmer 03:58
6. Oneiros 03:41
7. Headless Idol 02:54
8. Temple of the Corpse Misuser 03:43



..::OBSADA::..

Eray Nabi - Vocals
Onur Uslu - Lead guitar
Denizkaan Aracı - Rhythm guitar
Ahmet Ünveren - Bass
Berk Köktürk - Drums




https://www.youtube.com/watch?v=vBDKKGszVdQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po sześciu latah działalności Blackcircle wreszcie prezetuje swój debiutancki album. Sporo udziwnień, dużo progresji, dość inteligentna muzyka dla poszukujących.
Płyta 'duszna i ponura' ale nie stwarzająca wrażenia monotonnej.



..::TRACK-LIST::..

1. Ascension 08:19
2. Flowers 07:24
3. Echoes 08:57
4. In the Eye of Chaos 07:13
5. The Ghost Garden 07:42
6. Timeline 09:29
7. Mirrorhouse 04:44
8. Requiem in Silence 06:30



..::OBSADA::..

Bass - Jorge Drolett
Drum Programming - Raúl Drolett
Guitar - Raúl Drolett
Keyboards - Jorge Drolett
Synth - Raúl Drolett
Vocals - Jorge Drolett, Raúl Drolett




https://www.youtube.com/watch?v=cPw5fiVeXTQ



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po sześciu latah działalności Blackcircle wreszcie prezetuje swój debiutancki album. Sporo udziwnień, dużo progresji, dość inteligentna muzyka dla poszukujących.
Płyta 'duszna i ponura' ale nie stwarzająca wrażenia monotonnej.



..::TRACK-LIST::..

1. Ascension 08:19
2. Flowers 07:24
3. Echoes 08:57
4. In the Eye of Chaos 07:13
5. The Ghost Garden 07:42
6. Timeline 09:29
7. Mirrorhouse 04:44
8. Requiem in Silence 06:30



..::OBSADA::..

Bass - Jorge Drolett
Drum Programming - Raúl Drolett
Guitar - Raúl Drolett
Keyboards - Jorge Drolett
Synth - Raúl Drolett
Vocals - Jorge Drolett, Raúl Drolett




https://www.youtube.com/watch?v=cPw5fiVeXTQ



SEED 15:00-22:00.
POLECAM!!!