...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Doskonały przykład brutalności hiszpańskiej sceny muzycznej.
Prawdziwa symfonia dla każdego miłośnika gatunku!



The re-incarnation of the seminal Spanish band CANNIBAL GRANDPA. Now BONECARVER, the Spaniard Slammers return with their debut album EVIL. Furious, brutal and executed with clinical precision; this is BONECARVER.



From the epic cover art to the legendary deathcore name, I had very high expectations for Bonecarver's debut, Evil. I wouldn't say the band exceeded them, but this album is far from a disappointment. It falls somewhere in the "could have been better, but not too shabby" category.

First of all, the vocals are probably the main drawback of this album. While they're passable most of the time, there are moments where vocalist Fernando del Villar gets carried away and sounds more like a squealing pig than a scary, menacing death metal vocalist. What's nice about his vocal performance, though, is that it usually fits the music and it avoids overpowering the instrumentation. Deathcore albums are usually driven by drums, and that's definitely the case on this record.

There are some pretty cool effects the band deploys that are worth mentioning, like the gun cocking sound on the opening "Revolver." It's a very small detail but it's symbolic of the care that Bonecarver put into crafting this album. There are numerous riff changes and time signature switches on any given track, but the band generally has a keen instinct for making these developments flow. A good example is the beginning of "The Scythe," where the band progressively gets more intense, heavier, and faster before retreating back to the gargantuan riffing that slowly moves the song along bits at a time. The distorted guitar effects on this song are pleasant, as is the melodic guitar solo that runs behind a more echoed vocal delivery.

The band's songwriting is usually on point, and none of the instruments feel overwhelming or out of place. The synthesizer buildup on "Mallevs Maleficarvm" are a nice touch, and the chunky riffs are in perfect contrast to the anthemic feel the song has. It's almost akin to late-stage Emperor, with how atmospheric and symphonic this track sounds. For the majority of the album being riff-driven, this track is a nice change of pace.

While the majority of this album is executed well, there are a few forgettable tracks and ideas that just don't pan out as well. "Nest of Traitors" has some interesting bass work that feels a little weird, even if it isn't too noticeable throughout the majority of the song (it's the first thing you hear in the intro though). The riffs aren't as creative or as hard-hitting on this track as they are elsewhere on the album as well. The band does redeem itself preemptively with the striking "Moon Maniac," though, where the drums are absolutely crushing and the adrenaline the band builds is strong enough to induce a heart attack! The long title track that closes the album out is well-written, conceptual, and haunting as well, putting a nice bow on the album's captivating, frightening presentation.

AxlFuckingRose



..::TRACK-LIST::..

1. Revolver 03:46
2. Overtorture 03:23
3. The Scythe 03:55
4. Mallevs Malificarvm 04:31
5. Wormhole 03:12
6. Moon Maniac 03:29
7. Nest of Traitors 04:33
8. Hound Pound 02:04
9. The Blacksmith's Massacre 02:56
10. Evil 05:22



..::OBSADA::..

Alberto Bravo - Guitars
Fernando del Villar - Vocals
Ruben Contreras - Drums
Alex Tena - Guitars, Bass



https://www.youtube.com/watch?v=aijY6MNotto



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