...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI..


..::OPIS::..

Brutalny death metal XXI wieku!!!
A gdybym mógł dać Continuum jedną sugestię... to następnym razem wolałbym, żeby było w nim trochę więcej emocji.

FA


Wow, if this isn’t the starriest compendium witnessed on the death metal circuit so far… luminaries from quite a few technical/progressive outfits (Brain Drill, Flesh Consumed, Decrepit Birth, Rings of Saturn, Inanimate Existence, Deeds of Flesh, etc.) have gotten together with the intention on producing for a change… another compilation of dazzling technical death acrobatics.

In other words, the name of the game remains the same the guys preferring to stick with what they can do best, stupefying the audience with ultra-precise clinical shreds which, from the aforementioned acts, comes the closest to mid-period Deeds of Flesh and Decrepit Birth which in its turn means that fans of the dazzling brutality movement (also Cryptopsy, Suffocation, Grotesque) will be left the happiest in the not very long run (the album is 32-min long).

The debut established the familiar, but totally attention-grapping trajectory with guitar pyrotechnics galore the latter usually served in hyper-speed or thereabouts. On the album here the setting has been preserved to a large extent the guys adding a hefty spacey psychedelic flair to the steel rifforamas, this gimmick immediately felt on the opening “Theorem” that also presents the frequently-interrupted with slower stomping carvings hyper-active template, a multifarious journey which tolerates the melodic pinch harmonics on “A History Denied” and the momentary djent-like stiffness of “Designed Obsolescence”, the latter an involuntary bait thrown in order to lure the Meshuggah and Terminal Function lovers. However, the manic thrashing intensity of the short blitzkrieg “All Manner of Decay” will sweep those away the band increasing the velocity for a rousing happy-blasting finale on the “None So Vile” leftover “Remnants of Ascension” and the more varied but still pretty brutal roller-coaster “Repeating Actions”.

Although there will be some who will question this effort’s validity and significance in an oversaturated with brutal guitar acrobatics contemporary scene, it’s undeniable that an adroitly-performed piece of music will invariably attract the relevant crowd. Nothing short of perfection is expected from such an all-star assembly and the guys deliver in spades, again not offering anything new and ground-breaking, but trying to sum up what their careers have been standing for all these years, quite successfully at that. I’m not quite sure if I’ll be salivating over another similarly-styled offering coming out of their camp in another few years, but right now I see no reason why I shouldn’t be moshing around, risking a severe neck-sprain, also trying to shut this wide-open-due-to-awe mouth of mine in order to avoid swallowing some of the bugs flying around.

bayern



..::TRACK-LIST::..

1. Theorem 04:12
2. Release from Flesh and Blood 03:53
3. A History Denied 04:05
4. Designed Obsolescence 03:02
5. All Manner of Decay 03:44
6. Autonomic 03:17
7. Into the Void 04:05
8. Remnants of Ascension 02:07
9. Repeating Actions 03:35



..::OBSADA::..

Ron Casey - Drums
Chase Fraser - Guitars (lead)
Ivan Munguia - Guitars (rhythm)
Riley McShane - Vocals
Nick Willbrand - Bass




https://www.youtube.com/watch?v=mjG9kHbNhUM



SEED 15:00-22:00.
POLECAM!!!