...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Drugi album morderczej załogi z Północnej Karoliny, w skład której wchodzą ludzie z LUST OF DECAY, PUTRILAGE, LECHEROUS NOCTURNE, FLESH CONSUMED. Najwyższej klasy brutalny amerykański death metal.


To fantastyczny powrót Atrocious Abnormality.
Album składa się z dziewięciu niezwykle przyjemnych utworów, pełnych nieustępliwego, agresywnego i świetnie zaaranżowanego death metalu od początku do końca, który przez cały czas zachowuje brutalność i techniczny charakter.

FA


North Carolina death metal machine Atrocious Abnormality are poised to strike with their highly anticipated second full length CD, ‘Formed in Disgust’. A punishing follow up to their 2007 debut release ‘Echoes of the Rotting’, this new offering is a brutal combination of throat ripping guttural vocals and bowel shredding guitar riffs, together with an onslaught of merciless drumming and a bass bombardment of deadly precision. Ranging from fast technical sections, to slower haunting passages, to pit crushing slam and groove breakdowns, this CD has something for everyone and will satisfy the ravenous hunger of the most discerning death metal cannibals. In addition to this outbreak of sickness, there are also some respectable guest vocalist featured throughout the album to maximize the blasphemous carnage. Artwork by Marco Hasmann.


Hailing from North Carolina is Atrocious Abnormality, and they have returned with their sophomore effort entitled “Formed in Disgust”, which I must say is disgustingly awesome! There is no doubt that this is going to be one of the best brutal death metal albums of 2016. Having only been around since 2006 and having only a demo and 1 other album to their credit, these guys have crafted and mastered their art early on. Each one of these 9 tunes is so oozingly infectious, all you can do is just sit back and attempt to take in all of its awesomeness.

I need to start this one out by talking about the drum work. This is just absolutely sick! Not sure if the drums are triggered or not but the double bass is just insane. Thick and bottom heavy, well mixed and produced, Brent Williams can definitely hold his own with any drummer playing the same type of metal. He sounds absolutely super human behind the kit. Like a mixture of newer Suffocation, and Infected Flesh with a little “Legion” era Deicide style thrown in for good measure. I really like his playing ability. This guy has a lot of skill and is not afraid to display it. James O’Neal plays bass and a few of the bass lines are brought to the forefront of the music to play alongside the riffs which seems to add a nice agony filled chaos to the music. Some bands to bring the bass to the forefront of the music, yes, but These guys have a unique approach in that it is of a higher chord where as other bands use a lower chord just to get the “fuzz” or the “rumble” effect of the instrument. The more I think about it and listen to it, the more it reminds me of the bass work on Cannibal Corpse’s “Butchered at Birth” and “Tomb of the Mutilated” releases. Steve Green tackles both guitar and vocal duties and does a damn fine job of both. In many aspects of his playing it reminds me of mid to late 90’s traditional death metal style of riffage. Perhaps not in composition but more in style and delivery. There is also an unmistakable grindcore edge as well which only adds to the awesomeness and overall enjoyment of the album as a whole. Steve’s vocal patterns fit the material perfectly and aren’t all that hard to decipher when following along with the lyrics as compared to other bands playing the same type of brutal death metal. This is definitely a plus.

When you put all the aspects of this album together, you have something that is 100% true to form and unwavering in its intensity and brutality. There are absolutely no compromises. From beginning to end, this album does not let up and it keeps you right on the edge of your seat. So, if you like any of the above mentioned bands, then you are advised to get this and add it to your collection. This wonderful work or art is released by Comatose Records which just happens to be created and owned by Mr. Steve Green. Show the label some love and Atrocious Abnormality some love and get this CD, put it in your stereo and crank it up and let its awesomeness consume you whole!

Akerthorpe


The second full-length from North Carolina brutal death metallers Atrocious Abnormality offer such a wide array of influences spanning the entire gamut of elements popular within the brutal death realm it become wholly enjoyable. Straight from the beginning here, this one manages to feature such a varied and completely over-the-top attack that features a wide range of work throughout here. Nominally under most brutal death metal there comes all the tight, ferocious riffing that contains all sorts of shredding, flesh-ripping patterns and ripping speed-driven rhythms that offer up the most pulverizing beats and riffs possible, all of which comes through quite nicely in the genre as this is among the fastest bands in this particular style. Alongside this explosive series of riff-work, there’s a large amount of spindly, technical rhythms at these dizzying speeds that are complex not only for the different arrangements as well as the manner of changing from the different styles and paces with expert precision, catapulting this one even further along the range with a dynamic style all wrapped together. Coupled together with a few explosive slams brought in with ‘Erotic Tales of Disembowelment’ as well, the wide array of work here makes for a completely varied and complete look that makes for a dynamic attack.

The first half gives this one plenty to enjoy about it. Opener ‘Failed Apocalypse’ uses the sampled speech to set up the slowly-unfolding onslaught of spindly technical riffing and battering bass-lines slamming together through the staggered mid-tempo paces leading nicely into proper first track ‘Exterminate the Apostles’ featuring battering drumming and inhuman blasting alongside charging up-tempo series of technical riff-work full of tight, speed-driven rhythms and battering drumming charging along into the heavy slams featured in the spindly riffing of the final half for a dynamic, blistering effort. ‘Storm of Ash’ takes a steady stream of blasting drumming and tight chugging rhythms building into a slew of frantic, technical riffs slowly taking the frenetic rhythms along faster speeds with charging intensity erupting through blistering speeds slamming into the finale for a truly spectacular highlight. ‘Erotic Tales of Disembowelment’ weaves a strong series of spindly technical riffing and blasting drumming alongside a tight, thumping series of slams chugging through the series of frantic, mid-tempo segments full of dexterous, diving technicality in the riffing carrying through into the final half for another spectacular effort. The title track takes on blistering spindly riff-work and frantic blasting alongside the tight, blazing speed-driven rhythms charging along through the choppy rhythms carrying into the utterly relentless drumming bringing the frantic speeds along the finale for a strong overall effort.

Likewise, the second half here follows the first half rather nicely. ‘Bound for Damnation’ uses the lengthy sampled storyline intro that turns into blistering drum-work alongside dexterous riffing change-ups and tight, charging paces throughout with a series of blistering razor-wire rhythms savagely razing through the occasional slam blasting through the final half for a highly enjoyable track. ‘The Inevitable Undoing’ utilizes choppy drumming blasting throughout the series of spindly riffing full of tight, frenzied sections providing the blistering speed and choppy rhythms blazing throughout the series of scattered patterns dripping with the frenzied slamming through the finale making for another strong highlight effort. ‘Echoes of the Rotting’ blazes through a series of strong choppy technical riffs with the thumping rhythms taking the tight, frenetic riffs alongside the furious blasting drum-work full of dexterous pacing changes with the dynamic riffing covering the changes throughout the final half for overall-back-to-back highlights. Finally, album-closer ‘Incestry’ starts with a bluegrass-banjo intro before diving into a pummeling series of tight rhythms and utterly dexterous technical patterns filled with varying tempo changes with the riffing flowing through a series of utterly blistering rhythms alongside the dive-bombing patterns throughout the finale for a truly explosive finishing note here.

As there’s not a whole lot of overall flaws here and plenty to enjoy from the varied and comprehensive attack featured here that has so much to enjoy containing nearly everything possible in terms of brutal death metal that this one is completely appealing for any and all fans of the style or those that simply enjoy good, heavy extreme metal.

slayrrr666



..::TRACK-LIST::..

1. Failed Apocalypse 03:15
2. Exterminate the Apostles 03:32
3. Storm of Ash 03:07
4. Erotic Tales of Disembowelment 03:10
5. Formed in Disgust 02:52
6. Bound for Damnation 04:09
7. The Inevitable Undoing 03:47
8. Echoes of the Rotting 02:34
9. Incestry 03:06



..::OBSADA::..

James O'Neal - Bass
Brent Williams - Drums
Steve Green - Guitars, Vocals



https://www.youtube.com/watch?v=BK7CI6NP7po



SEED 15:00-22:00.
POLECAM!!!