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..::INFO::..
Produkcja: Kanada, USA
Gatunek: Akcja, Sci-Fi
Premiera: 5 lipca 2016 (świat)
Reżyseria: David Ayer
Scenariusz: David Ayer
..::OPIS::..
Jak dobrze być złym… Zebrać drużynę złożoną z najbardziej niebezpiecznych pojmanych superprzestępców. Następnie przekazać im najpotężniejszą broń, jaką dysponuje rząd. Wreszcie wysłać ich na misję, której celem jest pokonanie tajemniczego, nieprzeniknionego bytu. Amanda Waller, oficer amerykańskiego wywiadu, doszła do wniosku, że do takiego zadania nada się jedynie zbieranina łotrów, którzy nie mają absolutnie nic do stracenia. Co zrobi Legion Samobójców, gdy jego członkowie zorientują się, że nie zostali wybrani dlatego, iż mają szansę wygrać, ale dlatego, że nikt nie będzie ich żałował, gdy poniosą klęskę? Czy dadzą z siebie wszystko, choćby mieli zginąć, czy będą walczyć o własne przetrwanie?
..::OBSADA::..
★ Will Smith .... Deadshot
★ Jared Leto .... Joker
★ Margot Robbie .... Harley Quinn
★ Joel Kinnaman .... Rick Flag
★ Viola Davis .... Amanda Waller
★ Jai Courtney .... Kapitan Boomerang
★ Jay Hernandez .... Diablo
★ Adewale Akinnuoye-Agbaje .... Killer Croc
..::DANE-TECH::..
General
Format : Matroska
Format version : Version 4
File size : 54.2 GiB
Duration : 2 h 2 min
Overall bit rate mode : Variable
Overall bit rate : 63.1 Mb/s
Video
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Format : HEVC
Codec ID : V_MPEGH/ISO/HEVC
Duration : 2 h 2 min
Bit rate : 51.0 Mb/s
Width : 3 840 pixels
Height : 2 160 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0 (Type 2)
Bit depth : 10 bits
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ID in the original source medium : 4352 (0x1100)
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Title : TrueHD 7.1 Atmos
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Title : DTS-HD MA 7.1
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ID in the original source medium : 4352 (0x1100)
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Compression mode : Lossy
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Title : DD 5.1
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Compression mode : Lossy
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Title : DD 5.1
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Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
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Title : DD 5.1
Language : Polish
Text #1
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Text #2
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Text #3
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Text #4
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Text #5
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Text #6
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Text #7
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Text #16
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Text #18
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Text #19
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Text #21
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Text #23
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Text #25
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