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  <channel>
    <title>Best-Torrents RSS - Muzyka</title>
    <link>https://best-torrents.com</link>
    <description>Kanał RSS z torrentami</description>
    <language>pl-PL</language>
    <lastBuildDate>Sun, 13 Sep 2026 09:15:20 +0200</lastBuildDate>
    <item>
      <title>George Michael - Father Figure [24-bit Hi-Res] (2026) [FLAC] ( Seedów: 31 Peerów: 50 )</title>
      <link>https://best-torrents.com/torrent/738324</link>
      <guid>https://best-torrents.com/torrent/738324</guid>
      <description><![CDATA[...( Info )...

Artist: George Michael
Title: Father Figure
Year: 2026
Genre: Pop
Label: Sony Music CG
Duration: 00:16:06
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/44.1 kHz

...( TrackList )...



01. Father Figure (00:05:40)
02. Love's in Need of Love Today (Live) (00:04:44)
03. Father Figure (Instrumental) (00:05:42)]]></description>
      <pubDate>Sun, 13 Sep 2026 09:00:24 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>George Michael - One More Try [24-bit Hi-Res] (2026) [FLAC] ( Seedów: 26 Peerów: 14 )</title>
      <link>https://best-torrents.com/torrent/738323</link>
      <guid>https://best-torrents.com/torrent/738323</guid>
      <description><![CDATA[...( Info )...

Artist: George Michael
Title: One More Try
Year: 2026
Genre: Pop
Label: Sony Music CG
Duration: 00:10:30
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/44.1 kHz

...( TrackList )...



01. One More Try (00:05:51)
02. Look at Your Hands (00:04:39)]]></description>
      <pubDate>Sun, 13 Sep 2026 09:00:14 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>George Michael - Careless Whisper EP [24-bit Hi-Res] (2024) [FLAC] ( Seedów: 21 Peerów: 8 )</title>
      <link>https://best-torrents.com/torrent/738322</link>
      <guid>https://best-torrents.com/torrent/738322</guid>
      <description><![CDATA[...( Info )...

Artist: George Michael
Title: Careless Whisper EP
Year: 2024
Genre: Pop
Label: Sony Music CG
Duration: 00:22:21
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/44.1 kHz

...( TrackList )...



01. Careless Whisper (Remastered) (00:05:03)
02. Careless Whisper (Extended Mix) (00:06:31)
03. Careless Whisper (Live From Madison Square Garden) (00:05:42)
04. Careless Whisper (Instrumental) (00:05:05)]]></description>
      <pubDate>Sun, 13 Sep 2026 09:00:07 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>PRETTY MAIDS - IT COMES ALIVE [MAID IN SWITZERLAND] (2012) [DVD9] [NTSC] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738342</link>
      <guid>https://best-torrents.com/torrent/738342</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::TRACK-LIST::..

Recorded on October 1st - 2011 at Z7, Pratteln, Switzerland

Concert (1:54:36)
I. Pandemonium 
II. I.N.V.U. 
III. Hell On High Heels 
IV. Wake Up To The Real World 
V. Destination Paradise 
VI. Another Shot Of Your Love 
VII. Scream 
VIII. Walk Away 
IX. It Comes At Night 
X. Queen Of Dreams 
XI. Savage Heart 
XII. Clay 
XIII. Yellow Rain 
XIV. Rock The House 
XV. Back To Back 
XVI. Rodeo 
XVII. Lovegames 
XVIII. Future World 
XIX. Little Drops Of Heaven 
XX. Please Don't Leave Me (Written By-John Sykes, Phil Lynott)
XXI. Red Hot And Heavy
 
XXII. It Comes Alive - The Movie 42:47



..::OBSADA::..

Bass - Rene Shades
Drums - Allan Tschicaja
Guitar - Ken Hammer
Keyboards - Morten Sandager
Vocals - Ronnie Atkins



https://www.youtube.com/watch?v=E8fyhZHCams


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Sun, 13 Sep 2026 08:56:16 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>U2 - Street Of Dreams [24-bit Hi-Res] (2026) [FLAC] ( Seedów: 3 Peerów: 8 )</title>
      <link>https://best-torrents.com/torrent/738334</link>
      <guid>https://best-torrents.com/torrent/738334</guid>
      <description><![CDATA[...( Info )...

Artist: U2
Title: Street Of Dreams
Year: 2026
Genre: Rock, Pop
Style: Pop Rock
Label: Universal-Island Records Ltd.
Duration: 00:03:55
Format/Codec: FLAC
Rip Type: Tracks
Audio Bitrate: Lossless
Resolution: 24-bit/48 kHz

...( TrackList )...



01. Street Of Dreams (00:03:55)]]></description>
      <pubDate>Sun, 13 Sep 2026 08:23:03 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>OldiesPart086⭐MP3 MIXED BAG 23 ( Seedów: 8 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738330</link>
      <guid>https://best-torrents.com/torrent/738330</guid>
      <description><![CDATA[OldiesPart086
⭐MP3 @320 kbps
MIXED BAG 23

Albums:
10,000 Maniacs - 40th Anniversary 1981-2021, Their Greatest Hits [2021]
78 Saab - Crossed Lines [2004]
Al Green - Soul! (Live '73) [2021]
Ali Holder - In Preparation For Saturn's Return [2013]
Allan Holdsworth - Velvet Darkness [1976]
Animals with Eric Burdon - In The Beginning [1965]
Artisanals - Zia [2021]
B.J. Thomas - New Looks From An Old Lover, Singles [2017]
Batdorf & Rodney - Life Is You [1975]
Beggars Opera -  Act One [1970]
Bodast - Towards Utopia [1969]
Boffalongo - Beyond Your Head [1970]
Bomba Estereo - Elegencia Tropical [2012]
Bon Iver - SABLE, fABLE [2025]
Bondi Cigars - 12 Lies [2003]
Bonnie Koloc - Bonnie Koloc [1973]
Booker T. Jones - The Road From Memphis (Deluxe Edition) [2011]
Box Tops - Dimensions [1969]
Boz Scaggs - Boz Scaggs [1969]
Brasstronaut - Mean Sun [2012]
Breadmakers - The Night The Moon Forgot To Rise [1993]
Brenda Patterson - Keep On Keepin' On [1970]
Brendan Canning - Home Wrecking Years [2016]
Brethren - Moment Of Truth [1971]
Brian Eno - Film Music 1976-2020 [2020]
Brian Fraser - Sitting On The Corner [2000]
Bright Eyes - Down in the Weeds, Where the World Once Was [2020]
Brigid Mae Power - The Two Worlds [2018]
Brinsley Schwarz - Nervous On The Road New Favourites [1995]
Broderick Smith - Crayon Angels [1996]
Brooks Williams - Lucky Star [2018]
Brothers Johnson - Look Out For #1 [2021]
Bruce Kaphan - Slider [2000
Bruce Langhorne - The Hired Hand [2012]
Bruce Springsteen - Letter To You [2020]
Bubblegum - Where Is Matthew Smith [2008]
Bubblegum Lemonade - Some Like It Pop [2013]
Buckingham Nicks - Buckingham Nicks [1973]
Buckinghams - The Hit Singles Collection [2015]
Buckinghams - Time & Charges [1967]
Buffalo - Average Rock 'n' Roller [1977]
Bunky And Jake - L.A.M.F. [1969]
Butterscotch Cathedral - The Butterscotch Cathedral [2015]
Butts Band - The Complete Recordings [1996]
Byard Lancaster - It's Not Up to Us [1968]
Byrds - Never Before [1987]
Cafe Tacuba - Jei Beibi [2017]
Caifanes - El Silencio [1992]
Cardigans - Best Of [2008] 2CD
Carlton Melton - Where This Leads [2020]
Carly Dow - Ingrained [2015]
caroline - caroline 2 [2025]
Caroline Says - No Fool Like an Old Fool [2018]
Cass McCombs - Interior Live Oak [2025]
Cat Stevens - Tea For The Tillerman [1970]
Catfish - Unlimited Address [1988]
Chain - Australian Rhythm & Blues [1987]
Chairmen Of The Board - Skin I'm In [1973]
Chameleons - The Fan And The Bellows, A Collection Of Classic Early Recordings [1986]
Charlatans - Between 10th and 11th  [1992] 2CD
Charles Earland and Oddysey - The Great Pyramid [1976]
Charley Pride - The Essential Charley Pride [2003] 2CD
Charlie Watts - Charlie Watts Meets the Danish Radio Orchestra [2017]
Cheek - Cheek [1980] EP
Chet Atkins - The Most Popular Guitar [1961]
Chevelles - Rollerball Candy [1995]
Chewy Marble - Chewy Marble [1997]
Chick Corea & Return To Forever - Light As A Feather [1973]
Chicks - Gaslighter [2020]
Children Of Quechua - El Condor Pasa [1971]
Chris Cornell - No One Sings Like You Anymore [2020]
Chris Eckman - The Land We Knew [2025]
Chris Whitley - On Air [2008]
Christian Larsson - A Life in Black [2020]
Christopher Montgomery - Connecticut Elegy [1971]
Chuck Johnson - Balsams [2017]
Church - Deep In The Shallows, The Classic Singles Collection [2007] 2CD
Church - Heyday [1985]
Clarence Gatemouth Brown - Gate Walks To Board 1947-1960 Aladdin & Peacock Sides [2015]
Cloud Eleven - Cloud Eleven [1999]
Cocteau Twins - Victorialand [1986]
Coil - Musick to Play in the Dark Vol. 1 [1999]
VA - Baraka (OST) [2005]
VA - Beach-O-Rama [2016]
VA - Bigtop Soul Cellar [1999]
VA - Brent Superb 60's Soul Sound [2014]
VA - Buddy Guy's Legends Bluesbreakers 05 June [2008]
VA - Clarence Wheeler and The Enforcers, Doin' What We Wanna [1970]
VA - Classic Rock #116, Buried Treasure, Rare Tracks Forgotten Gems [2008]
VA - CTV's After Four [1968]]]></description>
      <pubDate>Sun, 13 Sep 2026 08:02:02 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Trance 100 Selections - Top 25 (Dolby Atmos) (DD+JOC @768kbps) ( Seedów: 56 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738329</link>
      <guid>https://best-torrents.com/torrent/738329</guid>
      <description><![CDATA[...( Info )...

Artists: Various Artists
Title: Trance 100 Selections - Top 25
Type/Genre: Compilation / Trance, Uplifting Trance, Rave
Release date: 2026-09-13
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/48kHz
Channels: 5.1 (Dolby Atmos JOC) up to 9.1.6
Format: .m4a
Size total: 479 MB
Tracks total: 25
Duration total: [01:18:04]

...( Dane Techniczne )...

Audio
ID                             : 1
Format                         : E-AC-3 JOC
Format/Info                    : Enhanced AC-3 with Joint Object Coding
Commercial name                : Dolby Digital Plus with Dolby Atmos
Codec ID                       : ec-3
Duration                       : 3 min 3 s
Bit rate mode                  : Constant
Bit rate                       : 768 kb/s
Channel(s)                     : 6 channels
Channel layout                 : L R C LFE Ls Rs
Sampling rate                  : 48.0 kHz
Frame rate                     : 31.250 FPS (1536 SPF)
Compression mode               : Lossy
Stream size                    : 16.8 MiB (89%)
Service kind                   : Complete Main
Default                        : Yes
Alternate group                : 2
Encoded date                   : 2025-11-06 14:26:34 UTC
Tagged date                    : 2025-11-06 14:26:34 UTC
Complexity index               : 16
Number of dynamic objects      : 15
Bed channel count              : 1 channel
Bed channel configuration      : LFE
Dialog Normalization           : -18 dB
compr                          : -0.28 dB
dmixmod                        : Lo/Ro
ltrtcmixlev                    : -3.0 dB
ltrtsurmixlev                  : -3.0 dB
lorocmixlev                    : -3.0 dB
lorosurmixlev                  : -3.0 dB
dialnorm_Average               : -18 dB
dialnorm_Minimum               : -18 dB
dialnorm_Maximum               : -18 dB

...( TrackList )...

01. Armin Van Buuren - All Night
02. Armin Van Buuren - Angels
03. Armin Van Buuren - City Lights
04. Armin Van Buuren - Destination (A State of Trance 2024 Anthem)
05. Armin Van Buuren - Dream A Little Dream
06. Armin Van Buuren - Es Vedrà
07. Armin Van Buuren - Euphoria (with Alok)
08. Armin Van Buuren - Gimme The Love
09. Armin Van Buuren - In The Dark
10. Armin Van Buuren - Keep The Faith (Explicit)
11. Armin Van Buuren - Let It Be For Love
12. Armin Van Buuren - Love Is A Drug
13. Armin Van Buuren - Love
14. Armin Van Buuren - Set Me Free
15. Armin Van Buuren - Sleepless Nights
16. Armin Van Buuren - Sound of You
17. Armin Van Buuren - Space Case
18. Armin Van Buuren - Toca's Miracle
19. Arty - Favorite Sound
20. Eelke Kleijn - Stranger's Town
21. Eelke Kleijn - Transmission (Joris Voorn Remix)
22. Gabry Ponte - Body
23. Indira Paganotto - Dragon
24. ORKID - Love Is Eternity
25. Will Clarke - Burn This City]]></description>
      <pubDate>Sun, 13 Sep 2026 08:00:03 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Pulen &amp; Koff - Memories at sunset (Melodic deep house) (2026) [FLAC] ( Seedów: 30 Peerów: 14 )</title>
      <link>https://best-torrents.com/torrent/738328</link>
      <guid>https://best-torrents.com/torrent/738328</guid>
      <description><![CDATA[...( Info )...

Artist: Pulen & Koff
Title: Memories at sunset (Melodic deep house)
Year: 2026
Genre: Deep House
Country: Russia
Duration: 00:56:23
Format/Codec: FLAC
Audio Bitrate: 635

...( TrackList )...

1. Intro
2. Sunset Whispers
3. Golden Hour Echoes
4. Fading Light, Lingering Love
5. Drift into Dusk
6. Velvet Sky Melodies
7. Between Sunset and Silence
8. Echoes of Yesterday
9. Warm Shadows, Quiet Thoughts
10. Memories in the Glow
11. Slow Burn of Sunset
12. Under the Dying Sun
13. Whispered Promises at Dusk
14. Silhouettes in the Orange Light
15. Carry the Sunset Home
16. It was a good day
17. One again]]></description>
      <pubDate>Sun, 13 Sep 2026 08:00:03 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>George Harrison - Wonderwall Music (1968) (Japan Edition 2005) [FLAC] [rjk] ( Seedów: 110 Peerów: 44 )</title>
      <link>https://best-torrents.com/torrent/738303</link>
      <guid>https://best-torrents.com/torrent/738303</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 George Harrison - Wonderwall Music
---------------------------------------------------------------------

Artist...............: George Harrison
Album................: Wonderwall Music
Genre................: Soundtrack
Source...............: CD
Year.................: 1968-2005
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Apple Records - Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting
---------------------------------------------------------------------

 1. George Harrison - Microbes [03:44]
 2. George Harrison - Red Lady Too [01:57]
 3. George Harrison - Tabla And Pakavaj [01:05]
 4. George Harrison - In The Park [04:10]
 5. George Harrison - Drilling A Home [03:07]
 6. George Harrison - Guru Vandana [01:07]
 7. George Harrison - Greasy Legs [01:27]
 8. George Harrison - Ski-ing [01:50]
 9. George Harrison - Gat Kirwani [01:15]
 10. George Harrison - Dream Scene [05:30]
 11. George Harrison - Party Seacombe [04:35]
 12. George Harrison - Love Scene [04:17]
 13. George Harrison - Crying [01:19]
 14. George Harrison - Cowboy Music [01:30]
 15. George Harrison - Fantasy Sequins [01:51]
 16. George Harrison - On The Bed [02:23]
 17. George Harrison - Glass Box [01:07]
 18. George Harrison - Wonderwall To Be Here [01:27]
 19. George Harrison - Singing Om [01:54]

Playing Time.........: 45:43
Total Size...........: 260,96 MB

Bass – Philip Rogers
Drums – Roy Dyke
Engineer – Kevin Reeves
Esraj [Thar-shanhai] – Vinaik Vora
Flugelhorn – John Barham
Flute – S.R. Kenkare
Guitar – Colin Manley
Harmonica – Tommy Reilly
Harmonium, Percussion [Tabla-tarang] – Rij Ram Desad
Organ – Edward Antony Ashton
Piano – John Barham
Piano [Jangle] – Edward Antony Ashton
Santoor – Shiv Kumar Shermar
Sarod – Ashish Kahn
Shanai – Hanuman Jadev, Sharad
Sitar – Indril Bhattacharya, Shambu-Das, Shankar Ghosh
Steel Guitar – Colin Manley
Surbahar – Chandra Shakher
Tabla, Pakhavaj – Mahapurush Misra
Producer, Arranged By, Written-By – George Harrison]]></description>
      <pubDate>Sat, 12 Sep 2026 19:13:54 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>COUNTRY LANE - SUBSTRATUM (1973/2026) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738301</link>
      <guid>https://best-torrents.com/torrent/738301</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zremasterowana, świetnie brzmiąca i od wielu lat niedostępna reedycja wydanego w lutym 1973 roku, jedynego albumu zapomnianej, szwajcarskiej grupy. Zespół imponował wysokim poziomem wykonawczym i dojrzałością kompozycji a jednocześnie w umiejętny i różnorodny sposób połączył ciężkie, organowo-gitarowe brzmienie o wyraźnie brytyjskich korzeniach z melodyjnym rockiem. Z jednej strony słychać tutaj wpływy Deep Purple, Uriah Heep, Pink Floyd i Van Der Graaf Generator, ale również francuskich, progresywnych formacji, jak Ange i Triangle. Płyty słucha się jednym tchem, gdyż (za wyjątkiem jednego, 3-minutowego muzycznego żartu) wypełniało ją 'samo gęste'!
Dodam tylko, że w drugiej części oryginalnego winylu znalazła się 20-minutowa, progresywna suita! 'Substratum' pozostaje jedną z najciekawszych, choć mało znanych płyt kontynentalnego, europejskiego rocka progresywnego pierwszej połowy lat 70.

JL

Country Lane were a band from the French-speaking part of Switzerland, hailing from La Chaux-De-Fonds in the Neuchatel district. The band was formed in October 1970 by guitarist Raymond Amey, keyboardist Olivier Maire and rhythm guitarist Freddy Von Kaenel. The next year, after several personnel changes, a rhythm section was added to the original trio: between July and October 1971, bassist GianCarlo Duella and drummer Jean-Francois Donze completed the line-up that was responsible for the band's only album, called "Substratum".
 
Olivier Maire was always aiming at perfection as an instrumentalist. He was born in Bienne on the first of September 1951. Intending to be a doctor in the first place, he nevertheless made rime to learn piano, guitar and organ. His first band experience was with a group called Structures, going on with Country Lane. Tragically, he died in a motorbike accident on a Greek road, a few years after the release of "Substratum'". Raymond Amey was born on the 20th of November 1952 in La Chaux-De- Fonds. An accomplished musician, he was an outstanding performer on both six and twelve-string electric guitars, besides playing synthesizers and kazoo. Furthermore, he proved to be an honest singer and a gifted composer. A photographer in civilian life, he made his musical debut with Rhinos and Next Time, two local bands who achieved some success wav back in the early Seventies.
 
A childhood friend of the aforementioned and a former member of Golden Birds, Freddy Von Kaenel was born in the same town, the same year, yet on the 16th of March. Of course, he played the same instrument... Nevertheless, he soon developed his own style, playing essentially acoustic or twelve-string electric rhythm guitar. He describes himself not without humour as being... '' To Country Lane what wheat flour is to bechamel sauce. ", meaning that he was an efficient binder between the different musical tendencies at work within the band. I Ic also was an established high-level economics. GianCarlo Duella is also a native of La Chaux-De-Fonds. Actually, he was born one year after his buddies, on the 7th of March 1953. He started playing bass quite by chance, shortly before joining Country Lane. Yet, he quickly made great progress, establishing himself as an extremely talented musician who wasn't afraid to call his skills into question.
 
Having music and exhausting high-technology studies on the go at the rime, he usually hides his shyness behind reserve. Born April 16th 1952, Jean-Francois Donze was a self-taught percussionist, who started his drumming career on... Kitchen utensils !!! This happened quite unaffectedly at a rather hectic party together with some close friends. Forever bitten by the percussive bug, he discovered that he was cut out for drumming. He made his debut with Open Road before landing up in Country Lane. He describes himself as a very pleasant human being, who wouldn't be as powerful a performer except for what he calls mischievkmsly " Small outbursts of madness... ". A graphic arts student (He designed the album's inside cover drawing.) and a lover of surrealistic painting and Frank Zappa's music, Jean-Francois Donze is most of all a tireless creative person.
 
As soon as January 1972, Country Lane sorted to compose an original repertoire. The result of a relatively simple collective process, the group's music was created by all five bandmembers, beginning from a basical idea put forward by one of them. As soon as someone's tune sketches were approved by the other four, the themes were fleshed out and embellished into a conclusive song by the band. As for the lyrics, they were written exclusively in Shakespeare's language.
 
Not content with offering an almost perfect performance at each of their gigs, Country Lane indulged themselves in an unfailing relaxed attitude when on stage. The equipment at their disposal was intentionally overabundant, in order to guarantee the quintet all possible means to express their adventurous musical ideas. Prefering to emphasize the music above all, the band gave up the idea of using a wealthy light show or any stage histrionics, contrary to Pink Floyd with whom Country Lane were often compared. The band quickly obtained national recognition, thanks notably to their rock-opera "The Story Of Alan And Pearl", lasting for almost one hour and a half. Let's also point out a memorable gig in their home town of I .a Chaux- De-Fonds on the 10th of June 1972, when they opened the show for Daevid Allen’s Gong and several outstanding performances in Geneva.
 
During one of their stays there, Country Lane won second prize at a bands' contest held at the Black Bird club. The competition, organized over a period of one month by the club's manager Eliane Pade, gathered about thirty acts whose respective values were judged by several record companies' executives. Country Lane were presented the budget necessary to record an album by a well-known Swiss television broadcaster, Marius Berger, together with invitations to perform at noted festivals all over Switzerland. The most expensive Swiss long playing of its era, "Substratum" was eventually recorded at La Chaux-De-Fonds' Soundcraft Studio on the 9th of November 1972, under the supervision of Jean-Pierre Louvin and Chris Penycate.
 
The album was released on the 16th of May 1973, op the Splendid Records label. The band were resolutely opposed to any classification of their work. In their own terms: " Basically, we play the music we love, the genre we feel the most confident within ourselves. " With more straight rock stylings scattered through its songs, the album brings out an anguished lyrical nucleus around which vocals and guitars create an escapist, dreamy climate.
 
The musicians' creativity seems to be constandy stimulated, showcasing their talents and own style to the best advantage. As an attempt to characterize their music, one could speak of a perfect assimilation of the heavy English school made famous by Deep Purple and Uriah Heep, together with the best Anglo- Saxon Progressive Rock, the results sometimes recalling the songs of their Belgian colleagues Waterloo.
 
The album met with favourable reviews from the French-speaking Swiss press. The band were often compared to such different artists as Nektar (Yet in a less experimental manner...), Fairport Convention or Soft Machine. Even if the critics pointed out, albeit with indulgence, at the lack of maturity of some compositions and the band's relative lack of experience, they appreciated Country Lane's artistic qualities and overall freshness, predicting good prospects for them. Sadly, "Substratum" remained the band's only effort, leaving much promises without realisation.
 
Firstly, the album's release coincided with financial problems at Splendid Records, resulting in an obvious lack of energy to promote the record. Moreover, personal differences arose, preventing the band, who were conscious of their slight amateurism, to gig regularly and promote their work by themselves. Gradually, this situation led to the end of their career.
 
A quarter of a century later, the four surviving members of Country Lane have found themselves with various destinies. Most of them have settled down, are family men and, perhaps a sign of the times, have done well in business and their professional undertakings, whereas they held the decadence of the establishment up to ridicule in the distant Seventies. Nevertheless, their intractable spirit has remained in some way: besides being the manager of a computer firm, Raymond Amey has never ceased to write songs. In 1997, he eventually decided to reform a rock group with former local musicians, among whom is his old chum Freddy Von Kaenel himself, nowadays the manager of a foodstuffs firm. Due to Belgian Philippe Collingon and Music Emporium's passion, "Substratum" was first released in CD format some years ago.
 
This one being available no more, Musea gives you a chance to get the remixed version now. Made in a Toulouse studio, the operation let the two meet again with GianCarlo Duella, now a computer engineer living on the shores of the Geneva lake, after spending several months studying in the United States of America. Jean-Francois Donze sadly couldn't attend the reunion, suffering from multiple sclerosis. A divorced and childless man, he creates his own models of (Swiss !) watches for reputed trademarks. Some twenty-seven years after its only album release, Country Lane remains a good example of those little known, yet multitalented bands, swarming all over Europe in the Seventies and often displaying fresh ideas and enthusiasm far beyond their financial means.
 
As for Country Lane their effort looks all the more remarkable since Switzerland wasn't overflowing with Progressive bands at the time. Welcome wouldn't emerge before two or three years, whilst keyboards wizzard Patrick Moraz essentially made a name for himself in the United Kingdom and abroad. From this point of view, Raymond Amey, reveals a lesser known side of the Progressive Rock history, outof- the-way for most listeners a too long time.

Jean-Pierre Louvin, Freddy Von Kaenel and Raymond Amey



..::TRACK-LIST::..

1. With A Sweet Whistle To My Ears 6:13
2. It's Only Your Memory Playing Just The Thought Of A First Love 2:22
3. Substratum 2:40
4. In The Morning Sun 3:17
5. Good Old Time 2:29
6. The Disgusting Story Of The Captain Bloom 
 - Song To Ivan 5:25
 - Letter To A Friend 7:35
 - Captain Bloom 2:24
 - Lilliput's Safari 2:07



..::OBSADA::..

Guitar, Synthesizer, Kazoo, Vocals - Raymond Amey
Organ, Spinet, Piano, Vocals (tracks: 5) - Olivier Maire
Bass - GianCarlo Duella
Drums, Percussion, Bongos - Jean-François Donze
Rhythm Guitar, Banjo - Freddy Von Kaenel



https://www.youtube.com/watch?v=MiKuYsTzsx4


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Sat, 12 Sep 2026 17:01:05 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>COUNTRY LANE - SUBSTRATUM (1973/2026) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738300</link>
      <guid>https://best-torrents.com/torrent/738300</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zremasterowana, świetnie brzmiąca i od wielu lat niedostępna reedycja wydanego w lutym 1973 roku, jedynego albumu zapomnianej, szwajcarskiej grupy. Zespół imponował wysokim poziomem wykonawczym i dojrzałością kompozycji a jednocześnie w umiejętny i różnorodny sposób połączył ciężkie, organowo-gitarowe brzmienie o wyraźnie brytyjskich korzeniach z melodyjnym rockiem. Z jednej strony słychać tutaj wpływy Deep Purple, Uriah Heep, Pink Floyd i Van Der Graaf Generator, ale również francuskich, progresywnych formacji, jak Ange i Triangle. Płyty słucha się jednym tchem, gdyż (za wyjątkiem jednego, 3-minutowego muzycznego żartu) wypełniało ją 'samo gęste'!
Dodam tylko, że w drugiej części oryginalnego winylu znalazła się 20-minutowa, progresywna suita! 'Substratum' pozostaje jedną z najciekawszych, choć mało znanych płyt kontynentalnego, europejskiego rocka progresywnego pierwszej połowy lat 70.

JL

Country Lane were a band from the French-speaking part of Switzerland, hailing from La Chaux-De-Fonds in the Neuchatel district. The band was formed in October 1970 by guitarist Raymond Amey, keyboardist Olivier Maire and rhythm guitarist Freddy Von Kaenel. The next year, after several personnel changes, a rhythm section was added to the original trio: between July and October 1971, bassist GianCarlo Duella and drummer Jean-Francois Donze completed the line-up that was responsible for the band's only album, called "Substratum".
 
Olivier Maire was always aiming at perfection as an instrumentalist. He was born in Bienne on the first of September 1951. Intending to be a doctor in the first place, he nevertheless made rime to learn piano, guitar and organ. His first band experience was with a group called Structures, going on with Country Lane. Tragically, he died in a motorbike accident on a Greek road, a few years after the release of "Substratum'". Raymond Amey was born on the 20th of November 1952 in La Chaux-De- Fonds. An accomplished musician, he was an outstanding performer on both six and twelve-string electric guitars, besides playing synthesizers and kazoo. Furthermore, he proved to be an honest singer and a gifted composer. A photographer in civilian life, he made his musical debut with Rhinos and Next Time, two local bands who achieved some success wav back in the early Seventies.
 
A childhood friend of the aforementioned and a former member of Golden Birds, Freddy Von Kaenel was born in the same town, the same year, yet on the 16th of March. Of course, he played the same instrument... Nevertheless, he soon developed his own style, playing essentially acoustic or twelve-string electric rhythm guitar. He describes himself not without humour as being... '' To Country Lane what wheat flour is to bechamel sauce. ", meaning that he was an efficient binder between the different musical tendencies at work within the band. I Ic also was an established high-level economics. GianCarlo Duella is also a native of La Chaux-De-Fonds. Actually, he was born one year after his buddies, on the 7th of March 1953. He started playing bass quite by chance, shortly before joining Country Lane. Yet, he quickly made great progress, establishing himself as an extremely talented musician who wasn't afraid to call his skills into question.
 
Having music and exhausting high-technology studies on the go at the rime, he usually hides his shyness behind reserve. Born April 16th 1952, Jean-Francois Donze was a self-taught percussionist, who started his drumming career on... Kitchen utensils !!! This happened quite unaffectedly at a rather hectic party together with some close friends. Forever bitten by the percussive bug, he discovered that he was cut out for drumming. He made his debut with Open Road before landing up in Country Lane. He describes himself as a very pleasant human being, who wouldn't be as powerful a performer except for what he calls mischievkmsly " Small outbursts of madness... ". A graphic arts student (He designed the album's inside cover drawing.) and a lover of surrealistic painting and Frank Zappa's music, Jean-Francois Donze is most of all a tireless creative person.
 
As soon as January 1972, Country Lane sorted to compose an original repertoire. The result of a relatively simple collective process, the group's music was created by all five bandmembers, beginning from a basical idea put forward by one of them. As soon as someone's tune sketches were approved by the other four, the themes were fleshed out and embellished into a conclusive song by the band. As for the lyrics, they were written exclusively in Shakespeare's language.
 
Not content with offering an almost perfect performance at each of their gigs, Country Lane indulged themselves in an unfailing relaxed attitude when on stage. The equipment at their disposal was intentionally overabundant, in order to guarantee the quintet all possible means to express their adventurous musical ideas. Prefering to emphasize the music above all, the band gave up the idea of using a wealthy light show or any stage histrionics, contrary to Pink Floyd with whom Country Lane were often compared. The band quickly obtained national recognition, thanks notably to their rock-opera "The Story Of Alan And Pearl", lasting for almost one hour and a half. Let's also point out a memorable gig in their home town of I .a Chaux- De-Fonds on the 10th of June 1972, when they opened the show for Daevid Allen’s Gong and several outstanding performances in Geneva.
 
During one of their stays there, Country Lane won second prize at a bands' contest held at the Black Bird club. The competition, organized over a period of one month by the club's manager Eliane Pade, gathered about thirty acts whose respective values were judged by several record companies' executives. Country Lane were presented the budget necessary to record an album by a well-known Swiss television broadcaster, Marius Berger, together with invitations to perform at noted festivals all over Switzerland. The most expensive Swiss long playing of its era, "Substratum" was eventually recorded at La Chaux-De-Fonds' Soundcraft Studio on the 9th of November 1972, under the supervision of Jean-Pierre Louvin and Chris Penycate.
 
The album was released on the 16th of May 1973, op the Splendid Records label. The band were resolutely opposed to any classification of their work. In their own terms: " Basically, we play the music we love, the genre we feel the most confident within ourselves. " With more straight rock stylings scattered through its songs, the album brings out an anguished lyrical nucleus around which vocals and guitars create an escapist, dreamy climate.
 
The musicians' creativity seems to be constandy stimulated, showcasing their talents and own style to the best advantage. As an attempt to characterize their music, one could speak of a perfect assimilation of the heavy English school made famous by Deep Purple and Uriah Heep, together with the best Anglo- Saxon Progressive Rock, the results sometimes recalling the songs of their Belgian colleagues Waterloo.
 
The album met with favourable reviews from the French-speaking Swiss press. The band were often compared to such different artists as Nektar (Yet in a less experimental manner...), Fairport Convention or Soft Machine. Even if the critics pointed out, albeit with indulgence, at the lack of maturity of some compositions and the band's relative lack of experience, they appreciated Country Lane's artistic qualities and overall freshness, predicting good prospects for them. Sadly, "Substratum" remained the band's only effort, leaving much promises without realisation.
 
Firstly, the album's release coincided with financial problems at Splendid Records, resulting in an obvious lack of energy to promote the record. Moreover, personal differences arose, preventing the band, who were conscious of their slight amateurism, to gig regularly and promote their work by themselves. Gradually, this situation led to the end of their career.
 
A quarter of a century later, the four surviving members of Country Lane have found themselves with various destinies. Most of them have settled down, are family men and, perhaps a sign of the times, have done well in business and their professional undertakings, whereas they held the decadence of the establishment up to ridicule in the distant Seventies. Nevertheless, their intractable spirit has remained in some way: besides being the manager of a computer firm, Raymond Amey has never ceased to write songs. In 1997, he eventually decided to reform a rock group with former local musicians, among whom is his old chum Freddy Von Kaenel himself, nowadays the manager of a foodstuffs firm. Due to Belgian Philippe Collingon and Music Emporium's passion, "Substratum" was first released in CD format some years ago.
 
This one being available no more, Musea gives you a chance to get the remixed version now. Made in a Toulouse studio, the operation let the two meet again with GianCarlo Duella, now a computer engineer living on the shores of the Geneva lake, after spending several months studying in the United States of America. Jean-Francois Donze sadly couldn't attend the reunion, suffering from multiple sclerosis. A divorced and childless man, he creates his own models of (Swiss !) watches for reputed trademarks. Some twenty-seven years after its only album release, Country Lane remains a good example of those little known, yet multitalented bands, swarming all over Europe in the Seventies and often displaying fresh ideas and enthusiasm far beyond their financial means.
 
As for Country Lane their effort looks all the more remarkable since Switzerland wasn't overflowing with Progressive bands at the time. Welcome wouldn't emerge before two or three years, whilst keyboards wizzard Patrick Moraz essentially made a name for himself in the United Kingdom and abroad. From this point of view, Raymond Amey, reveals a lesser known side of the Progressive Rock history, outof- the-way for most listeners a too long time.

Jean-Pierre Louvin, Freddy Von Kaenel and Raymond Amey



..::TRACK-LIST::..

1. With A Sweet Whistle To My Ears 6:13
2. It's Only Your Memory Playing Just The Thought Of A First Love 2:22
3. Substratum 2:40
4. In The Morning Sun 3:17
5. Good Old Time 2:29
6. The Disgusting Story Of The Captain Bloom 
 - Song To Ivan 5:25
 - Letter To A Friend 7:35
 - Captain Bloom 2:24
 - Lilliput's Safari 2:07



..::OBSADA::..

Guitar, Synthesizer, Kazoo, Vocals - Raymond Amey
Organ, Spinet, Piano, Vocals (tracks: 5) - Olivier Maire
Bass - GianCarlo Duella
Drums, Percussion, Bongos - Jean-François Donze
Rhythm Guitar, Banjo - Freddy Von Kaenel



https://www.youtube.com/watch?v=MiKuYsTzsx4


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Sat, 12 Sep 2026 16:56:48 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>PARADOX - MYSTERIUM (2025) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738298</link>
      <guid>https://best-torrents.com/torrent/738298</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

44 lata działalności, 9 albumów i wierna rzesza fanów. Niemiecki Paradox to dobrze znana marka wśród maniaków speed/thrash metalu z domieszką power metalu. Na swoim koncie mają kilka znakomitych płyt, takich jak Heresy czy Pangea. Teraz Charly Steinhauer powraca z nowym krążkiem zatytułowanym Mysterium, którego premiera zaplanowana jest na 26 września 2025 roku nakładem High Roller Records.

Choć niegdyś Paradox był pełnoprawnym zespołem, dziś to właściwie jednoosobowy projekt – za wszystko odpowiada Steinhauer. Trudno jednak mówić tu o jakimkolwiek problemie, ponieważ Charly to muzyk wszechstronny i utalentowany. Na Mysterium serwuje słuchaczom charyzmatyczne partie wokalne, ciekawe melodie i wyraziste motywy gitarowe, dzięki czemu naprawdę nie ma powodów do narzekań.

Pod względem jakości to zdecydowanie krok naprzód w porównaniu z Heresy II – śmiało można stwierdzić, że to jeden z najlepszych albumów w dorobku Paradox. Na wyróżnienie zasługuje również klimatyczna okładka oraz potężne, selektywne brzmienie, które dodaje całemu materiałowi siły i wyrazistości. Sama grafika idealnie wpisuje się w estetykę zespołu, ale jak zawsze – najważniejsza jest muzyka.

Album zawiera 11 utworów. Już otwierający go, rozpędzony "Kholat", pokazuje geniusz Charliego – agresywny riff, szybkie tempo i bezkompromisowa energia czynią z niego jeden z najmocniejszych punktów płyty. Taki Paradox uwielbiamy!

Kolejny mocny akcent to rozbudowany, pełen nieoczywistych rozwiązań "Abyss of Pain and Fear" – siedem minut doskonale wyważonej mieszanki thrashu i power metalu, które mijają w mgnieniu oka.

Dalej robi się jeszcze ciekawiej – progresywny i zróżnicowany "Those Who Resist", brutalny "One Way Ticket to Die", który doskonale oddaje ducha niemieckiego thrashu, czy kolejny energetyczny cios – "Fragrance of Violence" – to numery, które aż kipią od metalowej pasji i technicznej precyzji.

Tytułowy "Mysterium" wyróżnia się atmosferą i kompozycyjną finezją, a "The Demon God" to kolejna bezlitosna thrashowa petarda, która nie pozostawia miejsca na wytchnienie.

Całość wieńczy melodyjny, pełen detali "Within the Realms of Grey" – doskonałe zakończenie intensywnej, przemyślanej podróży przez świat Paradox.

Zespół – a właściwie Charly Steinhauer – powraca w wielkim stylu z albumem godnym swojej legendy. Mysterium to potężna dawka thrashu, podlana heavy/power metalowym sosem, pełna znakomitych kompozycji i muzycznego ognia. Bez wątpienia jedna z najciekawszych płyt w ich dorobku – warto czekać na premierę!

PMW


This album is dedicated to Axel Blaha (1964-2023), co-founder of PARADOX (R.I.P.)

“Mysterium” is the ninth studio album by German thrash metal institution Paradox and marks a special milestone in the band’s 44-year history, as founder and mastermind Charly Steinhauer not only played all the instruments and sang, but also handled the production entirely on his own.
“I'm capable of it,” he explains. “Everything you hear on the album, I played. I programmed the drums, but it sounds like a real drummer played them at the highest level. I worked on it day and night until everything was perfect.” Only the mastering was left to Patrick W. Engels competent hands.
The songs on “Mysterium” are thematically linked, without it being a classic concept work. The lyrics – which, as on ‘Tales of the Weird’ (2012) and ‘Pangea’ (2016), were written by Achim “Dax” Hömerlein (ex-Vendetta) – revolve around mystical stories and world events that have personally moved Steinhauer. Songs like ‘Abyss of Pain and Fear’ (inspired by the movie “Midnight Express”), the instrumental ‘Grief’ (a tribute to co-founder Axel Blaha, who died in 2023) or the title track (about dream interpretation) thus form a common thread.
The cover art, created by Travis Smith (Opeth Death, et al.), picks up on the theme of the title track and shows a sleepwalking woman. “I didn’t want any skulls or other clichéd things,” says Steinhauer. “It’s more reminiscent of a horror film.” In his own estimation, “Mysterium” is the strongest Paradox album to date: “It became my favourite alongside ‘Heresy’ from 1989. The songs all have their own identity, are catchy, and when the album is over, I want to listen to it again straight away.”
The bandleader does not rule out concerts for “Mysterium”, but his focus remains on studio productions. In fact, he is already thinking about a follow-up album. “I’m a fan of music myself, and CDs or LPs are what I remember, of course in connection with some of the concerts I’ve attended. That is why I need new music, also from myself. And eventually, I want to not have released one single album that has been poorly rated.”



Though the idea of any thrash-adjacent musical affair, even of the more progressive persuasion, having a mysterious bent to it seems extremely counterintuitive; the best way to understand the more than 40 years running Teutonic machine that is Paradox is enigmatic. Not so much in the sense that the music offered up under said moniker defies all convention, but definitely in that it sits almost perfectly in that stylistic no man's land that lies between melodic, progressive and extreme metal; committing to none of them completely yet showing clear tendencies towards the thrashing side of the equation. When considering the mixed approach of fellow German contemporaries like Iron Angel and Angel Dust, one can easily see a heavy bent towards the upcoming shift towards the power metal wave ushered in by Helloween's Keeper Of The Seven Keys albums, but even the old time power thrashing majesty of 1987's Product Of Imagination was of a different persuasion that maybe carried a few hints of the more melodic strain of metal that was afoot, but was gunning for something darker and more nuanced. The subsequent pivots to a more thrash-infused sonic paradigm on 1989's Heresy and their 2000s post-reunion would see this tendency become more pronounced, though even by the dawn of the 2020s it would continue to allot for a melodic character that remained atypical in relation to the rest of the thrash scene and in line with where things began for them in the mid-80s.

In relation to an extensive career now spanning 10 albums when including the unearthing of the lost 3rd album Rearrange The Past the previous year, 2025's Mysterium offers few in the way of changes apart from band founder guitarist/vocalist Charly Steinhauer effectively morphing Paradox into a one-man outfit. The drawn out blends of neck-destroying speed/thrash riff assaults and dreary atmospheric introductory and go-between segments that has typified its modus operandi since 2000's Collision Course remain firmly in place, dogged by technically-charged lead breaks (now being handled exclusively by Steinhauer) and an almost earworm approach to chorus hooks that is uncommon to the lion's share of thrash outfits, be they Teutonic or otherwise. The use of a drum machine in the face of the untimely passing of drummer and co-founder Alex Blaha feels strangely appropriate given that the moribund character of the album's music and recurring theme of death and suffering suggests that his ghost endures amid the frenzy of rapid-fire beats, and ultimately comes off as organic despite being 100% synthetic. From the dense arrangements and elaborate sectional transitions to Charly's gruffy yet tuneful vocal attack, the whole thing just works as a cohesive outfit that listens more like a full band than a lone wolf emulating one in the studio.

Compared to the gargantuan fit of conceptual storytelling that was 2021's Heresy II: End Of A Legend, this is Paradox's version of getting back to basics, which means an album that is still loaded with detailing at the periphery, but comparatively more focused on biting thrashers delivered with reckless abandon. Though clocking in at over 6 minutes and frontloaded with an extended atmospheric exposition that paints the same misty forest landscape with sound that adorns the cover, the opening foray "Kholat" slams the pedal to the proverbial metal like best of the 80s Bay Area just landed in Bavaria. A similar story with more technical bells and whistles emerges in the high octane crusher "Abyss Of Pain And Fear", laying down the speed-thrashing mayhem like it's going out of style and landing one of the most brilliantly realized breakdown segments before Steinhauer lights up his fret board with a truly spellbinding guitar solo cacophony. Among the other blazing speeders to break the sound barrier while clocking in a tad shorter include "One Way Ticket To Die" and "Fragrance Of Violence", with Charly's signature vertabrae-destroying riff work continually ruling the roost and occasionally making way for eclectic contrast points of a softer persuasion.

Granted, Paradox has never lived by pit-exploding thrash alone, and alongside the Bay Area-inspired carnage with a tall side order of genre-defying interludes is a healthy share of more nuanced sonic material. Curiously enough, one of the more restrained feats of progressive metallic thunder follows a brief instrumental exposition that sees Steinhauer flexing his classical guitar chops on "Grief", though the subsequent speed metal fest "Those Who Resist" is about as aggressively charged as most of the previously noted thrashers, after an extended build up from its melodic intro, that is. On the other hand, the more mid-paced power thrasher of a title entry "Mysterium" opts for a brief atmospheric intro before laying on the percussive riffage, and even then one can't help but note that the vocal hooks drive the song and the most impactful moment is the ultra-infectious chorus section, accompanied by a melancholy acoustic line to go with the layering of distorted chords. Towards the end of the album the tried and true tendency of cooking at full speed and asking questions later resumes, yet the massive 7 minute slay fest "The Demon God" proves masterful at finding plenty of contrasting means of pummeling the airwaves to justify its length. The closing hurrah "Within The Realms Of Gray" leaves things with a jarring twist, opting for one of the most mixed up blends of melodic splendor, crushing riff work and progressive shifts in feel and atmosphere to ever occur in the subgenre outside of Jeff Waters' more outlandish musings.

There was just about nowhere to go but down following the colossal achievement that was Heresy II: End Of A Legend, but there are also few other ways to have taken an ever so slight and respectable step down into almost equally compelling territory as was accomplished with Mysterium. Considering the circumstance surrounding it, this album could arguably be seen as the project's greatest triumph in spite of being more towards the middle tier of an extremely impressive catalog, and it must be stressed that Paradox's version of middle tier is still a cut above most. In spite of an ongoing upswing of activity in the underground thrash metal world, this is a sound that has little difficulty standing out from the legions of revivalist acts that are still cropping up like weeds from South America to Asia, and proves that staying in one's comfort zone doesn't necessarily mean ceasing to be inventive and that the stiffest competition is usually against one's own past accomplishments. It's a bittersweet sendoff to an old friend and consequential contributor to the metal world, but it's also the sort of album that is explosive enough to send any thrash fanatic into a moshing rage while giving the power and progressive enthusiasts something to talk about.

hells unicorn



..::TRACK-LIST::..

1. Kholat 06:05
2. Abyss of Pain and Fear 07:28
3. Grief 01:13
4. Those Who Resist 05:49
5. One-way Ticket to Die 05:12
6. Pile of Shame 05:00
7. Tunguska 01:17
8. Fragrance of Violence 05:38
9. Mysterium 06:30
10. The Demon God 07:06

Bonus Track:
11. Within the Realms of Gray 6:11



..::OBSADA::..

Charly Steinhauer - Vocals, Guitars, Bass, Drum programming, Songwriting



https://www.youtube.com/watch?v=nw7KaA6RxjQ


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Sat, 12 Sep 2026 16:11:06 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>PARADOX - MYSTERIUM (2025) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738296</link>
      <guid>https://best-torrents.com/torrent/738296</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

44 lata działalności, 9 albumów i wierna rzesza fanów. Niemiecki Paradox to dobrze znana marka wśród maniaków speed/thrash metalu z domieszką power metalu. Na swoim koncie mają kilka znakomitych płyt, takich jak Heresy czy Pangea. Teraz Charly Steinhauer powraca z nowym krążkiem zatytułowanym Mysterium, którego premiera zaplanowana jest na 26 września 2025 roku nakładem High Roller Records.

Choć niegdyś Paradox był pełnoprawnym zespołem, dziś to właściwie jednoosobowy projekt – za wszystko odpowiada Steinhauer. Trudno jednak mówić tu o jakimkolwiek problemie, ponieważ Charly to muzyk wszechstronny i utalentowany. Na Mysterium serwuje słuchaczom charyzmatyczne partie wokalne, ciekawe melodie i wyraziste motywy gitarowe, dzięki czemu naprawdę nie ma powodów do narzekań.

Pod względem jakości to zdecydowanie krok naprzód w porównaniu z Heresy II – śmiało można stwierdzić, że to jeden z najlepszych albumów w dorobku Paradox. Na wyróżnienie zasługuje również klimatyczna okładka oraz potężne, selektywne brzmienie, które dodaje całemu materiałowi siły i wyrazistości. Sama grafika idealnie wpisuje się w estetykę zespołu, ale jak zawsze – najważniejsza jest muzyka.

Album zawiera 11 utworów. Już otwierający go, rozpędzony "Kholat", pokazuje geniusz Charliego – agresywny riff, szybkie tempo i bezkompromisowa energia czynią z niego jeden z najmocniejszych punktów płyty. Taki Paradox uwielbiamy!

Kolejny mocny akcent to rozbudowany, pełen nieoczywistych rozwiązań "Abyss of Pain and Fear" – siedem minut doskonale wyważonej mieszanki thrashu i power metalu, które mijają w mgnieniu oka.

Dalej robi się jeszcze ciekawiej – progresywny i zróżnicowany "Those Who Resist", brutalny "One Way Ticket to Die", który doskonale oddaje ducha niemieckiego thrashu, czy kolejny energetyczny cios – "Fragrance of Violence" – to numery, które aż kipią od metalowej pasji i technicznej precyzji.

Tytułowy "Mysterium" wyróżnia się atmosferą i kompozycyjną finezją, a "The Demon God" to kolejna bezlitosna thrashowa petarda, która nie pozostawia miejsca na wytchnienie.

Całość wieńczy melodyjny, pełen detali "Within the Realms of Grey" – doskonałe zakończenie intensywnej, przemyślanej podróży przez świat Paradox.

Zespół – a właściwie Charly Steinhauer – powraca w wielkim stylu z albumem godnym swojej legendy. Mysterium to potężna dawka thrashu, podlana heavy/power metalowym sosem, pełna znakomitych kompozycji i muzycznego ognia. Bez wątpienia jedna z najciekawszych płyt w ich dorobku – warto czekać na premierę!

PMW


This album is dedicated to Axel Blaha (1964-2023), co-founder of PARADOX (R.I.P.)

“Mysterium” is the ninth studio album by German thrash metal institution Paradox and marks a special milestone in the band’s 44-year history, as founder and mastermind Charly Steinhauer not only played all the instruments and sang, but also handled the production entirely on his own.
“I'm capable of it,” he explains. “Everything you hear on the album, I played. I programmed the drums, but it sounds like a real drummer played them at the highest level. I worked on it day and night until everything was perfect.” Only the mastering was left to Patrick W. Engels competent hands.
The songs on “Mysterium” are thematically linked, without it being a classic concept work. The lyrics – which, as on ‘Tales of the Weird’ (2012) and ‘Pangea’ (2016), were written by Achim “Dax” Hömerlein (ex-Vendetta) – revolve around mystical stories and world events that have personally moved Steinhauer. Songs like ‘Abyss of Pain and Fear’ (inspired by the movie “Midnight Express”), the instrumental ‘Grief’ (a tribute to co-founder Axel Blaha, who died in 2023) or the title track (about dream interpretation) thus form a common thread.
The cover art, created by Travis Smith (Opeth Death, et al.), picks up on the theme of the title track and shows a sleepwalking woman. “I didn’t want any skulls or other clichéd things,” says Steinhauer. “It’s more reminiscent of a horror film.” In his own estimation, “Mysterium” is the strongest Paradox album to date: “It became my favourite alongside ‘Heresy’ from 1989. The songs all have their own identity, are catchy, and when the album is over, I want to listen to it again straight away.”
The bandleader does not rule out concerts for “Mysterium”, but his focus remains on studio productions. In fact, he is already thinking about a follow-up album. “I’m a fan of music myself, and CDs or LPs are what I remember, of course in connection with some of the concerts I’ve attended. That is why I need new music, also from myself. And eventually, I want to not have released one single album that has been poorly rated.”



Though the idea of any thrash-adjacent musical affair, even of the more progressive persuasion, having a mysterious bent to it seems extremely counterintuitive; the best way to understand the more than 40 years running Teutonic machine that is Paradox is enigmatic. Not so much in the sense that the music offered up under said moniker defies all convention, but definitely in that it sits almost perfectly in that stylistic no man's land that lies between melodic, progressive and extreme metal; committing to none of them completely yet showing clear tendencies towards the thrashing side of the equation. When considering the mixed approach of fellow German contemporaries like Iron Angel and Angel Dust, one can easily see a heavy bent towards the upcoming shift towards the power metal wave ushered in by Helloween's Keeper Of The Seven Keys albums, but even the old time power thrashing majesty of 1987's Product Of Imagination was of a different persuasion that maybe carried a few hints of the more melodic strain of metal that was afoot, but was gunning for something darker and more nuanced. The subsequent pivots to a more thrash-infused sonic paradigm on 1989's Heresy and their 2000s post-reunion would see this tendency become more pronounced, though even by the dawn of the 2020s it would continue to allot for a melodic character that remained atypical in relation to the rest of the thrash scene and in line with where things began for them in the mid-80s.

In relation to an extensive career now spanning 10 albums when including the unearthing of the lost 3rd album Rearrange The Past the previous year, 2025's Mysterium offers few in the way of changes apart from band founder guitarist/vocalist Charly Steinhauer effectively morphing Paradox into a one-man outfit. The drawn out blends of neck-destroying speed/thrash riff assaults and dreary atmospheric introductory and go-between segments that has typified its modus operandi since 2000's Collision Course remain firmly in place, dogged by technically-charged lead breaks (now being handled exclusively by Steinhauer) and an almost earworm approach to chorus hooks that is uncommon to the lion's share of thrash outfits, be they Teutonic or otherwise. The use of a drum machine in the face of the untimely passing of drummer and co-founder Alex Blaha feels strangely appropriate given that the moribund character of the album's music and recurring theme of death and suffering suggests that his ghost endures amid the frenzy of rapid-fire beats, and ultimately comes off as organic despite being 100% synthetic. From the dense arrangements and elaborate sectional transitions to Charly's gruffy yet tuneful vocal attack, the whole thing just works as a cohesive outfit that listens more like a full band than a lone wolf emulating one in the studio.

Compared to the gargantuan fit of conceptual storytelling that was 2021's Heresy II: End Of A Legend, this is Paradox's version of getting back to basics, which means an album that is still loaded with detailing at the periphery, but comparatively more focused on biting thrashers delivered with reckless abandon. Though clocking in at over 6 minutes and frontloaded with an extended atmospheric exposition that paints the same misty forest landscape with sound that adorns the cover, the opening foray "Kholat" slams the pedal to the proverbial metal like best of the 80s Bay Area just landed in Bavaria. A similar story with more technical bells and whistles emerges in the high octane crusher "Abyss Of Pain And Fear", laying down the speed-thrashing mayhem like it's going out of style and landing one of the most brilliantly realized breakdown segments before Steinhauer lights up his fret board with a truly spellbinding guitar solo cacophony. Among the other blazing speeders to break the sound barrier while clocking in a tad shorter include "One Way Ticket To Die" and "Fragrance Of Violence", with Charly's signature vertabrae-destroying riff work continually ruling the roost and occasionally making way for eclectic contrast points of a softer persuasion.

Granted, Paradox has never lived by pit-exploding thrash alone, and alongside the Bay Area-inspired carnage with a tall side order of genre-defying interludes is a healthy share of more nuanced sonic material. Curiously enough, one of the more restrained feats of progressive metallic thunder follows a brief instrumental exposition that sees Steinhauer flexing his classical guitar chops on "Grief", though the subsequent speed metal fest "Those Who Resist" is about as aggressively charged as most of the previously noted thrashers, after an extended build up from its melodic intro, that is. On the other hand, the more mid-paced power thrasher of a title entry "Mysterium" opts for a brief atmospheric intro before laying on the percussive riffage, and even then one can't help but note that the vocal hooks drive the song and the most impactful moment is the ultra-infectious chorus section, accompanied by a melancholy acoustic line to go with the layering of distorted chords. Towards the end of the album the tried and true tendency of cooking at full speed and asking questions later resumes, yet the massive 7 minute slay fest "The Demon God" proves masterful at finding plenty of contrasting means of pummeling the airwaves to justify its length. The closing hurrah "Within The Realms Of Gray" leaves things with a jarring twist, opting for one of the most mixed up blends of melodic splendor, crushing riff work and progressive shifts in feel and atmosphere to ever occur in the subgenre outside of Jeff Waters' more outlandish musings.

There was just about nowhere to go but down following the colossal achievement that was Heresy II: End Of A Legend, but there are also few other ways to have taken an ever so slight and respectable step down into almost equally compelling territory as was accomplished with Mysterium. Considering the circumstance surrounding it, this album could arguably be seen as the project's greatest triumph in spite of being more towards the middle tier of an extremely impressive catalog, and it must be stressed that Paradox's version of middle tier is still a cut above most. In spite of an ongoing upswing of activity in the underground thrash metal world, this is a sound that has little difficulty standing out from the legions of revivalist acts that are still cropping up like weeds from South America to Asia, and proves that staying in one's comfort zone doesn't necessarily mean ceasing to be inventive and that the stiffest competition is usually against one's own past accomplishments. It's a bittersweet sendoff to an old friend and consequential contributor to the metal world, but it's also the sort of album that is explosive enough to send any thrash fanatic into a moshing rage while giving the power and progressive enthusiasts something to talk about.

hells unicorn



..::TRACK-LIST::..

1. Kholat 06:05
2. Abyss of Pain and Fear 07:28
3. Grief 01:13
4. Those Who Resist 05:49
5. One-way Ticket to Die 05:12
6. Pile of Shame 05:00
7. Tunguska 01:17
8. Fragrance of Violence 05:38
9. Mysterium 06:30
10. The Demon God 07:06

Bonus Track:
11. Within the Realms of Gray 6:11



..::OBSADA::..

Charly Steinhauer - Vocals, Guitars, Bass, Drum programming, Songwriting



https://www.youtube.com/watch?v=nw7KaA6RxjQ


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Sat, 12 Sep 2026 16:07:19 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Sworn - Dyskografia (2007 - 2026) FLAC ( Seedów: 0 Peerów: 2 )</title>
      <link>https://best-torrents.com/torrent/738294</link>
      <guid>https://best-torrents.com/torrent/738294</guid>
      <description><![CDATA[...( Info )...
Kategoria: Music
Styl: Melodic Black Metal
Kraj: Norwegia
Format: FLAC

https://www.metal-archives.com/bands/Sworn/42338

...( TrackList )...
Albumy
2007 - The Alleviation
2009 - Bastards and Conquerors
2018 - Dark Stars and Eternity
2023 - A Journey Told Through Fire
2026 - Null Crowned the Infinite
...( Dane Techniczne )...
Audio codec: FLAC
Rip type: Track
Audio bitrate: 468-1121 kbps
Scans from the disc: No (tylko okładka)]]></description>
      <pubDate>Sat, 12 Sep 2026 14:45:02 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Everlast - Ember To Ashes (2026) [mp3@320kbps] ( Seedów: 32 Peerów: 50 )</title>
      <link>https://best-torrents.com/torrent/738283</link>
      <guid>https://best-torrents.com/torrent/738283</guid>
      <description><![CDATA[..::INFO::..

Everlast wydał w 2026 roku "Embers to Ashes" - ósmy album i pierwszy od ośmiu lat; nieskazitelną, refleksyjną kolekcją, która oddaje życie charakteryzujące się ciężko zdobytymi lekcjami, nagłymi zwrotami i chwilami triumfu i straty. Wyprodukowany przez Yelawolfa, zmiksowany przez Chrisa Lord-Alge'a i nagrany w Nashville z pomocą autora piosenek Davida Raya (Jelly Roll, Teddy Swims), album pokazuje go bardziej nieustraszonego i emocjonalnie bezpośredniego niż kiedykolwiek wcześniej. Everlast jest dobrze znany. Nie chodzi tylko o to, że nagrał jeden z największych hip-hopowych hitów w historii - "Jump Around" z 1992 roku z House of Pain - lub że stworzył hymn empatii "What It's Like" ze swojego potrójnie platynowego albumu "Whitey Ford Sings the Blues". Nie chodzi o nominacje do Grammy czy wygraną z Santaną. Chodzi o sposób, w jaki na nowo zdefiniował związek rapu z bluesem i rockiem oraz o człowieczeństwo, które zawsze wnosił do tego brzmienia. Przez ponad trzy dekady dokumentował życie tak, jak je przeżywał - od pokornych wzlotów po druzgocące upadki - a na "Embers to Ashes" ta perspektywa jest głębsza niż kiedykolwiek wcześniej.

Title: Embers To Ashes

Artist: Everlast

Country: USA

Year: 2026

Genre: Alternatywna

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Losing Man's Game
2. Never Coming Home
3. Mistaken Identity
4. My Hollywood
5. Broken Heart For Hire
6. Stones
7. Out of Your Way
8. Lies
9. Rubber Bullets
10. Every Dog Has Its Day
11. Ain't Coming Home Tonight
12. Love Don't Heal
13. Embers To Ashes
14. 1987
15. Happy You Can Cry
16. Peace of Mind
17. Young Man]]></description>
      <pubDate>Sat, 12 Sep 2026 13:00:12 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Ten Years After - Cricklewood Green - (1970) (Remaster 2026) (2 CD) [WEB_FLAC] [rjk] ( Seedów: 42 Peerów: 42 )</title>
      <link>https://best-torrents.com/torrent/738287</link>
      <guid>https://best-torrents.com/torrent/738287</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 Ten Years After - Cricklewood Green - (2 CD) 

 CD 1 - Cricklewood Green (2026 Remaster)
 CD 2 - Fillmore East - Set Two (2026 Mix)
---------------------------------------------------------------------

Artist...............: Ten Years After
Album................: Cricklewood Green (2026 Remaster) - CD 1
Genre................: Rock
Source...............: WEB
Year.................: 1970-04-01 - 2026
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 62-76 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Chrysalis

Included.............: NFO, M3U, CUE
Covers...............: Front 

---------------------------------------------------------------------
 Tracklisting - CD 1 - Cricklewood Green (2026 Remaster)
---------------------------------------------------------------------

 1. Ten Years After - Sugar The Road (2026 Remaster) [04:07]
 2. Ten Years After - Working On The Road (2026 Remaster) [04:19]
 3. Ten Years After - 50,000 Miles Beneath My Brain (2026 Remaster)[07:39]
 4. Ten Years After - Year 3,000 Blues (2026 Remaster) [02:27]
 5. Ten Years After - Me And My Baby (2026 Remaster) [04:10]
 6. Ten Years After - Love Like A Man (2026 Remaster) [07:39]
 7. Ten Years After - Circles (2026 Remaster) [03:59]
 8. Ten Years After - As The Sun Still Burns Away (2026 Remaster)[04:45]
 9. Ten Years After - Love Like A Man (Single Edit - 2026 Remaster)[03:06]
 10. Ten Years After - Warm Sun (2026 Remaster) [03:08]
 11. Ten Years After - To No One (2026 Remaster) [03:49]
 12. Ten Years After - Cricklewood Jam (2026 Remaster) [02:30]

Playing Time.........: 51:43
Total Size...........: 326,93 MB

---------------------------------------------------------------------
 Tracklisting - CD 2 - Fillmore East - Set Two (2026 Mix)
---------------------------------------------------------------------

 1. Ten Years After - Love Like A Man [09:06]
 2. Ten Years After - Good Morning Little Schoolgirl [07:14]
 3. Ten Years After - Working On The Road [02:41]
 4. Ten Years After - 50,000 Miles Beneath My Brain [09:40]
 5. Ten Years After - I Can't Keep From Crying Sometimes [18:30]
 6. Ten Years After - I'm Going Home [11:07]
 7. Ten Years After - Sweet Little Sixteen [04:13]

Playing Time.........: 01:02:34
Total Size...........: 466,64 MB]]></description>
      <pubDate>Sat, 12 Sep 2026 12:56:30 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Atomic Pulse - 25 Years Evolution (2026) (FLAC 16-44.1) ( Seedów: 67 Peerów: 4 )</title>
      <link>https://best-torrents.com/torrent/738243</link>
      <guid>https://best-torrents.com/torrent/738243</guid>
      <description><![CDATA[...( Info )...

Artists: Atomic Pulse
Title: 25 Years Evolution
Type/Genre: Compilation / Psytrance, Psychedelic Trance, Rave
Release date: 2026.09.06
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 1,41 GB
Tracks total: 25
Duration total: [03:44:45]

...( Dane Techniczne )...

Audio
Format                         : FLAC
Format/Info                    : Free Lossless Audio Codec
Duration                       : 8 min 59 s
Bit rate mode                  : Variable
Bit rate                       : 850 kb/s
Channel(s)                     : 2 channels
Channel layout                 : L R
Sampling rate                  : 44.1 kHz
Bit depth                      : 16 bits
Compression mode               : Lossless
Replay gain                    : -6.83 dB
Replay gain peak               : 0.998840
Stream size                    : 54.7 MiB (99%)
Writing library                : Lavf62.9.101

...( TrackList )...

01. Atomic Pulse - Digital Self
02. Atomic Pulse - DeToxicated
03. Atomic Pulse - Direct Source
04. Atomic Pulse - Noise Freak
05. Atomic Pulse - Solaris (Atomic Pulse Remix)
06. Atomic Pulse - Anatomic
07. Atomic Pulse - New World Order Part 3
08. Atomic Pulse - 3rd Eye (Atomic Pulse Remix)
09. Atomic Pulse - Hologram
10. Atomic Pulse - Stillera 2020
11. Atomic Pulse - Lucid Illusion (Atomic Pulse Remix)
12. Atomic Pulse - Music Factory Part 2
13. Atomic Pulse - Freedom
14. Atomic Pulse - Atomic Bomb
15. Atomic Pulse - Stranded (Atomic Pulse Remix)
16. Atomic Pulse - Are You Ready
17. Atomic Pulse - The Wizard
18. Atomic Pulse - Ready To Fly Part 3
19. Atomic Pulse - Let There Be Light (Atomic Pulse Remix)
20. Atomic Pulse - Hell Of A Ride
21. Atomic Pulse - Brain Interface
22. Atomic Pulse - Skywalker (Atomic Pulse & One Nation Remix)
23. Atomic Pulse - Psychedelic Love
24. Atomic Pulse - Machigana
25. Atomic Pulse - Mescaline]]></description>
      <pubDate>Sat, 12 Sep 2026 01:00:10 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>DoctorSpook, Goa Doc - Goa Trance 2026 (Progressive Sessions) (FLAC 16-44.1) ( Seedów: 76 Peerów: 7 )</title>
      <link>https://best-torrents.com/torrent/738241</link>
      <guid>https://best-torrents.com/torrent/738241</guid>
      <description><![CDATA[...( Info )...

Artists: DoctorSpook, Goa Doc
Title: Goa Trance 2026 (Progressive Sessions)
Type/Genre: Compilation / Psytrance, Psychedelic Trance, Rave
Release date: 2024.07.24
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 924 MB
Tracks total: 18
Duration total: [02:17:17]

...( Dane Techniczne )...

Audio
Format                         : FLAC
Format/Info                    : Free Lossless Audio Codec
Duration                       : 7 min 8 s
Bit rate mode                  : Variable
Bit rate                       : 1 013 kb/s
Channel(s)                     : 2 channels
Channel layout                 : L R
Sampling rate                  : 44.1 kHz
Bit depth                      : 16 bits
Compression mode               : Lossless
Replay gain                    : -6.18 dB
Replay gain peak               : 0.975189
Stream size                    : 51.8 MiB (99%)
Writing library                : Lavf62.9.101

...( TrackList )...

01. DoctorSpook - Impulse
02. DoctorSpook - Vibration of The Cosmos
03. DoctorSpook - Escape Velocity
04. DoctorSpook - Boaventura
05. DoctorSpook - Visited (2013 Remix)
06. DoctorSpook - Spica
07. DoctorSpook - Baby Dragon
08. DoctorSpook - Orbit
09. DoctorSpook - Never Stop Dancing
10. DoctorSpook - Changorithm
11. DoctorSpook - Side Effects
12. DoctorSpook - A Hunter's Story
13. DoctorSpook - Dhar Isha
14. DoctorSpook - Mystic Frequencies
15. DoctorSpook - Lunar Module
16. DoctorSpook - Earthling
17. DoctorSpook - 1943 (Instrumental)
18. DoctorSpook - Mars]]></description>
      <pubDate>Sat, 12 Sep 2026 00:00:23 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>George Harrison &amp; Friends - The Concert for Bangla Desh (1997) (2 CD) [FLAC] [rjk] ( Seedów: 30 Peerów: 11 )</title>
      <link>https://best-torrents.com/torrent/738255</link>
      <guid>https://best-torrents.com/torrent/738255</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 George Harrison & Friends - The Concert for Bangla Desh - (2 CD) 
---------------------------------------------------------------------

Artist...............: Various Artists
Album................: The Concert for Bangla Desh
Genre................: Rock
Source...............: CD
Year.................: 1993
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 54-57 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: The Easy Rider Years Live

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting - CD 1
---------------------------------------------------------------------

 1. George Harrison & Friends - Wah-Wah [03:18]
 2. George Harrison & Friends - Something [03:07]
 3. George Harrison & Friends - Awaiting on you all [02:42]
 4. Billy Preston - That.s the way god planned it [04:08]
 5. Ringo Starr - It don.t come easy [02:40]
 6. Bob Dylan - Blowin. in the wind [03:33]
 7. Bob Dylan - Mr. Tambourine man [04:06]
 8. Bob Dylan - Just like a woman [04:11]
 9. George Harrison - My sweet lord [04:16]
 10. George Harrison - Beware of darkness [03:27]
 11. Leon Russell & Don Preston - Jumpin. Jack Flash + Young blood[09:07]

Playing Time.........: 44:40
Total Size...........: 255,84 MB

---------------------------------------------------------------------
 Tracklisting - CD 2
---------------------------------------------------------------------

 1. George Harrison & Friends - While my guitar gently weeps[07:32]
 2. George Harrison & Friends - Here comes the sun [02:53]
 3. Bob Dylan - A hard rain.s gonna fall [05:02]
 4. Bob Dylan - It takes a lot to laugh, it takes a train to cry[02:54]
 5. George Harrison - Bangla Desh [04:21]
 6. Ravi Shankar - Bangla Dhun [17:15]

Playing Time.........: 39:59
Total Size...........: 219,75 MB

Recorded Live at Madison Square Garden, New York, 1971.

Acoustic Guitar – Bob Dylan
Bass – Leon Russell 
Drums – Ringo Starr 
Electric Guitar – George Harrison 
Guitar – George Harrison 
Harmonica – Bob Dylan
Lead Guitar – Don Preston, Eric Clapton, George Harrison
Sarod – Ali Akbar Khan 
Saxophone – Jim Horn 
Sitar – Ravi Shankar 
Tabla – Alla Rakha 
Tambora – Kamala Chakravarty 
Tambourine – Ringo Starr 
Vocals – Bob Dylan, Don Preston, George Harrison, Leon Russell, Ringo Starr, Jerry Lieber, Mike Stoller]]></description>
      <pubDate>Fri, 11 Sep 2026 21:16:46 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>String Connection - Collection (1982-2011) @mp3 256kbit/s ( Seedów: 0 Peerów: 3 )</title>
      <link>https://best-torrents.com/torrent/738247</link>
      <guid>https://best-torrents.com/torrent/738247</guid>
      <description><![CDATA[String Connection - Collection (1982-2011) @mp3 256kbit/s
Genre: Jazz Fusion, Contemporary Jazz
Country: Poland

Written by
Krzesimir Dębski - violin, piano, Polymoog sythesizer
Janusz Skowron - Fender Rhodes eletric piano, Hammond organ, Polymoog synthesizer
Krzysztof Ścierański - bass
Krzysztof Przybyłowicz - drums
Andrzej Jagodziński - grand piano, French horn

Collection (1982-2011)
1982 - Workoholic
1983 - In Concert - {not included}
1983 - New Romatic Expectation
1984 - Live
1984 - Trio
1986 - Live in Warsaw
1987 - String Connection
1989 - Bizzaramente - {only track 4}
2011 - 2012]]></description>
      <pubDate>Fri, 11 Sep 2026 18:00:02 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>LUNAR SHADOW - THE PALL OF A PAST WORLD (2026) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738245</link>
      <guid>https://best-torrents.com/torrent/738245</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wszystko jest tak dobrze wyważone i pięknie zaprezentowane, że ostatecznie tworzy oszałamiająco zaczarowany album!

Nie jest to łatwa w odbiorze płyta... muzyka trochę nie z tego świata.

Dla mnie to bezdyskusyjne miejsce na samym szczycie listy albumów roku - i nie sądzę, żeby to się zmieniło!



„This is it! Your ticket to the most space-rocking, guitar-bending and adventure-ridden album of the year. […] A true gem in nowadays rock music.“
- Adam Henderson, The New York Tines

„One of those rare albums that come without warning and blow everything to splinters […] Like a blend of Rush, Tolkien and Heavy Metal.“
- Nala Esmaeili, The Guaridian



2026 is shaping up to be the year for surprise comebacks and Lunar Shadow is but another case, returning from dormancy for their first full-length since 2021’s Wish To Leave. Granted this album has an interesting catch as bandleader Max Birbaum has opted for the Jeff Waters approach, assuming the lead vocals as well as the lion’s share of instrumentation while session players fill in the drums and keyboards. It’s a bold strategy, especially with it being such a curveball, but it’s also the sort of step forward that could ironically double as a back to basics of sorts.

But for how much has changed for the band, it’s also interesting to see how much their core traits end up getting highlighted in the process. Their relationship to genre is as nebulous as ever, the faintest traces of their heavy metal roots mostly relegated to some of the crunchier gallops with a lighter sound overall fleshed out with prog, folk, and goth influences among others. The guitars also continue to be the flashiest focal point with extensive harmonies and acrobatic solos though the rhythms pack some good punches and the synths provide their atmospheric touches.

While vocals have arguably never been a top priority in the Lunar Shadow method, it’s still neat to consider how it sounds when Birbaum taking matters into his own hands. Their previous vocalists tended to have unorthodox approaches and the same proves to be true here from a certain angle, opting for a somewhat shrill tenor voice with an almost glam veneer. Their range is rather one-note but fits the style they’re going for, especially when the instrumental showcases have always drawn more attention.

Speaking of which, the songwriting is also as dense as one would expect with an onslaught of intricate arrangements set to lengthy structures. The bulk of it actually ends up being pretty upbeat with “The Cormorant” establishing a bouncy pace that sees a cheerful intermingling of guitars, organs, and koto alongside bashing drums and a peppy chorus. It can be easy for subsequent songs to run together but the vibes are consistently pleasant, reaching an early peak with the folky goth jaunt on “The Ventures Of Bombadil” while “The Long Sleep” and “The Reveries of God” being more comparably straightforward. The eleven-minute closer “The Sun Crusher” also comes out pretty great, offering the darkest glimpses while putting in enough ambient flair to keep it substantial.

The surprise factor behind The Pall Of A Past World may draw one’s attention but what makes the album interesting is how it still encapsulates Lunar Shadow’s core traits despite the changes. Their strengths are well-preserved with gorgeous musicianship that serves a majestic atmosphere. Even when it offers some of the band’s longer running quirks and shortcomings, the results end up intriguing for the interpretations they offer and it’s no doubt as much of a grower as their previous efforts. Lunar Shadow has always been unique and it’s pretty nice to see them back at it.

Twisted Psychology



..::TRACK-LIST::..

1. The Cormorant 07:54
2. The Ventures Of Bombadil 08:42
3. The Long Sleep 05:39
4. The Reveries Of God 05:09
5. The Red Lion 08:16
6. The Sun Crusher 11:39



..::OBSADA::..

Max Birbaum - Vocals, Guitars, Bass, Koto 
Jonas Zeidler - Drums



https://www.youtube.com/watch?v=lWvvN9g04xU


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Fri, 11 Sep 2026 17:23:31 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>LUNAR SHADOW - THE PALL OF A PAST WORLD (2026) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738244</link>
      <guid>https://best-torrents.com/torrent/738244</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Wszystko jest tak dobrze wyważone i pięknie zaprezentowane, że ostatecznie tworzy oszałamiająco zaczarowany album!

Nie jest to łatwa w odbiorze płyta... muzyka trochę nie z tego świata.

Dla mnie to bezdyskusyjne miejsce na samym szczycie listy albumów roku - i nie sądzę, żeby to się zmieniło!



„This is it! Your ticket to the most space-rocking, guitar-bending and adventure-ridden album of the year. […] A true gem in nowadays rock music.“
- Adam Henderson, The New York Tines

„One of those rare albums that come without warning and blow everything to splinters […] Like a blend of Rush, Tolkien and Heavy Metal.“
- Nala Esmaeili, The Guaridian



2026 is shaping up to be the year for surprise comebacks and Lunar Shadow is but another case, returning from dormancy for their first full-length since 2021’s Wish To Leave. Granted this album has an interesting catch as bandleader Max Birbaum has opted for the Jeff Waters approach, assuming the lead vocals as well as the lion’s share of instrumentation while session players fill in the drums and keyboards. It’s a bold strategy, especially with it being such a curveball, but it’s also the sort of step forward that could ironically double as a back to basics of sorts.

But for how much has changed for the band, it’s also interesting to see how much their core traits end up getting highlighted in the process. Their relationship to genre is as nebulous as ever, the faintest traces of their heavy metal roots mostly relegated to some of the crunchier gallops with a lighter sound overall fleshed out with prog, folk, and goth influences among others. The guitars also continue to be the flashiest focal point with extensive harmonies and acrobatic solos though the rhythms pack some good punches and the synths provide their atmospheric touches.

While vocals have arguably never been a top priority in the Lunar Shadow method, it’s still neat to consider how it sounds when Birbaum taking matters into his own hands. Their previous vocalists tended to have unorthodox approaches and the same proves to be true here from a certain angle, opting for a somewhat shrill tenor voice with an almost glam veneer. Their range is rather one-note but fits the style they’re going for, especially when the instrumental showcases have always drawn more attention.

Speaking of which, the songwriting is also as dense as one would expect with an onslaught of intricate arrangements set to lengthy structures. The bulk of it actually ends up being pretty upbeat with “The Cormorant” establishing a bouncy pace that sees a cheerful intermingling of guitars, organs, and koto alongside bashing drums and a peppy chorus. It can be easy for subsequent songs to run together but the vibes are consistently pleasant, reaching an early peak with the folky goth jaunt on “The Ventures Of Bombadil” while “The Long Sleep” and “The Reveries of God” being more comparably straightforward. The eleven-minute closer “The Sun Crusher” also comes out pretty great, offering the darkest glimpses while putting in enough ambient flair to keep it substantial.

The surprise factor behind The Pall Of A Past World may draw one’s attention but what makes the album interesting is how it still encapsulates Lunar Shadow’s core traits despite the changes. Their strengths are well-preserved with gorgeous musicianship that serves a majestic atmosphere. Even when it offers some of the band’s longer running quirks and shortcomings, the results end up intriguing for the interpretations they offer and it’s no doubt as much of a grower as their previous efforts. Lunar Shadow has always been unique and it’s pretty nice to see them back at it.

Twisted Psychology



..::TRACK-LIST::..

1. The Cormorant 07:54
2. The Ventures Of Bombadil 08:42
3. The Long Sleep 05:39
4. The Reveries Of God 05:09
5. The Red Lion 08:16
6. The Sun Crusher 11:39



..::OBSADA::..

Max Birbaum - Vocals, Guitars, Bass, Koto 
Jonas Zeidler - Drums



https://www.youtube.com/watch?v=lWvvN9g04xU


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Fri, 11 Sep 2026 17:19:19 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Prince - Timeless (2026) [mp3@320kbps] ( Seedów: 45 Peerów: 11 )</title>
      <link>https://best-torrents.com/torrent/738212</link>
      <guid>https://best-torrents.com/torrent/738212</guid>
      <description><![CDATA[..::INFO::..

Pierwszy album Prince'a obejmujący cały przekrój jego kariery, zawierający 10 rzadkich i dotąd niepublikowanych nagrań z archiwum ukaże się 28 sierpnia 2026 roku. Timeless to pierwsze wydawnictwo stworzone z myślą o ukazaniu wszystkich najważniejszych etapów jego kariery, łączące utwory powstałe w latach 1977-2016 i prezentujące szerokie spektrum najbardziej innowacyjnych oraz wpływowych okresów twórczości artysty. Timeless ukazuje niezwykłą ewolucję artystyczną Prince'a - od jego początków i pierwszych sukcesów jako nastoletniego muzycznego prodigium w Minneapolis, po ostatnie lata pełne przełomowych dokonań. Kolekcja podkreśla wyjątkową konsekwencję, ciekawość twórczą i wizjonerskie podejście, które definiowały jego działalność przez całe życie, oferując słuchaczom możliwość odkrycia dotąd nieznanych rozdziałów jego muzycznej podróży.

Title: Timeless

Artist: Prince

Country: USA

Year: 2026

Genre: Funk, Soul, Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. I Am You
2. Tick Tick Bang
3. Heaven
4. I Wonder
5. With This Tear
6. Stone
7. Calabama
8. The Guilty Ones
9. Bestest Friend
10. How Come You Don't Call Me Anymore? (Live)]]></description>
      <pubDate>Fri, 11 Sep 2026 17:00:23 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Kasabian - Act III (2026) [mp3@320kbps] ( Seedów: 47 Peerów: 28 )</title>
      <link>https://best-torrents.com/torrent/738198</link>
      <guid>https://best-torrents.com/torrent/738198</guid>
      <description><![CDATA[..::INFO::..

Kasabian to brytyjski zespół rockowy pochodzący z Leicester w Anglii, założony w 1997 roku. Tworzą go: wokalista Sergio Pizzorno, basista Chris Edwards (obaj od 1997 roku), perkusista Ian Matthews (od 2005 roku) i gitarzysta Tim Carter (od 2021 roku). Współzałożyciel zespołu, wokalista Tom Meighan opuścił zespół w lipcu 2020 roku, a Pizzorno, dotychczas drugi wokalista i gitarzysta, zajął jego miejsce. Wstawka zawiera dziewiąty, najnowszy album Kasabian.

Title: Act III

Artist: Kasabian

Country: Wielka Brytania

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.Quiet on Set Please 1m9
2.Soulmate
3.Hippie Sunshine
4.Superpowers
5.Great Pretender
6.Nothing Better Than This
7.Mind Palace 2m7
8.Silver Apple Eyes
9.The Guru and the Crypto Time Machine
10.Npc 3m12
11.Glide
12.Hyper//Rising
13.Say You (Closer)]]></description>
      <pubDate>Fri, 11 Sep 2026 15:00:09 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Ten Years After - All the Best (2012) (2 CD) [FLAC] [rjk] ( Seedów: 52 Peerów: 17 )</title>
      <link>https://best-torrents.com/torrent/738236</link>
      <guid>https://best-torrents.com/torrent/738236</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 Ten Years After - All the Best - (2 CD) 
---------------------------------------------------------------------

Artist...............: Ten Years After
Album................: All the Best
Genre................: Rock
Source...............: CD
Year.................: 2012
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 69-70 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting - CD 1
---------------------------------------------------------------------

 1. Ten Years After - Love Like a Man [Single Edit] [03:05]
 2. Ten Years After - I'm Coming On [03:47]
 3. Ten Years After - My Baby Left Me [04:56]
 4. Ten Years After - Think about the Times [04:42]
 5. Ten Years After - I'd Love to Change the World [03:44]
 6. Ten Years After - Working on the Road [04:16]
 7. Ten Years After - I Say Yeah [05:15]
 8. Ten Years After - Gonna Run [06:01]
 9. Ten Years After - Bad Scene [03:31]
 10. Ten Years After - One of These Days [05:40]
 11. Ten Years After - To No One [03:49]
 12. Ten Years After - I Get All Shook Up [04:41]
 13. Ten Years After - Good Morning Little School Girl [Live][07:17]
 14. Ten Years After - Choo Choo Mama [Live] [03:03]
 15. Ten Years After - Sweet Little Sixteen [Live] [04:18]
 16. Ten Years After - Roll over Beethoven [Live] [04:13]
 17. Ten Years After - Waiting for Judgement Day [04:31]

Playing Time.........: 01:16:59
Total Size...........: 536,24 MB

---------------------------------------------------------------------
 Tracklisting - CD 2
---------------------------------------------------------------------

 1. Ten Years After - You're Driving Me Crazy [02:24]
 2. Ten Years After - Baby Won't You Let Me Rock'n'Roll You [02:16]
 3. Ten Years After - If You Should Love Me [05:18]
 4. Ten Years After - Hard Monkeys [03:11]
 5. Ten Years After - Year 3.000 Blues [02:25]
 6. Ten Years After - Me and My Baby [04:12]
 7. Ten Years After - Goin' Back to Birmingham [02:38]
 8. Ten Years After - Nowhere to Run [04:01]
 9. Ten Years After - I Woke Up This Morning [05:27]
 10. Ten Years After - Positive Vibrations [04:18]
 11. Ten Years After - Convention Prevention [04:24]
 12. Ten Years After - I Wanted to Boogie [03:34]
 13. Ten Years After - I'm Writing You a Letter [John Peel Session 1972][06:58]
 14. Ten Years After - There's a Feeling [John Peel Session 1972][04:45]
 15. Ten Years After - Rock'n'Roll Music to the World [John Peel Session 1972][04:13]
 16. Ten Years After - Spoonful [Live] [07:41]
 17. Ten Years After - I'm Going Home [Live] [09:47]

Playing Time.........: 01:17:39
Total Size...........: 545,49 MB]]></description>
      <pubDate>Fri, 11 Sep 2026 13:06:34 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>DoctorSpook, Goa Doc - Hard Dance Rave (2026) (FLAC 16-44.1) ( Seedów: 84 Peerów: 10 )</title>
      <link>https://best-torrents.com/torrent/738162</link>
      <guid>https://best-torrents.com/torrent/738162</guid>
      <description><![CDATA[...( Info )...

Artists: DoctorSpook, Goa Doc
Title: Hard Dance Rave 2026
Type/Genre: Compilation / Psytrance, Psychedelic Trance, Rave
Release date: 2026
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 928 MB
Tracks total: 18
Duration total: [02:16:48]

...( Dane Techniczne )...

Audio
Format                         : FLAC
Format/Info                    : Free Lossless Audio Codec
Duration                       : 8 min 0 s
Bit rate mode                  : Variable
Bit rate                       : 857 kb/s
Channel(s)                     : 2 channels
Channel layout                 : L R
Sampling rate                  : 44.1 kHz
Bit depth                      : 16 bits
Compression mode               : Lossless
Replay gain                    : -3.99 dB
Replay gain peak               : 0.975281
Stream size                    : 49.0 MiB (99%)
Writing library                : Lavf62.9.101

...( TrackList )...

01. DoctorSpook - Cosmic Dreams
02. DoctorSpook - Darshan Frequencies
03. DoctorSpook - Alien Encounter
04. DoctorSpook - Astral Journey
05. DoctorSpook - That We Meet
06. DoctorSpook - Dreams
07. DoctorSpook - Signs Of The Futue
08. DoctorSpook - Kabbalistic Sigil
09. DoctorSpook - Sitting Here Thinking
10. DoctorSpook - The Source
11. DoctorSpook - Fat Cat
12. DoctorSpook - On Loft Of The Old House
13. DoctorSpook - Dissolving Spirals
14. DoctorSpook - Solar System
15. DoctorSpook - HOPF Fibration
16. DoctorSpook - Break The Dancefloor
17. DoctorSpook - Hikha 3
18. DoctorSpook - Over Dreamings]]></description>
      <pubDate>Fri, 11 Sep 2026 07:00:12 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Alurian - Echoes from Eternity (2022) (FLAC 16-44.1) ( Seedów: 30 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738160</link>
      <guid>https://best-torrents.com/torrent/738160</guid>
      <description><![CDATA[...( Info )...

Artists: Alurian
Title: Echoes from Eternity
Type/Genre: Psytrance, Psychedelic Trance, Rave
Release date: 2022
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 493 MB
Tracks total: 9
Duration total: [01:10:00]

...( Dane Techniczne )...

Audio
Format                         : FLAC
Format/Info                    : Free Lossless Audio Codec
Duration                       : 7 min 24 s
Bit rate mode                  : Variable
Bit rate                       : 986 kb/s
Channel(s)                     : 2 channels
Channel layout                 : L R
Sampling rate                  : 44.1 kHz
Bit depth                      : 16 bits
Compression mode               : Lossless
Replay gain                    : -8.35 dB
Replay gain peak               : 0.966049
Stream size                    : 52.3 MiB (99%)
Writing library                : Lavf62.9.101

...( TrackList )...

1. Alurian - Night Creatures (Original Mix)
2. Alurian - Book of Principles (Original Mix)
3. Alurian - Nautical Twilight (Original Mix)
4. Alurian - The Cosmogonic Cycle (Original Mix)
5. Alurian - Law of Harmony (Original Mix)
6. Alurian - Soul of the World (Original Mix)
7. Alurian - Signs of Change (Original Mix)
8. Alurian - Awake Dreaming (Original Mix)
9. Alurian - Moments That Matter (Original Mix)]]></description>
      <pubDate>Fri, 11 Sep 2026 06:00:24 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Imaginarium - Awake the Future (2022) (FLAC 16-44.1) ( Seedów: 23 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738157</link>
      <guid>https://best-torrents.com/torrent/738157</guid>
      <description><![CDATA[...( Info )...

Artists: Imaginarium
Title: Awake the Future
Type/Genre: Psytrance, Psychedelic Trance, Rave
Release date: 2022
Source: TIDAL
Bit-depth / Sampling rate: 16-bit/44.1kHz
Channels: 2.0 - Stereo
Format: FLAC
Size total: 484 MB
Tracks total: 10
Duration total: [01:08:21]

...( Dane Techniczne )...

Audio
Format                         : FLAC
Format/Info                    : Free Lossless Audio Codec
Duration                       : 7 min 13 s
Bit rate mode                  : Variable
Bit rate                       : 1 003 kb/s
Channel(s)                     : 2 channels
Channel layout                 : L R
Sampling rate                  : 44.1 kHz
Bit depth                      : 16 bits
Compression mode               : Lossless
Replay gain                    : -7.71 dB
Replay gain peak               : 0.964447
Stream size                    : 51.9 MiB (99%)
Writing library                : Lavf62.9.101

...( TrackList )...

01. Imaginarium - Sacred Brew
02. Imaginarium - Voice from the Outer World
03. Imaginarium - Kundalini
04. Imaginarium - Awakened
05. Imaginarium - All Night Ravers
06. Imaginarium - Ricksy Business
07. Imaginarium - Superior Consciousness
08. Imaginarium - Mushrooms
09. Imaginarium - Hiraya
10. Imaginarium - Retrodelic (Imaginarium & V-Society Remix)]]></description>
      <pubDate>Fri, 11 Sep 2026 06:00:10 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Gary Moore - Live at Montreux 2010 (2011) [FLAC] [rjk] ( Seedów: 127 Peerów: 30 )</title>
      <link>https://best-torrents.com/torrent/738153</link>
      <guid>https://best-torrents.com/torrent/738153</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 Gary Moore - Live at Montreux 2010
---------------------------------------------------------------------

Artist...............: Gary Moore
Album................: Live at Montreux 2010
Genre................: Rock, Blues
Source...............: CD
Year.................: 2011
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 71 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Eagle Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting
---------------------------------------------------------------------

 1. Gary Moore - Over the hills and far away [07:10]
 2. Gary Moore - Military Man [06:00]
 3. Gary Moore - Days of Heros [03:59]
 4. Gary Moore - Where are you now? [06:45]
 5. Gary Moore - So far away/Empty Rooms [11:48]
 6. Gary Moore - Oh wild one [06:40]
 7. Gary Moore - Blood of Emeralds [08:23]
 8. Gary Moore - Out in the Fields [07:43]
 9. Gary Moore - Walking by myself [05:06]
 10. Gary Moore - Johnny Boy [03:12]
 11. Gary Moore - Parisienne Walkways [10:52]

Playing Time.........: 01:17:43
Total Size...........: 557,82 MB

Recorded live at The Montreux Jazz Festival July 6th 2010.]]></description>
      <pubDate>Thu, 10 Sep 2026 21:31:28 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>HAMMERCULT - BUILT FOR WAR (2015) [BONUS DVD] [NTSC] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738141</link>
      <guid>https://best-torrents.com/torrent/738141</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Live At Reading 3, Tel Aviv 
1. Hymn To The Steel (Intro)
2. Steelcrusher
3. Diabolic Overkill
4. Metal Rules Tonight
5. Into Hell
6. Black Horseman
7. We Are Hammercult
8. Let The Angels Burn
9. Stealer Of Souls



..::OBSADA::..

Guy Ben David - Guitars
Elad Manor - Bass
Yuval Kramer - Guitars
Maayan Henik - Drums
Yakir Shochat - Vocals




SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Thu, 10 Sep 2026 20:21:19 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>STONEHOUSE - STONEHOUSE CREEK (1971/2026) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738115</link>
      <guid>https://best-torrents.com/torrent/738115</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana edycja świetnego, choć praktycznie zapomnianego przez świat, jedynego albumu brytyjskiej formacji. Wydany z początkiem 1971 roku przez RCA Victor (i wart obecnie na winylu 400-500 euro) jedyny, za to kapitalny LP Brytyjczyków zawierał ciężkie, bardzo rasowe granie (z lekkimi elementami bluesa i prog-rocka) w tradycyjnym brytyjskim stylu, przypominającym trochę debiut Budgie, płyty May Blitz, debiut Free oraz Leaf Hound. Pozbawiona jakiejkolwiek promocji (i będąca prawdopodobnie zwykłym, pozbawionym skrupułów odpisem podatkowym wytwórni płytowej) płyta przepadła na rynku - jak setki innych tytułów wydanych przez wielkie wytwórnie na przełomie lat 60. i 70.
Popularności z pewnością nie przysporzyła grupie koszmarna, wyglądająca jak pochlapana błotem, okładka. Aż trudno uwierzyć, że podpisał się pod nią znany z debiutu Black Sabbath i płyt grup Spring, Indian Summer, Affinity, Colosseum - Keef... Po kilku miesiącach, dwóch muzyków Stonehouse utworzyło łagodniejszy i bardziej progresywny zespół Asgard.

JL



..::TRACK-LIST::..

1. Stonehouse Creek 1:21
2. Hobo 3:30
3. Cheater 4:14
4. Nightmare 5:50
5. Crazy White Folk 5:00
6. Down Down 4:28
7. Ain't No Game 3:50
8. Don't Push Me 3:47
9. Topaz 3:40
10. Four Letter Word 3:26
11. Stonehouse Creek (Reprise) 1:21



..::OBSADA::..

Bass - Terry Parker
Drums - Ian Snow
Guitar, Vocals - Peter Spearing
Vocals, Piano - James Smith



https://www.youtube.com/watch?v=yN6WFlQewgI


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Thu, 10 Sep 2026 17:44:50 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>STONEHOUSE - STONEHOUSE CREEK (1971/2026) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738114</link>
      <guid>https://best-torrents.com/torrent/738114</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Nowa, zremasterowana edycja świetnego, choć praktycznie zapomnianego przez świat, jedynego albumu brytyjskiej formacji. Wydany z początkiem 1971 roku przez RCA Victor (i wart obecnie na winylu 400-500 euro) jedyny, za to kapitalny LP Brytyjczyków zawierał ciężkie, bardzo rasowe granie (z lekkimi elementami bluesa i prog-rocka) w tradycyjnym brytyjskim stylu, przypominającym trochę debiut Budgie, płyty May Blitz, debiut Free oraz Leaf Hound. Pozbawiona jakiejkolwiek promocji (i będąca prawdopodobnie zwykłym, pozbawionym skrupułów odpisem podatkowym wytwórni płytowej) płyta przepadła na rynku - jak setki innych tytułów wydanych przez wielkie wytwórnie na przełomie lat 60. i 70.
Popularności z pewnością nie przysporzyła grupie koszmarna, wyglądająca jak pochlapana błotem, okładka. Aż trudno uwierzyć, że podpisał się pod nią znany z debiutu Black Sabbath i płyt grup Spring, Indian Summer, Affinity, Colosseum - Keef... Po kilku miesiącach, dwóch muzyków Stonehouse utworzyło łagodniejszy i bardziej progresywny zespół Asgard.

JL



..::TRACK-LIST::..

1. Stonehouse Creek 1:21
2. Hobo 3:30
3. Cheater 4:14
4. Nightmare 5:50
5. Crazy White Folk 5:00
6. Down Down 4:28
7. Ain't No Game 3:50
8. Don't Push Me 3:47
9. Topaz 3:40
10. Four Letter Word 3:26
11. Stonehouse Creek (Reprise) 1:21



..::OBSADA::..

Bass - Terry Parker
Drums - Ian Snow
Guitar, Vocals - Peter Spearing
Vocals, Piano - James Smith



https://www.youtube.com/watch?v=yN6WFlQewgI


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Thu, 10 Sep 2026 17:40:27 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Harry Styles - Kiss All The Time. Disco, Occasionally.(2026) [FLAC] ( Seedów: 13 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/737758</link>
      <guid>https://best-torrents.com/torrent/737758</guid>
      <description><![CDATA[...( Info )...

Artist: Harry Styles 
Album: Kiss All The Time. Disco, Occasionally.
Genre: Pop Rock, Disco, Funk
Media: CD
Year of release: 2026
Publisher (label): Columbia Records
Catalog number: 19958417732
Audio codec: FLAC (*.flac)
Rip type: tracks+.cue
Duration: 00:42:40
Source: Share

...( TrackList )...



01. Aperture (5:12)
02. American Girls (3:33)
03. Ready, Steady, Go! (2:40)
04. Are You Listening Yet? (3:12)
05. Taste Back (3:42)
06. The Waiting Game (2:50)
07. Season 2 Weight Loss (3:50)
08. Coming Up Roses (4:09)
09. Pop (3:36)
10. Dance No More (3:15)
11. Paint By Numbers (2:27)
12. Carla's Song (4:14)]]></description>
      <pubDate>Thu, 10 Sep 2026 13:24:59 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Tesla - Homage (2026) [mp3@320kbps] ( Seedów: 40 Peerów: 14 )</title>
      <link>https://best-torrents.com/torrent/738090</link>
      <guid>https://best-torrents.com/torrent/738090</guid>
      <description><![CDATA[..::INFO::..

Tesla to amerykański zespół rockowy, powstały w 1984 pod nazwą City Kidd. Członkowie zmienili nazwę zespołu na Tesla w 1986 w czasie nagrywania ich pierwszego albumu, Mechanical Resonance. Przyczynił się do tego menadżer zespołu, który twierdził, że z nazwą City Kidd zespół nie ma szans zaistnieć. Twórcami zespołu byli: Jeff Keith - wokalista, Frank Hannon i Tommy Skeoch - gitarzyści, Brian Wheat - basista oraz Troy Luccketta - perkusista. Muzyka Tesli jest często przyrównywana do hard rocka lub heavy metalu. W rzeczywistości w utworach Tesli występuje dużo zagrywek bluesowych. Ostatecznie ich styl wyznaczyła trasa koncertowa odbyta z zespołami takimi, jak: Def Leppard czy Poison. Z drugiej strony wizerunek, który starali się stworzyć był bardzo podobny do Aerosmith. Wstawka zawiera najnowszy album Tesli - kompilacja coverów innych artystów.

Title: Homage

Artist: Tesla

Country: USA

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1. Never Alone (Original Song)
2. Bring It On Home
3. Spread Your Wings
4. I Wish It Would Rain
5. Night Moves
6. If I Can Dream
7. Come And Get It
8. I Got You
9. Give A Little Bit
10. I Love You
11. Have You Ever Seen The Rain
12. The Ballad Of Curtis Loew
13. I'd Rather Go Blind
14. Mind Your Own Business]]></description>
      <pubDate>Thu, 10 Sep 2026 13:00:23 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>The Skariginals - Get Out of Your Head (2026) [mp3@320kbps] ( Seedów: 11 Peerów: 11 )</title>
      <link>https://best-torrents.com/torrent/738089</link>
      <guid>https://best-torrents.com/torrent/738089</guid>
      <description><![CDATA[..::INFO::..

Skariginals z Los Angeles powstali z jasną misją: rozbudzać w ludziach pragnienie tańca, śpiewu i po prostu bycia sobą. Łącząc żywiołowe gatunki, takie jak ska, reggae i punk, kierują zaproszenie do słuchaczy w każdym wieku i z różnych środowisk, by dołączyli do ich wciąż powiększającej się muzycznej rodziny i cieszyli się życiem poprzez muzykę. Skariginals mistrzowsko przeplatają własne, porywające i energetyczne kompozycje z nowymi aranżacjami znanych utworów, tworząc nieodparty klimat nawiązujący do beztroskich lat 90. i 2000. Wstawka zawiera ich najnowsze wydawnictwo

Title: Get Out of Your Head

Artist: The Skariginals

Country: USA

Year: 2026

Genre: Ska Punk

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

01. Just Anything
02. New Day
03. Outfit
04. Catch and Release
05. Keep Us Around
06. Monica Sage
07. I Try (feat. Calypso's Curse)
08. One More Drop
09. Reanimate
10. Just Anything, a Lullaby]]></description>
      <pubDate>Thu, 10 Sep 2026 13:00:16 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>KISS - New Best Ballads (2000) [FLAC] [rjk] ( Seedów: 196 Peerów: 26 )</title>
      <link>https://best-torrents.com/torrent/738104</link>
      <guid>https://best-torrents.com/torrent/738104</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 KISS - New Best Ballads
---------------------------------------------------------------------

Artist...............: KISS
Album................: New Best Ballads
Genre................: Hard Rock, Glam Metal
Source...............: CD
Year.................: 2000
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 63 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: Lighthouse Records

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting
---------------------------------------------------------------------

 1. KISS - Nothing Can Keep Me From You [04:04]
 2. KISS - Hard Lack Woman [03:33]
 3. KISS - Sure Know Something [04:01]
 4. KISS - God Gave Rock'n'Roll To You [05:19]
 5. KISS - Beth [02:45]
 6. KISS - Goin' Blind [03:35]
 7. KISS - Every Time I Look At You [04:38]
 8. KISS - Shandi [03:36]
 9. KISS - I Finally Found My Way [03:39]
 10. KISS - Naked City [03:51]
 11. KISS - I Still Love You [06:06]
 12. KISS - Forever [03:52]
 13. KISS - Mr. Make Believe [04:00]
 14. KISS - Reason To Live [03:59]
 15. KISS - I Will Be There [03:48]
 16. KISS - Don't You Let Me Down [03:38]
 17. KISS - A World Without Hero [02:38]
 18. KISS - Hold Me Touch Me [03:40]
 19. KISS - See You Tonite [02:28]
 20. KISS - Take Me Away [05:36]

Playing Time.........: 01:18:57
Total Size...........: 505,43 MB]]></description>
      <pubDate>Thu, 10 Sep 2026 12:42:24 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>GRATEFUL DEAD - AOXOMOXOA (1969/2020) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738054</link>
      <guid>https://best-torrents.com/torrent/738054</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

„Earthquake Country” – tak miał się nazywać trzeci album grupy Grateful Dead. Rick Griffin , który zaprojektował okładkę płyty fascynował się palindromami , czyli wyrażeniami które czytane od lewej do prawej i od prawej do lewej brzmią tak samo. Zaproponował grupie taki palindrom i chłopcy to przyjęli. Tak więc trzeci album znany jest wszystkim pod tytułem „Aoxomoxoa”.

Pod koniec 1968 roku zespół wszedł do studia Pacific Recording w San Mateo w Kalifornii i na 16 ścieżkowym magnetofonie zaczął nagrywać utwory, które znalazły się potem na ich kolejnej płycie.

W tym czasie do zespołu doszedł nowy keyboardzista Tom Constanten i również tutaj mamy pierwsze w pełni udane próby tworzenia niezapomnianych perełek przez trwający już do końca istnienia grupy duet Garcia-Hunter.

W stosunku do poprzednika utwory na płycie są bardziej wysublimowane, okryte mgiełką tajemniczości. „St.Stephen”, który otwiera płytę, nadaje ton albumowi. Dźwięk jest tu ostrzejszy i bardziej bezpośredni niż na poprzednim albumie, ale zachował się ten kosmiczny pył jaki towarzyszył przy słuchaniu „Anthem of the Sun”. Mamy też parę utworów akustycznych i to one właśnie tworzą klimat tajemniczości. „Rosemary” , „Doin’ That Rag” czy „Mountains Of the Moon” pokazują ekipę Jerry’ego Garcii w zupełnie innym wymiarze. Weźmy choćby ten ostatni tytuł – żałośnie liryczna gitara akustyczna wzbogacona o klawesyn prowadzi nas w nieznane obszary naszego mózgu. Najbardziej psychodelicznym, a zarazem odjechanym w kosmos jest utwór „What’s Become of the Baby”. Garcia nie chciał wykorzystywać tu żadnych instrumentów, a cały utwór zbudowany jest na głosach muzyków, które zostały poddane obróbce w studio. Dodano echa, pogłosy i różne zmiksowane efekty, dla nas, słuchaczy niesamowity spacer w otchłanie kosmosu. Kończący płytę „Cosmic Charlie” jest z jednej strony świetnym utworem , który idealnie pasuje na koniec płyty, ale też jest zapowiedzią tego, co będzie się działo na następnym albumie.

Grzegorz Wiśniewski


Trzeci album Grateful Dead oryginalnie miał nosić tytuł "Earthquake Country" (nawiązujący do San Francisco Bay Area, gdzie często występują trzęsienia ziemi), lecz zmieniono go po sugestii grafika Ricka Griffina. Autor okładki, zafascynowany - co widać na powyższej grafice - palindromami, zasugerował tytuł, który będzie brzmiał tak samo czytany od prawej i lewej strony. Wspólnie z Robertem Hunterem - nowym współpracownikiem zespołu, od tamtej pory autorem większości tekstów - wymyślił nic nie znaczące słowo "Aoxomoxoa". A skoro mowa o okładce, warto dodać, że niektórzy twierdzą, że w umieszczonym na niej logo zespołu można dopatrzyć się zdania "We Ate the Acid". Cóż, liczba liter się zgadza, niektórych nie trzeba nawet zmieniać, ale żeby faktycznie coś takiego dostrzec, samemu chyba trzeba zażyć kwas.

Choć w przeciwieństwie do swojego poprzednika, "Anthem of the Sun", longplay składa się głównie z konwencjonalnych utworów, w całości zarejestrowanych w studiu, nagrania znów ciągnęły się przez wiele miesięcy. Zespół nagrał w tym czasie album dwukrotnie - pierwsza wersja została odrzucona, gdy muzycy dowiedzieli się o powstaniu 16-ścieżkowego rejestratora dźwięku (dotąd korzystali z 8-ścieżkowego). Po zakupie nowego sprzętu, zaczęli nagrania od nowa. Nowe możliwości wykorzystali przede wszystkim w najbardziej eksperymentalnym fragmencie, ośmiominutowym "What's Become of the Baby", w którym w ogóle nie pojawiają się instrumenty, a jedynie przetworzone, zwielokrotnione partie wokalne. Efekt jest bardzo intrygujący i klimatyczny. Reszta albumu, jak już wspominałem, to już tradycyjne piosenki. Przeważnie łączące chwytliwe melodie z zadziornym, rockowym brzmieniem (np. "St. Stephen", "Doin' That Rag", "China Cat Sunflower" i "Cosmic Charlie"). Nowością w repertuarze grupy jest natomiast granie akustyczne ("Dupree's Diamond Blues", "Rosemary", "Mountains of the Moon"), które na kolejnych studyjnych albumach będzie odgrywać bardziej prominentną rolę.

"Aoxomoxoa" to bardzo przyjemny album, ale nie ukrywam, że brakuje mi tutaj jamowego grania, z jakiego słynęły koncerty Grateful Dead. Dopiero na kompaktowych reedycjach z XXI wieku dołączono trzy kilkunastominutowe jamy, zarejestrowane przez zespół w studiu na samym początku sesji. Szczególnie porywająco wypada "Clementine Jam", ale "Nobody's Spoonful Jam" i "The Eleven Jam" nie zostają daleko w tyle - szkoda, że przynajmniej jeden z nich nie trafił na oryginalny album. Wspomniane reedycje zawierają także lepszą, koncertową wersję "Cosmic Charlie".

Paweł Pałasz



..::TRACK-LIST::..

1. St. Stephen 4:26
2. Dupree's Diamond Blues 3:32
3. Rosemary 1:58
4. Doin' That Rag 4:41
5. Mountains Of The Moon 4:08
6. China Cat Sunflower 3:40
7. What's Become Of The Baby 8:12
8. Cosmic Charlie 5:29



..::OBSADA::..

Guitar, Keyboards - Tom Constanten
Guitar, Music By, Vocals - Jerry Garcia
Guitar, Vocals - Bob Weir
Bass, Music By, Vocals - Phil Lesh
Percussion - Bill Kreutzmann, Mickey Hart, Ron McKernan



https://www.youtube.com/watch?v=KHhsILs5yl8


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Wed, 09 Sep 2026 20:54:01 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>GRATEFUL DEAD - AOXOMOXOA (1969/2020) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738051</link>
      <guid>https://best-torrents.com/torrent/738051</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

„Earthquake Country” – tak miał się nazywać trzeci album grupy Grateful Dead. Rick Griffin , który zaprojektował okładkę płyty fascynował się palindromami , czyli wyrażeniami które czytane od lewej do prawej i od prawej do lewej brzmią tak samo. Zaproponował grupie taki palindrom i chłopcy to przyjęli. Tak więc trzeci album znany jest wszystkim pod tytułem „Aoxomoxoa”.

Pod koniec 1968 roku zespół wszedł do studia Pacific Recording w San Mateo w Kalifornii i na 16 ścieżkowym magnetofonie zaczął nagrywać utwory, które znalazły się potem na ich kolejnej płycie.

W tym czasie do zespołu doszedł nowy keyboardzista Tom Constanten i również tutaj mamy pierwsze w pełni udane próby tworzenia niezapomnianych perełek przez trwający już do końca istnienia grupy duet Garcia-Hunter.

W stosunku do poprzednika utwory na płycie są bardziej wysublimowane, okryte mgiełką tajemniczości. „St.Stephen”, który otwiera płytę, nadaje ton albumowi. Dźwięk jest tu ostrzejszy i bardziej bezpośredni niż na poprzednim albumie, ale zachował się ten kosmiczny pył jaki towarzyszył przy słuchaniu „Anthem of the Sun”. Mamy też parę utworów akustycznych i to one właśnie tworzą klimat tajemniczości. „Rosemary” , „Doin’ That Rag” czy „Mountains Of the Moon” pokazują ekipę Jerry’ego Garcii w zupełnie innym wymiarze. Weźmy choćby ten ostatni tytuł – żałośnie liryczna gitara akustyczna wzbogacona o klawesyn prowadzi nas w nieznane obszary naszego mózgu. Najbardziej psychodelicznym, a zarazem odjechanym w kosmos jest utwór „What’s Become of the Baby”. Garcia nie chciał wykorzystywać tu żadnych instrumentów, a cały utwór zbudowany jest na głosach muzyków, które zostały poddane obróbce w studio. Dodano echa, pogłosy i różne zmiksowane efekty, dla nas, słuchaczy niesamowity spacer w otchłanie kosmosu. Kończący płytę „Cosmic Charlie” jest z jednej strony świetnym utworem , który idealnie pasuje na koniec płyty, ale też jest zapowiedzią tego, co będzie się działo na następnym albumie.

Grzegorz Wiśniewski


Trzeci album Grateful Dead oryginalnie miał nosić tytuł "Earthquake Country" (nawiązujący do San Francisco Bay Area, gdzie często występują trzęsienia ziemi), lecz zmieniono go po sugestii grafika Ricka Griffina. Autor okładki, zafascynowany - co widać na powyższej grafice - palindromami, zasugerował tytuł, który będzie brzmiał tak samo czytany od prawej i lewej strony. Wspólnie z Robertem Hunterem - nowym współpracownikiem zespołu, od tamtej pory autorem większości tekstów - wymyślił nic nie znaczące słowo "Aoxomoxoa". A skoro mowa o okładce, warto dodać, że niektórzy twierdzą, że w umieszczonym na niej logo zespołu można dopatrzyć się zdania "We Ate the Acid". Cóż, liczba liter się zgadza, niektórych nie trzeba nawet zmieniać, ale żeby faktycznie coś takiego dostrzec, samemu chyba trzeba zażyć kwas.

Choć w przeciwieństwie do swojego poprzednika, "Anthem of the Sun", longplay składa się głównie z konwencjonalnych utworów, w całości zarejestrowanych w studiu, nagrania znów ciągnęły się przez wiele miesięcy. Zespół nagrał w tym czasie album dwukrotnie - pierwsza wersja została odrzucona, gdy muzycy dowiedzieli się o powstaniu 16-ścieżkowego rejestratora dźwięku (dotąd korzystali z 8-ścieżkowego). Po zakupie nowego sprzętu, zaczęli nagrania od nowa. Nowe możliwości wykorzystali przede wszystkim w najbardziej eksperymentalnym fragmencie, ośmiominutowym "What's Become of the Baby", w którym w ogóle nie pojawiają się instrumenty, a jedynie przetworzone, zwielokrotnione partie wokalne. Efekt jest bardzo intrygujący i klimatyczny. Reszta albumu, jak już wspominałem, to już tradycyjne piosenki. Przeważnie łączące chwytliwe melodie z zadziornym, rockowym brzmieniem (np. "St. Stephen", "Doin' That Rag", "China Cat Sunflower" i "Cosmic Charlie"). Nowością w repertuarze grupy jest natomiast granie akustyczne ("Dupree's Diamond Blues", "Rosemary", "Mountains of the Moon"), które na kolejnych studyjnych albumach będzie odgrywać bardziej prominentną rolę.

"Aoxomoxoa" to bardzo przyjemny album, ale nie ukrywam, że brakuje mi tutaj jamowego grania, z jakiego słynęły koncerty Grateful Dead. Dopiero na kompaktowych reedycjach z XXI wieku dołączono trzy kilkunastominutowe jamy, zarejestrowane przez zespół w studiu na samym początku sesji. Szczególnie porywająco wypada "Clementine Jam", ale "Nobody's Spoonful Jam" i "The Eleven Jam" nie zostają daleko w tyle - szkoda, że przynajmniej jeden z nich nie trafił na oryginalny album. Wspomniane reedycje zawierają także lepszą, koncertową wersję "Cosmic Charlie".

Paweł Pałasz



..::TRACK-LIST::..

1. St. Stephen 4:26
2. Dupree's Diamond Blues 3:32
3. Rosemary 1:58
4. Doin' That Rag 4:41
5. Mountains Of The Moon 4:08
6. China Cat Sunflower 3:40
7. What's Become Of The Baby 8:12
8. Cosmic Charlie 5:29



..::OBSADA::..

Guitar, Keyboards - Tom Constanten
Guitar, Music By, Vocals - Jerry Garcia
Guitar, Vocals - Bob Weir
Bass, Music By, Vocals - Phil Lesh
Percussion - Bill Kreutzmann, Mickey Hart, Ron McKernan



https://www.youtube.com/watch?v=KHhsILs5yl8


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Wed, 09 Sep 2026 20:49:50 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>MY MINDS MINE - SCENES OF THE COMPLETE ANNIHILATION OF THIS PLANET (2002/2026) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738047</link>
      <guid>https://best-torrents.com/torrent/738047</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Reedycja na 24. urodziny.
Druga duża płyta MY MINDS MINE wydana oryginalnie w 2002 roku.
24 krótkie i szybkie numery wściekłego grindcore'a, który przypadnie do gustu fanom wczesnego NAPALM DEATH, S.O.B., UNSEEN TERROR, HERESY.



Album Holendrów Scenes of the Complete Annihilation of This Planet to reedycja drugiej płyty z 2002 roku. Jest to zdecydowanie oldschoolowy grind core, który przesiąknięty jest klasyką gatunku czyli albumami Scum I From Enslavement To Obliteration angielskiego Napalm Death. W Polsce, z tego co pamiętam grały podobnie zespoły Psychoneurosis czy D.O.C…

Album składa się z bardzo szybkich i krótkich kawałków, z perkusistą grającym mnóstwo blastów. Wokale są ekstremalnie krzykliwe (więcej), podczas gdy tych growlujacych jest nieco mniej.

Co odróżnia My Mind`s Mine od Napalm Death to nieco bardziej techniczna gra gitarzystów, którzy i tak dostarczają grind core z taką czystą, surową energią, może nie do końca z nostalgią lat 80- tych jeśli chodzi o brzmienie, ale jeśli mówimy o muzyce to raczej tak. Prawie cały czas jest masakrycznie wyniszczająco, brzmienie ma ten fajny brudek wynikający z ekstremy że aż miło się robi w uszach. No i najważniejsze - są tu tony noise grind cora, dynamicznie i chaotycznie zagranego, robiącego czystkę robakom w waszych mózgach. Czasami jest coś grindowo punkowego z pozorną melodyjką i prostszymi riffami, ale to jest to, tyle wystarcza. Materiał jest krotki, więc słucha się błyskawicznie, a i umysł potrafi się jakoś fajnie zresetować. Chyba nie ma sensu rozpisywać się na temat poszczególnych utworów bo to wszystko co usłyszałem na tej płycie to jest zaproszenie do pogowania i obijania się o ściany z powodu absolutnie wariackiego hałasu zespołu My Mind`s Mine.

Sławek Migacz


The album Scenes of the Complete Annihilation of This Planet by Dutch band My Mind`s Mine is a reissue of their second CD from 2002. It's definitely old-school grind core, steeped in classics like Napalm Death's Scum and From Enslavement to Obliteration. In Poland, bands like Psychoneurosis and D.O.C. played similarly back in the days.

The album consists of very fast and short tracks, with the drummer playing a lot of blast beats. The vocals are extremely screamy (more), while there's less growls.

What distinguishes My Mind's Mine from Napalm Death is the slightly more technical playing of the guitarists, who still deliver a grind core with such pure, raw energy. It might not quite be 80s nostalgia in terms of sound, but in terms of music, it's more like it. It's almost constant obliteration this band delivers, and the sound has that cool, dirty edge that's pleasing my ears. And most importantly, the album is full of dynamic, chaotic and noisy grind core, which cleanses the worms in the brain. Sometimes there's some grind punk with a mock melody and simpler riffs, but that's it; that's all there is to it. The material is short, so it's a quick listen, which provides a nice reset for my mind. I probably see no point in going into detail about individual tracks, because all I heard on the album will make you headbang and throw your own body against the wall. That all causes the crazy music of My Mind`s Mine at its top noise scale.

Sławek Migacz



..::TRACK-LIST::..

1. Nothing 00:25
2. Signing Up 00:27
3. Lockup Volunteers 00:56
4. Anti-Man 00:45
5. On the Soil of Greed 00:48
6. In Decay 01:00
7. I Lied 00:48
8. Empty Figureheads 00:40
9. Sociopath 00:31
10. (Rooth cover) 00:42
11. Easy Come - Easy Go 00:26
12. Numbered Corpse 00:57
13. Pest 00:37
14. Seen and Not Seen 00:49
15. Remote Controller 00:14
16. Switch Blade Attitude 00:40
17. Imago Mundi 00:51
18. Confront 00:45
19. The Game (Infest cover) 00:28
20. Reproach 00:44
21. My Minds Mine 00:27
22. Mobilization of Chaos 00:36
23. Born Tired 00:37
24. Pretentious Idols 04:38



..::OBSADA::..

Vocals - Rosco
Bass - Bert
Drums - Ype
Guitar - Shantia



https://www.youtube.com/watch?v=nEZ_W4N0Qss


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Wed, 09 Sep 2026 20:15:44 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>MY MINDS MINE - SCENES OF THE COMPLETE ANNIHILATION OF THIS PLANET (2002/2026) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738045</link>
      <guid>https://best-torrents.com/torrent/738045</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Reedycja na 24. urodziny.
Druga duża płyta MY MINDS MINE wydana oryginalnie w 2002 roku.
24 krótkie i szybkie numery wściekłego grindcore'a, który przypadnie do gustu fanom wczesnego NAPALM DEATH, S.O.B., UNSEEN TERROR, HERESY.



Album Holendrów Scenes of the Complete Annihilation of This Planet to reedycja drugiej płyty z 2002 roku. Jest to zdecydowanie oldschoolowy grind core, który przesiąknięty jest klasyką gatunku czyli albumami Scum I From Enslavement To Obliteration angielskiego Napalm Death. W Polsce, z tego co pamiętam grały podobnie zespoły Psychoneurosis czy D.O.C…

Album składa się z bardzo szybkich i krótkich kawałków, z perkusistą grającym mnóstwo blastów. Wokale są ekstremalnie krzykliwe (więcej), podczas gdy tych growlujacych jest nieco mniej.

Co odróżnia My Mind`s Mine od Napalm Death to nieco bardziej techniczna gra gitarzystów, którzy i tak dostarczają grind core z taką czystą, surową energią, może nie do końca z nostalgią lat 80- tych jeśli chodzi o brzmienie, ale jeśli mówimy o muzyce to raczej tak. Prawie cały czas jest masakrycznie wyniszczająco, brzmienie ma ten fajny brudek wynikający z ekstremy że aż miło się robi w uszach. No i najważniejsze - są tu tony noise grind cora, dynamicznie i chaotycznie zagranego, robiącego czystkę robakom w waszych mózgach. Czasami jest coś grindowo punkowego z pozorną melodyjką i prostszymi riffami, ale to jest to, tyle wystarcza. Materiał jest krotki, więc słucha się błyskawicznie, a i umysł potrafi się jakoś fajnie zresetować. Chyba nie ma sensu rozpisywać się na temat poszczególnych utworów bo to wszystko co usłyszałem na tej płycie to jest zaproszenie do pogowania i obijania się o ściany z powodu absolutnie wariackiego hałasu zespołu My Mind`s Mine.

Sławek Migacz


The album Scenes of the Complete Annihilation of This Planet by Dutch band My Mind`s Mine is a reissue of their second CD from 2002. It's definitely old-school grind core, steeped in classics like Napalm Death's Scum and From Enslavement to Obliteration. In Poland, bands like Psychoneurosis and D.O.C. played similarly back in the days.

The album consists of very fast and short tracks, with the drummer playing a lot of blast beats. The vocals are extremely screamy (more), while there's less growls.

What distinguishes My Mind's Mine from Napalm Death is the slightly more technical playing of the guitarists, who still deliver a grind core with such pure, raw energy. It might not quite be 80s nostalgia in terms of sound, but in terms of music, it's more like it. It's almost constant obliteration this band delivers, and the sound has that cool, dirty edge that's pleasing my ears. And most importantly, the album is full of dynamic, chaotic and noisy grind core, which cleanses the worms in the brain. Sometimes there's some grind punk with a mock melody and simpler riffs, but that's it; that's all there is to it. The material is short, so it's a quick listen, which provides a nice reset for my mind. I probably see no point in going into detail about individual tracks, because all I heard on the album will make you headbang and throw your own body against the wall. That all causes the crazy music of My Mind`s Mine at its top noise scale.

Sławek Migacz



..::TRACK-LIST::..

1. Nothing 00:25
2. Signing Up 00:27
3. Lockup Volunteers 00:56
4. Anti-Man 00:45
5. On the Soil of Greed 00:48
6. In Decay 01:00
7. I Lied 00:48
8. Empty Figureheads 00:40
9. Sociopath 00:31
10. (Rooth cover) 00:42
11. Easy Come - Easy Go 00:26
12. Numbered Corpse 00:57
13. Pest 00:37
14. Seen and Not Seen 00:49
15. Remote Controller 00:14
16. Switch Blade Attitude 00:40
17. Imago Mundi 00:51
18. Confront 00:45
19. The Game (Infest cover) 00:28
20. Reproach 00:44
21. My Minds Mine 00:27
22. Mobilization of Chaos 00:36
23. Born Tired 00:37
24. Pretentious Idols 04:38



..::OBSADA::..

Vocals - Rosco
Bass - Bert
Drums - Ype
Guitar - Shantia



https://www.youtube.com/watch?v=nEZ_W4N0Qss


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Wed, 09 Sep 2026 20:11:33 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>składanka mireczka - Remixy,Sety,Mixy vol.2 *2026* [mp3@320kbps] [m19] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738039</link>
      <guid>https://best-torrents.com/torrent/738039</guid>
      <description><![CDATA[...( Info )...

Składanka mireczka :Remixy,Sety,Mixy vol.2
Gatunek: Bootleg, Mix, remix, vixa ,megamix
Rok:2026
mp3@320kbps
CZAS:06:14:35

...( TrackList )...

1.Disco Polo w Remixach
2.KLUBOWA MUZYKA
3.Disco Polo Na Imprezę
4.OGIEŃ W SZOPIE
5.Polski Rap w Remixach - 1
6.Polski Rap w Remixach - 2
7.Polskie nutki w remixach
8.CLUB MUSIC
9.MUZYKA DO AUTA
10.Muzyka Na Imprezę
11.W IMIĘ BASU 3 - Taki Mamy Klimat
12.W IMIĘ BASU 4
13.W IMIĘ BASU 5 - Gorączka Sobotniej Nocy]]></description>
      <pubDate>Wed, 09 Sep 2026 17:37:08 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>składanka mireczka - Remixy,Sety,Mixy vol.1 *2026* [mp3@320kbps] [m19] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/738038</link>
      <guid>https://best-torrents.com/torrent/738038</guid>
      <description><![CDATA[...( Info )...

Składanka mireczka: Remixy,Sety,Mixy vol.1
Gatunek: Bootleg, Mix, remix, vixa ,megamix
Rok:2026
mp3@320kbps
CZAS:06:48:10

...( TrackList )... 

1.Car music mix
2.Dance Mix 1
3.Eurodance Vol. 1
4.Eurodance - megamix - 1
5.Eurodance - megamix - 2
6.Eurodance - megamix - 3
7.Techno Mix (Rave Techno Mix)
8.Eurodance - The Ultimate Megamix
9.MUZYKA KLUBOWA - 1
10.MUZYKA KLUBOWA - 2
11.MUZYKA KLUBOWA (REMIXY STARYCH HITÓW)
12.W IMIĘ BASU 1 - Powrót Do Przeszłości
13.W IMIĘ BASU 2 - Wyspa Tajemnic]]></description>
      <pubDate>Wed, 09 Sep 2026 17:27:46 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Manfred Mann - The Best Of Manfred Mann (1990) (Japan Edition) [FLAC] [rjk] ( Seedów: 129 Peerów: 28 )</title>
      <link>https://best-torrents.com/torrent/738012</link>
      <guid>https://best-torrents.com/torrent/738012</guid>
      <description><![CDATA[..::INFO::..

---------------------------------------------------------------------
 Manfred Mann - The Best Of Manfred Mann
---------------------------------------------------------------------

Artist...............: Manfred Mann
Album................: The Best Of Manfred Mann
Genre................: Rock
Source...............: CD
Year.................: 1990
Ripper...............: EAC (Secure mode) & Lite-On iHAS124
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.5.0 20250211
Quality..............: Lossless, (avg. compression: 64 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: EMI – Japan

Included.............: NFO, M3U, CUE
Covers...............: Front Back CD 

---------------------------------------------------------------------
 Tracklisting
---------------------------------------------------------------------

 1. Manfred Mann - Do Wah Diddy Diddy [02:26]
 2. Manfred Mann - Pretty Flamingo [02:36]
 3. Manfred Mann - If You Gotta Go, Go Now [02:33]
 4. Manfred Mann - 5-4-3-2-1 [02:00]
 5. Manfred Mann - Smokestack Lightnin' [03:34]
 6. Manfred Mann - Sack O' Woe [02:09]
 7. Manfred Mann - Still I'm Sad [02:43]
 8. Manfred Mann - Sha La La [02:31]
 9. Manfred Mann - Come Tomorrow [02:46]
 10. Manfred Mann - Oh No! Not My Baby [02:23]
 11. Manfred Mann - Down The Road A Piece [02:26]
 12. Manfred Mann - I'm Your Kingpin [02:51]
 13. Manfred Mann - John Hardy [02:06]
 14. Manfred Mann - The Abominable Snowman [02:44]

Playing Time.........: 35:55
Total Size...........: 232,29 MB]]></description>
      <pubDate>Wed, 09 Sep 2026 12:17:44 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Weezer - Weezer (2026) [mp3@320kpbs] ( Seedów: 36 Peerów: 1 )</title>
      <link>https://best-torrents.com/torrent/737985</link>
      <guid>https://best-torrents.com/torrent/737985</guid>
      <description><![CDATA[..::INFO::..

Weezer to amerykańska grupa rockowa z Los Angeles w Kalifornii. Zespół powstał w 1992 roku w Los Angeles. Jego założycielami byli Rivers Cuomo, Patrick Wilson, Matt Sharp i Jason Cropper. W 1993 roku podpisali kontrakt z wytwórnią DGC (później Interscope), w której wydali większość swoich płyt. Podczas nagrań pierwszego albumu („The Blue Album”) z zespołu został wyrzucony Jason Cropper. Jego miejsce zajął Brian Bell. Debiutancki album okazał się wielkim sukcesem głównie dzięki teledyskowi stylizowanemu na popularny w USA sitcom Happy Days do piosenki Buddy Holly, który był również dodawany do każdej płyty z Windowsem 95. Wstawka zawiera najnowszy, dwudziesty album studyjny zespołu.

Title: Weezer

Artist: Weezer

Country: USA

Year: 2026

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Say Yes
2.Shine Again
3.Don't Make It Weird
4.We Might as Well Be Strangers (featuring Wednesday)
5.C.E.O.
6.Hoops
7.Nowhere
8.The Show Must Go On
9.Up in the Clouds
10.The LA Sound]]></description>
      <pubDate>Wed, 09 Sep 2026 12:00:09 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Westside Cowboy - It Goes On (2026) [mp3@320kbps] ( Seedów: 8 Peerów: 21 )</title>
      <link>https://best-torrents.com/torrent/737984</link>
      <guid>https://best-torrents.com/torrent/737984</guid>
      <description><![CDATA[..::INFO::..

Debiutancki album studyjny brytyjskiego zespołu z Manchesteru grającego alternatywnego rocka.

Artist: Westside Cowboy

Title: It Goes On

Country: Wielka Brytania

Year: 2026

Genre: Indie Rock

Format / Codec: MP3
Audio bitrate: 320 kbps

..::TRACK-LIST::..

1.Kick Stones (The Boys)
2.Paper Chains
3.Dobro
4.Well Done Kid, You Did It
5.Worried Age
6.Big Wheels
7.Pin Up Boys
8.Coyote
9.Patchwork
10.Take My Leaving as I Love You
11.You Could Have Died There on the Dancefloor]]></description>
      <pubDate>Wed, 09 Sep 2026 11:00:20 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Natalie Imbruglia - Algorithm (2026) [mp3@320kbps] ( Seedów: 12 Peerów: 26 )</title>
      <link>https://best-torrents.com/torrent/737925</link>
      <guid>https://best-torrents.com/torrent/737925</guid>
      <description><![CDATA[..::INFO::..

Natalie Jane Imbruglia (ur. 4 lutego 1975 w Sydney, w Nowej Południowej Walii) to australijska piosenkarka i aktorka. Podobnie jak Jason Donovan i Kylie Minogue rozpoczęła karierę aktorską w serialu Sąsiedzi. Swoją muzyczną karierę Natalie Imbruglia rozpoczęła od singla „Torn” (1997) będącego coverem utworu amerykańskiej grupy Ednaswap. Jej płyta Left of the Middle została sprzedana w ponad 6,5 mln egzemplarzy. Zawiera przeboje „Big Mistake”, „Wishing I Was There” i „Smoke”. Płytę wydano w dwóch osobnych wersjach, dla rynku brytyjskiego i amerykańskiego. Wstawka zawiera siódmy, najnowszy album Natalii.

Title: Algorithm

Artist: Natalie Imbruglia

Country: Australia, Wielka Brytania

Year: 2026

Genre: Pop

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Debbie
2.Upside Down
3.Catastrophe
4.Algorithm (Interlude)
5.Algorithm
6.Sounds Like It Feels
7.Jesus on Mars
8.Who Dimmed the Lights
9.Endgame
10.Just Drive
11.Breathe with the Fire Lola
12.Beautiful Love]]></description>
      <pubDate>Tue, 08 Sep 2026 21:00:08 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>FESTIVAL SLIDARITY OF ARTS 2011 [SHOW JAZZ MARCUS +] [HDTV 1080] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/737961</link>
      <guid>https://best-torrents.com/torrent/737961</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Komentarz zbędny... 




Marcus Miller z zespołem (Alex Han, Sean Jones, Louis Cato, Federico Gonzalez Pena)
Marcus Miller + Trilok Gurtu (Indie)
Marcus Miller + Angelique Kidjo (Benin)
Marcus Miller + Leszek Możdżer (Polska)
Marcus Miller + Tomasz Stańko (Polska) z zespołem (Dominik Wania, Craig Taborn, Sławomir Kurkiewicz, Joey Baron)
Marcus Miller + Edmar Castaneda (Kolumbia)
Marcus Miller + Kenn Hicks (Stany Zjednoczone) i Sinfonia Varsovia
Marcus Miller + Gil Goldstein (Stany Zjednoczone) i Sinfonia Varsovia




Marcus Miller - gitara basowa, klarnet basowy
Alex Han - saksofony
Sean Jones - trąbka
Louis Cato - instrumenty perkusyjne
Federico Gonzalez Pena - instrumenty klawiszowe
Trilok Gurtu - instrumenty perkusyjne
Angelique Kidjo - wokal
Leszek Możdżer - instrumenty klawiszowe
Tomasz Stańko - trąbka
Dominik Wania - instrumenty klawiszowe
Craig Taborn - instrumenty klawiszowe
Sławomir Kurkiewicz - kontrabas
Joey Baron - instrumenty perkusyjne
Edmar Castaneda - harfa
Kenn Hicks & Sinfonia Varsovia
Gil Goldstein & Sinfonia Varsovia



https://www.youtube.com/watch?v=w3w-OHpQTto


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Tue, 08 Sep 2026 20:46:57 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>JORDSJØ - PESTKRØNIKENE (2026) [MP3@320] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/737956</link>
      <guid>https://best-torrents.com/torrent/737956</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To klasyczny rock progresywny z elementami hard rocka i folku, wszystko wrzucone do kotła lat 70. i zmieszane z miłością.
To typ albumu, który sprawia, że ​​słuchacz na nowo zakochuje się w tym gatunku.

Nie brzmi to jak album z 2026 roku, ale raczej jak zaginione arcydzieło sprzed 50 lat...

'Pestkrønikene' to piękna, dziwna, a momentami wręcz dzika podróż przez folkowy mistycyzm, psychodeliczne brzmienia i inspirowany latami 70. rock progresywny.

BRYLANT!!!


JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene.

Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock. To say that band and record, both in general, blend ‘70s heavy rock like Deep Purple, Rush, and Ashbury with the progressive landscapes of Gentle Giant, Høst, and Landberk somewhat undersells JORDSJØ’s particular headspace. The soothingly otherworldly atmosphere sounds incredibly era-authentic but, more so, exists in a parallel universe worth revisiting over and over again; truly, new details and vistas open up with each spin, even with the soundfield being lushly Spartan. To make that anniversary all the sweeter, JORDSJØ are here joined by a few amazing guests: Jon Henriksen from Black Magic, Kristian Valbo from Obliteration / Aura Noir, and Andreas Prestmo and Lars Fredrik Frøislie from Wobbler. Sonic alchemy, Pestkrønikene is.

Succinct yet deceptively expansive at just 36 minutes, Pestkrønikene is a generous feast of fantastical, extra-dimensional exploration. While not “heavy” in the usual DYING VICTIMS sense, JORDSJØ honor the old ways – handmade, honest, even heroic. 



This is completely unexpected. A heavy prog Jordsjø. They were never known to be this heavy but on Pestkrønikene they do just that. Musically it has more in common with the likes of Deep Purple, Uriah Heep, Atomic Rooster, even Rush than anything else they have ever done. There were bands like Black Bonzo from Sweden and Standarte from Italy that played this sort of stuff who did similar kind of retro heavy rock who let everyone know who were their big inspiration. Jordsjø still keeps Håkon Oftung and Kristian Frøland as usual but the guests include Jon Henriksen of Black Magic (who contributes two songs, one of them amusingly called "White Magic"), Lars Fredrik Frøislie, Andreas Prestmo and Kristian Valbo. All these recordings are from 2020 to 2025 and they're obviously from sessions with material that would never fit with the albums they were working on like Pastoralia and Salighet. What's shocking is the musical approach. It's much more direct and heavy, with much more aggressive guitar and heavily fuzzed organ. This is all a very accessible album as well but it's clear they are channeling the heavy rock greats of the past. While Jon Henriksen and Andreas Prestmo contribute vocals to many of the songs, the songs that Håkon sing on has a much more aggressive vocal approach which is nothing that I expected from him as he always gave me the impression he was an introvert as the standard Jordsjø music sounded like music for introverts. I am happy to finally got the wish to see Lars Fredrik Frøislie making a guest here, I knew it was a matter of time. He provides a great Moog solo on "Kaosveldets Endelikt". All the vocals are in English except for the title track. With this album it's very hard telling if this is a one-off because it truly is nothing like anything they ever done before. Only "Kaosvelde - Vasallens Elegi" hearkens back to the more conventional Jordsjø sound, and it's instrumental. I have to say I've been more partial to their usual sound, Nattfiolen is by far my favorite and I'd throw in Kontraster as my favorite as well even though they only contributed one half of it. Still what they did on Pestkrønikene was great and is not your typical Jordsjø. I know this album will throw off longtime fans but if you fancy the idea of a heavy Jordsjø, give it a try, it's nothing like they ever did before and they did a great job at it.

Progfan97402



..::TRACK-LIST::..

1. Pestkrønikene 04:29
2. White Magic (feat. Jon A. Henriksen) 04:42
3. Seven Heads 04:36
4. Kaosvelde - Vasallens Elegi 03:14
5. Kaosveldets Endelikt (feat. Lars Fredrik Frøislie) 03:17
6. The Awakened (feat. Andreas Prestmo) 04:17
7. Spiritual Lament (feat. Kristian Valbo) 05:41
8. Talisman II (feat. Jon A. Henriksen) 04:57



..::OBSADA::..

Håkon Oftung - vocals, guitars, flute, keyboards
Kristian Frøland - drums & percussion

With:
Jon A. Henriksen - vocals (2,8), tambourine (2)
Lars Fredrik Frøislie - Minimoog Model D (5)
Andreas Prestmo - vocals (6)
Kristian Valbo - drums (7)



https://www.youtube.com/watch?v=84rQHfBmyy8


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Tue, 08 Sep 2026 20:16:15 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>JORDSJØ - PESTKRØNIKENE (2026) [WMA] [FALLEN ANGEL] ( Seedów: 0 Peerów: 0 )</title>
      <link>https://best-torrents.com/torrent/737953</link>
      <guid>https://best-torrents.com/torrent/737953</guid>
      <description><![CDATA[...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To klasyczny rock progresywny z elementami hard rocka i folku, wszystko wrzucone do kotła lat 70. i zmieszane z miłością.
To typ albumu, który sprawia, że ​​słuchacz na nowo zakochuje się w tym gatunku.

Nie brzmi to jak album z 2026 roku, ale raczej jak zaginione arcydzieło sprzed 50 lat...

'Pestkrønikene' to piękna, dziwna, a momentami wręcz dzika podróż przez folkowy mistycyzm, psychodeliczne brzmienia i inspirowany latami 70. rock progresywny.

BRYLANT!!!


JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene.

Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock. To say that band and record, both in general, blend ‘70s heavy rock like Deep Purple, Rush, and Ashbury with the progressive landscapes of Gentle Giant, Høst, and Landberk somewhat undersells JORDSJØ’s particular headspace. The soothingly otherworldly atmosphere sounds incredibly era-authentic but, more so, exists in a parallel universe worth revisiting over and over again; truly, new details and vistas open up with each spin, even with the soundfield being lushly Spartan. To make that anniversary all the sweeter, JORDSJØ are here joined by a few amazing guests: Jon Henriksen from Black Magic, Kristian Valbo from Obliteration / Aura Noir, and Andreas Prestmo and Lars Fredrik Frøislie from Wobbler. Sonic alchemy, Pestkrønikene is.

Succinct yet deceptively expansive at just 36 minutes, Pestkrønikene is a generous feast of fantastical, extra-dimensional exploration. While not “heavy” in the usual DYING VICTIMS sense, JORDSJØ honor the old ways – handmade, honest, even heroic. 



This is completely unexpected. A heavy prog Jordsjø. They were never known to be this heavy but on Pestkrønikene they do just that. Musically it has more in common with the likes of Deep Purple, Uriah Heep, Atomic Rooster, even Rush than anything else they have ever done. There were bands like Black Bonzo from Sweden and Standarte from Italy that played this sort of stuff who did similar kind of retro heavy rock who let everyone know who were their big inspiration. Jordsjø still keeps Håkon Oftung and Kristian Frøland as usual but the guests include Jon Henriksen of Black Magic (who contributes two songs, one of them amusingly called "White Magic"), Lars Fredrik Frøislie, Andreas Prestmo and Kristian Valbo. All these recordings are from 2020 to 2025 and they're obviously from sessions with material that would never fit with the albums they were working on like Pastoralia and Salighet. What's shocking is the musical approach. It's much more direct and heavy, with much more aggressive guitar and heavily fuzzed organ. This is all a very accessible album as well but it's clear they are channeling the heavy rock greats of the past. While Jon Henriksen and Andreas Prestmo contribute vocals to many of the songs, the songs that Håkon sing on has a much more aggressive vocal approach which is nothing that I expected from him as he always gave me the impression he was an introvert as the standard Jordsjø music sounded like music for introverts. I am happy to finally got the wish to see Lars Fredrik Frøislie making a guest here, I knew it was a matter of time. He provides a great Moog solo on "Kaosveldets Endelikt". All the vocals are in English except for the title track. With this album it's very hard telling if this is a one-off because it truly is nothing like anything they ever done before. Only "Kaosvelde - Vasallens Elegi" hearkens back to the more conventional Jordsjø sound, and it's instrumental. I have to say I've been more partial to their usual sound, Nattfiolen is by far my favorite and I'd throw in Kontraster as my favorite as well even though they only contributed one half of it. Still what they did on Pestkrønikene was great and is not your typical Jordsjø. I know this album will throw off longtime fans but if you fancy the idea of a heavy Jordsjø, give it a try, it's nothing like they ever did before and they did a great job at it.

Progfan97402



..::TRACK-LIST::..

1. Pestkrønikene 04:29
2. White Magic (feat. Jon A. Henriksen) 04:42
3. Seven Heads 04:36
4. Kaosvelde - Vasallens Elegi 03:14
5. Kaosveldets Endelikt (feat. Lars Fredrik Frøislie) 03:17
6. The Awakened (feat. Andreas Prestmo) 04:17
7. Spiritual Lament (feat. Kristian Valbo) 05:41
8. Talisman II (feat. Jon A. Henriksen) 04:57



..::OBSADA::..

Håkon Oftung - vocals, guitars, flute, keyboards
Kristian Frøland - drums & percussion

With:
Jon A. Henriksen - vocals (2,8), tambourine (2)
Lars Fredrik Frøislie - Minimoog Model D (5)
Andreas Prestmo - vocals (6)
Kristian Valbo - drums (7)



https://www.youtube.com/watch?v=84rQHfBmyy8


SEED 15:00-22:00.
POLECAM!!!]]></description>
      <pubDate>Tue, 08 Sep 2026 20:10:25 +0200</pubDate>
      <category>Muzyka</category>
    </item>
    <item>
      <title>Patrick Moraz - The Story of I (1976) [mp3@320kbps] ( Seedów: 12 Peerów: 8 )</title>
      <link>https://best-torrents.com/torrent/737924</link>
      <guid>https://best-torrents.com/torrent/737924</guid>
      <description><![CDATA[..::INFO::..

Patrick Philippe Moraz (ur. 24 czerwca 1948 w Villars-Ste-Croix w Szwajcarii) to szwajcarski muzyk rockowy i jazzowy, kompozytor, grający na instrumentach klawiszowych. Współpracownik wielu zespołów, m.in. Mainhorse, Refugee, Yes i The Moody Blues. Wstawka zawiera powszechnie znany jako The Story of I, pierwszy solowy album klawiszowca, wydany w kwietniu 1976 roku. Jest to album koncepcyjny skupiający się na budynku, do którego ludzie wchodzą i wspinają się, aby spełnić swoje marzenia, umierając po dotarciu do szczyt.

Title: The Story of I

Artist: Patrick Moraz

Country: Szwajcaria

Year: 1976

Genre: Rock

Format / Codec: MP3
Audio bitrate: 320 Kbps

..::TRACK-LIST::..

1.Impact
2.Warmer Hands
3.The Storm
4.Cachaça (Baiao
5.Intermezzo
6.Indoors
I. "Interaction
II. "Imps' Dance
7.Best Years of Our Lives
8.Descent
9.Incantation (Procession)
10.Dancing Now
11.Impressions (The Dream)
12.Like a Child in Disguise
13.Rise and Fall
I. Degenerescence of Love Theme No III
II. Magic Preparation Dance
III. The Last Call to Destiny
IV. The Final Push from the Imps onto the Diving Board
14.Symphony in the Space]]></description>
      <pubDate>Tue, 08 Sep 2026 20:00:23 +0200</pubDate>
      <category>Muzyka</category>
    </item>
  </channel>
</rss>
